Latest / X Minus One | Old Time Radio / X Minus One - "Jaywalker" (Old Time Radio, 1956)
Transcript
- 0:00Speaker 1: An estranged wife boards her rocket pilot husband's interplanetary flight
- 0:04Speaker 1: under another passenger's clearance. Once the ship is underway, the
- 0:08Speaker 1: rules governing space travel place their hoped-for reunion in the
- 0:12Speaker 1: middle of an operational crisis. From NBC, this is X-1,
- 0:16Speaker 1: Jay Walker, episode 47, first heard April 17, 1956. George
- 0:24Speaker 1: Lefferts adapted Ross Rocklin's story, first published in Galaxy Science
- 0:29Speaker 1: Fiction in 1950. Daniel Sutter directed a cast including Bob Hastings,
- 0:34Speaker 1: Raymond Edward Johnson, Terry Keene, Connie Lemke, and Eugene Francis. Now,
- 0:40Speaker 1: back to the golden age of radio.
- 0:42Speaker 2: In just a moment, X minus one, but first, after
- 0:45Speaker 2: a hard day's work, there's nothing more welcome than an
- 0:48Speaker 2: evening of variety entertainment. And that's just the tonic provided
- 0:51Speaker 2: tomorrow night by NBC Radio. You'll laugh your cares away
- 0:55Speaker 2: when good-natured contestants carry out the rib-tickling stunts dreamed up
- 0:58Speaker 2: by MC Jack Bailey.
- 0:59Speaker 3: On NBC's Truth or Consequences.
- 1:02Speaker 2: And later on, Groucho Marx peps things up with lots
- 1:04Speaker 2: of spontaneous good fun and more of the friendly insults
- 1:07Speaker 2: at which he's so accomplished. For a brighter, livelier evening
- 1:11Speaker 2: tomorrow night, it's Groucho Marx and Truth or Consequences on
- 1:14Speaker 2: this station. Now, stay tuned for X-1 on NBC.
- 1:21Speaker 4: Have a nice trip. The seat number is 15. Next, please.
- 1:24Speaker 5: Countdown for blastoff.
- 1:29Speaker 3: X minus 5, 4, 3, 2, X minus 1, fire.
- 2:02Speaker 6: From the far horizons of the unknown come transcribed tales
- 2:05Speaker 6: of new dimensions in time and space.
- 2:09Speaker 3: These are stories of the future.
- 2:11Speaker 6: Adventures in which you'll live in a million could be
- 2:13Speaker 6: years on a thousand maybe worlds. The National Broadcasting Company,
- 2:18Speaker 6: in cooperation with Galaxy Science Fiction Magazine, presents.
- 2:22Speaker 5: X minus 1.
- 2:36Speaker 3: Tonight's story, Jay Walker by Ross Rocklin.
- 2:52Speaker 6: Intergalactic flight number 14 now loading at ramp 10. Intergalactic
- 2:57Speaker 6: flight number 14 now loading at ramp 10.
- 3:01Speaker 5: Please have your flight loaded.
- 3:03Speaker 7: You walk from the waiting room down the long ramp
- 3:05Speaker 7: numbered 10. The flight pack is in one hand, the
- 3:08Speaker 7: validation papers in the other. Other passengers chatter behind you.
- 3:13Speaker 7: You turn a corner, and there's the ship. The cylinder
- 3:17Speaker 7: of glistening silver aimed at the moon. You feel yourself
- 3:20Speaker 7: carried up the moving stair to the gaping entrance lock.
- 3:24Speaker 7: A pretty stewardess in a blue uniform smiles at you.
- 3:26Speaker 4: Validation papers, please?
- 3:29Speaker 3: Your papers, madam.
- 3:30Speaker 7: Oh, papers? Oh, yes, here they are.
- 3:32Speaker 5: Mm-hmm.
- 3:34Speaker 8: Mrs.
- 3:34Speaker 4: Marsha Foster. You feeling well, Miss Foster?
- 3:37Speaker 7: Yes, quite well, thank you.
- 3:39Speaker 4: We have to make sure. Once in a while, somebody
- 3:42Speaker 4: slips aboard with another person's validation papers.
- 3:45Speaker 7: What difference would it make if I felt well or not?
- 3:47Speaker 4: Great deal, I'm afraid.
- 3:49Speaker 9: You see, the effect of a free fall in space
- 3:51Speaker 9: without gravity can do quite a bit of damage in
- 3:54Speaker 9: certain glandular conditions.
- 3:56Speaker 7: I see you've passed your physical. Yes, I'm quite all right. Fine.
- 4:00Speaker 4: Have a nice trip. Your seat number is 15.
- 4:03Speaker 3: Next, please.
- 4:05Speaker 7: You walk down the carpeted aisle to the plastic on
- 4:07Speaker 7: the seat. Her words make a ringing pattern in your brain.
- 4:12Speaker 7: Are you feeling well, Mrs. Foster? Mrs. Foster's feeling quite well,
- 4:16Speaker 7: thank you.
- 4:17Speaker 9: Mrs.
