Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Yours Truly Johnny Dollar: The Meg’s Palace Matter, Part Five and Manhunt: The Clue of the Magazine Murder (EP1219)
Transcript
- 0:28Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
- 0:34is your host, Adam Graham. If you have a comment, email it
- 0:37to me Box thirteen at Great Detectives dot net. Today's program is brought to
- 0:43you by the support of our listeners, and I especially want to thank Mark
- 0:46and Daniel for their support. And I'll send access to the premium side as
- 0:50I do with alternations of seven dollars or more, and you can support the
- 0:54show at support dot Great Detectives dot net. Well, now it's time for
- 0:59the final part of The Makes Palace Matter, and then coming up later we'll
- 1:03have an episode of man Hunt. So here now though is Makes the Makes
- 1:07Palace Matter Part five from Hollywood. It's time now for Johnny Dollar. This
- 1:17is Chief Waterer's Barnsborough Police. You call me, Oh yeah, Chief,
- 1:19I understand you're out at Sally Button's place on the edge of tom What can
- 1:23I do for you? Better get out here, Chief fast? Yeah,
- 1:25to pick up a body tonight and every weekday night. Bob Bailey in the
- 1:37Transcribed Adventures of the Man with the Action Packed Expense Account, America's fabulous freelance
- 1:42insurance investigator yours truly, Johnny Dollar from Special Investigator Johnny Dollar, location,
- 2:00Cod Harbor, Massachusetts to the Inner Coastal Maritime and Life Insurance Company bost him
- 2:06assignment the Meg's palace matter reported and expense a count continued. Whoever shot young
- 2:15Charlie Buttons there at his sister's home in Barnesborough had disappeared down the gravel road
- 2:20in a cloud of dust, hence the call to the police. Chief Walters
- 2:23was in his late thirties and definitely on the ball. He made a quick
- 2:25call to the corner and then in his car we took off for Cod Harmon.
- 2:30We pretty much left him alone over there in Cott Harbor and mister Dollar
- 2:34and so far they've always managed to keep the peace. This time, Yeah,
- 2:37I listen, Chief, and I'll give it to your fans. Yes,
- 2:38do that. Meg McCarthy got some threats to burn her place down.
- 2:42Notify the insurance company. They sent me out, understandable. First night there,
- 2:46I spotted a prowler around the cafe, but before I could get to
- 2:49him, somebody slugged me from behind. You didn't know who not then,
- 2:52but the parlor turned out to be Tim Beasley. You're well your deputy over
- 2:55there. I guess you'd call him a sort of you know, self appointed
- 2:59lazy lout. But didn't he know who'sled you? He said, Not was
- 3:02Meg herself there. She has a powerful right dollar. Yeah, I thought
- 3:05of that too, but let me go on. Now. The next morning
- 3:07I went out on the Lily, Anne got tossed overboard, and believe me,
- 3:12she's the propeller on one of those boats. As much fun to tangle
- 3:14with, as Doctor Champion told me he'd had to go over to fix you
- 3:16up. Yeah, anyhow, I was sure that whoever was after me was
- 3:20a member of that crew. Had to be. I see, when I
- 3:23came to back at Megs, I had visitors, the crew loaded with sympathy,
- 3:27the crew, that is, except for Charlie Buttons. And that's why
- 3:29you traced him to his sister's house. Uh huh? And chief he confessed.
- 3:32Then, I don't understand what he said. He was forced to do
- 3:36those things by somebody who knew of his criminal record and was holding it over
- 3:38his head. Criminal record, Charlie Buttons, Yeah, it seems he killed
- 3:43a man once when he was just a kid. The point is this other
- 3:46person threatened to expose Charlie unless Charlie did his bidding. So Charlie, not
- 3:50being very bright, didn't think he had a chance. You find out who
- 3:53this other person is. That's when somebody shoved a gun through the window and
- 3:55back them. He shot him then took off in the proverbial cloud of dust.
