Latest / Scam Goddess / Another Heist at the Louvre w/ Yvette Nicole Brown
Transcript
- 0:00Speaker 1: Scam come from Scam, Come Rob's froll.
- 0:17Speaker 2: Godess what's pop and Congregation? It's your girl, Lacey Mostly
- 0:22Speaker 2: aka scam God. It's back with another installment of the
- 0:25Speaker 2: comedy podcast all about robbery, fraud and those who practice it.
- 0:29Speaker 2: And if y'all know me what, I'm very Yes, I'm
- 0:32Speaker 2: very excited. I'm very ready to have a good crack. Yeah,
- 0:34Speaker 2: I'm still in Ireland. Crack doesn't mean what it means
- 0:37Speaker 2: in the US. Over here, y'all they laughing. That's that's
- 0:39Speaker 2: crack for them, not you know, the rock that with
- 0:42Speaker 2: the lives. But today, okay, y'all know that this is
- 0:48Speaker 2: this is a specialist, a deaconess in the congregation. This
- 0:51Speaker 2: is not her first time being on the podcast. She
- 0:53Speaker 2: brings me so much joy on and off screen. You
- 0:57Speaker 2: may have seen her on hit shows like Community, The
- 0:59Speaker 2: Eye Couple, Drake and Josh the Mayor, and honestly, so
- 1:02Speaker 2: so much more I have to throw in there. I
- 1:04Speaker 2: love the celebrity appearance on The Upshaws. Loved that role too.
- 1:09Speaker 2: I mean, she's looked, she's busy constantly and perhaps you've
- 1:13Speaker 2: heard her wonderful voice on acting projects like Pound Puppies,
- 1:16Speaker 2: Elena of avalor Or and Shape Island. She is an
- 1:20Speaker 2: Emmy nominated act Freees. She is a caregiver and is
- 1:24Speaker 2: educating us one episode at a time with her podcast
- 1:27Speaker 2: Squeezed on Limonada. That Squeezed on Limonada Congregation, please get up,
- 1:33Speaker 2: get up out of your seats, stand up in your vehicles,
- 1:36Speaker 2: and welcome back my fab of Ventnicole Brown.
- 1:40Speaker 3: Hell, nobody gives an intro like you. That was lovely.
- 1:44Speaker 3: Thank you, thank you to this. It's all true.
- 1:46Speaker 2: You've been such an inspiration to me but also such
- 1:48Speaker 2: a lovely mentor. So it's always great when I can
- 1:50Speaker 2: scam me into spending an hour with me.
- 1:53Speaker 4: My pleasure, my pleasure. Baby, how about this? I didn't
- 1:55Speaker 4: even know this was on. Say no, if it's you,
- 1:57Speaker 4: it's a yes. So they didn't even come and say
- 1:59Speaker 4: do you want to do it? The knew it would
- 2:00Speaker 4: be a yes, but they didn't tell me I was
- 2:02Speaker 4: doing it. I was like, I opened up the calendar.
- 2:05Speaker 4: I was like, oh, glam today, Okay, to be fine
- 2:08Speaker 4: my lashes, so here we are, here, we are, I
- 2:12Speaker 4: love it.
- 2:12Speaker 2: Just show up for this thing. I begetting those two.
- 2:15Speaker 2: I just had one of those. I got a producer
- 2:16Speaker 2: session for Barbershop, but I didn't audition for it. So
- 2:19Speaker 2: they were just like, hey, I just saw it in
- 2:20Speaker 2: my calendar, and I was like, hey, can I have
- 2:22Speaker 2: a script bright like.
- 2:24Speaker 3: Or anything about the character? Could I know who the
- 2:26Speaker 3: character is? Right? It just would help me have some
- 2:30Speaker 3: a little bit.
- 2:30Speaker 2: To know what was going on. They're like, oh, yeah, yeah,
- 2:34Speaker 2: we'll get that to you. But this is time work,
- 2:38Speaker 2: and I hate it because they know it does. Because
- 2:39Speaker 2: like when you're you know, when you're on location, it's like, well,
- 2:42Speaker 2: what plans do you have other than your job that
- 2:44Speaker 2: you've been kidnapped for exactly?
- 2:46Speaker 3: And we know when you get off, Like don't they know?
- 2:49Speaker 3: Don't they know?
- 2:50Speaker 2: Yes? Cause here we don't work past six pm, and
- 2:53Speaker 2: then overtime is if we work at seven. But I'm
- 2:55Speaker 2: in at five am every day, so it's so.
- 2:58Speaker 3: You out of there by six every day, still a
- 2:59Speaker 3: twelve our day. You ain't getting away?
- 3:00Speaker 2: Yeah nah, but I mean the twelve you know from
- 3:03Speaker 2: the States, like at eighteen used to be my Normswell.
- 3:07Speaker 3: I did community. Don't talk to me about law?
- 3:09Speaker 4: Yeah, I know, you know, how dare you? How dare
- 3:12Speaker 4: you actually? If you can beat what we did? How
- 3:14Speaker 4: dare you Friday every week?
- 3:16Speaker 5: What? Oh?
- 3:17Speaker 4: I hate a Friturday. I hate a Fridayay. And we'd
- 3:20Speaker 4: be deep in that Friday. We wouldn't getting off until
- 3:22Speaker 4: like noon on Saturday. Like I'm like, y'all crazy.
- 3:26Speaker 2: Crazy floor film once and I was like, never again
- 3:28Speaker 2: unless they paying me a ton of money because they
- 3:30Speaker 2: be going home from work at noon is crazy.
- 3:35Speaker 3: How you doing today? I am good.
- 3:37Speaker 4: I'm excited to see what what fraud and scamming shenanigans
- 3:40Speaker 4: in Bally who have been happening?
- 3:41Speaker 3: Oh? I like, catch me up? Catch me up girl? Yes?
- 3:45Speaker 2: And before I catch you up, I need you to
- 3:47Speaker 2: catch me up. So what's your relationship with scams right now?
- 3:51Speaker 3: Do you love them? Do you hate them? Anything? The Zeitguys?
- 3:53Speaker 3: Have you recently been scammed? Anybody?
- 3:54Speaker 5: You know?
- 3:54Speaker 3: It could be literally anything.
- 3:56Speaker 4: Well, I found out I've been scammed today or someone's
- 3:59Speaker 4: trying to use my name this scam. I'm glad we're
- 4:01Speaker 4: having this conversation. Someone put my picture, my name, and
- 4:06Speaker 4: some other random stuff along with Gmail and they're sending
- 4:08Speaker 4: people messages as me and I know it's going end
- 4:11Speaker 4: up with them asking for some money, So if you
- 4:13Speaker 4: get an email for me randomly, it is not for me.
- 4:17Speaker 4: I don't ask my fans for money. I don't ask
- 4:19Speaker 4: my friends for money. So if anybody's reaching out going
- 4:22Speaker 4: I got this great opportunity for you, it is not me.
- 4:24Speaker 4: So that scam I found out about yesterday and I'm
- 4:27Speaker 4: gonna go in and take the screenshots. What I got
- 4:29Speaker 4: an IP address, I didn't found it, and I'm gonna
- 4:31Speaker 4: go and start me a little police report.
- 4:33Speaker 3: I know that's right. I believe in suing. I believe
- 4:37Speaker 3: my good name all I got.
- 4:38Speaker 4: I don't ask people for money. I never asked people
- 4:40Speaker 4: for money, So somebody's asking for money under my name,
- 4:42Speaker 4: it ain't me.
- 4:43Speaker 2: I feel like you're also not the greatest person to
- 4:45Speaker 2: choose for that scam because you are constantly booked, Like
- 4:48Speaker 2: I wouldn't believe it was you asking me for money anyway.
- 4:50Speaker 3: I like I turned out to be like actually can
- 4:52Speaker 3: I can I hold?
- 4:55Speaker 4: But it also too is everybody's always asking like they
- 4:57Speaker 4: got some new money making scheme, Like I don't even
- 4:59Speaker 4: ask people in regards to money. I don't offer opportunities.
- 5:02Speaker 4: If you just give me twenty dollars I got, I
- 5:04Speaker 4: don't do that. So if it's a money, if it
- 5:07Speaker 4: has anything to do with money, it's not for me.
- 5:08Speaker 4: And also too, let me say this, it is it
- 5:10Speaker 4: is tight out here, so I can understand what somebody
- 5:12Speaker 4: could think somebody needs. But I'm telling you I will
- 5:15Speaker 4: get a job. I'll go to McDonald's and be on
- 5:17Speaker 4: fries before I ask anybody for money.
- 5:18Speaker 2: So just no, same, the same. Once I was like
- 5:22Speaker 2: in between jobs. It was only for a few weeks,
- 5:24Speaker 2: but I just I don't know. I guess I really
- 5:26Speaker 2: am a workaholic. But I saw sign a chick Fila
- 5:28Speaker 2: said we're hiring, and I.
- 5:29Speaker 3: Was like, I was like, what you do? You do
- 5:32Speaker 3: have that in you?
- 5:32Speaker 4: Because I think we talked one day. We were talking
- 5:34Speaker 4: one day and I was you were talking about something.
- 5:36Speaker 4: I said, girl, don't nobody worry about you and work.
- 5:38Speaker 4: If don't nobody work, it's you. You, You got my gene.
- 5:41Speaker 4: You We will work.
- 5:43Speaker 3: We will work.
- 5:44Speaker 2: So I will be employed. Okay, Well I am not
- 5:46Speaker 2: too proud. Clock out show done that before.
- 5:49Speaker 3: We'll do it again. We'll do it again. We'll do
- 5:51Speaker 3: it again, God willing.
- 5:52Speaker 2: We don't have to go back there. But you know,
- 5:54Speaker 2: but but will if we have to, will if we
- 5:56Speaker 2: have to. Ain't no, ain't no shame in a hard
- 5:58Speaker 2: day's work at all. And you just reminded me that, like,
- 6:02Speaker 2: there's another phishing scam that's happening, and it just happened
- 6:05Speaker 2: to me recently. I posted it on scam, got a
- 6:07Speaker 2: incent on my page, but I wanted to give you guys,
- 6:09Speaker 2: like an update into it. Somehow these people got my
- 6:13Speaker 2: phone number, which is not listed and it's not the
- 6:16Speaker 2: one that you can google, like please, Like there was
- 6:18Speaker 2: a lot of I moved since like my I got
- 6:21Speaker 2: docs and everything, so like none of that stuff is
- 6:23Speaker 2: the same. But they somehow got my real number and
- 6:27Speaker 2: they texted me this long, menacing text about how they
- 6:30Speaker 2: had my nudes and I don't have nudes. So this
- 6:34Speaker 2: is how I was already like, there's no nude photo.
- 6:38Speaker 2: I wanted you right exactly. So wait, okay, I found it.
- 6:41Speaker 2: I'm gonna read it to you. So they say, hey,
- 6:44Speaker 2: miss Lacy.
- 6:45Speaker 4: Now, first, first of all, first of all, we already
- 6:51Speaker 4: out you already lost me, he miss girl, Like, no,
- 6:55Speaker 4: be serious, right, if we don't want to rob me
- 6:59Speaker 4: Beasts series.
- 7:01Speaker 3: I heard a rap song recently that was so funny.
- 7:03Speaker 3: It was like if if.
- 7:05Speaker 2: You out here getting money, put a hand in the
- 7:07Speaker 2: air or something like that. And it was like, if
- 7:09Speaker 2: you out here getting money, put your other hand up,
- 7:11Speaker 2: now give it to me.
- 7:12Speaker 3: I was like, what what?
- 7:14Speaker 2: Hi? I wish I had the lyrics correct because it's
- 7:18Speaker 2: actually very funny because it rhymed, but it was so
- 7:20Speaker 2: funny to me. I was like, not not me being
- 7:22Speaker 2: robbed by this song. But it says, hey, miss Burrol,
- 7:26Speaker 2: miss Lacy poo, I texted you on what sapp and
- 7:30Speaker 2: you never replied. I'm reading it grammatically as it says,
- 7:33Speaker 2: let me just go straight to the point. And why
- 7:36Speaker 2: it got the annoyed emoji with the I row, Yeah,
- 7:39Speaker 2: like you annoyed with me?
- 7:40Speaker 3: You're trying to rob me? How you trying to scam me?
- 7:42Speaker 3: Stop it?
- 7:43Speaker 2: This is how we know the workplace, Like everybody is
- 7:45Speaker 2: exhausted out here, even the criminals, like, oh hello God,
- 7:50Speaker 2: I'm trying to rob you. Like, how are you giving
- 7:54Speaker 2: me an attitude? You're trying to rob me?
- 7:58Speaker 3: So it says, let's get straight to the point. I roll.
- 8:01Speaker 2: A new picture of yours was leaked while you booked
- 8:04Speaker 2: me as a massage and l e s partner. I
- 8:08Speaker 2: don't know what that is, and I won't hesitate to
- 8:11Speaker 2: post them all if you refuse to comply with me.
- 8:15Speaker 2: Three exclamation points. Now you might have had something, you know.
- 8:17Speaker 2: I love a good massage. Okay, I'm getting one tomorrow.
- 8:20Speaker 2: I travel the world and I get a massage everywhere
- 8:22Speaker 2: I go. That's that's my tourism. I don't need to
- 8:25Speaker 2: see the mountain. I saw that on the table.
- 8:27Speaker 4: You see a table on some of that coconutor one
- 8:29Speaker 4: that's rright my head.
- 8:31Speaker 3: Through the table.
- 8:34Speaker 2: So he says, you're a celebrity, and I have nothing
- 8:38Speaker 2: to lose loops out of this, not lose loose. And
- 8:44Speaker 2: then we got a space and there's some ellipses, and
- 8:47Speaker 2: then another space because you know that's how e lipses work,
- 8:50Speaker 2: and it says you're the one with the image and
- 8:52Speaker 2: good reputation, not me. You have a couple hours to
- 8:57Speaker 2: reply to my man, and got a couple hours, Scott,
- 9:00Speaker 2: you have a couple hours.
- 9:01Speaker 3: A couple outs.
