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Caravaggio - Act 3 · Table Read

• 0:03
  Speaker 1: Caravaggio pains Vigna Kor's portrait during the day, but at
• 0:07
  Speaker 1: night he is locked in his room where he sketches
• 0:09
  Speaker 1: the face of a woman. She is Lena. He flashes
• 0:12
  Speaker 1: back to when he met her in the Garden of
• 0:14
  Speaker 1: Evil and become enthralled by her. They became lovers. He
• 0:19
  Speaker 1: dreams of returning to Rome and remembers killing Rnuccio and
• 0:23
  Speaker 1: warned by Cardinal del Monte that the popers issued a
• 0:26
  Speaker 1: warrant for his arrest. During this time, del Monte does
• 0:30
  Speaker 1: all he can to secure a safe passage for Caravaggio
• 0:33
  Speaker 1: back to Rome. Caravagio fights in a battle with the
• 0:37
  Speaker 1: Knights against the Turks and is awarded for his bravery,
• 0:40
  Speaker 1: but then, when drunk, he makes a pass at Stefano
• 0:44
  Speaker 1: Vigna Kor's right hand man and is tortured for this
• 0:47
  Speaker 1: criminal indiscretion. With hope from a young boy, Caravagio escapes
• 0:52
  Speaker 1: the Tower of the Letter and makes his way to
• 0:54
  Speaker 1: Sicily with the Knights. Vignacort chases after him, seeking vengeance.
• 1:01
  Speaker 1: Cut to exterior boat, terranean sea. Day, lying face up
• 1:08
  Speaker 1: in the boat, wakes as the sun falls across his face.
• 1:12
  Speaker 1: Cup to exterior beach outside of Syracuse. Day, the boat
• 1:18
  Speaker 1: carrying car sits on the beach, is weak. As the
• 1:22
  Speaker 1: fisherman help him to stand, he places a foot on
• 1:25
  Speaker 1: the beach. A fisherman hands him a wooded stick that
• 1:30
  Speaker 1: he can use to help him walk.
• 1:32
  Speaker 2: Where are we? Oh?
• 1:36
  Speaker 3: Did we not have a fisherman? Okay? Uh no, would
• 1:40
  Speaker 3: you take that?
• 1:41
  Speaker 4: Syracuse?
• 2:03
  Speaker 2: Hey, sir?
• 2:04
  Speaker 4: Where are.
• 2:08
  Speaker 1: The fisherman hands him a wooded stick that he can
• 2:10
  Speaker 1: use to help him walk.
• 2:11
  Speaker 2: Where are we, Syracuse, Sicily? Thank you.
• 2:17
  Speaker 1: Caravaggio makes his way from the dog cut to interior
• 2:21
  Speaker 1: Pope pull the Fifth's private chambers Rome Day. Cardinal del
• 2:27
  Speaker 1: Monte and the Pope are enjoying a lunch as the
• 2:29
  Speaker 1: Pope signs official papers.
• 2:31
  Speaker 5: Caravaggio is no longer on Walta. There seems to have
• 2:36
  Speaker 5: been a misunderstanding with the Grandmaster.
• 2:40
  Speaker 6: A misunderstanding I am sure on details.
• 2:44
  Speaker 5: However, what I have learned from a dear friend of mine,
• 2:48
  Speaker 5: who knows everything that occurs in Sicily, is that Caravaggio
• 2:52
  Speaker 5: is now in Syracuse. The local officials recognize him. He
• 2:57
  Speaker 5: is now their prize, and they offered him a very
• 3:00
  Speaker 5: large commission to paint. I feel he will be safe
• 3:04
  Speaker 5: there for now, Your Holiness. Cutadio is not my concern,
• 3:10
  Speaker 5: but this should be.
• 3:11
  Speaker 1: Cardinal del Monte places official looking bank records in front
• 3:15
  Speaker 1: of the pub.
• 3:15
  Speaker 7: What are these these?
• 3:18
  Speaker 3: Oh?
• 3:19
  Speaker 5: These, Oh, these are those annoying unpaid banknotes for the
• 3:24
  Speaker 5: loan your predecessor foolishly mismanaged. Pope Clement the eighth was
• 3:29
  Speaker 5: a pious man, but not educated to the ways of banking.
• 3:33
  Speaker 5: Now sadly to say the loans are due in full, but.
• 3:38
  Speaker 7: That would be difficult.
• 3:41
  Speaker 2: The Vatican can't pay.
• 3:42
  Speaker 7: All this now.
• 3:43
  Speaker 5: Well, your Holiness, I believe I may be of some service. Yes,
• 3:49
  Speaker 5: I have a friend, not as close a friend as you,
• 3:51
  Speaker 5: or as close as the almighty, but this friend has
• 3:57
  Speaker 5: the authority to ease the Vatican's interests pays. I will
• 4:01
  Speaker 5: make it an interest of mine and see that he does.
• 4:06
  Speaker 1: Cardinal del Monte sees a canvas.
• 4:08
  Speaker 5: On the wall, his weeping Magdalena. You keep it close.
• 4:15
  Speaker 2: It moves me.
• 4:17
  Speaker 5: A man with a gentle soul painted it.
• 4:20
  Speaker 1: He is also a.
• 4:21
  Speaker 5: Sinner, blasphemer, a wretched soul, yes, but not a murderer.
• 4:27
  Speaker 6: I will consider Caravajo's predicament.
• 4:31
  Speaker 5: Thank you, but consider it as quickly as possible, Your holiness.
• 4:37
  Speaker 5: The Grand Master is not someone to tolerate a misunderstanding
• 4:41
  Speaker 5: for very long.
• 4:43
  Speaker 6: And these can you speak to your friend?
• 4:46
  Speaker 1: He gestures to the bank papers.
• 4:48
  Speaker 5: Of course, and I will make him listen.
• 4:51
  Speaker 1: Cut to interior, the chapel of Saint John, Malta day
• 4:57
  Speaker 1: beneath the beheading of Saint John. He lost hands at
• 5:00
  Speaker 1: the head of a table, with Stefano seated to his right,
• 5:03
  Speaker 1: and several nights in attendance.
• 5:05
  Speaker 8: With the authority invested in me, as Grand Master, I
• 5:10
  Speaker 8: called this trial to order to denounce the heathen Michelangelo
• 5:17
  Speaker 8: de Maurici d'aba Caabaga.
• 5:25
  Speaker 2: With the.