- 4:00How are you doing on suspects? Oh? Brother? Too many?
- 4:02Meg of course named her rivals in the cafe business right from the beginning.
- 4:05Well, I wouldn't caught them very good suspects. And there's Captain Billy Morgan,
- 4:11her intended husband. What a pair. And if I know Captain Billy,
- 4:15he was just scrounging a lot of free meals. So incidentally I saw
- 4:19him in Barnsburg just before you call uh, Well, Captain Billy is beneficiary.
- 4:24It makes life policy, and he still has a lot of doing in
- 4:27the Lilyan I understand, m Who else Tim Beasley? What? Yeah?
- 4:33What Dollar? I know he's a good for nothing bum who's taking that job
- 4:38of acting mayor acting police chief, acting everything else so he can live off
- 4:43the out of the land over there. Did you also know that Clem Harris,
- 4:46who runs the other big cafe, is his cousin his cousin, eh
- 4:49oh, and Beasley never kept his promise to dig up the threatening notes,
- 4:54make received and compare them with the handwriting of the others. Then look good,
- 4:58does it? What do you think? She? I'm beginning to wonder
- 5:01if Tim Besley will be there when we get to Cod Harbor. As it
- 5:10turned out, Tim Beasley was very much in evidence, So was the whole
- 5:14population of Cod Harbor. Or as the lights of the little fishing village slowly
- 5:17hovinged the view, I saw another light down with the waterfront, or rather
- 5:20a big reddish glow, And as we pulled him closer, we could see
- 5:25the long tongues of flame leaping up. What it cost yep makes Palace was
- 5:30on fire. Chief Waters stepped on it. We took the last few turns
- 5:32on two wheels. Poses of all sorts and shapes and sizes connected the pump
- 5:40support. The nearby fishing boats were throwing powerful streams of water. It makes
- 5:43palace. At the back, where the fire had apparently snided, the flames
- 5:46continue to spread, even looking along the ground behind the building. That means,
- 5:50I said, Johnny, oil a gasoline spreading around back there? How
- 5:54don of a Chief look at different spread the boat. Captain who nose,
- 6:00but grab a horse, you get to work, and some hose off one
- 6:02of their boats. Don't go re your crazy water. Captain Billy Morgan was
- 6:06running the show, and every one of my prize suspects was in there working
- 6:10his head off, all of them taking orders from Captain Billy. And then
- 6:14I realized that Frank McCarthy was nowhere around, and I noticed something else.
- 6:17All the firefighting was directed toward the back of the building. The front,
- 6:20thanks to the wind, was untouched, but that's where mke McCarthy's room was.
- 6:25Chief Chief Horrors. Hey, Johnny, where are you going, run
- 6:28chef? Give me your hand. What see that window up there? I'm
- 6:30not going to climb up on the front roof of the place. Well bright
- 6:32up, crest up there. I gotta take that chance, because I think
- 6:35I can blow this whole case right open. I'll punch your hands so I
- 6:39can step on them and hoist me up. But even right here, the
- 6:41heat it's still in my hand. Quick crime. Okay, Johnny, but
- 6:44I think you're crazy. Yeah, here you go. The heat was almost
- 6:50unbearable of them in woof, I knew I had to do it. I
- 6:55crawl low along the shingles, hoping the rock and old roof would hold.
- 6:58A withering blast that fell like fire itself, hit me full on the face
- 7:00as I broke the window. The nice look and then she lay stretched out,
- 7:04unconscious on her bed. There was an ugly ribbon mike across her forehead
- 7:08where somebody had struck her down then left her there. The mercy of the
- 7:11fire got ey do all The stearing heat seemed to press in on me and
- 7:15gulf me, and the open window gave a draft to the flames that were
- 7:17already looking at the sides of the open door. Somehow I managed to lap
- 7:21a blanket around, covering her face, and stagger the window blindly groping for
- 7:26it. Got eye, let's do it, the window. Get got hold
- 7:30on us there, all right, Jockie, you're all right now, I
- 7:34got you. It's all right, boy, all right, it's all right,
- 7:59Johnny boy. Outside of having your hair singed and therese no suit of
- 8:03cloths, you're okay, Thank goodness, you are, Meg, But tell
- 8:07me, oh, take it easy. You got a bad burn on that
- 8:11left arm, and you got a lie still. Yeah, would you believe
- 8:13it? It was Clem Harris, the one I always thought was such an
- 8:16old good bladder sky that give us each a place to stay here to this
- 8:20house. I wondered where I was when I came to a few minutes ago.