- 9:03Speaker 2: Okay, we couldn't have run the store a spell check
- 9:06Speaker 2: or the red lines were dancing under.
- 9:10Speaker 3: This hated typo. Gone, it's all.
- 9:13Speaker 2: Typos, and that's a great way to spot a scam, y'all,
- 9:16Speaker 2: like a professional company. Is I gonna send you an
- 9:18Speaker 2: email from like a regular web account would get riddled
- 9:22Speaker 2: with typos? Right, So it says you have a couple
- 9:25Speaker 2: hours to reply to my message, or I just posted
- 9:28Speaker 2: on every social media I repeat, you have the image
- 9:32Speaker 2: space exclamation point, explanation point, I have nothing to loose,
- 9:36Speaker 2: oh lose was beating his ass? Beatt Then they send
- 9:40Speaker 2: me a screenshot of my Instagram page. Then it says
- 9:43Speaker 2: I will start to d I will start from d
- 9:47Speaker 2: M your followers and sharing those news to them.
- 9:51Speaker 3: Space three exclamation How you're gonna do that?
- 9:53Speaker 5: Though?
- 9:53Speaker 4: If you're not in my account? How you DM and
- 9:55Speaker 4: anybody as me? If you're not in the account.
- 9:58Speaker 2: Then they got a video of me saying, uh, this
- 10:01Speaker 2: is you not gonna lie?
- 10:03Speaker 3: You have a sexy body. This is a video that
- 10:06Speaker 3: I posted on my Instagram story years ago. But like
- 10:09Speaker 3: still what?
- 10:11Speaker 2: And so then it says I don't respond right and
- 10:14Speaker 2: I have my Raver receipts on. So I was just like,
- 10:17Speaker 2: it doesn't matter if you know it's me or not.
- 10:18Speaker 2: And so I said, yo, ma'am, now I get it.
- 10:21Speaker 2: You don't care right, and literally nothing after that, and
- 10:25Speaker 2: I was.
- 10:25Speaker 3: Like, oh, well it should be up right now. I
- 10:30Speaker 3: don't have anything to put up I know.
- 10:32Speaker 4: But listen with AI, we all got something to put
- 10:34Speaker 4: up right. That's what I'm saying, y'all counting fingers. All
- 10:38Speaker 4: I'm saying, though, is make sure she she's delicious and buttery.
- 10:43Speaker 4: I ain't got no news, but if you're gonna make
- 10:44Speaker 4: we'll make it. Get halle Berry and somebody put it
- 10:46Speaker 4: in my head on her some more work, give me,
- 10:52Speaker 4: give me, give me Meg the Stallion.
- 10:53Speaker 3: Put my head on Meg this guy, and I happily
- 10:56Speaker 3: say that is my news. I was like, I'm so ashamed.
- 10:59Speaker 4: I'm so ashamed that my buttocks is for the world
- 11:02Speaker 4: is looking at the boobs and they Meg's boobs.
- 11:04Speaker 2: I'm like reposting a photo like I know y'all saw this,
- 11:07Speaker 2: and I'm so shamed, so please like a subscribe for
- 11:14Speaker 2: my pain. Literally, But these kind of fishing scams, they're
- 11:20Speaker 2: trying everything these days, anything and everything, and no matter
- 11:25Speaker 2: if you are working in entertainment or some type of
- 11:28Speaker 2: public figure, it doesn't matter because now we all have
- 11:30Speaker 2: social media to the point where all of our information
- 11:33Speaker 2: is out there. Everybody want to be the main character.
- 11:35Speaker 2: Everybody want to go viral. So everybody put in their
- 11:37Speaker 2: business out every single day. So this can be done
- 11:39Speaker 2: to any person. It doesn't matter what your station is.
- 11:42Speaker 2: So we all know the nurses love to dance next
- 11:44Speaker 2: to their patients. Coding and then losing the job just
- 11:48Speaker 2: the quickest way to lose your job. Oh my gosh,
- 11:51Speaker 2: into the historic couldwing. Did you hear about that that
- 11:54Speaker 2: socstitute teacher in Mississippi who got fired after her first
- 11:57Speaker 2: day because she was videotaping the kids.
- 12:00Speaker 3: No, why why? She was doing a Day in the
- 12:04Speaker 3: life with the faces of the babies.
- 12:06Speaker 2: Yes, and she like filming herself walking in and out
- 12:10Speaker 2: the classroom. And I saw one TikTok that made me
- 12:12Speaker 2: laugh so hard. That was like when people film a
- 12:14Speaker 2: day in the life and they had an extra phone,
- 12:16Speaker 2: so it's like you see them setting up the camera
- 12:17Speaker 2: when they get out of the car to get back
- 12:19Speaker 2: in the car and.
- 12:20Speaker 3: Get out of the car, like did you do yo?
- 12:23Speaker 4: Did you see the lady who had promptly lost her job?
- 12:25Speaker 4: We did a day in life going into the airport, Yes,
- 12:30Speaker 4: with the codes, putting codes in to open up the
- 12:32Speaker 4: change drawers.
- 12:34Speaker 3: It was literally a how to how Rob? How rob? Airport?
- 12:42Speaker 4: Where you come out, where you get your money, the
- 12:44Speaker 4: route you take, the door you go into, the security guard,
- 12:47Speaker 4: your name badge, your security badge. It was everything, and
- 12:51Speaker 4: she crying, I didn't lost my girl.
- 12:53Speaker 3: Please. I wanted to fire you. I didn't even hire you,
- 12:55Speaker 3: and I wanted to fire you. Right, we got to
- 12:57Speaker 3: hear about it here.
- 12:58Speaker 4: You are a national security already risk a mess, just
- 13:02Speaker 4: a mess.
- 13:03Speaker 3: A day and the life at the CIA. So first
- 13:05Speaker 3: I start with like, what do you what do you mean?
- 13:09Speaker 4: Day in the life at the bank, when I get
- 13:12Speaker 4: out the thousands, this is the code, what are you doing?
- 13:15Speaker 3: This is how much money we keep on hand.
- 13:17Speaker 2: This is how much money we give to And we
- 13:19Speaker 2: do these pickups as six o three sharp every day
- 13:23Speaker 2: every day.
- 13:24Speaker 3: That's when the Brinks truck comes. His name is Tony.
- 13:27Speaker 2: Don't get ready with me, And Tony loves to drive
- 13:30Speaker 2: on Root six and he always uses the restroom out
- 13:33Speaker 2: of seven eleven along the way and.
- 13:35Speaker 3: He leaves the he leaves the truck open and running.
- 13:38Speaker 3: Don't do it. Don't do it, open and running. Is grady.
- 13:44Speaker 6: Like.
- 13:44Speaker 2: He was a how to robbery and speaking of robbery, oh,
- 13:48Speaker 2: that is the theme today. That was your segue. You
- 13:51Speaker 2: brought that up.
- 13:52Speaker 3: Thank you event.
- 13:53Speaker 2: That is the theme of the show today because we
- 13:56Speaker 2: are getting into the long anticipated y'all have really hit
- 13:59Speaker 2: me up about this, and you knew I was going
- 14:01Speaker 2: to do it because I was literally I was reading
- 14:03Speaker 2: this news article and I think a little drool fell.
- 14:05Speaker 3: Out of my mouth, like I was like, are you kidding?
- 14:09Speaker 2: So we are talking about the most recent caper that
- 14:14Speaker 2: took place at the famous La Cree Museum in Dali. Yeah,
- 14:25Speaker 2: so four people with a ladder and a dream, that's
- 14:29Speaker 2: right and power tools broke into the world's most visited
- 14:35Speaker 2: museum in broad daylight. We're escaping on scooters with French
- 14:41Speaker 2: Crown jewels worth more than one hundred million dollars. So,
- 14:47Speaker 2: first of all, shout out to the broad daylight of
- 14:51Speaker 2: it all.
- 14:52Speaker 3: That's that's bowl, that's that's ballsy scar.
- 14:58Speaker 4: Car.
- 15:00Speaker 2: The loof has been having some financial struggles as of late,
- 15:04Speaker 2: and they don't really have the amount of security that
- 15:07Speaker 2: they need. Only seventy five percent of the louve actually
- 15:11Speaker 2: has security cameras. And it made me think when I
- 15:14Speaker 2: saw this heist. I was like, why did nobody think
- 15:17Speaker 2: to rob them sooner? And I think it really is
- 15:20Speaker 2: because of all the Oceans movies, Like I don't know
- 15:23Speaker 2: if the louver was like, let's support these movies, so
- 15:25Speaker 2: people really think they got a cat dance around lasers
- 15:28Speaker 2: and lights and you know, come in from the ceiling.
- 15:31Speaker 3: Let's make it look.
- 15:31Speaker 2: So hard to rob a museum and then maybe people
- 15:35Speaker 2: will just believe it.
- 15:37Speaker 3: Yeah.
- 15:37Speaker 4: I mean listen, when I saw them pouring soup on
- 15:40Speaker 4: the mona Lisa, I thought they don't have enough security.
- 15:43Speaker 4: Get did you get up there with girl and to
- 15:46Speaker 4: tomato soup?
- 15:47Speaker 3: Own her? What did you do that?
- 15:48Speaker 4: Ain't protected with little plexiglass? But still I don't think
- 15:51Speaker 4: you should get that closed.
- 15:52Speaker 2: Lisa was sitting there like what the hell are She's
- 15:54Speaker 2: like what And Lisa, Lisa wasn't even that girl back
- 15:57Speaker 2: in the day. The whole reason that she became the
- 16:00Speaker 2: girl was because she was stolen herself by the person
- 16:04Speaker 2: who installed the protect like the framing for her.
- 16:07Speaker 3: Originally, he stole.
- 16:09Speaker 4: Her because they made a replica, because he knew he
- 16:11Speaker 4: knew how to get up in there.
- 16:13Speaker 3: Yeah, because he put her up in there, so you
- 16:14Speaker 3: know how to get her out.
- 16:15Speaker 4: And she about the size of a postage stamp. You
- 16:17Speaker 4: really could put it under your arm and going out
- 16:18Speaker 4: of there. She's a lady, underwhelming, tiny lady. I was
- 16:22Speaker 4: shocked the first time I saw her.
- 16:23Speaker 2: I was like, that's how pig Shere is yeah thing
- 16:26Speaker 2: and people are waiting in line and droves like crowding
- 16:29Speaker 2: around it.
- 16:30Speaker 3: I remember I have a picture in front of it,
- 16:32Speaker 3: and I was very unimpressed.
- 16:34Speaker 4: It was like I just thought, because she looks larger
- 16:36Speaker 4: than life when you see her. Do you know, as
- 16:38Speaker 4: we talk about this, this the scamming, of the fraud,
- 16:41Speaker 4: of the taking of the jewels, did you hear that
- 16:43Speaker 4: they left one behind and you dropped the crowd. I
- 16:46Speaker 4: don't know if they dropped it or they left it,
- 16:48Speaker 4: because you know they say that one's cursed. That would
- 16:50Speaker 4: be saying the Regent diamond is cursed. And they didn't
- 16:54Speaker 4: take that one. That's the one they didn't take. I'm
- 16:56Speaker 4: that's what I'm talking about. That the one they said
- 16:59Speaker 4: they treat that like Danda bell doll. They say, not
- 17:01Speaker 4: on our watch, we right, hein't gonna be in my
- 17:04Speaker 4: bag when I'll kill over and die and I.
- 17:06Speaker 2: Know that's right, because there's so many. It's just like
- 17:08Speaker 2: a lot of weird deaths around the region. Diamond like
- 17:10Speaker 2: obviously you know Queen Anson that she got her head,
- 17:12Speaker 2: Kurt chopped, Napoleon had his sword, he got exiled. They
- 17:17Speaker 2: sawer back.
- 17:18Speaker 3: The Indian enslaved Indian man who found it.
- 17:23Speaker 2: Put it in his leg, like he cut a hold
- 17:25Speaker 2: of his leg and put it in his leg and
- 17:26Speaker 2: smuggled it on a boat and tried to bribe the
- 17:30Speaker 2: caption of this boat this Englishman for his freedom. He
- 17:32Speaker 2: was like, if you like give me my freedom, I'll
- 17:34Speaker 2: give you half the cut on this diamond. And of
- 17:37Speaker 2: course the Englishman was like yeah, for sure, for sure,
- 17:39Speaker 2: and then just killed him and kept the diamond.
- 17:40Speaker 3: Yeah, that's cursed. That's curse right there, that's the curse
- 17:43Speaker 3: right there.
- 17:43Speaker 2: Yep, that was the person that was stolen from this
- 17:46Speaker 2: Indian man who found it in his own country's minds
- 17:49Speaker 2: while he.
- 17:50Speaker 3: Was being enslave. Don't do it, so don't do it,
- 17:53Speaker 3: That's what.
- 17:55Speaker 2: Somebody somebody on TikTok was like, I love the heiser
- 17:58Speaker 2: back and I really want to make requests.
- 18:00Speaker 3: Can we hit the British Museum next, and I was like, Yau,
- 18:04Speaker 3: they got a lot of African stuff up in there,
- 18:05Speaker 3: They got a lot of stuff.
- 18:06Speaker 2: They just look at what we stole, and I love
- 18:09Speaker 2: that they think they colonizers, think that, like the presentation
- 18:12Speaker 2: of it all takes away from how awful, you know
- 18:15Speaker 2: what it is to acquire it was, you know what
- 18:18Speaker 2: I mean, Like how they stole it from people, how
- 18:20Speaker 2: they murdered people. How the sun never sets on the
- 18:22Speaker 2: British Empire means we literally broke into everybody's crib and
- 18:25Speaker 2: just claimed it and killed it.
- 18:26Speaker 3: We wanted to take what we wanted to take to robbers.
- 18:30Speaker 2: Y'all get that cherry pickerback together, and y'all head all
- 18:32Speaker 2: over the UK because we need a favor, we need
- 18:35Speaker 2: a face.
- 18:37Speaker 3: Don't get our shape back. I'm tired of the museums, Like,
- 18:39Speaker 3: look at what we know.
- 18:39Speaker 2: We put a light on it, we put it in
- 18:41Speaker 2: a little box, so it's ours now.
