Latest / Ridiculous History / Mark Twain Was a Terrible Investor, Part One: The Legend of "Josh"
Transcript
- 0:00Speaker 1: Ridiculous History is a production of iHeartRadio. Welcome back to
- 0:27Speaker 1: the show, fellow Ridiculous Historians. Thank you, as always so
- 0:31Speaker 1: much for tuning in. Let's give it up for our
- 0:33Speaker 1: super producer, mister Max Williams, who is.
- 0:37Speaker 2: Back alive again. Woo hoo, I'm here y'all.
- 0:40Speaker 3: Oh wait, it said barely a live a minute ago.
- 0:43Speaker 3: You've updated. You've updated your non de de zoom. Ah,
- 0:47Speaker 3: that should be a thing.
- 0:48Speaker 4: I'm gonna zoom. That's a good one.
- 0:49Speaker 3: I'm sorry that hasn't already been coined. I take credit
- 0:52Speaker 3: fully right now.
- 0:53Speaker 1: No, that's a great one. Yeah, it's on record now.
- 0:55Speaker 1: We call that the poor Man's patent or the poor
- 0:58Speaker 1: man's trademark. We said it publicly. That's Noel Brown.
- 1:02Speaker 4: That Library of Congress, Patent Office whatever.
- 1:05Speaker 1: Yeah, that's Noel Brown right there, coming in with the
- 1:09Speaker 1: hot trademarks. I am Ben Bollen, and today, folks, we
- 1:13Speaker 1: are back on our completely self inflicted mission to make
- 1:18Speaker 1: at least one episode about every state in these United States.
- 1:24Speaker 1: And I looked at the I looked at the files. NOL,
- 1:27Speaker 1: we're doing pretty well.
- 1:29Speaker 3: Oh yeah, guys, how far how deep are we into
- 1:32Speaker 3: these United States?
- 1:33Speaker 1: Well, luckily, our pal Max has made a handy spreadsheet
- 1:38Speaker 1: which is no offense classic Max it is.
- 1:40Speaker 4: It's called States breadsheets.
- 1:42Speaker 2: And I'm a nerd, and I.
- 1:43Speaker 3: Thought these are the formulas and everything. One time I
- 1:46Speaker 3: accidentally copied over one and I immediately got an aggressive text.
- 1:51Speaker 5: Aggressive the risk modeling class in college, and I thought
- 1:55Speaker 5: I knew how to use Excel until I took a
- 1:57Speaker 5: risk modeling class.
- 1:58Speaker 2: I also learned that risk modeling is not yeah, easy subject.
- 2:02Speaker 1: Also, I've been I've been risky with models in the past.
- 2:10Speaker 4: We're gonna take that. We're gonna just sit with that one.
- 2:13Speaker 3: But Max is risk modeling something that might be helpful
- 2:16Speaker 3: in predicting the path of Hurricane Helene.
- 2:20Speaker 4: More.
- 2:20Speaker 1: Yes, yeah, yeah, I guess yeah, risk modeling. Risk modeling
- 2:24Speaker 1: is weaponized statistics.
- 2:26Speaker 5: Yeah, okay, yeah, it's very good at guessing how long
- 2:29Speaker 5: you will live.
- 2:29Speaker 4: Nol okay cool.
- 2:30Speaker 3: Yeah, well, yeah, hopefully we will all live through this storm.
- 2:33Speaker 3: We had some nasty rains yesterday. It looks like today
- 2:36Speaker 3: might not be quite as bad. But then starting tomorrow morning,
- 2:39Speaker 3: us being here in the metro Atlanta area, we might
- 2:42Speaker 3: see some catastrophic weather events.
- 2:44Speaker 1: So luck yeah, This is being recorded on Thursday, September
- 2:48Speaker 1: twenty sixth, just in case we don't make it through. Friday,
- 2:53Speaker 1: September twenty seventh is when the storm will hit Atlanta.
- 2:58Speaker 1: Our thoughts are, of course, with the people who are
- 3:01Speaker 1: more directly in the path are our good friends in
- 3:05Speaker 1: the southeast part of the United States, most particularly in Florida,
- 3:10Speaker 1: also all points below. So everybody, if you're hearing this,
- 3:14Speaker 1: congratulations you have survived the hurricane. We actually have been
- 3:19Speaker 1: backstage doing some horse trading to figure out the best
- 3:23Speaker 1: times to record because we often record remotely. So we
- 3:28Speaker 1: are very much and this is not to do with
- 3:31Speaker 1: Mark Twain. We are very much the equivalent of early
- 3:35Speaker 1: deep sea divers. When we record remotely. We have tubes,
- 3:40Speaker 1: just like deep sea divers had tubes connecting them to oxygen,
- 3:43Speaker 1: and our tubes are the Internet.
- 3:46Speaker 3: This is the most wonderful ask to get to elbow
- 3:50Speaker 3: analogy I could possibly imagine.
- 3:52Speaker 4: And I am here for a my friends, no bathospheres?
- 3:56Speaker 4: Well we could get some bath We'll check the budget.
- 3:59Speaker 4: How y'all have tubes?
- 4:00Speaker 2: I have a bathosphere?
- 4:01Speaker 4: Yeah? Was that?
- 4:01Speaker 1: Like?
- 4:02Speaker 2: Is that?
- 4:02Speaker 1: What?
- 4:02Speaker 4: Was that the same as a diving bell?
- 4:05Speaker 5: It's it's like the next step after a diving bell.
- 4:06Speaker 5: It's like a perfect circle when because of its shape,
- 4:09Speaker 5: the pressure of the sea.
- 4:11Speaker 4: Has a heart. Oh, it's the spaceman helmet, the underwater
- 4:14Speaker 4: space man.
- 4:14Speaker 1: No, no, like no, no, no, it's it's it's like
- 4:16Speaker 1: a it's like a tiny it's like the submarine version
- 4:21Speaker 1: of a capsule hotel.
- 4:22Speaker 4: Right.
- 4:23Speaker 3: And the diving bell was even more technologically simple than that.
- 4:28Speaker 4: It's just a bell.
- 4:29Speaker 5: It dropped down and it had oxygen in it, so
- 4:32Speaker 5: you could swim and.
- 4:33Speaker 3: It would just create a seal with the water, just
- 4:35Speaker 3: by the way science works, capillary action or some such.
- 4:39Speaker 2: You know who's a big fan of diving bells, Mark Twain.
- 4:42Speaker 1: Well, what we're saying is the bathosphere works because Mark
- 4:45Speaker 1: Twain did not invest in it. And and we're also
- 4:49Speaker 1: saying again just to show that analogy up, we want
- 4:53Speaker 1: to get this done as long as we have power here.
- 5:02Speaker 1: We have quite a few states uh still left to cover. Uh,
- 5:07Speaker 1: but we're actually on the other side of it, folks.
- 5:10Speaker 1: This is our Connecticut episode. Oh when I said quite
- 5:13Speaker 1: a few guys, incorrect, guys, we only have one, two, three, four, five.
