Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Johnny Fletcher: The Navy Colt (EP1067)

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Johnny Fletcher: The Navy Colt (EP1067) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

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Welcome to the Great Detectors of Old Time Radio from Boise, Idaho. This
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is your host, Adam Graham. If you have a comment, email it
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to me Box thirteen at Great Detectors dot net, follow us on Twitter at
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Radio Detectors, and become one of our friends on Facebook, Facebook dot com
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slash Radio Detectives. Before we do get started, I do want to encourage
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you as you're making your travel plans to remember Johnny Dollar Air dot com.
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Johnny Dollar Air dot com is a price line affiliate, so you're able to
1:03
have the option of either choosing from great published fairs or naming your own price,
1:08
but at no additional cost to you. A portion of your purchase goes
1:14
to support the Great Detectives of Old Time Radio. So remember Johnny Dollarair dot
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com. Though today we won't bringing you Johnny Dollar, will be bringing you
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Johnny Fletcher. Johnny Fletcher was created by Frank Gruber, a very prolific mystery
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writer who, over the course of his career wrote hundreds of short stories and
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novels and over two hundred TV and film scripts. This man very prolific,
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and these were perhaps his most famous creations. The duo that we have appearing
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in today's episode were actually the stars of The French Key. The French Key
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was the first Johnny Fletcher mystery and was adapted in nineteen forty six for Republic
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Pictures. And what NBC looks like they were trying to do here was to
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do an audition and see if this film duo could work over the radio.
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So let's and this, by the way, was made for sponsors, potential
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sponsors of the program. So this was intended to be one of those NBC
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syndicated shows if they got enough interest. And the title of today's episode is
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also taken from a n Fletcher book. The title is The Navy Colt,
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which was actually the fourth book in the series. So here now is the
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Navy Cult Johnny, I don't like this. Tells me we should have aught
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to minded our own business. Look, Stan, helping a damsel in distress
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is your business? My business? Everybody's business. Oh what's a damsel?
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It's well a dame. Okay, then it's your business. I want no
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part of it. Yes, it's time for another Johnny Fletcher mystery, brought
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to you by the National Broadcasting Company and starring Albert Decker as Johnny Fletcher and
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Mike Mzurki as Sam Craig in Frank Ruber's best selling murder mystery The Navy Cult.
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It is mid afternoon and before and Johnny and Sam on a busy street
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in New York making a fast pitch, their customary method of burning an honest
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dollar whenever they're broke, which they usually are. Ladies and gentlemen. Ladies
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and gentlemen, your attention please. You see here the strongest man in the
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world, my palent partner, Sam Craig. A short time ago, Sam
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was a funy weekly who weighed only ninety eight pounds. Now look at him,
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a magnificent specimen of manhood, sixty five two hundred and fifty pounds of
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brown and ron. As evidence of his enormous strength. Sam is going to
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fill his mighty lungs over there and snap that two inch log chain wrapped about
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his chest. Bye you ready, Sam? Yeah? Then go on and
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break it, my boy, and let the links fall where they may.
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I'm sir, I'm the ladies and gentlemen. The eve with which he pulls
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apart that symbol of slavery feet bush at it. I'm trying to Johnny,
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you must have meant that lake too strong. But there you are, my
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friends, there you are. A miracle of strength has been performed before your
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very eyes. A broken chain lies at my feet. A man, a
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real man, has released himself from the fetters of masculine weakness. Ladies and
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gentlemen, for you too can be marvels of strength. Like Sam Craig this
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book of mine. Every man becomes that cop again other side of the street.
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Oh sorry, ladies and gentlemen. Sorry, ladies and gentlemen, Let's
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get out of here. Sam, what a life? A man can't try
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to make an honest living anymore? But what some flat foot crabsy eye.
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You know something, Johnny, No, what, We wouldn't be broke all
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the time if you was to stick to one thing or another. You got
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brains, You got the gift of gab, and you got me a three
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way handicap if I ever heard one, No fool, and Johnny, you
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get all the makings of a big business typhoon. Why don't we decided you
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to be a businessman or an amateur detective, one or the other, but
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not both. Go on, Sam, you interest me strange odd nuts?
