Latest / The Breakfast Club / FULL SHOW: NORE Joins As Guest Host, Deon Taylor, T.I. & Terrence J, Drunk Texts, and More!

Transcript

FULL SHOW: NORE Joins As Guest Host, Deon Taylor, T.I. & Terrence J, Drunk Texts, and More! · The Breakfast Club

• 0:00
  Speaker 1: Good morning, usc yo yo yo yo yo yo yo
• 0:02
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:04
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:06
  Speaker 1: yo yo yo yo yo. What happens when you don't
• 0:09
  Speaker 1: warm up the car in the morning. Let's to crack
• 0:10
  Speaker 1: it in the fo You gotta warm the car up
• 0:12
  Speaker 1: in the morning. I didn't warm him the car up.
• 0:13
  Speaker 1: I just cranked it. You gotta warm it up. I
• 0:15
  Speaker 1: should have went like three or four minutes before we
• 0:20
  Speaker 1: did that. Yes, she should have. Yes, indeed, Oh, Charlemagne,
• 0:22
  Speaker 1: the guy piece did up playing in this Thursday. Yes,
• 0:27
  Speaker 1: it's Thursday. Good morning. Tell yo how you're feeling. Here's
• 0:30
  Speaker 1: the think about this new studio. We still ain't figured
• 0:32
  Speaker 1: out the temperature. Now it's hot as it's either really
• 0:34
  Speaker 1: cold or really hot. And right now it's really hot.
• 0:36
  Speaker 1: Yes it is. What's up? What's up? Right? I told
• 0:38
  Speaker 1: Reid to turn it down and he got it. It's hot.
• 0:40
  Speaker 1: It's it's boiling in here. Well, our guests, ho would
• 0:45
  Speaker 1: be room? Yeah, it's definitely sixty nine boom. Now our
• 0:50
  Speaker 1: guests so today is n O r E and the
• 0:53
  Speaker 1: host of the Drink Chance podcast with DJ e F.
• 0:56
  Speaker 1: But they they they went to the wrong location. They gave, yeah,
• 1:01
  Speaker 1: they'll be here shortly. He went to the wrong building.
• 1:03
  Speaker 1: The thing is the Black Mothership. You know, I get
• 1:05
  Speaker 1: it though, you know what I'm saying. If you used
• 1:06
  Speaker 1: to be in uh, you know we've been at the
• 1:08
  Speaker 1: same place for thirteen years. Correct. Now you know the
• 1:11
  Speaker 1: Black Mothership is in a different location, right, So he's
• 1:13
  Speaker 1: at the other location. That's what we call his studio,
• 1:16
  Speaker 1: the Black Mothership. That's right. Mother Ship ain't done yet either,
• 1:19
  Speaker 1: By the way, I don't want you all to know.
• 1:20
  Speaker 1: It's getting there. It's work in progress. It's getting there.
• 1:22
  Speaker 1: I just I just brought a piece of art, a
• 1:24
  Speaker 1: Na's piece of art. Uh. There's something called a bare brick,
• 1:28
  Speaker 1: and people collected me see them all over the place,
• 1:30
  Speaker 1: Supreme does. It's so many different people. But they did
• 1:31
  Speaker 1: two hip hop versions. One is Nas and the other
• 1:34
  Speaker 1: one is Drake. That they did, so I bought the
• 1:36
  Speaker 1: NAS one for the studio just represents a Drake an owl,
• 1:41
  Speaker 1: I believe. So I know Drakes was it's right now.
• 1:44
  Speaker 1: If you look on line, it's like thirty five hundred. Why.
• 1:47
  Speaker 1: But that's the whole thing. It's a bare brick. It's
• 1:49
  Speaker 1: a bear. So's they do different versions of the Bears.
• 1:51
  Speaker 1: They have care Bears, they have Star Wars Steam, they
• 1:54
  Speaker 1: have Michael Jackson theme. They have all these different themes
• 1:56
  Speaker 1: and they make one for Nas and they make one
• 1:58
  Speaker 1: for Drake. That's my twist is man, cab Bears was dope.
• 2:02
  Speaker 1: They got was dope. Cat Beds was dope because you know,
• 2:05
  Speaker 1: they were like like when we have all these conversations
• 2:07
  Speaker 1: about identity, you know, it's like sixty nine different ways,
• 2:09
  Speaker 1: sixty nine different identities. Now it's like that. It was
• 2:14
  Speaker 1: like everybody had a different emotion or a different feeling
• 2:16
  Speaker 1: they represented on their stomach. Yeah, if I if I'm
• 2:19
  Speaker 1: calling that correctly, Yes, that's how I would have win.
• 2:21
  Speaker 1: So cam Do they still sell cab Bes? Yeah? I
• 2:24
  Speaker 1: would think kids would still like him, But they still do.
• 2:27
  Speaker 1: I think that Carton might still be on No now
• 2:29
  Speaker 1: you wild. I think they still no, ain't no way
• 2:32
  Speaker 1: in hell you might see reruns of cab Bes. Ain't
• 2:34
  Speaker 1: no new version of cabs or a new version of
• 2:36
  Speaker 1: cab Be. It'd be the day Bears, the day care Bears.
• 2:40
  Speaker 1: But but but I think the cab Bears will be big.
• 2:43
  Speaker 1: Like you said, it's emotion. This shows emotion. What's wrong
• 2:47
  Speaker 1: with you this morning? Man day cab that represent all
• 2:50
  Speaker 1: the different identities that currently exist. I think it's sixty
• 2:53
  Speaker 1: I do think it's like sixty something of them though
• 2:55
  Speaker 1: what I was told, well, well, we got some guests
• 2:58
  Speaker 1: joining us this morning, Dion Taylor, Terrence J and T.
• 3:03
  Speaker 1: They got a movie Fear, which comes out this weekend marrow, Yeah,
• 3:06
  Speaker 1: comes out tomorrow, which uh, it's a scary movie which
• 3:09
  Speaker 1: talks about the fears that people have. So they go
• 3:12
  Speaker 1: into like whatever fair you have, if you have a fair,
• 3:14
  Speaker 1: inspired is it? It breaks down at what it is
• 3:16
  Speaker 1: and put you in front of that fair. If you
• 3:18
  Speaker 1: have a fear of heights, put you in front of
• 3:19
  Speaker 1: that fair. So yeah, it's the group of people have
• 3:21
  Speaker 1: to confront like their worst fears. So and that's what
• 3:23
  Speaker 1: makes it so dope because hard movies aren't scary, no
• 3:26
  Speaker 1: more like Freddy Krueger Jason Boy's death don't scare nobody.
• 3:29
  Speaker 1: What scares people is real life, correct, you know. So
• 3:31
  Speaker 1: if you had to like face your yo, your your
• 3:34
  Speaker 1: worst fear ever, the thing that terrifies you, that was,
• 3:37
  Speaker 1: that's what would be considered hard down. That's what this
• 3:39
  Speaker 1: movie is correct, and we'll kick it with them next hour.
• 3:42
  Speaker 1: All right, Now, when we come back, we got front
• 3:44
  Speaker 1: page news, we'll tell you about Joe Biden. If you're
• 3:46
  Speaker 1: a renter, he's trying to help you out. And if
• 3:49
  Speaker 1: you need some money, well he's sending a whole lot
• 3:50
  Speaker 1: more to Ukraine. We'll tell you what we come back
• 3:52
  Speaker 1: at the breakfast club going on. Guy dre in Miami,
• 4:00
  Speaker 1: he said, he texts a peach fam good morning. There's
• 4:03
  Speaker 1: actually a new cab Bears cartoon series that came out
• 4:06
  Speaker 1: within the last five years, new toys and everything. My
• 4:08
  Speaker 1: niece has one of the New Bears. I told you,
• 4:10
  Speaker 1: but I've seen it. But you can't. Don't try to
• 4:12
  Speaker 1: make that sound tough. Just report. Just tell me that
• 4:16
  Speaker 1: there's a new cab bas He's right. All right, Well,
• 4:19
  Speaker 1: let's get in some front page news or yesterday. Of course,
• 4:23
  Speaker 1: we had winter storms and it canceled hundreds of US
• 4:26
  Speaker 1: flights with southwest or Southwest again hit the hardest, so
• 4:31
  Speaker 1: they said it was over like four hundred and eighty
• 4:33
  Speaker 1: two flights canceled in two hundred and thirty five of
• 4:36
  Speaker 1: them for southwest flights. Yeah, but y'all gonna sit here
• 4:39
  Speaker 1: and lie to me and tell me that Southwest is
• 4:40
  Speaker 1: the top five airlines. Didn't you just report that number three?
• 4:44
  Speaker 1: Southwest Airlines were number three? Southwest is a bus in
• 4:47
  Speaker 1: the sky. And you know what I might be in
• 4:49
  Speaker 1: soulting buses because buses was moving yesterday through that snow.
• 4:52
  Speaker 1: Wasn't Southwest Airlines. They're gonna be paying pilots millions in
• 4:58
  Speaker 1: bonuses as gratitude working during their meltdown. They're saying Southwest
• 5:02
  Speaker 1: will pay pilots and estimated forty five million in bonuses.
• 5:05
  Speaker 1: This is some ninety four hundred Polots are expected to
• 5:07
  Speaker 1: be paid fifty percent of their regular pay. Other employees,
• 5:11
  Speaker 1: including flight attendants, will also be compensated, saluted the pilots
• 5:15
  Speaker 1: and all the flight attendants. I'm happy for y'all, but
• 5:17
  Speaker 1: you know what that means for y'all that's riding on Southwest.
• 5:20
  Speaker 1: No peanuts, peanuts, no more peanuts. Okay, yes, Now, Joe Biden,
• 5:26
  Speaker 1: it seems like, well, first he's renting out rent's bill
• 5:30
  Speaker 1: of rights. Now this is in phase of sky high rents. Now.
• 5:34
  Speaker 1: You know rents have been shooting up. Inflation is making
• 5:36
  Speaker 1: it go up. So he has something called Rent's Bill
• 5:38
  Speaker 1: of Rights and an effort to improve rent affordability and
• 5:41
  Speaker 1: protections for tenants. Now they're gonna examine limits on rent
• 5:46
  Speaker 1: increases for future investments and actions promoting renter or protection.
• 5:49
  Speaker 1: So I guess what they're gonna do is is see
• 5:51
  Speaker 1: how much landlords are raising rents and make sure they
• 5:55
  Speaker 1: try to I guess limit that so people can actually
• 5:57
  Speaker 1: afford where their living. Well, that's a good thing, but
• 6:00
  Speaker 1: how is that going to immediately impact people? Because the
• 6:02
  Speaker 1: first is next week, that's true. How is that immediately
• 6:05
  Speaker 1: gonna impact people. I'm sure it's gonna take some time,
• 6:07
  Speaker 1: but I guess at the end of the day it
• 6:08
  Speaker 1: will absolutely positively make sure that people are not being
• 6:11
  Speaker 1: overpriced for rent. Now, you know, it sounds good, but
• 6:14
  Speaker 1: I don't see how you can tell somebody not to,
• 6:17
  Speaker 1: you know, overcharge. Now if you if you're a landlord,
• 6:19
  Speaker 1: you see rents have been going up and been going
• 6:20
  Speaker 1: up and going up, and it's getting ridiculous. Even in
• 6:22
  Speaker 1: New York City. My daughter goes to NYU and the
• 6:24
  Speaker 1: rent has shot up so much, which is really getting ridiculous. Now. Also,
• 6:29
  Speaker 1: we always talk about money and how much money we
• 6:32
  Speaker 1: have and I ain't got no, not US, I mean
• 6:35
  Speaker 1: the government. Oh but make sure you're clear on that now,
• 6:37
  Speaker 1: the government, the government, or you. Joe Biden announced yesterday
• 6:42
  Speaker 1: that the US plans to send thirty one Abrams tank
• 6:45
  Speaker 1: to Ukraine. Yeah, I did see that. I saw that
• 6:49
  Speaker 1: on the news. Actually now it will deliver also deliver
• 6:52
  Speaker 1: fourteen Leopard two tanks from his own stock to the country.
• 6:54
  Speaker 1: It's they're given a lot of help and more help
• 6:56
  Speaker 1: to Ukraine, which is a lot of bread, a lot
• 6:59
  Speaker 1: of money. I'm not sure I'm much those tanks costs,
• 7:00
  Speaker 1: but you can imagine those tanks costs in the millions
• 7:03
  Speaker 1: of dollars. I mean, technically, isn't that the US waging
• 7:06
  Speaker 1: war on Russia as well? Yes? Technically, if I'm providing
• 7:10
  Speaker 1: you the money and I'm providing you weapons, you know,
• 7:13
  Speaker 1: for you to fight against me, aren't you you know, yes,
• 7:16
  Speaker 1: aren't a liable as well? Yeah, you're supplying the weapons.
• 7:18
  Speaker 1: But like as I was saying last year, when we
• 7:20
  Speaker 1: had this conversation, what are those sanctions actually doing? People saying, oh,
• 7:24
  Speaker 1: it takes time, the sanctions take time, but it doesn't
• 7:26
  Speaker 1: seem like Russia stopped anything. Russia don't care. I ain't
• 7:29
  Speaker 1: seen him stop nothing. I know that they got plenty
• 7:31
  Speaker 1: of resources for Ukraine, they got money for war, but
• 7:34
  Speaker 1: can't feed the poul word to mister Chakor or that
• 7:38
  Speaker 1: all rhymed man. All right, well, that is your front
• 7:41
  Speaker 1: page news. Now get it off your chests. Eight hundred
• 7:44
  Speaker 1: five eight five one oh five one. If you need
• 7:46
  Speaker 1: to vent, hit us up right now again. Phone lines
• 7:48
  Speaker 1: a wide open eight hundred five eighty five one oh
• 7:50
  Speaker 1: five one. We're still waiting for our guest hosts today.
• 7:53
  Speaker 1: N Nori will be joining us in the second. It's
• 7:55
  Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. I'm like, okay, bro,
• 8:02
  Speaker 1: what's the feted? And this man stricken me that he's
• 8:05
  Speaker 1: spenting me himself and he's panties and I thought I
• 8:08
  Speaker 1: had me a piece of trade. I'm so confused that
• 8:11
  Speaker 1: was happening. Said he did what Knight sent you? Some
• 8:14
  Speaker 1: sent you a picture of him and his panties, you
• 8:16
  Speaker 1: know you like, he said, like all his Instagram, he
• 8:18
  Speaker 1: like it's like this super like you would think he
• 8:20
  Speaker 1: like his little game. And then he sent me this
• 8:23
  Speaker 1: videos him like this having all these different panties on
• 8:26
  Speaker 1: one and turn me. All that's not what you like though,
• 8:30
  Speaker 1: Oh you like like? I like? I want to okay,
• 8:33
  Speaker 1: all right, I want nobody show like put in me
• 8:37
  Speaker 1: the Ethica jaw that you had on your Instagram. Pitch
• 8:39
  Speaker 1: you show me panties. Okay, all right, off your chest
• 8:44
  Speaker 1: and you are venting. So you just venting right now? Traffic.
• 8:48
  Speaker 1: So I was looking for a bike from sharm, but
• 8:50
  Speaker 1: he was he want to play different. I don't. I don't.
• 8:52
  Speaker 1: I don't know what to tell you. You You don't want
• 8:55
  Speaker 1: to hit? You either want to hit it, you don't.
• 8:56
  Speaker 1: I don't know what to tell you said you don't
• 8:57
  Speaker 1: want to hit because he got panties on it. I
• 8:59
  Speaker 1: don't you know. I would think it's worth independing that matter, right, yeah,
• 9:04
  Speaker 1: I would. Whatever's independings. The box is what matters. Hello,
• 9:07
  Speaker 1: who's this? Good morning, berg Gang. We're going to the
• 9:13
  Speaker 1: Falling Baby. We don't care, Yeah, we don't care. We
• 9:16
  Speaker 1: could care less. Yeah, I'm a giant fan. Say what's up?
• 9:19
  Speaker 1: The nor Nor said, you know what I mean? Listen,
• 9:23
  Speaker 1: I said, all the time, you are really to go.
• 9:25
  Speaker 1: I went to see more people. Give me your flowers. Oh,
• 9:28
  Speaker 1: thank you, thank you, so heart so um We were
• 9:32
  Speaker 1: having an intellectually obtaining it a timbo my podcast is
• 9:35
  Speaker 1: walking too on my Twitter at just call me Lima
• 9:38
  Speaker 1: l A, and the topic was if your man proposed
• 9:42
  Speaker 1: to you and it doesn't work out, do you get
• 9:44
  Speaker 1: the ring back? In stellars? Are you asking for the ring? Day?
• 9:49
  Speaker 1: Oh yeah, you gotta get that ring back. Why would
• 9:51
  Speaker 1: you want to keep it? It's an engagement ring. It
• 9:53
  Speaker 1: serves a certain purpose. There's a certain intention with that ring,
• 9:56
  Speaker 1: you know what I mean. So you can't just walk
• 9:57
  Speaker 1: around wearing that. Oh yeah, I need my money back.
• 9:59
  Speaker 1: I'm you want. No, you wouldn't just walk around round it.
• 10:02
  Speaker 1: But it's again, I mean, you could do what I
• 10:03
  Speaker 1: know you want with it. Again, it's a gift if
• 10:06
  Speaker 1: we get married, is it if? Well, Drake hasn't changed.
• 10:10
  Speaker 1: Drake hasn't change for all his failed engagements, and he
• 10:13
  Speaker 1: kept all his engagement rings. He's a maniac. I don't
• 10:15
  Speaker 1: know why you would buy an engagement ring for every
• 10:17
  Speaker 1: different woman that you want to propose to. That's insane.
• 10:19
  Speaker 1: Oh so you got more rings than fandom? Hum? No,
• 10:23
  Speaker 1: not me, Drake got that? Oh Drake? Oh yeah, that
• 10:26
  Speaker 1: was some real Drake stuff. What do you think nor
• 10:31
  Speaker 1: what was the question. I'm a guy. You get ring
• 10:38
  Speaker 1: ring back? Yeah, yeah, yeah, yeah, yeah, you absolutely get
• 10:41
  Speaker 1: a ring back because you're attached to that person for life.
• 10:45
  Speaker 1: Still if you if you take the ring and you
• 10:47
  Speaker 1: put it on your I'm sorry, so if that to
• 10:50
  Speaker 1: buy you a card, you're giving that that cruiser same
• 10:55
  Speaker 1: intention as an engagement ring. There's no if but a
• 10:57
  Speaker 1: car again yeah you so you know that and the
• 11:00
  Speaker 1: gaatemring meaning that that you you that person's beyance, that's
• 11:03
  Speaker 1: a different intention. We'll get it off your chest. Eight
• 11:05
  Speaker 1: hundred and five eight five, one oh five one. If
• 11:07
  Speaker 1: you need to vent, hit us up now. It's the
• 11:09
  Speaker 1: breakfast Club. Good morning. The Breakfast Club is your time
• 11:15
  Speaker 1: to get it off your chest. Wait, wait up, whether
• 11:18
  Speaker 1: you're man or black, tell me get up and get
• 11:21
  Speaker 1: something called up now. Eight hundred and five A five
• 11:23
  Speaker 1: one oh five one. We want to hear from you
• 11:25
  Speaker 1: on the breakfast Club. Hello. Who's this Ashley? Ashley? Good morning?
