Latest / Vanity Farah with Chris Farah / 90 Day Fiancé 1213 “Do I Stay or Do I Go“ Part 2

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90 Day Fiancé 1213 “Do I Stay or Do I Go“ Part 2 · Vanity Farah with Chris Farah

0:06
Speaker 1: Welcome back to Vanity Farah. My name is Chris Farrah,
0:09
Speaker 1: and today we are talking Nine to Day Fiance, Season twelve,
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Speaker 1: episode thirteen. Do I Stay or Do I Go? It's
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Speaker 1: part two, My babes, Hello, welcome back. I'm so excited
0:19
Speaker 1: to finish this episode. Let's talk about Thomas and Paula.
0:24
Speaker 1: So listen, we've had, you know, very mundane issues with
0:29
Speaker 1: them if you really think about what they've given us.
0:32
Speaker 1: It's too small of dining table, too small of closet.
0:36
Speaker 1: He doesn't like smells, she doesn't like meat, she likes miniatures.
0:42
Speaker 1: Then there was suddenly this huge storyline of like his family.
0:47
Speaker 1: But now we're back, and I think the problem that
0:53
Speaker 1: arises in this episode to me feels and I don't
0:57
Speaker 1: mean to be a broken record fake. Well let's get
1:01
Speaker 1: into it, okay, So we are cake tasting. You know,
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Speaker 1: we got to see Katie and Josh's cake taste even
1:07
Speaker 1: though they didn't have a venue yet. Now are aunt
1:10
Speaker 1: to Thomas and obviously Palace cake tasting, and you know
1:13
Speaker 1: they are going full Californian honey, full California the one
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Speaker 1: on one to the four or five because they're doing
1:21
Speaker 1: a vegan and gluten free tasting Listen. I'm used to that.
1:25
Speaker 1: It's not crazy, but you know, here we are. She's vegan,
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Speaker 1: he's gluten free. It's interesting. He seems he is a
1:34
Speaker 1: particular cat, isn't he? You know what's interesting? And I
1:39
Speaker 1: said this about the smell thing? Is that are you?
1:43
Speaker 1: So you do have it? A vergin? Oh? Sorry, a
1:46
Speaker 1: version two smells like sensorly they make you upset and
1:51
Speaker 1: like they you know, overwhelm you and you can't seem
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Speaker 1: to think straight, and like, that's what's happening or you
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Speaker 1: you are allergic to it and then you break out
2:02
Speaker 1: into hives and stuff. And if there are physical reactions
2:05
Speaker 1: like hives or throat swelling or whatnot, you got to
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Speaker 1: take allergy shots. I'm assuming that's just it's it doesn't
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Speaker 1: like seem like an honest to god problem. I would
2:22
Speaker 1: really need the producers to lead us into a doctor's
2:26
Speaker 1: office and then literally have an allergist be like, yeah,
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Speaker 1: Thomas has smell anesia. Yeah, I know, a very rare
2:34
Speaker 1: case of smell anesia. And when he smells things it
2:37
Speaker 1: is a problem we all should worry about. No, Yeah,
2:40
Speaker 1: he's the kind of person that we have to change
2:42
Speaker 1: our entire lives because there is no treatment for him
2:45
Speaker 1: to get. So we collectively humankind has to stop wearing
2:51
Speaker 1: smells for this man anyway. So she guess what spray
2:56
Speaker 1: deodoran again? Uh, because she needs to, you know, not
3:00
Speaker 1: a sweat too much. I guess all over the place,
3:02
Speaker 1: and it's the aerosol kind. And so the morning of
3:05
Speaker 1: she sprayed her you know, secret, honey, aerosol. I don't
3:08
Speaker 1: want to saying aerosol, that's what it is. And he
3:11
Speaker 1: got upset because he could smell it, and he like,
3:14
Speaker 1: she said, I'm sorry, but the way she said I'm
3:16
Speaker 1: sorry was very much like, oh, I'm sorry, Okay, I'm sorry,
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Speaker 1: I sprayed my deodorant. Yeah, I'm sorry. I have to
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Speaker 1: wear I wear deodorant. I'm sorry a little bit. She
3:28
Speaker 1: has our sarcastic kind of tone. Her cone is condescending, surely,
3:31
Speaker 1: but I'm not saying mine, isn't you know. It's like
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Speaker 1: she won't say what she really wants to say, which
3:37
Speaker 1: is like, hey, Thomas, why don't we compromise. I won't
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Speaker 1: wear that one like small, cheap smelling perfume you hate,
3:44
Speaker 1: But at the same time, like I'm gonna wear deodorant
3:47
Speaker 1: unless you want to right now take me to CBS
3:52
Speaker 1: and buy me a brand new product wardrobe unless you
3:57
Speaker 1: want to spend three hours right now, get your skin
4:00
Speaker 1: app that you have to like. This is what I
4:02
Speaker 1: have to do, Chris Vera. You have to scan all
4:04
Speaker 1: the products and see if you're allergic to the ingredients.
