Latest / Hip-Hop Now Podcast / Won't He Do It

Transcript

Won't He Do It · Hip-Hop Now Podcast

• 0:01
  Coming up on this week's episode with a Hip Hop Now Podcast, a trip
• 0:06
  call quest is snubbed again at the Rock and Roll Hall of Fame, Easymob
• 0:14
  gotta pay for his own flowers, and my thoughts on a new album by
• 0:21
  Conway the Machine. Won't he do it? Spoiler alert? He did it?
• 0:29
  Let's do it? Welcome to a Hip Hop Now. Podcasts get you
• 0:39
  from the future. You know what to do. Show as out of don't
• 0:45
  disrespect the leg hip hop and say this dadium. Let's get right into the
• 0:52
  business. What up, y'all? I am your host Vegas and this is
• 0:57
  hip Hop Now podcast. A podcast is on to keep you caught up on
• 1:02
  all things hip hop music and culture that happened throughout the week, and we
• 1:07
  do it in a brand new format for those that have been listening for however
• 1:12
  many years. We don't launch track now. We probably already hit the three
• 1:17
  hundredth episode. I can't remember. I'll find out. But we do a
• 1:22
  format that's top stories, top three stories. But in cases like episodes today,
• 1:29
  you get kind of a little like a mini review impressions of a new
• 1:32
  project that's out. So stay tuned for that big shout out to the supporters
• 1:37
  over at patreonon dot com slash hip hop now. If you would like to
• 1:41
  learn more, the link is in a description and and and of course you
• 1:48
  can't forget we do some specialty stuff here. I did an episode on AI
• 1:53
  and hip hop from a different perspective. But the reason why I want to
• 1:59
  just speak once again on AIS because Timberland put out an Instagram post talking about
• 2:07
  you know this one guy he always wanted to work with it never got the
• 2:14
  chance, and that's Biggie until now, and he played this track where he
• 2:21
  had this beat and AI Biggie was rapping, and social media went crazy.
• 2:29
  People just don't like it. Big did not write this. It's wrong.
• 2:34
  But I ain't gonna front y'all. I was tapping my feet. I ain't
• 2:38
  gonna line just like, let me let me hear a little bit more than
• 2:40
  the new Biggie Timbo. Let me what else you got now really quick,
• 2:46
  because I know we're kind of going off topic and blah blah blah, and
• 2:49
  this isn't one of the topics. But you know what, it makes me
• 2:51
  think about what if we hear like right now, it's the wild wild West
• 2:58
  with the AI stuff. So it's doesn't really work right. It just seems
• 3:01
  like people playing around with people who passed in their voices. I think if
• 3:07
  someone's a state gives permission to do some things right with it so big you
• 3:14
  can't do nothing about it. If his family or whoever's in control of the
• 3:17
  state does it. You don't have to buy it, you don't have to
• 3:20
  click on it or anything. It could be unsuccessful and it will stop it.
• 3:23
  But if you found someone who could, who's really good at writing in
• 3:31
  the style of a Biggie, you can get away with probably a song that
• 3:38
  people will be like, Yo, that's right. But to me, it's
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  sort of like aster it next to it because it's not Biggie, right.
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  It's not like Biggie was here and instead of continuing the career of rhyme and
• 3:52
  he just gonna put the rhymes he writes in this machine and the machine the
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  AI performs it. That's different. Still came from Biggie. This can come
• 4:00
  from anybody, could come from me as a ghost writer. But if I
• 4:03
  could write in a style of Biggie and its new lyrics, the only drawback
• 4:08
  and this is what the people who love it love what they hear. The
• 4:12
  only drawback from things like that bars is the fact that, oh man,
• 4:16
  I'm getting busy with the bars. Is the fact that hip hop is about
• 4:24
  one's expression, and you would never get Biggie's true feelings about anything to day.
