Latest / Ridiculous History / J. Paul Getty, Part One: Money Doesn't Make You Happy
Transcript
- 0:00Speaker 1: Ridiculous History is a production of I Heart Radio. Ye
- 0:27Speaker 1: welcome back to the show, Ridiculous Historians. Thank you, as
- 0:30Speaker 1: always so much for tuning in. Let's hear it for
- 0:33Speaker 1: the one and only super producer, Mr Max Williams. Okay,
- 0:41Speaker 1: use that, but b lada lads mag who's that sound cue?
- 0:50Speaker 1: Maybe it's facts, maybe it's Maybel. I'm ben uh No,
- 0:53Speaker 1: you know, I was thinking, I'm born with it. You're
- 0:56Speaker 1: born Yeah, yeah, I know. I know. That's why we
- 0:58Speaker 1: hang out, so I um, I was thinking about this.
- 1:01Speaker 1: We had this lovely conversation just a second ago for
- 1:04Speaker 1: us off air about how we're We're always very fortunate
- 1:09Speaker 1: and we acknowledge how grateful we are to be able
- 1:13Speaker 1: to do these shows with you Ridiculous Historians and NOL.
- 1:17Speaker 1: I like to think that we haven't let our jobs
- 1:21Speaker 1: change us too much. Would you agree with I would
- 1:24Speaker 1: agree with that. Yeah. I try to actively not become
- 1:27Speaker 1: a monster. That's one of my goals, and I think
- 1:29Speaker 1: the first step to doing that is self awareness, a
- 1:32Speaker 1: skill which the subject of today's episode, John Paul Getty,
- 1:37Speaker 1: seems to have lacked. Perhaps I don't know. We're fortunate
- 1:41Speaker 1: for sure, but we're not John Paul Getty, fortunate man.
- 1:44Speaker 1: That man was made of the kind of money that
- 1:46Speaker 1: changes people. Yeah, we're also not J. Paul Getty petty.
- 1:50Speaker 1: We're not that level of petty. Now, this guy you're
- 1:52Speaker 1: gonna see. We're not sure whether this will be a
- 1:55Speaker 1: two part episode because we sometimes our off Mike conversations
- 2:01Speaker 1: get to be a little bit like group therapy, like
- 2:04Speaker 1: what do we think about the world? How does it
- 2:06Speaker 1: inform ourselves? So, uh, happy birthday? What do we do
- 2:10Speaker 1: if we had all the money in the world. Don't
- 2:13Speaker 1: don't buy the violin after the first year. Rented for
- 2:16Speaker 1: the first year. Then by sorry, we were just talking
- 2:20Speaker 1: about We wrapped that into a real big metaphor about
- 2:23Speaker 1: the plight of humanity. Yeah, so bowling was involved. You know,
- 2:27Speaker 1: you don't buy the ball on day one? Yeah, I
- 2:30Speaker 1: have joined. I have accidentally joined a Vulcan themed bowling league,
- 2:34Speaker 1: child to our awesome graphic designer, Pam Peacock, who is
- 2:38Speaker 1: our fearless leader in that regard. But but let's not
- 2:42Speaker 1: bury the lead. John Paul Getty. You have doubtlessly heard
- 2:46Speaker 1: the name Getty. You may not have heard it associated
- 2:49Speaker 1: with the family because it is a legit American aristocracy.
- 2:53Speaker 1: It's a dynasty. Like there are actors who were part
- 2:56Speaker 1: of the Getty dynasty. We'll get into all of that,
- 2:59Speaker 1: but what you need to have seen some of their pictures.
- 3:01Speaker 1: You might have seen their pictures. They control huge or
- 3:05Speaker 1: a significant chunk of copyrighted images like Getty Images is
- 3:10Speaker 1: something that knowl you and I and probably YouTube Max
- 3:14Speaker 1: at this point had to Uh, we had to interface
- 3:17Speaker 1: with often when we're starting shows, when we're looking for
- 3:22Speaker 1: images to share. Back when I was writing a ton
- 3:26Speaker 1: of old house stuff works videos, we had to go
- 3:29Speaker 1: back and forth about which Getty images we could afford. Um,
- 3:34Speaker 1: I think you can even find a group shot of
- 3:37Speaker 1: some of us on Getty Images. We made it to
- 3:39Speaker 1: Getty Images. Hey, we were jerks about it. For like
- 3:42Speaker 1: four red carpet. Yeah, every red carpet in the world
- 3:45Speaker 1: is on Getty Images exactly quality or size exactly. So
- 3:51Speaker 1: this uh Getty dynasty. The reason Getty is such a
- 3:54Speaker 1: recognizable word in the Western world today is because by
- 3:58Speaker 1: the late nineteen six these, this guy John Paul Getty
- 4:02Speaker 1: had become known as the richest man in the world.
- 4:06Speaker 1: Now that's a tricky title because as anybody who listens
- 4:10Speaker 1: to stuff they don't want you to know it can
- 4:11Speaker 1: tell you the real most powerful people in the world.
