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BOOK CLUB: A COURT OF FROST AND STARLIGHT (CHAPTERS 1-14) · Relatables

• 0:00
  Speaker 1: Previously, I'm Relatables Baddie's book Club, and she goes, something
• 0:03
  Speaker 1: doesn't feel right. She turns around, Reese behind her, lifeless,
• 0:11
  Speaker 1: his chest not rising, and then the vine reesand was dead.
• 0:18
  Speaker 2: No.
• 0:21
  Speaker 3: Welcome to Relatables Baddies book Clubs, where we will embark on.
• 0:25
  Speaker 1: A journey reading some of the finest pieces of literature
• 0:27
  Speaker 1: you have ever laid eyes or he is if that's
• 0:30
  Speaker 1: your preferred way to consume a book on.
• 0:35
  Speaker 2: A court of frost and starlight. Chapters from the start
• 0:38
  Speaker 2: to fourteen the middle, exactly in the middle.
• 0:43
  Speaker 4: He's a small book. Look how little it is. Hold
• 0:47
  Speaker 4: it out to the camera. It's tiny. Look at the thickness.
• 0:50
  Speaker 4: It's honestly, you could we could smash it out in
• 0:52
  Speaker 4: a day, if you had a day.
• 0:53
  Speaker 2: I normally like to say good things come in small packages. However,
• 0:59
  Speaker 2: I'm having troubles with this book.
• 1:02
  Speaker 4: Yeah, Jake, quite a lot of troubles. I went into
• 1:06
  Speaker 4: it open minded, same.
• 1:08
  Speaker 2: I was quite excited, and everyone was telling us there's
• 1:11
  Speaker 2: new writing techniques, and you get to know the characters
• 1:14
  Speaker 2: even more. And obviously it's written from everyone's pov sort of. Yeah,
• 1:18
  Speaker 2: there's also some third person for some reason really confusing,
• 1:21
  Speaker 2: very ah, but I saw this thing actually and I
• 1:25
  Speaker 2: wanted to take this into my reading journey, and it was,
• 1:28
  Speaker 2: you know how we give thoughts and feelings and we
• 1:31
  Speaker 2: go through all the different plot twists. Someone said, like
• 1:36
  Speaker 2: everyone on social media and everything like that says what's
• 1:38
  Speaker 2: wrong with the books, but he is immersed in it
• 1:42
  Speaker 2: and whatever is written goes no matter what.
• 1:45
  Speaker 4: And I wanted to take that into my reading, like
• 1:47
  Speaker 4: I don't.
• 1:47
  Speaker 2: Have any sort of discrepancies at all, Like it's just
• 1:49
  Speaker 2: this is the book.
• 1:50
  Speaker 4: You can't have a discrepancy because this is the book. Yeah,
• 1:52
  Speaker 4: but I can't do it. I tried, I really try
• 1:57
  Speaker 4: to be fair.
• 1:57
  Speaker 1: I like that the way that whoever said it thinks
• 1:59
  Speaker 1: is like the book isn't going to change.
• 2:01
  Speaker 4: It's written, it's published. Yeah, Like it's the law, Like
• 2:06
  Speaker 4: you can't change it.
• 2:07
  Speaker 2: Yea. Like with the last one, how there was a
• 2:09
  Speaker 2: couple of things how Reese could just kill everyone but
• 2:11
  Speaker 2: he does like things like that, and we were like,
• 2:12
  Speaker 2: why doesn't he Reese is showing his powers and a
• 2:14
  Speaker 2: spell just yeah nullifies everything. Yeah, but that's just the
• 2:17
  Speaker 2: law with this one, Like I don't know, what do
• 2:20
  Speaker 2: you think.
• 2:21
  Speaker 4: I just think that you said it a while ago.
• 2:27
  Speaker 1: People were as you saw comments saying, people were like,
• 2:29
  Speaker 1: you don't have to read it, you know, you don't
• 2:31
  Speaker 1: have to, like obviously.
• 2:31
  Speaker 4: We knew we would because why not.
• 2:33
  Speaker 1: Ah, you were like, you can just maybe it's a
• 2:35
  Speaker 1: bit of a nothing book and it just it fits
• 2:37
  Speaker 1: under those things.
• 2:38
  Speaker 4: It's just in a nutshell, life in Valarius after the war.
• 2:43
  Speaker 1: That's literally what it is. It's just life in Valaris
• 2:45
  Speaker 1: after the war and kind of you know.
• 2:48
  Speaker 4: Bits and pieces of stuff that could be going on in.
• 2:50
  Speaker 1: Other courts, but other than that, it's pretty just it's
• 2:55
  Speaker 1: almost like.
• 2:57
  Speaker 4: What she's done is akatar good.
• 3:01
  Speaker 1: It's slow build up, slow build up, like well, to
• 3:04
  Speaker 1: be fair, got into it quickly but then slowed down
• 3:06
  Speaker 1: and like ends with you know, yeah a quarter miss
• 3:11
  Speaker 1: and fury. It is like just a lot you know,
• 3:16
  Speaker 1: enemies to lovers and then the ending where she goes.
• 3:18
  Speaker 4: To high Burn.
• 3:20
  Speaker 1: Yeah she had two back to backs exactly, and then
• 3:22
  Speaker 1: also she had a triple.
• 3:25
  Speaker 4: She had a fucking three.
• 3:25
  Speaker 1: Peet with the books at amazing as amazing AKA war
• 3:30
  Speaker 1: best one in my opinion is like then that's the war,
• 3:35
  Speaker 1: you know, happy ending. You could to be fair, you
• 3:38
  Speaker 1: could finish on that book, but if you want to
• 3:40
  Speaker 1: read on, it's like you're gonna need.
• 3:42
  Speaker 4: A little bit of boring.
• 3:43
  Speaker 2: Yeah.
• 3:44
  Speaker 4: And also, I'm not gonna lie to you.
• 3:45
  Speaker 1: I am refreshed that they all just they actually do
• 3:49
  Speaker 1: get to sit back and relax a bit, like kind
• 3:51
  Speaker 1: of not really, they're not thinking about war and their lives.
• 3:54
  Speaker 4: They're busy with other ship.
• 3:56
  Speaker 2: I have a question though, Yeah, why why why.
• 4:00
  Speaker 4: I would you say all these things.
• 4:03
  Speaker 1: It's gotta be setting up for something true. We're only
• 4:07
  Speaker 1: halfway through, yeah, Like there's still there's still predictions to
• 4:10
  Speaker 1: be made, so I want to say before. I don't
• 4:15
  Speaker 1: know if I want to say this before we get
• 4:16
  Speaker 1: into it or while we're in it. But it's gonna
• 4:19
  Speaker 1: it's gonna happen. We're gonna talk about it. But I
• 4:24
  Speaker 1: fucking hate Nesta again.
• 4:26
  Speaker 4: Yeah, she's jarring.
• 4:29
  Speaker 2: I thought her character was going to change after what
• 4:32
  Speaker 2: happened in the last one.
• 4:33
  Speaker 1: Yeah a war, Like, why didn't her and Cassie and
• 4:38
  Speaker 1: go home and just make sweet sweet love until the
• 4:43
  Speaker 1: sun didn't fucking rise no more. I don't understand she
• 4:46
  Speaker 1: hates his fucking guts for no reason, and then everyone's
• 4:51
  Speaker 1: talking about it and not bringing up her name around him,
• 4:54
  Speaker 1: and they're like, we all know why. So are we
• 4:56
  Speaker 1: gonna get a backstory of something that happened when they
• 4:58
  Speaker 1: got back from the war or some shit that we just.
• 5:00
  Speaker 4: Haven't gotten yet. That's what I want to know, because
• 5:02
  Speaker 4: I hate being left hanging. We want the tea. Yeah,
• 5:05
  Speaker 4: it's taking a long time to get there. Yeah, there's
• 5:07
  Speaker 4: like a a pardon here. We'll literally we'll talk about
• 5:09
  Speaker 4: it in like two minutes.
• 5:10
  Speaker 1: Where Reese goes, I know, casing is like his Nesta
• 5:12
  Speaker 1: coming to solstice, and he goes, Yep, both sisters will.
• 5:15
  Speaker 4: Be there, whether they like it or not.
• 5:18
  Speaker 1: And then he Reese is like, if Nessa doesn't want
• 5:21
  Speaker 1: to be there, you can talk to her about it
• 5:22
  Speaker 1: or some shit, and he goes, that'll probably end in violence.
• 5:24
  Speaker 1: I was like, why, why is it gonna end violence?
• 5:27
  Speaker 1: Why did she all of a sudden hate you again
• 5:29
  Speaker 1: the death of her father. Don't tell me that's the
• 5:31
  Speaker 1: excuse why she's depressed. I will not take that as
• 5:33
  Speaker 1: an excuse because she hated his fucking gun.
• 5:35
  Speaker 2: Yeah, when Phara was like Dad would have wanted you
• 5:37
  Speaker 2: to come or something like that.
• 5:38
  Speaker 4: So don't. Don't you like you had the best relationship
• 5:41
  Speaker 4: with him, and you have the right to act like that.
• 5:45
  Speaker 4: He's still there their father, I guess. And Reese hates
• 5:48
  Speaker 4: Nesta and I love him even more for it. I know,
• 5:51
  Speaker 4: I know, I know.
• 5:52
  Speaker 1: Okay, So chapter one, guys, what I want to say
• 5:55
  Speaker 1: is that also I spoke in an episode was E
• 5:57
  Speaker 1: the last episode of the episode before it, talking about
• 6:00
  Speaker 1: that duology. I read One Dark Window, Two Twisted Crowns
• 6:03
  Speaker 1: first one b second one Zeology. It's called a duology
• 6:06
  Speaker 1: where because it's two books, I learned that.