• 4:34
  It will always be someone's interpretation of how they think Big would feel about
• 4:42
  something today, and that you can never predict that. You can't you know,
• 4:48
  put out there and say, you know, bigod what a Big would
• 4:51
  have been, like I'm vote for Trump. We don't know a couple of
• 4:56
  years ago, had the stuff that Kanye said, you wouldn't have known that
• 5:00
  either. So it's it's a sticky situation. But the Timberland joint with Biggie,
• 5:04
  I get it why people don't like it. I'm just saying it didn't
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  tell that bad. I don't want it. I don't want a new Biggie
• 5:11
  album featuring not Biggie. I'm just saying when I heard it, I was
• 5:14
  like, this isn't that bad. This is actually better than hearing Biggie's voice
• 5:18
  map to like New York state of Mind, because to me, that just
• 5:23
  sounds like, oh that's cute and stupid. Stop it. But when you
• 5:27
  don't know the lyrics, I don't know y'all. Give me one single,
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  one single, biggie, That's all I'm saying. Big shout out to hip
• 5:34
  Hop DX dot com, All hip Hop dot Com and Brochures for Heads Double
• 5:41
  lootell Magazine dot Com. I think I messed with y'all too a couple of
• 5:46
  places when I'm getting some of these stories from let's get ready into the business.
• 5:50
  So the Rock and Roll Hall of Fame has had they had a couple
• 5:58
  of nominees, you know, posted on the hip hop side, and let's
• 6:01
  just keep it. Let's just keep it a buck so I don't miss out
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  on anybody. But I think, honestly, I don't think well, okay,
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  So on the hip hop side of things, there were a couple of
• 6:17
  nominees. The nominees that got in Missy Elliott. Big shout out to Missy.
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  She is the first female rapper to go into the Rock and Roll Hall
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  of Fame, which seems really weird considering those who aren't in yet. Who
• 6:36
  you would think when it comes to female rappers, who's who should be going
• 6:41
  in first? Mytifa can't get injuring, so power should be able to get
• 6:46
  in, you know. Like, but I digress and Missy should get in.
• 6:50
  But should she be the first? Who knows? But Missy is being
• 6:55
  inducted to the Rock and Roll Hall of Fame, so is Djko Hurt.
• 7:00
  Jay Z went in before him. But that's okay. Jay Z went in
• 7:03
  before Djko Hurt. It's not just about jay Z. It's just the principle,
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  you know what I mean, Shaka Khan, Don Cornelius and more.
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  But but what's kind of been talked about, mainly because consequence is always talking,
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  is that a tribe called Quest was nominated and did not get in.
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  And tribe fans, for those that care, are up in arms. People
• 7:38
  who like to be mad, up in arms because they like to be up
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  in arms. Right. I'm a I'm a huge tribe fan, and my
• 7:48
  opinion is, so what so what they didn't get in? Who cares?
• 7:53
  It's the rock and Roll Hall of Fame. Not too Not that long ago
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  they started to induct hip hop acts into the Rock and Roll Hall of Fame.
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  They never had this many even nominated. It was like one at a
• 8:07
  time, y'all, one at a time, one per year, and you
• 8:13
  see the order in which things play out. Missy gets in before at mc
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  light or anybody like that, what's their criteria or obviously when you look at
• 8:22
  them, the from the l L's to the nwas to the jay Z's to
• 8:26
  Missy, when you look at them, what's consistent about them? They're successful.
• 8:35
  There are plenty of people in the hip hop game who are dope,
• 8:39
  very few who are highly successful. Missy Elliott is more successful than probably almost
• 8:45
  every female rapper you could think of, to be honest. And it's not
• 8:50
  just her with her music, but also her pen game right just overall artists.
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  So Missy, Missy deserves it. But I've never really respected it because
• 9:01
  it's the rock and Roll Hall of Fame, not the music Hall of Fame,
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  and it kind of, you know, not in a bad way,
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  but puts a cloud over the nomination and the induction for me because it's not
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  a thing that was designed to induct hip hop artists. Therefore, those who
• 9:24
  may sit on the panel to induct artists. And even though it's different now
• 9:30
  because the names I read that wasn't a man named rock and roll people,
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  wasn't, you know what I'm saying, So that's you know what I'm saying.
• 9:37
  It kind of it's it's like, how can I really respect it?
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  And I feel like more so just okay, well, I'm just give Missy
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  her flowers, right, just like you gave LLL jay Z and everybody else
• 9:52
  because at the end of the day, Missy's dope. But it's again,
• 9:56
  it's just like those lists, right, Rolling Owns Top fifty hip Hop Albums
• 10:01
  of all Time, and everybody's up in arms again, right, got their
• 10:05
  arms up up in arms about who placed where and what and why you know
• 10:09
  why Cardi b here and Aromatic there. But it's but it's Rolling Stones,
• 10:16
  right, It's it's not it's not us. That's how we see it.