- 8:22I misjudged the man. But how about you make Oh bless you,
- 8:28darling. You saved my life and I'll never forget it, made the good
- 8:31Lord strike me down. But I hadn't been for you, Oh I think,
- 8:35Johnny boy, you'd be laying still. And that pile of ashes out
- 8:37there that was once to me a nice cafe. I love you, Johnny
- 8:43boy, and I'm humble and I'm grateful. Meg that mark on your head,
- 8:46that dirty bladder and spart pin who snuck up in your room and knocked
- 8:50me down and left me there. I murderized him when I find him,
- 8:54that dirty con. How could I when he snuck up from behind me cheap
- 9:00or just couldn't? I must say you two look pretty good considering ready for
- 9:07a visitor, Johnny had chief, Johnny, are you sure you want visitors?
- 9:11Until you're feeling bad? Boys right in here? You're a billy boy.
- 9:18What's the matter with you? Willy? That look on your face and
- 9:22your chief waters. What is the idea of locking up my Willie boy like
- 9:26some dirty scoundrel of a crook when you tried so hard to save my cafe
- 9:30from that awful fire? Who do you think you are like that? You
- 9:37snap? Yes, darl I want shimmer down. I want a big idea
- 9:41rested me that way. Who do you think you're around here? And I'm
- 9:43talking to you Dollar? You went too far, Captain Billy, I went
- 9:48too far. You're off your course. What are you talking about? Yes,
- 9:52Johnny boy, if you was respond yes, sir, I'm talking about
- 9:56ison, Captain Billy, and murder and the motives behind them. Motives.
- 10:01They were all over the place by half a dozen people, but yours was
- 10:05the strongest by far. Off your head. The twenty five thousand insurance on
- 10:09Meg's life. That was the way I couldn't let you take your hand.
- 10:16But listen, what you're saying is that, Captain, Yeah, let me
- 10:18finish this. What do you make it? Played lover boy to it?
- 10:22Didn't you, Captain Billy to make sure you would be her beneficiary? Dirty?
- 10:26It looked like you right from the first, but I couldn't be sure
- 10:28until I compared the writing on the threatening letters with some of your handwriting I
- 10:33found. Oh no, so that's the way you've found you dirty underhand,
- 10:37Yeah, captain, that's right. Threatening letters to make it look like somebody
- 10:41else was out to get her her competitors, for instance, and to leave
- 10:45the way clear for you. No, no, I didn't. I mean
- 10:48I didn't mean to. Oh no, will it tell me? Touch me?
- 10:54Why, Billy? Why'd you do it? I had to. I
- 10:58had to have the money, right, was what you mean? Your boat
- 11:03with more to your belly and quiet mag fishing? Fishing was my whole life.
- 11:09I had to save my boat. I had to get the money for
- 11:11a house. Can I I don't know, Johnny boy, Maybe you removed
- 11:37to someplace else and open up. I wouldn't have the heart to hear god
- 11:43harbor. It would be too just hear that I met him and I believed.
