Latest / Pink Shade: Reality TV with Mary Payne / 1054 - 60 Days In (s4e4) "Party Favors" with Keisha

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1054 - 60 Days In (s4e4) "Party Favors" with Keisha · Pink Shade: Reality TV with Mary Payne

• 0:14
  Speaker 1: Oh gosh.
• 0:15
  Speaker 2: Okay, hey everybody, welcome to Pink Shade. It is mugshot Monday.
• 0:19
  Speaker 2: We are still talking about sixty days in Okay, you guys,
• 0:24
  Speaker 2: this is only episode four. Yes, if you haven't jumped
• 0:27
  Speaker 2: in to watch this, you gotta jump in to watch this.
• 0:31
  Speaker 3: It's a it's so it is not the foolishness that
• 0:35
  Speaker 3: we get on LAU, right, because sometimes that's just pure
• 0:39
  Speaker 3: foolishness that we see.
• 0:41
  Speaker 1: Correct.
• 0:42
  Speaker 3: Yes, this is a different type of foolishness. I mean
• 0:46
  Speaker 3: you've got method actors.
• 0:48
  Speaker 4: You got.
• 0:51
  Speaker 1: Yeah, you do you do? Yeah?
• 0:53
  Speaker 4: Yeah, yeah.
• 0:54
  Speaker 3: I mean we've got sex, we've got drugs, we've got
• 0:58
  Speaker 3: alcohol' it's it's it is. It is a good show
• 1:03
  Speaker 3: to watch. But if you're go in there expecting lalu,
• 1:05
  Speaker 3: you'll be disappointed. If you go in there and say, okay,
• 1:08
  Speaker 3: this is brand new. Let me check this out. I
• 1:11
  Speaker 3: think you will love it.
• 1:12
  Speaker 2: Yeah, it's good, and get past episode one where they
• 1:14
  Speaker 2: show lots of quick clips of beatings. And by the way,
• 1:17
  Speaker 2: I've just gotten to whenever they show anybody getting jumped,
• 1:19
  Speaker 2: I'm like, let me just look over here.
• 1:21
  Speaker 4: Okay, now it's over, and I'm all like I'm like this.
• 1:25
  Speaker 1: She's like, oh he got a good hit in there.
• 1:27
  Speaker 4: Yeah, oh yeah yeah.
• 1:31
  Speaker 1: Now I will tell you.
• 1:32
  Speaker 2: So this is sixty days in season four, episode four
• 1:35
  Speaker 2: called Party Favors. Now, because I've kept all my notes. Normally,
• 1:41
  Speaker 2: you know, I replaced one week with the other, but
• 1:44
  Speaker 2: I've got all these notes. So I did go and
• 1:46
  Speaker 2: look back because last week we were wondering, we were
• 1:52
  Speaker 2: trying to remember what Pancho did versus what Lawrence did.
• 1:55
  Speaker 1: The roommates. Yes, we were, okay, Alan's roommate.
• 1:59
  Speaker 2: Pancho is the one who had three failure two appears
• 2:02
  Speaker 2: and got busted when his friend shot himself and died.
• 2:06
  Speaker 1: Okay, cause that's Poncho. Lawrence is there.
• 2:10
  Speaker 2: He is the one that came in and told Matt
• 2:12
  Speaker 2: about something happened and he had to beat up a guy.
• 2:15
  Speaker 2: It was just self defense. But he wasn't another zone
• 2:19
  Speaker 2: before this. He got moved out of one zone into
• 2:21
  Speaker 2: this zone, which mean he's probably he's stinking up, stinking
• 2:26
  Speaker 2: up the joint or something, and they asked him to
• 2:29
  Speaker 2: move out or he got moved out of he got
• 2:31
  Speaker 2: moved from his zone.
• 2:33
  Speaker 4: He needs to go to medical.
• 2:34
  Speaker 3: If that gas is as bad as I mean, it's
• 2:39
  Speaker 3: Matt telling us this tale, so it could have smelled
• 2:42
  Speaker 3: like strawberries, but it was so uh, if this is
• 2:47
  Speaker 3: as bad as he made it out to be, he
• 2:49
  Speaker 3: most definitely needs to go to medical.
• 2:51
  Speaker 1: Something wrong or he's doing it on purpose. So let's
• 2:55
  Speaker 1: start with Matt.
• 2:56
  Speaker 2: We're gonna start with Matt and Johnny and the six
• 2:58
  Speaker 2: hundred and Matt. We opened up with him talking to Lawrence.
• 3:03
  Speaker 1: Like, why'd you tell? Why'd you tell that?
• 3:05
  Speaker 2: IPEd you know, in the corner or whatever, and again
• 3:08
  Speaker 2: I meant to go get that snitching button, and I
• 3:11
  Speaker 2: just keep forgetting, but you got We got ten episodes
• 3:13
  Speaker 2: left after this, so I'll get it, actually sneech.
• 3:16
  Speaker 4: And so.
• 3:19
  Speaker 1: Then Matt's in a talking to head. He goes, there's
• 3:20
  Speaker 1: a new guy here.
• 3:21
  Speaker 2: His name as Johnny Johnny and black screen of death
• 3:26
  Speaker 2: tells us they're unaware of each other's participation. Obviously, Matt goes,
• 3:30
  Speaker 2: Johnny's an older guy like me, And so he goes
• 3:34
  Speaker 2: off and is telling Johnny that he's so mad at
• 3:36
  Speaker 2: Lawrence for snitching and if it was on the street,
• 3:39
  Speaker 2: this would have gone down differently. But it's I mean,
• 3:42
  Speaker 2: Matt didn't get any trouble for this.
• 3:44
  Speaker 1: Do you know what I mean?
• 3:45
  Speaker 4: He's not at all.
• 3:47
  Speaker 3: And I don't know what it's with the Clint Eastwood
• 3:50
  Speaker 3: voice that he keeps trying to do, but it is
• 3:54
  Speaker 3: so not necessary.
• 3:55
  Speaker 1: He's so annoying.
• 3:57
  Speaker 4: It is not his voice.
• 3:59
  Speaker 1: No, no, hey, I'll tell you what.
• 4:03
  Speaker 4: Meet me at the Okay Corral.
• 4:08
  Speaker 2: This was in this street, the mean streets of Utah.
• 4:12
  Speaker 2: I would have handed in the Book of Mormon and said,
• 4:15
  Speaker 2: do you want to hear about our Lord and Savior.
• 4:19
  Speaker 2: I'm not gonna beat anybody up in the streets.
• 4:21
  Speaker 1: Come down.
• 4:22
  Speaker 3: He wouldn't even be on a street that Lawrence would
• 4:25
  Speaker 3: be on. So for real, here you couldn't even take
• 4:28
  Speaker 3: him as your roommates.
• 4:29
  Speaker 4: So now you're going to go to.
• 4:30
  Speaker 3: His streets, right, mateus or Matthew or whatever the hell
• 4:35
  Speaker 3: your real name is.
• 4:35
  Speaker 2: That's so In the Talking Head, Johnny says, Yeah, this
• 4:40
  Speaker 2: guy matt he seems like he's been through a hard time.
• 4:42
  Speaker 2: Maybe he's been on drugs, because.
• 4:45
  Speaker 4: He looks like you look about him.
• 4:47
  Speaker 1: He looks like a gutter rat, is what he looks like.
• 4:49
  Speaker 4: Your hair is thinning more and more. Ever, only in
• 4:53
  Speaker 4: week four, if you.
• 4:55
  Speaker 2: Just get a haircut. Again, guys, we don't know. Don't
• 4:58
  Speaker 2: tell us. This show is ret eighteen, so don't tell
• 5:01
  Speaker 2: us any spoilers. We are we are gonna look it
• 5:04
  Speaker 2: up at that.
• 5:05
  Speaker 3: We're okay with accepting the fact that he looks like
• 5:07
  Speaker 3: Samara from The Ring coming out of the well because
• 5:10
  Speaker 3: he's been stuck in the whale for seven days and
• 5:13
  Speaker 3: he's coming out to havoc on anyone who watches the video,
• 5:17
  Speaker 3: that is what that hair looks like.
• 5:19
  Speaker 4: It is bad. It's just so bad.
• 5:21
  Speaker 1: Oh my god. He thinks it looks good.
• 5:24
  Speaker 2: So it's funny because Johnny, not knowing anything about Matt, goes, yeah,
• 5:28
  Speaker 2: this's got Matt like he looks like he's been just.
• 5:31
  Speaker 1: Really been through some bad drug addiction.
• 5:33
  Speaker 4: And if there's something from a guy who was a
• 5:34
  Speaker 4: former gang member and he some thing like.
• 5:40
  Speaker 2: He says, you know, he found out he got stitched on,
• 5:43
  Speaker 2: like he really wanted to fight Lawrence. So then we
• 5:46
  Speaker 2: get the next scene is Matt he peas in the night,
• 5:49
  Speaker 2: blushes the toilet and you see Lawrence kind of like man, but.
• 5:53
  Speaker 1: I mean, well that's what you wanted.
• 5:56
  Speaker 4: Alternative.
• 5:57
  Speaker 2: Yeah, so he says, he says Lawrence, he emasculated me.
