Latest / The Bridge by Sammy Chand / June 1, 2026 — "Sammy Chand Interviews Rashmeet Kaur"

Transcript

June 1, 2026 — "Sammy Chand Interviews Rashmeet Kaur" · The Bridge by Sammy Chand

• 0:00
  Speaker 1: South Asian music and cultures can be.
• 0:02
  Speaker 2: Found around the world.
• 0:05
  Speaker 3: We've tracked down the best and presented here for you
• 0:09
  Speaker 3: on RUCUS Radio.
• 0:16
  Speaker 4: Hello, a let's say called.
• 0:17
  Speaker 5: This is alicitag and.
• 0:18
  Speaker 6: You're listening to The Bridge hosted by my dear but
• 0:21
  Speaker 6: Sami Chang on RAKA Sami Radio.
• 0:24
  Speaker 7: Hey, this is right here and you're listening to the
• 0:27
  Speaker 7: Bridge with Sammi Chong.
• 0:32
  Speaker 1: What's up. Hope you guys had a great weekend.
• 0:38
  Speaker 8: My name is Sammy John and welcome everybody to a
• 0:43
  Speaker 8: June first edition of The Bridge.
• 0:46
  Speaker 1: You're gonna kick off this month right today.
• 0:50
  Speaker 8: We'll be joined by a very special lady that we've
• 0:52
  Speaker 8: been wanting to grab on this show here for a
• 0:55
  Speaker 8: few weeks and we finally did it. We'll be joined
• 1:02
  Speaker 8: today by rush Meat Gore. I find Rich Meat to
• 1:06
  Speaker 8: be very interesting and I'll tell you why. She sits
• 1:11
  Speaker 8: at the intersection of a brand new wave of this
• 1:16
  Speaker 8: new independent artist and somebody that has really seeped in
• 1:20
  Speaker 8: tradition and is classically trained, and I love that mixture.
• 1:27
  Speaker 1: We'll talk to.
• 1:28
  Speaker 8: Rish Meat today about her career and she gets ready
• 1:31
  Speaker 8: to visit us here in North America. We'll ask her
• 1:35
  Speaker 8: some questions based on some observations.
• 1:39
  Speaker 1: It's gonna be great. I'm looking forward to it. It
• 1:43
  Speaker 1: is a Monday.
• 1:44
  Speaker 8: On this show, we'll be joined by Joelina from the
• 1:47
  Speaker 8: un News Department. As we do every Monday morning, on
• 1:50
  Speaker 8: this show, we'll be joined by the Ruckus Avenue Radio
• 1:55
  Speaker 8: All Stars. Doctor Roy brings us a word on the
• 1:59
  Speaker 8: app Avenue. THEA brings us an artist spotlight. We'll be
• 2:07
  Speaker 8: joined on Monday, as we do every Monday morning by
• 2:10
  Speaker 8: mi Ra Sharma, who brings us a mindful minute on
• 2:13
  Speaker 8: this show, providing enough inspiration to power you through the weekend.
• 2:19
  Speaker 8: Here it's a Monday morning, and true to the tradition
• 2:28
  Speaker 8: of every Monday morning, we start off our show with
• 2:32
  Speaker 8: what was the number one song from our weekend countdown show.
• 2:36
  Speaker 8: Here's Sandrew Retord.
• 2:38
  Speaker 1: Welcome to the.
• 2:39
  Speaker 9: Brench Do I dog.
• 2:54
  Speaker 10: Just like a kitty bitty You wan me through the
• 2:57
  Speaker 10: deliver sh did you gold Mine? That's goody, very very classy, slashy, flashy, flashy,
• 3:04
  Speaker 10: dam baby to our hestire, Holy to Hollywood Party.
• 3:09
  Speaker 5: Why do you live with a good? Jason?
• 3:11
  Speaker 10: Now allergy bugle.
• 3:18
  Speaker 9: Am? I just over?
• 3:20
  Speaker 8: That's my just over, but.
• 3:24
  Speaker 2: The little more girl, Okay salah.
• 3:28
  Speaker 11: Am just over, that's.
• 3:31
  Speaker 9: My just over, its not roun.
• 3:34
  Speaker 12: The dagon had the playlists and now now can now
• 3:40
  Speaker 12: can now getting okay?
• 3:41
  Speaker 2: Parson A sang about the Scia.
• 3:44
  Speaker 12: Not dargon halim you Dad, and the playlist doesn't answer.
• 3:49
  Speaker 12: Now now can now can now getting okay parsason A
• 3:53
  Speaker 12: La sang about a scias a pa good lobby, good
• 3:56
  Speaker 12: lobby girl, hier Son, every son eery b.
• 4:01
  Speaker 5: Just Alena hall.
• 4:06
  Speaker 2: La lallergic bang.
• 4:14
  Speaker 11: Nots maja ocha pungry just sound worthy rap from Gau
• 4:30
  Speaker 11: to the Google. I'm raising no gap for the silence,
• 4:33
  Speaker 11: no violence and Manana staff maja.
• 4:37
  Speaker 1: As when she's in gagarah.
• 4:41
  Speaker 11: This Terrani Maraney kind of crah read.
• 4:44
  Speaker 1: A bangle black Google with.
• 4:46
  Speaker 11: Camera Cardala Hamana Karala Heyli Gotti. She is bad, very billionaire,
• 4:53
  Speaker 11: correct group foreigner. It is the very reason person the number,
• 4:59
  Speaker 11: the hopman.
• 5:00
  Speaker 9: Don't talk like.
• 5:02
  Speaker 13: That.
• 5:02
  Speaker 12: You're feeling a tamad Nepai wife Arankai. So the authentic,
• 5:08
  Speaker 12: the classic romantic hik.
• 5:20
  Speaker 9: That's like.
• 5:28
  Speaker 5: La la god fo.
• 5:34
  Speaker 9: Al ma.
• 5:36
  Speaker 1: That's ma.
• 5:47
  Speaker 8: It's the first ever Marti song. At the top of
• 5:50
  Speaker 8: the bridge here how about that? What an excellent way
• 5:54
  Speaker 8: to start off the week here.
• 5:56
  Speaker 1: The song is called Bengals.
• 5:59
  Speaker 8: The artist name sand You Reward and we've got a
• 6:02
  Speaker 8: great week ahead.
• 6:03
  Speaker 1: As I mentioned to you, we have Rashmith.
• 6:05
  Speaker 8: Card today and this song we've got cued up for
• 6:08
  Speaker 8: you is her song called Fakira Live.
• 6:12
  Speaker 1: Looking forward to talking to her today.
• 6:14
  Speaker 14: Myna the Cannes jack In, Mari Doc.
• 6:38
  Speaker 15: Mamira, Hunamanga Buckra ang Angapira, loved Mary Janira, Na Savira,
• 6:47
  Speaker 15: Mamma Gira, ham Mammira, Hamlcavakira, on Amanga Manakira, Hamkamvakira, I'm
• 6:56
  Speaker 15: a Lake Bernania Savira, on Naria Rajnira, Mammira, Nakra Young
• 7:05
  Speaker 15: Algavapira by Bakra Loved Your Marry Hernia and Servia, Mama Pokira,
• 7:13
  Speaker 15: Bakrama Bahira, Hamvakira, mark My Pakira, mark My pakiram La Banaria, Saverra,
• 7:23
  Speaker 15: Naria Handira, Menaria.