- 5:19Speaker 3: Hey, can this also be a Missouri episode. We talk
- 5:22Speaker 3: about Missouri in this episode.
- 5:24Speaker 4: Let's double up on Missouri. Yeah, because yeah, well we'll
- 5:30Speaker 4: double up we actually episode Yeah at least three Yes.
- 5:34Speaker 1: Missouri, if you please, yes when we do, no, and
- 5:39Speaker 1: we'll we'll make this the fourth Wood as well as
- 5:41Speaker 1: our Connecticut episode. Connecticut known as the Constitution state where
- 5:47Speaker 1: our pal, our old alum, Trace Domingas from our discovery days.
- 5:53Speaker 4: Uh.
- 5:53Speaker 1: He recently moved to Connecticut, and he confirmed that a
- 5:56Speaker 1: Connecticut style pizza is a thing and be he said,
- 6:01Speaker 1: it's pretty great.
- 6:02Speaker 4: What may I ask? Is Connecticut style? Oh, I'm so
- 6:06Speaker 4: glad you asked.
- 6:07Speaker 1: Okay, so Connecticut style pizza is not the kind it's
- 6:11Speaker 1: not like, uh, you know, like deep dish Chicago pizza.
- 6:16Speaker 1: It's quite the opposite. It's a it's known for being
- 6:21Speaker 1: very thin crust and coal fired. Uh.
- 6:25Speaker 4: Sometimes I'll put clams on it. Okay, I'm here for that.
- 6:28Speaker 3: Is that a white pizza with like a creamy base
- 6:31Speaker 3: with clams or where clams on a red sauce base.
- 6:35Speaker 4: Yeah.
- 6:35Speaker 1: The the one that, uh, the one that Trace told
- 6:38Speaker 1: me about he had, well, we'll actually had to he
- 6:41Speaker 1: said one was just a plain sort of Neapolitan style pizza,
- 6:47Speaker 1: and then I think Trace or someone else had one
- 6:51Speaker 1: that was just olive oil, oregano, cheese, garlic, and clams.
- 6:57Speaker 3: So it's pretty good. Yeah, no tomato. I like that
- 7:01Speaker 3: really quickly. Not to derail too deep. But while we're
- 7:03Speaker 3: talking about pizza, have you guys heard of Pittsburgh style pizza. Yes,
- 7:08Speaker 3: it's hot, crispy pizza with cold toppings.
- 7:14Speaker 4: Yeah.
- 7:15Speaker 1: I have not tried it, you know, I was in
- 7:17Speaker 1: Pittsburgh a few years back. I haven't tried it, but
- 7:21Speaker 1: I wonder if it's like that. I wonder if it's
- 7:25Speaker 1: a normalization thing, like in Pittsburgh. Did they just call
- 7:28Speaker 1: it pizza? Did they not know about hot pepperoni and
- 7:32Speaker 1: stuff like that.
- 7:32Speaker 4: Yeah, I don't know.
- 7:33Speaker 3: I imagine they do just call it pizza. But yeah,
- 7:35Speaker 3: it's my buddy Theo, who's a burger.
- 7:38Speaker 4: He mentioned it.
- 7:40Speaker 3: He posted something up or maybe I saw a meme
- 7:41Speaker 3: about it that was implying that it was awful, and
- 7:44Speaker 3: I said it to him and he said, no, it's
- 7:45Speaker 3: actually great because the hotness of the crust kind of
- 7:48Speaker 3: slowly starts to melt the toppings.
- 7:50Speaker 4: But there's something.
- 7:51Speaker 3: About the combinations of textures and temperatures. That makes it
- 7:55Speaker 3: kind of pleasant. So I don't know who am I
- 7:57Speaker 3: to say, I'll try it. Yeah, we'll try I'll lot
- 8:00Speaker 3: of you.
- 8:00Speaker 1: Who else would try stuff? Mark Twain and Trace to
- 8:04Speaker 1: me is ed. Also, just to finish this part up,
- 8:08Speaker 1: if you like our show, you'll love Tracey's show. That's absurd.
- 8:11Speaker 1: Please elaborate available everywhere, give him a review. Televivie senta.
- 8:15Speaker 3: We should have Trace on the show. I haven't talked
- 8:17Speaker 3: to him in years. That'd be super cool.
- 8:19Speaker 4: Yeah. Yeah, and you should go at his show too, man,
- 8:21Speaker 4: I'd love to.
- 8:23Speaker 1: Our exploration tonight, as you can tell, is about a
- 8:28Speaker 1: guy named Samuel Langhorne Clemens. His street name is Mark Twain,
- 8:34Speaker 1: and we'll get to that in a second.
- 8:35Speaker 3: Yeah, I thought it was fog Horn Langhorn, that's what
- 8:37Speaker 3: I know. Langhorn's curious, isn't it. It's definitely a choice.
- 8:42Speaker 3: And wait till you hear his brother's name. Years back,
- 8:45Speaker 3: one of us took a trip to the Hartford, Connecticut
- 8:48Speaker 3: home of the Clemens clan for a time and it's
- 8:53Speaker 3: a very beautiful house. It's for the time in which
- 8:57Speaker 3: it was occupied by Mark Twain, it's kind of like
- 9:02Speaker 3: a Tony starkhouse, like as one of the first telephones.
- 9:07Speaker 3: It has cool gadgets in it, it's opulent. Uh, probably
- 9:12Speaker 3: a few hidden doors or secret passages. Maybe one of
- 9:14Speaker 3: those rollaway library cases that reveals some sort of secret
- 9:19Speaker 3: sex Dungeon.
- 9:20Speaker 4: I want that so bad.
- 9:21Speaker 1: And you I know what you're I know that why
- 9:23Speaker 1: that's on your mind because you and I are currently
- 9:27Speaker 1: lobbying pretty hard for one of our friends to just
- 9:31Speaker 1: do the right thing.
- 9:32Speaker 4: He's got the perfect space for it. He's got to
- 9:34Speaker 4: complete the secret pass It's not going to blow up
- 9:36Speaker 4: a spot. But no, no, you know who you are.
- 9:38Speaker 4: You know who you are. He doesn't listen to the show.
- 9:41Speaker 4: Cool guy, mansion, cool guy. Oh that's a joke for us.
- 9:47Speaker 4: It's for you. You will.
- 9:50Speaker 1: Yeah, millions of people tell us about your secret passages.
- 9:54Speaker 4: We'll tell you this.
- 9:55Speaker 1: Our buddy Sam was many things, right, Noel, He's uh,
- 10:00Speaker 1: what do you think of when you think of Mark Twain?
- 10:02Speaker 3: I think of books that kids were forced to read
- 10:08Speaker 3: that maybe had some things in it that were not great. Yeah, yeah,
- 10:14Speaker 3: I mean listen, I think obviously Mark Twain was a
- 10:17Speaker 3: great satirist. I mean, hew, there's a comedy award given
- 10:19Speaker 3: out in his name that is one of the most
- 10:22Speaker 3: prestigious awards in that particular business.
