Latest / The Occult Rejects / Remote Viewing with Headless Giant
Transcript
- 0:02Speaker 1: You see something's going to happen.
- 0:06Speaker 2: What what's gonna happen?
- 0:15Speaker 3: What is everybody? Welcome to another Headless's Magical Mailbag and
- 0:27Speaker 3: Remote Viewing Experience. Next, tell what you've been up to?
- 0:32Speaker 1: What is going on? How are you?
- 0:34Speaker 4: Ah?
- 0:34Speaker 1: Same thing on editing and recording.
- 0:37Speaker 4: I was working on I think I had mentioned last
- 0:40Speaker 4: time the eyeball, and then I was going to do
- 0:42Speaker 4: the twelve cranial nerves.
- 0:43Speaker 1: It's a little bit shorter shows, believe it or not
- 0:46Speaker 1: to do that.
- 0:47Speaker 4: So, yeah, you're gonna work on some like nerdy scignce
- 0:49Speaker 4: ship and then go back to Obviously I have all
- 0:50Speaker 4: this stuff on gnosticism and Christianity that I'm still going
- 0:53Speaker 4: to cover.
- 0:54Speaker 1: Yeah one of it.
- 0:55Speaker 2: Just try to do those real quick.
- 0:57Speaker 1: To throw in the Me.
- 1:00Speaker 3: And Ethan were doing some math before, well after the trialogues,
- 1:05Speaker 3: and we found something interesting. So you've got one point
- 1:08Speaker 3: six being the number of five, right, and then four
- 1:13Speaker 3: being the number of like eight squared right, So eight
- 1:16Speaker 3: being that sort of the number of the unity of
- 1:20Speaker 3: duality squaring that gives you sixty four. And then when
- 1:24Speaker 3: you divide sixty four by one point six, you get forty.
- 1:28Speaker 3: And you see that number forty all over the Bible, right,
- 1:32Speaker 3: especially talk about the Jamatri of the Bible two weeks ago,
- 1:36Speaker 3: and it's just like there it is, so a lot
- 1:40Speaker 3: of those have a lot of connections that I think
- 1:43Speaker 3: people are kind of overlooking. Get back into five because five,
- 1:46Speaker 3: when you divide by five, you get the ratio, and
- 1:50Speaker 3: that ratio is very important for all the rest of
- 1:53Speaker 3: this stuff. Well, I wanted to bring up you know,
- 1:56Speaker 3: we normally do our little presentations before the show. I
- 2:00Speaker 3: wanted to bring up my presentation here. So the Vatican
- 2:08Speaker 3: is now really thinking hard about bringing back the witch
- 2:12Speaker 3: burning era. So in a private audience, the International Association
- 2:16Speaker 3: of Exorcists urge Pope Leo to appoint properly trained priest
- 2:22Speaker 3: exorcists in every diocese, citing arise and spiritual harm linked
- 2:27Speaker 3: to growing occult practices. You are welcome, ladies and gentlemen.
- 2:32Speaker 3: We are having an impact as well.
- 2:36Speaker 4: Right, you think that's so weird though, It's like, how
- 2:41Speaker 4: much different is it from Cathos?
- 2:44Speaker 3: Well, I mean, we've got, you know, this rampant migration
- 2:47Speaker 3: problem where all of these countries in Europe are basically
- 2:50Speaker 3: being forced into extinction. We've got these wars going on
- 2:54Speaker 3: in the Middle East, and you can't talk about that
- 2:56Speaker 3: or else the Pope is going to get mad at
- 2:58Speaker 3: you for anti Semitism. And the thing we need to
- 3:01Speaker 3: worry about is thirteen year olds playing with tarot cards,
- 3:05Speaker 3: because that needs an exorcists in every dioceseh It is weird.
- 3:12Speaker 4: It's just like when you look at those people like
- 3:13Speaker 4: you just like the way they're dressed to like, all right,
- 3:15Speaker 4: and you're going after occultists.
- 3:20Speaker 2: It's just funny. It's just like you, guys, realize how
- 3:22Speaker 2: you look.
