Latest / Luke's English Podcast / 901. Sherlock Holmes_ The Adventure of The Speckled Band (Learn English with a Short Story)(M4A_128K)

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901. Sherlock Holmes_ The Adventure of The Speckled Band (Learn English with a Short Story)(M4A_128K) · Luke's English Podcast

• 0:00
  Speaker 1: Hello listeners, Welcome back to Luke's English podcast. How are
• 0:02
  Speaker 1: you doing. I hope you're doing fine today. Now in
• 0:05
  Speaker 1: this episode, it's story time again. I'm going to read
• 0:07
  Speaker 1: you a story, so this will be your chance, hopefully
• 0:11
  Speaker 1: to understand and enjoy a story in English. There's a
• 0:14
  Speaker 1: PDF for this one which you can download either from
• 0:17
  Speaker 1: my website on the episode page for this episode, or
• 0:20
  Speaker 1: you can download it directly using the link that you
• 0:23
  Speaker 1: will find in the description of this episode in your
• 0:26
  Speaker 1: podcast app that you're using, or on YouTube if you're
• 0:29
  Speaker 1: watching there. Okay, so check out the PDF if you'd
• 0:33
  Speaker 1: like to be able to read the story that you're
• 0:35
  Speaker 1: listening to me read to you in this episode. Okay.
• 0:40
  Speaker 1: In fact, we're going to start looking at the PDF
• 0:42
  Speaker 1: right now, so let me go to that. Here we go, right, So,
• 0:47
  Speaker 1: this episode is called The Adventure of the Speckled Band
• 0:52
  Speaker 1: by Sir Arthur Conan Doyle. Here are some things I
• 0:55
  Speaker 1: should say first before I start reading out the story
• 0:57
  Speaker 1: to you. First of all, the English that you'll hear,
• 1:01
  Speaker 1: so this is fairly complex, old fashioned English. This story
• 1:05
  Speaker 1: was published in eighteen ninety two, and so the English
• 1:08
  Speaker 1: is pretty old fashioned compared to today's English. The main
• 1:12
  Speaker 1: difference is that everything seems more formal in style Victorian society,
• 1:17
  Speaker 1: which is, you know, this story was written in the
• 1:21
  Speaker 1: Victorian era. Victorian society was generally a lot more formal
• 1:25
  Speaker 1: than ours is today, and this is reflected in the language,
• 1:29
  Speaker 1: with its long, complex sentences and vocabulary. But overall, it's
• 1:34
  Speaker 1: not too different to the English we use today. It's
• 1:36
  Speaker 1: not like Shakespeare, for example, which is very difficult for
• 1:40
  Speaker 1: most people to understand fully these days. I think the
• 1:45
  Speaker 1: vast majority of the vocabulary used here is still applicable today,
• 1:48
  Speaker 1: and in fact, a lot of it is beautiful and
• 1:52
  Speaker 1: descriptive language, which I find very enjoyable to read and
• 1:55
  Speaker 1: hopefully you will find enjoyable to listen to. But I
• 1:58
  Speaker 1: understand that it might be difficult to understand. Hopefully my quick
• 2:03
  Speaker 1: explanations and synonyms and things will help you understand everything
• 2:09
  Speaker 1: and will help you convert the more old fashioned language
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  Speaker 1: into more contemporary English. So let's begin right now. If
• 2:16
  Speaker 1: you feel you're getting lost at any point, don't worry.
• 2:19
  Speaker 1: Just keep listening and I will clarify things for you
• 2:22
  Speaker 1: regularly as you listen. Can you solve the mystery? Okay?
• 2:28
  Speaker 1: Can you solve the mystery, listen to the evidence and
• 2:30
  Speaker 1: descriptions and try to work out who committed the crime, why,
• 2:35
  Speaker 1: and crucially how they did it. And then just you
• 2:39
  Speaker 1: can just marvel at the way Sherlock Holmes almost perfectly
• 2:44
  Speaker 1: solves this case. So let's go back in time to
• 2:47
  Speaker 1: London at the end of the nineteenth century for a
• 2:49
  Speaker 1: Gothic mystery. Now, remember just a reminder for those of
• 2:54
  Speaker 1: you who maybe aren't so familiar with the with Sherlock Holmes.
• 2:59
  Speaker 1: So Charlocke Holmes is a professional private detective with a
• 3:02
  Speaker 1: particular set of skills. He's a very very observant man.
• 3:07
  Speaker 1: He notices everything, and he's able to use logic and
• 3:11
  Speaker 1: deductive reasoning to understand things deeply and solve problems which
• 3:16
  Speaker 1: other people can't. When we talk about deductive reasoning, deducing
• 3:21
  Speaker 1: things and being deductive, it means basically looking at looking
• 3:28
  Speaker 1: at evidence, seeing things, and then making conclusions based on
• 3:33
  Speaker 1: what you can see. So those conclusions that you make
• 3:36
  Speaker 1: based on the things you can see, these are called deductions,
• 3:38
  Speaker 1: and these help you. These deductions are when you work
• 3:42
  Speaker 1: out something that you can't actually see, something that you
• 3:45
  Speaker 1: don't know, but you work it out from the evidence.
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  Speaker 1: For example, I don't know what it would be like.
• 3:51
  Speaker 1: For example, I don't know, just thinking of an example.
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  Speaker 1: So you come home from work and you go into
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  Speaker 1: your living room and you see that a newspaper has
• 4:01
  Speaker 1: been completely ripped to pieces, that there's pieces of newspaper
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  Speaker 1: all over the living room. It's just been this newspaper
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  Speaker 1: has been ripped to shreds. And you see your dog
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  Speaker 1: sitting in the middle of the room with bits of
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  Speaker 1: newspaper sticking out of its mouth and with a guilty
• 4:19
  Speaker 1: look on its face. Now, obviously you don't need to
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  Speaker 1: be Sherlock Holmes to work out what has happened here,
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  Speaker 1: But nevertheless, you could deduce that your dog basically has
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  Speaker 1: ripped this newspaper to pieces while you were not there.
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  Speaker 1: The dog was having a wonderful time playing with his
• 4:34
  Speaker 1: newspaper and decided to rip it to shreds in your absence.
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  Speaker 1: So that's obviously you know you didn't see the dog
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  Speaker 1: doing it, but you can just see the evidence in
• 4:42
  Speaker 1: front of you and you basically work out what has happened.
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  Speaker 1: That is a basic form of deductive reasoning, Although what
• 4:49
  Speaker 1: Sherlock Holmes does is a lot more sophisticated than that.
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  Speaker 1: You know, he notices all sorts of little clues and
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  Speaker 1: is able to put them together very brilli alliantly. This
• 5:00
  Speaker 1: is one of the great things about Sherlock Holmes. So
• 5:04
  Speaker 1: he lives at two to one B Baker Street in
• 5:07
  Speaker 1: London with his companion, doctor John Watson. Watson accompanies homes
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  Speaker 1: on his investigations and writes accounts of what happens each time.
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  Speaker 1: These accounts of what have happened, These descriptions are what
• 5:21
  Speaker 1: we read in these short stories. So the story is
• 5:25
  Speaker 1: narrated by Watson. Okay, all right then, so let's let's begin.
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  Speaker 1: The story is called the Adventure of the Speckled Band.
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  Speaker 1: This is actually a crucial detail the Speckled Band. Now,
• 5:39
  Speaker 1: a band has two meanings. One meaning of band is
• 5:44
  Speaker 1: a group of people, like a group of musicians could
• 5:48
  Speaker 1: be called a band, but really a group of people,
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  Speaker 1: maybe a group of soldiers or another group of people
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  Speaker 1: sometimes that could be referred to as a band. That's
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  Speaker 1: one meaning of the word band. Another meaning of the
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  Speaker 1: word band would be like a kind of a strip
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  Speaker 1: of fabric, like maybe a headband. You know, you see
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  Speaker 1: people when they do sports, like if you know, people
• 6:07
  Speaker 1: who play tennis sometimes would wear a headband around their
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  Speaker 1: head and it absorbs sweat and stops the sweat dripping
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  Speaker 1: down into their eyes. That's a headband for tennis players,
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  Speaker 1: for example. But a band, yes, can be a strip
• 6:20
  Speaker 1: of fabric like that. That's another meaning of the word band,
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  Speaker 1: And that double meaning does kind of come into the story.
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  Speaker 1: A little bit speckled refers to a sort of pattern,
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  Speaker 1: let's say, like a design. Speckled would be a design
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  Speaker 1: which has lots of little spots on it. For example,
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  Speaker 1: lots of little spots could be described as speckled, like
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  Speaker 1: certain birds eggs. Certain birds eggs, not chicken eggs. Chicken
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  Speaker 1: eggs are normally just white or kind of a tan
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  Speaker 1: brown reddish brown color. But some bird eggs are speckled.
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  Speaker 1: They've got little sort of speckled spots on them or something.
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  Speaker 1: So the speckle band, what does that mean? That's part
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  Speaker 1: of the mystery, really what the speckled band actually is,
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  Speaker 1: And you'll find out as the story progresses. So, okay,
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  Speaker 1: it's time to start the story. These are the words
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  Speaker 1: of John Watson. Then, and here we go on glancing
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  Speaker 1: over my notes of the seventy odd cases in which
• 7:18
  Speaker 1: I have, during the last eight years studied the methods
• 7:21
  Speaker 1: of my friend Sherlock Holmes. I find many tragic, some comic,
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  Speaker 1: a large number merely strange, but none commonplace For working
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  Speaker 1: as he did rather for the love of his art
• 7:34
  Speaker 1: than for the acquirement of wealth. He refused to associate
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  Speaker 1: himself with any investigation which did not tend towards the
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  Speaker 1: unusual and even the fantastic. Of all these varied cases, however,
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  Speaker 1: I cannot recall any which presented more singular features than
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  Speaker 1: that which was associated with the well known Surrey family
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  Speaker 1: of the Roylets of Stoke, Moran. The events in question
• 8:01
  Speaker 1: occurred in the early days of my association with Homes,
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  Speaker 1: when we were sharing rooms as bachelors in Baker Street.
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  Speaker 1: It is possible that I might have placed them upon
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  Speaker 1: record before, but a promise of secrecy was made at
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  Speaker 1: the time, from which I have only been freed during
• 8:18
  Speaker 1: the last month by the untimely death of the lady
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  Speaker 1: to whom the pledge was given. It is perhaps as
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  Speaker 1: well that the facts should now come to light, for
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  Speaker 1: I have reasons to know that there are widespread rumors
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  Speaker 1: as to the death of mister grimesby Roylet which tend
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  Speaker 1: to make the matter even more terrible than the truth. Okay,
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  Speaker 1: so I'm actually going to pause here already. It's lovely,
• 8:43
  Speaker 1: isn't it lovely writing? But let me just explain what
• 8:47
  Speaker 1: we've had. So Watson is talking about when he is
• 8:50
  Speaker 1: glancing over the notes of the seventy odd cases which
• 8:54
  Speaker 1: he has during the last eight years studied. So he's
• 8:57
  Speaker 1: looking at all of his notes, and there are about
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  Speaker 1: seventy different cases which he has written down while studying
• 9:07
  Speaker 1: the methods of Sherlock Holmes. And looking at all of
• 9:10
  Speaker 1: these cases, he notices that many of them are tragic,
• 9:14
  Speaker 1: some of them are comic, meaning kind of funny. A
• 9:17
  Speaker 1: large number are merely strange, just odd, just bizarre, strange.
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  Speaker 1: But none of them are commonplace, so commonplace meaning just
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  Speaker 1: usual or the sort of thing that often happens, So
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  Speaker 1: they're all all of them are unusual. So none of
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  Speaker 1: them are commonplace commonplace meaning usual or common four meaning
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  Speaker 1: because working as he did rather for the love of
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  Speaker 1: his art. So the fact that Charlock Holmes works for
• 9:46
  Speaker 1: the love of the work, the love of his art
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  Speaker 1: in this case, because he does that, he tends to
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  Speaker 1: accept cases because they're interesting rather than because they pay well.
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  Speaker 1: And as a result, most of the cases that Sherlock
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  Speaker 1: Holmes works on are particularly interesting ones. He's attracted to
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  Speaker 1: the interesting, strange, bizarre, unusual cases. And yet of all
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  Speaker 1: of these cases, all of these seventy cases, Watson can't remember.
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  Speaker 1: He can't recall any which were more singular than this one.
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  Speaker 1: Singular meaning basically unique. So this one is really unique
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  Speaker 1: compared to the other ones. And this is a story
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  Speaker 1: associated with the well known Surrey family of the Roylets
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  Speaker 1: of Stoke Moran. So this story features a family based
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  Speaker 1: in Surrey called the Roylets of this town called Stoke Moran.
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  Speaker 1: It's a made up town, it doesn't actually exist. The
• 10:50
  Speaker 1: Roylets would be a sort of a noble family from
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  Speaker 1: this part of southeast England. The events in question occurred
• 10:59
  Speaker 1: in the early days of my association with Holmes. So
• 11:02
  Speaker 1: Watson is saying that this story is from the early days,
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  Speaker 1: and he hasn't published it before because he had to
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  Speaker 1: keep it secret. But the woman who he promised this
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  Speaker 1: oath of secrecy to she has died, and so now
• 11:17
  Speaker 1: he's able to publish the story. And also he thinks
• 11:21
  Speaker 1: is important because there were lots of rumors about one
• 11:24
  Speaker 1: of the main characters in the story, rumors which are
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  Speaker 1: kind of strange and not true, and so he thinks
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  Speaker 1: it's time to publish this story in order to actually
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  Speaker 1: reveal finally the truth of what happened to this man.
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  Speaker 1: Dr grimesby Roylet okay, let's continue. So it was early
• 11:41
  Speaker 1: in April in the year eighty three that I woke
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  Speaker 1: one morning to find Sherlock Holmes standing fully dressed by
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  Speaker 1: the side of my bed. He was a late riser
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  Speaker 1: as a rule, and as the clock on the mantelpiece
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  Speaker 1: showed me that it was only a quarter past seven,
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  Speaker 1: I blinked up at him in some surprise and perhaps
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  Speaker 1: just a little resentment, for I was myself regular in
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  Speaker 1: my habits. Very sorry to knock you up, Watson said he,
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  Speaker 1: but it's the common lot this morning. Missus Hudson has
• 12:10
  Speaker 1: been knocked up, she retorted upon me, and I on you.
• 12:16
  Speaker 1: What is it then? A fire? No, a client. It
• 12:21
  Speaker 1: seems that a young lady has arrived in a considerable
• 12:24
  Speaker 1: state of excitement, who insists, upon seeing me she is
• 12:28
  Speaker 1: waiting now in the sitting room. Now when young ladies
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  Speaker 1: wander about the metropolis at this hour of the morning
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  Speaker 1: and knock sleepy people up out of their beds. I
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  Speaker 1: presume that it is something very pressing which they have
• 12:42
  Speaker 1: to communicate. Should it prove to be an interesting case,
• 12:46
  Speaker 1: you would, I am sure, wish to follow it from
• 12:48
  Speaker 1: the outset. I thought, at any rate that I should
• 12:51
  Speaker 1: call you and give you the chance, My dear fellow,
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  Speaker 1: I would not miss it for anything, said Watson. I
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  Speaker 1: had no keener pleasure than in following homes in his
• 13:02
  Speaker 1: professional investigations, and in admiring the rapid deductions, as swift
• 13:07
  Speaker 1: as intuitions, and yet always founded on a logical basis
• 13:11
  Speaker 1: with which he unraveled the problems which were submitted to him.
• 13:16
  Speaker 1: So let's pause again and just clarify all that. So
• 13:20
  Speaker 1: this starts basically with it's early April, so the beginning
• 13:24
  Speaker 1: of spring. One morning, early Watson wakes up and Sherlock
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  Speaker 1: Holmes is standing fully dressed by the side of his bed. Okay,
• 13:35
  Speaker 1: and Watson's like thinking, what what's going on? Because Watson
• 13:40
  Speaker 1: is a late riser someone who gets up late. As
• 13:43
  Speaker 1: a rule, generally speaking, he's a late riser. He tends
• 13:47
  Speaker 1: to get up late, and the clock on the mantelpiece.
• 13:51
  Speaker 1: He looked at the clock and it showed that it
• 13:52
  Speaker 1: was only quarter past seven in the morning. So Watson
• 13:56
  Speaker 1: was a bit surprised and maybe a bit annoyed, like,
• 13:59
  Speaker 1: you know, what is it, Holmes. He's annoyed because he
• 14:03
  Speaker 1: was regular in his habits, meaning that he, you know,
• 14:08
  Speaker 1: normally liked to get up at the same time every day,
• 14:11
  Speaker 1: no doubt later than this early time. Watson says, I'm
• 14:16
  Speaker 1: very sorry to wake you up. He says, I'm sorry,
• 14:18
  Speaker 1: very sorry to knock you up, which is a phrasal
• 14:20
  Speaker 1: verb that we don't really use anymore. We would say
• 14:24
  Speaker 1: wake you up, sorry to wake you up, Watson. Right
• 14:28
  Speaker 1: in the story, it's knock you up. We do have
• 14:31
  Speaker 1: a phrasal verb which is to knock someone up, but
• 14:33
  Speaker 1: these days it's a kind of very informal phrase which
• 14:36
  Speaker 1: means to make someone pregnant, to get someone pregnant. It's
• 14:40
  Speaker 1: a slightly rude sounding phrase, you know, it's not a
• 14:44
  Speaker 1: not very polite sounding Fraser verb. You know, get to
• 14:49
  Speaker 1: be knocked up means to be you know, to be pregnant.
• 14:52
  Speaker 1: But that's not how it's used here. So here it's
• 14:55
  Speaker 1: I mean, thankfully, I don't think Sherlock Holmes made Watson pregnant.
• 14:59
  Speaker 1: If that's the case, then there's like a whole other
• 15:01
  Speaker 1: subtext which I wasn't aware of. Although well, anyway, so
• 15:06
  Speaker 1: very sorry to wake you up, Watson, but it's the
• 15:08
  Speaker 1: common lot this morning. So Missus Hudson got woken up
• 15:12
  Speaker 1: by the visitor. Missus Hudson woke up Sherlock Holmes, and
• 15:16
  Speaker 1: Sherlock Holmes has gone to Watson to wake him up,
• 15:19
  Speaker 1: and he reveals that it's a client and it looks
• 15:21
  Speaker 1: like it's an interesting case. So he wanted to know
• 15:23
  Speaker 1: if Watson was interested in, you know, finding out the story,
• 15:27
  Speaker 1: and Watson says, yes, absolutely, of course, I love following
• 15:31
  Speaker 1: Sherlock Holmes's cases, and so on. Right, let's move on.
• 15:35
  Speaker 1: So again, remember my focus here is on getting through
• 15:40
  Speaker 1: the story. There are lots and lots of details, lots
• 15:43
  Speaker 1: of vocab pieces of vocab, which I could be dealing
• 15:47
  Speaker 1: with more in a more detailed way, but I'm choosing
• 15:50
  Speaker 1: not to, And I'm just hoping that my general summaries
• 15:54
  Speaker 1: are helping you follow the story. If you want to
• 15:56
  Speaker 1: look up specific words, be my guest you can find
• 15:59
  Speaker 1: the pdf. You can check the words and phrases in
• 16:02
  Speaker 1: a decent online dictionary Collins Dictionary dot com, Oxford Learner's Dictionaries,
• 16:07
  Speaker 1: Dictionaries dot Cambridge dot org, and so on and so forth. Okay,
• 16:12
  Speaker 1: but we're focusing on story here first and foremost, so
• 16:16
  Speaker 1: let's continue. I rapidly threw on my clothes and was
• 16:19
  Speaker 1: ready in a few minutes to accompany my friend down
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  Speaker 1: to the sitting room. A lady dressed in black and
• 16:26
  Speaker 1: heavily veiled, who'd been sitting in the window rose as
• 16:29
  Speaker 1: we entered. So she's heavily veiled, which means she's got
• 16:33
  Speaker 1: a veil over her face. This is something that covers
• 16:36
  Speaker 1: women used to wear veils. Of course, some women still do, right.
• 16:42
  Speaker 1: It's associated sort of with some religious sort of communities,
• 16:47
  Speaker 1: right as we know. But this kind of veil, it's
• 16:49
  Speaker 1: kind of like a made of a fabric that you
• 16:53
  Speaker 1: can see through it, but when it's worn close over
• 16:57
  Speaker 1: someone's face, you can't really see their face, you know.
• 17:01
  Speaker 1: In weddings, in traditional wedding dresses might have a veil
• 17:06
  Speaker 1: as well that the woman would wear while she's walking
• 17:09
  Speaker 1: down the aisle. This would be a white veil. The
• 17:11
  Speaker 1: veil gets lifted during the wedding ceremony. Right, so that's
• 17:16
  Speaker 1: a veil. So this lady is dressed in black and
• 17:19
  Speaker 1: she's got a veil over her face. She's been sitting
• 17:24
  Speaker 1: in the window. This woman rose as we entered. She
• 17:27
  Speaker 1: stood up as we entered the room. Good morning, madam,
• 17:30
  Speaker 1: said Holmes cheerily. My name is Sherlock Holmes. This is
• 17:34
  Speaker 1: my intimate friend and associate, doctor Watson, before whom you
• 17:38
  Speaker 1: can speak as freely as before myself. Ha. I'm glad
• 17:42
  Speaker 1: to see that missus Hudson has had the good sense
• 17:45
  Speaker 1: to light the fire. Pray, draw up to it, and
• 17:48
  Speaker 1: I shall order you a cup of hot coffee. For
• 17:50
  Speaker 1: I observe that you are shivering. It is not cold,
• 17:54
  Speaker 1: which makes me shiver, said the woman, in a low voice,
• 17:57
  Speaker 1: changing her seat, as requested. Well what then it is fear,
• 18:02
  Speaker 1: mister Holmes, it is terror. She raised her veil as
• 18:07
  Speaker 1: she spoke, and we could see that she was indeed
• 18:10
  Speaker 1: in a pitiable state of agitation, her face all drawn
• 18:14
  Speaker 1: and gray, with restless, frightened eyes like those of some
• 18:18
  Speaker 1: hunted animal. Her features and figure were those of a
• 18:22
  Speaker 1: woman of thirty, but her hair was shot with premature
• 18:26
  Speaker 1: gray and her expression was weary and haggard. Okay, so
• 18:31
  Speaker 1: the woman wearing the veil, Holmes is very cheerful, but she,
• 18:36
  Speaker 1: in contrast, is not, and she seems to be in
• 18:39
  Speaker 1: a very upset state. She's shivering, which means shaking when
• 18:46
  Speaker 1: your body shakes. Normally we shiver when we are cold,
• 18:49
  Speaker 1: but this woman is shivering because she's terrified. Okay, she
• 18:55
  Speaker 1: removes the veil. She raises the veil, and we can
• 18:57
  Speaker 1: see that she is in a pitiable state of anaeation, pitiable
• 19:01
  Speaker 1: meaning a very sorry state, a very bad bad condition,
• 19:08
  Speaker 1: probably bad mental state, where she's in a lot of fear.