• 11:31
  Speaker 1: Sound up? Set? What's the matter mamma? When so I've
• 11:34
  Speaker 1: been with my daughter's father who about eighteen years now.
• 11:38
  Speaker 1: Huh and um he cheated on him for his last year.
• 11:44
  Speaker 1: I had asked her if he leaves. He was cheating
• 11:46
  Speaker 1: and united time some type of intuition. It's like, so,
• 11:51
  Speaker 1: I promise I'm not doing that. I'm not well, um
• 11:56
  Speaker 1: my son tiss away. Fast forward three much times that
• 11:59
  Speaker 1: girlpaps up whatever. Yeah, and then the girl pops up
• 12:05
  Speaker 1: and she's like, so I was told with ya jharking
• 12:09
  Speaker 1: And then and then I remember I called this number
• 12:12
  Speaker 1: in October and it was the same female and she
• 12:15
  Speaker 1: told me that she wasn't seeing my started smothering, and
• 12:18
  Speaker 1: then she called to him my house and she said, yes,
• 12:23
  Speaker 1: I've seen him for the past year. I've been inside
• 12:25
  Speaker 1: your home when you've been at his mother's house for Thanksgiving.
• 12:31
  Speaker 1: I've been inside your home when y'a always moving out
• 12:34
  Speaker 1: of that house. And I helped him carry y'all bay
• 12:37
  Speaker 1: to the side of the road. Jesus at Lasia was
• 12:40
  Speaker 1: doing some label. That's what I can't thank you because
• 12:43
  Speaker 1: that I had to do. My thing is like she
• 12:46
  Speaker 1: tried to make you seem like me smoking is worse
• 12:50
  Speaker 1: than what he did. You smoking. Try to me it
• 12:54
  Speaker 1: wasn't stoke, you know. Did you beg me begging me
• 12:57
  Speaker 1: to take him back? You know? And but let's work
• 13:00
  Speaker 1: through it, blah blah blah blah blah. I was like, okay,
• 13:03
  Speaker 1: so okay, so that's words and now we're starting starting
• 13:14
  Speaker 1: sighting every day for months now. Not good time to go.
• 13:18
  Speaker 1: So he said the reason, and I'm like, I gotta go.
• 13:24
  Speaker 1: He was like, would you do what I do? Another thing? Wow?
• 13:29
  Speaker 1: So he said he was cheating. He said, you were
• 13:31
  Speaker 1: cheating because you'd be smoking weed. That's why you cheated. Yes,
• 13:36
  Speaker 1: and then no, it just main reason was because he
• 13:38
  Speaker 1: said I wasn't giving him more UNI days that during
• 13:40
  Speaker 1: the time, and my son passed a week and I like,
• 13:43
  Speaker 1: that was only seventy teen years old, and times when
• 13:45
  Speaker 1: readings out here birthday, So it sounds like all of
• 13:50
  Speaker 1: y'all grieving and all of y'all hurting, and all of
• 13:52
  Speaker 1: y'all projecting that hurt on each other. Sound like y'all
• 13:54
  Speaker 1: both need to heal. That's what it sounded like to me.
• 13:57
  Speaker 1: That sound like an understatement right when you would lose
• 13:59
  Speaker 1: the sun. But that's what it sounds like. Sounds like
• 14:01
  Speaker 1: you're not even really mad at each other, You're mad
• 14:03
  Speaker 1: at the situation. Absolutely. Hello, who's this Rich from Florida.
• 14:08
  Speaker 1: Rich from Florida get it off your chests. Rich Hey, man,
• 14:10
  Speaker 1: I'm just calling until my wife, my next kid, my
• 14:14
  Speaker 1: beautiful friend, like loving my everything. Happy anniversary. We've been
• 14:19
  Speaker 1: together for ten years, married seven and got two beautiful
• 14:23
  Speaker 1: boys and I know they're waking up and getting read
• 14:25
  Speaker 1: at the school and everything right now. So just wanted
• 14:28
  Speaker 1: to tough. I'm happy anniversary, amazing. What's a little to you?
• 14:32
  Speaker 1: And shout to you and your queen brother or yeah, queen,
• 14:35
  Speaker 1: thank you, thank you? All right, man, Hello, who's this?
• 14:39
  Speaker 1: I will calling from Jersey when I broke it off
• 14:41
  Speaker 1: your chest? Yeah, I just want to talk and you
• 14:44
  Speaker 1: guys may adjusted earlier in the week, but um, when
• 14:48
  Speaker 1: the NYPD was recording the people coming out of the Apollo,
• 14:52
  Speaker 1: I just think on so many levels that was wrong
• 14:55
  Speaker 1: and it could have went left real quickly. And I
• 14:58
  Speaker 1: don't know what I heard that wasn't true. I heard
• 15:01
  Speaker 1: they wasn't really recording. Now they were recording, but they
• 15:03
  Speaker 1: said they were doing it for a video showing positivity
• 15:06
  Speaker 1: and the NYPD in the community. But they were they
• 15:08
  Speaker 1: were really really understand what they said. But anytime technology
• 15:12
  Speaker 1: or information could be weaponized has always been weabinized. But
• 15:14
  Speaker 1: who once that if once those pictures or videos have
• 15:18
  Speaker 1: been taken, who knows down the line what could be
• 15:20
  Speaker 1: done with it? And if it was just as simple,
• 15:22
  Speaker 1: if you just wanted to see some positivity in the
• 15:24
  Speaker 1: black community, you could have just went around a corner,
• 15:28
  Speaker 1: social corner or coal or Red Rooster and took pictures
• 15:33
  Speaker 1: of adults. What if one of them, I know I've
• 15:35
  Speaker 1: been at age group before eighteen or twenty five. If
• 15:38
  Speaker 1: I come downstairs and the uniform officers with a tripod
• 15:42
  Speaker 1: and the cameras record me, certain things may come out
• 15:45
  Speaker 1: of my mouth, certain gestures may be made by my hand,
• 15:47
  Speaker 1: and then I put myself in a position where I
• 15:49
  Speaker 1: could be arrested and stuff like that. So the thought
• 15:52
  Speaker 1: process behind that was misguided at best. But if you
• 15:58
  Speaker 1: why not have a community outreach program where you have
• 16:01
  Speaker 1: people willing participants as opposed to all of a sudden,
• 16:04
  Speaker 1: NYPD just shows up and to my eyes, it looks
• 16:07
  Speaker 1: like they've been filming. Yeah, there wasn't a community outreache.
• 16:10
  Speaker 1: I said, it was a So they were doing that
• 16:12
  Speaker 1: for social media posts, to show how police work with
• 16:14
  Speaker 1: venue security to keep concerts safe for fans. That's what
• 16:18
  Speaker 1: they was recording. Yeah, I think that's BS. I think
• 16:20
  Speaker 1: they were filming because they wanted to see who was
• 16:22
  Speaker 1: coming in and out of that venue, especially if something happened.
• 16:24
  Speaker 1: They have the footage if everybody coming in and out, y'all,
• 16:26
  Speaker 1: do know we getn't recorded all the time, whether you
• 16:29
  Speaker 1: see the cameras or not. Like like, we're under surveillance
• 16:32
  Speaker 1: at all times. And they got the software that can
• 16:34
  Speaker 1: actually find people. I know they have it any mall.
• 16:36
  Speaker 1: So if you have a warrant and you walk in
• 16:38
  Speaker 1: the mall a lot of times they can you know,
• 16:39
  Speaker 1: poll right up depending on the warrant that you have.
• 16:41
  Speaker 1: So yeah, that's that's what I think that they were filming.
• 16:44
  Speaker 1: But you know, they can say whatever, you know what
• 16:46
  Speaker 1: they were saying. But I think it was they were
• 16:48
  Speaker 1: filming to see if if anything happened, they would have
• 16:50
  Speaker 1: everybody on film. Just know, we're under surveillance at all times.
• 16:53
  Speaker 1: So it don't matter whether they got the camera in
• 16:54
  Speaker 1: your face of the camera in the corner. You're under
• 16:56
  Speaker 1: surveillance at all times. All right, Well that is your well,
• 17:00
  Speaker 1: I just get it off your chest. Eight hundred five
• 17:01
  Speaker 1: eight five one o five one when we come back.
• 17:03
  Speaker 1: We got your room report. We'll tell you what artists
• 17:06
  Speaker 1: what rapper said he will never buy a tesla. We'll
• 17:09
  Speaker 1: get to that next. The breakfas and our guest host
• 17:12
  Speaker 1: is here today the breakfast club. Good morning, the breakfast club.
• 17:19
  Speaker 1: Play the music. I'm about to introduce him. Let the
• 17:22
  Speaker 1: music start. We got the brother and you know it's crazy.
• 17:28
  Speaker 1: We're all in here ordering our morning beverages. You know,
• 17:31
  Speaker 1: the frappuccinos and the coffees and the green teas with
• 17:34
  Speaker 1: the horn us and nor. He said, give me an
• 17:36
  Speaker 1: a spade in the starbus. Yes, yes, yes, yes, cold
• 17:39
  Speaker 1: as the spade in the star bu. I want to
• 17:40
  Speaker 1: live out that life. I want to live out my wraps.
• 17:44
  Speaker 1: My goodness. Uh, you know, I just saw the movie Fair,
• 17:48
  Speaker 1: and we forgot to hit the room report. In Trup
• 17:50
  Speaker 1: was talking, but I wanted to say something. I just
• 17:53
  Speaker 1: saw the movie Fair, and I wanted to pick up
• 17:55
  Speaker 1: tr Terrence j Um and Joseph for josephs Car. I
• 18:00
  Speaker 1: always have a problem staying his last name. But all
• 18:03
  Speaker 1: I saw in Fair was Asian spade Si rok uh Branson,
• 18:09
  Speaker 1: and I forgot how to pronounce fifties champagne. I call
• 18:12
  Speaker 1: it the King's Path, King's Path King, That's all I saw,
• 18:15
  Speaker 1: and I was like, yo, that that was a conscious
• 18:17
  Speaker 1: decision of hip hop people taking control of it, because
• 18:21
  Speaker 1: because you know, you could easily have t thos, but
• 18:23
  Speaker 1: who who who knows Tito? Who knows Tito? Like? Who
• 18:26
  Speaker 1: where is Tito? Tito ain't even Mexican. That's you Also
• 18:29
  Speaker 1: got to salute Dion Taylor though hidden Empire Film Group,
• 18:34
  Speaker 1: because they're produced and directed the Move. They're gonna be
• 18:36
  Speaker 1: joining us next hour, so we're gonna kick it with
• 18:38
  Speaker 1: them next hour. But right now, let's get to the
• 18:40
  Speaker 1: rumors or chatting. I mean, I guess we're on the
• 18:49
  Speaker 1: breakfast clud. This is where the t spells right right
• 18:51
  Speaker 1: on the breakfast club. Now, Rick Ross said he will
• 18:54
  Speaker 1: never purchase and is afraid to purchase a Tesla. Why
• 18:59
  Speaker 1: are you can feel one? Now? Well, this is the
• 19:01
  Speaker 1: reason why. Well, I'm not gonna sell I won't have
• 19:03
  Speaker 1: a smart car. But I've never written in the tesla. No, never, never,
• 19:08
  Speaker 1: in my life, I've never written in the Tesla in
• 19:10
  Speaker 1: the reason business because I've always had in the back
• 19:13
  Speaker 1: of my mind the government could tap into the brain
• 19:16
  Speaker 1: on the car. Okay, where it's Rick. He's over. No
• 19:21
  Speaker 1: bring him in for questioning. Good. Well, go ahead, yo,
• 19:29
  Speaker 1: it's leaving wingstop before the wings. You pull up to
• 19:34
  Speaker 1: the building in the Asian walker hate Rick. What you
• 19:37
  Speaker 1: think it can't drive? They got pieces bringing you pieces,
• 19:44
  Speaker 1: robot cars, tacos. So if you get in there, I'm
• 19:49
  Speaker 1: gonna lock the door and take you where it won'ta go.
• 19:53
  Speaker 1: That's the reason why. Yeah, slew to my guy Ross.
• 19:55
  Speaker 1: But that logic is shortsighted. Like everything has smart technology.
• 19:58
  Speaker 1: Your phone can do that. They can tap you on
• 19:59
  Speaker 1: the phone, tap you on your laptop, like they can
• 20:01
  Speaker 1: tap you on your Apple Watch. Like we're all that
• 20:04
  Speaker 1: disavaillance people. Any car over one hundred thousand is a
• 20:07
  Speaker 1: smart car. Any car, like, I don't care what it is.
• 20:10
  Speaker 1: The other day, I went to El Molinos and let's
• 20:13
  Speaker 1: Molinos t that's a Restaurant's a nice little restaurant. And
• 20:17
  Speaker 1: I went there and I had to I didn't have
• 20:19
  Speaker 1: a mayback car. I had to maybe back truck. And
• 20:22
  Speaker 1: as soon as I got there, I started raining and
• 20:24
  Speaker 1: my window wouldn't roll up, and I literally had to
• 20:27
  Speaker 1: call the engineer and he told me it was like
• 20:31
  Speaker 1: all of this is electronic So the same way that
• 20:34
  Speaker 1: he fixed my window from the restaurantsolutely, um, yeah, the
• 20:38
  Speaker 1: police can do that, sa. The logic is shortsighted which
• 20:41
  Speaker 1: were surrounded by smart device. Absolutely like no Ross and
• 20:44
  Speaker 1: drop drop a bomb for no, it's no more Apple
• 20:46
  Speaker 1: Beans and Tony Romos. Oh no, no no, no, no Tony Romans.
• 20:49
  Speaker 1: I ain't gonna lie miss Tony Romans. Though. You know
• 20:52
  Speaker 1: the Quarterback restaurant. It's a queen's legend. We used to
• 20:58
  Speaker 1: go to court and then go to Tony Romans. Right there.
• 21:00
  Speaker 1: My wife on the first day at Tony that was
• 21:02
  Speaker 1: like leg that was a high end restaurant to y'all.
• 21:11
  Speaker 1: Makes sense, makes sense all right? Now it seems like
• 21:13
  Speaker 1: Kim Kardashian and North are starring in a new film.
• 21:20
  Speaker 1: Whenever Bob Joe, Bob Joe, you got kids. You know
• 21:26
  Speaker 1: that intro? That's right, you can sing it by heart.
• 21:28
  Speaker 1: You know Bluie intro. You can sing it bout hard.
• 21:30
  Speaker 1: That's that's one of them. One's Paul Patrol, Yes, right,
• 21:32
  Speaker 1: so she's nine years old. She's being cast it in
• 21:35
  Speaker 1: the upcoming sequel, Paul Patrol The Mighty Movie. So uh,
• 21:39
  Speaker 1: and North's little brother Satan will also make a cameo
• 21:42
  Speaker 1: in the movie as well, So they're making a lot
• 21:44
  Speaker 1: of money as a family. And Kim is in that
• 21:46
  Speaker 1: movie Kim movie as well. Yeah. Now, lastly, complex, you
• 21:50
  Speaker 1: know how they do their list each and every year.
• 21:51
  Speaker 1: They named twenty one Savage best rapper of twenty twenty
• 21:56
  Speaker 1: two because of his consistent output improvement and of elution
• 22:00
  Speaker 1: of his cadence and wordplay with every verse. I mean,
• 22:03
  Speaker 1: people get upset about those lists, but none of those
• 22:05
  Speaker 1: lists bother me because it just opens up, you know,
• 22:07
  Speaker 1: topics of discussion, Like I like twenty one Savage a lot.
• 22:10
  Speaker 1: I like twenty one Savage a lot too. When somebody
• 22:12
  Speaker 1: says he's number one on a list, of course, you know,
• 22:14
  Speaker 1: people are gonna name all the lyricists that came out
• 22:17
  Speaker 1: last year. You go, you gonna say, oh no, Push
• 22:18
  Speaker 1: your t should have been on. Oh no, Kendrick Labas
• 22:20
  Speaker 1: should have been on. But I think twenty two be
• 22:22
  Speaker 1: snapping two one. I think twenty one be snapping too.
• 22:29
  Speaker 1: But also I think Kodak Black had a phenomenal year
• 22:32
  Speaker 1: last year. I could have been number one on that list. Now,
• 22:35
  Speaker 1: you know, I wholeheartedly agree with you and the New
• 22:37
  Speaker 1: York and me immediately once you said twenty one Savage
• 22:40
  Speaker 1: was number one the New York and me said no.
• 22:43
  Speaker 1: But then I live in the South for the last
• 22:45
  Speaker 1: fifteen years, so I see the impact. I see, you know, um,
• 22:49
  Speaker 1: the Kodak black impact. I see it, and um, you
• 22:52
  Speaker 1: know what, I want to recognize it? And UM, I
• 22:54
  Speaker 1: always use someone that uh address twenty one Savage because
• 22:58
  Speaker 1: of his Naas comments, him saying how NAS is relevant
• 23:01
  Speaker 1: or not relevant? Relevant? And it's crazy because relevant is
• 23:04
  Speaker 1: relevant to people who the world relevant is relevant? Too
• 23:08
  Speaker 1: relevant is subjective? Correct? I understood exactly what Nord said. Subjective.
• 23:13
  Speaker 1: You can ask You can ask you know, some some
• 23:17
  Speaker 1: fans of maybe let's just just randomly whoever. I thought
• 23:20
  Speaker 1: that you can ask E forty fans's cold, excuse me,
• 23:24
  Speaker 1: it's twenty one Savage relevant and they might say no, right,
• 23:28
  Speaker 1: and then vice versa. You can ask twenty one Savage fans,
• 23:31
  Speaker 1: is E forty relevant and they might say no. But
• 23:33
  Speaker 1: then did you see Forty's house? Did you see his liquor?