• 7:25
  Speaker 5: Harneira, h King Side. Okay, that's a jacket. Oh my
• 7:51
  Speaker 5: bass you look.
• 8:03
  Speaker 15: Nammai Rania Lady Ranidama.
• 8:31
  Speaker 14: Daaa Lanira.
• 8:39
  Speaker 5: Lama.
• 8:40
  Speaker 1: I love her work, She's fabulous.
• 8:43
  Speaker 8: This song is called Fugita and you pretty much in
• 8:45
  Speaker 8: this song get the capsule of exactly what she is
• 8:48
  Speaker 8: as an artist. And I've actually been observing her work
• 8:51
  Speaker 8: for a little bit of time. Here I'm excited about
• 8:54
  Speaker 8: where she's going. Keep your eyes on the smith car.
• 8:58
  Speaker 8: This song is called nah Push.
• 9:00
  Speaker 2: The red to pay Lasso, the.
• 9:14
  Speaker 7: La Carte, the Loki Karma, the terra con, the Jamney Pigeon,
• 9:19
  Speaker 7: nappish Ran, the spl Chi gann j Cardeni Shani have albart.
• 9:28
  Speaker 2: The Jamney pigeon nappisham.
• 9:31
  Speaker 7: Ran, the spl Chi gann j cartenish any have arbart
• 9:37
  Speaker 7: ge the the Jamney pigeon nap for sham Ran.
• 9:42
  Speaker 2: There is the man who like Ma but like it,
• 9:59
  Speaker 2: don't dug around with no can like young.
• 10:03
  Speaker 7: The garden car crack, the Cardaia, the Johnny per They
• 10:13
  Speaker 7: whilst I lakda those agin a crown Villa, Johnny Pigeona
• 10:25
  Speaker 7: Chi Kanishi have arbor a ground till it Johnny Pigeona.
• 10:31
  Speaker 7: For women, they're too many garde any shot machine, the
• 10:45
  Speaker 7: currica go to Makada Pakia jam donkar had ki jamam.
• 10:55
  Speaker 12: The corsi to a jut today.
• 11:16
  Speaker 8: So this is a single original version of this song.
• 11:19
  Speaker 8: And I get the feeling that there's gonna be this
• 11:21
  Speaker 8: group version of it that comes out as well.
• 11:24
  Speaker 1: This song is called Nah Push It There.
• 11:26
  Speaker 8: It's by artist Sive Farid, and Save has put out
• 11:30
  Speaker 8: this as a solo artist. But as I mentioned to you,
• 11:33
  Speaker 8: if you're checking out all the social media videos out there,
• 11:36
  Speaker 8: you're capturing that they've got a whole group singing this together.
• 11:39
  Speaker 8: And I think I think we all love that version
• 11:41
  Speaker 8: as well, just as much as this one. I'm hoping
• 11:43
  Speaker 8: to hear that pretty soon. And I hope they released
• 11:46
  Speaker 8: that group version here. But now, folks, let's bring in
• 11:49
  Speaker 8: doctor Roy to the show. Who's got Today's Word on
• 11:52
  Speaker 8: the Avenue? What's up, Doctor Roy?
• 11:54
  Speaker 16: Hey guys, this is doctor Forman, Today's Word on the Avenue.
• 11:58
  Speaker 16: In film and TV news, Rushmikha Mandana and Winston Duke
• 12:02
  Speaker 16: created a buzzworthy crossover moment, bringing together Indian cinema and
• 12:06
  Speaker 16: Hollywood in a way that quickly caught fans attention. Known
• 12:10
  Speaker 16: globally for his role in Black Panther, Duke sharing the
• 12:14
  Speaker 16: spotlight with Rushmika sparked excitement about the growing visibility of
• 12:18
  Speaker 16: Indian stars on international stages. In media news, marking a
• 12:23
  Speaker 16: major moment for Nibali cinema. Filmmaker of nash bigram Shaw
• 12:27
  Speaker 16: made history with his debut future earning selection in a
• 12:30
  Speaker 16: prestigious parallel section at the Cannes Film Festival. The recognition
• 12:35
  Speaker 16: placed Shah among emerging global storytellers and highlights the growing
• 12:39
  Speaker 16: international visibility of cinema from Nepal. In event News, Italian
• 12:44
  Speaker 16: artist Yambalo Domasetti is gaining renewed attention online for his
• 12:49
  Speaker 16: striking oil paintings inspired by the Mahabharre, a series of
• 12:54
  Speaker 16: twenty three large scale works created between two thousand and
• 12:57
  Speaker 16: eight and twenty thirteen. The spotlight in tified after in
• 13:01
  Speaker 16: their MOODI g received almost at these paintings of Varnessy
• 13:04
  Speaker 16: during his visit to Italy, later describing it as a
• 13:07
  Speaker 16: glimpse of Goshi and Rome. I think for today's word
• 13:11
  Speaker 16: on the avenue until next time.
• 13:12
  Speaker 8: Thank you so much, Doctor Royd. Great to see the
• 13:16
  Speaker 8: diplomacy going on around the world.
• 13:19
  Speaker 5: There.
• 13:19
  Speaker 8: From Prime Minister Mody, this song is called Born Winner.
• 13:25
  Speaker 8: And if you're paying attention to what's happening around the world,
• 13:29
  Speaker 8: you know that the FIFA World Cup is coming to
• 13:31
  Speaker 8: the US.
• 13:33
  Speaker 1: And this song is called Born Winner, said, have.
• 13:58
  Speaker 12: My life doing, enjoy the bye that puddy, I'm can't
• 14:04
  Speaker 12: you book God me trip for me?
• 14:07
  Speaker 5: It don't see me, I said, don't show beyond it.
• 14:14
  Speaker 9: Oh y'all, I'm gonna leave it.
• 14:16
  Speaker 5: Fall to a long list.
• 14:18
  Speaker 12: I'm there about about this, about this, Ji bamember me.
• 14:25
  Speaker 2: That dont man, I'll talk to you about me.
• 14:33
  Speaker 5: Were not but you know from me, but you all.
• 14:39
  Speaker 2: Know me now we never know.
• 14:42
  Speaker 5: Let you all from me, but you all from me.
• 14:47
  Speaker 9: Pa, you know love.
• 14:51
  Speaker 5: You from me, but you from me?
• 14:55
  Speaker 8: I know sure.
• 15:06
  Speaker 17: Nada Chi di Gamchai ge Koria Sapa sorry sad Nina
• 15:36
  Speaker 17: na Judaea Savina kand.
• 15:44
  Speaker 18: Show World Cup season is upon this.
• 16:03
  Speaker 8: Everybody can't wait. And this is for the Canadian soccer
• 16:07
  Speaker 8: team right here ap Dillon's latest called Born Winner, and folks,
• 16:13
  Speaker 8: let's bring in me Rasharma to the showy Sammy.