• 19:13
  Speaker 1: She has frightened eyes, like some kind of hunted animal.
• 19:17
  Speaker 1: She you know, she looks basically like a woman of thirty,
• 19:23
  Speaker 1: but her hair is going gray, and the expression on
• 19:26
  Speaker 1: her face looks weary, like, very tired and haggard like exhausted.
• 19:31
  Speaker 1: You know, you're the way you might look if you've
• 19:34
  Speaker 1: just been through some horrible, horrible experience. You would look tired,
• 19:37
  Speaker 1: but you'd look haggard like, kind of very tired and
• 19:43
  Speaker 1: extremely kind of extremely sort of stressed and badly affected
• 19:51
  Speaker 1: by what's been happening. Let's continue. Sherlock Holmes ran her
• 19:56
  Speaker 1: over with one of his quick, all comprehensive glances, so
• 20:00
  Speaker 1: he kind of gave her a quick look. You must
• 20:04
  Speaker 1: not fear, said said he, soothingly, bending forward and patting
• 20:08
  Speaker 1: her forearm. We shall soon set matters right. I have
• 20:12
  Speaker 1: no doubt you have come in by train this morning.
• 20:15
  Speaker 1: I see you know me then no, but I observed
• 20:20
  Speaker 1: the second half of a return ticket in the palm
• 20:22
  Speaker 1: of your left glove. You must have started early, and
• 20:26
  Speaker 1: yet you had a good drive in a dog cart
• 20:28
  Speaker 1: along heavy roads before you reached the station. The lady
• 20:33
  Speaker 1: gave a violent start and stared in bewilderment at my companion.
• 20:40
  Speaker 1: She can't believe what he's just said. Ah, there is
• 20:45
  Speaker 1: no mystery, my dear madam, said he smiling. The left
• 20:48
  Speaker 1: arm of your jacket is spattered with mud in no
• 20:51
  Speaker 1: less than seven places. The marks are perfectly fresh. There
• 20:56
  Speaker 1: is no vehicle save a dog cart, which throws up
• 20:59
  Speaker 1: mud in the way, and then only when you sit
• 21:02
  Speaker 1: on the left hand side of the driver. Whatever your
• 21:05
  Speaker 1: reasons may be, you are perfectly correct, said she. I
• 21:10
  Speaker 1: started from home before six, reached Leatherhead at twenty past
• 21:14
  Speaker 1: and came in by the first train to Waterloo. Sir,
• 21:18
  Speaker 1: I can stand this strain no longer. I shall go
• 21:21
  Speaker 1: mad if it continues. I have no one to turn to,
• 21:25
  Speaker 1: none save only one who cares for me, and he,
• 21:29
  Speaker 1: poor fellow, can be of little aid. Okay, So Holmes
• 21:34
  Speaker 1: does a bit of his deductive reasoning. He works out
• 21:37
  Speaker 1: that she's come in early this morning on a train,
• 21:41
  Speaker 1: and that she also had a trip on a dog
• 21:45
  Speaker 1: cart that's a small wooden cart that would have been
• 21:49
  Speaker 1: pulled by a horse through the countryside. She's surprised that
• 21:56
  Speaker 1: he knows all these things, and he says, it's pretty easy. Look,
• 21:59
  Speaker 1: you've got half a train ticket in your hand, and
• 22:02
  Speaker 1: you've been splattered by mud on your left arm. I
• 22:07
  Speaker 1: think it is. And the only way that you could
• 22:12
  Speaker 1: be spattered with mud in that way would be is
• 22:14
  Speaker 1: if you had been traveling in a dog cart, one
• 22:17
  Speaker 1: of these small carts. Dog carts are the only sorts
• 22:20
  Speaker 1: of vehicle that throw up mud in that way. So anyway,
• 22:24
  Speaker 1: he's already worked out, you know, like a lot about
• 22:27
  Speaker 1: the journey that she's had that morning, and she confirms
• 22:31
  Speaker 1: it by telling him that she came from Leatherhead, which
• 22:34
  Speaker 1: is a town, you know, outside London. Let's continue. I
• 22:41
  Speaker 1: have heard of you, mister Holmes. I have heard of
• 22:43
  Speaker 1: you from Missus Farintosh, whom you helped in the hour
• 22:46
  Speaker 1: of her sore need. It was from her that I
• 22:49
  Speaker 1: had your address. Oh, sir, do you not think that
• 22:52
  Speaker 1: you could help me too? And at least throw a
• 22:55
  Speaker 1: little light through the dense darkness which surrounds me. At
• 22:59
  Speaker 1: present it is out of my power to reward you
• 23:01
  Speaker 1: for your services. But in a month or six weeks
• 23:04
  Speaker 1: I shall be married, with the control of my own income,
• 23:08
  Speaker 1: and then at least you shall not find me ungrateful.
• 23:12
  Speaker 1: Holmes turned to his desk and, unlocking it, drew out
• 23:16
  Speaker 1: a small case book which he consulted. M Farinosh said,
• 23:21
  Speaker 1: he ah, yes, I recall the case. It was concerned
• 23:25
  Speaker 1: with an Opal Tiara. I think it was before your time, Watson.
• 23:30
  Speaker 1: I can only say, madam, that I shall be happy
• 23:32
  Speaker 1: to devote the same care to your case as I
• 23:35
  Speaker 1: did to that of your friend. As to reward, my
• 23:38
  Speaker 1: profession is its own reward. But you are at liberty
• 23:42
  Speaker 1: to defray whatever expenses I may be put to at
• 23:45
  Speaker 1: the time which suits you best. So this woman, she
• 23:51
  Speaker 1: knows about Holmes from a friend of hers who also
• 23:54
  Speaker 1: used Holmes's services to solve some other case which involved
• 23:59
  Speaker 1: an opal tiara, some sort of you know jewelry that
• 24:04
  Speaker 1: you wear on the head, that women wear on their head,
• 24:09
  Speaker 1: right sort of thing a princess would wear, or someone
• 24:12
  Speaker 1: in a ball gown would wear, like a little it's
• 24:14
  Speaker 1: kind of like a little crown that just goes, just
• 24:18
  Speaker 1: goes around the front, and girls might wear one on
• 24:22
  Speaker 1: their head, and it might they might have jewels in them.
• 24:26
  Speaker 1: So I suppose homes maybe help to find this stolen
• 24:31
  Speaker 1: piece of jewelry or something for the woman's friend, Missus Farintosh.
• 24:36
  Speaker 1: And the woman who's visited Holmes says that she's unable
• 24:41
  Speaker 1: to what is it? She's unable to pay. It's out
• 24:47
  Speaker 1: of she says, it's out of my power to reward
• 24:49
  Speaker 1: you for your services. But in a month or six
• 24:51
  Speaker 1: weeks I shall be married, so and then I'll have
• 24:54
  Speaker 1: the control of my own income. So she says she
• 24:57
  Speaker 1: can't pay him now, but when she's married later on,
• 25:00
  Speaker 1: she will have control of her own money. She'll be
• 25:02
  Speaker 1: able to do it then, And Holmes says, don't worry.
• 25:05
  Speaker 1: The work itself is the payment that I look for.
• 25:11
  Speaker 1: But when it's convenient for you, you can just pay my expenses.
• 25:16
  Speaker 1: That's probably the money that he's going to spend to
• 25:19
  Speaker 1: track if there's any traveling involved, or any other money
• 25:22
  Speaker 1: which Homes spends while covering this case. Okay, let's continue,
• 25:30
  Speaker 1: Holmes says, And now I beg that you will lay
• 25:32
  Speaker 1: be before us everything that may help us in forming
• 25:35
  Speaker 1: an opinion upon the matter. So this is the bit
• 25:38
  Speaker 1: where the client explains what's happened. So these are important
• 25:44
  Speaker 1: parts of the story. This is the backstory, Alas replied
• 25:48
  Speaker 1: our visitor. The very horror of my situation lies in
• 25:51
  Speaker 1: the fact that my fears are so vague, and my
• 25:54
  Speaker 1: suspicions depend so entirely upon small points which might seem
• 25:58
  Speaker 1: trivial to another, that even he to whom of all
• 26:02
  Speaker 1: others I have a right to look for help and advice,
• 26:05
  Speaker 1: looks upon all that I tell him about it as
• 26:07
  Speaker 1: the fancies of a nervous woman. So basically, she's saying,
• 26:12
  Speaker 1: all the information she has is very vague, she doesn't
• 26:15
  Speaker 1: understand the situation. It's all based on very small pieces
• 26:19
  Speaker 1: of information that she doesn't really understand. And when she
• 26:21
  Speaker 1: talks to this other person, who I am assuming is
• 26:24
  Speaker 1: her fiance, the man she's engaged to be married to.
• 26:27
  Speaker 1: When she tries to talk to him about it, he
• 26:30
  Speaker 1: just he doesn't it doesn't take it seriously, which is
• 26:35
  Speaker 1: a pity. He does not say so, but I can
• 26:39
  Speaker 1: read it from his soothing answers and averted eyes. But
• 26:43
  Speaker 1: I've heard, mister Holmes, that you can see deeply into
• 26:46
  Speaker 1: the manifold wickedness of the human heart. You may advise
• 26:50
  Speaker 1: me how to walk amid the dangers which encompass me.
• 26:53
  Speaker 1: I am all attention, madam. Okay, let's continue. My name
• 26:59
  Speaker 1: is Helen Stone, and I'm living with my stepfather, who
• 27:02
  Speaker 1: is the last survivor of one of the oldest Saxon
• 27:05
  Speaker 1: families in England, the Roylets of Stoke, Moran on the
• 27:09
  Speaker 1: western border of Surrey. Holmes nodded his head. The name
• 27:14
  Speaker 1: is familiar to me, he said. The family was at
• 27:18
  Speaker 1: one time among the richest in England, and the estates
• 27:22
  Speaker 1: extended over the borders into Berkshire in the north and
• 27:26
  Speaker 1: Hampshire in the west. In the last century, however, four
• 27:30
  Speaker 1: successive heirs were of a dissolute and wasteful disposition, and
• 27:34
  Speaker 1: the family ruin was eventually completed by a gambler in
• 27:39
  Speaker 1: the days of the regency. Nothing was left save a
• 27:42
  Speaker 1: few acres of ground and the two hundred year old house,
• 27:46
  Speaker 1: which is itself crushed under a heavy mortgage. The last
• 27:50
  Speaker 1: squire dragged out his existence there, living the horrible life
• 27:54
  Speaker 1: of an aristocratic pauper, but his only son, my stepfather,
• 28:00
  Speaker 1: that he must adapt himself to the new conditions, obtained
• 28:03
  Speaker 1: an advance from a relative which enabled him to take
• 28:06
  Speaker 1: a medical degree, and went out to Calcutta, where, by
• 28:11
  Speaker 1: his professional skill and his force of character, he established
• 28:15
  Speaker 1: a large practice. So I think I need to stop
• 28:18
  Speaker 1: and explain here. So basically, this woman, Helen Stoner, she
• 28:26
  Speaker 1: is part of this family. In fact, it's her stepfather's
• 28:31
  Speaker 1: family stepfather. That means her mother married, so it's not
• 28:36
  Speaker 1: her natural biological father, but it's her mother's husband. Right.
• 28:44
  Speaker 1: So let's say the mother had Helen with another man.
• 28:50
  Speaker 1: She was probably previously married to him, something may have
• 28:53
  Speaker 1: happened to him, and then she ended up getting married
• 28:56
  Speaker 1: to this other person, and this is Helen's stepfather, And
• 29:00
  Speaker 1: Helen's stepfather is the head of this family. In fact,
• 29:06
  Speaker 1: he's the only surviving member of this old family. Is
• 29:11
  Speaker 1: it the oldest the oldest Saxon family in England. The
• 29:16
  Speaker 1: Saxons were a tribe of people who traveled to England
• 29:21
  Speaker 1: from is it like Denmark, Germany? Right? Okay, and settled
• 29:27
  Speaker 1: in England. So this is like, this is a very
• 29:31
  Speaker 1: very old aristocratic family. Okay, the Roylets of Stoke, Moran
• 29:36
  Speaker 1: on the western border of Surrey down in southeast England.
• 29:40
  Speaker 1: So her stepfather, yes, is the last remaining member of
• 29:45
  Speaker 1: this family line, okay. Helen describes how the family used
• 29:51
  Speaker 1: to be rich, but over four successive generations, the wealth
• 29:58
  Speaker 1: of the family has been lost, I guess by the
• 30:01
  Speaker 1: heads of each generation, the main male heir of each
• 30:06
  Speaker 1: generation not managing the estate very well. The estate that
• 30:10
  Speaker 1: refers to the land and all of the money that
• 30:12
  Speaker 1: the family owns. And as a result, the state of
• 30:19
  Speaker 1: this family has gone really bad. All the money's gone. Previously,
• 30:26
  Speaker 1: the family owned a lot of land which stretched into
• 30:29
  Speaker 1: other counties. All that land is gone and the only
• 30:33
  Speaker 1: thing that the family has left is two hundred acres
• 30:36
  Speaker 1: of land. So that's kind of like a very big
• 30:38
  Speaker 1: garden and the house itself one of these old stately homes.
• 30:44
  Speaker 1: This is a bit like Downton Abbey, you can think
• 30:46
  Speaker 1: of it like that, but Downton Abbey in really bad condition,
• 30:51
  Speaker 1: where the head of the house, Lord Crawley. In this case,
• 30:55
  Speaker 1: his name is what's his name again, Royler is you know,
• 31:04
  Speaker 1: he's the only one left, and the house is in disrepair.
• 31:10
  Speaker 1: There's also a heavy mortgage on the house. A mortgage
• 31:12
  Speaker 1: that means basically a bank loan, so a debt okay,
• 31:20
  Speaker 1: So the house has beat is crushed under a mortgage,
• 31:22
  Speaker 1: which means that that a lot of money was borrowed
• 31:27
  Speaker 1: against the house, so there's no money, there's no cash
• 31:31
  Speaker 1: the house. The family is poor, even though they're an
• 31:34
  Speaker 1: aristocratic family, they're very poor. And it's really the male
• 31:38
  Speaker 1: heir of this that seems that's in charge of this.
• 31:41
  Speaker 1: His name is yeah, his name is Roylett, and Roylett's
• 31:46
  Speaker 1: father lived the life of an aristocratic pauper. A pauper
• 31:52
  Speaker 1: is someone who's poor with no money. But then Roylet,
• 31:55
  Speaker 1: the stepfather, decided that he had to adapt himself to
• 31:59
  Speaker 1: these cos and he borrowed money from a member of
• 32:02
  Speaker 1: the family and used it to get a medical degree.
• 32:05
  Speaker 1: He trained to become a doctor, and he went to
• 32:07
  Speaker 1: Calcutta in India, traveled to India. This is during the
• 32:10
  Speaker 1: time of the British occupation of India. So he went
• 32:14
  Speaker 1: and lived in India and established a medical practice there.
• 32:18
  Speaker 1: So he worked in India as a doctor, and with
• 32:21
  Speaker 1: his professional skill and force of character, he set up
• 32:25
  Speaker 1: a medical practice in India. Right, so let's continue. In
• 32:28
  Speaker 1: a fit of anger is the next line. In a
• 32:31
  Speaker 1: fit of anger, however, caused by some robberies which had
• 32:37
  Speaker 1: been perpetrated in the house, he beat his native butler
• 32:41
  Speaker 1: to death and narrowly escaped to capital sentence. As it was,
• 32:46
  Speaker 1: he suffered a long term of imprisonment and afterwards returned
• 32:49
  Speaker 1: to England a morose and disappointed man. So, while he
• 32:54
  Speaker 1: was in India, roilet the stepfather in a moment of anger,
• 33:01
  Speaker 1: because he's a very angry man. In a moment of
• 33:05
  Speaker 1: anger which was caused by some robberies in the house.
• 33:09
  Speaker 1: So some people have been stealing things from his house.
• 33:12
  Speaker 1: In a fit of anger, he attacked his Indian butler.
• 33:17
  Speaker 1: A butler is a person who sort of serves the
• 33:21
  Speaker 1: head of the house. You can imagine him in a
• 33:24
  Speaker 1: black suit holding a tray. You know, and visiting the
• 33:29
  Speaker 1: man of the house and saying, you know, would you
• 33:31
  Speaker 1: like me to serve tea sir? You know that sort
• 33:34
  Speaker 1: of thing a butler does the head of the servants
• 33:38
  Speaker 1: in the house. So the stepfather attacked his Indian butler
• 33:43
  Speaker 1: and beat him to death and killed him over this
• 33:47
  Speaker 1: problem with the robberies in the house, which is you know, terrible.
• 33:50
  Speaker 1: This stepfather seems like an absolute monster. He narrowly escaped
• 33:56
  Speaker 1: a capital sentence. A capital sentence would be the death senter.
• 34:00
  Speaker 1: So he only just avoided being killed for this murder
• 34:03
  Speaker 1: as a punishment. But he did suffer a long term
• 34:07
  Speaker 1: of imprisonment. So he spent a long time in jail,
• 34:09
  Speaker 1: in prison, and after that he returned to England, and
• 34:14
  Speaker 1: he was a morose and disappointed man. Morose means in
• 34:18
  Speaker 1: a bad mood, very moody, very angry, unhappy and disappointed
• 34:25
  Speaker 1: because of all of these experiences. Let's continue when doctor Roylett.
• 34:30
  Speaker 1: This is still Helen, the stepdaughter, describing the story. When
• 34:34
  Speaker 1: doctor Roylett was in India, he married my mother, Missus Stoner,
• 34:38
  Speaker 1: the young widow of Major General Stoner of the Bengal Artillery.
• 34:43
  Speaker 1: My sister Julia and I were twins and we were
• 34:47
  Speaker 1: only two years old at the time of my mother's remarriage.
• 34:51
  Speaker 1: She had a considerable sum of money, not less than
• 34:54
  Speaker 1: one thousand pounds a year, and this she bequeathed to
• 34:58
  Speaker 1: doctor Roylet entirely while we resided with him, with a
• 35:02
  Speaker 1: provision that a certain annual sum should be allowed to
• 35:05
  Speaker 1: each of us in the event of our marriage. All right,
• 35:09
  Speaker 1: So Helen the one telling the story. Her mum was
• 35:14
  Speaker 1: married to this military man, Major General Stoner. I guess
• 35:21
  Speaker 1: something happened to him and he died and she ended
• 35:23
  Speaker 1: up remarrying, and she married doctor Roylett. Okay, and this
• 35:28
  Speaker 1: is when Helen and her twin sister, So there's a
• 35:32
  Speaker 1: twin sister, Julia. Helen and Julia were two years old
• 35:36
  Speaker 1: when the marriage happened, and the girls had a lot
• 35:41
  Speaker 1: of money. They had one thousand pounds a year, which
• 35:43
  Speaker 1: is a lot of money in those days. No, sorry,
• 35:47
  Speaker 1: the mum, the girl's mum, had a lot of money
• 35:50
  Speaker 1: and she bequeathed it to doctor Roylett. She gave she
• 35:54
  Speaker 1: promised to give it all to him while while they
• 36:01
  Speaker 1: lived with him. Part of the arrangement of her giving
• 36:07
  Speaker 1: him the money was that some of that money would
• 36:11
  Speaker 1: be given to each of the girls if they got married. Okay,
• 36:16
  Speaker 1: so she gave him all the money. Dr Royleert all
• 36:19
  Speaker 1: the money, but if one of the two daughters gets married,
• 36:22
  Speaker 1: they would have the right to take a lot of
• 36:24
  Speaker 1: that money away. Okay, all right, let's continue. Shortly after
• 36:30
  Speaker 1: our return to England, my mother died. She was killed
• 36:34
  Speaker 1: eight years ago in a railway accident near Crewe. Dr
• 36:39
  Speaker 1: Roylett then abandoned his attempts to establish himself in practice
• 36:43
  Speaker 1: in London and took us to live with him in
• 36:45
  Speaker 1: the old ancestral house at Stoke, Moran. The money which
• 36:49
  Speaker 1: my mother had left was enough for all our wants,
• 36:52
  Speaker 1: and there seemed to be no obstacle to our happiness.
• 36:56
  Speaker 1: But a terrible change came over our stepfather about this time.
• 37:00
  Speaker 1: Instead of making friends and exchanging visits with our neighbors,
• 37:04
  Speaker 1: who had at first enjoyed to see a roylet of
• 37:07
  Speaker 1: Stoke Moran back in the old family seat, he shut
• 37:10
  Speaker 1: himself up in his house and seldom came out, save
• 37:13
  Speaker 1: to indulge in ferocious quarrels with whoever might cross his path. Okay,
• 37:20
  Speaker 1: so they moved to England. The mother unfortunately died in
• 37:24
  Speaker 1: a railway accident, and at that point doctor Roylet and
• 37:28
  Speaker 1: the two daughters lived together, and doctor Roylett decided he
• 37:33
  Speaker 1: would give up trying to establish himself and he just
• 37:36
  Speaker 1: lived in the house with the girls, and they all
• 37:40
  Speaker 1: lived on the money that the girls had inherited from
• 37:42
  Speaker 1: their mother. So at this point doctor Roylet and the
• 37:45
  Speaker 1: two girls are living on the inheritance from the mother.
• 37:48
  Speaker 1: At this point something changed in him. In the doctor
• 37:53
  Speaker 1: as well, he'd stayed in the house all the time.
• 37:56
  Speaker 1: He shut himself up. He seldom came out, so he
• 37:59
  Speaker 1: rarely came out save to indulge in quarrels. So the
• 38:03
  Speaker 1: only time he came out was to have big arguments,
• 38:08
  Speaker 1: very angry arguments with anyone with whoever might cross his path,
• 38:13
  Speaker 1: whoever he met. The only reason he go outside would
• 38:16
  Speaker 1: be to get involved in some angry, aggressive argument with someone.
