Latest / Romancing the Threshold / When the Avalanche Reveals the Valley
Transcript
- 0:40SPEAKER_00: So I have a confession to make.
- 0:43SPEAKER_00: Earlier this year,
- 0:44SPEAKER_00: when I was really diving into reading romance novels,
- 0:48SPEAKER_00: I was hunting for a troll romance.
- 0:51SPEAKER_00: Yes,
- 0:52SPEAKER_00: specifically trolls,
- 0:54SPEAKER_00: because that's the nickname for my husband,
- 0:56SPEAKER_00: Jason,
- 0:57SPEAKER_00: who you probably met in the last episode.
- 1:00SPEAKER_00: And in that search,
- 1:01SPEAKER_00: I stumbled into Ella Larson's Falling for the Hidden Folk series,
- 1:06SPEAKER_00: starting with Adjusting Focus.
- 1:09SPEAKER_00: what I found wasn't just the troll romance I was craving.
- 1:13I found something that speaks directly to what we explore here
- 1:17on Romancing the Threshold.
- 1:19SPEAKER_00: Stories about those avalanche moments in life that both bury and reveal,
- 1:25SPEAKER_00: that force us through doorways we didn't choose but somehow needed.
- 1:31You know,
- 1:31this podcast is still finding its own legs,
- 1:34one conversation at a time.
- 1:37SPEAKER_00: But what's becoming clearer with each episode is this.
- 1:42SPEAKER_00: What if we approached change,
- 1:44SPEAKER_00: not with wide-knuckling it and in survival mode,
- 1:48SPEAKER_00: but with the curiosity of lovers?
- 1:51SPEAKER_00: What if we lingered in the in-between instead of rushing through it?
- 1:56SPEAKER_00: What if we trusted that the liminal space,
- 1:59SPEAKER_00: that valley between who we were and who we are becoming,
- 2:04SPEAKER_00: is actually fertile ground?
- 2:07SPEAKER_00: Ella's Hidden Folk series lives these questions.
- 2:11She's created this hidden valley in Norway,
- 2:13a valley where transformation isn't rushed,
- 2:17but
- 2:18where the in-between becomes a place of discovery rather than
- 2:22something to escape.
- 2:23Her characters don't just survive the avalanche,
- 2:27they learn to romance the aftermath.
- 2:30They discover that sometimes catastrophe cracks us open to
- 2:35magic we couldn't see before.
- 2:37SPEAKER_00: Each character faces that same threshold,
- 2:41SPEAKER_00: the avalanche,
- 2:43SPEAKER_00: but experiences it completely differently.
- 2:46SPEAKER_00: just as we do in life.
- 2:48SPEAKER_00: We can go through the same event and have wildly different crossings.
- 2:53SPEAKER_00: And at the heart of it all is this question.
- 2:56When love asks you to choose,
- 2:59when belonging requires you to be seen,
- 3:02what do you risk?
- 3:04SPEAKER_00: What do you gain?
- 3:06And when the old world is literally buried in snow,
- 3:10how do you learn to love what's revealed?
- 3:13SPEAKER_00: I knew I had to have Ella on the podcast,
- 3:16SPEAKER_00: not just because I'm a fan of her work,
- 3:19SPEAKER_00: but because she's writing what I believe we desperately need right now.
- 3:24Stories that honor the pause,
- 3:26the wrestling,
- 3:27the fertile uncertainty of transformation.
- 3:31Stories that show us how to be curious about who we are
- 3:35becoming rather than
- 3:37SPEAKER_00: gripping tight to who we were.
- 3:41SPEAKER_00: So let's cross this threshold together.
- 3:45So today I'm really delighted to have a guest with me,
- 3:50and that's Ella Larson.
- 3:52She's the author of Falling for the Hidden Folk series,
- 3:55which I highly recommend.
- 3:58And one of the ways I actually did find your series earlier in
- 4:01the year was I was
- 4:03looking for a troll romance because that's the nickname I have
- 4:07for my husband.
- 4:08SPEAKER_00: And I was starting to read lots of romances.
- 4:10And I was like,
- 4:11well,
- 4:11I see orcs,
- 4:12I see minotaurs,
- 4:14but where are the trolls?
- 4:15SPEAKER_00: So that's doing a search.
- 4:18And by the magic of the algorithm,
- 4:19I found your first book of the series,
- 4:22Adjusting Focus.
- 4:23SPEAKER_00: Wow.
- 4:24SPEAKER_00: And once I read that, I was absolutely hooked.
- 4:27I went to the second,
- 4:27I went to the third,
- 4:28and then I'm like,
- 4:29I'm waiting for the next ones.
- 4:31SPEAKER_00: And so it has been a real treat reading the series.
- 4:34SPEAKER_00: I think you're at number six now that just came out.
- 4:39SPEAKER_00: And what I really appreciated about the books...
- 4:43SPEAKER_00: is that to me,
- 4:45SPEAKER_00: it felt like you were writing about a threshold,
- 4:49SPEAKER_00: crossing a real magical threshold into the hidden valley,
- 4:54SPEAKER_00: right?
- 4:55SPEAKER_00: And it all starts with the avalanche,
- 4:58SPEAKER_00: this catastrophe as sort of like a threshold,
- 5:01SPEAKER_00: a doorway into something mysterious.
- 5:04SPEAKER_00: Yeah.
- 5:05SPEAKER_00: And it becomes this valley.
- 5:07The Heimley Valley becomes this in-between place of discovery
- 5:12and belonging and
- 5:14SPEAKER_00: found family,
- 5:16SPEAKER_00: acknowledgement of desire.
- 5:17SPEAKER_00: So that's what really I see in reading the series.
- 5:22SPEAKER_00: And I'm really excited to see where you're going to go with it.
- 5:24SPEAKER_00: And we'll talk more about that.
- 5:26SPEAKER_00: But...
- 5:26SPEAKER_00: That's what excited me.
- 5:28So when you said yes to the podcast,
- 5:29I was like,
- 5:30oh,
- 5:30I'm having a little fangirl moment here.
- 5:32SPEAKER_00: So how are you doing?
- 5:34SPEAKER_01: I'm blushing a little bit now.
- 5:38SPEAKER_01: Thank you.
- 5:40SPEAKER_01: I'm so glad you like the Hidden Folk series and...
- 5:46SPEAKER_01: Yeah, I'm amazed you get so much from it.
- 5:51And it's always interesting to hear what readers are actually
- 5:54thinking of what I was thinking.
- 5:57SPEAKER_01: Yeah,
- 5:57SPEAKER_01: I'll just write a spicy little sort of troll book,
- 6:01SPEAKER_01: which is now,
- 6:02SPEAKER_01: as you say,
- 6:02SPEAKER_01: turned into six.
- 6:05SPEAKER_01: So, yeah, I'm really looking forward to this.
- 6:10SPEAKER_01: Thank you for asking me.
- 6:11SPEAKER_00: You're welcome.
- 6:12SPEAKER_00: You're welcome.
- 6:12SPEAKER_00: So I guess take us back to the beginning for you.
- 6:16SPEAKER_00: How did the series begin for you?
- 6:18SPEAKER_00: You know,
- 6:19SPEAKER_00: this can help the ones who read the series or the ones who might be like,
- 6:23SPEAKER_00: oh,
- 6:24SPEAKER_00: a hidden valley.
- 6:25SPEAKER_00: So tell me more.
- 6:27SPEAKER_00: So how did it start?
- 6:29SPEAKER_01: Well, I guess it started with where we all start with reading.
- 6:34SPEAKER_01: I'd been reading really big epic fantasies for a long time.
- 6:41SPEAKER_01: And I was just getting tired of them.
- 6:45SPEAKER_01: And my brain just,
- 6:47SPEAKER_01: you know,
- 6:47SPEAKER_01: with family life and everything,
- 6:48I just couldn't sort of hack all the politics and everything
- 6:52that was going on.
- 6:53SPEAKER_01: I just couldn't take it.
- 6:54SPEAKER_01: I was like, I need something...
- 6:57SPEAKER_01: I need something more fun.
- 6:59SPEAKER_01: And I stumbled across Finlay Fenn, who writes the Orcsworn series.
- 7:07And that was right up my street because it combined the sort of
- 7:11epic worlds and the
- 7:14SPEAKER_01: high fantasy that I like from the epic fantasy that I read with...
- 7:20very spicy romance I don't know if you've read those series
- 7:25I've read the first one
- 7:26SPEAKER_00: The Lady and the Orc yeah
- 7:29SPEAKER_01: Yeah, so you know they are not for the newcomers, those books.
- 7:34SPEAKER_01: Yeah, they were my first ones.
- 7:39SPEAKER_01: And let's just say I was inspired and I was like,
- 7:43SPEAKER_01: yeah,
- 7:43SPEAKER_01: this looks so much fun to write something like this.
- 7:48SPEAKER_01: However, I was not inspired.
- 7:50quite brave enough to go as far as Finley then has done with
- 7:56her spice levels.
- 7:57SPEAKER_01: But so I was sat thinking,
- 7:59SPEAKER_01: OK,
- 8:00SPEAKER_01: I was getting into monster romance,
- 8:03SPEAKER_01: checking out all the other things out there.
- 8:05SPEAKER_01: And of course,
- 8:05SPEAKER_01: there's so many things with like vampires,
- 8:08SPEAKER_01: werewolves,
- 8:09SPEAKER_01: all those things that have been done.
- 8:12SPEAKER_01: And like you, I couldn't find trolls anywhere.
- 8:16SPEAKER_01: And I was sat looking out my window going, well, hang on.
- 8:19I live in Norway,
- 8:21where part of their mythology,
- 8:24their folklore,
- 8:26is trolls and are trolls.