• 16:20
  Speaker 19: Shama here with your weekly dose of mindful sass helping
• 16:24
  Speaker 19: you stay self assured, spirited and strong. It's officially June
• 16:29
  Speaker 19: and summer is here. Can we just take a moment
• 16:32
  Speaker 19: to realize we're halfway through the year already, But here
• 16:36
  Speaker 19: is your reminder there is still so much time to
• 16:40
  Speaker 19: make things happen. Don't write the year off just because
• 16:43
  Speaker 19: it hasn't gone exactly to plan yet. Use this month
• 16:48
  Speaker 19: as your reset. Reconnect with your goals, your energy, and
• 16:51
  Speaker 19: the life you said you wanted for yourself. Start the habit,
• 16:55
  Speaker 19: take the trip, make the move. New month, fresh sunshine motivation.
• 17:01
  Speaker 19: Let's make the second half of the year count.
• 17:05
  Speaker 2: You've got this.
• 17:06
  Speaker 1: Thank you so much, Mira, What a great way to
• 17:09
  Speaker 1: start off the week here.
• 17:11
  Speaker 8: Mira joins me every week with a mindful minute and
• 17:15
  Speaker 8: man enough motivation and inspiration to have you run through
• 17:19
  Speaker 8: a wall. As I always say, This song right here
• 17:24
  Speaker 8: is one of our top songs on the show, And
• 17:27
  Speaker 8: as we get ready for our interview with Rushmeat Gar thought.
• 17:32
  Speaker 1: We'd pulled out the current number two songs on the show.
• 17:36
  Speaker 1: It's called only Mine. The artist is Darshan Robbo so much, But.
• 17:48
  Speaker 5: God, God.
• 17:51
  Speaker 14: Put on it?
• 17:53
  Speaker 2: When was it Norman's.
• 18:01
  Speaker 14: Fall?
• 18:02
  Speaker 5: Who die? Listen who died?
• 18:15
  Speaker 1: But Smith?
• 18:16
  Speaker 3: It ghad on asda caste any minute, Chrismus said Cosmitt, Gasp,
• 18:30
  Speaker 3: God help the name Mama, But the help them said Tony.
• 18:35
  Speaker 5: Philip says to.
• 18:36
  Speaker 3: Me, head on upg god ho.
• 18:48
  Speaker 5: La la la la la la lama.
• 19:02
  Speaker 20: Did a shaming balcony Lodo my john't American Lado do he.
• 19:19
  Speaker 14: Going?
• 19:20
  Speaker 3: Colish names still go to joint militized school. Sure joy
• 19:40
  Speaker 3: gasarted Sara it.
• 19:46
  Speaker 9: This, but say.
• 19:49
  Speaker 3: Give me, says add.
• 19:53
  Speaker 5: The name of the said. Jill says a reading. You
• 20:00
  Speaker 5: cannot on a indyemy.
• 20:03
  Speaker 3: God who dies has school, no normany bahad hormiton, mossn hasade.
• 20:33
  Speaker 2: Tell the head got a commit of Sahara.
• 20:39
  Speaker 1: Direct DESI.
• 20:43
  Speaker 2: So deplared ca say have domited.
• 20:50
  Speaker 9: That song?
• 20:50
  Speaker 5: St a song.
• 20:54
  Speaker 3: The say half a minute minute minute.
• 21:00
  Speaker 1: I shouldn't revel everybody to me.
• 21:02
  Speaker 8: One of the most polished, I would say, in this
• 21:04
  Speaker 8: Hindi pop genre and has certainly been collaborating with Warner
• 21:10
  Speaker 8: Music to attain these heights.
• 21:14
  Speaker 1: This is a great song, not lonely mind.
• 21:20
  Speaker 8: Yeah, we're getting ready for our interview with Rushmeath Garr,
• 21:29
  Speaker 8: really looking forward to it.
• 21:31
  Speaker 1: You know, I was watching some videos.
• 21:33
  Speaker 8: Of hers over the last couple of days in preparation
• 21:36
  Speaker 8: for today's conversation.
• 21:38
  Speaker 1: There was something that really struck me.
• 21:40
  Speaker 8: She was standing at the side of the stage and
• 21:44
  Speaker 8: listening to somebody else sing and she was lost in
• 21:48
  Speaker 8: the moment, and you could tell that music just grabs
• 21:51
  Speaker 8: her differently. I'm gonna ask her about that, looking forward
• 21:54
  Speaker 8: to our conversation here shortly. In the meantime, let's bring
• 21:57
  Speaker 8: in Joelina from the UN News Department as part of
• 22:00
  Speaker 8: Ruckus Avenue Radio's partnership.
• 22:02
  Speaker 1: With the UN News.
• 22:04
  Speaker 21: This is UN News Today with me Chilina Dong the headlines.
• 22:07
  Speaker 21: Early detection of the deadly and rare ebola strain in
• 22:10
  Speaker 21: dr Congo is critical, says WHO, as new treatment trials
• 22:14
  Speaker 21: get underway. The UN Rights Office are just stronger protections
• 22:17
  Speaker 21: for child safety online, and the UN World Food Program
• 22:21
  Speaker 21: scales up emergency response in South Sudan as catastrophic hunger
• 22:25
  Speaker 21: and malnutrition deepens. Two weeks into the latest ebola outbreak,
• 22:32
  Speaker 21: the UN World Health Organization WHO has estimated that there
• 22:35
  Speaker 21: are nine hundred and six suspected cases of abola in
• 22:38
  Speaker 21: the Democratic Republic of the Congo DRC, including two hundred
• 22:42
  Speaker 21: and twenty three suspected debts. Since the fifteenth of May,
• 22:46
  Speaker 21: UN agencies have been supporting both the DRC and neighboring
• 22:49
  Speaker 21: Uganda to contain the outbreak caused by the rare bundibugio strain,
• 22:52
  Speaker 21: which spreads through close contact. Ni East Lagan, a WHO
• 22:57
  Speaker 21: technical officer, told reporters in Geneva on Friday.
• 23:00
  Speaker 13: It's a disease that you get when you care for someone,
• 23:04
  Speaker 13: when you care for your husband or your partner, or
• 23:07
  Speaker 13: your child or your mother. You get it when you
• 23:10
  Speaker 13: want to help someone with sick with symptom and this
• 23:13
  Speaker 13: is terrible because this disease. To avoid getting it, you
• 23:17
  Speaker 13: have to have communities not to touch someone they love
• 23:23
  Speaker 13: when they are feeling sick.
• 23:26
  Speaker 4: But this is critical.