• 38:22
  Speaker 1: So he's very angry and violent man. Violence of temper
• 38:26
  Speaker 1: approaching to mania has been hereditary in the men of
• 38:29
  Speaker 1: the family, and in my stepfather's case it had, I believe,
• 38:33
  Speaker 1: been intensified by his long residence in the tropics. A
• 38:37
  Speaker 1: series of disgraceful brawls took place, two of which ended
• 38:41
  Speaker 1: in the police court, until at last he became the
• 38:44
  Speaker 1: terror of the village and the folks would fly at
• 38:47
  Speaker 1: his approach, for he is a man of immense strength
• 38:50
  Speaker 1: and absolutely uncontrollable in his anger. So the guy sounds
• 38:54
  Speaker 1: like he's totally out of control. He's got major anger
• 38:58
  Speaker 1: management issues, and he's been involved in several brawls, several
• 39:05
  Speaker 1: physical fights with other people which ended in him going
• 39:11
  Speaker 1: to the police station. And he finally has become the
• 39:15
  Speaker 1: terror of the village. Everyone in the village is afraid
• 39:17
  Speaker 1: of him. People would escape when he approached. He's a
• 39:22
  Speaker 1: man of immense strength, he's completely out of control and
• 39:25
  Speaker 1: totally angry all the time. All right, he's a nightmare.
• 39:29
  Speaker 1: But this is certainly a very suspicious character. Anyway, let's continue.
• 39:35
  Speaker 1: Last week, he hurled the local blacksmith over a parapet
• 39:38
  Speaker 1: into a stream. And it was only by paying over
• 39:41
  Speaker 1: all the money which I could gather together that I
• 39:44
  Speaker 1: was able to avert another public exposure. So he actually
• 39:47
  Speaker 1: threw a man at the blacksmith, guy who works with metal.
• 39:51
  Speaker 1: He threw this man over a over a balcony or
• 39:55
  Speaker 1: over a wall into a stream into a river. He
• 39:59
  Speaker 1: threw a man into a ri and Helen had to
• 40:04
  Speaker 1: pay a lot of money to try and avoid this
• 40:06
  Speaker 1: becoming a big public exposure. He had no friends at
• 40:11
  Speaker 1: all save the wandering Gypsies, and he would give these
• 40:14
  Speaker 1: vagabonds leave to encamp upon a few acres of bramble
• 40:18
  Speaker 1: covered land which represent the family estate, and would accept
• 40:22
  Speaker 1: in return the hospitality of their tents, wandering away with them,
• 40:26
  Speaker 1: sometimes for weeks on end. So doctor Roylet has no
• 40:31
  Speaker 1: friends except for a group of gypsies. Gypsies are traveling people, right,
• 40:39
  Speaker 1: It's like a whole culture. We have gypsies in the UK,
• 40:44
  Speaker 1: and yeah, these are people who travel. They don't actually
• 40:47
  Speaker 1: have any fixed place to live, but they move from
• 40:50
  Speaker 1: place to place. And Gypsies are often sort of people
• 40:59
  Speaker 1: often have for a negative opinions of Gypsies, you know,
• 41:05
  Speaker 1: because of the way that they live, and they're often
• 41:09
  Speaker 1: considered to be trouble and people don't trust them. That's
• 41:13
  Speaker 1: that's the kind of stereotype. That's the way that gypsies
• 41:17
  Speaker 1: are often treated. And I suppose at this time in particular,
• 41:19
  Speaker 1: it would have been certainly the case that Gypsies are
• 41:22
  Speaker 1: often looked upon with suspicion because people maybe are threatened
• 41:29
  Speaker 1: by them because they, you know, their lifestyle, and they
• 41:31
  Speaker 1: are concerned that they might commit crime. They kind of
• 41:35
  Speaker 1: live outside of society in a ways, and that makes
• 41:37
  Speaker 1: them kind of a little bit of a threat, it
• 41:40
  Speaker 1: seems to most people's ordinary way of life, and they
• 41:44
  Speaker 1: might be associated with like crime and stuff. You might
• 41:49
  Speaker 1: have seen the film Snatch Brad Pitt. It's a it's
• 41:55
  Speaker 1: a guy Ritchie film with Brad Pitt and Jason and
• 41:59
  Speaker 1: Jason Statham it. In that film, Brad Pitt plays an
• 42:02
  Speaker 1: Irish gypsy, and if you've seen the film, you can
• 42:05
  Speaker 1: see the way that gypsies have represented the you know,
• 42:08
  Speaker 1: the traveling lifestyle, the kind of relationship they have with
• 42:11
  Speaker 1: the rest of society anyway. So doctor Roylett is only
• 42:16
  Speaker 1: friends with a group of traveling gypsies. He lets them
• 42:19
  Speaker 1: stay on his land, and in fact often they return
• 42:23
  Speaker 1: the favor by welcoming him in to their community, and
• 42:26
  Speaker 1: he often goes and travels away with them for several
• 42:29
  Speaker 1: weeks at a time. So he's kind of like only
• 42:33
  Speaker 1: friends with these gypsies who are often living on his land. Continuing,
• 42:38
  Speaker 1: he also has a passion for Indian animals, which are
• 42:42
  Speaker 1: sent over to him by a correspondent, And he has
• 42:45
  Speaker 1: at this moment a cheetah and a baboon, which wander
• 42:49
  Speaker 1: freely over his grounds and are feared by the villagers
• 42:52
  Speaker 1: almost as much as their master. Okay, so as doctor
• 42:59
  Speaker 1: Roylett also owns some Indian animals, a cheetah and a baboon. Now,
• 43:06
  Speaker 1: cheetahs used to be I understand, used to be native
• 43:09
  Speaker 1: to India. We associate them normally with like the plains
• 43:14
  Speaker 1: of Africa. Right, Cheetahs are big cats, the fastest animal
• 43:19
  Speaker 1: on the land. That's a cheatah, very fast, big cat.
• 43:24
  Speaker 1: I think they used to be in India as well,
• 43:26
  Speaker 1: not sure these days. And so he's got a cheetah.
• 43:30
  Speaker 1: He's also got a baboon. A baboon is a type
• 43:33
  Speaker 1: of monkey, right, although as far as I'm aware, they
• 43:41
  Speaker 1: don't have baboons in India. I think baboons are baboons
• 43:49
  Speaker 1: can be found elsewhere anyway, It's a type of monkey.
• 43:55
  Speaker 1: And he lets these animals just wander freely on his grounds,
• 43:59
  Speaker 1: meaning on the land around the house, and everyone in
• 44:03
  Speaker 1: the village is terrified of these animals, as you would understand,
• 44:06
  Speaker 1: as you can imagine, they're almost as terrified of the
• 44:09
  Speaker 1: animals as they are of Doctor Royler himself, who is
• 44:12
  Speaker 1: even more of a monster. Not that these animals are monsters,
• 44:16
  Speaker 1: but I'm sure that they could be very scary. Right
• 44:19
  Speaker 1: if you're living in an English village and there's a
• 44:21
  Speaker 1: cheetah running around or a baboon in the tree, and
• 44:25
  Speaker 1: you know, baboons can be very frightening. They're very strong
• 44:29
  Speaker 1: and very wild. Now let's continue. You can imagine from
• 44:33
  Speaker 1: what I say that my poor sister Julia and I
• 44:36
  Speaker 1: had no great pleasure in our lives. No servant would
• 44:39
  Speaker 1: stay with us, and for a long time we did
• 44:42
  Speaker 1: all the work of the house. She was but thirty
• 44:45
  Speaker 1: at the time of her death, and yet her hair
• 44:48
  Speaker 1: had already begun to whiten, even as mine has. Your
• 44:52
  Speaker 1: sister is dead. Then, she died just two years ago,
• 44:57
  Speaker 1: and it's of her death that I wish to speak
• 44:59
  Speaker 1: to you. You can understand that living the life which
• 45:02
  Speaker 1: I have described, we were little likely to see anyone
• 45:05
  Speaker 1: of our own age and position. We had, however, an aunt,
• 45:10
  Speaker 1: my mother's maiden sister, Miss Honorea Westphale, who lives near Harrow,
• 45:15
  Speaker 1: and we were occasionally allowed to pay short visits to
• 45:18
  Speaker 1: this lady's house. Julia went there at Christmas two years
• 45:23
  Speaker 1: ago and met there a half pay major of Marines,
• 45:27
  Speaker 1: to whom she became engaged. My stepfather learned of the
• 45:31
  Speaker 1: engagement when my sister returned, and offered no objection to
• 45:35
  Speaker 1: the marriage. But within a fortnight of the day which
• 45:38
  Speaker 1: had been fixed for the wedding, the terrible event occurred,
• 45:42
  Speaker 1: which has deprived me of my only companion. All right,
• 45:46
  Speaker 1: So Helen and her sister lived a miserable life, very
• 45:50
  Speaker 1: very fearful life. She described how Julia, even though she
• 45:57
  Speaker 1: was only in her thirties, hair had already begun to
• 46:00
  Speaker 1: go white, just like Helen's has. Julia died two years ago.
• 46:05
  Speaker 1: Before she died, she went to visit an aunt in
• 46:10
  Speaker 1: another part of the country at Christmas or something, and
• 46:13
  Speaker 1: when she was there she met a man, this major again,
• 46:17
  Speaker 1: another army man, and she became engaged to marry him.
• 46:23
  Speaker 1: The stepfather, doctor Roylet, did not oppose it, so he
• 46:28
  Speaker 1: accepted it. But within a fortnight of the day which
• 46:36
  Speaker 1: had been fixed for the wedding, so about two weeks
• 46:39
  Speaker 1: before the wedding day. This terrible event happened which led
• 46:44
  Speaker 1: to Julia being killed, depriving Helen of her only companion.
• 46:51
  Speaker 1: Let's continue, Sherlock Holmes had been leaning back in his
• 46:54
  Speaker 1: chair with his eyes closed and his head sunk in
• 46:57
  Speaker 1: a cushion. But he half opened his lids now and
• 47:00
  Speaker 1: glanced across at his visitor. Pray be precise as to
• 47:05
  Speaker 1: the details, said he. It is easy for me to
• 47:09
  Speaker 1: be so, for every event of that dreadful time is
• 47:13
  Speaker 1: seared into my memory. The manor house is, as I
• 47:17
  Speaker 1: have already said, very old, and only one wing is
• 47:20
  Speaker 1: now inhabited. The bedrooms in this wing are on the
• 47:24
  Speaker 1: ground floor, the sitting rooms being in the central block
• 47:27
  Speaker 1: of the buildings. Of these bedrooms, the first is doctor Roylet's,
• 47:32
  Speaker 1: the second my sister's, and the third my own. There
• 47:36
  Speaker 1: is no communication between them, but they all open out
• 47:40
  Speaker 1: into the same corridor. Do I make myself plain? Perfectly? So,
• 47:44
  Speaker 1: said Holmes. The windows of the three rooms open out
• 47:49
  Speaker 1: upon the lawn. That fatal night, Doctor Roylet had gone
• 47:53
  Speaker 1: to his room early, though we knew that he had
• 47:55
  Speaker 1: not retired to rest, for my sister was troubled by
• 47:58
  Speaker 1: the smell of the strong Indian cigars, which it was
• 48:01
  Speaker 1: his custom to smoke. She left her room therefore, and
• 48:05
  Speaker 1: came into mine, where she sat for some time, chatting
• 48:09
  Speaker 1: about her approaching wedding. At eleven o'clock she rose to
• 48:13
  Speaker 1: leave me, but she paused at the door and looked back.
• 48:17
  Speaker 1: Tell me, Helen, she said, have you ever heard anyone
• 48:21
  Speaker 1: whistle in the dead of the night? Whistle? Whistle? Have
• 48:29
  Speaker 1: you ever heard anyone whistle in the dead of the night?
• 48:32
  Speaker 1: Never said I. I suppose that you could not possibly
• 48:36
  Speaker 1: whistle yourself in your sleep, But certainly not. But why,
• 48:41
  Speaker 1: Because during the last few nights I have always, about
• 48:45
  Speaker 1: three in the morning, heard a low, clear whistle. I
• 48:49
  Speaker 1: am a light sleeper, and it has awakened me. I
• 48:53
  Speaker 1: cannot tell where it came from, perhaps from the next room,
• 48:56
  Speaker 1: perhaps from the lawn. I thought that I would ask
• 48:59
  Speaker 1: you whether you'd heard it. No, I have not. It
• 49:03
  Speaker 1: must be those wretched gypsies in the plantation, very likely.
• 49:08
  Speaker 1: And yet if it were on the lawn, I wondered
• 49:11
  Speaker 1: that you did not hear it? Also, Ah, but I
• 49:14
  Speaker 1: sleep more heavily than you. Well, it is of no
• 49:17
  Speaker 1: great consequence at any rate. She smiled back at me,
• 49:21
  Speaker 1: closed my door, and a few minutes later I heard
• 49:23
  Speaker 1: her key turn in the lock. Indeed, said Holmes, was
• 49:29
  Speaker 1: it your custom always to lock yourselves in at night? Always?
• 49:34
  Speaker 1: And why I think that I mentioned to you that
• 49:38
  Speaker 1: the doctor kept a cheetah and a baboon. We had
• 49:41
  Speaker 1: no feeling of security unless our doors were locked. Quite so,
• 49:46
  Speaker 1: pray proceed with your statement, right, So I need to
• 49:50
  Speaker 1: go back and just explain some of this stuff. So
• 49:54
  Speaker 1: Helen describes the details. She describes the ha it's very old.
• 50:03
  Speaker 1: These old houses are separating, separated into wings, just like
• 50:08
  Speaker 1: the White House in Washington, d C. In the USA.
• 50:10
  Speaker 1: You got the west wing and the different wings of
• 50:13
  Speaker 1: the house different sections. So this old house, I guess
• 50:17
  Speaker 1: there's the central part of the house, the main center
• 50:20
  Speaker 1: of the house, and then I think there are two
• 50:22
  Speaker 1: wings on this house. One of the as we'll discover
• 50:26
  Speaker 1: later in the story, one of those wings is in
• 50:28
  Speaker 1: a bad is in bad condition, and no one uses it.
• 50:33
  Speaker 1: The other wing of the house, though, is where the
• 50:35
  Speaker 1: bedrooms are, and they're on the ground floor, and there
• 50:38
  Speaker 1: are three bedrooms. So from the central part of the house,
• 50:42
  Speaker 1: the first bedroom is Dr Roylett's bedroom. The second one
• 50:47
  Speaker 1: was Julia's bedroom and the third one is Helen's bedroom.
• 50:52
  Speaker 1: She said, there's no communication between the rooms, so there
• 50:56
  Speaker 1: are no doors that lead from one room to the next. Okay,
• 51:00
  Speaker 1: the only but they but but the rooms all do
• 51:03
  Speaker 1: open out onto one shared corridor. So there's one corridor.
• 51:09
  Speaker 1: The rooms all open out onto that corridor. But other
• 51:12
  Speaker 1: than those doors, there are no doors that communicate the
• 51:15
  Speaker 1: three rooms together. And on the other side there are
• 51:19
  Speaker 1: those rooms have windows, and there's the lawn, the grass,
• 51:23
  Speaker 1: the garden. Okay, so you can imagine one of those rooms,
• 51:27
  Speaker 1: any one of those rooms would have a door that
• 51:28
  Speaker 1: leads into the corridor, and then on the other side
• 51:33
  Speaker 1: of the room would be a window out onto the grass,
• 51:36
  Speaker 1: onto the garden, right and yeah, doctor Roylett's room, then
• 51:42
  Speaker 1: Julia's room, then Helen's room, right, Okay, Okay, the windows
• 51:48
  Speaker 1: open out into the out onto the lawn. Now, one
• 51:52
  Speaker 1: night that the night that Julia died, they knew that
• 51:55
  Speaker 1: doctor Roylett had gone to his room, but he was
• 51:57
  Speaker 1: still awake because they because Julia could smell the smell
• 52:00
  Speaker 1: of him smoking in his room. She didn't like the smell,
• 52:06
  Speaker 1: so she came and visited Helen in the next room,
• 52:08
  Speaker 1: and they sat and talked until about eleven pm, and
• 52:12
  Speaker 1: just before Juliet left, she turned to Helen and said
• 52:16
  Speaker 1: something kind of strange. She said, have you ever heard
• 52:19
  Speaker 1: a whistling sound in the night in the middle of
• 52:22
  Speaker 1: the night, which is a bit creepy? And Helen says, no,
• 52:27
  Speaker 1: I've never heard that, And Julia saying, I don't know
• 52:30
  Speaker 1: where it comes from. It could come from the next room,
• 52:34
  Speaker 1: meaning doctor Roylett's room, or it could come from the
• 52:37
  Speaker 1: garden the lawn. But if it came from the garden,
• 52:41
  Speaker 1: then I would imagine that Helen, you would hear it too,
• 52:44
  Speaker 1: And Helen, but Helen sleeps more deeply than Julia, so
• 52:48
  Speaker 1: maybe she wouldn't. But anyway, Julia's the kind of thing,
• 52:51
  Speaker 1: what is this mysterious whistling sound that I've been hearing
• 52:54
  Speaker 1: in the middle of the night, And why doesn't why
• 52:56
  Speaker 1: doesn't Helen also hear the sound? Where's that sound coming from?
• 53:00
  Speaker 1: It's a bit of a mysterious thing. And they kind
• 53:03
  Speaker 1: of they assume that it's the gypsies that are on
• 53:07
  Speaker 1: the plantation somewhere, that maybe one of the gypsies is
• 53:10
  Speaker 1: wandering around whistling or something. Like that, but it's a
• 53:14
  Speaker 1: bit a bit creepy. Yeah. And when Julia went back
• 53:19
  Speaker 1: to her room, she locked Helen's door and locked her
• 53:23
  Speaker 1: own door. And the reason they used to lock the
• 53:25
  Speaker 1: doors was because of these wild animals that were roaming around,
• 53:29
  Speaker 1: and they felt a lot more secure with the doors locked.
• 53:34
  Speaker 1: And that's the important detail. Julia's door was locked from
• 53:37
  Speaker 1: the inside, so we continue. I could not sleep that night.
• 53:42
  Speaker 1: A vague feeling of impending misfortune impressed me. My sister
• 53:47
  Speaker 1: and I you will recollect, were twins. And you know
• 53:50
  Speaker 1: how subtle are the links which bind two souls which
• 53:54
  Speaker 1: are so closely allied. So they're twins, they feel very close.
• 53:58
  Speaker 1: She knows how you know, twins are often very very close.
• 54:04
  Speaker 1: And Helen couldn't sleep that night. She had this feeling
• 54:08
  Speaker 1: that something bad was going to happen, a feeling of
• 54:10
  Speaker 1: impending misfortune, a feeling of bad luck that was coming.
• 54:16
  Speaker 1: It was a wild night. The wind was howling outside,
• 54:23
  Speaker 1: and the rain was beating and splashing against the windows. Suddenly,
• 54:27
  Speaker 1: amid all the hubbub of the gale, in the middle
• 54:31
  Speaker 1: of this loud noise of all of this storm outside,
• 54:35
  Speaker 1: there burst forth the wild scream of a terrified woman.
• 54:41
  Speaker 1: I knew that it was my sister's voice, So in
• 54:44
  Speaker 1: the middle of this storm, she suddenly hears this incredible scream. Ah.
• 54:51
  Speaker 1: I sprang from my bed, wrapped a shawl around me,
• 54:54
  Speaker 1: and rushed into the corridor. As I opened my door,
• 54:58
  Speaker 1: I seemed to hear a low whistle such as my
• 55:01
  Speaker 1: sister described, and a few moments later, a clanging sound clang,
• 55:07
  Speaker 1: as if a mass of metal had fallen. As I
• 55:11
  Speaker 1: ran down the passage, my sister's door was unlocked and
• 55:15
  Speaker 1: revolved slowly upon its hinges. So she's run out into
• 55:20
  Speaker 1: the corridor in order to work out to find out
• 55:23
  Speaker 1: what the screen was, to check on her sister, and
• 55:28
  Speaker 1: she hears that strange whistle. She also hears the sound
• 55:31
  Speaker 1: of something metal, as if something metal, heavy metal has
• 55:35
  Speaker 1: fallen or something. She goes into the passage. Her sister's
• 55:40
  Speaker 1: door is unlocked and it swings open slowly upon its hinges.
• 55:49
  Speaker 1: The door swings open, and Helen continues. I stared at it,
• 55:55
  Speaker 1: horror stricken like that, not knowing what was about to
• 56:01
  Speaker 1: issue from it. So she stared at the doorway. She
• 56:04
  Speaker 1: didn't know what was going to come out by the
• 56:07
  Speaker 1: light of the corridor lamp. I saw my sister appear
• 56:11
  Speaker 1: at the opening. Her face blanched with terror, her hands
• 56:16
  Speaker 1: groping for help. Her whole figure swayed to and fro
• 56:21
  Speaker 1: like that like that of a drunkard. So her sister
• 56:25
  Speaker 1: emerged in the doorway. Her face is white with terror,
• 56:30
  Speaker 1: her hands are trying to grab for something to help her.
• 56:35
  Speaker 1: Her whole body is swaying to and fro, swaying from
• 56:38
  Speaker 1: side to side, like as if she's totally drunk. I
• 56:42
  Speaker 1: ran to her and threw my arms around her, but
• 56:45
  Speaker 1: at that moment her knees seemed to give way and
• 56:48
  Speaker 1: she fell to the ground. She writhed as one who
• 56:52
  Speaker 1: is in terrible pain, and her limbs were dreadfully convulsed.
• 56:56
  Speaker 1: At first I thought that she had not recognized me,
• 56:59
  Speaker 1: but as I bent over her, she suddenly shrieked out
• 57:02
  Speaker 1: in a voice which I shall never forget. Oh my god, Helen,
• 57:06
  Speaker 1: it was the band, the Speckled band. So Helen runs
• 57:13
  Speaker 1: to her sister, grabs her in her arms, and at
• 57:17
  Speaker 1: that moment, Julia's legs give way. She falls to the
• 57:23
  Speaker 1: ground and writhes like she's in terrible pain. Her body
• 57:26
  Speaker 1: is twisting, and her limbs were dreadfully convulsed. So she's
• 57:30
  Speaker 1: twisting and shaking uncontrollably, and suddenly she screams in a
• 57:39
  Speaker 1: horrible voice. She screams, Oh, my god, Helen, it was
• 57:41
  Speaker 1: the band, the speckled band. Helen continues, there was something
• 57:48
  Speaker 1: else which she would fain have said, and she stabbed
• 57:52
  Speaker 1: with her finger into the air in the direction of
• 57:54
  Speaker 1: the doctor's room. But a fresh convulsion seized her and
• 57:58
  Speaker 1: choked her words. So Julia wanted to say something else,
• 58:01
  Speaker 1: but she couldn't manage to do it. She just managed
• 58:03
  Speaker 1: to point up in the air towards the doctor's room,
• 58:10
  Speaker 1: and then suddenly she couldn't speak. I rushed out, calling
• 58:16
  Speaker 1: loudly for my stepfather, and I met him hastening from
• 58:19
  Speaker 1: his room in his dressing gown. So she saw him
• 58:22
  Speaker 1: rushing from his room in his dressing gown. When he
• 58:26
  Speaker 1: reached my sister's side, she was unconscious, and though he
• 58:29
  Speaker 1: poured brandy down her throat and sent for medical aid
• 58:33
  Speaker 1: from the village, all efforts were in vain, for she
• 58:36
  Speaker 1: slowly sank and died without having recovered her consciousness. Such
• 58:41
  Speaker 1: was the dreadful end of my beloved sister, so she
• 58:46
  Speaker 1: called for the stepfather. He came rushing out. He tried
• 58:49
  Speaker 1: to revive her. He poured brandy down her throat, which,
• 58:52
  Speaker 1: of course was the solution to all problems in Victorian England.