4:07
Speaker 1: And there's an app that likes scans for that will go.
4:09
Speaker 1: We'll get like, you know, all the deodorance, You'll scan it,
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Speaker 1: and if I can wear it, you'll buy it for me.
4:17
Speaker 1: Because you're creating this, I just I don't you know,
4:21
Speaker 1: he's whatever coupless so but at the same time they're
4:24
Speaker 1: doing something lighthearted, which is of course cake tasting. And
4:28
Speaker 1: we have such interesting conversation as frosting versus icing. Some
4:32
Speaker 1: people say frosting some people in the other parts of
4:35
Speaker 1: the country safe icing. I can't believe there's not more
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Speaker 1: interesting stuff like he why haven't we gone out with
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Speaker 1: his friends in Long Beach to like some LBC bars,
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Speaker 1: and seeing how he is with people and how she
4:50
Speaker 1: is with people, Like why haven't we gone out and
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Speaker 1: like done fun things? Why are we always like in
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Speaker 1: his apartment or just like complaining about things. Okay, So basically,
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Speaker 1: at this point, instead of being like, your allergy and
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Speaker 1: your smell shit is really annoying, and you're not picking
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Speaker 1: up that. I don't want to deal with it with
5:08
Speaker 1: my condescending tone, she suddenly turns a pivot that I
5:12
Speaker 1: feel like is unnatural to her storyline, which is that
5:16
Speaker 1: she obviously getting married and she wants her family to come,
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Speaker 1: and she's expecting that all eight of her family to come.
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Speaker 1: Not only that, but she's truly expecting them all to
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Speaker 1: be able to stay for free in his apartment. Now
5:30
Speaker 1: we've already known that she hates his apartment. There's no
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Speaker 1: dinning room table, there's hardly any closet space like we've
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Speaker 1: been seeing that. So I don't understand a world in
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Speaker 1: which this person who's been like in my country, I
5:40
Speaker 1: had more space, and in my country, you know, like
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Speaker 1: I lived better, and I just want to be able
5:44
Speaker 1: to live the way I did in my country. Here
5:45
Speaker 1: like that mind frame to suddenly be like, all eight
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Speaker 1: people are going to stay in this one bedroom and
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Speaker 1: I'm not asking your permission, I'm announcing it because it's
5:56
Speaker 1: our apartment. There's just like not that's not a logical thing.
6:04
Speaker 1: Let me say this. Of course, there are certain people
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Speaker 1: that for sure, like a one bedroom is home for
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Speaker 1: eight people. Okay, God bless, God bless it's the case
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Speaker 1: for some. But I'm just saying for Paula's storyline where
6:16
Speaker 1: she's like a boss ass bitch that has like a
6:18
Speaker 1: you know, tattoo parlor and all these things. One other
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Speaker 1: thing is that we're gonna get into this, like Pala
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Speaker 1: is very codependent from Thomas. She has never cut the
6:26
Speaker 1: ubilical course. She you know, hangs out with her family
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Speaker 1: all the time. Interesting that in episode thirteen, why haven't
6:33
Speaker 1: we seen her calling, texting, facetiving her family? How come
6:40
Speaker 1: no one's like checking in on her and being like
6:42
Speaker 1: every day, being like, well, how is he treating you now?
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Speaker 1: And I'm like, why not set that up? Suddenly now
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Speaker 1: she's just gonna announce and demand that eight people live
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Speaker 1: in this really small one bedroom apartment that wasn't good
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Speaker 1: enough for her, And suddenly she's just gonna assume that
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Speaker 1: everyone's gonna live there. And now she's gonna be like,
6:55
Speaker 1: so you're gonna have to allow all the smells. You're
6:58
Speaker 1: not gonna tell my family shit, they're gonna spray honey
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Speaker 1: everything everywhere. They come with bottles of Colonne. They're Colonne salesmen.
7:09
Speaker 1: Remember Charlie, Red Blue, White Charlie. They come with it.
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Speaker 1: They spray it all. Gina Ta Trey zor Opium Shallamar,
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Speaker 1: all the goods, all the smelliest, muskiest smells from the
7:22
Speaker 1: nineteen eighties. They come with them. They're gonna spray everywhere.
7:25
Speaker 1: I hope you're okay. We even got a little bit
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Speaker 1: of Stacy and Darcy's favorite Angel. Is it Angel or Alien?