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  It's not us. It's not a magazine, a publication design for hip hop
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  heads. So the Rock and Roll Hall of Fame is not designed to be
• 10:28
  the elite of hip hop heads going in. It has more to do with
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  record sales and popularity and also dope music, and they're just many artists that
• 10:41
  don't reach that level of success. Tropical Quests is known, Tropical quest is
• 10:48
  revered, their legends in the game, but they are source award level,
• 10:54
  so trained music awards levels, not even Grammy Award level, right, because
• 11:00
  we know a Grammys get damn. What I don't understand is why they always
• 11:05
  angry Q Tip, who had a rant in his kitchen when he didn't get
• 11:09
  a Grammy for the album. I think they kind of deserved it that year
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  when you looked at the albums that were nominated and didn't get it. But
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  I wasn't mad at it, right because you know, unfortunately Tropical of course
• 11:24
  is getting their flowers off the strength of Fife passing away. But nevertheless,
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  everybody's paying attention to try again. And I just don't know if they're popular
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  enough to ever make it into the rock and roll Hall of Fame. I
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  just I don't like you think about their catalog and everybody knows first album's good,
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  second album, second album classic, third album classic, and then it
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  gets sketchy and you never really get a classic album, and you get a
• 12:01
  good album with in my opinion, with their final album. When it comes
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  to beat RUMs in life, it's very debatables, some skippable joints on there.
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  It's not really the tribe, you know, because Fife is on there
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  less. And then the love below is just a disaster, and you have
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  all these years passed and then you get the thank me later everybody already ate
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  I was the album called I Can't remember whatever. But the thing is,
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  it's like, why be upset? Now? I could see Tribe getting in
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  there because they may not have been as big as L L's and the Missas
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  and all of that. But again, when Fife passed, they are more
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  Tribe fans than you think, just like I was surprised at how many Daylight
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  fans they actually were, because I felt like I only heard certain people talk
• 12:56
  about Daylight Soul on a regular basis new music and old music. But that
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  better not happened. No one from the native tongue better get in before a
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  tribe. I'm sorry, it's just better than not happened. And if it's
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  already happened, please point them out because I already named the top two groups.
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  These are the New School not get in shout out to dress, but
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  Black Sheet not getting in. But we all know this right, even though
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  the choices rys need to get put that in there. But nevertheless, don't
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  be mad tribe fans. Just spend your records. You know, tribe is
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  still dope. You know what, that's who you're going there. You need
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  to put slick ricking there. I don't care about the sales and stuff.
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  Easy Moobi gotta pay for his own damn flowers. So y'all with the whole
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  hold up, No, we're not doing that. We're not getting hit up
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  when any kind of copyright. So here we go. Let me just read
• 14:00
  this tweet from Easymobi for y'all, so you kind of give y'all the context.
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  It's not intech. Well no, sorry, wrong tweet. Let's see
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  this. See this is just one of the beautiful things about social media.
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  Let me clear this up once and for all. Matter of fact, I
• 14:22
  will be playing it Saturday night at the Gene Brown be down in the NC.
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  So he posted a picture of jeeps, lex Coops, Bens and Beamas
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  the credits for the Lost Boys single and it says produced by Easymobi for b
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  more easy productions. Now, for those that don't know what the hell I'm
• 14:45
  talking about, maybe you never heard of Easymobi. You've heard his tracks.
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  He's done some music for Tupac in his glory days. He's done music for
• 14:52
  Big Lost Boys and many others. But there's this humentary, so to speak,
• 15:01
  or series that's kind of tracing the steps of I think it's Life After
• 15:09
  Death right, and I believe Angie Martinez is the host, right, But
• 15:16
  let me let me just get with the sound, because I don't want this
• 15:18
  dude to start talking and I get hit up, you know what I mean.
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  But we're talking about Nashem what's Nashim's name, nashm marick Rick whatever,
• 15:35
  part of a bad boy back in the days. He's on this rightfully,
• 15:39
  So he's on this series. They you know, they're talking about Biggie in
• 15:43
  general, life after Death, but he's he's talking about Big not wanting to
• 15:50
  do records like Big Papa and Juicy and stuff like that. And he's talking
• 15:56
  about Big Papa specifically the beat as if he produced it. He also,
• 16:04
  well, let me take that back. He says, we we did this
• 16:10
  record. He also says something about another record that we did that went to
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  Lost Boys, which was the record I mentioned. But anybody who's anybody knows
• 16:22
  Easymobi has credit for those records. So what does he mean by we right?