• 58:57
  Speaker 1: Just give you know what's the ma at her? You know,
• 59:02
  Speaker 1: just give them brandy. It's like the perfect medicine to
• 59:05
  Speaker 1: solve all problems. But even brandy didn't help. Brandy's a
• 59:10
  Speaker 1: form of alcoholic, strong alcoholic drink, and so despite all
• 59:16
  Speaker 1: the efforts to help her, she she lost consciousness. She
• 59:22
  Speaker 1: never recovered consciousness, and she died. It's sad. One moment
• 59:29
  Speaker 1: said Holmes, are you sure about this whistle and metallic sound?
• 59:33
  Speaker 1: Could you swear to it? You know? Are you absolutely certain?
• 59:39
  Speaker 1: Would you promise that you'd heard this? That was what
• 59:44
  Speaker 1: the county coroner asked me at the inquiry. It is
• 59:47
  Speaker 1: my strong impression that I heard it, And yet among
• 59:50
  Speaker 1: the crash of the gale and the creaking of an
• 59:53
  Speaker 1: old house, I may possibly have been deceived. Was your
• 59:57
  Speaker 1: sister dressed? No, she was in her night. In her
• 1:00:01
  Speaker 1: right hand was found the charred stump of a match,
• 1:00:04
  Speaker 1: and in her left a match box, showing that she
• 1:00:08
  Speaker 1: had struck a light and looked about her when the
• 1:00:10
  Speaker 1: alarm took place. That is important, and what conclusions did
• 1:00:14
  Speaker 1: the coroner come to. He investigated the case with great
• 1:00:17
  Speaker 1: care for doctor Roylett's conduct had long been notorious in
• 1:00:21
  Speaker 1: the county, but he was unable to find any satisfactory
• 1:00:24
  Speaker 1: cause of death. Okay, So Julia was not dressed. She
• 1:00:32
  Speaker 1: was still in her night dress. Right that she slept
• 1:00:36
  Speaker 1: in in her right hand was the charred remains of
• 1:00:40
  Speaker 1: a match and a match box in her other hand.
• 1:00:43
  Speaker 1: So she struck a match to get light in the
• 1:00:46
  Speaker 1: room and looked about her when this had happened, right, Okay.
• 1:00:56
  Speaker 1: The coroner, that's the person who examines the body, investigated
• 1:01:03
  Speaker 1: maybe the first person to investigate the case. He said
• 1:01:06
  Speaker 1: he couldn't find any satisfactory cause of death. So the
• 1:01:09
  Speaker 1: coroner didn't know what caused Julia's death. Julie Helen says,
• 1:01:17
  Speaker 1: my evidence showed that the door had been fastened upon
• 1:01:20
  Speaker 1: the inner side, so it had been locked from the inside,
• 1:01:24
  Speaker 1: and the windows were blocked by old fashioned shutters with
• 1:01:27
  Speaker 1: broad iron bars, which were secured every night. The walls
• 1:01:32
  Speaker 1: were carefully sounded and were shown to be quite solid.
• 1:01:35
  Speaker 1: All round, and the flooring was also thoroughly examined with
• 1:01:38
  Speaker 1: the same result. So Helen is saying that, you know,
• 1:01:42
  Speaker 1: when the room was examined, they noticed it had been
• 1:01:45
  Speaker 1: locked from the inside. The windows were blocked by old
• 1:01:48
  Speaker 1: fashioned shutters. These are things that cover the windows with
• 1:01:53
  Speaker 1: broad iron bars, so strong metal bars that covered the windows,
• 1:01:58
  Speaker 1: and these things were cured, meaning closed every single night.
• 1:02:02
  Speaker 1: The walls were carefully sounded, so the walls were checked
• 1:02:08
  Speaker 1: like that and were found to be solid everywhere. And
• 1:02:11
  Speaker 1: the flooring was also examined with the same results. So
• 1:02:14
  Speaker 1: there are no secret doors, no secret trap doors or anything.
• 1:02:19
  Speaker 1: The chimney this is where you would have a fire.
• 1:02:21
  Speaker 1: The fire the smoke goes up the chimney, so the
• 1:02:24
  Speaker 1: fireplace in the chimney. The chimney is wide, but it's
• 1:02:27
  Speaker 1: barred up by four large staples. This means there were
• 1:02:31
  Speaker 1: big metal bars in the chimney, which means that no
• 1:02:35
  Speaker 1: one could get down, no one could climb through the chimney.
• 1:02:40
  Speaker 1: It is certain therefore, that my sister was quite alone
• 1:02:42
  Speaker 1: when she met her end. Besides, there were no marks
• 1:02:46
  Speaker 1: of any violence upon her. Okay, So this is one
• 1:02:50
  Speaker 1: of those locked room mysteries, A bit like the one
• 1:02:53
  Speaker 1: with my mobile phone recently, where I came back into
• 1:02:55
  Speaker 1: the room that had been locked and discovered my phone
• 1:02:58
  Speaker 1: and suddenly smashed to pieces by unknown forces. Although that's
• 1:03:04
  Speaker 1: a little easier to work out, though is basically the
• 1:03:06
  Speaker 1: battery expanded and PSH caused the phone to break, So
• 1:03:10
  Speaker 1: not so much of a mystery. This one is a
• 1:03:12
  Speaker 1: bit more curious. Don't you think what happened? How did
• 1:03:18
  Speaker 1: she die? What's going on? So Holmes continues, how about poison?
• 1:03:24
  Speaker 1: The doctors examined her for it, but without success. What
• 1:03:27
  Speaker 1: do you think that this unfortunate lady died of? Then?
• 1:03:32
  Speaker 1: It is my belief that she died of pure fear
• 1:03:35
  Speaker 1: and nervous shock. Though what it was that frightened her
• 1:03:39
  Speaker 1: I cannot imagine. Were there gypsies in the plantation at
• 1:03:43
  Speaker 1: the time, Yes, there are nearly always some there. Ah,
• 1:03:48
  Speaker 1: And what did you gather from this allusion to a band,
• 1:03:52
  Speaker 1: a speckled band? Sometimes I've thought that it was merely
• 1:03:56
  Speaker 1: the wild talk of delirium, Sometimes that it may have
• 1:04:00
  Speaker 1: referred to some band of people, perhaps to these very
• 1:04:03
  Speaker 1: gypsies in the plantation. I do not know whether the
• 1:04:06
  Speaker 1: spotted handkerchiefs which so many of them wear over their heads,
• 1:04:10
  Speaker 1: might have suggested the strange adjective which she used. So
• 1:04:14
  Speaker 1: Holmes is curious about the gypsies, and apparently they are
• 1:04:18
  Speaker 1: always gypsies in the plantation. And what about this illusion,
• 1:04:24
  Speaker 1: this reference to the speckled band, And Helen doesn't really know.
• 1:04:29
  Speaker 1: She's wondering if it's maybe a reference to the handkerchiefs
• 1:04:33
  Speaker 1: that these gypsies often wear over their heads. They often
• 1:04:37
  Speaker 1: wear handkerchiefs with like with spots on them, might be
• 1:04:42
  Speaker 1: like red with white spots. She was wondering if it
• 1:04:44
  Speaker 1: would be a reference to those handkerchiefs. They're speckled kind of,
• 1:04:50
  Speaker 1: She's not sure. Holmes shook his head like a man
• 1:04:53
  Speaker 1: who is far from being satisfied. These are very deep waters,
• 1:04:58
  Speaker 1: he said, Go on with your narrative. Two years have
• 1:05:04
  Speaker 1: passed since then, and my life has been until lately
• 1:05:06
  Speaker 1: lonelier than ever. A month ago. However, a dear friend
• 1:05:11
  Speaker 1: whom I've known for many years has done me the
• 1:05:13
  Speaker 1: honor to ask my hand in marriage. His name is Armitage,
• 1:05:17
  Speaker 1: Percy Armitage, the second son of mister Armitage of Crane Water,
• 1:05:21
  Speaker 1: near Reading. My stepfather has offered no opposition to the match,
• 1:05:26
  Speaker 1: and we are to be married in the course of
• 1:05:28
  Speaker 1: the spring. Two days ago, some repairs were started in
• 1:05:33
  Speaker 1: the west wing of the building, and my bedroom wall
• 1:05:36
  Speaker 1: has been pierced, so that I have had to move
• 1:05:38
  Speaker 1: into the chamber in which my sister died, and to
• 1:05:41
  Speaker 1: sleep in the very bed in which she slept. Imagine then,
• 1:05:46
  Speaker 1: my thrill of terror when last night, as I lay awake,
• 1:05:50
  Speaker 1: thinking over her terrible fate, I suddenly heard, in the
• 1:05:53
  Speaker 1: silence of the night, the low whistle, which had been
• 1:05:57
  Speaker 1: the herald of her own death. I sprang up and
• 1:06:04
  Speaker 1: lit the lamp, but nothing was to be seen in
• 1:06:06
  Speaker 1: the room. I was too shaken to go to bed again, however,
• 1:06:10
  Speaker 1: so I dressed, and as soon as it was daylight,
• 1:06:13
  Speaker 1: I slipped down, got a dog cart at the Crown Inn,
• 1:06:17
  Speaker 1: which is opposite, and drove to Leatherhead from whence I
• 1:06:20
  Speaker 1: have come on this morning with the one object of
• 1:06:23
  Speaker 1: seeing you and asking your advice. So she says that
• 1:06:28
  Speaker 1: there's been some repairs being done on the wing of
• 1:06:31
  Speaker 1: the house, and that the wall of her room has
• 1:06:34
  Speaker 1: been broken open or something, so she's had to move
• 1:06:38
  Speaker 1: into Julia's old room, and she's had to sleep in
• 1:06:43
  Speaker 1: Julia's old bed. Also, she's become engaged to be married, right,
• 1:06:50
  Speaker 1: she was proposed an old friend of hers proposed to her,
• 1:06:55
  Speaker 1: and she's going to be married to him. Dr Roylet
• 1:06:58
  Speaker 1: agreed to it. But then yeah, then she had to
• 1:07:03
  Speaker 1: move into Julia's room. And then late one night she
• 1:07:07
  Speaker 1: heard the strange whistle. She was so disturbed by it.
• 1:07:11
  Speaker 1: She turned on the lamp in the room. Didn't see anything,
• 1:07:15
  Speaker 1: but she was so disturbed that early that morning she
• 1:07:19
  Speaker 1: dressed and took a cab to the station and then
• 1:07:23
  Speaker 1: came to London to visit Homes and Watson. So we continue.
• 1:07:30
  Speaker 1: You have done wisely, said my friend. But have you
• 1:07:33
  Speaker 1: told me all? Yes, all, miss Roylet, you have not.
• 1:07:39
  Speaker 1: You're screening your stepfather, meaning you're sort of protecting him,
• 1:07:43
  Speaker 1: not telling Homes everything in order to sort of hide
• 1:07:47
  Speaker 1: the stepfather. Why what do you mean for answer? Holmes
• 1:07:53
  Speaker 1: pushed back the frill of black lace which fringed the
• 1:07:56
  Speaker 1: hand that lay upon our visitor's knee. So she's wearing
• 1:07:59
  Speaker 1: a sort of black laced glove, I guess, and Holmes
• 1:08:03
  Speaker 1: pushes it back to reveal her skin. Five little livid spots.
• 1:08:08
  Speaker 1: The marks of four fingers and a thumb were printed
• 1:08:12
  Speaker 1: upon the white wrist. So there's marks of a hand
• 1:08:16
  Speaker 1: on her wrist. You have been cruelly used, said Holmes.
• 1:08:22
  Speaker 1: The lady colored deeply and covered her injured wrist. So
• 1:08:26
  Speaker 1: Holmes notices this sort of injury. That clearly someone has
• 1:08:30
  Speaker 1: grabbed her wrist very strongly and has left her a
• 1:08:33
  Speaker 1: mark of these fingers on her wrist. And when Holmes
• 1:08:37
  Speaker 1: identified it, Helen went red. She colored, she blushed and
• 1:08:44
  Speaker 1: covered up her wrist. He is a hard man, she said,
• 1:08:48
  Speaker 1: and perhaps he hardly knows his own strength. There was
• 1:08:52
  Speaker 1: a long silence, during which Holmes leaned his chin upon
• 1:08:56
  Speaker 1: his hands and stared into the crackling. This is a
• 1:09:03
  Speaker 1: very deep business, he said, at last. There are a
• 1:09:07
  Speaker 1: thousand details which I should desire to know before I
• 1:09:10
  Speaker 1: decide upon our course of action. Yet we have not
• 1:09:13
  Speaker 1: a moment to lose. If we were to come to
• 1:09:16
  Speaker 1: Stoke Moran today, would it be possible for us to
• 1:09:19
  Speaker 1: see over these rooms without the knowledge of your stepfather.
• 1:09:24
  Speaker 1: As it happens, he spoke of coming into town today
• 1:09:26
  Speaker 1: upon some important business. It is probable that he will
• 1:09:30
  Speaker 1: be away all day, and that there would be nothing
• 1:09:32
  Speaker 1: to disturb you. We have a housekeeper now, but she
• 1:09:35
  Speaker 1: is old and foolish, and I could easily get her
• 1:09:38
  Speaker 1: out of the way. Excellent, you are not averse to
• 1:09:42
  Speaker 1: this trip, Watson? What by no means then we shall
• 1:09:46
  Speaker 1: both come? What are you going to do yourself? I
• 1:09:50
  Speaker 1: have one or two things which I would wish to
• 1:09:52
  Speaker 1: do now that I am in town. But I shall
• 1:09:54
  Speaker 1: return by the twelve o'clock train so as to be
• 1:09:57
  Speaker 1: there in time for your coming, and you may expect
• 1:10:00
  Speaker 1: us early in the afternoon. I have myself some small
• 1:10:03
  Speaker 1: business matters to attend to. Will you not wait and breakfast? No,
• 1:10:08
  Speaker 1: I must go. My heart is lightened already since I've
• 1:10:11
  Speaker 1: confided my trouble to you. I shall look forward to
• 1:10:14
  Speaker 1: seeing you again this afternoon. She dropped her thick black
• 1:10:18
  Speaker 1: veil over her face and glided from the room. Okay,
• 1:10:25
  Speaker 1: let's continue. And what do you think of it all?
• 1:10:27
  Speaker 1: Watson asked Sherlock Holmes, leaning back in his chair. It
• 1:10:31
  Speaker 1: seems to me to be a most dark and sinister business.
• 1:10:35
  Speaker 1: Dark enough and sinister enough, yet, if the lady is
• 1:10:39
  Speaker 1: correct in saying that the flooring and walls are sound,
• 1:10:43
  Speaker 1: and that the door, window and chimney are impassable, then
• 1:10:46
  Speaker 1: her sister must have been undoubtedly alone when she met
• 1:10:49
  Speaker 1: her mysterious end. So Holmes is saying, if Helen is
• 1:10:53
  Speaker 1: correct in saying that the flooring and the walls are sound,
• 1:10:56
  Speaker 1: meaning that they are solid and safe, and that they
• 1:10:59
  Speaker 1: they don't contain it hidden doors solid and safe and
• 1:11:02
  Speaker 1: solid is what sound means in this case, and that
• 1:11:07
  Speaker 1: the door, window and chimney are impassable, meaning if it's
• 1:11:10
  Speaker 1: not possible to get through the door, the window, or
• 1:11:13
  Speaker 1: the chimney, then her sister must have undoubtedly been alone.
• 1:11:17
  Speaker 1: So she, without doubt she must have been alone when
• 1:11:20
  Speaker 1: she died. What becomes then, of these nocturnal whistles, and
• 1:11:26
  Speaker 1: what of the very peculiar words of the dying woman?
• 1:11:30
  Speaker 1: I cannot think when you combine the ideas of whistles
• 1:11:34
  Speaker 1: at night, the presence of a band of gypsies who
• 1:11:38
  Speaker 1: are on intimate terms with this old doctor, the fact
• 1:11:41
  Speaker 1: that we have every reason to believe that the doctor
• 1:11:44
  Speaker 1: has an interest in preventing his stepdaughter's marriage, the dying
• 1:11:48
  Speaker 1: allusion to a band, and finally, the fact that miss
• 1:11:52
  Speaker 1: Helen Stoner heard a metallic clang, which might have been
• 1:11:56
  Speaker 1: caused by one of those metal bars that secured the
• 1:11:59
  Speaker 1: sho utters falling back into its place. I think that
• 1:12:02
  Speaker 1: there is good ground to think that the mystery may
• 1:12:06
  Speaker 1: be cleared along those lines. So Holmes is saying that,
• 1:12:11
  Speaker 1: you know, he's trying to put two and two together.
• 1:12:13
  Speaker 1: He's trying to make his deduction all those things, what
• 1:12:18
  Speaker 1: the woman said at night, in the middle of the night,
• 1:12:22
  Speaker 1: about the speckled band, the presence the whistles at night,
• 1:12:25
  Speaker 1: the presence of the gypsies who are on intimate terms
• 1:12:29
  Speaker 1: with the old doctor, the fact that we know that
• 1:12:32
  Speaker 1: the doctor has a clear interest in preventing his stepdaughter's marriage,
• 1:12:37
  Speaker 1: even though he agreed to it. But now it looks
• 1:12:40
  Speaker 1: like he's probably it looks like he killed. A possible
• 1:12:44
  Speaker 1: motive would be that he killed Julia because she was
• 1:12:47
  Speaker 1: about to get married and he didn't want to lose
• 1:12:49
  Speaker 1: all that money. Right, And then Helen gets engaged, and
• 1:12:55
  Speaker 1: it seems that maybe he's trying to do a similar
• 1:12:57
  Speaker 1: thing and trying to have her killed as well, but
• 1:13:01
  Speaker 1: she managed to kind of avoid it this time. And
• 1:13:04
  Speaker 1: he's also saying that the metallic clang clang, the metallic
• 1:13:08
  Speaker 1: sound might have been caused by one of the metal
• 1:13:11
  Speaker 1: bars on the window or one of the metal shutters.
• 1:13:16
  Speaker 1: He thinks that. So Holmes is clearly thinking that maybe
• 1:13:20
  Speaker 1: it's one of the gypsies who managed to come through
• 1:13:22
  Speaker 1: the window. Maybe that's something to do with it. But
• 1:13:28
  Speaker 1: what then, did the gypsies do? I cannot imagine. I
• 1:13:32
  Speaker 1: see many objections to any such theory, and so do I.
• 1:13:36
  Speaker 1: So it's not a perfect theory. It is precisely for
• 1:13:40
  Speaker 1: that reason that we are going to stoke Moran this day.
• 1:13:43
  Speaker 1: I want to see whether the objections are fatal or
• 1:13:46
  Speaker 1: if they may be explained away. But what in the
• 1:13:48
  Speaker 1: name of the devil? Huh? But what in the name
• 1:13:51
  Speaker 1: of the devil? So suddenly something has happened the ejaculation.
• 1:13:57
  Speaker 1: Here we go again, another ejaculation in the Homes and
• 1:14:01
  Speaker 1: Watson's story. Not to mention the fact that we now
• 1:14:04
  Speaker 1: we know from this story that Watson and Holmes Watson
• 1:14:09
  Speaker 1: is homes his intimate friend, as he described earlier. But anyway,
• 1:14:11
  Speaker 1: it's not that kind of ejaculation. You can refer to
• 1:14:14
  Speaker 1: episode what was it? Eight three to two if you
• 1:14:16
  Speaker 1: want to know the other meaning of the word ejaculation.
• 1:14:18
  Speaker 1: In this case, it's not the sexual form of ejaculation,
• 1:14:22
  Speaker 1: but the more old fashioned usage of the word, meaning
• 1:14:25
  Speaker 1: when someone says something quickly, someone comes out with something
• 1:14:28
  Speaker 1: very quickly. In this case, it's when Holmes said, but
• 1:14:31
  Speaker 1: what in the name of the devil? Many a sort
• 1:14:34
  Speaker 1: of what the hell? The ejaculation had been drawn from
• 1:14:40
  Speaker 1: my companion by the fact that our door had been
• 1:14:42
  Speaker 1: suddenly dashed open, and that a huge man had framed
• 1:14:47
  Speaker 1: himself in the aperture. So bam, the door suddenly flew open,
• 1:14:52
  Speaker 1: and a huge man was standing in the doorway. His
• 1:14:57
  Speaker 1: costume was a peculiar mixture of the professor and of
• 1:15:01
  Speaker 1: the agricultural having a black top hat, a long frock coat,
• 1:15:05
  Speaker 1: and a pair of high gaiters. I suppose those are
• 1:15:08
  Speaker 1: boots with a hunting crop swinging in his hand. Hunting
• 1:15:12
  Speaker 1: crop is a kind of a I guess, a leather
• 1:15:14
  Speaker 1: bound stick that you would be used to hit a
• 1:15:18
  Speaker 1: horse to make it run faster. I think that's what
• 1:15:21
  Speaker 1: it is. So tall was he that his hat actually
• 1:15:25
  Speaker 1: brushed the crossbar of the doorway, and his breadth his
• 1:15:29
  Speaker 1: width seemed to span it across from side to side.
• 1:15:34
  Speaker 1: So he's basically as tall as the door and as
• 1:15:37
  Speaker 1: wide as the doorway as well. A large face seared
• 1:15:41
  Speaker 1: with a thousand wrinkles, burned yellow with the sun and
• 1:15:45
  Speaker 1: marked with every evil passion, was turned from one to
• 1:15:49
  Speaker 1: the other of us while his deep set, bile shot
• 1:15:52
  Speaker 1: eyes and his high, thin, fleshless nose gave gave him
• 1:15:56
  Speaker 1: somewhat the resemblance to a fierce old bird of prey. Right,
• 1:16:01
  Speaker 1: it's quite the descriptive paragraph. Large face seared with a
• 1:16:05
  Speaker 1: thousand wrinkles, so it's cracked with millions of wrinkles. There
• 1:16:11
  Speaker 1: thousands of wrinkles burned yellow in the sun. So his
• 1:16:15
  Speaker 1: face is all wrinkled and sunburned, no doubt from the
• 1:16:20
  Speaker 1: years he spent in India and marked with every evil passion.