- 4:16Speaker 1: They're not rated as much by bank accounts. Nobody knows
- 4:20Speaker 1: how much money Putin actually has. For instance, even when
- 4:24Speaker 1: Russia is turning into a dumpster fire. This guy, though
- 4:28Speaker 1: he got Getty got called the richest man in the
- 4:31Speaker 1: world by Fortune magazine in nineteen fifty seven. And he
- 4:37Speaker 1: was an oil man, right, No, he was. He was
- 4:40Speaker 1: a man of oil. Uh animal collected song by the
- 4:44Speaker 1: same name. Yeah, you know, he got it on the
- 4:47Speaker 1: ground floor. I mean, I think maybe in some ways
- 4:51Speaker 1: the character of Daniel Plainview in Um There Will Be
- 4:55Speaker 1: Blood might have been influenced or inspired by Getty just
- 5:00Speaker 1: kind of just spitballing on that. I don't know that
- 5:02Speaker 1: for sure, but you know, in the same way that
- 5:04Speaker 1: Paul Thomas Anderson sort of vaguely based the character played
- 5:09Speaker 1: by Phillipy Moore Hoffman and the Master on l Ron Hubbard.
- 5:13Speaker 1: It's definitely a vibe, because you know, oil is one
- 5:16Speaker 1: of those things where to truly become a titan of
- 5:20Speaker 1: the industry, you gotta kind of get in on the
- 5:22Speaker 1: ground floor. You gotta get in gonna drink everyone else's milkshake. Yeah,
- 5:27Speaker 1: you gotta get below the ground floor, you know, start
- 5:30Speaker 1: drilling well. Also, J Paul Getty was the inspiration for
- 5:34Speaker 1: an excellent little Saturday Night Live sketch with Adam Driver
- 5:38Speaker 1: as an oil man talking to his talking about his
- 5:43Speaker 1: son's career day at school. Do check it out? Do
- 5:47Speaker 1: you guys remember that one? I don't think I've seen this.
- 5:49Speaker 1: I'm gonna send it to you after this, all right,
- 5:51Speaker 1: we'll do our homework first. So he had been called
- 5:55Speaker 1: the richest man in the world for a while because
- 5:58Speaker 1: by the time he consolidated his various businesses into what
- 6:06Speaker 1: was called the Getty Oil Company, his personal fortune not
- 6:10Speaker 1: related to his job. His personal fortune was estimated to
- 6:13Speaker 1: be it more than two billion by like nineteen sixty seven.
- 6:19Speaker 1: But as you know, more money, more problems, hip hop
- 6:23Speaker 1: is right. His his family had a lot of personal
- 6:29Speaker 1: tribulations and travails such that people started asking whether the
- 6:35Speaker 1: Gettys were cursed and to learn about whether or not
- 6:40Speaker 1: this is a curse. First off, wait, we've talked about
- 6:43Speaker 1: this before on various shows on and off air. Noel Max,
- 6:47Speaker 1: do you guys believe in curses, Oh gosh, belief as
- 6:50Speaker 1: the hell of a drug. I don't know about that.
- 6:54Speaker 1: I mean, I feel like I believe in something resembling karma. Sure,
- 6:58Speaker 1: I feel like if you're a person of great means
- 7:02Speaker 1: and you put negative things out into the world and
- 7:05Speaker 1: you screw people over, then potentially negative things will come
- 7:09Speaker 1: back to you. But I don't know. I'm that's probably
- 7:11Speaker 1: the about as hippie as I get in my belief system. Yeah,
- 7:15Speaker 1: I mean, I think there's a lot of other circumstances
- 7:18Speaker 1: that can cause stuff that looks like a a curse to happen.
- 7:22Speaker 1: And I do think karma is like, you know, not
- 7:26Speaker 1: like the direct actual notion of karma, but like something
- 7:28Speaker 1: similar to that is a part of that. But just
- 7:33Speaker 1: I I think it's calling someone a curse is like
- 7:36Speaker 1: very good, like get a jail free card, of just
- 7:38Speaker 1: being like, all these terrible things have happened, instead of
- 7:41Speaker 1: just like, you know, being like, all these terrible things
- 7:43Speaker 1: happen and I have a hand playing these things, right,
- 7:46Speaker 1: So saying a curse, that saying something's a curses refusing
- 7:50Speaker 1: to acknowledge oneself as the only constant in the equation
- 7:54Speaker 1: of catastrophe. I get it. I mean, my favorite definition
- 7:58Speaker 1: of magic is weaponized psychology. G that's a shout out
- 8:01Speaker 1: to our our buddy, doctor Damian Patrick Williams. Look up
- 8:05Speaker 1: his work. So anyway, let's learn about getting before he
- 8:08Speaker 1: learned about whether or not there's a curse. This story
- 8:18Speaker 1: has it all. There's kidnapping, there's a high level secession
- 8:22Speaker 1: vibes if you're familiar with that show, and there's a
- 8:25Speaker 1: lot of tragedies. So no fooling by any measure. This
- 8:29Speaker 1: guy is one of the most successful tycoons of industry
- 8:33Speaker 1: in all of US history. He did make multiple billions
- 8:38Speaker 1: of dollars in the oil business. But he didn't you know,
- 8:43Speaker 1: he didn't start from the bottom. You know, he didn't
- 8:45Speaker 1: come out the mud, as as people often say. The Gettys,
- 8:50Speaker 1: his forebears started as Scotch Irish Presbyterian immigrants. One town
- 8:55Speaker 1: in Pennsylvania is even named after the family. That's Gettysburg,
- 8:59Speaker 1: pennsylvan Mania. You might recognize that from some other stories
- 9:03Speaker 1: are if you are a fan of history. His father,
- 9:07Speaker 1: George George F. Getty, got into corporate law and insurance
- 9:13Speaker 1: in Minneapolis, and then he moved the family to Oklahoma
- 9:17Speaker 1: in nineteen o four to get in, like you said,
- 9:20Speaker 1: Noel on the ground floor of the oil business. He
- 9:24Speaker 1: started making some pretty good scratch in just a few
- 9:29Speaker 1: years with the Minnahoma Oil Company, and around that time
- 9:35Speaker 1: he was already like before J. Paul ever gets on
- 9:38Speaker 1: the scene, his father is has already made it. He's
- 9:42Speaker 1: already a millionaire. Several times over correct, it's being a
- 9:45Speaker 1: correct thing. I just want to point out that I
- 9:47Speaker 1: can't find any evidence that P. T. Anderson specifically drew
- 9:51Speaker 1: influence from Getty for his character. And there will be blood.