- 10:25Speaker 4: He was very funny, very prescient.
- 10:28Speaker 3: He obviously also was a product of his time, and
- 10:31Speaker 3: the way he depicted certain individuals in certain of his
- 10:35Speaker 3: books was not always great. But also, I don't know, man,
- 10:38Speaker 3: what is your take on the Huck Finn you know, conundrum, like,
- 10:42Speaker 3: do you think he actively was hostile towards black people
- 10:47Speaker 3: in his depiction or was he just depicting a time
- 10:50Speaker 3: and place and the language that was used in that
- 10:52Speaker 3: time and place.
- 10:54Speaker 1: Yeah, it's a you know, I studied. I was privileged
- 10:59Speaker 1: enough to study with Mark Twain's scholars back in the day,
- 11:02Speaker 1: and even they are divided on this, uh, but.
- 11:05Speaker 4: It was maybe a little divisive, yeah.
- 11:07Speaker 1: Because you know, you see things like Putt inhead Wilson,
- 11:11Speaker 1: But then you also see his clear I would say,
- 11:18Speaker 1: clear social battles for equality, yes.
- 11:21Speaker 4: And I for justice, one would argue.
- 11:23Speaker 3: I mean then the way the characters interact and the
- 11:25Speaker 3: way the plots kind of you know, progress.
- 11:28Speaker 1: Right, But part of his mother's dowry was three enslaved people.
- 11:33Speaker 4: No, yeah, I didn't know that one. Yeah, that's his mother.
- 11:36Speaker 3: Though he didn't inherit these enslaved people, did he he did,
- 11:39Speaker 3: he probably would have freed them.
- 11:41Speaker 1: Yeah, it's look. I love that you're pointing out. This
- 11:45Speaker 1: is a problematic thing. One of my favorite scholarly conspiracies
- 11:50Speaker 1: or interpretations of Huckleberry Finn in particular, is the idea
- 11:54Speaker 1: that huck was black. When we talked about that, I've
- 11:58Speaker 1: heard that take. Yeah, yeah, And.
- 12:01Speaker 3: Is there anything specifically in the language that indicates that
- 12:04Speaker 3: or is it kind of like why would he be
- 12:06Speaker 3: so vague about it, considering the way he described other black.
- 12:09Speaker 1: Characters, Right, Yeah, that's that's a big part of the discourse.
- 12:13Speaker 1: You know, what would be the motivation to sort of
- 12:17Speaker 1: disguise I guess, or to make it subtextual, sort of
- 12:22Speaker 1: like how JK. Rowling came out years later and said
- 12:25Speaker 1: Dumbledore is gay or whatever.
- 12:29Speaker 4: Okay, okay, right, it seems a little self serving.
- 12:32Speaker 3: No, I don't know, though, She's she's like kind of
- 12:35Speaker 3: nothing so far right with her turf stuff that I
- 12:39Speaker 3: can't imagine you really need a pr win in that respect.
- 12:43Speaker 3: But maybe she came out with that information before she
- 12:45Speaker 3: kind of went down the rabbit hole.
- 12:47Speaker 4: I don't know who knows man? Anyway, this is great,
- 12:51Speaker 4: right right? Right?
- 12:53Speaker 1: Doesn't not our not our favorite person. Our favorite person
- 12:57Speaker 1: is obviously Jonathan Strickland, our number one. But so look,
- 13:02Speaker 1: Mark Twain, amazing author, pivotal figure in literature, an American
- 13:08Speaker 1: success story for many. He should have edited his autobiography.
- 13:14Speaker 1: I read it. I'm gonna save everybody some time. It
- 13:18Speaker 1: needed revision. But for our purposes today, Noel Mark Twain.
- 13:24Speaker 1: Samuel Clemens is a dude who really really wanted at
- 13:28Speaker 1: his heart to be a venture capitalist, and he just
- 13:32Speaker 1: got beat me here, Max. He just got shit wrong
- 13:36Speaker 1: nearly every single time.
- 13:38Speaker 3: Well, it just goes to show there are different kinds
- 13:41Speaker 3: of smarts, you know, there are different sets of skill.
- 13:45Speaker 3: Just because you're a wildly successful author and sadder as
- 13:49Speaker 3: does not necessarily mean you have the chops or the
- 13:52Speaker 3: acumen to make smart business decisions.
- 13:55Speaker 4: We see this throughout history.
- 13:57Speaker 1: Agreed and well said in the Origin story, So our
- 14:02Speaker 1: pal Sam begins his life in a town called and
- 14:05Speaker 1: get this and know all this confused me Florida, Missouri.
- 14:09Speaker 4: That's not real. I mean it's yeah, okay, it's real.
- 14:14Speaker 3: It's a weird choice though, right, does that mean we
- 14:16Speaker 3: can make this our Florida episode?
- 14:19Speaker 4: Ye Have we done a Florida episode? YEA, surely yeah.
- 14:22Speaker 4: I'm not looking at the spreadsheet.
- 14:24Speaker 5: I'm just gonna jump in here. Is like one of
- 14:26Speaker 5: the most done states we have ever done.
- 14:28Speaker 4: Because of the sunshine laws. Probably lots of info about
- 14:32Speaker 4: in Florida.
- 14:32Speaker 5: Florida and kick him right now, they're gonna hit it
- 14:35Speaker 5: with a hurricane. So everyone Florida, hope you're safe. But
- 14:38Speaker 5: also Florida there's a lot of ridiculous history topics.
- 14:40Speaker 4: Oh yeah, they know, they know.
- 14:42Speaker 3: Floridians know, yes, and the ones that don't know are
- 14:45Speaker 3: probably part of the problem.
- 14:47Speaker 1: So for when we save Floridians, we mean both people
- 14:51Speaker 1: in the state of Florida and in the town of Florida, Missouri,
- 14:54Speaker 1: where Sam was born as Samuel Clemens. This is the thirtieth,
- 15:01Speaker 1: eighteen thirty five, but he ends his life in Connecticut
- 15:06Speaker 1: on April twenty first, nineteen ten, and he is known
- 15:10Speaker 1: as Mark Twain at this point. People often call him
- 15:15Speaker 1: Mark in his real life, and there's a poetry to
- 15:18Speaker 1: it because when he's born November thirtieth, eighteen thirty five,
- 15:22Speaker 1: do you remember another heavenly event that I heard.
- 15:26Speaker 4: It's wild man.
- 15:27Speaker 3: It happens the beginning and the end of this man's life,
- 15:29Speaker 3: the passage of Haley's comment.
- 15:32Speaker 4: Heralding the literary genius that is it was Mark Twain.
- 15:38Speaker 1: It's so nuts, just the timing on it.
- 15:41Speaker 4: I mean, it's a coincidence.
