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157: Top 10 Beyonce Songs | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: What Up Yall?
• 0:00
  Speaker 2: Spot came on stage Tony Baker The Bad of Brothers Show,
• 0:05
  Speaker 2: where me and Tony Baker wax poetically on all things movies, TV, music, sports,
• 0:10
  Speaker 2: whatever the hell we want to talk about today? Talking music,
• 0:14
  Speaker 2: talking to got top ten Beyonce songs. This is gonna
• 0:20
  Speaker 2: be tough. This is only ten we only use. This
• 0:24
  Speaker 2: is a personal picks, personal picks. You don't have to
• 0:26
  Speaker 2: explain it. I just got to mean something to you. Okay, Uh,
• 0:32
  Speaker 2: who's kicking it off?
• 0:33
  Speaker 3: Me?
• 0:37
  Speaker 1: I know he's kicking it off. I know hen say.
• 0:39
  Speaker 1: We don't know what I'm gonna I don't even know
• 0:41
  Speaker 1: what I'm gonna say.
• 0:43
  Speaker 2: Crazy in Love.
• 0:44
  Speaker 1: No, hell no, that's not even in my top ten.
• 0:48
  Speaker 2: Enough album.
• 0:48
  Speaker 1: I love that album. You don't love the lead single? Yeah,
• 0:50
  Speaker 1: it's good, but it's not like, well, then I was wrong.
• 0:53
  Speaker 1: I think I got oversaturated with.
• 0:55
  Speaker 2: It, played it too much.
• 0:57
  Speaker 1: They just the world played it too much. I'll just
• 0:59
  Speaker 1: be like skip you be skipping low? Yeah at this point. Wow,
• 1:05
  Speaker 1: eventually I got to that point. Okay, so I'm gonna
• 1:08
  Speaker 1: just there all right. My my favorite one of my
• 1:16
  Speaker 1: favorite Beyonce songs, definitely Sorry Sorry at You? That sorry,
• 1:27
  Speaker 1: it's fine. I like that song a lot. Okay, definitely
• 1:32
  Speaker 1: definitely my favorite.
• 1:33
  Speaker 2: Later stage beyond, Beyonce just really came into herself.
• 1:37
  Speaker 1: Yeah, all right, I'm gonna go Love on Top. Okay,
• 1:41
  Speaker 1: Love on Top is on my Listen.
• 1:47
  Speaker 2: Yeah, singing modulations, key chains, dance, smile, good vibe, vibe.
• 1:56
  Speaker 2: It was like summertime.
• 1:58
  Speaker 1: I'm not mad at thank you, thank you, Me, myself
• 2:06
  Speaker 1: and I all I got in the end. That's what
• 2:09
  Speaker 1: I found out. God, damn it. I love that song.
• 2:12
  Speaker 1: I love the video. This is. This is when I
• 2:14
  Speaker 1: was in prime beyond obsession that me and myself and
• 2:20
  Speaker 1: I video. She was going backwards. I was mesmerized, me,
• 2:25
  Speaker 1: myself and I is. That's that's all I got in
• 2:27
  Speaker 1: the end. Man, That's what I found out. I can't believe.
• 2:33
  Speaker 1: I believe. Yeah, yeah, that whole setup is fied.
• 2:47
  Speaker 2: Okay, yeah, let me double check myself. It's double check, man,
• 2:51
  Speaker 2: Let me double check grew because I'm I'm gonna have
• 2:54
  Speaker 2: some ones and I don't care how you feel about it.
• 2:56
  Speaker 1: Man.
• 2:56
  Speaker 2: Listen, man, okay, because this is my is my listen,
• 2:58
  Speaker 2: you make your list.
• 3:01
  Speaker 1: Now. This is I'm be coming with no bullshit.
• 3:05
  Speaker 3: Man, I'm not.
• 3:06
  Speaker 1: I'm not. You're probably gonna say stuff, I'm not even familiar.
• 3:08
  Speaker 1: You probably probably deep cutting. I'm deep cut McGee off.
• 3:11
  Speaker 1: My favorite album, Love Drought. They don't even know this.
• 3:17
  Speaker 1: You don't know what album is on Lemonade.
• 3:21
  Speaker 2: Ten times out of ten, I know you lying, that's
• 3:23
  Speaker 2: your favorite body and said, oh my god, but you
• 3:26
  Speaker 2: didn't listen to Dangerously in Love when it came out.
• 3:28
  Speaker 2: Didn't see that It is a really well written song.
• 3:33
  Speaker 1: Let me get to the get to the meat and potatoes.
• 3:35
  Speaker 2: This is like this, this the whole song, kind of
• 3:39
  Speaker 2: like get to the meeting. Okay, man, let me get
• 3:41
  Speaker 2: to the mars.
• 3:41
  Speaker 1: You want to quick? Fine? Fine? So fun?
• 3:53
  Speaker 2: Fact Yeah, yeah, yeah that was the meeting potatoes.
• 3:57
  Speaker 1: Yeah, I just really like it.
• 4:00
  Speaker 3: Fact.
• 4:01
  Speaker 2: The songwriter of this song wrote this about Parkwood not
• 4:05
  Speaker 2: letting her make her music the way she wanted to,
• 4:08
  Speaker 2: so that ten times out of not on you Lying
• 4:10
  Speaker 2: was about the record label that Beyonce is on.
• 4:16
  Speaker 1: Ain't that crazy? Wait?
• 4:18
  Speaker 2: What songwriter who wrote love Draft signed to Parkwood? She
• 4:23
  Speaker 2: was frustrated with her label, and that ten times out
• 4:26
  Speaker 2: of nine on you Lying is about the label? Did
• 4:29
  Speaker 2: she know that Beyonce. I'm sure she does now I've
• 4:32
  Speaker 2: seen it on a YouTube video.
• 4:34
  Speaker 1: That's crazy. So she did it in their face, in
• 4:38
  Speaker 1: their face, that's genius.
• 4:41
  Speaker 2: That's a deep cut for me, and I don't care
• 4:43
  Speaker 2: how you feel about it. Love Drought is my jam.
• 4:46
  Speaker 2: It wasn't a single. It never gets played in the tours.
• 4:49
  Speaker 1: I understand why you're up to it never got going, man,
• 4:54
  Speaker 1: when was the meat and potatoes there you got?
• 4:56
  Speaker 2: It's kind of really works within the theme of the album.
• 5:00
  Speaker 1: Go ahead, man, I'm gonna go. Oh snap, almost deleted, Damn,
• 5:07
  Speaker 1: I'm gonna go. Baby boy, Yeah, I love that song.
• 5:11
  Speaker 1: Almost damned. It went all Dangerously in Love but except
• 5:15
  Speaker 1: except crazy because when I when I except for Crazy
• 5:19
  Speaker 1: in Love because when I made my list, I did
• 5:21
  Speaker 1: ten on my own. The majority was from Dangerously in
• 5:24
  Speaker 1: Love album. But baby Boy, you stay on my mind
• 5:28
  Speaker 1: fulfill my fantasy. I think about you all the time.
• 5:35
  Speaker 2: Yoh man, Okay, I'm gonna go this one, and I
• 5:38
  Speaker 2: know I'm going deep cut again. I'm so sorry. Rocket
• 5:45
  Speaker 2: off the Beyonce self titled album, The first thing I
• 5:50
  Speaker 2: got a song from that about the sexiest thing I
• 5:52
  Speaker 2: ever heard on the in the in the world. Song
• 5:55
  Speaker 2: is eight minutes long. Makes me want to make sweet
• 5:59
  Speaker 2: love and get get to meeting. Oh this joint, that's
• 6:05
  Speaker 2: not a deep cut.
• 6:07
  Speaker 1: It seemed like it to me. I feel this is
• 6:18
  Speaker 1: a poppy little joint. I didn't know.
• 6:20
  Speaker 2: I don't hear nobody talking about it.
• 6:22
  Speaker 1: I hear that little beginning piece all the time.
• 6:26
  Speaker 2: She kind of sounds like D'Angelo just a little bit.