• 5:28
  Speaker 8: With the authority vested in me, as Grandmater, I called
• 5:33
  Speaker 8: this trial to order to denounce the heathen Michelangelo de
• 5:38
  Speaker 8: Merisi da Caabaggio, and cast him out of our holy
• 5:43
  Speaker 8: order of Knights. Does anyone here present speak for him?
• 5:52
  Speaker 7: And I will His duplicity marks us. Sin entered the
• 5:58
  Speaker 7: world through one man, and death through that suit.
• 6:04
  Speaker 1: They all bow. Cut to interior, Villa Syracuse, Death. Caravaccio,
• 6:11
  Speaker 1: now dressed in finer clothing, completes a letter to Cardinal
• 6:15
  Speaker 1: dolmno who. A valet appears and Caravaccio.
• 6:18
  Speaker 2: Hands in the letter, post this to Rome.
• 6:21
  Speaker 1: The valet takes the letter and leaves. Caravaccio returns to sketch.
• 6:26
  Speaker 1: Cut to exterior night of Malta's Sloop Straight of Sicily day,
• 6:32
  Speaker 1: Ailof and Stefano stand at the bow looking towards Sicily.
• 6:37
  Speaker 1: Cut to interior Villa, Syracuse day. Caravaccio is busy working
• 6:43
  Speaker 1: on a canvas. The valet enters.
• 6:46
  Speaker 2: They are here, Tell me who they are, all the
• 6:49
  Speaker 2: influential men in Syracuse and their daughters.
• 6:52
  Speaker 1: Exterior villa continues. Caravacchio finds a dozen young women standing
• 6:58
  Speaker 1: in line. Beyond the women are their wealthy fathers vying
• 7:02
  Speaker 1: for his attention, along a dozen men to be cast
• 7:05
  Speaker 1: as grave diggers and priests. Caravaccio steps up to Margarita,
• 7:09
  Speaker 1: who looks like.
• 7:10
  Speaker 2: Lena, close your eyes please, Bouzoni would pay her ransom
• 7:17
  Speaker 2: for those eyelids, and your complexion evokes.
• 7:23
  Speaker 1: So much she opens her eyes, Embarrassed by his attention.
• 7:26
  Speaker 2: I choose you.
• 7:28
  Speaker 1: He points his fingers at the faces and bodies that
• 7:31
  Speaker 1: appealed to him for the painting.
• 7:32
  Speaker 2: You and you, you and you follow me.
• 7:39
  Speaker 1: Cut to interior Karacci's laught Rome Day. Lena enters the
• 7:45
  Speaker 1: laughter as Karacchi leads her to a space facing a canvas.
• 7:49
  Speaker 9: You were difficult to find.
• 7:51
  Speaker 7: I've spent entire nights in the ghetto.
• 7:53
  Speaker 1: She looks around, in.
• 7:54
  Speaker 10: Awe the great Karachi, and I am in his studio.
• 8:00
  Speaker 10: I spend every night in the ghetto.
• 8:03
  Speaker 1: She sees that he's painting an angel.
• 8:08
  Speaker 10: I've always loved your angels.
• 8:10
  Speaker 9: My angels.
• 8:13
  Speaker 7: Why do you love my angels.
• 8:14
  Speaker 10: Because they look like angels?
• 8:17
  Speaker 9: Have you ever seen an angel?
• 8:19
  Speaker 2: No?
• 8:20
  Speaker 10: But if I did, I am sure they would look
• 8:22
  Speaker 10: like yours. Just to see one is such a comfort.
• 8:27
  Speaker 4: How do you feel about Carvaccio's work?
• 8:30
  Speaker 10: What do I feel?
• 8:32
  Speaker 2: What I am.
• 8:32
  Speaker 1: Supposed to feel? She sighs, then gets undressed.
• 8:36
  Speaker 9: What are you doing?
• 8:37
  Speaker 10: Excuse me?
• 8:39
  Speaker 4: I want you to pose for me.
• 8:42
  Speaker 10: Oh do you know when he returns from Malta.
• 8:46
  Speaker 1: She stops undressing.
• 8:49
  Speaker 7: I saw his Death of the Virgin. What does he
• 8:53
  Speaker 7: tell you when you pose for him?
• 8:56
  Speaker 10: He tells me nothing.
• 8:58
  Speaker 2: Nothing.
• 9:00
  Speaker 1: Do you want me to pose or talk?
• 9:03
  Speaker 4: This was not a very good idea.
• 9:06
  Speaker 10: There are other things we can do for the right price.
• 9:09
  Speaker 9: There is nothing else we can do.
• 9:13
  Speaker 10: He once said, he saw all life in my face.
• 9:16
  Speaker 1: An instant of understanding flashes across his face. He gets
• 9:20
  Speaker 1: his wallet and pays her more than she expected.
• 9:24
  Speaker 3: Here, and thank you this much.
• 9:29
  Speaker 10: But I haven't done anything.
• 9:30
  Speaker 7: Oh but you have.
• 9:33
  Speaker 10: If I did, it was not on purpose. You artists
• 9:36
  Speaker 10: are very difficult men.
• 9:39
  Speaker 3: But we need you.
• 9:42
  Speaker 9: Are news.
• 9:43
  Speaker 4: Oh yes, you need us.
• 9:47
  Speaker 10: If you see him, tell Caravaggio, I cannot wait much longer.
• 9:51
  Speaker 1: He shows her to the door and she leaves. Cut
• 9:55
  Speaker 1: to exterior, Villa Syracuse Day. Gravaccio paints quickly, his eyes
• 10:02
  Speaker 1: hardly ever, leaving Margarito as she lies on her back
• 10:05
  Speaker 1: on the ground, all the models of posed shirtlets with shovels,
• 10:09
  Speaker 1: and men acting as priests wearing the vestments. Cut to interior,
• 10:15
  Speaker 1: Villa Night. Caravacio has just completed another letter and hands
• 10:20
  Speaker 1: it to the servant, along with a rolled up canvas.
• 10:23
  Speaker 1: The servant leaves, cut to exterior. Doc Bozzalo Cicily deay
• 10:30
  Speaker 1: alof Stefano and the knights have docked. We're right, they
• 10:34
  Speaker 1: write toward the city. Cut to interior Cardinal del Montees
• 10:39
  Speaker 1: Villa Ludovisi, Rome day, Cardinal del Monte reads Caravaco's letter,
• 10:45
  Speaker 1: then closes it.
• 10:47
  Speaker 5: He writes a reply, Come north, dear boy, Come north.
• 10:53
  Speaker 1: Cut to interior Villa, Syracuse day, Caravacchio faces his painting,
• 11:00
  Speaker 1: the city authorities, some of the male models, and Margarita.