- 18:44Speaker 3: Oh lord.
- 18:45Speaker 2: So the highest four thieves, dressed in yellow and orange
- 18:50Speaker 2: safety vests disguised as construction workers a arrived at the
- 18:53Speaker 2: Lucree Museum in Paris at nine thirty a m On
- 18:57Speaker 2: October nineteenth, shortly after the museum opened into visitors. Now,
- 19:01Speaker 2: I do want to say you can get anything accomplished
- 19:03Speaker 2: with a construction vest, a clipboard, or even just carrying
- 19:08Speaker 2: a ladder.
- 19:09Speaker 4: Yep, I'm not who's gonna question you, who gonna check
- 19:12Speaker 4: your body? I ain't got time for that. I'm here
- 19:13Speaker 4: to see the lady. I don't have time to see
- 19:16Speaker 4: where you're going.
- 19:17Speaker 3: Which exactly I've literally done it myself.
- 19:19Speaker 2: Like when we were shooting Scam Goddess for Hulu, we
- 19:22Speaker 2: had permits to shoot on the sidewalk. We did not
- 19:24Speaker 2: have permis to shoot on the specific street, but we
- 19:26Speaker 2: needed to get a shot of me getting out of
- 19:27Speaker 2: the car.
- 19:28Speaker 3: And I was so.
- 19:29Speaker 2: Worried about my crew like getting hit by cars, that
- 19:31Speaker 2: I was about to get hit by a car. Chill
- 19:34Speaker 2: A story for another day. But so me and one
- 19:36Speaker 2: of my producers were like, let's go to Walmart tonight
- 19:38Speaker 2: and get some this. And so we went and we
- 19:40Speaker 2: got reflective vests and we gave them to the crew
- 19:41Speaker 2: and then they would just put their hand up and
- 19:43Speaker 2: stop traffic.
- 19:44Speaker 3: And we would shoot and people would stop.
- 19:46Speaker 4: See what I mean, getting off from my street to
- 19:49Speaker 4: help me with my parking over here, I'm gonna get
- 19:50Speaker 4: a vest.
- 19:51Speaker 3: I gotta track the cone in the back of my car.
- 19:53Speaker 3: And so what I do? What do you do with
- 19:55Speaker 3: the scams? You know, what you take a fraud? What
- 19:59Speaker 3: do you do with the car in your trunk? What
- 20:01Speaker 3: do you do?
- 20:02Speaker 2: When I was parking all the lot of Paramount shooting night, Carly,
- 20:07Speaker 2: if we went out for lunch, because we would have
- 20:09Speaker 2: an hour lunch, we went out to lunch like you know,
- 20:10Speaker 2: and drove because it was a large mine basically, so
- 20:13Speaker 2: if we drove, you know, to large Mound village, my
- 20:16Speaker 2: parking spot would always be taken and I would always
- 20:18Speaker 2: have a good spot because I would get there really
- 20:19Speaker 2: early in the morning. So eventually I just took one
- 20:22Speaker 2: of the traffic cones that I saw holding somebody else's
- 20:24Speaker 2: spot and I put it in my trunk. So then
- 20:26Speaker 2: when I would back out, I would take it out
- 20:27Speaker 2: of my trunk and I would put it in the
- 20:28Speaker 2: spot that I was in.
- 20:29Speaker 3: And then I'll come to you.
- 20:30Speaker 4: Did you did you just admit that to theft and fraud?
- 20:35Speaker 3: You just admitted to theft and the fraud was enough,
- 20:40Speaker 3: But you didn't just told it. I thought you bought
- 20:42Speaker 3: the cone. You didn't stole the cone.
- 20:44Speaker 2: Now I'm just brawing it because Paramount gonna give me
- 20:46Speaker 2: another job and then I'm gonna bring it back. I'm
- 20:49Speaker 2: just manifested for when I'm back on that lot and
- 20:51Speaker 2: then send your letters of shock and off to Miss Lacey,
- 20:58Speaker 2: to Miss Lacy Queen.
- 21:01Speaker 3: No, it's just they're amount gonna book me again and.
- 21:03Speaker 2: Then they can bring it back and we're besties. I
- 21:05Speaker 2: was like, can I borrow this? And their para was
- 21:07Speaker 2: like go off the tower was like take it. It
- 21:09Speaker 2: was like, yeah, it works, it works. So so they
- 21:16Speaker 2: arrived at the museum at nine thirty in the morning.
- 21:19Speaker 2: So these robbers didn't even do this early. They slept in.
- 21:22Speaker 2: They probably had a nice little.
- 21:23Speaker 3: Quassam little brain. Some of the one of the crapes
- 21:26Speaker 3: that got a crape as they walked Hough definitely got
- 21:28Speaker 3: a crape, you know.
- 21:29Speaker 2: Cheese, and they were they were fed, they were ready,
- 21:32Speaker 2: they were energized. So the Live is the largest museum
- 21:36Speaker 2: in the world. It gets more than eight million visitors
- 21:38Speaker 2: a year and has about thirty five thousand works of
- 21:41Speaker 2: art on display at any given time, including some of
- 21:43Speaker 2: the most iconic works in Western Cannon. Even if you
- 21:46Speaker 2: don't know art, you know them Onna Lisa, like we
- 21:49Speaker 2: were saying before, and the Venus de Milo and the
- 21:52Speaker 2: Winged Victory, Like, even if you don't know the names
- 21:55Speaker 2: of these, you've seen the iconic pieces of art. And
- 22:00Speaker 2: we talked about how Mona Lisa got her famme because
- 22:01Speaker 2: Mona was just one of the girls on the wall
- 22:03Speaker 2: and then she got stolen and then you know, she
- 22:05Speaker 2: became that girl.
- 22:06Speaker 3: That girl.
- 22:08Speaker 2: So the burglars used a vehicle mounted mechanical lift to
- 22:12Speaker 2: get into the Gallery of Apollo via a balcony close
- 22:16Speaker 2: to the scene river, the scene of the crime.
- 22:23Speaker 3: So they left behind their ladder leading up to the
- 22:25Speaker 3: first floor window.
- 22:27Speaker 2: Now this ladder kind of looks to me like a
- 22:29Speaker 2: cherry picker. It's like a long ladder that extended up
- 22:33Speaker 2: to the second floor balcony. And then they rode in
- 22:35Speaker 2: this little box all the way up the ladder to
- 22:39Speaker 2: the balcony. They got to the balcony, and then they
- 22:42Speaker 2: used their electronics schools. Yeah, so like basically almost like
- 22:47Speaker 2: a cartoon, cut a hole in the glass and climb through.
- 22:52Speaker 4: Wow, and all this is happening in daylight, so no
- 22:54Speaker 4: one's even watching from this side. So no one's protecting
- 22:57Speaker 4: the perimeter of the museum at all.
- 23:00Speaker 2: Basically, Well, so you remember they're a little understaffed, right
- 23:04Speaker 2: and there's no entrance right here, so they're not thinking
- 23:07Speaker 2: that somebody is gonna come over with a cherry picker
- 23:10Speaker 2: basically and.
- 23:11Speaker 3: Just pull up to the joint, which it.
- 23:14Speaker 4: Just feels the picture I'm looking at it looks very sparse,
- 23:18Speaker 4: and I guess this is why they chose this area
- 23:19Speaker 4: because it doesn't seem like it's about a foot traffic
- 23:22Speaker 4: and I'm just thinking to pull up some piece of
- 23:24Speaker 4: machinery that large without a permit.
- 23:27Speaker 3: Or of whether they had the vests. They did have
- 23:30Speaker 3: the vests.
- 23:30Speaker 2: The vest was the pertment. Yeah, you're right, let me stop.
- 23:32Speaker 2: You're right they had the list, they had the vests,
- 23:35Speaker 2: because otherwise why would you had that be the cones?
- 23:37Speaker 3: They got the cones. They went to Paramount. I got
- 23:39Speaker 3: three cones, so they're ready to go. They ready to go.
- 23:42Speaker 3: Not I'm many it, Okay, I did provide a few cones.
- 23:44Speaker 2: I didn't know what the cones before I actually sell
- 23:46Speaker 2: the cones that I steal.
- 23:48Speaker 3: I didn't know that they were going to use them
- 23:50Speaker 3: for robbery.
- 23:50Speaker 2: No, so this is after the police have kind of
- 23:53Speaker 2: sequestered the scene, but you can see even now that
- 23:57Speaker 2: there's not like a lot of people there. And I
- 23:59Speaker 2: actually caught a few videos on TikTok of people who
- 24:02Speaker 2: were there at the scene of the crime and had
- 24:04Speaker 2: no idea. They were taking videos of the scene and
- 24:07Speaker 2: being like, I'm in Paris, It's so beautiful. And as
- 24:09Speaker 2: they passed this part of the loof, you can see
- 24:11Speaker 2: the cherry pickers sitting up there, and this is before
- 24:13Speaker 2: the police car's are the tape, so they didn't even
- 24:15Speaker 2: realize they're filming a robbery being taken place. And this
- 24:19Speaker 2: is first hand knowledge that I have because my showrunner
- 24:21Speaker 2: right now, he took his two daughters to go to
- 24:24Speaker 2: Paris the weekend that this happened.
- 24:26Speaker 3: And then the cuses little black girls, Gotta love them
- 24:28Speaker 3: so much.
- 24:28Speaker 2: And they got up to the building, they had their tickets,
- 24:32Speaker 2: and everybody there was being so hush hushed about what happened.
- 24:37Speaker 2: So they were like, hey, we have our tickets, and
- 24:38Speaker 2: they're like the museum's closed, and they're like what, No,
- 24:40Speaker 2: it says it's open, and they're like, yeah, no, all
- 24:42Speaker 2: it's closed, and would not tell them why and so
- 24:45Speaker 2: they had to get online before they understood that a
- 24:48Speaker 2: robbery had taken place. So they were so shook and
- 24:51Speaker 2: embarrassed they weren't telling people why they couldn't code.
- 24:53Speaker 3: To the louver on that Sunday.
- 24:54Speaker 4: Wow, I'd be so upset if I came all the
- 24:57Speaker 4: way to go see the louver and then find out
- 24:59Speaker 4: I can't get in because somebody and use a cherry
- 25:01Speaker 4: picker steel stuff.
- 25:02Speaker 2: And like they were, they were so excited to see
- 25:04Speaker 2: them Mona Lisa. But there you know, my showrunners trying
- 25:07Speaker 2: to be like, but you.
- 25:08Speaker 3: Have an even cooler story. You were here when it
- 25:09Speaker 3: got wrong, right, That's true. Very few people can say that.
- 25:12Speaker 3: M hmmm. So they got through the window, like I said,
- 25:17Speaker 3: using a disc.
- 25:17Speaker 2: Cutter, and then they then threatened the card the guards
- 25:21Speaker 2: with the disc cutters who evacuated the museum and cut
- 25:25Speaker 2: through the glass of two display cases containing jewels. So
- 25:29Speaker 2: they got in with their circular sauce. And then the
- 25:32Speaker 2: security was like, oh.
- 25:34Speaker 4: Wait, no, no, no, no, send your letters.
- 25:43Speaker 3: We eat listeners of scam goddess. Send your letters.
- 25:53Speaker 2: And like swiper swiping, and they were like we're gonna
- 25:59Speaker 2: cut you out with.
- 25:59Speaker 3: These, and they were like, okay, we we we we
- 26:02Speaker 3: we bye. You gotta get.
- 26:04Speaker 4: Close enough to get in with the saws. This is
- 26:06Speaker 4: not a chain, so it's guns.
- 26:09Speaker 3: That's not good either. Somebody needs to have a weapon.
- 26:11Speaker 3: I don't know.
- 26:12Speaker 2: I love this for them. This is how robbery should go. Like, look,
- 26:15Speaker 2: if you up on me, you up on me. I
- 26:17Speaker 2: would rather not get hurt and leave with my life.
- 26:19Speaker 3: I'm not dying. You're right. You're right, you're right, you're right.
- 26:22Speaker 3: We talking about you, right, You're right. I will die
- 26:26Speaker 3: for these shining rocks. I want it.
- 26:29Speaker 4: I won't even shine for mine. If I had some
- 26:30Speaker 4: valuables in this house, which I do not, I wouldn't
- 26:32Speaker 4: die for them.
- 26:33Speaker 3: Ye, I ain't never seen the valuable. Think about y'all.
- 26:36Speaker 3: This from Macy's gonna take it right. You can hear
- 26:39Speaker 3: the costume of the costume. Jewelry department is where I
- 26:42Speaker 3: get my jewels, gone five dollars. I've never owned nothing real.
- 26:46Speaker 3: I've never owned anything real because don't see the point.
- 26:48Speaker 4: First of all, people might assume that it is real
- 26:50Speaker 4: because I have it on me, So why who am I?
- 26:52Speaker 3: My wedding ring is real? Allegendly I'm lying. I literally
- 26:55Speaker 3: wear a copious amounts of designer ship. I don't, I don't.
- 26:58Speaker 3: I mean I got them.
- 27:00Speaker 4: I have some designer stuff from back in the day.
- 27:03Speaker 2: I'm getting more practical. Okay, I haven't been in a
- 27:06Speaker 2: Chanel store in a few years.
- 27:08Speaker 3: I have never been in a Chanel store. Okay never.
- 27:12Speaker 3: Louise Louis and Gucci had me in trouble one time.
- 27:14Speaker 3: I went for my mom. Okay, yeah, so yeah, you
- 27:18Speaker 3: gotta I got you. Gotta let it go. I let
- 27:20Speaker 3: all that luxury.
- 27:20Speaker 2: No, I'm letting go because I got classic bags too.
- 27:22Speaker 2: So I was like, I can wait forever around wasting
- 27:27Speaker 2: money on hers. I'm trying to get it for free.
- 27:29Speaker 2: I'm trying to work hard enough. The people start giving
- 27:30Speaker 2: me everything.
- 27:31Speaker 3: Because somebody give me had somebody give me a Louis
- 27:33Speaker 3: the time, Come on, Louis, I'm literally but you know,
- 27:41Speaker 3: iconography is what it is.