- 9:54Speaker 1: It's based on the book Oil by Upton Sinclair. But
- 9:58Speaker 1: it's just such a rare eyed position that there there
- 10:02Speaker 1: are certainly similarities, you know, in terms of the kind
- 10:06Speaker 1: of riches that that that sort of discovery and that's
- 10:08Speaker 1: sort of you know, career path and how like. You know,
- 10:12Speaker 1: there can only be a few, right like actual bona
- 10:15Speaker 1: fide oil magnates. So I think I was sparking up
- 10:18Speaker 1: the red Tree in theory. But I just can't find
- 10:21Speaker 1: any direct quotes from Anderson citing Getty as an inspiration
- 10:25Speaker 1: Oil by Upton Sinclair, though I read that book. It
- 10:28Speaker 1: is based on the life of another tycoon named Edward L.
- 10:33Speaker 1: Tony Dohany or something like that. That's right, it's Hainy
- 10:37Speaker 1: or something. Yeah, with a weird age placement. Yeah, but
- 10:41Speaker 1: but still, like you said, rarefied air, and this rarefied
- 10:45Speaker 1: air of financial success is what J. Paul is born into.
- 10:49Speaker 1: He gets out of college in in pretty young. He's
- 10:52Speaker 1: twenty one years old. He graduates college and over the
- 10:56Speaker 1: summer he is working in the family business. He's working
- 10:59Speaker 1: at the oil fields, and his dad wasn't really given
- 11:03Speaker 1: him money. His dad was lending him money and said, here,
- 11:07Speaker 1: go make your own way. John Paul invest in oil
- 11:12Speaker 1: wells all thine own. I don't know he was doing
- 11:14Speaker 1: these and owls. That's more of a Quaker thing. Yeah,
- 11:17Speaker 1: I take it. I think it suits him. Um, but yeah,
- 11:20Speaker 1: it's it's true. He takes that whatever seed money and
- 11:24Speaker 1: he does invest it smartly and pretty quickly makes his
- 11:28Speaker 1: first million dollars, which in those days was significant, significant scratch.
- 11:35Speaker 1: And he's quoted as saying, in building a large fortune,
- 11:39Speaker 1: it pays to be born at the right time. I
- 11:43Speaker 1: was born at a very favorable time. If I had
- 11:46Speaker 1: been born earlier or later, I would have missed the
- 11:48Speaker 1: great business opportunities that existed in World War One and later.
- 11:53Speaker 1: I suppose it takes a long time, and it takes
- 11:56Speaker 1: extraordinary circumstances to be born at the time and to
- 12:01Speaker 1: have cash money available at the right time. I was
- 12:04Speaker 1: fortunate to due to my father's foresight and my good luck.
- 12:09Speaker 1: Mr Wayne, So i'd kind of a kind of a
- 12:12Speaker 1: bane voice there. I don't know where that came from,
- 12:14Speaker 1: but I'm rolling with it. Yeah, timing is everything. Getting
- 12:18Speaker 1: in on the ground floor of an industry is everything,
- 12:21Speaker 1: and only a few people can do it. Yeah, I
- 12:23Speaker 1: want to jump in here because we we set the top.
- 12:26Speaker 1: That this guy kind of lacks some self awareness, which
- 12:29Speaker 1: is one true, but this is one of the lines
- 12:32Speaker 1: where I'm like, he at least somewhat seems aware that
- 12:35Speaker 1: it's not like I did all of this. I am
- 12:37Speaker 1: so great, I am just amazing. He at least realized
- 12:41Speaker 1: It's like, well, I I had some money that I
- 12:44Speaker 1: got from my dad, and I got into this business
- 12:47Speaker 1: at the exact right time. Well, he's also you can
- 12:50Speaker 1: tell that his his father, the patriarch of the Getties,
- 12:54Speaker 1: was one of the few people that he actually looked
- 12:57Speaker 1: up to and respected, so maybe that's that's a fun
- 13:00Speaker 1: auction of it, and I think it probably really uh
- 13:03Speaker 1: inbedded in him, this idea of you know, no handouts,
- 13:08Speaker 1: you know, like I mean, yeah, you'll you'll, you'll get
- 13:11Speaker 1: your inheritance when I'm dead. Until then, Uh, you're not
- 13:14Speaker 1: getting a red cent unless it's something that I'm gonna,
- 13:18Speaker 1: you know, used to invest in you and you show
- 13:21Speaker 1: me that you've got the chops otherwise, you know. He
- 13:24Speaker 1: he didn't he wouldn't suffer any shiftless lay abouts. Let's
- 13:27Speaker 1: just say he wouldn't suffer anyone that was just trying
- 13:30Speaker 1: to coast on the family fortune because clearly his father
- 13:34Speaker 1: instilled that in him. Well sort of. There was definitely
- 13:38Speaker 1: a process because the year after he makes his first million,
- 13:42Speaker 1: he does become one of those shiftless lay abouts, just
- 13:45Speaker 1: like a Heroes journey Joseph Campbell thing. He spent some
- 13:48Speaker 1: time in the wilderness of Vice. Uh. He he spen
- 13:53Speaker 1: two years in Los Angeles as what would have been
- 13:56Speaker 1: called a playboy. He's just blowing money in the club's
- 14:01Speaker 1: making it rain, chasing chicks and this is from nineteen Uh, dude.