- 15:43Speaker 1: I'm sure statistically there were a lot of other people
- 15:47Speaker 1: who were born and passed away around the same time.
- 15:51Speaker 1: I don't know, man, it freaks me out a little
- 15:54Speaker 1: bit because I like, you know, back back in ancient times,
- 16:00Speaker 1: children born during eclipses or other heavenly events like the
- 16:05Speaker 1: passage of a comet were considered somehow different demonic.
- 16:10Speaker 3: Sometimes yeah, yeah, you say different, I say demonic potato patade.
- 16:14Speaker 3: But I mean sometimes they work like, you know, literally
- 16:18Speaker 3: abandoned in the woods or something because people were scared
- 16:21Speaker 3: that they were possessed or something.
- 16:23Speaker 1: Or they were considered holy. It was also an option. Yes, yes,
- 16:28Speaker 1: I thought you was like this. I was looking back
- 16:31Speaker 1: through notes on Mark Twain, and he is often described
- 16:34Speaker 1: as a sickly mischievous child.
- 16:38Speaker 3: Well, when you're sickly, you're not out there, you know,
- 16:40Speaker 3: playing the stickball with the other boys. You got to
- 16:43Speaker 3: get up to some Tom Tom Sawyer foolish you know,
- 16:48Speaker 3: like tricking people to paint your fence and whatnot, getting
- 16:51Speaker 3: out of your chores because you're so sickly you can
- 16:53Speaker 3: barely lift the paint brush with your little weedy arm.
- 16:55Speaker 1: But you'll feed somewhere in an apple to paint it
- 16:58Speaker 1: for you. Yeah. Oh wait, I gotta I flipped that
- 17:04Speaker 1: the guy gives his apple away to paint the defense.
- 17:07Speaker 4: It's very weird. It's a weird one.
- 17:10Speaker 1: It's a it's a cool insult though for the future,
- 17:13Speaker 1: right for the present day. Can you imagine calling an
- 17:16Speaker 1: adult like like you're disagreeing with someone over what pizza
- 17:21Speaker 1: do'll order Pittsburgh or Connecticut? And then when you get
- 17:24Speaker 1: in the disagreement, you.
- 17:26Speaker 4: Go you are a sickly mischievous child. Yeah.
- 17:29Speaker 3: Indeed, anytime you call an adulted child, that's them fighting words.
- 17:33Speaker 3: But he, you know, I would argue that he based
- 17:36Speaker 3: some of the the Shenanigans of Tom Sawyer on himself.
- 17:40Speaker 4: He would often, you know, kind.
- 17:42Speaker 3: Of a Dennis the Menace character, probably carried a sling
- 17:44Speaker 3: shot around and is in the back pocket of his
- 17:46Speaker 3: overalls with his shirt on underneath you know, totally one
- 17:49Speaker 3: of those kids to goy bary Bart Simpson ask could
- 17:52Speaker 3: probably shred on the skate on a skateboard too.
- 17:54Speaker 4: No, that wasn't a thing then. But his parents were.
- 17:57Speaker 3: They were tested, Ben, they were really tested by young
- 18:01Speaker 3: Samuel l so.
- 18:02Speaker 4: Sickly, so mischievous.
- 18:11Speaker 1: It's strange because his father is Petrophamilius, was in many
- 18:16Speaker 1: ways a polar opposite, at least on the surface of
- 18:20Speaker 1: what his son would become. Sam was known for his
- 18:26Speaker 1: rapacious wit and humor later in life became a famous
- 18:30Speaker 1: author based off that. But his dad, John Clemens, was
- 18:35Speaker 1: kind of a hard case. Yeah, he wasn't the most
- 18:40Speaker 1: humorous of fellows. Pretty serious cat, very dour. For being honest,
- 18:47Speaker 1: he was probably a little bit underwater, not to use
- 18:51Speaker 1: more nautical terms, but like with finances and with just
- 18:55Speaker 1: the overwhelming pressure of raising a family amidst some problems
- 19:00Speaker 1: admittedly of his own making, involving poor investments and failing businesses,
- 19:06Speaker 1: which may have been where sold Sam got his investment
- 19:11Speaker 1: shops or lack thereof. Right, how far does the apple
- 19:16Speaker 1: fall from the tree, How far does the page fall
- 19:19Speaker 1: from the printing press? It's eighteen thirty nine, and our
- 19:22Speaker 1: buddy Sam is not quite around three years old. And
- 19:27Speaker 1: because of his father's failed business ventures, they moved to
- 19:33Speaker 1: a port town called Hannibal, which is along the Mississippi River.
- 19:37Speaker 4: The Mighty Mississippi. Yeah, and this.
- 19:41Speaker 1: Is where our pal Sam sees the highs and lows
- 19:45Speaker 1: of American business. And this also, I think forges the
- 19:50Speaker 1: experiences that inform a lot of his fiction. Like you
- 19:54Speaker 1: were saying earlier that Tom saw your stuff Huckleberry Finn
- 19:58Speaker 1: and even his his name, And I love the point
- 20:02Speaker 1: you make that later in life Sam Sam agrees with
- 20:07Speaker 1: what we're saying. He says his father's unending ambition gave
- 20:12Speaker 1: him this fundamental, if incorrect belief in one day making
- 20:18Speaker 1: it through business.
- 20:20Speaker 4: Uh.
- 20:20Speaker 1: He he talked about it. It's what we would call
- 20:23Speaker 1: either the American dream or a pipe dream.
- 20:27Speaker 5: Uh.
- 20:27Speaker 1: His dad always told them, even unto his father, John's death,
- 20:32Speaker 1: he told them, I bought this land in Tennessee, and
- 20:35Speaker 1: this is going to make our family dynasty. Yeah.
- 20:39Speaker 4: Oh, let's say they're kind of rhymed, Ben not about
- 20:43Speaker 4: to make a family.
- 20:45Speaker 3: I can imagine that as a little ditty Tom Sawyer
- 20:48Speaker 3: might have saying walking down the road, with his bendle
- 20:50Speaker 3: and a stick and bendle or whatever he had one
- 20:52Speaker 3: of those. Surely he was sort of a roguish hobo.
- 20:55Speaker 4: Kid, wasn't he. Well, I guess that was more hug Finn.
- 20:58Speaker 4: But they went on adventures.
- 21:00Speaker 3: What are the Disney Live Action Adventures of Huckleberry Finn
- 21:04Speaker 3: starring Elijah Wood? Yes, I do, very young Elijah as
- 21:11Speaker 3: Tom Sawyer and brad Renfro who as as Huck Finn.
- 21:16Speaker 3: Brad Renfrow who would go on to play the titular
- 21:19Speaker 3: bully character in the Larry Clark very upsetting film Bully
- 21:25Speaker 3: about a bully that's brad Renfro and brad Renfrow sadly
- 21:31Speaker 3: real bad struggles with drugs and alcohol, and I believe
- 21:34Speaker 3: he ended up overdosing and passing away. Sorry, didn't mean
- 21:37Speaker 3: to bring the mood down. That movie sticks in my
- 21:40Speaker 3: in my mind. There was even another one, I think
- 21:42Speaker 3: with Jonathan Taylor Thomas of of of Home Improvement Fame
- 21:48Speaker 3: playing Tom Sawyer. Anyway, Sorry, all this missmash of pop
- 21:51Speaker 3: culture kind of it haunts me, Ben, which.