• 6:08
  Speaker 2: Yeah, yeah, there, thinking I'm not going to notice.
• 6:14
  Speaker 1: And so the second book was written in the pov
• 6:18
  Speaker 1: of the three main characters, and it was like, so
• 6:22
  Speaker 1: it was like Fayra, Reese, Cassian. Yeah, but it stayed
• 6:25
  Speaker 1: in that pattern, so on and so forth, and I
• 6:27
  Speaker 1: didn't like it. This book's written like that, but not exactly.
• 6:31
  Speaker 4: I don't like. I'm not a fan.
• 6:33
  Speaker 2: I like Reese. But then it's gone to third person
• 6:38
  Speaker 2: for some reason. And then I listen and read and
• 6:41
  Speaker 2: the narrator for more and Cassian is the same, and
• 6:45
  Speaker 2: it's just kind of like jarring in your ears. It
• 6:48
  Speaker 2: sounds semi like a robot. Obviously you should just be reading.
• 6:52
  Speaker 2: But still, no, I.
• 6:53
  Speaker 1: Agree because and Reese are literally talking from the first person.
• 6:58
  Speaker 4: Why can't Actually it was almost like I can't be bothered.
• 7:03
  Speaker 1: Maybe I don't know, because this other one I read,
• 7:05
  Speaker 1: even though I said I didn't like it as much
• 7:06
  Speaker 1: as the first one. They were all in the first person,
• 7:10
  Speaker 1: at least each one.
• 7:11
  Speaker 2: So well Moore's backstory, and she has like she goes
• 7:17
  Speaker 2: back in time to when she was dropped out the
• 7:19
  Speaker 2: front of the Autumn Court and abandoned. It was a
• 7:22
  Speaker 2: really heart wrenching moment, but it was written in third person.
• 7:24
  Speaker 2: I couldn't feel for her.
• 7:26
  Speaker 4: I've read it. I didn't listen to that.
• 7:28
  Speaker 1: I just read it, so I'm kind of chilling it
• 7:30
  Speaker 1: like I kind of was still heart rending, but also
• 7:32
  Speaker 1: I was reading it, yes, and as if I was saying,
• 7:36
  Speaker 1: but okay.
• 7:37
  Speaker 4: Chapter one is starts off with fairah.
• 7:40
  Speaker 1: Okay, so starts with a face she's waken up and
• 7:44
  Speaker 1: Reese isn't there, and she goes on to say, that's
• 7:46
  Speaker 1: actually not anything out of the ordinary anymore since we've
• 7:49
  Speaker 1: been home, because we've both been busy, busy, busy, Okay,
• 7:53
  Speaker 1: starting to snow. Summer was when they had the war.
• 7:57
  Speaker 1: That means a little bit times past, like Autumn's past.
• 7:59
  Speaker 1: They're going into win and Solstice is in a week,
• 8:03
  Speaker 1: so she's always she's talking about Solstus being in a week,
• 8:07
  Speaker 1: praying everyone forgets that that's her birthday. She goes downstairs,
• 8:11
  Speaker 1: having Brecky on her own recess off somewhere. She talks
• 8:13
  Speaker 1: down the bond.
• 8:14
  Speaker 4: Where are you?
• 8:14
  Speaker 1: Doesn't reply for a while. He must be far away,
• 8:17
  Speaker 1: she says, he must be. He could even not even
• 8:19
  Speaker 1: be in the night Court. It's not again, nothing out
• 8:21
  Speaker 1: of the norm these days. He had to have a
• 8:22
  Speaker 1: meet things bro. And then she goes and she says, says,
• 8:26
  Speaker 1: highlight Nuala and carriage win or maybe just one of them,
• 8:28
  Speaker 1: I don't remember. Not super important. But she talks about
• 8:33
  Speaker 1: cleaning her dishes. Guys, I'm telling you just life. She's
• 8:37
  Speaker 1: just doing life. She starts to add in stuff about
• 8:41
  Speaker 1: how busy they've been since they've been back, with just
• 8:45
  Speaker 1: the boring, mundane paperwork of running the night Court, because
• 8:49
  Speaker 1: she now also runs the night Court. And I was like,
• 8:54
  Speaker 1: you're literally an immortal magic thing.
• 8:59
  Speaker 4: Why are you doing people? It doesn't make sense, and
• 9:06
  Speaker 4: she's like, I don't know how Reese did this.
• 9:08
  Speaker 1: He talks about having like checking the budgets and shit,
• 9:10
  Speaker 1: and then she every time they talk about budget and money,
• 9:13
  Speaker 1: there's a reference to how they don't even need to think.
• 9:16
  Speaker 4: About it because they have so much.
• 9:19
  Speaker 1: Then stop talking about it, Bro, Yeah they have, like
• 9:23
  Speaker 1: I reckon, they must have been billionaires or some shit.
• 9:26
  Speaker 4: Oh yeah, reason never has to think about money ever.
• 9:29
  Speaker 2: Yeah.
• 9:29
  Speaker 1: And then finally, like Reese replies to her little thing
• 9:31
  Speaker 1: saying he's at Devlin's camp in Allyria in the mountains.
• 9:34
  Speaker 1: And then chapter two, Reese pov at least it's Reese's POV.
• 9:39
  Speaker 1: I like Reese's So he is at Devlin's camp with Cassian.
• 9:43
  Speaker 1: They are just going to like stay hi and help
• 9:46
  Speaker 1: out with some preparations for Solstice because they celebrate Solstice
• 9:49
  Speaker 1: as well, and having an argument about whether or not
• 9:52
  Speaker 1: the girls have been training because they're trying to get
• 9:56
  Speaker 1: the girls to train, and Devlon's like, come on, the boys,
• 9:59
  Speaker 1: they went to war this year, Let's give them a
• 10:01
  Speaker 1: good Solstice and.
• 10:02
  Speaker 4: Let the girls give it to them. Cassian's like, bro, I'm.
• 10:05
  Speaker 1: Telling you two hours in the morning, that's all I
• 10:06
  Speaker 1: want two hours of training and then they can go, they.
• 10:09
  Speaker 4: Can prepare for Solstice.
• 10:12
  Speaker 1: Blah blah blah. They're arguing. Then Reese cuts in. Reese
• 10:16
  Speaker 1: is having a little monologue moment. He goes, five hundred
• 10:19
  Speaker 1: years we've been fucking dealing with this, or like decade
• 10:21
  Speaker 1: however long Cassian's been general he's wanted women to train.
• 10:25
  Speaker 2: Which is fair, which is good, which is fucking good,
• 10:27
  Speaker 2: and I think it mirrors something in real life. Yeah,
• 10:30
  Speaker 2: And then Reese in his monologue is going, the whole time,
• 10:34
  Speaker 2: I could just go into their minds and make them
• 10:38
  Speaker 2: do it, like make them want to do it as well,
• 10:40
  Speaker 2: not even just make them against their will.
• 10:42
  Speaker 4: Would have loved if he did.
• 10:44
  Speaker 1: And then he goes, but that's a line I'll never
• 10:45
  Speaker 1: cross right again, across a line.
• 10:52
  Speaker 4: Like talking about Olympics. Bad still, but I mean, I
• 10:55
  Speaker 4: guess it adds story, like he has morals, at least
• 10:57
  Speaker 4: he has morals. And so.
• 11:00
  Speaker 1: They go, and this is the camp that they grew
• 11:02
  Speaker 1: up in, by the way, and then this is also
• 11:04
  Speaker 1: the camp that they winned back to in Akamath when
• 11:08
  Speaker 1: the first time they fucked in the cabin oh no, sorry,
• 11:11
  Speaker 1: when she found out they were mates, and then they
• 11:13
  Speaker 1: went to the they went back to the camp, and
• 11:14
  Speaker 1: then she went to the cabin. This is that camp,
• 11:17
  Speaker 1: and so him and after after the argument with Devlin,
• 11:19
  Speaker 1: Cassie and Reese go over to the house. They're talking.
• 11:24
  Speaker 1: They're talking about some I want to say, disruption within
• 11:28
  Speaker 1: the camps, the Illyrian camps, and because they're all coming together,
• 11:32
  Speaker 1: they're starting to for they've always just hated Reese as
• 11:35
  Speaker 1: Reel and Cassian for who they are, so no, not
• 11:37
  Speaker 1: for who they are, for what they are what and
• 11:39
  Speaker 1: who I guess bastards and you know, half breeds. But
• 11:44
  Speaker 1: now there's disruption in the camps because of the fact
• 11:47
  Speaker 1: that they sent them to war, and so they need.
• 11:52
  Speaker 4: To nip it in the butt, but they don't really
• 11:54
  Speaker 4: know how.
• 11:54
  Speaker 1: And now that Solsi has come about, everyone's coming together
• 11:57
  Speaker 1: and it's gonna get worse, and they're a little bit worried.
• 11:59
  Speaker 4: But then.
• 12:02
  Speaker 1: Reese is just saying the Cassian, well, all right, stick
• 12:05
  Speaker 1: around for three days and come back for Solstice. Cassian's going, well,
• 12:09
  Speaker 1: I could actually help out here at Solstice, and like,
• 12:11
  Speaker 1: you know, at least we have a presence here, and
• 12:13
  Speaker 1: then maybe they wouldn't be so upset, and and Reese
• 12:18
  Speaker 1: is like, nah, you're coming, everyone's coming for favor's sake
• 12:22
  Speaker 1: or some shit.
• 12:22
  Speaker 4: We're together, this way together for this one. We need
• 12:24
  Speaker 4: to be sweet.