• 6:28
  Speaker 1: See what she definitely went that un titled right, I'll
• 6:32
  Speaker 1: be playing that. You listen to that song with that
• 6:38
  Speaker 1: with that bob riding my little messer bike. All right,
• 6:44
  Speaker 1: you up, joll okay, I'm gonna go. I'm trying to
• 6:51
  Speaker 1: stay off dangerously in love. I feel the way I
• 6:55
  Speaker 1: feel that, do you? It's your world? Man, Man, we're
• 6:58
  Speaker 1: just playing in it. Speechless man. Species is making the cut.
• 7:02
  Speaker 1: It's the build up. He let me, let me, let
• 7:05
  Speaker 1: me get the meat and potatoes on you.
• 7:07
  Speaker 2: Is that deep cut?
• 7:09
  Speaker 1: It's not a single, but not for me. You might
• 7:11
  Speaker 1: as well be h this is a sexy song, right
• 7:20
  Speaker 1: You ain't never more sexy song. Right here. There's some
• 7:25
  Speaker 1: kids walking around today because this song was on when
• 7:29
  Speaker 1: they was smashed. I'm gonna build it up man meat potatoes,
• 7:38
  Speaker 1: especially when she started going yes the yes Bill. Now,
• 7:42
  Speaker 1: hold on, let's let's get that going. Hold on, let
• 7:49
  Speaker 1: me find it.
• 7:50
  Speaker 2: Oh, I don't know this song, Tony Man, I ain't
• 7:55
  Speaker 2: even customer gee on the.
• 8:00
  Speaker 1: Yeah, she's gonna climbax right on the track.
• 8:08
  Speaker 2: She shouldn't hurt butt off.
• 8:11
  Speaker 1: She's gonna build up and bust up net. She don't
• 8:15
  Speaker 1: bust another on this song. Right, you can hear it.
• 8:22
  Speaker 1: She busted right there. She busted that nut. Let's talk
• 8:27
  Speaker 1: about what really happened on the track she busted that Nuh.
• 8:41
  Speaker 2: All right, I'm gonna go back to self titled Okay, partition, Okay,
• 8:51
  Speaker 2: get me's up.
• 8:54
  Speaker 1: Did you say deep cut again?
• 8:56
  Speaker 2: No?
• 8:56
  Speaker 1: I say all about to say you call everything deep now?
• 9:00
  Speaker 1: I just said that for love dry Oh you said it?
• 9:03
  Speaker 1: What you call it to? What rocket? You don't think
• 9:06
  Speaker 1: that's Diepicot fix thy Latin girls.
• 9:11
  Speaker 2: I like when Beyonce be talking that talk. I like
• 9:15
  Speaker 2: when she'd be talking that talk. I'll be like talking
• 9:17
  Speaker 2: you talk me, she said, I willn't care. I was
• 9:19
  Speaker 2: already doing it. Scram Cake by the pound.
• 9:24
  Speaker 1: That might go around. I really love that album. The
• 9:33
  Speaker 1: same talent was a good album, was the one she
• 9:35
  Speaker 1: snuck ups man. Yeah, twenty thirteen changed the game.
• 9:39
  Speaker 2: Twitter was crazy, all the music videos was out at
• 9:42
  Speaker 2: the same time. People try to duplicate that.
• 9:45
  Speaker 1: Nigga.
• 9:45
  Speaker 2: You can't. You ain't built the cache. You can't do that. Tiger,
• 9:50
  Speaker 2: no disrespect.
• 9:51
  Speaker 1: It worked with huh, It worked for Jacob No. It
• 9:54
  Speaker 1: worked for a few people. But everybody was like, oh yeah,
• 9:57
  Speaker 1: sneaking out in the moss. Everybody can't Beyonce was in
• 10:01
  Speaker 1: the malls.
• 10:02
  Speaker 2: She was on t R l one O six, she
• 10:04
  Speaker 2: was doing the Street Team. She was doing that stuff
• 10:08
  Speaker 2: a different time.
• 10:08
  Speaker 1: That was a different time. Them fans is older. Yeah,
• 10:11
  Speaker 1: they built in.
• 10:13
  Speaker 2: I got something in the ether went crazy.
• 10:16
  Speaker 1: That's what you want, all right. My favorite song from
• 10:19
  Speaker 1: that album is X so.
• 10:23
  Speaker 2: I'm gonna go with I'm gonna Halo it up man,
• 10:26
  Speaker 2: really yeah, Halo.
• 10:29
  Speaker 1: I like Halo. Man, she's singing hard. It feels like
• 10:32
  Speaker 1: we transcended somewhere. Halo just sounds.
• 10:36
  Speaker 2: Big, just like Halo at all. Put in the top
• 10:39
  Speaker 2: ten though, man, I'm gonna throw it up in there. Okay, okay,
• 10:45
  Speaker 2: oh man. This is tough because there's so many songs
• 10:47
  Speaker 2: I love and we running out of space.
• 10:49
  Speaker 1: What's out?
• 10:49
  Speaker 2: Man?
• 10:50
  Speaker 1: Make a decision?
• 10:50
  Speaker 2: Many we got.
• 10:55
  Speaker 1: Only one. This was the last one. Man, make it
• 10:57
  Speaker 1: count me. We used to do ten. You know what I'm saying.
• 11:02
  Speaker 1: I guess some more. I got one. This from a
• 11:06
  Speaker 1: sound I think it's from a listen.
• 11:09
  Speaker 2: Was it gonna be listening?
• 11:10
  Speaker 1: No, listen, man, but guys. I used to get mesmerized
• 11:16
  Speaker 1: and Beyonce herself, and it made me like the song.
• 11:18
  Speaker 1: Either there's one song on my list. It was just
• 11:21
  Speaker 1: because I was mesmerized.
• 11:23
  Speaker 2: Man, I could do if boy, I could do flawless,
• 11:25
  Speaker 2: I could do Okay, now now we could do some stuff. Okay,
• 11:32
  Speaker 2: so it's twenty.
• 11:36
  Speaker 1: Wait he had he had a pick that I had,
• 11:38
  Speaker 1: So I only get nine.
• 11:39
  Speaker 2: Over here, we just do ten. We ain't gotta do it.
• 11:42
  Speaker 2: I'm gonna go Formation.
• 11:44
  Speaker 1: You be cuing that up?
• 11:49
  Speaker 2: Okay, let me let me let me clarify this.
• 11:53
  Speaker 1: With the Q.
• 11:53
  Speaker 2: Okay, you're right. If you're talking cue up, I'm gonna
• 11:55
  Speaker 2: take it off. I just love Whatformation represents an album,
• 11:58
  Speaker 2: and I like the vigil.
• 12:00
  Speaker 1: Okay, okay, okay, what you.
• 12:03
  Speaker 2: Feeling when you buy yourself? Society doesn't matter on the
• 12:10
  Speaker 2: queue up on the queue of the.
• 12:14
  Speaker 1: Virgos Groove.
• 12:17
  Speaker 2: What that is, man, virgos groove is a that's on renaissance. Oh,
• 12:25
  Speaker 2: virgos groove is whoa I'm on the highest of cocaine
• 12:31
  Speaker 2: when this coupball. But y'all say I here, y'all? Yeah,
• 12:38
  Speaker 2: who got the coke? Y'all?
• 12:41
  Speaker 1: They got it over here?
• 12:42
  Speaker 2: Cam Hi.
• 12:45
  Speaker 1: Yeah, man, you get on the dance floor, y'all. Yeah.
• 12:53
  Speaker 1: I would try cocaine one time just.
• 12:56
  Speaker 2: To listen to this. Just take me back, y'all. This
• 13:00
  Speaker 2: song feels like it came out nineteen eighty six.
• 13:03
  Speaker 1: It ain't no way.
• 13:06
  Speaker 2: This didn't come out in nineteen eighty Okay.
• 13:09
  Speaker 1: It was big eighties, right. I wanted to be hon
• 13:14
  Speaker 1: ivery did coquine? This is a This is a queue
• 13:18
  Speaker 1: up McGee.
• 13:21
  Speaker 2: This is a cute. This whole album is a good time.
• 13:25
  Speaker 2: Renaissance is a press play. Take me all the way
• 13:31
  Speaker 2: out there, Take me through that, Take me through that.
• 13:34
  Speaker 1: Take me through that?
• 13:35
  Speaker 2: All right, don't one? Are we done? Honorable minch? Okay,
• 13:43
  Speaker 2: honorable minch.
• 13:44
  Speaker 1: Let me do an honorable mention? Did you get your
• 13:46
  Speaker 1: honorable mention in there? I got I like check on it.
