Latest / Session Zero Heroes | TTRPG Actual Play Adventures & Improv Storytelling / Benders & Brews: S3: Episode 6 - The Immovable Rock vs The Unstoppable Fire

Transcript

Benders & Brews: S3: Episode 6 - The Immovable Rock vs The Unstoppable Fire · Session Zero Heroes | TTRPG Actual Play Adventures & Improv Storytelling

0:02
>> Speaker A: jasmine, oolong, green
0:05
and white. Long ago, these four
0:08
teas were skillfully brewed at the blissful brew.
0:11
Then everything changed when the shops
0:14
popularity threatened its existence.
0:16
All Mister Okaron, the shops owner and tea
0:19
master, could do was to recruit four teenage
0:22
orphans to learn his trade and staff his
0:25
shop. A year has passed since the orphans were
0:28
hired, and although their skills have progressed, they
0:31
still have a lot to learn before they can brew anything.
0:34
But I believe that they have the potential to make the
0:36
blissful brew the greatest tea shop in the
0:39
world. Last time
0:42
on benders and brews, an avatar Legends
0:44
podcast.
0:51
Madam Yang and
0:54
before you stands, sure enough,
0:57
the aforementioned Madame Yang inside of this,
1:00
this chamber where all these fancy,
1:03
air nation relics and so on and so forth, this
1:06
sort of inner sanctum. she's holding what seems to be a case. Now,
1:09
this is obviously the next clue that Mister Okaran had left
1:12
behind. Here, in addition to that, in her hand,
1:15
she holds what looks like a small
1:17
clay turtle. What's she doing here?
1:20
>> Speaker B: I don't know who you are, but the
1:23
relic in your hand, that is very old and very
1:26
important.
1:26
>> Speaker A: You're ready to go.
1:28
>> Speaker C: it seems you have no wish to hear the
1:31
tales of how I
1:33
followed and stopped your every
1:36
move. Maybe you can stop
1:39
by my up and coming
1:41
hot leaf juice gowling
1:45
shop once we're open
1:47
and, I'll dish all the
1:50
details.
1:51
>> Speaker A: She's using. Seize a position and she
1:53
bolts for the opening, grabs one of
1:56
the robes and hops out the door.
1:59
>> Speaker C: I am gonna use one of the empty
2:01
pedestals. I'm just gonna shove it towards
2:04
somebody or something.
2:05
>> Speaker A: So you grab one of these pedestals that's sitting in the room
2:08
and you just hurl it at one of the, hot leaf
2:11
juice employees. It slams into this employee
2:14
and they are now impaired. I'm going
2:17
to lift up a small segment of dirt
2:20
at his feet and push his ankle out
2:23
so he trips him up. I will be seizing a
2:26
position, a ring a ding ding, the old rock
2:28
elevator. And I'm going down about
2:31
100ft and meet Madame Yang where she's
2:34
at. I'm gonna pop out. So you start shooting down.
2:37
You ready yourself to pop out and
2:39
hopefully stop Madame Yang.
2:47
welcome, everybody, to another episode of
2:50
benders and brews, season three,
2:52
specifically episode six. I'm Skylar.
2:55
I'm your host. Oh, man. I'm starting to wonder if I did
2:58
a GM fact last time. Remember? I did
3:01
one on one of the episodes, but I don't know if I did it on both.
3:04
We'll survive. Oh, okay.
3:06
>> Speaker C: Thank God nobody cares about you.
3:07
>> Speaker A: So I kind of just throw something in just for
3:10
the kitty, my own laughs, just
3:13
to make me feel a little bit better about. No, I'm just kidding. Ah, yeah. Awesome.
3:16
Okay, well, whatever the case, you just heard the recap,
3:19
and I'm gonna just jump right in because I know you guys are on the edge of your
3:22
seats about what the heck is about to happen to Brock Lee as he comes
3:25
flying out of a mountain towards.
3:27
>> Speaker C: He's obviously gonna be the winner.
3:29
>> Speaker A: The what? Er?
3:30
>> Speaker C: Winner.
3:31
>> Speaker A: The winner.
3:32
>> Speaker C: Winner. Winner.
3:33
>> Speaker A: This game has a winner.
3:35
>> Speaker C: Chicken wing dinner.
3:37
>> Speaker A: Well, whatever the case, we'll jump into character
3:40
facts, and I'll start on my right with
3:43
Dave, who very confidently earlier said he had a
3:46
character fact ready. Yeah,
3:48
Guo Han is a big fan
3:51
of garbage day, and by
3:54
that, I mean he
3:57
goes around on garbage day. Well,
3:59
more like early in the morning before
4:02
the garbage is taken out, and
4:05
he goes dumpster diving.
4:08
Hey. And
4:10
makes a garbage,
4:14
day meal out of the food he finds.
4:16
Oh.
4:17
>> Speaker C: Oh, no, that's raunchy.
4:20
>> Speaker A: Oh, no. That was in a direction I
4:23
was not expecting, but. But
4:26
it did inspire, what my dm, pack is gonna
4:29
be. So thank you, Dave. Oh, you're welcome.
4:32
Awesome. All right, well, does he, does he leave
4:35
ratings for people's garbage too?
4:38
Nah, probably not.
4:40
>> Speaker C: He just knows he should go back.
4:42
>> Speaker A: To those people, I'm sure. Yeah, I'm sure. Mentally
4:45
keeps track of, like, hey, those.
4:46
>> Speaker C: Guys regular, they give out the king size candy
4:49
bars.
4:50
>> Speaker A: They throw out the candy. So many,
4:53
but awesome. All right,
4:55
fantastic. Jumping over to Mikayla.
4:58
>> Speaker C: jumping over to Mikayla play Micah.
5:01
Yeah, she's not that happy of a person.
5:03
But anyway, Mika's fun fact is
5:06
she has no more fun facts.
5:08
>> Speaker A: She's completely. Wanna name your Fox episode six of
5:11
season three.
5:12
>> Speaker C: He has a name.
5:13
>> Speaker A: What's the name?
5:14
>> Speaker C: Poe.
5:15
>> Speaker A: Oh, that's the name.
5:16
>> Speaker C: Yeah, we've said this, like, ten times.
5:18
>> Speaker A: I don't.
5:19
>> Speaker C: Throughout the show, have we? Yes, we
5:22
have.
5:24
>> Speaker A: One of my favorite podcast, like, actual play podcast,
5:27
dungeons and daddies. One of the things that they did was one of the
5:29
guys, because they also do, like, a fun fact about the character at the beginning of
5:32
the episode, and one of the guys was so out
5:35
of fun facts for his character that he just started
5:38
going through the senses. So he's like, my character's
5:41
favorite smell is, and my character's
5:44
favorite thing to touch is and, like, so on and so
5:47
forth. You could totally steal that idea.
5:50
>> Speaker C: What's Mika's favorite, but, like, where's the creativity
5:53
in that?
5:53
>> Speaker A: there's a lot of creativity in that.
5:55
>> Speaker C: Let's see.
5:57
>> Speaker A: What's her favorite smell?
5:59
>> Speaker C: What if she can't smell?
6:00
>> Speaker A: Whoa. Whoa.
6:02
>> Speaker C: I feel like that would have come up by now.
6:04
>> Speaker A: She were. I don't know. I mean, has anything come up? Oh, yeah,
6:07
she probably would have. She's just a dishwasher,
6:10
though. What's that smell?
6:11
>> Speaker C: Dirty.
6:12
>> Speaker A: Is it guo's garbage day jambalaya?
6:15
Or is it fresh baked
6:18
muffins? I don't know.
