Latest / The World of Phil Hendrie / Episode #3969 The New Phil Hendrie Show Radio Archive Hour

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Episode #3969 The New Phil Hendrie Show Radio Archive Hour · The World of Phil Hendrie

0:00
Speaker 1: Hi, this is Bobbi Dooley, and it just so happens
0:03
Speaker 1: the Circle of Taste gals are in town. This is
0:06
Speaker 1: our out-of-town chapter. They hail from points such as Florida,
0:12
Speaker 1: and then there's also, and then they're from California. But
0:17
Speaker 1: we want to let you know, if you want to
0:18
Speaker 1: be a member of the Circle of Taste, you have
0:20
Speaker 1: to start with a subscription to the Phil Henry Show website.
0:24
Speaker 1: which gets you thousands of hours of Phil's wonderful archived
0:28
Speaker 1: radio material.
0:29
Speaker 2: Lots of Bobby Dooley.
0:31
Speaker 1: Lots of Steve Dooley, too. Lots of Steve Dooley. And,
0:34
Speaker 1: of course, we have Elcott the Next Step and our
0:36
Speaker 1: Bobby Dooley podcast and other wonderful things. So get that
0:41
Speaker 1: all-important backstage pass to start your journey on the road
0:45
Speaker 1: to becoming.
0:46
Speaker 2: Maybe, maybe, you know. Maybe what?
0:50
Speaker 1: Maybe a member of the Circle of Taste. is what
0:53
Speaker 1: it was, what I was gonna say. The world famous
0:55
Speaker 1: Phil Hendry Show. Become a member of the circle of taste, maybe,
0:59
Speaker 1: at philhendryshow.com, the greatest value.
1:02
Speaker 2: Online other than porn. Hello everybody, welcome to today's Radio
1:06
Speaker 2: Archive Hour.
1:06
Speaker 3: Kicking off this week here on the 26th of October.
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Speaker 3: We have Bobby, excuse me, we have, oh boy, Margaret
1:12
Speaker 3: would never forgive me, Bobby wouldn't either. We have Margaret Gray,
1:16
Speaker 3: easy Bobby.
1:16
Speaker 2: I just was doing your promo. I understand.
1:19
Speaker 3: We have Margaret Gray, this is very early Margaret Gray,
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Speaker 3: much younger Margaret Gray, talking about her column, her reporting
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Speaker 3: on celebrity issues and so on and so forth.
1:30
Speaker 2: And in this.
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Speaker 3: Particular hour, Margaret was talking about Pamela Anderson being accosted
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Speaker 3: on a beach in South America by a bunch of men,
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Speaker 3: really frisky, horny slobs. And Margaret says, hey, you know what?
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Speaker 3: If you're like me, Margaret Gray, I'm hot and I
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Speaker 3: can handle it. How about you, Pamela Anderson? It's Margaret
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Speaker 3: at her full of crap best.
1:52
Speaker 2: Let's listen. Her full of crap best. I like that.
1:54
Speaker 2: So what's going on with Pamela Anderson?
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Speaker 4: Well, that's my question, really. I'd like to know what's
1:59
Speaker 4: going on with Pamela Anderson because I'm really at a
2:03
Speaker 4: loss as to explain her behavior. The last week or so,
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Speaker 4: I don't know exactly when this happened, Phil, but because
2:11
Speaker 4: we're just getting the information in drips and drabs, she
2:14
Speaker 4: apparently was on a beach in South America and she
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Speaker 4: was approached by some fans And apparently they were very
2:24
Speaker 4: aggressive in asking for autographs and talking with her. And
2:29
Speaker 4: she got her nose out of joint, I guess you
2:33
Speaker 4: could say, and decided to come back to America.
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Speaker 2: Was she shooting a movie down there?
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Speaker 4: I don't know. I think she was shooting a movie
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Speaker 4: or she was down there for some sort of a
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Speaker 4: promotional appearance of some kind. But she decided that she
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Speaker 4: didn't want all of these fans or whatever. She didn't
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Speaker 4: want all of that attention, or they were getting too close,
2:58
Speaker 4: or there was some problem that she was having. And
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Speaker 4: young Miss Anderson decided that she doesn't want all of
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Speaker 4: that attention, and she's too good for that or something.
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Speaker 4: So she's returning home.
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Speaker 2: Now, she was in South America. I don't know what country.
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Speaker 2: Was it Brazil?
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Speaker 4: I don't know, Phil. Honestly, I don't. She was down
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Speaker 4: there either for a movie shoot or for a promotional
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Speaker 4: appearance of some kind. And what normally happens is people
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Speaker 4: will come up to you if you are a famous celebrity,
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Speaker 4: and they'll ask you for your autograph. They want to
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Speaker 4: talk about you. It is the price that you pay
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Speaker 4: for being famous. And I can tell you, Phil, I
3:40
Speaker 4: have been involved... As a writer, and I've been involved
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Speaker 4: in the media as a press relations agent, this is,
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Speaker 4: I've seen the biggest stars in the business deal with
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Speaker 4: their fans in a very gracious way, be able to
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Speaker 4: give autographs, not be upset when they're approached. And this is,
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Speaker 4: I think, an example that maybe the celebrity's a little
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Speaker 4: bit too big for young Miss Anderson. Obviously, she is
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Speaker 4: in over her head. And I think that head that
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Speaker 4: she's in over is getting a little bit too big
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Speaker 4: for her.
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Speaker 2: All right, well, the story that I got is that
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Speaker 2: Pamela Anderson was in South America, was approached by some
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Speaker 2: young men on a beach, and they were asking her
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Speaker 2: about the video of her and her husband, Tommy Lee,
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Speaker 2: her ex-husband, Tommy Lee. They were asking some inappropriate questions,
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Speaker 2: and apparently they were getting a little bit too close
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Speaker 2: to her.
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Speaker 4: Phil, before you go on, this is Pamela Anderson we're
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Speaker 4: talking about. She is a sex symbol. She is a
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Speaker 4: very beautiful young woman. She is obviously putting it out
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Speaker 4: there in Playboy magazine. Her and her husband put it
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Speaker 4: out there on this video. You know, the question that
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Speaker 4: I have, the question I'd love to ask her is,
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Speaker 4: What seems to be the problem? What is it that
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Speaker 4: you don't understand? These are young fans who are interested
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Speaker 4: in her.
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Speaker 2: Yeah, but they were asking her a lot of questions
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Speaker 2: about sex with her husband. They were apparently... touching her
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Speaker 2: in inappropriate places. You see what I'm saying? In other words,
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Speaker 2: they were getting a little bit too close for comfort
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Speaker 2: for her.