• 6:03
  Speaker 2: I'm beyond upset. I'm thinking about brawling with Lawrence and
• 6:09
  Speaker 2: I know how I am and I'll have to go
• 6:11
  Speaker 2: alpha and Lawrence. Lawrence doesn't have the fighting skills, but
• 6:16
  Speaker 2: I do. It's like I'm possessed of a demon and
• 6:20
  Speaker 2: I'm very stressed out.
• 6:23
  Speaker 3: Okay, Kong Fu Panda, which, yeah, I don't think you're
• 6:28
  Speaker 3: a mash for Lawrence. Okay, he's got he's got you
• 6:31
  Speaker 3: on skills age. And he looks like he's been in
• 6:35
  Speaker 3: about uh at least no, no seventy fights, you know, like.
• 6:39
  Speaker 2: Stop, he's in prison for fighting and said he will
• 6:42
  Speaker 2: kill somebody. And also he's been on Indiana's Most Wanted.
• 6:47
  Speaker 4: I mean, I just want to fuck with him.
• 6:48
  Speaker 1: I just I just let him fart it up.
• 6:51
  Speaker 2: Yeah, yeah, A pillow over your nose and keep a push.
• 6:57
  Speaker 2: Now we see him again, staring into the night vision
• 7:02
  Speaker 2: camera like a real fucking weirdo, going I want to
• 7:05
  Speaker 2: punch him. I want to punch him. He's gotta go
• 7:10
  Speaker 2: move him out. He's by the way, when he talks
• 7:15
  Speaker 2: to production, he could just tell production of this. He
• 7:16
  Speaker 2: doesn't have to mouth to know it is look so bizarre.
• 7:22
  Speaker 4: I'm telling you.
• 7:23
  Speaker 3: He was like, if I don't get hired as an actor,
• 7:27
  Speaker 3: maybe the streets of New York will hire me as
• 7:29
  Speaker 3: a mine. That's just he's just showing us all of
• 7:32
  Speaker 3: his acting skills. This was so over the top, and
• 7:35
  Speaker 3: that's coming from me.
• 7:37
  Speaker 1: He is doing so weird.
• 7:40
  Speaker 2: And then he's like, move him out into the cell,
• 7:45
  Speaker 2: open the doors. He's doing all these things, and then
• 7:48
  Speaker 2: he stands on the chair pretense to scream like he's
• 7:51
  Speaker 2: in shawshank Oo. Literally, my note is I hate this
• 7:57
  Speaker 2: guy so much, Like I hate him so much, and
• 7:59
  Speaker 2: I try to give Okay, well let me give him
• 8:02
  Speaker 2: some grace or maybe that No I need him.
• 8:04
  Speaker 3: No, no, no, he's gonna have a lot of explaining
• 8:08
  Speaker 3: to do when he gets back to Utah. They're we're like, well,
• 8:10
  Speaker 3: we need you to come down here to the chapel
• 8:12
  Speaker 3: discusses that demon possession.
• 8:14
  Speaker 4: You suppote while you were in prison, going on with that.
• 8:19
  Speaker 1: Yeah, you definitely can't say that if you're a Mormon.
• 8:21
  Speaker 4: No, can you talk about that? No?
• 8:24
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• 8:29
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  Speaker 2: on product and planned purchased. So then he does the
• 10:23
  Speaker 2: distress signal in the middle of the night, putting his
• 10:25
  Speaker 2: arms up and says he needs to go, but they
• 10:28
  Speaker 2: pull him for an interview, and it did look like
• 10:30
  Speaker 2: it was daytime.
• 10:32
  Speaker 4: It did not waited till the day before.
• 10:35
  Speaker 2: They wait till the day because they know they can't
• 10:37
  Speaker 2: partly out in the middle of the night and pretude
• 10:39
  Speaker 2: to interview them.
• 10:40
  Speaker 4: Yeah yeah, So.
• 10:42
  Speaker 2: In the talking Eddy says, I'm at a mental crosswords.
• 10:46
  Speaker 2: I can't continue with Lawrence. I want some help with
• 10:49
  Speaker 2: this and if not, I can guarantee you my spiral
• 10:53
  Speaker 2: will continue. And the producer goes, literally, you do know
• 10:59
  Speaker 2: you have the leave it anytime.
• 11:01
  Speaker 3: Anytime, and it sounds like that time is right now,
• 11:05
  Speaker 3: but you know, whatever you want to do.
• 11:07
  Speaker 2: And he goes, it's a false option. The producer goes, no,
• 11:11
  Speaker 2: it's an option. You could leave it anytime. He goes, No,
• 11:14
  Speaker 2: my son is here. I have to protect him. As
• 11:17
  Speaker 2: long as my son is here, I will die here
• 11:20
  Speaker 2: with my son. And I think I might end up
• 11:24
  Speaker 2: dying here with my son. This thing with Lawrence. I'm
• 11:28
  Speaker 2: at a breaking point. Okay, Well, you know we watch
• 11:32
  Speaker 2: you twenty four seven, so it's okay.
• 11:35
  Speaker 4: I mean you leave, your son can leave. You're you're
• 11:40
  Speaker 4: the one who.
• 11:42
  Speaker 3: Your son should be more concerned about you. Your son
• 11:44
  Speaker 3: is over there thriving and sorry after school program, so
• 11:48
  Speaker 3: you're over here losing your fucking mind.
• 11:53
  Speaker 2: And then talking to Matt goes. You know, after Lawrence
• 11:55
  Speaker 2: and I had the incident, I felt like a laughing stock,
• 11:58
  Speaker 2: and I'm ready.
• 11:59
  Speaker 1: Just fight Lawrence. No one cared, sure, Jan nobody cares.
• 12:05
  Speaker 4: No one cared.
• 12:06
  Speaker 1: No, he cares.
• 12:07
  Speaker 2: Abu, you're peeing in a cup and they're not laughing stock.
• 12:09
  Speaker 2: We've not seen one person mention it like hey, pissed
• 12:12
  Speaker 2: boy or nothing.
• 12:13
  Speaker 4: They don't pay attention to him at all.
• 12:17
  Speaker 1: He thinks everybody's like, oh, we need Lawrence peeding the cup.
• 12:20
  Speaker 1: I mean no.
• 12:22
  Speaker 2: So we hear the intercom going six oh seven, six
• 12:26
  Speaker 2: oh seven, Uh, pack it up, and Laura's like yes.
• 12:29
  Speaker 2: So he's telling people like, you can go get my stuff,
• 12:31
  Speaker 2: let me you know whatever.
• 12:32
  Speaker 1: Whatever, And so he.
• 12:35
  Speaker 4: Out out or is he being moved somewhere else?
• 12:39
  Speaker 2: It has to be that he's getting out out because
• 12:42
  Speaker 2: they wouldn't tell he wouldn't be letting people have his stuff,
• 12:44
  Speaker 2: he'd be taking it with him.
• 12:45
  Speaker 4: Okay, that's right.
• 12:46
  Speaker 2: Okay, So he's getting released to what to wear?
• 12:49
  Speaker 1: Unclear?
• 12:52
  Speaker 4: Did they better not get caught in Utah? Matt's like
• 12:55
  Speaker 4: Matt had told every about him.
• 12:58
  Speaker 2: Matt goes, this is a weight off my shoulders because
• 13:01
  Speaker 2: you know I was gonna have to kick his ass.
• 13:03
  Speaker 4: No, Matt, Okay, yeah. And so here's the thing.
• 13:07
  Speaker 3: If someone keeps saying how they're going to beat someone's ass,
• 13:10
  Speaker 3: that is how you know they're not going to beat
• 13:12
  Speaker 3: someone's ass, Because if you're going to beat someone's ass,
• 13:14
  Speaker 3: you just beat their ass.
• 13:16
  Speaker 1: You know, I don't know, I guess.
• 13:18
  Speaker 3: So, yeah, that's that's what I've learned, not because of
• 13:23
  Speaker 3: you know, I've been in so many fights, but working
• 13:24
  Speaker 3: with kids, I used to tell them, how long are
• 13:27
  Speaker 3: you gonna say you're gonna beat this kid's ass?
• 13:28
  Speaker 4: Like you're not going are we gonna get some action
• 13:32
  Speaker 4: here today?
• 13:32
  Speaker 1: Or what?
• 13:33
  Speaker 3: Like?
• 13:33
  Speaker 4: What is? Because you know, teachers would like to place bets. Yeah,
• 13:37
  Speaker 4: so now I'm just totally kidding.
• 13:40
  Speaker 1: If you could throw the fight, I'll throw you a
• 13:42
  Speaker 1: ten dollars at the end, well at.
• 13:44
  Speaker 4: Some little little celebratory afterwards, you know, if you win.
• 13:51
  Speaker 1: She's kidding.
• 13:53
  Speaker 4: Yes, Okay.
• 13:54
  Speaker 1: Now we go to Andrew, his son in the five hundred.
• 13:56
  Speaker 4: Yeah doing great?
• 14:00
  Speaker 1: Who knew?
• 14:01
  Speaker 4: Who knew?
• 14:02
  Speaker 2: Andrew says, it's been a few weeks and you know,
• 14:05
  Speaker 2: his roommate Timothy has been annoying, and we see how
• 14:07
  Speaker 2: he just like slap him and stuff, and he goes,
• 14:09
  Speaker 2: but I'm really getting to know him now. Then we
• 14:12
  Speaker 2: see Timothy and Andrew talking. And Andrew says, oh, like
• 14:16
  Speaker 2: my dad did this, brah blah blah blah, and Timothy says,
• 14:19
  Speaker 2: you know, I was molested, beat and bullied my whole life.