- 11:48Well, I guess this old heart of mine wasn't as tough as I
- 11:52thought it was. Yeah, I'm sorry, Meg, I'll get over it,
- 12:00Sure I will. Meg McCarthy, Johnny Dollar, no bladder in thediot
- 12:03of a man is going to keep Meg McCarthy down. Let's hear me,
- 12:09No man on this whole earth is worth it. Then all of them just
- 12:11a bunch of no good too type. Oh no, no, Johnny boy,
- 12:18not you. If only there was more of the likes of you in
- 12:22the world. I love you, Johnny boys. And if I will be
- 12:28younger and maybe pretty Johnny, Yeah, no, tell me who did you
- 12:35ever get the threat letters compared the writing of I just swore that I destroyed
- 12:39them. Everyone know something, Meg, I didn't. I never saw them,
- 12:46never saw a sample of Captain Billy Morgan's writing either you mean you?
- 12:50Oh no, huh, Well it worked I and it serves that cann Ivan
- 12:56murder and bladder scutcheon there they are now made. Oh Johnny, I'm afraid
- 13:09I really did love him. Yeah, it had been a long shot,
- 13:22and thank goodness it had paid off. The court will take care of Captain
- 13:26Billy. The insurance on her place, of course, will have to be
- 13:31paid to Bank McCarthy, but no life insurance, thank Heaven. Oh poor
- 13:37me. It'll be a long long time before she'll fall for sweet talk again.
- 13:45Expense a count totaled, including fair and incidentals, back to Hartford two
- 13:48twenty one sixty yours truly, Johnny Dollar now here's our star to tell you
- 14:05about next week's story. Next week, Well, I say that diamonds are
- 14:09a girl's best friend, but I wonder when they're a motive for murder.
- 14:15Join us, won't you? Yours Truly, Johnny Dollar, Yours Truly,
- 14:26Johnny Dollar is starrying. Bob Bailey is transcribed in Hollywood. It is produced
- 14:31and directed by Jack Johnstone, who also wrote this week's story. Heard.
- 14:35Our cast were Virginia Gregg, Jack Kruschan, Byron Kin fors Lewis, Bert
- 14:41Hollands, Stan Jones, Bob Bruce, Austin Green, and Harry Bartel.
- 14:45Musical supervision by A. Marigo Marino and Carl Fortina. Be sure to join
- 14:50us on Monday night, same time in Station for another exciting story of Yours
- 14:54Truly Johnny Dollar. Roy Rowan speaking, uhh, welcome back. Well,
- 15:46Johnny is uh has been bloving the last couple of weeks, worse than a
- 15:50poker player. There's nothing but a pair of twos. This wasn't it.
- 15:56This was an episode just you know. I think for the performance of Virginia
- 16:00greg which really made it work, and I think that she really brought a
- 16:06lot of spirit and a nice amount of emotion without going over the top at
- 16:11the end. That really made you feel for her for the obvious heartbreak that
- 16:15this whole situation meant. Well. Now on to some listener comments and feedback.
- 16:22This comes from Marshall, who I'm sorry did not mention at the start
- 16:26of the show also support the show, so thanks so much for the donation.
- 16:30But Marshall writes, thank you for all the great work you do on
- 16:36your podcast, including your commentary. I've been listening for about three years.
- 16:40Johnny Doller is my favorite. The stories are usually very good and gripping,
- 16:44and for some reason, the acting seems far better than on any other detective
- 16:48show I have heard. In fact, the only other old time radio series
- 16:52that he's even close to acting in Johnny Dall is gun Smoke. Candy Matson
- 16:56was my second favorite show that you podcast, but obviously it was a different
- 17:00kind of show with a different level of acting. Yes, definitely different,
- 17:07I would comment before I get into his two questions. Probably one big similarity
- 17:14between Johnny Dollar and Gun Smoke at this point is the number of programs that
- 17:21radio actors could perform in had dropped greatly, so you always had available to
- 17:29you just an amazing array of talent that you wouldn't necessarily all have because in
- 17:36say, the late forties early fifties, when so many detective shows were so
- 17:41strong. So I think that is one reason why the acting is better.
- 17:45I have two questions, he says about Johnny Dollar. The announcer used to
- 17:49be Roy Rowan, I I believe, but someone else took over recently.