6:20
>> Speaker C: Mika's favorite smell would
6:23
probably have something to do with something
6:26
outdoors, actually. We can get
6:28
real sad, and it can be,
6:32
her mom made a very yummy dessert,
6:35
like, forever ago, obviously,
6:37
and she's just really sad about it. Cause she hasn't had
6:40
that experience of that smell.
6:42
>> Speaker A: Right.
6:43
>> Speaker C: You know, if she gets that smell, it would very
6:45
much.
6:46
>> Speaker A: It would change everything.
6:47
>> Speaker C: You know, just put her back in a happier time.
6:50
>> Speaker A: Oh, it wouldn't get her all emotional. Well, I guess it would be a.
6:53
>> Speaker C: Positive emotion by deCoraz, probably, but.
6:56
>> Speaker A: All right.
6:57
>> Speaker C: Who's that?
6:57
>> Speaker A: It's okay. Cameron, gave us a really
7:00
dark one about Bill last time, so it's totally
7:03
fair that you give us kind.
7:04
>> Speaker C: Of a. I feel like most of mine end up being dark. You
7:07
know, she watches fish in the stream and make up stories about
7:10
them because she's a lonely child.
7:14
>> Speaker A: Micah's her own person, that's for sure.
7:17
Awesome. All right, Connor,
7:20
I am Brock. Lee and Brock
7:23
just learned, Mika's fox dog
7:26
has a name. This whole time,
7:29
he just, you know, the fox dog just kind of
7:32
spawns out of nowhere. And he was like, wow, I wonder what its name
7:34
is. And now he knows his name. It's Poe.
7:37
It's Poe, apparently. Allegedly.
7:40
I mean, I don't disagree with the. Sometimes he just kind of pops out of
7:43
nowhere, and then sometimes it's like, man, where was he in this,
7:46
like, you guys were captured by pirates? Did they just were like,
7:49
oh, yeah, grab the fox. Grab the fox dog. He's
7:52
with them. I mean, I can, I can buy Dilbert
7:55
just.
7:55
>> Speaker C: I told you, half the time he hides in my skirt.
7:58
>> Speaker A: Yeah, that's true. You did. You did. Establish that. So where's
8:01
Dilbert? Where's,
8:01
>> Speaker C: he's a very scared dog.
8:05
>> Speaker A: I like to think. Whoa. Wears a back skirt.
8:06
>> Speaker C: Do he have a backpack?
8:08
>> Speaker A: Yeah, he's usually in my satchel.
8:10
>> Speaker C: Yeah, see, we haven't seen him a
8:13
long time. I don't think he's even with us anymore.
8:15
>> Speaker A: Oh, yeah. No, he was definitely. Somebody mentioned him a couple episodes,
8:18
like, two episodes ago. Because you were, It was when you were
8:20
juggling and. Or. Whoa, was juggling,
8:23
and then you guys are collecting money.
8:25
>> Speaker C: That's how he was successful, because Dilbert was helping
8:28
him.
8:28
>> Speaker A: Well, I wasn't gonna go that far, but Dilbert was helping to collect
8:31
the money from the guards.
8:32
>> Speaker C: Anyway, what's. Is that really your fun fact, Bill?
8:35
>> Speaker A: Burt, more.
8:36
>> Speaker C: You have to have a more of a fun fact than
8:39
that.
8:40
>> Speaker A: Better than. I have no idea. Fun fact.
8:42
What's your favorite?
8:44
>> Speaker C: This is a very sad episode.
8:46
>> Speaker A: My favorite sense of. My favorite smell.
8:49
Brock's favorite. There we are.
8:51
>> Speaker C: Rock's.
8:52
>> Speaker A: Brock's favorite smell. Although he doesn't drink it.
8:55
Oh, he's a fan of the smell of brewing
8:58
tea. That's his favorite smell. Even though
9:01
he's in the tea. Wait, is Brock also not drinking tea? Yeah, I was gonna say. Hold on. Brock
9:04
doesn't drink tea? I don't remember. Well,
9:07
Bill's whole thing was that he didn't like tea. No,
9:09
Brock's. I think he does drink tea. Brock
9:12
drinks? Yeah, I think he drinks, like,
9:15
citrusy tea.
9:17
>> Speaker C: The smell of the tea, though, is far
9:19
better than the taste.
9:20
>> Speaker A: Is there a certain tea like the smell of the tea? That can be true.
9:23
>> Speaker C: That's what I'm picking up, necessarily.
9:25
>> Speaker A: Just the smell of. Well, I guess it's just boiling
9:28
water. Cause then you put the tea in. He loves
9:31
the smell of boiling water. He smells the smell of steam,
9:34
the smell of hot water. Oh, that's the
9:37
good stuff. That's why it's a dishwasher.
9:41
Oh, this is the good stuff,
9:44
Mister okra. Keep it coming.
9:48
Yeah, just hot water. Hot water.
9:51
>> Speaker C: All right, that tracks.
9:53
>> Speaker A: Yeah, that fits. All right, finally, last but not least,
9:56
we got Cameron. Hello, Cameron. Who are
9:59
you? Bill Dore. Bill
10:02
doar. What's your interesting character?
10:05
Fan. So, Noah, known as.
10:07
>> Speaker C: I forgot his real name. Ash ketchum. got it.
10:09
>> Speaker A: Not, again.
10:12
Ash. I never said his last name, but,
10:15
no, I figured one of them
10:18
would have asked. Nope, they haven't. So that's the end of the. No, no. We
10:21
asked, but you never told me. As Brock comes flying out of
10:24
the mountain, falling towards Madam Yang, he shouts out,
10:27
hey, Bill, what's your real last
10:30
name? It makes sense, Bill, not to
10:33
ask when we were around. Well, whatever the case, what
10:36
is Bill's, interesting fact?
10:39
>> Speaker C: this is what he does every time. He always
10:42
says, oh,
10:44
and then Skyler.
10:46
>> Speaker A: Has to go in and cut things of something
10:48
immediately on the spot. And I go, yeah, that's the good
10:51
stuff. So what is basically how I dm the
10:54
entire time? yeah, that trunks.
10:56
>> Speaker C: Okay.
10:57
>> Speaker A: But anyway, so give us a good, well, I was thinking through
11:00
senses as well, but I was thinking of different ones.
11:02
>> Speaker C: And I was thinking, what's his favorite.
11:03
>> Speaker A: Sound, his favorite psychic
11:06
sensation? I feel like I've already said his.
11:09
I already have said what his favorite sound is
11:12
in the past episode. because I'm pretty sure I said it was
11:14
his mom. His mom playing the harp
11:17
was his favorite sound. But I think I was gonna
11:20
do touch. And his favorite touch
11:23
is that of his
11:27
feet.
11:27
>> Speaker C: Ew.
11:29
>> Speaker A: On cold marble floors,
11:32
chilly in the morning. That'll wake you up, that's for
11:34
sure.
11:35
>> Speaker C: Why did we have to go? Anyway, moving on.
11:38
>> Speaker A: All right. Theme song. Interesting fact
11:40
about Skyler that thankfully, was
11:43
reminded of me by Dave and Guohan's interesting fact. Dave
11:46
and I actually, a few times went dumpster
11:49
diving. it was quite the escapade. We went out
11:52
in the black of night and we went to one of the nearby
11:54
colleges where students were getting moved
11:57
out. So they threw out a bunch of furniture and stuff, which we
12:00
then took for ourselves. Cause it was in the
12:02
dumpster, so it's free game. And the dumpsters
12:05
were open, so we didn't really put ourselves in any kind of danger in
12:08
order to get it. Just to clarify that for anybody that's gonna yell at
12:11
us online later, you.