• 23:37
  Speaker 1: Did you see what's going on? Like he doesn't have
• 23:38
  Speaker 1: to make music big up to Mount Westmore? But um,
• 23:42
  Speaker 1: and you know what's dope. What I really want to
• 23:44
  Speaker 1: do the level of the relevancy too, though, because now
• 23:47
  Speaker 1: there is an icon. Yes, so icons, And I went
• 23:50
  Speaker 1: like again, I went to nas party last night, big
• 23:53
  Speaker 1: up to Massive Pill, bigger to Peter Um bigger, the jungle,
• 23:56
  Speaker 1: left snacks everyone And if you everywhere I look, I
• 24:00
  Speaker 1: turned left, ni A Long, I turned right. Yeah, you
• 24:03
  Speaker 1: a long story. We're gonna talk about next, Nime Nia
• 24:07
  Speaker 1: Long icon who else? Um the mayor? Like I turned around,
• 24:11
  Speaker 1: not an icon. But what I'm saying is everywhere I
• 24:23
  Speaker 1: turned a main old fabulous. Everywhere I turned, it was
• 24:26
  Speaker 1: the star. And then you're looking and you're thinking about
• 24:28
  Speaker 1: like I started writing rhymes because of all Mattock And
• 24:32
  Speaker 1: where did all Matic come out in ninety two ninety four,
• 24:34
  Speaker 1: somewhere around that time. And to see this man still
• 24:38
  Speaker 1: he jumped on stage because they tried to ask me
• 24:40
  Speaker 1: to perform, and I ran so fast my body in
• 24:43
  Speaker 1: the trunk. No, I don't remember those lyrics. It would
• 24:46
  Speaker 1: have been the horrible performance. Me and him don't remember
• 24:49
  Speaker 1: them neither. And the fact that they're using lyrics against
• 24:52
  Speaker 1: people in court now you shouldn't want to like quick then,
• 24:57
  Speaker 1: but that jacket. You have one that's iconic, yes, timeless,
• 25:02
  Speaker 1: you can't put relevant on that, yes, yes, yes, right,
• 25:04
  Speaker 1: But then there's some little kids that out there that's saying,
• 25:06
  Speaker 1: hey man, that's not real fair that little kid works
• 25:11
  Speaker 1: repeated but um yeah, so yeah relevant But um I
• 25:17
  Speaker 1: thought that conversation was um dope and um I sailute
• 25:21
  Speaker 1: complex for putting out that that list. Yeah, I ain't
• 25:24
  Speaker 1: ad a right, Well, that is your room report. When
• 25:27
  Speaker 1: we come back, we got front page news. We'll tell
• 25:28
  Speaker 1: you about Ben Crump and who he's suing next and
• 25:31
  Speaker 1: the reason why. That's the lawyer. Right. Yeah, we'll turn here. Yeah,
• 25:34
  Speaker 1: we'll talk to we'll talk about it when we come back.
• 25:36
  Speaker 1: It's Breakfast Club. Good morning, the Breakfast Club. Your mornings
• 25:40
  Speaker 1: will never be the same. Your company has goals this year.
• 25:44
  Speaker 1: Find the right people to help you achieve them. With
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• 25:48
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• 25:52
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• 25:56
  Speaker 1: b R E A K F A S T Morning.
• 25:59
  Speaker 1: Everybody is team j n V. Charlomagne the guy. We
• 26:01
  Speaker 1: are the breakfast club. We got our guest hosts joining
• 26:04
  Speaker 1: us this morning and Ari, yes, sir, we're here. All right,
• 26:07
  Speaker 1: let's get into some front page news. Now. We know
• 26:11
  Speaker 1: the governor of Florida De Santis. He's been trying to
• 26:14
  Speaker 1: get African American studies not taught in classrooms. We believe
• 26:19
  Speaker 1: in teaching kids facts and how to think, but we
• 26:22
  Speaker 1: don't believe they should have an agenda imposed on them.
• 26:26
  Speaker 1: When you try to use black history to shoehart in
• 26:29
  Speaker 1: queer theory, you are clearly trying to use that for
• 26:33
  Speaker 1: political purposes. Well, Attorney Benjamin Crump, well he doesn't like that,
• 26:38
  Speaker 1: and he's gonna stand up for our people, and this
• 26:41
  Speaker 1: is what he's planning on doing. Governor DeSantis, are you
• 26:44
  Speaker 1: really trying to lead us into an era a can
• 26:47
  Speaker 1: to communism that provides censorship of free thoughts? Are we
• 26:54
  Speaker 1: gonna make sure that Governor DeSantis understands that we will
• 26:58
  Speaker 1: stand on their America comprinciples of the free exchange of ideals,
• 27:04
  Speaker 1: whether those are ideals and culture of European history, whether
• 27:09
  Speaker 1: those are ideals and culture of German history. Everybody who
• 27:13
  Speaker 1: is here in America, you have a right to have
• 27:17
  Speaker 1: your culture, your history respected and talk to the children
• 27:22
  Speaker 1: of America. We have to get the TV's working him
• 27:27
  Speaker 1: because I want to talk to Ben Crump more about that. Absolutely,
• 27:29
  Speaker 1: And and let's be clear, you know, they have never
• 27:32
  Speaker 1: wanted us to know our true history in this country. Okay,
• 27:34
  Speaker 1: but when you're talking about you know, icons like James Baldwin,
• 27:38
  Speaker 1: you know, Bayard Rusting. You know, even when you're talking
• 27:40
  Speaker 1: about like the founders of of BLM, you have to
• 27:43
  Speaker 1: discuss the intersexuality of someone's you know, sexuality and their race.
• 27:47
  Speaker 1: Now they just teaching kids about sexuality. I can understand
• 27:50
  Speaker 1: pushing back on that because I don't believe things like
• 27:52
  Speaker 1: that should be taught in the classroom. Other things that
• 27:53
  Speaker 1: should be between you know, the parents and the children
• 27:55
  Speaker 1: at home. But when you're discussing somebody a black history
• 27:58
  Speaker 1: legend like a James Baldwin of Bayard Rusting, you gotta
• 28:01
  Speaker 1: discuss this intersectionality between uh sexuality and race. And when
• 28:07
  Speaker 1: you think about like you know, the the Pyramids and
• 28:11
  Speaker 1: things like that, like people still don't know how the
• 28:13
  Speaker 1: Pyramids were built, you know what I mean? And let
• 28:16
  Speaker 1: alone so so, of course we need to learn about
• 28:19
  Speaker 1: our history and that let you know that they're afraid
• 28:22
  Speaker 1: of our history because if they don't want us to
• 28:24
  Speaker 1: know about it, and that means that they don't want
• 28:26
  Speaker 1: us to be great. They're afraid of you knowing who
• 28:28
  Speaker 1: you are and more. And also they're afraid of their
• 28:31
  Speaker 1: kids knowing who you are. You know what I mean.
• 28:34
  Speaker 1: You can't teach your whole new generation a white supremacy
• 28:37
  Speaker 1: if you got a bunch of white kids looking at
• 28:40
  Speaker 1: at at the history of black people in America and
• 28:42
  Speaker 1: saying to themselves. But I was totally fine they would
• 28:45
  Speaker 1: treat it. Yeah, that was totally wrong how they would
• 28:48
  Speaker 1: treat it. Like. I love the fact that everyone's going
• 28:50
  Speaker 1: to Ghana and um and and and receiving this history.
• 28:55
  Speaker 1: Like I felt like I was in Ghana what Dave Chappelle.
• 28:58
  Speaker 1: When Dave Chappelle went, I think todleb and Michael Blacksman
• 29:02
  Speaker 1: and I follow all of them on Instagram. Yeah, he
• 29:05
  Speaker 1: was there with them. I was there the week before them. Okay,
• 29:08
  Speaker 1: I thought he was there a week after because I
• 29:10
  Speaker 1: guess you posted the game. Yeah, so when I post,
• 29:13
  Speaker 1: I'm going, Yeah I post I've been going a week
• 29:16
  Speaker 1: for me too. But I love that. I love the
• 29:17
  Speaker 1: fact that we are going back and we are learning
• 29:20
  Speaker 1: the history and and the tours that's happening. Um so,
• 29:25
  Speaker 1: so definitely, let's we can't erase black history. I mean,
• 29:28
  Speaker 1: that's up the point of absolutely. And lastly, Meta is
• 29:31
  Speaker 1: going to restore Donald Trump's Facebook and Instagram accounts. Now
• 29:34
  Speaker 1: that's Facebook, Facebook, Facebook and Instagram. So they're saying the
• 29:37
  Speaker 1: suspension was handed down of course awake of the January
• 29:40
  Speaker 1: six Capital riots. Uh, they believe it was fueled by
• 29:43
  Speaker 1: Trump's baseless claims that the president's election had been stolen.
• 29:47
  Speaker 1: But it seems like they're gonna give him back his
• 29:49
  Speaker 1: Instagram and Facebook. I'm here for it, Like you just
• 29:53
  Speaker 1: want to be able to talk about it. No, yeah,
• 29:55
  Speaker 1: out here for listen. Listen, I can't lie. Listen Donald's
• 29:58
  Speaker 1: Trump twe we used to be lit. Let's just let
• 30:04
  Speaker 1: I'm here for it because I'm all about freedom of speech.
• 30:06
  Speaker 1: But if the freedom of speech is dangerous, if the
• 30:08
  Speaker 1: rhetoric rhetoric, then you certain accounts. Yeah, that's that's when
• 30:12
  Speaker 1: you got to police it, you know. But I'm not
• 30:14
  Speaker 1: ever sit here and say all, you know, he don't
• 30:16
  Speaker 1: deserve a platform. But by the way, let me just
• 30:18
  Speaker 1: be clear, I only go on Black Twitter. I know
• 30:21
  Speaker 1: that's not a separate app. I know it's not a
• 30:24
  Speaker 1: separate app. But for me, when I go on, it
• 30:27
  Speaker 1: just automatically brings me the Black Twitter. And let me
• 30:30
  Speaker 1: just tell y'all, Donald Trump is on black Twitter. Man.
• 30:33
  Speaker 1: I'm just because there's a bunch of black Twitter people
• 30:37
  Speaker 1: who'll be retweeting it silly as all the time. They
• 30:40
  Speaker 1: find it funny, but the rhetoric keys fuel it is
• 30:43
  Speaker 1: not funny. It's dangerous. But you know, I'm not here
• 30:47
  Speaker 1: to I believe in freedom of speech and I'm gonna
• 30:50
  Speaker 1: be honest. Sorry to make this elongated, Um, Joe Biden
• 30:56
  Speaker 1: ain't coming outside. What you mean? We ain't seen old
• 31:01
  Speaker 1: Joe nowhere. He ain't been a Dinosaur barbecue. He hain't
• 31:06
  Speaker 1: been to Justin's. He ain't been nowhere where he had
• 31:10
  Speaker 1: been the Envy Car Show. Who do you think Joe
• 31:13
  Speaker 1: Biden is? Joe Adams will be like Eric Adams. Dam
• 31:19
  Speaker 1: I respect your outside this and Joe Biden, I'm gonna
• 31:23
  Speaker 1: be honest because you got the sister with you. I
• 31:25
  Speaker 1: want to I want to root for you in Kamalama Kamala. Sorry,
• 31:30
  Speaker 1: but Joe, you just not outside. Did you see him
• 31:33
  Speaker 1: at the Black Church? Yeah, I did see him. I
• 31:35
  Speaker 1: did not like him at the Black Church. He he
• 31:37
  Speaker 1: looks like he had been outside the long time. He
• 31:39
  Speaker 1: would say, this is the the first time in Magic City.
• 31:43
  Speaker 1: Oh my god. One President Biden to be like Eric Adams.
• 31:46
  Speaker 1: Just we mixing out here. Eric Adams, you outside and
• 31:51
  Speaker 1: I respect Man Adams trying to be relevant. Just come, no, no, no,
• 31:54
  Speaker 1: he is relevant. Is in my world. He's relevant. I
• 31:58
  Speaker 1: want him to come to my party and drinks, makes polo.
• 32:01
  Speaker 1: He was. He met with Jim Jones every Wednesday. Got
• 32:04
  Speaker 1: a mixtape. I'm gonna copy. Hopefully it's a sale. I'm
• 32:10
  Speaker 1: not gonna listen, but I'm a comment just on the strip.
• 32:13
  Speaker 1: Oh my goodness. All right, and that is Front page News.
• 32:16
  Speaker 1: Now when we come back, Dion Taylor Terrace jt I.
• 32:20
  Speaker 1: The movie Fear comes out tomorrow. We're gonna kick it
• 32:22
  Speaker 1: with them now that we interviewed them yesterday. So Nori
• 32:24
  Speaker 1: won't be in this interview. But Nori's here. He's hosting.
• 32:27
  Speaker 1: He's our celebrity host. He's our guest host for today.
• 32:30
  Speaker 1: Lass on this one, I say it's the breakfast Club,
• 32:33
  Speaker 1: Good Morning, the Breakfast Club. Yeah, and that's what the
• 32:39
  Speaker 1: movie deals with. It is the manifestation of the consciousness.
• 32:42
  Speaker 1: So inside the film what happens is all the characters
• 32:46
  Speaker 1: are dealing with something, you know, the most unique thing
• 32:49
  Speaker 1: we have on earth, which is the mind. So whatever
• 32:51
  Speaker 1: it is that you could actually manifest or see, whether
• 32:54
  Speaker 1: that's good or bad, that's actually what you bring it
• 32:57
  Speaker 1: to your reality. So the movie is really cool that way,
• 33:00
  Speaker 1: and it's a big conversation piece. Man. We've been touring
• 33:04
  Speaker 1: the last week now. We did like five six cities,
• 33:07
  Speaker 1: and every time we screened the movie, it's you know,
• 33:09
  Speaker 1: it's been like an hour of Q and A after
• 33:11
  Speaker 1: everyone about what the mind is doing and how it's
• 33:14
  Speaker 1: doing it. And it's a lot to do with mental
• 33:15
  Speaker 1: illness too, man, Like you know, So it's dope that way.
• 33:18
  Speaker 1: And the end I think it's just spectacular, man, Like
• 33:21
  Speaker 1: what we the message we get, which is how do
• 33:24
  Speaker 1: you defeat fear? Filming this was horrifying. Dion made us
• 33:29
  Speaker 1: floor like we didn't have no trailer. Hey, man, I
• 33:44
  Speaker 1: told him I would go refer I mean, like refer
• 33:46
  Speaker 1: it for me though you know what I'm saying. But
• 33:48
  Speaker 1: but that, but I will tend you that the Large
• 33:50
  Speaker 1: Week film though, really is haunted. Yea, and no it
• 33:55
  Speaker 1: is that the story that they told that was really no, yeah,
• 34:00
  Speaker 1: that story that large with the with the the killing
• 34:04
  Speaker 1: of the witches and got to sleep there though, Yes, yeah,
• 34:11
  Speaker 1: this is really they did. They did. What did you see, Terrice?
• 34:19
  Speaker 1: Did you see anything when you were there sleeping? So
• 34:21
  Speaker 1: I'm not a When I pulled up my mattress, there
• 34:23
  Speaker 1: were spiders that came out from the bed. They had
• 34:25
  Speaker 1: to change like the bed that I wasn't like. It
• 34:27
  Speaker 1: was terrify. It was actually crazy. It was terrifying. It
• 34:30
  Speaker 1: was terrifying after the spiders came under your mattress. I'm
• 34:33
  Speaker 1: a method active baby, you know. You guys remember this
• 34:37
  Speaker 1: was this was the first movie that was shot during
• 34:40
  Speaker 1: the pandemic. So we actually went to the CDC and
• 34:44
  Speaker 1: had the conversation with them before they started doing the
• 34:46
  Speaker 1: bubble and all that. We were the first ones to
• 34:49
  Speaker 1: do it. We were actually driving people or driving test
• 34:51
  Speaker 1: results to LA and back every day. That's how he
• 34:54
  Speaker 1: got us all there. So that's how we're able to
• 34:56
  Speaker 1: get there. Joseph Cord drove from New York to Lake
• 34:59
  Speaker 1: to hold to do this film, Terrence Tip. Everybody came
• 35:03
  Speaker 1: down and descended into one location so we could make
• 35:05
  Speaker 1: the movie. Originally, if I was going to do it
• 35:06
  Speaker 1: with a carmophone, and then I got a little bit
• 35:09
  Speaker 1: more risky. I was like, man, I wonder if I
• 35:11
  Speaker 1: could call it a real DP and really shoot this.
• 35:13
  Speaker 1: And so what I think it's really great about the
• 35:16
  Speaker 1: film is in between takes you will see when you
• 35:19
  Speaker 1: go see the movie, wise call fears because you could
• 35:22
  Speaker 1: really see every actor in there really dealing with something.
• 35:25
  Speaker 1: Because this is at a time where we didn't know
• 35:28
  Speaker 1: so now everybody's cool, Now everybody tough, Now everybody know everything.
• 35:32
  Speaker 1: But this is when we were watching CNN and ten
• 35:34
  Speaker 1: Thousand Bodies every day. We were saying, you know what
• 35:37
  Speaker 1: I mean, this is that moment. So to be able
• 35:39
  Speaker 1: to do that film during that time, and shout out
• 35:41
  Speaker 1: to Rock sam Man for producing the film during about
• 35:44
  Speaker 1: but we did it, man. And now to have a
• 35:46
  Speaker 1: movie that looks like this and feels like this fresh
• 35:48
  Speaker 1: new it's pretty dope. And that's how it got us
• 35:51
  Speaker 1: all there, because you know, they called me and say, man,
• 35:53
  Speaker 1: I'm gonna shoot the movie. I say many nobody's shooting
• 35:55
  Speaker 1: the movies. Now I want to shoot the movie. I said,
• 35:57
  Speaker 1: all right, win he say, like Thursday, And that's what happened.
• 36:03
  Speaker 1: We just I mean, really it was is I guess
• 36:06
  Speaker 1: it's spontaneous as it sounds. That's exactly how I went down.
• 36:10
  Speaker 1: And as soon as I showed up, I saw Terence
• 36:12
  Speaker 1: and it ain't like, you know, I got to show
• 36:14
  Speaker 1: up and prepare and go to wardrobe like I showed him, Hey,
• 36:17
  Speaker 1: which what you're wearing right now here? Yeah, let's go.
• 36:20
  Speaker 1: First scene is coming right up. The campfire scene that was.
• 36:23
  Speaker 1: That was like thirty minutes after I got there. I
• 36:27
  Speaker 1: love that. I love that there's such a grittiness and
• 36:30
  Speaker 1: and so authentic one. It's done that way like when
• 36:33
  Speaker 1: you just in the trenches shooting a movie. It's a
• 36:36
  Speaker 1: labor of love. Everybody's just putting their best foot forward.
• 36:39
  Speaker 1: It's not about hair to make up the clothes. It's
• 36:41
  Speaker 1: really about just digging in and getting into it. You
• 36:43
  Speaker 1: got to be a beast to do that. Yeah, he
• 36:47
  Speaker 1: his dog. So you thought to yourself, don let's use
• 36:49
  Speaker 1: no budget whatsoever. What the film representative was a moment
• 36:54
  Speaker 1: of time we were in so even when tipped out
• 36:57
  Speaker 1: there right, you know, right he got there and I
• 37:00
  Speaker 1: looked at him. I was I was like, that's it.