- 17:53Do you have any idea what happened. It's taking a while to get used
- 17:57to the new person. We've heard this week, Roy Rowan is is back.
- 18:03The's probably a vacation coming as it did in the summertime. Roy Rowan
- 18:11does stay on for most of the rest of the serial era, but leaves
- 18:15pretty quickly once the show goes to a weekly. From what I've read on
- 18:22Radio Gold Index, I've not listened too far ahead in terms of weekly programs.
- 18:29He also says, I've always found it interesting that almost nothing is ever
- 18:33said about how Johnny gets paid. Certainly, each episode has to be centered
- 18:37on the expense account, but it seems odd that the fees he gets or
- 18:41never mentioned. There are two exceptions that I remember in a recent episode,
- 18:45a person he was investigating and seeing Johnny could get a large fee, and
- 18:48a far earlier episode talked him about him getting a percentage of the items he
- 18:51recovered. I can imagine that those would be normal ways for an investigator paid.
- 18:55Have the assurance company need pay on an hour basis, have the insurance
- 19:00company pay a fat fee, and have the insurance company pay percentage of the
- 19:07monetary value of the items he recovers. Do you have any thoughts on what
- 19:11he has been what he has said about the money he gets, Well,
- 19:14you're right, it has been kind of all over the board. I think
- 19:18that some of this may be because Johnny is a freelance insurance investigator, and
- 19:25so different companies may also have different policies about how they pay their investigators.
- 19:33Plus, there have been some cases where they felt that there's some additional difficulties
- 19:37or some reason they really need Johnny Doler on this particular case, and they're
- 19:41willing to go beyond his usual fee. So I think that the fact that
- 19:48I think that the fact that there are a variety of insurance cases he works.
- 19:52Plus there was one the very first episode we heard in the serial era,
- 19:57the McCornick matter, that one he was kind of going on a hunch,
- 20:07and then he got permission from the insurance company to submit us an expense
- 20:11account, so that would be the reason, I would assume. Then we
- 20:15had a comment on Facebook. I've been a fan of old time radio for
- 20:18thirty years. I love Bob Bailey's Johnny Doller, but my favorite program is
- 20:23Richard Diamond. Oh and I forgot Sherlock's Homes. With only the duo of
- 20:27Basil Rathbone and Nigel Bruce on radio, they are the best. Well,
- 20:33we've done Wrathbone and Bruce already. They were actually one of the first programs
- 20:40that we did. I think we got to them in December nine and ran
- 20:44through their whole series. And of course Richard Diamond is just a couple of
- 20:48years away, and we did play a preview show a few weeks back.
- 20:53He also said, ask, is there any documentary on how they do a
- 20:59radio rama that we can see. I've always had an interest to see how
- 21:03they were done. Well, I'm not aware of a good example right off
- 21:07the top of my head. There is a radio program that I recommend if
- 21:11you're curious about how radio was made, and that's it's called Behind the Mic.
- 21:18It's available at archive dot Org. And it's just a great series taking
- 21:22a look at how the golden major radio programs were made. So that would
- 21:27be my recommendation on that. And as I look here at my other comments,
- 21:34none other are specifically Johnny Dollar related. So we will go ahead and
- 21:40take a listen to today's episode of Manhunt. This one is the magazine murder,
- 21:47and let's go ahead and take a listen man Hunt the clue of the
- 21:53magazine murder that led to Mann. No crime has been committed, yeah,
- 22:08no murder has been done yet, No man hunt has begun yet. I
- 22:23must have a sense of humor. I've got to nurse you and make you
- 22:26well so you can marry some other girl. We've gone all over this before,
- 22:30Mary. Things, Yes, didn't work out between you and me.
- 22:33That's that's everything. God couldn't be No, Mary, we couldn't. Now.
- 22:38Please wheel me over to the window. I can put my typewriter on
- 22:41the silo work there, all right, that's what you want, Thanks Mary.