• 23:27
  Speaker 21: Based on previous outbreaks. The lethality ranges between thirty and
• 23:30
  Speaker 21: fifty percent. Early detection and community mobilization remain critical to
• 23:35
  Speaker 21: saving lives, with potential treatment and vaccines still being assessed
• 23:39
  Speaker 21: WHSAD on Friday for confirmed cases, three candidate therapeutics for
• 23:44
  Speaker 21: treatment have been prioritized for clinical trials mistagone revealed, while
• 23:48
  Speaker 21: a preventative treatment is also being prioritized for those who
• 23:52
  Speaker 21: have been in contact with confirmed cases. Meanwhile, the U
• 23:57
  Speaker 21: and Human Rights Offices calling on governments and technology companies
• 24:00
  Speaker 21: to do more to protect children online, warning that digital
• 24:03
  Speaker 21: platforms often expose young viewers to risks that threaten their safety,
• 24:07
  Speaker 21: privacy and well being. High Commissioner Voker Turk said online
• 24:12
  Speaker 21: harms are not inevitable, but are often the result of
• 24:14
  Speaker 21: platform design choices, including features that encourage excessive use. He
• 24:19
  Speaker 21: stressed that protecting children online is an urgent priority, but
• 24:22
  Speaker 21: caution against relying solely on blanket social media bands. His office,
• 24:27
  Speaker 21: OHCCHR has released a new set of guidelines Getting Children's
• 24:31
  Speaker 21: Safety Online Right, which calls for safer platform design, stronger oversight,
• 24:36
  Speaker 21: greater accountability for tech companies, and better protections. The recommendations
• 24:41
  Speaker 21: also encourage governments to involve children in shaping online safety
• 24:45
  Speaker 21: policies and to ensure that age verification measures do not
• 24:48
  Speaker 21: create new privacy risks. The UN warns that restrictions based
• 24:53
  Speaker 21: only on age may fail to address the underlying features
• 24:56
  Speaker 21: that make platforms unsafe and could push children towards less
• 24:59
  Speaker 21: regular online spaces. Turning to South Sudan finally, where the
• 25:04
  Speaker 21: World Food Program has scaled up its emergency response in
• 25:07
  Speaker 21: a Cobo East, delivering vital food and nutrition assistance to
• 25:10
  Speaker 21: hundreds of thousands of people facing catastrophic hunger and malnutrition.
• 25:15
  Speaker 21: The move follows an uptick in violence in early March,
• 25:18
  Speaker 21: which displaced approximately one hundred and forty two thousand people
• 25:21
  Speaker 21: from a Coobo County and surrounding areas. Our hope is
• 25:25
  Speaker 21: to continue to reach people in need. Sustain safety and
• 25:27
  Speaker 21: security of humanitarians and humanitarian cargo is therefore crucial, said
• 25:32
  Speaker 21: Mutinsa Chumuca, WFP Country Director in South Sudan. According to
• 25:37
  Speaker 21: the latest Global Famine Alert System update, parts of Akobo
• 25:40
  Speaker 21: County are experiencing catastrophic levels of hunger, with one of
• 25:44
  Speaker 21: four counties at risk of famine if conditions deteriorate. Meanwhile,
• 25:49
  Speaker 21: severe malnutrition among children under five and breastfeeding mothers is
• 25:53
  Speaker 21: rising sharply. Since launching its emergency response three weeks ago,
• 25:58
  Speaker 21: WFP has reached more than sixty three thousand vulnerable people
• 26:01
  Speaker 21: in Akobo, including more than fifteen thousand people with emergency
• 26:04
  Speaker 21: food assistants, despite eight operations being hampered by insecurity infrastructure
• 26:09
  Speaker 21: damage in the raining season. Julina Dong you went news.
• 26:13
  Speaker 8: Thank you so much. Joelina, this is rich meat car
• 26:18
  Speaker 8: We'll bring in rich meat after the song.
• 26:20
  Speaker 1: This song is called Umana.
• 26:26
  Speaker 14: Lohali Chidi Galla. Marie Cella Cella de.
• 26:47
  Speaker 22: Hi matevia Lika viches, Let meoi.
• 27:06
  Speaker 5: The love with the.
• 27:13
  Speaker 9: Son, go the love with.
• 27:22
  Speaker 6: With Keep with us America that they come with a
• 27:26
  Speaker 6: Sara in America. Manassamada Shamada time, the game Manga Maga
• 27:35
  Speaker 6: soon as Analia Chilia and the Academy children they killed.
• 27:47
  Speaker 9: Yea cool.
• 27:56
  Speaker 5: Look at.
• 28:00
  Speaker 3: So good.
• 28:08
  Speaker 23: Gummana in the monel such.
• 28:18
  Speaker 5: Is crim.
• 28:33
  Speaker 8: And ladies and gentlemen, we have the superstar on the
• 28:36
  Speaker 8: line with us.
• 28:37
  Speaker 1: How are you, Rishmead, I'm very well.
• 28:40
  Speaker 4: Thank you so much.
• 28:41
  Speaker 9: How are you?
• 28:41
  Speaker 8: We're doing well. We're doing well. I have just been
• 28:44
  Speaker 8: dying to ask you this. You know, when I watch you,
• 28:48
  Speaker 8: I get this feeling. If there's one word for me
• 28:51
  Speaker 8: to describe you, it's the word free. I get that
• 28:56
  Speaker 8: you are well connected to your spiritual internals, to what
• 29:01
  Speaker 8: you're presenting on stage. It all feels so cohesive. Am
• 29:06
  Speaker 8: I correct by putting the word free attached to you?
• 29:12
  Speaker 4: I think you one hundred percent correct because I relate
• 29:15
  Speaker 4: with it the most, the word free, and that's how
• 29:19
  Speaker 4: I approach my music while creating it. I want it
• 29:22
  Speaker 4: to be free.
• 29:23
  Speaker 1: I want it to be.
• 29:25
  Speaker 4: Just really come through me and reach people. Yeah, it
• 29:29
  Speaker 4: shouldn't have any boundations. It shouldn't have any limits. Is
• 29:34
  Speaker 4: just free. So yes, you're correct. Thank you so much
• 29:38
  Speaker 4: for relating with it.
• 29:38
  Speaker 8: I was going to ask you for a different word,
• 29:40
  Speaker 8: but I guess you'll you'll agree with me and keep
• 29:42
  Speaker 8: that one easy. That's that's pretty awesome. I really feel
• 29:45
  Speaker 8: that way. I've seen you listen to music, I've seen
• 29:49
  Speaker 8: you on stage, and I just feel like it whatever
• 29:52
  Speaker 8: moves you moves you, and which brings me to my
• 29:54
  Speaker 8: next question. I feel like there's this natural marriage between
• 29:57
  Speaker 8: the music that you make your fis expression on stage,
• 30:01
  Speaker 8: even to the music that you have brought into your repertoire,
• 30:05
  Speaker 8: be it afrobeats or whatever else.
• 30:07
  Speaker 1: Talk about that.
• 30:08
  Speaker 8: We talk about your freedom in terms of working with
• 30:11
  Speaker 8: so many different genres out there and almost blending in seamlessly.
• 30:19
  Speaker 4: I've been creating music, Sammy when it's been like eight
• 30:23
  Speaker 4: nine years, and it has been deeply connected to freedom
• 30:28
  Speaker 4: because I come from a Gurbani some leap background. My
• 30:31
  Speaker 4: mom taught me gurbani when I was a little kid,
• 30:35
  Speaker 4: and that gave me the like that's my foundation of music.
• 30:40
  Speaker 4: And after that I started learning Indian classical music, so
• 30:43
  Speaker 4: that made my vocal texture.
• 30:46
  Speaker 9: Very.