• 1:16:24
  Speaker 1: So you know his face is that this tells the story,
• 1:16:28
  Speaker 1: and it's very angry, kind of evil looking face. It
• 1:16:34
  Speaker 1: was turned from one of us to the other. So
• 1:16:36
  Speaker 1: standing there looking at homes and looking at Watson like
• 1:16:39
  Speaker 1: this while his deep set bile shot eyes, so his
• 1:16:43
  Speaker 1: eyes are deep inside his head and they're shot with bile,
• 1:16:47
  Speaker 1: so they're kind of like yellowish eyes, and his high, thin,
• 1:16:51
  Speaker 1: fleshless nose so he has this sharp, kind of sharp,
• 1:16:56
  Speaker 1: thin bony nose, give him somewhat the resemblance to a
• 1:17:01
  Speaker 1: fierce old bird of prey, So it looks like a
• 1:17:04
  Speaker 1: hawk or a eagle or something like that. Which of
• 1:17:08
  Speaker 1: you is, Holmes asked this apparition. My name, sir, But
• 1:17:12
  Speaker 1: you have the advantage of me, said my companion quietly.
• 1:17:16
  Speaker 1: I am Doctor grimesby Roylot of Stoke, Moran. Indeed, doctor,
• 1:17:22
  Speaker 1: said Holmes, blandly. Pray take a seat. I will do
• 1:17:26
  Speaker 1: nothing of the kind. My stepdaughter has been here. I
• 1:17:29
  Speaker 1: have traced her. What has she been saying to you?
• 1:17:35
  Speaker 1: It is a little cold for the time of year,
• 1:17:38
  Speaker 1: said Holmes. What has she been saying to you? Screamed
• 1:17:41
  Speaker 1: the old man furiously. But I have heard that the
• 1:17:45
  Speaker 1: crocuses promise well, continued my companion, imperturbably. So despite the
• 1:17:51
  Speaker 1: fact that this man is screaming and shouting and demanding
• 1:17:54
  Speaker 1: to know what Helen has been saying, Holmes is making
• 1:17:57
  Speaker 1: small talk. It is a little cold for the time
• 1:18:00
  Speaker 1: of year. And then he says, but I've heard that
• 1:18:02
  Speaker 1: the crocuses promise well, meaning I have heard that these
• 1:18:06
  Speaker 1: flowers are going to come up very nicely. So he's
• 1:18:09
  Speaker 1: making kind of polite small talk while this man is
• 1:18:11
  Speaker 1: so furiously demanding answers to the questions. Ha, you put
• 1:18:17
  Speaker 1: me off, do you, said our new visitor, taking a
• 1:18:20
  Speaker 1: step forward and shaking his hunting crop. I know you,
• 1:18:24
  Speaker 1: you scoundrel. I have heard of you before. You are
• 1:18:28
  Speaker 1: homes the meddler. A meddler is someone who gets involved
• 1:18:32
  Speaker 1: in other people's business, my friend smiled homes the busybody.
• 1:18:40
  Speaker 1: A busy body is someone who's always busy, maybe getting
• 1:18:43
  Speaker 1: involved again in things they shouldn't be getting involved in.
• 1:18:47
  Speaker 1: Holmes is smile broadened homes the Scotland yard jack in office.
• 1:18:53
  Speaker 1: Holmes chuckled heartily. Your conversation is most attaining, said he.
• 1:19:01
  Speaker 1: When you go out close the door for there's a
• 1:19:04
  Speaker 1: decided draft. I love the way that Holmes reacts to him. Here,
• 1:19:09
  Speaker 1: when you go out close the door because there's a
• 1:19:11
  Speaker 1: draft which is like cold air coming in. I will
• 1:19:14
  Speaker 1: go when I have said my say, don't you dare
• 1:19:17
  Speaker 1: meddle with my affairs. I know that miss Stoner has
• 1:19:21
  Speaker 1: been here. I traced her. I am a dangerous man
• 1:19:24
  Speaker 1: to fall foul of. See here he stepped swiftly forward
• 1:19:29
  Speaker 1: sees the poker. This is a long iron like metal
• 1:19:35
  Speaker 1: stick which is used to poke a fire, like a
• 1:19:39
  Speaker 1: big heavy stick of metal that you would put into
• 1:19:42
  Speaker 1: the fire to poke it. He sees the poker and
• 1:19:45
  Speaker 1: bent it into a curve with his huge brown HANDSOO
• 1:19:52
  Speaker 1: see that, you keep yourself out of my grip, he snarled,
• 1:19:56
  Speaker 1: and hurling the twisted poker into the fireplace. He strode
• 1:20:00
  Speaker 1: out of the room. So he's threatening and intimidating homes,
• 1:20:06
  Speaker 1: saying keep out of my business. And he grabs this
• 1:20:09
  Speaker 1: strong metal poker and bends it in his arms to
• 1:20:12
  Speaker 1: show how strong he is, and then throws it back
• 1:20:15
  Speaker 1: into the fireplace. Holmes says, he seems a very amiable person,
• 1:20:21
  Speaker 1: said Holmes, laughing, amiable meaning friendly. I'm not quite so bulky.
• 1:20:27
  Speaker 1: But if he had remained, I might have shown him
• 1:20:30
  Speaker 1: that my grip was not much more feeble than his own.
• 1:20:34
  Speaker 1: As he spoke, he picked up the steel poker and
• 1:20:37
  Speaker 1: with a sudden effort, straightened it out again. So this
• 1:20:41
  Speaker 1: is this is nice because Holmes is saying, Okay, I'm
• 1:20:45
  Speaker 1: not as big as him, but I'm still just as
• 1:20:48
  Speaker 1: strong as he is. If he'd stayed, he might have
• 1:20:51
  Speaker 1: discovered that actually, I'm not much weaker than him, and
• 1:20:58
  Speaker 1: he takes the poker and bends it back into a
• 1:21:01
  Speaker 1: straight position, which is very very difficult to do. These
• 1:21:05
  Speaker 1: metal pokers can be very, very very hard to bend.
• 1:21:11
  Speaker 1: Holmes is actually Holmes can take care of himself. We
• 1:21:14
  Speaker 1: find out about that in other stories, that he's actually
• 1:21:16
  Speaker 1: an excellent boxer. There's a Guy Ritchie movie talking about
• 1:21:20
  Speaker 1: Guy Ritchie movies and Snatch the other film I mentioned.
• 1:21:22
  Speaker 1: Of course, there are the Sherlock Holmes Guy Ritchie films
• 1:21:28
  Speaker 1: and you see Sherlock Holmes played by Robert Downey Jr.
• 1:21:32
  Speaker 1: In those films, and in those ones he is a
• 1:21:34
  Speaker 1: bare knuckle boxer, so you kind of they pushed that
• 1:21:39
  Speaker 1: part of his character a little bit in those films
• 1:21:41
  Speaker 1: to emphasize the action. But Holmes can box, he can
• 1:21:44
  Speaker 1: use his fists, and people underestimate him. But he's an
• 1:21:48
  Speaker 1: excellent boxer as well. Fancy his having the insolence to
• 1:21:54
  Speaker 1: confound me with the official detective force. So Holmes is
• 1:21:59
  Speaker 1: almost of fen by the fact that the guy confused
• 1:22:02
  Speaker 1: him with the police, because Holmes is kind of Holmes
• 1:22:08
  Speaker 1: doesn't really respect the police, so he's kind of offended
• 1:22:11
  Speaker 1: that this guy just confused him for a member of
• 1:22:14
  Speaker 1: the Scotland Yard Police Force. Fancy his having the insolence
• 1:22:19
  Speaker 1: to confound me with the official detective force. This incident
• 1:22:23
  Speaker 1: gives zest to our investigation, however, and I only trust
• 1:22:26
  Speaker 1: that our little friend will not suffer from her imprudence
• 1:22:29
  Speaker 1: in allowing this brute to trace her. So he says,
• 1:22:33
  Speaker 1: this incident gives zest to our investigation. It makes it
• 1:22:35
  Speaker 1: more exciting. But he hopes that Helen doesn't suffer from
• 1:22:42
  Speaker 1: her lack of care in allowing the man to follow her.
• 1:22:47
  Speaker 1: So he hopes that she's okay. And now Watson, we
• 1:22:51
  Speaker 1: shall order breakfast, and afterwards I shall walk down to
• 1:22:54
  Speaker 1: Doctors Commons, where I hope to get some data which
• 1:22:57
  Speaker 1: may help us in this matter. So they can have breakfast,
• 1:23:00
  Speaker 1: and then Holmes is going to go and find out
• 1:23:02
  Speaker 1: some information. It was nearly one o'clock when Sherlock Holmes
• 1:23:06
  Speaker 1: return from his excursion. He held in his hand a
• 1:23:09
  Speaker 1: sheet of blue paper scrawled over with notes and figures.
• 1:23:13
  Speaker 1: I have seen the will of the deceased wife, said
• 1:23:15
  Speaker 1: he to determine its exact meaning I have been obliged
• 1:23:19
  Speaker 1: to work out the present prices of the investments with
• 1:23:22
  Speaker 1: which it is concerned. The total income, which at the
• 1:23:26
  Speaker 1: time of the wife's death was little short of eleven
• 1:23:28
  Speaker 1: thousand pounds, is now, through the fall in agricultural prices,
• 1:23:33
  Speaker 1: not more than seven hundred and fifty pounds. Each daughter
• 1:23:36
  Speaker 1: can claim an income of two hundred and fifty pounds
• 1:23:39
  Speaker 1: in case of marriage. It is evident therefore, that if
• 1:23:43
  Speaker 1: both girls had married, this beauty would have had a
• 1:23:46
  Speaker 1: mere pittance, while even one of them would cripple him
• 1:23:49
  Speaker 1: to a very serious extent. So Holmes is worked out
• 1:23:52
  Speaker 1: by looking at the finances that basically, if if even
• 1:23:57
  Speaker 1: just one of these girls gets married, the guy is
• 1:23:59
  Speaker 1: going to be left with virtually nothing, virtually no money.
• 1:24:02
  Speaker 1: If they both get married, he's definitely going to be
• 1:24:04
  Speaker 1: left with next to no money. So this is clear
• 1:24:08
  Speaker 1: in a clear motive. My morning's work has not been wasted,
• 1:24:13
  Speaker 1: since it has proved that he has the very strongest
• 1:24:16
  Speaker 1: motives for standing in the way of anything of the sort.
• 1:24:20
  Speaker 1: And now, Watson, this is too serious for dawdling, especially
• 1:24:23
  Speaker 1: as the old man is aware that we are interesting
• 1:24:25
  Speaker 1: ourselves in his affairs. So if you are ready, we
• 1:24:28
  Speaker 1: shall call a cab and drive to Waterloo. So he's
• 1:24:31
  Speaker 1: basically saying, let's not waste time, let's get going. I
• 1:24:36
  Speaker 1: should be very much obliged if you would slip your
• 1:24:38
  Speaker 1: revolver into your pocket. And Ely's number two is an
• 1:24:42
  Speaker 1: excellent argument with gentlemen who can twist steel pokers into knots.
• 1:24:47
  Speaker 1: That and a toothbrush are I think all that we need.
• 1:24:52
  Speaker 1: So he's saying, oh, it would be a good idea
• 1:24:55
  Speaker 1: if you brought your gun with you, because it's a
• 1:24:58
  Speaker 1: great way to deal, great argument to have when you're
• 1:25:02
  Speaker 1: faced with a man who can twist a poker, a
• 1:25:04
  Speaker 1: steel poker into knots. That, so bring a gun and
• 1:25:08
  Speaker 1: a toothbrush. At Waterloo, we were fortunate in catching a
• 1:25:14
  Speaker 1: train for Leatherhead, where we hired a trap at the
• 1:25:17
  Speaker 1: station inn and drove for four or five miles through
• 1:25:20
  Speaker 1: the lovely Surrey lanes. It was a perfect day, with
• 1:25:24
  Speaker 1: a bright sun and a few fleecy clouds in the heavens.
• 1:25:27
  Speaker 1: The trees and wayside hedges were just throwing out their
• 1:25:31
  Speaker 1: first green shoots, and the air was full of the
• 1:25:34
  Speaker 1: pleasant smell of the moist earth. To me, at least,
• 1:25:38
  Speaker 1: there was a strange contrast between the sweet promise of
• 1:25:41
  Speaker 1: the spring and this sinister quest upon which we were engaged.
• 1:25:47
  Speaker 1: My companion sat in the front of the trap, his
• 1:25:50
  Speaker 1: arms folded, his hat pulled down over his eyes, and
• 1:25:54
  Speaker 1: his chin sunk upon his breast, buried in the deepest thought. Suddenly, however,
• 1:26:00
  Speaker 1: he started, tapped me on the shoulder and pointed over
• 1:26:03
  Speaker 1: the meadows. Look there, said he, a heavily timbered park
• 1:26:08
  Speaker 1: stretched up in a gentle slope, thickening into a grove.
• 1:26:12
  Speaker 1: At the highest point. From amid the branches, they're jutted
• 1:26:16
  Speaker 1: out the gray gables and high roof tree of a
• 1:26:19
  Speaker 1: very old mansion. So they're riding through the countryside on
• 1:26:23
  Speaker 1: this horse driven cart. I guess a taxi or something anyway,
• 1:26:31
  Speaker 1: and Holmes has been thinking with his eyes closed. But
• 1:26:34
  Speaker 1: he wakes up, opens his eyes and points towards the house,
• 1:26:38
  Speaker 1: and you can see the hill rising up with some trees.
• 1:26:40
  Speaker 1: There are more and more trees, and then through the
• 1:26:44
  Speaker 1: branches of the trees they can see the roof and
• 1:26:49
  Speaker 1: parts of the house. Stoke Moran said, he yes, sir,
• 1:26:55
  Speaker 1: that'd be the house of doctor Grimes. Be Roilet, remarked.
• 1:26:58
  Speaker 1: The driver there is some building going on there, said Holmes.
• 1:27:03
  Speaker 1: That is where we are going. There's the village, said
• 1:27:08
  Speaker 1: the driver, pointing to a cluster of roofs some distance
• 1:27:12
  Speaker 1: to the left. But if you want to get to
• 1:27:14
  Speaker 1: the house, you'll find it shorter to go over this stile.
• 1:27:17
  Speaker 1: And so by the footpath over the fields there, it
• 1:27:19
  Speaker 1: is where that lady's walking. So basically the driver is
• 1:27:24
  Speaker 1: telling them how to get to the house, and the lady,
• 1:27:27
  Speaker 1: I fancy is miss Stoner, observed Holmes, shading his eyes. Yes,
• 1:27:32
  Speaker 1: I think we'd better do as you suggest. We got off,
• 1:27:36
  Speaker 1: paid our fare, and the trap rattled back on its
• 1:27:39
  Speaker 1: way to Leatherhead. I thought it as well, said Holmes,
• 1:27:43
  Speaker 1: as we climbed the stile. A stile is a kind
• 1:27:46
  Speaker 1: of a way to step over a fence in the countryside.
• 1:27:51
  Speaker 1: It's like a part of the fence where you can
• 1:27:53
  Speaker 1: climb over it. Okay, A style s t I l E.
• 1:27:58
  Speaker 1: I thought it as well that this fell. So should
• 1:28:00
  Speaker 1: think that we'd come here as architects or on some
• 1:28:03
  Speaker 1: definite business. It may stop his gossip. So Holmes decided
• 1:28:08
  Speaker 1: to make the driver think that they were there as
• 1:28:10
  Speaker 1: part of the building work to stop him gossiping. Best
• 1:28:15
  Speaker 1: that they try and keep a low profile. Good afternoon,
• 1:28:18
  Speaker 1: miss Stoner, you see that we have been as good
• 1:28:21
  Speaker 1: as our word. Our client of the morning had hurried
• 1:28:25
  Speaker 1: forward to meet us with a face which spoke her joy.
• 1:28:29
  Speaker 1: I've been waiting so eagerly for you, she cried, shaking
• 1:28:32
  Speaker 1: hands with us warmly. All has turned out splendidly. Doctor
• 1:28:36
  Speaker 1: Roylett has gone to town, and it's unlikely that he
• 1:28:39
  Speaker 1: will be back before evening. We have had the pleasure
• 1:28:44
  Speaker 1: of making the doctor's acquaintance, said Holmes, and in a
• 1:28:47
  Speaker 1: few words he sketched out what had occurred. Miss Stoner
• 1:28:51
  Speaker 1: turned white to the lips as she listened. Good heavens,
• 1:28:55
  Speaker 1: she cried, He has followed me, then, so it appears
• 1:29:00
  Speaker 1: he's so cunning that I never know when I'm safe
• 1:29:02
  Speaker 1: from him. What will he say when he returns? He
• 1:29:06
  Speaker 1: must guard himself, for he may find that there is
• 1:29:09
  Speaker 1: someone more cunning than himself upon his track. Cunning means
• 1:29:13
  Speaker 1: clever in a sort of slightly dark, kind of slightly
• 1:29:18
  Speaker 1: evil way, very very clever. So the man is cunning.
• 1:29:23
  Speaker 1: But Sherlock Holmes is saying he should be careful because
• 1:29:25
  Speaker 1: someone is following him there is more cunning. Yeah, Holmes himself.
• 1:29:31
  Speaker 1: You must lock yourself up from him tonight. If he
• 1:29:34
  Speaker 1: is violent, we shall take you away to your aunt's
• 1:29:36
  Speaker 1: at Harrow. Now we must make the best use of
• 1:29:40
  Speaker 1: our time, so kindly take us at once to the
• 1:29:43
  Speaker 1: rooms which we are to examine. The building was of
• 1:29:46
  Speaker 1: gray lichen blotched stone, with a high central portion and
• 1:29:51
  Speaker 1: two curving wings like the claws of a crab, thrown
• 1:29:55
  Speaker 1: out on each side. So as we described before, the
• 1:29:58
  Speaker 1: central part of the house with its wings the parts
• 1:30:00
  Speaker 1: of the building on the side. In one of these wings,
• 1:30:03
  Speaker 1: the windows were broken and blocked with wooden boards, while
• 1:30:07
  Speaker 1: the roof was partly caved in a picture of ruin,
• 1:30:12
  Speaker 1: So this one wing is all ruined. The central portion
• 1:30:16
  Speaker 1: was in little better repair, but the right hand block,
• 1:30:20
  Speaker 1: presumably the west wing, was comparatively modern, and the blinds
• 1:30:25
  Speaker 1: in the windows, with the blue smoke curling up from
• 1:30:28
  Speaker 1: the chimneys, showed that this was where the family resided.
• 1:30:32
  Speaker 1: Some scaffolding had been erected against the end wall and
• 1:30:36
  Speaker 1: the stone work had been broken into, but there were
• 1:30:39
  Speaker 1: no signs of any workmen at the moment of our visit.
• 1:30:43
  Speaker 1: So this is signs of the work that has caused
• 1:30:47
  Speaker 1: Helen to move into the middle room. Homes walked slowly
• 1:30:51
  Speaker 1: up and down the ill trimmed lawn and examined with
• 1:30:54
  Speaker 1: deep attention the outsides of the windows. This, I take
• 1:30:58
  Speaker 1: it belongs to the room in which you used to sleep,
• 1:31:01
  Speaker 1: the center one to your sisters, and the one next
• 1:31:04
  Speaker 1: to the main building to doctor Roylett's chamber. Holmes is
• 1:31:07
  Speaker 1: talking about the windows. He's saying this windows for that room,
• 1:31:10
  Speaker 1: this one for that one, and this room for doctor
• 1:31:12
  Speaker 1: Roulett's room. Window is basically identifying which windows for which
• 1:31:17
  Speaker 1: rooms exactly so. But I am now sleeping in the
• 1:31:20
  Speaker 1: middle one, pending the alterations, as I understand. Pending meaning
• 1:31:25
  Speaker 1: while while we wait for something. Helen is sleeping in
• 1:31:29
  Speaker 1: the middle room, while we wait for the building work
• 1:31:32
  Speaker 1: to be done on the third room, So pending the alterations,
• 1:31:36
  Speaker 1: as I understand. By the way, there does not seem
• 1:31:39
  Speaker 1: to be any very pressing need for repairs at that
• 1:31:41
  Speaker 1: end wall. There were none. I believe that it was
• 1:31:45
  Speaker 1: an excuse to move me from my room. Ah, that
• 1:31:49
  Speaker 1: is suggestive. Now on the other side of this narrow
• 1:31:53
  Speaker 1: wing runs the corridor from which these three rooms open.
• 1:31:58
  Speaker 1: There are windows in it, of course, yes, but very
• 1:32:01
  Speaker 1: small ones, too narrow for anyone to pass through. As
• 1:32:06
  Speaker 1: you both locked your doors at night, your rooms were
• 1:32:08
  Speaker 1: unapproachable from that side. Now, would you have the kindness
• 1:32:13
  Speaker 1: to go into your room and bar your shutters? Close
• 1:32:18
  Speaker 1: the shutters homes wants to see what it's like with
• 1:32:21
  Speaker 1: the shutters closed. Miss Stoner did so, and Holmes, after
• 1:32:25
  Speaker 1: a careful examination through the open window, endeavored in every
• 1:32:29
  Speaker 1: way to force the shutter open, but without success. There
• 1:32:33
  Speaker 1: was no slit through which a knife could be passed
• 1:32:36
  Speaker 1: to raise the bar. Then, with his lens he tested
• 1:32:40
  Speaker 1: the hinges, but they were of solid iron, built firmly
• 1:32:44
  Speaker 1: into the massive masonry. Humph said, he scratching his chin
• 1:32:49
  Speaker 1: in some perplexity. Um my theory certainly presents some difficulties.
• 1:32:54
  Speaker 1: No one could pass these shutters if they were bolted. Well,
• 1:32:58
  Speaker 1: we shall see if the inside throws any light upon
• 1:33:01
  Speaker 1: the matter. So basically, he's decided that the shutters. There's
• 1:33:05
  Speaker 1: no way anyone could get through these shutters if they
• 1:33:07
  Speaker 1: were closed. So he's decided, let's have a look on
• 1:33:10
  Speaker 1: the inside. Maybe that'll show us some something else. A
• 1:33:14
  Speaker 1: small side door led into the whitewashed corridor from which
• 1:33:18
  Speaker 1: the three bedrooms opened. Homes refused to examine the third chamber,
• 1:33:23
  Speaker 1: so we passed at once to the second, that in
• 1:33:26
  Speaker 1: which miss Stoner was now sleeping, and in which her
• 1:33:29
  Speaker 1: sister had met with her fate. It was a homely
• 1:33:33
  Speaker 1: little room, sort of like cozy and comfortable. It was
• 1:33:36
  Speaker 1: a homely little room with a low ceiling and a
• 1:33:39
  Speaker 1: gaping fireplace after the fashion of old country houses. A
• 1:33:44
  Speaker 1: brown chest of drawers stood in one corner, a narrow,
• 1:33:48
  Speaker 1: white counterpaned bed in another, and a dressing table on
• 1:33:52
  Speaker 1: the left hand side of the window. These articles, with
• 1:33:55
  Speaker 1: two small wicker work chairs, made up all the furniture
• 1:33:59
  Speaker 1: in the room save for a square of Wilton carpet
• 1:34:02
  Speaker 1: in the center. So this is basic room. There's just
• 1:34:09
  Speaker 1: let's see, a brown chest of drawers with drawers for
• 1:34:12
  Speaker 1: keeping clothes in and stuff in one corner, and narrow
• 1:34:16
  Speaker 1: basically a small bed in the other corner. A dressing
• 1:34:20
  Speaker 1: table on the left hand side of the window, a
• 1:34:23
  Speaker 1: table with a window, a table with a mirror for
• 1:34:28
  Speaker 1: getting dressed. These things, these articles were, together with a
• 1:34:33
  Speaker 1: couple of chairs, were the only things in the room
• 1:34:36
  Speaker 1: except for the carpet in the center of the floor.