• 11:04
  Speaker 1: He then removes the cover. There is a hushed silence
• 11:07
  Speaker 1: in the room.
• 11:10
  Speaker 7: All they say about you is true, mkely.
• 11:13
  Speaker 1: Margherita thrilled by what she sees.
• 11:16
  Speaker 2: You are an excellence in Lucy. You remind me of lenav.
• 11:20
  Speaker 9: That is wonderful.
• 11:22
  Speaker 7: I hear so much about her.
• 11:24
  Speaker 1: The valet enters, this is just a ride by messenger.
• 11:28
  Speaker 1: The valid rushes up to Caravaccio, handing him a written message,
• 11:31
  Speaker 1: and Caravaccio reads it immediately, looking apprehensive.
• 11:35
  Speaker 2: Are the nights here?
• 11:37
  Speaker 7: There is word?
• 11:37
  Speaker 11: They are just leaving Puzzalo and are on their way
• 11:40
  Speaker 11: up the coast.
• 11:42
  Speaker 1: Caravaccio goes ashen. The valet leaves. Caravacio turns to Margarita.
• 11:47
  Speaker 1: Then the canvas.
• 11:48
  Speaker 2: I will complete it now I must leave Syracuse. Will
• 11:51
  Speaker 2: you be safe without a pardon from the pontiff, I
• 11:53
  Speaker 2: will never be safe.
• 11:56
  Speaker 1: Cut to exterior villa dusk. Caravachiu is dressed like a swordsman,
• 12:02
  Speaker 1: with a rapier in his belt and holding a small
• 12:05
  Speaker 1: bag of fresh clothing at his side. He walks along
• 12:08
  Speaker 1: the garden of the villa, allowing himself some fresh air.
• 12:12
  Speaker 1: He stops and looks around, listening to sounds, scanning the
• 12:16
  Speaker 1: surrounding hills for any visible signs of his enemies. Caravacchio
• 12:20
  Speaker 1: takes a deep breath, gathers his courage, and walks out
• 12:24
  Speaker 1: of the safe haven of the villa and walks into
• 12:26
  Speaker 1: the approaching darkness. Cuttu Exterior the city of Messina day.
• 12:34
  Speaker 1: The sun rises over the small, compact city, which is
• 12:37
  Speaker 1: hemmed in by mountains. Exterior Streets Messina continues. Caravachio walks
• 12:45
  Speaker 1: through the wide streets, less congested than Syracuse and less
• 12:49
  Speaker 1: populated with the poor. There are fewer Spanish soldiers than
• 12:53
  Speaker 1: in Syracuse, and Caravachio feels less threatened. He walks with
• 12:57
  Speaker 1: a stride. Exterior Lazari Villa Day. Caravacchio stands before the
• 13:04
  Speaker 1: gate of the villa. This time he looks more than presentable.
• 13:08
  Speaker 1: A servant opens the gate for him. Interior Lazari Villa continues.
• 13:14
  Speaker 1: Caravacchio faces Giovanni Lazzari, a man of distinction and wealth.
• 13:20
  Speaker 1: Lazari is reading Caravacio's paper of safe passage.
• 13:24
  Speaker 6: These are papers of safe passage from the Senate in Syracuse.
• 13:28
  Speaker 2: Yes, I was told to present them to you when
• 13:31
  Speaker 2: I reach Messina.
• 13:33
  Speaker 6: Our city would be honored to have the esteemed Caravajo
• 13:36
  Speaker 6: to stay in Messina as long as he wishes, you
• 13:41
  Speaker 6: will be safe here.
• 13:43
  Speaker 1: Caravaggio is relieved. Cut to interior hospital room, Messina day.
• 13:51
  Speaker 1: The dead body of a man who looks like Caravaccio
• 13:54
  Speaker 1: lies on a slab. Caravachio stands over the body, with
• 13:58
  Speaker 1: several dumbfounded hospital attens at his side.
• 14:02
  Speaker 2: How all this is called?
• 14:05
  Speaker 1: The attendants exchanged looks two days. Caravacchio nods. He then
• 14:12
  Speaker 1: checks to make sure the door is securely locked and
• 14:14
  Speaker 1: pulls down the blinds, allowing just enough light in. He
• 14:18
  Speaker 1: turns to the attendant.
• 14:19
  Speaker 2: You stand there, and you stand there.
• 14:25
  Speaker 1: Whatever you say, Master Caravaccio quickly sketches. Cut to interior
• 14:32
  Speaker 1: lazari Villa night. Caravaggio, looking successful and relaxed, watches as
• 14:38
  Speaker 1: Lazari has a reception of powerful men of Messina enjoying
• 14:41
  Speaker 1: the resurrection of Lazarus. Lazari takes Caravaco aside.
• 14:47
  Speaker 7: The knights are on their way here.
• 14:49
  Speaker 6: You have two days before they arrive.
• 14:52
  Speaker 1: Caravaggio nods. Lazari hands him a letter of safe passing.
• 14:57
  Speaker 6: This is a letter of safe passage. When you reach Naples,
• 15:01
  Speaker 6: bring it to the makasy de Caravacco.
• 15:04
  Speaker 7: Are you a relief?
• 15:06
  Speaker 2: No, I was named after Michelangelo. My true name is
• 15:11
  Speaker 2: Michelangelo Marisi. But I took the name of my town.
• 15:15
  Speaker 2: But the Marquesa has always been a kindly uncle to me.
• 15:20
  Speaker 2: But tell me, is this safe passage more powerful than
• 15:22
  Speaker 2: a warrant from the grand master here?
• 15:25
  Speaker 6: Yes, I am not confident that it will do you
• 15:28
  Speaker 6: any good outside of the city.
• 15:30
  Speaker 2: How I appreciate your kindness. It's best I leave immediately.
• 15:36
  Speaker 2: I don't need much of the travel.
• 15:38
  Speaker 1: Lazari hands Caravacho a bowl of holy water, holy.
• 15:42
  Speaker 7: Water from the chapel.
• 15:43
  Speaker 2: Would you like to bless yourself? I don't need it.
• 15:47
  Speaker 2: All My sins immortal.
• 15:50
  Speaker 1: Cut to exterior streets the city of Messina. Day a
• 15:56
  Speaker 1: love Stefano and knights on horseback have just entered the city.
• 16:00
  Speaker 1: As they make their way to Lazari's villa They are
• 16:02
  Speaker 1: eyed in both awe and suspicion by local citizens. Exterior
• 16:08
  Speaker 1: Lazari Villa. Later ailof Stefano and his knights sit on
• 16:12
  Speaker 1: their horses, facing Lazari.