- 4:17Speaker 7: Foster has passed her physical examination. There's only one thing
- 4:21Speaker 7: wrong with the picture. You are not Mrs. Foster.
- 4:26Speaker 5: Attention, please.
- 4:27Speaker 3: Attention.
- 4:28Speaker 8: In one minute, the flash walls will be raised around
- 4:31Speaker 8: the ship. If for any reason the passenger is not
- 4:33Speaker 8: feeling well or does not wish to make the trip,
- 4:36Speaker 8: please speak up.
- 4:39Speaker 7: One minute. You begin to wonder if you ought to
- 4:42Speaker 7: go after all. You begin to think of how it happened.
- 4:46Speaker 7: Why you're here sitting in this silver vessel waiting to
- 4:49Speaker 7: blast off for the moon. What happened between you and Jack?
- 4:54Speaker 7: What happened?
- 5:01Speaker 3: Honey, honey, I'm back.
- 5:02Speaker 7: Jack, oh, darling.
- 5:05Speaker 3: Did you miss me?
- 5:06Speaker 7: Did I miss you?
- 5:08Speaker 3: I brought you a little present from the moon.
- 5:11Speaker 7: What is it?
- 5:12Speaker 3: Open it and see.
- 5:13Speaker 7: All right, I will.
- 5:16Speaker 3: Try it on.
- 5:17Speaker 7: Oh, it's beautiful.
- 5:19Speaker 3: Took us two hours to pick it out. Us? Oh,
- 5:24Speaker 3: me and Sue. Sue Egan.
- 5:27Speaker 7: Who's she?
- 5:28Speaker 3: The stewardess on the ship.
- 5:30Speaker 8: Oh?
- 5:32Speaker 7: How long has she been on the Earth moon run?
- 5:34Speaker 3: I guess it's about a year now.
- 5:37Speaker 7: Funny you never mentioned it.
- 5:38Speaker 3: Oh, haven't I? Well, what's the difference?
- 5:42Speaker 7: It just seems odd.
- 5:43Speaker 3: Hey.
- 5:45Speaker 7: What?
- 5:45Speaker 3: Well, you're not jealous, are you?
- 5:47Speaker 4: Is she pretty?
- 5:48Speaker 3: Oh, monstrous. Four feet high and three feet around. And
- 5:52Speaker 3: she has a big blue eye right in the middle
- 5:54Speaker 3: of her forehead.
- 5:54Speaker 7: Oh, you're insane.
- 5:55Speaker 3: Come on, how about a kiss?
- 5:56Speaker 7: No.
- 5:58Speaker 3: Lady, I've been away for four months.
- 6:00Speaker 7: Sorry.
- 6:00Speaker 3: I guess I'll just have to go back to Sue
- 6:03Speaker 3: Egan and her three blue eyes.
- 6:04Speaker 7: In that case, here.
- 6:12Speaker 3: I have been away a long time.
- 6:15Speaker 7: Jack, I want to talk to you about that.
- 6:18Speaker 3: Okay, but could it wait till tonight? I am taking
- 6:21Speaker 3: you to dinner, Mrs. McClain.
- 6:23Speaker 7: I'd rather talk about it now.
- 6:24Speaker 3: Okay.
- 6:25Speaker 8: Okay.
- 6:27Speaker 7: Jack, we've been married for six years now.
- 6:29Speaker 3: Is it that long?
- 6:30Speaker 7: Seven in July. For the last two, you've been skippering
- 6:33Speaker 7: that rocket to the moon.
- 6:34Speaker 3: I know.
- 6:35Speaker 7: Three weeks at a time, with only a week in between.
- 6:38Speaker 3: Well, I do get a month vacation besides.
- 6:39Speaker 7: Jack, that is no kind of life.
- 6:42Speaker 3: Marsha, I don't know what I can do about it.
- 6:43Speaker 7: You haven't tried to do anything about it.
- 6:46Speaker 3: I guess you're right.
- 6:47Speaker 7: Do you intend to try?
- 6:49Speaker 5: Marsha.
- 6:50Speaker 7: Look, I need to know.
- 6:52Speaker 3: Marsha, flying is my whole life.
- 6:53Speaker 7: But it isn't mine. I'm not going to spend three
- 6:56Speaker 7: weeks out of four sitting here wondering if you'll come
- 6:58Speaker 7: back alive.
- 6:59Speaker 3: Oh, now that's ridiculous.
- 7:00Speaker 8: Is it?
- 7:01Speaker 7: What about my father who died on the Elsinore when
- 7:03Speaker 7: it missed Mars?
- 7:03Speaker 10: Your father died as the result of a space maneuver
- 7:06Speaker 10: that no pilot in his right mind would try.
- 7:08Speaker 7: They missed the planet. That could happen to anybody.
- 7:11Speaker 3: They missed it because they tried to warp the ship around.
- 7:14Speaker 7: I'm afraid I don't understand.
- 7:16Speaker 3: Well, it isn't very hard to understand.