7:37
Speaker 1: Maybe it's Alien. I think there's two perfumes anyway, Okay,
7:43
Speaker 1: So we're like, okay, so you're setting us up for
7:46
Speaker 1: this situation, which means even if like how much money
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Speaker 1: does Thomas have and how much money does Pala have,
7:53
Speaker 1: And why wouldn't they be able to just get an
7:54
Speaker 1: apartment or sorry, a hotel room for their family, right,
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Speaker 1: Like that doesn't make sense. She's like, I justn't really
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Speaker 1: want to be with them, a wake up in the
8:03
Speaker 1: morning with them. Okay, Well, then you should rent an
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Speaker 1: airb and B with two bedrooms and you go hang
8:09
Speaker 1: out with them and you get to experience a dining
8:12
Speaker 1: room table just like those gays have that live in
8:15
Speaker 1: the same building. How are the only social interactions that
8:19
Speaker 1: we've had with Thomas and Palla and anyone else besides
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Speaker 1: his family just those two lovely well interior decorating gaze?
8:30
Speaker 1: Are they coming to the wedding? Also? Okay, good bless?
8:32
Speaker 1: And also can they just can we? Why don't you
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Speaker 1: have them go visit one of their like fabulous friends
8:37
Speaker 1: and try and run out their apartment? Okay, god bless.
8:41
Speaker 1: You know, here's the thing. I don't mean to like
8:43
Speaker 1: be so combative about this, but it's just it feels
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Speaker 1: so like cheap. I hate feeling cheap. Doesn't feel real.
8:51
Speaker 1: That's what's annoying to me about it. I'm okay, so
8:54
Speaker 1: let's sorry. Let's move on to Mallory. So Mallory and Rashi.
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Speaker 1: Honey has gone back to where she needs to go
9:02
Speaker 1: to have some like alone time, and she's horse groom
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Speaker 1: and Honey with her friend Lynn, who is her riding instructor,
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Speaker 1: and she's like, I've always loved horses, you know, they're
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Speaker 1: really healing. I like just like calming my mind and
9:14
Speaker 1: just focusing on you know, like being with them and
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Speaker 1: the one and too. I don't know, I as I said,
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Speaker 1: horse wrote for like, let's just say six months in
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Speaker 1: the COVID when I was trying to do things, and
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Speaker 1: it is really really lovely and the best part. There's
9:28
Speaker 1: two good parts about horse riding. A it is fun
9:30
Speaker 1: to like clean them. I like brushing them. I don't
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Speaker 1: like doing all of the like you know, different grooming
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Speaker 1: techniques you think I would, but like no, I only
9:38
Speaker 1: want to like try and like pluck the stuff from
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Speaker 1: their hooves or whatever. But I love brushing a horse truly,
9:45
Speaker 1: and they love it and I understand that with them,
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Speaker 1: and so it's a fun thing. And also the one
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Speaker 1: time you can like canter or trollop or whatever it
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Speaker 1: is with them, when you're like a debt dat debt
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Speaker 1: da dert, when your butt's going out of the saddle
9:56
Speaker 1: in the exact same rhythm, for sure, that's great. The
9:58
Speaker 1: other thing about horse riding is the amount of thigh
10:02
Speaker 1: and core strength and butt strength you have to have
10:04
Speaker 1: to do that well is so much more than you
10:08
Speaker 1: think it is. So when I was watching Mallory do that,
10:11
Speaker 1: I was like, girl, get it, honey. Yes, we cut
10:14
Speaker 1: to him. He's also releasing the way that he likes
10:16
Speaker 1: to release. This is, which is woodworking. I find this charming.
10:20
Speaker 1: He's very good with his hands, honey. He likes to saw,
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Speaker 1: he likes to you know, screw you saw what I
10:28
Speaker 1: did there? Halfway, I'm like, is Merca watching this with Edward?
10:31
Speaker 1: And Mercell watching him do this? And like, I bet
10:33
Speaker 1: that motherfucker can make offense. I bet he can fix
10:36
Speaker 1: a fence, but he knows how to do it, she said,
10:39
Speaker 1: Looking at Edward. She's like, why did't I get someone
10:41
Speaker 1: from Turkey? And I'm just kidding, horrible joke. And I
10:43
Speaker 1: like Edward a lot. But here we are. He's cooking.
10:45
Speaker 1: He's cooking, he's fixing, he's doing something. He's making something
10:49
Speaker 1: looks like a weird chair. I don't know what it's
10:50
Speaker 1: gonna be, honey, but he know a throne for the
10:53
Speaker 1: castle in which he's never gonna be king of. She's queen, Okay,
10:56
Speaker 1: she owns it, so that's why. But we get a
10:59
Speaker 1: great scene, which I've been waiting for. You know, I
11:01
Speaker 1: love a FaceTime scene from a family, even if it's
11:03
Speaker 1: just going to be recounting what has already happened. I
11:06
Speaker 1: like to see people's reactions. Okay, So his brother calls him.