12:14
>> Speaker C: Know, if you have nothing nice to say, maybe just don't say it.
12:17
>> Speaker A: That's right. And also, if you need to move a futon
12:20
down the street, a great way to do it is on a
12:22
longboard. And with that, we'll jump
12:25
into episode six
12:33
out of the, mountain. Brock
12:35
Lee comes flying out, grabbing some rocks
12:38
as he goes. Brock, I was, I think I was gonna
12:41
have you in the midst of a combat
12:44
exchange, so I'm gonna have to assume, that you're
12:47
going to be doing
12:49
advance and attack. Advance and attack. I think I'm gonna
12:52
seize a position. I'm gonna snow. Madam Yang
12:55
is definitely seizing a position as she uses
12:58
her rocket power, firebending,
13:01
to lower herself and then hop into
13:04
the cart. And you hear her scream,
13:07
go, go.
13:10
>> Speaker C: Well, and he just smashes.
13:12
>> Speaker A: So broccoli is as he's tumbling, as he's not
13:15
tumbling, as he's flying down the mountain,
13:17
reaches behind him, and earth bends a
13:20
giant boulder and throws it at
13:23
the carriage. The boulder itself
13:26
being larger than the
13:28
carriage. So if it were to make contact,
13:32
would surely squish the
13:34
entire contents of, that's a big boulder.
13:37
Okay, here's my question before you
13:40
roll, because there's a part of me that really hopes that you
13:43
roll. Actually, a very large part of me that hopes that you
13:46
roll really low, as the sadistic dm here.
13:49
But here's my question to you. Of the advance and
13:52
attack options. I feel like this
13:54
situation that you're doing could technically apply
13:57
to any three of them, depending on what your
14:00
goal is. So I'm curious, which one
14:03
will you or would you choose if you
14:05
succeed, in case you don't succeed,
14:08
and then everybody gets to know what you were going for and then fail.
14:11
That. That's. That's why I want to establish this. I would have
14:14
to say it. And with what he's trying to do,
14:17
I would say, strike. Strike. Strike are so
14:20
in reach, forcing them to mark two fatigue, mark a conditioner,
14:23
shift their bounce away from center. Their choice, mark one fatigue. To
14:26
instead choose to hammer them with your blows,
14:29
force them to mark two fatigue, or strike where they are weak,
14:32
inflicting a condition. Gotcha. but I'm guessing if the condition
14:35
is not squished, then might
14:38
not apply. I'm sorry to say I don't see the
14:41
squished condition as an option. Well, we're
14:44
about to make one, but that's only if I roll well,
14:46
though. Yes. So
14:50
I will say my balance
14:53
adds three, because this definitely applies to
14:55
force, I would imagine. Yes.
14:59
Yes. Okay, so I need to roll. So you're using your
15:02
balance to roll for this? Well, it's
15:04
either balance or passion, right? Well, it's a
15:07
plus two or plus three. Okay, well, you decide.
15:10
Cause to roll with your balance. You're gonna take a
15:13
fatigue for doing that.
15:16
I wanna see what happens. I'll take a fatigue. All right, he's gonna
15:19
max this out. I'm gonna take a fatigue
15:22
and hurl this giant boulder
15:24
down at the carriage. That madam Yang. Roll a two. Roll
15:27
a two. Roll a two. Oh, 13.
15:31
Oh, my gosh. Okay. Well, then, with that in
15:33
mind. With that in mind, you get to take
15:36
two basic techniques. Say
15:39
what? All right, so, I mean, obviously, strike.
15:42
Okay, so I imagine that, you've
15:45
got a giant boulder, and then you also were able to grab
15:47
a smaller boulder. So the smaller boulder is the strike. And then I
15:50
imagine the bigger boulder could, in theory. I mean, unless
15:53
you want to strike twice. But the bigger boulder could, in
15:56
theory, apply to one of the other two
15:59
options. I can afford to do
16:02
smash, mark another fatigue to destroy or
16:04
destabilize something in the environment, possibly
16:07
inflicting or overcoming a fictionally appropriate positive or negative
16:10
status. Right. And then are you for
16:12
yourself? starting with the strike, are you taking
16:15
the fatigue to inflict extra.
16:19
I can't afford to take another fatigue. Cannot afford it. Okay,
16:22
so she's either going to take two two fatigue or
16:25
she's going to mark a condition. So if I strike twice,
16:28
wouldn't that mean she takes four fatigue or two conditions?
16:31
Or two conditions. True. Yeah.
16:34
So I'll say
16:36
strike and then I'll use one extra fatigue for
16:39
smash to destroy the
16:42
carriage. Oh, yeah, that's probably a
16:44
solid bet. And it definitely puts
16:47
Skyler. Well, you're, you're doing a fictionally.
16:50
Oh, shoot. Yeah, I suppose you're right. Which I'm guessing would be
16:52
trapped. Gosh. And I, as the GM, can
16:55
really not argue with that because fictionally speaking,
16:58
it really does make a lot of sense that you
17:01
just hurled a giant boulder down and it busted the
17:04
cart. Let's go. as much as I hate
17:07
to.
17:07
>> Speaker C: Admit it, you should have thought about this when you were writing the
17:10
story with that guy in mind.
17:12
>> Speaker A: Yeah, well, you know, I just didn't think of the whole
17:15
idea of dropping through
17:18
stone at 100ft
17:20
per 6 seconds. Terminal velocity.
17:23
Yeah. All right. You
17:26
leap from this mountain as where we left you
17:29
off in previous episode, grabbing two hunks
17:32
of rock with your earth, bending as you go.
17:34
Madame Yang lowering herself to the ground with her
17:37
sort of her jet streams, hopping into the
17:40
cart, screaming at the driver to drive away, looks up
17:43
and sees as two giant
17:46
boulder chunks come flying down,
17:48
smashing into the cart, crushing the very wood
17:51
around her. not far behind
17:54
you, Guru Topek is flying down as well,
17:57
on his way to try to retrieve the thing she had
18:00
stolen from his temple.
18:01
>> Speaker C: Hopefully you didn't just smash.
18:03
>> Speaker A: Yeah, that. Hopefully you didn't just crush. whatever the
18:06
case, we jump into, the next
18:09
combat, exchange round, whatever you want to call
18:12
it. Pick your approach. I'll
18:15
advance an attack. He's going to advance and attack. She is
18:18
also going to advance
18:20
and attack. So you get to go first.
18:23
Now, being trapped, did you mark the three
18:26
conditions or fatigue? Ah, yes, you're right. She does have to
18:29
do that. So she either has to take five
18:32
fatigue, a combination of five fatigue
18:35
and. Or. No, three. Three
18:37
fatigue or three conditions. Well.
18:40
Oh, yeah, three. Wait, wouldn't it be. No, it would be
18:43
five. Right, because, well, in total, in total.
18:46
Yeah, because strike makes a mark two and then trap
18:49
makes a mark three. Additional. Or there's
18:52
also the option to take
18:54
the conditions. Or the conditions. Yeah, yeah.
18:57
So three, fatigue or conditions.
18:59
Okay, so I shall advance
19:03
and also attack. Where's
19:05
everybody else? I'm killing it out here. Well, they're all inside the
19:08
mountains. Oh, yeah, you're right.
19:10
>> Speaker C: You know, attacking the people.
19:12
>> Speaker A: They're all not you left behind. Well, you know, I
19:15
went after that. All right, so what are you, okay,
19:17
so you're doing advance and attack. Roll with passion. no,
19:20
I guess I won't do it. I rolled a five. A five. Oof.