- 7:18Speaker 10: A spaceship takes off with everything calculated to the last
- 7:21Speaker 10: decimal point. It has exactly enough fuel to take it
- 7:24Speaker 10: to a planet if it follows an exact course.
- 7:27Speaker 3: An ironclad mathematical orbit.
- 7:30Speaker 7: Well?
- 7:30Speaker 3: Well, there was a jaywalker aboard the Elsinore.
- 7:34Speaker 7: A jaywalker?
- 7:35Speaker 10: Well, that's what we call somebody who boards a ship
- 7:37Speaker 10: knowing that he has no business doing so. In this
- 7:39Speaker 10: particular case, it was a senator going to a convention
- 7:42Speaker 10: on the moon. He had been taking endocrine treatments and
- 7:45Speaker 10: kept it secret on his validation papers. He felt he
- 7:48Speaker 10: had to attend this convention to muster some votes for
- 7:50Speaker 10: his campaigns.
- 7:52Speaker 3: He didn't consider that he was jeopardizing his life.
- 7:54Speaker 7: I still don't see how they missed the planet.
- 7:57Speaker 10: Six hours out, the senator began to die. The effect
- 8:00Speaker 10: of the free fall on his glands was catching up
- 8:03Speaker 10: with him. And the only way to reverse that effect
- 8:05Speaker 10: is to reverse the spin of the ship.
- 8:07Speaker 3: Turn it end over end.
- 8:09Speaker 10: That creates artificial gravity, reverses the.
- 8:11Speaker 3: Stress on the glands. The pilot took a chance. He
- 8:14Speaker 3: did just that.
- 8:15Speaker 7: Is that why they missed the planet?
- 8:17Speaker 3: They lost their trajectory.
- 8:19Speaker 10: By the time they recalculated their course, they'd passed Mars.
- 8:22Speaker 10: They ran out of fuel and kept going until, well,
- 8:26Speaker 10: until they fell into the gravity of the sun.
- 8:29Speaker 7: And that couldn't happen today?
- 8:30Speaker 10: A pilot would have to be out of his mind
- 8:32Speaker 10: to try a maneuver like that.
- 8:33Speaker 7: You wouldn't try it.
- 8:34Speaker 3: Risk an entire ship to save the life of one fool?
- 8:37Speaker 3: You wouldn't.
- 8:39Speaker 10: Oh, Marsha, I can't say I definitely wouldn't. Right now,
- 8:43Speaker 10: it's inconceivable.
- 8:44Speaker 7: Just as inconceivable for you to give up space flight
- 8:46Speaker 7: for myself.
- 8:48Speaker 10: Isn't it equally inconceivable for you to put up with
- 8:50Speaker 10: it for my sake?
- 8:51Speaker 7: I've put up with it for two years. Jack, this
- 8:55Speaker 7: is the end of it.
- 8:57Speaker 3: Now, what exactly do you mean by that?
- 8:58Speaker 7: I mean you have to decide whether you want a
- 9:00Speaker 7: marriage and a family or a career as a space jockey.
- 9:03Speaker 3: Then why do I have to decide? Why can't I
- 9:05Speaker 3: have both?
- 9:05Speaker 7: Because I won't live this way. Nobody else does except
- 9:09Speaker 7: a handful of wives whose husbands are crazy enough to
- 9:10Speaker 7: have picked a profession like this.
- 9:12Speaker 3: Well, you knew this was my profession when you married me.
- 9:14Speaker 7: I didn't know it was like this.
- 9:15Speaker 3: Marsha, what you're.
- 9:16Speaker 10: Asking me to do, I simply can't do.
- 9:19Speaker 3: Wouldn't make you happy if I did. I'd just be
- 9:22Speaker 3: walking around resenting you. Now, come on. Let's have dinner
- 9:26Speaker 3: and forget this for a while.
- 9:28Speaker 7: No. We're not having dinner.
- 9:31Speaker 3: Would you rather stay home tonight?
- 9:34Speaker 8: No.
- 9:35Speaker 7: I'm going to Los Angeles to my mother's house.
- 9:37Speaker 2: What?
- 9:38Speaker 7: I have tickets on the six o'clock flight.
- 9:39Speaker 3: Tonight?
- 9:40Speaker 5: Yes.
- 9:41Speaker 7: Jack, I'm quite determined. I've made up my mind that
- 9:43Speaker 7: I'd put it to you squarely, and if you refused,
- 9:45Speaker 7: I was leaving.
- 9:46Speaker 3: Just like that?
- 9:47Speaker 7: Yes. I've had all I can take.
- 9:49Speaker 3: Mosh, for heaven's sake, can't we talk this over and
- 9:51Speaker 3: make some kind of a compromise?
- 9:52Speaker 7: There is no compromise, Jack. It's all very exciting for you,
- 9:56Speaker 7: tearing back and forth to the moon with glamorous stewardesses
- 9:58Speaker 7: and all sorts of celebrities. but sitting here waiting isn't
- 10:01Speaker 7: much fun for me well.
- 10:02Speaker 3: You could get a job you could develop some interest that.