• 16:30
  And obviously again here we are social media's up in arms, Hip hop
• 16:33
  has are up in arms. They're going in. I didn't even do the
• 16:37
  due diligence to see if it were squashed because I was just so disgusted by
• 16:41
  the idea. Now, let me tell you why. Easymobi is one of
• 16:45
  those hip hop producers who's still here, who was like a part of a
• 16:53
  time in hip hop some consider to be the greatest time in hip hop,
• 16:57
  you know, mid nineties or whatever. Ever, he's making hits. He's
• 17:02
  a hot commodity. Right, He even had when he was rapid is Fundamental
• 17:10
  or just Easy Mob. He even done some stuff with Miles Davis. Right,
• 17:12
  this man is really like important in hip hop, but most people kind
• 17:19
  of ignore him because he's not a household name. But he kind of used
• 17:23
  to be because of his association with producing for Pock and producing for Big and
• 17:30
  others. Right, and the Lost Boys joint was ahead, and he had
• 17:36
  other records he did that were crazy, but you seldomly hear about him.
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  And here you have a dude talking about we had to do this to the
• 17:47
  beat, and we did that to the beat, and we gave that beat
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  to this person and he didn't produce it. He's not credited in the credits
• 17:56
  as producing it, but yet here he is talking to Angie Martinez about it
• 18:03
  as if he worked on it in this way, Right, And I wasn't
• 18:10
  there so I don't know, but I believe Easymobile. You know why because
• 18:14
  the man who has had this kind of impact on the game and most people
• 18:18
  don't know him, but yet he stays cool and humble, and he on
• 18:22
  Vlad couch, you know, crying about blah blah blah. Well, at
• 18:26
  least I would know because I don't watch, but you know what I mean,
• 18:32
  it's a type of cat you want to step up for because he just
• 18:36
  chilling. But what struck me the most, and it's off the strength of
• 18:42
  M Bonus episode I was gonna do about. You know, it's hip hop
• 18:48
  media to blame for why things are whacking hip hop in general, right,
• 18:55
  and and you know, the debate was more so about you know, dudes
• 19:00
  considering themselves call themselves content creators and journalists. I think content creator is something
• 19:07
  that's acceptable, acceptable because everybody says it, but it's become hollow in modern
• 19:12
  times because everybody does it and they right, it's the way that badge.
• 19:17
  But some of these casts will refer to themselves as journalists and all they are
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  tabloid dudes who spread gossip. Right. I don't see why someone like Angie
• 19:27
  Martinez cannot only let this clip go to the public. But if not heard
• 19:37
  somebody on the team to do the research to say, you know what,
• 19:42
  he didn't produce that, So why did he keep saying we maybe we need
• 19:47
  to fact check or who produced it. Let's look at the credits, Easy
• 19:51
  Moobi, Let's go ask Easymobi. Let's have easy Moobi on this series.
• 19:57
  I don't know if he is or not, but it seems weird, right,
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  So it seems irresponsible. That's my great more than everything it's And again
• 20:08
  maybe they did it on purpose, right, because there wasn't no real buzz
• 20:12
  if you ask me for this upcoming series. But now you got everybody's attention
• 20:18
  because of this situation for the wrong reasons. But sometimes they want the wrong
• 20:22
  reasons because clicks don't have no bias, right, you click on that bone,
• 20:26
  that's a bonus, that's a positive. So it was just kind of
• 20:30
  weird to see Homie say we with such confidence, and see Easymobi literally has
• 20:40
  to essentially defend himself and his work when someone's trying to take credit and just
• 20:48
  a little backstory on me, not like I'm some kind of anointed golden child
• 20:53
  that somebody needed to come and get to be a part of something in the
• 20:57
  record industry. But when I was in college, I knew I was going
• 21:03
  to do something with music, you know, media was in radio in particular,
• 21:08
  was my focus. But I was flirting with the idea of, well,
• 21:14
  maybe I could work in the record industry because I follow the business of
• 21:18
  it so closely, or as closely as you could, and I had opportunities.