19:23
Yeah, that's not quite enough. As you
19:26
essentially hit the ground in kind of a
19:28
classic sort, of like, avengers style three
19:31
point landing. You stand up and you.
19:34
What were you. I guess, what were you attempting to do? Cause you were probably
19:37
gonna strike again. Well, no, I was
19:39
actually planning on pressure to intimidate
19:42
a. Oh, okay. All right.
19:45
however, I cannot do that. I can, like,
19:47
roast her, and she's. I was gonna say, I think you attempt to
19:50
roast her. You say something, and it just really doesn't
19:53
land. What if I, like, give me
19:56
back what you stole. But, like, my voice cracks and she.
19:59
Give me back what you stole. Give me. Give me back what
20:02
you stole.
20:03
>> Speaker C: Oh, the child. I
20:05
always knew you were starting to
20:08
show.
20:10
>> Speaker A: She approaches and she
20:13
starts. She starts throwing a series
20:15
of, sort of flame. Flame hand,
20:18
flame paw, whatever you want to call is that they have hands.
20:21
It's not paws, but I digress. Flame
20:24
hands.
20:27
And she does, strike. Now, given. Given
20:30
her sort of status, like the capability of
20:33
color flames, she has a major NPC.
20:36
they are regular flame. She is not. She's not. She's
20:39
not Azula with the blue flame. She's not that expertise.
20:42
She's focused too much on her tea to spend
20:45
excess. Such a sick fight. Anyways. Yeah, it's
20:47
true. anyway, so you have three sets
20:50
of strike coming your way. Three set. Well, that's
20:53
not very nice. Yeah. So is that, like, six
20:56
fatigue? It'd be six fatigue or
20:58
three conditions. Whatever
21:01
the case, she's a very strong
21:04
NPC. I mean, she's an adult, and she's
21:06
obviously been taught to fight, even though she
21:09
doesn't necessarily seem like somebody that has
21:12
to use it often. Okay, so I'm gonna mark
21:15
two fatigue. Okay. And one condition.
21:18
Yes. Well,
21:21
I'm already angry. Or
21:24
those don't reset because it's the same. Right.
21:26
It'd be the same. Yeah. situation. I will be
21:29
angry and insecure. Okay. Insecure about my
21:32
voice crack. Yeah.
21:35
>> Speaker C: You're too old for that.
21:37
>> Speaker A: Yeah, apparently not. We're never too
21:39
old. All right, fantastic. All
21:42
right, going into the next exchange, you also
21:45
noticed that her assistant who was driving the
21:48
cart, they got nailed in the, whole crash. They
21:51
look pretty weak, but they're. They're picking themselves out of the
21:53
rubble and heading over to you to define their
21:56
proverbial boss. So not only am I
21:59
fighting Madame Yang now, her
22:02
henchmen are now peeling themselves off the ground. Just.
22:04
Just one. There was just one that was driving the cart.
22:07
Okay, which approach are you taking? Well,
22:10
so what's the status of the cart right now? Like, they can't get
22:13
away. yeah, it's pretty biffed up. So right
22:15
now it's Madame Yang and another dude.
22:18
I'll try evade and observe.
22:21
Okay, this could be. Is that role with
22:24
foe? It's with either creativity or
22:26
harmony. Okay. Eleven.
22:29
All right, so that's a success. So you can take two
22:33
basic, moves or one master technique with that, and
22:36
then also you clear a fatigue.
22:38
Oh, happy day. Yeah.
22:41
okay, so I will bolster or hinder.
22:45
I'm going to impede a nearby character.
22:48
That character being which one is strong?
22:51
I would imagine Madame Yang is stronger. So
22:54
I will just kind of,
22:57
like, scoop up some sand and
23:00
throw it in her face to kind of
23:03
throw her off her game. Okay, so
23:06
she's gonna be, Let's see if that's probably stunned.
23:09
Would she be stunned and trapped? Well, she cleared
23:12
trapped. Oh. well, that's not very good. Obviously, by taking
23:15
the necessary exhaustion and or conditions in
23:18
order to essentially get herself
23:20
out, that is. Now she's stunned
23:23
is not very catchy. She can't act or respond for a few
23:26
seconds. Okay. And then, well, bolster or
23:29
hinder the other guy. Okay. What are you doing to them? I'll throw
23:32
sand in his face. You're just, like, whipping up sand,
23:35
throwing it in every which way direction. Scoop up two
23:38
handfuls of sand. And just so both of them are
23:41
stunned. They're both. Oh, gosh, my eyes. My eyes. You know,
23:44
trying to get the sand out of their eyes. she is also
23:47
taking evade and observe as well. And
23:49
she is going to test
23:52
balance. So she's going to mark one fatigue
23:55
to challenge an engaged foes balance.
23:58
She asks what your principle is, and you must
24:01
answer honestly. she shouts
24:04
out to you. She says, why do you continue
24:06
to.
24:07
>> Speaker C: Stand in my way when you're
24:10
so obviously outmatched.
24:13
>> Speaker A: And I answer honestly as to why I'm hindering her.
24:16
Yeah. So what is your balance currently? It
24:19
is currently force plus three.
24:21
Force plus three. I was like, well,
24:25
I don't know. I just live for the chaos. I don't
24:28
know. Emerald?
24:33
I don't know. Check out the knuckles movie coming
24:36
soon
24:39
cause it's fun.
24:41
Okay. I don't know.
24:42
>> Speaker C: And she says, you enjoy
24:45
the thrill of the fight,
24:48
do you? Well,
24:51
then let's
24:54
escalate the stakes.
24:57
>> Speaker A: And she reaches into, she's rubbing the dust out
25:00
of her eye and she reaches into her pocket, she pulls
25:02
out the rib eye, a
25:05
ribeye. She will out the turtle
25:07
amulet and immediately.
25:12
yeah. Where's Topeak? He was standing here. Well, that's the thing. He
25:15
was concerned
25:18
right now. Well, you just threw two rocks at the person
25:21
that had the thing that he was trying to get. And I think he was just
25:24
kind of panicked. No. Watching how Topeak is handling the
25:27
situation, it makes sense how those air nomads got
25:30
taken out.
25:34
Yeah. and, yeah, and so he's just standing there
25:37
in awe and he kind of looks at you and he looks at her
25:40
and he's like, please, whatever.
25:43
>> Speaker B: You do, do not let her destroy that relic.
25:45
>> Speaker A: And he looks over at you and.
25:46
>> Speaker B: He'S like, you have no idea the value it holds.
25:49
>> Speaker A: It's a chaos emerald.
25:53
So is this like another move or is this. Yeah, yeah,
25:56
yeah. also, on a side
25:59
note, well, I would say that
26:01
the person is that her
26:04
assistant is also blinded. They kind of just use
26:07
their turn to rub their eyes and try to get it out, which
26:10
is part of stun, you know, they're taking a moment to steady
26:13
themselves. but she, because she gets multiple moves,
26:16
she's going to bolster him. She's going to shout out,
26:19
don't just.
26:20
>> Speaker C: Stand there, you fool.
26:22
Fix the cart.
26:24
>> Speaker A: Ain't no way that man's fixing a smashed
26:27
cart. I would say that he is, let's say,
26:30
empowered and rushes over to go start fixing
26:33
the cart instead of fighting you.
26:36
And you see, again, another earthbender. This is just full
26:39
earthbender mission apparently. And you can
26:42
see that he's sort of putting stone
26:45
onto the cart in such a way to
26:48
kind of repair some, like the key things like broken
26:50
wheels and things like that. All right, so then we go into the next
26:53
combat exchange. Just rolled.