- 21:54Speaker 1: Shows us, which shows us the impact that Mark Twain
- 21:57Speaker 1: had American zeitgeist.
- 22:00Speaker 3: Percent and you know I'll tell you what my you know,
- 22:01Speaker 3: have Tom Sawyer. That whole mythos is probably what he's
- 22:05Speaker 3: most known for. But I always really enjoyed a Connecticut
- 22:08Speaker 3: Yankee in King Arthur's Court. It was kind of an
- 22:11Speaker 3: early sort of like butterfly effect time travel back to
- 22:15Speaker 3: the future. I mean, there would be no back to
- 22:17Speaker 3: the future were it not for Connecticut Yankee in King
- 22:20Speaker 3: Arthur's Court.
- 22:22Speaker 4: Hot take. But I like it. I like it. I
- 22:25Speaker 4: like I like when your takes are fresh baked like that. Yeah,
- 22:28Speaker 4: this is Yeah, I'm nothing fresh baked.
- 22:33Speaker 1: This is pipe it hot because yeah, we reference I
- 22:38Speaker 1: reference it. I think you do as well. Connecticut yanking
- 22:41Speaker 1: King Arthur's Court to do many times. Yeah, film, it's
- 22:46Speaker 1: a and it's a great read. Uh, it holds up. Uh,
- 22:50Speaker 1: it's it is satirical, but I reference it often with
- 22:55Speaker 1: critical thinking and blissfully short and yes, and not near
- 23:01Speaker 1: as overlong as his multi volume autobiography.
- 23:06Speaker 3: But Ben, you were setting up a quote that I
- 23:07Speaker 3: think is very pertinent here about his sort of mentality
- 23:12Speaker 3: going into what will ultimately be his business undoing.
- 23:16Speaker 1: Yeah, as we're setting this up again, we're talking about
- 23:20Speaker 1: this pipe dream mentality here is something he wrote?
- 23:24Speaker 4: Could you could you give it to us in a voice?
- 23:27Speaker 4: Oh gosh, that's the or you know your own voice
- 23:30Speaker 4: is fine? Do we have record we have?
- 23:32Speaker 3: Surely there were recordings of Samuel Clements reading his own work.
- 23:36Speaker 4: Right, he kicked it with Tesla pretty hard.
- 23:39Speaker 3: I mean it would have been early days of like,
- 23:42Speaker 3: I'm sorry, I'm getting the timeline twisted in my head.
- 23:45Speaker 3: But is there footage? And is there is there audio
- 23:50Speaker 3: of Mark Twain speaking?
- 23:52Speaker 4: There are no.
- 23:55Speaker 1: There are no audio recordings that have been discovered. I
- 23:59Speaker 1: think there is a There is a piece of silent
- 24:03Speaker 1: film that was made by Thomas Edison.
- 24:06Speaker 4: Okay, Oh, well.
- 24:08Speaker 3: Edison would have been the one who would have done
- 24:09Speaker 3: the audio recording too, So I guess we're kind of
- 24:11Speaker 3: right on the cusp there of like early wax cylinder
- 24:15Speaker 3: type recording technology here Twain tried to make audio books
- 24:20Speaker 3: and jumping ahead a little bit.
- 24:22Speaker 1: In eighteen ninety one, he tried to record one of
- 24:27Speaker 1: his novellas on the wax cylinders used in phonographs, but
- 24:31Speaker 1: he just kept messing up, and.
- 24:33Speaker 3: So okay, so it wasn't outside of the realm of possibility.
- 24:36Speaker 4: This would have happened. It just didn't come to fruition.
- 24:39Speaker 1: Yeah, he did record, if I recall correctly, he recorded
- 24:43Speaker 1: something in nineteen oh nine in Thomas Edison's lab. But
- 24:48Speaker 1: then there was a fire in nineteen fourteen. And as
- 24:51Speaker 1: we said previously, you know a lot of that stuff
- 24:54Speaker 1: is notoriously flammable.
- 24:57Speaker 3: So how about that not for lack of the technology.
- 25:01Speaker 3: He literally just was the victim of some bad luck. Yeah,
- 25:06Speaker 3: in the eighteen this was almost nineteen hundred, he did
- 25:10Speaker 3: record with Thomas Edison, You're dead right, and they burned
- 25:13Speaker 3: up in a fire. So we'll just have to go
- 25:15Speaker 3: with the popular, I guess depiction of Mark Twain's voice,
- 25:20Speaker 3: which is sort of something like this. I say, I say,
- 25:23Speaker 3: I say, I put our energies to sleep and made
- 25:25Speaker 3: visionaries of us dreamers and indolent.
- 25:28Speaker 4: It is good to begin laugh poor, It is good
- 25:31Speaker 4: to begin laugh rich.
- 25:32Speaker 3: These are wholesome, But to begin it prospectively rich.
- 25:36Speaker 4: The man who has not experienced it cannot imagine the
- 25:39Speaker 4: curse of it. I say, I say, I say, I
- 25:42Speaker 4: think that Langhorn got to you. I think it did.
- 25:44Speaker 4: I don't know.
- 25:45Speaker 3: I really he is sort of characterized as having you know,
- 25:49Speaker 3: a southern drawl.
- 25:51Speaker 4: Yeah, a little right, I tell yeah, Mark Twang, there
- 25:55Speaker 4: it is there, it is. Can we unpact this? Though?
- 25:58Speaker 4: This is a little dense. Honestly, the language here, well,
- 26:01Speaker 4: the idea is this.
- 26:04Speaker 1: It kind of echoes the poetry of Robert Browning, right,
- 26:08Speaker 1: like a man's reach should exceed his grasp? Or what's
- 26:12Speaker 1: a heaven for?
- 26:12Speaker 4: Dream big? Right? Dream big? Very American?
- 26:16Speaker 1: He said, Look, if you begin life poor, okay, that's
- 26:22Speaker 1: part of America. If you begin life wealthy, awesome, you
- 26:26Speaker 1: won the lottery. But if you begin it addicted to
- 26:30Speaker 1: the dream that you will one day be successful, then
- 26:34Speaker 1: you are cursed. That's what he's saying. He's saying he's
- 26:37Speaker 1: always chasing this dragon of financial success.
- 26:42Speaker 4: Dude. We've had this conversation before too.
- 26:44Speaker 3: I mean, it's sort of I think maybe a modern
- 26:46Speaker 3: equivalent of this is more money, more problems, where if
- 26:50Speaker 3: you are constantly striving for the next thing, you will
- 26:53Speaker 3: never truly be happy with what you have. And one
- 26:57Speaker 3: could argue that therein lies the nature of ambition and
- 27:01Speaker 3: it's not inherently a bad thing, but not necessarily the
- 27:05Speaker 3: makings of a happy life.