- 3:24Speaker 3: I don't know, well, the magicians at the top hate competition.
- 3:29Speaker 2: That's actually what I was thinking, honestly.
- 3:31Speaker 4: I was like, yo, they just want people to keep
- 3:33Speaker 4: staying stupid, because only only thing I can see is
- 3:37Speaker 4: you know, depending on where you go with it, but
- 3:38Speaker 4: if you get into the occult, I think you would
- 3:40Speaker 4: just understand their's shit, maybe even more more in depth.
- 3:43Speaker 1: You can't have that.
- 3:44Speaker 3: Well, you saw think I'm not sure which podcast it was,
- 3:48Speaker 3: but they had this prominent exorcist on there that was
- 3:51Speaker 3: blaming everything on the occult and all these ancient ancestral
- 3:55Speaker 3: spirits and trying to say that you know, this is
- 3:58Speaker 3: the real problem. You've seen the Exorcists pop up again
- 4:01Speaker 3: and again and again. You know, I think they're going
- 4:04Speaker 3: off of the podcasting sphere, which has really become obsessed
- 4:08Speaker 3: with the roots of all these different religions, and the
- 4:12Speaker 3: best way to get rid of that understanding is to
- 4:15Speaker 3: bring back sort of the witch burning era. So I
- 4:19Speaker 3: think they've they've caught on, so good for them.
- 4:22Speaker 4: Well, I would even say, I mean, is what it is.
- 4:27Speaker 4: I think I'm not really knocking the people. But even
- 4:29Speaker 4: if you look at it right now, when it comes
- 4:31Speaker 4: to Christianity, and again, like unfortunately this is with social
- 4:34Speaker 4: media and podcasting, I couldn't really tell you how people
- 4:38Speaker 4: are out in the real world because I'm kind of
- 4:39Speaker 4: a hermit. But even the Christians are constantly on everything.
- 4:44Speaker 4: He's fucking Satan, Lucifer and demons lately. I mean, like
- 4:48Speaker 4: in any topic they want to cover, they're just trying
- 4:50Speaker 4: to show how it's demonic. It's like, yo, it's like
- 4:53Speaker 4: it's fucking from all sides, that's all yo. For real,
- 4:56Speaker 4: You're talking about demons and fucked up shit and more
- 4:58Speaker 4: than fucking occultist even think about it's fucking weird. It's
- 5:03Speaker 4: like we don't think about this ship that much as
- 5:05Speaker 4: you guys do.
- 5:06Speaker 2: Man, the fuck's wrong with you?
- 5:09Speaker 4: Well, for real, head, let's think about that. That is
- 5:14Speaker 4: all the people that you know that practice. How many
- 5:16Speaker 4: people do you think actually think about that ship at all?
- 5:19Speaker 3: Think about how many?
- 5:20Speaker 4: How much every day they're thinking about it in their
- 5:23Speaker 4: fucking head? Who's the twisted one now but the sick
- 5:27Speaker 4: images in their head?
- 5:29Speaker 3: Think about how many prominent occultists we've had on how
- 5:32Speaker 3: many times have they mentioned the word demons or devils
- 5:34Speaker 3: or any of that stuff? So who's the word conjuring it?
- 5:39Speaker 4: At some point it's like, how often do you think
- 5:41Speaker 4: about kids getting raped as the motherfucker who's doing it?
- 5:45Speaker 2: I'm just keeping it real man.
- 5:46Speaker 4: At this point, it's just like, Yo, you constantly have
- 5:48Speaker 4: that idea, and you had as much as the sick
- 5:50Speaker 4: fock's doing it, Like, why do you want that in there?
- 5:54Speaker 4: It's fucking weird.
- 5:55Speaker 3: I understand the drive for justice, right, we need.
- 6:00Speaker 2: I understand that. No do I do get that. I
- 6:02Speaker 2: do get that, But people will lose.
- 6:04Speaker 3: How do we get closer to justice If all we're
- 6:06Speaker 3: doing is focusing on Dixon demons.
- 6:09Speaker 1: You're not going to exactly.
- 6:12Speaker 3: That's why it's so useful, Dix and demons. Listen.