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Speaker 4: This is a woman who's taken her clothes off in
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Speaker 4: an internationally distributed magazine. This is a woman.
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Speaker 2: Well, wait a second. What has that got to do
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Speaker 2: with having her private space violated by young men on
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Speaker 2: a beach?
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Speaker 4: If you are not willing to... If you're putting it
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Speaker 4: out there and you're not willing to have people respond
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Speaker 4: to it, Then what is the question here? And I'm
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Speaker 4: not really sure what you're asking me. She's a very
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Speaker 4: famous young woman. She has an obvious sexual aura about her.
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Speaker 4: She has a sex symbol, and she's getting a little
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Speaker 4: bit too big for her britches. This is going to happen.
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Speaker 4: You know, she had sex on a video with her husband.
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Speaker 2: Well, hold on for a minute. The sex on the
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Speaker 2: video with the husband.
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Speaker 4: She had sex on a video with her husband that
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Speaker 4: has been internationally distributed. You can download this thing on
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Speaker 4: the Internet. She has appeared nude in Playboy magazine. She
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Speaker 4: is a sex symbol on the television show Baywatch. What
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Speaker 4: is it that she doesn't get? What is it that
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Speaker 4: she doesn't understand about the way fans are going to
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Speaker 4: react to her?
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Speaker 2: Hold on for a minute, because you are painting a
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Speaker 2: picture here that I think is unfair and perhaps a
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Speaker 2: little bit inappropriate.
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Speaker 4: Oh, well, if it's inappropriate, you know, Phil, she didn't
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Speaker 4: have to be a movie star. Nobody put a gun
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Speaker 4: to her head and said, go out there and get famous.
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Speaker 2: No, but I'm saying, doesn't anyone, I don't care who
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Speaker 2: you are, Pamela Anderson, you, me, don't we all have
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Speaker 2: a right and a reasonable expectation that when we walk
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Speaker 2: out into any public place that people are not going
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Speaker 2: to be putting their hands on you physically?
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Speaker 4: Phil, I don't know whether they were putting their hands
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Speaker 4: on her or not. They were making comments about her beauty.
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Speaker 4: They wanted to talk to her. Yes, they wanted to
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Speaker 4: talk about the video. Fans are going to want to
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Speaker 4: talk about the films that they've seen you in. They're
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Speaker 4: going to want to talk about your work.
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Speaker 2: This is not a film that was produced for the
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Speaker 2: entertainment and edification of the audience. This was a private
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Speaker 2: video taken of her and her husband that they took
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Speaker 2: in the privacy of wherever it was that they were, okay?
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Speaker 2: I don't think that they intentionally expected this thing to
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Speaker 2: be downloaded, all right?
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Speaker 4: Phil, listen to me. I'm a journalist.
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Speaker 2: They did not intentionally expect this thing to be downloaded
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Speaker 2: by everybody in the world.
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Speaker 4: Phil, listen to me, please.
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Speaker 2: Do you understand what I'm saying?
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Speaker 4: Please listen to me.
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Speaker 2: Okay, so you don't want to comment?
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Speaker 4: Please just listen to what I'm going to say. because
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Speaker 4: I'm a journalist, because I have covered these people. I
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Speaker 4: know the animal, Phil. And believe me, I understand these people.
7:51
Speaker 4: And this can happen to anyone, anywhere. She didn't want
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Speaker 4: the attention, then she doesn't do the nudity. She doesn't
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Speaker 4: want the attention of these fans... then she doesn't have
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Speaker 4: to do all of the nudity and the nude photographs.
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Speaker 4: She doesn't want to be nude, then don't take your
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Speaker 4: clothes off. And I don't know what she got upset about.
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Speaker 4: The question that I pose, if you are constantly advertising it,
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Speaker 4: do you have a right to be upset when they
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Speaker 4: come asking for it, Phil?
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Speaker 2: All right, I think that is entirely unfair, all right?
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Speaker 2: The woman was accosted on a beach.
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Speaker 4: Listen to what I said. Listen to my question.
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Speaker 2: But the woman was on a beach.
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Speaker 4: What was my question, though?
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Speaker 2: Your question was, if you don't, something about, if you're.
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Speaker 4: Constantly advertising it, then don't be upset when they come
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Speaker 4: asking for it. And I'll tell you something from my
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Speaker 4: own life, Phil. When I get dressed up, and I
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Speaker 4: can look pretty good when I get dressed up. I
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Speaker 4: get dressed up, I look good, Frank, and I go out.
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Speaker 4: And we're in a crowd, and men are attracted to me.
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Speaker 4: We were at a party. We were at a buffet lunch,
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Speaker 4: a buffet dinner the other night. We're at a party.
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Speaker 4: Men brush up against you. It's something.
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Speaker 2: And when a man brushes up against you.
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Speaker 4: It's something you expect, Phil.
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Speaker 2: Yeah, but when a man's brushing up against you, for
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Speaker 2: crying out loud, not being all too subtle. Don't you
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Speaker 2: think that's pushing it okay?
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Speaker 4: No, I don't think it's pushing it what it is,
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Speaker 4: men being men. And when you're putting it out.
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Speaker 2: There, are you saying that you were putting it out
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Speaker 2: there when you went to a dinner?
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Speaker 4: I went to a buffet dinner, yes. And I looked
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Speaker 4: pretty good, yes. In a way, you could say I'm
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Speaker 4: putting it out there. I like to wear things that
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Speaker 4: are sheer. I like to wear things that are cut
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Speaker 4: very tight. I look pretty good when I do that,
9:39
Speaker 4: and it's something that I have to expect. My husband
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Speaker 4: understands this. I need to expect it. Pamela Anderson, for
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Speaker 4: all of the nudity of the nude that she's done
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Speaker 4: and all of her nude things, she puts it out there.
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Speaker 2: All right, but the question here is, she got afraid.
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Speaker 2: She was on a beach. There were guys coming around.
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Speaker 4: They were fans. If you get afraid of fans, then
10:05
Speaker 4: don't make movies.
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Speaker 2: They were young men walking around her, asking her inappropriate questions,
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Speaker 2: apparently putting their hands on her and striking fear into
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Speaker 2: this woman's heart, okay?
10:16
Speaker 4: Well, if you can't stand the heat, you get out
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Speaker 4: of the kitchen, okay? And my advice to Pamela would
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Speaker 4: be this. You know, you do your nude things, and
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Speaker 4: people want to know about the nude.