• 37:03
  Speaker 1: This is the moment. This is what he looks like,
• 37:05
  Speaker 1: you know what I mean? And yeah, no no budget
• 37:08
  Speaker 1: at all. You know. What we were trying to do
• 37:10
  Speaker 1: is just be raw and be ugly and capture what
• 37:13
  Speaker 1: it felt like during that time. But the twist is
• 37:16
  Speaker 1: when you go to the theater, you'll understand what we're
• 37:18
  Speaker 1: going with this, because, like I said, there is a powerful,
• 37:22
  Speaker 1: powerful emotion and it would look it could it could
• 37:25
  Speaker 1: manifest in a very very hurtful way. So what I
• 37:29
  Speaker 1: thought was really cool about the movies as we keep
• 37:31
  Speaker 1: growing it and growing it. I was saying this the
• 37:32
  Speaker 1: other day, like during that time and even now, like
• 37:36
  Speaker 1: you feel like, oh man, I feel like I got
• 37:37
  Speaker 1: a little thing right here. You're gonna line, you start searching,
• 37:40
  Speaker 1: you go down the rabbit hole for you know, you
• 37:42
  Speaker 1: to diagnose yourself. Right, So they're like, I got this,
• 37:48
  Speaker 1: And so this energy is in this film, right, How
• 37:52
  Speaker 1: we perceived television is in this film. How we perceived
• 37:55
  Speaker 1: everything that we consume and how we regurgitated it's in
• 37:59
  Speaker 1: this film. We got more with Tia Terrace, J and
• 38:01
  Speaker 1: Dion Taylor. You know that movie Fear comes out tomorrow,
• 38:04
  Speaker 1: so don't move. It's to Breakfast Club, Go morning, like
• 38:06
  Speaker 1: everybody is DJ and V Charlemagne the guy we are
• 38:09
  Speaker 1: the Breakfast Club were still kicking it with Tia Terrace,
• 38:12
  Speaker 1: J and Dion and Taylor. That movie Fear comes out tomorrow.
• 38:16
  Speaker 1: Now La La was joining us during this interview, So
• 38:19
  Speaker 1: let's get back to the interview. Now. You talk about
• 38:20
  Speaker 1: the camp fine scene. That's the scene where you guys
• 38:22
  Speaker 1: start talking about your fear. So let me ask you
• 38:25
  Speaker 1: guys in real life, what is your biggest fear? Start
• 38:28
  Speaker 1: with you, TJ. My biggest fear is just not maximizing
• 38:33
  Speaker 1: my full potential, you know, waking up an old man
• 38:36
  Speaker 1: and looking back and feeling like I left something on
• 38:38
  Speaker 1: the table. And so that's why every morning I get up,
• 38:40
  Speaker 1: I'm like, you know, I don't want to leave anything
• 38:42
  Speaker 1: behind in this life, you know. So that would probably
• 38:45
  Speaker 1: be it is that while you alone, walk in front
• 38:47
  Speaker 1: of you is my sister. That's sister, that's like my sister.
• 39:05
  Speaker 1: How would this even go left? That's like my family.
• 39:07
  Speaker 1: When when when you see me along, you see you
• 39:10
  Speaker 1: got to open the doors. You know what I'm saying
• 39:13
  Speaker 1: me along is a is a is a national treasure.
• 39:16
  Speaker 1: She must be protected at all courts. You know. Biggest fear, uh?
• 39:22
  Speaker 1: I think my biggest fear, man, you know, is that
• 39:25
  Speaker 1: being able to be there for for for my kids
• 39:28
  Speaker 1: and my loved ones when they depending on me when
• 39:30
  Speaker 1: they need me, and not even just not be there physically,
• 39:33
  Speaker 1: like you know, just not be here to guide them
• 39:36
  Speaker 1: and direct them and you know, off of my my
• 39:39
  Speaker 1: uh I guess experience or knowledge or wisdom for them
• 39:44
  Speaker 1: to get through whatever they might be challenged with. I
• 39:47
  Speaker 1: think that's that's my biggest fear. Oh. I think my
• 39:51
  Speaker 1: biggest fear is like constantly trying to wonder if I'm
• 39:56
  Speaker 1: be here in ten, twelve, thirteen, fourteen years my kids,
• 39:59
  Speaker 1: Like I'm like, man, want to be here when they
• 40:00
  Speaker 1: turn That's something that I keep on messing with. And
• 40:03
  Speaker 1: that's something you gotta not do. You got to live
• 40:06
  Speaker 1: in a moment right now and understand that, you know,
• 40:08
  Speaker 1: every day as a blessing versus you trying to live
• 40:10
  Speaker 1: for what you know what twenty thirty gonna feel like,
• 40:13
  Speaker 1: you know what I mean? So it would be time
• 40:15
  Speaker 1: for me. And that's what's crazy as we deal with
• 40:17
  Speaker 1: all this in the film. Yeah, I'm thinking about the movie.
• 40:21
  Speaker 1: You know, you did the whole amborne virus that got
• 40:23
  Speaker 1: people stuck in the house, you know what I mean.
• 40:25
  Speaker 1: But then also, I'm not gonna give it away, but
• 40:28
  Speaker 1: there was a lot of people who committed suicide during
• 40:31
  Speaker 1: that time. What was all of that? Did y'all tip
• 40:33
  Speaker 1: all of that during that one year or that stuff
• 40:35
  Speaker 1: y'all did after the fact? Did it all in the
• 40:38
  Speaker 1: fifteen days we were there? Wow? So we were really
• 40:40
  Speaker 1: ahead of that moment. Yeah, that's why that's why I
• 40:43
  Speaker 1: keep telling you know, that's why the movie is being
• 40:45
  Speaker 1: received a way because you what you just hit on,
• 40:47
  Speaker 1: which is we were actually ahead of that curve a
• 40:49
  Speaker 1: little bit. What we were like, man, just thinking it
• 40:51
  Speaker 1: out loud, like tip Terence, you know what I mean?
• 40:55
  Speaker 1: Like how they how it happens is pretty dupe. What
• 40:59
  Speaker 1: was it like, July twenty twenty, Yeah, yeah, everything you
• 41:03
  Speaker 1: started hitting the fan around March April Februaries when they
• 41:06
  Speaker 1: started going far. You know, we put all the money
• 41:10
  Speaker 1: on the screen. So it's like, you know, when he
• 41:12
  Speaker 1: asked you to participate in something like that you want
• 41:14
  Speaker 1: to get paid six figures to be in it, or
• 41:15
  Speaker 1: you want to invest six figures and have a seat
• 41:17
  Speaker 1: at the table. And so that's the beauty of what
• 41:20
  Speaker 1: Dion's created with. This is where you know producers, complete
• 41:23
  Speaker 1: profit participation and I and I love that because it's
• 41:27
  Speaker 1: all about you know, Boston up. It's all about us
• 41:29
  Speaker 1: working together. It's not reaching up. There's no studio handing
• 41:33
  Speaker 1: us down money. It's completely self finance. It doesn't look
• 41:35
  Speaker 1: at depend if anybody else looks like they didn't tell
• 41:39
  Speaker 1: me that right now, I would have never thought that
• 41:41
  Speaker 1: watching it feel like get out Now that I think
• 41:42
  Speaker 1: about that, you know the people and get out of
• 41:44
  Speaker 1: the actors, they get out there. Your mater guard is
• 41:49
  Speaker 1: yeah this get out. And then the movie a little bit,
• 41:53
  Speaker 1: it's checked with an armored truck when you're on a
• 41:59
  Speaker 1: pillow in a box. His first road he checked from
• 42:01
  Speaker 1: you up. Yeah. But I think like what this represents everyone.
• 42:06
  Speaker 1: I think everyone talks a good game about this black
• 42:09
  Speaker 1: excellence and building our own and but it's very seldom
• 42:12
  Speaker 1: man that we actually really work together. And people, Yeah,
• 42:15
  Speaker 1: people don't want to have that conversation about like, you know,
• 42:18
  Speaker 1: working with people that look just like you, and especially
• 42:21
  Speaker 1: in this industry man, where people are actually was that
• 42:24
  Speaker 1: looked like you could be the most cutthroat you know,
• 42:26
  Speaker 1: and the most people that have pushed you away, so
• 42:29
  Speaker 1: very clickish, you know what I mean. So for us independently, man,
• 42:32
  Speaker 1: I've been you know, this took us a long time
• 42:34
  Speaker 1: to be able to build this. But now, like movies
• 42:37
  Speaker 1: like you know, Black and Blue and Intruder and you
• 42:40
  Speaker 1: know all these other films we amazed Supremacy. Yeah, with rehearsal,
• 42:44
  Speaker 1: Ali and Danny Glover, like now to be able to
• 42:47
  Speaker 1: do it at this level and now also be inclusive
• 42:50
  Speaker 1: and work with other people, this movie could go much
• 42:53
  Speaker 1: further than I could throw it based on the fact
• 42:55
  Speaker 1: that these guys could run faster than me too, you
• 42:57
  Speaker 1: know what I mean. So this should be like the
• 43:00
  Speaker 1: new brand of what we're trying to build in Hollywood,
• 43:03
  Speaker 1: you know, which is really everybody working together and building
• 43:06
  Speaker 1: something and owning something collectively, not just one person getting
• 43:10
  Speaker 1: rich or getting empowered or so if this movie works,
• 43:14
  Speaker 1: we do it again, and then we do it again,
• 43:17
  Speaker 1: and then these guys actually participate because right now no
• 43:19
  Speaker 1: one owns IPPs. I was going to say. It's just
• 43:21
  Speaker 1: so that's what's so important. And one thing about you,
• 43:24
  Speaker 1: Dan is you're always about giving those opportunities to people
• 43:28
  Speaker 1: that to us, you know, people that understand what our
• 43:32
  Speaker 1: day to day lifestyle is like. And I think it's
• 43:34
  Speaker 1: amazing to provide those opportunities to all of us for
• 43:37
  Speaker 1: ownership and just also to kind of I've learned a
• 43:40
  Speaker 1: lot from you, like just learning from you, and I
• 43:42
  Speaker 1: know just watching how he works, it's like it's like
• 43:44
  Speaker 1: a master class. And to be able to be a
• 43:47
  Speaker 1: part of that, and then, like he said, take that
• 43:49
  Speaker 1: blueprint and do it again, and do it again. That's
• 43:51
  Speaker 1: what it's about, providing more opportunities for all of us
• 43:53
  Speaker 1: out there to continue to grow and then put us
• 43:55
  Speaker 1: in position to provide more opportunities for more people. You
• 43:59
  Speaker 1: gotta had that some reason why people are like, man,
• 44:01
  Speaker 1: I haven't seen Jack Nicholson work in twenty five years,
• 44:04
  Speaker 1: but he's sitting on the front row of the Lakers
• 44:06
  Speaker 1: game right because he owns Steak and Equity and batman
• 44:11
  Speaker 1: Iano reeves the matrix, you know what I mean. So
• 44:14
  Speaker 1: you could go on and on how these guys are
• 44:16
  Speaker 1: able to actually be a part of something but us,
• 44:19
  Speaker 1: we always get it up front, you know what I mean.
• 44:21
  Speaker 1: And now in this system where everything is streaming and
• 44:23
  Speaker 1: they own everything, you really don't get no ip or equity.
• 44:26
  Speaker 1: So now you're gonna get paid all the money right now,
• 44:29
  Speaker 1: and then you're gonna watch that for the next twenty
• 44:31
  Speaker 1: thirty years. Your kid's gonna watch that. So to be
• 44:33
  Speaker 1: able to participate like real did and to get out
• 44:36
  Speaker 1: or have a percentage, I'm sure he didn't invest, but
• 44:39
  Speaker 1: they gave him equity in the movie because he came
• 44:42
  Speaker 1: in a small budget movie. But this is different, man, Like,
• 44:45
  Speaker 1: this is ownership. So when you see Fear this weekend
• 44:48
  Speaker 1: in the movie theater, and you're right, it looks fantastic.
• 44:51
  Speaker 1: Shout out to Chris Duskin, you know the whole VFX
• 44:55
  Speaker 1: team that worked on this. When you see that, just
• 44:57
  Speaker 1: understand when you buy that ticket, it is actually going
• 45:00
  Speaker 1: back to a black production company and back to these
• 45:03
  Speaker 1: guys who put their money up and they owned that.
• 45:05
  Speaker 1: So in five years from now, when you watch Fear,
• 45:07
  Speaker 1: it's there. So now we could buy some cars for
• 45:09
  Speaker 1: Envy's car shot. For the car shot, I was gonna ask.
• 45:22
  Speaker 1: So when you board during the pandemic. It was like,
• 45:25
  Speaker 1: I gotta shoot something. I can't just sit on my ass.
• 45:26
  Speaker 1: But what was that? That thought process came because we
• 45:29
  Speaker 1: were all home doing nothing. No Dion was calling, everybody
• 45:32
  Speaker 1: was on the phone with Charlemagne six am every morning.
• 45:34
  Speaker 1: We got to change the world. We're gonna do a
• 45:36
  Speaker 1: pro like Dione the couple Z we did great man.
• 45:42
  Speaker 1: We were acting was leading the charge on. It wasn't
• 45:46
  Speaker 1: even entertainment stuff. It was politics. Yeah, all of us,
• 45:50
  Speaker 1: you and me and Killer Mike and uh. I think
• 45:54
  Speaker 1: we all just everybody knew something big is gonna come
• 45:57
  Speaker 1: out of it. You know. We just wanted to be
• 45:59
  Speaker 1: a part of whatever was going to be on the
• 46:01
  Speaker 1: other side that was that was going to be financially
• 46:06
  Speaker 1: beneficial or even just culturally beneficial. And I think, you know,
• 46:11
  Speaker 1: in our own way, everybody did. I mean a lot
• 46:14
  Speaker 1: of people didn't make it to the other side. Yeah,
• 46:17
  Speaker 1: I'm saying that physically as well as mental mentally, a
• 46:20
  Speaker 1: lot of people did not make that jump y'all show
• 46:23
  Speaker 1: that in the movie. Yeah, some people wanted to make it.
• 46:28
  Speaker 1: You know what I'm saying. It's around than just wasn't
• 46:32
  Speaker 1: you know, they just wouldn't let it happen with the
• 46:35
  Speaker 1: ain't gonna say to all. We got more with Ti
• 46:39
  Speaker 1: terrece J and Dion Taylor. You know that movie Fear
• 46:42
  Speaker 1: comes out tomorrow, so don't move. It's to Breakfast Club.
• 46:45
  Speaker 1: Everybody is DJ and V Charlomagne the guy. We are
• 46:48
  Speaker 1: the Breakfast Club. We're still kicking it with Ti terrece
• 46:51
  Speaker 1: J and Dion Taylor. That movie Fear comes out tomorrow. Now,
• 46:55
  Speaker 1: Lola was joining us during this interview, so let's get
• 46:58
  Speaker 1: back to the interview. Charlomage. That was port and it's
• 47:00
  Speaker 1: like just mento ship, like who taught you? Like you're
• 47:03
  Speaker 1: given the game to people, but who taught you? You
• 47:05
  Speaker 1: know what? I wasn't taught. And I think that's what
• 47:09
  Speaker 1: really helps me to be who I am today because
• 47:11
  Speaker 1: it was so hard for us for seventeen years. Every
• 47:14
  Speaker 1: time we went somewhere and somebody tell you know, you
• 47:16
  Speaker 1: don't know how to actually do something, so you have
• 47:18
  Speaker 1: to learn on your own. I just remember Man two
• 47:21
  Speaker 1: three times having a metaphysical depth in my life. Well,
• 47:23
  Speaker 1: I'm like, damn man, Like I thought I was doing
• 47:25
  Speaker 1: this right, but I collapsed and later on in life
• 47:29
  Speaker 1: I ended up, meaning Robert Smith, who became a real
• 47:34
  Speaker 1: mentor to me. But I was already on the move.
• 47:36
  Speaker 1: He already seen that. But yeah, that's why riches. But
• 47:40
  Speaker 1: that's why I just come from a place man of like, man,
• 47:42
  Speaker 1: we could just show it educating. I know that's not normal,
• 47:45
  Speaker 1: but you know we already said, man, the game is
• 47:47
  Speaker 1: to be sold. And I told I've always been like, no, man,
• 47:50
  Speaker 1: you get a game away for free, so we could
• 47:52
  Speaker 1: learn and move forward. That's the bottom line, you know
• 47:55
  Speaker 1: what I mean. It's not it should not be this
• 47:57
  Speaker 1: thing where it's only one and we've had this guy.
• 48:00
  Speaker 1: I've seen Kevin Hard have it. I've seen Tia have it,
• 48:03
  Speaker 1: Terrence have it. That's a reality right now, it's only one,
• 48:06
  Speaker 1: you know what I mean. It's like, man, how do
• 48:08
  Speaker 1: we get past that? And then how do we also
• 48:11
  Speaker 1: celebrate people that's actually winning? Man? You know, we just
• 48:14
  Speaker 1: talking about Josephcore of fifty cent on the way over,
• 48:17
  Speaker 1: because Joe is a really big part of this film,
• 48:19
  Speaker 1: and I was just saying to myself, Man, do you
• 48:22
  Speaker 1: guys understand we do as a culture, but do you
• 48:25
  Speaker 1: understand what this man has done in television? Yeah? I
• 48:29
  Speaker 1: don't think people understand they don't. Yeah, But at the
• 48:32
  Speaker 1: same time, why why why does the country not understand that?
• 48:36
  Speaker 1: And then why is he still being in a position
• 48:38
  Speaker 1: where he has to fight for what he's right? Right, Like,
• 48:41
  Speaker 1: this is real man valuable in black content. Yea be
• 48:45
  Speaker 1: valuab But I don't think we are the best somebody
• 48:49
  Speaker 1: else's hands. True, they try to devalue when we own out. Well,
• 48:55
  Speaker 1: his numbers is good at his numbers is better than
• 48:57
  Speaker 1: every other show on the network, So what what does
• 49:00
  Speaker 1: that mean? But that's also why it's up to us,
• 49:03
  Speaker 1: like everything that we're talking about, because obviously fifty has
• 49:05
  Speaker 1: been a mentor and I've said a million times, I'll
• 49:08
  Speaker 1: say it a million one times. Fifty changed my life
• 49:10
  Speaker 1: by the opportunities that he's always provided to me. But
• 49:12
  Speaker 1: then you'll see what people be like, Oh, she did power,
• 49:15
  Speaker 1: now she on BMF, she just do everything. We're fifties
• 49:18
  Speaker 1: that first of all, I'm loyal and second of all,
• 49:20
  Speaker 1: like this man provided it's like it's like you're you're
• 49:29
  Speaker 1: mad about that or that's not the right thing, but
• 49:32
  Speaker 1: some other person gives me opportunity. Yeah, yeah, you should
• 49:35
  Speaker 1: go do that, you should go do that. Because yeah,
• 49:37
  Speaker 1: I just said, it's not it's not it's value when
• 49:39
  Speaker 1: we give it to somebody else, but we have it.
• 49:41
  Speaker 1: It's just it's not valued. Man. They criticize you to
• 49:44
  Speaker 1: the copy got real, No what Tip? It makes a
• 49:47
  Speaker 1: lot of sense because I'm thinking about like somebody like
• 49:48
  Speaker 1: normally live right, you know what I mean, called you
• 49:52
  Speaker 1: every time no one would say anything. Yeah Joppa, Yeah,
• 49:57
  Speaker 1: I would be praised every everywhere. You know, I was
• 50:00
  Speaker 1: thinking too, Tip, you know who was who was mentoring
• 50:02
  Speaker 1: the young rappers in Atlanta? Could you talk about your
• 50:05
  Speaker 1: growth from your evolution? And I feel like brothers like
• 50:07
  Speaker 1: you who made the transition from the streets, you know,
• 50:09
  Speaker 1: the corporate America. You gotta get these young brothers from
• 50:12
  Speaker 1: games because they feel like they just doing it all
• 50:14
  Speaker 1: the way. I'm I'm I'm always here, bro, you know
• 50:17
  Speaker 1: what I'm saying. I'm always here. I always try and
• 50:19
  Speaker 1: make myself available whenever I can. And uh, and I
• 50:23
  Speaker 1: believe that the mentorship is you know, it's present. It's present. Man.