• 16:14
  Speaker 7: Caravaggio the painter, was he here never? You can search
• 16:19
  Speaker 7: all you want?
• 16:21
  Speaker 1: Stefano eyes Lazari, Do.
• 16:23
  Speaker 7: You defy the inquisition? I wouldn't dare.
• 16:28
  Speaker 1: Ailof nods to Stefano.
• 16:31
  Speaker 8: He's not here now, but he was. He must be
• 16:35
  Speaker 8: in Catania. Back to the docks.
• 16:38
  Speaker 1: Ailof hits his horse and moves on. Lazari takes a
• 16:42
  Speaker 1: deep breath as Ailof and the knights right away. Cut
• 16:47
  Speaker 1: to exterior chartered boat terranean sea. Day Caravaggio stands at
• 16:53
  Speaker 1: the bow, looking out at mainland Italy. Cut to exterior
• 16:59
  Speaker 1: night sloop Catania. Day Alaf Stefano and his knights look
• 17:04
  Speaker 1: out toward the city, with Mount Etna looming in the background.
• 17:09
  Speaker 1: Cutou exterior boat Bay of Napoli. Day Caravaggio stands at
• 17:15
  Speaker 1: the bow looking out on Naples, a large cosmopolitan city
• 17:19
  Speaker 1: twice the size and population of Rome. It has tall
• 17:23
  Speaker 1: buildings which cast dark shadows on its Greek inspired grid
• 17:26
  Speaker 1: of streets. Caravaggio is thrilled to be back on the
• 17:30
  Speaker 1: mainland and a few more steps closer to Rome Cutu
• 17:35
  Speaker 1: Exterior Marchesi de Caravachio's Villa, Naples Day. Caravajo is led
• 17:41
  Speaker 1: through a garden by a valet. The Rivera de Kayea
• 17:45
  Speaker 1: is a refuge of natural beauty, with gardens of flowers
• 17:48
  Speaker 1: of every color, with orange trees and cedars. The valet
• 17:53
  Speaker 1: stops and Caravaco is face to face with the Marquesi
• 17:56
  Speaker 1: de Caravaggio sixties A wise and elk MICHAELA.
• 18:01
  Speaker 7: At last, after so many.
• 18:04
  Speaker 1: Years, he embraces Caravaggio, who closes his eyes. In relief
• 18:10
  Speaker 1: cut to interior Marchesi de Caravaggio's Villa Night, Caravaggio dines
• 18:17
  Speaker 1: with the Marchesi.
• 18:18
  Speaker 2: My mother loved you, She said you were good to
• 18:21
  Speaker 2: us long before I was born.
• 18:23
  Speaker 11: God had no mercy on your family nor on you,
• 18:27
  Speaker 11: but your fame has more than compensated for the misery
• 18:30
  Speaker 11: that Mauricies endured. Paint, sleep, live, Whatever you need is here.
• 18:37
  Speaker 11: My gardens are a refuge for the mind, the spirit,
• 18:41
  Speaker 11: and the heart.
• 18:42
  Speaker 2: And have you heard anything from her own?
• 18:44
  Speaker 7: Nothing?
• 18:45
  Speaker 11: Don't worry the Knights dare not come here for you.
• 18:49
  Speaker 11: I have my own security, my own bodyguards. They would
• 18:52
  Speaker 11: need an army to pry you from me. I need
• 18:56
  Speaker 11: to write to Cardinal del Monte.
• 18:57
  Speaker 7: I will provide all you need.
• 19:00
  Speaker 1: Cut to exterior dark Catania day. Ailof Stefano and the
• 19:05
  Speaker 1: Knights walk to their boat and bought it, bringing in
• 19:08
  Speaker 1: provisions and food for their horses. Ailov then pulls civilian
• 19:12
  Speaker 1: clothing from his saddle bag and then takes off his
• 19:15
  Speaker 1: night emblem, respectfully putting it in the bag. The other
• 19:19
  Speaker 1: knights are perplexed.
• 19:20
  Speaker 8: Caravaggio has powerful friends in Naples. We won't get near
• 19:25
  Speaker 8: him if we're recognized.
• 19:28
  Speaker 1: They understand and follow his lead and change their clothes.
• 19:32
  Speaker 1: Cut to exterior Rivera de Kayea day. Caravaggio sits in
• 19:39
  Speaker 1: the garden. Several small but impressive canvasses lie against the
• 19:43
  Speaker 1: tables and chairs. It is clear that he is working
• 19:47
  Speaker 1: diligently despite his restlessness. He sees a lone horseman. One
• 19:52
  Speaker 1: of the Marquesi's security men steps up behind Caravaggio so
• 19:56
  Speaker 1: that the horsemen would see him. The horsemen, dressed as
• 20:00
  Speaker 1: a swordsman, nods in a polite gesture and continues to
• 20:04
  Speaker 1: slowly ride by. Caravachio is suspicious, but then when the
• 20:09
  Speaker 1: horseman disappears, he relaxes. Cut to exterior outskirts of Rivera
• 20:17
  Speaker 1: de Cayere Day, the Horseman and Night reaches a small
• 20:21
  Speaker 1: camp where Ailov, Stefano and the other knights wait.
• 20:24
  Speaker 3: He's there.
• 20:25
  Speaker 7: There's security at the villa, but we can take him.
• 20:28
  Speaker 8: There will be citizen blood spilled if we take him
• 20:31
  Speaker 8: by force. Let's bide our time. He will make the mistake,
• 20:36
  Speaker 8: not us. Cut to interior Chapel Marchesi's villa.
• 20:41
  Speaker 7: Night.
• 20:43
  Speaker 1: Caravacho kneels alone at the altar and stares at the cross.
• 20:46
  Speaker 1: He can't pray, his lips can't move. He just stares,
• 20:51
  Speaker 1: restless and lonely. Laughter and shouts overlap in two. Cut
• 20:56
  Speaker 1: to exterior Osteria delC Wriglio Tavern Naples Knight, the most
• 21:04
  Speaker 1: celebrated tavern in all of Europe at the time. It
• 21:07
  Speaker 1: stands near the Via San Felice. Interior Osteria del sa
• 21:12
  Speaker 1: Riglio tavern continues. Caravachi is drinking at a table in
• 21:17
  Speaker 1: one of two rooms that make up the tavern. The
• 21:20
  Speaker 1: tavern is noisy, loud, and boisterous in sharp contrast to
• 21:23
  Speaker 1: the gardens. He is in deep conversation with and surrounded
• 21:28
  Speaker 1: by poets, artists, writers, and Spanish soldiers. Long stairs lead
• 21:34
  Speaker 1: to the top floor, where courtesans stand and wave to
• 21:36
  Speaker 1: the men they are trying to lure into their private bedrooms.