- 8:30SPEAKER_01: Even today, it's quite a big part of the folklore.
- 8:35SPEAKER_01: So...
- 8:37That was kind of how it came about,
- 8:39but it also goes a little bit further back.
- 8:42SPEAKER_01: When I got married to my husband,
- 8:44SPEAKER_01: who is Norwegian,
- 8:45SPEAKER_01: our wedding,
- 8:47SPEAKER_01: because again,
- 8:48SPEAKER_01: I was like,
- 8:49SPEAKER_01: oh,
- 8:49SPEAKER_01: I love Norwegian nature.
- 8:51SPEAKER_01: I love folklore.
- 8:52SPEAKER_01: I love a bit of fantasy.
- 8:53SPEAKER_01: So I wanted to get this bit of fantasy into our wedding.
- 8:57SPEAKER_01: And we actually had all these little figurines.
- 9:02SPEAKER_01: They...
- 9:03I don't know if they make them anymore,
- 9:04but they were really popular in the sort of 70s,
- 9:0780s.
- 9:08SPEAKER_01: They're called Niform or Niform.
- 9:10SPEAKER_01: I'm not entirely sure how you pronounce it.
- 9:12SPEAKER_01: I would say Niform.
- 9:14SPEAKER_01: Trolls.
- 9:15If you just Google them,
- 9:16you'll see all these trolls with like bushy hair.
- 9:19SPEAKER_01: I'm not talking the Danish ones with the bright pink or whatever.
- 9:23SPEAKER_01: And I'm talking and they have really long noses.
- 9:26SPEAKER_01: They're quite...
- 9:27SPEAKER_01: ugly looking, but in a cute way.
- 9:29SPEAKER_01: And this was all sort of coming together when I was reading Finley Fenn.
- 9:33SPEAKER_01: And I was like, but what if we made them sexy?
- 9:38SPEAKER_01: What if we made these little troll figurines hot?
- 9:42SPEAKER_01: And that was kind of where the concept came from,
- 9:46SPEAKER_01: from living in Norway,
- 9:48SPEAKER_01: from wanting this little bit of folklore magic in the everyday.
- 9:53SPEAKER_00: So, yeah.
- 9:56I love this image that came right from your own experience just
- 10:00outside your door.
- 10:01SPEAKER_00: Yeah.
- 10:02SPEAKER_00: And, of course, the inspiration from Finley's books.
- 10:07SPEAKER_00: But going back a little further here,
- 10:09SPEAKER_00: I'm thinking,
- 10:10SPEAKER_00: what drew you to romance,
- 10:13SPEAKER_00: sort of monster romance?
- 10:14SPEAKER_00: I mean,
- 10:14SPEAKER_00: I know you had the background and the joy of reading epic fantasy,
- 10:18SPEAKER_00: but that was getting a little tiring.
- 10:21SPEAKER_00: So what was the spark for monster romance?
- 10:24SPEAKER_01: Oh, that is a very good question.
- 10:26SPEAKER_01: And I'm not entirely sure I know the answer.
- 10:28SPEAKER_01: I mean,
- 10:28SPEAKER_01: we sort of joke that everyone of our generation,
- 10:31we grew up watching Beauty and the Beast and all these movies
- 10:35where the love
- 10:36SPEAKER_01: interest,
- 10:36SPEAKER_01: I mean,
- 10:37SPEAKER_01: the Robin Hood from Disney,
- 10:38SPEAKER_01: everybody loved him and he's a fox.
- 10:42SPEAKER_01: Yes.
- 10:44SPEAKER_01: So I don't really know.
- 10:46SPEAKER_01: I think I just saw it and thought, oh, OK, that's different.
- 10:51SPEAKER_01: So it's this sort of epic fantasy.
- 10:53But instead of like a Viking or something,
- 10:57the main male character is a troll.
- 11:00SPEAKER_01: And OK, not troll, an orc.
- 11:03SPEAKER_01: And orcs are quite humanoid, so it wasn't a huge jump.
- 11:06SPEAKER_01: Obviously,
- 11:07there are some monster romance which are well outside my
- 11:11comfort zone in terms of
- 11:13SPEAKER_01: what types of monster they are.
- 11:15SPEAKER_01: So it was just sort of a,
- 11:17SPEAKER_01: okay,
- 11:18so an orc is kind of just like a really big dude with big sharp
- 11:21teeth and he's
- 11:22SPEAKER_01: green.
- 11:25SPEAKER_01: But it was enough of that magic and otherness that sort of pulled me in.
- 11:33SPEAKER_01: But yeah, I blame all the stuff we watched as kids, really.
- 11:35SPEAKER_01: Yeah.
- 11:37SPEAKER_00: I mean,
- 11:37SPEAKER_00: I thought about because why I like monsters,
- 11:40SPEAKER_00: which really diving in now,
- 11:43the origin story to me was my favorite fairy tale is Beauty and
- 11:47the Beast.
- 11:48SPEAKER_00: So already I've been kind of nursing that for many years.
- 11:53SPEAKER_00: And sometimes when I see how all the orcs have exploded on the scene,
- 11:57SPEAKER_00: I sometimes think,
- 11:58SPEAKER_00: what is Tolkien thinking in his grave?
- 12:02SPEAKER_00: You know, what we've done with orcs.
- 12:05SPEAKER_00: But the trolls,
- 12:06SPEAKER_00: I was really,
- 12:07really like looking and I did find one other that I read that I
- 12:11didn't really care
- 12:12SPEAKER_00: for.
- 12:12SPEAKER_00: But then I came upon yours and I was like,
- 12:14SPEAKER_00: oh,
- 12:16SPEAKER_00: to me,
- 12:16SPEAKER_00: the books that you wrote transported there was both the world,
- 12:23SPEAKER_00: but it was easier to understand the world because it's also our world.
- 12:26SPEAKER_00: So their sense of I'm thinking in our world,
- 12:29SPEAKER_00: discovering something magical that's thus far been hidden.
- 12:33And I really appreciated how each book,
- 12:38at least in the beginning,
- 12:39it's each character
- 12:42reliving telling the avalanche story from their perspective so
- 12:46then you you're
- 12:48crossing that threshold again and again you know not just from
- 12:52the first book so
- 12:53for me i don't know that was just transportive and then i've
- 12:57got me thinking oh no
- 12:59way so i'm curious here is you know your husband is noegian you
- 13:04live in norway
- 13:06I'm wondering if you feel a connection between your own
- 13:09experience of moving to
- 13:10SPEAKER_00: Norway,
- 13:12SPEAKER_00: creating this new life,
- 13:14SPEAKER_00: and then the characters in your book,
- 13:17SPEAKER_00: you know,
- 13:17SPEAKER_00: crossing that threshold into a different place.
- 13:20SPEAKER_01: Oh, that's a very good question.
- 13:22SPEAKER_01: I mean, I've never really thought about it, but I guess so.
- 13:26SPEAKER_01: Thinking back when I met my husband, obviously, like we met online.
- 13:31SPEAKER_01: I'd never been to Norway.
- 13:32I'd heard it as this place,
- 13:34you know,
- 13:34as everybody does of Vikings and fjords.
- 13:37And you do hear about the trolls and stuff,
- 13:39but I didn't really know anything about it.
- 13:42And so as we were dating and we were sort of doing the long
- 13:45distance relationship thing.
- 13:47SPEAKER_01: Yeah.
- 13:48SPEAKER_01: The first few times I came to Norway, it was this magical place.
- 13:53SPEAKER_01: I remember getting off the plane and,
- 13:55SPEAKER_01: and I live in the,
- 13:56SPEAKER_01: I was living in the UK at the time,
- 13:58SPEAKER_01: which is a pretty green and lush land,
- 14:01SPEAKER_01: but just to get off out of the airport and onto the motorway,
- 14:05SPEAKER_01: even the motorway is you're driving through these big mountains,
- 14:10SPEAKER_01: you're driving over the,
- 14:12sort of lakes and and rivers and it's so beautiful and my
- 14:16husband was like we've
- 14:17SPEAKER_01: literally just left we're still in the city I'm like but it's beautiful
- 14:22And one time we went to a Stavchirka,
- 14:27which is the old,
- 14:28very,
- 14:29very old types of church.
- 14:32SPEAKER_01: You might have seen them.
- 14:33SPEAKER_01: They look very sort of black, all made of wood.
- 14:35SPEAKER_01: There's very few of them left there.
- 14:37SPEAKER_01: They're very old.
- 14:38SPEAKER_01: And it was just, it's like you drive there and it's just there.
- 14:42SPEAKER_01: And you're like, how is this real?
- 14:45SPEAKER_01: This is something from a movie or...
- 14:49storybook but no it's just sat there in the countryside and
- 14:53yeah it was just beautiful and
- 14:59I guess,
- 14:59I guess it must have lent into the creation of the Hidden Folk
- 15:04series.
- 15:05SPEAKER_01: Yes.
- 15:05SPEAKER_01: I've never really thought of it.
- 15:08It's a bit of my,
- 15:09you know,
- 15:10therapist background coming in and being curious.
- 15:12SPEAKER_00: It's like,
- 15:12SPEAKER_00: you know,
- 15:13SPEAKER_00: what inspired you and how do you,
- 15:16SPEAKER_00: in a way,
- 15:16SPEAKER_00: I was wondering about your own lived experience,
- 15:19SPEAKER_00: you know,
- 15:20SPEAKER_00: the trolls and
- 15:21SPEAKER_00: made a presence in your wedding,
- 15:24SPEAKER_00: you know,
- 15:25SPEAKER_00: and then you move to the land where the trolls,
- 15:27SPEAKER_00: the myths are still very much alive.