• 21:22
  I had people who were looking for college reps who were really just gonna
• 21:27
  nah, man, you ain't got to do anything. You just take this
• 21:30
  and da da da, and I would have had my first step into that
• 21:34
  door, right But what turned me off were stories and knowing people around my
• 21:44
  way, Like there at one point there was like three or four people around
• 21:47
  my way who had death Jam deals. They never came out, never came
• 21:52
  out. I know people who had production deals with death Jam never came out.
• 21:56
  Now, I'm not saying that to say, hey, yo, record
• 22:00
  industry is the devil. All I'm saying is what Nasheim is doing. His
• 22:03
  is the reason why I couldn't be a part of it, because I don't
• 22:08
  know how to handle people being sharks in that way. There's only one way
• 22:14
  to handle it to me, and that's not the way to handle it,
• 22:17
  to be honest and shout out to those who've been in the industry for a
• 22:22
  long time or whatever and having really well having they've survived any of those kind
• 22:30
  of encounters to be able to either retire or just be comfortable. But this
• 22:37
  is the reason why, man, people will take your pennies because they need
• 22:41
  some pennies. So I don't know's it's insane to think about, but it
• 22:48
  happens. Shout out to Easymobi, give him his flowers, look him up,
• 22:52
  look up his credits and see how much he has contributed to hip hop
• 22:56
  in very dope ways East and West Coast saying end. Lastly, so Conway
• 23:06
  the Machine dropped a new album called what Won't He Do It? Uh,
• 23:14
  just just recently. If you're from the future, you're you know, making
• 23:17
  your ast out of here. It's fourteen songs, forty nine minutes. It's
• 23:22
  on his label drum Work. Um you heard the single called Quarters if you
• 23:27
  have to go check it out. And my first impression of this album is
• 23:34
  it's kind of more of the same. But is that a bad thing?
• 23:41
  I don't think it is. Conway at one point, I think from from
• 23:48
  King to a God was him stepping out in a new way, right,
• 23:53
  stepping away a little bit from the from the drum list beats in the kind
• 23:57
  of the Griselle down and putting something out that was a little bit deeper lyrically,
• 24:04
  a little bit more bigger when it came to production, a little bit
• 24:10
  more varied when it came to production. And to me, hands down,
• 24:14
  if I had to pick like an album from him that that is his best,
• 24:21
  it's from King to a God. I think it's the perfect balance and
• 24:25
  he should do that all the time, and I think with this album he
• 24:29
  was attempting to do that, but I could see there's going to be people
• 24:33
  who won't like it because he's trying to give you these different looks. But
• 24:40
  I feel like the looks are so different on these tracks. Stay there to
• 24:44
  the extreme, right party record to the extreme. I'm going all the way
• 24:48
  there. You know what I'm saying, trap music to the stream, I'm
• 24:49
  going all the way then. You know what I'm saying A Grizzelda drumless beats,
• 24:55
  You know, Darren je I'm going way back to the mixtape days.
• 24:59
  And when you hit they're all cool. He can still run, but it's
• 25:04
  not what I think he hoped it would be. And I'm not predicting the
• 25:10
  future, but I had saw an article where they talked about, you know,
• 25:14
  like m Conway wants to reach you know, top of the billboard or
• 25:21
  they were predicting that one or the other, and that right there told me,
• 25:26
  okay, okay, so we're not getting Circa Grisel to mixtape days here.
• 25:32
  We may get a couple of those joints, but he's trying to have
• 25:36
  some radio singles and do some videos and stuff. I'm starting to feel a
• 25:41
  little bit sad for him because it's not that he can't, but it's like
• 25:48
  Jada Kiss, right you are popular to a point. Jada Kiss has hits,
• 25:56
  but not hits in a way as as a like a jay Z you
• 26:00
  know these timeless hits that always get played. Jada Kiss has some of those.
• 26:04
  But I kind of feel like what Conway he's reaching like Jadakiss and sometimes
• 26:11
  recent albums. For sure, he's reaching for the things that are commercially accepted,
• 26:18
  like features right now. Has he had features before, of course,
• 26:25
  but there are certain features on this project that to me suggested, oh,
• 26:30
  this is a dislike reading a strategic plan, right, These cats are on
• 26:36
  here on this song with this specific sound to be played in a specific region
• 26:41
  that the drumless beats won't get him. There's certain areas of fandom, you
• 26:48
  know, trap won't get you into the boom bap house and vice versa and
• 26:52
  stuff like that. So if you're a person who likes variety and you like
• 26:56
  Conway, well you might dig it. I mean, I think it's cool,
• 27:00
  but I'm not gonna lie. This is the second album in a row
• 27:06
  from Conway. The last was his Shady debut, right debut that can't touch
• 27:12
  From King to a God. It's just king from King to a God.