• 1:34:40
  Speaker 1: The boards and the paneling of the walls were of
• 1:34:44
  Speaker 1: brown worm eaten oak, so old and discolored that it
• 1:34:49
  Speaker 1: may have dated from the original building of the house.
• 1:34:52
  Speaker 1: So there's wooden panels and wooden floorboards, old wooden floorboards
• 1:34:58
  Speaker 1: and wooden panels. Home drew one of the chairs into
• 1:35:01
  Speaker 1: a corner and sat silent while his eyes traveled round
• 1:35:05
  Speaker 1: and round, up and down, taking in every detail of
• 1:35:09
  Speaker 1: the apartment. Where does that bell communicate with he asked
• 1:35:14
  Speaker 1: at last, pointing to a thick bell rope which hung
• 1:35:18
  Speaker 1: down beside the bed, the tassel actually lying upon the pillow.
• 1:35:23
  Speaker 1: This is an important detail. So in the in the
• 1:35:25
  Speaker 1: olden days, in those big houses, sometimes there would have
• 1:35:28
  Speaker 1: been a rope or a string hanging from the ceiling
• 1:35:34
  Speaker 1: which the occupant of the room could pull. And you
• 1:35:36
  Speaker 1: pull the rope and it's attached to a bell in
• 1:35:39
  Speaker 1: another room of the house. So you pull the rope
• 1:35:42
  Speaker 1: and tinklingkling, tinkerdinking, a bell rings somewhere in the house.
• 1:35:46
  Speaker 1: And it's basically a way of saying to one of
• 1:35:48
  Speaker 1: the members of staff, excuse me, can you know can
• 1:35:51
  Speaker 1: you help me? Or can I I'd like I'd like
• 1:35:53
  Speaker 1: a cup of tea please, or something like that. So
• 1:35:56
  Speaker 1: there's this there's a rope hanging down from the ceiling,
• 1:35:59
  Speaker 1: the sort of thing that you would be attached to,
• 1:36:02
  Speaker 1: a bell that you would pull and ring, ring, ring,
• 1:36:04
  Speaker 1: the bell would ring. Okay, So there's a rope hanging
• 1:36:07
  Speaker 1: down and Holmes says, where does that bell communicate with?
• 1:36:11
  Speaker 1: Meaning basically, where is the bell that this rope is
• 1:36:14
  Speaker 1: attached to? And she says it goes to the housekeeper's room.
• 1:36:19
  Speaker 1: It looks newer than the other things. So at this
• 1:36:22
  Speaker 1: rope with a tassel at the end, a sort of
• 1:36:25
  Speaker 1: a fabric thing that hangs down from the end, a
• 1:36:28
  Speaker 1: decorative thing on the end of it. He says, it
• 1:36:31
  Speaker 1: looks newer. It looks new. Yes, it was only put
• 1:36:34
  Speaker 1: there a couple of years ago. Your sister asked for it,
• 1:36:37
  Speaker 1: I suppose, No, I never heard of her using it.
• 1:36:42
  Speaker 1: We used always to get what we wanted for ourselves. Indeed,
• 1:36:46
  Speaker 1: it seemed unnecessary to put so nice a bell pull there.
• 1:36:50
  Speaker 1: You will excuse me for a few minutes while I
• 1:36:52
  Speaker 1: satisfy myself as to this floor. So he wants to
• 1:36:56
  Speaker 1: examine the floor. Now, after considering the bell rope, the
• 1:37:01
  Speaker 1: bell pulled to be sort of a bit unnecessary, he
• 1:37:05
  Speaker 1: threw himself down upon his face with his lens in
• 1:37:08
  Speaker 1: his hand. So that's a magnifying glass, a glass lens
• 1:37:11
  Speaker 1: that would be used to study and examine things in detail,
• 1:37:17
  Speaker 1: one of the things that Sherlock Holmes is famous for
• 1:37:19
  Speaker 1: looking through a magnifying lens or a magnifying glass. He
• 1:37:23
  Speaker 1: threw himself down upon his face with his lens in
• 1:37:25
  Speaker 1: his hand, and crawled swiftly backward and forward, examining minutely
• 1:37:30
  Speaker 1: the cracks between the boards. Then he did the same
• 1:37:33
  Speaker 1: with the woodwork with which the chamber was paneled. Finally,
• 1:37:37
  Speaker 1: he walked over to the bed and spent some time
• 1:37:39
  Speaker 1: in staring at it and in running his eye up
• 1:37:43
  Speaker 1: and down the wall. Finally he took the bell rope
• 1:37:46
  Speaker 1: in his hand and gave it a brisk tug. Mean,
• 1:37:49
  Speaker 1: he could have pulled on the rope. Why it's a dummy,
• 1:37:53
  Speaker 1: said he, What won't it ring? No, it's not even
• 1:37:56
  Speaker 1: attached to a wire. This is very interesting. You can
• 1:38:00
  Speaker 1: see now that it's fastened to a hook just above
• 1:38:03
  Speaker 1: where the little opening for the ventilator is. How very absurd.
• 1:38:08
  Speaker 1: I never noticed that before, very strange, muttered Holmes, pulling
• 1:38:13
  Speaker 1: at the rope. There are one or two very singular
• 1:38:16
  Speaker 1: points about this room. For example, what a fool a
• 1:38:19
  Speaker 1: builder must be to open a ventilator into another room
• 1:38:24
  Speaker 1: when with the same trouble he might have communicated it
• 1:38:26
  Speaker 1: with the outside air. That is also quite modern, said
• 1:38:30
  Speaker 1: the lady, done about the same time as the bell rope,
• 1:38:35
  Speaker 1: remarked Holmes. Yes, there were several little changes carried out
• 1:38:39
  Speaker 1: at about that time. They seem to have been of
• 1:38:42
  Speaker 1: a most interesting character. Dummy bell ropes and ventilators which
• 1:38:47
  Speaker 1: do not ventilate. With your permission, miss Stoner, we shall
• 1:38:50
  Speaker 1: now carry our researches into the inner apartment, so I
• 1:38:54
  Speaker 1: just need to stop there, so Holmes, in exploring the room,
• 1:38:58
  Speaker 1: we talked about the bell rope hanging down from the ceiling,
• 1:39:01
  Speaker 1: which normally would be connected to a bell somewhere. Helen
• 1:39:05
  Speaker 1: thought it was connected to a bell in the servants room,
• 1:39:08
  Speaker 1: but when Holmes pulled the rope he realized it was
• 1:39:12
  Speaker 1: a dummy. It's a fake rope. It's a fake bell rope,
• 1:39:16
  Speaker 1: and it's not attached to anything. It's just attached to
• 1:39:19
  Speaker 1: a hook in the ceiling next to where there is
• 1:39:23
  Speaker 1: a ventilation shaft, so ventilation this is basically something that
• 1:39:28
  Speaker 1: allows air. Normally, ventilation would allow fresh air into a room,
• 1:39:33
  Speaker 1: and it would be maybe a little cover or a
• 1:39:36
  Speaker 1: little hole in the wall with a little shaft or
• 1:39:40
  Speaker 1: a small opening which would probably connect to the outside
• 1:39:46
  Speaker 1: to allow air to come into the room. It's important
• 1:39:49
  Speaker 1: to keep an air a room aired. But this particular
• 1:39:53
  Speaker 1: ventilator doesn't connect with the outside. It connects with the
• 1:39:57
  Speaker 1: next room. So there's a sort of little passage, as
• 1:40:02
  Speaker 1: very small passage that goes from the ceiling of this
• 1:40:07
  Speaker 1: bedroom into the next room into doctor Roylett's room, and
• 1:40:11
  Speaker 1: hanging down next to this little opening the ventilator. Hanging
• 1:40:16
  Speaker 1: down from there is this rope. Hmm, very strange, okay.
• 1:40:23
  Speaker 1: And it turns out Helen says that these changes, these things,
• 1:40:28
  Speaker 1: the ventilator the rope, were all fairly recent additions to
• 1:40:32
  Speaker 1: the room. Dr Grimsby Roylet's chamber was larger than that
• 1:40:38
  Speaker 1: of his step daughter that they're now examining. Doctor Grimsby
• 1:40:44
  Speaker 1: Roylet's room. It was larger than that of his stepdaughter,
• 1:40:47
  Speaker 1: but was as plainly furnished a camp bed, a small
• 1:40:52
  Speaker 1: wooden shelf full of books, mostly of a technical character,
• 1:40:56
  Speaker 1: an armchair beside the bed, a plain wooden chair against
• 1:41:01
  Speaker 1: the wall, a round table, and a large iron safe
• 1:41:06
  Speaker 1: were the principal things which met the eye. As safe,
• 1:41:10
  Speaker 1: by the way as a large heavy metal box that
• 1:41:12
  Speaker 1: would be used to keep like precious items. When you
• 1:41:18
  Speaker 1: have a hope, when you go to a hotel room,
• 1:41:20
  Speaker 1: usually there's a little metal safe in the room with
• 1:41:22
  Speaker 1: a like a little digital keypad on it, and you know,
• 1:41:28
  Speaker 1: you enter the right code and the safe opens. So
• 1:41:30
  Speaker 1: so this kind of safe, probably a large metal box,
• 1:41:34
  Speaker 1: heavy metal door. There's a safe in there as well.
• 1:41:38
  Speaker 1: These are the first things that you can see. Homes
• 1:41:40
  Speaker 1: walked slowly round and examined each and all of them
• 1:41:43
  Speaker 1: with the keenest interest. What's in here, he asked, tapping
• 1:41:49
  Speaker 1: the safe. My stepfather's business papers. Oh you've seen inside then,
• 1:41:55
  Speaker 1: only once, some years ago. I remember that it was
• 1:41:59
  Speaker 1: full of pain. There isn't a cat in it, for example, No,
• 1:42:05
  Speaker 1: what a strange idea a cat? Well, look at this.
• 1:42:10
  Speaker 1: He took up a small saucer of milk which stood
• 1:42:14
  Speaker 1: on the top of it. So, little little saucer, little
• 1:42:18
  Speaker 1: small bowl or plate full of milk was sitting on
• 1:42:22
  Speaker 1: top of the safe. No, we don't keep a cat,
• 1:42:26
  Speaker 1: but there is a cheetah and a baboon ah. Yes,
• 1:42:29
  Speaker 1: of course, Well a cheatera is just a big cat.
• 1:42:33
  Speaker 1: And yet a saucer of milk does not go very
• 1:42:36
  Speaker 1: far in satisfying its wants. I dare say there is
• 1:42:40
  Speaker 1: one point which I should wish to determine. He squatted
• 1:42:44
  Speaker 1: down in front of the wooden chair and examined the
• 1:42:47
  Speaker 1: seat of it with the greatest attention. Thank you, that
• 1:42:51
  Speaker 1: is quite settled, said he, rising and putting his lens
• 1:42:54
  Speaker 1: in his pocket. Oh hello, here's something interesting. The object
• 1:43:00
  Speaker 1: which had caught his eye was a small dog lash
• 1:43:03
  Speaker 1: hung on one corner of the bed. I suppose a
• 1:43:06
  Speaker 1: dog lash is like a dog leash, sort of thing
• 1:43:09
  Speaker 1: that you would fit round the neck of a dog
• 1:43:11
  Speaker 1: to take it for a walk. Small dog lash was
• 1:43:16
  Speaker 1: hung on one corner of the bed. The lash, however,
• 1:43:19
  Speaker 1: was curled upon itself and tied so as to make
• 1:43:22
  Speaker 1: a loop of whip cord. So the lash is curled
• 1:43:26
  Speaker 1: round on itself, so there's a loop at the end
• 1:43:28
  Speaker 1: which you could kind of open or close. What do
• 1:43:32
  Speaker 1: you make of that, Watson. It's a common enough lash,
• 1:43:36
  Speaker 1: but I don't know why it should be tied. That
• 1:43:39
  Speaker 1: is not quite so common, is it, ah Me. It's
• 1:43:42
  Speaker 1: a wicked world, and when a clever man turns his
• 1:43:45
  Speaker 1: brains to crime, it is the worst of all. I
• 1:43:49
  Speaker 1: think that I have seen enough now, Miss Stoner, and
• 1:43:52
  Speaker 1: with your permission, we shall walk out upon the lawn.
• 1:43:55
  Speaker 1: So they're now going to go outside onto the grass.
• 1:44:00
  Speaker 1: I never seen my friend's face so grim or his
• 1:44:03
  Speaker 1: brow so dark as it was when we turned from
• 1:44:05
  Speaker 1: the scene of this investigation. So Holmes is looking very serious.
• 1:44:11
  Speaker 1: We'd walked several times up and down the lawn, neither
• 1:44:14
  Speaker 1: Miss Stoner nor myself liking to break in upon his
• 1:44:17
  Speaker 1: thoughts before he roused himself from his reverie. So they
• 1:44:21
  Speaker 1: walked up and down the grass, and Miss Stoner and
• 1:44:25
  Speaker 1: Watson did not interrupt Holmes. They didn't want to interrupt him.
• 1:44:29
  Speaker 1: They didn't want to disturb him break into his thoughts
• 1:44:32
  Speaker 1: before he kind of woke himself up from his kind
• 1:44:35
  Speaker 1: of day dream his thinking process. It is very essential,
• 1:44:40
  Speaker 1: Miss Stoner, said, he that you should absolutely follow my
• 1:44:43
  Speaker 1: advice in every respect. I shall most certainly do so
• 1:44:48
  Speaker 1: the matter is too serious for any hesitation. Your life
• 1:44:52
  Speaker 1: may depend on your compliance. I assure you that I'm
• 1:44:56
  Speaker 1: in your hands in the first place. Both my friend
• 1:44:59
  Speaker 1: and I must spend the night in your room. Both
• 1:45:02
  Speaker 1: Miss Stoner and I gazed at him in astonishment, looked
• 1:45:06
  Speaker 1: at him like what, yes, it must be, So let
• 1:45:10
  Speaker 1: me explain. I believe that that is the village inn
• 1:45:13
  Speaker 1: over there, meaning that's the local pub and hotel over there. Yes, yes,
• 1:45:19
  Speaker 1: that's the Crown very good. Your windows would be visible
• 1:45:23
  Speaker 1: from there, certainly, So basically is that the local pub
• 1:45:29
  Speaker 1: and hotel? Yes it is? And would would it be
• 1:45:33
  Speaker 1: possible to see your windows from that place? And she
• 1:45:36
  Speaker 1: says yes. You must confine yourself to your room on
• 1:45:41
  Speaker 1: pretense of a headache when your stepfather comes back. Then,
• 1:45:45
  Speaker 1: when you hear him retire for the night, you must
• 1:45:48
  Speaker 1: open the shutters of your window, undo the hasp, put
• 1:45:52
  Speaker 1: your lamp there as a signal to us, and then
• 1:45:54
  Speaker 1: withdraw quietly with everything which you are likely to want
• 1:45:58
  Speaker 1: into the room which you used to occupy. I have
• 1:46:01
  Speaker 1: no doubt that, in spite of the repairs, you could
• 1:46:04
  Speaker 1: manage there for one night, Oh, yes, easily. The rest
• 1:46:08
  Speaker 1: you will leave in our hands. Okay, So Holmes is
• 1:46:12
  Speaker 1: saying to miss Stoner that she has to go into
• 1:46:19
  Speaker 1: her room and stay there until she thinks that the
• 1:46:24
  Speaker 1: doctor has kind of gone to bed, and then she
• 1:46:28
  Speaker 1: has to open the window and open the shutter and
• 1:46:34
  Speaker 1: with her lamp give a signal to Holmes and Watson,
• 1:46:37
  Speaker 1: who will be in the pub or the hotel over
• 1:46:41
  Speaker 1: the road or whatever, so that they can see. And
• 1:46:45
  Speaker 1: then she's going to go with or anything she needs
• 1:46:48
  Speaker 1: into the third room where she's going to spend the night,
• 1:46:52
  Speaker 1: and she's going to leave the window open of the
• 1:46:53
  Speaker 1: second room, and then Watson and Holmes are going to
• 1:46:56
  Speaker 1: sneak into the room and stay there in order to
• 1:46:59
  Speaker 1: see what's going on. But what will you do? We
• 1:47:03
  Speaker 1: shall spend the night in your room, and we shall
• 1:47:06
  Speaker 1: investigate the cause of this noise which has disturbed you.
• 1:47:11
  Speaker 1: I believe, mister Holmes, that you have already made up
• 1:47:14
  Speaker 1: your mind, said Miss Stoner, laying her hand upon my
• 1:47:17
  Speaker 1: companion's sleeve. Perhaps I have, then, for pity's sake, tell
• 1:47:23
  Speaker 1: me what was the cause of my sister's death. I
• 1:47:26
  Speaker 1: should prefer to have clearer proofs before I speak. You
• 1:47:30
  Speaker 1: can at least tell me whether my own thought is correct.
• 1:47:33
  Speaker 1: And if she died from some sudden fright, No, I
• 1:47:37
  Speaker 1: do not think so. I think that there was probably
• 1:47:40
  Speaker 1: some more tangible cause. And now miss Stoner, we must
• 1:47:44
  Speaker 1: leave you, for if doctor Roylet returned and saw us,
• 1:47:48
  Speaker 1: our journey would be in vain. Good Bye, and be brave,
• 1:47:53
  Speaker 1: for if you will do what I have told you,
• 1:47:55
  Speaker 1: you may rest assured that we shall soon drive away
• 1:47:58
  Speaker 1: the dangers that threaten you. Sherlock Holmes and I had
• 1:48:03
  Speaker 1: no difficulty in engaging a bedroom and sitting room at
• 1:48:06
  Speaker 1: the Crown Inn. They were on the upper floor, and
• 1:48:09
  Speaker 1: from our window we could command a view of the
• 1:48:12
  Speaker 1: Avenue gate and of the inhabited wing of Stoke Moran
• 1:48:16
  Speaker 1: Manor House. At dusk we saw Dodor Grimesby Roylet drive past,
• 1:48:22
  Speaker 1: his huge form looming up beside the little figure of
• 1:48:25
  Speaker 1: the lad who drove him, the boy driving the cart,
• 1:48:30
  Speaker 1: driving the taxi. The boy had some slight difficulty in
• 1:48:34
  Speaker 1: undoing the heavy iron gates, and we heard the hoarse
• 1:48:38
  Speaker 1: roar of the doctor's voice, and saw the fury with
• 1:48:42
  Speaker 1: which he shook his clenched fists at him. Come along, boy,
• 1:48:45
  Speaker 1: get on with him. So he could. They noticed Doctor
• 1:48:49
  Speaker 1: Roylet shouting at the boy couldn't open the gate. The
• 1:48:53
  Speaker 1: trap drove on, and a few minutes later we saw
• 1:48:56
  Speaker 1: a sudden light spring up among the trees as the
• 1:48:59
  Speaker 1: lamp lit in one of the sitting rooms. Do you know,
• 1:49:03
  Speaker 1: Watson said Holmes, as we sat together in the gathering darkness.
• 1:49:07
  Speaker 1: I have really some scruples as to taking you tonight.
• 1:49:11
  Speaker 1: There is a distinct element of danger. So Holmes is saying,
• 1:49:15
  Speaker 1: you know, I'm not sure I should bring you tonight
• 1:49:17
  Speaker 1: because it could be really dangerous. And Watson says, can
• 1:49:23
  Speaker 1: I be of assistance? Holmes says, your presence might be invaluable. Mean,
• 1:49:30
  Speaker 1: your presence might be really important. You might be very helpful.
• 1:49:35
  Speaker 1: Then I shall certainly come. It is very kind of
• 1:49:38
  Speaker 1: you you speak of danger. You have evidently seen more
• 1:49:42
  Speaker 1: in these rooms than was visible to me. No, but
• 1:49:45
  Speaker 1: I fancy that I may have deduced a little more.
• 1:49:48
  Speaker 1: I imagine that you saw all that I did. I
• 1:49:52
  Speaker 1: saw nothing remarkable save the bell rope, And what purpose
• 1:49:56
  Speaker 1: that could answer, I confess, is more than I can imagine.
• 1:49:59
  Speaker 1: So what has Homes deduced? What do you think he's
• 1:50:03
  Speaker 1: seen this rope that doesn't seem to be doing anything
• 1:50:06
  Speaker 1: hanging down from this hole in the ceiling which is
• 1:50:09
  Speaker 1: connects to Roylet's room. What about the whistle heard in
• 1:50:13
  Speaker 1: the middle of the night. What about the clanging of
• 1:50:15
  Speaker 1: the metal There is a metal safe in Roylett's room.
• 1:50:21
  Speaker 1: What caused Julia's death? What's going on? You saw the
• 1:50:26
  Speaker 1: ventilator too, yes, but I do not think that it
• 1:50:29
  Speaker 1: is such a very unusual thing to have a small
• 1:50:32
  Speaker 1: opening between two rooms. It was so small that a
• 1:50:35
  Speaker 1: rat could hardly pass through. I knew that we should
• 1:50:40
  Speaker 1: find a ventilator before we ever came to Stoke Moran,
• 1:50:43
  Speaker 1: my dear homes Oh, yes, I did you remember in
• 1:50:47
  Speaker 1: her statement she said that her sister could smell doctor
• 1:50:50
  Speaker 1: Roylett's cigar. Now, of course that suggested at once there
• 1:50:54
  Speaker 1: must be a communication between the two rooms. It could
• 1:50:58
  Speaker 1: only be a small one, or it would have been
• 1:51:00
  Speaker 1: remarked upon at the coroner's inquiry. I deduced a ventilator.
• 1:51:05
  Speaker 1: But what harm can there be in that? Well? There
• 1:51:08
  Speaker 1: is at least a curious coincidence of dates. A ventilator
• 1:51:12
  Speaker 1: is made, a cord is hung, and a lady who
• 1:51:15
  Speaker 1: sleeps in the bed dies does that not strike you.