11:09
Speaker 1: One of his hot brothers okay and calls him on
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Speaker 1: FaceTime and they talk and he says he is overwhelmed because,
11:15
Speaker 1: you know, obviously last episode they talked about what they're
11:18
Speaker 1: she would actually want to have a baby, and she
11:20
Speaker 1: brought up the fact that she's had a lot of trauma,
11:22
Speaker 1: and he brought up the fact that he never knew
11:24
Speaker 1: this about her. He knew that she had trauma, but
11:27
Speaker 1: that he wasn't aware of her feelings about not wanting
11:30
Speaker 1: to have a baby, and he really wants one. Guess what,
11:34
Speaker 1: here's a culture that wants babies. He wants his parents
11:38
Speaker 1: to see the babies. He wants his brothers and sisters
11:40
Speaker 1: to know his babies. He wants babies and nieces and
11:42
Speaker 1: nephews and cousins all that situation. So the brother's like,
11:47
Speaker 1: why did she tell you that before? And he's like, yeah, yeah,
11:54
Speaker 1: why didn't you tell me that before? So then they
11:58
Speaker 1: go into her venue, you know, because obviously we have
12:02
Speaker 1: to start making plans. We are picking cakes, we are
12:05
Speaker 1: getting last things about the dresses, we're getting the venues hopefully.
12:09
Speaker 1: So this venue is Soup's Cute And there are two
12:12
Speaker 1: employees that come to what looks like kind of plantation
12:16
Speaker 1: and I'm not quite sure, but whatever. We meet them,
12:18
Speaker 1: Garrett and Alexandra, and she's wearing one of those classic
12:22
Speaker 1: like Frankies prairie dresses that all the girls have, where
12:25
Speaker 1: there's like a smock situation empire waste and like, you know,
12:28
Speaker 1: a fitted waist at the same time, you know, I'm
12:30
Speaker 1: talking about at every girl. All the girls had them
12:34
Speaker 1: last year. I feel like they're coming out of them now.
12:37
Speaker 1: So this venue has a lot of different on sites
12:40
Speaker 1: for the actual wedding. You can do one in the front,
12:42
Speaker 1: but it's real big, and so the back has like
12:44
Speaker 1: an enchanted garden and they walk around and they're like, okay,
12:46
Speaker 1: let's pick a site. And Mallory sees this beautiful fountain
12:50
Speaker 1: and she's like, we do the fountain. They're like yeah,
12:52
Speaker 1: they're like great, great rash rashiet. What do you think
12:55
Speaker 1: of the fountain? He's like, well, Lucy, So, just like
13:00
Speaker 1: in the chapel with Meadow and Debbie, the people that
13:02
Speaker 1: are showing them around sends tension and then have to
13:05
Speaker 1: be like, okay, well why don't we leave exit stage left?
13:10
Speaker 1: You guys talk on camera. We've done our bit. Hopefully
13:13
Speaker 1: we're getting paid like fifty bucks for this, so he
13:18
Speaker 1: doesn't feel like he's, you know, his heart to see
13:20
Speaker 1: her for this venue showing because he's really upset about
13:26
Speaker 1: the kids. He really wants kids. He's like, my family,
13:33
Speaker 1: I talked to them, thinks it's crazy that you just
13:35
Speaker 1: talked about it now. And she's like, well, I just
13:39
Speaker 1: wanted to pick the right time when we were alone
13:42
Speaker 1: and I was comfortable, and I was like, that was
13:44
Speaker 1: the right time. You've girl, you've been coming to Turkey
13:50
Speaker 1: by yourself. You could have easily had this conversation like
13:54
Speaker 1: pre him coming to America. It's always so funny when
13:58
Speaker 1: people are like, yeah, I wanted to wait to see
14:00
Speaker 1: you in real life when it's like a long distance relationship.
14:02
Speaker 1: I guess it's because in my mind, it's like, what
14:04
Speaker 1: are you doing if not talking? Like you don't see
14:07
Speaker 1: each other for like months on end. All you do
14:10
Speaker 1: is talk in a FaceTime? What do you do to
14:12
Speaker 1: fill that space and communication? If not to be like, well,
14:16
Speaker 1: let's talk about the things. Do you want kids? What's
14:20
Speaker 1: your religious life? Like? How important is that to you?
14:25
Speaker 1: Is your mom really intense? Do you listen to every
14:28
Speaker 1: word she says, or your dad anyway. So I feel
14:37
Speaker 1: like Mallori's I guess excuse for that was self serving,
14:42
Speaker 1: because often when someone has a secret or something they
14:44
Speaker 1: don't want to share, they're like, well, I does you
14:46
Speaker 1: need to wait to the right time. But the right
14:48
Speaker 1: time for them is when they feel comfortable sharing something
14:51
Speaker 1: they feel uncomfortable sharing. But that has nothing to do
14:56
Speaker 1: with time and space for the other person. Time is
15:01
Speaker 1: such a subjective thing. I was waiting for the right
15:04
Speaker 1: time for you. Time exists for an individual and for
15:12
Speaker 1: the world at large, and then also for individually other people.
15:20
Speaker 1: I don't know. I think it's such a cop out.