• 21:40
  Speaker 1: The food and wine are flowing as Caravaccio sits with
• 21:43
  Speaker 1: his arm around a courteso. Drunk, Caravacchio kisses the courtesan,
• 21:48
  Speaker 1: and as he does, two men approach his table. He
• 21:52
  Speaker 1: doesn't recognize them, but we do. They are the two
• 21:56
  Speaker 1: knights who are traveling with Stefano, though now they are
• 21:59
  Speaker 1: dressed as soredsman. Without warning, the first swordsman pulls his
• 22:04
  Speaker 1: rapier from his belt and slashes Caravachio across the face.
• 22:08
  Speaker 1: The thrust could have been deadlier, but the cortesan saw
• 22:11
  Speaker 1: him coming and screamed, alerting Caravaggio to move just in time.
• 22:16
  Speaker 1: Blood pours from the wound. Caravaggio falls backward from his chair.
• 22:21
  Speaker 1: Despite the bleeding, Caravaggio grabs his rapier and slashes the
• 22:26
  Speaker 1: first swordsman across the arms, slicing it weekly. There is
• 22:30
  Speaker 1: pandemonium in the tavern as chairs, food and bottles, as
• 22:34
  Speaker 1: well as mugs, go flying in all directions. Caravaggio uses
• 22:38
  Speaker 1: the distraction to throw his chair at one of the
• 22:41
  Speaker 1: swordsmen and barrel over him, knocking and down. Caravaggio then
• 22:45
  Speaker 1: rushes through the crowd, pushing people aside as he runs
• 22:49
  Speaker 1: out of the tavern, being chased by the two swordsmen.
• 22:52
  Speaker 1: Exterior street continuous with the two swordsmen in pursuit, Caravaggio
• 22:58
  Speaker 1: races out into the street. Stefano jumps out in front
• 23:01
  Speaker 1: of him. Caravaggio can't believe his eyes. Stefano slashes his
• 23:06
  Speaker 1: sword across Caravaggio's chest, leaving a cut of foot long.
• 23:11
  Speaker 1: The only thing that saves Caravaggio from a certain death
• 23:14
  Speaker 1: is that he jumps back, finding strength he didn't know
• 23:18
  Speaker 1: he had. He turns and races down the darkened alley.
• 23:22
  Speaker 1: With Stefano and the two swordsman in pursuit. Caravaggio sees
• 23:26
  Speaker 1: a church at the end of the street, and with
• 23:29
  Speaker 1: blood coming from his nose and staining his shirt, he
• 23:32
  Speaker 1: races for the church, with Stefano and the knights gaining
• 23:35
  Speaker 1: on him. Exterior Church, Naples night. Caravaggio reaches the church,
• 23:41
  Speaker 1: climbs the church steps and reaches the front door. Who
• 23:45
  Speaker 1: tries to open it, but it is locked.
• 23:48
  Speaker 2: Sake away.
• 23:51
  Speaker 1: He bangs on the door, turns and sees Alaf, now
• 23:54
  Speaker 1: dressed like the grand Master, alone.
• 23:57
  Speaker 2: And determine you.
• 24:00
  Speaker 1: Ailof pulls out his sword. Caravaggio turns to the door
• 24:04
  Speaker 1: again and bangs it again. H The door opens, and
• 24:08
  Speaker 1: a fire in his long drown cloth and sandals stands
• 24:11
  Speaker 1: there sanctuary. Caravaggio pushes past him and enters the church.
• 24:17
  Speaker 1: Interior church continues. Caravaggio rushes down the aisle toward the altars,
• 24:23
  Speaker 1: struggling not to collapse. Interior church. Moments later, Ailof and
• 24:30
  Speaker 1: Stefano enter, pushing past the friar and through the vestibule.
• 24:34
  Speaker 7: Who are you?
• 24:35
  Speaker 1: They place their Knights of Malta emblems over their disguises
• 24:38
  Speaker 1: for him to see.
• 24:39
  Speaker 7: He's our prisoner.
• 24:40
  Speaker 4: This is a church.
• 24:43
  Speaker 7: Stay out of the way.
• 24:45
  Speaker 1: Ailof and Stefano walk down the aisle toward Caravachio. He
• 24:49
  Speaker 1: falls on the altar steps, watching them approach, his face
• 24:52
  Speaker 1: and clothing bloodied.
• 24:55
  Speaker 2: Sanctuary.
• 24:57
  Speaker 1: The friar rushes in front of Alar.
• 25:00
  Speaker 7: You dare touch this?
• 25:01
  Speaker 8: Man.
• 25:01
  Speaker 7: He is wanted by the inquisition.
• 25:04
  Speaker 1: The friar hesitates, he's afraid of the inquisition. He looks
• 25:08
  Speaker 1: to Caravacchio is the friar is wavering. Ailof lifts his sword.
• 25:15
  Speaker 1: Caravacchio musters all of his bravery.
• 25:18
  Speaker 7: Sanctuary, I beg of you.
• 25:22
  Speaker 1: Caravaggio stands with his rapier ready in his bloodied hand.
• 25:26
  Speaker 1: The friar finds fortitude and stands in front of Caravaggio.
• 25:29
  Speaker 6: I am the pastor of this church, and this man
• 25:32
  Speaker 6: asks for sanctuary.
• 25:34
  Speaker 7: Step aside, or you die.
• 25:36
  Speaker 3: In the name of Christ. I grant it.
• 25:40
  Speaker 1: Ailof is perplexed. He's taken back by the Friar's courage.
• 25:44
  Speaker 1: Caravacchio now collapses at the altar's steps.
• 25:48
  Speaker 2: Sanctuary.
• 25:50
  Speaker 1: Ailof and Stefano, their swords drawn, are immobile.
• 25:54
  Speaker 4: Leave my church.
• 25:58
  Speaker 1: Ailof and Stefano realize as they have no choice, turn
• 26:01
  Speaker 1: and walk back down the aisle, then leave the church.
