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🦘 Netflix is dropping a Raygun documentary... · KIIS Breakfast

• 0:00
  Speaker 1: Celebrity news like that.
• 0:02
  Speaker 2: Guards remember ray Gun from the Olympics, that b girl.
• 0:07
  Speaker 2: So the twenty twenty four paras Olympics, she got out there,
• 0:09
  Speaker 2: she did a breakdancing thing and it wasn't very well received,
• 0:13
  Speaker 2: we could say. So she did like the jumping around
• 0:16
  Speaker 2: like she was a kangaroo, the weird on the floor
• 0:19
  Speaker 2: wiggling and stuff like that. I honestly thought like it
• 0:22
  Speaker 2: was a piss take sane, which when I first saw it,
• 0:24
  Speaker 2: I'm like, she's gone out there and taken the piss,
• 0:26
  Speaker 2: which you know, a lot of people were pissed off about. Yeah,
• 0:28
  Speaker 2: like you're representing our country because she got zero points,
• 0:32
  Speaker 2: like zero not. One of the judges thought, you know what,
• 0:35
  Speaker 2: like she rocked up and.
• 0:36
  Speaker 3: She tried like just zero because it's not breakdancing what
• 0:40
  Speaker 3: she did.
• 0:41
  Speaker 2: What's bizarre about the whole thing is that outside of dancing,
• 0:45
  Speaker 2: she also holds a PhD in cultural studies, which focus
• 0:48
  Speaker 2: on breaking culture. So she's basically dedicated her whole life
• 0:52
  Speaker 2: to breakdancing and she sucks. I mean, it's just weird anyway.
• 0:58
  Speaker 2: So then our Relie sing a Netflix documentary about Raygun.
• 1:02
  Speaker 2: It's called Untold Raygun, Breaking Badly, which is coming out
• 1:06
  Speaker 2: on September first. The trailer has been released over nine
• 1:09
  Speaker 2: I want you to have a little listen to it.
• 1:11
  Speaker 3: Right before the Olympics, I went to my therapist panic.
• 1:15
  Speaker 3: She was like, what's the worst that could happen?
• 1:18
  Speaker 1: The whole world could laugh at me. So do you
• 1:20
  Speaker 1: think that's reasonable?
• 1:22
  Speaker 3: I was like, oh no, it was this frenzy, it
• 1:25
  Speaker 3: was this growing monster.
• 1:27
  Speaker 4: I mean, it would be interesting to see how it
• 1:29
  Speaker 4: all came about and what her deal is.
• 1:31
  Speaker 3: Surely she has friends in the industry, like let's say
• 1:35
  Speaker 3: the breakdance industry, or like other friends who are dancers.
• 1:39
  Speaker 2: Who have said you, so, hey, that doesn't kind of.
• 1:43
  Speaker 3: Represent you know what, you know, the breakdancing culture.
• 1:46
  Speaker 2: It reminds me of there's always that kid whose parents
• 1:50
  Speaker 2: haven't told them they suck at singing, and they just
• 1:52
  Speaker 2: try and they get up in front of everyone, they
• 1:54
  Speaker 2: audition for talent shows, and you're just like someone needs
• 1:57
  Speaker 2: Like if your kid came to you, Amy, one of
• 1:59
  Speaker 2: your three children, and said I, Mum, I really want
• 2:02
  Speaker 2: to be a professional singer, and then gave it all
• 2:04
  Speaker 2: they've got to you and Ryan, your husband, and you
• 2:07
  Speaker 2: sat there and you're like they are tone deaf. Would
• 2:10
  Speaker 2: you tell them to avoid this?
• 2:12
  Speaker 3: I would let them go and work on themselves.
• 2:14
  Speaker 2: Here's what I wouldn't let them do.
• 2:16
  Speaker 1: I wouldn't let them go into like a.
• 2:17
  Speaker 3: Live TV show and audition where Olympics all the Olympics. Yeah, yeah,
• 2:22
  Speaker 3: if they were singing at the Olympics, I would put
• 2:24
  Speaker 3: a stop to that before they got there.
• 2:26
  Speaker 4: See, you know what you've got to do that. I
• 2:28
  Speaker 4: remember my old man. I'm in the living room, I
• 2:31
  Speaker 4: was singing. This got to be all right, all right,
• 2:36
  Speaker 4: all right, he goes to your tone deaf, stop singing.
• 2:39
  Speaker 2: Also tell you that you can't dance.
• 2:41
  Speaker 4: Nah, No, he hasn't got that.
• 2:43
  Speaker 2: So he discovered that is literally.
• 2:46
  Speaker 4: I remember headphones on in the living room.
• 2:48
  Speaker 2: Remember, you've got to be cruel to be kind.
• 2:51
  Speaker 4: I respect him for it. I am to deaf, I
• 2:52
  Speaker 4: can't sing. Yeah, problem solved.
• 2:54
  Speaker 2: Yeah, I agree.
• 2:55
  Speaker 4: Didn't try and be a singer.