- 10:04Speaker 7: Isn't why i married you i want a home and
- 10:07Speaker 7: a family and a man who comes home every night
- 10:09Speaker 7: and talks to me about little unimportant things and i'm
- 10:13Speaker 7: not that man no no you're not okay what are
- 10:18Speaker 7: you doing.
- 10:19Speaker 3: I don't like people walking out on me, so I'm
- 10:21Speaker 3: leaving first.
- 10:22Speaker 7: Would you mind telling me where you'll be?
- 10:23Speaker 3: I don't know.
- 10:26Speaker 10: You can reach me through Intergalactic if you change your mind. Marsha,
- 10:31Speaker 10: maybe we'll both be better off. We didn't have much
- 10:33Speaker 10: of a home life anyway, just the two of us.
- 10:35Speaker 3: Oh, I'm sorry.
- 10:38Speaker 5: I didn't mean that.
- 10:40Speaker 3: I know how you feel about not having children. Goodbye, Marsha.
- 10:45Speaker 8: Goodbye.
- 10:49Speaker 7: Thank you. There it was. You learned when you came
- 11:02Speaker 7: back from Los Angeles two months later that he'd been
- 11:04Speaker 7: seen in the company of one Susan Egan, stewardess for
- 11:08Speaker 7: Intergalactic on numerous occasions. You learned, too, that he'd applied
- 11:11Speaker 7: for the Earth-Venus run, the newest and most difficult run
- 11:14Speaker 7: in the galaxy. And you learned something else, something that
- 11:18Speaker 7: was going to change the whole course of your life.
- 11:23Speaker 3: Come in, Mrs. McLean. Sit down.
- 11:26Speaker 7: Thank you, Doctor.
- 11:27Speaker 3: I have some good news for you.
- 11:28Speaker 7: Yes?
- 11:29Speaker 3: You're going to have a child. Well, I... I thought
- 11:33Speaker 3: you'd be happy about that.
- 11:35Speaker 7: Happy?
- 11:37Speaker 4: Oh, yes.
- 11:38Speaker 7: Yes, I am. Naturally. You debated for a long time,
- 11:50Speaker 7: and then you called the intergalactic office.
- 11:53Speaker 6: Mr.
- 11:53Speaker 7: McLean was out on the Earth-Moon run. He'd be back
- 11:55Speaker 7: on the 12th, but only for an afternoon. He was
- 11:58Speaker 7: taking off again immediately. They were so sorry. You were
- 12:03Speaker 7: sorry yourself. It seemed as if life would not be
- 12:06Speaker 7: worth living without Jack, especially now with a child on
- 12:09Speaker 7: the way. You had to talk to him, to be
- 12:11Speaker 7: with him. That was when you first began to formulate
- 12:14Speaker 7: the idea of going to the moon with him on
- 12:16Speaker 7: this run.
- 12:19Speaker 4: Attention please, attention!
- 12:21Speaker 8: We're about to count down for blast off. Fasten your
- 12:23Speaker 8: seat belts and recline back as far as possible. The
- 12:26Speaker 8: next sound will be that of the first stage rockets
- 12:29Speaker 8: heating up. Do not be alarmed by the vibration of
- 12:32Speaker 8: the ship.
- 12:34Speaker 7: From the bulkheads overhead everywhere comes the deep rumbling sound.
- 12:39Speaker 7: Some of the passengers look anxious, some excited, some leap
- 12:43Speaker 7: casually through magazines as they lie on their backs in
- 12:45Speaker 7: the reclining seats.
- 12:48Speaker 8: Those of you who've never been in rockets will find
- 12:50Speaker 8: it an experience that will make you proud to belong to.
- 12:53Speaker 4: The human race.
- 12:54Speaker 5: Countdown for blastoff. X minus five. Minus four. Minus three.
- 13:01Speaker 5: Minus two. Minus one. Zero.
- 13:11Speaker 7: The rumble heightens. All emotion leaves you. A cold, ravening
- 13:15Speaker 7: fear takes over. You try to close your eyes, your
- 13:18Speaker 7: ears against it, but your mind won't respond. You look
- 13:20Speaker 7: out the port, and the scene is suddenly splashed with
- 13:22Speaker 7: a rushing sheet of flame that darkens the sky and
- 13:24Speaker 7: is torn from your vision. Snatched away, the buildings, the trees,
- 13:31Speaker 7: the roads vanish. A great, soft, uniform weight presses down
- 13:35Speaker 7: on you. You push with all your might, but it
- 13:36Speaker 7: smothers you, presses you back, drives your blood down, down
- 13:39Speaker 7: inside of you. And then, quiet.
- 13:46Speaker 8: We are now 102 miles over New York City. You
- 13:49Speaker 8: may unfasten your safety belt. The pull of gravity will
- 13:53Speaker 8: no longer trouble you.
- 13:58Speaker 7: You unfasten the safety belt and sit in the seat,
- 14:01Speaker 7: wondering what to do next.