- 27:07Speaker 1: Yeah, and this is a feeling familiar to almost anyone
- 27:11Speaker 1: in the world these days who's grown up in less
- 27:14Speaker 1: than ideal circumstances. It's a fundamental and at times dangerous
- 27:19Speaker 1: mix of ambition and insecurity, and this mix followed him
- 27:24Speaker 1: like a shadow all the days of his life. He
- 27:28Speaker 1: did get into he did get into technology from early days.
- 27:35Speaker 1: He started as an apprentice to a printer, which meant
- 27:39Speaker 1: he worked as a type setter, and we talked about
- 27:42Speaker 1: printing presses before. A type setter's job was kind of
- 27:47Speaker 1: like tetris. I think it suited to a certain type
- 27:50Speaker 1: of type organization of the personality.
- 27:54Speaker 4: Yeah. Yeah, everything in its right place.
- 27:57Speaker 3: People who are good at packing vans, you know, like
- 28:00Speaker 3: moving devices and such.
- 28:02Speaker 4: Is that a radiohead quote everything and it's right.
- 28:04Speaker 3: Everything in it's everything in its right place is definitely
- 28:07Speaker 3: a radio So it's also again, I think we mentioned
- 28:10Speaker 3: it on our recent episode on Robot Servants on stuff
- 28:12Speaker 3: they don't want you to know. Something Rosy, the robot
- 28:15Speaker 3: in the Jetsons universe said when she went totally bananas,
- 28:19Speaker 3: and so you just go up place for everything and
- 28:21Speaker 3: everything in its place, a place for everything and everything
- 28:23Speaker 3: in its place, and then proceeded to like psychotically organize
- 28:27Speaker 3: the Jetsons home.
- 28:28Speaker 1: And as we know, all Radiohead songs are ultimately fan
- 28:33Speaker 1: fiction about the Jetsons or interpretations thereof. You'll have to
- 28:37Speaker 1: take our word for it, folks, just read the lyrics
- 28:40Speaker 1: and watch the Jetsons. This is where we introduce the
- 28:45Speaker 1: older brother. I know you'll love this name. After apprenticing
- 28:49Speaker 1: as a type setter, he Sam gets one of his
- 28:53Speaker 1: first writing gigs, working for his older brother's newspaper. His
- 28:58Speaker 1: brother's name a riot Clement's. Ryan is such.
- 29:02Speaker 4: A cool name. Okay, oh Ryan? Yeah, like the constellation.
- 29:06Speaker 4: Do you think people were lazy and just called him Ryan?
- 29:09Speaker 4: For sure?
- 29:09Speaker 3: Just getting getting rid of the O, which is such
- 29:11Speaker 3: a helpful shortening.
- 29:13Speaker 4: Or is kind of cool or he's cool?
- 29:17Speaker 1: Yeah, I think orion has a gravitas to it though,
- 29:22Speaker 1: Oh it does.
- 29:23Speaker 4: Yeah, it's dare we say, Heavenly? There we go.
- 29:27Speaker 1: So let's go to Uh there's a mystery about his
- 29:30Speaker 1: name too. While we're While we're here at this moment
- 29:33Speaker 1: in Sam's life. Later he becomes a riverboat pilot, right
- 29:37Speaker 1: we're still in the Mississippi. Uh. This informs the numb
- 29:41Speaker 1: de plume he's known by today. Mark Twain was a
- 29:45Speaker 1: phrase that Mississippi riverboat folks yelled out when their ships
- 29:50Speaker 1: hit two fathoms of water.
- 29:53Speaker 3: Kind of like timber when a tree is about to fall,
- 29:57Speaker 3: Does it make a sound?
- 29:59Speaker 4: I don't know where you there? You tell me? Yeah?
- 30:02Speaker 1: And now, Sam, it's kind of like some of our
- 30:07Speaker 1: own relatives. Never the type of guy to let a
- 30:10Speaker 1: good story get in the way of the facts.
- 30:13Speaker 4: I think I've said that of my mother. So yeah.
- 30:18Speaker 1: So later scholars would look into his claims about how
- 30:22Speaker 1: he got its name, how he got this name, this
- 30:25Speaker 1: street name, and it didn't measure up to the banger
- 30:28Speaker 1: mythology he created for himself. And when people asked him
- 30:32Speaker 1: about it in his lifetime and said, hey, you've told
- 30:36Speaker 1: several different stories about how you got this name, you
- 30:40Speaker 1: know what, he called him dude. He called these narratives
- 30:43Speaker 1: improved facts.
- 30:46Speaker 4: Gosh, Donald Trump, would I love this cat? Oh? Gosh,
- 30:50Speaker 4: that disturbs me. Yeah, I don't know, I don't know.
- 30:53Speaker 3: It isn't that funny though, where like exaggerating a story
- 30:56Speaker 3: is one thing, it's not considered like egregious or like deceptive,
- 31:01Speaker 3: but just a little pushing a little further and depending
- 31:05Speaker 3: on the type of story, it does kind of become
- 31:07Speaker 3: propagandistic fake news. And again not being political here at all,
- 31:11Speaker 3: just talking about the nature of discourse and like the
- 31:14Speaker 3: idea of changing the facts to suit your narrative. If
- 31:17Speaker 3: it's something innocuous, it's a story about the time that I,
- 31:21Speaker 3: you know, fought a shark in the ocean that hasn't
- 31:25Speaker 3: hurt anybody. But if it then becomes about others and
- 31:27Speaker 3: cultural stuff and different things that can have impacts on,
- 31:30Speaker 3: you know, the way people behave socially and voted stuff,
- 31:34Speaker 3: it can really be dangerous.
- 31:35Speaker 4: So I don't know. Mark Twain seems to have been
- 31:38Speaker 4: aware of that. He does.
- 31:40Speaker 1: And let's let's get into how he got this name,
- 31:44Speaker 1: because we kid you not. Mark Twain's first pseudonym was
- 31:50Speaker 1: not Mark Twain.
- 31:57Speaker 4: Wasn't it like Steve or something? So okay, here's the
- 32:01Speaker 4: real sort.
- 32:02Speaker 1: His elder brother O'Ryan was a big campaigner for an
- 32:05Speaker 1: amateur wrestler, real up and comer, Abraham Lincoln.
- 32:09Speaker 4: Yeah you're joking. Oh sorry, sorry, I never mind. Okay,
- 32:12Speaker 4: you're doing the thing, you're doing the bit I got it.
- 32:14Speaker 4: I was picturing him being like an early MMA promoter.
- 32:17Speaker 1: You know that's amazing, like a early Oh gosh, there's
- 32:20Speaker 1: a Netflix documentary out on Vince McMahon.