- 22:48Final Stilman on my murder. Mystery is overdue, a popular magazine gotta
- 22:53be done today. I had to get to it, that is, I
- 22:57was thinking the same thing. Mm hmm. What does that mean nothing.
- 23:03You want me to read the last lines of the installments be published? Yes,
- 23:08simply why not? A huge hospital was silent except for the ominous sound
- 23:15of the approaching footsteps. But if the murderer coming back to make sure of
- 23:21his work, or at once he knew who the fellow wise knew that he
- 23:25himself was to be the next victim. He reached for the telephone, and
- 23:29it is continued next month. I'll take it from there. The police hurry,
- 23:42hurry slowly. Then fa and fiction has head off in a deadly parallel,
- 23:56A writer of murder Mysteries Lie's dead shot by an unseen player who will
- 24:03take the role of the storybook detectives, who will start the man hunts,
- 24:17Man hunts, and the clue of the magazine murder Well father, A busy
- 24:29man patter got to get this new singer for a flue at the work it
- 24:32does. All we have to do is for some of it on seasons.
- 24:34If you don't forget your police laboratory expert, why, oh, nice bussy
- 24:38end. He's noticed the sign on the door says private. Private. He
- 24:42says, I don't believe in signs on George. If I can believe that
- 24:47the one on your doors has detectives. Row, What do you know about
- 24:51a guy named George Winston Kirk writer? I think, hey, he's the
- 24:55best Kirk the fellows writing that sensational murder serial on popular magazine? What about
- 25:00him? He isn't writing it anymore? He's dead. Why you're sitting in
- 25:04front of the window in his hospital rooms. He's been sick and you got
- 25:07an attack, a lead poisoning from a bullet in his head. Anybody in
- 25:12the room here his nurse? The next romance by the way, and the
- 25:17gun. The nurse claimed somebody outside the window fired the shot and threw the
- 25:22gun in the room. Ground for a room. You're gonna grab an nurse,
- 25:26He says, sure she did it. Why should I grab her?
- 25:30I want in on a case, so I wanted, And he says,
- 25:32you get out. I'm going up to general hospital and get that nurse.
- 25:37I'll bring the gun back to you for a fingerprints check might supposed to do.
- 25:38In the meantime, I hold your secretary's hand. I want you ought
- 25:41to be slugging you with just sitting around. I'm going with you. Bell
- 25:47do me a favor and cry I'm sick of having you one of my feet
- 25:49when I'm on a murder case. Please try while having a cut to conk
- 25:55you one. Physical superiority and mental deficiency are generally allied, though who they
- 26:00are, and I'm plenty strong. I'll stick here here, okay, But
- 26:06I hope Kirk wasn't killed in the metal delinquent ward at general hospital. They'd
- 26:11never let you out. So I love the well. It looks like something
- 26:18exciting around here. Finally, what about me? I'd rather have a murder?
- 26:22Oh, say Pat? Are you reading the George Winston Kirk murder?
- 26:25Must being Popular Magazine? Sure? Who isn't final installment is doom? The
- 26:29next issue, isn't it? The murder gets himself good and unmeet? Ye
- 26:33have been an idea? You have one with your pa? Yes? Yes,
- 26:37operator? Will you get me the editor of Popular Magazine? Please?
- 26:41I'll hold it. Say Pat, you remember that in the Kirk story one
- 26:45of the murderer's victims, didn't I sure remember he got a look at the
- 26:48murderer, but he couldn't be questioned. I don't know who's shocked or something.
- 26:52Right. They come in to a hospital and at the ends of the
- 26:55installment, in the current popular magazine. It was about to call a police.
- 26:59Oh, this is just Davin's police laboratory. Who is this place?