- 14:03Speaker 8: Ladies and gentlemen, welcome to intergalactic flight number 14 out
- 14:07Speaker 8: of New York Rocketport, destination Moon. I'm your hostess, Miss
- 14:11Speaker 8: Susan Egan. Your pilot for this flight is Captain Jack McLean.
- 14:15Speaker 8: Our position at the moment is approximately 550 miles above Earth,
- 14:19Speaker 8: and in less than one half hour, we'll be in
- 14:22Speaker 8: free fall, completely without gravity. Our speed is currently 29,000
- 14:26Speaker 8: miles per hour. We should arrive at Moonport at exactly
- 14:29Speaker 8: 6 p.m. tomorrow Earth time. I wish you a pleasant voyage.
- 14:33Speaker 8: If there's anything you need, Intergalactic is at your service.
- 14:45Speaker 7: Well, you think to yourself, everybody's here. Your husband, your
- 14:52Speaker 7: loved one, and his wife. You watch her as she
- 14:56Speaker 7: walks back along the rows of seats with an armful
- 14:58Speaker 7: of the latest magazine recordings. A tall girl, about 29
- 15:02Speaker 7: or 30, dark brown hair, dark eyes, and not very pretty.
- 15:08Speaker 7: The sort who would be able to talk to him
- 15:10Speaker 7: about steam tubes and beautiful landings and solar storms.
- 15:16Speaker 1: Mrs.
- 15:16Speaker 4: Foster, would you like something to read?
- 15:17Speaker 7: Oh, uh, thank you, no.
- 15:20Speaker 4: First time no rocket ship?
- 15:23Speaker 7: Yes, could you tell?
- 15:24Speaker 4: You look a little green.
- 15:26Speaker 7: You feeling well? I'm quite, I'm quite all right.
- 15:30Speaker 4: Just a touch of space sickness. Come along to the
- 15:33Speaker 4: ship's hospital and we'll fix you up in a jiffy.
- 15:34Speaker 7: No, I'd rather just sit here a minute.
- 15:37Speaker 4: Of course.
- 15:38Speaker 7: I just, oh, come on.
- 15:41Speaker 8: Come on.
- 15:42Speaker 4: Let me help you into the ship's hospital.
- 15:44Speaker 7: That's it.
- 15:45Speaker 3: Come on. Take it easy.
- 15:47Speaker 4: Now, come.
- 15:51Speaker 7: On. Now, you just lie down there.
- 16:02Speaker 4: How are you feeling?
- 16:03Speaker 7: I'm scared.
- 16:05Speaker 4: There's nothing to be afraid of.
- 16:07Speaker 7: I think there is. What is it? I'm pregnant.
- 16:12Speaker 6: What?
- 16:13Speaker 7: I faked my validation papers.
- 16:16Speaker 4: Do you know what you've done to yourself?
- 16:17Speaker 7: I hoped it wouldn't affect me.
- 16:18Speaker 4: There's not much I can say, Mrs.
- 16:20Speaker 5: Foster.
- 16:21Speaker 4: I'll have to tell the captain, naturally.
- 16:22Speaker 7: But would it be... I mean, could I tell him myself?
- 16:25Speaker 4: You'd rather? I'll call him. Stewardess to Captain.
- 16:29Speaker 5: McLean, what is it, doll?
- 16:31Speaker 4: Jack, there's a passenger in the ship's hospital.
- 16:33Speaker 5: What's up?
- 16:33Speaker 4: You'd better come down here.
- 16:35Speaker 5: Look, Susie, I've got my course correction.
- 16:37Speaker 4: I think you'd better come right down. Okay.
- 16:39Speaker 5: Charlie, take it, will you? I'll be right back.
- 16:42Speaker 4: He'll be here in a minute or two. Here, let
- 16:45Speaker 4: me put this pillow under your head.
- 16:46Speaker 7: Thank you. Now, what made you do it? You wouldn't understand.
- 16:54Speaker 4: You loved him and he stationed on the moon and
- 16:56Speaker 4: you wanted to be near him. Is that it?
- 16:59Speaker 7: Could you understand that?
- 17:01Speaker 4: You mean not being able to have the man you love? Yes.
- 17:06Speaker 4: I think I could understand.
- 17:17Speaker 7: He wanted to scream at her, to claw at her face.
- 17:21Speaker 7: She was going to live and you were going to die.
- 17:24Speaker 7: She was going to share a life with Jack when
- 17:26Speaker 7: you were only a dim sort of memory in his mind.
- 17:28Speaker 7: He came in moving fast with that kind of schoolboy
- 17:32Speaker 7: gait of his. His dark face was frowning but handsome
- 17:36Speaker 7: as ever.
- 17:40Speaker 3: Now just why did you... Marsha... Marcia, honey.
- 17:44Speaker 7: Hello, Jack.
- 17:45Speaker 3: What are you doing aboard? Sue, this is my wife. Marcia,
- 17:51Speaker 3: this is Sue Egan.
- 17:52Speaker 8: Oh, hello.
- 17:54Speaker 4: I'll be getting out.