- 14:07Speaker 1: He gets back in the oil business in nineteen nineteen
- 14:10Speaker 1: so nineteen seventeen eighteen, those are his lost years. Once
- 14:14Speaker 1: he gets back in the oil business. He also has
- 14:17Speaker 1: a tumultuous love life. He's married and divorced three times
- 14:21Speaker 1: in the twenties, and his father, George F who was
- 14:25Speaker 1: still very much in the mix, is like, Hey, I
- 14:27Speaker 1: think you're good at business, but son, you've got to
- 14:30Speaker 1: button up your love life, buddy. You know, the imagine
- 14:33Speaker 1: conversation is where what if you get into the realm
- 14:36Speaker 1: of politics, morality or the appearance of such is important.
- 14:41Speaker 1: That's a great quote that I just made up. But
- 14:43Speaker 1: to be clear, that's not an actual quote. That's just
- 14:46Speaker 1: the conversation I think they had. And so he said, like,
- 14:49Speaker 1: as George was dying, he uh, he starts warning his
- 14:54Speaker 1: son and telling his associates because I wouldn't call him
- 14:58Speaker 1: friends at that level of health. He says, Look, my
- 15:01Speaker 1: son's gonna destroy the family business. He can't have the
- 15:05Speaker 1: whole pie. So George F. Getty dies with a fortune
- 15:09Speaker 1: and nick excess of ten million dollars. He leaves his
- 15:12Speaker 1: son j Paul about five grand and he leaves the
- 15:17Speaker 1: business to his wife. See, he gotta wonder, though, I
- 15:19Speaker 1: mean everything you just said, you know, it is absolutely accurate,
- 15:23Speaker 1: but like you gotta wonder did he do this as
- 15:25Speaker 1: almost like a test, like so he had to pull
- 15:28Speaker 1: himself up by his bootstraps kind of like when he
- 15:31Speaker 1: just gave him that the loan early on and then
- 15:33Speaker 1: he invested right, and now he's sort of like in
- 15:35Speaker 1: this wandering in this wilderness advice as you say, and
- 15:38Speaker 1: he's almost like, you know what the worst thing I
- 15:40Speaker 1: could do for my son, It will just keep him
- 15:42Speaker 1: in this like limbo, uh is leave him all of
- 15:45Speaker 1: this money, you know, unchecked uh and leave him this company,
- 15:49Speaker 1: which at this point in his life he may well
- 15:51Speaker 1: drive into the ground. So I think, honestly, whether he
- 15:54Speaker 1: was he did this consciously or not, this is probably
- 15:57Speaker 1: the best thing that could have happened to Paul Getty,
- 16:01Speaker 1: getting that, you know, I mean, by most mortal standards,
- 16:05Speaker 1: five thousand dollars isn't a pittance, but compared to the
- 16:08Speaker 1: big old bye that that that was on the table,
- 16:11Speaker 1: it really was. But it really did force Getty to
- 16:14Speaker 1: flex some of the knowledge that he had that George
- 16:18Speaker 1: maybe didn't even know he had, because he really had
- 16:20Speaker 1: been doing his homework and studying and he was very
- 16:23Speaker 1: familiar with things like petroleum geology. If you know anything
- 16:28Speaker 1: about the art world, you know that Getty is huge
- 16:32Speaker 1: in that realm, in terms of grants, in terms of
- 16:35Speaker 1: museums and all that stuff. That all started with this guy.
- 16:38Speaker 1: With this guy, Jean Paul Getty, he uh was all
- 16:41Speaker 1: with the art world, and he was a very worldly man.
- 16:45Speaker 1: He could speak French and German and Italian. He also
- 16:49Speaker 1: could conversationally get along in Spanish, Arabic, Russian and Greek,
- 16:55Speaker 1: as well as being able to read Greek and Latin.
- 16:58Speaker 1: So he was an incredible the intelligent person and a
- 17:02Speaker 1: very skilled businessman despite his kind of you know, dalliances
- 17:07Speaker 1: in his twenties. Well, this is okay, So this is
- 17:09Speaker 1: a question. Yeah, the word I just said polyglot is
- 17:12Speaker 1: just the fancy word for speaking multiple language as well.