26:57
Twas a 1010. Well, it was
27:00
going to be another evaden. Observe. Oh, okay. Okay, so I guess it's a twelve.
27:03
Okay, I'm gonna bolster and hinder double down again. Do I
27:06
clear another fatigue. Yeah.
27:08
>> Speaker C: Oh.
27:12
>> Speaker A: He'S getting stronger. So throwing
27:14
sand in Madame hm Yang's face again.
27:17
Okay. And then I'm gonna yell out to,
27:19
peek. Yep. Be like, if you
27:22
love this amulet so much, come and fight for it.
27:26
Are you testing his balance,
27:28
calling him out? Sure.
27:32
Hold on. If you're gonna call him out, that's a whole
27:35
thing too. That's a whole thing. Like, this guy's done
27:38
nothing. He's just standing on a perch. Get him up in the
27:40
fray. He's this all powerful
27:43
monk. That kind of sounds like he's calling someone out.
27:46
When you openly call on someone to live up to their
27:49
principles. Yeah. If you know what his principle is,
27:52
though. Yeah. What is your. Who do you
27:55
play for? Are you calling someone out? Because when you
27:57
openly call someone out to low up to their principal, you shift your balance
28:00
away from center. so I die?
28:03
Oh, I wouldn't die. you'd go off the Edge, which isn't dying,
28:06
but something happens. so what are. What are
28:09
alternatives to call someone out, man. It's. Well, you can
28:12
test his balance. Kind of the same thing, but in a combat
28:14
exchange. Yeah, I'll do that, Cheryl. I'll test
28:17
his balance. Be like, hey, if you love this amulet, why not come
28:20
and fight for it? All right, so you're basically
28:23
trying to get an idea of what his principle is. his
28:26
principle is, let's say tradition.
28:29
And so he definitely sees what
28:32
you're saying. You're like, all right, if you want this amulet so
28:35
bad, then take it, then get it. And so
28:38
he kind of, like. He puts his hands together,
28:41
he centers himself or whatever, and then he takes a
28:43
stance, and he's basically readying
28:46
himself to act. That's more
28:49
like it. Jeez, leave me to do all your dirty
28:52
work. Mm Mm Where is everybody? They're all
28:55
in the mountain. This is happening while they're
28:57
fighting. Okay, the other hot leaf
29:00
juice employees. I gotcha. So. All right,
29:03
then we jump. Oh, and then Madam Yang. So she basically
29:05
take. She loses one of her,
29:08
actions. She's stunned. She's gotta sort of
29:11
reset herself. But, she's also. Oh, she should have
29:14
done this before. I guess technically my bad,
29:17
but she's gonna strike.
29:20
So she tosses the
29:23
amulet up into the air
29:26
and allowing it to start to fall, which at this point,
29:29
you've called out guru Tupiq. He sees it falling
29:32
through the air. He's readying himself to sort of
29:35
like airbend, maybe pull it towards him, or at the very least, just
29:38
keep it from hitting the ground, because it's. It's. It's just like a clay
29:41
turtle necklace, right? And then she rushes
29:44
forward and she starts to strike you again with her
29:46
attacks. So you're taking another strike, and she's
29:49
gonna mark the fatigue, force you to take two.
29:52
Fatigue? oh. Well, it's a good thing I rolled high
29:55
last time. So
29:58
riddle me this, Batman. How is Topek doing with
30:01
the. With the amulet there? Well, he will take a
30:04
combat approach. Okay. Yes. Can you pick what
30:07
you're gonna do? Which of the three? Defend
30:10
and maneuver. Okay, guru, Topek is also taking
30:12
defend and maneuver. Madame, Yang is going to take
30:15
advance and attack. So you tell me what you are doing,
30:18
or actually, you roll first, then you tell me.
30:21
And this is with focus.
30:35
Hey, everyone. Skylar here. Are you a fan of session zero
30:38
heroes and the shows we produce or the characters involved?
30:41
Then you should check out our epic merch we have available online,
30:44
from shirts to stickers and everything in between. We
30:47
worked hard on creating a variety of designs and made sure to get your
30:50
favorite characters on those products as well. Whether you're looking for
30:53
broccoli on a hoodie to wear to the gym with you,
30:56
or maybe fizzle fingers tote bag to stuff your
30:59
ill gotten gains in, we've got you covered. Just head
31:02
over to our website at session zeroheroes.com and click on
31:05
our merch tab to see all the amazing products and designs that you
31:08
can get. Now back to the show.
31:16
1010. Okay, so you get two,
31:19
options. Okay, first off.
31:22
Yes, I'm going to.
31:25
I'm going to retaliate. Okay. Steel yourself for their blows.
31:28
Each time a foe inflicts fatigue, a
31:30
condition or shifts your balance in this exchange, inflict one fatigue on
31:33
that foe. Okay. And then I'm going to
31:36
seize a position, and I'm going
31:39
to attempt.
31:42
Well, I guess I rolled a ten, so I guess it's successful.
31:45
I'm going to attempt to grab the amulet
31:48
if Topeak is not already on the way to do so,
31:51
or if he is on the way to grab the amulet,
31:53
I'm going to try an elevator
31:56
myself up. Not
31:59
100% out of the exchange, but, like,
32:02
high enough to where yang can't
32:05
quite reach, but I can at least still see her.
32:08
Okay. Not quite in the fray. You said you're
32:11
ready, readying yourself. retaliating.
32:14
Yeah, you're retaliating. And then what was your second, sees a position,
32:16
seize a position. Okay. Okay. All right. guru to peek,
32:19
he is using, essentially seize a position.
32:22
He's not really moving towards it, but he's using his
32:25
airbender to cut her airbending to bring
32:28
the amulet down to him. and then we
32:31
jump to, madame Yang. She
32:34
is going to use sort, of an
32:36
interesting firebender, take on smash.
32:39
She is going to mark one fatigue, and she
32:42
is going to shoot flames
32:45
upwards into the airstream that is
32:48
now being created by guru Tupiq, who, as he's
32:51
pulling this amulet towards him with air, she's going
32:54
to fling fire into that very air,
32:57
causing it to sort of follow this flow
33:00
down towards the amulet and also
33:02
towards guru, Tupiq himself.
33:06
He is going to become doomed
33:08
as this burst of flame starts m moving
33:11
towards him. she then, turns
33:14
to you, and she is going to
33:17
use pressure. She looks at you
33:20
and she says.
33:21
>> Speaker C: Well, are, ah, you going to stand
33:24
there and let this old man die?
33:27
it wouldn't be the first time, am
33:30
I right?
33:35
>> Speaker A: I mean, I just met this guy.
33:38
And, she's gonna take away your ability
33:41
to advance an attack.
33:44
Next round, we go into the
33:46
next combat approach. So I can't advance an
33:49
attack. Topek is apparently doomed.
33:52
He's doomed. He's doomed.
33:55
Well, that's just not very nice. I'll just go
33:58
ahead and say. I'll be the first to say it. Madam Yang doesn't
34:01
seem very nice. It's true. I'll be the first to say it. You'll be the first
34:04
to say it. Nobody else has said it so far. People don't realize, you
34:07
know, you would think. You would have thought that Micah would have said
34:10
something along those lines, but she hasn't.
34:12
>> Speaker C: What? Said what?
34:13
>> Speaker A: that Madam Yang is not, very nice. She's not very nice. Did you know
34:16
that? No. I think. I think Mika maybe thinks that deep down
34:19
somewhere, there's some niceness. I think that's what Mika's thoughts
34:22
are.
34:23
>> Speaker C: That madame Ying is nice.
34:25
>> Speaker A: Yeah.