- 15:30SPEAKER_00: And then the landscape itself,
- 15:33SPEAKER_00: because I see the landscape in the books as very vital to the story,
- 15:38SPEAKER_00: as if Norway and the valley is another character to me.
- 15:43SPEAKER_00: Yeah.
- 15:43SPEAKER_01: Yeah.
- 15:44I mean,
- 15:44there is the story as well,
- 15:46which I guess was somewhere in the back of my mind.
- 15:49SPEAKER_01: But when obviously the going a bit dark here,
- 15:53SPEAKER_01: when the plague was going around Europe in the 15th century,
- 15:57SPEAKER_01: 14th,
- 15:57SPEAKER_01: I'm not very good with dates.
- 16:01SPEAKER_01: There's this story about villages in the woods and people
- 16:08SPEAKER_01: They were left.
- 16:09SPEAKER_01: They were just abandoned or the people died there.
- 16:13SPEAKER_01: And then they weren't discovered until like the 1960s or something.
- 16:17SPEAKER_01: They were all still there.
- 16:19SPEAKER_01: Obviously, the bones were still there.
- 16:23And it was kind of like the landscape can be so rural here and
- 16:29so wild that these
- 16:30SPEAKER_01: places are almost impenetrable.
- 16:34SPEAKER_01: And so somewhere in the back of my mind,
- 16:36SPEAKER_01: that story was,
- 16:37SPEAKER_01: you know,
- 16:38SPEAKER_01: this village was just forgotten about and hidden,
- 16:43SPEAKER_01: essentially,
- 16:44SPEAKER_01: until some hiker came and found it.
- 16:48SPEAKER_00: Wow, I never heard of that.
- 16:49SPEAKER_01: That's really impressive.
- 16:50SPEAKER_01: I mean,
- 16:51SPEAKER_01: it might not have been the 60s,
- 16:53but somewhere there was this story about a village that's from
- 16:58the plague that just
- 16:59SPEAKER_01: got completely forgotten about until very recently in our history.
- 17:04SPEAKER_00: Yeah,
- 17:06SPEAKER_00: I appreciate it,
- 17:07SPEAKER_00: because even in reading the stories,
- 17:09SPEAKER_00: I'm always constantly thinking,
- 17:11SPEAKER_00: like,
- 17:11SPEAKER_00: how hidden is it?
- 17:12SPEAKER_00: How far is it?
- 17:13SPEAKER_00: Because I know you created,
- 17:15SPEAKER_00: if I'm correct,
- 17:17SPEAKER_00: you created a place,
- 17:18SPEAKER_00: you know,
- 17:18SPEAKER_00: it's not an actual place.
- 17:20SPEAKER_00: Yes.
- 17:22SPEAKER_01: No,
- 17:22SPEAKER_01: I guess in my head as well,
- 17:24SPEAKER_01: it would be a bit more,
- 17:25it would be more towards the coast and more on the west side
- 17:30and further north than
- 17:32SPEAKER_01: where I live,
- 17:33SPEAKER_01: which is quite far south.
- 17:35SPEAKER_01: So I guess it would be, because in, which book is it?
- 17:39SPEAKER_01: Book five.
- 17:40SPEAKER_01: I do mention Gairang Fjord, which is a very famous fjord.
- 17:44SPEAKER_01: That's where all the cruise ships go and everything.
- 17:48SPEAKER_01: So it's sort of in that area.
- 17:53SPEAKER_01: But it is completely fictional.
- 17:55SPEAKER_01: Obviously, I didn't want to start annoying any of the local population.
- 18:00SPEAKER_00: Yeah, that's true.
- 18:01SPEAKER_00: It's true.
- 18:04SPEAKER_00: Well,
- 18:05SPEAKER_00: sort of kicking off the series itself,
- 18:07SPEAKER_00: and I'm thinking about the powerful image of the avalanche.
- 18:12SPEAKER_00: And, you know, that feels like pure disaster.
- 18:15SPEAKER_00: And but it ends up being the doorway.
- 18:19SPEAKER_00: It cracks open the doorway,
- 18:22SPEAKER_00: not just for the characters,
- 18:23SPEAKER_00: but it reveals something hidden,
- 18:26SPEAKER_00: much like,
- 18:26SPEAKER_00: you know,
- 18:27SPEAKER_00: the Black Plague Village,
- 18:29SPEAKER_00: but way less dark than that.
- 18:33SPEAKER_00: But what made you choose the image of the avalanche?
- 18:37SPEAKER_01: Well, that essentially came down to just story planning.
- 18:41SPEAKER_01: I had the idea, okay, well, I've got these characters.
- 18:44SPEAKER_01: How on earth are they going to meet a troll?
- 18:49SPEAKER_01: And I was sat for ages thinking, how am I going to do this?
- 18:54SPEAKER_01: And the only thing I could think of was something very climactic,
- 18:59SPEAKER_01: very sort of striking because...
- 19:04SPEAKER_01: They could just have,
- 19:05SPEAKER_01: the trolls could just have watched these humans,
- 19:08SPEAKER_01: made sure they didn't come into their valley,
- 19:10SPEAKER_01: and it would have been fine.
- 19:12SPEAKER_01: But I just felt it needed something more to push them together.
- 19:17SPEAKER_01: And maybe I do have a penchant for the darker side of things.
- 19:22SPEAKER_01: But also, as you said, sometimes these sort of...
- 19:27SPEAKER_01: Events like this, the avalanche, it uncovers something.
- 19:32SPEAKER_01: You're breaking into a new world.
- 19:34SPEAKER_01: And in order to do that,
- 19:35you do need some sort of chaos or some sort of destruction in
- 19:40order to discover
- 19:42SPEAKER_01: these new things.
- 19:44SPEAKER_01: If you think about archaeology,
- 19:45SPEAKER_01: you have to break through the earth to find the treasures that are there.
- 19:51SPEAKER_01: Yeah.
- 19:53SPEAKER_01: So I guess part of it was just dramatic, dramatic flair.
- 19:57SPEAKER_01: And another part of it was, no, I need a good reason.
- 20:02SPEAKER_01: I need something that would really bring this world to light.
- 20:09and obviously with the avalanche and you see in the first four
- 20:12first four and five
- 20:14books that does bring the human world right to their doorstep
- 20:19it is a constant sort
- 20:20source of stress for the heimley community for the hidden folk
- 20:26um and i don't know
- 20:28how much more i could say because i don't want to give too many
- 20:30spoilers yeah you
- 20:33SPEAKER_00: don't want to give the spoilers yeah
- 20:36SPEAKER_00: But,
- 20:37SPEAKER_00: you know,
- 20:37SPEAKER_00: you touch on something that,
- 20:39SPEAKER_00: as you say,
- 20:39SPEAKER_00: I'm thinking,
- 20:40SPEAKER_00: I,
- 20:40SPEAKER_00: you know,
- 20:41SPEAKER_00: the name of this podcast is Romancing the Threshold.
- 20:45SPEAKER_00: So my idea here is we're constantly going through thresholds,
- 20:49SPEAKER_00: some much more easy,
- 20:51SPEAKER_00: others avalanche style,
- 20:53SPEAKER_00: you know,
- 20:53SPEAKER_00: something so enormous beyond us takes over.
- 20:59And I'm thinking,
- 21:00as you were talking about it,
- 21:01how the avalanche both covers and
- 21:04It covers the cabin where they were and reveals another world
- 21:11that was thus far hidden.
- 21:13SPEAKER_00: And when you touched on how the trolls,
- 21:16it was the constant kind of anxiety they had between watching
- 21:20right on that
- 21:21SPEAKER_00: boundary,
- 21:21SPEAKER_00: the human world and their world constantly protecting that threshold.
- 21:26SPEAKER_00: But the avalanche comes.
- 21:29SPEAKER_00: And granted,
- 21:30SPEAKER_00: it's for the plot,
- 21:31SPEAKER_00: dramatics,
- 21:32SPEAKER_00: but it carries,
- 21:34SPEAKER_00: I feel,
- 21:35SPEAKER_00: both the trolls and the humans.
- 21:38They have to cross this threshold together now of nothing will
- 21:42be the same.
- 21:43SPEAKER_01: Yeah,
- 21:44SPEAKER_01: that's right,
- 21:44SPEAKER_01: because the trolls,
- 21:46SPEAKER_01: obviously,
- 21:47SPEAKER_01: their species are on their last generation,
- 21:50SPEAKER_01: basically.
- 21:51SPEAKER_01: They need more humans,
- 21:55SPEAKER_01: I will say male or female,
- 21:56because there are other hidden folk in the valley as well who
- 21:59are in a similar
- 22:00SPEAKER_01: situation.
- 22:01So yeah,
- 22:01they could just watch these humans and let their species die
- 22:06out.
- 22:07Or they,
- 22:08in this case,
- 22:10are forced to do something because they rescue these women.
- 22:16They're not just going to let them be obliterated by an
- 22:20avalanche because...
- 22:22It's difficult because I would say no human would do that,
- 22:25but they're not human.
- 22:27SPEAKER_01: And no person with a heart would do that.
- 22:32SPEAKER_01: So they have to put themselves out there.
- 22:35They have to show themselves in order to do the right thing and
- 22:40protect these women.
- 22:42SPEAKER_01: And in the first instance,
- 22:43SPEAKER_01: they're not necessarily,
- 22:45SPEAKER_01: although,
- 22:45SPEAKER_01: well,
- 22:46SPEAKER_01: they're having a nice look beforehand and going,
- 22:48SPEAKER_00: oh yeah,
- 22:49SPEAKER_00: that would be nice.
- 22:50But they're not necessarily going to,
- 22:53you know,
- 22:53go and kidnap these women to save their race.