- 17:16Speaker 1: And I know some polyglots. They're usually really cool. But
- 17:21Speaker 1: this is one of my questions. So, if you were
- 17:23Speaker 1: a child of privilege, if you are a psion to
- 17:26Speaker 1: a dynasty like this, is it not true that you
- 17:29Speaker 1: have more opportunities to cultivate those pursuits. This guy wasn't
- 17:34Speaker 1: you know, scratching wheat out of the dirt so I
- 17:38Speaker 1: would say, if you hear these kind of accolades folks,
- 17:42Speaker 1: and you're an average person, just remember that that this
- 17:46Speaker 1: is a guy who started on third base, so we
- 17:48Speaker 1: had time to stroll to the home run of those
- 17:51Speaker 1: various achievements. No doubt how that baseball analogy work, Max
- 17:55Speaker 1: is Yeah, I mean, come on, I like like the
- 18:04Speaker 1: image of strolling imagery. It worth great and actual baseball
- 18:08Speaker 1: it makes no sense. Yeah, okay, you know I figured
- 18:10Speaker 1: that was. I just wanted a gut check. Alright, fair fair,
- 18:13Speaker 1: fair fair. So yeah, it sort of reminds me of
- 18:15Speaker 1: like how you know, oftentimes a lot of folks would
- 18:17Speaker 1: become very successful actors, not always but sometimes, or or
- 18:22Speaker 1: successful musicians or whatever. They've got a bit of a
- 18:24Speaker 1: safety net pretty often, pretty often, and they're able to
- 18:28Speaker 1: go to the finest of of of drama schools, you know,
- 18:32Speaker 1: because they were they were able to receive you know,
- 18:35Speaker 1: the best education against financial safety net that allowed them
- 18:39Speaker 1: to kind of just you know, go out there and
- 18:42Speaker 1: try to be an artist or an actor because they
- 18:45Speaker 1: didn't have to worry about making ends meet. Also, I
- 18:48Speaker 1: want to backtrack, you know what, Ben, I'm thinking about
- 18:50Speaker 1: it more it made a lot of sense. Baseball sense
- 18:52Speaker 1: was something and someone else hit the home run. Yeah, okay,
- 18:56Speaker 1: I'm gonna I'm gonna apologize, good, good, good an thanks man.
- 19:01Speaker 1: You don't have to apologize. I'm not Getty. I'm not
- 19:04Speaker 1: just weirdly mad at people. But then until ief your inheritance,
- 19:10Speaker 1: and it's like one dollar, itce like for making fun
- 19:12Speaker 1: of that baseball analogy, will ruin this state, will ruin
- 19:15Speaker 1: this company, this fictitious company. So here's another film comparison,
- 19:21Speaker 1: if you want to before we get to Getty's more
- 19:24Speaker 1: villainous behavior or morally objectionable behavior, it's like he's in
- 19:30Speaker 1: that he's like Robert de Niro's character in that film Casino.
- 19:35Speaker 1: He is an obsessive researcher. I love that you pointed
- 19:39Speaker 1: out his knowledge of petroleum geology. So like the scene
- 19:43Speaker 1: in Casino where you see Robert de Niro testing the
- 19:47Speaker 1: basketball and looking at the floor and bouncing stuff before
- 19:51Speaker 1: he makes any bets or anything like that, this is
- 19:55Speaker 1: what Getty is doing. What J. Paul is doing when
- 19:58Speaker 1: he starts making international oil deals. He's researching the land,
- 20:04Speaker 1: the wells, the geology. He learns Arabic or he gets um,
- 20:09Speaker 1: he gets conversational in Arabic not fluent, so that he
- 20:12Speaker 1: can directly negotiate with the Kingdom of Saudi Arabia to
- 20:17Speaker 1: get a sixty year concession or lease on an oil field.
- 20:21Speaker 1: He pays nine point five million dollars for it. In ninete.
- 20:26Speaker 1: No oil has been discovered there yet, right people are
- 20:29Speaker 1: thinking there might be some, but they're not doing the
- 20:32Speaker 1: casino level research that he did. So he pays nine
- 20:36Speaker 1: point five million dollars, a ton of money back, then
- 20:38Speaker 1: a ton of money now, and then he pays thirty
- 20:41Speaker 1: more million dollars to explore the oil field before he
- 20:47Speaker 1: hits the oil in nineteen fifty three, Like just like
- 20:50Speaker 1: the Beverly Hillbillies up from the ground, comes a bubble
- 20:53Speaker 1: and crude production reaches sixteen million barrels a year. That's
- 20:59Speaker 1: more more than one billion dollars at today's prices per year. Bud. Yeah. Again,
- 21:06Speaker 1: like the privilege of being able to explore those oil
- 21:10Speaker 1: fields and having the infrastructure in place and the knowledge,
- 21:14Speaker 1: you know, like very much, born on whichever base is appropriate,
- 21:19Speaker 1: born on, born at shortstop, is that thing that's not
- 21:22Speaker 1: really a base, that's more of a that's a person anyway.
- 21:25Speaker 1: I'm sorry, I had to try my hand at the
- 21:26Speaker 1: baseball metaphors. We rising tide, Max, I don't want to
- 21:32Speaker 1: hear another word from you home on when the bases
- 21:34Speaker 1: are loaded, you know what I mean. That clears the
- 21:37Speaker 1: field where it's clearly I'm not a golfer um. But yeah,
- 21:43Speaker 1: I mean, he he did, he did, He did good.
- 21:45Speaker 1: He's real good and essentially, you know, did better than
- 21:49Speaker 1: his father. He did. And part of that is because
- 21:53Speaker 1: the business of oil is evolving as well, you know
- 21:56Speaker 1: what I mean. He steered the business to global domination.