- 27:43Speaker 2: And then like once I started really studying leather and
- 27:45Speaker 2: stuff like that, Coach makes some of the best quality
- 27:47Speaker 2: leather bags out.
- 27:48Speaker 4: They always always have back in the day, they would
- 27:51Speaker 4: repair your coach back for the life of the coach bag.
- 27:54Speaker 4: You send that sucker in because it had little scuff
- 27:56Speaker 4: or something. They would make that thing buttery and send
- 27:58Speaker 4: it right on back to you. Remember we cared about quality.
- 28:01Speaker 3: I remember.
- 28:03Speaker 2: That's so difficult for me now when I see like
- 28:06Speaker 2: younger generations thrifting like the vintage don't hit like the
- 28:09Speaker 2: vintage used to hit, because people used to really make
- 28:11Speaker 2: pieces with so much integrity that like a vintage piece
- 28:14Speaker 2: would have such great quality. Nowadays they waiting for you
- 28:17Speaker 2: to let it disintegrate in the ocean. So there's only
- 28:19Speaker 2: worth one way in half a watch.
- 28:21Speaker 3: That's right, that's right. You ain't told no, lie, I.
- 28:24Speaker 2: Know it's painful. I love, I love, I love clothes
- 28:27Speaker 2: and shoes persons. But anyways, besides the point, we're back
- 28:30Speaker 2: to the jewels. Yes, So they take these saws and
- 28:34Speaker 2: they start cutting through this glass that contains these jewels,
- 28:37Speaker 2: and we have a shaky phone video of the heightst lopnow,
- 28:41Speaker 2: funk camera metic. I wish you could have gotten a
- 28:44Speaker 2: little more steady, but we'll take shaky. We know you
- 28:46Speaker 2: were scared. You don't want to get circular sawed. That's fair, okay.
- 28:56Speaker 2: So these are the construction worker robbers getting to work.
- 28:59Speaker 2: They're very call they really are They look like they
- 29:04Speaker 2: cut glass every day.
- 29:06Speaker 4: Yeah, I'm a case her. Two of them might have
- 29:09Speaker 4: got caught already, what I heard.
- 29:11Speaker 2: Yeah, So the thieves were inside for four minutes and
- 29:15Speaker 2: made their escape on two motor Sco scooters. Excuse me
- 29:19Speaker 2: waiting outside at nine thirty eight am. Remember they got
- 29:22Speaker 2: there at nine thirty. Let's talk about question.
- 29:24Speaker 3: That's a quick that's a quick heist. That's so.
- 29:26Speaker 4: That is an Ocean's fifteen version of heights. Get anythid out.
- 29:29Speaker 2: They rode along the scene and they disappeared. They got
- 29:32Speaker 2: away with eight pieces of crown jewels from the eighteen hundreds,
- 29:35Speaker 2: which once belonged to French rulers, including Napoleon Third's wife,
- 29:39Speaker 2: Empress Eugenia. So they took the jeweled headbands, necklaces, earrings,
- 29:45Speaker 2: and brooches worth about one hundred and two million dollars.
- 29:48Speaker 2: They also took Eugenia's crown, but they dropped it on
- 29:51Speaker 2: the way out, That's what I was talking about. But
- 29:53Speaker 2: they did leave the Regent diamond that you were talking about.
- 29:56Speaker 2: I think one because of the curtis and also because
- 29:58Speaker 2: it's a sixty million dollars diamond that you would have
- 30:01Speaker 2: to cut so much for it not to be recognizable
- 30:03Speaker 2: on the black market. Otherwise, yeah, it's not worth the trouble.
- 30:08Speaker 2: The rest of these pieces, people either suspected that, at
- 30:11Speaker 2: least what I've been seeing, which I kind of agree
- 30:13Speaker 2: with these theories that these four robbers either already had
- 30:17Speaker 2: a billionaire who had a list of the things that
- 30:19Speaker 2: they wanted for their private collection, so this was just
- 30:22Speaker 2: them running to the store and picking it up, or.
- 30:25Speaker 3: They were taking pieces that they could easily like.
- 30:28Speaker 2: Break down and sell the diamonds after just reshaping them
- 30:32Speaker 2: a little bit because they weren't too aggressive of a size.
- 30:35Speaker 4: And you're saying, display, you mean you think that there
- 30:37Speaker 4: could people think that there could be a billionaire that
- 30:39Speaker 4: wants to put a crown somewhere in his house under
- 30:42Speaker 4: glass and then what explained to people that how was
- 30:46Speaker 4: he going to explain anybody where he got it?
- 30:47Speaker 3: He just wanted to collect it. This is the sociopathy
- 30:50Speaker 3: of being a billionaire.
- 30:51Speaker 2: It's like, you have more money than what you know
- 30:53Speaker 2: how to do with and so maybe only two people
- 30:56Speaker 2: would ever see that, you know what I mean, But
- 30:58Speaker 2: you stole it, you know, you stole It's like you're
- 31:00Speaker 2: not a murderer, but you are like a thief of
- 31:02Speaker 2: high end things. Absolutely, that's how you get your kicks
- 31:05Speaker 2: on Russe sixty six six.
- 31:07Speaker 3: So, but it's either one and so.
- 31:09Speaker 2: People are hoping that it is somebody a financier who
- 31:12Speaker 2: wanted these things illegally, because at least then the jewels
- 31:15Speaker 2: are more likely to be intact in they're historic state.
- 31:19Speaker 2: But if they just really came in to get the bag,
- 31:21Speaker 2: then this stuff is probably already melted down and.
- 31:23Speaker 4: It's already gone. It's already changed into whatever it needs
- 31:26Speaker 4: to be for them, right. I hope it folks this
- 31:29Speaker 4: way to me.
- 31:31Speaker 2: I never know, but I wanna y'all stole it anyway
- 31:35Speaker 2: give it back. So the gang tried to set fire
- 31:39Speaker 2: to their ladder vehicles so they could destroy the evidence,
- 31:41Speaker 2: but were stopped by museum staff member. Police later found
- 31:45Speaker 2: power tools, a blowtorch, gasoline, gloves, a walkie talkie, and
- 31:49Speaker 2: a blanket at the scene. No one was injured during
- 31:52Speaker 2: the incident. I think it is so funny that there
- 31:54Speaker 2: is a museum staff member who saw these people.
- 31:59Speaker 3: It was like, hey, hey, don't set the truck off. Fight,
- 32:03Speaker 3: have a good day, and like you you literally caught
- 32:05Speaker 3: the robbers.
- 32:06Speaker 2: Bro.
- 32:06Speaker 3: He was like, don't pay me enough.
- 32:09Speaker 4: I mean, listen, I get it. And if they and
- 32:11Speaker 4: if they have no weapon, they can't protect themselves. And
- 32:13Speaker 4: they don't know what these people coming to do, right
- 32:15Speaker 4: They tell you, They tell you if you try and
- 32:17Speaker 4: people trying to steal stuff from Target to Walmart, they're
- 32:19Speaker 4: gonna let them go.
- 32:20Speaker 3: Don't risk your life.
- 32:21Speaker 2: Yeah, I mean, Target builds cases against people, fair warning.
- 32:25Speaker 2: If you're stealing from Targeting, you think you're getting away
- 32:27Speaker 2: with it, at least switch up the stores. I mean,
- 32:29Speaker 2: that's not what I said. Stop and don't.
- 32:33Speaker 4: I don't know which helps either, because I think that
- 32:35Speaker 4: I think they might be sharing the Yeah, I think
- 32:38Speaker 4: they share an info of the of the people.
- 32:42Speaker 2: Targets were like the police stations like in the seventies,
- 32:44Speaker 2: where like you could do a you could do a
- 32:46Speaker 2: crime and then just do a case state and nobody knew.
- 32:50Speaker 2: If the targets are starting to share it from mit, y'all,
- 32:52Speaker 2: it's a wrap. But I'm telling you, so they got
- 32:54Speaker 2: you on a felony charge. They'll let you steal enough
- 32:56Speaker 2: to where they can really press charges and they're not getting.
- 32:58Speaker 3: Away with it.
- 32:59Speaker 4: People think that care, just the one facing you when
- 33:01Speaker 4: you're doing the checkout. The self checkout. They got cameras
- 33:04Speaker 4: over the self checkout. So even if it looks like
- 33:06Speaker 4: you scanning everything in the camera in front of you,
- 33:08Speaker 4: if you're doing that little scan, the above one can
- 33:11Speaker 4: see if you scanning everything in it before going that bag.
- 33:14Speaker 4: I'll be watching them YouTube videos. They tell everything.
- 33:16Speaker 3: Yeah, they really do. It's it's harder to steal these days, guys.
- 33:20Speaker 2: I told you all about how up said I got
- 33:22Speaker 2: when I had I couldn't steal bags from pavilions no more. Now, Look,
- 33:26Speaker 2: I was buying the food. I wasn't putting an apple
- 33:28Speaker 2: tag on a steak, but I thought I should at
- 33:32Speaker 2: least get a free ten cent bag. Okay, I'm bringing
- 33:34Speaker 2: up my own groceries. I work here, I'm getting my wages.
- 33:37Speaker 2: And now they got like a little bag overlord. So
- 33:40Speaker 2: you gotta put in how many bags you want, and
- 33:42Speaker 2: then the bag overlord comes over and she started counting
- 33:46Speaker 2: out the bags. Yeah, is wonderful. I was in Canada
- 33:51Speaker 2: recently and I got charged two dollars for a bag. Oh,
- 33:54Speaker 2: it's one euro here, and the euro is stronger than
- 33:58Speaker 2: the dollars, so that's one dollar a ten.
- 34:00Speaker 3: That's not good. I don't like it. I don't I
- 34:03Speaker 3: got my little disposable bags.
- 34:04Speaker 2: I'll be walking around trying to be as green as
- 34:06Speaker 2: the grass because they don't play rabab run. So we
- 34:15Speaker 2: got the one museum employee who caught the robbers was
- 34:18Speaker 2: just like no I sown. But then they got away right.
- 34:21Speaker 2: So after the theft, museum director Lawrence de Call appeared
- 34:26Speaker 2: before the French government to address questions from lawmakers and
- 34:30Speaker 2: acknowledge the museum's surveillance system isn't as solid as it
- 34:34Speaker 2: could be. You think lawns part of the building was
- 34:37Speaker 2: not adequately covered by external cameras at the same time
- 34:40Speaker 2: of the theft she set so some rooms at the
- 34:43Speaker 2: Louver are not completely protected by video surveillance systems as
- 34:47Speaker 2: I spoke to before, including the Sully Wing, which is
- 34:50Speaker 2: only forty percent covered by security cameras, and the Richelo Wing,
- 34:55Speaker 2: which is only covered twenty five percent.
- 34:59Speaker 3: I can't just kill it.
- 35:00Speaker 4: I have a question, why would they release this information?
- 35:03Speaker 4: Why would they tell people that it's only twenty where
- 35:08Speaker 4: it's twenty and when it's where it's forty five, Because
- 35:10Speaker 4: you're basically just telling everybody this is where you come
- 35:13Speaker 4: to get your items.
- 35:14Speaker 2: Yeah, it's given that airport lady who were the class.
- 35:18Speaker 4: It's given inside job to me because I'm thinking these
- 35:21Speaker 4: jewels are probably you know insured, yea, and if the
- 35:25Speaker 4: louver is having some financial problems, which is what easier
- 35:28Speaker 4: way to get an influx of money than to have
- 35:31Speaker 4: something stolen exactly, And.
- 35:34Speaker 2: Then also allegedly I'm allegedly allegedly, these are all theories
- 35:39Speaker 2: I got. You see, I got my aluminum foil hat
- 35:41Speaker 2: on series. My other aluminum soil theory is like hearkening
- 35:46Speaker 2: back to like the Mona Lisa when it was stolen
- 35:48Speaker 2: obviously became super famous that everybody wanted to see.
- 35:50Speaker 3: It when it came back.
- 35:51Speaker 2: But now we have these like in depth descriptions of
- 35:53Speaker 2: these pieces. People are now more interested in these pieces.
- 35:56Speaker 2: They're more interested in the Poleonic era. When they get
- 35:59Speaker 2: them back, the world's gonna be lining up. Yeah, I see, Yeah,
- 36:04Speaker 2: that's that's tenfoilly. But I'll take it. It feels right,
- 36:09Speaker 2: It feels right. They were like we overdue for a
- 36:10Speaker 2: new Mona Lisa. Okay, they kind of get tied and
- 36:15Speaker 2: a lot.
- 36:15Speaker 4: Of people talking about the museum, you know, and if again,
- 36:17Speaker 4: if they're going through some financial difficulties, what better way
- 36:20Speaker 4: to get people coming in to you know, see the
- 36:23Speaker 4: scene of the crime or you know.
- 36:25Speaker 3: I'm just saying.
- 36:26Speaker 2: I mean, if I lived in France, I don't know,
- 36:28Speaker 2: I might buy me a construction jacket and go in
- 36:29Speaker 2: there and have a photo shoot for you for the kicks.
- 36:32Speaker 4: All right, I don't think anybody would a little yellow
- 36:35Speaker 4: vest getting back in the loving time.
- 36:36Speaker 2: I'm up in my backpack and then I take it
- 36:38Speaker 2: all right. When I got to the dudes like what's up?
- 36:40Speaker 4: And then they tackle you to the ground because they
- 36:42Speaker 4: are looking for anyone. And then they watched this episode
- 36:46Speaker 4: to find out you'd be stealing cones, traffic cones, and
- 36:48Speaker 4: they're like.
- 36:49Speaker 3: She is a thief. Jewel heightst start somewhere.
- 36:55Speaker 2: It does you know what? I could get tempted. Okay,
- 36:57Speaker 2: I do love me a little heightst so just love
- 36:59Speaker 2: a little It's just that's the sexiest kind of robbery.
- 37:03Speaker 2: They did it without weapons. It just threatened the little
- 37:05Speaker 2: circular sow. But the circular saw wasn't intended to circular
- 37:07Speaker 2: saw somewhere. It was intended to work on the glass.
- 37:10Speaker 2: But they were like, oh, we was on new tool
- 37:11Speaker 2: and they were like, okay, we leave.