- 22:57SPEAKER_01: So they're not doing it for sort of malicious intent.
- 23:02SPEAKER_01: So, yeah, you're right.
- 23:03SPEAKER_01: It does.
- 23:03SPEAKER_01: It does thrust both of both the human and the hidden folk together.
- 23:09SPEAKER_01: The avalanche.
- 23:11SPEAKER_00: Yeah,
- 23:11SPEAKER_00: right on that threshold that they watch them,
- 23:13SPEAKER_00: because in the beginning they're just watching them,
- 23:16SPEAKER_00: and then they both have to meet.
- 23:18SPEAKER_00: Something creates that.
- 23:21SPEAKER_00: How do you see the avalanche itself,
- 23:25SPEAKER_00: both for the trolls and the women,
- 23:27SPEAKER_00: the human characters,
- 23:30SPEAKER_00: how do you see that influence in the way they step into change?
- 23:35SPEAKER_00: Yeah.
- 23:36SPEAKER_01: Well, they are pretty much forced to do something about it.
- 23:40SPEAKER_01: And it is that fight or flight instinct in the very first instance.
- 23:45SPEAKER_01: As we see with Jepa, he makes the wrong decision.
- 23:50SPEAKER_01: But it also in high...
- 23:54SPEAKER_01: high stress situations like that,
- 23:57SPEAKER_01: you discover more about yourself and maybe it's good,
- 24:02SPEAKER_01: maybe it's bad,
- 24:03SPEAKER_01: maybe it's something you never even thought you could do.
- 24:07SPEAKER_01: And I think we see that with Lauren because she's,
- 24:11SPEAKER_01: you know,
- 24:11SPEAKER_01: she is this sassy,
- 24:14SPEAKER_01: big mouthed attorney,
- 24:16SPEAKER_01: lawyer.
- 24:18SPEAKER_01: But then in that moment,
- 24:20SPEAKER_01: All she can do is scream.
- 24:22SPEAKER_01: She she shows the vulnerability that she's been hiding throughout.
- 24:28SPEAKER_01: And that is all that comes through.
- 24:29SPEAKER_01: And so for her,
- 24:31the avalanche is it kind of pushes her into this place of you
- 24:36need to let others
- 24:38SPEAKER_01: help you.
- 24:39SPEAKER_01: Yeah.
- 24:42SPEAKER_01: which is very uncomfortable for her.
- 24:44SPEAKER_01: She doesn't like it.
- 24:45And that's the thing with these moments where you're forced to
- 24:50make a decision.
- 24:51You might not like what you see,
- 24:52but it might be exactly what you need,
- 24:56if that makes any sense.
- 24:57SPEAKER_00: No,
- 24:58SPEAKER_00: it does,
- 24:59SPEAKER_00: because I'm hearing and thinking about the other characters,
- 25:01SPEAKER_00: but just hearing and thinking about people,
- 25:03SPEAKER_00: just personal experiences and experiences...
- 25:08SPEAKER_00: I said Lauren.
- 25:09SPEAKER_00: I didn't mean Lauren.
- 25:09SPEAKER_00: I meant Izzy.
- 25:11SPEAKER_01: Oh, Izzy, that's right.
- 25:12SPEAKER_01: I thought you looked a bit confused.
- 25:15SPEAKER_01: Izzy, sorry.
- 25:15SPEAKER_01: It's been a while since I wrote those ones.
- 25:18SPEAKER_00: Well, you all need to read the books to know.
- 25:22SPEAKER_00: Just telling the audience.
- 25:24SPEAKER_00: But I was thinking here about how...
- 25:27Just my own personal experience,
- 25:29experience that I've seen friends,
- 25:31family and clients.
- 25:33SPEAKER_00: When we go through these threshold moments,
- 25:36SPEAKER_00: these crises,
- 25:37SPEAKER_00: we discover things about ourselves that we don't know.
- 25:40SPEAKER_00: And
- 25:42SPEAKER_00: It's quite unsettling.
- 25:44SPEAKER_00: And so I'm thinking about the whole series,
- 25:46SPEAKER_00: at least the first five,
- 25:47SPEAKER_00: how each character goes through,
- 25:50SPEAKER_00: showcases a different way to cross that threshold.
- 25:55Izzy,
- 25:56the power lawyer,
- 25:57mouthy,
- 25:59you know,
- 25:59authority,
- 26:01all of a sudden she needs to accept.
- 26:04SPEAKER_00: She needs to strip down to be able to accept help.
- 26:07SPEAKER_00: the other characters deal with it differently.
- 26:09And so I think you showcase different ways to deal with
- 26:11transition through each
- 26:13SPEAKER_00: each of the books.
- 26:16I mean,
- 26:16it was quite a challenge at one point,
- 26:18but well,
- 26:19partly coordinating all four books.
- 26:22SPEAKER_01: But by the time I got to sort of book or three,
- 26:24SPEAKER_01: I was like,
- 26:25SPEAKER_01: okay,
- 26:26SPEAKER_01: I need this experience to be different.
- 26:28SPEAKER_01: And that was really,
- 26:29SPEAKER_01: I really had to look at their characters at that point,
- 26:33because I couldn't just write something that wouldn't be true
- 26:36to their character.
- 26:38SPEAKER_01: And I think that's, yeah, that was interesting.
- 26:41SPEAKER_01: a very interesting thing for me to do,
- 26:43SPEAKER_01: look at this same event and how it affected the people differently.
- 26:50SPEAKER_00: Yeah.
- 26:51SPEAKER_00: In many ways, that's really what gripped me with the series.
- 26:54SPEAKER_00: It was to...
- 26:56Because when I got to the second book,
- 26:57I was like,
- 26:58oh,
- 26:58we're back at the avalanche.
- 27:00SPEAKER_00: And I thought, oh, how's this going to be different?
- 27:03SPEAKER_00: So I really like this.
- 27:05SPEAKER_00: As if in reading the book,
- 27:06SPEAKER_00: each book,
- 27:07SPEAKER_00: I was crossing the threshold again and again and going there with them.
- 27:12SPEAKER_00: Now, once they go and a lot happens, not giving any spoilers.
- 27:17You know,
- 27:18they go to the valley,
- 27:20the Heimli Valley,
- 27:21where the hidden folk are.
- 27:23And this is a place that brings up a lot of things,
- 27:26fear,
- 27:27belonging,
- 27:28transformation.
- 27:30SPEAKER_00: What does this valley mean to you?
- 27:33SPEAKER_00: Like, what does it symbolize to you?
- 27:36SPEAKER_01: Oh, yeah.
- 27:39SPEAKER_01: There's so many things.
- 27:40I mean,
- 27:41in a way,
- 27:41it's a sense of things we've lost and things we could have
- 27:47again.
- 27:47It's also a sense of community,
- 27:53which in today's society is becoming harder and harder to find.
- 27:57SPEAKER_01: And just...
- 28:00SPEAKER_01: a place where things are possible because it's all in Heimley.
- 28:08SPEAKER_01: They can, they can stay if they want, they can leave.
- 28:11SPEAKER_01: There are conditions with their leaving, but that is their choice.
- 28:19And I guess it comes down to your choices matter in life and it
- 28:25is what you make of it.
- 28:26SPEAKER_01: Yeah.
- 28:30but also it's just a bit magical and whimsical and I kind of
- 28:35want to go there I'm
- 28:37SPEAKER_00: ready I'm ready to buy the plane ticket to go there
- 28:45I really liked in the valley because the valley to me
- 28:51symbolizes a bit this in
- 28:52SPEAKER_00: between space,
- 28:54SPEAKER_00: because at least for a good chunk of the stories,
- 28:56SPEAKER_00: the characters are wrestling with the choice.
- 29:00SPEAKER_00: Yeah.
- 29:01SPEAKER_00: to stay or to go, and the cost that it has for each choice.
- 29:07So I find that when they are in the valley,
- 29:10it's kind of being in an in-between space.
- 29:13SPEAKER_00: Even the valley itself is still hidden, right?
- 29:16SPEAKER_00: And so I find this,
- 29:17SPEAKER_00: you know,
- 29:19SPEAKER_00: if you think about your own life,
- 29:20SPEAKER_00: your experience,
- 29:21SPEAKER_00: and other stories you've written,
- 29:24SPEAKER_00: what do you think about the space of the in-between?
- 29:29SPEAKER_01: Yeah, I think that's a good analogy for Heimley.
- 29:34SPEAKER_01: And as well, I think that's important.
- 29:38SPEAKER_01: I think that the space in between is a pause.
- 29:41SPEAKER_01: It's a place to reflect where you are,
- 29:44SPEAKER_01: where you've come from,
- 29:46SPEAKER_01: what you're learning,
- 29:47SPEAKER_01: because we're always learning.
- 29:50SPEAKER_01: And essentially,
- 29:52the pause gives you time to think about what is important to
- 29:56you and what it is you
- 29:58SPEAKER_01: really want.
- 29:59SPEAKER_00: Well,
- 30:00because I was thinking part of my idea around the threshold is
- 30:04that there are many
- 30:05SPEAKER_00: thresholds that happen and we are like thrown into something else,
- 30:08like the avalanche throws the characters into a different
- 30:12situation completely.
- 30:13SPEAKER_00: Yeah.
- 30:14SPEAKER_00: But I feel like in our world, that's so fast.
- 30:18We're often pushed or at least taught to believe that change
- 30:21needs to be quick.
- 30:23SPEAKER_00: Once you go, there you are.
- 30:24SPEAKER_00: You should be good to go.
- 30:26You know,
- 30:26like you should move to another country and adapt and cool and
- 30:30be done.
- 30:31SPEAKER_00: But there's a long in between.
- 30:33SPEAKER_00: There's a long transition.