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Speaker 2: They want to know about the nude, whatever the hell
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Speaker 2: that is.
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Speaker 4: It's something that is expected when you're doing that kind
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Speaker 4: of thing.
10:39
Speaker 2: All right, but... I still don't think she's understanding what
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Speaker 2: I'm saying here. I know she's famous. Does that mean
10:45
Speaker 2: she has to get out there and she has to
10:48
Speaker 2: be accosted? We're talking about Pamela Anderson. She was on
10:52
Speaker 2: a beach in South America. Apparently some young men came
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Speaker 2: up and were rather inappropriate, in my opinion, with her,
10:57
Speaker 2: and she was afraid to the point where she left
10:59
Speaker 2: the country and came back to the United States. She
11:01
Speaker 2: doesn't want to be down there, doesn't want to shoot
11:02
Speaker 2: her movie down there, nothing. Margaret Gray is on the
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Speaker 2: line saying if you advertise it, don't be upset when
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Speaker 2: they come asking for it. Phil Henry's show. Phil Henry Show, 1-800-449-8686.
11:27
Speaker 2: You can take that bumper music and throw that away, too.
11:29
Speaker 2: That's real bad. 1-800-449-8686. Margaret Gray is with us. We're
11:35
Speaker 2: talking about Pamela Anderson, who was on a beach in
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Speaker 2: South America and shooting a movie, or she was down
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Speaker 2: there doing something, and apparently she left... You know, see,
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Speaker 2: in other words, she got accosted by these young men
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Speaker 2: on a beach... and was in fear for her safety.
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Speaker 4: Phil, you know, you're not listening to what I'm saying.
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Speaker 2: No, are you hearing what I'm saying? She was apparently
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Speaker 2: inappropriately approached by these men.
11:58
Speaker 4: What is it that these movie stars want? What do they...
12:03
Speaker 4: I'm having a very difficult time understanding what your point is.
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Speaker 2: My point is that even though you're famous, you don't
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Speaker 2: have to sit still for somebody coming up and invading
12:13
Speaker 2: your privacy that way.
12:14
Speaker 4: Then why are you in the movies? And why is
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Speaker 4: it that you put it out there the way Pamela
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Speaker 4: Anderson does? And why is it.
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Speaker 2: She's a sex symbol. She does it in movies. She
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Speaker 2: does it on television. Does she have to do it
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Speaker 2: in her private life, too? These guys apparently were coming
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Speaker 2: up to her and grabbing her and asking her about
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Speaker 2: the Tommy Lee video.
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Speaker 4: All right, let me talk to you about the Tommy
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Speaker 4: Lee video. Number one, they made that movie. Nobody forced
12:41
Speaker 4: them to make that film. Nobody put a gun to
12:44
Speaker 4: their heads to make that movie.
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Speaker 2: They made it for their own private enjoyment. They weren't
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Speaker 2: out there selling the thing, okay?
12:50
Speaker 4: Well, somehow, magically, it wound up on the Internet. And
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Speaker 4: so people want to know about that. Now, let me
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Speaker 4: tell you something. I'm a fairly attractive woman. I know
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Speaker 4: about these things. I'm talking to a man right now.
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Speaker 4: Let me tell you about these things from the standpoint
13:07
Speaker 4: of a woman. I'm a very attractive woman. I have
13:10
Speaker 4: a lot of men coming up to me, whether it
13:12
Speaker 4: is at a social function or wherever. and they want
13:16
Speaker 4: to rub up against you, and they want to talk
13:18
Speaker 4: to you, and they want to know things about you,
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Speaker 4: and they want to charm you. And all of these
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Speaker 4: things are very, very interesting to men who don't know
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Speaker 4: anything about it. But to me, as an attractive woman,
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Speaker 4: I understand this.
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Speaker 2: And you don't mind guys coming up to you and
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Speaker 2: rubbing up against you?
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Speaker 4: Phil, you expect that it comes with the territory. And
13:39
Speaker 4: if you're a woman with any kind of social grace,
13:43
Speaker 4: and if you have a wonderful way with people, you
13:46
Speaker 4: can defuse any situation. I've done it many, many times.
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Speaker 4: But again, I think you need to talk to more
13:53
Speaker 4: women who are used to this sort of thing, who
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Speaker 4: are attractive women.
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Speaker 2: Well, have you been accosted on a beach and grabbed?
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Speaker 4: I've been at, we were at a buffet the other night,
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Speaker 4: and some guy came up behind me. He was a
14:06
Speaker 4: friend of Frank's. And he took a celery stalk or
14:10
Speaker 4: whatever it is, a celery stick, and he poked me
14:13
Speaker 4: in the backside with it as a joke.
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Speaker 2: So a guy's taking a celery stick and jamming you
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Speaker 2: in the rear end.
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Speaker 4: As a joke, Phil, and what you do is you
14:21
Speaker 4: turn around and you just, you diffuse the situation. Did
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Speaker 4: I feel something strange? And he says he held up
14:28
Speaker 4: the celery stick and was waving it in my face.
14:31
Speaker 4: And I said, well, that thing looks like it needs
14:34
Speaker 4: a few more, you know, a few more minutes in
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Speaker 4: the crisper. Just something that sort of takes the onus
14:39
Speaker 4: off of you.
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Speaker 2: Well, I don't know how a woman who is by herself,
14:42
Speaker 2: and she might have been, she.
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Speaker 4: I don't think so, Phil. Pamela Anderson doesn't go out
14:47
Speaker 4: by herself. I'm sure she had security people. I'm sure
14:50
Speaker 4: she had studio people with her. Let's not start crying
14:53
Speaker 4: the crocodile tears just yet.
14:55
Speaker 2: All right, here's Memphis on The Phil Henry Show.
14:57
Speaker 5: Hello.
14:58
Speaker 4: Yes.
15:00
Speaker 6: Any woman does not want to be molested in public.
15:05
Speaker 4: If a woman gets raped, is it her fault? Are
15:07
Speaker 4: we talking about molestation or just healthy curiosity?
15:14
Speaker 2: Hello?
15:15
Speaker 4: Yes.
15:15
Speaker 2: Did you hear her?
15:17
Speaker 7: No.
15:18
Speaker 2: Margaret, say that again.
15:19
Speaker 4: Can you hear me, dear? No, I can't. I'm sorry.
15:23
Speaker 2: You can't hear her. All right, put her on hold.
15:26
Speaker 2: Let's go to Statesville. Hello. You're on a Phil Henry show. Statesville. Hello.