• 13:51
  Speaker 1: I like that's a fun vide video. Have Me miss
• 13:54
  Speaker 1: Me rat, that's a that's what hula hoop going. Yeah,
• 13:59
  Speaker 1: she had the froll on that one. Man check on it. Okay,
• 14:05
  Speaker 1: I'm gonna go Flawless. I like him, you know, flawless.
• 14:10
  Speaker 1: I feel like I do. I like the one with you. No,
• 14:13
  Speaker 1: I come to realize, man, oh yeah, so ah yeah
• 14:18
  Speaker 1: flawless grill in her mouth. Yo, she got a song
• 14:23
  Speaker 1: I really like. Oh coming down, Wait a minute, hold on,
• 14:28
  Speaker 1: it's an honorable mention. M hm mm hmmm. This is
• 14:32
  Speaker 1: how good of a live performer.
• 14:34
  Speaker 2: She.
• 14:35
  Speaker 1: I was watching her perform this version of the song,
• 14:38
  Speaker 1: and I was just like, Yo, this is fire, because
• 14:40
  Speaker 1: you know, sometimes when you hear it live, you don't
• 14:42
  Speaker 1: like it as much. That one made me go look
• 14:44
  Speaker 1: for the song. I was just like, how I pass
• 14:46
  Speaker 1: this up? Hold On? It's like a big song, like
• 14:51
  Speaker 1: a grand flowerless Flowerless finds. Damn there's rock the rock.
• 15:05
  Speaker 1: I won't got like that. Oh that's that's.
• 15:09
  Speaker 2: Remember remember how long that was in the culture.
• 15:13
  Speaker 1: Oh my god, Oh I look so good.
• 15:23
  Speaker 2: Fantastic, get ready for the club, get ready to go out,
• 15:26
  Speaker 2: get dressed song? But you mean nigga I'm the best
• 15:29
  Speaker 2: looking nigga ever made the best Mama, don't mean not
• 15:35
  Speaker 2: get that. The time is love Beyonce. Beyonce is the goat.
• 15:44
  Speaker 2: She your favorite artists of all time, biggest, bigger than Disney.
• 15:50
  Speaker 1: Is she my favorite artist of all time? The here's
• 15:54
  Speaker 1: this song?
• 15:58
  Speaker 2: She's up there?
• 15:59
  Speaker 1: Oh you who Michael Jackson, all things considered.
• 16:04
  Speaker 2: But imagin for you personally, yeah yeah, beyon No Michael, Michael,
• 16:09
  Speaker 2: Oh Michael, okay, but but all things considered. My generation,
• 16:15
  Speaker 2: my generation easily, She's the greatest, And no disrespect to Mike.
• 16:22
  Speaker 2: She still make good albums.
• 16:25
  Speaker 1: Are you saying he fell awful?
• 16:26
  Speaker 2: Now, I'm saying I ain't saying he fell off. I
• 16:28
  Speaker 2: would never say that. I'm going to see the movie tomorrow,
• 16:30
  Speaker 2: say diminished his story. I was like, man, what's that word?
• 16:37
  Speaker 2: With all the beats you was skipping? Was that that
• 16:39
  Speaker 2: wasn't dangerous?
• 16:40
  Speaker 1: Dangerous? I'm skipping skipped to my lub Nigga dangerous listen,
• 16:47
  Speaker 1: low key, Alien Superstar is great. Cuff it is great,
• 16:51
  Speaker 1: Cozy man, she got a song, man, I'm still looking.
• 17:00
  Speaker 2: These are such a good song to watch live. Nigga.
• 17:07
  Speaker 2: Cuff it, cuff it, is such a good timething. No,
• 17:14
  Speaker 2: I realize I don't be listening to a lot, to
• 17:16
  Speaker 2: be honest, No more, bro, you missing out.
• 17:18
  Speaker 1: I pull up on albums and then I don't sit
• 17:20
  Speaker 1: with them. No more. You ain't said with Renaissance, I
• 17:22
  Speaker 1: ain't said. I ain't sad with no album since Dangerously.
• 17:27
  Speaker 1: I hang out and be like, this is a good time,
• 17:30
  Speaker 1: all right.
• 17:30
  Speaker 2: Joe her best work from self titled through Cowboy Carter.
• 17:37
  Speaker 2: Now I can say this, not having listened to anything
• 17:39
  Speaker 2: before Self Title her best work to me, She's just
• 17:44
  Speaker 2: gotten better and better and better and better. Cowboy Carter
• 17:48
  Speaker 2: was at least good.
• 17:49
  Speaker 1: You ain't listening as thick heated. I listened to the
• 17:54
  Speaker 1: I would pull the albums up, hang out, and then
• 17:57
  Speaker 1: just man, pure honey, this is a song I'm looking for.
• 18:07
  Speaker 2: She just went straight through that album at that concert,
• 18:09
  Speaker 2: and I had a great time. I can't even decide
• 18:12
  Speaker 2: which which of her shows I enjoyed the most. It
• 18:14
  Speaker 2: might be Renaissance. Renaissance was a really fun album to
• 18:18
  Speaker 2: see performed live.
• 18:20
  Speaker 1: You so Beyonce Livelet's created several times. You ain't.
• 18:27
  Speaker 2: I enjoyed Renaissance as an album more than Cowboy Carter.
• 18:30
  Speaker 2: So I think I enjoyed that show more because I was.
• 18:33
  Speaker 2: I was playing that album to Dad. I like Cowboy Carter,
• 18:37
  Speaker 2: but Renaissance was like nigga. I'm and like I said,
• 18:40
  Speaker 2: I ain't really on house music like that. I didn't
• 18:42
  Speaker 2: grow up.
• 18:42
  Speaker 1: That's the one I had to dress up like aluminum foil.
• 18:46
  Speaker 2: That was Renaissance. Yeah, yeah, I saw. I saw Cowboy
• 18:50
  Speaker 2: Carter three times. I had a great I had a
• 18:51
  Speaker 2: great time. Yes, yeah. I want to take a quick
• 18:59
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  Speaker 2: You got any more of?
• 20:30
  Speaker 1: Oh? I have a what else? I have listened here?
• 20:33
  Speaker 1: I got EGO, got a big e x so, Oh
• 20:38
  Speaker 1: I love XO.
• 20:40
  Speaker 2: XO is a really good song.
• 20:41
  Speaker 1: Yeah, I like XO a lot.
• 20:43
  Speaker 2: That's on the self title right, Yes, yeah, see, I've
• 20:46
  Speaker 2: been doing good today, by the way, and I.
• 20:47
  Speaker 1: Like be with you from uh from Dangerously in.
• 20:51
  Speaker 2: Love actually like sandcastles. We build sandcastle Daddy lessons. Daddy
• 20:59
  Speaker 2: Lessons was good.
• 21:02
  Speaker 1: All right?
• 21:02
  Speaker 2: And Crazy in Love all right? We're moving on, Yes,
• 21:07
  Speaker 2: feel good. Top ten singers turned actors, not rappers. Singers
• 21:17
  Speaker 2: turn actors, but they have to be known for singing first,
• 21:21
  Speaker 2: just like stand up comedians. Yes, they were known for
• 21:25
  Speaker 2: singing then.
• 21:26
  Speaker 1: So Jamie Fox is out, okay, but but let me
• 21:32
  Speaker 1: just say something. He's out technically.
• 21:34
  Speaker 2: Technically Jamie Fox started with music.
• 21:39
  Speaker 1: Now, I'm not talking about what he did. Oh, you're
• 21:41
  Speaker 1: talking about commercial commercial success. When when his first album
• 21:45
  Speaker 1: come out before color?
• 21:50
  Speaker 2: It was after he showed my panties on what what? What?
• 21:52
  Speaker 2: Time is that?
• 21:53
  Speaker 1: After? Yes, he showed my pants absolutely?
• 21:56
  Speaker 2: No, man, look it up.
• 21:57
  Speaker 1: Man, I want to say after but he went to no, man,
• 22:02
  Speaker 1: no hold on, just hold on. You have to have
• 22:06
  Speaker 1: you have to have released album. You have to be
• 22:09
  Speaker 1: Jamie Foxx was not known as a singer before we've
• 22:12
  Speaker 1: seen him on and I agree with that. But then
• 22:15
  Speaker 1: that's the end of the book.