- 30:35SPEAKER_00: Yeah.
- 30:36And so that's why I'm thinking,
- 30:38how do we and that's why I use the word romancing.
- 30:41SPEAKER_00: How do we romance this in between?
- 30:43How do we relate to this space that where we're still wrestling
- 30:48with the old identity?
- 30:50SPEAKER_00: The new one isn't quite ready yet,
- 30:52SPEAKER_00: you know,
- 30:53SPEAKER_00: kind of like the characters wrestle with the decision they got to make.
- 30:57SPEAKER_00: And so that's,
- 30:59SPEAKER_00: you know,
- 30:59SPEAKER_00: not only why I was drawn to the story,
- 31:01but I think these stories like yourself or your writing is very
- 31:08fitting for the
- 31:08SPEAKER_00: times.
- 31:09We need stories like that that help us understand that the
- 31:14in-between is fertile.
- 31:18SPEAKER_00: It's powerful.
- 31:19SPEAKER_00: We don't have to rush through it.
- 31:21I mean,
- 31:21I think that also is obviously something I'm going through
- 31:25myself.
- 31:26SPEAKER_01: And I think a lot of people right now are.
- 31:30SPEAKER_01: As you said,
- 31:30life is so fast at the minute and we're starting to see through
- 31:35it and we're
- 31:36starting to want to slow down and just take a breath and enjoy
- 31:41this life because
- 31:43SPEAKER_01: otherwise it's gone.
- 31:45SPEAKER_01: And so, yeah, this space in between.
- 31:50SPEAKER_01: and learning about who you are and where you are in this exact moment,
- 31:57SPEAKER_01: I think is very important.
- 31:58SPEAKER_01: And obviously,
- 31:58SPEAKER_01: like I said,
- 31:59SPEAKER_01: a lot of stuff,
- 32:00SPEAKER_01: I'm thinking about a lot of this stuff at the moment in my own life.
- 32:03SPEAKER_01: So obviously that spills over into my books.
- 32:07SPEAKER_01: But as well, I...
- 32:10SPEAKER_01: especially with monster romance.
- 32:12SPEAKER_01: And there's a lot of fantastic monster romance authors out there.
- 32:17SPEAKER_01: And I'm not saying it shouldn't be done like this,
- 32:20SPEAKER_01: obviously,
- 32:20SPEAKER_01: because a lot of people need just the no high stakes,
- 32:24SPEAKER_01: no stakes at all books for them.
- 32:27SPEAKER_01: That is what they need.
- 32:28SPEAKER_01: And that's great.
- 32:29SPEAKER_01: However,
- 32:30SPEAKER_01: when I'm reading those books,
- 32:32SPEAKER_01: I always feel,
- 32:33SPEAKER_01: even if the book is fantastic,
- 32:35SPEAKER_01: I personally feel something is missing.
- 32:38SPEAKER_01: And I need that little bit of realism.
- 32:42SPEAKER_01: Annoying as... I just despair of reality sometimes.
- 32:48SPEAKER_01: But if you don't have any reality in the books,
- 32:53SPEAKER_01: I struggle to really sort of follow the story when there's no realism.
- 33:01SPEAKER_01: So I do try and put a little bit of that in.
- 33:05SPEAKER_01: Obviously...
- 33:07SPEAKER_01: There are some heavy topics in these books,
- 33:10SPEAKER_01: but I don't go into them,
- 33:12SPEAKER_01: you know,
- 33:12SPEAKER_01: I'm not writing a thesis on them.
- 33:14I'm not exploring that particular issue or that characteristic
- 33:19or whatever in so
- 33:21SPEAKER_01: much detail that,
- 33:23SPEAKER_01: you know,
- 33:24SPEAKER_01: it's going to be a critique on the times.
- 33:27SPEAKER_01: That was never my intention.
- 33:29SPEAKER_01: But I do think that, yes, even though it is a...
- 33:34SPEAKER_01: Some people might say a fluffy romance with monsters,
- 33:39SPEAKER_01: but I still need that seed of,
- 33:42SPEAKER_01: but we're grounded here in this world and these things still happen.
- 33:48SPEAKER_00: Yeah.
- 33:49SPEAKER_00: As you say,
- 33:49it's everything I really believe in because these stories to me
- 33:53are not fluff,
- 33:54SPEAKER_00: you know,
- 33:54SPEAKER_00: definitely not fluff at all.
- 33:57SPEAKER_00: There's a lot of teeth in them.
- 33:59And it's really interesting because,
- 34:01yes,
- 34:01they're the cozy ones and there's a time for them.
- 34:04SPEAKER_00: We you know, it's good to have them.
- 34:06SPEAKER_00: We have a buffet of choices, which is great.
- 34:11But what impressed me about your story in thinking especially
- 34:14about what you said,
- 34:15SPEAKER_00: you really enjoying epic fantasy,
- 34:18SPEAKER_00: the bigger world building politics.
- 34:22I think you were able to create a story that made it in some
- 34:28ways easy is not quite
- 34:29SPEAKER_00: the right word,
- 34:29SPEAKER_00: but it transported us quite easily into that world.
- 34:34SPEAKER_00: Yeah.
- 34:35It gave us teeth because we can see the resonance to certain
- 34:40things that are
- 34:40SPEAKER_00: happening in the world.
- 34:43SPEAKER_00: But it didn't become a thesis.
- 34:46SPEAKER_00: It carried us through the transformation of the character.
- 34:50SPEAKER_00: So I think, you know, it's not fluff.
- 34:53SPEAKER_00: It's actually quite deep.
- 34:55SPEAKER_00: Wow.
- 34:56SPEAKER_00: It's just how we approach the reading.
- 34:59SPEAKER_00: And I think a part of us internally is picking that up.
- 35:02SPEAKER_00: You know,
- 35:02it's it's helping us collectively do a bit of the I don't know
- 35:09if it's healing,
- 35:09SPEAKER_00: but kind of being able to transform with what is calling us to transform,
- 35:15SPEAKER_00: if that makes sense.
- 35:16SPEAKER_00: Yeah.
- 35:17SPEAKER_00: Yeah.
- 35:18SPEAKER_00: Well,
- 35:18SPEAKER_00: in writing the series,
- 35:20are there any characters that are kind of your favorite or
- 35:25surprise you in any way?
- 35:27SPEAKER_00: Oh, you can't ask for favorites.
- 35:31SPEAKER_00: It's like they're all your children.
- 35:33SPEAKER_01: They are.
- 35:34My favourite is always whoever I'm writing or the latest one
- 35:38that I've written.
- 35:40SPEAKER_01: Oh, but who surprised me?
- 35:43SPEAKER_01: I suppose Stian surprised me.
- 35:47I actually didn't expect to see him again after he sort of
- 35:53disappeared in book one.
- 35:55And yeah,
- 35:57so he surprised me because I wasn't expecting him to come back.
- 36:02I wasn't expecting him to have the sort of self-revelation that
- 36:07he did have with his partners.
- 36:14SPEAKER_01: And yeah, so he was a character that surprised me.
- 36:17And he was tricky as well,
- 36:20because obviously I wanted to show his grief,
- 36:23but I didn't want to.
- 36:26SPEAKER_01: Stretch it out so much that we couldn't get on with the story.
- 36:30But I also wanted it to be a realistic part of the story
- 36:35because it is crucial.
- 36:36SPEAKER_01: It's a huge thing for him and his transformation.
- 36:41SPEAKER_01: And when we're talking about thresholds,
- 36:43he has to step over that threshold of his own grief to come
- 36:48into the world again,
- 36:49SPEAKER_01: to start living again and realize that he is still alive.
- 36:53SPEAKER_01: Yeah.
- 36:54SPEAKER_01: He didn't die in the avalanche.
- 36:58SPEAKER_01: So he was an interesting one.
- 37:00SPEAKER_01: And that story was book five, Seeking Truth.
- 37:05SPEAKER_01: Yeah.
- 37:07SPEAKER_01: That book was different in a lot of ways.
- 37:10And that then opened the door to write for me now to go on and
- 37:14write books in not
- 37:16SPEAKER_01: necessarily a different style,
- 37:17SPEAKER_01: but not in the way that the first four books were written.
- 37:20I can explore lots more characters now and move on with
- 37:26Heimley's timeline.
- 37:27SPEAKER_01: Yeah.
- 37:28SPEAKER_00: Yes, yes.
- 37:30SPEAKER_00: I agree.
- 37:30SPEAKER_00: I wasn't expecting his return.
- 37:32SPEAKER_00: I was quite surprised.
- 37:34SPEAKER_00: But I think it was a great portrayal of the stuckness of grief.
- 37:41And how then meeting other characters that will lead him to
- 37:44cross that threshold
- 37:46SPEAKER_00: and kind of come back to life.
- 37:48SPEAKER_00: I felt that that book had a lot more grip, you know, in the sense of...
- 37:56SPEAKER_00: So he crossed that threshold into accepting parts of himself.
- 38:03SPEAKER_00: The other part that I was wondering here,
- 38:06SPEAKER_00: especially from the beginning of the series,
- 38:08SPEAKER_00: you know,
- 38:09each book is told from a different perspective of the original
- 38:14four friends.
- 38:17SPEAKER_00: What made you want to write it that way?
- 38:20SPEAKER_01: Well, that is just how my brain works, apparently.
- 38:24SPEAKER_01: It was just going to be one story.
- 38:30I was just going to write one story and see if I could do a
- 38:34monster romance.
- 38:36SPEAKER_01: But of course, you know...
- 38:38I couldn't just send Kathy to Norway by herself in the middle
- 38:41of winter for no reason.
- 38:43SPEAKER_01: So she needed to have some friends.