- 22:02Speaker 1: But again, remember the business was left to his mom,
- 22:06Speaker 1: not directly to him. But he's still like doing a
- 22:08Speaker 1: lot of the day to day stuff. And George's prediction
- 22:13Speaker 1: about his son was, you know, I know you have
- 22:15Speaker 1: your head on your shoulders with business, but your personal
- 22:19Speaker 1: life is going to be a problem. And that seemed
- 22:24Speaker 1: to be that seemed to have some sand to it
- 22:26Speaker 1: for a while. He would go on to have five wives.
- 22:30Speaker 1: He had five sons with four of his five wives,
- 22:33Speaker 1: and in each case it wasn't the best marriage. There
- 22:38Speaker 1: was tragedy, people weren't communicating. Well, that's the key to
- 22:42Speaker 1: a good relationship there were. There was also just ranking difference.
- 22:46Speaker 1: He was icing some of them. His eldest son, George
- 22:50Speaker 1: Franklin Getty the second was supposed to be the heir,
- 22:55Speaker 1: but just like that show's Succession, they didn't get on
- 22:58Speaker 1: too well. Like he bare really spoke with his son
- 23:01Speaker 1: who was supposed to be his heir. I didn't know
- 23:03Speaker 1: this until we started researching this with our research associate,
- 23:07Speaker 1: Doctor's act Zack. But J. Paul didn't go to his
- 23:14Speaker 1: own son's wedding. He was like, I got oil barrels
- 23:18Speaker 1: to count or something. He had gold coins to swim
- 23:22Speaker 1: in the giant vault. I always loved that image with
- 23:25Speaker 1: George Scrooge McDuck or he spits out the coins, but
- 23:30Speaker 1: don't do it. It's dangerous. Try that real life. You
- 23:34Speaker 1: will break bones. He will break bones at the very
- 23:36Speaker 1: least get a really bad concussion. So he's skipping out
- 23:39Speaker 1: his son's wedding. He doesn't really have any time for
- 23:42Speaker 1: his grandchildren. And that's the son that like he kind
- 23:46Speaker 1: of liked, I guess not liked, but like he he
- 23:49Speaker 1: had a high position in the company. Yeah, exactly, Um,
- 23:54Speaker 1: it's it's it's it's a little confusing as to get
- 23:56Speaker 1: you know, because being liked by Jehan Paul Getty basically
- 23:59Speaker 1: just and he wouldn't completely ice you out and skip
- 24:02Speaker 1: your wedding. It wasn't like he was, you know, throwing
- 24:05Speaker 1: your parties and giving you hugs or anything. I don't
- 24:07Speaker 1: think he gave good hugs, I would imagine. But his son,
- 24:11Speaker 1: his other son, John Paul Getty Jr. Had four sons
- 24:15Speaker 1: um with his wife Gail Harris. John Paul Getty the
- 24:20Speaker 1: third was one of these sons and really the subject
- 24:25Speaker 1: of kind of the main plot twist in today's story.
- 24:36Speaker 1: So we'll call him, let's just call him JP three.
- 24:39Speaker 1: JP three is the son of John Paul Jr. Who
- 24:45Speaker 1: divorces his wife JP three's mother, Gayl Harris, in nineteen
- 24:49Speaker 1: sixty four, and then JP jr. JP three's dad moves
- 24:55Speaker 1: to Rome and uh he remarries a woman named Taltha Pole,
- 25:00Speaker 1: but allegedly, or accorded, according to historians of the family
- 25:04Speaker 1: and reports, he became addicted to heroin. And that's very sad.
- 25:09Speaker 1: It just seems like he was sort of a little
- 25:12Speaker 1: bit adrift, you know, and didn't really have any direction
- 25:15Speaker 1: or like a set of skills and just kind of
- 25:18Speaker 1: withered a little bit um So JP three, who is
- 25:21Speaker 1: his son, also ends up moving to Italy as a teenager.
- 25:26Speaker 1: At first, he's at a boarding school, like you do.
- 25:29Speaker 1: But he's a bit of a troublemaker, a bit of
- 25:32Speaker 1: a problem child. He gets kicked out, he's expelled, and
- 25:35Speaker 1: even though his father had left Rome uh and moved
- 25:40Speaker 1: to England following his new wife's overdose on heroin, he
- 25:47Speaker 1: had to skip town. I guess JP three continued living
- 25:52Speaker 1: in Italy on is lonesome. Yes, yeah, and became a
- 25:56Speaker 1: bit of a bohemian. Yeah, he was. He was a
- 26:00Speaker 1: kid without consequences. You've probably met some in your own life,
- 26:04Speaker 1: ridiculous historians. You may have grown up as one. He
- 26:07Speaker 1: got expelled from a lot of schools. He was partying.
- 26:10Speaker 1: He was considered artistic, but it was just he was
- 26:13Speaker 1: a wild kid. He's like one of those kids who
- 26:16Speaker 1: uh for whom it doesn't matter if you stay in
- 26:20Speaker 1: the fancy boarding school. Your parents can just put you
- 26:23Speaker 1: in another one, or your family. He threw a Molotov
- 26:26Speaker 1: cocktail during a protest. He was he was just always partying.