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You know what I mean? Johnny but it happens continuous all the time.
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We get a good start selling books or some kind of business that looks easy,
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and what pursues somebody gets their throat cut or found that in a trunk
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or something, and you horn your way into the yack. That's my way
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of having fun. I know, Johnny, but a guy can't have much
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fun on an empty stomach, and that's what usually happens. We got nothing
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else but Johnny sometimes me. We're being following. Hello. Why I thought
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you gentlemen break that chain back there? So you must be awfully strong.
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Oh you want to buy a book? Huh? Get one out? Sam?
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Do you gentlemen want to earn ten dollars? Lady? Right now?
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For ten bucks, I go over Niagara Falls and a mustache cup. How
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do we earn the saw buck? No, Johnny, No, this is
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like the way it always starts. You're right, Sam, Sorry, sister,
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some other time, maybe you gentlemen must help me. Look, sister,
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let's get this straight. We're not gentlemen. I'm just a guy named
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Johnny Fletcher, and this rugged character of Sam cragg my paw. I'm happy
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to know you, mister Fletcher, and mister Cragg. My name is Hilda
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Nelson. Oh yeah, where do you live? Park Avenue? Park Avenue?
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Is that anything to feel bad about? Park Avenue is just another word
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for millionaire? I know what you mean that. Honestly, ten dollars is
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all I can give you. Say, how did you get those nasty looking
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bruises? I'd rather not say you mean somebody did that? Yes, that's
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why I asked if you wanted to earn ten dollars? Why didn't you say
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so in the first place? Now what is it you want us to do?
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Or here we go again? You mean you'll do it? Yep,
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you've talked us into it. Oh thank you. Here's the dollar down?
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Oh thank you? And what are we supposed to do in return for this
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shower of wealth? I want you to go to two five East sixty third
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Street mister Maxwell's apartment. It's on the twelfth floor. You just bring the
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doorbell. Oh sure, I'm quite a hand with doorbell, Is that all?
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No, when mister Maxwell opens the door, I want you to hit
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him just as hard as you can, right on the nose. Oh that
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sounds like fun, doesn't it, Sam anything else? Yes, as you
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hit him, I want you to say, he'll just sends this with her
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compliments better and better. But I'll let Sam hit him. He hits hotter
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than I do, don't you? Sam? Oh? Now listen, Johnny
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isle of mind. A man that'll abuse a girl or to get the stuffings
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knocked out of him, just on the nose will be enough. Oh,
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but I want proof that you did. In sure, I'll bring you Sam's
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bruised knuckle that do. No, that won't be caught enough. Any suggestions,
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Well, let me see. Mister Maxwell always wears red neckties, ugly
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red ones. That did bring me one of his red neckties. Then I'll
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give you the other nine dollars a bust in the nose, a red necktie.
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Then where do we meet you to get the other nine bucks? How
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soon can you finish the assignments? Oh? Sam? And I haven't any
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really pressing engagements at the moment. Very well, I'll meet you at the
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Grand Central Station in an. Here it is James Maxwell ring the bells.
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Sam. Now remember remember when he sticks his puss out? Let him have
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it? And what are you up? Guys? Fine? Now, Sam,
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now you heard that Johnny nothing, A couple of hospitals and a bunch
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of doctors can't fix white rat and cheap clothing hitting a guy when they looking.
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I'll fix him now you had your chance. Sam, he won't come
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out of cant going down, So you two jerks want more of the same.
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Look out, Sam, he's got a gun. Dude, the gun
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want to hold him? Okay, there you go on, I got it.