15:33
Speaker 4: I'm here.
15:34
Speaker 7: Hey, I was wanting to point out one thing to
15:37
Speaker 7: this woman that keeps saying if you put it out there,
15:39
Speaker 7: you should expect it. Hello.
15:42
Speaker 4: Yes, dear. I like it.
15:44
Speaker 7: OK, well, that's a very familiar argument. Most rapists use it.
15:48
Speaker 4: Oh, I'm not talking about rape. Don't be dramatic.
15:51
Speaker 7: It's the same argument they use.
15:52
Speaker 4: Don't be dramatic. We're talking about a woman on a beach,
15:56
Speaker 4: and she's a famous woman, and she's a woman who
15:59
Speaker 4: is a sex symbol.
16:00
Speaker 2: This man's making perfect sense.
16:03
Speaker 4: Well, yes, I'm sure he's making sense to you, Phil.
16:06
Speaker 4: I'm a woman, and I'm a very attractive woman. Don't
16:11
Speaker 4: be overly dramatic.
16:13
Speaker 7: No, ma'am, I'm not being overdramatic. I'm being very practical.
16:16
Speaker 4: Of course, but she's Pamela Anderson. She had the sex video.
16:22
Speaker 4: She's on Baywatch. She's got the nude layout in Playboy.
16:29
Speaker 7: The videotape was stolen and put on the Internet by
16:33
Speaker 7: someone without their permission.
16:35
Speaker 4: Have you seen it?
16:36
Speaker 7: No, ma'am, I'm not interested in smut, and that's just filthy.
16:40
Speaker 4: Well, just for educational purposes.
16:43
Speaker 7: Ma'am, I don't need a video like that to teach
16:45
Speaker 7: me how to romance a woman.
16:47
Speaker 4: Well, no, no, it's not for teaching. I'm saying in
16:49
Speaker 4: terms of the lives of celebrities. You see what I'm saying?
16:52
Speaker 7: That is nobody's business. That was their own bedroom. A
16:56
Speaker 7: reasonable expectation of privacy was in place there. If he
17:03
Speaker 7: had killed her on that videotape, they couldn't use it
17:06
Speaker 7: because a reasonable expectation of privacy... You need a search
17:11
Speaker 7: warrant to get that legally. Anybody who has that is
17:14
Speaker 7: committing a crime.
17:15
Speaker 4: Well, why would they make that film and distribute it
17:19
Speaker 4: all over the world?
17:20
Speaker 7: They did not distribute it. It was stolen from them.
17:24
Speaker 4: Well, they made the film, yes or no?
17:27
Speaker 7: Ma'am.
17:27
Speaker 4: Obviously they made the film, and I would go so
17:32
Speaker 4: far as to conjecture that they made the film in
17:34
Speaker 4: order for it to someday become a distributable property.
17:39
Speaker 2: You can't make that leap of faith. They made that
17:42
Speaker 2: video the way a lot of husbands and wives make videos, okay?
17:45
Speaker 4: Oh, really, Phil? What husbands and wives are those?
17:48
Speaker 2: I don't know. There are probably.
17:50
Speaker 4: Well, this gentleman doesn't do that, do you, sir?
17:53
Speaker 7: No, because my wife is not interested.
17:55
Speaker 4: All right, but you are.
17:58
Speaker 7: No, ma'am, I'm not interested in anything that would hurt
18:00
Speaker 7: my wife.
18:00
Speaker 2: Hold the line, please.
18:05
Speaker 8: And now, here is Phil.
18:21
Speaker 2: Phil Henry Show, 1-800-449-8686. Margaret Gray, nationally syndicated columnist on
18:25
Speaker 2: the line with us. She's talking about the episode involving
18:28
Speaker 2: Pamela Anderson in South America. This is a woman who, yeah,
18:32
Speaker 2: is a sex symbol, Margaret. She's done a lot of
18:34
Speaker 2: nude spreads and yada, yada, yada, yada, all that wonderful stuff.
18:37
Speaker 2: She got chased off of a beach by a group
18:39
Speaker 2: of young men who were coming up to her and
18:42
Speaker 2: asking her questions about.
18:44
Speaker 4: Bill, I already know the situation, all right?
18:46
Speaker 2: Well, let me reset it for the audience at least, okay?
18:48
Speaker 2: They were asking a lot of inappropriate questions.
18:51
Speaker 4: Yes, but by resetting it for the audience, I think
18:53
Speaker 4: what you're doing is you're coloring it in favor of
18:55
Speaker 4: your point of view. She was approached by a group
18:58
Speaker 4: of fans who wanted to talk to her. And she
19:00
Speaker 4: was approached by a group of young men, obviously the
19:04
Speaker 4: target audience for whatever it is that she does. And
19:06
Speaker 4: what she does is a very high-profile sex kitten, modern-day
19:14
Speaker 4: sex kitten act, doing all of her movies and her
19:18
Speaker 4: nude spreads.
19:20
Speaker 2: But she was being pawed at, and they were asking
19:22
Speaker 2: her questions about the video.
19:24
Speaker 4: Very natural questions. I don't know what these celebrities want,
19:28
Speaker 4: but I'll tell you something. And, again, I'm not only
19:31
Speaker 4: speaking as a journalist. I'm speaking as a woman who
19:34
Speaker 4: is attractive. I know these animals, and they get a
19:38
Speaker 4: little bit in over their heads, and they get a
19:39
Speaker 4: little studdy. She wasn't afraid, Phil. She'd had enough of
19:43
Speaker 4: the unwashed, and she wanted to go back to America
19:46
Speaker 4: where everything was nice and clean and hermetically sealed. and
19:50
Speaker 4: she doesn't have to deal with these fans. When you
19:53
Speaker 4: go to a country like Brazil, Baywatch is huge all
19:56
Speaker 4: over the world. You are going to meet some of
19:58
Speaker 4: your fans face-to-face. Pamela Anderson should come off of her
20:01
Speaker 4: high horse. Either that or quit putting it out there.
20:04
Speaker 2: Here we go with that putting it out there thing.
20:06
Speaker 2: This is the gentleman hanging on in Statesville, which is
20:08
Speaker 2: the point that he's been trying to make. that by
20:10
Speaker 2: putting it out there, it doesn't mean a woman is
20:12
Speaker 2: supposed to be, leave herself open for being accosted, okay?
20:17
Speaker 4: Well, you keep saying accosted. I don't know what you
20:20
Speaker 4: mean by that.
20:21
Speaker 7: I think he means fondled.
20:23
Speaker 2: Fondled and grabbed at.
