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The Man and the woman Episode 45 - It's Light, D Sensei and You · It's Light, D Sensei and You

• 0:02
  Speaker 1: My one name wauk in the ine Apple.
• 0:13
  Speaker 2: Mm hmmm, my room, my room, but he got Gamma
• 0:18
  Speaker 2: now okay, Charlie Gramm okay, dalla Sonini mna or the
• 0:26
  Speaker 2: name Mapple okay, Mapple, oh Mapple and my malum malum
• 0:34
  Speaker 2: dici ass.
• 0:37
  Speaker 1: I like him.
• 0:38
  Speaker 2: Yeah, h but tello h armana a ballet Charlie ghammah.
• 0:47
  Speaker 1: But the wan Yeah, come back something mhmm, come back.
• 0:55
  Speaker 2: One album walking but they are blows legation nay hmm.
• 1:01
  Speaker 2: I think people looking using the last time maybe a
• 1:07
  Speaker 2: segregation that they are slegating.
• 1:10
  Speaker 1: Okay, but but there.
• 1:17
  Speaker 2: Me from wagon but any bigger deal.
• 1:25
  Speaker 1: But the one.
• 1:25
  Speaker 2: Yeah, I'm am now italy something okay, erectly that but
• 1:35
  Speaker 2: never neb you know that place is mhmm. You're liking it, okay, alright,
• 1:43
  Speaker 2: you're pleasant too. Is a very present person. But the
• 1:49
  Speaker 2: resting time that Satin is down, I wanted to talk
• 1:52
  Speaker 2: about your personality. You have a val relative personality that
• 1:59
  Speaker 2: has been making way about the time and implied in it.
• 2:03
  Speaker 2: But the first of all, cantlod this in yourself, okay
• 2:08
  Speaker 2: at the moment your specialist okay, okay, but yeah, woman man,
• 2:17
  Speaker 2: First of us. Yeah, woman, And I said, woman, you
• 2:20
  Speaker 2: have to be gaugeous. You have to be wonderful. You
• 2:25
  Speaker 2: have to be the one is pacing it. You have
• 2:30
  Speaker 2: to be the wonder loss of person.
• 2:33
  Speaker 1: You have to be the you know, the.
• 2:39
  Speaker 2: I want to say the last one so that you
• 2:41
  Speaker 2: won't say that my brother has come again with my
• 2:44
  Speaker 2: thought about it before we end. So please keep your
• 2:47
  Speaker 2: conscience in praise. And there you are organism because yeah, yeah,
• 2:53
  Speaker 2: barrage is okay, but ob make rasky okay. You study reward. Oh,
• 3:00
  Speaker 2: capital one implied it in you, so come back with something.
• 3:08
  Speaker 1: You're saying that.
• 3:11
  Speaker 2: You understanding the nature of womanhood in a baroshyal revel
• 3:18
  Speaker 2: because you have used your body as a valid, beautiful
• 3:23
  Speaker 2: specimen to understand organisms organisms in a capitulatively way.
• 3:28
  Speaker 1: You can be the one you can see or the
• 3:29
  Speaker 1: one you cannot see.
• 3:31
  Speaker 2: And so you have fled to put it in valid
• 3:33
  Speaker 2: degrees of opinions or mental opinions. But stolid, they say,
• 3:38
  Speaker 2: you put like onions. We cannot on vary people too much.
• 3:43
  Speaker 2: So I feel like there is an opening of an
• 3:45
  Speaker 2: opening of an opening of an opening.
• 3:47
  Speaker 1: Of depths of layers. And you have valid layers upon layers,
• 3:52
  Speaker 1: even down to that ol aphase. You know what I meant.
• 3:56
  Speaker 1: You're saying, I'm playing to stand the world I said,
• 3:59
  Speaker 1: ol of Firs.
• 4:01
  Speaker 2: Jesus. All these people that want to say this now,
• 4:04
  Speaker 2: I think you're saying. You're speaking speaking okay, O face okay,
• 4:09
  Speaker 2: oh and tail.
• 4:14
  Speaker 1: All the face. It's like office. But keep I be
• 4:18
  Speaker 1: using it to be making office.
• 4:20
  Speaker 2: I've been cushing out and yes, keep the same bird
• 4:23
  Speaker 2: of Jesus, come down?
• 4:26
  Speaker 1: Are you poor a ward? Mattie Leale?
• 4:32
  Speaker 2: Oh okay, you put like Mattelias Gilly show ky which
• 4:38
  Speaker 2: one hollands?
• 4:41
  Speaker 1: Which one? Which one? Again? Oh? Oh parently evaluating you
• 4:47
  Speaker 1: Mattelia okay.