• 1:51:20
  Speaker 1: I cannot as yet see any connection. Did you observe
• 1:51:23
  Speaker 1: anything very peculiar about that bed er? No, it was
• 1:51:28
  Speaker 1: clamped to the floor. Did you ever see a bed
• 1:51:31
  Speaker 1: fastened like that before? Meaning it was like attached to
• 1:51:36
  Speaker 1: the floor. I cannot say that I have The lady
• 1:51:40
  Speaker 1: could not move her bed. It must always be in
• 1:51:44
  Speaker 1: the same relative position to the ventilator and to the rope,
• 1:51:48
  Speaker 1: or so we may call it, since it was clearly
• 1:51:51
  Speaker 1: never meant for a bell pull, Holmes, I cried, I
• 1:51:57
  Speaker 1: seem to see dimly what you're hinting at. They are
• 1:52:00
  Speaker 1: only just in time to prevent some subtle and horrible crime.
• 1:52:04
  Speaker 1: Subtle enough and horrible enough. When a doctor does go wrong,
• 1:52:09
  Speaker 1: he is the first of criminals. He has nerve and
• 1:52:12
  Speaker 1: he has knowledge. Palmer and Pritchard were among the heads
• 1:52:16
  Speaker 1: of their profession. This man strikes even deeper. But I think, Watson,
• 1:52:21
  Speaker 1: that we shall be able to strike deeper still. So
• 1:52:24
  Speaker 1: basically Holmes is saying that when a doctor becomes a criminal,
• 1:52:28
  Speaker 1: they become like the kind of the first of all
• 1:52:32
  Speaker 1: the criminals, because they have nerve, meaning they have the
• 1:52:34
  Speaker 1: kind of calmness of a doctor, and they have the knowledge,
• 1:52:39
  Speaker 1: the medical knowledge of how the body works. Palmer and Pritchard,
• 1:52:45
  Speaker 1: these are kind of like serial killers from the Victorian
• 1:52:49
  Speaker 1: era who were both doctors as well. And Palmer and
• 1:52:54
  Speaker 1: Pritchard are examples of like doctors who killed people. Strikes
• 1:53:00
  Speaker 1: even deeper. But I think Watson, that we shall be
• 1:53:04
  Speaker 1: able to strike deeper still, but we shall have horrors
• 1:53:09
  Speaker 1: enough before the night is over. For goodness sake, let
• 1:53:11
  Speaker 1: us have a quiet pipe and turn our minds for
• 1:53:14
  Speaker 1: a few hours to something more cheerful. So he's saying,
• 1:53:17
  Speaker 1: it's going to be We're going to see some horrific
• 1:53:19
  Speaker 1: things tonight. So let's just relax for the moment and
• 1:53:22
  Speaker 1: smoke a pipe and just chill out a bit. Let's
• 1:53:26
  Speaker 1: move on. About nine o'clock the light among the trees
• 1:53:29
  Speaker 1: was extinguished, so Roilet's light in the sitting room went out,
• 1:53:35
  Speaker 1: and all was dark in the direction of the manor house.
• 1:53:38
  Speaker 1: Two hours passed slowly away, and then suddenly, just at
• 1:53:42
  Speaker 1: the stroke of eleven, a single bright light shone out
• 1:53:46
  Speaker 1: right in front of us. That is our signal, said Holmes,
• 1:53:49
  Speaker 1: springing to his feet. It comes from the middle window.
• 1:53:54
  Speaker 1: That means it's Helen as we passed out, meaning as
• 1:53:58
  Speaker 1: we left, exchanged a few words with the landlord, explaining
• 1:54:03
  Speaker 1: that we were going on a late visit to an
• 1:54:04
  Speaker 1: acquaintance and that it was possible that we might spend
• 1:54:08
  Speaker 1: the night there. A moment later we were out on
• 1:54:11
  Speaker 1: the dark road, a chill wind blowing in our faces,
• 1:54:14
  Speaker 1: and one yellow light twinkling in front of us through
• 1:54:17
  Speaker 1: the gloom to guide us on our somber errand so
• 1:54:21
  Speaker 1: they went outside, following the light from the window. There
• 1:54:27
  Speaker 1: was little difficulty in entering the grounds, for unrepaired breeches
• 1:54:31
  Speaker 1: gaped in the old park wall, so it was easy
• 1:54:35
  Speaker 1: to get into the grounds of the house because of
• 1:54:36
  Speaker 1: these big holes in the wall. Making our way among
• 1:54:40
  Speaker 1: the trees, we reached the lawn and crossed it and
• 1:54:43
  Speaker 1: were about to enter through the window, when out from
• 1:54:47
  Speaker 1: a clump of laurel bushes there darted what seemed to
• 1:54:51
  Speaker 1: be a hideous and distorted child, who threw itself upon
• 1:54:54
  Speaker 1: the grass with writhing limbs, and then ran swiftly across
• 1:54:58
  Speaker 1: the lawn into the darkness. So they were just about
• 1:55:01
  Speaker 1: to enter the window when they saw something jumping out
• 1:55:04
  Speaker 1: from behind one of the bushes. It looked like some
• 1:55:07
  Speaker 1: sort of horrible distorted child who jumped onto the grass
• 1:55:13
  Speaker 1: with sort of horribly writhing moving arms, and ran quickly
• 1:55:18
  Speaker 1: across the lawn. My god, I whispered, did you see it?
• 1:55:23
  Speaker 1: What was this weird sort of monster? Holmes was, for
• 1:55:28
  Speaker 1: the moment as startled as eyes. So they both looked
• 1:55:31
  Speaker 1: kind of shocked by this, startled by it. His hand
• 1:55:35
  Speaker 1: closed like a vice upon my wrist in his agitation.
• 1:55:38
  Speaker 1: Then he broke into a low laugh and put his
• 1:55:41
  Speaker 1: lips to my ear. It is a nice household, he murmured,
• 1:55:46
  Speaker 1: That is the baboon. So they just had a close
• 1:55:50
  Speaker 1: encounter with the baboon that lived at the house, this
• 1:55:53
  Speaker 1: weird monkey. I'd forgotten the strange pets which the doctor affected.
• 1:55:58
  Speaker 1: There was a cheetah too, Perhaps we might find it
• 1:56:02
  Speaker 1: upon our shoulders at any moment. I confess that I
• 1:56:06
  Speaker 1: felt easier in my mind when after following Holmes's example
• 1:56:10
  Speaker 1: and slipping off my shoes, I found myself inside the bedroom.
• 1:56:14
  Speaker 1: My companion noiselessly closed the shutters, moved the lamp on
• 1:56:19
  Speaker 1: to the table, and cast his eyes around the room.
• 1:56:23
  Speaker 1: All was as we had seen it in the daytime.
• 1:56:26
  Speaker 1: Then creeping up to me, and making a trumpet of
• 1:56:28
  Speaker 1: his hand. He whispered into my ear again, so gently
• 1:56:33
  Speaker 1: that it was all that I could do to distinguish
• 1:56:35
  Speaker 1: the words. The least sound would be fatal to our plans.
• 1:56:41
  Speaker 1: I nodded to show that I had heard. We must
• 1:56:44
  Speaker 1: sit without light. He would see it through the ventilator.
• 1:56:49
  Speaker 1: I nodded again. Do not go asleep. Your very life
• 1:56:53
  Speaker 1: may depend upon it. Have your pistol ready in case
• 1:56:58
  Speaker 1: we should need it. I will sit on the side
• 1:57:00
  Speaker 1: of the bed, and you in that chair. I took
• 1:57:04
  Speaker 1: out my revolver and laid it on the corner of
• 1:57:07
  Speaker 1: the table. Holmes had brought up a long, thin cane,
• 1:57:11
  Speaker 1: like a long thin stick, and this he placed upon
• 1:57:15
  Speaker 1: the bed beside him. By it he laid the box
• 1:57:18
  Speaker 1: of matches and the stump of a candle. Then he
• 1:57:22
  Speaker 1: turned down the lamp, and we were left in darkness.
• 1:57:25
  Speaker 1: How shall I ever forget that dreadful vigil. I could
• 1:57:29
  Speaker 1: not hear a sound, not even the drawing of a breath,
• 1:57:33
  Speaker 1: and yet I knew that my companion sat open eyed,
• 1:57:36
  Speaker 1: within a few feet of me, in the same state
• 1:57:39
  Speaker 1: of nervous tension in which I was myself. The shutters
• 1:57:42
  Speaker 1: cut off the least ray of light, and we waited
• 1:57:45
  Speaker 1: in absolute darkness. So, by the way, at this point,
• 1:57:48
  Speaker 1: they are in the bedroom in complete darkness. Watson is
• 1:57:53
  Speaker 1: sitting in the chair, he has the gun on the
• 1:57:58
  Speaker 1: side next to him. Homes is sitting, I think, on
• 1:58:02
  Speaker 1: the bed. He's got a wooden cane, a kind of
• 1:58:06
  Speaker 1: long wooden thin wooden stick which he's put on the
• 1:58:08
  Speaker 1: side table, and a box of matches, and a little
• 1:58:13
  Speaker 1: candle which I guess he can light quickly in order
• 1:58:17
  Speaker 1: to illuminate the room. And they're sitting in absolute silence,
• 1:58:21
  Speaker 1: because obviously next door there's doctor Roylet, who doesn't know
• 1:58:25
  Speaker 1: that they're there, and they're going to wait and see
• 1:58:27
  Speaker 1: what's going to happen. From outside, came the occasional cry
• 1:58:31
  Speaker 1: of a night bird, and once at our very window
• 1:58:34
  Speaker 1: a long drawn cat like wine something like that, which
• 1:58:41
  Speaker 1: told us that the cheetah was indeed at liberty. That's
• 1:58:45
  Speaker 1: told us that the cheatah was free, just roaming around freely.
• 1:58:49
  Speaker 1: Far away, we could hear the deep tones of the
• 1:58:52
  Speaker 1: parish clock, which boomed out every quarter of an hour,
• 1:58:56
  Speaker 1: So they could hear the sounds of the clock from
• 1:58:58
  Speaker 1: the church. How long they seemed those quarters. Every fifteen minutes,
• 1:59:05
  Speaker 1: twelve struck and one, and two and three, and still
• 1:59:10
  Speaker 1: we sat, waiting silently for whatever might befall. Suddenly there
• 1:59:15
  Speaker 1: was the momentary gleam of a light up in the
• 1:59:18
  Speaker 1: direction of the ventilator, which vanished immediately, but was succeeded
• 1:59:23
  Speaker 1: by a strong smell of burning oil and heated metal.
• 1:59:27
  Speaker 1: Someone in the next room had lit a dark lantern.
• 1:59:31
  Speaker 1: I heard a gentle sound of movement, and then all
• 1:59:34
  Speaker 1: was silent once more, though the smell grew stronger for
• 1:59:40
  Speaker 1: half an hour. I sat with straining ears. Then suddenly
• 1:59:44
  Speaker 1: another sound became audible, a very gentle, soothing sound, like
• 1:59:50
  Speaker 1: that of a small jet of steam escaping continually from
• 1:59:54
  Speaker 1: a kettle. The instant that we heard it, Holmes sprang
• 2:00:03
  Speaker 1: from the bed, struck a match, and lashed furiously with
• 2:00:07
  Speaker 1: his cane at the bell pull. So he starts whacking
• 2:00:11
  Speaker 1: the rope with his with his with his wooden stick.
• 2:00:16
  Speaker 1: You see it, Watson, he yelled, you see it, But
• 2:00:19
  Speaker 1: I saw nothing. At the moment when Holmes struck the light,
• 2:00:23
  Speaker 1: I heard a low, clear whistle, But the sudden glare
• 2:00:29
  Speaker 1: flashing into my weary eyes made it impossible for me
• 2:00:31
  Speaker 1: to tell what it was at which my friend lashed
• 2:00:34
  Speaker 1: so savagely, so he couldn't see exactly what it was
• 2:00:37
  Speaker 1: that Holmes was trying to hit with this stick. While
• 2:00:39
  Speaker 1: he was lashing, I could, however, see that his face
• 2:00:43
  Speaker 1: was deadly pale and filled with horror and loathing. So
• 2:00:47
  Speaker 1: he could see Holmes's face and ugh, Holmes is terrified. Ah,
• 2:00:51
  Speaker 1: while he's trying to hit this thing, whatever it is.
• 2:00:55
  Speaker 1: He had ceased to strike and was gazing up at
• 2:00:58
  Speaker 1: the ventilator when suddenly there broke from the silence of
• 2:01:01
  Speaker 1: the night, the most horrible cry to which I have
• 2:01:05
  Speaker 1: ever listened. It swelled up, louder and louder, a hoarse
• 2:01:10
  Speaker 1: yell of pain and fear and anger, all mingled in
• 2:01:13
  Speaker 1: the one dreadful shriek. So horse, by the way, refers
• 2:01:18
  Speaker 1: to the sound of someone's throat like this. This is
• 2:01:21
  Speaker 1: a horse sounding voice, So it's not like a not
• 2:01:25
  Speaker 1: one of those horses horse spelled h O A R
• 2:01:29
  Speaker 1: s E. A horse yell, meaning a sound made by
• 2:01:34
  Speaker 1: someone's voice. So they suddenly, in the middle of this
• 2:01:38
  Speaker 1: the night, this, after this strange moment has occurred, they
• 2:01:41
  Speaker 1: hear this horrible scream this horrible cry ah, something like that,
• 2:01:50
  Speaker 1: a horse yell of pain and fear and anger, all
• 2:01:53
  Speaker 1: mingled in one dreadful shriek. Ah. They say that away
• 2:02:00
  Speaker 1: down in the village, and even in the distant parsonage
• 2:02:04
  Speaker 1: where the parson lives, where the local priest lives, that
• 2:02:09
  Speaker 1: cry raised the sleepers from their beds. It struck cold
• 2:02:13
  Speaker 1: to our hearts. And I stood gazing at Holmes and
• 2:02:17
  Speaker 1: he at me until the last echoes of it had
• 2:02:20
  Speaker 1: died away into the silence from which it rose. So
• 2:02:22
  Speaker 1: they just stood. They sat there, staring at each other
• 2:02:25
  Speaker 1: while this ah raw. No Arnold Schwarzenegger involved in this
• 2:02:39
  Speaker 1: raal anyway. What can it mean? I gasped. It means
• 2:02:42
  Speaker 1: that it is all over, Holmes answered, and perhaps after
• 2:02:46
  Speaker 1: all it is for the best. Take your pistol and
• 2:02:50
  Speaker 1: we will enter doctor Roylett's room with a grave face
• 2:02:54
  Speaker 1: like with a serious face, he lit the lamp and
• 2:02:57
  Speaker 1: led the way down the corridor. Twice. He struck at
• 2:03:00
  Speaker 1: the chamber door without any reply from within. Then he
• 2:03:07
  Speaker 1: turned the handle and entered. I at his heels with
• 2:03:11
  Speaker 1: the cocked pistol in my hand. It was a singular
• 2:03:15
  Speaker 1: sight which met our eyes, meaning a sort of light
• 2:03:18
  Speaker 1: unique sight. On the table stood a dark lantern with
• 2:03:22
  Speaker 1: the shutter half open, throwing a brilliant beam of light
• 2:03:26
  Speaker 1: upon the iron safe, the door of which was ajar,
• 2:03:31
  Speaker 1: So fir if the door is ajar, it made it
• 2:03:34
  Speaker 1: slightly open. Beside this table, on the wooden chair sat
• 2:03:39
  Speaker 1: mister Grimesby Roilet, clad in a long gray dressing gown,
• 2:03:44
  Speaker 1: his bare ankles protruding beneath, and his feet thrust into
• 2:03:51
  Speaker 1: red heelless Turkish slippers. So Grimesby Royalties sitting in this chair.
• 2:03:57
  Speaker 1: Across his lap lay the short stock with the long lash,
• 2:04:01
  Speaker 1: which we had noticed during the day. So this is
• 2:04:04
  Speaker 1: that short like kind of like dog leash with a
• 2:04:07
  Speaker 1: little loop on the end that's lying on on his
• 2:04:11
  Speaker 1: lap in front of him. His chin was cocked upward,
• 2:04:14
  Speaker 1: and his eyes were fixed in a dreadful, rigid stare
• 2:04:19
  Speaker 1: at the corner of the ceiling. So he's his face
• 2:04:23
  Speaker 1: is like locked in this stare, staring at the ceiling.
• 2:04:28
  Speaker 1: Round his brow, so around the sort of front of
• 2:04:31
  Speaker 1: the top of his head above his eyes, like where
• 2:04:34
  Speaker 1: someone like where a tennis player would wear a headband,
• 2:04:39
  Speaker 1: So round his brow, he had a peculiar yellow band
• 2:04:43
  Speaker 1: with brownish speckles, which seemed to be bound tightly round
• 2:04:48
  Speaker 1: his head. Something kind of wrapped round his head. As
• 2:04:54
  Speaker 1: we entered, he made neither sound nor motion. So he
• 2:04:58
  Speaker 1: didn't make a sound, and he didn't move the band,
• 2:05:01
  Speaker 1: the speckled band, whispered Holmes. I took a step forward.
• 2:05:06
  Speaker 1: In an instant, his strange head gear, this strange thing
• 2:05:10
  Speaker 1: around his head began to move, and there reared itself
• 2:05:16
  Speaker 1: from among his hair, the squat diamond shaped head and
• 2:05:21
  Speaker 1: puffed neck of a loathsome serpent. So this speckled band,
• 2:05:26
  Speaker 1: what looked like a band around his head, suddenly started
• 2:05:30
  Speaker 1: to move. And then from his hair, this the head
• 2:05:35
  Speaker 1: of a snake, moved upwards. It is a swamp adder,
• 2:05:42
  Speaker 1: cried Holmes. The deadliest snake in India. He has died
• 2:05:46
  Speaker 1: within ten seconds of being bitten. Violence does, in truth
• 2:05:51
  Speaker 1: recoil upon the violent, and the schemer falls into the
• 2:05:54
  Speaker 1: pit which he digs for another. So this is the
• 2:05:58
  Speaker 1: solution to this mystery. It's a snake. The speckled band
• 2:06:04
  Speaker 1: is the body of a snake, and it's this snake
• 2:06:09
  Speaker 1: which Roylet has been using as a kind of weapon.
• 2:06:14
  Speaker 1: This has actually bitten him. Let us thrust this creature
• 2:06:21
  Speaker 1: back into its den, and we can then remove miss
• 2:06:24
  Speaker 1: Stoner to some place of shelter and let the county
• 2:06:27
  Speaker 1: police know what has happened. So Holmes wants to put
• 2:06:31
  Speaker 1: the snake back into the safe. As he spoke, he
• 2:06:36
  Speaker 1: drew the dog whip swiftly from the dead man's lap, and,
• 2:06:39
  Speaker 1: throwing the noose around the reptile's neck, he drew it
• 2:06:42
  Speaker 1: from its horrid perch, and, carrying it at arm's length,
• 2:06:46
  Speaker 1: threw it into the iron safe, which he closed upon it.
• 2:06:50
  Speaker 1: Poor snake, It's not his fault, is it. Such are
• 2:06:54
  Speaker 1: the true facts of the death of doctor grimesby Roilet
• 2:06:58
  Speaker 1: of Stoke, Moran. It is not necessary that I should
• 2:07:01
  Speaker 1: prolong a narrative which has already run to two great
• 2:07:05
  Speaker 1: a length, by telling how we broke the sad news
• 2:07:08
  Speaker 1: to the terrified girl, how we conveyed her by the
• 2:07:12
  Speaker 1: morning train to the care of her good aunt in Harrow,
• 2:07:16
  Speaker 1: of how the slow process of official inquiry came to
• 2:07:19
  Speaker 1: the conclusion that the doctor met his fate while indiscreetly
• 2:07:24
  Speaker 1: playing with a dangerous pet. The little which I had
• 2:07:27
  Speaker 1: yet to learn of the case, was told me by
• 2:07:30
  Speaker 1: Sherlock Holmes as we traveled back the next day. I
• 2:07:35
  Speaker 1: had said, he come to an entirely erroneous conclusion, which shows,
• 2:07:40
  Speaker 1: my dear Watson, how dangerous it always is to reason
• 2:07:44
  Speaker 1: from insufficient data. So basically he's saying he'd got the
• 2:07:49
  Speaker 1: wrong conclusion. He'd come to the wrong conclusion about this,
• 2:07:53
  Speaker 1: which shows that it is dangerous to make your conclusions
• 2:07:56
  Speaker 1: from when you don't have enough data. The presence of
• 2:07:59
  Speaker 1: the hypsies and the use of the word band, which
• 2:08:03
  Speaker 1: was used by the poor girl, no doubt, to explain
• 2:08:05
  Speaker 1: the appearance which she had caught a hurried glimpse of
• 2:08:08
  Speaker 1: by the light of her match, were sufficient to put
• 2:08:11
  Speaker 1: me upon an entirely wrong scent. Scent is smell, so
• 2:08:16
  Speaker 1: a bit like a dog would be sniffing for a
• 2:08:20
  Speaker 1: smell to you to investigate something, something can put you
• 2:08:25
  Speaker 1: on the wrong scent, meaning can sort of send you
• 2:08:28
  Speaker 1: on the wrong line of inquiry. I can only claim
• 2:08:33
  Speaker 1: the merits that I instantly reconsidered my position when, however,
• 2:08:37
  Speaker 1: it became clear to me that whatever danger threatened an
• 2:08:41
  Speaker 1: occupant of the room could not come either from the
• 2:08:43
  Speaker 1: window or the door. My attention was speedily drawn, as
• 2:08:48
  Speaker 1: I have already remarked to you, to this ventilator and
• 2:08:52
  Speaker 1: to the bell rope which hung down to the bed.
• 2:08:56
  Speaker 1: The discovery that this was a dummy, in a fake one,
• 2:09:00
  Speaker 1: and that the bed was clamped to the floor instantly
• 2:09:03
  Speaker 1: gave rise to the suspicion that the rope was there
• 2:09:06
  Speaker 1: as a bridge for something passing through the hole and
• 2:09:09
  Speaker 1: coming to the bed. The idea of a snake instantly
• 2:09:13
  Speaker 1: occurred to me, and when I coupled it with my
• 2:09:15
  Speaker 1: knowledge that the doctor was furnished with a supply of
• 2:09:18
  Speaker 1: creatures from India, I felt that I was probably on
• 2:09:21
  Speaker 1: the right track. The idea of using a form of
• 2:09:25
  Speaker 1: poison which could not possibly be discovered by any chemical
• 2:09:29
  Speaker 1: test was just such a one as would occur to
• 2:09:32
  Speaker 1: a clever and ruthless man who had had an Eastern training.