15:21
Speaker 1: We don't talk about it linguistically. Okay, So he just
15:24
Speaker 1: starts crying. He's like, I just don't feel like you
15:26
Speaker 1: love me because you want to have a prenup with me.
15:29
Speaker 1: You don't care about that. You don't care about like
15:31
Speaker 1: having a child with me, and like seeing my face
15:34
Speaker 1: on a little baby's face. You don't want to make
15:37
Speaker 1: little versions of me. You don't think I'm good enough
15:39
Speaker 1: to make little versions of me. That's what it feels like,
15:42
Speaker 1: like you don't respect my family enough or me enough
15:45
Speaker 1: to know that we have to like keep this hot
15:47
Speaker 1: bloodline going, so let's like get to it. I've been
15:52
Speaker 1: wanting to make babies, you know, and she's sort of like, wow,
15:56
Speaker 1: he's really quick to throw this away. And I want
15:59
Speaker 1: to be like, well, I think that we have an
16:06
Speaker 1: idea of what our lives feel like they should go,
16:12
Speaker 1: and then we have to be open to the unexpected.
16:14
Speaker 1: But you know, when you're like making these decisions like
16:16
Speaker 1: where you're going to go to college or what are
16:18
Speaker 1: you going to study, there has to be something that
16:19
Speaker 1: you have like a guiding light for I certainly don't
16:23
Speaker 1: think kids are the end all be all. I have none,
16:25
Speaker 1: But at the same time, it's like that is one
16:29
Speaker 1: of those things like where do you want to live,
16:33
Speaker 1: do you want to have kids, what does it look like?
16:35
Speaker 1: Do you want to be by your family? Like there's
16:36
Speaker 1: just certain things that, like, you know, you get to choose,
16:40
Speaker 1: and it would be nice to be like I just
16:41
Speaker 1: fall in love with someone and whatever happens happens. But
16:45
Speaker 1: if you but if you truly live like that, and
16:49
Speaker 1: you don't like honor the things you've wanted or needed
16:53
Speaker 1: or thought you wanted, or at least reflect on them,
16:55
Speaker 1: then you know, five years down the line when you're
16:57
Speaker 1: married and this person don't be wanting to have kids,
16:59
Speaker 1: and every time you hang out with kids, you're like,
17:01
Speaker 1: you know, hearts palpitating out of your chest. You're gonna
17:04
Speaker 1: have resentment. So what good does it do? You know?
17:09
Speaker 1: I don't know. It just says, yeah, it's a very
17:11
Speaker 1: personal choice. Would they say personal choice? All right, my babes,
17:15
Speaker 1: Let's move on to Shaye and Annabelle. Honey, this was
17:18
Speaker 1: a big one. This was a big one, and I
17:25
Speaker 1: hate to say that it also felt convoluted, Like the
17:29
Speaker 1: way in which I want Alison and annabel to come
17:34
Speaker 1: together is I want it to be like a more
17:37
Speaker 1: organic way that happens like in real time. It does
17:42
Speaker 1: feel like the producers this episode of the season were like, Okay,
17:47
Speaker 1: we know we have certain adversaries like Brandy and Rash.
17:51
Speaker 1: We know we have certain adversaries like Annabelle and we
17:54
Speaker 1: have Alison. So around episode thirteen twelve, start to have
18:00
Speaker 1: them come together through some means so that you know,
18:03
Speaker 1: we can like move the story, Laine. So obviously Brandy,
18:06
Speaker 1: you know, takes Rash aside for the premup conversation, and
18:09
Speaker 1: then Rash is like he's a good guy. So now
18:12
Speaker 1: we have a situation where Annabel has no friends and
18:16
Speaker 1: certainly hasn't met anyone worth talking about. Literally is only
18:19
Speaker 1: we've seen talk to Angie, talk to Alison, and that
18:22
Speaker 1: one couple that owns the bar, maybe or maybe not
18:24
Speaker 1: with shit. So then they have she has to get
18:26
Speaker 1: a veil. She already bought her wedding dress online. It
18:29
Speaker 1: was two hundred dollars and it looks great, and I
18:31
Speaker 1: thought it was so like, I was happy for Annabel
18:34
Speaker 1: because you know, I think it'd be kind of a weird,
18:36
Speaker 1: shittier thing for her to come out and be like, well,
18:39
Speaker 1: you know, you've been married a couple of times. I've
18:40
Speaker 1: been married a couple of times. Please drop ten k
18:43
Speaker 1: on Panina Tornay. You're flying me out to Kleinfelds. I
18:47
Speaker 1: have a hook up. Her name is Marisa, and they're
18:50
Speaker 1: not giving me a discount. That's what I want, that's
18:52
Speaker 1: what I deserve. If you want to marry me, buy
18:54
Speaker 1: me Panina Tornay unlined. So no, but she gets a
18:58
Speaker 1: two hundred dollars lay dress. It's really lovely, beautiful. She
19:02
Speaker 1: goes to this lovely southern shop. The girl that's the
19:05
Speaker 1: sales associate has a very high voice, Allison saying absolutely nothing.