• 22:16
  Speaker 2: But if he had something in the time, man, he
• 22:18
  Speaker 2: always was musical nineteen ninety.
• 22:21
  Speaker 1: Four and Living Color was before that. Wind was Living Color.
• 22:24
  Speaker 1: That was early nineties. Man Color was ninety It started
• 22:30
  Speaker 1: in nineteen ninety Jamie Foxx came on. I want to
• 22:32
  Speaker 1: say ninety two. Man, why can't do Jamie? Oh man,
• 22:36
  Speaker 1: he wasn't he He didn't have a set singing career
• 22:40
  Speaker 1: where it's like, ohh, he's out fine all right?
• 22:51
  Speaker 2: When he was coming with Jamie fix four card that draw.
• 22:56
  Speaker 1: Fod And also we can't play draft FOURD no no more?
• 22:59
  Speaker 2: Why because he had been releasing music. But I know
• 23:05
  Speaker 2: what did he released this story? Jamie fox was trying
• 23:09
  Speaker 2: to get on as a musician.
• 23:10
  Speaker 1: If we gotta go by stories, it was, but said, but.
• 23:14
  Speaker 2: But listen though, Whoopy Goldberg, Okay, she was going stand up.
• 23:20
  Speaker 2: I wasn't pulling up. But the streets was like, nah,
• 23:23
  Speaker 2: she was on that standard. She had album.
• 23:25
  Speaker 1: No, we knew, we knew she was a standard. Yeah,
• 23:27
  Speaker 1: Jamie Fox. Ninety four, he had released.
• 23:29
  Speaker 2: A full ALBUMA hold on, man, let me just go
• 23:32
  Speaker 2: back and cute it up. Hold on, let me let
• 23:33
  Speaker 2: me let me go back to discography. Now, I ain't
• 23:36
  Speaker 2: gonna argue with you that it wasn't popular. Peak This
• 23:40
  Speaker 2: nineteen ninety four n't come out til two thousand and five.
• 23:45
  Speaker 1: Yeah, he didn't have success musically until.
• 23:50
  Speaker 2: Uh yeah, you said he came in Living Color at
• 23:53
  Speaker 2: what time? I want to say he was in what
• 23:56
  Speaker 2: ended in ninety four? So I think he was. Was
• 23:58
  Speaker 2: he in the second last two seasons?
• 23:59
  Speaker 1: H mm hmmm. I really wanted to say that disappointment
• 24:05
  Speaker 1: is man funny? All right?
• 24:07
  Speaker 2: Then Jamie Fox, I'm gonna go Whitney Houston. Then, okay,
• 24:15
  Speaker 2: Whitney Houston. I low key wished she has a good
• 24:19
  Speaker 2: amount of movies, but I think she could have had
• 24:22
  Speaker 2: like a Queen Latifa if she was alive. Queen Latifa
• 24:27
  Speaker 2: iced tea acting careers where she was such a good actress.
• 24:31
  Speaker 1: She was a natural.
• 24:32
  Speaker 2: She was a natural.
• 24:34
  Speaker 1: She never blew me away with a particular acting performance,
• 24:37
  Speaker 1: but she's just fit right in.
• 24:39
  Speaker 2: That's exactly right, That's what I said, Like Queena Tifa
• 24:42
  Speaker 2: iced Tea. You know, I actually actually had a really
• 24:45
  Speaker 2: good performance and Queen.
• 24:46
  Speaker 1: Blew me away before though said it off. She was
• 24:50
  Speaker 1: fantastic and there I give you that. Whitney Houston has
• 24:53
  Speaker 1: never been like man Whitney. It was just she was
• 24:57
  Speaker 1: It's hard to say blew me away, but I thought
• 24:59
  Speaker 1: she did more than hold her own and wedding takes hell.
• 25:03
  Speaker 1: She was good.
• 25:04
  Speaker 2: I think you if you didn't know she was a singer,
• 25:07
  Speaker 2: you would believe that she's just like. She was that
• 25:10
  Speaker 2: good with the cast that you know Angela in there.
• 25:16
  Speaker 2: That's what I'm saying, Like she really like I mean,
• 25:22
  Speaker 2: it's hard to say it blew me away because you know,
• 25:24
  Speaker 2: it's more of an ensemble.
• 25:25
  Speaker 1: Cast, and I can see her. I can see her
• 25:28
  Speaker 1: jump in confidence from the bodyguard to waiting head.
• 25:32
  Speaker 2: Sure tell she was more confident. They leaned heavy on
• 25:35
  Speaker 2: Kevin Coster and bodyguard. They was like, all right, Kevin,
• 25:38
  Speaker 2: but also it helped that story. She's the pop star,
• 25:41
  Speaker 2: you know, and the bodyguard I ain't called the pop star,
• 25:43
  Speaker 2: you know what I'm saying, so.
• 25:45
  Speaker 1: But also Kevin cost is a really good actor.
• 25:48
  Speaker 2: You know what I'm saying. But I'm gonna go Whitney.
• 25:51
  Speaker 2: Since you can't let me have Jimmy Fox, I start
• 25:53
  Speaker 2: my own podcast, Fingers Who Could Rap?
• 25:57
  Speaker 1: Act?
• 25:57
  Speaker 2: I got one episode. It's a full deep the deep
• 26:01
  Speaker 2: dive in to the life and times Jamie Fox. I'm
• 26:04
  Speaker 2: gonna dig up his early music is t shirting my.
• 26:07
  Speaker 1: Pati's on on that Peep, This is that Jamie? This
• 26:10
  Speaker 1: is Diana Howard?
• 26:12
  Speaker 2: Did he do like a re Why am I associating
• 26:14
  Speaker 2: Jamie with that? Okay, I'm like, I know, Jamie goes
• 26:21
  Speaker 2: that's way keep This is what was my game plan.
• 26:24
  Speaker 2: I didn't realize it was ninety four. Always peep, this
• 26:27
  Speaker 2: was ninety didn't live in color. But if you let
• 26:30
  Speaker 2: him tell it, I know, I know that's why I
• 26:34
  Speaker 2: said that was out. But I remember the stories of him.
• 26:37
  Speaker 2: He said he was trying to get on as a
• 26:39
  Speaker 2: singer and he couldn't and his goal was if he
• 26:42
  Speaker 2: could only do one his goal was to be a singer.
• 26:44
  Speaker 2: But to Tony's point, commercially successful. Since Tony, you.
• 26:48
  Speaker 1: Don't even have to be commercially successful. You have to
• 26:50
  Speaker 1: be known as a singer five five Queen thea Tifa
• 27:02
  Speaker 1: Man her transition into acting smooth leading the TV sitcom
• 27:07
  Speaker 1: that was a good one.
• 27:08
  Speaker 2: Rapper, Oh, we're not doing rappers. Oh singing all right,
• 27:12
  Speaker 2: just regard this. Regard this, regard jam now seeing he
• 27:19
  Speaker 2: was singing in the church and they knew him at
• 27:21
  Speaker 2: the church into real Texas. So Fox is my first pick. Now,
• 27:27
  Speaker 2: lady got got Oh that's a good lady. God God
• 27:32
  Speaker 2: can act. Oh Snap heard.
• 27:35
  Speaker 1: Stars Born Stars Born was just I cared about that
• 27:40
  Speaker 1: goddamn relations.
• 27:42
  Speaker 2: Uh. I didn't see Joker part doing. But was she good? Though?
• 27:47
  Speaker 1: She was good but that movie sucked, But she'd be
• 27:51
  Speaker 1: good though and stuff.
• 27:53
  Speaker 2: Okay, okay, that's a good call. Stephanie German German or
• 27:57
  Speaker 2: Germanlina or something.
• 27:58
  Speaker 1: Yeah, she's good it okay. And also I liked her
• 28:06
  Speaker 1: in the House of Gucci is good on American Horror
• 28:10
  Speaker 1: Story and she's just good. Yeah. Weird people are good.
• 28:13
  Speaker 2: When you're weird, you can because she could take it then,
• 28:15
  Speaker 2: she could take it that because she's already weird. Yeah,
• 28:18
  Speaker 2: and she's a theater girl. She plays the piano for sure,
• 28:20
  Speaker 2: so she gonna go there.