- 38:47And then I felt it would have been a disservice to the other
- 38:52three girls to just
- 38:54SPEAKER_01: carry on from the end of Kathy's story.
- 38:57SPEAKER_01: When clearly, you know, you've got the girls on holiday.
- 39:02SPEAKER_01: Or girls, I should say women.
- 39:03SPEAKER_01: They are women.
- 39:04SPEAKER_01: Yeah.
- 39:05SPEAKER_01: You've got the women on holiday.
- 39:07You've got the Dalvakt,
- 39:09so the trolls and the Huldra who are protecting Haimli Valley.
- 39:14SPEAKER_01: And so you've got these two groups and there's,
- 39:17SPEAKER_01: okay,
- 39:17SPEAKER_01: there's not quite an equal number,
- 39:19SPEAKER_01: but it just makes,
- 39:21SPEAKER_01: it just made sense to my brain to go back to,
- 39:24to that moment as much as it was a headache for me at times
- 39:28especially when we see
- 39:29the same scene from different points of view but I have to make
- 39:33that scene fresh
- 39:34each time but keep the important bits I have to keep the exact
- 39:39wording because it's
- 39:40SPEAKER_01: already been in like two other books
- 39:43So,
- 39:45yeah,
- 39:46my brain sometimes does good and sometimes just makes a lot of
- 39:50extra work for me.
- 39:52SPEAKER_00: I mean,
- 39:53I could see that was a creative challenge to describe the event
- 40:00in different ways
- 40:01SPEAKER_00: with different directions,
- 40:03SPEAKER_00: you know.
- 40:04SPEAKER_00: Mm-hmm.
- 40:05SPEAKER_00: It made me think how in life we see this.
- 40:08SPEAKER_00: People,
- 40:09SPEAKER_00: even in a family,
- 40:10SPEAKER_00: right,
- 40:10SPEAKER_00: siblings will experience an event very differently from each other.
- 40:15SPEAKER_00: But in reading the books,
- 40:17we have the pleasure to immediately see how each one is going
- 40:20to see that.
- 40:23SPEAKER_00: Now,
- 40:23SPEAKER_00: the other thing that I think,
- 40:25SPEAKER_00: especially in the first few books that's so powerful,
- 40:28SPEAKER_00: is the choice.
- 40:29SPEAKER_00: This feels like the big crux, right?
- 40:32SPEAKER_00: Do I stay or do I go?
- 40:33SPEAKER_00: Yeah.
- 40:35SPEAKER_00: And the cost of each.
- 40:38And what do you think that why is this type of decision so
- 40:42powerful,
- 40:43especially in romance?
- 40:46Because and I know a lot of romance readers won't like me for
- 40:50this answer,
- 40:51but I think.
- 40:53SPEAKER_01: Loving someone is a choice.
- 40:56SPEAKER_01: You have to make that decision to suddenly not be selfish.
- 41:03SPEAKER_01: You have to make this decision.
- 41:04SPEAKER_01: You are not your own entity anymore.
- 41:07SPEAKER_01: You are part of a couple.
- 41:09SPEAKER_01: You kind of have to give up some of your past decisions
- 41:15And so does the other person if you are going to make a
- 41:18relationship work.
- 41:20SPEAKER_01: And that is a choice.
- 41:21SPEAKER_01: And we see this in in any sort of romance.
- 41:25SPEAKER_01: We see it with our friends and relatives.
- 41:27SPEAKER_01: And some people just cannot make that choice.
- 41:31SPEAKER_01: We see it with like commitment phobes.
- 41:34SPEAKER_01: They cannot give up what they think is their sense of freedom.
- 41:39SPEAKER_01: to love another person.
- 41:41So the choice to stay in Haim Lee was very much about a choice
- 41:47to love someone.
- 41:49SPEAKER_01: And that also, but it's not always choosing to love someone.
- 41:54SPEAKER_01: It's not always about giving up.
- 41:56SPEAKER_01: Yeah,
- 41:56SPEAKER_01: you might have to,
- 41:57SPEAKER_01: okay,
- 41:57I give up my house in this country to live with this person in
- 42:02this country.
- 42:03SPEAKER_01: Yeah, that's giving something up.
- 42:04SPEAKER_01: Yeah.
- 42:05SPEAKER_01: But you're also opening up yourself to gain so much,
- 42:10SPEAKER_01: so much love,
- 42:11SPEAKER_01: so much compassion,
- 42:12SPEAKER_01: so much support,
- 42:14SPEAKER_01: new experiences with this person that you have chosen.
- 42:19SPEAKER_01: Because ultimately,
- 42:20SPEAKER_01: at the end of the day,
- 42:21SPEAKER_01: you have to say,
- 42:22SPEAKER_01: yeah,
- 42:23SPEAKER_01: I want to be with that person or I don't want to be with that person.
- 42:27And I guess the choice to stay in Heimley just reflects that
- 42:34love is a choice.
- 42:36SPEAKER_01: As much as we all love the soulmates and the mate bond and all that,
- 42:43SPEAKER_01: at the end of the day,
- 42:44SPEAKER_01: it is down to us and what we decide.
- 42:48SPEAKER_00: Yeah,
- 42:48SPEAKER_00: that's true,
- 42:49SPEAKER_00: because with the faded mates and the mate bond,
- 42:52SPEAKER_00: I mean,
- 42:53it just ups the stakes higher on the choice that we as mere
- 42:59mortals over here,
- 43:01SPEAKER_00: humans,
- 43:03SPEAKER_00: have to make every day,
- 43:04SPEAKER_00: you know?
- 43:05SPEAKER_00: Yeah.
- 43:05SPEAKER_00: Okay.
- 43:06SPEAKER_00: But I'm also seeing this.
- 43:09The other big thing that I could see from the books is the idea
- 43:12of the found
- 43:13SPEAKER_00: family,
- 43:15SPEAKER_00: the sense of the search of belonging.
- 43:19SPEAKER_00: And so how do you what does that mean to you?
- 43:22This is for you to maybe sort of from your own personal
- 43:26experiences in life.
- 43:28SPEAKER_01: Yeah, I think that does come from my experience.
- 43:33I mean,
- 43:34found family is a favourite trope for a lot of people in many
- 43:39genres.
- 43:41SPEAKER_01: Because, I mean, there's that expression, isn't there?
- 43:44SPEAKER_01: You can't choose your family, but you can choose your friends.
- 43:47SPEAKER_01: But so it's sort of
- 43:49SPEAKER_01: For some people, they have amazing families and that is great.
- 43:52SPEAKER_01: That is fantastic.
- 43:53SPEAKER_01: And I'm very happy for them.
- 43:55SPEAKER_01: But a lot of people don't.
- 43:57They maybe don't have the support from their family,
- 43:59even though they are loved.
- 44:01SPEAKER_01: There's just something that's not quite what they need.
- 44:06SPEAKER_01: Maybe they're not understood their job, their hobbies, the...
- 44:11many many things and or maybe unfortunately people don't have
- 44:16family so I think
- 44:17building this sense of family in a community is very important
- 44:25I moved around a lot
- 44:26SPEAKER_01: growing up um
- 44:29And so I am drawn to this found family trope because I think
- 44:34it's fantastic.
- 44:35And I guess,
- 44:36you know,
- 44:37I want to go on a quest with and find my found family and all
- 44:42that.
- 44:43SPEAKER_01: I think it's so ingrained in all of us,
- 44:45just this sense of belonging with people who accept us exactly
- 44:50as we are for who we
- 44:51SPEAKER_01: are with no judgment.
- 44:53SPEAKER_01: Yeah.
- 44:55SPEAKER_00: Yes.
- 44:56SPEAKER_00: Yeah.
- 44:57SPEAKER_00: And I'm thinking here,
- 44:58SPEAKER_00: as you were talking about that,
- 45:00SPEAKER_00: and definitely I agree,
- 45:02SPEAKER_00: it's a it's a wonderful.
- 45:06SPEAKER_00: I wouldn't even sort of really call it a trope as I'm thinking about.
- 45:09I would call it really an archetypal experience because I think
- 45:12especially those in
- 45:15SPEAKER_00: the world today where people are moving around and there's,
- 45:18SPEAKER_00: you know,
- 45:18SPEAKER_00: you want to find your so-called,
- 45:21SPEAKER_00: your tribe.
- 45:23But one thing that as you were talking made me think about that
- 45:27I hadn't thought
- 45:27about before is the experience of being seen through the story
- 45:33of your books.
- 45:33SPEAKER_00: Yeah.
- 45:34SPEAKER_00: You know, first the trolls are sort of in hiding.
- 45:37SPEAKER_00: They're watching from a distance and then they are seen.
- 45:40SPEAKER_00: Something is revealed.
- 45:42SPEAKER_00: And even within the idea of found family and belonging,
- 45:47I almost feel like you can't really do that until you cross the
- 45:51threshold,
- 45:52SPEAKER_00: just to use the word,
- 45:54SPEAKER_00: of being seen.
- 45:56SPEAKER_00: As you are, not hiding as you are.
- 46:00SPEAKER_01: And that comes with accepting that yourself and seeing that yourself.
- 46:04SPEAKER_01: And I think,
- 46:05SPEAKER_01: again,
- 46:05SPEAKER_01: in today's society,
- 46:07SPEAKER_01: that is something that a lot of people are really sort of craving.
- 46:12SPEAKER_01: They want to see themselves.
- 46:14SPEAKER_01: They want...
- 46:15Maybe they knew who that was when they were a child and it's
- 46:18been covered up with
- 46:19SPEAKER_01: work and the way society expects people to be,
- 46:24but they see how they want to be or see how they were when they
- 46:28were carefree.