• 14:24
  Speaker 2: And I'm actually supposed to be on a floor with
• 14:26
  Speaker 2: people who have had my same problems. He's supposed to
• 14:29
  Speaker 2: be on, you know, a floor for mental patients. I
• 14:32
  Speaker 2: don't know, I think so, and he goes you know,
• 14:35
  Speaker 2: I have a learning disability and it's been court ordered
• 14:38
  Speaker 2: for me to get his ged. But I filled out
• 14:41
  Speaker 2: my paperwork so many times and they just ignore me,
• 14:43
  Speaker 2: and so nobody gives me the information to get my ged,
• 14:46
  Speaker 2: and I'm trying to better myself, but I get ignored
• 14:49
  Speaker 2: every time. You know, we're treated like animals in here. Yeah,
• 14:52
  Speaker 2: So it's interesting.
• 14:52
  Speaker 1: I wonder it's like court ordered from his ged.
• 14:55
  Speaker 2: So if he goes up for parole or if they're
• 14:59
  Speaker 2: looking to like him out, they'll say, well, he never
• 15:01
  Speaker 2: got his GD but he keeps trying and they're ignoring them.
• 15:04
  Speaker 3: Yeah, if it's court ordered, that's exactly what will happen.
• 15:07
  Speaker 3: And it's of no fault of his own.
• 15:09
  Speaker 2: And he's trying what he's telling us, Yeah, yeah, for
• 15:11
  Speaker 2: what he's telling us, right, Yeah, Timothy tells us he's
• 15:14
  Speaker 2: twenty five, he's been locked up three times. He was
• 15:18
  Speaker 2: on the streets hanging out with the gang because he
• 15:21
  Speaker 2: was so bullied his whole life. He knew a gang
• 15:23
  Speaker 2: could protect him on the street. And he goes, you know,
• 15:26
  Speaker 2: I would tell people out there, try to do something
• 15:28
  Speaker 2: productive with your life, because this is not the place
• 15:30
  Speaker 2: you want to be. Yeah, just like, Okay, he could
• 15:33
  Speaker 2: be a motivational speaker.
• 15:35
  Speaker 3: Okay, well all right, all right, okay, so maybe a
• 15:38
  Speaker 3: class of kindergartens.
• 15:43
  Speaker 2: So and then talking dad, Andrew goes, I feel sympathetic
• 15:46
  Speaker 2: to Timothy's situation. You know, I'm hoping I can actually
• 15:48
  Speaker 2: help him. Maybe I can make a little change in
• 15:50
  Speaker 2: his life and changed in his life. And despite his flaws,
• 15:53
  Speaker 2: you know, I know he has good intentions and I
• 15:55
  Speaker 2: think he wants to learn.
• 15:56
  Speaker 4: Yeah, and then.
• 15:57
  Speaker 1: Keisha, we see black screen of death during lockdown, Andrew
• 16:02
  Speaker 1: is teaching Timothy how to read.
• 16:04
  Speaker 4: Okay, that made my heart flutter. He do it really,
• 16:10
  Speaker 4: really really? He is so much more likable than his
• 16:14
  Speaker 4: father is. Yes, like that. There's something special about Andrew.
• 16:19
  Speaker 3: They're just is and I feel like if he continues
• 16:23
  Speaker 3: to be around his dad, his dad is going to
• 16:26
  Speaker 3: just like soul suck him, soul, suck.
• 16:29
  Speaker 1: That sweetness right out of him.
• 16:31
  Speaker 3: Yes, he needs to be away from his dad so
• 16:33
  Speaker 3: he can truly thrive, and I think this experience is
• 16:37
  Speaker 3: going to persuade him to do just that.
• 16:40
  Speaker 2: Yeah, because you know, he says his job, he's a
• 16:42
  Speaker 2: substitute teacher, and I think he's very involved with the
• 16:44
  Speaker 2: church and stuff.
• 16:45
  Speaker 3: I don't know.
• 16:45
  Speaker 4: This was just so it was so sweet.
• 16:48
  Speaker 2: So he's talking hed Timothy says, my reading level is
• 16:53
  Speaker 2: about third grade. I dropped out of school in eleventh
• 16:56
  Speaker 2: grade because I kept trying but nobody wanted to help me,
• 16:58
  Speaker 2: so I just dropped out.
• 17:00
  Speaker 4: He needed Edmund from Love Is Blind's teacher.
• 17:04
  Speaker 1: Yes, yeah, he just needed one, you know.
• 17:07
  Speaker 2: And again, you don't know if this is his his
• 17:11
  Speaker 2: take on it. And actually the school system did try
• 17:13
  Speaker 2: to help him, and he didn't want to do it
• 17:15
  Speaker 2: after school or whatever. Yeah, but he says, you know,
• 17:18
  Speaker 2: it's really cool. Andrew was actually trying to help me,
• 17:21
  Speaker 2: and you know he's a really good guy.
• 17:23
  Speaker 4: Yeah, he was very nice to see them. Sweet. Yeah,
• 17:28
  Speaker 4: well his dad is fucking.
• 17:31
  Speaker 3: Out there trying to come yeah, yeah, and dig a
• 17:35
  Speaker 3: tunnel so he can reach Andrew and they can leave together,
• 17:39
  Speaker 3: because they can't just say we quit. You know it's
• 17:41
  Speaker 3: got to be something theatrical, So let's dig a tunnel
• 17:44
  Speaker 3: and ship.
• 17:45
  Speaker 1: Now, Andrew's is gonna re up for another sixty days.
• 17:48
  Speaker 1: He likes it, he's got free he might he's yeah,
• 17:52
  Speaker 1: he's making a difference. So all right.
• 17:55
  Speaker 2: Now we go to Alan in the five hundred. So
• 17:59
  Speaker 2: we see one of the guys is pushing the intercom
• 18:01
  Speaker 2: button over and over and over, and the lady says,
• 18:06
  Speaker 2: playing with that button unless it's a medical emergency, and they're.
• 18:09
  Speaker 1: Like, you turn the TV off? Like what you do?
• 18:10
  Speaker 1: You turn the TV off? For me?
• 18:12
  Speaker 4: That's a medical emergency. We need the TV on, like
• 18:20
  Speaker 4: for real.
• 18:21
  Speaker 1: The worst thing you could tell me is the cable.
• 18:25
  Speaker 4: Oh what gto like tables out.
• 18:31
  Speaker 2: So we see Alan. He's playing cards with some guys
• 18:35
  Speaker 2: and he's like, and then you're the woman like yelling
• 18:37
  Speaker 2: at the guys that are pressing the button. He goes, God,
• 18:39
  Speaker 2: I'm sitting hearing that woman's goddamn voice. And the inmates
• 18:43
  Speaker 2: who were pressing the buttons walk away and they're like, bitch,
• 18:46
  Speaker 2: I mean they're so mad about it, and she says,
• 18:49
  Speaker 2: you created a problem. Now you're gonna get the smoke.
• 18:51
  Speaker 2: The woman says, So a male CEO comes in and goes,
• 18:55
  Speaker 2: everybody's now on lockdown and they're like why they're all
• 18:59
  Speaker 2: just sitting there playing ours whatever, and they're like, what
• 19:01
  Speaker 2: did we do? And another inmate is telling the c
• 19:04
  Speaker 2: US telling another CEO a woman who's come in and
• 19:07
  Speaker 2: it's like she who's the woman in charge of the TV.
• 19:10
  Speaker 2: She keeps turning the TV off for no reason. And
• 19:13
  Speaker 2: then the woman CEO goes, I'm gonna have to call Dart.
• 19:15
  Speaker 2: I'm gonna have to call Dart.
• 19:16
  Speaker 4: I was like, there was no reason to call Dart.
• 19:20
  Speaker 1: It's an overreaction just starting TV.
• 19:24
  Speaker 4: I'm able to leave you alone.
• 19:25
  Speaker 2: Yeah, and we're in reminded dark are trained to subdue
• 19:30
  Speaker 2: disruptive inmates, but nobody's being nobody.
• 19:34
  Speaker 1: No, they're just pissed because she's.
• 19:37
  Speaker 2: Turned the TV off and this is their time to
• 19:39
  Speaker 2: watch TV. Yeah, so those guys come in. One guy
• 19:44
  Speaker 2: is like, I'm gonna bust your motherfucking head. I don't
• 19:47
  Speaker 2: give a fuck about no camera crew with this motherfucker.
• 19:50
  Speaker 2: When blank and word tell your ass to go the
• 19:53
  Speaker 2: fuck up, you go the fuck up. And they're like
• 19:56
  Speaker 2: they're also, I don't like they're all just standing right
• 19:58
  Speaker 2: outside their doors. And again they've done nothing, just like
• 20:00
  Speaker 2: turn the TV back on. I mean, they're being annoying,
• 20:03
  Speaker 2: but whatever.
• 20:04
  Speaker 3: I mean, what it is like millions of parents every day.
• 20:09
  Speaker 3: My kid is being annoying. Let me turn fucking miss
• 20:13
  Speaker 3: Rachel and sit them in front of the TV and
• 20:15
  Speaker 3: everything is good.