- 37:13Speaker 4: Like you're gonna get so in trouble with this friends,
- 37:16Speaker 4: this French accident. I'm telling you now, everybody knows i'd
- 37:19Speaker 4: be beefing with the French, and so that's fine.
- 37:21Speaker 3: Every time I go to France, it's up.
- 37:23Speaker 2: Honestly, I think it's just Paris, but like, because I
- 37:26Speaker 2: really have the other problems in other parts of France,
- 37:28Speaker 2: but Paris, I Perisian people.
- 37:29Speaker 3: At me do not mix. They're rude for no reason.
- 37:32Speaker 3: And every time I'm there I want to fight.
- 37:33Speaker 2: Like when I was leaving last time, I mowed into
- 37:36Speaker 2: some teenagers.
- 37:37Speaker 3: I won't lie. I was at the train on my
- 37:39Speaker 3: way to Amsterdam. Many crimes are you going to on
- 37:42Speaker 3: this podcast? How many crimes.
- 37:46Speaker 2: They should have got out the way they were own?
- 37:49Speaker 3: Teenagers?
- 37:50Speaker 2: And that's I'm five to one and I'm fine. Not
- 37:54Speaker 2: on the internet, y'all, but but I'm but sometimes in
- 37:56Speaker 2: real life something happens to me on like a cold
- 37:59Speaker 2: day where I'm fine one and height every day it's cold,
- 38:04Speaker 2: no no, no no, and when it's warm, I'm definitely
- 38:07Speaker 2: five to nine event, don't do that.
- 38:09Speaker 3: Don't do that.
- 38:11Speaker 2: I'm working out get my Wikipedia change.
- 38:15Speaker 5: Yo.
- 38:15Speaker 2: I was at essencepposed to you know, the women and
- 38:17Speaker 2: black women in Hollywood, and I was on the carpet
- 38:20Speaker 2: and I was next to Janelle James and watch she
- 38:22Speaker 2: gonna come up to.
- 38:23Speaker 3: Me and like, damn you short lady. I was like, yeah,
- 38:26Speaker 3: you've known me for years.
- 38:30Speaker 4: Because it's the truth just jumped out of her. She
- 38:31Speaker 4: couldn't help herself because she put some heels on sher statuesque.
- 38:35Speaker 3: And I was five.
- 38:36Speaker 4: I'm five too, so I'm aware of where I fit
- 38:38Speaker 4: on all of this. So I don't even I don't know.
- 38:40Speaker 2: Whenever we stand next to each other, it's giving five tens.
- 38:43Speaker 4: So it's giving five to two and five one. You
- 38:46Speaker 4: are dreaming. Unless you got them heels, you've been wearing them.
- 38:48Speaker 4: You've been wearing them big heels.
- 38:49Speaker 3: I don't wear them.
- 38:49Speaker 2: I do, but you know I can't wear my all
- 38:51Speaker 2: the time because I be too tall, taller than everybody.
- 38:54Speaker 3: You know what I'm saying.
- 38:54Speaker 2: Anyway, So now that we've shared this truth, no, they
- 38:59Speaker 2: were in the way and then should have moved and
- 39:00Speaker 2: been polite and also think of like just rude ass
- 39:03Speaker 2: Parisian people that I was.
- 39:04Speaker 3: Like, I'm just gonna keep walking, y'all kids, gonna learn
- 39:06Speaker 3: to listen.
- 39:07Speaker 4: They were fine your letters. I love the Parisian people.
- 39:12Speaker 4: I've never had a problem when I've gone. I've gone
- 39:14Speaker 4: one time. She said she's had many trips to Paris.
- 39:17Speaker 4: I've been once and the one time I was there
- 39:20Speaker 4: was a lovely You guys were wonderful, Thank you very much.
- 39:22Speaker 2: Okay, yeah, you're a vet Nicole Brown. Okay, even have
- 39:25Speaker 2: like a French name. Why Caues I do to Lacey
- 39:27Speaker 2: is French. But I still don't like them anyway.
- 39:31Speaker 3: That's my break.
- 39:32Speaker 2: Look, if you're French and you listen to the show,
- 39:34Speaker 2: you know I love we we love you so much.
- 39:38Speaker 3: No no, no, I said, I love you in French.
- 39:40Speaker 3: I used to more. I know, I'm more.
- 39:44Speaker 4: Yeah the time you know, yes, your time to change.
- 39:49Speaker 3: Let me shut them. I don't know.
- 39:51Speaker 2: It's okay, y'all know that's that look. I can only
- 39:53Speaker 2: get a little bit because it's Latin, all right. So anyways,
- 39:56Speaker 2: back back to these French people who I love, respect
- 40:00Speaker 2: in honor and respect and honor.
- 40:01Speaker 3: If they listen to the podcast, if they don't. It's up.
- 40:06Speaker 3: I love more of them if you get them to listen.
- 40:09Speaker 3: So they're like you said.
- 40:12Speaker 2: That, they're telling everybody, well, we ain't got we got
- 40:14Speaker 2: forty percent coverage over here, we got twenty five percent
- 40:16Speaker 2: covered over here.
- 40:16Speaker 3: We ain't got no cameras over there.
- 40:17Speaker 2: It's like, yeah, you probably kept that as like a
- 40:19Speaker 2: little secret for y'allselves. And so even if the cameras
- 40:23Speaker 2: did catch the thieves in action, the feeds probably funneled
- 40:26Speaker 2: into a bank of video screens monitored by only one
- 40:31Speaker 2: or a few staff members. They got one guy.
- 40:35Speaker 3: It's way too much information. One guy. The loop is huge.
- 40:42Speaker 3: Got one guy, there's too much information. It's they're just
- 40:45Speaker 3: really telling everything, and I don't like it. Look at it,
- 40:47Speaker 3: like fifty lemon screens.
- 40:50Speaker 4: It's just as just asking for there, just asking for theft.
- 40:54Speaker 3: They said they might as well put a sign and
- 40:56Speaker 3: say come on in and everything's free. Shakas over there
- 41:00Speaker 3: running back and forth trying to.
- 41:01Speaker 2: See what was like, please francois, why y'all do fres
- 41:05Speaker 2: s wa like that? Pierre Pierre, And you know Pierre
- 41:08Speaker 2: ain't got twenty visions and he.
- 41:10Speaker 4: Refuses to wear and Pierre tired. He tired and just
- 41:13Speaker 4: feed her sucking on a but get you don't care.
- 41:19Speaker 4: Got his crape with his little new tail in it.
- 41:21Speaker 4: He all right with banana, got pepper la pew back there.
- 41:23Speaker 4: I know he can't.
- 41:25Speaker 3: He is just relaxing and enjoying his day. He probably
- 41:28Speaker 3: even know the robbery was going on. Somebody willing.
- 41:30Speaker 4: They got the plexi glass over the lady. Can't nobody
- 41:32Speaker 4: do no soup today?
- 41:33Speaker 3: I'm good? Right?
- 41:34Speaker 2: Even when they did the soup, they had enough time
- 41:36Speaker 2: in that soup video to throw that tomato soup and
- 41:39Speaker 2: the talk. They unsiped their jackets. They're like, this is
- 41:43Speaker 2: our cause.
- 41:44Speaker 3: Nobody was tackled. Nobody got a full speech out. They
- 41:47Speaker 3: were chilling. Not a fan.
- 41:49Speaker 2: Honestly, I'm kind of okay with that because like Mona,
- 41:53Speaker 2: she was good, she had her plexiglass, and like, did
- 41:56Speaker 2: they really need to be tackled? Like no, you can
- 41:58Speaker 2: arrest them politely and take them away, but they're trying
- 42:00Speaker 2: to get raise awareness, and so that's what they said.
- 42:05Speaker 2: But you know, in America, I think we resolved. We
- 42:07Speaker 2: get to tackle it too quickly. You know what it
- 42:10Speaker 2: depends what it depends on the melanin quotient.
- 42:13Speaker 3: Yeah, that's true. You ain't got no no melan. And
- 42:16Speaker 3: they did talk to you for hours.
- 42:17Speaker 2: If the complexion for protection, the tackling and drop a
- 42:22Speaker 2: brown or black, you own out of there, they're gonna
- 42:24Speaker 2: get you to Yeah, they're gonna tackle you while you're
- 42:25Speaker 2: thinking about. We saw you thinking about it, think about yep.
- 42:29Speaker 3: I know, I just had.
- 42:31Speaker 4: I told you've been watching the videos. I see how
- 42:33Speaker 4: quickly they be taking down to black and the brown people.
- 42:36Speaker 3: M I said it.
- 42:37Speaker 2: Although I will say I did recently see a video
- 42:39Speaker 2: on TikTok where there was like suburban white mom and
- 42:42Speaker 2: you know, I love my white ladies, y'all. This is
- 42:43Speaker 2: not I'm not this is not about racing this way.
- 42:46Speaker 2: I was just shocked that they actually treated her like
- 42:49Speaker 2: a thief because she was like, they're like, man, we
- 42:51Speaker 2: need to take we need to detain you and take
- 42:53Speaker 2: you to lost prevention and shattered baby and the stroller,
- 42:55Speaker 2: and she was like no, like no man, we're the police,
- 43:01Speaker 2: like we're entertaining you.
- 43:02Speaker 3: And she was like, I know my rights.
- 43:04Speaker 4: And what gets me is when they're like, don't touch me. No,
- 43:09Speaker 4: we're gonna touch you. Because we're gonna put these arms
- 43:11Speaker 4: behind you. And they were like.
- 43:13Speaker 2: Man, we don't want to cuff you in front of
- 43:15Speaker 2: your child, Like can we can you just walk with
- 43:18Speaker 2: us so that we don't have to make a scene,
- 43:19Speaker 2: And she was like, I know, my red skin away
- 43:20Speaker 2: from it. And then she starts trying to zoom away
- 43:22Speaker 2: with her stroller, trying to like run away, and they
- 43:28Speaker 2: like and holler and they were like, man, we tried
- 43:30Speaker 2: to give you the chance to do this civilly, like
- 43:32Speaker 2: what are you talking about. It was so funny because
- 43:34Speaker 2: she really thought. She was like, I'm not black girl,
- 43:37Speaker 2: what are y'all talking about?
- 43:39Speaker 3: How dare you? I can still without a problem. I
- 43:41Speaker 3: do it all the time. Cause I did get a tan.
- 43:45Speaker 3: I was just in the I'm not black, I'm not back,
- 43:48Speaker 3: I'm not back.
- 43:51Speaker 2: Oh my goodness. But I did love how she she
- 43:53Speaker 2: really was like, no.
- 43:56Speaker 4: They're used to it being you know, They're used to
- 43:57Speaker 4: their no being enough, And.
- 44:01Speaker 3: I love that for them.
- 44:02Speaker 2: I don't want them to start getting attacked like we
- 44:03Speaker 2: can take I just want us all to not get attacked.
- 44:06Speaker 3: I'm just want to join you.
- 44:07Speaker 2: I want to be with the police and be like no, no,
- 44:10Speaker 2: that's so cute. But no, like I just want to
- 44:13Speaker 2: join you girl. I don't want that to happen to you.
- 44:15Speaker 2: I don't want you to attacked.
- 44:16Speaker 3: But anyways, so back to La Hans.
- 44:20Speaker 2: This is the woman, right, so, this is the woman
- 44:23Speaker 2: who was running the museum. She so she said she
- 44:26Speaker 2: had offered her resignation to the Ministry of Culture after
- 44:29Speaker 2: the theft, that she was willing to take a fall
- 44:31Speaker 2: for it, but the offer was declined. So she was like, look,
- 44:34Speaker 2: I'll quit.
- 44:35Speaker 3: It was my fault. I endangered the people visiting it.
- 44:38Speaker 4: She's trying to quit because she already had the money allegedly,
- 44:42Speaker 4: I just in another space and time, another space and time,
- 44:47Speaker 4: she had something to do with it, and she was
- 44:48Speaker 4: gonna get her cut and she didn't need that job
- 44:50Speaker 4: no more. And she thought they was gonna fire. When
- 44:52Speaker 4: they didn't fire her, she's like, I will for my honor,
- 44:54Speaker 4: I will And now she got to stay work.
- 44:58Speaker 3: And live on ze swam. This is just my opinion.
- 45:01Speaker 3: Nobody asked you to do.
- 45:02Speaker 2: That'smile Okay, that's one of my opinions too. It's either
- 45:05Speaker 2: like she was like, all right, well I eat, They're
- 45:08Speaker 2: so sorry, and then to see this action is terrible,
- 45:10Speaker 2: and I don't care because I'm not gonna try.
- 45:13Speaker 3: You are committed. You are committed to offending as many
- 45:15Speaker 3: Parisians as you can, and.
- 45:18Speaker 2: Just specifically Paris if you're in the south of France,
- 45:20Speaker 2: if any other part you good. But so I'm of
- 45:23Speaker 2: the mind of yes, she could have been like, oh,
- 45:27Speaker 2: this is my bad. I endangered all these people. I
- 45:30Speaker 2: let these precious historical jewels be stolen. I'm gonna bow out.
- 45:34Speaker 2: I'm so sorry. There's another mind of mine that's like similar.
- 45:39Speaker 2: She was just like, oh, this is so crazy, y'all
- 45:41Speaker 2: that they broke in, they got all that stuff.
- 45:44Speaker 3: I'm believe now back, I don't know them. I don't
- 45:47Speaker 3: know all four of them.
- 45:49Speaker 4: And I didn't tell them how to get in. I
- 45:51Speaker 4: didn't tell them how to get in, and that nobody
- 45:53Speaker 4: is on that side of them.
- 45:53Speaker 2: I didn't put my worst security guards over there, andy one.
- 45:56Speaker 2: So I knew we'll fold real fast, you know, like that.
- 46:01Speaker 2: Or my third option is is that she does feel bad,
- 46:04Speaker 2: but she really was like, I don't feel like fixing this,
- 46:06Speaker 2: Like y'all already right, it's about to be rough for
- 46:09Speaker 2: me going forward as we try to get through this,
- 46:12Speaker 2: so I don't want to be a part of it.
- 46:13Speaker 2: It's just like one tied in this black ass job.