• 50:28
  Speaker 1: You know you got uh institutions of culture like Grand
• 50:33
  Speaker 1: Hustle qc Uh. You know you got uh free bands,
• 50:40
  Speaker 1: you got uh street execs. Uh, you know it's it's
• 50:45
  Speaker 1: a lot even so so deaf. You know, you got
• 50:49
  Speaker 1: a lot of ogs, did you know what I'm saying?
• 50:51
  Speaker 1: They reached back and still make sure that the conversations
• 50:55
  Speaker 1: of being had. Uh you gotta Killer Mike, you got
• 50:59
  Speaker 1: you know, uh see low Yeah, of course, jeez. Everybody
• 51:04
  Speaker 1: like does our part to make sure that if there's
• 51:08
  Speaker 1: some information that a young man or a young lady needs,
• 51:11
  Speaker 1: that they know where to find the places like the
• 51:13
  Speaker 1: gathering spot, places like the Trap Music Museum, places like
• 51:17
  Speaker 1: Trap City Cafe where you just show up and just
• 51:20
  Speaker 1: happen to see somebody. Hey, man, how do you like
• 51:23
  Speaker 1: a person like pulled up to the cafe? But like,
• 51:26
  Speaker 1: how do I copyright my music if I can't really
• 51:28
  Speaker 1: afford the lawyer? I was like, man, you know I
• 51:31
  Speaker 1: just used to I don't know if they still do
• 51:32
  Speaker 1: it like that, but I just used to put my
• 51:34
  Speaker 1: demo in the mail, and I don't know where I
• 51:45
  Speaker 1: used the way I would tell you what I'm saying,
• 51:48
  Speaker 1: if ye mean that's what I learned. You know, let
• 51:52
  Speaker 1: me this question for you too, and you this this
• 51:57
  Speaker 1: is interesting. Could you could you were you when you
• 52:00
  Speaker 1: name Killer Mike yourself? Q? See all these different branch
• 52:04
  Speaker 1: organizations that's as pioneer rap. Is there a way to
• 52:08
  Speaker 1: actually unionize hip hop? Was it somebody trying to do that.
• 52:12
  Speaker 1: They've been trying to do it for why they trying?
• 52:15
  Speaker 1: What I'm saying, you could actually do that, I think
• 52:17
  Speaker 1: I think it should be done it and the reason
• 52:18
  Speaker 1: not only for that to put for conversation and growth,
• 52:21
  Speaker 1: but also think about all the artists that get older.
• 52:25
  Speaker 1: That's what I'm saying, Yeah, don't have health kids, Yeah,
• 52:29
  Speaker 1: you know, don't have the finance that's retirement. I mean,
• 52:32
  Speaker 1: I think that would be a great I guess you'd
• 52:34
  Speaker 1: have to look at other industries to see how they
• 52:35
  Speaker 1: did it, because that's out of my spectrum education. I
• 52:37
  Speaker 1: guess you'd have to look at like the film industry
• 52:39
  Speaker 1: and see how they did it way way way back.
• 52:41
  Speaker 1: Because those old artists have nothing right right, Like they've
• 52:45
  Speaker 1: been used through the system, through the studios, nothing, So
• 52:51
  Speaker 1: they got to wait for them. They got to wait
• 52:52
  Speaker 1: for the fifty year hip hop to get a check, right.
• 52:55
  Speaker 1: So that's crazy. Man, Like you should you should as
• 52:58
  Speaker 1: smart as you are, I mean, you should dive into
• 52:59
  Speaker 1: that that. I mean, bro, I hear it. Takes participation,
• 53:04
  Speaker 1: you know what I mean. Everybody got to be, you know,
• 53:07
  Speaker 1: willing to come together. I see most of the time,
• 53:11
  Speaker 1: people if it ain't our idea, yeah, you know what
• 53:14
  Speaker 1: I'm saying, if we didn't think of it first, Like
• 53:18
  Speaker 1: you know, a lot of times people don't really want
• 53:20
  Speaker 1: to participate, you know, collectively. But it is a phenomenal idea,
• 53:24
  Speaker 1: and it's gonna be a resentment to the to the
• 53:26
  Speaker 1: artists who aren't doing well. And you know, why should
• 53:29
  Speaker 1: I work with the artists that is doing well. We
• 53:31
  Speaker 1: don't just build it without them, right, I mean, you
• 53:34
  Speaker 1: don't get in right, So anyway, that's interesting. We just
• 53:38
  Speaker 1: don't your dudes after So the same thing you pay
• 53:40
  Speaker 1: your dudes yelling and when things happen, you get help
• 53:42
  Speaker 1: and chance you get true. We need that. We need
• 53:44
  Speaker 1: that right now, I'm with it. Yeah, we need that
• 53:48
  Speaker 1: last question to buy down that before dollars. You need
• 53:57
  Speaker 1: a long watch beyond a bunch of difference at all,
• 54:12
  Speaker 1: stop stop stop, No. A bunch of celebrities went out
• 54:16
  Speaker 1: there right kneel long is a friend. A bunch of
• 54:18
  Speaker 1: friends were all out there, were hanging out. Incredible performance.
• 54:21
  Speaker 1: This is the biggest launch in the world. They launched
• 54:24
  Speaker 1: this hotel, the Royal Atlantis, Nobu launched a new restaurant.
• 54:28
  Speaker 1: It was incredible. We all went out there. Beyonce looked amazing,
• 54:32
  Speaker 1: She looked impeccable voice obviously, Blue Ivy came out. All
• 54:37
  Speaker 1: the vibes were there, a very theatrical performance. So this
• 54:41
  Speaker 1: wasn't you know, this wasn't single ladies dancing tight beyond.
• 54:44
  Speaker 1: This was like this was a low Beyonce right, very class,
• 54:48
  Speaker 1: very you know what I mean. So, the the the
• 54:50
  Speaker 1: outfits and the wardrobe was masterful. She came out, she
• 54:54
  Speaker 1: went on this little platform and had the wind in
• 54:56
  Speaker 1: the water hitting her. It was amazing. You know what water. Yeah,
• 55:01
  Speaker 1: they had these sprinklers. He didn't curred. It was fire.
• 55:03
  Speaker 1: There was was coming off of the building. You know,
• 55:07
  Speaker 1: everybody was out there. It was it was a vibe.
• 55:10
  Speaker 1: Had one question, when why not twenty five million? The
• 55:20
  Speaker 1: number was reflective of not just the payment to her,
• 55:24
  Speaker 1: but it was a whole production, you know what I mean. Yeah,
• 55:28
  Speaker 1: so this we said, that was all I said. It
• 55:31
  Speaker 1: was like a million dollars an hour. I don't even
• 55:32
  Speaker 1: think that was a number. I think the number was
• 55:34
  Speaker 1: actually more I think like the bigger number was somewhere
• 55:36
  Speaker 1: around forty five million, like it was. It was, it's
• 55:38
  Speaker 1: the biggest launch. They wanted to outdo the original Atlantis
• 55:44
  Speaker 1: like she deserved it. Absolutely, she worked her ass all
• 55:48
  Speaker 1: throughout the year. Man, and when you seebs A, you're
• 55:51
  Speaker 1: gonna get a show. So you know it's certain people
• 55:54
  Speaker 1: were just happy to see those types of numbers go
• 55:57
  Speaker 1: to absolutely, somebody like, man, well I can't get twenty
• 56:01
  Speaker 1: four because but show back back to you know the
• 56:05
  Speaker 1: knee A long question. We have to celebrate our queens.
• 56:08
  Speaker 1: We have to make sure when when they stepped out,
• 56:11
  Speaker 1: you when you when I see Gabriel Union n Nash
• 56:17
  Speaker 1: making good like we gotta celebrate our icons. You know
• 56:21
  Speaker 1: what I'm saying. Lola will tell you I don't care
• 56:23
  Speaker 1: where I see together together. I'm asking man, no, no
• 56:41
  Speaker 1: shout up to me and I'm not come terce long.
• 57:14
  Speaker 1: Everybody is DJ Envy, Charlemagne the guy. We are the
• 57:18
  Speaker 1: Breakfast Club. Now we got our guest host with us.
• 57:21
  Speaker 1: Uh Nori and O are joining us this morning. Make
• 57:24
  Speaker 1: sure y'all bring on a SPA. And I want to
• 57:29
  Speaker 1: salute another queen's person, stephen A Smith. He was hit
• 57:33
  Speaker 1: this week book. That's right, speaking of his book, just
• 57:35
  Speaker 1: heard it hit the New York Times Bestsellers listen on
• 57:38
  Speaker 1: the New York Times Best Sellers list. Nobody sold more
• 57:41
  Speaker 1: books this week than Prince Harry. Wow. Yeah, So salute
• 57:44
  Speaker 1: to stephen A. Smith and Charles Suit and everybody over
• 57:46
  Speaker 1: to thirteen Gallery. That dope, and we're so glad that
• 57:50
  Speaker 1: Rihanna people are leaving him alone. I don't think they
• 57:53
  Speaker 1: leave him now not. I don't think. Let's get to
• 57:57
  Speaker 1: the rooms. Let's talk. N O R E had chatting.
• 58:07
  Speaker 1: I mean, I guess we on the breakfast clud. This
• 58:08
  Speaker 1: is where the tea spills, right right on the breakfast club. Now,
• 58:11
  Speaker 1: Nori is media now been media for some years. Drank
• 58:14
  Speaker 1: Champs is one of the biggest platforms out here. Thank you.
• 58:17
  Speaker 1: And you know Nori be having that tea. You want
• 58:21
  Speaker 1: to start with where he was last night? You want
• 58:22
  Speaker 1: to start there first. I did that already. No, No,
• 58:24
  Speaker 1: he didn't tell the story. So you know, tell us
• 58:26
  Speaker 1: some of the people you ran into last night and
• 58:28
  Speaker 1: where you were last day for people that just joining us. Well,
• 58:30
  Speaker 1: the biggest um thing was um I had just recently
• 58:34
  Speaker 1: recorded up a show with people that that's the guest
• 58:37
  Speaker 1: of today, t Terrence j and Um Joseph Sakarium, who
• 58:42
  Speaker 1: we all know and love as Tommy and Um bring
• 58:46
  Speaker 1: out the fact that uh Nia long has been outside,
• 58:50
  Speaker 1: like outside, outside, she's been, She's been around, everyone's been
• 58:53
  Speaker 1: seeing and so I see the alone, you've seen the
• 58:55
  Speaker 1: last name. I'm looking at the picture right now and
• 58:59
  Speaker 1: give us face. And I told her, I was like, Nina,
• 59:01
  Speaker 1: I just wanted to know, I said, I said on
• 59:03
  Speaker 1: my should that you've been outside because I don't know
• 59:06
  Speaker 1: what she courted or not, but she was like, yeah,
• 59:08
  Speaker 1: I've been outside all month. What she probably had because
• 59:11
  Speaker 1: she probably been promoting the best man the final chapter. Yes,
• 59:14
  Speaker 1: but that's not what I meant. Outside outside, but big
• 59:24
  Speaker 1: up to me along. She was so sweet. She got
• 59:26
  Speaker 1: to meet my wife. My wife is so she wanted
• 59:28
  Speaker 1: to meet us. So we're doing the wife like she
• 59:30
  Speaker 1: got to meet my wife. I was with my wife, Yes, definitely,
• 59:33
  Speaker 1: with my wife, Yes, definitely. My wife calls to me
• 59:35
  Speaker 1: everywhere and Um, but she was such a pleasure. She was.
• 59:39
  Speaker 1: She was everything that I thought that it would be.
• 59:41
  Speaker 1: This is a beautiful black queen. You know what I'm
• 59:43
  Speaker 1: saying she's living her life. And I actually, you know,
• 59:47
  Speaker 1: and when I broke it up, I brung up hard
• 59:49
  Speaker 1: and I brung up Lorie Harvey, and I actually want
• 59:52
  Speaker 1: to just say, like, you know what I'm saying, Um,
• 59:55
  Speaker 1: I'll support females that you know that that I want
• 59:59
  Speaker 1: to be do exactly what they wanted to be. Free.
• 1:00:02
  Speaker 1: You know what, we gotta get our minds out the
• 1:00:04
  Speaker 1: gutter because you know, the reality is what's wrong with
• 1:00:06
  Speaker 1: people just dating? We see people together and we just assume, oh,
• 1:00:10
  Speaker 1: he's sleeping with that person or she's sleeping with that person, Like, no,
• 1:00:12
  Speaker 1: they probably just dating. You can't date, right, And me,
• 1:00:15
  Speaker 1: I'm I'm such a lame. I've been with my wife
• 1:00:18
  Speaker 1: sixteen years talking. No, No, I mean that's right to
• 1:00:26
  Speaker 1: the that's right, that's right to the average human being
• 1:00:29
  Speaker 1: married mom. And I actually sometimes I want to like
• 1:00:33
  Speaker 1: listen to other people's flaws, Like I realized that, I
• 1:00:36
  Speaker 1: realized I liked it Jerry Springer years later, because my
• 1:00:39
  Speaker 1: life was better than these people's life right there. So
• 1:00:42
  Speaker 1: every now like watching other people, I like to watch
• 1:00:47
  Speaker 1: other peoples. Yeah, so um, yeah, so get back to
• 1:00:51
  Speaker 1: my point. Pick up to Nia long who else I
• 1:00:53
  Speaker 1: see last night, I see the mayor who was outside.
• 1:00:56
  Speaker 1: I think he should go back to New York. Jeric Adams,
• 1:00:59
  Speaker 1: I think he should go for press in it because
• 1:01:00
  Speaker 1: he's outside way more than Joe. We do not want
• 1:01:02
  Speaker 1: their air academs to run for president. He's just buried
• 1:01:05
  Speaker 1: mix heats and you know by the way he should be.
• 1:01:07
  Speaker 1: You got to meet people where they are. Obama wasn't
• 1:01:09
  Speaker 1: mixing though. Obama wasn't. Obama wasn't. We needed a little
• 1:01:12
  Speaker 1: bit more mixy out of Obama. No, he wasn't. He
• 1:01:15
  Speaker 1: wasn't mixing. So, but that's not what I wanted to
• 1:01:17
  Speaker 1: talk about. Another there was another little rumor that you
• 1:01:21
  Speaker 1: said it here behind the scenes. Okay, remember what he
• 1:01:24
  Speaker 1: was talking about Future and Drake. Oh that's what I heard.
• 1:01:27
  Speaker 1: I heard. That's a big rumor that Future, Um it's
• 1:01:32
  Speaker 1: not too happy. Uh this Drake and twenty one Savage album.
• 1:01:36
  Speaker 1: And since the Future and Drake did an album before,
• 1:01:39
  Speaker 1: and it makes Drake and Future album not as important,
• 1:01:43
  Speaker 1: I would say, feel And that's I mean, this is
• 1:01:46
  Speaker 1: this is allegedly, this is all rumors. I've never heard
• 1:01:48
  Speaker 1: it from Future Smuth. I've never heard it from Drake.
• 1:01:49
  Speaker 1: Never heard it from twenty one but um, it's an
• 1:01:52
  Speaker 1: alleged big rumor. That's that's going on right now. Where'd
• 1:01:54
  Speaker 1: you hear that? An in in the streets? In the
• 1:01:57
  Speaker 1: streets with a K in Miami in Miama if Miami, Yeah,
• 1:02:01
  Speaker 1: I'm on Miami end yeah something. So you heard that
• 1:02:04
  Speaker 1: Future is upset with Drake. Drake did the album with
• 1:02:07
  Speaker 1: twenty one Savage because it makes their project seemed less important,
• 1:02:11
  Speaker 1: I would think, so, you know what I mean, We've
• 1:02:14
  Speaker 1: never seen jay Z doing other best of both worlds,
• 1:02:16
  Speaker 1: you know what I'm saying. We've seen Washington Washingtone, but
• 1:02:19
  Speaker 1: that was equally get what you're saying. Yeah, and even
• 1:02:23
  Speaker 1: that Jay Electronica was credited as the album like this,
• 1:02:27
  Speaker 1: certain songs that it don't even say feature in jay Z, right,
• 1:02:30
  Speaker 1: you know what I'm saying. So, so it's difficult. I
• 1:02:32
  Speaker 1: will say this. I like the fact that these younger
• 1:02:35
  Speaker 1: artists and newer artists are doing records with other people
• 1:02:37
  Speaker 1: and doing albums with other people because back then, you
• 1:02:39
  Speaker 1: guys would never because you would have too many label conflicts.
• 1:02:41
  Speaker 1: But because its magic if you wouldn't nas really did
• 1:02:44
  Speaker 1: an album together, right, I would you imagine if if
• 1:02:47
  Speaker 1: you win, you know, fat Joel, would you know in
• 1:02:49
  Speaker 1: Terroce Squad dumped out the album together, we didn't do
• 1:02:52
  Speaker 1: It's big up Drake because Drake is, to me, is
• 1:02:55
  Speaker 1: learning how important he is to the culture, and he's
• 1:02:57
  Speaker 1: spreading it. You know that. I think he always knew.
• 1:03:00
  Speaker 1: That's why he always does record with the up and
• 1:03:02
  Speaker 1: coming people. Yeah, but I think it's more so when
• 1:03:04
  Speaker 1: when when you do a whole album with twenty one Savage,
• 1:03:08
  Speaker 1: it would all due respect to twenty one Savage, it's
• 1:03:10
  Speaker 1: like you're putting twenty one Savage on that level now,
• 1:03:14
  Speaker 1: Like even though he probably was on that level, but
• 1:03:16
  Speaker 1: now you're putting him on that level. You're putting him
• 1:03:18
  Speaker 1: on the level of Future, you know what I'm saying.
• 1:03:20
  Speaker 1: And Future is arguably one of the most influential artists ever.
• 1:03:25
  Speaker 1: Like you know what I mean, I don't think. I
• 1:03:26
  Speaker 1: don't think there's nothing to argue. Yeah, I mean, like
• 1:03:28
  Speaker 1: I look at these kids. I look at these kids
• 1:03:30
  Speaker 1: and and and all the drugs that they taken, and
• 1:03:34
  Speaker 1: and it's all for Future, you know what I'm saying.
• 1:03:36
  Speaker 1: It's like I'm sorry, like but you know, and for
• 1:03:39
  Speaker 1: the record. I don't believe Future probably feels that way.
• 1:03:41
  Speaker 1: I don't think Future is that petty. I don't think
• 1:03:43
  Speaker 1: he's upset that drink did the album with twenty one.
• 1:03:46
  Speaker 1: I probably. I mean, we're getting too much money to
• 1:03:48
  Speaker 1: be upset. But it's a it's a it's a little discrepancy.