• 20:17
  Speaker 4: So I think she created more of a problem than
• 20:19
  Speaker 4: there really was.
• 20:20
  Speaker 2: Yeah, I agree, And another one of these dark guys goes, Now,
• 20:24
  Speaker 2: we up in this bitch. You know we're right here.
• 20:26
  Speaker 2: We don't give a fuck about the cameras because at
• 20:28
  Speaker 2: the end of the fucking day, y'all going to do
• 20:29
  Speaker 2: what we want you to do in this jail, and
• 20:31
  Speaker 2: all the guys you're just standing outside their doors, just
• 20:34
  Speaker 2: listening to the l Yeah, I'm talking to Alan goes.
• 20:38
  Speaker 2: The officers have no control. Yeah, that they can't control
• 20:43
  Speaker 2: the TV. Yeah, so it's like the game. It's a game.
• 20:47
  Speaker 2: They turn it on and they turn it off. It's
• 20:50
  Speaker 2: very unprofessional, yeah, and he goes, Yeah, the inmates don't
• 20:54
  Speaker 2: treat the CEOs with respects, but the officers use their
• 20:56
  Speaker 2: position to wield power. They'll lock you down for no reason.
• 21:00
  Speaker 2: And I can understand how the inmates feel that there's
• 21:02
  Speaker 2: an injustice to that right.
• 21:04
  Speaker 3: And then and then when they're locked down, they don't
• 21:06
  Speaker 3: even know how long they're going to be locked down.
• 21:10
  Speaker 2: They tell them nothing, nothing, And he says, because of
• 21:13
  Speaker 2: how they talked to and treated, I can understand how
• 21:15
  Speaker 2: they feel this way. And the dart team is supposed
• 21:17
  Speaker 2: to be there to help with fights, but then they
• 21:20
  Speaker 2: come in and they tell us they're.
• 21:21
  Speaker 4: Gonna get our ass.
• 21:23
  Speaker 1: And he says, if I was ever to act like
• 21:25
  Speaker 1: that on my job, I would be in jail for real.
• 21:27
  Speaker 3: Well, not to mention all the racial slurs, Yes, you're
• 21:32
  Speaker 3: totally approach like, no, how are you getting away with this?
• 21:36
  Speaker 3: Oh never mind, that's why we're doing the show.
• 21:38
  Speaker 1: That's why we're doing the show.
• 21:39
  Speaker 2: And I love how two of those two of those
• 21:43
  Speaker 2: dark guys right the funk about the cameras.
• 21:45
  Speaker 1: I'm like, you're going to.
• 21:46
  Speaker 3: You're going to because you're your job, Because this was
• 21:52
  Speaker 3: to me, that was crazier than anything that I've seen
• 21:54
  Speaker 3: the inmates do thus far, other than like the jumping
• 21:58
  Speaker 3: and fire.
• 22:00
  Speaker 2: And the full party we're about to see in a minute.
• 22:04
  Speaker 2: And Alan says, I can't wait to meet with the colonel.
• 22:07
  Speaker 2: But I think he has to know this stuff goes on.
• 22:09
  Speaker 4: I agree with Allan, I think so how could he not?
• 22:13
  Speaker 2: And he says, I try to give as much credit
• 22:15
  Speaker 2: to the law officers as as I can, being one
• 22:18
  Speaker 2: to myself, he said, this really pisses me off. So
• 22:22
  Speaker 2: we see him talking to the cameras to get locked
• 22:26
  Speaker 2: in the We see him talking to the camera in
• 22:28
  Speaker 2: the corner, are saying, you know, these officers won't respect
• 22:30
  Speaker 2: but they talk to us like that, like no, it
• 22:31
  Speaker 2: ain't happening, you know. So he's all mad, Mancha's like
• 22:35
  Speaker 2: Alic's going on.
• 22:36
  Speaker 4: Well, because as the weeks go on.
• 22:39
  Speaker 3: First of all, Alan's skin color is looking better, like
• 22:42
  Speaker 3: he's got some red meat in his system, because he
• 22:44
  Speaker 3: did look ghostly this episode.
• 22:46
  Speaker 4: And he's not I mean, he's not a zooting cop anymore,
• 22:52
  Speaker 4: you know what I.
• 22:52
  Speaker 1: Mean, He's not so scared. He's kind of blending.
• 22:55
  Speaker 4: He guys like a little runaway rat.
• 22:58
  Speaker 3: So yeah, he's starting to fitting in a little bit
• 23:01
  Speaker 3: because he was just scurrying around everywhere, you know, being quiet.
• 23:04
  Speaker 4: But this right here pissed him all the way off.
• 23:07
  Speaker 1: Yeah.
• 23:08
  Speaker 2: Yeah, so Black scream to Death says following the Dark
• 23:12
  Speaker 2: team's response. There is building tension between the officers and
• 23:15
  Speaker 2: the inmates, and Alan says, the officers don't do anything
• 23:19
  Speaker 2: but tell us when to eat, when to sleep, and
• 23:21
  Speaker 2: shine those stupid lights in our faces. This place is
• 23:24
  Speaker 2: ridiculous with the people and the staff.
• 23:26
  Speaker 1: It's so unprofessional.
• 23:28
  Speaker 3: Well because those guys really want to be cops.
• 23:31
  Speaker 2: Right, So I do wonder if after this, Alan's like,
• 23:34
  Speaker 2: get me in there.
• 23:35
  Speaker 1: Let me be the head of the CEO.
• 23:36
  Speaker 2: I know, right, Yeah, So the inmates have brought dinners
• 23:39
  Speaker 2: to their cells. It's just like sandwiches or whatever. And
• 23:43
  Speaker 2: as they're standing there, the officer like hits him with
• 23:47
  Speaker 2: the door, like trying to push him back in, and
• 23:49
  Speaker 2: he gets all pissed off.
• 23:51
  Speaker 1: But don't push me, you know.
• 23:53
  Speaker 2: Anyway, he gets mad and he throws this sandwich and
• 23:56
  Speaker 2: if puncho Lass.
• 23:57
  Speaker 1: He goes, what the fuck?
• 23:58
  Speaker 4: Alan, the blown me give it back to me, all.
• 24:04
  Speaker 2: Right, Nate everybody's favorite in mate, Nate. Yeah, Desmond, you know,
• 24:12
  Speaker 2: his roommate, his best and he goes in and he goes.
• 24:14
  Speaker 1: You want a haircut. It's your birthday.
• 24:15
  Speaker 2: I'm trying to arrange your haircut for you, for your birthday,
• 24:18
  Speaker 2: and he goes, yeah, okay, and Nate says he's worried
• 24:22
  Speaker 2: because Hassan got jumped on his birthday.
• 24:24
  Speaker 4: He got his vast beat.
• 24:27
  Speaker 1: Why why.
• 24:29
  Speaker 4: I have a feeling maybe he had done something. Yeah,
• 24:33
  Speaker 4: but I don't know.
• 24:35
  Speaker 3: We don't know what's going to happen next week. Maybe
• 24:37
  Speaker 3: it's just like a tradition, you get beat up on
• 24:39
  Speaker 3: your birthday.
• 24:40
  Speaker 1: I know I'd be like, don't anybody tell me it's
• 24:42
  Speaker 1: my birthday? Don't know.
• 24:43
  Speaker 2: I've been in here two years, never had a birthday.
• 24:46
  Speaker 2: Same age came in. So Black Screen of Death says,
• 24:52
  Speaker 2: date's getting a haircut for his birthday, but it has
• 24:55
  Speaker 2: to take place outside of five hundred. So they take
• 24:57
  Speaker 2: him to a different place for the haircuts, and they've
• 24:59
  Speaker 2: got the in it's cutting hairs like we saw one
• 25:01
  Speaker 2: an orange, that's right, And then talking to dad, he goes,
• 25:05
  Speaker 2: I've had worse birthdays, you know. I've had one in
• 25:08
  Speaker 2: a boot camp. I had one in Iraq, and everybody's
• 25:11
  Speaker 2: being so nice, so it seems I'm not at a target.
• 25:14
  Speaker 1: But you never know what's gonna happen.
• 25:17
  Speaker 4: You need to keep your eyes wide open. That's all
• 25:19
  Speaker 4: I gotta say.
• 25:20
  Speaker 2: He goes, everybody's been really nice to me on my birthday,
• 25:22
  Speaker 2: and everybody seems like they consider me a friend, but.
• 25:26
  Speaker 1: You can beat me up in a minute. I don't know.
• 25:29
  Speaker 2: So this guy named O'Neil, this older guy walks in
• 25:31
  Speaker 2: and goes, hey, you ready for your birthday beat down?
• 25:36
  Speaker 4: And he's like, not no, you're joking. Yeah, but.
• 25:45
  Speaker 2: On dates birthday, all the all the buddies prepare a
• 25:49
  Speaker 2: special meal for him.
• 25:50
  Speaker 1: So sweet.
• 25:53
  Speaker 2: We see a lot of the inmates going Nate's a
• 25:54
  Speaker 2: great guy, and des One goes, I.
• 26:00
  Speaker 1: Do love Nate.
• 26:00
  Speaker 2: Nate is a good guy. I will come to his
• 26:03
  Speaker 2: big fact Greek wedding.
• 26:04
  Speaker 3: Yes, so is Nate Greek? Because we've heard this roommate
• 26:08
  Speaker 3: say this before, assuming Nate.