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Now, I'll suck him. Curry your fella tell Us sends this with
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our compare. Stop getting there. That was a narrow squeak. I guess
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he didn't shoot you. I don't see no blood because he shot me a
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lunk right through the coats meet. Look at that hole. Gee, oh
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well, maybe you can get rewolved. Remember that sport coat? That a
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hash? Why who shut the door down? I don't know. Somebody's been
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getting an eye for. I'm telling whom sores. We gotta get out of
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here. Let's don't keep hill the waiting. This is John Storm. You're
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listening to the Navy Colt Johnny Fletcher mystery. But before we rejoined, Johnny
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and Sam, you would place your first sales message here. You have presented
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the first of your sales messages. So we return to our own job of
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selling you. The Johnny Fletcher Mystery series, we catch up with Johnny Fletcher
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and his pal Sam Crag at the Grand Central Station, where they were to
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meet Hilda Nelson and collect an additional nine dollars for hitting. As Miss Nelson
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so naively put it, a certain mister James Maxwell on the nose. That's
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Graham, Johnny. The kid ain't gonna show up. I'm tired sitting here.
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Besides, I'm hungry. We got enough to eat on, well,
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not great big baskets for Hey, maybe we can hut that gun you took
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off Maxwell and he another a couple of times. Could be it's big enough.
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Yeah, what a ride? Must be two feet long. I've never
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seen one that big before. Neither did I except in a museum what they
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call a navy cold Cold. It looked rowed up to me, Sam Cold
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is a revolver. You know what's got me puzzled is this micro film I
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found in one of the chambers of the gun. What is that stuff?
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It looks like a photostatic copy of some legal documents. You took the words
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right out of my mouth. They must be important. After we collect our
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nine bucks from Hilter, we'll take him to a photographer, and I haven't
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brought them up big enough to read. Oh oh, look who's here.
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I'm sorry. I was afraid you'd leave. No, we like it here?
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Did you stuck him? Sister? How can you ask? Look at
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this thing I used to call a jaw? Oh dear, Hey, what
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about a nine bucks? Did you get the red necktie? Red necktie?
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Red necktie? Sam? Did we get his red necktie? Nah? He
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wasn't wearing no necktie. That's right, lady. Please the nine bucks.
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But that's what I came to tell you. I couldn't get the rest of
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the money. Oh oh, I'm sorry, I am here. I'll write
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a check. Uh huh, not for me, sister. Why not check
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means get be identified? Getting identified means did you get it? Yeah?
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Well, come on, Sam, let's say goodbye Hill the deer. I
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still had the pleasure of your gee with that big bundle of Chaldee. I'm
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a new man. Don't tell me you're not gonna have another piece of pine.
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No. I fell up, queer up to here, cigarette? Thanks,
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hold the light? Sure here you are? You know, Johnny you
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did all right hocking that old gun for four bucks to him? Funny speedy
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gives that old guy about it belongs to your grandfather. Present from Jesse,
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James. You really think him up? Tapers the East Side killing? Yeah,
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it's something, thanks mister. You all about the big murders, all
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about it? Uh huh, Hold onto your chair, Sam, what goes?
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Get a load of this. James Maxwell, two oh five East sixty
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third Street was found dead in his apartment late today. According to the police's
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death resulted from a gunshot. Hey that's the guy we popped and listened to
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this. Miss Cornelius Spats, living in an adjoining apartment, told the officers
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she was an eyewitness to the killing. Say that's who stayed the door right
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down the hall. Hey, how do you like this? Missus Fats testified
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that one of the men was tall and slender with dark hair, tall and
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slender with dark hair. The other was a huge hook of a man about
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six feet four inches, weighing about two hundred and fifty The nerve of that
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dame saying I'm six feet four, I'm six five. Let's see what else
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they know? The police say, continued on page four. Here it is
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an old time Navy colt revolver is missing. From a gun right on the
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wall, and they have been the murder weapon. They are scarring the city
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for such a gun, which may provide a clue to the killers. Come
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on, we got to move fast. Where we're going, get the gun
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out of hot before the cops beat us to it. It's got a fingerprints.
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What an alley black as your hat? Yeah, come on, open
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up. Maybe the old guy don't live in the back, Yes he does.
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There goes a light. Here he comes the navy coat. Man.