• 30:48
  Speaker 4: Strong bold. I would say that you can blend into
• 30:52
  Speaker 4: any other genre very easily and very smoothly. And freedom
• 30:57
  Speaker 4: to blend sounds, languages, cultures is what I want to
• 31:00
  Speaker 4: represent in my music. While you know, creating and while
• 31:05
  Speaker 4: performing live for people, I want to just connect, don't
• 31:08
  Speaker 4: think about anything else, and I just want to be
• 31:10
  Speaker 4: in present and connect with all my audiences listeners in
• 31:14
  Speaker 4: the most authentic way possible. So I think that is
• 31:17
  Speaker 4: what I put into music, whether it's a songwriting session
• 31:23
  Speaker 4: or collaborating with so many artists, or just like I
• 31:27
  Speaker 4: just want to be myself.
• 31:29
  Speaker 8: I get that, I really do, and I think the
• 31:31
  Speaker 8: audience gets that about you. And we're watching this story unfolds.
• 31:35
  Speaker 8: It's remarkable. You've made movements now into the international space
• 31:40
  Speaker 8: and here you are getting ready for a tour and
• 31:43
  Speaker 8: what I expect to be a pretty bright presence here
• 31:45
  Speaker 8: across North America in the summer, you know, going from
• 31:49
  Speaker 8: a young Punjabi girl singing over there in India to
• 31:52
  Speaker 8: now taking the stage again across the world.
• 31:55
  Speaker 1: How does that feel for you?
• 31:57
  Speaker 8: What is the little girl inside of you reacting to
• 32:00
  Speaker 8: whenever you see these new things happening in your life.
• 32:03
  Speaker 4: The little girl is. We're really happy. She's jumping all
• 32:10
  Speaker 4: the time that her dreams are coming true. She gets
• 32:13
  Speaker 4: to do whatever she wanted to do when she was
• 32:15
  Speaker 4: a little kid. I actually never imagined to be able
• 32:21
  Speaker 4: to do this on this level, Sammy, to be honest
• 32:24
  Speaker 4: with you, I always I was looking at it as
• 32:27
  Speaker 4: a hobby. Initially. I was always focusing on my studies.
• 32:31
  Speaker 4: I wanted to do science. I wanted to explore education
• 32:35
  Speaker 4: more than music or any art form. So I always
• 32:41
  Speaker 4: say this that music chose me. It's not me who
• 32:45
  Speaker 4: chose music. And now that I get to get to
• 32:49
  Speaker 4: live my big dream and I'm taking it to the
• 32:52
  Speaker 4: global stages and people are connecting with my music and
• 32:56
  Speaker 4: all the regions, all the countries, and they are sending
• 32:59
  Speaker 4: me messages every day, and uh, it just makes me
• 33:04
  Speaker 4: more like makes me me feel more blessed every day.
• 33:09
  Speaker 4: And I I say this, Harvelishuka every time that I
• 33:15
  Speaker 4: talk to people, that it's the biggest blessing of my
• 33:18
  Speaker 4: life that I get to do what I always imagine
• 33:20
  Speaker 4: to And I grew up listening to Punjabi culture, folk music,
• 33:24
  Speaker 4: and today I think I feel proud that I I
• 33:29
  Speaker 4: get to perform that music. I get to show that
• 33:32
  Speaker 4: side of me through my fusion side and all that
• 33:36
  Speaker 4: I have learned all these years, incorporating those different blends
• 33:42
  Speaker 4: of music, different different influences from different regions, whether it's
• 33:46
  Speaker 4: Tom Mish Musago Doja Katchi from the West and nu
• 33:51
  Speaker 4: Jaha rash Maji Abi Da Parvinceab and Syrinder Kaji, all
• 33:59
  Speaker 4: those influences coming together. Yeah in real know, yeah, yeah,
• 34:05
  Speaker 4: And if you I mean, thank you so much. You
• 34:08
  Speaker 4: hear it and people connect with it. I think that's
• 34:11
  Speaker 4: the biggest blessing and I I am very grateful that
• 34:15
  Speaker 4: people connect with my music.
• 34:16
  Speaker 8: Well, well, grateful that you're doing this for Shmid Really,
• 34:19
  Speaker 8: you know, there's a part of this business that people
• 34:22
  Speaker 8: sometimes overlook. One is the performing artist that everybody gets
• 34:27
  Speaker 8: to see, and then there's this other side of the business,
• 34:30
  Speaker 8: which is the actual the business side, and a lot
• 34:33
  Speaker 8: of people don't really get to see that that is
• 34:35
  Speaker 8: equally as important as what happens on stage.
• 34:38
  Speaker 14: You know.
• 34:38
  Speaker 1: You in the past, you've yeah, and in the past.
• 34:41
  Speaker 8: You have referenced artists out there, people like you know,
• 34:44
  Speaker 8: whether it's the Russets of the world or the Rosalias
• 34:47
  Speaker 8: of the world. There's so many great artists out there
• 34:48
  Speaker 8: in the past that you have referred to as people
• 34:51
  Speaker 8: that you look up to. You know, those people have
• 34:53
  Speaker 8: also done things very uniquely when it comes to the
• 34:56
  Speaker 8: business of it. They remained fiercely independent. They've governed themselves
• 35:01
  Speaker 8: in a way where they could be let's just say, nimble,
• 35:04
  Speaker 8: able to do a lot of different things. And you
• 35:06
  Speaker 8: strike me as somebody like that is that part of
• 35:09
  Speaker 8: the plan for you? Are you planning on remaining as
• 35:12
  Speaker 8: independent as possible so you can be this free artist?
• 35:21
  Speaker 4: I okay, let me take you back a little bit. Yeah,
• 35:25
  Speaker 4: when I am from Punjab, like I was born in
• 35:30
  Speaker 4: Punjab and I was raised in Delhi, so I spent
• 35:34
  Speaker 4: most of my life like two decades in Delhi and
• 35:35
  Speaker 4: then I moved to Bombay, which is the hub for
• 35:39
  Speaker 4: music and for Bollywood music and film music industry. So
• 35:44
  Speaker 4: independent for me came in my life much later. Like
• 35:52
  Speaker 4: I would say, twenty nineteen is the year when I
• 35:55
  Speaker 4: started releasing my own music and I started digging in poetry.
• 36:00
  Speaker 4: Is of Bullisha Shao Sen and so many other poets
• 36:05
  Speaker 4: Unjobi poetry or do poetry. That is when I start
• 36:08
  Speaker 4: experimenting with my rias that I learned all these years,
• 36:14
  Speaker 4: my child from my childhood, and blending it into all
• 36:17
  Speaker 4: these influences that you're talking about Rosalias and Russes. Like
• 36:23
  Speaker 4: I think it progressed with time, It kept evolving with time,
• 36:28
  Speaker 4: and I really look up to all these artists who
• 36:30
  Speaker 4: have built their own path and stayed true to themselves
• 36:34
  Speaker 4: while doing it. I was saying, it's not It's about
• 36:38
  Speaker 4: having the freedom to make my own choices, my creative
• 36:42
  Speaker 4: decisions when it comes to my music, videos or any visual,
• 36:48
  Speaker 4: any kind of representation, you know, whether it's visual or
• 36:50
  Speaker 4: my audio. I definitely value that that that spirit a lot.