- 17:55Speaker 3: Excuse me. What's going on?
- 17:58Speaker 7: Jack, sit down. I want to tell you something.
- 18:01Speaker 3: I'd like to say something first, Marcia.
- 18:04Speaker 10: I've had a chance to do a lot of thinking lately.
- 18:07Speaker 3: And if you think we could work it out, I'd
- 18:09Speaker 3: like to try again.
- 18:10Speaker 7: You mean that?
- 18:12Speaker 3: Yes, I do.
- 18:14Speaker 7: What about Miss Egan? Sue?
- 18:17Speaker 3: What about her?
- 18:18Speaker 7: Well, I... I thought... I mean, I heard.
- 18:22Speaker 3: I'm very fond of Sue.
- 18:26Speaker 7: Yes, I thought you were.
- 18:28Speaker 3: But she isn't my wife.
- 18:30Speaker 8: You are.
- 18:32Speaker 7: Was.
- 18:33Speaker 3: What do you mean?
- 18:35Speaker 7: I'm going to die, Jack.
- 18:37Speaker 3: Marsha, what are you talking about?
- 18:38Speaker 9: Jack.
- 18:38Speaker 7: I'm pregnant. I'm pregnant. You see, we're a little too late.
- 18:46Speaker 3: Did you know this when you came aboard?
- 18:49Speaker 7: Yes.
- 18:50Speaker 3: But weren't you aware that... What about the physical?
- 18:52Speaker 7: I used another woman's validation papers. I paid her for it. Why, Melissa?
- 18:57Speaker 3: How could you do a thing like that?
- 18:58Speaker 7: I don't know. I don't know. All I knew was
- 19:00Speaker 7: that I had to see you. I had to be
- 19:02Speaker 7: with you.
- 19:02Speaker 3: If you'd only told me.
- 19:03Speaker 7: I couldn't reach you.
- 19:05Speaker 3: Didn't you know what would happen if you took a
- 19:06Speaker 3: rocket flight?
- 19:07Speaker 7: I thought somehow it wouldn't happen to me. I... I
- 19:10Speaker 7: didn't know that pregnancy was affected.
- 19:12Speaker 3: And if you had?
- 19:13Speaker 7: I would have come along anyway.
- 19:16Speaker 3: I suppose in the way I'm to blame. I'm the
- 19:19Speaker 3: one who walked out.
- 19:19Speaker 7: Don't take the blame on yourself. I'm over 21.
- 19:23Speaker 3: Marsha, what did you hope to accomplish by this?
- 19:25Speaker 7: I'm not sure.
- 19:27Speaker 3: There's only one possibility.
- 19:29Speaker 7: Possibility?
- 19:29Speaker 3: Yes, excuse me.
- 19:31Speaker 4: Miss Egan.
- 19:32Speaker 9: Yes.
- 19:33Speaker 10: Come into the ship's hospital, please. Bring Petrocelli for maintenance.
- 19:37Speaker 10: Tell him to come up.
- 19:37Speaker 3: Here with a crescent wrench.
- 19:41Speaker 7: What are you going to do?
- 19:43Speaker 8: Do?
- 19:44Speaker 3: Nothing much. I'm going to warp the ship around, that's all.
- 19:47Speaker 8: No!
- 19:53Speaker 7: Petrocelli was a big, easygoing man. Jack left me alone
- 19:57Speaker 7: with him and Miss Egan while he went back to
- 19:58Speaker 7: the control room. Petrocelli started to bolt a metal bed
- 20:02Speaker 7: to the side wall of the cabin.
- 20:06Speaker 5: Why are you.
- 20:07Speaker 7: Putting the bed on the wall.
- 20:08Speaker 6: Because, lady, when he starts to spin the ship, that
- 20:11Speaker 6: outside bulk is going to be down, not sideways.
- 20:14Speaker 5: Centrifugal force, see?
- 20:16Speaker 7: I'm afraid I don't.
- 20:17Speaker 2: Well, that's too bad, because I got other things to
- 20:19Speaker 2: do besides explain.
- 20:21Speaker 5: Okay, Susie, it's all yours.
- 20:25Speaker 7: Is he always that rude?
- 20:26Speaker 4: Doesn't it occur to you that maybe he's under a
- 20:28Speaker 4: slight strain?
- 20:29Speaker 3: Strain?
- 20:30Speaker 4: Look, Mrs.
- 20:31Speaker 9: McClain, your husband's going to warp the ship around. The
- 20:34Speaker 9: chances of his pulling off a maneuver like that without
- 20:37Speaker 9: piling us up in the sun or in deep space
- 20:39Speaker 9: are about a thousand to one. I appreciate that you
- 20:43Speaker 9: wanted to see him and show him that he ought
- 20:45Speaker 9: to be ashamed of himself for leaving you, but does
- 20:48Speaker 9: it occur to you that.
- 20:49Speaker 4: All of us may lose our lives because of it?
- 20:51Speaker 4: Including Petruccelli?
- 20:54Speaker 7: No, I hadn't thought about it. Let's go.