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I want to get the gun out of hot No. I keep dreaming about
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Indians and I gotta go back and shoot them. I mean, let's make
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this fast, will your pop? Here's your four bucks? Dding me up,
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Papa, such a nice sound. Sleep, yes, four dollars,
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it comes to all right, here's your form and here's your ticket. I'm
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glad to get rid of this thing. It scares me to look at it.
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See your later, Pop, I hope, man, gee, I
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never seen an alley so black? Yeah, pretty dog, Hey, Johnny,
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I forgot a newspaper. I left it laying there on the counter in
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a hot shop. I'll let it go. Oh No, I gotta go
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back and get it. What for? I ain't read the funnies off for
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the love of tea. All right, I'll wait here for you. Hey,
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Pap, don't look up there. I forget the funny. What a
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character at a time like this, he forgets the funny? Yeah, just
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so, where'd you come from? So quick? Never mind? D to
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see what this he's felling? Yeah? Yeah, the gun? Anybody could
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kill that stick up? Huh, it's right? What if a do here?
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After? Come? I'm broke? Hey, it easy all I wants
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that Navy colt. Sure help yourself, Okay, but here's your payment?
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Hey, Johnny? Yahya over here, guy stuck me up? Which went?
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Let me go? I'll go get him, No, go go ask
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him what he got? Was that gun? What's donn a guy want with
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that old broken down horse pistol? Sn Do you believe in ghosts? Ghosts?
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Well kind of, I'm humanized. I guess why. The guy that
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held me up was James Maxwell, the man we're supposed to murdered. Holy
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col ah, I who eight or two? Two? How do you know
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that? Till his number? Gotta be the only Nelson in the phone book
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on Park Avenue? Kind of tough waking the kid up. This time of
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the nice wake her up, you better wake up. I'll drag her over
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the head a little double crush. This is Johnny Fletcher. I want to
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see you right away to have a talk. That's it's just my trial to
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hang up. Smile when you say hang sister, you got us in plenty
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of trouble. Well, I didn't tell you to kill mister Maxwell. Kill
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mister Maxwell? Are you screwy? He look? You meet us the waiting
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room of the Grand Central station in one hour, the Grand Central in one
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hour, and you better be there or else, Snira, miss Nelson,
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Sam, keep an eye out for anything that looks like a car. Okay,
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now, young lady, what was the idea trying to frame me and
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Sam for the murder of this Maxwell guy? Frame you? I don't know
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what you're talking. Oh you should do. You fixed it all up with
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a spot steam to poke a snavel out of a door on time to catch
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Sam and me doing your rough stuff. Yes, I don't even know.
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Don't give me that, sister. I want to run on the line.
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Who is this Maxwell and why did you want him? Suck mister flexer,
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I don't think that's babe. There's no time to kid around. Any minute
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now the copter lable to move in on us. So spill it all,
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all of it. What about this Maxwell guy, mister Fletcher, I've kept
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it all back such a long time. It's going to be relieved to tell
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someone like you. I know I shouldn't. Who was Maxwell? Well,
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he was this kind of a man who was once my father's business partner.
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Why did you want Maxwell's sock? He kept forcing me to give him money,
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lots of money, lackmail. Huh? Yes, Well why did he
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hit you and put those bruises on you? Because I couldn't get any more
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money for him? He was pure history. Began to beat me. I
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managed to get away. It was right after that I saw you and mister
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Craig. You weren't ever in love with this bad boom by any chance?
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Wila in love with him? I despised him. I loathed him. I
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always had. Why he forced you to give him a dough? Well?
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He showed me a letter his father wrote when he was dying. It accused
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my father of killing his father. Why was your father supposed to have killed
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him so my father could take over the business place? Tarkeet? Well,
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who is your father, And what business is he in? He's Helmer Nelson,
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one of the biggest manufacturers of railroad ties in the country. Oh,
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I see, Well, why didn't you tell your father? Oh No,
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I couldn't do that. Mister Maxwell said he'd kill Dad and me too if
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I ever did. Hilda, there's something maybe you can explain. The man
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Sam and I socked was not the man who was killed. What the man
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we thought was Maxwell? The guy we hit held me up last night and
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took a maybe cold revolver away from me. So when I took from the
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guy I thought was Maxwell. Honestly, mister Fletcher, I can't explain that.