- 27:02Finance Cob George Cobb, editor pop in the magazine. Oh, mister carbon,
- 27:04I'm calling to find out how the George Winston Kirk story and your magazine
- 27:08turns out. I'd like to know myself. I've held up the magazine for
- 27:11a week or two. Kirk was well enough to write the final installment,
- 27:15but apparently never got to it. Sorry, I can't help it. Okay,
- 27:19thanks, just the same. It's all right. I'm going out of
- 27:22the hospital now to see if Kirk left any notes lying around. I'll let
- 27:25you know if I find anything. Okay, goodbye, blind. Oh it's
- 27:30kind of that way to get this coincidence. Guyan Kirk's story is killed in
- 27:36the hospital, is about the name of murderer. Then the author was killed
- 27:41in the hospital and he's about to write the story. Hold Onrew, how
- 27:44do you know the fellow in Kirk's story was trying to be killed? The
- 27:45chapter ends with just a door knocked. Good at these pats because I was
- 27:49about to form a policeman. Bang the murderer gets me. Oh, Corny,
- 27:53what nice and dramatic, right of course. Hello, if there is
- 28:00some connection between the actual killing of Kirk and what happened in his story,
- 28:03we might have believed we've gotten read the nurse ibout very much, Chief Billy.
- 28:08No, we've got one of our cute cases, Pat, No kidding,
- 28:11All right, what do we do about it? Well, you check
- 28:15all the unsolved crimes with researchond go back to fifteen years if you have to
- 28:18see if any actual series of murders was anything like the one Kirk described in
- 28:22his story. Maybe Kurt was too close to the truth. Okay, Drew,
- 28:26I'll do it. Where are we ki in? Come back here in
- 28:29Alfon. I'm going to the hospital. Take care of about Morton's health.
- 28:33I just remember that in Kirk's magazine story, one of the last people murdered
- 28:37was the detective sergeant investigating the case. He's telling you there were no papers,
- 28:48mister Clubs. Go on back to your magazine. I'll tell you if
- 28:51anything turns up. But Sergeant Morton, if there are notes, I can
- 28:53still hire another writer to complete kirk story. Don't you understand We've got to
- 28:57go to pray. I don't care where you got to go, as long
- 29:00as it's out of here. Take the back door. I got witnesses way
- 29:03out in the hall. Somebody must have seen that. Mons to the gun.
- 29:07All right, but I'll be around the hospital here, somewhere here,
- 29:11all right, all right, send the next one in. Okay, I
- 29:18say that me, he says, get out of here through. I'm busy.
- 29:23Reporters, the pests, any, aren't they? Well, I just
- 29:26found something. Don't say anything about the nursery. Didn't this star, Hey
- 29:30that I found George Winston Kirk's notes on the final chapters of mystery. But
- 29:34I'm in the room in which he was murdered that I'll be there all night
- 29:37working on him. You got that, Yeah, I got it. Were
- 29:41the notes were happened in the morning. But keep to it that the papers
- 29:44get that story right away. We want the newspapers to print the fact that
- 29:47to final those notes on kirk final installment. Yes, I sure, door
- 29:49Bill SOM's patterize here, I'm taking a chance. I'm catching the murderer on
- 29:53what might be called the installment plan. It happened to me. I love
- 30:07you and sometimes I feel like killing you. This woman isn't healthy. It's
- 30:11the woman who's Kirk was killed here thinks about me wanted the laboratory colonium compounds
- 30:17good. Now, what did you find out in your check the free file?
- 30:19You must be psychic or something. Ten years ago there was a thing
- 30:23of actual murders, just like the one's Kirk was described them in the story,
- 30:26and the murderer escape better than better. Now that takes this gun in
- 30:32that chair and go sit behind a green over. I'm expecting a visitor and
- 30:36I want you to keep them covered. When then sift he comes, maybe
- 30:38ours take you know me? Yes, that's why I asked a question.
- 30:44Fine, I get him her ask me. You may show in a minute.
- 30:47But you and I, let's battle of guium. What's your hand?
