Latest / Melmoth The Wanderer / 47 - Melmoth The Wanderer by Charles Robert Maturin
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- 0:00Speaker 1: Under her by Charles Robert Matin chapter thirty one. There
- 0:05Speaker 1: is an oak beside the froth cladpool where in old time,
- 0:09Speaker 1: as I have often heard, a woman desperate or wretch
- 0:12Speaker 1: like me, ended her woes. Her woes were not like mine.
- 0:17Speaker 1: Ronan will know when he beholds me floating on the stream.
- 0:20Speaker 1: His heart will tell him why Ravine died. Home's fatal discovery.
- 0:26Speaker 1: The increasing decline of Eleanor's health was marked by all
- 0:30Speaker 1: the family. The very servant who stood behind her chair
- 0:34Speaker 1: looked sadder every day. Even Margaret began to repent of
- 0:38Speaker 1: the invitation she had given her to the castle. Eleanor
- 0:42Speaker 1: felt this, and would have spared her what pain she could,
- 0:45Speaker 1: But it was not possible for herself to be insensible
- 0:49Speaker 1: of the fast fading remains of her withering youth and
- 0:52Speaker 1: blighted beauty. The place, the place itself was the principal
- 0:57Speaker 1: cause of that mortal disease that was consumed her. Yet
- 1:01Speaker 1: from that place, she felt she had less resolution to
- 1:04Speaker 1: tear herself every day. So she lived like those sufferers
- 1:09Speaker 1: in eastern prisons, who are not allowed to taste food
- 1:12Speaker 1: unless mixed with poison, and who must perish alike, whether
- 1:16Speaker 1: they eat or forbear. Once urged by intolerable pain of heart,
- 1:23Speaker 1: tortured by living in the placid light of John Sandal's
- 1:26Speaker 1: sunny smile, she confessed this to Margaret. She said, it
- 1:30Speaker 1: is impossible for me to support this existence, impossible to
- 1:35Speaker 1: tread the floor which those steps have tried to listen
- 1:38Speaker 1: for their approach, and when they come feel they do
- 1:41Speaker 1: not bear him. We seek to see every object around
- 1:45Speaker 1: me reflect his image, but never never to see the reality.
- 1:49Speaker 1: To see the door open which once disclosed his figure,
- 1:53Speaker 1: and when it opens, not to see him. And when
- 1:56Speaker 1: he does appear, to see him not what he was,
- 1:59Speaker 1: to feel he is the same and not the same,
- 2:02Speaker 1: the same to the eye, but not to the heart.
- 2:05Speaker 1: To struggle thus between the dream of imagination and the
- 2:08Speaker 1: cruel awaking of reality. Oh, Margaret, that undeception plants a
- 2:14Speaker 1: dagger in the heart, whose point no human hand can extract,
- 2:19Speaker 1: and whose venom no human hand can heal. Margaret wept
- 2:23Speaker 1: as Eleanor spoke thus, and slowly, very slowly, expressed her
- 2:28Speaker 1: consent that Eleanor should quit the castle if it was
- 2:31Speaker 1: necessary for her peace. It was the very evening after
- 2:36Speaker 1: this conversation that eleanor whose habit was to wander among
- 2:40Speaker 1: the woods that surrounded the castle unattended, met with John Sandal.
- 2:45Speaker 1: It was a glorious autumnal evening, just like that on
- 2:49Speaker 1: which they had first met. The associations of nature were
- 2:53Speaker 1: the same. Those of the heart alone had suffered change.
- 2:57Speaker 1: There is that light in an autumn dumnal sky, that
- 3:01Speaker 1: shade in autumnal woods, that dim and hallowed glory in
- 3:05Speaker 1: the evening of the year, which is indefinably combined with recollections. Sandal,
- 3:11Speaker 1: as they met, had spoken to her in the same
- 3:14Speaker 1: voice of melody, and with the same heart thrilling tenderness
- 3:17Speaker 1: of manner that had never ceased to visit her ear
- 3:21Speaker 1: since their first meeting. Like music in dreams, she imagined
- 3:26Speaker 1: there was more than usual feeling in his manner, and
- 3:29Speaker 1: the spot where they were, and which memory made populous
- 3:32Speaker 1: and eloquent with the imagery and speech of other days.