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What kind of looking man was he? Oh? Big gorilla about the
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size of Sam. Man had a red mustache and a scar across his bard.
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Well, why that's Carl Streeter. He and mister Maxwell hated each other.
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You're sure your old man didn't suddenly get wise to what was going on.
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I don't really know who do you think killed Maxwell? Carl Streeter?
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You know where I can find him? Yes, he lives at eight o
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four West fourteenth Street. Why I'd better have a little talk with him.
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Come on, Sam, let's go. Looks like mister Streeter and home.
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We better try against another time. Let me have that skeleton key. Now,
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Look, Johnny in honest here who like the inside of a hothouse?
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Shut the door said, Hey, that looks like our gun on that table.
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You'll take it along so he can't shoot us with it like he did.
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Maxwell. See Johnny, what if he used to barge in right now?
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You think of the most unpleasant thing. Lock that door shut. Maybe
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he's in there. Let's find out. You think we better this is housebreaking
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or something. Open the door and quit pretending you're scared. Who's pretending?
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Who's pretending? Hey, that's him out of bed. Looks like he's taking
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out that Yeah, a good long one. The guy's dead. Look he's
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been shot. You are listening to the Navy cult a Johnny Fletcher mystery.
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Here is the place for your second sales message. You have completed your second
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sales message catching up with Johnny Fletcher and Sam Craig. Next morning, we
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find them outside the apartment door of Cornelia Spat the woman who described them to
22:30
the police as the killers of James Maxwell. Johnny, I think you're nuts
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sticking your neck out like this. Maybe so, But if this dame can
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really put the finger on it. It's gonna be a tough window. We
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gotta find out what I'm worried. It's a mine. Here's the apartment,
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Miss Cornelia Spat get out of sight, okay, but be careful. How
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do you do? Miss Spat? Ms Mallory down on the tenth floor asked
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me to be sure and see you. I'm selling nan Oh, my goodness,
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won't you come in? Please? Thank you? You were certainly busy
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with that typewriter, miss pat Yes, I'm just finishing up the story.
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A real author. What kind of stories do you write? You never never
23:19
believe it of me, But they're about crime, murders mostly a charming young
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woman like you. Somehow you're just not the time. Well, they're not
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exactly fiction. Story is there? Is? He? I'm the New York
23:30
correspondent for a Chicago magazine called Cunning Crimes that you showed articles each month about
23:37
actual crime. What crime are you writing about now? Oh? I had
23:41
such a wonderful experience. I witnessed a murder right out in the hall.
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You actually saw the murdering, yes, indeed, And I gave the police
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a perfect description of them. You know, one of them continted that like
23:56
you like me it is, but it wasn't really so good looking. Oh,
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miss Pat, I can hardly wait to read your story when it comes
24:08
down. Now, how about the nylon? Shall I write up your order
24:11
for say six per Oh no, I'll take a dozen, and I'm sure
24:15
I can get a lot more orders for you from the girls. You see.
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I'm president of the Pen and Eraser Club. We're all writers, you
24:21
know, and they'll be simply throw the death when I tell them about you.
24:25
I mean selling nylon for that's wonderful of you, Miss Pat. How
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can I get in touch with you when I've seen the girl here? I
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write it down for you. Kenny Fletcher, Eagle Hotel. Thank you,
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mister Patch, and I'm awful glad you stopped in. Good Bye, goodbye
24:41
miss spat and stopping again anytime. Thank you. Ah well, that's a
24:52
load off my mind. Did recognize you? Huh? With those thick cheets
24:56
over high that crackpot wouldn't recognize their own self in the mirror. Mister Nelson,
25:07
I'll get right to the point. You've been paying a lot of dough
25:10
to a guy named Maxwell, the guy that got pumped off the other night.