- 26:31Speaker 1: And because of this, because of his behavior and the
- 26:35Speaker 1: notoriety of his family. He was like a low key
- 26:39Speaker 1: local celebrity. While he was living in Rome at the
- 26:43Speaker 1: age of sixteen, and he had long, curly hair. The
- 26:48Speaker 1: press gave him a nickname that wasn't j three. They
- 26:51Speaker 1: called him the Golden Hippie. Uh And and this is
- 26:55Speaker 1: where things get a little bit strange. So one day
- 27:00Speaker 1: he's been out party and all night he's walking home,
- 27:04Speaker 1: maybe singing a song from a local music hall. It's
- 27:08Speaker 1: the wee hours of July. A car skirts skirts up
- 27:13Speaker 1: beside him and the driver says, excuse me, signor you
- 27:18Speaker 1: pulled Getty and Paul. Uh. We don't know how drunk
- 27:22Speaker 1: he was, but Paul goes you man, and then they
- 27:25Speaker 1: grab him the black bag and basically they pull him
- 27:28Speaker 1: into a car. They muzzle him with a pad soaked
- 27:32Speaker 1: and chloroform and a gag, and they drive him away.
- 27:37Speaker 1: He gets snatched. One note about chloroform. A lot of
- 27:42Speaker 1: times movies are lying to you. If you want there's
- 27:45Speaker 1: a reason they use the gag. It's not just to
- 27:47Speaker 1: keep him quiet. It's to keep the chloroform on his face.
- 27:51Speaker 1: Because if you chloroform someone and you remove it, they
- 27:54Speaker 1: will come to shortly thereafter. This is not a step
- 27:58Speaker 1: by step guide how to incapacitate people. It's just good
- 28:03Speaker 1: to know these things in case situations occur. Ben, you
- 28:07Speaker 1: got a chloroform guy? What? Yeah? I mean you know
- 28:10Speaker 1: Gandhi would have said, you gotta be the chloroform guy
- 28:12Speaker 1: you wish to see in the world, but don't do it, don't.
- 28:16Speaker 1: I actually didn't know that, Ben. I would have would
- 28:18Speaker 1: have I would have bungled my kidnapping attempt horribly. They
- 28:22Speaker 1: would have woken up then just runaway, and then I
- 28:26Speaker 1: would have had to give chase and I don't know.
- 28:28Speaker 1: I'm not I'm not in that kind of shape. I
- 28:30Speaker 1: would have lost the I would have lost the mark.
- 28:32Speaker 1: But they did not lose the mark. These kidnappers. They
- 28:36Speaker 1: spirited Getty away to a hideaway hideout uh in the
- 28:41Speaker 1: Italian countryside. And obviously you see where this is going.
- 28:45Speaker 1: It would appear JP three's loose lips sank his own ship. Uh.
- 28:51Speaker 1: You know, I wouldn't is It's not like they would
- 28:52Speaker 1: want to make a public information that this is an
- 28:55Speaker 1: air to the Getty fortune, especially in a place like
- 28:58Speaker 1: Italy where you know there are not you know, there
- 29:02Speaker 1: are criminal elements around. You know, understand to say that's
- 29:06Speaker 1: exclusively an Italian thing, but organized crime did kind of
- 29:10Speaker 1: have its roots in this part of the world. And
- 29:13Speaker 1: it is conjecture that when JP three would like barter
- 29:18Speaker 1: some of his paintings for rent, because again it wasn't
- 29:22Speaker 1: swimming in dough, there were some folks maybe at the
- 29:26Speaker 1: restaurant near his apartment where he would go to do this,
- 29:29Speaker 1: that overheard and maybe you know, curried a little favor
- 29:33Speaker 1: with a local, you know, Mafio so and uh potentially
- 29:38Speaker 1: maybe got a little bit of a pay day like
- 29:39Speaker 1: a finder's fee. Yeah. Yeah. And to this day, the
- 29:44Speaker 1: details of the of the genesis of this kidnapping plot
- 29:49Speaker 1: are still a little murky, but we do know that
- 29:51Speaker 1: a few days after the disappearance, the Golden Hippies mother
- 29:55Speaker 1: gets a note and says the following, Yeah, mother, I've
- 29:58Speaker 1: fallen into the hands of napos. Don't let me be killed.
- 30:02Speaker 1: Please make sure the police do not interfere. You must
- 30:06Speaker 1: absolutely not take this as a joke. Don't give publicity
- 30:09Speaker 1: to my kidnapping. Its spelled like kidnaping. But look, people
- 30:14Speaker 1: took this as a joke initially because the scuttle Butt
- 30:20Speaker 1: had it that the Golden Hippie had talked to friends, family,
- 30:25Speaker 1: and locals and trusted folks in his life about solving
- 30:28Speaker 1: his financial problems by arranging his own perfect kidnapping and
- 30:33Speaker 1: using that as a pretext to get a large sum
- 30:37Speaker 1: of scratch from his grandfather to pay the ransom ostensibly,
- 30:41Speaker 1: and then just keeping it for himself and saying, thank you, grandfather,
- 30:44Speaker 1: I've learned my lesson and should change my ways. They go,
- 30:48Speaker 1: those loose lips again, JP three, not good seeking your
- 30:53Speaker 1: own ship. The boy who cried wolf at all? That right,
- 30:56Speaker 1: nobody nobody comes to running boy cried kidnapping. Mm hmm.