- 6:16Speaker 2: I'm not saying that.
- 6:17Speaker 4: Look, I'm not saying that, Yes, that is one part
- 6:20Speaker 4: of many things that should be looked at.
- 6:22Speaker 2: I'm not saying to it, not over not look at
- 6:24Speaker 2: it and overlook it. Are you stand in and keep
- 6:27Speaker 2: it moving?
- 6:28Speaker 3: Exactly? Let's get to that point where we can actually
- 6:31Speaker 3: achieve justice instead of saying we're powerless to all of
- 6:34Speaker 3: these occult forces that are are bringing demons into our
- 6:38Speaker 3: world or whatever. That's not helpful, that's not actually going
- 6:41Speaker 3: to bring about any real and lasting change. M But
- 6:50Speaker 3: what do you got?
- 6:51Speaker 4: Oh yeah, that's right, we got we got the pictures today,
- 6:53Speaker 4: we got the remote viewing everybody. All right, it's gonna
- 6:56Speaker 4: get exciting. Uh yeah. Got a little bit of a
- 7:01Speaker 4: kind of like a short guided meditation here too.
- 7:03Speaker 1: Again, So no.
- 7:05Speaker 4: Music this time, though, I gotta I gotta figure that
- 7:07Speaker 4: one out. I gotta see if I want to try
- 7:08Speaker 4: to pull that off or not. Though it's ideah people,
- 7:11Speaker 4: let us know if you think music is an idea
- 7:13Speaker 4: and put it in the chat or whatever, if you
- 7:14Speaker 4: think they would try to play some sort of mellow
- 7:16Speaker 4: music problem is, though I don't know, like it may
- 7:18Speaker 4: not be what everybody wants to hear, so it's like,
- 7:20Speaker 4: is not gonna fuck everybody up instead of just not
- 7:22Speaker 4: having music at all? But yeah, yeah, you know what
- 7:25Speaker 4: I'm saying, like, yeah, so what here?
- 7:30Speaker 3: Let me let me just uh, let me just.
- 7:35Speaker 5: Uh nice, Yeah, clear the air a little bit there.
- 7:51Speaker 4: I like that dice. Dude, I had one of those.
- 7:55Speaker 4: Two are pretty fun too, if.
- 7:58Speaker 2: Once you finally get the hang of it, you're like,
- 7:59Speaker 2: oh shit, look at the.
- 8:03Speaker 3: I lost the I lost the thing inside of it.
- 8:05Speaker 3: So I'm using a pestle from a mortar pestle.
- 8:07Speaker 2: Yeah, it worked.
- 8:10Speaker 3: It actually works better than the other one.
- 8:13Speaker 4: It's probably probably a different weight, all right, So uh yeah,
- 8:17Speaker 4: I got the five five things again. I'll go through
- 8:20Speaker 4: this meditation first. I think at the beginning, try to
- 8:23Speaker 4: you know, get a soul and the right headspace, and
- 8:26Speaker 4: then uh then we'll go into uh, I guess envelope
- 8:29Speaker 4: number one. But uh, all right, breathe and clearing the
- 8:34Speaker 4: mind before we begin. Just allow yourself to settle, Let
- 8:39Speaker 4: your body becomes still, Let your hands rest comfortably, let
- 8:42Speaker 4: your shoulders drop, let your jaw unclenched. And gently close
- 8:47Speaker 4: your eyes. Take a slow breath in through your nose
- 8:51Speaker 4: and exhale saucily. Again, Breathe in and breathe out one
- 8:58Speaker 4: more time, slow and slowly out. Now, let your breathing
- 9:06Speaker 4: find a natural rhythm, easy, gentle, and unforced. With every inhale,
- 9:16Speaker 4: draw and calm with every exhale, Let go of tension.