• 28:22
  Speaker 1: Uh, I'm gonna go Jenny Jackson. You don't like Jenny
• 28:29
  Speaker 1: Poetic Justice, She's solid. She got better with time. Yeah,
• 28:35
  Speaker 1: you're doing bending. She got better by the time she
• 28:40
  Speaker 1: got the Tyler Perry stuff. She she she was better.
• 28:43
  Speaker 2: What was she better than?
• 28:44
  Speaker 1: I think she was bad? She was? She was alright
• 28:46
  Speaker 1: in Poetic Justice, she was all right.
• 28:48
  Speaker 2: She believe that character.
• 28:53
  Speaker 1: Why are you swallowing? I like her? What Jenna did?
• 29:00
  Speaker 3: Y'all?
• 29:00
  Speaker 1: Now somebody said the comment she acted first, Oh my god,
• 29:05
  Speaker 1: the nigga.
• 29:05
  Speaker 2: Okay, Now, somebody said, you know she comes from a
• 29:09
  Speaker 2: musical family. I'm not talking about Penny. Come on, she
• 29:15
  Speaker 2: was acting though she was. She was she was, She
• 29:19
  Speaker 2: had the catalog got burned. Yeah, that lady looked too
• 29:23
  Speaker 2: happy to burn her.
• 29:24
  Speaker 1: She was good and the good times as uh Willis's girlfriend.
• 29:27
  Speaker 1: All right, man, watch all so Jane's out, all right,
• 29:30
  Speaker 1: all right, I'm picking people with the Jay.
• 29:36
  Speaker 2: Okay, I'm gonna go Jennel Bonavin.
• 29:39
  Speaker 1: Yes, good choice.
• 29:40
  Speaker 3: I loved her and.
• 29:44
  Speaker 2: In Uh Knives Out last time, and I think it
• 29:47
  Speaker 2: was I was blown away. Good. She's getting figures, but
• 29:52
  Speaker 2: Nights out she played twins.
• 29:54
  Speaker 1: She did believable. Yeah, she's another natural natural. She was like,
• 29:59
  Speaker 1: oh yeah, you belong in this world.
• 30:01
  Speaker 2: It figures completely. Yeah, she's completely believable.
• 30:04
  Speaker 1: She's good. So yeah, okay, I'm going Barbara Streis saying,
• 30:11
  Speaker 1: oh goat, yeah, she'd be acting.
• 30:15
  Speaker 2: I thought she was like variety. She wasn't variety shows
• 30:20
  Speaker 2: when she came out. I don't think so it was
• 30:23
  Speaker 2: just straight up singing.
• 30:24
  Speaker 1: Yeah. I think it was just singing. But I don't
• 30:26
  Speaker 1: know entertainers. There's so many different things back.
• 30:29
  Speaker 2: Then, saying I thought she was doing a variety shows.
• 30:32
  Speaker 1: I think she was singing first. Then she's slid into movies. Okay, cool,
• 30:36
  Speaker 1: all right, I'm a gold Tyrese. You just picking everybody black? Yes,
• 30:45
  Speaker 1: that's your primary focus. Everything don't have to be black
• 30:49
  Speaker 1: all it does.
• 30:51
  Speaker 2: That's when I start with him. That's what I am.
• 30:52
  Speaker 1: You could you could give the whites some credit.
• 30:55
  Speaker 2: I ain't no white people on this list, and I
• 30:57
  Speaker 2: could even think of I'm thinking, I'm thinking Tyree's fun.
• 31:02
  Speaker 1: Fact.
• 31:02
  Speaker 2: My kids had no idea Tyras was the singing?
• 31:05
  Speaker 1: Did that make sense? They was like, that's the fury.
• 31:07
  Speaker 1: They grew up faster and fury. Yeah, they make their tracks.
• 31:11
  Speaker 2: And they knew a Sweet Lady. They just didn't know
• 31:14
  Speaker 2: that was a Tyree song. Yeah, and we had a
• 31:16
  Speaker 2: conversation with yeah Tyres and they were like, tree, that's
• 31:20
  Speaker 2: this yeah what so Yeah, I'm going a black Tyresan
• 31:25
  Speaker 2: Tyrese Gibson, baby boy Roman, I said, forget about cut,
• 31:30
  Speaker 2: forget about the cut, shut up the fore wark.
• 31:33
  Speaker 1: I'm going Tim McGraw.
• 31:36
  Speaker 2: The hell he been there.
• 31:37
  Speaker 1: He's Friday Night License, the abusive father.
• 31:39
  Speaker 2: Oh snap, you see looking to the whites, you biggot,
• 31:44
  Speaker 2: You fucking looking to the whites.
• 31:48
  Speaker 1: Give credit what credit is due. I'm totally forgot that boy.
• 31:51
  Speaker 1: And he was in eighteen eighty three, the Yellowstone prequel.
• 31:57
  Speaker 2: Oh I didn't, I haven't seen.
• 31:58
  Speaker 1: He was the leader. He was fantastic in that. But
• 32:00
  Speaker 1: Tim mcgrawl is good. He's a natural.
• 32:03
  Speaker 2: I didn't realize that was him. Now that you said that,
• 32:06
  Speaker 2: I love front of them. Yeah yeah, yeah, Okay, Now
• 32:09
  Speaker 2: I wish okay, so I wish I had more of
• 32:13
  Speaker 2: a well blacks. No, No, if you want me to go, why,
• 32:18
  Speaker 2: I'm gonna go. Reape McIntyre.
• 32:19
  Speaker 1: She was just fun, Reaps natural too.
• 32:23
  Speaker 2: You know what. I want to take a quick break
• 32:25
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• 33:53
  Speaker 2: the show.
• 33:53
  Speaker 1: I'm thinking somebody else what I was gonna say is okay?
• 33:59
  Speaker 2: Then can I say, Anthia Rivo? You can say what
• 34:01
  Speaker 2: you feel. I'm just be over here. Cynthia Rivo.
• 34:04
  Speaker 1: She started out as a singer.
• 34:05
  Speaker 2: Yeah, she's not a Broadway performer.
• 34:07
  Speaker 1: Fantastic. I thought she was an actress first.
• 34:09
  Speaker 2: No, No, she start of a singerway.
• 34:12
  Speaker 1: Uh tricky. Broadway is tricky because they be acting too.
• 34:19
  Speaker 2: It could be yeah, it'd be both, depending on what
• 34:22
  Speaker 2: you're doing. Okay, But she's known for the color purpose.
• 34:25
  Speaker 2: She's known for her singing in that movie. But that
• 34:27
  Speaker 2: is also actually had to act as well. You're talking
• 34:30
  Speaker 2: about people who release music.
• 34:31
  Speaker 1: As we know you as a singer.
• 34:33
  Speaker 2: You got a catalog, personal rules, got certified a double A.
• 34:42
  Speaker 1: We are introduced to you as a singer, and then
• 34:45
  Speaker 1: we see you acting Madonna. No, why Holy keV you
• 34:52
  Speaker 1: want in white and car Donna's when you came up
• 34:55
  Speaker 1: with move Man our meeting.
• 34:58
  Speaker 3: Let me give you, Let me give you why.
• 35:00
  Speaker 1: He's taking act for real? Bed Middler, goddamn it? Share
• 35:05
  Speaker 1: what share did mood struck which.
• 35:09
  Speaker 2: Is of vast wig mask ain't seen none of that.
• 35:13
  Speaker 2: I don't be checking for the white.
• 35:15
  Speaker 1: Justin Timberlake can act, okay, So.
• 35:17
  Speaker 2: That's what I was gonna say. I was gonna say
• 35:19
  Speaker 2: Mariah Carey, but I feel like she was good. That's
• 35:22
  Speaker 2: what I'm heavily waiting. That one thing Justin Timerlake was
• 35:27
  Speaker 2: in Network.
• 35:31
  Speaker 1: I don't that wasn't I just you know, he was cool,
• 35:37
  Speaker 1: but it wasn't like in anything like. I never felt like,
• 35:40
  Speaker 1: oh man, Justin Timberlake is like killing He was his
• 35:43
  Speaker 1: best in social network. That little's great on Saturday Night Live,
• 35:47
  Speaker 1: he kills it every time.
• 35:51
  Speaker 2: I don't really consider TV though, But you're right, But
• 35:54
  Speaker 2: are you being like, oh man, justin Timberlake on the
• 35:56
  Speaker 2: acting tip, he's.