• 12:25
  Speaker 1: They've postponed their five days annual hunt that they're supposed
• 12:29
  Speaker 1: to do again. They've postponed it. It's postponed for fifty
• 12:31
  Speaker 1: years now because he was with Amorantha. But yeah, and
• 12:35
  Speaker 1: so Cassian starts asking about Nesta. Will Nesta be there?
• 12:39
  Speaker 1: And that's what I said before. She'll be there, whether
• 12:41
  Speaker 1: she likes it or not. It's gonna end in violence.
• 12:43
  Speaker 1: That's what it was said. And then again that's where
• 12:47
  Speaker 1: the instant that happened. I was just thinking, wait, why
• 12:50
  Speaker 1: aren't Cassie and Essa dating.
• 12:53
  Speaker 4: It was a big hop, skip.
• 12:54
  Speaker 2: And a jump from how Nessa ended in the last book.
• 12:59
  Speaker 2: Now she's backband bitchy with no explanation.
• 13:03
  Speaker 4: She killed the king in the last one, Yeah, finished
• 13:05
  Speaker 4: him off.
• 13:06
  Speaker 1: And she was like over Cassian's body, like, oh, she
• 13:10
  Speaker 1: was gonna die with him.
• 13:11
  Speaker 4: And now they won't even talk. Now they won't even
• 13:14
  Speaker 4: fucking talk. Cassian like won't even doesn't even want to
• 13:18
  Speaker 4: hear her name mentioned. To be fair fourteen.
• 13:20
  Speaker 2: Chapters without finding that out is quite a lot, I
• 13:23
  Speaker 2: agreeut finding what happens, yeah, agreed, bro, because we're busy
• 13:28
  Speaker 2: talking about fer painting random shit.
• 13:31
  Speaker 1: Chapter three, This is a Cassian chapter, but my narrated
• 13:36
  Speaker 1: in someone else's PV.
• 13:38
  Speaker 4: So recent leaves. Cassian then goes to have a fly.
• 13:42
  Speaker 1: He flies around and they get to find out a
• 13:46
  Speaker 1: bit of history about the Allyrians.
• 13:47
  Speaker 4: So he's flying.
• 13:49
  Speaker 2: Towards the heart of the night Court, but also the heart,
• 13:53
  Speaker 2: the heart of Oliria.
• 13:54
  Speaker 4: And there's a mountain I can't quite remember the name
• 13:57
  Speaker 4: of it.
• 13:58
  Speaker 1: Is it written down there? No, but not super important.
• 14:04
  Speaker 1: This mountain is where the blood Right is held every
• 14:07
  Speaker 1: year in spring, and that's where all the Allyrians.
• 14:09
  Speaker 4: We spoke about that before, where.
• 14:13
  Speaker 1: Novices turned into soldiers and they get their wings bound.
• 14:18
  Speaker 4: They aren't allowed to use any magic.
• 14:20
  Speaker 1: There's like a spell that doesn't let them use magic,
• 14:22
  Speaker 1: and they only get to go out in the woods
• 14:24
  Speaker 1: with the what they've got on their back, and then
• 14:26
  Speaker 1: they have to survive the week and get to the
• 14:28
  Speaker 1: top of this mountain and then you pass. And Cassie
• 14:32
  Speaker 1: and Asrael and Reese all did that, and he just
• 14:35
  Speaker 1: like talks about it and he even says like, I'll
• 14:39
  Speaker 1: do it again if it means they'll stop fucking trying
• 14:41
  Speaker 1: to like overthrow us. And then he flies from there
• 14:46
  Speaker 1: to the village he was born and that's where his mum.
• 14:50
  Speaker 1: He was born in the outskirts of this village, and.
• 14:55
  Speaker 4: His mum was super poor. He was a bastard. He
• 14:57
  Speaker 4: didn't have a dad. This was sad.
• 14:59
  Speaker 1: And then he speaks about the reason why he's getting
• 15:03
  Speaker 1: the girls to train.
• 15:04
  Speaker 4: Is for his mum. It's for.
• 15:07
  Speaker 1: It's all for her, regardless of what Amron says about him,
• 15:10
  Speaker 1: like Ameron always calls him like the Lirian brute and
• 15:12
  Speaker 1: he's stupid and shit. And I was actually kind of
• 15:14
  Speaker 1: like facts that fuck you, Amron. It made me mad
• 15:17
  Speaker 1: because I love Kassian. And then Cassian says the way
• 15:20
  Speaker 1: he's in like the village, he's in his ruins. It's
• 15:22
  Speaker 1: like an Allyrian camp turn of ruins, because when he
• 15:25
  Speaker 1: got old enough, he went back to the camp he
• 15:27
  Speaker 1: was born and he started to like torture everyone for
• 15:30
  Speaker 1: a fucking info on his mum, and they all were
• 15:32
  Speaker 1: spitting in his face and he just fucked the camp
• 15:35
  Speaker 1: up and then no one's lived there every again. It
• 15:38
  Speaker 1: used to be like as big as Devil's camp apparently,
• 15:41
  Speaker 1: and so then he just finishes off with saying, yeah,
• 15:46
  Speaker 1: I'll be a Solcialus in three days.
• 15:48
  Speaker 4: But yeah, that was a Cassian chapter. It was yeah,
• 15:52
  Speaker 4: it's funny.
• 15:53
  Speaker 2: Yeah, do you know what I think of with the
• 15:55
  Speaker 2: h how they all go and fight and go top
• 15:58
  Speaker 2: of the mountain. I was thinking of May's run. That's cool,
• 16:01
  Speaker 2: That's what I was thinking of, Like how they all
• 16:03
  Speaker 2: go into closes in the shit.
• 16:06
  Speaker 4: I was thinking of Hunger Games. Hunger Games.
• 16:09
  Speaker 1: Yeah, I think in first Hungry Games, how it's in
• 16:10
  Speaker 1: a forest but it's all snow.
• 16:12
  Speaker 4: In this one, chapter four, we're back to Fayra.
• 16:16
  Speaker 1: She talks about how her and Reese have been hosting weekly, yeah,
• 16:25
  Speaker 1: weekly open audiences at the House of Wind, and that's
• 16:28
  Speaker 1: where everyone in Valarus can come down with any problems
• 16:30
  Speaker 1: they have and they'll answer like anything. It could be
• 16:32
  Speaker 1: super simple, and she says like that a lantern on
• 16:35
  Speaker 1: the street is out, which is like okay, fixed. And
• 16:37
  Speaker 1: then it's harder ones where people are like, oh could
• 16:42
  Speaker 1: because they've opened up Valrus to trade with the other courts,
• 16:45
  Speaker 1: they're like, oh, it's actually impacting the locals.
• 16:47
  Speaker 4: We don't want it, and so then they have to
• 16:49
  Speaker 4: like navigate that.
• 16:50
  Speaker 1: She talks about how hard it is and they have
• 16:52
  Speaker 1: to reply to everyone, and she gets she doesn't know
• 16:54
  Speaker 1: how does it. She wants a secretary. They can afford it,
• 16:57
  Speaker 1: but why would she do it? And I was like,
• 16:58
  Speaker 1: do it, yeah, exactly.
• 17:00
  Speaker 4: If you can afford We've got the money. Yeah.
• 17:02
  Speaker 1: And then she's walking in the Artist Quarter and she
• 17:05
  Speaker 1: goes and she's looking at a building that it was
• 17:07
  Speaker 1: turned to rubble from the attack on Valrus from Highburn,
• 17:11
  Speaker 1: and she's thinking about it, and then there's a voice
• 17:12
  Speaker 1: behind her that startles her and says, oh, they made
• 17:14
  Speaker 1: it out alive, you know. And it's an artist from
• 17:16
  Speaker 1: the Artist Quarter talking to her.
• 17:19
  Speaker 4: And Parah goes, oh wow. Where they go.
• 17:21
  Speaker 1: She talks about how they've moved kind of closer to
• 17:23
  Speaker 1: the sea and with family, and then there's a building
• 17:26
  Speaker 1: behind her board it up and she goes, what about
• 17:28
  Speaker 1: that one? And the artist says, oh, that's a saddest story.
• 17:32
  Speaker 1: Didn't make it.
• 17:34
  Speaker 4: It was her art studio.
• 17:35
  Speaker 1: Her name was Paulina. I think it was her art
• 17:39
  Speaker 1: duty of studio for centuries. But yeah, she didn't make it.
• 17:42
  Speaker 1: And then she introduces herself as a Racina and she says, oh,
• 17:45
  Speaker 1: I'm Favra and she's like, yeah, fucking no, hello lady,
• 17:48
  Speaker 1: and boom you and she's like we She's like, we
• 17:53
  Speaker 1: all see you, you know, like you are welcome here.
• 17:57
  Speaker 1: We none of us approach you because we want to
• 17:58
  Speaker 1: give you your privacy, but you are welcome in any
• 18:04
  Speaker 1: one of these stores with open arms, you know that,
• 18:06
  Speaker 1: Like we remember what you.
• 18:07
  Speaker 4: Did for us. And Pharah is like, yeah, but it
• 18:09
  Speaker 4: wasn't enough.
• 18:10
  Speaker 1: And I was like, you did some be shit fair,
• 18:12
  Speaker 1: some slack, some slack. And then she's like, you know,
• 18:15
  Speaker 1: you could buy that studio over there. She goes, whoa, whoa, no, no, no,
• 18:18
  Speaker 1: why would I do that? She goes, I've heard you're
• 18:19
  Speaker 1: quite the artist. I was thinking, fuck, yeah, Fara, you're
• 18:22
  Speaker 1: getting huked up here.
• 18:23
  Speaker 4: Let's go.
• 18:25
  Speaker 1: And then she just says that she's not in the market.
• 18:28
  Speaker 1: And so Rissina says.