20:24
Speaker 4: What are you talking about? I was in a buffet
20:27
Speaker 4: line at a luncheon.
20:28
Speaker 7: I heard that, and you don't need to rephrase it
20:30
Speaker 7: for the colors because you're coloring it to print.
20:33
Speaker 4: Maybe the other listeners didn't hear it, but I got
20:35
Speaker 4: poked good naturedly.
20:37
Speaker 7: Isn't that what you just jumped on the host for?
20:39
Speaker 4: What is that?
20:40
Speaker 7: Coloring it to fit your argument.
20:43
Speaker 4: I'm trying to let the listeners know what happened.
20:46
Speaker 7: That's what you said. You jumped on him.
20:48
Speaker 4: I was good-naturedly poked in the rear end with a
20:51
Speaker 4: celery stick. So what? What's wrong with that?
20:54
Speaker 2: Was it your husband?
20:55
Speaker 7: That was inappropriate. A man should not touch a woman's
20:58
Speaker 7: backside for any reason without an invitation.
21:01
Speaker 4: I'm a very attractive woman. That doesn't matter.
21:04
Speaker 7: A man does not touch a woman without her permission.
21:07
Speaker 4: Excuse me, it's my body. It's not yours.
21:09
Speaker 2: But wait a minute. How did your husband react to that?
21:12
Speaker 4: I don't know where he was.
21:14
Speaker 2: Well, what would he think had he known about that?
21:17
Speaker 4: It's really none of his business, is it? It's none
21:20
Speaker 4: of my husband's business whether a man wants to give
21:21
Speaker 4: me a good-natured little poke. What does that have to
21:24
Speaker 4: do with it?
21:25
Speaker 7: That's the most absurd thing I've ever heard.
21:28
Speaker 4: Why is that absurd?
21:30
Speaker 7: Because men do not have a right to touch women
21:34
Speaker 7: without a woman's permission.
21:36
Speaker 5: No, no, no.
21:36
Speaker 4: I said it's none of my husband's business. You said
21:38
Speaker 4: that's absurd. Why?
21:39
Speaker 7: He's your husband. You're supposed to be monogamous with him.
21:45
Speaker 4: Darling, I'm not making love to the man. He just
21:47
Speaker 4: stuck a celery stick up my rear end. There's nothing
21:50
Speaker 4: remotely even.
21:52
Speaker 2: Stuck a celery stick up your rear end.
21:55
Speaker 4: That's not making love to the man. My God, what
21:58
Speaker 4: has happened to the American man? that he becomes such
22:04
Speaker 4: a diffused example of his predecessors and ancestors. Excuse me, ma'am.
22:10
Speaker 7: That's not infidelity. Opposed to the American male, the American
22:14
Speaker 7: man does not touch a woman for any reason in
22:17
Speaker 7: a suggestive or inappropriate manner. You do not touch a
22:21
Speaker 7: woman's body. Unless she's your wife. And I don't care.
22:25
Speaker 2: If it's Pamela Anderson on a beach, she may be
22:28
Speaker 2: a sex kitten, and that may be her public persona,
22:30
Speaker 2: her entertainment persona, and we all know that, okay? The
22:33
Speaker 2: woman is out in her private life enjoying the beach,
22:38
Speaker 2: and you're telling me a guy takes a celery stick,
22:40
Speaker 2: and that's not infidelity? Nobody's calling that infidelity.
22:43
Speaker 4: I think the other gentleman did.
22:44
Speaker 7: I called it inappropriate on the man's part.
22:47
Speaker 4: Well, let's be clear. Taking a celery stick up the
22:49
Speaker 4: rear end does not mean you're cheating on your husband, correct?
22:52
Speaker 7: But your husband has a right to know his friend's
22:54
Speaker 7: doing it.
22:55
Speaker 4: I don't know whether Frank knew this man or not.
22:57
Speaker 4: We were at a buffet. It was for some people
22:59
Speaker 4: who work in Washington.
23:01
Speaker 2: Oh, great, Washington. Guy's name wasn't Clinton, was it?
23:04
Speaker 7: A stranger touched you and you didn't tell your husband?
23:08
Speaker 4: He poked me up the rear end with a celery stick.
23:11
Speaker 7: And you didn't feel a need to tell your husband?
23:13
Speaker 4: It was a good-natured and very, very funny thing.
23:16
Speaker 7: If a stranger touches a woman, it's not good-natured.
23:20
Speaker 4: Look, you look at a... I don't know, sir, and
23:23
Speaker 4: I don't want to be insulting, but an attractive woman.
23:25
Speaker 4: He couldn't resist the chance. I'm very attractive.
23:28
Speaker 7: Ma'am, you are being very insulted to all men around.
23:31
Speaker 7: Men do not touch women without permission.
23:36
Speaker 4: You're telling me that you have never stood behind a
23:37
Speaker 4: woman with a very nice rear end and wanted to
23:39
Speaker 4: stick a baby... I mean, Phil, I don't know how
23:42
Speaker 4: graphic you want me to be.
23:43
Speaker 2: I don't want you to be graphic at all, okay?
23:44
Speaker 2: And I don't know what you're asking.
23:46
Speaker 4: I'm asking the gentleman. You've never had the urge.
23:51
Speaker 7: I've never done it.
23:51
Speaker 2: The urge to what?
23:53
Speaker 7: Touch a woman without permission?
23:55
Speaker 9: Yes.
23:57
Speaker 2: The man, it's one thing to think it, it's another
23:59
Speaker 2: thing to do it, okay?
23:59
Speaker 7: That's called sexual assault in North Carolina.
24:02
Speaker 4: Oh, a celery stick? Hello!
24:05
Speaker 7: Any physical contact with a woman, derriere, breast, any physical, unwanted,
24:11
Speaker 7: sexually oriented.
24:13
Speaker 2: Okay, so I guess the key phrase here, was it unwanted?
24:15
Speaker 4: It was not wanted, but it wasn't unwanted. It was good-natured.
24:20
Speaker 7: Ma'am, there is no good-natured contact by a stranger with
24:23
Speaker 7: your backside.
24:23
Speaker 4: He took a celery stick and just poked it between
24:26
Speaker 4: the cheeks of my rear end.
24:27
Speaker 7: So if I used a broom handle, it would be different?
24:30
Speaker 4: A broom handle? My God, I'm talking about a buffet
24:33
Speaker 4: dinner that we were having. And then he took the
24:35
Speaker 4: celery stick and he started eating the end of it,
24:36
Speaker 4: and I thought it was very cute.