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There's only one answer to a stupid remark like that, Fletcher, get
25:15
out of my office or I'll have you thrown out. Take it easy,
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Nelson, whether you know it or not, your daughter got herself under one
25:21
billie of a mess. And what's more, she got me into it too.
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Just who are you and what do you want? I told you I'm
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the guy that got into a jam. Trying to help your daughter ridiculous.
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I'm perfectly capable of getting my daughter any help she needs. That's our laugh.
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Did you know that for years Hilda has been blackmailed by Maxwell? Hilda
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too? Why that? No? No, no, mister Nelson, don't
25:40
speak ill o the dead, especially when you may have had a hand,
25:44
shall we say, and hastening his death. Are you accusing me of Maxwell's
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murder? Could be? Well, you're wrong, that's what they all say.
25:52
What do you want your side of the story, mister Nelson? Did
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you ever see the letter Archer Maxwell wrote accusing you of his death? Yes,
26:00
James Maxwell has held it over my head for years. But I didn't
26:03
kill his father. It was an accident. Archer must have been out of
26:07
his head when he wrote that note. Just what was in the letter though,
26:10
I don't remember the exact wording, but it accused me all right.
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Strange part about it, a piece of the letter was missing, torn off.
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Did you see the thorn piece? No, but Maxwell had me he
26:21
could smash my business and send me to the chair on the strength of that
26:23
letter, So I kept dishing the money out to him. How does Carl
26:26
Streeter tie into the Stetter? He and James Maxwell are too overkind. I
26:30
don't know what Street I had on Maxwell, but he got a cut in
26:33
the money. Fact is, once in a while Streeter came up here to
26:37
collect. Well. Thanks Nelson. That's about all. Hey, it's funny,
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Johnny. Even though hotel room like this seems good to get back to
26:53
if you get tired enough. Yeah, just like home if you're up with
26:56
your rent. Johnny Fletcher speaking. Oh hello, mister Fletcher. This is
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Cornelie's bad. I have some good news. I saw some of the girls,
27:07
and I have quite a few Nylon orders for you. Could you come
27:11
over right away? Thank you very much, Miss Patt I'll be looking for
27:14
you. Come as soon as you can. Good Bye bye. That's BET's
27:22
character wants to see me. Right away, and you're what the dames felt
27:25
for you, like they all do. You ain't going are you not a
27:26
chance? Hey? How's about me going to get their mortars? Is she
27:30
a good booker? Saying? Now you got something sad? We'll both go
27:33
in and if he doesn't recognize you either, we got nothing more to worry
27:37
about now, please, Johnny, I was only kidding. I don't want
27:40
to see her on the way. We'll pick up the enlargements of those microfilms.
27:42
Come on here, Sam, you're about to lose those pictures. Shut
27:55
them down further in your pocket. Yeah, yeah, I'll watch them.
27:59
Johnny, I'm worried by yourself. The Spats Dan didn't recognize you. Put
28:03
the both of us together like this, forget it. Let me do the
28:06
talking, don't I always? Oh? Do come in? I've been waiting
28:10
for you, miss Spats. May I present my friend Sam Cray. How
28:14
do you do? Mister crag It's indeed a pleasure? Sure is? You
28:17
got hands up both of you? Hey, what is this? It's the
28:19
love one Chris Comriiley. I'll keep them covered cleaner. Hey, what is
28:26
all this about? We're arresting you two for the murder of James Maxwell and
28:29
Carl Street. Oh, sir, I do. I definitely saw you do
28:32
it. You thought I didn't recognize it when you came swooping around the other
28:36
day pretending to tell Nylons. I'm not that stupid, and I thought you'd
28:40
like me, Miss Bats, don't. I'm afraid all those crime stories you
28:42
write it down to your head. Please get these men out of your offices.