- 9:24Speaker 4: Breathing calm, Breathe out noise, Breathe in stillness, Breathe out distraction,
- 9:36Speaker 4: breathing clarity, breatheout effort. Now bring your attention fully to
- 9:43Speaker 4: your breath. Notice the air entering the nose, Notice the
- 9:50Speaker 4: chest rise, Notice the body softened as you exhale. Nothing
- 9:58Speaker 4: else to do right now, nothing to force, nothing to chase,
- 10:04Speaker 4: Only breathe. If thoughts appear, let them pass, Do not
- 10:13Speaker 4: follow them, do not fight them. Just let them drift
- 10:17Speaker 4: by like clouds. Each time your mind wanders, gently return
- 10:23Speaker 4: to the breath. Inhale, Calm, exhale, release, inhale, soften, exhale empty.
- 10:42Speaker 4: Now imagine the space behind your eyes closed. At first,
- 10:47Speaker 4: it may seem busy. No sorry, Now imagine the space
- 10:51Speaker 4: beyond your closed eyes. At first, it may seem busy, flickering,
- 10:57Speaker 4: full of leftover thoughts and impressions.
- 11:00Speaker 1: That's okay.
- 11:03Speaker 4: Now, imagine that with each breath, that inner space becomes clearer.
- 11:10Speaker 4: As you inhale, the mind grows quieter. As you exhale,
- 11:17Speaker 4: The inner screen clears inhale, clearing, exhale, softening, inhale, openness,
- 11:33Speaker 4: exhale stillness. Let the mind's eye become like a calm
- 11:40Speaker 4: dark lake, smooth, quiet, undisturbed, no ripples, no strain, no
- 11:53Speaker 4: forcing images, just the clear inner space. If a thought comes,
- 12:03Speaker 4: let it fade. If tension appears, breathe it out. If
- 12:10Speaker 4: expectation appears, release it. You are not trying to make
- 12:16Speaker 4: something happen. You are simply becoming still enough to notice.
- 12:22Speaker 4: I'll silently say to yourself, I am relaxed, I am
- 12:28Speaker 4: breathing slowly. My mind is calm, my inner sight is clear.
- 12:38Speaker 4: I let go of noise. I allow stillness. Take another
- 12:46Speaker 4: slow breath in.
- 12:49Speaker 1: And a long.
- 12:50Speaker 4: Breath out, again, in and out, one more time, in
- 13:11Speaker 4: and out. Stay here for a moment, in the quiet, breathing,
- 13:21Speaker 4: relaxed and clear. Okay, Now we will begin to focus
- 13:34Speaker 4: on envelope number one. Stay focused on your breathing, allow
- 13:50Speaker 4: feelings and images to just appear and come in. Sure
- 14:25Speaker 4: you start to write everything down. Try to stay relaxed.
- 14:39Speaker 4: Focus on your breathing. Okay, all right, you good, helpless? Alright,
- 15:00Speaker 4: all right, now try to focus it on. Don't focus whatever,
- 15:04Speaker 4: keep your eyes closed, close your eyes again, Relax the body.
- 15:09Speaker 4: Start all over again. The eyes, the jaw, your shoulders.
- 15:14Speaker 4: Make sure you're sitting and laying comfortable. However you are.
- 15:19Speaker 4: Stop breathing in again and then out. Focus on your breath.
- 15:32Speaker 4: Every time you breathe in and breathe out, the inner
- 15:35Speaker 4: screen clears, and then we will do Envelope number two.
- 15:51Speaker 1: Breathe in and now.
- 15:58Speaker 4: Let the images come to you. Feelings come to you.
- 16:13Speaker 4: Don't force it, stay relaxed, keep breathing, focus on it.
- 16:41Speaker 1: Okay, Now on to the third one.
- 16:47Speaker 4: All right, so again, get yourself full, comfortable, get your
- 16:55Speaker 4: breathing down again. Three we can get relaxed. Then breathe out.
- 17:05Speaker 4: Try to forget everything you were just thinking about. Let
- 17:07Speaker 4: it all go, close your eyes and let it go dark.
- 17:18Speaker 4: Here we have envelope number three. Don't force anything, just
- 17:38Speaker 4: let the visions come. Make sure you get everything written down.
- 18:26Speaker 4: Im Try to stay as relaxed as possible. That is
- 18:32Speaker 4: the end forra A. Envelope number three. Okay, two more left,
- 18:40Speaker 4: those eyes closed again, you got relaxed. Let it all
- 18:46Speaker 4: out ready ahead, your eyes, your joy, your shoulders, your waist.