• 26:05
  Speaker 1: The friar follows them and bolts the door behind them
• 26:08
  Speaker 1: and rushes up to Caravaccio, who is now lying on
• 26:11
  Speaker 1: the marble floor, blood flowing from his wound. Sanctuary Yes
• 26:18
  Speaker 1: dissolved to interior studio rivera de Cayere Day, with a
• 26:25
  Speaker 1: scar running down the side of his face, Caravachio paints
• 26:28
  Speaker 1: an unusual painting. He's looking into the mirror at his
• 26:32
  Speaker 1: now bearded face with a slowly healing wound under his
• 26:35
  Speaker 1: left eye, using himself as a model. It is David
• 26:40
  Speaker 1: with the head of Goliath that he is painting. Cut
• 26:43
  Speaker 1: to interior Pope Paul the Fifth's private chambers Rome Day.
• 26:51
  Speaker 1: The Pope and Cardinal del Monte are looking at David
• 26:53
  Speaker 1: with the head of Goliath.
• 26:55
  Speaker 5: He sends it as a gift the MARCHESI wrote me
• 26:58
  Speaker 5: that Caravaggio was nearly killed by the Knights and Naples.
• 27:01
  Speaker 4: Extraordinary.
• 27:03
  Speaker 5: That is his face Goliath, though now pained and wounded
• 27:08
  Speaker 5: from his current ordeal, and the model for David, the
• 27:13
  Speaker 5: face of a young man who first came into my
• 27:16
  Speaker 5: life all those years ago, a face of innocence and sympathy.
• 27:22
  Speaker 5: Protect him with a pardon, and I will make sure
• 27:24
  Speaker 5: that the house of borghese he is filled with Caravaccio.
• 27:28
  Speaker 6: If the pardon is yours, send it to every church
• 27:31
  Speaker 6: from here to Malta.
• 27:33
  Speaker 1: He waves to the priest to brings the pardon to him.
• 27:35
  Speaker 6: I want ownership of this painting and all others we
• 27:39
  Speaker 6: can secure from the knights.
• 27:40
  Speaker 1: Of course, the Pope signs the pardon and hands it
• 27:44
  Speaker 1: to Cardinal del Monte. Cardinal del Monte kisses the Pope's
• 27:48
  Speaker 1: ring and rushes away. Cut to exterior Marquesi's Villa, Naples Day. Caravaggio,
• 27:57
  Speaker 1: looking worn but healed, sits with the Marquese. Is he
• 28:00
  Speaker 1: eating lunch when a valet appears handing the Marchesia letter.
• 28:04
  Speaker 1: The Marchesi looks over the letter, then hands it to Caravaccio.
• 28:09
  Speaker 7: It is for you from the Cardinal del Monte.
• 28:13
  Speaker 1: Caravacio quickly reads it. I have my pardon.
• 28:17
  Speaker 2: The Cardinal writes that it is being announced in every
• 28:20
  Speaker 2: parish from hit Temalta.
• 28:21
  Speaker 7: Excellent.
• 28:23
  Speaker 2: I need to return to Rome.
• 28:24
  Speaker 7: Yes, but for now stay stay up to your well.
• 28:27
  Speaker 2: I need to get back to Rome, to to Lena,
• 28:29
  Speaker 2: to Cardle, to montege.
• 28:30
  Speaker 7: To my world.
• 28:33
  Speaker 2: This is the only way I can truly heal.
• 28:34
  Speaker 11: If you must leave, I will provide you with an
• 28:37
  Speaker 11: escort to the frontier. My influence stretches to the harbor.
• 28:42
  Speaker 11: I will also provide you with a letter of safe passage.
• 28:44
  Speaker 11: It will protect you once out of the harbor. You
• 28:47
  Speaker 11: could take a small boat directly to Rome.
• 28:50
  Speaker 1: Caravaggio kisses his hand in gratitude. Cut to exterior Marchesi
• 28:56
  Speaker 1: de Caravaca's villain Day the Marquess. He watches Caravaccio ride
• 29:01
  Speaker 1: off in a carriage with his own soldiers. Exterior rode
• 29:06
  Speaker 1: to doc continues. Caravaccio is in a carriage traveling north,
• 29:11
  Speaker 1: protected by several of the Marchesi's soldiers. His canvasses are
• 29:15
  Speaker 1: rolled up and at his side. He nervously looks out
• 29:19
  Speaker 1: the window, scanning the horizon for aloff. Seeing no one,
• 29:23
  Speaker 1: he sits back. Cut to exterior Marqesi de Caravachio's Villa Day.
• 29:31
  Speaker 1: The Marchesi stands at his gate, flanked by his own soldiers.
• 29:35
  Speaker 1: Riding towards him is alf Stefano and several nights they
• 29:40
  Speaker 1: are now dressed as knights of Malta. When they reached
• 29:43
  Speaker 1: the gate, Stefano dismounts and hands the Marchesi ailovs areswi.
• 29:48
  Speaker 1: The Marqesi looks it over, then hands it back to Stefano.
• 29:53
  Speaker 7: Your warrant means nothing to me. You defy the inquisition,
• 29:57
  Speaker 7: I defy its authority, and you're leave my property.
• 30:03
  Speaker 1: Now he turns to his own men, which out number
• 30:07
  Speaker 1: the Knights. There is a tense moment as both sides
• 30:10
  Speaker 1: are in standoff. Ailof flinches. He nods to his knights
• 30:15
  Speaker 1: and they ride away.
• 30:16
  Speaker 7: Not everyone will defy that warrant.
• 30:18
  Speaker 1: Cut to exterior Marquesia de Carravacho's villa, day, Ailof Stefano
• 30:25
  Speaker 1: and the Knights ride their horses. Alof pulls up his
• 30:28
  Speaker 1: horse and stops. The Knight stop with him.
• 30:31
  Speaker 7: There's a small harbor over the hills. I know a
• 30:35
  Speaker 7: direct route. We can reach Naples before he does.
• 30:38
  Speaker 1: Ailof and his knights gallop off down the road and
• 30:41
  Speaker 1: over the hills. Cut to exterior. Carriage rode to Naples.
• 30:47
  Speaker 3: Day.
• 30:47
  Speaker 1: Caravaggio looks out the window and smiles to himself, seeing
• 30:51
  Speaker 1: the harbor and his escape. The carriage and escort take
• 30:55
  Speaker 1: him down toward the dock exterior Feluca Dock continues. Ailov
• 31:01
  Speaker 1: Stefano and the Knights reach a Felucco which is destined
• 31:04
  Speaker 1: for Rome. Ailof approaches the small boat's captain, Captain Delfino, forties,
• 31:10
  Speaker 1: a hardened man who is stunned to see Ailof.