• 1:03:51
  Speaker 1: I hurt my lad is your room report? Yes, yes,
• 1:03:55
  Speaker 1: I'm high, you're high well ignoring when I side smoke,
• 1:03:59
  Speaker 1: I think I'm I'm not, not not yet, but we're
• 1:04:02
  Speaker 1: gonna put some champagne second. That's right, and for after
• 1:04:06
  Speaker 1: the hour. You know, this is a great segue into
• 1:04:08
  Speaker 1: talking about how you can lead the youth in a
• 1:04:11
  Speaker 1: more positive direction, because I need a couple of people
• 1:04:14
  Speaker 1: to come to the front of the congregation, Michael Gibson
• 1:04:15
  Speaker 1: and Thomas Smith for discuss I will do that. Next,
• 1:04:17
  Speaker 1: it's the Breakfast Club. Good Morning, the Breakfast Club. Your
• 1:04:20
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• 1:04:44
  Speaker 1: time for Donkey of the Day. A democrat, so being
• 1:04:49
  Speaker 1: Dunkey of the days a little bit of a mix club.
• 1:04:51
  Speaker 1: So like a Donkey o the day breakfast club. Bitches.
• 1:04:58
  Speaker 1: Now I've been called a lot of twenty three years
• 1:05:00
  Speaker 1: that Donkey of the Day is a new wife. That's right.
• 1:05:03
  Speaker 1: We got to eight to spades in the Starfbucks cup
• 1:05:05
  Speaker 1: baby because they years. Oh, that's right. Donkey to Day
• 1:05:08
  Speaker 1: for Thursday, January twenty third goes to an Annapolis, Maryland
• 1:05:11
  Speaker 1: man named Michael Gibson and a thirty one year old
• 1:05:14
  Speaker 1: man named Thomas Smith. I'm using the word man loosely. Okay,
• 1:05:17
  Speaker 1: this young brother is twenty three years old. Michael Gibson is.
• 1:05:20
  Speaker 1: But we all know the full development of the prefrontal
• 1:05:23
  Speaker 1: cortex isn't fully accomplished until the age of twenty five.
• 1:05:26
  Speaker 1: But the law don't give a dam and the reality
• 1:05:28
  Speaker 1: is they shouldn't, especially when it comes to what this
• 1:05:30
  Speaker 1: young man did. Now, Michael Gibson is twenty three, and
• 1:05:32
  Speaker 1: he was sentenced to life in prison with all but
• 1:05:35
  Speaker 1: eighty years suspended for first degree murder and twenty years
• 1:05:38
  Speaker 1: concurrent for using a firearm. I don't know what any
• 1:05:41
  Speaker 1: of that means. It just sounds like forever. Okay. In fact,
• 1:05:44
  Speaker 1: when I hear sentences like that, prison sentences like that,
• 1:05:46
  Speaker 1: I think to myself, what does judicial system? Did? Judicial
• 1:05:51
  Speaker 1: visit line got my way? What did the justice system
• 1:05:53
  Speaker 1: they know about the afterlife that we don't? Okay when
• 1:05:56
  Speaker 1: they give out those kind of sentences and they're talking
• 1:05:57
  Speaker 1: about this lifetime and the next, because they can't possibly
• 1:06:01
  Speaker 1: expect me to do all this time in this dimension.
• 1:06:03
  Speaker 1: No way, Michael was given eternal time? Okay? What did
• 1:06:06
  Speaker 1: Michael do for a judge just sentence him to prison forever? Well,
• 1:06:13
  Speaker 1: he was promised thirty two hundred dollars to kill a
• 1:06:16
  Speaker 1: man and he did it, Yes, thirty two hundred dollars
• 1:06:20
  Speaker 1: to kill a man. Not just any man. It was
• 1:06:22
  Speaker 1: his mom's longtime boyfriend, and because his mom and his
• 1:06:26
  Speaker 1: boyfriend had an argument that he didn't like, he decided
• 1:06:28
  Speaker 1: to hire someone to kill him. The guy Thomas Smith did.
• 1:06:32
  Speaker 1: Thomas Smith hired Michael Gibson to kill his mom's longtime
• 1:06:35
  Speaker 1: boyfriend for thirty two hundred dollars as much as Jody
• 1:06:39
  Speaker 1: hated Melvin and baby boy, he didn't even attempt to
• 1:06:41
  Speaker 1: do nothing like that. In fact, Jody stepped to Melvin,
• 1:06:43
  Speaker 1: got his ass knocked out, fell to a glass table,
• 1:06:46
  Speaker 1: got his ass choked a little bit from the back. Hell,
• 1:06:48
  Speaker 1: Jody even cocked the gun on Melvin, but didn't raise it,
• 1:06:50
  Speaker 1: and Melvin ended up taking it away. The point is,
• 1:06:53
  Speaker 1: mama got to have a life too, And if mama
• 1:06:55
  Speaker 1: is arguing with her boyfriend, of course, you know you
• 1:06:58
  Speaker 1: don't let anybody disrespect, but hire somebody to kill him.
• 1:07:02
  Speaker 1: You're gonna erase two lives, yours and his. Because the
• 1:07:05
  Speaker 1: thirty two hundred dollars. I know, thirty two hundred dollars
• 1:07:07
  Speaker 1: seemed like a lot of money, and it is, but
• 1:07:09
  Speaker 1: not incarcerated forever money. Okay, thirty two hundred dollars is
• 1:07:11
  Speaker 1: barely rint money for some people. Thirty two hundred dollars.
• 1:07:14
  Speaker 1: You can't even get a BBL. The average BBL price
• 1:07:16
  Speaker 1: is sixty two hundred dollars. You got to kill two
• 1:07:18
  Speaker 1: people at thirty two hundred a piece to be able
• 1:07:20
  Speaker 1: to afford one BBL. And you're only gonna have two
• 1:07:22
  Speaker 1: hundred dollars left now, I've heard you know, I've never
• 1:07:26
  Speaker 1: killed anybody or shot anybody, but I heard that after
• 1:07:28
  Speaker 1: you do it, you are extremely hungry for days. Nor
• 1:07:32
  Speaker 1: is that true? Yes, talk to the mike. Then you
• 1:07:40
  Speaker 1: got miles of me. I was just North City. Yes,
• 1:07:45
  Speaker 1: And then he said, I don't know. All I'm saying
• 1:07:50
  Speaker 1: is two hundred dollars will not be enough to eat
• 1:07:53
  Speaker 1: for the rest of the week if you have to
• 1:07:54
  Speaker 1: kill two people and pay for a BBL. Listen, my
• 1:07:58
  Speaker 1: fellow Americans, I really don't know what we are gone wrong,
• 1:08:00
  Speaker 1: but generations are failing generations. Okay, Thomas Smith is thirty one.
• 1:08:04
  Speaker 1: Michael gives in this twenty three. So that's an eight
• 1:08:06
  Speaker 1: year age difference. Do we realize the difference that is?
• 1:08:10
  Speaker 1: Think about an eighteen year old school in a ten
• 1:08:13
  Speaker 1: year old. How much more life that eighteen year old
• 1:08:15
  Speaker 1: has lived in that ten year old. That eighteen year
• 1:08:17
  Speaker 1: old has already learned to drive, he's graduated high school,
• 1:08:20
  Speaker 1: about to start college. Eight years that's two presidential terms,
• 1:08:24
  Speaker 1: all right, A thirty one year old should be schooling
• 1:08:27
  Speaker 1: a twenty three year old to the game of life.
• 1:08:28
  Speaker 1: Right at thirty two year old can have a major
• 1:08:30
  Speaker 1: influence and impact on a twenty three year old same
• 1:08:33
  Speaker 1: way you can give him thirty two hundred and encourage
• 1:08:35
  Speaker 1: him to kill somebody. You could have said, hey man,
• 1:08:37
  Speaker 1: I'm gonna put this money towards you learning the trade.
• 1:08:39
  Speaker 1: You know, I'm gonna put this money towards sending you
• 1:08:41
  Speaker 1: to barber school. Now, don't get me wrong, trade schooling
• 1:08:42
  Speaker 1: barber school costs more than thirty two hundred. But you
• 1:08:45
  Speaker 1: understand what I'm saying. You have the ability to point
• 1:08:47
  Speaker 1: this young man in the right direction, but instead you
• 1:08:49
  Speaker 1: decided to turn this young man into a crash test dummy.
• 1:08:53
  Speaker 1: And now his life is finished. And did you know
• 1:08:54
  Speaker 1: this young man was prohibited from possessing a firearm due
• 1:08:58
  Speaker 1: to a previous conviction. So this lets me know this
• 1:09:00
  Speaker 1: young man is one of them ones. You know, the
• 1:09:02
  Speaker 1: ones I'm talking about, the young shooter. Okay, think old
• 1:09:05
  Speaker 1: dog in Menace Bishop and Juice Poppy from Left Rack.
• 1:09:09
  Speaker 1: He's that young man, folks in the community. No, it's
• 1:09:12
  Speaker 1: one blacking mouth short of a five pack. But instead
• 1:09:14
  Speaker 1: of someone putting their arm around the brother, showing them
• 1:09:16
  Speaker 1: love and getting them on the right path, they decided
• 1:09:18
  Speaker 1: to aid in a bed his dysfunction. Okay. The scripture
• 1:09:21
  Speaker 1: teaches old men and women for council, young men and
• 1:09:24
  Speaker 1: women for war. But it should be a war against
• 1:09:26
  Speaker 1: the system, okay, A war against oppression and perpetual exploitation,
• 1:09:30
  Speaker 1: a war against ignorance, a war against pittsport, morals and values,
• 1:09:34
  Speaker 1: not war against each other. Please let him Mark give
• 1:09:36
  Speaker 1: Michael Gibson and Thomas Smith the biggest he hall, heh, heh,
• 1:09:41
  Speaker 1: you stupid mother? Are you dumb? All right for a world? Y'all? Alright,
• 1:09:46
  Speaker 1: donkey today, better bundle up. I realize as many years
• 1:09:49
  Speaker 1: I've been coming on the show and doing the show,
• 1:09:51
  Speaker 1: I've never seen you do dunkey to day. Never Na,
• 1:09:54
  Speaker 1: because I've always been a guest I've been against the show.
• 1:09:57
  Speaker 1: Now I feel like Angela, yee, this is not your
• 1:10:00
  Speaker 1: It's time to guest hosting. Remember Nor used to come
• 1:10:02
  Speaker 1: up here, Nor East every Nor still so every Eastern
• 1:10:05
  Speaker 1: Nor would come. But he hosted, He hosted Breakfast Club
• 1:10:08
  Speaker 1: a couple of times back in the day. Felt like
• 1:10:09
  Speaker 1: I guest hosted. But I don't think I officially was
• 1:10:11
  Speaker 1: a guest host, but I felt, I feel I feel
• 1:10:13
  Speaker 1: like felt like yeah, but I mean a lot of
• 1:10:16
  Speaker 1: people would say those were the early seeds of drink Champions.
• 1:10:19
  Speaker 1: Started to be like, I love how you tickets own props.
• 1:10:24
  Speaker 1: That's I like here. I always I always say that,
• 1:10:28
  Speaker 1: I say and and rest in piece of Prodigy. But
• 1:10:32
  Speaker 1: had Prodigy not wrote that book, yes, I might drink Champ.
• 1:10:36
  Speaker 1: So I owe Prodigy a lot because all I wanted
• 1:10:39
  Speaker 1: to do was just um basically rebuttle, have a rebuttal
• 1:10:43
  Speaker 1: to his and you brothers was my brother along with Angela,
• 1:10:48
  Speaker 1: she's my sister, and y'all gave me the outlet to
• 1:10:51
  Speaker 1: come up here. And I remember me going to Canada,
• 1:10:53
  Speaker 1: me coming up here so much, and then going to
• 1:10:55
  Speaker 1: Canada and I walked through the security gate and the
• 1:10:58
  Speaker 1: guy says to me, first club, and I was like,
• 1:11:02
  Speaker 1: and then he kept saying he had nothing else to
• 1:11:05
  Speaker 1: say to me, just kept saying breakfast club. And I
• 1:11:06
  Speaker 1: was like, I said, damn, I either old money or
• 1:11:11
  Speaker 1: I was like, this is something about this. And then
• 1:11:13
  Speaker 1: I started to realize. I was like, Wow, they like
• 1:11:15
  Speaker 1: hearing me talk like and and that, So yeah, you're right,
• 1:11:19
  Speaker 1: that's that's where that's right. Early seed to drink champs
• 1:11:22
  Speaker 1: lay it right here. The breakfast club. All right, when
• 1:11:24
  Speaker 1: we come back eight five eight five, one h five one,
• 1:11:27
  Speaker 1: Nori is here. Of course you know he's from Drink Champs.
• 1:11:29
  Speaker 1: But we're gonna be talking drink text this morning. Context
• 1:11:32
  Speaker 1: drunk text text. Yes, now nose before sim Simm And
• 1:11:38
  Speaker 1: now this, this conversation really comes the other day one
• 1:11:41
  Speaker 1: of our producers up here, her name, we call her
• 1:11:43
  Speaker 1: sim Simmer. This story better be good? Who got the
• 1:11:45
  Speaker 1: keys to the story? Better be good? Better be phenomenal.
• 1:11:49
  Speaker 1: Now she got a drunk text the other night from
• 1:11:51
  Speaker 1: an old classmate. It better be phenomenal. Now what did
• 1:11:54
  Speaker 1: that that that class me see to you? You gotta
• 1:11:56
  Speaker 1: take your mask off to talk sim Oh sorry, I'm
• 1:11:58
  Speaker 1: just so used to it. Um. So yeah, it was
• 1:12:01
  Speaker 1: like three o'clock in the morning. I think when it's
• 1:12:03
  Speaker 1: one of y'all texting me pertaining to the show. But
• 1:12:05
  Speaker 1: what do they do and text you at three o'clock?
• 1:12:07
  Speaker 1: I would never be telling the show but not necessarily done.
• 1:12:11
  Speaker 1: But like other producers, so I'm thinking to somebody from
• 1:12:18
  Speaker 1: the show to talk about work, because usually it's only
• 1:12:20
  Speaker 1: me and God at that time. And I look and
• 1:12:23
  Speaker 1: the name I'm not gonna say it but it was
• 1:12:25
  Speaker 1: somebody I haven't spoken to and like since I graduated.
• 1:12:27
  Speaker 1: And when I opened it, I could already tell it's
• 1:12:29
  Speaker 1: a full paragraph like that when you got to scroll
• 1:12:31
  Speaker 1: along and it's like he's like, oh, long drunk text. Yes, yes,
• 1:12:37
  Speaker 1: he was telling me about like somebody who passed away.
• 1:12:40
  Speaker 1: I have no idea that He's like, oh, I wish
• 1:12:42
  Speaker 1: I did this ten years ago, but I like you.
• 1:12:44
  Speaker 1: And like in between he's dropping like crises that don't
• 1:12:47
  Speaker 1: even make sense. And then he took a picture of
• 1:12:49
  Speaker 1: what I wrote in our yearbook and he was like,
• 1:12:51
  Speaker 1: oh I saw this, and I just thought the timing
• 1:12:54
  Speaker 1: was right, blah blah blah. And then like ten minutes
• 1:12:57
  Speaker 1: later he techn me back, goes, I didn't do that right.
• 1:13:00
  Speaker 1: That wasn't a good drunk text. That story good drunk Texas.
• 1:13:07
  Speaker 1: When you send somebody something and you know you'd be like, yo, um,
• 1:13:11
  Speaker 1: I want that, pissie. That's a silly drunk text. Woman
• 1:13:19
  Speaker 1: hit you and be like, y'all want that dumb like duck.
• 1:13:23
  Speaker 1: You're talking about dinner, what you mean? But let's open
• 1:13:27
  Speaker 1: the phone lines five A five, one oh five, and
• 1:13:30
  Speaker 1: we're talking drunk text. We'll talking some more. If you
• 1:13:32
  Speaker 1: set one by accident, maybe you receive something. Let's talk
• 1:13:35
  Speaker 1: about it. It's the Breakfast Club. Good morning, the Breakfast Club.
• 1:13:41
  Speaker 1: It's topic time. That's the phone called eight hundred five
• 1:13:49
  Speaker 1: eight five one oh five. Want to join it to
• 1:13:50
  Speaker 1: the discussion with the Breakfast Club. Talk about it morning.
• 1:13:54
  Speaker 1: Everybody's DJ Envy Charlomagne, the guy we are the Breakfast Club.
• 1:13:58
  Speaker 1: Now if he's just joining us, of course, Norris here
• 1:14:00
  Speaker 1: he is our guest host for today and we're talking
• 1:14:04
  Speaker 1: drunk text. You know, he's from drink Champ, so we're
• 1:14:06
  Speaker 1: talking drunk texts. Now, have you guys ever received a
• 1:14:10
  Speaker 1: drunk text? The drunk Master masters right there? Name one.
• 1:14:17
  Speaker 1: Just you know, we've been having amazing years and just
• 1:14:21
  Speaker 1: like just our brothers just hitting us and saying thank you.
• 1:14:24
  Speaker 1: You know, I've been able to give sixteen people jobs,
• 1:14:27
  Speaker 1: you know what I'm saying, even more than when I've
• 1:14:29
  Speaker 1: been rapping. So I just always every now and then,
• 1:14:33
  Speaker 1: like I'll give somebody a bonus or something like that,
• 1:14:35
  Speaker 1: or someone would just text me, man, you man, you
• 1:14:38
  Speaker 1: really really a real one. And I prefer that much
• 1:14:41
  Speaker 1: more than the street Texas when they say you're a
• 1:14:44
  Speaker 1: real one. Um drunk text me one time You're like, yo,
• 1:14:48
  Speaker 1: y'all love you, bro, I want to thank you for
• 1:14:49
  Speaker 1: everything that you do. I'm like, what did you thank me?
• 1:14:56
  Speaker 1: Which is not thank you? I knew yeah, and then
• 1:15:03
  Speaker 1: that's that's that's good like every you know. Um, I
• 1:15:07
  Speaker 1: like to say, we didn't make up the phrase giving
• 1:15:10
  Speaker 1: out flowers, we made it famous, right, and the way
• 1:15:15
  Speaker 1: y'all do it is supid fly when yuh the gold flower,
• 1:15:19
  Speaker 1: I'm gonna tell you what it means the most. When
• 1:15:21
  Speaker 1: you see God blessed the dad DMX right, God blessed
• 1:15:25
  Speaker 1: the dead Gangster's like yeah, define it really hits and
• 1:15:30
  Speaker 1: take off too, you know what I mean? But um So,
• 1:15:35
  Speaker 1: what I like to say is drunk Texas are necessary
• 1:15:38
  Speaker 1: because sometimes it's something that you really mean, like like
• 1:15:42
  Speaker 1: like like a homegirl just says like maybe this guy
• 1:15:44
  Speaker 1: really meant that, really wanted to say that attention. He
• 1:15:47
  Speaker 1: didn't have the courage and you know Asian Spade and
• 1:15:49
  Speaker 1: SARAQ gives you that courage, you know what I mean. So,
• 1:15:52
  Speaker 1: um so I think it's necessary becume to the tina. Um,
• 1:15:55
  Speaker 1: I think it's necessary, and I think it's dope. To
• 1:15:57
  Speaker 1: give people flowers. I think it's really you know, I
• 1:16:00
  Speaker 1: really knew Envy when he had an MPV. You know
• 1:16:03
  Speaker 1: what I'm saying, He really uh, I really no, No,
• 1:16:06
  Speaker 1: Montero was Monterro. I'm sorry, MPV was. I'm putting your car,
• 1:16:12
  Speaker 1: always pulling my car, you know what I'm saying. But um,
• 1:16:14
  Speaker 1: and to see where he's at, that's beautiful. So when
• 1:16:17
  Speaker 1: I see him, you know, doing the car shows, and
• 1:16:20
  Speaker 1: I always try to like either I participate or try
• 1:16:23
  Speaker 1: to participate, and it's just dope for me. It's dope
• 1:16:25
  Speaker 1: to see where you came from. It's dope to see
• 1:16:28
  Speaker 1: the evolution of a human, you know I'm saying, Because
• 1:16:31
  Speaker 1: human that stays are the same, it's just they dead.