- 31:01Speaker 1: This this even translates to the local police who are
- 31:05Speaker 1: also aware of this, and they're like, you know, he
- 31:08Speaker 1: he probably kidnapped himself. Yeah, we're not gonna we don't
- 31:11Speaker 1: have the resources to deal with this shiftless lay about
- 31:15Speaker 1: him gonna keep saying that. Yeah. Well, Also, the police,
- 31:18Speaker 1: at least some faction of them were likely part of
- 31:21Speaker 1: Indreta like part of the mafia group at the time,
- 31:25Speaker 1: Like they were probably compromised on the payroll. Yeah, and
- 31:29Speaker 1: everybody knew he was in debt because he kept partying,
- 31:32Speaker 1: even though he's talking about how he's out of money,
- 31:34Speaker 1: you know, bum and drinks and whatnot. His kidnappers where
- 31:38Speaker 1: this mafia group from southern Italy. They knew all about
- 31:41Speaker 1: his family. His mom, Gail, gets a call from the
- 31:46Speaker 1: mafia so ring leader sin Quanta, and sin Quanta says, look,
- 31:51Speaker 1: it's gonna we know who your family is. It's gonna
- 31:53Speaker 1: take a lot of money to get your son back.
- 31:57Speaker 1: And she said she told them the truth. Said look,
- 32:00Speaker 1: I know we got the name, but I don't have
- 32:02Speaker 1: any of the family money. We're cut off. And then
- 32:05Speaker 1: he said, ask for it from your father in law.
- 32:08Speaker 1: He has sold the money in the world, All the
- 32:11Speaker 1: Money in the World. There's a film biopic, I guess
- 32:14Speaker 1: by Ridley Scott called All the Money in the World, Um,
- 32:18Speaker 1: which I have not seen, but I very much want to.
- 32:20Speaker 1: In fact, I think after we wrap up here, I
- 32:23Speaker 1: might rent it on the old Roku and give it
- 32:26Speaker 1: a look. Um. I do like Ridley Scott doesn't appear
- 32:29Speaker 1: to be considered like one of his like greats, because
- 32:32Speaker 1: I certainly haven't heard a whole lot about it. But
- 32:34Speaker 1: I am fascinated to see how this was dramatized all
- 32:38Speaker 1: the money in the world, and so they do just that.
- 32:41Speaker 1: They go to to hold the dear sweet cremuctedly Grandpapa
- 32:46Speaker 1: and and can lay it out for him, you know,
- 32:49Speaker 1: thinking he would just oh my, my, my, post sweet grandson. Uh,
- 32:54Speaker 1: that is not what happened. No, No, they're swimming with
- 32:58Speaker 1: the shark and they think they're in the guppy pulled.
- 33:00Speaker 1: This is gonna be part one. We thought this would
- 33:03Speaker 1: be the perfect place to pause the story here. We're
- 33:07Speaker 1: gonna return at the top of next week with part
- 33:09Speaker 1: two of this story. We're gonna zoom out because you
- 33:12Speaker 1: need to learn a little bit more about old JP
- 33:16Speaker 1: Getty the patriarch, to learn why things went down the
- 33:20Speaker 1: way they did. But we can't wait for you to
- 33:22Speaker 1: hear it. Thank you for joining us, folks. As always,
- 33:24Speaker 1: thanks to our super producer, Mr Max Williams. Max, you're
- 33:28Speaker 1: not secretly a Getty, are you, because you've been asking
- 33:31Speaker 1: all the money in the world. You guess weird timing
- 33:34Speaker 1: with the chuckles today, I mean Maxwell James Williams Getty. Yeah,
- 33:38Speaker 1: I mean, there's no hyphen. They end up my last name,
- 33:40Speaker 1: you son of like the third Esquire Junior Senior. I mean,
- 33:44Speaker 1: I think the thing we've learned from this episode though,
- 33:46Speaker 1: is don't name your children Junior and third and because
- 33:51Speaker 1: if down the road some one does a podcast about you,
- 33:54Speaker 1: it just gets messy, right, Like Gabriel Garcia Marquez is
- 33:57Speaker 1: hundred years of Solitude, which is a great look like that,
- 34:02Speaker 1: like that House of Dragons business. Yeah, yeah, well that's
- 34:06Speaker 1: also just a matter of casting. You know, a lot
- 34:09Speaker 1: of a lot of those people look very similar, I'm thinking, yeah,
- 34:12Speaker 1: but also even the ones with different names, their names
- 34:15Speaker 1: sound similar. Yeah. You know, you've got Raineri's, You've got
- 34:19Speaker 1: Ray and Thees you've got you know, we can just
- 34:21Speaker 1: make up. You know, you'll be like Valerio and they'll say, oh,
- 34:29Speaker 1: I think I remember him, Yeah Valerio, right, Vali Hi. Yeah.
- 34:34Speaker 1: So so with with that name confusion aside, we are
- 34:38Speaker 1: sticking to some nicknames for these folks. But this is
- 34:41Speaker 1: an important story and we can't wait to explore it
- 34:44Speaker 1: with you. Thanks also to our own, our own Balthazar
- 34:49Speaker 1: Jonathan Strickland ak the Quister. Uh let's see who else.
- 34:53Speaker 1: Thanks to East Jeff Cot, Alex Williams, who composed this
- 34:56Speaker 1: slamming track. Alex Williams. Indeed, Christopher rastiotis here in spirits
- 35:02Speaker 1: the ghost of John Paul Getty Junior Senior, Maxwell Esquire
- 35:11Speaker 1: Tally hot to Yeah, tell you, who do you? The
- 35:15Speaker 1: kidnappers are calling me when I gotta go. Okay, okay,
- 35:18Speaker 1: We'll see you next happix. For more podcasts for my
- 35:27Speaker 1: heart Radio, visit the I Heart Radio app, Apple podcast,
- 35:29Speaker 1: or wherever you listen to your favorite shows