• 36:54
  Speaker 4: And right now I'm enjoying exploring my artistry in very
• 36:57
  Speaker 4: free and hands on ways. If if we talk about
• 37:01
  Speaker 4: the business side of it, yes, I look up to
• 37:03
  Speaker 4: all these artists, how they market their albums, how they
• 37:08
  Speaker 4: plan their rollout for their albums, and their EPs and
• 37:11
  Speaker 4: their singles. There's so many people who I look up to,
• 37:15
  Speaker 4: and I always want to protect that sense of honesty
• 37:18
  Speaker 4: while doing it. And no matter how big the journey becomes,
• 37:24
  Speaker 4: I want to stay through to my art and I
• 37:26
  Speaker 4: want to stay through to my way of looking at it.
• 37:30
  Speaker 8: I would not have that makes sense, Yeah, totally. In fact, Rachmith,
• 37:34
  Speaker 8: I would not have expected any other answer from you.
• 37:36
  Speaker 8: When I wrote this question down, my thought was, I
• 37:39
  Speaker 8: have a feeling what what I'm going to hear from
• 37:41
  Speaker 8: rich Meat. But it's it's it's important that we hear
• 37:44
  Speaker 8: from you, because I think it's right in line with
• 37:46
  Speaker 8: how we've viewed you as an artist.
• 37:48
  Speaker 1: Out there, you know, spiritually free all the artists so much.
• 37:53
  Speaker 8: Yeah, we see it, and you know, all the artists
• 37:56
  Speaker 8: that you mentioned, they all are seeping out of you
• 37:59
  Speaker 8: in the vocals and in each texture and each heater,
• 38:02
  Speaker 8: as we say, in your vocals. So it's amazing to
• 38:05
  Speaker 8: see Richmith. I just have a couple of questions before
• 38:08
  Speaker 8: we let you go here. My first one is again
• 38:11
  Speaker 8: a little bit maybe to do with a personal thing
• 38:15
  Speaker 8: of yours, which is, you know, there's a little girl
• 38:17
  Speaker 8: somewhere in Punjab right now that is looking at you
• 38:21
  Speaker 8: as with wide eyes, thinking of you as and rightfully
• 38:26
  Speaker 8: so is one of the coolest things that they've ever
• 38:28
  Speaker 8: laid their eyes on, be it from a musical level,
• 38:31
  Speaker 8: from a cultural level, from a spiritual level. You blend
• 38:35
  Speaker 8: all these things so, well, what would you say to
• 38:38
  Speaker 8: that young girl that is looking at you right now
• 38:40
  Speaker 8: saying I want to be like rish Meath And what
• 38:42
  Speaker 8: is the advice you would give her.
• 38:47
  Speaker 4: There's so many young girls who are actually texting me
• 38:53
  Speaker 4: very sequently, Sumpunjab, and it's happening more often, and I
• 38:57
  Speaker 4: again truly feel blessed to be able to connect with
• 39:01
  Speaker 4: young girls, boys and everybody whoever is texting me on
• 39:06
  Speaker 4: everyday basis because it's so easy to now reach out
• 39:09
  Speaker 4: to people and artists and convey your whatever you want
• 39:13
  Speaker 4: to say hard too heart to them. So it's a
• 39:15
  Speaker 4: beautiful thing.
• 39:16
  Speaker 1: And I would just say that.
• 39:21
  Speaker 4: I think many of us who made to feel like
• 39:23
  Speaker 4: we had to fit into our one fit into one
• 39:26
  Speaker 4: version of ourselves. But I want people, especially youngers, to
• 39:31
  Speaker 4: know that you can be soft and strong, you can experiment,
• 39:38
  Speaker 4: you can stay grounded, and you can think of going
• 39:41
  Speaker 4: global all at once. Your individuality is your power. Every
• 39:47
  Speaker 4: single girl is very unique in her own way and
• 39:53
  Speaker 4: she doesn't have to compare herself with anybody else. Yes,
• 39:56
  Speaker 4: she has a lot of idols, And now I'm talking
• 39:58
  Speaker 4: to myself every younger that yes, you have a lot
• 40:02
  Speaker 4: of idols, but You're so unique that the more the
• 40:06
  Speaker 4: more you embrace who you truly are, the more beautiful
• 40:08
  Speaker 4: your art and journey will become. All these influences will
• 40:11
  Speaker 4: become a part of it very beautifully. But you're still
• 40:16
  Speaker 4: unique and you can still stand out in all the
• 40:21
  Speaker 4: possible ways. So I'm so proud of all these young
• 40:28
  Speaker 4: girls and myself, and I want to keep doing that.
• 40:31
  Speaker 4: I keep connecting with each and every one of them
• 40:34
  Speaker 4: in so many different ways so I can inspire them
• 40:37
  Speaker 4: every day and keep doing my own thing.
• 40:39
  Speaker 9: Wow.
• 40:40
  Speaker 1: Yeah, thank you very much for sharing that, Rishmi. Thank you.
• 40:43
  Speaker 1: That's great advice, by the way, thank you so much.
• 40:46
  Speaker 8: Yeah, that's great advice for any artist out there, any
• 40:48
  Speaker 8: young artists out there, So thank you, Rishmith. Let's talk
• 40:52
  Speaker 8: about this brand new song.
• 40:53
  Speaker 1: It's called Your. It just came out recently.
• 40:57
  Speaker 8: It's a collaboration with our dear friend Kahani and the
• 41:00
  Speaker 8: warehouse tell us about this song that the press release
• 41:04
  Speaker 8: doesn't tell us.
• 41:06
  Speaker 4: It took me two years to like Joe, took two
• 41:10
  Speaker 4: years to come to life.
• 41:12
  Speaker 14: And uh.
• 41:13
  Speaker 4: When I met Kahani in New York for the first time,
• 41:16
  Speaker 4: I went to a studio and he played me a beat.
• 41:20
  Speaker 4: I instantly started jamming over it because the chore is
• 41:24
  Speaker 4: based on an Indian classical raga. It's a very gumbir
• 41:34
  Speaker 4: head of rug. It's based on the head of rag,
• 41:36
  Speaker 4: which is uh Gumbi is serious. It's of a serious mood,
• 41:42
  Speaker 4: mysterious plus serious, that kind of you know, mixture of
• 41:47
  Speaker 4: serious uh.
• 41:51
  Speaker 16: Uh.
• 41:52
  Speaker 4: So when I heard it, I stilly started jamming and uh.
• 41:56
  Speaker 4: The first thing that came to me was chore Sally,
• 42:00
  Speaker 4: it's a little there's a mystery behind this song. It
• 42:03
  Speaker 4: could be very h you know, you know, it could
• 42:09
  Speaker 4: be like there's something going on, but it's there's it's
• 42:15
  Speaker 4: something is going on, but it's it's still not revealing.
• 42:19
  Speaker 4: It's not fully out there. I want to say a
• 42:21
  Speaker 4: lot of things, but there's a mask on my face,
• 42:24
  Speaker 4: so you cannot really see what's happening behind the mask.
• 42:28
  Speaker 4: So that was the idea of creating chores, and we
• 42:31
  Speaker 4: kept building for two years on and off. Khani came
• 42:35
  Speaker 4: to Bombay to record me after a few months after
• 42:40
  Speaker 4: New York and we started jamming over it. I gave
• 42:44
  Speaker 4: a lot of different layers, not even not in my voice.