• 18:29
  Speaker 4: Cool, Well, every every other day or.
• 18:31
  Speaker 2: Once a week or whatever, I mean, some artists go
• 18:33
  Speaker 2: to my studio just over there, I live above it,
• 18:35
  Speaker 2: and we just paint it together.
• 18:37
  Speaker 1: And she goes, whoa, what do you paint? She's like whatever,
• 18:40
  Speaker 1: needs to be painted, and I was kind of like, yeah,
• 18:42
  Speaker 1: my drop. And then she walks away and I was
• 18:44
  Speaker 1: like sick out of nowhere. More comes around, arm in hand.
• 18:49
  Speaker 4: They must be I think Pharaoh must have like next
• 18:51
  Speaker 4: scene or whatever.
• 18:52
  Speaker 1: She's going to look for presents and Moore comes up
• 18:55
  Speaker 1: says Hi to Pharah.
• 18:55
  Speaker 4: They're talking.
• 18:56
  Speaker 1: She says, oh, if you bought that sapphire fram and
• 18:58
  Speaker 1: she'd love you forever. So Pharaoh goes sick, put it
• 19:01
  Speaker 1: on the account, let's fucking go. And then she's her
• 19:06
  Speaker 1: more a chitty chatting talking about presents. What do they
• 19:09
  Speaker 1: get for the what should she get for Cassie and Azrael.
• 19:12
  Speaker 1: Moore was like, fuck this shit. I've got them like
• 19:13
  Speaker 1: five hundred gifts over the years. It's pointless. And then
• 19:17
  Speaker 1: she goes Pharaih says some more. I have a feeling
• 19:21
  Speaker 1: that you didn't come to find me for no reason
• 19:22
  Speaker 1: at all. She goes, yeah, actually we need to go
• 19:24
  Speaker 1: to the human City tonight.
• 19:27
  Speaker 4: He's like, fuck, why are you telling me now? It's
• 19:29
  Speaker 4: like she's got the info this morning.
• 19:31
  Speaker 1: Asriel told me this morning that bloody h Eiris is
• 19:35
  Speaker 1: going to be there talking to Dad, and I wanted
• 19:36
  Speaker 1: to go say hi.
• 19:37
  Speaker 4: It's tradition that we go give.
• 19:38
  Speaker 1: Him good will, especially after the war. You know a
• 19:40
  Speaker 1: lot of dark Bringers died. But also I want to
• 19:43
  Speaker 1: go just like show face and scare.
• 19:45
  Speaker 4: Them a bit.
• 19:46
  Speaker 1: Chapter five, farh Again, Reese comes home and he hasn't
• 19:53
  Speaker 1: been home all day because so Far has gone back home.
• 19:56
  Speaker 1: She's chilling in bed. She feels him coming back home.
• 19:58
  Speaker 1: She goes to read a book. She's like, I was
• 20:00
  Speaker 1: going to do some work, but More said, we're leaving
• 20:02
  Speaker 1: in an hour, so I read a book instead.
• 20:05
  Speaker 4: It's great use of your time.
• 20:06
  Speaker 1: And so then she's laying in bed and she said
• 20:11
  Speaker 1: she was ten pages in.
• 20:13
  Speaker 4: Wasn't there a bit about the books where they're like
• 20:15
  Speaker 4: they mentioned smart Yeah, has to reach smart. Yeah. Yeah.
• 20:20
  Speaker 1: So Reese comes in and you know, he's like, look
• 20:27
  Speaker 1: exactly where I left you. She goes, isn't that all
• 20:29
  Speaker 1: I'm good for? And I was like fuck yes. Finally
• 20:31
  Speaker 1: they go fuck like.
• 20:34
  Speaker 2: Yeah, and then they're talking.
• 20:38
  Speaker 1: She goes, you look exhausted. Can't we just postpone this meeting?
• 20:42
  Speaker 1: He says no, it's fine. He's like, yeah, let me
• 20:44
  Speaker 1: just I am hungry. I just want to eat you
• 20:46
  Speaker 1: she goes, what have you eaten today? It's like, seriously fair.
• 20:48
  Speaker 4: It's fine.
• 20:49
  Speaker 1: She goes, no, I'm going to the kitchen. She goes
• 20:51
  Speaker 1: and makes him a big ass meal, comes back in.
• 20:54
  Speaker 4: He's eating. All he's trying to do is fuck.
• 20:58
  Speaker 2: He's always trying to do in this scenario, You're like,
• 21:01
  Speaker 2: when I have sex with your girl and she just
• 21:04
  Speaker 2: disappears back of like a sandwich.
• 21:06
  Speaker 4: Yeah, yeah, yeah, have gone with you because you brought
• 21:09
  Speaker 4: the old kitchen. He just wants a fuck. And then.
• 21:14
  Speaker 1: They get down and they start to get a bit dirty.
• 21:16
  Speaker 1: He finally he's like, yeah, let's go, and then more
• 21:17
  Speaker 1: knocks on the door. We gotta fucking go. Whatever you
• 21:19
  Speaker 1: guys are doing.
• 21:20
  Speaker 4: In there, wrap it up? Whatever? Cool.
• 21:23
  Speaker 1: Chapter five Sorry no, Chapter six. This is a more chapter.
• 21:28
  Speaker 1: So they're at the Human City. They go to see
• 21:31
  Speaker 1: care here here, and while she's there, she's kind of
• 21:35
  Speaker 1: having a little bit of a bad flashback of the
• 21:36
  Speaker 1: day that she had the like steaks in her stomach
• 21:41
  Speaker 1: and she was just dropped on the border.
• 21:42
  Speaker 2: And so what happened on that day was she was
• 21:44
  Speaker 2: dropped on the border. She's like barely alive. She's like
• 21:46
  Speaker 2: barely barely awake.
• 21:48
  Speaker 1: But then she hears footsteps coming, and she's kind of
• 21:51
  Speaker 1: like fuck. All she's thinking is the people that love
• 21:54
  Speaker 1: me are never gonna be able to find me, like
• 21:55
  Speaker 1: Reese Azrael cast and they're never gonna be able to
• 21:57
  Speaker 1: find me.
• 21:58
  Speaker 4: And then it was an Autumn Court patrol on the border.
• 22:03
  Speaker 1: And it was led by Airis and Aris probably just
• 22:07
  Speaker 1: knew that she was going to be there because he
• 22:09
  Speaker 1: was coming to pick up his betrothed or some shit,
• 22:10
  Speaker 1: I don't know. But then the Autumn Court soldiers are like,
• 22:14
  Speaker 1: we have to help her, and he goes, do not
• 22:16
  Speaker 1: fucking touch her, because once we touch her, she then
• 22:18
  Speaker 1: becomes our problem. And I don't I don't want to
• 22:23
  Speaker 1: have like.
• 22:23
  Speaker 4: Some sloppy seconds, is what he says.
• 22:25
  Speaker 1: Basically, he goes, I don't want some sloppy seconds, all right,
• 22:29
  Speaker 1: especially after what I was promised, and I especially don't
• 22:31
  Speaker 1: want sloppy seconds from some random alirium bastard. So leave her.
• 22:36
  Speaker 1: And then they just leave, and I was like fair.
• 22:38
  Speaker 1: She obviously hates him for a reason. And so from
• 22:41
  Speaker 1: there does she say about Asrael finding her? I don't
• 22:43
  Speaker 1: really remember, No, she didn't know. She kind of just
• 22:46
  Speaker 1: goes flashed back into now she's at the meeting.
• 22:49
  Speaker 4: And then Pharah grabbed her hand or something. Yeah, she
• 22:52
  Speaker 4: knows more.
• 22:52
  Speaker 1: Pharaoh grabs her hand, and Reese is talking to kir
• 22:56
  Speaker 1: And and Ares is there and a bit of a nothing.
• 23:00
  Speaker 1: Not really the thing that was they really focused on
• 23:03
  Speaker 1: was more is like almost losing her maybe confidence with
• 23:11
  Speaker 1: running the Human City. The fact that Eris and her
• 23:16
  Speaker 1: dad are like together just brings back really bad memories
• 23:19
  Speaker 1: where if it's just her dad, she's sweet, she can
• 23:20
  Speaker 1: handle him, but when it's Ris and her dad, it's
• 23:23
  Speaker 1: just like it's.
• 23:23
  Speaker 4: Doing a bit too much for her. So she is
• 23:27
  Speaker 4: just yeah, some shitty memories are coming back.
• 23:28
  Speaker 2: Well, maybe we should show a little bit more empathy,
• 23:31
  Speaker 2: because I guess this whole book is they're all lost
• 23:35
  Speaker 2: because of the.
• 23:35
  Speaker 4: Impact of the war. Yeah, they're all fucking spiraling.
• 23:39
  Speaker 2: Bro, Maybe we jumping to conclusions and Nesta's being a
• 23:42
  Speaker 2: bitch because that's her way of dealing it confidence, Like
• 23:46
  Speaker 2: Moore's way of dealing with it is loss of confidence.
• 23:48
  Speaker 4: Yeah, And like Reese and Favor, they're nothing's really wrong
• 23:52
  Speaker 4: with them at the moment, not too bad, but they
• 23:53
  Speaker 4: have each other.
• 23:54
  Speaker 1: Yeah, so that's why they're kind of like they're they're
• 23:56
  Speaker 1: the strongest front because they have each other and they
• 23:58
  Speaker 1: do talk, have good communication.
• 24:00
  Speaker 4: Best why Asrael doesn't talk, as I gotta say, Asrael,
• 24:04
  Speaker 4: he is the foundation of the family.