24:37
Speaker 2: Oh, Jesus.
24:40
Speaker 4: You know something, Phil, because you aren't so bold, perhaps
24:43
Speaker 4: you're a little bit jealous. I don't know.
24:44
Speaker 2: I'm not jealous. God almighty. It just sounds like you're
24:47
Speaker 2: at some buffet dinner. The guy must have been drunk.
24:51
Speaker 4: I have no idea.
24:52
Speaker 2: Well, it sounds to me like he must have been
24:53
Speaker 2: drunk to pull a stunt like that. Sir, I thank
24:56
Speaker 2: you for your call. eight six eight six so you
25:00
Speaker 2: can so some guy takes a celery stick and sticks
25:02
Speaker 2: it up your rear end and you think that pamela
25:04
Speaker 2: anderson should have to put up with the same thing.
25:07
Speaker 4: I'm saying if she had some social grace and able
25:12
Speaker 4: to diffuse those situations yes.
25:15
Speaker 2: Diffuse a situation well i've gone around and around with
25:18
Speaker 2: it spartanburg on the phil henry show hello hi.
25:21
Speaker 6: Phil yes I don't know where this lady is from.
25:24
Speaker 6: I just tuned into your show. But this lady needs
25:27
Speaker 6: to get some respect for herself and respect for all
25:30
Speaker 6: women in the world.
25:31
Speaker 4: I'm a writer. Well, that sounds a lot. I live
25:34
Speaker 4: in Santa Monica, California, and I've written about celebrity for
25:37
Speaker 4: the last 20 years of my life. I know these people.
25:40
Speaker 4: I know these celebrities. Well, whatever Pamela.
25:42
Speaker 6: Anderson does in her own privacy, in her own bedroom,
25:46
Speaker 6: in her own business, and what she does on the beach,
25:49
Speaker 6: that's her private life.
25:51
Speaker 2: Well, wait a second. We're talking about the fact that
25:53
Speaker 2: she was standing on a beach and some guys came
25:54
Speaker 2: up and started to talk to her. They knew who
25:57
Speaker 2: she was.
25:58
Speaker 4: Well, obviously you have to bring this woman up to
26:00
Speaker 4: speed because she doesn't know what we're talking about, do you?
26:03
Speaker 6: I just tuned in.
26:03
Speaker 4: I just tuned in. Well, let me explain. Pamela Anderson.
26:08
Speaker 6: I've already called up on that.
26:10
Speaker 4: Was on the beach, and some young men came up
26:12
Speaker 4: and started asking her about her film career. And, yes,
26:16
Speaker 4: they pinched her on the rear end or whatever they do.
26:18
Speaker 4: That's what young men do. And if you are a
26:21
Speaker 4: sex symbol... You have to expect that.
26:23
Speaker 2: Bull crap, you do not.
26:25
Speaker 6: They have no right to touch her, to sexually advance anything,
26:31
Speaker 6: unless she says, okay, it's all right.
26:33
Speaker 2: And she got so frightened of this encounter, ma'am, that
26:35
Speaker 2: she decided to return to the United States. She didn't
26:37
Speaker 2: want to have anything more to do with these people.
26:39
Speaker 4: And her head got too big for her is what happened.
26:42
Speaker 2: No, her head didn't get too big for her. She
26:45
Speaker 2: was afraid, and she didn't want to be down there
26:47
Speaker 2: any longer.
26:47
Speaker 6: No man has the right to advance on her or
26:51
Speaker 6: touch her no more than they would me or any
26:53
Speaker 6: other woman, self-respecting woman.
26:55
Speaker 4: Darling, I'm a very attractive woman. I don't know. Are
26:58
Speaker 4: you attractive?
27:00
Speaker 6: Well, I wouldn't say that I'm ugly.
27:02
Speaker 4: Okay, that's good.
27:03
Speaker 6: But if a man walked up to me and grabbed
27:05
Speaker 6: me on the butt, I would be very offended by it.
27:07
Speaker 4: It depends on the context, obviously. It's a good-natured party,
27:11
Speaker 4: let's say. People have been having cocktails.
27:13
Speaker 5: No, I don't care what.
27:15
Speaker 6: We're drinking or anything else. A man has no right
27:18
Speaker 6: to come up and sexually touch me.
27:20
Speaker 4: Well, this man who, we were at a dinner buffet.
27:24
Speaker 4: And I was standing in line at the buffet, and
27:27
Speaker 4: I was getting, they had some wonderful salmon, and I
27:29
Speaker 4: wanted to go back and get some of the salmon.
27:31
Speaker 4: So I feel a little poke in my backside.
27:34
Speaker 6: Yes, and the celery stick should have been shoved down
27:36
Speaker 6: his throat. He had no right.
27:39
Speaker 4: To do that to you. He was very cute. He
27:41
Speaker 4: took a bite out of the end of it and
27:43
Speaker 4: winked at me. And I said, that celery stick's looking
27:46
Speaker 4: a little limp. Why don't I put that back in
27:47
Speaker 4: the refrigerator? So I gave as good as I got.
27:51
Speaker 2: Well, that doesn't sound like much of a rejoinder.
27:52
Speaker 5: What?
27:53
Speaker 2: The celery sticks needs to go back in the crisper.
27:55
Speaker 2: The guy just jammed it in your rear end.
27:57
Speaker 8: Exactly.
27:58
Speaker 4: Well, it was cute. He asked if you should dip
28:02
Speaker 4: it in the sauce first, things like that.
28:04
Speaker 2: Oh, man, what a cornball slob. Okay, I mean, it's
28:07
Speaker 2: slob behavior.
28:09
Speaker 4: You know something? I'm an attractive woman. Men rub up
28:12
Speaker 4: against me.
28:14
Speaker 6: If you're such an attractive woman, why don't you have
28:16
Speaker 6: more self-respect and get offended when someone does something like
28:20
Speaker 6: that to you?
28:21
Speaker 4: Darling, if I started doing that with every man that
28:23
Speaker 4: rubs up against me, I wouldn't have a friend left
28:25
Speaker 4: in the world. There wouldn't be a man left in
28:27
Speaker 4: the world.
28:27
Speaker 6: They are not friends that touch you in a manner
28:30
Speaker 6: that you should not be touched.
28:31
Speaker 4: I'm a journalist. I need to be in contact with people.
28:35
Speaker 2: Well, okay, unless it was Tom Hanks that was doing
28:38
Speaker 2: it to you, I don't see why you'd need that.
28:39
Speaker 2: Thank you for your call. You know what I'm saying?