• 2:09:37
  Speaker 1: The rapidity with which such a poison would take effect
• 2:09:40
  Speaker 1: would also, from his point of view, be an advantage.
• 2:09:44
  Speaker 1: It would be a sharp eyed coroner, indeed, who could
• 2:09:47
  Speaker 1: distinguish the two little dark punctures which would show where
• 2:09:51
  Speaker 1: the poison fangs had done their work. Then I thought
• 2:09:54
  Speaker 1: of the whistle. Of course, he must recall the snake
• 2:09:57
  Speaker 1: before the morning light revealed it to the victim. He
• 2:10:01
  Speaker 1: had trained it, probably by the use of the milk
• 2:10:04
  Speaker 1: which we saw, to return to him when summoned. He
• 2:10:08
  Speaker 1: would put it through this ventilator at the hour that
• 2:10:11
  Speaker 1: he thought best, with the certainty that it would crawl
• 2:10:14
  Speaker 1: down the rope and land on the bed. It might
• 2:10:17
  Speaker 1: or might not bite the occupant. Perhaps she might escape
• 2:10:21
  Speaker 1: every night for a week, but sooner or later she
• 2:10:24
  Speaker 1: must fall a victim. I had come to these conclusions
• 2:10:29
  Speaker 1: before ever I had entered his room. An inspection of
• 2:10:33
  Speaker 1: his chair showed me that he had been in the
• 2:10:35
  Speaker 1: habit of standing on it, which of course would be
• 2:10:38
  Speaker 1: necessary in order that he should reach the ventilator. The
• 2:10:42
  Speaker 1: sight of the safe, the saucer of milk, and the
• 2:10:45
  Speaker 1: loop of whip cord were enough to finally dispel any
• 2:10:49
  Speaker 1: doubts which may have remained. The metallic clang heard by
• 2:10:54
  Speaker 1: miss Stoner was obviously caused by her stepfather hastily closing
• 2:10:58
  Speaker 1: the door of his safe upon its terrible occupant. Having
• 2:11:01
  Speaker 1: once made up my mind, you know the steps which
• 2:11:04
  Speaker 1: I took in order to put the matter to the proof.
• 2:11:07
  Speaker 1: I heard the creature hiss as I have no doubt
• 2:11:12
  Speaker 1: that you did also, And I instantly lit the light
• 2:11:15
  Speaker 1: and attacked it, poor snake, with the result of driving
• 2:11:20
  Speaker 1: it through the ventilator, and also with the result of
• 2:11:23
  Speaker 1: causing it to turn upon its master at the other side.
• 2:11:28
  Speaker 1: Some of the blows of my cane came home and
• 2:11:30
  Speaker 1: roused its snakish temper so that it flew upon the
• 2:11:34
  Speaker 1: first person it saw. In this way, I am no
• 2:11:37
  Speaker 1: doubt indirectly responsible for dr grimesby Roylett's death, and I
• 2:11:41
  Speaker 1: cannot say that it is likely to weigh very heavily
• 2:11:45
  Speaker 1: upon my conscience. Right, that's the answer. That's where Holmes
• 2:11:50
  Speaker 1: explained what happened, that he is indirectly responsible for Roylett's death.
• 2:11:57
  Speaker 1: So what happened is that they were in the room.
• 2:12:00
  Speaker 1: Royle At woke up at three point thirty am or
• 2:12:02
  Speaker 1: whatever and decided now was the time to send the
• 2:12:06
  Speaker 1: snake into the room, which apparently he did every night,
• 2:12:09
  Speaker 1: hoping that he would, just like he'd done with Julia,
• 2:12:13
  Speaker 1: bring about her death. Bringing about her death, he would
• 2:12:16
  Speaker 1: do the same thing to Helen, now that she was
• 2:12:18
  Speaker 1: engaged to be married. Right, this was his way of
• 2:12:22
  Speaker 1: secretly killing her in a way that no doctor could identify.
• 2:12:27
  Speaker 1: You know, quite a plan. So he trained the snake.
• 2:12:33
  Speaker 1: He trained the snake to go through the ventilator and
• 2:12:35
  Speaker 1: down the rope. Somehow he'd been using the little bowl
• 2:12:39
  Speaker 1: of milk to help train the snake. I don't know,
• 2:12:43
  Speaker 1: can you train a snake? I suppose you can. I mean,
• 2:12:45
  Speaker 1: you see snake charmers and things they can do. Apparently
• 2:12:48
  Speaker 1: he'd learned some of these tricks in his time in India.
• 2:12:51
  Speaker 1: How to train a snake, I don't know. You have
• 2:12:54
  Speaker 1: to to an extent, you have to kind of be
• 2:12:57
  Speaker 1: willing to go along with the story. You have to
• 2:12:59
  Speaker 1: suspend your disc belief in some of these situations and
• 2:13:02
  Speaker 1: just enjoy the story. So he trained the snake to
• 2:13:05
  Speaker 1: go through the ventilator and down the rope, where it
• 2:13:08
  Speaker 1: would then drop onto the bed, and sooner or later
• 2:13:12
  Speaker 1: it would bite the occupant. And then I suppose with
• 2:13:15
  Speaker 1: the little whistle, he would call the snake back through
• 2:13:18
  Speaker 1: the ventilator, where he would then put it into the
• 2:13:20
  Speaker 1: safe where no one could see it. This is what
• 2:13:24
  Speaker 1: he tried to do, but Holmes and Watson were in
• 2:13:27
  Speaker 1: the room this time. Holmes heard the hissing sound of
• 2:13:30
  Speaker 1: the snake. He already knew that it was a snake.
• 2:13:33
  Speaker 1: He'd deduced this, he'd worked this out, so he hit
• 2:13:36
  Speaker 1: the snake, the poor snake, I know. He hit the
• 2:13:40
  Speaker 1: snake with the stick. The snake got really angry and
• 2:13:43
  Speaker 1: went back through the ventilator and just attacked the first
• 2:13:46
  Speaker 1: human that it saw, which was Roilet. In this case,
• 2:13:49
  Speaker 1: Roylet got bitten by his own his own snake. So
• 2:13:54
  Speaker 1: the violence which he'd been dealing out upon the girls
• 2:13:58
  Speaker 1: in the end returned to attack him. So he was
• 2:14:02
  Speaker 1: victim of his own violence. And Holmes says, although I
• 2:14:07
  Speaker 1: was indirectly responsible for Dr Roylett's death, I don't This
• 2:14:13
  Speaker 1: is not likely to weigh very heavily on my conscience.
• 2:14:16
  Speaker 1: So it's not going to be on his conscience. He's
• 2:14:19
  Speaker 1: not going to feel guilty about it because he As
• 2:14:22
  Speaker 1: far as Holmes is concerned, justice has been done. The
• 2:14:26
  Speaker 1: police decided that Roylet died due to an accident with him,
• 2:14:34
  Speaker 1: you know, playing with his pet snake, and that's that. Okay, listeners,
• 2:14:41
  Speaker 1: did you manage to follow this? Some people are currently
• 2:14:44
  Speaker 1: just skeletons in front of their you know, computers, or
• 2:14:48
  Speaker 1: their phones or whatever. I don't know. But then a
• 2:14:50
  Speaker 1: lot of you aren't. So if you are not a skeleton,
• 2:14:52
  Speaker 1: then good for you. You survived all the way through. I
• 2:14:56
  Speaker 1: hope you enjoyed the story. I hope my explanations have helped. Well.
• 2:14:59
  Speaker 1: I'm going to now just at the end is kind
• 2:15:01
  Speaker 1: of just give you a whole a summary of the
• 2:15:03
  Speaker 1: whole story in chronological order. This will just take a
• 2:15:06
  Speaker 1: couple of minutes. This is, in my words, a summary
• 2:15:10
  Speaker 1: of the whole chronology of this story. So, the royle
• 2:15:14
  Speaker 1: At family were one of the oldest Anglo Saxon families
• 2:15:17
  Speaker 1: in England, a noble family, kind of connected to the
• 2:15:21
  Speaker 1: royal family. That's what the nobility is. Upper class noble family,
• 2:15:26
  Speaker 1: like the family in Downton Abbey, right, that's another noble family.
• 2:15:30
  Speaker 1: So that's the royle At family. But over successive generations,
• 2:15:35
  Speaker 1: the family's fortune, that's their money and the land that
• 2:15:38
  Speaker 1: they owned. Their fortune had been lost and so when
• 2:15:42
  Speaker 1: Grimesby Roylet inherited the estate there was almost no money left,
• 2:15:47
  Speaker 1: almost no land left except the house and its grounds
• 2:15:51
  Speaker 1: which were in very bad condition. And Grimesby Royler is
• 2:15:54
  Speaker 1: the sole remaining heir of the of the estate, just
• 2:16:02
  Speaker 1: him Grimesby decided that he needed to learn professional skills
• 2:16:07
  Speaker 1: in order to earn money, so he trained to be
• 2:16:09
  Speaker 1: a doctor. He moved to India, where he lived and
• 2:16:12
  Speaker 1: practiced as a doctor. While living there, he married a
• 2:16:15
  Speaker 1: woman who had two twin daughters, Julia and Helen. They
• 2:16:19
  Speaker 1: became his step daughters. Now. Grimesby was a very nasty
• 2:16:22
  Speaker 1: and mean man like his ancestors. Apparently. Apparently he was
• 2:16:26
  Speaker 1: sort of like Ran in the family, and he got
• 2:16:28
  Speaker 1: in trouble when he had a furious argument with his
• 2:16:31
  Speaker 1: Indian butler over some robberies in the house and he
• 2:16:36
  Speaker 1: killed him. He beat him to death. He's a murderer.
• 2:16:40
  Speaker 1: He spent time in prison in India because of this,
• 2:16:43
  Speaker 1: before moving back to England with his wife and his
• 2:16:45
  Speaker 1: two step daughters now. His wife later died in a
• 2:16:50
  Speaker 1: train accident, so Grimesby was left to live in the
• 2:16:54
  Speaker 1: old house with his step daughters. Now. Grimesby's time in
• 2:16:58
  Speaker 1: India and in prison and the death of his wife
• 2:17:01
  Speaker 1: had changed him. He became even more bad tempered, more
• 2:17:05
  Speaker 1: aggressive and antisocial. He had violent encounters with almost everyone
• 2:17:10
  Speaker 1: he met. His habits were strange. He kept several exotic
• 2:17:14
  Speaker 1: and dangerous animals which he had acquired in India and
• 2:17:18
  Speaker 1: often let them move freely in the house and gardens.
• 2:17:21
  Speaker 1: And he befriended some gypsies traveling people. He let them
• 2:17:26
  Speaker 1: stay on his land and would sometimes go and stay
• 2:17:28
  Speaker 1: with them in their tents. These are the only people
• 2:17:31
  Speaker 1: he socialized with. The two step daughters had inherited some
• 2:17:36
  Speaker 1: money when their mother died, and clearly Grimesby wanted this money.
• 2:17:41
  Speaker 1: When one of the girls got engaged, Grimesby pretended to
• 2:17:44
  Speaker 1: be happy with the engagement, but secretly he planned to
• 2:17:47
  Speaker 1: have the girl killed so he could take her inheritance.
• 2:17:51
  Speaker 1: So he could take her inheritance money, because without it
• 2:17:54
  Speaker 1: he would be almost penniless. He planned her murder very
• 2:17:58
  Speaker 1: carefully so that nobody could understand how it had happened
• 2:18:02
  Speaker 1: or that he was the murderer. Now there's one problem here.
• 2:18:05
  Speaker 1: I suppose it seems it seems obvious that he did it.
• 2:18:09
  Speaker 1: Right anyone looking at the situation, you would think, well,
• 2:18:11
  Speaker 1: he's clearly the number one suspect, clear motive, and no
• 2:18:15
  Speaker 1: other obvious cause of death. Everyone would definitely assume it
• 2:18:18
  Speaker 1: was him. But I suppose without enough evidence, then there's
• 2:18:23
  Speaker 1: nothing that could be done you know, to put him
• 2:18:25
  Speaker 1: in prison. But he's clearly number one suspect, right, I mean,
• 2:18:29
  Speaker 1: he's already committed murder in the past. He's an absolutely horrible,
• 2:18:34
  Speaker 1: cruel and violent scumbag, so he's definitely going to do it.
• 2:18:38
  Speaker 1: He's definitely going to be the one who did it.
• 2:18:40
  Speaker 1: But I guess without the evidence, no one can prosecute him, right,
• 2:18:44
  Speaker 1: That's probably the thing. I suppose his cruelty and evil
• 2:18:47
  Speaker 1: were more powerful forces in him than his intelligence or reason.
• 2:18:51
  Speaker 1: I suppose now, as well as the baboon and the cheetah,
• 2:18:55
  Speaker 1: Grindsby had also acquired a very poisonous snake which kept
• 2:19:00
  Speaker 1: in a safe in his room. Holmes described it as
• 2:19:03
  Speaker 1: a swamp adder. Apparently there's no such snake in India
• 2:19:06
  Speaker 1: as a swamp adder. Probably the closest thing would be
• 2:19:09
  Speaker 1: the cobra something like that. Anyway, he trained the snake
• 2:19:13
  Speaker 1: to go into Julia's room, where it would probably bite her.
• 2:19:16
  Speaker 1: He installed a ventilation shaft which connected the two rooms
• 2:19:21
  Speaker 1: actually just to allow the snake to move into Julia's
• 2:19:23
  Speaker 1: room and back again, and hung a bell pull rope
• 2:19:27
  Speaker 1: from the ceiling next to the ventilation hole which hung
• 2:19:30
  Speaker 1: down onto Julia's bed. He trained the snake to go
• 2:19:33
  Speaker 1: through the ventilation shaft, slither down the rope and onto
• 2:19:36
  Speaker 1: the bed where it would bite Julia, and then when
• 2:19:39
  Speaker 1: he whistled, the snake would come back up the rope,
• 2:19:43
  Speaker 1: through the ventilator and back into his bedroom. The bed
• 2:19:46
  Speaker 1: in Julia's room was attached to the floor, making sure
• 2:19:50
  Speaker 1: that it was always in the right position for the rope.
• 2:19:53
  Speaker 1: Grimesby used a dog leash with a loop in it
• 2:19:55
  Speaker 1: to catch the snake and move it around, putting it
• 2:19:58
  Speaker 1: back into the safe. This is what he did, and
• 2:20:01
  Speaker 1: this is how Julia was killed. Her sister Helen heard
• 2:20:04
  Speaker 1: her scream when she was bitten and rushed to help her.
• 2:20:08
  Speaker 1: She heard the sound of Grimesby in the next room
• 2:20:10
  Speaker 1: closing the heavy metal door of the safe where the
• 2:20:13
  Speaker 1: snake was kept. While dying, Julia said something about the
• 2:20:17
  Speaker 1: speckled band. She was trying to describe the snake, trying
• 2:20:21
  Speaker 1: to describe what it looked like. When her body was examined,
• 2:20:25
  Speaker 1: nobody thought about the possibility of a snake bite and
• 2:20:28
  Speaker 1: didn't notice the small holes where the snake's fangs had
• 2:20:31
  Speaker 1: bitten her. Snake bites are not common in the UK,
• 2:20:35
  Speaker 1: and so nobody would consider this or notice it. The
• 2:20:38
  Speaker 1: venom of this snake is instantly lethal, and also no
• 2:20:41
  Speaker 1: tests for poison would have detected it. So it's kind
• 2:20:46
  Speaker 1: of like this perfect crime in a way. When Helen
• 2:20:50
  Speaker 1: got engaged two after several years of living this terrifying
• 2:20:54
  Speaker 1: life subjected to Grimesby's cruel treatment, her stepfather also accepted
• 2:20:59
  Speaker 1: the propose, but then planned to kill Helen in the
• 2:21:02
  Speaker 1: same way. The idiot. He pretended to start repair work
• 2:21:07
  Speaker 1: on the wall of the house, making Helen move into
• 2:21:10
  Speaker 1: the middle bedroom, the one with the bell pull rope,
• 2:21:13
  Speaker 1: attached bed, etc. And there he tried his plan again.
• 2:21:17
  Speaker 1: Helen heard the sound of Grimesby calling to the snake
• 2:21:28
  Speaker 1: right the whistle, but she wasn't bitten. Feeling terrified and
• 2:21:32
  Speaker 1: not understanding the situation, she went to Sherlock Holmes for help.
• 2:21:36
  Speaker 1: Holmes thought that the Gypsies might be involved, perhaps working
• 2:21:40
  Speaker 1: for Grimesby and entering Julia's bedroom through the window and
• 2:21:43
  Speaker 1: doing something. He thought the word band in speckled band
• 2:21:47
  Speaker 1: meant a band of people, a band of gypsies, A
• 2:21:50
  Speaker 1: group of gypsies maybe, but this was a red herring,
• 2:21:53
  Speaker 1: a red herring, by the way, is something that leads
• 2:21:56
  Speaker 1: you in the wrong direction, like a thing that distracts
• 2:21:59
  Speaker 1: you from the real solution or the real answer to
• 2:22:04
  Speaker 1: the mystery. So it's a piece of evidence which distracts
• 2:22:09
  Speaker 1: you away from the truth. That's a red herring. Herring
• 2:22:12
  Speaker 1: is a kind of fish, So the gypsies were actually
• 2:22:15
  Speaker 1: a red herring. The dangerous animals, the cheetah and the
• 2:22:18
  Speaker 1: baboon were also a red herring kind of Neither of
• 2:22:22
  Speaker 1: them were actually involved in the killing, but it did
• 2:22:25
  Speaker 1: make Homes realize that perhaps Grimesby had other dangerous animals,
• 2:22:30
  Speaker 1: in this case a snake which could be trained to
• 2:22:33
  Speaker 1: enter the room and bite the victim. So it helped
• 2:22:35
  Speaker 1: Homes deduce that it was a snake that was involved,
• 2:22:38
  Speaker 1: especially when you consider the ventilation shaft. Holmes and Watson
• 2:22:42
  Speaker 1: went to the house while Grimesby wasn't there and investigated.
• 2:22:46
  Speaker 1: Holmes noticed these things. There was no way to enter
• 2:22:49
  Speaker 1: the window from the outside. There were no secret doors
• 2:22:53
  Speaker 1: or trapdoors in the room. Also, the chimney, you couldn't
• 2:22:57
  Speaker 1: get through the chimney. The bell pull rope was fake.
• 2:23:02
  Speaker 1: It wasn't attached to a bell and was just hooked
• 2:23:04
  Speaker 1: to the ceiling next to the ventilator opening. The ventilator
• 2:23:07
  Speaker 1: didn't communicate with the outside, which would be normal to
• 2:23:10
  Speaker 1: get fresh air, but instead with Grimesby's room. The bed
• 2:23:14
  Speaker 1: was attached to the floor under the ventilator and rope,
• 2:23:18
  Speaker 1: so Homes worked out that clearly, whatever happened, it was
• 2:23:22
  Speaker 1: not anyone entering the room, it was something else. And
• 2:23:25
  Speaker 1: all the rope, the bed, the ventilator all helped Homes
• 2:23:30
  Speaker 1: to deduce or work out that clearly Grimesby was sending
• 2:23:34
  Speaker 1: something through the ventilator and down the rope. A snake
• 2:23:37
  Speaker 1: seemed to be the obvious answer. In Grimesby's room, there
• 2:23:42
  Speaker 1: was the other end of the ventilator shaft. There was
• 2:23:44
  Speaker 1: a closed safe on the floor with a saucer of
• 2:23:46
  Speaker 1: milk on top. There was a dog leash tied in
• 2:23:49
  Speaker 1: a loop. It was clear that Grimesby used to stand
• 2:23:52
  Speaker 1: on the chair regularly. Homes worked out that this was
• 2:23:56
  Speaker 1: so Grimesby could put, in this case, a snake into
• 2:23:59
  Speaker 1: the ventilator using the dog leash. Holmes decided that they
• 2:24:03
  Speaker 1: needed to spend a night in the room to see
• 2:24:04
  Speaker 1: what would happen, so Holmes could see if a snake
• 2:24:07
  Speaker 1: would come from the ceiling. So when Grimesby had settled
• 2:24:10
  Speaker 1: in his room, Helen opened the window, moved to the
• 2:24:16
  Speaker 1: other room, and Homes and Watson climbed in through the
• 2:24:19
  Speaker 1: open window and waited silently. At about three am, they
• 2:24:22
  Speaker 1: noticed Grimesby's light turning on. Eventually they heard the snake
• 2:24:26
  Speaker 1: coming through the ventilator, hissing as it came. Holmes was
• 2:24:30
  Speaker 1: ready and attacked the snake with a cane. Poor snake.
• 2:24:33
  Speaker 1: The snake went back through the ventilator and bit Grimesby
• 2:24:36
  Speaker 1: in his room. Grimesby screamed and died. Holmes decided, although
• 2:24:41
  Speaker 1: he'd indirectly led to Grimesby's death, that he wouldn't feel
• 2:24:45
  Speaker 1: guilty about it because justice had been done. And that
• 2:24:50
  Speaker 1: is that. Thank you for listening. I hope you enjoyed it.
• 2:24:54
  Speaker 1: Don't forget. You can get the pdfrom the whole text
• 2:24:56
  Speaker 1: that I've just been reading from in the link in
• 2:24:59
  Speaker 1: the description, all on website if you want to, like
• 2:25:01
  Speaker 1: check out specific words and things, but overall, I just
• 2:25:04
  Speaker 1: really hope you enjoyed this classic Sherlock Holmes story. Leave
• 2:25:08
  Speaker 1: your comments in the comment section. Did you did you
• 2:25:12
  Speaker 1: work out what was going on. Did you know what
• 2:25:14
  Speaker 1: was going to happen? Are you as clever as Sherlock Holmes?
• 2:25:19
  Speaker 1: What did you think? Any idea? Just leave your thoughts
• 2:25:22
  Speaker 1: in the comment section, and if you made it this far,
• 2:25:25
  Speaker 1: I don't know what what what what what? What? Let's say,
• 2:25:29
  Speaker 1: leave a comment about justice, something to do with justice.
• 2:25:33
  Speaker 1: And by the way, Helen eventually went and lived with
• 2:25:36
  Speaker 1: her aunt in Harrow, which seemed to be a much
• 2:25:40
  Speaker 1: happier existence. So leave a comment mentioning justice in the
• 2:25:45
  Speaker 1: comment section. If you got this far, I really hope
• 2:25:48
  Speaker 1: you enjoyed that. I really enjoyed reading it to you.
• 2:25:50
  Speaker 1: I will speak to you again in the next episode,
• 2:25:52
  Speaker 1: but for now, it's just time to say goodbye, bye,
• 2:25:55
  Speaker 1: bye boy.