34:25
>> Speaker C: Absolutely not.
34:27
>> Speaker A: Well, you weren't the first to say it, so. Yeah, I'll be the first to
34:30
say it. All right, so you're upset
34:33
about how nice she's not. but what are you gonna do about the current
34:36
situation? I guess I'll have to defend a maneuver. Okay, sounds good.
34:39
Roll with focus. Seven.
34:42
Seven. So you were able to take one of those
34:45
options? So if I see his position. Right. Yep. Like,
34:48
so I'm. I'm at my bird's eye view. Right.
34:50
Okay. Where is Topek? And where
34:53
is. So you're about 10ft up in the air on this stone
34:56
platform, as you said before, guru tape, if you were at
34:59
ground level, he'd be about, like, 5ft, about, like,
35:02
right behind you and maybe a little to your right. Whereas Madame Yang
35:05
is, like, maybe five to 10ft away from
35:08
you. She seems to be starting to, like, turn her
35:11
back, whatever. So, that's kind of where you're at.
35:14
All right, well, I guess I gotta help this
35:18
stupid old man. Stupid old
35:20
man. this guy gets into the fray for 5
35:23
seconds, and he's already about to die. He's about to die.
35:26
You told him to. He's
35:28
supposedly this airbending master,
35:32
and he can't, like. No, he's airbending
35:35
teachings. Master Ro was definitely
35:37
the. He's a learned man, not a
35:40
bernid man. About to be. All right, I'm going to
35:43
seize a position. Okay. I'm going to go over to
35:45
Topek. Can I, like, knock him
35:48
out of the way of El Fuego,
35:51
him and myself out of the way of El Fuego and still get into
35:54
a. And kind of move him off to
35:57
the. Off to the side. Like, I
36:00
basically get to Topek. Yeah, yeah. Move him out of the way.
36:04
And we're, like, still where we can see
36:07
yang. Yes. So that is. That is the plan.
36:09
Okay. Got it. All right, so you do that.
36:12
And as you sort of. You
36:15
use the earth platform that you're on, and you basically just tip
36:18
it over, you, like, break it at the base so that it starts to
36:21
fall so that you can lunge forth and
36:24
push guru to peak out of the way. And both of
36:26
you stand up, and as you do, you see madam
36:29
yang. She chose seize a position. she's
36:32
rushing towards her cart, and
36:35
she's hopping on, and then she's readying
36:38
herself from the back of the cart as it starts to move.
36:43
well, the one guy was fixing it using his earth. It's
36:45
that plot armor we were talking about. Yeah, it's plot armor.
36:48
You're not, supposed to say it. Yeah, we just let the
36:51
audience think it.
36:54
>> Speaker C: He whispered it.
36:55
>> Speaker A: She is going to be, essentially
36:57
prepared. Prepared, you say?
37:00
Be prepared. Be prepared. This
37:03
lesson must be shared. This
37:05
lesson must be shared to be prepared. And that is
37:08
what Madame Yang is. Is
37:11
Topek no longer doomed? correct. He is
37:14
no longer doomed. Now he has been pushed safely
37:17
aside. Useless friggin ally
37:20
man. Use a turn to save his
37:23
skin. okay. So, moving on to the next combat approach. What
37:26
are you doing?
37:29
So as it stands now,
37:31
if I were to, say, advance an attack,
37:34
hypothetically, of course, if I were to advance an attack,
37:37
would topek follow me? Cause if he. If
37:40
he keeps to the code of air
37:43
nomads, then he's probably not gonna follow
37:46
me, because apparently they're, like, more pacifists.
37:49
So, like, would he follow me? Because. Do we have
37:52
the amulet? Where is he? Oh, it's still. It was falling. It was mid
37:54
fall, as he was, like, about to catch it,
37:57
and the flames were coming towards him. And then you tackled him out of the way from. From
38:00
getting it. What? Here's what I'll say. Here's what I'll say.
38:03
It is sitting there on the ground. But Yang is in her
38:06
carriage. Yes. So she wouldn't. I
38:09
mean, she probably wouldn't come back for it. I wouldn't imagine.
38:12
Is she, like, is the cart leaving? Yeah, it's like
38:15
the dude went,
38:19
gah.
38:21
>> Speaker C: You should have just, like, actually smashed it.
38:24
>> Speaker A: I thought I did. I rolled a 13.
38:27
It's not about the height of your rolls. It's just about the fiction of the
38:30
situation. It's the blood armor. You
38:32
can't. I just did. This is
38:35
my first playthrough. I'm allowed to say it
38:38
as the resident.
38:39
>> Speaker C: He's stressing out. He's carrying this episode.
38:41
>> Speaker A: I am K's world stuck upstairs. Well, you could
38:44
have all followed me. He hasn't.
38:48
Y'all coulda. You gotta finish your scene.
38:50
Let's cut to the other guys.
38:53
He's waiting till your scene's done.
38:56
>> Speaker C: Just help feeling for Madam final,
38:59
because that. That.
39:00
>> Speaker A: Okay, you know what? I'm gonna evade an observe.
39:03
All right. You evade an observe,
39:07
Mika's gonna be so mad.
39:09
eight. All right, well, you. Which. Well,
39:12
actually, before you do that, because she's taking
39:15
defendant, maneuver, she is going to seize
39:18
a position, of course, as
39:21
she starts, the cart begins to move,
39:24
down the mountain path, and it begins to pick up
39:26
speed. As it kind of goes further down the
39:29
mountain, things get a little bit steeper, and she
39:32
starts to disappear in the distance.
39:35
Wait, wait. What about my evade and observe? Well,
39:38
that comes at the end. Oh, that's stupid. What
39:41
were you gonna do? What were you gonna do? I was gonna hinder and, like, make a
39:44
speed bump or something.
39:47
That's. Then they gotta slow down. It's the
39:50
law. You gotta slow down for the speed bump. or, like,
39:53
I'd make a stop sign up here next to the
39:56
carriage. Beats me.
39:59
Every 10ft, there would be a stop sign.
40:01
Well, this is why.
40:04
This is why the combat approaches have an order.
40:07
Because sometimes they use the move
40:10
that gets them out of the situation, and therefore,
40:13
you can't manipulate the situation.
40:16
well, I may as well hinder somebody. So I'm gonna just, like.
40:19
I'm gonna throw sand in my own face.
40:22
You're just so upset.
40:25
I'll just, I'll shift my
40:28
balance. I'll commit. I will shift my balance to one
40:30
away. And what is the other side of your balance? The
40:33
care hair. Oh, this fits really
40:36
well. So you have
40:39
the opportunity to go running after
40:42
Madame Yang. But you look and you
40:45
see that the
40:48
clay turtle amulet is broken.
40:51
>> Speaker C: He doesn't want to leave his friends behind. That's the real
40:54
reason. Come on.
40:55
>> Speaker A: Okay, so there's a crack. There's a crack in the
40:58
turtle amulet. And Guru Tupiq is just sitting there and he's
41:00
holding it in his hands, and tears are welling up in his
41:03
eye. And you reach down and you use
41:06
your earthbending to reseal that
41:08
crack. He looks at you and he says.
41:12
>> Speaker B: Thank you so much. You don't know
41:14
what this means to me.
41:17
>> Speaker A: I want to say something so stupid. You're
41:20
moving towards care. I know.
41:23
I'm trying to. I'm trying to be
41:25
nice, but, you know, not gonna lie, this guy
41:28
was less than useless. Oh,
41:31
dang, Brock. You let her get away. Whoa, whoa, whoa. Hold
41:34
on. Where were you
41:37
this whole time? I actually was gonna cut to that. Do you go back
41:40
up to the mountain cave once? Yeah. okay, don't mention
41:43
it. I'll earth vader us.