- 46:29And it is accepting that image of yourself that is what really
- 46:35helps push you over
- 46:36SPEAKER_01: that threshold,
- 46:37SPEAKER_01: so to speak.
- 46:38SPEAKER_01: Right.
- 46:39SPEAKER_01: Yeah, yeah.
- 46:41SPEAKER_01: But it's not an easy step.
- 46:43SPEAKER_00: No, no.
- 46:45SPEAKER_00: It's a real,
- 46:47SPEAKER_00: it's a challenge that I think we all go through,
- 46:50SPEAKER_00: not just once,
- 46:51SPEAKER_00: many times in life,
- 46:53SPEAKER_00: you know,
- 46:53SPEAKER_00: because there's always a stripping of another level,
- 46:56SPEAKER_00: another layer,
- 46:57SPEAKER_00: I mean.
- 46:58SPEAKER_00: So I'm wondering here now, so we're kind of coming to a close.
- 47:01SPEAKER_00: Yeah.
- 47:03SPEAKER_00: is,
- 47:03SPEAKER_00: you know,
- 47:04SPEAKER_00: the same way that when we read your books,
- 47:08SPEAKER_00: we cross the avalanche,
- 47:09SPEAKER_00: we cross into Heimli,
- 47:12SPEAKER_00: into this other world.
- 47:13What do you hope your readers would carry once they cross into
- 47:17this valley?
- 47:18SPEAKER_00: What do you hope them to bring back?
- 47:21Well,
- 47:21I guess mostly just that they had a good time,
- 47:24that they enjoyed the story.
- 47:26SPEAKER_01: I mean, that's all any writer wants, really.
- 47:30SPEAKER_01: But I don't know,
- 47:32SPEAKER_01: just that if something resonated with them,
- 47:35SPEAKER_01: if they found something from the story,
- 47:40SPEAKER_01: a particular character,
- 47:44SPEAKER_01: and that helped them in some way,
- 47:45SPEAKER_01: then I would find that amazing.
- 47:48SPEAKER_01: Yeah.
- 47:49SPEAKER_01: But ultimately,
- 47:49SPEAKER_01: if you just want to read a nice book about romance and trolls,
- 47:54SPEAKER_01: then I am also very happy.
- 47:56SPEAKER_00: It's okay.
- 47:59SPEAKER_00: I was going to joke and say,
- 48:00SPEAKER_00: if you're working with the tourist board of Norway,
- 48:02SPEAKER_00: maybe you can get people to come visit.
- 48:07SPEAKER_00: But,
- 48:08SPEAKER_00: you know,
- 48:09SPEAKER_00: the place doesn't exist in this world,
- 48:12SPEAKER_00: our world,
- 48:13SPEAKER_00: but it does exist in the imaginal world.
- 48:18SPEAKER_00: So before we start wrapping up and before we go into our rapid questions,
- 48:23SPEAKER_00: what's kind of next for you here?
- 48:25SPEAKER_00: Are we going to spend more time in Heimley?
- 48:27SPEAKER_00: Or are you dreaming up something new?
- 48:31SPEAKER_01: Well, there will be a book coming out very soon, our Christmas book.
- 48:37SPEAKER_01: And that is not a troll.
- 48:39SPEAKER_01: That is not a troll.
- 48:41SPEAKER_01: But there are some hard-hitting books
- 48:45SPEAKER_01: In that book,
- 48:47SPEAKER_01: I will just warn you now,
- 48:50SPEAKER_01: although I do love Nina and Nils,
- 48:54SPEAKER_01: the characters in that book.
- 48:56SPEAKER_01: Again, it was a whole new experience writing that book.
- 49:01SPEAKER_01: And it also opened up some more doors to some new characters,
- 49:07SPEAKER_01: sidelines that I might want to go down.
- 49:09SPEAKER_01: But I do have more books planned.
- 49:12SPEAKER_01: I have sort of slowed down a bit.
- 49:15SPEAKER_01: I feel like I've worked...
- 49:18SPEAKER_01: So much this year.
- 49:19SPEAKER_01: I mean,
- 49:20SPEAKER_01: okay,
- 49:20SPEAKER_01: two books technically came out last year,
- 49:22SPEAKER_01: but I feel like the whole series has just come out this year.
- 49:28SPEAKER_01: And there's also the short story,
- 49:30SPEAKER_01: which is part of an anthology at the moment,
- 49:34SPEAKER_01: the Monstrous Cravings anthology.
- 49:37When that's,
- 49:38I think after three months,
- 49:39I can then publish that outside of that.
- 49:42So that's also another thing I have written,
- 49:46which I keep forgetting about.
- 49:49SPEAKER_01: But I do have more plans for Heimli and the surrounding area.
- 49:56SPEAKER_01: So Trövik, the city, which is not too far away.
- 50:02SPEAKER_01: That's going to play more of a role in the books.
- 50:07SPEAKER_01: But yes, Sana's story is all planned and ready to go.
- 50:12SPEAKER_01: Oh, yes.
- 50:14SPEAKER_01: The healer from...
- 50:16SPEAKER_01: from Heimli, especially book two.
- 50:18SPEAKER_01: You might remember her.
- 50:20And there is a plan for Fenrir,
- 50:24who is a very,
- 50:25very minor character in book four,
- 50:30I want to say.
- 50:32SPEAKER_01: And then, yeah, we do.
- 50:34SPEAKER_01: I know everybody wants Njord's story.
- 50:38SPEAKER_01: Yes.
- 50:39SPEAKER_01: Yes.
- 50:41SPEAKER_01: It is coming.
- 50:42SPEAKER_01: It's just not there yet.
- 50:43SPEAKER_01: We're just letting him have a little bit of fun, chill out a bit.
- 50:48SPEAKER_01: There is a potential Harpy story coming.
- 50:51SPEAKER_01: Ooh.
- 50:54SPEAKER_01: Yes, you've heard it here first.
- 50:56So there are lots that every time I write a book in Heimley,
- 51:02I get so many more ideas.
- 51:04SPEAKER_01: And I just because every time I'm like, OK, this is the last one.
- 51:06SPEAKER_01: This is the last one.
- 51:07SPEAKER_01: We'll wrap it up.
- 51:08SPEAKER_01: I can't.
- 51:09SPEAKER_01: They're just because it's it is a living, breathing community now.
- 51:14SPEAKER_01: It's got a life of its own.
- 51:16SPEAKER_00: It does.
- 51:17SPEAKER_00: It does.
- 51:18SPEAKER_00: I'm wondering here,
- 51:19SPEAKER_00: how do you,
- 51:20SPEAKER_00: I guess,
- 51:22SPEAKER_00: I don't know,
- 51:24SPEAKER_00: juggle or how do these stories come to you?
- 51:28SPEAKER_00: Does the character come to you and says, Ella, it's my time now.
- 51:33SPEAKER_00: You know, I need my book.
- 51:35SPEAKER_00: Or is it more subtle?
- 51:37SPEAKER_00: Or do they start speaking in your head?
- 51:39SPEAKER_00: How does that happen for you creatively?
- 51:41SPEAKER_00: Yeah.
- 51:44SPEAKER_01: It's sort of as I'm writing,
- 51:46SPEAKER_01: I get a pull towards certain characters,
- 51:49SPEAKER_01: but also I have to look at the wider storyline.
- 51:52And sometimes that does include a bit more boring sort of
- 51:56sitting down and actually
- 51:57planning out the next couple of books and seeing where that's
- 52:01going to take me,
- 52:02SPEAKER_01: which is something I do need to sit down and do.
- 52:05Um,
- 52:07because as I said,
- 52:07I,
- 52:08I feel like I've published a lot very quickly this year.
- 52:11And so now I've just,
- 52:12I'm just taking a breather,
- 52:14but there are definitely more things coming.
- 52:16SPEAKER_01: I just need this, this last bit of the year just to take a breath.
- 52:21SPEAKER_01: And then we will get back into it.
- 52:24SPEAKER_01: But yeah,
- 52:24SPEAKER_01: it's a mixture of feeling the pull,
- 52:27SPEAKER_01: what makes sense in the world,
- 52:29SPEAKER_01: especially now where we are after book six.
- 52:35SPEAKER_01: Again,
- 52:35SPEAKER_01: without trying to give too many spoilers,
- 52:37SPEAKER_01: but there is a lot of building going on within the world.
- 52:43SPEAKER_01: And that has to take a part in whoever's story gets told next.
- 52:49SPEAKER_00: Yeah.
- 52:49SPEAKER_00: And in writing all this whole series,
- 52:52SPEAKER_00: and as we can hear more will be coming,
- 52:55what creative threshold do you feel you're crossing or being
- 52:59challenged to cross?
- 53:02SPEAKER_01: Oh, organisation, maybe, which is not a strong point of mine.
- 53:10SPEAKER_01: No, just, I don't know.
- 53:14SPEAKER_01: I am ready to find out what that is, to be honest.
- 53:17I'm just really enjoying what Heimley has given to me so far
- 53:22and what I hope it's
- 53:23SPEAKER_01: giving to readers.
- 53:25SPEAKER_01: And I am very excited to see where it takes me next.
- 53:30I think it's a great image what you're saying that sometimes we
- 53:34can linger in that world.
- 53:36SPEAKER_00: You don't have to rush it.
- 53:38SPEAKER_00: You're just playing with it, you know, see what rises.
- 53:41SPEAKER_00: And I think that gets translated into the the feel of the books,
- 53:46SPEAKER_00: you know,
- 53:46SPEAKER_00: because it's been nice to see your,
- 53:50SPEAKER_00: you know,
- 53:50SPEAKER_00: since I read the first one,
- 53:51SPEAKER_00: seeing how you're.
- 53:53SPEAKER_00: You're growing.