• 42:47
  Speaker 4: If you hear the song, like mindfully then it says
• 42:51
  Speaker 4: it has a lot of layers of me screaming. Sure,
• 42:56
  Speaker 4: and yeah, there's so many things. There's so much drama,
• 43:00
  Speaker 4: so much marsala in chore that people will only get
• 43:03
  Speaker 4: to hear once they hear it on repeat, on loop.
• 43:06
  Speaker 4: And it was a very exciting collaboration. I never imagined,
• 43:11
  Speaker 4: I guess. I always imagine. I keep myself open while
• 43:13
  Speaker 4: creating that I can do techno, I can do fusion,
• 43:16
  Speaker 4: I can do classically. As I said that, my foundation
• 43:19
  Speaker 4: is deeply rooted in classical and gurbani and ragas. I've
• 43:24
  Speaker 4: always been surrounded with kavali's and guzzles around me. So
• 43:29
  Speaker 4: this is the most natural genre that comes to me,
• 43:33
  Speaker 4: that flows within inside out while creating music. So that happened,
• 43:40
  Speaker 4: and it's just blended so beautifully, the fusion, the techno both,
• 43:46
  Speaker 4: and we did it and it's out now and people
• 43:49
  Speaker 4: are loving it. I really want to perform it very
• 43:52
  Speaker 4: very soon, so I might get to do it.
• 43:55
  Speaker 1: Yeah, I think you will come pretty soon.
• 43:58
  Speaker 8: Yeah, well hopefully across every city here in North America
• 44:01
  Speaker 8: here this summer.
• 44:02
  Speaker 1: We can't wait.
• 44:03
  Speaker 4: Uh yes, I cannot wait either.
• 44:06
  Speaker 8: Yeah, So everybody make sure you go support Rich Meat
• 44:08
  Speaker 8: this summer as she hangs out with us in North
• 44:10
  Speaker 8: America for once and so we'll get to see you live,
• 44:14
  Speaker 8: riush Meat. It was such a delight talking to you
• 44:16
  Speaker 8: as imagined by me. I was super excited about this,
• 44:20
  Speaker 8: and my audience will tell you how long I've been
• 44:23
  Speaker 8: telling them that I'm wanting to get rich Meat on
• 44:25
  Speaker 8: this show.
• 44:26
  Speaker 1: So thank you for making it happen for us today.
• 44:30
  Speaker 4: Thank you very much for having me Sammy. It was
• 44:32
  Speaker 4: such a pleasure. Thank you.
• 44:34
  Speaker 8: So I would like one last favorite from you, and
• 44:36
  Speaker 8: that is if you can please introduce this song George
• 44:39
  Speaker 8: for us right now on the air.
• 44:42
  Speaker 9: Hi we want.
• 44:42
  Speaker 4: This is rich Meat God and this is my new
• 44:44
  Speaker 4: song sure within the warehouse.
• 44:47
  Speaker 1: Thank you, rich Meat. Here's the song George, jo.
• 45:04
  Speaker 9: Jo Help.
• 45:12
  Speaker 22: Joe, Help.
• 45:16
  Speaker 1: Joe, Joe help.
• 45:29
  Speaker 14: You that underbody go up?
• 45:37
  Speaker 5: What is that tr up?
• 45:53
  Speaker 9: It'll pend on?
• 46:31
  Speaker 14: Can they local car shubar upper Ardian?
• 46:35
  Speaker 15: Will the chunk they're on a cad and can they
• 46:39
  Speaker 15: lor sugar Applewardian?
• 46:43
  Speaker 14: Will the chunk they're on a Gardian?
• 46:47
  Speaker 9: We are an a few three look up.
• 46:59
  Speaker 4: And do you want to take up.
• 47:25
  Speaker 9: In a reader?
• 47:33
  Speaker 22: Because that's related reader. You were not there, you.
• 47:58
  Speaker 14: Shop job.
• 48:08
  Speaker 8: I really enjoyed that conversation with rich meat Card and
• 48:13
  Speaker 8: many of those answers that she gave me.
• 48:15
  Speaker 1: I kind of had a feeling that's how it would go.
• 48:18
  Speaker 8: Really enjoyed that. I'll tell you more about it. Here's
• 48:22
  Speaker 8: Das Gupta for you.
• 48:23
  Speaker 24: Hi, everyone, this is the Datajerukasavni radio music correspondent.
• 48:28
  Speaker 14: Back with another artist, Spotlight.
• 48:29
  Speaker 24: Let's talk about Husbinder, the Panjabi singer and songwriter known
• 48:33
  Speaker 24: for his soulful vocals and emotionally rich storytelling that blend's
• 48:36
  Speaker 24: classic Punjabi folk influences with modern production. Over the last
• 48:41
  Speaker 24: few years, Hastinder has built a strong fan base through
• 48:44
  Speaker 24: heartful tracks and consistent releases, becoming recognized for songs like
• 48:48
  Speaker 24: Nashti Ton and Parahua, which continued to rack up millions
• 48:52
  Speaker 24: of streams worldwide. In twenty twenty five, he expanded his
• 48:55
  Speaker 24: catalog with projects like the EP Timeless, featuring songs such
• 48:59
  Speaker 24: as Panjab well Known and Walked, showcasing both the romantic
• 49:03
  Speaker 24: melodies and upbeat vibes. Heading into twenty twenty six, has
• 49:06
  Speaker 24: Cinder kicked off the years strong with the new EP
• 49:09
  Speaker 24: him and her released February tenth, including tracks like Musla,
• 49:13
  Speaker 24: Rung Jetti, gent A, and Name, highlighting his versatility across
• 49:17
  Speaker 24: emotional ballads and modern Punjabi pop sounds. SAMs continued to
• 49:21
  Speaker 24: praise his consistency and authentic lyricism, with many in the
• 49:25
  Speaker 24: Punjabi music community calling his recent work some of his
• 49:28
  Speaker 24: strongest yet. With nearly half a billion total streams and
• 49:32
  Speaker 24: a style that balances nostalgia with contemporary energy, Hastinder remains
• 49:36
  Speaker 24: one of the most respected and steadily rising voices in
• 49:39
  Speaker 24: Punjabi music today.
• 49:41
  Speaker 14: Well that's all for me. Stay tuned for more only
• 49:44
  Speaker 14: on Ruckus Avenue Radio.
• 49:45
  Speaker 8: Thank you so much, Douita and Hustinder's collaboration with gudlez Ut.
• 49:50
  Speaker 8: There is one of our favorites on this show right now.
• 49:53
  Speaker 8: The song is called well known.
• 49:56
  Speaker 1: Holay you.
• 49:58
  Speaker 14: Simply mone he may nave.
• 50:01
  Speaker 25: It's a plea, Honey, Louisa, did you think all? They
• 50:08
  Speaker 25: later remember me across kay million, and they one remember
• 50:12
  Speaker 25: see acrossing, and they remember thee acrossing.
• 50:18
  Speaker 2: Oh to get the gun, the hellly the.
• 50:24
  Speaker 26: Hot to get the gun There Helllyn the daughter, Oh
• 50:28
  Speaker 26: hold on't I on the car Holdiday Card and this
• 50:32
  Speaker 26: one woman.
• 50:32
  Speaker 9: Nothing not.