• 1:16:36
  Speaker 1: They're dead. So drunk texts are necessary. I'm sorry to
• 1:16:39
  Speaker 1: make text deep. I just there's no one else who
• 1:16:42
  Speaker 1: didn't make drunk texting deep. You know, I gotta. I
• 1:16:45
  Speaker 1: got a drunk text about a year ago. I think
• 1:16:48
  Speaker 1: I told you it was another DJ, and I guess
• 1:16:51
  Speaker 1: he was. I hope he was texting a young lady.
• 1:16:54
  Speaker 1: Tell me who the DJ was. I'm not telling you.
• 1:16:56
  Speaker 1: If you young lady, he texted me y'all can't wait
• 1:17:01
  Speaker 1: to get that ass right. True story. I don't see
• 1:17:04
  Speaker 1: the problems you got to prove this was a chees story.
• 1:17:07
  Speaker 1: I guess he caught himself later a couple of hours later,
• 1:17:09
  Speaker 1: he was like, no, my bad bro was for you.
• 1:17:12
  Speaker 1: He gave you two hours to respond and then he realized, like,
• 1:17:16
  Speaker 1: damn if he ain't gonna give me no action, so
• 1:17:18
  Speaker 1: let me clean this up. But it was drunk six.
• 1:17:19
  Speaker 1: He was drunk, and he meant to text tell you
• 1:17:22
  Speaker 1: it was I'm not gonna do that. I'm not gonna
• 1:17:24
  Speaker 1: text nothing. Jazz Man, good morning, good morning, good morning,
• 1:17:31
  Speaker 1: good morning. You were drunk, texted Jasmine Girl. Yes, man, um,
• 1:17:40
  Speaker 1: I you know, I had an idea of what I
• 1:17:42
  Speaker 1: was doing, but I didn't get the outcome that I
• 1:17:45
  Speaker 1: was hoping for. Yeah, it was more like, uh, what
• 1:17:50
  Speaker 1: are you doing it? Yeah? Because the morning, you know,
• 1:17:53
  Speaker 1: And I don't think people realize what people don't. Women
• 1:17:55
  Speaker 1: don't realize when you say pissy instead of the other word.
• 1:17:58
  Speaker 1: It throws people off, especially after that young man. You
• 1:18:04
  Speaker 1: know what I'm saying that young Miami interfewould Tree and
• 1:18:07
  Speaker 1: you gotta be careful. You hit hit to do a
• 1:18:08
  Speaker 1: talk about you gonna get this pissie. No, you're not
• 1:18:10
  Speaker 1: gonna be on me. Hello? Who's this? Hey? This is
• 1:18:13
  Speaker 1: Cozy from betrayed? What's up? I was drunk and I
• 1:18:19
  Speaker 1: picked my boyfriend and mom tell her I was gonna
• 1:18:22
  Speaker 1: be her ass? WHOA? How do you make up for that?
• 1:18:25
  Speaker 1: Protect your boyfriend's mom? You're gonna be the How do
• 1:18:27
  Speaker 1: you make up for that one? Yeah, that's that's weird.
• 1:18:28
  Speaker 1: I was you're us pause, I mean not pause, but
• 1:18:32
  Speaker 1: don't curse. I was drunk, but yeah, it was hard,
• 1:18:36
  Speaker 1: like you had to have a whole time respection about
• 1:18:38
  Speaker 1: it everything. Damn it? Man? All right, man, I wanted
• 1:18:41
  Speaker 1: a frist about who was you? Who? Did you mean you?
• 1:18:43
  Speaker 1: Or did you really mean that? I meant to say
• 1:18:45
  Speaker 1: this for my boyfriend. You meant to tell your bofriend
• 1:18:48
  Speaker 1: I'm gonna beat your mom's ass. No, I mean to
• 1:18:50
  Speaker 1: tell him. Oh well that maybe you could have been
• 1:18:53
  Speaker 1: saying some other wild stuff. You know what I mean?
• 1:18:55
  Speaker 1: You could have told your boyfriend mom. Now would have
• 1:18:59
  Speaker 1: been Hello this, Hi, I just see morey. I'll like
• 1:19:04
  Speaker 1: you for media. Sorry, now you are drunk texted? What
• 1:19:08
  Speaker 1: did you do? Mama? So I'm said, the whole network.
• 1:19:12
  Speaker 1: But my man is now certainly my fiance. He was
• 1:19:16
  Speaker 1: gone for a bit to work. I was out with
• 1:19:19
  Speaker 1: a girl. We were greeting and he called soon. So
• 1:19:24
  Speaker 1: I was like to start and had some flips of
• 1:19:28
  Speaker 1: me and showers and send sends the whole network. Well,
• 1:19:34
  Speaker 1: my name step with Jay and so that my step brothers.
• 1:19:39
  Speaker 1: So I actually my step brothers. While I was drunk,
• 1:19:44
  Speaker 1: and now I have to see a holiday and I'm naked.
• 1:19:48
  Speaker 1: He winks bad. Drunk your phone sound crazy? So was you?
• 1:19:52
  Speaker 1: You sent a naked picture a naked video to your
• 1:19:55
  Speaker 1: fiance's brother. Correct, sound like you trying to blame it
• 1:19:58
  Speaker 1: on alcohol. Sound like you meant to do that. Yeah,
• 1:20:02
  Speaker 1: but it sounds like you meant to do it, like
• 1:20:04
  Speaker 1: you you know, you just blame it on alcohol. But
• 1:20:06
  Speaker 1: you're feeling his brother a little bit. Hello, who's this?
• 1:20:11
  Speaker 1: I love dad? What's up? Bro? We're talking? Uh? Drunk text? Uh? Yeah? Yes?
• 1:20:17
  Speaker 1: The last year us a lot of No, you could
• 1:20:23
  Speaker 1: get drunk a lot, girl pretty much, but now YO
• 1:20:34
  Speaker 1: made him get So that's crazy. He said he wanted
• 1:20:39
  Speaker 1: the girl to defecate on his face. Don't he take
• 1:20:42
  Speaker 1: what he wanted to girl to sit on the face.
• 1:20:45
  Speaker 1: He said, that's crazy. I thought we enjoyed that. I
• 1:20:48
  Speaker 1: thought we was begin out here. I don't know, boot.
• 1:20:50
  Speaker 1: The game was making people go so so it was
• 1:20:52
  Speaker 1: out of no long drinking back drive five one on
• 1:20:57
  Speaker 1: five one. We're talking drunk texts and didn't go and
• 1:21:00
  Speaker 1: sober afterwards? Is Nuts goes together? Scared Straight program. It's
• 1:21:05
  Speaker 1: the Breakfast Club. Good morning. Call me your opinions to
• 1:21:17
  Speaker 1: the breakfast club topic. Come on I five five five
• 1:21:21
  Speaker 1: one morning. Everybody is DJ n V Charlomagne the guy.
• 1:21:26
  Speaker 1: We are the Breakfast Club. We get our guest hosts
• 1:21:28
  Speaker 1: and or a. Norri's here now if you just join us,
• 1:21:31
  Speaker 1: we're talking about sending drunk text. Now, what are y'all
• 1:21:35
  Speaker 1: looking at? We vibral Baby Lucy to Jasmine brand. I
• 1:21:38
  Speaker 1: was just looking at the Jasmine brand. They put up
• 1:21:40
  Speaker 1: a headline Future allegedly upset that Drake did an album
• 1:21:42
  Speaker 1: with twenty one Shove and says, Nori, this is just happened,
• 1:21:46
  Speaker 1: shout to Jack allegedly too. We said allegedly, yeah, man,
• 1:21:51
  Speaker 1: already that's all good. But we're talking drunk text now.
• 1:21:53
  Speaker 1: Of course, have you ever said a drunk text to
• 1:21:55
  Speaker 1: somebody and regretted it, or maybe you didn't regret it,
• 1:21:58
  Speaker 1: maybe don't care. Hello, who's that for himself? We're talking
• 1:22:01
  Speaker 1: drunk tech. You sent one out? Problem, I got one? Man,
• 1:22:04
  Speaker 1: I received one? What you got it from? What's his name? No? No?
• 1:22:09
  Speaker 1: I was out with no no old acquaintment and uh
• 1:22:14
  Speaker 1: after that happened, returning Oh my gosh from uh, I
• 1:22:17
  Speaker 1: hate you. You ain't none but a dog like that
• 1:22:21
  Speaker 1: in a few minutes later like where you at? I
• 1:22:23
  Speaker 1: wanted to see you. It was just, Uh, that's like
• 1:22:26
  Speaker 1: a cocaine text. That's not like a cocaine. That don't
• 1:22:29
  Speaker 1: sound like alcohol. That's not like cocaine for real, man,
• 1:22:33
  Speaker 1: I don't cocaine. Take it to the mood twins, Let
• 1:22:35
  Speaker 1: me be ask with you that story with whackbro horrible. Hello,
• 1:22:37
  Speaker 1: who's this? Hey Hannah, Hey mama. We're talking drunk tech.
• 1:22:42
  Speaker 1: You're sending a drunk text to somebody. I didn't send one,
• 1:22:44
  Speaker 1: but my acting college send any one? What is saying?
• 1:22:47
  Speaker 1: He just said, Hey, what's up is this? Diana? I said, yeah,
• 1:22:51
  Speaker 1: how are you? And he responded, you married? That's all up?
• 1:22:57
  Speaker 1: That's all y'all got. Hello, who's this. You know. It's
• 1:23:01
  Speaker 1: Jimmy from New York. Jimmy from New York. We're talking
• 1:23:03
  Speaker 1: drunk textas wanted brother. All right, I don't personally. I
• 1:23:08
  Speaker 1: just think the drink gives you, like the confidence to
• 1:23:11
  Speaker 1: send off the text that you always wanted to send. All.
• 1:23:13
  Speaker 1: I'm saying it just so happened. You get those texts
• 1:23:17
  Speaker 1: like four or three in the morning, and that God
• 1:23:19
  Speaker 1: looks kind of weird. Other than that, if that, people
• 1:23:22
  Speaker 1: be wanting to say. You know what I mean. So
• 1:23:23
  Speaker 1: you're saying the guy, the DJ who's saying envy the
• 1:23:25
  Speaker 1: text and he wanted that ass he really wanted to
• 1:23:27
  Speaker 1: send that. Oh my goodness, absolutely word word Now I
• 1:23:31
  Speaker 1: feel you. I don't think so at all. I think
• 1:23:32
  Speaker 1: he was trying to saying to another lady. And then
• 1:23:35
  Speaker 1: I said another lady, A lady who I like this.
• 1:23:38
  Speaker 1: I listen, I love this. This is a progressive bro,
• 1:23:40
  Speaker 1: whatever you identify as that support you. Oh my goodness, Hello,
• 1:23:43
  Speaker 1: who's this? Hey? What's up? I don't even need to
• 1:23:46
  Speaker 1: be on air, but I want to know how simp
• 1:23:49
  Speaker 1: timer responded to that drunk text. Dying to know how
• 1:23:52
  Speaker 1: she responded. This must be the person the gentleman, come in.
• 1:23:57
  Speaker 1: So now, if you just joined us, Simpson, want to
• 1:24:00
  Speaker 1: produces a pair. I got a drunk text a couple
• 1:24:02
  Speaker 1: of days ago from somebody she went to high school with. Yeah,
• 1:24:05
  Speaker 1: and what she didn't say is that the guy was
• 1:24:07
  Speaker 1: white and she's black. And at some point in the
• 1:24:09
  Speaker 1: text he said black lives mother, and it confused her.
• 1:24:12
  Speaker 1: He said, to black lives mother. But that's why I
• 1:24:15
  Speaker 1: was gonna say. I can already tell that's not the
• 1:24:17
  Speaker 1: person who texts me because that's not the voice of
• 1:24:19
  Speaker 1: a white man. So how did you reply to the
• 1:24:21
  Speaker 1: to the gentleman, Well, because he was white, I had
• 1:24:24
  Speaker 1: no interest in going. But he was cool side, That's
• 1:24:28
  Speaker 1: what I'm talking about thinking. So I text him and
• 1:24:31
  Speaker 1: I lie to I was like, I'm in a serious relationship,
• 1:24:33
  Speaker 1: but you know, I don't mind catching up. We could
• 1:24:35
  Speaker 1: talk like I link with you. And then he text
• 1:24:38
  Speaker 1: me back and he was like what did he say?
• 1:24:40
  Speaker 1: He said, um lashes for Tim Simmon the last year,
• 1:24:45
  Speaker 1: zero lashes. He said, zero lashes for you. He's happy
• 1:24:51
  Speaker 1: meeting basically, So what's the mold of the story. There
• 1:24:57
  Speaker 1: was a young lady that says she texted up Ball
• 1:24:59
  Speaker 1: but son and asked how biggest penis was, but she
• 1:25:01
  Speaker 1: we lost. By the way. That by the way, that's
• 1:25:03
  Speaker 1: not drunk texting. You really want to know how big
• 1:25:05
  Speaker 1: somebody's penis is. A drunk text is when you mess
• 1:25:07
  Speaker 1: up a word. You know what I'm saying. All you
• 1:25:10
  Speaker 1: might be overly emotional and you might say something that
• 1:25:13
  Speaker 1: you regret sending, but that's not drunk texting. Just say
• 1:25:16
  Speaker 1: you want to see what the barbar penis look like.
• 1:25:18
  Speaker 1: That's all. We want to get some cut to the
• 1:25:20
  Speaker 1: person who does to cut, So list some more story.
• 1:25:22
  Speaker 1: We'll get some trim to the person that no. You
• 1:25:29
  Speaker 1: know why, I know because I learned from people before me,
• 1:25:33
  Speaker 1: so I've always been super paranoid about that when I
• 1:25:36
  Speaker 1: saw it was snapt to go to jail back in
• 1:25:37
  Speaker 1: the day for that, and fat yall, I'm super back
• 1:25:40
  Speaker 1: in the day. That was five years ago. But I
• 1:25:45
  Speaker 1: thank God from my financial team, Lifeline Financials, the Humble
• 1:25:49
  Speaker 1: and Lord and everybody over there like Noah, by the
• 1:25:51
  Speaker 1: grace of God. No. Well, somebody is getting that knock
• 1:25:54
  Speaker 1: because they allegedly, oh four million. We'll talk about it
• 1:25:58
  Speaker 1: when we come back. It's the breakfast Club. Good morning,
• 1:26:00
  Speaker 1: the breakfast Club owning everybody's DJ m V Charlemagne the guy.
• 1:26:07
  Speaker 1: We are the breakfast Club. We got our guest hosts
• 1:26:09
  Speaker 1: and r y sir, and let's get to the rooms.
• 1:26:13
  Speaker 1: Let's go through my hat or you gossiping or you
• 1:26:18
  Speaker 1: chatting the report? I mean, I guess we're on the
• 1:26:22
  Speaker 1: breakast club. This is where the tea spills, right on
• 1:26:24
  Speaker 1: the breakfast Club. We're gonna start off with some sad news.
• 1:26:27
  Speaker 1: But before we do, let me ask you a question.
• 1:26:29
  Speaker 1: Nor when? Nor have you got a colon oscar be here?
• 1:26:32
  Speaker 1: I don't know what that is, but it sounds like
• 1:26:34
  Speaker 1: something to do with my yes, but that shouldn't matter,
• 1:26:39
  Speaker 1: nor you should go get it. I got mine over
• 1:26:41
  Speaker 1: the holiday. We got his this week, I think this week.
• 1:26:43
  Speaker 1: Earlier this week. We're up in age. They stick a
• 1:26:47
  Speaker 1: camera up your butt. Were born in the nineteen hundred, bro,
• 1:26:49
  Speaker 1: and they make sure that there's no no polyps or
• 1:26:51
  Speaker 1: anything that's cancers, And then you know, I immediately am hurt.
• 1:26:56
  Speaker 1: Right now, you're not even gonna feel it. They go
• 1:26:58
  Speaker 1: to sleep like you have when you're on the screen
• 1:27:00
  Speaker 1: machine and you drop down there. Who I feel like
• 1:27:03
  Speaker 1: I just when he said that to do it, but
• 1:27:06
  Speaker 1: we've lost a lot of great people in our coach
• 1:27:09
  Speaker 1: combat Jack Reggio. Yeah, and it's treatable if you catch
• 1:27:15
  Speaker 1: it early. Correct, So you know you pupposed to get
• 1:27:17
  Speaker 1: your screening around forty four forty five or forty five
• 1:27:20
  Speaker 1: is the screening age. Yes, I just shouted out combat Jack.
• 1:27:23
  Speaker 1: I got the rhyme. I said, it's co signed. I
• 1:27:26
  Speaker 1: drink more ace than jay Z and I said rest
• 1:27:29
  Speaker 1: in peace, cam back Jack free Jack free tax too,
• 1:27:32
  Speaker 1: he free, you know what I mean? So, yeah, that's
• 1:27:35
  Speaker 1: old to the podcast game, you know what I mean? Yeah, Yeah,
• 1:27:39
  Speaker 1: Well the reason I mentioned that is the Inky Boys,
• 1:27:42
  Speaker 1: that is Randy Gonzalez and his son Bryce. If you
• 1:27:44
  Speaker 1: don't know who they are, they do the the skits
• 1:27:46
  Speaker 1: on TikTok. The skits are huge. The the young the
• 1:27:49
  Speaker 1: young boy can actually I should say, yeah, I see
• 1:27:52
  Speaker 1: a teenager not a teenager. Yeah, but young boy can
• 1:27:55
  Speaker 1: actually act maybe funny skits and him. His dad recently
• 1:27:58
  Speaker 1: passed away with goes from colon cancer, rest and piece.
• 1:28:02
  Speaker 1: So when he found out that he had it, I
• 1:28:03
  Speaker 1: think back a couple of months ago, back in April.
• 1:28:05
  Speaker 1: This is what he actually said, spreading awareness for colon cancer.
• 1:28:10
  Speaker 1: So the fight in the battle is still not over.
• 1:28:13
  Speaker 1: And yeah check. So I've been to three rounds of
• 1:28:19
  Speaker 1: chemos already so far, every day looking good. It's been
• 1:28:24
  Speaker 1: fullble for me. I barely started moving again my hands
• 1:28:27
  Speaker 1: and feet. Cancer sucks. Sucks the life at him to
• 1:28:31
  Speaker 1: change my head chemo because it's not whorking right now.