- 53:54SPEAKER_00: It's like there's more rootedness in each book that you're writing.
- 53:59SPEAKER_00: Like the world that you're creating is really getting really fleshed out.
- 54:04So I really feel it's a great example of being able to not just
- 54:09skip from one point
- 54:10SPEAKER_00: to the other,
- 54:10but you are really lingering in letting the space of creativity
- 54:16transform you.
- 54:17SPEAKER_00: And we get to benefit from that.
- 54:19SPEAKER_00: Yeah.
- 54:21SPEAKER_01: Well, thank you.
- 54:24SPEAKER_00: Good.
- 54:26SPEAKER_00: So we're going to be on the lookout for Christmas book coming.
- 54:29SPEAKER_00: Yay.
- 54:31SPEAKER_00: But are you ready for a little... Which is called Gifting Hope.
- 54:35SPEAKER_00: Ooh, Gifting Hope.
- 54:36SPEAKER_00: A perfect title for the times.
- 54:40SPEAKER_00: When is it?
- 54:40SPEAKER_00: Do you have a date when it comes out or...
- 54:43I haven't set a date yet because I am just waiting on the final
- 54:49edits back and then
- 54:50SPEAKER_01: I can format it and the cover.
- 54:52SPEAKER_01: And as soon as I should be getting them any day now.
- 54:56So then I can set a date,
- 54:58but it will either be very late November or very early
- 55:03December.
- 55:04SPEAKER_01: So do keep an eye out.
- 55:06SPEAKER_00: The way time is flying, that's practically around the corner.
- 55:09SPEAKER_00: So good.
- 55:11SPEAKER_00: I'm looking forward to it.
- 55:12SPEAKER_00: A little Christmas read.
- 55:16SPEAKER_00: OK, so are you ready for a little for a little rapid fire questions?
- 55:20SPEAKER_00: I'm a bit nervous.
- 55:22SPEAKER_00: Close this exchange.
- 55:26SPEAKER_00: So these I'm going to ask you just go with your gut.
- 55:30SPEAKER_00: But give it a go.
- 55:32SPEAKER_00: So first one, are you, just think of you personally, your own experience.
- 55:37Are you more of a jump in head first or do you like to take
- 55:42things step by step?
- 55:44SPEAKER_01: Oh, I'm somewhere in the middle.
- 55:46SPEAKER_01: I want to jump in straight head first,
- 55:49but then I get pulled back by all my doubts and insecurities
- 55:52and have to think
- 55:53SPEAKER_01: about it a bit more.
- 55:54SPEAKER_01: Because when I do jump in, things usually go wrong.
- 55:59SPEAKER_00: So there's a little caution here.
- 56:00SPEAKER_00: Yeah.
- 56:03are you more drawn to adventure or to the comfort of the known
- 56:09the comfort of the
- 56:10known yeah be that good or bad yeah well i guess it goes with
- 56:16the first answer
- 56:17right there's a little yeah okay i need to test the waters here
- 56:22yeah exactly
- 56:23SPEAKER_00: Well,
- 56:24SPEAKER_00: that made me think,
- 56:25are there any other characters from the series that you feel
- 56:28kind of reflected a
- 56:29SPEAKER_00: little bit more who you are in facing change?
- 56:33SPEAKER_01: Oh, I don't know.
- 56:35SPEAKER_01: I feel like they've all got parts of me.
- 56:39SPEAKER_00: Yeah.
- 56:41SPEAKER_00: Okay.
- 56:42SPEAKER_00: Yeah, they all dealt with change very differently.
- 56:46SPEAKER_00: So I can see some cautious, some jumping in.
- 56:50SPEAKER_01: Maybe more Kathy, the original.
- 56:53SPEAKER_00: The original.
- 56:55SPEAKER_00: Yeah, she had a bit more of this.
- 56:57SPEAKER_00: She had an even keel vibe to her that I remember.
- 57:01SPEAKER_00: She could jump in, but she was also, I can see that.
- 57:04SPEAKER_00: That makes sense, I would say.
- 57:07SPEAKER_00: So when you think of romance, what feels most romantic to you?
- 57:13SPEAKER_00: What's an expression of romantic to you?
- 57:16SPEAKER_00: Hmm.
- 57:19SPEAKER_01: Support.
- 57:21SPEAKER_01: Definitely.
- 57:22SPEAKER_01: And that can be emotional.
- 57:25SPEAKER_01: In fact, it usually is emotional support or just not needing to explain.
- 57:31SPEAKER_01: The look on my face says it all and things are done.
- 57:35SPEAKER_01: That is one of the most,
- 57:37SPEAKER_01: I know it doesn't sound romantic,
- 57:39SPEAKER_01: but it is one of the most romantic things where somebody just knows.
- 57:45SPEAKER_01: They know you, they know what you need and they've got you.
- 57:50SPEAKER_00: Yes, I agree with that.
- 57:52SPEAKER_00: I think it's the whole I've got you is so potent.
- 57:57SPEAKER_00: If you were to cross a magical threshold,
- 58:01SPEAKER_00: what would you rather cross into a secret valley or a secret library?
- 58:07SPEAKER_01: That's not a fair question.
- 58:13SPEAKER_01: Well, I have to say Secret Valley.
- 58:15SPEAKER_01: You could be on brand.
- 58:19SPEAKER_01: But there is a library there, though.
- 58:21SPEAKER_01: So technically, that's a secret library as well.
- 58:24SPEAKER_00: Yeah, it's a good point.
- 58:25SPEAKER_00: There is a library there.
- 58:26SPEAKER_00: Yeah, I do think it's a tough, tough one.
- 58:31SPEAKER_00: You know, book lovers, you know, tough choice.
- 58:34SPEAKER_00: Yeah.
- 58:35And like I was saying earlier,
- 58:36you know,
- 58:37the name of this podcast,
- 58:38Romancing the Threshold.
- 58:40So when you hear that phrase,
- 58:42Romancing the Threshold,
- 58:43what comes up for you?
- 58:47it makes me think of taking risks but about exciting things
- 58:53nothing dangerous it
- 58:56makes me think of expanding your experiences and your horizons
- 59:03and yeah but again
- 59:06SPEAKER_01: not in not in a dangerous way
- 59:08SPEAKER_01: And maybe it just means thinking about it and dreaming,
- 59:13SPEAKER_01: definitely dreaming of what could be what you want.
- 59:20yeah i like that i like that yeah um okay well ella thank you
- 59:27so much for stepping
- 59:29through this threshold with me well thank you very much for
- 59:34inviting me and like i
- 59:37said you know i really loved your series i'm looking forward to
- 59:40the next ones
- 59:42But I really like the image of the avalanche that serves as the
- 59:47threshold into
- 59:48SPEAKER_00: love,
- 59:49SPEAKER_00: belonging,
- 59:50SPEAKER_00: transformation,
- 59:52SPEAKER_00: acceptance,
- 59:53SPEAKER_00: and all things that we're really hungry for these days.
- 59:59SPEAKER_00: And of course, for all the listeners out there, you gotta get the books.
- 1:00:04SPEAKER_00: I'll put the link in the show notes for the series.
- 1:00:08SPEAKER_00: And thank you, Alec.
- 1:00:13SPEAKER_00: You know what stays with me from this conversation?
- 1:00:16SPEAKER_00: That image of Ella getting off the plane in Norway for the first time.
- 1:00:20SPEAKER_00: Seeing the beauty and magic of nature all around her.
- 1:00:25SPEAKER_00: in what her husband described as just the motorway.
- 1:00:29SPEAKER_00: Sometimes we need fresh eyes,
- 1:00:31whether it's a visitor to a new land or characters thrust into
- 1:00:35a hidden valley,
- 1:00:37SPEAKER_00: to remember the magic of transformation that is always available,
- 1:00:43SPEAKER_00: hiding in plain sight.
- 1:00:46SPEAKER_00: But here's what really strikes me.
- 1:00:48SPEAKER_00: Ella talked about love as a choice.
- 1:00:51SPEAKER_00: about how choosing someone means you're not your own entity anymore,
- 1:00:56SPEAKER_00: and how that's not just loss,
- 1:00:58SPEAKER_00: but an opening to gain so much.
- 1:01:02SPEAKER_00: That's the medicine hidden in those troll romances.
- 1:01:05SPEAKER_00: They're teaching us that the real threshold isn't the avalanche.
- 1:01:10SPEAKER_00: It's what we choose to do in the aftermath.
- 1:01:14Do we grip tight to our old shape,
- 1:01:17or do we get curious about what new form is emerging?
- 1:01:21SPEAKER_00: This is what I mean by romancing the threshold.
- 1:01:24SPEAKER_00: It's choosing to linger in that hidden valley of becoming,
- 1:01:28SPEAKER_00: to approach our own avalanche moments with the curiosity of lovers,
- 1:01:33SPEAKER_00: discovering each other rather than strangers defending territory.
- 1:01:39Ella's given us stories where being seen is both the price and
- 1:01:43the gift of
- 1:01:44SPEAKER_00: belonging,
- 1:01:45SPEAKER_00: where the pause isn't empty but pregnant with possibility.
- 1:01:50If you haven't read Falling for the Hidden Folks series yet,
- 1:01:54start with Adjusting Focus.
- 1:01:56SPEAKER_00: And let yourself linger in that liminal space where trolls can be hot and
- 1:02:02SPEAKER_00: avalanches can be doorways.
- 1:02:04And keep an eye out for Gifting Hope,
- 1:02:07her Christmas book coming late November or early December.
- 1:02:12SPEAKER_00: Until next time,
- 1:02:13SPEAKER_00: this is me reminding you to go gently,
- 1:02:16go boldly into the in-between with curiosity for what awaits at
- 1:02:21the threshold.