- 46:15Speaker 2: I've been looking for a reason to get up out
- 46:17Speaker 2: of here. It's one of them three. I'm gonna tell
- 46:18Speaker 2: you that it's one of them three.
- 46:19Speaker 3: Yeah, gotta be so.
- 46:22Speaker 2: The French law prohibits institutions like the Love from ensuring
- 46:26Speaker 2: its property. Eh Security experts say museums are a soft
- 46:30Speaker 2: target compared to other highly secured buildings like banks. Museums
- 46:34Speaker 2: have to balance security with the freedom to see and
- 46:36Speaker 2: engage with collections. You can actually go to a museum
- 46:40Speaker 2: when the museum is open and see it right in
- 46:42Speaker 2: front of you, unlike the money in a bank vault.
- 46:45Speaker 2: And I want to highlight that too, because people were like,
- 46:48Speaker 2: why even steal from the Loof when like you could
- 46:51Speaker 2: go to Cardia, we could go to another jewelry store.
- 46:53Speaker 3: Cardiate has better security than.
- 46:54Speaker 2: The Loof, and a lot of stores like that, like
- 46:58Speaker 2: high end jewely stores, Like if you were to do
- 47:00Speaker 2: a smash and grab at night, you wouldn't be able
- 47:01Speaker 2: to because they take the jewelry off the floor when
- 47:04Speaker 2: they closed the store each day and lock it up
- 47:07Speaker 2: in their vaults and stuff, so it's much.
- 47:08Speaker 3: More different, and like a lot of times, like security
- 47:10Speaker 3: at high.
- 47:11Speaker 2: End joy stores, they might be packing them you know this,
- 47:12Speaker 2: a little tasty taste, a little shoot you know where
- 47:16Speaker 2: it's like at the loof, it's like, this is art
- 47:18Speaker 2: and the only way for it to be appreciated is
- 47:20Speaker 2: for it to be out on display.
- 47:22Speaker 3: I wonder.
- 47:22Speaker 4: I wonder also if they did it during the day,
- 47:24Speaker 4: because they thought that if it had some oceans eleven
- 47:27Speaker 4: type lasers and whatnot, they would only be on when
- 47:29Speaker 4: no one else was there. So the best time to
- 47:31Speaker 4: break in is when there are no security things you
- 47:34Speaker 4: could trip right.
- 47:36Speaker 2: Exactly, I agree, because during the day they can't exactly
- 47:40Speaker 2: have anything that you can trip up on because everybody's
- 47:42Speaker 2: walking freely through that.
- 47:43Speaker 3: Space and a lot of times the guards of the loof.
- 47:46Speaker 2: And this is another lesson for you people in pair rests,
- 47:49Speaker 2: because maybe.
- 47:50Speaker 3: If y'all were a little nicer, this will be a problem.
- 47:54Speaker 2: I saw some videos of people posting where it was
- 47:56Speaker 2: like they were like making their little content or whatever,
- 47:58Speaker 2: and the guard was like, do you have to go?
- 47:59Speaker 2: You have to do was like and stepping in her
- 48:01Speaker 2: video on purpose to ruin it. It was just stuff
- 48:03Speaker 2: that was like kind of loserius to me, Like, this
- 48:04Speaker 2: is a tourist attraction. You know people are gonna take videos.
- 48:07Speaker 2: This is one place where I will say, you can
- 48:08Speaker 2: get your tiktoks off. You're not at the subway, you're
- 48:10Speaker 2: not filming strangers, you're not harassing people on the street.
- 48:13Speaker 2: You're at a tourist attraction. That's what tourism is. Take
- 48:16Speaker 2: a picture. You can't a picture. So he was just
- 48:20Speaker 2: being rude and annoying for no reason. She posted, and
- 48:22Speaker 2: she was like, damn, I guess he should have been
- 48:23Speaker 2: paying more attention than who was stealing them jewels. Thetok
- 48:27Speaker 2: video clack it, yes, But I told her they'd be
- 48:30Speaker 2: rude for no reason. I'm like, y'all looking at the
- 48:31Speaker 2: wrong thing, trying to see who not recycling properly while
- 48:34Speaker 2: y'all getting robbed.
- 48:35Speaker 3: That's what you get. So I love the French. Did
- 48:38Speaker 3: I say that? So again? I love I love the vocal,
- 48:43Speaker 3: said France sis swance. I don't know, I didn't do it.
- 48:52Speaker 3: I don't know. I don't think that that didn't do it.
- 48:57Speaker 3: I can see face. I thought that was nice.
- 49:01Speaker 4: I thought that was nice and you ain't got to
- 49:04Speaker 4: see my face.
- 49:05Speaker 3: You know what it looks like right now. You know
- 49:07Speaker 3: from that, you know what it looks like.
- 49:10Speaker 2: So smash and grab Robberies at art museums are a
- 49:14Speaker 2: hot new thing for thieves. They have started targeting cultural institutions,
- 49:18Speaker 2: not necessarily for their prize paintings, like the Mona Lisa girl.
- 49:21Speaker 2: They don't want you. I feel bad girl, but Lisa
- 49:24Speaker 2: was probably around like oh no oh no oh no
- 49:29Speaker 2: oh no oh no oh no, damn sorry Lisa, they
- 49:35Speaker 2: ain't want your ask so like they don't want those
- 49:38Speaker 2: because obviously that would be hard to resell and make
- 49:40Speaker 2: money off of without getting caught.
- 49:42Speaker 3: But for artifacts that can.
- 49:44Speaker 2: Be dismantled, stripped or melted down for their expensive parts, right,
- 49:47Speaker 2: which is probably what has already happened to the French
- 49:50Speaker 2: Crown Jewels. One French senator was pretty confident about what
- 49:53Speaker 2: will happen to the Crown Jewels.
- 49:54Speaker 3: According to this video listen Tero.
- 49:58Speaker 6: So jewelry will be cut up, a butchered and sold.
- 50:03Speaker 6: I don't think anything else. I mean we have to
- 50:06Speaker 6: wait investigation. Maybe there will be a ransom, but I
- 50:09Speaker 6: doubt seriously regarding the price of the stone and the
- 50:15Speaker 6: high level of the price of the gold. I doubt
- 50:19Speaker 6: that these things will never come back.
- 50:21Speaker 3: I am on her side. The Julary will be the shop.
- 50:27Speaker 3: You don't even want nice things.
- 50:28Speaker 4: You didn't just decided chosen violence and just don't be
- 50:31Speaker 4: violent for the whole episode. Just don't just don't even care,
- 50:36Speaker 4: don't care.
- 50:38Speaker 2: I love to see the French now man, I don't know. Look,
- 50:41Speaker 2: they can do better. If they want to do better,
- 50:42Speaker 2: then we don't have to have this beef nowhere. Okay,
- 50:44Speaker 2: I got beef with two countries, that's France and priscill.
- 50:48Speaker 2: They know what they did. But on the bright side,
- 50:53Speaker 2: that means that the more famous your painting is, the
- 50:56Speaker 2: sacred might be from getting stolen, because if you have
- 50:59Speaker 2: a famous pain they can't boost it like that. It's
- 51:02Speaker 2: like I can't come in with like the Hope Diamond
- 51:05Speaker 2: to my local pond shop and be like, hey, y'all
- 51:08Speaker 2: seed the Titanic. Yeah, I got the Whope Diamond. No,
- 51:12Speaker 2: I got it legally. Don't ask nobody in DC about it.
- 51:15Speaker 2: But I got it illegally, And do you want it? No,
- 51:20Speaker 2: it's too famous. That's another diamond.
- 51:23Speaker 3: That's cursed. The Hope Diamond is also it is it
- 51:25Speaker 3: is now.
- 51:25Speaker 4: I didn't know the story behind why, but I did
- 51:29Speaker 4: hear that it was.
- 51:30Speaker 2: The Hope Diamond has had many names, but I think
- 51:34Speaker 2: the Hope Diamond is cursed because originally it was also
- 51:37Speaker 2: in India and it got all to blink and it
- 51:39Speaker 2: was in a like a deity like the forehead.
- 51:43Speaker 3: Of the dumb enough to do that.
- 51:47Speaker 2: Yeah, it got snatched and then it got tossed around
- 51:49Speaker 2: between like Pakistan, Kazakstans on the stands, all of those
- 51:52Speaker 2: countries in that area, and then eventually ended up in
- 51:55Speaker 2: the hands of the Brits, and then they ended up
- 51:56Speaker 2: selling it to an American who also owned the Wall
- 51:59Speaker 2: Street Journal, and then she ended up like lost her
- 52:02Speaker 2: step mom or like her mother in law and her
- 52:05Speaker 2: son in the same year, and then her daughter overdose,
- 52:07Speaker 2: and then she went into poverty and had to sell
- 52:10Speaker 2: her newspaper, which was the Wall Street Journal. And now
- 52:13Speaker 2: the Hope Diamond is in the Smithsonian.
- 52:15Speaker 3: I believe in d c.
- 52:16Speaker 2: It's also another curse joint. Yeah, yeah, y'all gotta get
- 52:18Speaker 2: away from these shiny rocks.
- 52:20Speaker 3: Rocks, depending on how they were harvested.
- 52:22Speaker 2: You don't American Dad tried to tell y'all, we don't
- 52:25Speaker 2: want the shiny rock.
- 52:26Speaker 3: It's going in your life.
- 52:27Speaker 2: Former jewel thief Larry Lawton says the Lufo thieves had
- 52:31Speaker 2: a solid plan and definitely had inside help at the museum,
- 52:35Speaker 2: but they made one big mistake that shows that they're
- 52:40Speaker 2: I'm at two.
- 52:41Speaker 7: Well, you know, well, there's a couple of ways they
- 52:43Speaker 7: can get rid of the jewel I will go into
- 52:45Speaker 7: that in a second. But here's a mistake. They dropped
- 52:48Speaker 7: one of these brooches. They only robbed what nine I
- 52:50Speaker 7: think it was nine votes, you know diamond like pieces. Uh, well,
- 52:54Speaker 7: you just dropped a ninth carmel entire load right there.
- 52:58Speaker 7: That's an amateur move. Never dropped a piece of jewelry ever.
- 53:02Speaker 7: In twenty five jewel stores and eighteen million dollars, It's
- 53:05Speaker 7: not gonna happen. They also got the motorcycles caught right away.
- 53:09Speaker 3: I mean they're done there where they gonna find.
- 53:12Speaker 7: They found a vest. They found one of the construction
- 53:14Speaker 7: vest they already so they made a couple of I
- 53:17Speaker 7: call the mamach of mistakes, But they did get away
- 53:20Speaker 7: with a lot and obviously, Now how did they get
- 53:23Speaker 7: rid of it?
- 53:23Speaker 3: He couldn't be more, he couldn't be more New Yorker future,
- 53:26Speaker 3: and I love it. I love it.
- 53:27Speaker 2: He's a professional thief. He was like, I never dropped
- 53:30Speaker 2: I never dropped jewelry and none of the twenty five
- 53:33Speaker 2: jewel How many did I.
- 53:34Speaker 3: Get convicted for?
- 53:37Speaker 5: Wait?
- 53:37Speaker 3: How I got twenty five?
- 53:38Speaker 5: Right?
- 53:38Speaker 3: Twenty five?
- 53:39Speaker 5: Yeah?
- 53:39Speaker 2: In the twenty five that I only did, I never
- 53:42Speaker 2: dropped jewelry.
- 53:44Speaker 3: I feel like he's one of those people who he was.
- 53:46Speaker 2: So if you hit in twenty five licks, the governments
- 53:49Speaker 2: at that point has to know that you're an asset.
- 53:52Speaker 2: Like private security companies have to be like, can you
- 53:54Speaker 2: work with us and tell us how you will rob
- 53:56Speaker 2: our places? Because at that point, you can't let that
- 53:59Speaker 2: level of genius in prison.
- 54:00Speaker 3: You gotta get that man out. You gotta get him
- 54:02Speaker 3: on your side.
- 54:03Speaker 2: He's gonna be a fed at this point because twenty five. No,
- 54:08Speaker 2: he's talented. That's talent that we have has to give
- 54:10Speaker 2: back as a gift. So thank you, Larry law In
- 54:13Speaker 2: because you got the tea. So there's a main tour group.
- 54:18Speaker 2: Let's get into this. As we're wrapping this up dozens
- 54:21Speaker 2: of travelers from the main State Music Theater. We're inside
- 54:25Speaker 2: the loof walking toward the Apollo Gallery on Sunday morning,
- 54:29Speaker 2: when suddenly their tour group was forcefully pushed back. So
- 54:33Speaker 2: this is the main State Music Theater. But let's go
- 54:36Speaker 2: ahead and see what theater director Kurt Dale Clark had
- 54:42Speaker 2: to say.
- 54:42Speaker 5: The staircase about to enter the room next door to
- 54:46Speaker 5: the room where the robbery happened. So when they realized
- 54:50Speaker 5: what was going on, the guards got very aggressive immediately.
- 54:54Speaker 5: But then when we started seeing swat teams and military people,
- 54:57Speaker 5: I was like, I think there's some thing more going
- 55:00Speaker 5: on here, and so we all turned and high tailed it.
- 55:04Speaker 5: We got very very nervous about the whole thing. We
- 55:06Speaker 5: did find everybody, we did get out of there, but
- 55:09Speaker 5: there was almost instant action by the by the French
- 55:13Speaker 5: police and the French military.
- 55:15Speaker 2: Okay, I'm gonna say it was an instant because the
- 55:17Speaker 2: men managed to ride down that cherry picker and I
- 55:20Speaker 2: saw a video of them riding down. It wasn't the
- 55:23Speaker 2: quick as ride, it.
- 55:24Speaker 3: Was just slow. It was an escalator speed rise, very
- 55:27Speaker 3: slow ride.
- 55:28Speaker 2: As soon as they got in that cherry picker box,
- 55:29Speaker 2: and was like do do do do do do do?
- 55:37Speaker 4: There's some nice elevator music and they're going down to
- 55:39Speaker 4: little escalated right.
- 55:40Speaker 3: It was a do do do do do do carry
- 55:48Speaker 3: one hundred million dollars worth of diamonds. Man.