- 31:03Easy with that gun, stranger, I'm a police to help us. I
- 31:07don't mind what you are of those papers in your hand. The notes are
- 31:08on the final chapter in the Kirk murderously. Oh yeah, but we're standing
- 31:12pat on them, I said, we're standing pat on them over Come on
- 31:17now, all right, as long as you don't pat me over the head
- 31:19with that gun. I said, it's one of those papers. Oh it's
- 31:26trouble for a nothing, a nothing. Year are you. I want to
- 31:30stay healthy. Don't move for five minutes after I leave here on the fan
- 31:36pat pad, wake up. The murderer of George Kirchis paid us a visit
- 31:41while you were asleep. Oh, I couldn't help it. I was so
- 31:44tired. I know, I know you couldn't keep your eyes open. I'll
- 31:47keep him open now. Went out in the hall. All right? But
- 31:49who was the visitor? Your head? I don't know you were there.
- 31:52I think we can find out much. They're not the kind of life they
- 31:59didn't know. Why turn him out? He would say, Which is okay?
- 32:06He looks at the floor. It's got a sprint flowing in the door.
- 32:13Commit quick, came guys who murdered a dozen people ten years ago,
- 32:20Bill George Winston kirk early today. It's had gone on the files apparently for
- 32:24authentic police capers to write about, and he hit on one and with the
- 32:29murderer was never caught. What a bottle is? You see? When he
- 32:31let Church's story, he believed that Kirkman was identity, and maybe he did
- 32:36what he wanted to do prevent the lasting Stallman of the mystic story and being
- 32:38written. So when the papers announced the dow have the notes which to route
- 32:42him up by the way. The murderer had to get them, so he
- 32:45paid us a visit. He put them throwing the floor made by my visitor.
- 32:51They had frankl Porian compound on the floor. There's nothing name for lady
- 32:54invested that woman if he came from and he sat in it the facts on
- 33:00cart. Oh what's that down? And we they leaves the door down his
- 33:04floor side and that's that. Yeah, okay, okay, hold it,
- 33:15quicker, says Julia. I'm not about the whole thing. This isn't Kirk
- 33:20murderer. It's his editor George karb had Kirk's editor and his murderer. Bill.
- 33:24I'd bet on it, and the murderer of a lot of others do.
- 33:29That's right, isn't it, Bob, will never take me alive on
- 33:31you or your job. Nice flogging Bill. Hey, look at the bottom
- 33:38of his shoes and lying there on the floor. That's how Drew crack him
- 33:43down. Boy, Only a genius like that Drew Stevens could fix it so
- 33:47that a murderer could be seen only when the lights are out. Welcome back.
- 34:04I have to admit I do like the idea of using the using the
- 34:10paint to to do the footprints. It's kind of a twist on something we've
- 34:19heard on a couple of shows where we're kind of the fluorescent paint is used
- 34:25coming out of the back of a car. Now, whether it would work
- 34:29in this circumstance or be possible to work if you could get it dark enough
- 34:34in there. I am not certainly not a chemistry expert, but certainly welcome
- 34:40to interpretations. Bill just wow. I have to admit that Bill is probably
- 34:47next to next to Inspector Hellman on pat Novak for Hire. Bill is probably
- 34:55the most unlikable official police character that have encountered. He basically goes over to
- 35:04the police lab and says, hey, here's an interesting case, and by
- 35:07the way, you cannot come. And then we do have a comment from
- 35:13Mark who says, thanks for getting these shows out. Well, I'm definitely
- 35:17glad to do So that'll do it for today. Join us back here tomorrow
- 35:22for Homicide Okaine, and then Monday we will have another Johnny Dowler story and
- 35:30Friday another episode of Mannut. Next week in the meantime, sender commons Box
- 35:35thirteen at Great Attractives Dot now follow us on Twitter Radio Attactives and become one
- 35:39of our friends on Facebook, Facebook dot com. Slash Radio attactis from Boise,
- 35:45Idaho. This is your host, Adam Grahamson and Off