• 24:07
  Speaker 1: Yeah, I'll tell you what, Asrael for someone who doesn't talk,
• 24:11
  Speaker 1: it's got the best comedic timing I've ever seen. He
• 24:14
  Speaker 1: has the best communication skills too, Oath he does. He
• 24:16
  Speaker 1: just says what needs to be said. It doesn't beat
• 24:19
  Speaker 1: around the bush.
• 24:20
  Speaker 4: True're trying to take that more into my life.
• 24:22
  Speaker 1: Try Chapter seven, back to Reese, So he's up in
• 24:29
  Speaker 1: his Reese couldn't sleep very well that night, so he's
• 24:33
  Speaker 1: gone up to his office in the House of Wind.
• 24:37
  Speaker 1: I personally just want to before we get into just
• 24:39
  Speaker 1: where would you live in Valarus?
• 24:42
  Speaker 2: I would have been in the House of Window Kid. Oh,
• 24:45
  Speaker 2: I would not that shed down there?
• 24:46
  Speaker 4: Are you kidding?
• 24:48
  Speaker 3: They're living in a literal garden shed compared to the
• 24:52
  Speaker 3: House of Wind.
• 24:54
  Speaker 4: It's just too big. It's not homie.
• 24:55
  Speaker 1: But all they're doing is complaining about a cramped space
• 24:59
  Speaker 1: in the town.
• 25:00
  Speaker 4: Sorry, it's got to add that's what they're talking about
• 25:02
  Speaker 4: as well.
• 25:02
  Speaker 1: So I'll give a quick, not little thing. So Elaine
• 25:06
  Speaker 1: still lives at the house, the townhouse. Nessa lives at
• 25:10
  Speaker 1: her own apartment. She's chosen for some reason, like there's
• 25:13
  Speaker 1: like two blocks in the city that are slummy, not
• 25:16
  Speaker 1: even slummy, just old, and she's chosen, like the worst
• 25:19
  Speaker 1: place you could pssibly live. Lucian he comes back, he
• 25:22
  Speaker 1: gets a nice apartment.
• 25:23
  Speaker 4: Of course, it's got taste. Boy, he's got taste. Of
• 25:26
  Speaker 4: course he does.
• 25:27
  Speaker 1: As Reel, I'm assuming he just has a crib. Cassian
• 25:33
  Speaker 1: he has a house, but it's in Aliria. Every time
• 25:35
  Speaker 1: he comes to Valarus, he literally just crashes on someone's bed,
• 25:38
  Speaker 1: in someone's bed or lange or whatever.
• 25:40
  Speaker 2: More.
• 25:41
  Speaker 1: Has to have a place. Amaron has a place. But yeah,
• 25:43
  Speaker 1: so Elaine and Farah and Reese still live in the townhouse.
• 25:48
  Speaker 1: But now Reese couldn't sleep. He is up at the
• 25:51
  Speaker 1: House of Wind in his office and as Reel knock knock,
• 25:55
  Speaker 1: he's brought him some info.
• 25:57
  Speaker 4: The spreading of rumors and and.
• 26:02
  Speaker 1: Distent distaste just hate towards Reese, Asrael and Cassian in
• 26:07
  Speaker 1: the Illyrian camps is worse than they thought.
• 26:10
  Speaker 4: But they don't want to have ah.
• 26:15
  Speaker 1: They don't want to tell Cassian yet because he won't
• 26:17
  Speaker 1: be able to relax on on SOLSTICEE. Yeah, so they're
• 26:21
  Speaker 1: gonna wait to Yeah, descent.
• 26:23
  Speaker 4: The descent is spreading. Then.
• 26:26
  Speaker 1: Jurian and Vasa both are still in the human lands.
• 26:29
  Speaker 1: Vasa for some reason has been able not to go
• 26:31
  Speaker 1: back to the Lake.
• 26:33
  Speaker 4: I can't really remember why, but Jurian has pretty much
• 26:38
  Speaker 4: been left like in charge.
• 26:40
  Speaker 1: They trust him now, yeah, they trust him. He just
• 26:42
  Speaker 1: like is like left in charge. But the Solution has
• 26:47
  Speaker 1: been spending time in the spring Court trying to rekindle
• 26:49
  Speaker 1: a friendship with Tamlin, and Asrael has noticed that Tamlin
• 26:56
  Speaker 1: has got his borders wide fucking open, the legs open
• 27:02
  Speaker 1: for anyone to trot in and go down to the
• 27:04
  Speaker 1: human doesn't care, he doesn't give a ship. So Reese
• 27:07
  Speaker 1: is thinking, fuck, might have to have a go chat
• 27:09
  Speaker 1: with might have to go have a chat with him,
• 27:10
  Speaker 1: And I was like, let's go. So chapter eight back
• 27:16
  Speaker 1: to Cassian. He's still at the Devil's camp. He goes
• 27:23
  Speaker 1: to see a cloth the air and the clothier's name
• 27:27
  Speaker 1: you've got written down here, which his name is Proteus,
• 27:30
  Speaker 1: a protest or something like that, and he goes in
• 27:32
  Speaker 1: and he finds the guy's daughter instead. So he finds
• 27:36
  Speaker 1: out that the shop was left to his daughter. It's
• 27:38
  Speaker 1: quite a nice shop, and he talks about how Protist
• 27:40
  Speaker 1: was a very well off Ollyrian, making much more than
• 27:43
  Speaker 1: you know, any Ollyrians would ever make. Ollyans sounds super
• 27:45
  Speaker 1: poor or something, maybe eh, And so he goes in
• 27:49
  Speaker 1: finds his daughter. She says, well, my dad died in
• 27:51
  Speaker 1: the war.
• 27:53
  Speaker 4: And then she's running the shop and it's full of stock.
• 27:58
  Speaker 1: No one goes in there. Everyone hates her. She's a
• 28:00
  Speaker 1: woman and she owns something and they don't like her
• 28:03
  Speaker 1: for it. And so Cassie goes, well, I want to
• 28:05
  Speaker 1: buy all of that and a bunch of winter gear.
• 28:10
  Speaker 1: And he goes, can you spread it out to everyone
• 28:13
  Speaker 1: and say it's on behalf of their high lord?
• 28:15
  Speaker 4: And she's like, why not you? And he goes, better
• 28:17
  Speaker 4: to keep my name out of it.
• 28:19
  Speaker 1: M humble guy, What a humble guy. She goes, I'll
• 28:22
  Speaker 1: see it done. She's on the money, let's go well.
• 28:26
  Speaker 4: He says, yeah, go get it two. He needs it
• 28:27
  Speaker 4: most okay.
• 28:28
  Speaker 1: Chapter nine, back to Favor, she's on her way to
• 28:31
  Speaker 1: Rascina place to paint. She talks about having it, you know,
• 28:33
  Speaker 1: canvas in hand, a little nervous, and then she gets
• 28:37
  Speaker 1: nearly there and I can't quite remember what triggers it
• 28:42
  Speaker 1: in her, but she kind of has this moment.
• 28:43
  Speaker 4: Of like, fucking favor archer On, bro. What's Reese's last name?
• 28:47
  Speaker 4: Do we know? Do we?
• 28:50
  Speaker 1: Does he have one? Resand what's Recon's last name? I
• 28:53
  Speaker 1: don't looking up sand what is it?
• 28:57
  Speaker 4: Definitely hasn't been set.
• 28:58
  Speaker 1: What is Reeson's last name? He does not have a
• 29:02
  Speaker 1: confirmed last name?
• 29:03
  Speaker 4: Yeah, I don't think so. Oh, should we make one? However,
• 29:06
  Speaker 4: there are many fan theories.
• 29:08
  Speaker 1: Should we make one too? Forget this? His surname is Darling.
• 29:15
  Speaker 4: Because he always says hello, favorite Darling. That's not right.
• 29:20
  Speaker 4: Can't be right?
• 29:21
  Speaker 1: Here we go because or it could be Danaan or Moonbeam.
• 29:29
  Speaker 1: Denian or Moonbeam links him to other characters in Mass's book.
• 29:32
  Speaker 4: Cool ah, that would be cool, But it's all fan fiction,
• 29:36
  Speaker 4: not real fiction. Why can't she come out and confirm
• 29:39
  Speaker 4: some fun ship?
• 29:40
  Speaker 1: So she's like a fair artron hag lady than I
• 29:43
  Speaker 1: caught and winnows into that abandoned Paulina's abandoned studio and
• 29:50
  Speaker 1: sets up the shop and she starts painting. Let's go
• 29:55
  Speaker 1: favorite she's painting, and so chapter ten she paints what
• 30:02
  Speaker 1: the araboris mirror looked like, the beast within and what
• 30:07
  Speaker 1: she saw.
• 30:07
  Speaker 4: You're gonna be cool if there were like paintings in
• 30:10
  Speaker 4: the book.
• 30:11
  Speaker 1: I love a book with a cheeky, little like photo page.
• 30:15
  Speaker 4: I love that.
• 30:17
  Speaker 1: Yeah, it would be cool to a because I do
• 30:19
  Speaker 1: want to have one. Okay, one thing I think is
• 30:21
  Speaker 1: cool about books is that you and I would picture
• 30:24
  Speaker 1: everything about this differently. Oh yeah, and that's why I
• 30:28
  Speaker 1: saw this on something. But the reason why everyone is
• 30:33
  Speaker 1: like the books are way better is because when something
• 30:35
  Speaker 1: is depicted on screen, it's depicted the way the director
• 30:39
  Speaker 1: and the writer see it, like you and I.
• 30:41
  Speaker 4: See it different to Sarah J. Mass Oh.
• 30:44
  Speaker 1: And so when if this is depicted on screen, it's
• 30:47
  Speaker 1: going to be depicted from her brain and the director's brain.