41:46
Earth vader us. Back up to the top. Sounds good. You
41:49
get to the top of the cave, you find your friends there.
41:52
They've taken out all of the hot leaf juice
41:54
employees. One of them is still conscious.
41:57
He has his mask off, and he's,
42:00
backed up against the wall, kind of in a crouched position.
42:03
He's looking at all of you, and he's just like, I don't
42:06
know where I am. I don't know who.
42:09
Why are you attacking me? Who are you people,
42:12
bro? You. You expect us
42:14
to have more patience than we actually have? I haven't got time
42:17
for this. Where did you come from? Where were
42:20
you guys? up here,
42:23
fighting, kicking button, taking
42:26
names.
42:27
>> Speaker C: I was not taking names.
42:28
>> Speaker A: Well, name tags. I got a collection
42:31
here. And in your hand, you have about,
42:34
like, three to five hot leaf juice
42:36
employee name tags. Yep.
42:39
Nice. So, what, do we
42:42
beat these guys up? Did you get Madam Yang. Ah,
42:45
that's why you chased up to her, right?
42:46
>> Speaker C: Did she get Madam ye?
42:48
>> Speaker A: I, don't want to talk about it.
42:50
>> Speaker C: What do you mean?
42:52
>> Speaker A: She may or may not have gotten away,
42:55
but.
42:56
>> Speaker C: May or may not have? Which one is it?
42:58
>> Speaker A: don't worry about it. But the important thing
43:01
is we got the turtle thing, which is
43:04
apparently important.
43:05
>> Speaker C: Who cares about the turtle thing?
43:06
>> Speaker A: I honestly don't. Apparently, it was important to
43:09
this guy, so, like, I guess we can call it a
43:12
win. But, like, honestly, I turned.
43:14
>> Speaker C: This guy's kind of a shoe. Okay, I'm
43:17
gonna slap him. Where's
43:20
Madam Yang? Where's she
43:23
going?
43:23
>> Speaker A: Madam Yang? Oh, yes.
43:26
>> Speaker C: she. Speak up.
43:27
>> Speaker A: She's the factory. The factory where
43:30
she keeps us. The other children.
43:33
>> Speaker C: He's a child?
43:36
>> Speaker A: Well, I mean, they're like teens. You know? They're like teens. You guys
43:39
are teens. Yeah, yeah, yeah. You're the kids.
43:42
She's keeping them all there.
43:43
>> Speaker C: What are you talking about?
43:44
>> Speaker A: the factory where she makes her. Her teas,
43:47
the ones that she sends out to all the
43:50
restaurants and the shops.
43:52
>> Speaker C: She keeps children there. She's a slave
43:54
laborer?
43:56
>> Speaker A: sure, sure. Maybe. Yeah. I
43:59
don't know. I just. My parents died. They put me
44:02
in an orphanage, and then next thing I know, they were shipping us
44:05
over, and I'm working at the factory.
44:07
>> Speaker C: Can you take us there?
44:09
>> Speaker A: I really don't want to go back. I can tell you where it
44:11
is.
44:12
>> Speaker C: But, like, you know, the ins and out of the factory,
44:15
you know where we can get her?
44:16
>> Speaker A: We can give you a clipboard. You'll have extra power.
44:19
>> Speaker C: Hashtag sneak attack.
44:20
>> Speaker A: I just. I just want to go. How dare
44:23
she?
44:23
>> Speaker C: You want to help us?
44:24
>> Speaker A: Thanks. You don't want to go
44:27
back. You don't have a home.
44:31
Any home is better than there.
44:33
What? I lost my patience
44:36
today. Okay? Let's just
44:40
say, bro, join the club.
44:45
Your dad is alive. Really? The only, like,
44:48
actual orphan here is glow. All right, what
44:51
about Ash bill? Whatever.
44:53
>> Speaker C: Bill?
44:54
>> Speaker A: You say that to me? Yeah, sure. What about Ash bill?
44:57
Wait, hold on. Who was it that said the only orphan is glow? Because I
45:00
couldn't have said that because I'm the. Oh, yeah, my parents
45:03
lost me. Hey,
45:08
I still have my parents.
45:10
>> Speaker C: Oh, I still have a dad.
45:13
>> Speaker A: Okay, never mind. You might be the only one of us without
45:15
a parent. I can tell you.
45:18
>> Speaker C: What don't you want, like, revenge on Madame Yang?
45:20
>> Speaker A: No, I just want. I just don't want. I don't want to go back there. You
45:23
don't realize how bad it was.
45:25
>> Speaker C: What's so bad about it?
45:26
>> Speaker A: Did they make you drink tea? Cause I would understand that pain.
45:29
>> Speaker C: I would not.
45:30
>> Speaker A: Did they make you take a shower? Cause I understand that
45:33
they didn't let us drink tea. They only let us drink
45:36
hot leaf juice. Do they have dental?
45:39
No, they have smiles. And he's just
45:42
got, like, a bunch of. Oh, they don't even have dental. We're tearing that
45:45
place down. Hey, that's not
45:48
fair. You can't call tea hot leaf juice.
45:51
Oh, Zuko. Hey, what's your name? Which one
45:54
of these name tags was yours again? PI.
45:57
PI? It's PI.
46:00
>> Speaker C: Come up with a real name for you. That's the first thing
46:03
she saw.
46:03
>> Speaker A: Oh, no. Her name for me was employee
46:06
727. You got that one, Guo.
46:10
Oh, yep.
46:13
And sure enough, you do. All right. I don't want it
46:16
back. You can keep it. I just want to leave. I just want
46:19
to.
46:19
>> Speaker C: I think you just need to come with us because, you know, you could
46:22
give us a lay of the land, tell us where we can sneak in the bus, the
46:25
routes to her office. You know, what if I just tell.
46:28
>> Speaker A: You what I know here and now, and then you guys go
46:31
there on your own?
46:32
>> Speaker C: Don't be a chicken, pants.
46:34
>> Speaker A: I feel like I have a right. I think we should listen to
46:36
him. No, no, I don't got time
46:39
for this. We just. We don't have time for this.
46:42
Yeah, we are on a mission
46:45
to get the will. And doing this whole side
46:48
quest to go to factory has
46:51
nothing to do with Mister Okaron. The will.
46:54
>> Speaker C: Except she killed Mister Okoran.
46:56
>> Speaker A: How do you know that? It was the wild coyote, boys.
46:59
She wasn't there. Oh, yeah, it was the wild coyote
47:02
boars.
47:02
>> Speaker C: We didn't see who actually killed the,
47:05
She's apparently sneaky fast because you couldn't even
47:08
keep her.
47:09
>> Speaker B: if I may.
47:11
>> Speaker A: And guru tupique kind of. Kind of speaks up and
47:14
he says.
47:15
>> Speaker B: I think she may have stolen your next clue.
47:18
>> Speaker A: What is that in the box?
47:19
>> Speaker B: Yes.
47:21
>> Speaker A: Oh, no. Well, now we have to go on this
47:23
mission. Oh, no. It's almost
47:26
as if the plot driving forward requires
47:29
us to go after. I thought the moral
47:32
quandary was gonna be, do we go after her or go for the will?
47:35
But then sky was like, nah, I'm gonna put them together. Yeah, well, I
47:38
ruined the moral quandary.
47:40
>> Speaker C: She doesn't want us to get the will.
47:41
>> Speaker A: Don't you know what was in the box? What's in the
47:44
box? Because she's Madame Yang.