- 55:51Speaker 2: I also loved that they were like, oh, they're trying
- 55:53Speaker 2: to be nice to the French, like, no, this looks
- 55:55Speaker 2: security came a super past no baby, they did not.
- 55:58Speaker 2: Also very funny to me that the security now wants
- 56:02Speaker 2: to get aggressive with these people who are just like tourists.
- 56:06Speaker 3: Was like they got to look like they're doing something
- 56:08Speaker 3: because they wasn't doing what they were supposed to be doing. Yeah,
- 56:10Speaker 3: you're right, that's when we got to start period. You
- 56:13Speaker 3: got to get getting busy. You got to get busy
- 56:15Speaker 3: when it dazes are on you.
- 56:16Speaker 2: And they did evacuate people from the museum, and a
- 56:19Speaker 2: lot of people thought initially that it was like a
- 56:20Speaker 2: bomb thread or that there was like some kind of
- 56:22Speaker 2: violent thing happening because they weren't giving them any information.
- 56:25Speaker 2: Obviously it's like embarrassing and maybe they also don't want
- 56:28Speaker 2: to tip off the robbers that they're still there, so
- 56:31Speaker 2: people didn't know. And Kurt also said, we were actually
- 56:34Speaker 2: really offended because we didn't understand the language, so we
- 56:38Speaker 2: didn't know what was happening. But then we started seeing
- 56:40Speaker 2: you know, military with machine guns and swat teams, and
- 56:44Speaker 2: we realized, oh, something pretty serious is going on. Not
- 56:47Speaker 2: kurtbing like I was asking to speak to the manager.
- 56:52Speaker 2: I was like, no, sir, we came from the main
- 56:54Speaker 2: theater company. We will be getting inside here. I paid
- 56:59Speaker 2: my American.
- 57:00Speaker 3: Listen it and came a long way. They want to
- 57:02Speaker 3: see what they want to see, right, And then he
- 57:04Speaker 3: saw some guns.
- 57:04Speaker 2: It was like, oh, never mind, Okay, this is get
- 57:06Speaker 2: too America.
- 57:09Speaker 3: Where y'all get them guns from friends of all? Like,
- 57:12Speaker 3: I'm good.
- 57:13Speaker 2: So there's other lufre heis. In nineteen ninety eight, the
- 57:16Speaker 2: painting Le Chemine de Serie was stolen from the Loof
- 57:21Speaker 2: and has never been found, but did trigger a massive
- 57:24Speaker 2: overhaul in museum security. Clearly not enough and it's I
- 57:30Speaker 2: think it's Les Chamin Dee.
- 57:32Speaker 4: But now that I could see hanging in some rich
- 57:35Speaker 4: person's house and no one.
- 57:36Speaker 3: Really knowing, I would never know.
- 57:39Speaker 2: I could walk into like anybody's house and be like,
- 57:42Speaker 2: oh that's cute or whatever.
- 57:43Speaker 4: Yeah, you would have no idea they'd have a feather
- 57:45Speaker 4: in their cap that they stole something very priceless.
- 57:47Speaker 2: So yes, and so French theft's going crazy. Last month,
- 57:52Speaker 2: thieves broke into the Adrian Dubochet Museum outside of Paris
- 57:57Speaker 2: and stole porcelain works worth a leven million dollars. In
- 58:02Speaker 2: November twenty twenty four, seven items of great historic and
- 58:05Speaker 2: heritage value were stolen from the Cognac Museum in Paris.
- 58:10Speaker 3: Four men with axes and baseball bats.
- 58:12Speaker 2: Another four men, same for it, same for men, I said,
- 58:17Speaker 2: and we know these four men love a cutting tool,
- 58:19Speaker 2: and now we're using X.
- 58:21Speaker 3: See.
- 58:23Speaker 2: So they smashed the display cases in broad day like hmmm,
- 58:29Speaker 2: some some of those eighteenth century artworks were recovered the
- 58:33Speaker 2: next day. Jewelry work, they doesn't sound like they were
- 58:35Speaker 2: recovered them four men though. The next day jewelry worth
- 58:38Speaker 2: several million dollars was taken in an armed robbery at
- 58:41Speaker 2: the Ell Museum in eastern France.
- 58:45Speaker 3: And you know they also robed Kim k of her jewelry.
- 58:48Speaker 4: First of all, get out my brain, because I literally was,
- 58:50Speaker 4: I swear to you, I just swear right as you
- 58:53Speaker 4: said that I was thinking about And also the Kimk
- 58:57Speaker 4: Caper with old people. These men were, Oh they wouldn't understen.
- 59:01Speaker 4: I'm in my fifties, but they were like in their
- 59:03Speaker 4: fifties or above ye doing this. So yeah, it feels
- 59:06Speaker 4: like one of them dad too, one of them has
- 59:08Speaker 4: already died and left this mortal coil.
- 59:10Speaker 2: Oh wow, staying core because I know Canny down there
- 59:13Speaker 2: running up on them right now. And she chose to
- 59:16Speaker 2: wear a lot of diamonds to testify, and You're like,
- 59:19Speaker 2: are you sure you want to do that?
- 59:21Speaker 3: Yeah, and she was like yeah, like the fuck, which
- 59:24Speaker 3: I'm on her side for that, but you know, I
- 59:26Speaker 3: guess the French really just love jewelry and wrapping people.
- 59:29Speaker 3: I'm trying.
- 59:29Speaker 2: They left that lady with her life, you know what
- 59:31Speaker 2: I mean. Like they was just like, get in the tub.
- 59:33Speaker 2: We just don't take.
- 59:35Speaker 3: Champ can get more stuff.
- 59:36Speaker 2: Them skims are skimming, Okay, she would be fine, So
- 59:39Speaker 2: I'm glad they left her alone. And it seems like
- 59:42Speaker 2: in all of these heights so far, I haven't heard
- 59:44Speaker 2: about any injuries or any deaths.
- 59:45Speaker 3: So they're just coming to get this stuff. Yeah, They're
- 59:47Speaker 3: just gonna get the stuff, Like, hey, we're just here
- 59:49Speaker 3: for your stuff, do you mind? Yeah?
- 59:53Speaker 2: Actually, now you haul out fresh, so if you can
- 59:55Speaker 2: move your car real quick so we can pack that
- 59:57Speaker 2: up into the driveway because we were about to take
- 59:59Speaker 2: your stuff. Yeah, your stuff, not your stuff is ours now.
- 1:00:04Speaker 2: On September sixteenth, a little over a month before the heist,
- 1:00:08Speaker 2: one lone criminal stole seven hundred thousand dollars worth of
- 1:00:11Speaker 2: gold nuggets from a Paris natural History museum between one
- 1:00:15Speaker 2: and four am. The burglar used an angle grinder and
- 1:00:18Speaker 2: a blowtorch to force their way into the Riverside Museum complex,
- 1:00:22Speaker 2: which is a very similar im o modus and if
- 1:00:26Speaker 2: you know the way you operate, it's very similar to
- 1:00:28Speaker 2: the natural History Museum's alarm and surveillance systems being disabled
- 1:00:34Speaker 2: by a cyber attack in July. So a twenty four
- 1:00:38Speaker 2: year old Chinese woman was arrested for that theft in
- 1:00:41Speaker 2: Barcelona on September thirtieth.
- 1:00:43Speaker 3: Oh, I'm sorry you.
- 1:00:44Speaker 2: Didn't get away, girl, girl. I bet you a man,
- 1:00:46Speaker 2: I bet you one man turns you in. I know
- 1:00:50Speaker 2: it's a man behind it. I can't prove it, but
- 1:00:51Speaker 2: get that dox meme out, okay, because I can't prove it,
- 1:00:54Speaker 2: but I know it. So we have an update on
- 1:00:57Speaker 2: the highst heer wrapping it up. French police rest to
- 1:01:02Speaker 2: jew heisht suspects a mid Man hunt.
- 1:01:05Speaker 3: Now I'm gonna.
- 1:01:06Speaker 2: Ask you about do you think that these arrests before
- 1:01:09Speaker 2: I ain't share anymore, do you think these are these
- 1:01:11Speaker 2: are valid arrests. I feel like they felt like they
- 1:01:14Speaker 2: were globally embarrassed at least my opinion, and I'm like,
- 1:01:17Speaker 2: are they just grounding up anybody? I mean, I do
- 1:01:20Speaker 2: think that they probably are valid arrest because it doesn't
- 1:01:23Speaker 2: seem like a very.
- 1:01:23Speaker 3: High It worked.
- 1:01:27Speaker 4: But these don't seem like sophisticated thieves, right, so I
- 1:01:30Speaker 4: think that they probably the dropping they had a sherry picker. No,
- 1:01:34Speaker 4: I don't think No. I just think that it was easy.
- 1:01:38Speaker 4: It was an easy mark they figured out because I
- 1:01:39Speaker 4: think it's in so drop. They figured out the best
- 1:01:41Speaker 4: way to do it and how to do it, and
- 1:01:42Speaker 4: you know they're leaving they dropping stuff. They didn't didn't
- 1:01:45Speaker 4: get a drop, That's what I'm saying. So it just
- 1:01:46Speaker 4: seems to me that I could imagine that somebody was
- 1:01:49Speaker 4: lagging behind. And if they are the age of the
- 1:01:50Speaker 4: ones that rob kim Ky, they ain't running fast, So
- 1:01:53Speaker 4: I think that they could have gotten caught. I don't
- 1:01:56Speaker 4: think that anything will be recovered. I think those everything
- 1:01:59Speaker 4: has already been hopped up, melted down, and it's already
- 1:02:01Speaker 4: on its.
- 1:02:02Speaker 3: Way to wherever it's where it's going. Yeah, I didn't
- 1:02:04Speaker 3: get anything back, and you know what, to your point there,
- 1:02:08Speaker 3: that even more validates that.
- 1:02:09Speaker 2: I feel like there is some big money person behind
- 1:02:12Speaker 2: this who paid these four roubs to do this and
- 1:02:16Speaker 2: then was like, hand over the stuff. Here's I gave
- 1:02:18Speaker 2: you your payment on the way there. Here's your payment
- 1:02:21Speaker 2: for handing over this. Paid him enough here or she
- 1:02:23Speaker 2: had him enough.
- 1:02:24Speaker 4: Because you know, if I get if I did something
- 1:02:27Speaker 4: dumb like this and I get caught, I'm singing, I'm sorry.
- 1:02:29Speaker 4: I'm gonna tell you exactly who called, who hired me,
- 1:02:32Speaker 4: and with you know, if I'm going down, we all
- 1:02:34Speaker 4: going down.
- 1:02:36Speaker 3: She's like, I'm gonna.
- 1:02:39Speaker 4: Tell you everything. I'm gonna tell you everything I didn't
- 1:02:41Speaker 4: already show that I have no honor.
- 1:02:43Speaker 3: I'm a thief. I'm a thief. There's no honor in thieves.
- 1:02:45Speaker 3: I'm gonna tell everybody.
- 1:02:46Speaker 4: Dog, I might not touch it now right now, I
- 1:02:49Speaker 4: might not tell all my buddies, but I'm definitely telling
- 1:02:51Speaker 4: them who hired me.
- 1:02:52Speaker 3: Okay, see that might even more dangerous. Who hired you
- 1:02:54Speaker 3: might be with that pew pew, you know what I mean,
- 1:02:56Speaker 3: Like I'm already in jail. He got to come into
- 1:02:59Speaker 3: jail to pool peel me.
- 1:03:00Speaker 2: Yeah. But the prisoner's dilemma, which I learned about in philosophy,
- 1:03:05Speaker 2: It's like if one person stitches, everybody loses. If we
- 1:03:08Speaker 2: all don't say nothing, they don't have nothing.
- 1:03:10Speaker 3: You know what.
- 1:03:11Speaker 4: This is what I know about it. And this is
- 1:03:12Speaker 4: just me living long enough and watching enough Law and order.
- 1:03:15Speaker 4: Somebody gonna snitch, and I had somebody somebody gonna snitch.
- 1:03:18Speaker 4: I listen, if I could be assured if I was
- 1:03:21Speaker 4: a criminal, which I'm not, but if I could be
- 1:03:22Speaker 4: assured that everybody had my moral character as a as
- 1:03:26Speaker 4: a criminal, you mean, like, I'm gonna steal this stuff,
- 1:03:28Speaker 4: but I'm gonna respect all of us and make sure
- 1:03:30Speaker 4: we get out safely. If everybody was like me, cool,
- 1:03:32Speaker 4: But I haven't done enough group projects to know that
- 1:03:36Speaker 4: everybody ain't like me. So when it comes down to it,
- 1:03:39Speaker 4: I'm definitely getting in before somebody get in on me.
- 1:03:41Speaker 4: But I ain't a criminal, so ain't none of this
- 1:03:43Speaker 4: ever gonna apply to me. I ain't a criminal, ain't
- 1:03:45Speaker 4: got nobody to snitch on. But I'm saying if I did,
- 1:03:47Speaker 4: if I did, I'm gonna say it like a cuderry.
- 1:03:54Speaker 4: I'm sicking first.
- 1:03:56Speaker 3: So hold on, let me me, me.
- 1:03:57Speaker 4: Me, me, me, me me, And again, probably I ain't
- 1:04:03Speaker 4: gonna telling my all, my my fellow criminals that did
- 1:04:05Speaker 4: the heightst with me, But I'm gonna tell them who did.
- 1:04:07Speaker 3: I'm gonna point the finger who sent me there?
- 1:04:09Speaker 2: See, do you know the whole snitches get stitches very
- 1:04:13Speaker 2: much like kind of like a gang culture thing. But
- 1:04:15Speaker 2: that really does stem from the philosophy of the prisoner's dilemma.
- 1:04:19Speaker 2: If no one tells, then we all are better off,
- 1:04:23Speaker 2: and you're right.
- 1:04:24Speaker 4: And if no one tells, but somebody and this is
- 1:04:26Speaker 4: how we need to know. You can't in this economy
- 1:04:28Speaker 4: for sure, and you can't trust nobody. We have already
- 1:04:31Speaker 4: learned how many people said they was gonna vote win
- 1:04:33Speaker 4: winning that boot from November did something else. You can't
- 1:04:35Speaker 4: trust nobody, can't trust nobody.