• 31:14
  Speaker 8: This is a warrant for one of our knights. If
• 31:18
  Speaker 8: he boards your boat, you have orders to detain him.
• 31:21
  Speaker 7: Whoor is this? The Grand Master of the Knights of.
• 31:24
  Speaker 1: Mortar, Stefano, hands him the warrant, then leaves to move
• 31:28
  Speaker 1: on to the next boat. The captain is clearly intimidated.
• 31:33
  Speaker 1: Exterior Dark Continuous. Caravaggio's escort brings him to the dock.
• 31:39
  Speaker 1: Caravaggio gets out of the carriage, thank you. They ride off.
• 31:43
  Speaker 1: Caravaggio feels safe, so he reads the dark information and
• 31:47
  Speaker 1: sees that there are several felucca leaving for Rome. He heads
• 31:50
  Speaker 1: toward one of them. Exterior Feluca Dark Continuous. Caravaggio, carrying
• 31:58
  Speaker 1: his possessions, including his pain, reaches the felucca as several
• 32:02
  Speaker 1: passengers are boarding. The captain stands behind a sailor taking tickets.
• 32:08
  Speaker 1: The sailor looks to Caravaggio.
• 32:10
  Speaker 2: One ticket, one way destination row wait.
• 32:14
  Speaker 1: Caravaggio and the sailor both turn. The captain walks over
• 32:17
  Speaker 1: to Caravajiou with a carabinieri at his side.
• 32:21
  Speaker 9: Are you a Knight of Malta.
• 32:23
  Speaker 1: Caravaggio doesn't answer, Open your back. Caravaggio doesn't move. The
• 32:29
  Speaker 1: captain nods to the police, who takes the bag and
• 32:32
  Speaker 1: opens it. They all see the Night of Malta emblem
• 32:36
  Speaker 1: that Ailoff had given him back at the ceremony on Malta.
• 32:39
  Speaker 1: Caravaggio's stiffness.
• 32:41
  Speaker 9: There's been a warrant issued for the arrest of a
• 32:43
  Speaker 9: Night of Malta traveling these water waste.
• 32:45
  Speaker 1: Caravaggio shows the captain's papers of safe passage.
• 32:48
  Speaker 2: My name is Caravaggio. I'm a paint if papers of
• 32:51
  Speaker 2: safe passage from the Marquesa de Caravajo.
• 32:54
  Speaker 1: The captain looks at the papers and hands them back
• 32:57
  Speaker 1: to Caravagi.
• 32:58
  Speaker 9: Hmmm, you fit the description of a wanted man.
• 33:01
  Speaker 2: I am on my way to Rome. I have a
• 33:03
  Speaker 2: pardon from the Pope.
• 33:06
  Speaker 9: And where is this part?
• 33:07
  Speaker 2: Well, I've been told that it was just issued.
• 33:10
  Speaker 9: This warrant is signed by the Grand Master. I have
• 33:14
  Speaker 9: no choice but Entitania.
• 33:16
  Speaker 2: I have papers of safe passage from the Marquesa.
• 33:18
  Speaker 7: I am not defying the inquisition.
• 33:21
  Speaker 1: The captain turns to the police at his side arrest
• 33:24
  Speaker 1: this man.
• 33:24
  Speaker 2: You have no jurisdiction over me.
• 33:26
  Speaker 1: Caravajou is ready to fight, but before he can react,
• 33:29
  Speaker 1: the police and the captain grab hold of him and
• 33:32
  Speaker 1: drag him away. Caravaggio drops his possessions. He's rolled up
• 33:36
  Speaker 1: canvases lie on the dark, my paintings. The police drag
• 33:40
  Speaker 1: him off. Cut to exterior Farsa descant Elmo Prison naples death.
• 33:47
  Speaker 1: The prison, built by the Spanish and under Spanish rule,
• 33:51
  Speaker 1: is a large and dark building standing on the heights
• 33:54
  Speaker 1: above the city. Interior Fossa descent Elmo Prison continues. Two
• 34:01
  Speaker 1: prison guards lead Caravajo, who is in chains, through a corridor.
• 34:05
  Speaker 1: Prisoners in their cells screen out of insanity or sheer tne.
• 34:10
  Speaker 2: I don't belong here, Tell the warden I have money.
• 34:13
  Speaker 1: They pull him by his chains, leading him on them.
• 34:16
  Speaker 1: Several gang members are the heroin and trade looks among themselves.
• 34:21
  Speaker 1: Interior Assembly room prison continues. Caravachu is led through to
• 34:26
  Speaker 1: a room where chained prisoners are eating at large tables.
• 34:30
  Speaker 1: Many are deathly ill, and several collapse right there on
• 34:33
  Speaker 1: the spot, gasping for air and trembling. Caravachu is filled
• 34:38
  Speaker 1: with terror as he is dragged away. Interior Enormous cell continues.
• 34:45
  Speaker 1: Caravaggio languishes in an enormous cell with a hundred prisoners,
• 34:50
  Speaker 1: all kinds of human noises for the room from screens
• 34:53
  Speaker 1: of agony, fear, insane laughter, and we see many lost
• 35:00
  Speaker 1: souls whose dead eyes and vacant expressions match the characters
• 35:03
  Speaker 1: Caravacchio created on his many canvasses. Here is where the
• 35:07
  Speaker 1: barefoot under class lived when not on the streets. They
• 35:11
  Speaker 1: are the impoverished and the starving, called the Lazzaroni. Caravacchio
• 35:16
  Speaker 1: stands in the middle of this cell, his eyes searching
• 35:19
  Speaker 1: for enemies, and they are many. They are young men
• 35:22
  Speaker 1: with syphilis, old soldiers looking to kill anyone for sport
• 35:26
  Speaker 1: with their bare hands, as well as gangs who are
• 35:29
  Speaker 1: looking to rob any one of anything, including their lives.
• 35:33
  Speaker 1: The guards are few and indifferent. Caravaggio grabs the bars
• 35:38
  Speaker 1: and wants to scream out to the gods, but knows
• 35:41
  Speaker 1: that if he looks or acts scared, he will be attacked.
• 35:45
  Speaker 1: He turns his back to the bars and looks over
• 35:47
  Speaker 1: a gang that is approaching. They are four men with
• 35:50
  Speaker 1: scarred faces and incensed, desperate, making their way toward him.
• 35:57
  Speaker 1: A shaft of light from a window above cuts through
• 35:59
  Speaker 1: the dank, heavy air of the cell. It falls across
• 36:02
  Speaker 1: Caravacchio's face. You have money, is surrounded by the gang,
• 36:09
  Speaker 1: and they are just about to pounce when he pushes
• 36:12
  Speaker 1: himself off the bars and jumps right into their midst
• 36:15
  Speaker 1: screaming like a madman. Two scatter, but two stay and fight.