19:09
Speaker 1: Now I'm a ride there. Shaye picks up Allison and
19:12
Speaker 1: Alison goes to town in the back of the car
19:14
Speaker 1: and starts to be like, I don't know why I'm here,
19:17
Speaker 1: and we're kind of like us too, babe. She's like,
19:20
Speaker 1: why is this is this wedding even happening? And she's like,
19:22
Speaker 1: why would you say that? Of course it is. She's like, well,
19:25
Speaker 1: I don't want it to so I guess I wonder
19:26
Speaker 1: why would still happen if me? The queen says no.
19:28
Speaker 1: We're like, okay, Alison, God bless, we don't know why
19:30
Speaker 1: you're here, though. She's like, I just don't like Annabelle.
19:33
Speaker 1: She's a bitch. She's always a bitch. She like disrespected
19:36
Speaker 1: my church, my God, my Jesus, and you don't do
19:38
Speaker 1: that around Alison. We're like, fuck you, Alison, shut up,
19:41
Speaker 1: and annabel says nothing, says not one thing sits there.
19:49
Speaker 1: I mean she I don't know through this, some sort
19:51
Speaker 1: of restraint that I've never known I'll never know, says nothing. Oh,
20:00
Speaker 1: I have missed a whole part. So that's the part
20:02
Speaker 1: that I wanted to talk about now. Of course, before
20:05
Speaker 1: they go veil shopping, there was a whole situation where
20:08
Speaker 1: you know, Annabel's making Shade do the working out and
20:10
Speaker 1: like the smoothies drinking. So there's a lot of like
20:12
Speaker 1: zoomba he's doing, and by a lot of zoomba, he
20:14
Speaker 1: starts to do a couple movements, maybe have a grape vine,
20:17
Speaker 1: and gets upset. It's because Shye knows that those deer
20:20
Speaker 1: heads are right behind him, judging him, being like, motherfucker,
20:23
Speaker 1: you thought that you got us. You thought that you
20:25
Speaker 1: would because you shot us and put our heads on
20:27
Speaker 1: the wall. Now we get to be here permanently and
20:30
Speaker 1: watch the fuckery you're doing a grape vine in zoomba.
20:34
Speaker 1: So he says he sare and we're like no, okay,
20:38
Speaker 1: and he's like because you didn't live me stretch and
20:40
Speaker 1: we're like, oh right, buddy. So then yeah, she's like,
20:43
Speaker 1: I know it makes you feel better. Bathtime scrubby dub
20:46
Speaker 1: dub and that tubby tub tub honey rabbit ducky, you're
20:51
Speaker 1: the um you make bath time lots of fun. Okay,
20:57
Speaker 1: that was my first song of the day and I'm
21:01
Speaker 1: still wearing that laud mic. So yeah, you know, that
21:04
Speaker 1: is her diet regime is, and I get it. I
21:07
Speaker 1: think it's a good one. Workouts and neutral bullets, smoothies. Now,
21:12
Speaker 1: I don't know if she's putting half a banana in it.
21:14
Speaker 1: I don't know if she's putting some protein in it.
21:16
Speaker 1: I want to know what her recipe is. Though it
21:18
Speaker 1: looks white, creamy, so it looks vanilla. I hazard that
21:24
Speaker 1: she could just like stuff, just have some kale and
21:27
Speaker 1: spinach in there, and just put a bunch of yummy things.
21:28
Speaker 1: You don't even taste the veggies, but it'll just, you know,
21:31
Speaker 1: make it look like there's something worthwhile. It doesn't look
21:34
Speaker 1: like an ice cream milkshake. So basically now is when
21:38
Speaker 1: I'm so sorry. Is when they decide they have to
21:42
Speaker 1: go bail shopping and Shaye's like, well, you might as
21:45
Speaker 1: well bring Allison because you guys got to get you know,
21:48
Speaker 1: your ship's aligned or whatever, and Annabel doesn't say anything.
21:51
Speaker 1: And then of course we get in the car when
21:52
Speaker 1: Alison gets picked up and Allison is like she's a bitch,
21:54
Speaker 1: and Annabel is like, I'm not saying anything. We're like, wow,
21:57
Speaker 1: a lot of strength there. He's just like, well, I
22:02
Speaker 1: picked you up, and we're you know, we guys, you
22:06
Speaker 1: gotta get over this bridge. You gotta nip this in
22:08
Speaker 1: the butt and try and make amends. She's like, she
22:11
Speaker 1: fell asleep in the church. He's like, my dad did too.