• 50:35
  Speaker 5: In this one woman.
• 50:36
  Speaker 2: Nothing lay in this one no one nothing knock on the.
• 50:51
  Speaker 5: Hey yard if I.
• 50:52
  Speaker 25: See for the get there, tell us some day you
• 50:57
  Speaker 25: like there and cut him off, bacone.
• 51:01
  Speaker 5: Look and cut him off, acone.
• 51:06
  Speaker 9: Off.
• 51:06
  Speaker 2: But they work up you.
• 51:09
  Speaker 14: Vust.
• 51:11
  Speaker 23: This is a firthy bee to like you, a pirty
• 51:16
  Speaker 23: beef to lectivate a.
• 51:19
  Speaker 2: Ma makay are there the holy so much?
• 51:22
  Speaker 26: Only now you pays in a bolo made to Peenie
• 51:26
  Speaker 26: nasty bony USh Now you pass in a borlow made
• 51:30
  Speaker 26: to Phenie is lastee bony They they no kind of
• 51:35
  Speaker 26: light dond deductable list are the gum group you dubductably
• 51:42
  Speaker 26: on the group.
• 51:44
  Speaker 27: Dubductable make it they know Vigardy Marie Lama, you.
• 51:58
  Speaker 14: Need it, you get it.
• 52:00
  Speaker 23: Minds the county, minds the county YadA dingaan religion did
• 52:15
  Speaker 23: bunny bannat and a religian money baalitian a religion.
• 52:23
  Speaker 26: Hold on ah, mister goody aware And the thing I've been,
• 52:28
  Speaker 26: the good heavenly is honey shooting your map. I've been
• 52:33
  Speaker 26: the good heavenly is honey shooting your napoli the honey sheep.
• 52:39
  Speaker 2: But the God open the no going there to hunt
• 52:44
  Speaker 2: the market Cooper and hun the Marget Cooper.
• 52:48
  Speaker 1: And that's a fun song right there. It's called well known.
• 52:55
  Speaker 8: Austin there Gula islet there and I'll be back with
• 52:59
  Speaker 8: some clozy remarks on this show.
• 53:01
  Speaker 1: Got some thoughts for you. Here is dar Struck.
• 53:04
  Speaker 8: It's by Kushagra sir my Sira, Yes sonia.
• 53:15
  Speaker 5: Z polcon paper the later.
• 53:22
  Speaker 3: Kuna Salmoni to shab come me kotob verdicata very jotu
• 53:34
  Speaker 3: sony boiling in ko to jadd you say chaba ho
• 53:47
  Speaker 3: getja coma.
• 53:57
  Speaker 9: About to wak.
• 54:01
  Speaker 5: Titana batana casi.
• 54:30
  Speaker 3: Tuesday the chaven see the samsamy kay scha.
• 54:38
  Speaker 5: Got the monitary Sorry but they freaking.
• 54:45
  Speaker 3: Out Agaye came to ja coni Arano. There is a
• 54:55
  Speaker 3: kakoi bacurias ana perkado.
• 55:02
  Speaker 5: Puttom of it.
• 55:06
  Speaker 3: Saya chi fana who get it.
• 55:14
  Speaker 5: Coming? Who wanted.
• 55:25
  Speaker 3: To kanda stria?
• 55:31
  Speaker 5: Guess you.
• 55:34
  Speaker 9: Chakra.
• 55:34
  Speaker 8: The song is called Starstruck. It's a fun song right there.
• 55:39
  Speaker 8: Had a great time talking to rish meath Guard today.
• 55:42
  Speaker 8: In my time in this business, the artists that I've
• 55:46
  Speaker 8: watched build the most durable careers are the ones the
• 55:49
  Speaker 8: industry never knew how to file. The label just can't
• 55:52
  Speaker 8: put them in a folder. The producer can't write a
• 55:54
  Speaker 8: one line description, the reviewer just can't pull a comparison.
• 56:00
  Speaker 8: The artists who last because they were never imitating anybody
• 56:04
  Speaker 8: to begin with.
• 56:05
  Speaker 1: Rashmith Gore is one of those artists.
• 56:08
  Speaker 8: She moves through Punjabi, through AfroB through Bollywood, through the
• 56:12
  Speaker 8: independent space, and somehow every record.
• 56:15
  Speaker 1: Still sounds like her.
• 56:18
  Speaker 8: That's not range, that's a free spirit refusing a box,
• 56:22
  Speaker 8: embodying the freedom, leaving the form behind. She sat with
• 56:26
  Speaker 8: me today and the thing I want you to hear
• 56:29
  Speaker 8: and everything we just talked about is this. She is
• 56:32
  Speaker 8: an embodiment of her own truth, guided by a compass,
• 56:36
  Speaker 8: drenched in the soul of music. Her presence is the
• 56:40
  Speaker 8: refreshing thing this music has been missing. An artist who
• 56:45
  Speaker 8: isn't trying to be the next anybody.
• 56:48
  Speaker 7: She just is.
• 56:50
  Speaker 8: Let me tell you something I don't usually say on
• 56:52
  Speaker 8: this show. Rashmith Gore came to us from the future.
• 56:57
  Speaker 8: Today she's going to be one of the biggest stars
• 56:59
  Speaker 8: in space. And today she came back from wherever she's
• 57:03
  Speaker 8: headed to sit down with us in her present. She's
• 57:08
  Speaker 8: going places not because of the labels, not because of
• 57:11
  Speaker 8: the algorithms, not because of any of the noise this
• 57:15
  Speaker 8: industry even runs on. She's going there because of one thing,
• 57:20
  Speaker 8: and one thing only. Rashmeat is authentic. I can call
• 57:24
  Speaker 8: her a free spirit, I can call her without form,
• 57:28
  Speaker 8: I can call her a compass drenched in the soul
• 57:30
  Speaker 8: of music. But the word I'm reaching for underneath all
• 57:33
  Speaker 8: of it is the simplest one. She's authentic, And in
• 57:36
  Speaker 8: a business that runs on imitation, that is the rarest
• 57:41
  Speaker 8: thing there is. Go find her catalog tonight, and if
• 57:45
  Speaker 8: there's a tour date coming to your city this year,
• 57:48
  Speaker 8: go see her. Because the artist you're hearing on this
• 57:52
  Speaker 8: show today is the one everybody else will be talking
• 57:55
  Speaker 8: about here very shortly. Here's her latest song called Ranja Ranja,
• 58:00
  Speaker 8: have a great day, everybody, chuck.
• 58:07
  Speaker 28: Ache Sadayo he Angel say do chre.
• 58:30
  Speaker 9: Your rock car? Are you worry? One show you j
• 58:48
  Speaker 9: brock car? Are you worry?
• 58:59
  Speaker 10: Just said.
• 59:02
  Speaker 2: Sir journy. What's the gi?
• 59:07
  Speaker 5: What's its.
• 59:11
  Speaker 9: My journa deliver?
• 59:22
  Speaker 2: What is aly.
• 59:27
  Speaker 5: On?
• 59:29
  Speaker 2: Certain shiny there?
• 59:33
  Speaker 9: My drab corrio you blue certain Shiny there? My drab carrio.
• 59:53
  Speaker 9: You wo