- 18:58Speaker 4: Breathe in and breathe out. Breathe in, breathe out. Let
- 19:14Speaker 4: it go black and let the images come to you.
- 19:41Speaker 4: H Breathe in and breathe out. Stay relaxed, write down
- 20:00Speaker 4: everything you see and feel. Okay, coming out of that one. Now,
- 20:26Speaker 4: got one more left, number five. You know the deal already.
- 20:32Speaker 4: Get relaxed with your body, shake it off. Close those eyes,
- 20:43Speaker 4: try to clean that slab off and make it dark again.
- 20:48Speaker 4: Make sure nothing's left behind.
- 20:51Speaker 1: Breathe in and breathe out. Envelope number five.
- 21:00Speaker 4: H kay.
- 21:31Speaker 1: H m.
- 21:35Speaker 4: Hm, okay, make sure you got everything written down. You're
- 21:50Speaker 4: still here. We made it, thank you?
- 21:55Speaker 1: All right?
- 21:55Speaker 2: All right?
- 21:55Speaker 4: Oh yeah, what do you think that.
- 22:00Speaker 3: Idges?
- 22:00Speaker 2: Did you?
- 22:01Speaker 3: Nice? I know for a fact, that was way off.
- 22:05Speaker 4: I just know these are these are too fucking good
- 22:09Speaker 4: to be like real, right, it's funny.
- 22:11Speaker 3: Well, I mean it was. It was so it wasn't
- 22:15Speaker 3: like impressions. Normally I'll get like impressions, but.
- 22:18Speaker 4: These, okay, I know what you mean. Yeah, when I
- 22:21Speaker 4: get shipped, that's descriptive. I normally that was why even
- 22:24Speaker 4: with the Walmart it was so descriptive of like the
- 22:26Speaker 4: vision down the aisles and all the other ones was like,
- 22:28Speaker 4: I can't that was the one you got, right, yeah,
- 22:31Speaker 4: because it was just like, come on, this is like
- 22:33Speaker 4: literally a picture out of me walking into it.
- 22:36Speaker 3: All right, So this is what I got for number one.
- 22:38Speaker 3: I got light through a hole, green, purple, gray, white,
- 22:42Speaker 3: and boxes.
- 22:45Speaker 1: Here we go. Pull it up.
- 22:47Speaker 3: Ooh ooh. I see a little gray, I see the white.
- 22:55Speaker 3: I see light through a hole. That's like windows. Like
- 22:58Speaker 3: I was feeling some kind of a window o type thing,
- 23:01Speaker 3: but it was like very vivid, and I was in
- 23:04Speaker 3: the sense of green, but there was no green, gray,
- 23:09Speaker 3: white boxes. But yeah, there's the white boxes. That's pretty close.
- 23:15Speaker 3: I can give you that one a fifty.
- 23:18Speaker 4: Yeah, you got the white boxes and blank black, dog green, orange. Yeah.
- 23:24Speaker 4: This person have front door. Wow, that's really fucking close.
- 23:27Speaker 4: Front door of the house. Small home?
- 23:29Speaker 1: Yeah? Wow? Nice?
- 23:32Speaker 4: Okay, dude, I mean that's pretty I mean there's there's
- 23:35Speaker 4: the front door right here. I mean it's not a
- 23:37Speaker 4: small house, but it's a small picture.
- 23:41Speaker 1: There we go.
- 23:42Speaker 3: That's number two. All right, Oh, you gotta wait until after.
- 23:46Speaker 3: This is what I got. I got red car hood, yep,
- 23:52Speaker 3: herb numbers, trees, h and townhouses. It was so vivid,
- 23:59Speaker 3: like I.
- 23:59Speaker 2: Could it was like a painting in your head. What
- 24:05Speaker 2: did that one guy have down there? A field with telephone,
- 24:08Speaker 2: poles field telephone?
- 24:13Speaker 3: Let me pull these up?
- 24:14Speaker 1: What did you have for?