• 27:15
  Production Wise, it's on point. There's not one record where I feel like,
• 27:21
  why they use that beat? All they're could have did this this album,
• 27:25
  you know, you know, I feel like it's okay. And over
• 27:32
  the years watching his response to others response to his music or like thereof,
• 27:38
  he can be really sensitive about it, and I just don't think this is
• 27:45
  it. I don't think this is I think he's starting to get to a
• 27:49
  point where, no, he's not a whack. He will never be whacked,
• 27:52
  but he's starting to get to a point where I think he needs to
• 27:56
  find the thing that people like about him and just do that right west Side
• 28:03
  Gun, though, He's like, people just want to hear, Hey,
• 28:07
  yeah, you know, we opened up a box of Cherry's box of charity.
• 28:12
  People love that. They may not know what he's talking about, why
• 28:18
  he said it, why it's popular, they make joke about it, like
• 28:22
  I did. But guess why I'm pressing play Why Because at this point there's
• 28:26
  a thing that West Side Gun does that I tune into here, and as
• 28:30
  long as he does that, I'm typically satisfied with it. And the same
• 28:34
  thing goes for Benny. I feel like Conway's trying to be this bigger presence
• 28:41
  as a rapper, and I think it's probably best for him to be featured
• 28:48
  more on other projects than to bring them into his projects and have them sounds
• 28:55
  so different from the other records that they become forgettable. So y'all know how
• 29:00
  I do when it comes to recommending, I'll say this, if you're a
• 29:04
  Griselda fan from day one, and all you want to hear and gun shots
• 29:11
  and drumless beats, you're not gonna like it. You're gonna like the songs
• 29:18
  that sound like that on him, but you're not gonna like it. In
• 29:19
  general, if you're a person who doesn't like a lot of features, well
• 29:22
  guess what fabs on head? West Side Gun is on him, Benny's on
• 29:29
  here, Goose by the way, I don't know who that is, um
• 29:33
  Love the Genius, Sauce Walker, Juicy Jay, like, there's ransoms on
• 29:38
  here to join Ransom's kind of crazy. It's called stab out. I like
• 29:41
  that joint. You might not like it. But if you've been a fan
• 29:48
  of of Conway and you want him to spread his wings a little bit and
• 29:52
  do different things, and you feel like, anytime I want that traditional Conway,
• 29:57
  I don't need him to to turn the clock back. I can just
• 30:02
  go listen to the old stuff. I want to hear something new. I
• 30:04
  think you'll like it. But I'm gonna tell y'all, like this, well,
• 30:07
  my list of best albums of the year so far come out. I
• 30:14
  don't think this is gonna make it, and not because it's bad. I
• 30:17
  just think by the end. Oh I'll say this. I think by because
• 30:21
  I'm gonna keep listening. But I think by the end of the year there's
• 30:25
  gonna be so many albums that come out that are so much better that it's
• 30:29
  just not gonna make the cut, and that's okay, all right, but
• 30:33
  that's gonna do it for me. You can follow me on Instagram, Twitter,
• 30:34
  and TikTok at Vegas World I n C and subscribe to the channel on
• 30:40
  YouTube it's called hip Hop Now Podcasts. Subscribe like comment. If you have
• 30:45
  a comment, I will respond, I will like it. I mean,
• 30:48
  do the pin joint because maybe you had the best comment or whatever. Definitely
• 30:56
  subscribe to the YouTube channel. Also know that it's an audio version available wherever
• 31:00
  you get your podcasts, and specifically on Apple podcasts. Please review the podcast
• 31:06
  right now. It's you know, it's a number. It's about fifteen reviews,
• 31:11
  which I guess is pretty good for me, and I have a pretty
• 31:15
  flawless score. I don't care about any blemishes to that score. If someone
• 31:19
  feels like they don't like the podcast that much or they like it, just
• 31:25
  be honest. I like to read the feedback and it also gives me ideas
• 31:29
  for more content. So next time, y'all, remember I am not a
• 31:33
  critic. I'm a fan. Peace