Latest / Aaron Mahnke's Cabinet of Curiosities / Dual Roles
Transcript
- 0:04Speaker 1: Welcome to Aaron Menkey's Cabinet of Curiosities, a production of
- 0:07Speaker 1: I Heart Radio and Grim and Mild. Our world is
- 0:13Speaker 1: full of the unexplainable, and if history is an open book,
- 0:18Speaker 1: all of these amazing tales are right there on display,
- 0:22Speaker 1: just waiting for us to explore. Welcome to the Cabinet
- 0:27Speaker 1: of Curiosities. Some directors like to drop easter eggs into
- 0:39Speaker 1: their films, little bonuses in their films for the eagle
- 0:42Speaker 1: eyed viewers to spot. Alfred Hitchcock often inserted himself into
- 0:46Speaker 1: the backgrounds of his films. Finding him became kind of
- 0:49Speaker 1: a game, one that was sometimes so distracting viewers needed
- 0:52Speaker 1: to watch a movie more than once because they didn't
- 0:54Speaker 1: catch the story the first time around. Random characters or
- 0:58Speaker 1: props do a little more than entyson audience to pay
- 1:01Speaker 1: closer attention to the background of a scene. In one instance, however,
- 1:06Speaker 1: a piece of films set decoration set off a firestorm
- 1:09Speaker 1: through the international art world, and it was all thanks
- 1:12Speaker 1: to a mouse. It all started around nineteen six. The
- 1:17Speaker 1: Hungarian artist Robert Barny had a big name in the
- 1:20Speaker 1: avant garde scene at the time. He had already brought
- 1:23Speaker 1: Expressionism and Cubism to the country prior to the start
- 1:26Speaker 1: of World War One. Before that, he had studied in Paris,
- 1:29Speaker 1: focusing on post Impressionism and studying the works of Van
- 1:33Speaker 1: Gogh and go Again. After a few exhibits of his paintings,
- 1:36Speaker 1: Barony returned to Budapest and founded his own small art
- 1:39Speaker 1: collective in nineteen eleven. He caused waves that year when
- 1:43Speaker 1: the public attended his exhibition. His paintings were so unlike
- 1:46Speaker 1: what the Hungarian critics were used to, and while some
- 1:49Speaker 1: enjoyed it, many did not. Around nineteen nineteen, Barony left
- 1:54Speaker 1: Hungary to live in Berlin, where he stayed for several years.
- 1:57Speaker 1: He had painted recruitment posters in support of the Ungarian
- 2:00Speaker 1: Democratic Republic, a communist state that had formed in the
- 2:03Speaker 1: collapse of Austro Hungary after the end of World War One.
- 2:07Speaker 1: When that republic fell in November of nineteen nine, Barony
- 2:11Speaker 1: was forced to flee. He continued to paint, though, pushing
- 2:14Speaker 1: the boundaries of Cubism and expressionism. He also became a
- 2:18Speaker 1: composer for a short time to make ends meet. Then,
- 2:21Speaker 1: in the mid nineteen twenties, Barony returned to his home
- 2:24Speaker 1: country by that time, though another style had taken hold
- 2:27Speaker 1: of him. Art Deco combined the Cubism he was familiar
- 2:31Speaker 1: with with a bold new color pellette, and incorporated influences
- 2:35Speaker 1: from all over the world, including China and Persia, and
- 2:38Speaker 1: above all else. Art Deco represented the future, the future
- 2:41Speaker 1: of art, of technology, and of architecture. Barony was inspired
- 2:46Speaker 1: to paint his second wife in the Art Deco style.
- 2:49Speaker 1: The portrait, measuring two feet by almost three feet, was
- 2:52Speaker 1: titled Sleeping Lady with Black Vase. It depicted a woman
- 2:56Speaker 1: in a blue dress reclining on a large brown couch
- 3:00Speaker 1: yellow table, with a black vase stood in front of her.
- 3:03Speaker 1: The painting was put on display in budapest Earned Museum
- 3:06Speaker 1: in nine, supposedly the last time anyone saw it before
- 3:10Speaker 1: it disappeared. It had been sold to a Jewish buyer
- 3:14Speaker 1: who eventually fled Hungary just before World War Two. After that,
- 3:18Speaker 1: no one ever laid eyes on it again, that is
- 3:21Speaker 1: until Greg Lee Barky sat down to watch a movie
- 3:24Speaker 1: with his daughter in two thousand nine. Barkey had been
- 3:27Speaker 1: a historian at the Hungarian National Gallery, an art museum
- 3:30Speaker 1: in Budapest. On Christmas Eve of that year, he'd come
- 3:33Speaker 1: home after a long day at work to watch a
- 3:35Speaker 1: movie on television with his young daughter. She settled into
- 3:38Speaker 1: his lap and Barky turned on the children's movie Stuart Little.