• 35:57
  Speaker 1: Good, like he's a natural. He's like, I look it,
• 36:00
  Speaker 1: I look at it like this too. Are you a
• 36:03
  Speaker 1: natural up there on the acting tip? Am I? Believing
• 36:05
  Speaker 1: your character and how you delivering the lines? Is your
• 36:09
  Speaker 1: singing fading away in the performance?
• 36:12
  Speaker 2: That's what you got all these criteria. You ain't shared
• 36:14
  Speaker 2: this with the class. You got all these That's what
• 36:16
  Speaker 2: I'm thinking.
• 36:17
  Speaker 3: I know all that.
• 36:19
  Speaker 2: This is Tony's rules only in his mind. You've judging
• 36:22
  Speaker 2: my thing based off your criterion.
• 36:24
  Speaker 1: I'll watch your work, am I am I forgetting that.
• 36:27
  Speaker 1: I know you from music? Why does that matter? Because
• 36:30
  Speaker 1: that means you really acting.
• 36:32
  Speaker 2: So does Jennifer Hudson.
• 36:33
  Speaker 1: And when I watched Beyonce, I'm like, that's Beyonce.
• 36:37
  Speaker 2: Yeah, she suffers from her own star, but she also Yeah,
• 36:42
  Speaker 2: her best acting roles are when she plays musicians. To me,
• 36:46
  Speaker 2: Rick Cadac records, that's it. Dream girls. Don't do that, Josh,
• 36:52
  Speaker 2: you know how I feel about.
• 36:53
  Speaker 1: That is the part that's tough too. You ain't even
• 36:58
  Speaker 1: got to be act good doing a comedy. It's a comedy.
• 37:03
  Speaker 1: You can kind of take your foot off the acting.
• 37:05
  Speaker 1: This being gassed a little bit, she was still just
• 37:08
  Speaker 1: like mm hmm, shut up, Joshua Beyonce. She could do
• 37:18
  Speaker 1: many things.
• 37:18
  Speaker 2: Okay, what about Tianna Taylor. She's good, She's fantastic, She's good.
• 37:23
  Speaker 2: She's went golden glober, golden globe.
• 37:28
  Speaker 1: She had a shot. I thought, outside chance, I need
• 37:33
  Speaker 1: to watch that. Have you seen one thousand and uh? Well,
• 37:36
  Speaker 1: she had the son that we haven't seen. I want
• 37:38
  Speaker 1: to see that.
• 37:38
  Speaker 2: I need to cue that, watch that.
• 37:41
  Speaker 1: But she's yeah, she's good though, she's really good for
• 37:44
  Speaker 1: sure in this acting game.
• 37:47
  Speaker 2: And I see, man, I feel like the conversation around
• 37:50
  Speaker 2: one battle after another just went off the rails about
• 37:53
  Speaker 2: what she meant for Black. But as a character, the
• 37:57
  Speaker 2: character that was written by Paul Thomas Anderson depicted by
• 38:01
  Speaker 2: Tayanna Taylor, she absolutely crushed that.
• 38:04
  Speaker 1: She delivered what she was supposed to do well. She
• 38:07
  Speaker 1: started going into deep. While we always get I don't
• 38:10
  Speaker 1: want to hear that all the goddamn time as an actress,
• 38:15
  Speaker 1: she hasn't.
• 38:15
  Speaker 2: I used sex because that made sense for.
• 38:18
  Speaker 1: That character and the people like that out here.
• 38:20
  Speaker 2: Yeah, and yeah, she was bad and she turned her
• 38:24
  Speaker 2: back on it because sometimes people snitch. But when she
• 38:28
  Speaker 2: was I was believing her as the revolutionary. She was
• 38:31
  Speaker 2: a flawed revolutionary, right, I believed her. I believe that
• 38:35
  Speaker 2: she wanted the kid. I believe she was pissed off
• 38:37
  Speaker 2: when they was arguing. I believe that when she was like,
• 38:40
  Speaker 2: just puts it on pot for you.
• 38:41
  Speaker 1: It's all about me. At the end of the day,
• 38:43
  Speaker 1: I'm gonna do what I gotta do to survive and
• 38:46
  Speaker 1: get the hell up out of this and ain't and
• 38:48
  Speaker 1: act like black folks ain't narcissists. Black women, y'all been
• 38:52
  Speaker 1: saying narcissists for twenty thousand years, eighteen times a month.
• 38:57
  Speaker 1: And now when you see a narcissistic character, woman that's black.
• 39:01
  Speaker 1: Now they got to be perfect, man the fuck man.
• 39:04
  Speaker 2: And perfect characters ain't gonna get non oscar now, man,
• 39:07
  Speaker 2: I thought, And see what I like about myself is
• 39:10
  Speaker 2: I just watched the movie. I wasn't aware of all
• 39:12
  Speaker 2: the hullabaloo. Yeah, and by the time I got to
• 39:14
  Speaker 2: hear the hella baloo, I've already decided. As an actress,
• 39:17
  Speaker 2: she killed that who Tianna, Yeah, she just killed that.
• 39:22
  Speaker 2: People talking about she can't act I'll be like, what
• 39:24
  Speaker 2: y'all even watching?
• 39:25
  Speaker 1: That's ridiculous. What are you watching?
• 39:27
  Speaker 2: Yall just tripping? Now, I'll go ahead pick your whites.
• 39:30
  Speaker 2: That's because you a quarter white. You always want to
• 39:31
  Speaker 2: touch in with that.
• 39:33
  Speaker 1: Get credit where credit is due. I'm full black you.
• 39:37
  Speaker 2: It's that quarter white and that German. Don't get her
• 39:39
  Speaker 2: started on the on the percentage over Marqua is one
• 39:43
  Speaker 2: hundred seventy percent black.
• 39:45
  Speaker 1: Over there black grandparents. She took her glasses off, right,
• 39:53
  Speaker 1: she is looking over the glasses child man. I don't
• 39:58
  Speaker 1: know where we think. I think we good. I think
• 40:00
  Speaker 1: we're good. I think Andrew Day is fantastic too.
• 40:08
  Speaker 2: She is good.
• 40:08
  Speaker 1: She's really good.
• 40:09
  Speaker 2: She actually yeah, she delivered.
• 40:11
  Speaker 1: She's one of my favorite singer term actresses right now.
• 40:14
  Speaker 1: She and now rise up. She's great.
• 40:18
  Speaker 2: I think she can.
• 40:19
  Speaker 1: She can give me gritty too. I like yeah, I like.
• 40:21
  Speaker 2: Grit amir Von and her are amir Vona.
• 40:25
  Speaker 1: She was in.
• 40:28
  Speaker 2: Ah how this Hodge was in it TV show Underground.
• 40:32
  Speaker 1: Oh then I never watched it.
• 40:34
  Speaker 3: Oh you did it.
• 40:34
  Speaker 1: I'm slaved out, man, I feel you. Yeah, I was
• 40:37
  Speaker 1: slaved out by the time that I feel you.
• 40:39
  Speaker 2: That's you know what I'm saying, yeah, I feel you.
• 40:42
  Speaker 2: Oh we didn't say j hud.
• 40:47
  Speaker 1: Yeah. People. We have a lot of bad stories about her.
• 40:58
  Speaker 1: How was it, Mannymore? I never was this is us
• 41:03
  Speaker 1: so I can't even. I never watched it.
• 41:05
  Speaker 2: I watched it. I look, you forgot she released music.
• 41:09
  Speaker 2: I couldn't tell you if Manny Moore came in here
• 41:11
  Speaker 2: and said, I'll sing you my hit scared, I say,
• 41:13
  Speaker 2: what's your talking? You're talking man, I'm so sorry, you're mat.
• 41:19
  Speaker 1: Brandy was a natural.
• 41:20
  Speaker 2: She was gonna say, but but if Tony's rules of
• 41:24
  Speaker 2: seven charting hits, you gotta be born between nineteen eighty
• 41:27
  Speaker 2: three see sixty.
• 41:29
  Speaker 1: But you know, it was tricky with Brandy because I
• 41:31
  Speaker 1: saw her as an actress before she put an album out.
• 41:35
  Speaker 1: She was in the she was in the TV show THEA.
• 41:37
  Speaker 2: Was there before her first album.