• 2:56
  Speaker 2: Tough love. Now Jojo, and I'm not talking about Jojo.
• 2:59
  Speaker 2: See why I'm talking about the original Jojo. Remember this
• 3:02
  Speaker 2: huge song leave Get Out. She had all the makings
• 3:09
  Speaker 2: of being the next big pop star back in the day.
• 3:11
  Speaker 2: She had that song. She had too little too late,
• 3:13
  Speaker 2: a couple of other ones. Then she disappeared off the
• 3:16
  Speaker 2: face of the earth. Now, the reason that happened, if
• 3:18
  Speaker 2: you didn't know, she actually signed a really bad record
• 3:21
  Speaker 2: deal at the age of twelve. She was signed really young, obviously,
• 3:24
  Speaker 2: got bad advice, and then she was locked into this
• 3:27
  Speaker 2: deal where she was blocked from releasing music for ten years.
• 3:30
  Speaker 2: So that's why she just disappeared, because she had a
• 3:33
  Speaker 2: disagreement with her record label and they just stopped allowing
• 3:36
  Speaker 2: her to put music out and she couldn't go elsewhere.
• 3:38
  Speaker 2: She was locked into this deal. She also had a
• 3:40
  Speaker 2: kind of Taylor Swift situation where she also didn't own
• 3:43
  Speaker 2: the master recordings of those songs like her big songs
• 3:46
  Speaker 2: that she had early on, So if you look up
• 3:49
  Speaker 2: Leave on Spotify, for example, it sounds completely different because
• 3:52
  Speaker 2: she had to re record it much later. So anyway,
• 3:55
  Speaker 2: she disappeared, But now she's kind of come back and
• 3:58
  Speaker 2: on her socials she's doing a bit of an educational
• 4:01
  Speaker 2: thing where she's teaching people about the music industry. She
• 4:04
  Speaker 2: did one on like talking to people about the difference
• 4:07
  Speaker 2: between owning your master recordings and all that kind of thing,
• 4:09
  Speaker 2: and her latest video is all about the fact that
• 4:12
  Speaker 2: she thinks that no real singer, no singer is really
• 4:16
  Speaker 2: singing live anymore because of how advanced technology is. Even
• 4:19
  Speaker 2: when they're singing live, it's auto tuned, and like when
• 4:22
  Speaker 2: you go to concerts and you're like, oh, her mic
• 4:24
  Speaker 2: is on, Sure it might be, but it's not actually
• 4:27
  Speaker 2: what they sound like. Take a listen.
• 4:29
  Speaker 1: But I find it really interesting is that most people
• 4:31
  Speaker 1: don't even realize that their expectations have changed, because every
• 4:34
  Speaker 1: concert sounds flawless. I've been in an audience and I'm
• 4:36
  Speaker 1: watching a show and I'm like, you'll see what's going on, right,
• 4:40
  Speaker 1: and they're like, yes, the mic is on. I'm like,
• 4:41
  Speaker 1: it's literally not. But then if they weren't using this stuff,
• 4:45
  Speaker 1: A misnoe, a human moment, a run that doesn't quite land,
• 4:48
  Speaker 1: all those things start to feel and sound like a
• 4:50
  Speaker 1: failure when it used to just feel like.
• 4:54
  Speaker 4: I'm not bothered by people auto tuning. What's that thing
• 4:57
  Speaker 4: where they're not really singing butlepsy bother me. I know
• 5:01
  Speaker 4: people are real purists for it, but I'm like, well,
• 5:03
  Speaker 4: if it sounds good, it sounds good, you know.
• 5:05
  Speaker 3: I just remember going to a Rihanna concert and I
• 5:07
  Speaker 3: used to love her.
• 5:09
  Speaker 4: I still do.
• 5:10
  Speaker 3: But her on the radio or on you know, Spotify
• 5:14
  Speaker 3: versus her in real life, it's not pretty different.
• 5:16
  Speaker 2: Yeah.
• 5:16
  Speaker 4: No, Right, so if they fake it when they're up
• 5:19
  Speaker 4: on stage and it sounds like it does on the radio,
• 5:21
  Speaker 4: then what's the problem. Yeah, well they're a fraud. Is
• 5:24
  Speaker 4: that what you're saying? You call them Rihanna a fraud
• 5:26
  Speaker 4: live on It.
• 5:27
  Speaker 3: No, I'm just saying she sounded different to Also, you've
• 5:30
  Speaker 3: got to remember, just like a game of footy, right,
• 5:32
  Speaker 3: your favorite player has an off night.
• 5:33
  Speaker 2: You could go to a concert. They could be just
• 5:35
  Speaker 2: having an off day. Yeah, that can happen, but there's
• 5:37
  Speaker 2: no room for error anymore. That's what JoJo's saying. She's
• 5:40
  Speaker 2: like one off note with phones on the internet, and
• 5:42
  Speaker 2: you're basically gone viral for being a shit singer. Yeah,