- 3:44Speaker 1: Part Way into the film, he saw it. It was
- 3:47Speaker 1: hanging on the wall behind the three main human characters
- 3:49Speaker 1: and the computer generated mouse. Barkey almost dropped his daughter
- 3:53Speaker 1: to the floor and shock the sleeping lady had been found.
- 3:58Speaker 1: He immediately began emailing every casting crew member connected with
- 4:01Speaker 1: the film, asking them about the whereabouts of the painting.
- 4:05Speaker 1: A response came from an assistant set designer who had
- 4:07Speaker 1: worked on the picture. Two years later, it turned out
- 4:10Speaker 1: that the story of Baronie masterpiece was a mysterious one.
- 4:15Speaker 1: The painting had surfaced fifty years after World War Two
- 4:17Speaker 1: at an auction in San Diego, California. The buyer at
- 4:21Speaker 1: the time had paid all of forty dollars for it.
- 4:23Speaker 1: It then ended up in an antique store, having been
- 4:26Speaker 1: sold to the shop for a whopping four hundred dollars.
- 4:29Speaker 1: Apparently nobody knew what they really had. It wasn't long
- 4:32Speaker 1: before a local woman walked into the store and purchased
- 4:35Speaker 1: the painting to hang in her own home. She happened
- 4:37Speaker 1: to work as a set designer in Hollywood, creating and
- 4:41Speaker 1: decorating the sets that would be seen in major motion pictures. Then,
- 4:45Speaker 1: while decorating the Stewart Little set, the woman realized Baroness
- 4:48Speaker 1: painting would look perfect hanging over the little family's fireplace
- 4:52Speaker 1: in the movie. She took it off her own wall
- 4:54Speaker 1: and brought it to the set. When filming completed, the
- 4:57Speaker 1: painting went back home with her. Barquis. The woman eventually
- 5:01Speaker 1: arranged a meeting he flew to her house in Washington,
- 5:04Speaker 1: where he was able to see the once lost work
- 5:06Speaker 1: in person. Sadly, he didn't get to take it home
- 5:09Speaker 1: with him. Sleeping Beauty with Black Vace went up for
- 5:11Speaker 1: auctions several years later, selling for over two hundred and
- 5:15Speaker 1: eighty five thousand dollars, But the story does have a
- 5:19Speaker 1: kind of happy ending. The painting wound up in the
- 5:21Speaker 1: possession of a Hungarian buyer, bringing Baronies masterpiece home once
- 5:27Speaker 1: and hopefully for all. Sometimes we reach a point in
- 5:44Speaker 1: our lives where we feel the need to reinvent ourselves.
- 5:47Speaker 1: Perhaps we grow tired of our careers and decided to
- 5:50Speaker 1: make a change, or we chop off the hairstyle we've
- 5:52Speaker 1: had for twenty years in favor of something a little boulder.
- 5:56Speaker 1: At the dawn of World War Two, one man saw
- 5:58Speaker 1: a need to reinvent himself. But he changed more than
- 6:01Speaker 1: his hair. He changed everything. Casper brand Hoffer was an actor.
- 6:07Speaker 1: It had been his calling from a young age. Born
- 6:09Speaker 1: in Austria, Hungary in eighteen ninety one, he began attending
- 6:12Speaker 1: the prestigious University of Music and Performing Arts in Vienna
- 6:16Speaker 1: when he was just twenty two, the same school that
- 6:18Speaker 1: had once counted among its students composers Gustav Mahler and
- 6:21Speaker 1: Jean Sibelius. He then enlisted in World War One, joining
- 6:25Speaker 1: the Austro Hungarian Army as a private. Brand Hoffer eventually
- 6:28Speaker 1: rose to the rank of lieutenant and was awarded a
- 6:31Speaker 1: Medal for valor after being wounded in battle. He also
- 6:34Speaker 1: became a family man, settling down and having two children,
- 6:37Speaker 1: a boy and a girl, but brand Hoffer never forgot
- 6:40Speaker 1: his first love the theater. When the war ended, he
- 6:43Speaker 1: started performing in plays all over Germany, playing the Duke
- 6:47Speaker 1: of Albany in a Viennese production of King Lear, then
- 6:50Speaker 1: joining a theater company in Munich in nineteen one, before
- 6:53Speaker 1: eventually moving to Berlin. Sadly, his marriage suffered from all
- 6:58Speaker 1: the travel and work. Brand Hoffer was divorced in nine
- 7:01Speaker 1: and started a theater company with his new love, actress
- 7:04Speaker 1: Agnes Strob, but brand Hoffer was forced to leave Berlin
- 7:07Speaker 1: several years later. He retreated to a mountain cabin in
- 7:10Speaker 1: the state of t Roll in western Austria. For one
- 7:13Speaker 1: year he honed his craft while the Nazis took over Germany.