- 20:56Speaker 4: I've got to strap you into that bed.
- 20:57Speaker 7: No, wait. What will happen to me if the ship
- 21:00Speaker 7: isn't warped?
- 21:01Speaker 8: Sudden floods of the adrenal glands, convulsions, panic, spastic secretions,
- 21:05Speaker 8: and eventually, death.
- 21:08Speaker 7: What causes it?
- 21:09Speaker 4: Lack of gravity. We aren't sure just how.
- 21:11Speaker 9: The purpose of spinning the ship is to press you
- 21:13Speaker 9: up against the outer wall and create the effect of
- 21:15Speaker 9: gravity through centrifugal force.
- 21:17Speaker 7: Do you... Do you think he can do it?
- 21:21Speaker 9: I think he's the best skipper in the intergalactic fleet.
- 21:25Speaker 7: That isn't the answer to my question. Can he spin
- 21:29Speaker 7: the ship without killing everyone? I have faith in you.
- 21:44Speaker 7: She loved him. She had faith in him. And you,
- 21:50Speaker 7: you to whom he was married, you who carried his
- 21:52Speaker 7: child inside you, did you have faith in him?
- 21:59Speaker 3: Everything set in here?
- 21:59Speaker 5: Yes.
- 22:00Speaker 8: Good.
- 22:00Speaker 7: Jack, could we talk alone for a minute?
- 22:03Speaker 3: Only a minute. We have to get the new data
- 22:05Speaker 3: into the computer. Susie, will you excuse us, please? Yes. Well?
- 22:11Speaker 7: Jack, don't do it.
- 22:12Speaker 5: Marsha.
- 22:12Speaker 3: I mean it.
- 22:13Speaker 7: You've no right to risk all those lives just for me.
- 22:16Speaker 3: Marsha, I'm captain of this ship. I do as I
- 22:18Speaker 3: see fit, and I can't do otherwise.
- 22:20Speaker 7: But it isn't fair to them. It isn't fair to you.
- 22:22Speaker 10: When we're born into this life, we don't make any
- 22:24Speaker 10: agreement that says everything is going to be fair and equitable.
- 22:27Speaker 7: I refuse to let you do it.
- 22:28Speaker 3: You can't stop me.
- 22:29Speaker 7: I'll take my life.
- 22:31Speaker 3: I'm going to ask Sue to stay with you.
- 22:32Speaker 7: What about her? Don't you love her?
- 22:35Speaker 5: Well?
- 22:36Speaker 10: Marsha, whether I love Sue Egan is not the point
- 22:38Speaker 10: just now. I've decided to spin ship to save you
- 22:41Speaker 10: and my son.
- 22:42Speaker 3: Or daughter. If it means risking the lives of others,
- 22:46Speaker 3: I have to take that risk.
- 22:48Speaker 7: Jack.
- 22:49Speaker 5: Yes?
- 22:50Speaker 7: Why are you doing it?
- 22:52Speaker 3: Because... I love you.
- 23:07Speaker 7: It seemed to me during the next hour through the
- 23:09Speaker 7: haze of the drug they gave me that I could
- 23:12Speaker 7: see him. There was the curved silver board before it
- 23:15Speaker 7: that Jack hunched like a harried bookkeeper on the last
- 23:18Speaker 7: day of the month.
- 23:20Speaker 3: Okay, Charlie.
- 23:21Speaker 10: We'll come to the moon obliquely at 0.307. We pass it, stop,
- 23:25Speaker 10: spin the ship over once to check speed. Then put
- 23:28Speaker 10: the tail down when we feel gravity at 7.035. And
- 23:31Speaker 10: if we can do it with the fuel we've got,
- 23:33Speaker 10: it'll be a miracle.
- 23:36Speaker 3: All right, start the calculators. Engine room, reverse tubes.
- 23:42Speaker 5: Reverse tubes.
- 23:44Speaker 3: Wait for new course vector 7073. Ready for new.
- 23:47Speaker 5: Course vector 7073.
- 23:50Speaker 3: Set firing formula 2635726.
- 23:51Speaker 10: Firing formula ready.
- 23:56Speaker 3: Coming into cost vector. Counting down. 7077. 76.
- 23:59Speaker 10: 76.
- 23:59Speaker 3: 75.
- 24:00Speaker 9: 75.
- 24:00Speaker 6: 74.
- 24:00Speaker 10: 74.
- 24:00Speaker 3: 73.
- 24:00Speaker 5: Fire.
- 24:26Speaker 7: You don't recall much after that. There's the bulkhead pressing
- 24:29Speaker 7: against you like a magnet pressing harder and harder. Then
- 24:33Speaker 7: there's the needle, and then sudden relaxation. Through it all,
- 24:38Speaker 7: the stars and the moon and Jack and Sue Egan
- 24:41Speaker 7: dance in a pattern of mist, and the words come
- 24:43Speaker 7: back to you from long ago. The things he said
- 24:46Speaker 7: to you when you were both in love many years ago.