- 24:16Speaker 3: This was number two? Was the red car hood, parking lot,
- 24:20Speaker 3: yellow curb.
- 24:22Speaker 1: What do you got for the number three?
- 24:25Speaker 3: I got triangle downwards. It was kind of like above
- 24:30Speaker 3: looking down like it was a triangle up here and
- 24:33Speaker 3: it was downwards and it had kind of like a
- 24:35Speaker 3: blue tip to It was really vivid stream of water,
- 24:40Speaker 3: kind of like looking down into a culvert, right, so
- 24:44Speaker 3: kind of a stream of water. And then Buddha with
- 24:47Speaker 3: gold eyes and blue.
- 24:51Speaker 1: Damn.
- 24:53Speaker 3: Let's see number three. Oh maybe some gold eyes, right,
- 24:58Speaker 3: that's gold eyes. That was like the last vision that
- 25:02Speaker 3: sort of popped into my head at the very end
- 25:04Speaker 3: and I'm like, wait a second, gold eyes?
- 25:06Speaker 1: What yo?
- 25:07Speaker 2: Did you ever see?
- 25:08Speaker 1: You know what? I think?
- 25:09Speaker 2: Just like psychedo for real, for real?
- 25:10Speaker 4: This this part right here and on the eyes in
- 25:14Speaker 4: the way this is, it almost looks like those like
- 25:16Speaker 4: Sumerian lizard gods.
- 25:17Speaker 3: Doesn't it a little.
- 25:20Speaker 2: Bit like that?
- 25:22Speaker 4: I know that's not it, but that's when I first
- 25:23Speaker 4: saw it. That's why I was like, Yo, what the
- 25:24Speaker 4: fuck is that? And I realized it was what it was.
- 25:28Speaker 3: Well, I'm giving myself a zero on number two. I'm
- 25:31Speaker 3: giving myself a let's say.
- 25:33Speaker 1: And expect anybody to get this one. So that's why
- 25:35Speaker 1: I threw that in there.
- 25:37Speaker 3: One third on the last because gold eyed Buddha. I
- 25:40Speaker 3: mean like, there's meditation, there's brain, there's there's something, and
- 25:44Speaker 3: the eyes optic nerves are in gold there. So I'd
- 25:48Speaker 3: say that's one third correct.
- 25:51Speaker 2: What'd you get for.
- 25:53Speaker 3: Number four? This one is way off? I just know it.
- 25:56Speaker 4: So.
- 25:57Speaker 3: Uh A red dragon on a wooden table. It's Chinese
- 26:03Speaker 3: style and there's a bookshelf in the background. Huh all right,
- 26:11Speaker 3: oh yeah, way off. But it was like, you know,
- 26:16Speaker 3: one of those Ikia style sort of dragons on a table.
- 26:21Speaker 1: Yeah wow.
- 26:24Speaker 3: But again, these were just so vivid. I'm like, this
- 26:27Speaker 3: is taking up my whole vision, you know, something right too?
- 26:31Speaker 1: Too perfect? Right? Yeah, I know what you mean.
- 26:34Speaker 4: When they get those of them normally like completely warm.
- 26:37Speaker 4: I'll get some ship that looks like that paint or
- 26:39Speaker 4: Bob the fucking Bob with the afro we do and
- 26:43Speaker 4: I'm like, that's.
- 26:43Speaker 3: Oh yeah, yeah.
- 26:45Speaker 4: Yeah, like that popping up. I'm like, obviously that's not
- 26:48Speaker 4: gonna be what the fuck he took?
- 26:51Speaker 3: All right, sho, Actually this one might be close. So
- 26:55Speaker 3: I got number five is sun diss scaff staff go
- 27:00Speaker 3: with red jewels light flooding through.
- 27:06Speaker 1: That's interesting.
- 27:07Speaker 3: Yeah, there's that red through these things. Yeah, and there
- 27:12Speaker 3: was there. There's kind of the idea of that wood too,
- 27:15Speaker 3: it said staff. Right, yeah, so you got the wooden
- 27:21Speaker 3: staff a little so I'll give myself one third on
- 27:24Speaker 3: that one. But that's not bad. So I think I
- 27:27Speaker 3: got about three or four points maybe points. I'll give
- 27:32Speaker 3: myself two points. All right.