• 41:40
  Speaker 1: Because when she dropped I Want to Be Down, I
• 41:42
  Speaker 1: was like, Yo, that's the girl from THEA.
• 41:44
  Speaker 2: See that's all together for me that time period, I
• 41:47
  Speaker 2: wouldn't have been able to say for sure because I
• 41:49
  Speaker 2: watched her on.
• 41:49
  Speaker 3: THEA low Ki.
• 41:54
  Speaker 2: She ain't acted in a minute though, Brandy, she was
• 41:57
  Speaker 2: just in.
• 41:57
  Speaker 1: Some stuff stung. Her movie last year. Yeah, it didn't
• 42:03
  Speaker 1: do well, but she was in that thing all right.
• 42:05
  Speaker 1: Oh my god, Jill Scott. Jill Scott is fantastic. Jill.
• 42:11
  Speaker 1: I can't believe I forgot Jill Scott. Jim got sure
• 42:18
  Speaker 1: he was serviceable. But guy, how you feel about Mary
• 42:24
  Speaker 1: j Blige. I've seen her struggle and stuff. That's why
• 42:27
  Speaker 1: she she she got better with time. But once I
• 42:30
  Speaker 1: see you struggle, I gotta put other people ahead of you,
• 42:34
  Speaker 1: the people that didn't struggle.
• 42:35
  Speaker 2: You gotta throw some whites in there.
• 42:37
  Speaker 1: But Jill Scott on my list. Once again, you're wrong.
• 42:41
  Speaker 1: I'm go once again.
• 42:42
  Speaker 2: Kevin is wrong.
• 42:43
  Speaker 1: Just let Tony pick.
• 42:44
  Speaker 2: You be you've been You've been uh sumping me all
• 42:48
  Speaker 2: day the tramp huh, you ain't got to like it.
• 42:52
  Speaker 2: Walk go, Jill.
• 42:55
  Speaker 1: You when I talk and listen to Tony, just let
• 42:58
  Speaker 1: Tony pick. Once again. Kevin is wrong. I can read.
• 43:03
  Speaker 1: Luke James is fantastic as well.
• 43:06
  Speaker 2: I knew him as an actor. First Tony's personal rules
• 43:09
  Speaker 2: he given a new addition. Also, Luke James like forty one,
• 43:12
  Speaker 2: Yeah he's forty one. He's saying background for Tyrese Oh wow, yeah, yeah,
• 43:17
  Speaker 2: somebody was like nigga.
• 43:18
  Speaker 1: How old is Luke James?
• 43:19
  Speaker 2: Yeah, but he was so good and.
• 43:22
  Speaker 1: He's good in the shot.
• 43:23
  Speaker 2: What would you consider No, I guess you consider him.
• 43:26
  Speaker 2: I was gonna say Donald Glover. I can't even remember
• 43:30
  Speaker 2: if he was in I know him from community. I
• 43:32
  Speaker 2: must say he was an actor first, Yeah, rappers a rapper,
• 43:37
  Speaker 2: but yeah, we can't do rappers. I want to kill
• 43:39
  Speaker 2: you so bad. My tickets are.
• 43:41
  Speaker 1: She was, she's good in power, in power she was.
• 43:45
  Speaker 1: She's good on the actor tip, Yep, she was. Yah,
• 43:49
  Speaker 1: she's good. I ain't got no beef in the tour,
• 43:54
  Speaker 1: but she should not. I can't put her above these people.
• 43:58
  Speaker 1: Else was in three W that one girl? That's three
• 44:06
  Speaker 1: W You remember three l W? Is that what my
• 44:10
  Speaker 1: girls had? Was that? Then? Who's same with my girls?
• 44:13
  Speaker 1: At that's seven O two three l W had?
• 44:17
  Speaker 2: Oh you did not know that?
• 44:19
  Speaker 1: No more right promises promises.
• 44:23
  Speaker 2: So the other girl said that because that wasn't Adrian ordinatory.
• 44:26
  Speaker 2: It was promises, promises, promises, promises. That's no more right,
• 44:29
  Speaker 2: no more that the name of the song.
• 44:36
  Speaker 1: All right, you ready to all right?
• 44:37
  Speaker 2: What are we doing this?
• 44:39
  Speaker 1: Or that?
• 44:40
  Speaker 2: TV Songs? TV Things Theme Song Part two mixed company,
• 44:46
  Speaker 2: mixed compass. Some of your whites is gonna be in here,
• 44:49
  Speaker 2: so you feel at home with your whiteness Germany. I'm
• 44:53
  Speaker 2: not ashamed of who a man, I'm not ashamed nigall.
• 44:58
  Speaker 1: If y'all mixed, don't be a sh at the other piece.
• 45:01
  Speaker 1: Here we go, amen, Verse two to seven, two two seven,
• 45:06
  Speaker 1: For sure, there's no place like home, Ben, it's just
• 45:10
  Speaker 1: handing around you. You live alone. Times are changing every day.
• 45:18
  Speaker 1: Turned on that man, that's a little got every day.
• 45:23
  Speaker 2: Yeah, I'm gonna go too to seven man, all right,
• 45:26
  Speaker 2: one on one verse half and half.
• 45:30
  Speaker 1: I gotta be honest with you. You don't know how
• 45:33
  Speaker 1: familiar with either one of them. I'm nothing. I'm gonna
• 45:40
  Speaker 1: judge you based on what you get me right here.
• 45:44
  Speaker 1: So that's one on one. Give me the half.
• 45:46
  Speaker 2: They wrote one of these, didn't he Tony wrote one
• 45:49
  Speaker 2: of these? I think Tony wrote. If he didn't write
• 45:52
  Speaker 2: have it half? Then he wrote one on one.
• 45:53
  Speaker 1: So you was just singing half in half. Give me
• 45:57
  Speaker 1: give me the one on one, yep, sing it to me.
• 46:04
  Speaker 1: This is Tony.
• 46:07
  Speaker 2: So this is one on one, This is Toney. Kelly
• 46:26
  Speaker 2: Perene is fantastic. But he's great underrated. Yeah, okay, give
• 46:32
  Speaker 2: me that half and half and half half and half
• 46:34
  Speaker 2: Tony don't decide right there, I'm.
• 46:36
  Speaker 1: Picking one on the spot, so one time picking it
• 46:41
  Speaker 1: on the spot.
• 46:41
  Speaker 2: All there we go. I was extended intro and outro.
• 46:48
  Speaker 1: They ain't got time for this on this.
• 46:56
  Speaker 3: One on one.
• 47:05
  Speaker 1: They really put in on these.
• 47:07
  Speaker 2: It's like a music video. She come being your mom.
• 47:17
  Speaker 2: They are holding microphones in this.
• 47:19
  Speaker 1: They really singing like they ain't singing. I'm gonna go
• 47:22
  Speaker 1: I'm gonna go. H I'm gonna go half and half
• 47:28
  Speaker 1: half a high. Yeah, I'm gonna go half and hal
• 47:30
  Speaker 1: All right, yeah those are They were both legit though.
• 47:33
  Speaker 1: They really put time and effort into the joint.
• 47:35
  Speaker 2: If you don't agree with this next one, this podcast
• 47:37
  Speaker 2: is over.
• 47:38
  Speaker 1: And I and I do mean that. And I'm not joking.
• 47:41
  Speaker 1: Golden Girls Verse three's company, Oh Golden Girl and you
• 47:48
  Speaker 1: better yeah go to the girls. Many thank you for
• 47:53
  Speaker 1: Golden Girls for sure. Say that's starting on the bot.
• 47:55
  Speaker 1: I'm three is coming to gonna give you that seventy
• 48:00
  Speaker 1: when when we don't wear that guitar was talking but yeah,
• 48:04
  Speaker 1: in living color versus all that color, you won't have
• 48:15
  Speaker 1: you dead on that thing? Man, Hell yeah, living color.
• 48:18
  Speaker 2: This is a different world versus a different world. Oh oh,
• 48:23
  Speaker 2: you talking about the one with Franklin. Let me hear
• 48:28
  Speaker 2: the Boys to Menoe. I remember the wreatha Franklin, that's ingrain.
• 48:31
  Speaker 2: I don't remember the Boys to men.