28:45
I have work to do it, sure, lady, put the cops
28:48
on them. Riley, let's get moving now, just the moment, officers,
28:52
Miss Spats, you know we didn't kill Maxwell and Carl Streeter. Tell
28:55
it to the judge, and don't forget fellow. Anything you say now the
28:57
use against you. The trouble is you have too much imagination, Miss Pats,
29:03
or may I call you missus Maxwell? Do you say such a thing?
29:07
Oh? I am impulsive that way. Officers, I'll leave it to
29:10
you, Sam. Give me those photographs Hereah like a slant at this.
29:14
It's a photograph of the marriage license of Cornelias Pats and James Maxwell. Yeah,
29:18
that's right. Well, suppose mister Maxwell and I were married. What
29:22
was it? Nothing except that you would have cause to become very jealous when
29:26
you imagine your husband was falling for Hilda Nelson for he was calling. Maybe
29:30
so, but Hilda Nelson's a swell kid. Your husband couldn't get the first
29:33
place with him. It's beginning to look as if you're the one who has
29:37
too much imagination, mister flex. Oh no, The fact is you've been
29:40
masterminding the blackmail deal against Kilder and a father for years, and you were
29:44
getting started up with having to split for those three ways. Everything you say
29:47
is absolutely absurd, mister Fletcher. Oh no, you really worked it out
29:49
slick, Cornelia. He took the apartment next to your husband so you could
29:52
keep everything under control and still not be suspected of anything. Then will you
29:56
please me in a way? He really looks like that guy's got something go
30:00
on. But well, Cornelia, you were scared of being tied into the
30:03
deal if anything ever went wrong, so you had a copy of your marriage
30:07
license made on microfilm and did it in the chamber of the gun. Then
30:10
you destroyed the license. Look at this other film officer, what's it all
30:14
about. It's the photograph of the original letter that Cornelia and her playmate blackmail
30:18
Hilda Nelson and her father with It was made before the corner was torn off.
30:22
You see, the letter actually clears Nelson of any suspicion of killing Archer
30:26
Maxwell. That's why Archer wrote it. But the way it's worded with the
30:29
corner missing, it becomes a perfect accusation. Gee, Johnny, you never
30:32
crackted me. You had this all figured out. I didn't. So we
30:34
picked up those film enlargements on the way here. What's all this leading up
30:37
to? A Fletcher to the fact that Sam and I didn't kill James Maxwell
30:41
and Carl Streeter. It was Cornelia spat I did not. You can't prove
30:45
that I did? Or do you think she killed him? Brother? Oh?
30:47
A little freakers sam and I had with Street thinking he was Maxwell was
30:51
just what the doctor ordered for her. She waited till Carl Streeter had gone,
30:53
and she stepped across the fire escape to her husband's apartment and shot or
30:57
what about Streeter's Ah, she got afraid of what screedom might say if the
31:00
CoP's picked up, so she went to his hipartment killed them. That's right,
31:03
isn't it funny? Yet? Here's my answer to that. You your
31:07
gun sail, Well, it's instead of that side, Sam as a written
31:12
confession with the prayers's on a right leave nice going fulla. You've done some
31:18
nice figuring on this one. Thanks, I'm sorry it had to be at
31:21
tame. Before we returned to Johnny Fletcher and Sam Cragg, we pause again
31:37
to mention that this is the spot where you present a final brief sales message.
31:42
Now back to Johnny Fletcher and Sam Cragg. They have just entered their
31:47
hotel room. Damn Crag speaking. Oh damn, this is Hilda dead Night.
31:52
Just heard the wonderful news about what you did. We're so happy,
31:57
Damn dad Night. We're just wondering all the phone hither. Oh wait,
32:04
Johnny, you bother me? Yeah, tell her go on? Good father,
32:07
And I want you and Johnny to come over and have dinner with it.