• 26:12
  Speaker 2: I don't know if he's Greek or if that's just
• 26:13
  Speaker 2: a phrase that Desmond uses because he thinks it's funny.
• 26:16
  Speaker 2: That's the last movie he saw on the outside. I
• 26:17
  Speaker 2: don't know, Oh, if that's the last movie he saw
• 26:20
  Speaker 2: on okay, well.
• 26:22
  Speaker 1: I don't know.
• 26:23
  Speaker 2: Maybe to see it one time and he said, that's
• 26:24
  Speaker 2: what I'm gon say about your wedding from now on.
• 26:26
  Speaker 1: And he's never.
• 26:27
  Speaker 4: Been to a real wedding.
• 26:28
  Speaker 3: So that's the only thing he has to where he
• 26:30
  Speaker 3: thinks wedding. He thinks not big fat Greek wedding.
• 26:33
  Speaker 1: Yeah, because Nate does not sound like a Greek name.
• 26:36
  Speaker 2: Well, we don't know what was the last name, right, okay,
• 26:42
  Speaker 2: so we'll talk right, let's go to the new guy, Manuel.
• 26:47
  Speaker 4: Girl, what's wrong with him? He actually Edmund?
• 26:52
  Speaker 3: He is sixty days and Edmund was the love the
• 26:57
  Speaker 3: jumping and who the who's that?
• 26:59
  Speaker 4: I and you?
• 27:04
  Speaker 1: So he's new.
• 27:05
  Speaker 2: He's been there two days and he's telling somebody he's
• 27:07
  Speaker 2: from New Jersey, Brick City. He got locked up for theft,
• 27:10
  Speaker 2: and the Black Screams desk said, this is the first
• 27:12
  Speaker 2: time he's telling his cover story, and he goes, you know,
• 27:15
  Speaker 2: it's bullshit. I came over to Atlanta to visit my
• 27:17
  Speaker 2: boy and the five folk came through the door and
• 27:20
  Speaker 2: I was just jowing them and I got arrested. But
• 27:23
  Speaker 2: they were there because my buddy had some sort of
• 27:25
  Speaker 2: theft charge. I didn't do anything. You know, my buddy
• 27:28
  Speaker 2: looked at me when he said the theft thing. I've
• 27:30
  Speaker 2: been trying to get a hold of my wife to
• 27:32
  Speaker 2: give me a lawyer some.
• 27:34
  Speaker 4: Okay, it didn't sound that.
• 27:41
  Speaker 1: Believable.
• 27:42
  Speaker 4: No, it didn't.
• 27:43
  Speaker 3: But I feel like whoever he's talking to is not
• 27:46
  Speaker 3: listening to anyway.
• 27:48
  Speaker 4: Really, he could have told him anything.
• 27:50
  Speaker 2: Yeah, I made more sense if he said, like I did,
• 27:55
  Speaker 2: theft was my buddy a long time ago.
• 27:56
  Speaker 1: I can they got me, but it was like three
• 27:59
  Speaker 1: years ago or just so.
• 28:00
  Speaker 3: My buddy turned me in, you know, because we were
• 28:02
  Speaker 3: in this thing together.
• 28:05
  Speaker 1: Just makes just he got arrested for no reason. Doesn't
• 28:08
  Speaker 1: sound right.
• 28:09
  Speaker 2: So in the talking head, Imanuel says, people don't think
• 28:13
  Speaker 2: I'm from the hood because of my speech.
• 28:18
  Speaker 1: You know, I went to.
• 28:20
  Speaker 2: Private school and there I changed my speech pattern.
• 28:24
  Speaker 1: But I do think language hood.
• 28:28
  Speaker 4: And then he has black.
• 28:30
  Speaker 3: Then he added the black spin onto everything else.
• 28:35
  Speaker 2: No one is suspicious of me, and I felt confident
• 28:37
  Speaker 2: that I'm going to get to know everyone.
• 28:40
  Speaker 3: Okay, yeah, Wait when we hear him talk next and
• 28:46
  Speaker 3: it's like someone.
• 28:46
  Speaker 4: Said that black it was very weird. I did it
• 28:50
  Speaker 4: understand it online.
• 28:51
  Speaker 2: But when he this this thing comes up. The production
• 28:53
  Speaker 2: team walks up and he's acting goofy. They're playing checkers
• 28:56
  Speaker 2: and chest when the reduction team when he starts like, hey,
• 29:01
  Speaker 2: you want to knowize like a present.
• 29:02
  Speaker 1: Let me give you a tour of my crib.
• 29:04
  Speaker 2: Then he was using a regular voice, so don't and
• 29:08
  Speaker 2: I think guys are gonna notice.
• 29:11
  Speaker 3: I think they're like, there's something wrong with this. Motherfuckers
• 29:14
  Speaker 3: they're away from them.
• 29:16
  Speaker 4: He's trying to.
• 29:17
  Speaker 3: Be so hood, but he doesn't know how to be hood,
• 29:22
  Speaker 3: which is fine because you don't have to be hood
• 29:25
  Speaker 3: to be in jail.
• 29:27
  Speaker 2: It's like when he was telling the story about like,
• 29:29
  Speaker 2: oh my buddy got you know, popped the left and
• 29:31
  Speaker 2: he turned me at whatever. That was fine, but then
• 29:34
  Speaker 2: the production caemes up. The team comes over and he's like, oh,
• 29:36
  Speaker 2: this is my big opportunity to be on MTV cribs.
• 29:39
  Speaker 2: Let me show you how funny I am.
• 29:41
  Speaker 3: He dropped his cover, but I still think in his
• 29:45
  Speaker 3: head he was trying to be hood, but it didn't
• 29:49
  Speaker 3: break out. It's like he started off and they just
• 29:52
  Speaker 3: kept fading away, fading away, fading away.
• 29:56
  Speaker 4: He it's a clown.
• 29:58
  Speaker 1: He's a clown. Yeah, you see the colonel.
• 30:01
  Speaker 2: Flashback to the colonel saying, whatever you do, don't be
• 30:04
  Speaker 2: the focus of attention. Don't try to blend in, just
• 30:09
  Speaker 2: blend in. Don't try to call any attention to yourself.
• 30:12
  Speaker 3: He picked up the microphone, had a megaphone, and did
• 30:15
  Speaker 3: put a microphone in front of the megaphone and started talking.
• 30:18
  Speaker 2: Because yes, we see some inmates talking about him, going,
• 30:22
  Speaker 2: he's acting a damn full You act in.
• 30:25
  Speaker 1: The same size as your shoes. It's pretty good.
• 30:30
  Speaker 2: At your age your shoe size. Another inmate said. Another
• 30:36
  Speaker 2: inmate says, if you carry yourself like a punk, you're
• 30:38
  Speaker 2: gonna get treated like a punk. So it might because
• 30:42
  Speaker 2: somebody might be getting a birthday beat down at the manual,
• 30:45
  Speaker 2: even if it was not his birthday, not your birthday,
• 30:47
  Speaker 2: it's going to be a pretty birthday beat down.
• 30:49
  Speaker 4: But yeah, and.
• 30:51
  Speaker 2: The talking head Johnny goes, this guy Emmanuel is trying
• 30:55
  Speaker 2: too hard and he's show voting and if he's a participant,
• 30:58
  Speaker 2: he's gonna put all in danger because he's so immature.
• 31:02
  Speaker 4: It's got a good point. His wife is so happy
• 31:06
  Speaker 4: he's not at home.
• 31:08
  Speaker 3: She's probably not even accepting his phone calls.
• 31:12
  Speaker 4: She's so happy.
• 31:16
  Speaker 2: Okay, Angelae they do because Angela. I thought there was
• 31:22
  Speaker 2: another person named angel because I heard them saying angel
• 31:25
  Speaker 2: and I was like, So we opened with the girls
• 31:29
  Speaker 2: telling her howohot she is, and she's sexy as hell.
• 31:33
  Speaker 2: Her body shape is right, she's got dimple, she's got
• 31:36
  Speaker 2: a nice smile.
• 31:36
  Speaker 1: They love her eyes, they are they love them.
• 31:39
  Speaker 2: Someone everything about her like she was, yeah, no, no,
• 31:49
  Speaker 2: I'm just please.
• 31:51
  Speaker 4: So she's not a piece of meat. Girls, I'm not
• 31:55
  Speaker 4: a piece of meat. I mean.
• 31:58
  Speaker 1: And the talking head, She goes, I feel like a
• 32:00
  Speaker 1: king up in this bitch.
• 32:02
  Speaker 4: Bitch she does.
• 32:06
  Speaker 2: She says, I was not expecting this, and you know,
• 32:09
  Speaker 2: dealing with all the women and the hormones. I guess
• 32:11
  Speaker 2: they're horny. I don't know, she goes, but I'm not
• 32:16
  Speaker 2: getting with anyone. I'm here for a reason. I'm working
• 32:18
  Speaker 2: to expose the shit that's happening in these jails. I
• 32:20
  Speaker 2: got to keep focused.
• 32:21
  Speaker 1: I fit in right away. Everybody believes me.
• 32:24
  Speaker 2: Some of these really women are really going through some things.
• 32:27
  Speaker 2: So I want to get to the bottom bunk. Why
• 32:31
  Speaker 2: are you in here? And she goes, well, I was
• 32:33
  Speaker 2: over at my uncle's house and we were partying and
• 32:37
  Speaker 2: there was an altercation.