22:13
Speaker 1: She's like that's your dad, my grandfather. Yeah, and Ibelle
22:18
Speaker 1: was just like she really wants Shay to be like,
22:22
Speaker 1: don't call her a bitch, you bitch, but Shaye is
22:26
Speaker 1: walking the tightrope. But yeah, once they get to the shop, yeah,
22:34
Speaker 1: they she gets a veil moment. It's funny because we've
22:37
Speaker 1: all watched say Yes to the dress, and certainly Mursa's
22:39
Speaker 1: on this episode, and when she was at Kleinfeldts, we
22:42
Speaker 1: did not get the veil moment. The Creme de la crema.
22:46
Speaker 1: Then he say yes to the dress, the like sales
22:49
Speaker 1: associate's best friend. It's when you don't know if a
22:51
Speaker 1: girl wants to spend ten thousand on a dress and
22:54
Speaker 1: you really want to hook her, like, let me just
22:56
Speaker 1: just get the veil and see what it looks like.
22:58
Speaker 1: But for some reason, once you attack that veil to
23:00
Speaker 1: a girl's head, you pull it down and then she
23:02
Speaker 1: sees herself in front of all of her loved ones.
23:05
Speaker 1: It's like a fucking magic trick, like song a girl
23:08
Speaker 1: in half in a box, honey. It just does it
23:10
Speaker 1: where you're just like, oh my god, it's a bride.
23:13
Speaker 1: There she is the bride, and water works come. Finally
23:19
Speaker 1: the dream of dreams, and that's what you know Annabel gets.
23:23
Speaker 1: She looks beautiful. The first veil is a little too sparkly.
23:25
Speaker 1: The second veil just like Goldie locks. She finds like
23:28
Speaker 1: a lace veil. And this is where Allison like has
23:31
Speaker 1: to be like, you know what, I'm a cold hearted
23:33
Speaker 1: bitch and I have a faceress like Annabelle. I won't
23:37
Speaker 1: make a move. I don't have to. And she doesn't
23:38
Speaker 1: say anything until the veil moment and she's like, it
23:42
Speaker 1: does look good. Annabel's the first she's like, you know what,
23:45
Speaker 1: we're not talking. It's awkward. The sales associates clocked it.
23:48
Speaker 1: H I want us to be friends. Let me tell
23:52
Speaker 1: you my backstory. Pull up a chair, youngster. One time
23:55
Speaker 1: I was married before, married to this man me Annabel Yes,
23:58
Speaker 1: and we had no money. So I decided to work
24:01
Speaker 1: abroad in Dubai as an elderly hospice health care worker
24:05
Speaker 1: and I would send money home. I was like, basically
24:08
Speaker 1: an indentured servant to people. Send the money home to him.
24:11
Speaker 1: My husband, who's living the fucking high life in the Philippine, sunny,
24:14
Speaker 1: fucking everyone. Years later, it's like seven years later, he
24:19
Speaker 1: gets someone pregnant. She finds out and she's devastated. I
24:22
Speaker 1: was like, how often do you go home? I wonder?
24:24
Speaker 1: And also did you have I wonder if you had
24:26
Speaker 1: any sort of agreement. Did you really think that your
24:27
Speaker 1: husband was never like yeah, is it just like men
24:30
Speaker 1: for seven years, you're not going to have sex? Or
24:32
Speaker 1: do you go home? Do you go home every three months?
24:34
Speaker 1: Do you go home every year? And also do you
24:37
Speaker 1: are you not having any sex? Ah? Sucks? Seven years?
24:40
Speaker 1: What a horror. I mean, that's a really hard life.
24:42
Speaker 1: Allison feels that. She's like I know that about you.
24:44
Speaker 1: She's like, yeah, it sucked. So he came. So I
24:47
Speaker 1: left him, and I'm basically like, I will never marry
24:50
Speaker 1: a man that cheats ever again. Allison's like, so you're
24:53
Speaker 1: with my dad and this is when you were like,
24:55
Speaker 1: I'll be with Shae. That's when you were like, good idea, Shay.
25:01
Speaker 1: I don't know. But Alison has a whole backstory too,
25:05
Speaker 1: and Alison's backstories that her mom died, and she's really
25:08
Speaker 1: sad about it. Now I hate to listen. I don't
25:11
Speaker 1: want anyone's mom or dad to die. I don't want
25:13
Speaker 1: anyone to die. I really hate death, and I feel
25:14
Speaker 1: bad for all of that, and I feel sad. But
25:17
Speaker 1: Alison's main aftermath of her mom dying is being like,
25:21
Speaker 1: and I have no one to complain to, no one.
25:26
Speaker 1: Sometimes I'm just like, who can I talk shit to?