- 1:04:39Speaker 3: Republican women. I was like, please cheat on your man
- 1:04:41Speaker 3: in the booth. He not gonna know.
- 1:04:43Speaker 4: This is your one opportunity to cheat a mad faith
- 1:04:46Speaker 4: for last they want to be see that's that they did.
- 1:04:48Speaker 4: They did no stitches. The stitches people there and they're
- 1:04:50Speaker 4: not snitching on who they voted for.
- 1:04:52Speaker 3: And they did it. And so I'm like, don't you
- 1:04:54Speaker 3: right bad?
- 1:04:54Speaker 2: Don't I don't realize it's gonna escalate into them taking
- 1:04:57Speaker 2: away your credit card days they like women did is
- 1:05:00Speaker 2: that be able to own property or credit cards or
- 1:05:02Speaker 2: anything that would give them freedom. Eventually, this marriage you
- 1:05:05Speaker 2: and is gonna be slavery, like do you they got
- 1:05:08Speaker 2: it home? They'd rather be slave to somebody that they know.
- 1:05:11Speaker 2: And they you know, that's what just because they don't
- 1:05:15Speaker 2: know everything about what happened with their grandparents. We gotta
- 1:05:18Speaker 2: get our grandparents to start really writing shit down, like
- 1:05:21Speaker 2: everybody granny, gets your granny to have a diary, or
- 1:05:24Speaker 2: get her to do one of those video diaries.
- 1:05:26Speaker 3: Let me take one of those books.
- 1:05:27Speaker 2: When they ask the questions, because once you find out
- 1:05:29Speaker 2: that the marriages that you've been idolized, they're.
- 1:05:31Speaker 3: Like, oh, my parents, my grandparents were married for seventy years.
- 1:05:35Speaker 2: And then you find out that Papaul had a family
- 1:05:37Speaker 2: down the street, and that he was.
- 1:05:38Speaker 3: Whooping all her hands and she had no money.
- 1:05:42Speaker 4: And also because grandma couldn't wrint nothing herself, couldn't have
- 1:05:44Speaker 4: a credit card herself, and she didn't stay. She wasn't
- 1:05:46Speaker 4: gonna eatther to have a roof over her head. It's
- 1:05:48Speaker 4: a lot of reasons women stayed back in the day. Yeah,
- 1:05:50Speaker 4: a lot of reasons.
- 1:05:51Speaker 3: And the only reason we got into the workforce was
- 1:05:53Speaker 3: because of the wars.
- 1:05:54Speaker 4: Yep, people don't know that either, or forget that too,
- 1:05:57Speaker 4: So listen, but everything's.
- 1:06:00Speaker 2: Everything's raped, you guys. We gotta stand together and cheat
- 1:06:03Speaker 2: together when we have to. Okay. So one suspect was
- 1:06:07Speaker 2: arrested at ten pm on Saturday at Paris, charged the
- 1:06:11Speaker 2: Gaul airport while trying to board a plane bound for Algeria.
- 1:06:14Speaker 2: Police said, Okay, these thieves are dumb, baby. There's an
- 1:06:18Speaker 2: Amtrak right there. They are not gonna check what's in
- 1:06:21Speaker 2: your bag. They don't even have security scanners. Get on
- 1:06:24Speaker 2: the Amtrak, take it to Amsterdam, fly out of Amsterdam
- 1:06:28Speaker 2: to wherever you're trying to go.
- 1:06:30Speaker 3: That's a quick journey. I don't know why I have
- 1:06:32Speaker 3: to tell you this and I've never even robbed a loop.
- 1:06:35Speaker 3: What are you doing? You went to the airport.
- 1:06:37Speaker 2: You think the first place they're not gonna be scanning
- 1:06:38Speaker 2: everything and everybody is the aeroport. That is the first
- 1:06:42Speaker 2: place they're looking. Bro, you would have been better just
- 1:06:44Speaker 2: walk into the next country.
- 1:06:45Speaker 3: What are you doing? Be for real? You are not
- 1:06:48Speaker 3: saying these These are not sophisticated criminals. They're not serious people.
- 1:06:52Speaker 2: So the second suspect was napped by police as he
- 1:06:54Speaker 2: was about to travel to Mali in West Africa. An
- 1:06:57Speaker 2: investigator with the Paris for Aid for Repression of Banditry Okay,
- 1:07:04Speaker 2: the Special Police Unit super spearheading this probe. They got
- 1:07:09Speaker 2: a source with the French Interior Ministry directly connecting the investigation.
- 1:07:14Speaker 2: So that's how they found him.
- 1:07:15Speaker 3: And if y'all think that one or both of them
- 1:07:17Speaker 3: are not singing like canaries right now, yeah, they definitely
- 1:07:22Speaker 3: are singing. I'm singing. There's no honor in thieves, there's none.
- 1:07:27Speaker 2: But also they don't know if they have any evidence yet.
- 1:07:29Speaker 2: They did try to set the truck on fire. Maybe
- 1:07:31Speaker 2: that burned some fingerprints, Like, who's to say these men
- 1:07:34Speaker 2: had their face covered up? If they don't have the
- 1:07:37Speaker 2: jewels on them physically, I don't know who's to.
- 1:07:40Speaker 3: Say, Okay, the other person's gonna.
- 1:07:42Speaker 4: Say that's who's to say of one of them. I'm
- 1:07:48Speaker 4: telling you there is no honor in thiefs. If people
- 1:07:51Speaker 4: realize that they wouldn't be pulling heights with other people.
- 1:07:53Speaker 4: If you want to protect yourself while doing a heist,
- 1:07:55Speaker 4: it's some crazy you bet to do it by yourself.
- 1:07:57Speaker 2: I want to know how the Paris Brigade for Repression
- 1:08:00Speaker 2: a bandit tree even figured out that this guy was
- 1:08:04Speaker 2: the guy. But yeah, they both got caught basically traveling.
- 1:08:08Speaker 2: And I'm like, take a train, take an automobile, keep
- 1:08:12Speaker 2: riding that bird scooter to free okay gas to charge
- 1:08:17Speaker 2: it up every now and then, and just keep riding
- 1:08:19Speaker 2: the bird scooter as far as it'll take you. But
- 1:08:21Speaker 2: don't take a plane. Why does everybody think the airport
- 1:08:25Speaker 2: is like the Greyhound station? Including Miss Girl Day in
- 1:08:28Speaker 2: the Life, y'all had like Miss Day in the Life,
- 1:08:31Speaker 2: Day in the life. After I do a jewel heist,
- 1:08:35Speaker 2: I got it, ready with me, Get ready with me
- 1:08:37Speaker 2: as I do a jewel heist. I got it this
- 1:08:38Speaker 2: morning at seven am and the first thing I did
- 1:08:40Speaker 2: was have an oatmelt latte. Then I had a croissant
- 1:08:44Speaker 2: and some fruit and some cheese for a little bit
- 1:08:47Speaker 2: of protein. You're gonna need your energy when you're running
- 1:08:49Speaker 2: off with heavy jewels.
- 1:08:53Speaker 3: Like what are you doing? Oh my goodness. So final
- 1:08:58Speaker 3: thoughts for you about about these is well.
- 1:09:01Speaker 4: I will say again that I think it was an
- 1:09:03Speaker 4: inside job. I will not say that miss lady, this
- 1:09:06Speaker 4: miss ms Man was involved in it. But she wanted
- 1:09:08Speaker 4: to just resign a little too fast for me, and
- 1:09:11Speaker 4: we ain't never go to see that.
- 1:09:13Speaker 3: She was trying to get up out of there.
- 1:09:15Speaker 4: She was like, I gotta I gotta fight to catch
- 1:09:17Speaker 4: they about to get on the plane. I'm supposed to
- 1:09:19Speaker 4: be on with him. I got to get her body.
- 1:09:20Speaker 3: She was like, you know what, fire me, fire me?
- 1:09:22Speaker 4: And when nobody said that exactly, so something about that
- 1:09:26Speaker 4: just don't feel right to me. And I think that
- 1:09:28Speaker 4: the two people that were caught are singing, and I
- 1:09:30Speaker 4: bet you when they keep singing, they gonna find out
- 1:09:31Speaker 4: that miss Man was involved.
- 1:09:32Speaker 2: That's my phone. No better get herself on a plane.
- 1:09:36Speaker 2: Was her security still working? I lay on the sword
- 1:09:42Speaker 2: and they were like, nobody asked you to do that.
- 1:09:44Speaker 3: Nobody.
- 1:09:44Speaker 2: She's like, no, no, no, I wieldn't cuffy take me away,
- 1:09:48Speaker 2: Like we didn't ask you.
- 1:09:49Speaker 3: We actually want you to fix the problem. Fix it.
- 1:09:52Speaker 3: No I'm fired. No one fired you.
- 1:09:58Speaker 5: I'm not.
- 1:09:59Speaker 3: I'm not fired.
- 1:09:59Speaker 2: Okay, yeah, really, y'all really want me to stay, but
- 1:10:03Speaker 2: I'm disgraced.
- 1:10:04Speaker 3: I'm so disgraced. Hello, okay, okay, hello. Oh yeah, I'm
- 1:10:16Speaker 3: on the same page.
- 1:10:17Speaker 2: It's either gotta be an inside job or some billionaire
- 1:10:21Speaker 2: has like all his creepy little toys that he wanted,
- 1:10:24Speaker 2: or they're already melted down and they're being sold right now,
- 1:10:27Speaker 2: and hopefully I end up with a piece.
- 1:10:29Speaker 3: Oh she wants to put it in the trunk with
- 1:10:32Speaker 3: the co.
- 1:10:37Speaker 2: Look, I'm gonna give it back as soon as Paramount
- 1:10:40Speaker 2: hires me for the next job, which they will, and
- 1:10:43Speaker 2: then I'm gonna give it back to them. Okay, yeah,
- 1:10:45Speaker 2: I'm just bron It's not a loan. It's like it's
- 1:10:47Speaker 2: like an art piece that i'm you know, I got
- 1:10:50Speaker 2: a light on it. There's a light in my trunk,
- 1:10:52Speaker 2: so it's sin it's like a museum. You know.
- 1:10:55Speaker 3: I didn't steal it.
- 1:10:56Speaker 2: I got it on display. Alright, Well, well you're always
- 1:11:01Speaker 2: a dream. This was so much fun.
- 1:11:03Speaker 3: Thanks always us. Where would you like to be found
- 1:11:06Speaker 3: anything you want to plug?
- 1:11:08Speaker 4: Oh man, I like to be found at the bank
- 1:11:09Speaker 4: putting a million dollars in. But aside from that, I'm
- 1:11:13Speaker 4: on Instagram and Facebook allegedly on Facebook, Instagram updates on
- 1:11:19Speaker 4: Facebook with That's event Nicole Brown, and then I'm like
- 1:11:22Speaker 4: the real ymb or ymb pretty much everywhere else, but
- 1:11:27Speaker 4: Instagram is probably the best place to find me. And
- 1:11:28Speaker 4: I got TikTok, but I don't really putting that up,
- 1:11:30Speaker 4: so Instagram is it?
- 1:11:31Speaker 2: And your podcast Squeezed, Yes, wonderful a podcast called Squeeze.
- 1:11:37Speaker 2: It's a love letter to caregivers and like a warm
- 1:11:40Speaker 2: hug to those of us in the trenches taking care
- 1:11:42Speaker 2: of others. And it's available wherever you get your podcasts,
- 1:11:45Speaker 2: and it's in partnership with Lemon out of Media. And
- 1:11:47Speaker 2: I'm just so honored to get to talk about caregiving
- 1:11:49Speaker 2: and two caregivers and we're in our second season and
- 1:11:51Speaker 2: should check us out.
- 1:11:52Speaker 3: Yes, And you really you have such a warm spirit
- 1:11:55Speaker 3: and I love hugging you. I love you too. Thank
- 1:12:00Speaker 3: you so much for being here.
- 1:12:03Speaker 2: Yes, and as always, y'all, you can find me is
- 1:12:05Speaker 2: d I v a la ci d elesi on all
- 1:12:07Speaker 2: platforms all. The first episodes of season one of Going
- 1:12:10Speaker 2: Dutch are streaming now on Hulu, as well as the
- 1:12:12Speaker 2: first season of my show, Scam Goddess on Hulu. Yes,
- 1:12:15Speaker 2: and you can still buy my book wherever books are sold.
- 1:12:18Speaker 2: And I think there are a few signs I might
- 1:12:21Speaker 2: grow with those guys. But go check it out on Potswag.
- 1:12:24Speaker 2: There might be a few signed copies of my books left.
- 1:12:26Speaker 2: I know they sold out instantly the first two times
- 1:12:28Speaker 2: I did it, and the last time I was like,
- 1:12:29Speaker 2: I'm gonna get a hand cramp.
- 1:12:30Speaker 3: So these are the three hundred that will exist in
- 1:12:32Speaker 3: the world.
- 1:12:32Speaker 2: Job because baby, I was writing y'all love letters and
- 1:12:35Speaker 2: I love you and.
- 1:12:36Speaker 3: So I love to do it.
- 1:12:38Speaker 1: Yeah.
- 1:12:38Speaker 3: And then check out our merge and I.
- 1:12:41Speaker 2: Think that's everything is I didn't think so, but congregation.
- 1:12:46Speaker 2: Once you get out there, stay hoisting. Yeah, that's sexy.
- 1:12:52Speaker 3: Robbery, robbery we can get behind. And that's not behind it.
- 1:12:57Speaker 3: I'm beside dam Goddess.
- 1:13:05Speaker 2: Scam Gottess stars and it's hosted by me Lacy Mosley
- 1:13:09Speaker 2: aka Scam Goddess.
- 1:13:10Speaker 3: Our producer is.
- 1:13:11Speaker 2: Jessica sis Neros and our audio engineer is Rich Garcia.
- 1:13:15Speaker 2: Research for the show is conducted by Kate Doyle stay
- 1:13:19Speaker 2: Skimming