• 30:49
  Speaker 4: That's not our brains. And that's why everyone's like the
• 30:51
  Speaker 4: books are better. The books are better. So excited to
• 30:53
  Speaker 4: say that too, By the way, we've never been able
• 30:56
  Speaker 4: to say it before. I've never been able to say that.
• 30:58
  Speaker 4: I'm so excited to say it.
• 31:00
  Speaker 2: So.
• 31:00
  Speaker 1: But one thing I do think where I would like
• 31:02
  Speaker 1: some continuity, is like things like the cauldron on one page.
• 31:07
  Speaker 1: Just have a picture of the cauldron so we all
• 31:08
  Speaker 1: can agree on what the culdron is. Were you picturing
• 31:10
  Speaker 1: or a boris mirror.
• 31:11
  Speaker 2: I'm picturing a bathtub, bro, I was pitching a bathtub too,
• 31:14
  Speaker 2: but I was thinking like a witch's cauldron, like a
• 31:16
  Speaker 2: cylinder type thing.
• 31:17
  Speaker 1: So I'm thinking bathtub shaped and everything, but old.
• 31:22
  Speaker 2: That's what I was thinking about all our bars. Maybe
• 31:24
  Speaker 2: we are thinking of the same all our baths are
• 31:25
  Speaker 2: built in now.
• 31:26
  Speaker 4: Yeah, it's like one of those ones with feet. I
• 31:28
  Speaker 4: was thinking that. Yeah, and like black and like sort
• 31:31
  Speaker 4: of like rustick. I'm thinking gold.
• 31:33
  Speaker 2: You were thinking gold, gold, bro, I was thinking like
• 31:36
  Speaker 2: it looks broken I've been thinking I was.
• 31:38
  Speaker 4: I'm thinking porcelain bath. Oh really, I wasn't thinking that.
• 31:41
  Speaker 1: I'm thinking gold on the outside, white in the middle.
• 31:44
  Speaker 1: But the water is black as night, and then the
• 31:46
  Speaker 1: feet are also white.
• 31:48
  Speaker 2: I was pushing you know when you leave like a
• 31:49
  Speaker 2: bird bath outside for like ten years.
• 31:51
  Speaker 4: Yeah, that with like nice legs. Yeah's what I was picturing.
• 31:55
  Speaker 4: That's actually also a good description. Mine is like cartoony. Yeah, right,
• 31:59
  Speaker 4: I went full cartoon. Interesting. I suppose that is the
• 32:02
  Speaker 4: beauty of it though.
• 32:03
  Speaker 1: Yeah, true, how we picture it different? Yeah, but it's
• 32:05
  Speaker 1: funny with mine. It's like when the when the cauldron
• 32:09
  Speaker 1: broke in AKA war. You picturing it is like whoa
• 32:12
  Speaker 1: like intense? I'm picturing like a white golden bathtub broken?
• 32:17
  Speaker 1: What damage can that do?
• 32:20
  Speaker 4: Okay? Chapter eleven?
• 32:23
  Speaker 1: Sorry, chapter ten was quick one Chapter ten, So chapter
• 32:26
  Speaker 1: eleven back to Reese.
• 32:28
  Speaker 4: He goes to the spring Court.
• 32:30
  Speaker 1: Okay, he gets in there and it's worse for fucking wear, Bro.
• 32:36
  Speaker 4: I was thinking about time. Something's about that happened? Zero up?
• 32:39
  Speaker 1: Keep all right, it looks he says, it looks worse
• 32:42
  Speaker 1: than after Amarantha's cronies went and trashed to the place,
• 32:47
  Speaker 1: all right after Tamlin san Fara home and Akatar.
• 32:50
  Speaker 4: He goes. He knocks on the door and he's sinking.
• 32:53
  Speaker 4: What this place sucking? Gross? Bro? What is going on?
• 32:57
  Speaker 4: He's like, what's that? Brother? Brother? Brother? He knocks, knocks again, Tamlin,
• 33:06
  Speaker 4: what do you want see? I was picturing Tamlon in
• 33:09
  Speaker 4: like a bath robe.
• 33:10
  Speaker 2: Yeah.
• 33:12
  Speaker 4: Have you watched Mega Mind the movie? Who could I?
• 33:17
  Speaker 4: What else is another thing? I could think? Made Jack
• 33:20
  Speaker 4: with like his vape in his bodies when he used
• 33:22
  Speaker 4: to come.
• 33:25
  Speaker 1: So he talks about if you guys have watched Mega
• 33:27
  Speaker 1: Mind the movie, so there's the superhero that vanishes and
• 33:32
  Speaker 1: then when they go find him and he's just like, oh,
• 33:36
  Speaker 1: it's this ready, Mega Mind, No More Incredibles. Yeah, back
• 33:40
  Speaker 1: in the day he was a base mister incredible. And
• 33:43
  Speaker 1: then you just he's sitting in his office fat and
• 33:46
  Speaker 1: that's Tamilin. It is.
• 33:48
  Speaker 4: Do we feel bad for Tamlin a little bit? I don't.
• 33:54
  Speaker 4: He saved everyone say favor I his friend cheated on him.
• 33:59
  Speaker 1: Said they're talking about a lot of Reese will say,
• 34:03
  Speaker 1: you know, like this is what Tamilin deserves or he
• 34:05
  Speaker 1: deserves death.
• 34:06
  Speaker 4: Like I just think he's had a pretty hard run.
• 34:15
  Speaker 4: I like him. I wouldn't say I like Tamilin. He's
• 34:19
  Speaker 4: had a redemption arc and no one's helping him. He
• 34:24
  Speaker 4: had a big redemption arc. Save Save Race would be
• 34:30
  Speaker 4: dead if it wasn't for Tamlin.
• 34:31
  Speaker 2: If he said no and then he said I want
• 34:32
  Speaker 2: you to be happy.
• 34:36
  Speaker 4: Wrote some shitty note to him. Yes, Stan the wound,
• 34:39
  Speaker 4: that's what that was. But I wouldn't say I.
• 34:41
  Speaker 1: Liked Tamilin, but I don't think he's had enough of
• 34:43
  Speaker 1: like a redemption arc. It's got to be like redemption
• 34:47
  Speaker 1: arc to me is so he's done some good ship
• 34:49
  Speaker 1: to save Printhian, Like he's big, played a big part
• 34:51
  Speaker 1: and saved Prithian. But he also is the reason Prithian
• 34:53
  Speaker 1: was fucking there was a war, true, Like, just because
• 34:57
  Speaker 1: you ended it doesn't mean.
• 34:58
  Speaker 4: You didn't start it.
• 35:00
  Speaker 2: All because you wanted your mate back. Not even your mate,
• 35:03
  Speaker 2: a girlfriend that you didn't even fucking listen to.
• 35:05
  Speaker 4: You don't even know her birthday. So so he goes.
• 35:11
  Speaker 1: So he goes, Oh, tell him, we need to have
• 35:12
  Speaker 1: a chat, bro, Like, what's this about your borders? I
• 35:15
  Speaker 1: was like, fuck, come on, in, the house is trashed.
• 35:18
  Speaker 1: Tay Talent takes res to the only place that hasn't
• 35:20
  Speaker 1: been trashed.
• 35:20
  Speaker 4: That's his bedroom. There's a table in there. He sits down.
• 35:23
  Speaker 1: He goes, Okay, what do you want? He says, these borders, man,
• 35:26
  Speaker 1: we need to enforce this shit. He's like, hey, do
• 35:29
  Speaker 1: you see.
• 35:31
  Speaker 4: Anyone in this house? Legit? He says that. He's like,
• 35:36
  Speaker 4: do you see anyone around us?
• 35:39
  Speaker 3: Your little girlfriend, your little wife, she ruined my court, bro,
• 35:45
  Speaker 3: and he's like, you know what, Yeah, she did.
• 35:49
  Speaker 4: And he's like, oh, was that you in her head?
• 35:50
  Speaker 4: She learned from you, didn't she? And he goes, honestly,
• 35:52
  Speaker 4: this was all hers, So leave me out of this, bro,
• 35:56
  Speaker 4: leave me out of this.
• 35:56
  Speaker 1: The whole time, he just wanted to like kill Talentlan
• 35:58
  Speaker 1: kill Talentin, and I was like, fuck, go kill an
• 36:00
  Speaker 1: animal or something.
• 36:02
  Speaker 2: And then well, Lucian wasn't there because he was hunting,
• 36:04
  Speaker 2: because Lucia was supposed to be there.
• 36:06
  Speaker 4: Yeah, but he goes where he's Lousi. He goes, oh,
• 36:07
  Speaker 4: he's hunting because again, no people here to give us food,
• 36:11
  Speaker 4: will make us food.
• 36:12
  Speaker 1: And then he says, well, if it's people you need,
• 36:16
  Speaker 1: it's I can give you that. I can have a
• 36:18
  Speaker 1: fucking you know, a platoon or whatever he calls it
• 36:20
  Speaker 1: here tomorrow or now, and he goes, you can.
• 36:23
  Speaker 4: Leave those filthy Allyrium beasts off my fucking lawn.
• 36:27
  Speaker 2: Bro.
• 36:28
  Speaker 1: He's like, okay, fair, and he's like all right, whatever,
• 36:32
  Speaker 1: and he's like getting in Tamlin's head. He goes, he's
• 36:35
  Speaker 1: wanting Tamlin to like pounce out him, and shit, he's
• 36:37
  Speaker 1: making Tamla angry. And then Tamilin just keeps and saying leave,
• 36:40
  Speaker 1: all right, I'm done.
• 36:41
  Speaker 4: Leave. Reese is like, oh, come on, baby boy, like
• 36:45
  Speaker 4: get those claws out. Let's just a little bit. Cama's like,
• 36:48
  Speaker 4: just just fucking leave. I feel bad for him. I
• 36:52
  Speaker 4: didn't feel bad for him too, So Reese winnows away.