25:28
Speaker 1: Who can I complain about my life? Too? And it's
25:30
Speaker 1: only like my friends and my dad, now my kids,
25:35
Speaker 1: you know. It's just like She's like, yeah, you know,
25:37
Speaker 1: it's hard being a parent, being a mom without having
25:40
Speaker 1: a mom. And sometimes it is when my kids are
25:42
Speaker 1: acting up, I just want to yell at them, but
25:44
Speaker 1: I you know, yell at them and then just want
25:46
Speaker 1: to yell at someone else about them, and that is
25:48
Speaker 1: going to be you, Annabelle. And Annabel's like, oh okay,
25:53
Speaker 1: And it was like you can call me, no, I
25:56
Speaker 1: want to hear it, just like you have to talk
25:57
Speaker 1: shit all the time. Listen. Bell's like, can you just
26:00
Speaker 1: call me when you want to like gossip? Listen when
26:04
Speaker 1: you got the Paduka gossip. Call me, that's what I
26:07
Speaker 1: want to know. Oh, what's happening, honey? He said? She
26:10
Speaker 1: said she saw this, he saw that? Then that? Then
26:13
Speaker 1: what next? This? Can you believe that? Oh that? I
26:16
Speaker 1: want that kind of Southern conversation. What I don't want
26:19
Speaker 1: to have as an Alison being like, these kids will
26:22
Speaker 1: let me sleep in, they keep taking away mom's alcohol,
26:26
Speaker 1: or you're just like what these kids seem? Fine? Also,
26:29
Speaker 1: if your kids are acting up, it's because you're not
26:32
Speaker 1: parenting them. Then make sure they're like off screens, make
26:35
Speaker 1: sure they're getting exercise, make sure they're being fed right,
26:37
Speaker 1: make sure they're sleeping well, make sure they're like having
26:39
Speaker 1: active playtime, get them out, get them into like some sports. Honey,
26:44
Speaker 1: do yourself a favor. That's how I feel. But yeah,
26:49
Speaker 1: it's interesting because for setting up in the cold thing,
26:54
Speaker 1: Boy has the Cole been an absolute ghost this season
26:56
Speaker 1: except offline where she's talking a lot on Facebook. But
27:00
Speaker 1: like by episode thirteen, didn't we all think we would
27:04
Speaker 1: see an Allison sorry and Nicole? Why Why was Nicole
27:10
Speaker 1: not at the lake party? Why is the coal not
27:12
Speaker 1: also Veil shopping for her friend at this place? Why
27:16
Speaker 1: is Nicole talking shit about she's gonna show up and
27:19
Speaker 1: tell Annabel what's up. And then Nicole is just like
27:26
Speaker 1: just like whisping around at night with no body. I
27:33
Speaker 1: need her to come, and You're like, rip that veil off,
27:36
Speaker 1: Annabel and be like he fucks me all the time
27:39
Speaker 1: whenever I want him to, and when he would do it,
27:41
Speaker 1: but I don't want him to. I just yeah, like,
27:45
Speaker 1: what is happening with this? Is this all ai? They
27:49
Speaker 1: gotta get like some writers in here, and just like
27:52
Speaker 1: you need to set up things. You need to set
27:54
Speaker 1: up again that Paala talks to her family a lot,
27:58
Speaker 1: that they're always texting her. She's talking about it that
28:01
Speaker 1: she talked about the perfume. You have to set up,
28:03
Speaker 1: like Nicole, you're gonna say, Nichole is going to like
28:05
Speaker 1: talk to him, Oh god, my desk on anyway, It's
28:10
Speaker 1: just you have to, like, you know, do the due diligence.
28:13
Speaker 1: All right, my loves, we're going to breathe and we're
28:15
Speaker 1: going to send ourselves on our merry ways. But I
28:18
Speaker 1: love you guys so much, and I certainly thank you
28:21
Speaker 1: for being on this journey with me. At first, if
28:23
Speaker 1: you haven't yet, please consider giving me a five star review.
28:26
Speaker 1: Wherever you listen to podcasts, so that's Apple and that Spotify.
28:30
Speaker 1: You can also tell me your favorite joke or tell
28:32
Speaker 1: me what you hate about me. Either one works. You
28:34
Speaker 1: can also join my YouTube. You can follow and see
28:37
Speaker 1: all the visuals in real time, like right now me
28:39
Speaker 1: talking in a laval aera micuh in a hotel room
28:42
Speaker 1: and Louisiana. You can also follow me. I'm at Chris
28:45
Speaker 1: el Fara on TikTok and on Instagram. I'm also on
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Speaker 1: Facebook Chris Farah. I have a Facebook group Vanity Farah.
28:52
Speaker 1: I also have a Patreon where you get all my
28:55
Speaker 1: visuals before anyone else unedited, as well as special lives.
28:58
Speaker 1: That's patreon, dot com slash Chris Sarah. Other than that,
29:01
Speaker 1: my loves Thank you so much for spending time with
29:03
Speaker 1: me and being with me. Let's breathe together. Two breaths,
29:06
Speaker 1: and hopefully I will go to New Orleans and find
29:09
Speaker 1: some sort of Debbie Meadow information for you in mirror's time,
29:14
Speaker 1: So follow along for more of that. Let's breathe, Touch
29:17
Speaker 1: your hearts, get on the same page. Okay, all right, babes,