- 27:37Speaker 1: There you go.
- 27:39Speaker 3: Interesting. Well that was that was a good walkthrough for
- 27:42Speaker 3: the for calming down. I think maybe what we need
- 27:46Speaker 3: to work on is the view screen, you know, because
- 27:49Speaker 3: you got to get people in that sort of view screen.
- 27:53Speaker 1: I know.
- 27:53Speaker 4: I was like, I gotta come up for something with that.
- 27:55Speaker 4: That was enough for me today. Just try to even
- 27:57Speaker 4: get that done, right, Yeah, No, I was thinking about
- 28:01Speaker 4: that I was, I get something that's like, even if
- 28:03Speaker 4: I had to get something uniform that I just say
- 28:05Speaker 4: every time we go into the next one.
- 28:08Speaker 3: Yeah, Well, with Russian remote viewing, they try to promote
- 28:13Speaker 3: the idea of having like a movie screen in front
- 28:17Speaker 3: of you and all these images of flooding off the
- 28:19Speaker 3: movie screen. So that's one method, but you know, the
- 28:23Speaker 3: Western method of doing it is more like taking all
- 28:26Speaker 3: the sensory data in, doesn't matter where it's coming from,
- 28:29Speaker 3: So it's kind of a different thing. But you know,
- 28:32Speaker 3: viewscreen mode or all the sensory data in, it all
- 28:35Speaker 3: depends on where you are a more active learner. If
- 28:38Speaker 3: you're a more visual learner as opposed to other senses,
- 28:42Speaker 3: that could make a difference, like what are you listening to?
- 28:45Speaker 3: If you're listening to things all day, you're probably a
- 28:47Speaker 3: better listening learner. ASMR he's said that ASMR was helping
- 28:52Speaker 3: him out. But I think going through that focus it
- 28:55Speaker 3: helped me to form the visions in my head. That's
- 28:58Speaker 3: why they were so crisp and clear.
- 29:00Speaker 2: Mm hmm.
- 29:05Speaker 3: But yeah, that's that was a good episode.
- 29:07Speaker 1: Yeah, fun, We'll do some more.
- 29:10Speaker 3: Next time, and if you guys have any emails that
- 29:12Speaker 3: you want to tell me about your personal occult experiences.
- 29:16Speaker 3: We can get to those in the beginning of the show.
- 29:17Speaker 3: You can send them to Headless Giant at gmail dot
- 29:20Speaker 3: com and we can read those out for you.
- 29:22Speaker 2: Oh dude, check your spam.
- 29:24Speaker 4: I spoke to Salury and I was like, Yo, didn't
- 29:26Speaker 4: you send an email in?
- 29:28Speaker 1: I hit her up because I asked.
- 29:29Speaker 4: I thought I swore before you took that break, and
- 29:32Speaker 4: she's like, yeah, you did. I'm wondering if like your
- 29:34Speaker 4: shit goes to like spam or some junk folder or something.
- 29:37Speaker 4: She knows for a fact she sent you something before
- 29:39Speaker 4: you took your little break.
- 29:41Speaker 3: It could be all the rumble shit, you know, rumbles
- 29:44Speaker 3: just blocking out.
- 29:46Speaker 4: Oh god, I need to like on subscrite Yo. That's
- 29:48Speaker 4: so fucking annoying, those rumble emails. That is it's all
- 29:52Speaker 4: like channels I don't watch. I'm like, who gives a fuck?
- 29:55Speaker 3: They ask you when you start your rumble channel, which
- 29:58Speaker 3: would you rather watch? It's like, no.
- 30:00Speaker 2: One, I don't want to watch anybody. I'm just putting
- 30:03Speaker 2: my shirt up.
- 30:06Speaker 3: All right. Guys, Well, thank you for joining. We will
- 30:09Speaker 3: get to it again next time, and thank you. This
- 30:12Speaker 3: has been another Headless is Magical mail bag