- 24:51Speaker 3: When I fly the ship, it seems that all Earth
- 24:52Speaker 3: watches me through your eyes.
- 24:55Speaker 7: The man comes to love her because he has to
- 24:57Speaker 7: fight for her.
- 24:57Speaker 1: I guess.
- 24:58Speaker 5: How is she?
- 24:59Speaker 4: Hold tight, Marsha. Hold tight to me.
- 25:03Speaker 7: She calls you Marsha. This woman who hates you, who
- 25:07Speaker 7: loves your husband, she calls you Marsha.
- 25:10Speaker 5: Marsha. Marsha.
- 25:12Speaker 3: Marsha.
- 25:13Speaker 5: Marsha.
- 25:19Speaker 9: Marsha.
- 25:24Speaker 7: The curved ceiling, but a new curve. And soft rose
- 25:28Speaker 7: instead of chrome metal. A new feeling, unlike Earth or
- 25:34Speaker 7: the ship.
- 25:36Speaker 3: Honey, wake up.
- 25:39Speaker 7: Jack?
- 25:40Speaker 3: It's all right, honey. We made it. We're on the moon.
- 25:44Speaker 7: Moon? Yes.
- 25:46Speaker 3: You're in the new Lunar City, husband.
- 25:49Speaker 7: You did it. You really did it.
- 25:53Speaker 3: Well, I've been telling you for years that I was
- 25:55Speaker 3: the best pilot in the fleet.
- 25:56Speaker 7: Oh, you don't have to pretend. I know how you
- 25:59Speaker 7: must feel about what I did.
- 26:01Speaker 3: I'm not pretending.
- 26:02Speaker 7: I was a selfish coward. I wasn't concerned about anything
- 26:06Speaker 7: but my own happiness.
- 26:08Speaker 10: Marsha, there isn't any absolute scale for courage or kindness
- 26:11Speaker 10: or goodness. I couldn't pretend to judge you or anybody else.
- 26:17Speaker 10: I only know that I believe you're a good person.
- 26:20Speaker 10: And I love you.
- 26:22Speaker 3: With your faults and your good points.
- 26:25Speaker 7: I just wanted to be with you, Jack. That's all
- 26:28Speaker 7: I ever wanted. I'm sorry I'm not brave and strong
- 26:32Speaker 7: like Susan or you or the others.
- 26:36Speaker 3: Oh, honey, nobody expects you to be. Come on. You've
- 26:40Speaker 3: got to save your strength. We've got to take good
- 26:43Speaker 3: care of you.
- 26:50Speaker 7: He reaches down and touches your lips with his fingers.
- 26:55Speaker 7: It's like a benediction. You know that you'll never again
- 26:58Speaker 7: question his right to do the things that fulfill him.
- 27:02Speaker 7: To take a silver ship above the earth and guide
- 27:04Speaker 7: it to new planets. Our child will be born on
- 27:08Speaker 7: the moon, we whisper to him. And our grandchildren in
- 27:13Speaker 7: the stars.
- 27:20Speaker 6: You have just heard X-1 presented by the National Broadcasting
- 27:23Speaker 6: Company in cooperation with Galaxy Science Fiction Magazine, which this
- 27:28Speaker 6: month features the Arthur Sellings tale entitled One Across. The
- 27:33Speaker 6: story of a man who thought that doing puzzles was
- 27:35Speaker 6: an escape until he suddenly found himself completely boxed in.
- 27:41Speaker 6: Galaxy Magazine on your newsstand today. Tonight by transcription, X-1
- 27:46Speaker 6: has brought you Jay Walker. A story from the pages
- 27:49Speaker 6: of Galaxy written by Ross Rocklin and adapted for radio
- 27:52Speaker 6: by George Lefferts. Featured in the cast were Bob Hastings,
- 27:56Speaker 6: Terry Keene, Raymond Edward Johnson, Connie Lemke, and Eugene Francis.
- 28:02Speaker 3: Your announcer, Fred Collins.
- 28:04Speaker 6: X-1 was directed by Daniel Sutter and is an NBC
- 28:08Speaker 6: Radio Network production. Next week, the story of the journey
- 28:23Speaker 6: that had no end, of a ship that had traveled
- 28:26Speaker 6: so long through space that none aboard her could remember
- 28:28Speaker 6: their destination or even wonder where they were going. Listen
- 28:32Speaker 6: for The Sense of Wonder next week on X-1. The
- 28:39Speaker 6: big news tomorrow centers around the tiny principality of Monaco,
- 28:42Speaker 6: where one of the century's most fabulous weddings will take place.
- 28:45Speaker 3: And NBC Radio is on the spot to cover it
- 28:47Speaker 3: for you.
- 28:48Speaker 2: In the daytime, NBC's Weekday reports the civil wedding ceremony
- 28:51Speaker 2: as it happens with simultaneous English translation.
- 28:58Speaker 1: Our time with X-1's Jay Walker is complete. This is
- 29:02Speaker 1: Victor Sterling. Until next time, good night. Follow X-1 for
- 29:06Speaker 1: more classic broadcasts.