32:09
Why sure, love to honey. Guess the morning, Hiller. We're
32:15
gonnavite it to the Nelsons for dinner, Eat, eat eat. Remember we
32:21
can't go. What's the matter with you, Johnny? Why can't we because
32:24
there's a dead guy in our closet? Oh? Oh, here we go
32:29
again. Be sure to be with us next week when we bring him another
32:42
best selling Johnny Fletcher mystery by Frank Kruber entitled The Mighty Blockheads and starring Albert
32:47
Decker and Mike Mazurk. Tonight's story was The Navy Cult. This program was
33:15
produced in Hollywood's Radio stays This is NBC, the National Broadcasting Company, welcome
33:23
back. Well with that sort of con man angle, it's almost feels like
33:32
a like a predecessor to The Rockford Files, though not obviously not quite the
33:38
same quality. The big reason I chose this actually is because of Mike Mazurki,
33:49
who, of course played the role of Sam. And he's probably best
33:53
known to classic mystery fans for taking on the role of Moose Malloy in Murder
34:01
My Suite. And I loved him in that role because he projected such toughness,
34:07
such bigger than lifness, particularly for that era. I think people have
34:12
gotten bigger both in terms of height and girth, but they really made him
34:17
a giant in that one, and it comes to in the voice. According
34:22
to the information I read, this was not Even though this particular Johnny Fletcher
34:28
series was not picked up, ABC ran its own Johnny Fletcher series starting in
34:39
nineteen forty eight and ended up running for twenty six episodes and the star was
34:47
Bill Goodwin playing the role of Johnny Fletcher. I could ass see Bill Goodwin
34:53
in that role. You've heard him if you listen to Classic great You've heard
35:00
him as an announcer on Bob Hope and Burns and Allan. That becomes one
35:06
of my new favorite shows. I would like to have an episode to merge
35:09
of, but this one was interesting as well, and I've not read any
35:14
of the books, but I think I definitely could. All Right. Well
35:19
some listener comments and feedback r W said on podcast. Allie says, this
35:24
show obviously does the background research for each show they play, and I find
35:29
the commentary interesting and informative. Through the show, I've been introduced to detective
35:32
shows. I didn't exist it, and I love listening to them and discovering
35:36
new characters I like. Well, I hope you discovered a couple this week.
35:40
And then I have this comment from Diane on my iPad. I use
35:45
the app called OTR Streamer. It has lots of different genres. There's no
35:51
dialogue as you do with each show, but there's a good selection of OTR
35:53
shows. Thanks Adam for all the work you do with on your shows.
36:00
Love listening to your great Detector shows. One thing we need to remember is
36:04
that we can't look at these through twenty thirteen eyes. The world was different
36:07
in the nineteen forties and fifties. Well, thanks so much. First of
36:13
all, regarding OTR Streamer, that is actually a pretty good app just for
36:19
convenience. I don't know if they always have the highest quality available, but
36:27
for variety it can't be beat. And I've got it on my iPod as
36:30
well, and sometimes if I'm going out somewhere and I don't feel like looking
36:35
on the computer or something like that, I'll just download the episode off OTR
36:40
Streamer and it works fine. A decent selection just for something that you have
36:47
there on your iPhone. So I think that's a good one. I think
36:52
there are two asides to it. I don't think we cannot look at it
37:00
through twenty thirteen eyes, but I think we also have to. Yeah,
37:05
because we see them through the eyes we do, but I think we have
37:08
to we have to have some respect for this was another time, and some
37:13
ways when we sit down and we listen to these programs, we really are
37:20
we're guessed in another time, another place, and you have to be able
37:25
to relax a bit and accept that, because Yeah, I've known folks who
37:32
you know, could never really enjoyed a Golden Age material because they were holding
37:38
everybody constantly to modern standards and so busy being constantly offended that you just can't
37:49
get into it. All. Right, Well, that will do it for
37:52
today. We'll be back tomorrow with Nick Carter. Next week we'll be back
37:57
to yours truly, Johnny Doller on Wednesday for a couple of weeks. In
38:01
the meantime, send your comments to Box thirteen of Great Detectors dot New,
38:05
follow us on Twitter Radio Detectors, and have become one of our friends on
38:08
Facebook, Facebook dot com. Slash Radio Detectors from Boise, Idaho. This
38:14
is your host, Adam Grahamson and all