- 7:17Speaker 1: Brand Hoffer eventually returned, though, sporting a full beard and
- 7:20Speaker 1: whitened hair, intent on making his mark once more. Except
- 7:24Speaker 1: something was different about him, something other than his looks.
- 7:28Speaker 1: He was suddenly unfamiliar with aspects of the theater that
- 7:31Speaker 1: he'd known so well before. In fact, one cast mate
- 7:34Speaker 1: had to explain the concept of a monologue to him,
- 7:36Speaker 1: which brand Hoffer understood is something he called a dialogue
- 7:40Speaker 1: with my Lord God. He also fancied himself a natural actor,
- 7:44Speaker 1: issuing the formal education he had received when he was younger.
- 7:47Speaker 1: As far as the other cast members knew, he had
- 7:49Speaker 1: taught himself everything he knew. Brand Hoffer's first leaped back
- 7:53Speaker 1: into the theater world was a production of a play
- 7:56Speaker 1: called fraeulein Elsa. The show opened in December of night
- 8:00Speaker 1: teen thirty six. Critics loved his performance, and so did
- 8:03Speaker 1: the Nazis. They rallied behind him, lauding his rise to
- 8:07Speaker 1: start them as a self taught natural actor and a
- 8:10Speaker 1: poster child for their aryan agenda. The director of the
- 8:14Speaker 1: show offered brand Hoffer a three year contract. All that
- 8:17Speaker 1: had taken was one role, and he was on top
- 8:19Speaker 1: of the world in a way he'd never been before.
- 8:22Speaker 1: But then one week later, brand Hoffer came clean. He
- 8:25Speaker 1: couldn't deal with his success leading to the growth of
- 8:27Speaker 1: a Nazi party, and so he told them the truth.
- 8:30Speaker 1: His name was not Casper brand Hoffer, it was Leon Reese.
- 8:34Speaker 1: He'd been born to Jewish parents and had first taken
- 8:36Speaker 1: on the stage name of Leo Russ. When the Nazis
- 8:39Speaker 1: took over Berlin, the actor fled to the mountains of
- 8:42Speaker 1: t Roll, where he concocted a whole new persona for himself.
- 8:45Speaker 1: He learned to act and speak like the local farmers.
- 8:48Speaker 1: He let his hair get long, and he grew a beard.
- 8:51Speaker 1: Reese then soaked all the hair on his body in
- 8:54Speaker 1: hydrogen peroxide baths to diet blonde. Finally, he positioned himself
- 8:58Speaker 1: as a Christian act or, one who did not study
- 9:01Speaker 1: at a prominent German school. He was self taught, and
- 9:04Speaker 1: he took on the name of Casper brand Hoffer. Nobody
- 9:08Speaker 1: in Berlin recognized him, not even the actors and directors
- 9:10Speaker 1: he'd previously worked with his one year sabbatical had worked.
- 9:14Speaker 1: Following his confession, Reese was hauled into court and tried
- 9:18Speaker 1: for living under a false name. He made a stand
- 9:20Speaker 1: advocating that being an actor came down to one's talent,
- 9:23Speaker 1: not their race. A fine was levied against him for
- 9:26Speaker 1: his actions, but he knew it was only a matter
- 9:28Speaker 1: of time before he had faced harsher punishment, and so
- 9:31Speaker 1: he left Germany altogether. In nineteen thirty seven, Reese came
- 9:35Speaker 1: to the United States and changed his name once more.
- 9:38Speaker 1: He now went by Lionel Royce. Working his way up
- 9:41Speaker 1: with small parts in major motion pictures, he built a
- 9:44Speaker 1: nice career for himself in Hollywood, acting alongside legends like
- 9:47Speaker 1: Tyrone Power, Rita Hayworth, and Edward G. Robinson. Leon Reese
- 9:52Speaker 1: died of a heart attack in nineteen forty six, at
- 9:54Speaker 1: the age of fifty five. He acted in many fine
- 9:57Speaker 1: films towards the end of his life, but his finest
- 9:59Speaker 1: perform Mints was that of a Jewish actor playing an
- 10:02Speaker 1: arian who made the fools of the Nazis. Too bad
- 10:06Speaker 1: there wasn't an oscar for that category. I hope you've
- 10:13Speaker 1: enjoyed today's guided tour of the Cabinet of Curiosities. Subscribe
- 10:17Speaker 1: for free on Apple Podcasts, or learn more about the
- 10:19Speaker 1: show by visiting Curiosities podcast dot com. The show was
- 10:24Speaker 1: created by me Aaron Manky in partnership with how Stuff Works.
- 10:28Speaker 1: I make another award winning show called Lore, which is
- 10:32Speaker 1: a podcast, book series, and television show, and you can
- 10:35Speaker 1: learn all about it over at the World of Lore
- 10:38Speaker 1: dot com. And until next time, stay curious.