• 36:54
  Speaker 4: He's in peak depression.
• 36:56
  Speaker 1: Reese winnows away, right, and then he goes, fuck, I
• 37:00
  Speaker 1: noticed this guy hasn't got a single ward on his house.
• 37:04
  Speaker 4: He's waiting for someone to come in and slid his throat.
• 37:06
  Speaker 2: He's given up, mate, this guy has given up with
• 37:11
  Speaker 2: that some bread.
• 37:11
  Speaker 4: He's also skinny.
• 37:13
  Speaker 1: He goes like less muscle hairs, disgusting shirts, clothes like
• 37:18
  Speaker 1: dirty bro.
• 37:20
  Speaker 2: We definitely have to have some predictions about how, yeah,
• 37:23
  Speaker 2: he comes back to himself.
• 37:24
  Speaker 4: Fuck yeah, okay. Chapter twelve, Faarah is at the townhouse.
• 37:29
  Speaker 1: Cassie's rocked up for Solstice that's two days prior or something,
• 37:32
  Speaker 1: and he's brought a bunch of just like pine needles.
• 37:38
  Speaker 4: She's like, what is this, bro?
• 37:40
  Speaker 1: He goes, decorations traditions, Solstice, we gotta decorate with the
• 37:44
  Speaker 1: pine needles.
• 37:45
  Speaker 4: She goes, fuck it.
• 37:46
  Speaker 1: They go down and get a bottle of wine. They
• 37:48
  Speaker 1: get drunk together, they start decorating. As comes in, Who
• 37:53
  Speaker 1: the fuck let YouTube drunks decorate?
• 37:55
  Speaker 4: This is hideous and he's like disappointed in them.
• 37:59
  Speaker 1: He goes men try to fix it, and Fara's like,
• 38:02
  Speaker 1: come on, kim me give me like I'm just thinking.
• 38:04
  Speaker 4: Like a drunk mom. You have some wine, some wine, please,
• 38:10
  Speaker 4: as you please. He comes over.
• 38:12
  Speaker 1: He said, fine, glogok, glog glog, and then everyone starts
• 38:17
  Speaker 1: to rock up. You know, it's two days for souls
• 38:19
  Speaker 1: to someone someone hang out that people walk in Reese
• 38:22
  Speaker 1: Asrael's mid skull of an old, old bottle of wine,
• 38:26
  Speaker 1: right because Cassie and Faara was just like, we don't care,
• 38:29
  Speaker 1: and as Reel still like respects Reese. And so Reese
• 38:31
  Speaker 1: comes in from wherever he was seeing Tomlin, I think,
• 38:34
  Speaker 1: and he goes, oh, that's where my wine's been going,
• 38:37
  Speaker 1: and as like, and I was like, dude, own that ship.
• 38:42
  Speaker 1: I was like, as you, what's your confidence with my guy?
• 38:44
  Speaker 4: Own that ship? Legit?
• 38:46
  Speaker 2: And they're laughing and he goes and I know it's
• 38:48
  Speaker 2: Cassie and don't worry whatever, it's some real p Yeah.
• 38:52
  Speaker 4: It's hilarious, kind of cringey and so oh.
• 39:00
  Speaker 1: So Fara gets up after decorating. I think either next
• 39:04
  Speaker 1: day or same night. She goes in to talk to
• 39:05
  Speaker 1: Elaine in the kitchen and she's talking to Eline. Nuala
• 39:09
  Speaker 1: and Carol do were are there, and they're kind of
• 39:10
  Speaker 1: like shaking their head because they're like Elaine's besties. Now
• 39:13
  Speaker 1: she spends heaps of time with them, and they're like
• 39:14
  Speaker 1: shaking her at Paris saying don't I wouldn't try today
• 39:18
  Speaker 1: because she's in a bad mood.
• 39:20
  Speaker 4: She starts trying to ask about Nesta.
• 39:22
  Speaker 1: Elaine's going to see Nesta that day and she won't
• 39:25
  Speaker 1: come to Solstice, so Farah' is like, fuck, okay, I'll
• 39:30
  Speaker 1: go talk to her.
• 39:31
  Speaker 4: They have dinner. Paris says the Reese, I need to
• 39:33
  Speaker 4: go somewhere after this. They go.
• 39:35
  Speaker 1: They win if they go to her apartment, she's not there,
• 39:38
  Speaker 1: and then Reese goes, I could just literally like put
• 39:41
  Speaker 1: my power everywhere and find her, and she goes fine.
• 39:43
  Speaker 4: They go find her in.
• 39:44
  Speaker 1: Some seedy rundown bar in Valarus. She's playing cards with
• 39:49
  Speaker 1: four bachelors or whatever. Fara goes over reestairs outside Paris.
• 39:54
  Speaker 2: Saying, hey, you know, time for a fucking lin eventu
• 40:00
  Speaker 2: and all Ness has been doing apparently is drinking.
• 40:04
  Speaker 4: And fucking bro. Yeah, but it's not Cassie yet.
• 40:08
  Speaker 1: It's not Cassie and she's just She goes over the
• 40:11
  Speaker 1: three three guys look at fair. They go, oh, ship
• 40:13
  Speaker 1: my lady. They walk away. She goes which one of
• 40:15
  Speaker 1: them are taking him tonight? And necesss like, haven't decided?
• 40:18
  Speaker 1: Fucking hell nessa.
• 40:21
  Speaker 4: Hey, and is what? It is? Gorgeous? This is how
• 40:24
  Speaker 4: she's she's got the pick of the town. This is
• 40:26
  Speaker 4: how she's using her time. Starts talking to far She says, Farah,
• 40:32
  Speaker 4: where the fuck is your dog? Husband? She's like Jesus,
• 40:37
  Speaker 4: it's like, fuck, this is such a bitch. Bro.
• 40:41
  Speaker 1: They've offered her jobs and everything. She won't do anything.
• 40:43
  Speaker 1: She says, come to solstice. I don't want to come
• 40:47
  Speaker 1: to solstice.
• 40:48
  Speaker 4: Please.
• 40:48
  Speaker 1: You're part of the family. Why do actually part of
• 40:50
  Speaker 1: your family? Because you're literally our sister, all right blood.
• 40:54
  Speaker 1: She's like, you know, father Nest He goes, don't finish.
• 40:58
  Speaker 4: That sentence, so good, don't you speak his name? Fuck off?
• 41:03
  Speaker 1: She's giving him a nice tomb and stuff, like Pharaoh
• 41:05
  Speaker 1: gave him a nice, nice tombstone. In the city somewhere.
• 41:07
  Speaker 1: Well he had his redemption ar. Yeah, he's a bee bro,
• 41:11
  Speaker 1: And so she says to Nesta. Then she's like gets
• 41:14
  Speaker 1: up to theeve and she goes, look, please just just
• 41:16
  Speaker 1: can't you know she's not doesn't have hopes very high.
• 41:20
  Speaker 1: And then Nesta goes as Fara is about to walk out,
• 41:22
  Speaker 1: and Nessa's like, oh, my rent, My rent's due next week.
• 41:25
  Speaker 3: And I was like, what the fuck the audacity you're
• 41:29
  Speaker 3: fucking bitch.
• 41:30
  Speaker 4: Acity is the word. And Pharah goes, she like turns back,
• 41:34
  Speaker 4: she goes see a.
• 41:35
  Speaker 1: Solstice's like, come to Solstice and we'll see about your rent.
• 41:40
  Speaker 4: It's like the fucking audacity, bro.
• 41:43
  Speaker 1: So Chapter fourteen is Reese, and Reese is.
• 41:49
  Speaker 4: On his own today. Everyone's busy, and he bumps.
• 41:54
  Speaker 1: Into more somewhere and he goes like, fuck, let's go
• 41:57
  Speaker 1: for a walk. I haven't really spoken. They definitely spoken
• 42:01
  Speaker 1: about how the fact that he's you know, given Valarus,
• 42:05
  Speaker 1: like let Kier have access to Valarus, which is coming
• 42:07
  Speaker 1: in the spring, and also set up the meeting heress
• 42:10
  Speaker 1: and stuff.
• 42:10
  Speaker 4: So he's talking and.
• 42:12
  Speaker 1: They're talking about that a little bit, and she's like,
• 42:14
  Speaker 1: when are they going to come, and he goes, probably spring.
• 42:17
  Speaker 1: You know I can, I can literally put you on
• 42:19
  Speaker 1: duties elsewhere. If that's if that helps that she goes no.
• 42:22
  Speaker 1: He wins, then I want to be here and I
• 42:24
  Speaker 1: want to act like unbothered, and he goes, well, I
• 42:27
  Speaker 1: actually I really am going to need you in these
• 42:29
  Speaker 1: next few decades or whatever. I need you to be
• 42:32
  Speaker 1: the bridge between the night Court and everyone else. You know,
• 42:37
  Speaker 1: that's what you're good at. I need you to be
• 42:38
  Speaker 1: doing this. I need you to be going to the
• 42:40
  Speaker 1: other courts the continent. And he talks about how in
• 42:43
  Speaker 1: the past, like more, she traveled everywhere all over the world.
• 42:47
  Speaker 1: That's where she learned how to fight. You know, she
• 42:50
  Speaker 1: ort to these skills. That's why she knows what she knows.
• 42:53
  Speaker 1: And so she's like, are you doing this because you
• 42:57
  Speaker 1: think I need to leave or And he's like, no, no,
• 43:00
  Speaker 1: your choice. Think of this as an offer. I'm not demanded.
• 43:02
  Speaker 1: This is not an order.