- 32:25Speaker 3: You know what, that guy's just batshit enough to warrant
- 32:28Speaker 3: me watching a documentary about him.
- 32:31Speaker 4: The interview, I mean, the meme alone that he gave
- 32:35Speaker 4: the world as a guest the Galaxy Brain.
- 32:37Speaker 1: Yeah, money, Yeah, and also that's a McMahon's different thing.
- 32:42Speaker 1: We are very aware of everything you're thinking about as well.
- 32:45Speaker 4: Folks.
- 32:46Speaker 1: When you hear us reference that person, check out the documentary.
- 32:50Speaker 1: He disowned it, which makes it interesting to watch.
- 32:53Speaker 3: Boy does it ever? I mean, but let's just say
- 32:55Speaker 3: at the very least, also.
- 32:57Speaker 4: Probably not the greatest of guys.
- 33:00Speaker 1: Yeah, A hot takes a plenty. I'm gonna say, I
- 33:04Speaker 1: don't want to hang out with Actually, we know people
- 33:07Speaker 1: who worked with him in some capacity, and they also
- 33:13Speaker 1: had things to say.
- 33:15Speaker 4: So all right.
- 33:17Speaker 1: So Abraham Lincoln, amateur wrestler, another American success story, goes
- 33:21Speaker 1: on to succeed in politics a bit and as as
- 33:26Speaker 1: a result.
- 33:27Speaker 4: Failed upward kind of you know, great, So as.
- 33:32Speaker 1: A result of Lincoln's success, this is still very much
- 33:36Speaker 1: the spoils of war kind of approach to politics. Sure,
- 33:40Speaker 1: So Orion Clemens becomes the Secretary of the Nevada Territory
- 33:46Speaker 1: as just a gift bag, a swag bag for supporting Lincoln.
- 33:52Speaker 4: That's right.
- 33:52Speaker 3: And the largest town in the Nevada Territory was another
- 33:57Speaker 3: interestingly named for.
- 33:58Speaker 1: The city, So in the Nevada taris exactly. Yeah, Florida, Missouri,
- 34:04Speaker 1: Virginia City.
- 34:05Speaker 4: Virginia City. Makes you wonder if.
- 34:07Speaker 1: Mark Twain actually knew where he was going.
- 34:10Speaker 3: So, having a bit of an in with his brother Orion. Sorry,
- 34:14Speaker 3: whatever I think Orion. I think of two things. I
- 34:16Speaker 3: think of the classic film company Orion that I'll like,
- 34:22Speaker 3: you see the logo with like the classic font. And also,
- 34:25Speaker 3: I don't know, in my head, I'm going oh oh
- 34:27Speaker 3: oh Orian, like the O'Reilly thing. Sorry, I just had
- 34:31Speaker 3: to say that out loud so it would stop haunting me.
- 34:34Speaker 3: But yeah, So Sam's got a bit of an in
- 34:36Speaker 3: with his brother. He heads out west, tagging along with Orion,
- 34:42Speaker 3: and he gives mining a shot. These were the days
- 34:45Speaker 3: where people were lighting out for the territories. As they say,
- 34:48Speaker 3: was it wouldn't this have been? This is gold rush time, right,
- 34:52Speaker 3: This is a little different. Maybe this is more like
- 34:54Speaker 3: a run on resources or trying to like, you know,
- 34:57Speaker 3: get mineral rights and things like that.
- 34:59Speaker 1: Right, yeah, yeah, just like his dad bought that land
- 35:03Speaker 1: in Tennessee partially for mineral rights.
- 35:08Speaker 3: This is a same rush of sorts, though not the
- 35:11Speaker 3: historic gold rush that I was referring to.
- 35:13Speaker 1: He has the he has the idea that he's going
- 35:17Speaker 1: to get in on this silver mining industry. He was
- 35:22Speaker 1: terrible at it. He was unsuccessful. He did it was
- 35:27Speaker 1: not a smart move on his part, or he was
- 35:30Speaker 1: just unlucky.
- 35:31Speaker 4: Again.
- 35:31Speaker 1: But while Sam Clemens is here, he gets this reputation
- 35:37Speaker 1: as almost a local celebrity because he's known as a
- 35:41Speaker 1: lively storyteller, a great conversationalist, which is all tracks, which
- 35:46Speaker 1: really just means you're good at listening, and he is.
- 35:50Speaker 1: He is a local humor columnist. He's a humorist and
- 35:56Speaker 1: some of the things he writes are eventually published in
- 35:59Speaker 1: the main newspaper of Virginia City, the Territorial Enterprise. He
- 36:04Speaker 1: did not use his real name. He did not use
- 36:07Speaker 1: his famous fake name beat me again, Max, we should
- 36:11Speaker 1: be not. His first pseudonym in print was Josh Okay.
- 36:16Speaker 4: I was close. What did I say? Steve Josh Josh
- 36:20Speaker 4: oh Man. Why is that? I think it's just because he.
- 36:23Speaker 3: Looms so large, you know, in our cultural kind of
- 36:27Speaker 3: collective memories, Josh just seems so diminutive compared to the
- 36:32Speaker 3: larger than life persona that is Mark Twain.
- 36:35Speaker 1: I've just said pictory, like a pictory, like a Connecticut
- 36:39Speaker 1: yankee in King Arthur's Court by Josh.
- 36:42Speaker 4: It was just Josh like like Madonna. Yeah, it was.
- 36:45Speaker 4: It was a single name because columns. That's hilarious. I
- 36:50Speaker 4: have a quick question for you, Ben, I put it
- 36:52Speaker 4: to you.
- 36:53Speaker 3: Is it appropriate for someone to call themselves a humorist
- 36:57Speaker 3: or is that a title that needs to be bestowed
- 37:01Speaker 3: by others. I think it needs to be bestowed by others,
- 37:05Speaker 3: if I'm being completely honest, I.
- 37:07Speaker 4: Like, you don't get to say that you're funny.
- 37:09Speaker 3: I think it requires input from a third party to
- 37:13Speaker 3: decide whether someone is funny or not.
- 37:15Speaker 1: That's the reason there's a Mark Twain Award. Right, If
- 37:18Speaker 1: you call yourself a humorist, it feels like a dick
- 37:23Speaker 1: move a little bit. Yeah, I think so too. Okay, cool,
- 37:27Speaker 1: So we got that out of the way. Josh. Back
- 37:31Speaker 1: to Josh. Yeah, in his defense, been.
- 37:34Speaker 3: You pointed this out in your excellent research brief for
- 37:37Speaker 3: this episode, these episodes, I don't know. Josh is also
- 37:43Speaker 3: a kind of a bit of a du blontolder, right, Josh,
- 37:48Speaker 3: I'm just Josh and ya you know, so he knew,
- 37:51Speaker 3: he knew. So he was already kind of in the
- 37:54Speaker 3: persona building game.
- 37:56Speaker 4: Yeah.