• 32:38
  Speaker 1: He stabbed me and she was like what, she goes, yeah,
• 32:42
  Speaker 1: Then he.
• 32:43
  Speaker 2: Called the cops and said that I had the knife,
• 32:46
  Speaker 2: and so she goes, so wait, you stabbed. She goes, no,
• 32:49
  Speaker 2: he's stabbed me. So she goes, but then you got arrested.
• 32:53
  Speaker 2: She goes yeah. She goes, well, where are you guys
• 32:54
  Speaker 2: on drugs? She goes, yeah, I said we were partying,
• 32:57
  Speaker 2: we were hurting. And Angela says, what's your biggest regret?
• 33:05
  Speaker 2: And she says picking up. She said, I was on drugs.
• 33:08
  Speaker 2: I lost my kids and so now I'm trying to
• 33:10
  Speaker 2: get myself back together.
• 33:12
  Speaker 1: Situation Okay, all right, so that's good.
• 33:15
  Speaker 2: At least she's got a goal. So I'm gonna talking
• 33:19
  Speaker 2: to Angela says. People look at these inmates like they're monsters,
• 33:23
  Speaker 2: but they're just people who made mistakes, and I want
• 33:26
  Speaker 2: to show them how strong they are. You know, so
• 33:29
  Speaker 2: far it's doing great and in a sense, you know,
• 33:32
  Speaker 2: we all really do care about each other. Now a
• 33:36
  Speaker 2: new inmate, Na Gabrielle, comes in.
• 33:39
  Speaker 3: All that shit she just said about I'm not dating anybody.
• 33:43
  Speaker 4: I'm here for this, I'm here for that. I think
• 33:46
  Speaker 4: it's going to kind of go out the window a
• 33:47
  Speaker 4: little bit. Here.
• 33:48
  Speaker 2: Gabrielle is cute, she's got a little braids, yep, And
• 33:52
  Speaker 2: she's assigned to Angela Sell and Angela's like, Wow, she's
• 33:58
  Speaker 2: beautiful and the outside world, this is somebody I would
• 34:00
  Speaker 2: go for. I've got a huge cruss on her, crush
• 34:03
  Speaker 2: on her. And then we're Gabrielle getting her bunk set
• 34:06
  Speaker 2: and stuff, and she tells them, you know, I'm diabetic
• 34:08
  Speaker 2: and they're like, we got you, girl, We're gonna look
• 34:09
  Speaker 2: out for you and very nice. All right, now, are
• 34:13
  Speaker 2: we ready to party because now it's a party time.
• 34:17
  Speaker 4: Yeah, And it's like we're the CEO that like touring
• 34:20
  Speaker 4: all this preparation, Like what this.
• 34:24
  Speaker 2: Is the craziest shit I've ever seen in my life.
• 34:29
  Speaker 2: This nobody's trying to hide it. Nope, they have been
• 34:32
  Speaker 2: prepping for a whole day.
• 34:35
  Speaker 3: No, they've been prepping it for two weeks because they've
• 34:37
  Speaker 3: been saving up the drugs for two weeks.
• 34:39
  Speaker 1: This is nuts. And I don't know what was this
• 34:42
  Speaker 1: like pink paste they were making. They were calling it
• 34:46
  Speaker 1: with its, but that's not what I mean.
• 34:47
  Speaker 4: I don't know what They don't ever explained what that was.
• 34:51
  Speaker 2: And they put it on their hand and lick it
• 34:53
  Speaker 2: off with like a popsicle stick is how they were
• 34:56
  Speaker 2: doing it.
• 34:56
  Speaker 1: Because it was like a pay seat thing.
• 34:58
  Speaker 4: I don't know, and it looks like they just crushed
• 35:02
  Speaker 4: all the drugs up.
• 35:03
  Speaker 1: They don't know what, they don't know what, and they
• 35:07
  Speaker 1: put it in this pink face.
• 35:12
  Speaker 4: I would die, Mary Pay.
• 35:13
  Speaker 3: I could be somewhere in a corner because the drugs
• 35:16
  Speaker 3: in my system. I mean, can you imagine xanax, letzepro, insolin.
• 35:24
  Speaker 1: They were just like all threw it in there.
• 35:29
  Speaker 2: So so Tiny's having a birthday party for her own birthday,
• 35:33
  Speaker 2: and the talking head Jacqueline goes, yeah, everybody knows that
• 35:36
  Speaker 2: Tinese Tiny has been asking everybody.
• 35:38
  Speaker 1: To cheek their pills for weeks for this extra paganza.
• 35:44
  Speaker 2: So we see talking the different inmates and one of
• 35:47
  Speaker 2: them goes, I like drugs.
• 35:49
  Speaker 1: I like to be high off of xanax. I like drugs.
• 35:53
  Speaker 2: We find out that Ramaran and Sarahquel are the most
• 35:57
  Speaker 2: popular drugs in jail, and now looked it up. Remoran Okay,
• 36:01
  Speaker 2: it's a generic drug for merchia epine. It's a tetrapylic
• 36:07
  Speaker 2: anti depressant tetracyclic tetracyclic antidepressant used to treat major depressive disorder,
• 36:16
  Speaker 2: sometimes prescribed off flavorable for other conditions like anxiety, or insomnia. Okay,
• 36:21
  Speaker 2: I remember on hoppy sleepy ziraquil is uh quotonomine, atypical
• 36:28
  Speaker 2: antipsychotic medication used to treat certain mental health efficients, available
• 36:33
  Speaker 2: in immediate release at extended release formulations. The talking head
• 36:38
  Speaker 2: Stephanie goes, it's gonna be an epic party. She goes,
• 36:43
  Speaker 2: and I don't see any She goes, I don't think
• 36:44
  Speaker 2: there's anything wrong with taking drugs to fit in.
• 36:46
  Speaker 3: And she knows how all these drugs in act, because
• 36:52
  Speaker 3: she's a parmacy tech.
• 36:54
  Speaker 1: You're so right.
• 36:57
  Speaker 4: Yeah, she probably told the.
• 37:02
  Speaker 1: Together Yeah after.
• 37:04
  Speaker 2: You drink that, You're so right. I got right down
• 37:10
  Speaker 2: snitching on here. Okay, she just thinks, I literally just remembered.
• 37:14
  Speaker 2: I need to I need to pull that up. Okay,
• 37:16
  Speaker 2: but you're right, Stephanie's job does come in handy uh huh. So,
• 37:22
  Speaker 2: and the talking head Jacqueline goes, yeah, I'm not gonna
• 37:25
  Speaker 2: do the drugs of the alcohol.
• 37:27
  Speaker 1: You know, she goes, because.
• 37:29
  Speaker 2: Either one of those is gonna misconstrue what I'm here
• 37:32
  Speaker 2: for and I could slip up and it can mess
• 37:35
  Speaker 2: up the whole reason I'm here.
• 37:36
  Speaker 3: Because she messes up on her own story, yeah, so yeah,
• 37:44
  Speaker 3: she's she's making the right decision because she would suck
• 37:49
  Speaker 3: up every and she tell them Stephanie.
• 37:52
  Speaker 4: Stephanie's here with me. We're both part of the program.
• 37:55
  Speaker 4: The program.
• 37:57
  Speaker 1: That girl you think, uh she is to think she is?
• 38:03
  Speaker 4: Yeah, she totally blew everyone's.
• 38:04
  Speaker 2: So it's party time, so Tiny yells down below, yells down. Yeah,
• 38:10
  Speaker 2: just yells down. See it's right there, yells down, it's
• 38:12
  Speaker 2: party time. If you don't get fucked up, don't come
• 38:14
  Speaker 2: to my room.
• 38:17
  Speaker 1: Okay.
• 38:19
  Speaker 4: Uh.
• 38:19
  Speaker 2: In the black screen of death, Tiny's throwing herself the
• 38:22
  Speaker 2: birthday party. She's prepared with and hooch to share.
• 38:25
  Speaker 1: With the inmates.
• 38:26
  Speaker 4: No, I take some hooch.
• 38:28
  Speaker 1: I wouldn't not that it would taste so bad, I know,
• 38:31
  Speaker 1: but just like one like so.
• 38:33
  Speaker 3: Okay, you know you and I wouldn't sleep well in
• 38:36
  Speaker 3: the jail, so why why not drink some hooch so.
• 38:39
  Speaker 4: Maybe we can get one get nice sleep.
• 38:42
  Speaker 1: But then when somebody tries to get you by your sleeping,
• 38:46
  Speaker 1: Oh yeah that is true.
• 38:47
  Speaker 3: Well, they probably would find us very attractive because we're
• 38:50
  Speaker 3: not futs.
• 38:52
  Speaker 2: No, definitely not that that girl is soft. So and
• 38:59
  Speaker 2: the talking head Tiny as she saved it two weeks
• 39:02
  Speaker 2: to drugs. We see them making the good, they're pressing it,
• 39:05
  Speaker 2: they're making it into some sort of pink face.
• 39:07
  Speaker 1: They've got a huge thing.