• 48:34
  Speaker 1: I don't know. I don't know. If I remember the
• 48:36
  Speaker 1: Boys to me, I might have faded out on a
• 48:39
  Speaker 1: different world by then. That's the one with the ref
• 48:44
  Speaker 1: Oh no, this is it Aretha Franklin, god child, damn up?
• 48:55
  Speaker 1: Who cut it off?
• 48:58
  Speaker 3: Cut it off?
• 49:03
  Speaker 1: The Franklin man. I ain't like to beat close the laptops, Josh,
• 49:08
  Speaker 1: cut the cameras, check the studio down. I didn't like
• 49:15
  Speaker 1: that production that was coming in. Man. I was like, man,
• 49:18
  Speaker 1: turn it off. Nah man, this would have got skipped
• 49:24
  Speaker 1: on the voice to man. I got I know what
• 49:27
  Speaker 1: skipped when I had it? All right, mo sha versus
• 49:31
  Speaker 1: Martin mo to that we should have and we're going to.
• 49:37
  Speaker 1: I assume it's the original Martin. I am I'm the man.
• 49:41
  Speaker 1: Well that that's the other one. What's the first one?
• 49:43
  Speaker 1: The other one is main Lauren?
• 49:47
  Speaker 2: Yo?
• 49:47
  Speaker 1: What's up? Up and talking? Because the other one is like,
• 49:52
  Speaker 1: I'm the man who is on I'm going Martin either way.
• 50:01
  Speaker 2: Know that.
• 50:03
  Speaker 1: But let me have the Moaysia give me, give me
• 50:05
  Speaker 1: that up, because all I can remember is mod to
• 50:10
  Speaker 1: the Egypt.
• 50:23
  Speaker 2: This is season six intro.
• 50:25
  Speaker 1: Brandy is so smoky with the vote that rash old fashioned.
• 50:30
  Speaker 3: I like it.
• 50:32
  Speaker 2: I don't think that's the original, not the original. No,
• 50:35
  Speaker 2: that season one, I mean that season. This season will
• 50:37
  Speaker 2: give us that original. Yeah, this is I remember. Yeah,
• 50:40
  Speaker 2: this sounds more like let me single.
• 50:47
  Speaker 1: You know what, it's kind of unfair. I'm gonna go
• 50:55
  Speaker 1: Moeshi Mosha more than Brandy is actually doing this. See ye,
• 51:01
  Speaker 1: I'm gonna go. I'm gonna go show all right.
• 51:03
  Speaker 2: Last one the Coffee Show versus Sanford and Son.
• 51:06
  Speaker 1: I wish Cosby Show were talking. Man, there's so many
• 51:11
  Speaker 1: what's your what's your favorite one? My favorite one is
• 51:15
  Speaker 1: the jazz one? Did it did? And then ben Ben?
• 51:24
  Speaker 1: I think it's like season four, that one right there,
• 51:29
  Speaker 1: that's the one. This is my favorite. This was my
• 51:35
  Speaker 1: favorite across the board. The dances they was doing though,
• 51:39
  Speaker 1: everything was perfect on this one banner. Everybody was busting
• 51:44
  Speaker 1: out their dance moves. The Cosby Show was so man,
• 51:53
  Speaker 1: oh god, that was a good ass show man.
• 51:55
  Speaker 2: You ruined it for everybody.
• 52:04
  Speaker 1: Water is being dead.
• 52:06
  Speaker 2: Come on, he ain't got no business being dead, Malcolm,
• 52:10
  Speaker 2: get out that water man. Now you're over here, sitting
• 52:15
  Speaker 2: up here, Dad, and we miss your raving Simon as
• 52:19
  Speaker 2: a baby. I damn.
• 52:22
  Speaker 1: Mm hmmm. I don't know. Man so hard this kind
• 52:28
  Speaker 1: of iconics. Quissa Jones put his foot and that.
• 52:32
  Speaker 2: Bad Come on, San franc that came in tall, hold
• 52:38
  Speaker 2: on to you don't moved on too quick.
• 52:44
  Speaker 1: This is iconic. You don't understand. Come on.
• 52:48
  Speaker 3: By all instrumental. Yeah, big, don't know.
• 53:03
  Speaker 1: I don't know either.
• 53:04
  Speaker 3: I'm still no.
• 53:05
  Speaker 1: I'm sitting here frozen solid. I gotta go. I gotta
• 53:16
  Speaker 1: go safer than Son because that that melody is more memorable.
• 53:24
  Speaker 1: If I'm going pure, pure song, I'm gonna go sand
• 53:28
  Speaker 1: for the Son. If you mixing the visual, I would
• 53:32
  Speaker 1: go cosby Na pure song.
• 53:34
  Speaker 2: Your eyes closed, It is my personal rules. Your eyes closed.
• 53:38
  Speaker 2: If you hear the Thieves song, you got no eyes
• 53:41
  Speaker 2: which show you're gonna want to watch? You know what
• 53:44
  Speaker 2: song you probably hate mash Oh, I'll.
• 53:50
  Speaker 1: Go to bed right now, Mas Steve song just means
• 53:54
  Speaker 1: the end of the night for people.
• 53:56
  Speaker 2: I'm going to bed, and it's just the way it
• 54:00
  Speaker 2: comes in. It's just like I don't want to good night, Joe.
• 54:09
  Speaker 2: Why do they Why I don't want to go to bad.
• 54:15
  Speaker 1: This is terrible. I never really got to this part.
• 54:20
  Speaker 1: By this part, I'm already all right. I could not
• 54:22
  Speaker 1: shut did I just stay up?
• 54:32
  Speaker 2: It's so funny that this we have such a shared
• 54:35
  Speaker 2: experience with this show and this theme song.
• 54:38
  Speaker 1: That's why man, all right, y'all is taking the way
• 54:49
  Speaker 1: in the world today. Takes everything you got? I can
• 54:56
  Speaker 1: get to help get with the big wife. Would you
• 54:59
  Speaker 1: like yeah away? Sometimes you've gotta know this is great.
• 55:06
  Speaker 2: P J Morton does a cover of this.
• 55:10
  Speaker 1: Everything you Got what everybody knows your not help line?
• 55:18
  Speaker 1: Would you like to get away? Dude? Sometimes you want
• 55:25
  Speaker 1: to go the hell?
• 55:27
  Speaker 2: Is this?
• 55:28
  Speaker 1: The heck?
• 55:28
  Speaker 2: Was this?
• 55:32
  Speaker 1: What is that track?
• 55:33
  Speaker 2: Too? Yeah in the world?
• 55:39
  Speaker 1: Yes, this is I remember the intro taking the break
• 55:43
  Speaker 1: some your worries. They was putting their foot in these
• 55:47
  Speaker 1: theme songs.
• 55:48
  Speaker 2: I know because tvy go on it and come on
• 55:51
  Speaker 2: and go off too fast. They so busy trying to
• 55:54
  Speaker 2: get you on. The next episode, got start next episode
• 55:58
  Speaker 2: next the next episode, let us hear the storm and.
• 56:02
  Speaker 1: They're always glass.
• 56:03
  Speaker 2: She came.
• 56:06
  Speaker 1: You troubles all, everybody does your cue to Who's the
• 56:16
  Speaker 1: Boss intro? Real quick, Who's the Boss is fire? I'll
• 56:21
  Speaker 1: be singing that all the time randomly. Yeah, every Bonnie
• 56:27
  Speaker 1: Miller things song is funky.
• 56:32
  Speaker 2: Yeah.
• 56:36
  Speaker 1: Another one my favorite instrumental was is Taxi?
• 56:39
  Speaker 2: Yeah, that's a good instrumental with Tony Danzo. Whatever I said,
• 56:54
  Speaker 2: Tony dans I ain't seen tom oh. I feel like
• 56:56
  Speaker 2: he's still acting. Yam time lost and dream more too,
• 57:02
  Speaker 2: Like he could have been like a.
• 57:04
  Speaker 1: Trail and I think it was you. You already had
• 57:12
  Speaker 1: to have episodes in the can to sup. Yeah, either
• 57:18
  Speaker 1: there you have people looking at the camera. That was
• 57:20
  Speaker 1: always awkward.
• 57:22
  Speaker 2: Listen, he said.
• 57:24
  Speaker 1: I he's still acting too. I think that was funky
• 57:31
  Speaker 1: right there.
• 57:32
  Speaker 2: All right, y'all enough of that then next week