28:41
Speaker 2: You know what I'm saying, Margaret?
28:43
Speaker 9: No.
28:44
Speaker 2: In other words, if you're a journalist and you need
28:45
Speaker 2: to stay in touch with people, unless it was Tom
28:48
Speaker 2: Hanks that was putting the celery.
28:50
Speaker 4: Tom Hanks did not do that to me. I'm talking
28:53
Speaker 4: about I was at a dinner.
28:54
Speaker 2: Buffet, and I know that. I'm saying unless it was
28:58
Speaker 2: a famous guy like Tom Hanks.
29:01
Speaker 4: Listen, Phil, I understand. I am a beautiful woman. This
29:05
Speaker 4: is going to happen. I can't get too big of
29:07
Speaker 4: a head. And if Tom Hanks were to do something
29:10
Speaker 4: like that, I would deal with that.
29:13
Speaker 2: Well, okay, never mind. If Tom's saying the only guy
29:16
Speaker 2: that would do that to you that would be worth
29:18
Speaker 2: the while would be Tom Hanks. Do you understand? Costa
29:21
Speaker 2: Mesa on the Phil Henry Show.
29:22
Speaker 7: Hello?
29:23
Speaker 9: Yes, hi.
29:24
Speaker 3: Hi.
29:25
Speaker 10: I'd like to echo the last lady that just called in,
29:27
Speaker 10: and I'd like to tell this.
29:28
Speaker 9: Oh, my God.
29:29
Speaker 10: No, first of all, let me speak, because you're so
29:32
Speaker 10: busy talking about how.
29:33
Speaker 6: Beautiful you are.
29:33
Speaker 10: You're not even listening to anybody else.
29:35
Speaker 4: I'm understanding what Pamela Lee went through. Pamela Anderson, I
29:38
Speaker 4: should say.
29:38
Speaker 10: First of all, I think that you need to gain
29:40
Speaker 10: some self-respect. And you're basically putting all women down by
29:43
Speaker 10: saying it's okay. to let men rub up against a woman.
29:47
Speaker 4: No, I'm saying if you have a social grace and
29:49
Speaker 4: a social mannerism to diffuse the situation.
29:52
Speaker 10: By telling him that he has a limp celery stick
29:55
Speaker 10: does not socially diffuse the situation appropriately.
29:58
Speaker 2: You know something? I've heard a lot of women told, oh,
30:00
Speaker 2: if you can diffuse the situation, that puts a woman
30:03
Speaker 2: on the defensive. It makes her have to develop skills
30:05
Speaker 2: that she shouldn't have to have. in the first place.
30:07
Speaker 4: So let's live in a world where everything is just rosy.
30:10
Speaker 4: Is that what you're saying, Phil? Let's live in a
30:12
Speaker 4: world where everything is the way it should be, not
30:13
Speaker 4: the way it is. I live in a world where
30:15
Speaker 4: men rub up against me.
30:16
Speaker 9: You know what, though?
30:17
Speaker 10: You can do something about that. You're saying it's unavoidable.
30:21
Speaker 10: I'm saying that you need to take a harder look
30:23
Speaker 10: at yourself.
30:23
Speaker 9: And ask for it.
30:26
Speaker 4: It's not offending me.
30:28
Speaker 2: Guy takes celery stick.
30:30
Speaker 10: It's a matter of self-respect for you if that doesn't
30:32
Speaker 10: offend you, because that should offend you. That goes down
30:35
Speaker 10: to your core.
30:36
Speaker 4: It was cute what he did.
30:38
Speaker 7: No, no, no.
30:38
Speaker 10: See, that's the difference is what you define as cute
30:41
Speaker 10: and what you're saying all women define as cute.
30:43
Speaker 6: That's not cute.
30:45
Speaker 4: I don't know what, I was wearing a pair of
30:48
Speaker 4: thong underwear that night.
30:49
Speaker 5: Okay, you know what?
30:50
Speaker 4: Which means my, I don't know how to say this, Phil.
30:53
Speaker 2: You don't have to get into it, okay?
30:54
Speaker 4: No, please don't. Well, you know when you're wearing thong underwear,
30:58
Speaker 4: you're going to be able to squeeze something between the cheeks.
31:00
Speaker 4: It's just the fact that you're wearing thong underwear is
31:02
Speaker 4: what I'm saying.
31:03
Speaker 10: No, okay.
31:05
Speaker 2: Okay, so now you're giving us the mechanics on how
31:07
Speaker 2: it was he got the celery stick in there. We
31:09
Speaker 2: don't need that. We're talking about a bigger issue here,
31:12
Speaker 2: whether it was appropriate for him. Do you understand what
31:15
Speaker 2: I'm saying?
31:15
Speaker 4: No, I don't, Phil. You don't understand what I'm saying.
31:18
Speaker 2: Yes, we're wearing thong underwear so it was easy for
31:20
Speaker 2: him to do it. I don't care, man.
31:22
Speaker 10: And listen, we're all understanding what you're saying. saying, what
31:24
Speaker 10: you're basically saying over and over again is that you're
31:27
Speaker 10: this very beautiful lady that can't get men to stop
31:30
Speaker 10: rubbing up and down against you, and it's okay for
31:32
Speaker 10: you because you can appropriately diffuse the situation. When it
31:36
Speaker 10: really comes down to it, you need to get some
31:37
Speaker 10: self-respect and learn to say, you know what, that's not okay.
31:42
Speaker 4: You know, I find it very interesting. I was going
31:43
Speaker 4: to be on your program that I talk about Pamela Anderson,
31:45
Speaker 4: and I suddenly am being attacked.
31:47
Speaker 9: Absolutely.
31:49
Speaker 2: You're the one that brought up the celery stick incident.
31:51
Speaker 2: And just to put a capper on the Pamela Anderson thing,
31:53
Speaker 2: the woman is a sex symbol. The woman has done
31:55
Speaker 2: things in film and in print that speaks to a
31:59
Speaker 2: certain public persona that she wishes to purvey. It doesn't
32:02
Speaker 2: mean she's got to be pawed on a beach by
32:05
Speaker 2: a bunch of strange young Brazilian men.
32:08
Speaker 4: Oh, so it's a racial issue, is it?
32:10
Speaker 2: I'm sorry?
32:10
Speaker 4: It's racial, is that it?
32:12
Speaker 10: No, it's not a racial thing.
32:13
Speaker 2: Racial about what?