• 39:08
  Speaker 2: And they're all drinking out of their cup of noodles cups,
• 39:10
  Speaker 2: like they get their couple of noodles and then they
• 39:12
  Speaker 2: save those cups use for other things. So I'm talking
• 39:15
  Speaker 2: to Jacqueline says, this is very stressful being the situation
• 39:19
  Speaker 2: you have. Stephanie invited me to the party, but I'm
• 39:25
  Speaker 2: very disappointed in Stephanie. And Stephanie has gone one hundred
• 39:29
  Speaker 2: percent ful and Stephany has had like.
• 39:31
  Speaker 4: Nine different hairstyles, she's got one rolls, she's she's.
• 39:35
  Speaker 3: Had all kinds of brains, like she is living the
• 39:37
  Speaker 3: prison life, like she's fully submitted.
• 39:40
  Speaker 1: I feel like she's jam.
• 39:42
  Speaker 3: I think she's gonna like cut someone at some point
• 39:46
  Speaker 3: so she can stay, like for real, real stay.
• 39:50
  Speaker 2: What if you put Stephanie in like a real nice
• 39:53
  Speaker 2: like Orange is the New Black prison, or like a
• 39:56
  Speaker 2: Martha Stewart prison, Like what if what nice person?
• 39:59
  Speaker 1: She wouldn't have like as much.
• 40:01
  Speaker 4: I think she likes this is what she's been looking for,
• 40:04
  Speaker 4: she told her therapist. I've been looking for something in
• 40:06
  Speaker 4: my entire life. I just don't know what it is.
• 40:08
  Speaker 4: This is what it is right here. She has not
• 40:11
  Speaker 4: called her boyfriend. She has not called home to check
• 40:15
  Speaker 4: on anybody.
• 40:16
  Speaker 1: She don't care.
• 40:18
  Speaker 2: I wonder if the boyfriend's like, can they get a visitor?
• 40:21
  Speaker 2: Can he come visit her and be like a girl,
• 40:22
  Speaker 2: what happened?
• 40:23
  Speaker 1: You know?
• 40:24
  Speaker 4: No, she's probably gonna take him off the list. She
• 40:26
  Speaker 4: doesn't want to visit from him.
• 40:28
  Speaker 3: She's like, I got all my girls up and here
• 40:31
  Speaker 3: I am good, Like, yeah, it is something.
• 40:38
  Speaker 1: To talking head, Stephanie goes, listen, yeah, I drank the drink.
• 40:43
  Speaker 1: I took the drugs.
• 40:43
  Speaker 2: I'm showing them I'm a party person. I'm showing them.
• 40:46
  Speaker 2: I want tiny to like me.
• 40:47
  Speaker 4: Okay, you want everyone to like you.
• 40:51
  Speaker 2: So Jacqueline refuse, refuses the hoot and she says I
• 40:55
  Speaker 2: got a little some something and the talking has step
• 40:57
  Speaker 2: He goes, Jacqueline is.
• 40:58
  Speaker 1: Being so rude.
• 41:02
  Speaker 4: I'm not taking She's so by did I invite her?
• 41:06
  Speaker 1: She's so not cool.
• 41:08
  Speaker 4: She's like a loser, like, suck the closer.
• 41:12
  Speaker 2: She goes by not taking the drink, she's putting a
• 41:15
  Speaker 2: target on her back and at this point, she needs
• 41:18
  Speaker 2: me more than I need her.
• 41:20
  Speaker 1: She's the minority, and I'm not okay, stephany.
• 41:24
  Speaker 4: Such a bitch because each week she's becoming more.
• 41:28
  Speaker 3: I feel like she may actually put a sign on
• 41:31
  Speaker 3: Stephanie's back one night that says I'm in a sixty
• 41:33
  Speaker 3: days in program.
• 41:39
  Speaker 1: So Jacqueline refuses the hooch.
• 41:41
  Speaker 2: And then and inmate gives Jacquline a whippet and puts
• 41:45
  Speaker 2: it on her hand, right, but Jacqueline goes right over
• 41:49
  Speaker 2: to the seat and washes it off. Now here's the
• 41:52
  Speaker 2: thing she could have. I don't know who do they have,
• 41:54
  Speaker 2: like access to paper, towels and stuff. She could have
• 41:56
  Speaker 2: wiped it.
• 41:57
  Speaker 1: On her leg. Not so obviously she wanted to. She
• 42:00
  Speaker 1: wanted to get it all right away because I probably
• 42:01
  Speaker 1: will see it to your skin.
• 42:04
  Speaker 4: I mean, all I know is that she is really now,
• 42:09
  Speaker 4: she's really making them look at her like what is
• 42:12
  Speaker 4: she doing?
• 42:13
  Speaker 2: Yeah, if she doesn't want to listen, Tiny said, if
• 42:15
  Speaker 2: you don't want to get sucked up, don't go.
• 42:17
  Speaker 4: Yeah, so take your aspect downstairs.
• 42:21
  Speaker 2: But then now that she's up there and she's seeing everything,
• 42:26
  Speaker 2: she can't leave, you know, So she should have just
• 42:29
  Speaker 2: she should have just faked and no one would have cared. Yeah,
• 42:35
  Speaker 2: So next time on that's it, Next time on Angelae.
• 42:39
  Speaker 2: Every time. Angelay is getting close with Gabrielle, and she said,
• 42:46
  Speaker 2: Gabrielle reminds her someone else she knows with a drug problem,
• 42:50
  Speaker 2: and she can tell she's got the strength, and she's
• 42:53
  Speaker 2: drawn to Gabrielle's strength.
• 42:54
  Speaker 4: I think you're drawn to something else.
• 42:56
  Speaker 1: I don't think that's what you'redrawing to know.
• 42:58
  Speaker 2: Nice though, we see Andrew getting frustrated with Timothy whether
• 43:03
  Speaker 2: he's trying to have their lessons because Timothy's gone back
• 43:05
  Speaker 2: to being annoying yep. Jacqueline gets in trouble with the CEO,
• 43:09
  Speaker 2: like she's something's happening on her bed and she's like,
• 43:12
  Speaker 2: why are you not asking everybody else?
• 43:13
  Speaker 1: Why do I have to do it well?
• 43:15
  Speaker 4: Because you've made your target with the CEOs and with
• 43:17
  Speaker 4: the prisoners.
• 43:18
  Speaker 2: CEO don't like you now the prisoners don't like you.
• 43:22
  Speaker 2: And Alan witnesses a gang fight and he's very worried.
• 43:25
  Speaker 2: He doesn't know what to do because they they have
• 43:27
  Speaker 2: taken this guy behind the stairs and have taken him all.
• 43:30
  Speaker 1: The way down.
• 43:30
  Speaker 4: So I was wondering was that his roommate they were
• 43:34
  Speaker 4: beating it up, and that's why he's like, I don't know.
• 43:38
  Speaker 1: What to do.
• 43:40
  Speaker 2: I think he's like, I don't know what to do
• 43:42
  Speaker 2: because these guys are beating this guy and the CEOs
• 43:44
  Speaker 2: aren't doing anything.
• 43:45
  Speaker 1: It's like, do I go to knock on the window,
• 43:47
  Speaker 1: But the CEOs have cameras there they can say what.
• 43:50
  Speaker 4: I don't know.
• 43:51
  Speaker 1: If they're just like let them go for five minutes,
• 43:52
  Speaker 1: then they'll go in there, or I.
• 43:54
  Speaker 4: Mean, sometimes that's what you gotta do. Let them get
• 43:57
  Speaker 4: it out of their systems or something.
• 44:00
  Speaker 3: Match just teaching like Takwon do class or something like
• 44:04
  Speaker 3: that for everybody, so everyone could just like get exercise
• 44:07
  Speaker 3: and get a release and so, you know, just so
• 44:10
  Speaker 3: he's something no good.
• 44:12
  Speaker 4: Used it all.
• 44:13
  Speaker 1: I don't. I don't know, but I don't. I don't know.
• 44:16
  Speaker 2: If it's got so serious where like somebody's bleeding, He's like,
• 44:18
  Speaker 2: now I don't know what to do, you know?
• 44:20
  Speaker 4: But yeah, I don't like to.
• 44:21
  Speaker 2: See those fights. And this is the fourth episode I've
• 44:24
  Speaker 2: said it. I hate to see the fights like that
• 44:26
  Speaker 2: because it's.
• 44:27
  Speaker 1: Scary because they just like throw somebody to the ground.
• 44:29
  Speaker 1: And everybody starts kicking up kicking.
• 44:31
  Speaker 4: That I don't like.
• 44:33
  Speaker 1: Because oh, that's that's the line, is kicking.
• 44:37
  Speaker 4: I don't like kicking, and I don't like spitting.
• 44:40
  Speaker 1: Okay, so somebody just punching the shit out of you
• 44:42
  Speaker 1: with their fists is fine.
• 44:44
  Speaker 3: I mean, it's better than they kicked in the head.
• 44:47
  Speaker 3: What do you wear the baby punched in a head
• 44:49
  Speaker 3: than kicked in a head?
• 44:51
  Speaker 1: No, I don't. I don't want to think about that.
• 44:54
  Speaker 1: That's awful, Keisha.
• 44:55
  Speaker 3: Well, like I said, I watch a lot of Zeus
• 44:57
  Speaker 3: Network the shows not watching fighting this. You have to
• 45:01
  Speaker 3: sign a contract, you have to have two fighters for episodes.