• 4:50
  Speaker 2: And people are ward martial, No, you cannot be martial
• 4:56
  Speaker 2: until you are Oh you're like money italist okay, okay,
• 5:01
  Speaker 2: that's what you're feeling monolia.
• 5:03
  Speaker 1: Oh sorry, I understand. Okay, that's why you want to
• 5:06
  Speaker 1: sit down?
• 5:07
  Speaker 2: Oh yes, soft, it's getting hard now solid and can
• 5:12
  Speaker 2: I sleutch my leg at a bit, but still sit down,
• 5:15
  Speaker 2: don't shake, just sit down, But I just want to
• 5:18
  Speaker 2: sledge it. That side is getting strong. That's parton that
• 5:21
  Speaker 2: you put before you shifted because since that needs to
• 5:24
  Speaker 2: shift more small. We used to sit down for too
• 5:26
  Speaker 2: long and the part it well, so it will become
• 5:30
  Speaker 2: soft and you're soft.
• 5:32
  Speaker 1: So so.
• 5:36
  Speaker 2: Right now he said, I want as you speak in
• 5:41
  Speaker 2: disc annunciation of things now. But they said the woman
• 5:44
  Speaker 2: as well moneylistic. Okay, what a mentalistic?
• 5:49
  Speaker 1: Which one? Okay? If a mentalistic, I prais ragical.
• 5:54
  Speaker 2: It's not just trying to be my operative, you know,
• 5:58
  Speaker 2: because most times poke be a little bit.
• 6:03
  Speaker 1: Mediocres are solid, solid, nothing salty.
• 6:08
  Speaker 2: Because when you're using your barial to yourself and just
• 6:12
  Speaker 2: press it on valid things, but dollery then solid, your
• 6:16
  Speaker 2: mental space is going to decline over time.
• 6:18
  Speaker 1: Are you talk more more straight up?
• 6:24
  Speaker 2: It's not a resort. It's just to try to capture
• 6:28
  Speaker 2: your vocation of thought. And then hiper world a test
• 6:34
  Speaker 2: teake irick in it. You put that on the face round.
• 6:38
  Speaker 2: It's really as testy yeper active a place. It is
• 6:42
  Speaker 2: not the other side of the alphabet.
• 6:45
  Speaker 1: You know, it's B. It's start to be any D.
• 6:49
  Speaker 1: But I pray that the D doesn't make you scream.
• 6:51
  Speaker 2: Oh God, energy energy you know on the thing that
• 6:55
  Speaker 2: when you join the three letters to say something is
• 6:58
  Speaker 2: shaken first, and so thank you Vlamosh because at the
• 7:03
  Speaker 2: end people like natural lengthins. Yes, sir, but when you
• 7:07
  Speaker 2: call a princi, please tell me that your lady to
• 7:11
  Speaker 2: start having nursery, because if you want to have nosery,
• 7:16
  Speaker 2: it would be a good I pray you can take
• 7:18
  Speaker 2: care of a road something. I rally for that institution
• 7:22
  Speaker 2: because if you want that type of institution I can
• 7:25
  Speaker 2: start it right now with you, because you know you
• 7:27
  Speaker 2: are what a woman. I'm implied it in you. They
• 7:31
  Speaker 2: say a man shall meet a woman and they shall
• 7:33
  Speaker 2: become word one flesh. So if you are a wonderful flesh,
• 7:38
  Speaker 2: there's a woman there's not these factors of manuperative and mormo.
• 7:43
  Speaker 2: But maybe somebody that is in the positive side of
• 7:46
  Speaker 2: delivers I will talk about the letter and then we
• 7:50
  Speaker 2: can walk together something now, please, I let it to
• 7:54
  Speaker 2: turn the contact. It's not the contact too. But this
• 7:57
  Speaker 2: type of thing the world is creating like now is
• 7:59
  Speaker 2: to look like controlt. We're at the end of the day.
• 8:01
  Speaker 2: Tell you four years you want to end it like
• 8:03
  Speaker 2: as if this is just a team that you want
• 8:05
  Speaker 2: to change and join the other.
• 8:06
  Speaker 1: Hm you know, but if you want to stand the contract.
• 8:11
  Speaker 2: I pray that you have read the last line of
• 8:13
  Speaker 2: the sentence, because if you need it, it may make
• 8:17
  Speaker 2: your handshake before you finally sign. Why you, Laddy, thank
• 8:21
  Speaker 2: you for listening. It's been a beautiful measure. This is
• 8:25
  Speaker 2: your show, this is your pathday her strong, go God
• 8:30
  Speaker 2: bress you. It's been a beautiful measure right here, right now.
• 8:34
  Speaker 2: Don't forget to share it, don't forget to create it,
• 8:37
  Speaker 2: don't forget to subscribe.
• 8:38
  Speaker 1: Bye bye, for now.