- 3:36Speaker 1: Flattered this illusion, a vague hope trembled at the bottom
- 3:41Speaker 1: of her heart. She thought of what she dared not
- 3:44Speaker 1: to utter, and yet dared to believe. They walked on
- 3:48Speaker 1: together together. They watched the last light on the purple hills,
- 3:52Speaker 1: the deep repose of the woods, whose summits were still
- 3:56Speaker 1: like feathers of gold. Together they once more tasted the
- 3:59Speaker 1: confidenceudance of nature, and amid the most perfect silence, there
- 4:03Speaker 1: was a mutual and unutterable eloquence in their hearts. The
- 4:08Speaker 1: thoughts of other days rushed on Eleanor. She ventured to
- 4:12Speaker 1: raise her eyes to that countenance, which she once more saw,
- 4:16Speaker 1: as it had been that of an angel. The glow
- 4:19Speaker 1: and the smile that made it appear like a reflection
- 4:22Speaker 1: of heaven were there still, But that glow was borrowed
- 4:26Speaker 1: from the bright flush of the glorious west, and that
- 4:30Speaker 1: smile was for nature, not for her. She lingered till
- 4:34Speaker 1: she felt it fade with the fading light, and a
- 4:38Speaker 1: last conviction striking her heart, she burst into an agony
- 4:43Speaker 1: of tears. To his words of affectionate surprise and gentle consolation,
- 4:49Speaker 1: she answered only by fixing her appealing eyes on him
- 4:54Speaker 1: and agonizingly invoking his name. She had trusted to nature
- 4:59Speaker 1: and to this sein of their first meeting, to act
- 5:02Speaker 1: as an interpreter between them, and still, even in despair,
- 5:06Speaker 1: she trusted to it. Perhaps there is not a more
- 5:10Speaker 1: agonizing moment than that in which we feel the aspect
- 5:14Speaker 1: of nature give a perfect vitality to the associations of
- 5:19Speaker 1: our hearts, while they lie buried in those in which
- 5:23Speaker 1: we try in vain to revive them. She was soon
- 5:28Speaker 1: undeceived with that benignity which, while it speaks of consolation,
- 5:33Speaker 1: forbids hope, with that smile which angels may be supposed
- 5:38Speaker 1: to give on the last conflict of a sufferer who
- 5:41Speaker 1: is casting off the garments of mortality in pain and hope.
- 5:46Speaker 1: With such an expression, he whom she loved, regarded her
- 5:50Speaker 1: from another world. He might have cast such a glance
- 5:53Speaker 1: on her, and it sealed her doom in this forever.
- 6:00Speaker 1: As unable to witness the agony of the wound he
- 6:03Speaker 1: had inflicted but could not heal, he turned from her.
- 6:08Speaker 1: The last light of day faded from the hills, The
- 6:11Speaker 1: sun of both worlds set on her eye and soul.
- 6:15Speaker 1: She sunk on the earth, and notes of faint music
- 6:18Speaker 1: that seemed designed to echo the words no, no, no,
- 6:23Speaker 1: never never more trembled in her ears. They were as
- 6:28Speaker 1: simple and monotonous as the words themselves, and were played
- 6:32Speaker 1: accidentally by a peasant boy who was wandering in the woods.
- 6:37Speaker 1: But to the unfortunate everything seems prophetic, and amid the
- 6:42Speaker 1: shades of evening, and accompanied by the sound of his
- 6:45Speaker 1: departing footsteps, the breaking heart of Eleanor accepted the augury
- 6:50Speaker 1: of these melancholy notes. A few days after this final meeting,
- 6:55Speaker 1: Eleanor wrote to her aunt and Yorke to announce that
- 6:58Speaker 1: if she still lived and was not unwilling to admit her,
- 7:01Speaker 1: she would reside with her for life, and she could
- 7:05Speaker 1: not help intimating that her life would probably not outlast
- 7:09Speaker 1: that of her hostess. She did not tell what the
- 7:13Speaker 1: widow Sandal had whispered to her at her first arrival
- 7:16Speaker 1: at the castle, and what she now ventured to repeat,
- 7:19Speaker 1: with a tone that struggled between the imperative and the persuasive,
- 7:24Speaker 1: the conciliating and the intimidative. Eleanor yielded, and the indelicacy
- 7:30Speaker 1: of this representation had only the effect to make her
- 7:33Speaker 1: shrink from its repetition. On her departure, Margaret wept, and
- 7:38Speaker 1: Sandal showed as much tender officiousness about her journey as
- 7:42Speaker 1: if it were to terminate. In their renewed bridle to
- 7:46Speaker 1: escape from this, Eleanor hastened her preparations for departure. When
- 7:51Speaker 1: she arrived at a certain distance from the castle, she
- 7:54Speaker 1: dismissed the family carriage and said she would go on
- 7:57Speaker 1: foot with her female servant to the farmhouse, where horses
- 8:01Speaker 1: were awaiting her. She went there, but remained concealed, for
- 8:05Speaker 1: the report of the approaching bridle resounded in her ears.
- 8:10Speaker 1: The day arrived, Eleanor rose very early. The bells rung
- 8:15Speaker 1: out a merry peal, as she had once heard them
- 8:17Speaker 1: do on another occasion. The troops of friends arrived, in
- 8:21Speaker 1: greater numbers and with equal gaiety as they had once
- 8:24Speaker 1: assembled to escort her. She saw their equipages gleaming along.
- 8:29Speaker 1: She heard the joyous shouts of half the county. She
- 8:33Speaker 1: imagined to herself, the timid smile of Margaret, and the
- 8:36Speaker 1: irradiated countenance of him who had been her bridegroom. Suddenly
- 8:43Speaker 1: there was a pause. She felt that the ceremony was
- 8:45Speaker 1: going on was finished, that the irrevocable words were spoken,
- 8:50Speaker 1: the indissoluble tie was knit again. The shout and wild
- 8:54Speaker 1: joyants burst forth. As the sumptuous cavalcade returned to the castle.
- 9:00Speaker 1: The glare of the equipages the splendid habits of the writers,
- 9:05Speaker 1: the cheerful group of shouting tenantry. She saw it all.
- 9:10Speaker 1: When all was over, Eleanor glanced accidentally at her dress.
- 9:14Speaker 1: It was white, like her bridal habit. Shuddering, she exchanged
- 9:18Speaker 1: it for a morning habit and set out, as she hoped,
- 9:23Speaker 1: on her last journey. End of chapter thirty one.