• 45:08
  Speaker 3: So yeah, but they never get as bad as like, no,
• 45:11
  Speaker 3: that's a lot. They do get as bad as some
• 45:13
  Speaker 3: of these fights.
• 45:14
  Speaker 2: But what happens on the Zoos Network. What is what's
• 45:15
  Speaker 2: the premise of the show that you're talking about.
• 45:18
  Speaker 3: So I watched Jocelyn's Cabaret and I watch Baddies Joscen's Cabaret.
• 45:23
  Speaker 3: This woman who's been a stripper, she's she's half a pimpa.
• 45:27
  Speaker 4: She started like this dance troops all strippers.
• 45:31
  Speaker 3: Okay, So they're competing for the top person within fifty
• 45:35
  Speaker 3: thousand dollars and then a select group gets to go
• 45:38
  Speaker 3: on tour with her, and her tours are pretty successful.
• 45:40
  Speaker 1: Okay, wells is a lot.
• 45:44
  Speaker 4: Yeah, these are strippers.
• 45:45
  Speaker 3: And you put them all together, it's the same thing
• 45:48
  Speaker 3: as being in a women's prison.
• 45:49
  Speaker 4: Okay.
• 45:50
  Speaker 3: So you've got your groups, like this group doesn't like
• 45:53
  Speaker 3: that group. So if one person gets into a fight,
• 45:55
  Speaker 3: then people start jumping. You could just literally be sitting
• 45:59
  Speaker 3: there talking will run up and punch you right upside
• 46:01
  Speaker 3: your head.
• 46:03
  Speaker 1: Okay.
• 46:03
  Speaker 4: Then there's and then there's days. Well, batties baddies.
• 46:08
  Speaker 3: So a lot of them are rappers and influencers or
• 46:12
  Speaker 3: they're trying to be. Some of them are strippers, and
• 46:16
  Speaker 3: so what they do is they go from town to
• 46:18
  Speaker 3: town and they do like club promotions and stuff like that,
• 46:20
  Speaker 3: and they'll be like, oh, the batties are going to
• 46:22
  Speaker 3: be here, So everyone wants to be where the batties are.
• 46:25
  Speaker 4: And that's how they get paid. Did they fight, girl,
• 46:31
  Speaker 4: there's a rabbit hop.
• 46:33
  Speaker 1: These are all women fighting.
• 46:35
  Speaker 4: These are all women's fighting.
• 46:38
  Speaker 2: But but it sounds like with the strippers specifically the
• 46:41
  Speaker 2: batties too, that they're if they're.
• 46:44
  Speaker 4: Batties, may be worse than the Johnson's Cabaret.
• 46:47
  Speaker 1: But they need to try to look good for their jobs,
• 46:49
  Speaker 1: so they don't want to be beat there.
• 46:50
  Speaker 4: They don't give a fuck.
• 46:52
  Speaker 3: They will show up with a black guy. They show
• 46:55
  Speaker 3: up with knots on their like. Some of them get
• 46:59
  Speaker 3: teeth knocked out, like the tooth will get knocked out.
• 47:02
  Speaker 3: Some of them go to the hospital, then they're back
• 47:04
  Speaker 3: the next day. Someone's arm got dislocated.
• 47:08
  Speaker 4: Yeah, Keisha, don't they get dumb. There's literally only one
• 47:16
  Speaker 4: other person in my life who watches this ship. And
• 47:19
  Speaker 4: then of course it's.
• 47:20
  Speaker 1: Dan as I say, it's Dan, right, it's Dan.
• 47:22
  Speaker 2: Yeah, you know what I watch When I watched Cheer
• 47:28
  Speaker 2: about the Cheer and they were always imitating Bad Girls Club.
• 47:33
  Speaker 4: Okay, so.
• 47:35
  Speaker 3: Bad Girls Club one of the women who was so
• 47:38
  Speaker 3: some of the girls that are on Batties, because some
• 47:41
  Speaker 3: of them will be like the saving Girls every season
• 47:43
  Speaker 3: and they act like some or take away some they
• 47:46
  Speaker 3: were on Bad Girls Club.
• 47:48
  Speaker 4: Like the girl who's over.
• 47:49
  Speaker 3: The Baddies is Natalie None from Bad Girls Club.
• 47:53
  Speaker 4: Okay, so I never watched Bad Girls Club, but it's
• 47:56
  Speaker 4: like they fought there too.
• 47:59
  Speaker 1: I know that, so they would do on Cheer.
• 48:00
  Speaker 2: They would like recreate the fights for they're like place
• 48:03
  Speaker 2: laughing each other and stuff.
• 48:05
  Speaker 4: It was hilarious.
• 48:06
  Speaker 3: We get pulled off, eye smashed. Yeah, it's the nails
• 48:12
  Speaker 3: when their nails break right here.
• 48:14
  Speaker 4: I can't take it.
• 48:15
  Speaker 1: Oh, there is gonna be a show.
• 48:19
  Speaker 2: I think it's gonna I think it's a NBC and
• 48:20
  Speaker 2: it's with Christian Chenowe and it is going to be
• 48:24
  Speaker 2: like a like a theater take on. No, it's going
• 48:28
  Speaker 2: to be a take on like the Cheer. Uh, but
• 48:33
  Speaker 2: it's like a scripted show. It looks very funny. It
• 48:36
  Speaker 2: looks very funny. It looks very funny. I don't know
• 48:38
  Speaker 2: anything about it. Everybody, that's it, that's your episode.
• 48:42
  Speaker 4: That is.
• 48:44
  Speaker 1: I was just about to say Love is Blind. I
• 48:46
  Speaker 1: get I gotta, I gotta take them out of my
• 48:48
  Speaker 1: mount a break from it. We got to break with that.
• 48:51
  Speaker 1: We're done with that. This is sixty days.
• 48:54
  Speaker 2: And now you guys, if you want to hear more
• 48:57
  Speaker 2: of Kisha and I again, you could go listen to
• 48:59
  Speaker 2: us talk about how well the Love Is Blind reunion wise,
• 49:02
  Speaker 2: that's over on the ten dollars level of prime. And
• 49:04
  Speaker 2: then starting I think we said November nineteenth, it's going
• 49:08
  Speaker 2: to be our coverage of Welcome.
• 49:10
  Speaker 1: To Platform over on the ten dollars level of Pink Shake.
• 49:14
  Speaker 2: Pron to join over there and also over there, guys,
• 49:16
  Speaker 2: you get at free episodes, and right now Seeking Sister
• 49:19
  Speaker 2: Wife is on that level as well. Let's see this
• 49:24
  Speaker 2: week coming up, because I'm trying to remember what week
• 49:28
  Speaker 2: this is. We're doing so much pre recording guys, because
• 49:30
  Speaker 2: I'm going out of town and da da da da.
• 49:32
  Speaker 1: So this week coming up.
• 49:34
  Speaker 2: Which is thus I gotta look. So last week would
• 49:41
  Speaker 2: have been Christine and Stacy, so this week is going
• 49:45
  Speaker 2: to be my friend jo Linta Greenberg on to talk
• 49:49
  Speaker 2: about pop and Pravda this week. The thing about Jelina,
• 49:51
  Speaker 2: She's got a podcast called hot Mesterpiece Theater and she
• 49:56
  Speaker 2: does like theater archetypes are our shows like Stussy Strouders,
• 50:03
  Speaker 2: the Mean Girl, like Lisa vander pump Is, you know,
• 50:05
  Speaker 2: like I get like these kind of things.
• 50:07
  Speaker 1: It's really interesting. She's very funny.
• 50:09
  Speaker 2: But she told me last time I talked to her,
• 50:11
  Speaker 2: She's like, yeah, I love to come on anytime and
• 50:12
  Speaker 2: to talk about it. She was like, I watch all
• 50:14
  Speaker 2: the ninety day stuff too. Very rare do I find
• 50:18
  Speaker 2: somebody that went to the Housewives and ninety day.
• 50:24
  Speaker 4: Watch out Kimberly. She's kind of good Jobimberly.
• 50:29
  Speaker 1: It was very excited about it.
• 50:31
  Speaker 2: So that's later this week, everybody, and I hope everybody
• 50:33
  Speaker 2: had a happy Halloween. And uh, I know Kisha did,
• 50:37
  Speaker 2: Lord knows. I can't wait to see the pictures of that.
• 50:39
  Speaker 4: I'm not dressing up.
• 50:42
  Speaker 1: What's wrong with you?
• 50:44
  Speaker 3: I haven't dressed up in the last three years, and
• 50:47
  Speaker 3: I used to dress up every year at Yeah, we
• 50:50
  Speaker 3: have this huge Halloween party.
• 50:53
  Speaker 4: I'm tired.
• 50:53
  Speaker 1: I'm old.
• 50:54
  Speaker 4: I'm tired.
• 50:55
  Speaker 3: I've got my Halloween shirts. I've got another Halloween shirt. God,
• 50:59
  Speaker 3: the house this is fully decorated for Halloween.
• 51:01
  Speaker 4: It's all I got there, exchange, it's all you got
• 51:03
  Speaker 4: in you.
• 51:03
  Speaker 1: I get it. I get it all.
• 51:05
  Speaker 4: Yeah, maybe next year.
• 51:06
  Speaker 1: Maybe.
• 51:08
  Speaker 2: All right, everybody, we will see you next week for
• 51:11
  Speaker 2: sixty days and fe