• 1:28:34
  Speaker 1: But I do feel good, very sad. And what's that
• 1:28:37
  Speaker 1: he was only thirty five. That means he probably had
• 1:28:39
  Speaker 1: a history of it and his family, right, because they
• 1:28:41
  Speaker 1: said if you have a history of it in your family,
• 1:28:43
  Speaker 1: then you should go get you know, checked earlier thirty five. Yea,
• 1:28:45
  Speaker 1: God damn man, God bless that brother. Man, rest and
• 1:28:48
  Speaker 1: piece because of doctor Saby Man. That's that's the reason
• 1:28:50
  Speaker 1: why I believe in all of his products and everything
• 1:28:53
  Speaker 1: he's doing. Yeah, but we're gonna stay on top of
• 1:28:56
  Speaker 1: you til you get to check. Okay, Yeah, yeah, yeah, yeah,
• 1:28:59
  Speaker 1: I'm damn. I was just about to say I'm in,
• 1:29:01
  Speaker 1: but I don't think that was probably either. They're on
• 1:29:04
  Speaker 1: top of him as the press. It's already opened now.
• 1:29:09
  Speaker 1: Now this is the one person I'm scared of, no
• 1:29:12
  Speaker 1: matter what's right. Ain't no one person. That's when you
• 1:29:15
  Speaker 1: supposed to use the word day. That day that is day.
• 1:29:22
  Speaker 1: Chris Brown has been hitting hit with a tax bill
• 1:29:24
  Speaker 1: that totals over four million dollars. Damn the way nor
• 1:29:29
  Speaker 1: feel about colonosapiest. Damn, I'm hurting right now. And me
• 1:29:34
  Speaker 1: I'm a positive thinker. So that that means that he
• 1:29:37
  Speaker 1: had to make at least ten to twelve million probably, yes,
• 1:29:41
  Speaker 1: like to old that. And when they come, they want
• 1:29:43
  Speaker 1: their money, and if they don't get the money, they're
• 1:29:44
  Speaker 1: gonna put a lean on everything, including passports, houses. Cause
• 1:29:47
  Speaker 1: you said that to me earlier. That was very shocking
• 1:29:50
  Speaker 1: when you said that to me, you said, they put
• 1:29:51
  Speaker 1: a on your passport. Yeah, they did that to me
• 1:29:54
  Speaker 1: like you old child support. Yeah, they don't want you
• 1:29:56
  Speaker 1: to travel, like they feel like you might be fleeing
• 1:29:57
  Speaker 1: the country. And also they want to make it inconvenient,
• 1:30:00
  Speaker 1: make you want to pay them. You know what it did?
• 1:30:04
  Speaker 1: I make some noise for that, but I don't think
• 1:30:06
  Speaker 1: so now. But let's skip on that over some years
• 1:30:10
  Speaker 1: or that one one year they didn't say, just said
• 1:30:13
  Speaker 1: it heels for a million dollars. And lastly, a family
• 1:30:15
  Speaker 1: guy the cartoon is getting a lot of uh, I
• 1:30:18
  Speaker 1: would say negative feedback because of this joke right here,
• 1:30:22
  Speaker 1: Oh music fashketball, Ah, you think the fun traps. I'll
• 1:30:25
  Speaker 1: stick around to pick up their reward this time. I
• 1:30:28
  Speaker 1: don't know about them, but they're gonna have holograms of
• 1:30:30
  Speaker 1: Tupocket also Nipsey Hustle, who I'd never heard of. And
• 1:30:33
  Speaker 1: then it was told to care immensely about. Yeah, people
• 1:30:37
  Speaker 1: don't like that that jokes family You know, I'm being honest.
• 1:30:42
  Speaker 1: I didn't get offended earlier, but now hearing it, just
• 1:30:45
  Speaker 1: now live on it, I kind of didn't get offended. Yeah,
• 1:30:48
  Speaker 1: you know what interesting about shows like Family Guy. You'll
• 1:30:51
  Speaker 1: watch them, you'll laugh until it's something that pertains to you.
• 1:30:56
  Speaker 1: That's like certain shows certain people you may enjoy and
• 1:31:00
  Speaker 1: tell us about you, and you'll call somebody that you love.
• 1:31:03
  Speaker 1: Right now, you're offended, But we know what Family Guy is.
• 1:31:07
  Speaker 1: We've always known the Family Guy is. That's what Family
• 1:31:10
  Speaker 1: Guy does. I'm offended now. Yeah, I don't made feel
• 1:31:13
  Speaker 1: a little funny shout about people at monster and did
• 1:31:16
  Speaker 1: you drink? Because he's got a monster terrible. I was
• 1:31:23
  Speaker 1: trying to keep I was trying to make somebody salute
• 1:31:25
  Speaker 1: all money in you know what I mean, salute the
• 1:31:27
  Speaker 1: black Sam nobody Lord London like j I don't know
• 1:31:33
  Speaker 1: because I like family guys so much that I didn't
• 1:31:36
  Speaker 1: want to stay on this and them, but shout the
• 1:31:39
  Speaker 1: whole monster. Yeah, the monster sponsors me, sponsor my car,
• 1:31:42
  Speaker 1: shows my warehouse, everything over there. But you like family,
• 1:31:45
  Speaker 1: you salute the monster, but you like family guy because
• 1:31:48
  Speaker 1: they do things like that. That's what you have to
• 1:31:50
  Speaker 1: know that eventually it's gonna be your defend you as well.
• 1:31:52
  Speaker 1: So you kind of got to keep that same energy.
• 1:31:54
  Speaker 1: You can be offended, but you got to keep that
• 1:31:56
  Speaker 1: same energy, right you know? All right, Well that is
• 1:31:58
  Speaker 1: your rumor report. The people's choice makes up. Next, let's
• 1:32:00
  Speaker 1: start off with some man r he's not. Lets start
• 1:32:02
  Speaker 1: off with some super thug oh or not. It's the
• 1:32:04
  Speaker 1: Breakfast I got a new record from North Breakfast Club.
• 1:32:07
  Speaker 1: Your mornings will never be the same. Your company has
• 1:32:11
  Speaker 1: goals this year. Find the right people that help you
• 1:32:13
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• 1:32:15
  Speaker 1: employees get a quality candidate within the first day. Try
• 1:32:19
  Speaker 1: it free a zip recruiter dot com, slash breakfast, zip
• 1:32:22
  Speaker 1: recruiter dot com slash Breakfast b R E A k
• 1:32:25
  Speaker 1: F A ST. I want to everybody's DJ n V
• 1:32:29
  Speaker 1: Charlomagne the guy. We are the breakfast Club. We got
• 1:32:31
  Speaker 1: our special guest host and O R E. Norri here
• 1:32:34
  Speaker 1: and I like, how y'all kindly didn't help me drink
• 1:32:38
  Speaker 1: none of my champagne. No, we got early morning. I'm
• 1:32:42
  Speaker 1: the early morning drinker. No, you not neither. I just
• 1:32:45
  Speaker 1: wanted to celebrate, you know. Um, I want to sorry
• 1:32:48
  Speaker 1: if I'm interrupting, but I wanted to thank y'all, both
• 1:32:50
  Speaker 1: of y'all face to face. You know what I'm saying.
• 1:32:52
  Speaker 1: I know that my media career started from here, even
• 1:32:55
  Speaker 1: though it's not here. It was another building, but my
• 1:32:59
  Speaker 1: media career started it. Even though I don't think y'all
• 1:33:02
  Speaker 1: uh did a purpose. I don't think I did it purpose.
• 1:33:04
  Speaker 1: I think it was something that was just birthed. And um,
• 1:33:07
  Speaker 1: you're a very entertaining person or your top three storyteller
• 1:33:09
  Speaker 1: in hip hop? You IRV Gotti, Fact Joe best storytellers
• 1:33:13
  Speaker 1: in hip hop and tell everybody got you gotta forgive me?
• 1:33:16
  Speaker 1: How you mad at me for what you said on
• 1:33:18
  Speaker 1: my show? No, no, no, no, yes, you know mad
• 1:33:24
  Speaker 1: at you. Listen, by the way, IRV in my show
• 1:33:26
  Speaker 1: three times he gets mad at me every three times.
• 1:33:29
  Speaker 1: That something. I don't know why I'm not that great
• 1:33:32
  Speaker 1: of a journalist. Guys like, all you do is drink,
• 1:33:35
  Speaker 1: getting drunk, and then you say whatever you want to say.
• 1:33:38
  Speaker 1: That's why everybody loves Drink Champs is literally like inside baseball,
• 1:33:41
  Speaker 1: you know what I mean. It's like y'all in the
• 1:33:42
  Speaker 1: locker room. Y'a've been playing for all of these years.
• 1:33:44
  Speaker 1: Now you get to hear the players talk. How did
• 1:33:46
  Speaker 1: you know he was managing? Did he text your manage? Joe?
• 1:33:48
  Speaker 1: He's not texting me back. What's crazy is I can't
• 1:33:53
  Speaker 1: have you mad at me and a chart? He mad
• 1:33:55
  Speaker 1: at me like it's like, it's it's crazy Taka shunt.
• 1:33:58
  Speaker 1: He's mad at me, but he hasn't done the show
• 1:34:00
  Speaker 1: a shanty wherever you at, You and Mama and shanty.
• 1:34:03
  Speaker 1: We would like y'all, we you know, you know, get
• 1:34:05
  Speaker 1: y'all pedicures and manicures and then things like that. We
• 1:34:08
  Speaker 1: would like to, you know, just sit down and and
• 1:34:10
  Speaker 1: and tell the story. You know what I mean. We're
• 1:34:13
  Speaker 1: having fun. Drink Champs I know I haven't promoted this
• 1:34:15
  Speaker 1: whole time, but Dreen Champs to come on every Thursday
• 1:34:17
  Speaker 1: night with volte Um Friday on audio and then Saturday
• 1:34:22
  Speaker 1: on YouTube. Um. We just recently did a wonderful deal
• 1:34:26
  Speaker 1: with people at Warner Brothers for the audio part of
• 1:34:29
  Speaker 1: the side. We're having fun, big of Jack Thrill. I
• 1:34:31
  Speaker 1: don't know why he keep texting me, but uh he
• 1:34:34
  Speaker 1: must be listening. But um yeah, so um um, and
• 1:34:37
  Speaker 1: we're in a great space right now. Man, I'm having fun.
• 1:34:41
  Speaker 1: This is This is not the most money I've ever made,
• 1:34:43
  Speaker 1: but it's the easiest money I've ever made. And I'm
• 1:34:46
  Speaker 1: able to give people jobs, and that's the thing that
• 1:34:48
  Speaker 1: I'm most proud of. I'm not able to help other people,
• 1:34:51
  Speaker 1: you know. Um. You know, it was at a time
• 1:34:54
  Speaker 1: I could just get up and say, you know, I
• 1:34:56
  Speaker 1: want to go to Monico. I want to go to
• 1:34:58
  Speaker 1: the south of France, so I want to go to
• 1:34:59
  Speaker 1: you know, old Paris or whatever, and I could just
• 1:35:02
  Speaker 1: do it. Now I'm making it so people around me,
• 1:35:04
  Speaker 1: you could do the same things and I don't got
• 1:35:06
  Speaker 1: to cop their flights. And that's kind of cool, and
• 1:35:09
  Speaker 1: that's kind of cool. So pick up to Massive Hill too,
• 1:35:12
  Speaker 1: Nas Peter for inviting me. Last night. We went to
• 1:35:15
  Speaker 1: a great party. I met Na Long, got to tell her,
• 1:35:17
  Speaker 1: you know what I said about on the show. I
• 1:35:19
  Speaker 1: got to meet the mayor of New York City, who,
• 1:35:21
  Speaker 1: y'all don't think it's a big deal. But for a
• 1:35:23
  Speaker 1: person from Left Frack City, with my criminal background, my
• 1:35:26
  Speaker 1: crew on new record, for me to shake hands with
• 1:35:28
  Speaker 1: a mayor of any sort, I think it's a great deal.
• 1:35:35
  Speaker 1: I think that's the first official hip hop mayor we
• 1:35:38
  Speaker 1: had David Dinkins. David Dinkins did visit the Hood, but
• 1:35:41
  Speaker 1: like Eric Adams, I think Eric Adams is rolling dice
• 1:35:46
  Speaker 1: in Hall M right now. I don't know if you're
• 1:35:47
  Speaker 1: the first official hip hop mayor. Yeah, I think maybe
• 1:35:50
  Speaker 1: in New York Barca. You know what I'm saying. I'm
• 1:35:54
  Speaker 1: so sorry. I didn't even not mean the world I
• 1:35:56
  Speaker 1: mean and to me, I'm sorry, and I know you
• 1:35:59
  Speaker 1: from Amongst Corner, South Carolina, but to me, New York
• 1:36:02
  Speaker 1: is the world. So when I'm sorry, I've never grown
• 1:36:05
  Speaker 1: out of that. I've never I've never grown out of that.
• 1:36:08
  Speaker 1: So if you something in New York, if you did
• 1:36:10
  Speaker 1: it this time in New York. You did it the biggest,
• 1:36:13
  Speaker 1: you know what I mean? And um, so yeah, I
• 1:36:16
  Speaker 1: think he's I think he's dope. I think he can
• 1:36:19
  Speaker 1: shape up to be a president. I know, I know
• 1:36:22
  Speaker 1: I'm saying that funny, but we need a president that
• 1:36:25
  Speaker 1: you can identify with, like like everyone says Barrock was
• 1:36:28
  Speaker 1: the first black president. Rock. Yeah, I loved it, by
• 1:36:34
  Speaker 1: the way, but we need the first hip hop president.
• 1:36:37
  Speaker 1: I don't want to say the first in word president,
• 1:36:39
  Speaker 1: but we need the first hip hop president. When you
• 1:36:42
  Speaker 1: come in and you you you coming up to twenty
• 1:36:44
  Speaker 1: one savage, will you do something for a man? You
• 1:36:47
  Speaker 1: know what I mean? You you're going, what's that dance
• 1:36:52
  Speaker 1: they do? I can't do it. I can't through the
• 1:36:58
  Speaker 1: living room. I'll be so mad because I'm like, how
• 1:37:00
  Speaker 1: did I don't have rhythm? Like, well, my kids got
• 1:37:03
  Speaker 1: rhythm and I ain't really got it, you know what
• 1:37:05
  Speaker 1: I mean. But that's we need the president coming out
• 1:37:07
  Speaker 1: to that. Um and I just got to say something.
• 1:37:10
  Speaker 1: I'm sorry because Joe Biden, I'm not happy with you.
• 1:37:14
  Speaker 1: I'm not happy with Joe body. Kamala, Kamala, you invited
• 1:37:20
  Speaker 1: um Jason Lee to the White House, so I forgive
• 1:37:22
  Speaker 1: her or strip of that. Just anybody, everybody, everybody, NBA,
• 1:37:26
  Speaker 1: anybody to me. I didn't go, say everybody. I didn't
• 1:37:29
  Speaker 1: want to go because I ain't. I've been looking at
• 1:37:32
  Speaker 1: my mail box. Whatever we're gonna get you on that
• 1:37:34
  Speaker 1: media little story. Now, I think my criminal background is
• 1:37:36
  Speaker 1: not going to allow me. You know. Yeah, I was
• 1:37:40
  Speaker 1: want to say a story. Let me, let me let
• 1:37:41
  Speaker 1: that go. But man, I'm getting man. Thank y'all for
• 1:37:43
  Speaker 1: let me come up here and bug out. Man, Um,
• 1:37:46
  Speaker 1: I forgot how you know crazy y'all A listen. I
• 1:37:49
  Speaker 1: listen to y'all all the time, um in the morning.
• 1:37:53
  Speaker 1: Well you should know if I'm if I give you
• 1:37:56
  Speaker 1: that text, I'm listening, that means I'm doing something positive,
• 1:37:59
  Speaker 1: you know what I mean. If I don't listen to y'all,
• 1:38:01
  Speaker 1: that means it's a negative day happening. It's a negative
• 1:38:05
  Speaker 1: day happen. And you know, ironically, the only part that
• 1:38:07
  Speaker 1: I don't listen to on the show, it's the positive
• 1:38:09
  Speaker 1: note of the day because I'd be wanting to be
• 1:38:11
  Speaker 1: a little negative like we're gonna do that when we
• 1:38:14
  Speaker 1: come back. When we come back, it's the breakfast club,
• 1:38:17
  Speaker 1: the morning morning. Everybody is DJ and V Charlomagne the guy.
• 1:38:21
  Speaker 1: We are the breakfast Club. We got our guest host, Nori,
• 1:38:24
  Speaker 1: who has never heard the positive note you never heard
• 1:38:26
  Speaker 1: Donkey the Day Live, but so before before Charlomagne, that's
• 1:38:31
  Speaker 1: the positive. No, you got positivity for the people? Nor yes? Man, Um,
• 1:38:34
  Speaker 1: you know what, Stop paying attention to the hate and
• 1:38:38
  Speaker 1: pay more attention to the love. You know what I mean? Um,
• 1:38:42
  Speaker 1: It would be times I would go on Twitter or
• 1:38:43
  Speaker 1: go on Instagram and I would actually, you know, pay
• 1:38:48
  Speaker 1: attention to the people saying Nori, Nori's gay, and Nori
• 1:38:53
  Speaker 1: has a big head, Nori's I just got to be gay.
• 1:39:00
  Speaker 1: Yeah you mean no, No, I'm saying anyway you make
• 1:39:04
  Speaker 1: it in like that, and those are are are important
• 1:39:10
  Speaker 1: because you need you need to balance right, But the
• 1:39:13
  Speaker 1: love is more important. Like the love is like I
• 1:39:16
  Speaker 1: remember just now, Russell Westbrook just got an interview with
• 1:39:21
  Speaker 1: a lady picked him up. RUSSELLSOK. Thought it was a joke.
• 1:39:27
  Speaker 1: I need you in him because he's not used to
• 1:39:31
  Speaker 1: he's not used to positivity. That's crazy. That's how rare
• 1:39:34
  Speaker 1: positivity is nowadays. Is that Russell? He kept looking at her.
• 1:39:38
  Speaker 1: You look at us waiting. He's waiting for a joke,
• 1:39:40
  Speaker 1: he's waiting for her to say something, and when she
• 1:39:42
  Speaker 1: just stayed all positive, he was like, we need people
• 1:39:45
  Speaker 1: like you. But that's exactly what we should live. We
• 1:39:48
  Speaker 1: should live like that, we should live like we should
• 1:39:51
  Speaker 1: be used to that that that shouldn't be abnormal, abnormal.
• 1:39:55
  Speaker 1: So let's put that's my positive note. Let's put it
• 1:39:58
  Speaker 1: in a knife little package. I'll piggyback off. Or our
• 1:40:00
  Speaker 1: life is shaped by our mind, but we become what
• 1:40:03
  Speaker 1: we think. Breakfast clubs. You, I'll finish what y'all done.