- 37:57Speaker 1: Yeah, because Josh in English, a special American English, is
- 38:01Speaker 1: both a proper name and like you said, no, it's
- 38:04Speaker 1: a verb for joking.
- 38:07Speaker 4: I'm just joshing. You just joshing around, buddy.
- 38:10Speaker 1: So this his onion level, cracked article level things, got
- 38:16Speaker 1: him a gig writing for twenty five dollars a week.
- 38:19Speaker 4: This was massive. This was a lot of money. Old yeah, yeah,
- 38:23Speaker 4: and he was.
- 38:25Speaker 1: He had a spidy sense for humor and satire, and he, unapologetically,
- 38:31Speaker 1: with no reservation, clowned everyone. He became a lampooner, yeah,
- 38:36Speaker 1: real lampooner. Yes, yeah, just so he became a local celebrity,
- 38:41Speaker 1: sort of like you or me or Max at our
- 38:44Speaker 1: favorite David Busters or.
- 38:47Speaker 3: You know, we get voice clocked every now and again
- 38:50Speaker 3: at the local or some of our favorite Atlanta haunts
- 38:54Speaker 3: or the airport.
- 38:55Speaker 1: Oh, I got it, I forgot to tell you I
- 38:59Speaker 1: got made at the TSA wow bia csa worker.
- 39:03Speaker 4: Yeah, and he.
- 39:03Speaker 3: Lets you smuggle all that.
- 39:05Speaker 4: That hashish through. No gave you a pass, no comedy.
- 39:12Speaker 3: I told you I got voice checked in line at
- 39:15Speaker 3: the museum, the Metropolitan Museum of Art in New York.
- 39:19Speaker 4: And it felt so cool because I'm like, smart people
- 39:21Speaker 4: listen to us. That's awesome. That made me feel great,
- 39:24Speaker 4: specifically about ridiculous history.
- 39:26Speaker 1: And we know the we know the real story what
- 39:30Speaker 1: seems to be the true story behind the origin of
- 39:33Speaker 1: the name Mark Twain, because he was known as a
- 39:37Speaker 1: Mississippi riverboat guy who was trying, without success to become
- 39:42Speaker 1: a silver miner. He hung out in a lot of
- 39:46Speaker 1: the public houses of Virginia City, and the barkeepers in
- 39:51Speaker 1: the area used to yell out Mark Twayne whenever he
- 39:55Speaker 1: walked in because he was a regular. And when they
- 39:58Speaker 1: yelled out Mark Twain, it meant they needed to bring
- 40:01Speaker 1: two shots of whiskey to Sam and then make two
- 40:05Speaker 1: marks of chalk on the board where they kept a
- 40:08Speaker 1: record of their standing tabs. And I want to give
- 40:13Speaker 1: a shout out to our pal Gregory Crouch over a
- 40:17Speaker 1: Time magazine who pointed out that that little piece of
- 40:21Speaker 1: hidden history to us.
- 40:23Speaker 4: So it was a bar nickname.
- 40:25Speaker 3: It wasn't pretty cool, so it was I mean it
- 40:28Speaker 3: was again with the double entendres. I mean is it
- 40:32Speaker 3: does reference the nautical you know, call out, but it
- 40:37Speaker 3: was sort of co opted into this kind of I
- 40:40Speaker 3: guess en joke. Is this like a thing that was
- 40:42Speaker 3: like his regular order, right, so he basically had a
- 40:46Speaker 3: cocktail named after him or named himself after a cocktail.
- 40:49Speaker 1: It's like if we went to waffle house more often
- 40:53Speaker 1: and we were there every week and they stopped calling
- 40:56Speaker 1: us by our first names and just started calling us
- 40:59Speaker 1: by what we.
- 41:00Speaker 4: Are, Like, Oh it's Patty Belt.
- 41:02Speaker 3: Oh it's All Star Breakfast right right, Oh it's Grand
- 41:05Speaker 3: Slam yeah yeah yeah.
- 41:08Speaker 4: And also isn't so Mark? What was the order again?
- 41:10Speaker 4: The order was the whiskey.
- 41:12Speaker 1: Yeah. They would give him two shots of whiskey, and
- 41:15Speaker 1: then they would go ahead and assume he wasn't paying
- 41:18Speaker 1: that night, so they would make two chalk marks on
- 41:21Speaker 1: the board.
- 41:22Speaker 4: Mark Twain, Yeah, no, I got it.
- 41:24Speaker 3: It's also it just makes me think of like at
- 41:26Speaker 3: some bars, you know, how they have clever nicknames for
- 41:28Speaker 3: like a beer and a shot combo.
- 41:30Speaker 4: Oh we're saying. Yeah, I thought maybe that was part
- 41:33Speaker 4: of it too, but no, it's much more. Oh that'd
- 41:34Speaker 4: be interesting.
- 41:35Speaker 3: So that's kind of what I was thinking with the
- 41:37Speaker 3: name after a cocktail thing. But yeah, the guy, you know,
- 41:40Speaker 3: contained multitudes for sure.
- 41:42Speaker 4: Yeah, and he wanted.
- 41:44Speaker 1: He wasn't super into his street name and authorial career
- 41:49Speaker 1: just yet. It was paying the bills to write these
- 41:52Speaker 1: joke columns.
- 41:53Speaker 4: In his mind.
- 41:54Speaker 1: Still, he's kind of smoking that American pipe dream of success.
- 42:00Speaker 3: Yeah, he and that in your American pipe dream and
- 42:03Speaker 3: smoke it.
- 42:05Speaker 4: Hold the bell telephone, folks.
- 42:07Speaker 1: This is this is a two parter for us. So
- 42:11Speaker 1: a hoy a hoy as isn't that I said? Hello?
- 42:17Speaker 4: You leave out the second right right? Uh?
- 42:20Speaker 1: Look at me being one of those hello fellow kids
- 42:23Speaker 1: guys in the back.
- 42:24Speaker 4: Back of the eighteen high about.
- 42:27Speaker 1: Uh uh so a hoy hoy And big thanks to
- 42:32Speaker 1: our super producer mister Max Williams.
- 42:36Speaker 4: Who else who else?
- 42:37Speaker 3: Oh, indeed, all the thank you, Christopher Rociotis and he
- 42:40Speaker 3: was Jeff Cots here in spirit, Jonathan Strickland, the quiz
- 42:43Speaker 3: dra A, Jay Bahamas Jacobs, the Puzzler.
- 42:46Speaker 1: Alex Williams, who composed our Our Bang and Bop here
- 42:51Speaker 1: join us in just a few days. We're going to
- 42:54Speaker 1: get to more stories about Mark Twain's cartoonishly bad investment
- 43:01Speaker 1: journey at the same time that he became one of
- 43:04Speaker 1: the world's most beloved authors.
- 43:06Speaker 4: Can't wait to see you on the other side. We'll
- 43:08Speaker 4: see you next time, folks.
- 43:17Speaker 3: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,
- 43:21Speaker 3: or wherever you listen to your favorite shows.