32:15
Speaker 4: So you don't want Brazilians pawing her. Would it be
32:17
Speaker 4: better if Americans were doing it? See, this is why
32:21
Speaker 4: I'm a journalist. I notice these things. And you and
32:25
Speaker 4: your racist callers, Phil.
32:27
Speaker 10: Oh, this has nothing to do with me being a racist.
32:29
Speaker 4: Well, you don't like the Brazilian angle.
32:31
Speaker 10: No, I never said anything about that.
32:33
Speaker 4: Did I? I believe I heard you say that.
32:35
Speaker 6: Listen, no, no, no.
32:36
Speaker 2: I said it.
32:37
Speaker 9: You better listen to the facts a little.
32:38
Speaker 4: Bit more clearly. Well, what is your problem with Brazilians?
32:41
Speaker 6: I have no problem with Brazilians.
32:42
Speaker 4: I never said anything about them. That's not what you said.
32:44
Speaker 2: That was what I said. She didn't say it.
32:46
Speaker 4: So here you are running to the defense of your callers.
32:49
Speaker 4: Is that it?
32:49
Speaker 2: Oh, come on. Get the wax out of yours. Thank
32:52
Speaker 2: you for your call, ma'am. 1-800-449-8686, Phil Henry Show. Phil
33:10
Speaker 2: Henry Show, 1-800-449-8686. Margaret Gray with us here, having a
33:14
Speaker 2: real interesting conversation about Pamela Anderson. And, oh, yeah, how
33:18
Speaker 2: attractive you are, Margaret.
33:19
Speaker 4: Well, Phil, you know, if the shoe fits. And I
33:22
Speaker 4: realize you resent that.
33:23
Speaker 2: Yeah, okay, I resent it. Here is Memphis on the
33:26
Speaker 2: Phil Henry Show. Hello.
33:28
Speaker 5: Memphis.
33:29
Speaker 2: Yes, hi.
33:29
Speaker 5: Hi. I just wanted to call and say first that,
33:33
Speaker 5: you know, I happen to be a woman who is
33:36
Speaker 5: well endowed, and I'm very used to men making comments,
33:40
Speaker 5: rubbing up against me, hugging me a little bit too long,
33:44
Speaker 5: and I don't like it. Never have.
33:46
Speaker 4: Why not?
33:46
Speaker 5: Never will.
33:47
Speaker 9: Why not?
33:48
Speaker 5: Because that's really only what I want.
33:50
Speaker 8: My husband doing.
33:51
Speaker 4: Baby, when you have the guns that you've got, okay,
33:54
Speaker 4: you've got some good guns, right?
33:56
Speaker 5: I've got some good guns. All right.
33:58
Speaker 4: What's the problem?
34:00
Speaker 2: What does that mean, what's the problem? You've got some
34:02
Speaker 2: good guns.
34:04
Speaker 4: Well, I'll just ask her a question.
34:06
Speaker 5: I didn't ask for these good guns, and I certainly
34:09
Speaker 5: didn't ask for men to rub up against them.
34:11
Speaker 4: Soak up the attention. Pardon? Soak up the attention.
34:18
Speaker 5: I have no desire to soak up the attention. I'd
34:20
Speaker 5: rather be known for my intelligence. I'd rather be known
34:23
Speaker 5: for my ability, not for my good guns.
34:27
Speaker 4: Well, there's a reason why you're not known for your
34:29
Speaker 4: intelligence or ability.
34:31
Speaker 2: Wait a second. We don't know anything about this lady, okay?
34:34
Speaker 4: That's kind of funny. Why don't they know you for that?
34:37
Speaker 5: Oh, there's plenty that do. But I'm just saying men
34:40
Speaker 5: that I meet in a social situation.
34:43
Speaker 4: What's wrong with being known for some nice sweater melons?
34:46
Speaker 4: I'm soaking up the attention.
34:48
Speaker 2: Okay, all right. Look, the lady has made the point.
34:50
Speaker 2: You don't like it, do you, ma'am?
34:52
Speaker 5: No, I don't like it. But see, I think the
34:55
Speaker 5: reason that Margaret.
34:55
Speaker 4: I don't get that.
34:56
Speaker 5: I think the reason Margaret does is you can tell
34:59
Speaker 5: by the crudeness of her comments that... Social graces are
35:04
Speaker 5: really not her thing. She does enjoy this. I mean,
35:07
Speaker 5: it's very obvious that she enjoys men either making.
35:11
Speaker 4: I like their attention, yes.
35:14
Speaker 5: Not only the attention, the groping.
35:16
Speaker 2: The lady in Memphis, will you hold on?
35:17
Speaker 5: Yes.
35:18
Speaker 2: I'm going to put another lady on the line here
35:19
Speaker 2: in Anaheim, California. Anaheim, go ahead. You're on with Memphis
35:23
Speaker 2: and Santa Monica.
35:24
Speaker 7: Hello.
35:25
Speaker 9: No, I want to speak to her. What is it, Margaret?
35:28
Speaker 9: Is that her name?
35:29
Speaker 4: Am I speaking with a lady in Memphis?
35:30
Speaker 9: Yes. No, you're speaking to the one in Anaheim.
35:33
Speaker 4: And what can I do for you, dear?
35:36
Speaker 9: What can you do for me? You can't do nothing
35:38
Speaker 9: for me. You better do something for yourself. You know,
35:41
Speaker 9: self-praise stinks. You must be ugly. That's why you've got
35:44
Speaker 9: to keep telling people how good-looking you are.
35:47
Speaker 4: I happen to be very beautiful, yes. Oh, yeah, yeah.
35:50
Speaker 9: Jesus, did you ever take a good look in the
35:52
Speaker 9: mirror at yourself?
35:54
Speaker 4: Well, you know, just because your chest is dwindling... You know?
35:58
Speaker 9: No, there's nothing dwindling on me, miss.
36:00
Speaker 4: The lady in Memphis, though, you've got, you're stacked, right? Hello, Memphis.
36:06
Speaker 5: Yes, I'm here.
36:07
Speaker 4: Now, you're built, isn't that right, dear?
36:09
Speaker 6: Yes, I am.
36:10
Speaker 1: As a.
36:13
Speaker 4: Matter of fact, yes, I am. Yeah.
36:17
Speaker 2: All right, well, thank you very much, dear.
36:18
Speaker 9: You're praising yourself too much.
36:21
Speaker 4: Oh, blow it out your ass.
36:22
Speaker 9: No, you better do that.
36:23
Speaker 4: Yeah, yeah, get out of here.
36:26
Speaker 3: World-famous Phil Hendry Show is executive produced by Phil Hendry