47:46
>> Speaker C: She knows a lot of things she probably shouldn't know.
47:51
>> Speaker A: I was gonna say she's got the plot armor. But you don't like when I say
47:54
that. Especially in character.
47:58
Pie. I tell you what. Yeah, you tell
48:01
us everything we need to know,
48:04
lead us or point us to the factory, and
48:06
we'll bring out the whole Osha on him.
48:09
That's right. Well, I'm more than happy to do
48:12
that. But first I have to ask,
48:15
what exactly do you need to know?
48:18
>> Speaker C: Literally everything. You know
48:20
everything.
48:21
>> Speaker A: I can start with where. The fact.
48:24
>> Speaker C: Where's the factory? Oh, the best way to sneak
48:27
around. You should know that because you know, you're.
48:31
Don't you want to avoid Madame Yang? You would know. You should
48:33
know all this.
48:34
>> Speaker A: You don't really get a whole lot of opportunity to sneak around
48:37
when you're under her control.
48:39
>> Speaker C: What do you mean? She just,
48:42
like, changed.
48:43
>> Speaker A: Certified us.
48:44
>> Speaker C: Certified you?
48:45
>> Speaker A: Yeah. Intimidate.
48:46
>> Speaker C: Certifies you how?
48:48
>> Speaker A: Like, explain the room with the
48:50
crystals.
48:51
>> Speaker C: What are you talking about?
48:52
>> Speaker A: I don't know.
48:53
>> Speaker C: Do you have words? Use them.
48:58
>> Speaker A: Was put into a trance or something. She does it
49:01
with all of her employees. That's why. That's
49:04
why they do whatever she says. Can I roll with trick to
49:07
try and get him to just come with us?
49:11
yeah, you can. You can try to trick. Okay, I roll with creates.
49:14
You had to tell me. Like, what? What are you saying to him to
49:17
trick him into this? Okay, how about this? We'll just.
49:20
We'll all go see. We can't
49:23
see. Huh? We're not great with directions. You know, north
49:26
side, left, right. You know, it's. It's just. It
49:29
just doesn't work with us. You guys need a map, huh? yeah, we're gonna need a map. But
49:32
you know what? You know, what might be best is like, you
49:35
know, it probably has been a while since you've been there, right? So
49:37
we're gonna. Let's just go to the factory.
49:40
To the factory. Let's go to the factory. You don't gotta come in, okay? Just, when
49:43
we get there, tell us how
49:46
to get in, and you tell us how to get
49:49
in, and then you can leave. Okay?
49:52
Roll. Roll with creativity. Seven on a seven
49:55
and nine, you get to pick one of the options. They over commit, and
49:57
they are deceived for some time. Okay, so you're telling
50:00
him he doesn't even have to come inside? He doesn't have to
50:03
go inside. You just come with us to the factory and show
50:06
us the door that best suits us. For going in. That's all
50:09
you gotta do. He looks like he's a little bit. Don't
50:12
you want distraught? For sure? And he says, don't you
50:15
want revenge against Madame Yang? Not particularly.
50:18
But to be up to him to help
50:21
rock here, even if you helped, it would only give him a
50:24
plus one, which wouldn't put him over the edge or anything. I was mean.
50:26
More help in the narrative. Oh, yeah. Ah, sure. Go
50:29
ahead. I walk up and kneel down by him and put my hand on his
50:32
shoulder and go, hey, gonna hit me in the head again? You saw
50:35
how I defended my friends here today. That
50:38
guy over there. Yeah? The guy with the name tag. Hit once.
50:41
Yeah. Just spotless. Yeah.
50:44
He didn't get hit once. Yeah.
50:47
I give you my word. My
50:50
family's name. What's that? Is that you?
50:54
What's that?
50:57
Just from the back? What is your last
50:59
name? It's Guru Tabika.
51:03
I give you the word of my father's name,
51:06
Beekeem, and say his name. I swear on the name of,
51:09
my father's name, Jasper Burtney, that you
51:12
will have no harm come to you.
51:15
I actually really like to
51:17
think that at the name Jasper
51:20
Burtney, this kid actually
51:23
might recognize that. And he
51:26
goes, your dad is
51:29
Jasper Burtney? Yeah.
51:31
Okay. Okay. All right.
51:34
I'll. I'll, go with you guys, but
51:38
I wanna. I wanna go home to the Fire
51:40
nation afterwards. That's fine.
51:43
I won't go, and I don't want to go in the. I don't want to go in the
51:46
factory. You don't have to. We'll get recertified,
51:49
and I don't want. Fine. Okay. That's part that would
51:52
mean you would get hurt, and I want you to get hurt. What if we can convince them
51:55
to get dental? I can get dental at the orphanages
51:58
in the fire nation. Sure. They have
52:01
m. Great. They've got great dental plans. Great.
52:06
Fire nation orphanages are all the rage.
52:09
Every kid wishes their parents would die, so
52:11
they're
52:16
just abandon them. Oh, yeah, yeah, yeah.
52:19
Is that worse? Maybe every teenager.
52:23
Awesome. Okay, so he agrees to
52:26
essentially take you to the outskirts,
52:29
that overlook the factory. And he's
52:32
going to kind of show or
52:35
point out whatever he can once you guys get
52:37
there. Guru tupiq steps forward and he says.
52:40
>> Speaker B: As thanks for what you've done for me and to
52:43
help you in the, remainder of your journey, I
52:46
have two things for you. Firstly,
52:49
there is a cart and a couple ostrich horses in the
52:52
stable out back. I use it to head
52:55
into town when I'm in need of food and other
52:57
supplies. But you are more than welcome to take it and
53:00
chase down that dreadful woman. The
53:03
second is this.
53:04
>> Speaker A: He holds out an air bison
53:07
whistle.
53:09
>> Speaker B: And he says, last night, I
53:12
had a vision, a vision of a place
53:14
far from here, covered in ice and snow.
53:18
I could sense that it will be your next
53:21
destination. Ocarina
53:24
may have neglected the possibility of the time crunch you'd
53:27
find yourselves in during this treasure
53:29
hunt, so this will ensure that you have the
53:32
fastest possible route to your next destination.
53:35
This whistle will, call out to my good friend Mochi,
53:38
my air bison companion.
53:41
He has been with me for a long time,
53:44
ever since he was a child. He doesn't
53:47
have a whole lot of strength left in him, but
53:50
he should be able to get you four to your next
53:53
destination in quick time.
53:56
So when you're ready, just blow the whistle, and he'll be
53:59
there to fly you across the land.
54:01
>> Speaker C: Thanks.
54:03
>> Speaker B: Yes, of course. You're all
54:06
very welcome.
54:08
>> Speaker A: see ya later.
54:11
This guy I pointed to me,
54:14
I like how imagine, though. He, like, we walk to the side,
54:17
and he immediately just starts yelling. I know. Like. Like, we start
54:20
walking, and I'm just like, that guy.
54:22
He's the worst fighter I've ever seen. He
54:25
gives it. He's in for the. He's in the fray for two minutes.
54:28
And my voice, just like tricks. Yeah. He trails as you guys walk. He's in
54:31
the fight for two minutes, and he just.
54:37
And that's the last thing guru tapiq hears from
54:39
broccoli. Yeah. as you guys go
54:42
to the back of the air temple, you pick up the cart and get the
54:45
ostrich horses strapped to it. And you start to ride
54:48
off the very same path that, probably less than an hour ago,
54:51
broccoli watched Madame Yang drift off
54:54
down. You guys head out with this hot leaf juice
54:57
kid to the hot leaf
54:59
juice factory in hopes of finding Madame
55:02
Yang. And with that close out episode six.