• 43:04
  Speaker 4: I always loved this from me. Yeah, this is not
• 43:05
  Speaker 4: an order.
• 43:06
  Speaker 1: I when you think about it, but I will have
• 43:08
  Speaker 1: you know that I do need you right something. I
• 43:10
  Speaker 1: think that your best, your time will be best. And
• 43:13
  Speaker 1: it's so she's like, cool, think about it, and that's
• 43:16
  Speaker 1: really that's the fourteenth chapters, guys.
• 43:19
  Speaker 4: Interesting and look we're talking about it.
• 43:21
  Speaker 1: When you're talk about it's kind of it is cool,
• 43:23
  Speaker 1: but it's just also boring. But yeah, thinking back, like
• 43:26
  Speaker 1: we've had boring episodes of the other books, to.
• 43:28
  Speaker 2: Be fair, very true, I guess like we know there's nothing, there's.
• 43:33
  Speaker 4: Not going to be any like amazing moment in this book.
• 43:36
  Speaker 1: Well, yeah, you know what with the other books, even
• 43:38
  Speaker 1: if it was it was even if it was a
• 43:39
  Speaker 1: boring episode because the chaps were boring, we.
• 43:42
  Speaker 2: Were still building up to something. Yeah, I have no
• 43:46
  Speaker 2: idea what we're building up to in this Yeah, there's
• 43:48
  Speaker 2: no blue balls at all in this book at all. Overall,
• 43:51
  Speaker 2: let's do some predictions, eh, Okay, So obviously the book's
• 43:55
  Speaker 2: going to finish at the winter solstice, you.
• 43:57
  Speaker 1: Think, so, I assume I have a feeling right now,
• 44:01
  Speaker 1: we're like a day away from which solstice.
• 44:03
  Speaker 2: Well, this whole book is a week, isn't it. So
• 44:06
  Speaker 2: there's two more days fourteen chapters finishes. Well, I think
• 44:09
  Speaker 2: like ten chapters or six chapters is going to be
• 44:12
  Speaker 2: at the winter solstress. My prediction is Nesta rocks up late,
• 44:17
  Speaker 2: something happens and there's a massive ordeal. She causes a
• 44:20
  Speaker 2: scene and you find out what happened with.
• 44:23
  Speaker 4: Her and cass In. Okay that or I hope they kiss, Okay,
• 44:29
  Speaker 4: I do not effing no, bro, I think so.
• 44:35
  Speaker 1: It says in there that Lucian's going to go spend
• 44:37
  Speaker 1: Solstice with Tamlin. Yeah, yep, somewhere so nothing of a lane.
• 44:42
  Speaker 1: So he probably won't come back. No, I don't think
• 44:44
  Speaker 1: so if he does.
• 44:46
  Speaker 4: Cool, I guess what actually happens on the night slash day.
• 44:51
  Speaker 2: I think it's a Christmas Yeah, okay, we got her
• 44:53
  Speaker 2: birthday to favors birthday. Rize will do some extravagant thing,
• 44:57
  Speaker 2: get a like sick. Maybe there'll be an amazing gest
• 45:00
  Speaker 2: like you know how he took her into that like
• 45:02
  Speaker 2: secret room of all the crowns and you could pick one.
• 45:04
  Speaker 2: Maybe there would be something cool like that.
• 45:07
  Speaker 4: Maybe. Well here's what I think. I think. Yeah, so
• 45:10
  Speaker 4: everyone will be there. They're waiting for.
• 45:12
  Speaker 1: Nessa's go rock up drunk, oh causing drunk of a man.
• 45:21
  Speaker 4: I hope you don't mind me bringing a date. That's
• 45:24
  Speaker 4: petty Cassian fights the date. Oh, what do you mean
• 45:29
  Speaker 4: that's slaughter. Cassie will kill that guy with the fucking.
• 45:32
  Speaker 2: But he's been playing with him obviously, won't kill him
• 45:35
  Speaker 2: on purpose.
• 45:36
  Speaker 1: Fair well, Okay, Yeah, I like the thought of Nessa
• 45:41
  Speaker 1: rocking it up, and it's been a bit and then
• 45:45
  Speaker 1: I still think that this book needs to lead to
• 45:50
  Speaker 1: something happening in the next one, because the next.
• 45:55
  Speaker 4: One isn't going to start off with like we were
• 45:56
  Speaker 4: all happy days. The next one Cargan a quarter silver flame? Silver?
• 46:01
  Speaker 2: Does that have something to do with the when he's
• 46:04
  Speaker 2: cursed and turns into a bird?
• 46:07
  Speaker 4: That'll be cool?
• 46:08
  Speaker 1: Vasa, Yeah, Basa because they mentioned during and Vasa she's
• 46:12
  Speaker 1: still maybe maybe Solcias gets wrapped up pretty quick in
• 46:16
  Speaker 1: the next.
• 46:16
  Speaker 4: Couple of chapters. Maybe maybe socials s gets wrapped up.
• 46:19
  Speaker 1: And then they go have a little visit down with
• 46:22
  Speaker 1: human Lands. How you guys going, Vasa, what's the delioh,
• 46:27
  Speaker 1: let's actually go see about that curse?
• 46:30
  Speaker 4: Ah? What's I like? That too?
• 46:33
  Speaker 2: Leads onto silver flames and because what else could that
• 46:35
  Speaker 2: one be? That makes sense in my head?
• 46:38
  Speaker 1: You do remember when we said this isn't smart? Yeah,
• 46:44
  Speaker 1: but then someone's left comment and they were like always
• 46:48
  Speaker 1: gets there hasn't got the silver flames might be there
• 46:52
  Speaker 1: just full of sex scenes.
• 46:55
  Speaker 2: Well, I'm hoping in this book Reese uh was in
• 46:59
  Speaker 2: Favor's mind and said you can pay me naked at
• 47:00
  Speaker 2: one point when she was nervous about painting. I'm hoping
• 47:03
  Speaker 2: she actually gets to pain him naked and he's like, yeah,
• 47:05
  Speaker 2: I have missed the pain or some ship and they
• 47:07
  Speaker 2: have another sexy scene.
• 47:08
  Speaker 4: Yeah, that would be great in this book.
• 47:10
  Speaker 1: I think that this is book's going to end with
• 47:13
  Speaker 1: Cassie and Nessa hooking up.
• 47:16
  Speaker 2: I think it might be another as real more situation. Oh,
• 47:19
  Speaker 2: it never happens, It never happens, she teases. Maybe she teases.
• 47:23
  Speaker 4: What does she know that they're mates?
• 47:25
  Speaker 1: Are they mates? I think they have suspicions. Yeah, there's
• 47:29
  Speaker 1: Cassie and even everyone's mates in this book.
• 47:31
  Speaker 4: Mate fair, fair, but.
• 47:35
  Speaker 2: Also mates doesn't mean anything because look at Lucian and
• 47:39
  Speaker 2: fucking Laye. True true, true, But overall, look, it's something different.
• 47:44
  Speaker 2: It's still entertaining at the end of the day, and
• 47:48
  Speaker 2: it is leading. Maybe this is just leading onto the
• 47:51
  Speaker 2: next book, which is going to be amazing.
• 47:52
  Speaker 4: Again. It's a filler book. Yeah, it's a filler it's
• 47:54
  Speaker 4: a filler, but it's like filler episodes in shows. Some
• 47:57
  Speaker 4: episodes boring. Bro.
• 48:00
  Speaker 1: The best filler episode ever written the Last of Us
• 48:04
  Speaker 1: episode two or whatever, when so you've been introduced to
• 48:09
  Speaker 1: the main people. But then that episode where it's that
• 48:11
  Speaker 1: guy that was a prepper.
• 48:12
  Speaker 2: Yeah yeah, okay, yeah that was also traver Bro.
• 48:18
  Speaker 4: That episode that didn't even feel like a filler episode.
• 48:21
  Speaker 1: I didn't feel like a filler episode, even though it was.
• 48:23
  Speaker 1: They went from they had, like in the one episode,
• 48:27
  Speaker 1: a twenty year fucking marriage.
• 48:30
  Speaker 4: And it was the most emotional thing you can ever
• 48:32
  Speaker 4: go through.
• 48:32
  Speaker 2: To be fair, all those episodes were like movies. Yeah
• 48:35
  Speaker 2: that was crazy, but still, how about make this book
• 48:38
  Speaker 2: as good as The hard thing about this book too,
• 48:40
  Speaker 2: is the timeline of it. Like it's only ten days
• 48:42
  Speaker 2: or something in this whole book so far, we're like
• 48:44
  Speaker 2: ten days now, you know. I think the whole thing
• 48:46
  Speaker 2: is like two weeks ten days. Yeah, So that's why
• 48:48
  Speaker 2: it's boring. Imagine if you wrote.
• 48:49
  Speaker 1: About your week, I wake up, eat breakfast, go to
• 48:56
  Speaker 1: the gym, come back work, and then go to the
• 48:58
  Speaker 1: dog park that.
• 49:00
  Speaker 2: Every day exactly, mate.
• 49:03
  Speaker 4: It's the same thing.
• 49:04
  Speaker 2: The occasional phone call with I have the occasional phone
• 49:08
  Speaker 2: call with Beth Welsh is a.
• 49:09
  Speaker 4: World the highlight, mate, the highlight.
• 49:11
  Speaker 2: Alright, so join us next week four Chapter fourteen to
• 49:15
  Speaker 2: the end, Yes, Part two, Part two bick one Yeah,
• 49:19
  Speaker 2: sweet as guys, I mean look again happy, So everyone
• 49:23
  Speaker 2: get out there, stuff fucking reading all right, and stay bad, Yeah,
• 49:28
  Speaker 2: stay bad.