• 36:21
  Speaker 1: Caravaggio punches and kicks at them, knocking them down to
• 36:41
  Speaker 1: two scattered, but two stay and fight. Caravacho punches and
• 36:45
  Speaker 1: kicks at them, knocking them down. One of the men
• 36:48
  Speaker 1: opens his mouth and digs deep into his shoulder with
• 36:51
  Speaker 1: his teeth. Caravacho lets out a scream of pain. He
• 36:56
  Speaker 1: then grabs the man's head and bangs it against the bars.
• 37:01
  Speaker 1: Another man comes out of nowhere, seemingly foaming at the mouth,
• 37:05
  Speaker 1: and bites Caravaggio on his cheeks. Caravaggio's screams then pulls
• 37:09
  Speaker 1: the man off of him, getting him harder and harder
• 37:12
  Speaker 1: until he falls. They are shots from the outer Christmas
• 37:15
  Speaker 1: as reluctant gods open the cell and rush in, fighting
• 37:19
  Speaker 1: their way past the other prisoners to Caravaggio. The guards
• 37:22
  Speaker 1: grab Caravaggio and haul him out of the cell with
• 37:25
  Speaker 1: blood dripping from his shoulder, mouth and nose cut to interior.
• 37:31
  Speaker 1: Pope Paul the Fifth's private chambers Rome day, Cardinal del
• 37:36
  Speaker 1: Monte and the Pope read over a list.
• 37:39
  Speaker 5: Michel would be honored to accept these commissions from the Vatican.
• 37:43
  Speaker 6: I would like him to begin as soon as he returns,
• 37:46
  Speaker 6: and I have decided to advocate his ceremony for Caravajo,
• 37:50
  Speaker 6: a display of a festival.
• 37:52
  Speaker 5: Ah, I will compose guestless year, Holiness. I am sure
• 37:56
  Speaker 5: that Michel would be honored and please that his exile
• 38:00
  Speaker 5: has now ended.
• 38:01
  Speaker 2: Where do you expect he is?
• 38:03
  Speaker 5: If he bordered the Felucca, he should be in Rome,
• 38:06
  Speaker 5: perhaps as early as tomorrow.
• 38:08
  Speaker 7: I want you to sail for Malta.
• 38:10
  Speaker 4: I want you to demand from the Grand.
• 38:12
  Speaker 6: Master all the canvass has got about Joe painted.
• 38:15
  Speaker 4: They belong to my family.
• 38:16
  Speaker 6: Now they belong in Rome, in the house of Borghese.
• 38:20
  Speaker 5: You want me to go to Malta?
• 38:22
  Speaker 7: Who else?
• 38:23
  Speaker 6: You're the only one I would trust with this work.
• 38:26
  Speaker 2: I will give you a safe passage and an arm guard.
• 38:29
  Speaker 1: Cut to interior hallway prison Naples Day Ailof and Stefana
• 38:35
  Speaker 1: walk tentatively down the hallway and stop at a cell
• 38:38
  Speaker 1: alof face is a god.
• 38:40
  Speaker 7: Caravaggio here has a fear malaria.
• 38:44
  Speaker 1: Seeing the concern on the God's face. Ailof looks through
• 38:47
  Speaker 1: the cell bar, seeing Caravaggio chain to a chair, slumped forward.
• 38:51
  Speaker 3: Alone, Grandmaster, it isn't wise.
• 38:54
  Speaker 1: Open it the god does. Ailof enters the cell. Stefano
• 38:59
  Speaker 1: does not interior dungeon. Cell continues slumped in his chair. Caravaggio,
• 39:07
  Speaker 1: feverish and delirious, looks down as Ailov steps up to him.
• 39:13
  Speaker 7: Why did you leave us? You led me to believe
• 39:17
  Speaker 7: you had found.
• 39:18
  Speaker 2: Your God right my God?
• 39:23
  Speaker 7: I saw it in your paintings. I need to know.
• 39:29
  Speaker 7: Does faith guide your hand?
• 39:32
  Speaker 2: My questions guide me?
• 39:38
  Speaker 7: Who is your God?
• 39:40
  Speaker 2: The faces? What faces? The faces I paint? Who is
• 39:48
  Speaker 2: your God? The god beyond your God?
• 39:56
  Speaker 7: Your sins condemn you?
• 40:00
  Speaker 1: He looks up directly into his eyes with a moment
• 40:02
  Speaker 1: of clarity.
• 40:04
  Speaker 2: But my painting saved your soul.
• 40:07
  Speaker 1: Ailof leans into Caravajo and whispers so no one else
• 40:11
  Speaker 1: can hear.
• 40:14
  Speaker 7: Was not my love, dear? Do you?
• 40:17
  Speaker 1: Caravajo looks deeply into his eyes.
• 40:21
  Speaker 2: How could I love what I fear?
• 40:25
  Speaker 1: Caravajo falls back in his chair, closing his eyes with
• 40:28
  Speaker 1: his head up. Ailof stands back. The warden forties, an
• 40:33
  Speaker 1: ex soldier with a pained expression steps up to Ailof
• 40:37
  Speaker 1: and Stefano.
• 40:39
  Speaker 9: If this prisoner can pay, I will release him to
• 40:42
  Speaker 9: your custody.
• 40:43
  Speaker 3: We cannot take him on the ship.
• 40:46
  Speaker 9: Suit yourself.
• 40:48
  Speaker 7: What is in your pockets?
• 40:49
  Speaker 9: Prisoner?
• 40:49
  Speaker 1: Caravajo manages to pull some lirr from his pockets, and
• 40:53
  Speaker 1: the warden quickly scoops them up. He counts it and
• 40:56
  Speaker 1: turns to the guard. Caravaggio struggles and stands.
• 41:03
  Speaker 2: My paintings. Where are my paintings?
• 41:07
  Speaker 1: No one answers him, so he staggers away out of
• 41:10
  Speaker 1: the cell, down the hallway.
• 41:13
  Speaker 7: Where will he go?
• 41:14
  Speaker 9: What does it matter? He has no more money, and
• 41:17
  Speaker 9: he goes back to the harbor where he was arrested.
• 41:19
  Speaker 9: There's nothing between there and here but swamp.
• 41:23
  Speaker 1: The warden leaves as Ailof takes a step, but Stefano
• 41:26
  Speaker 1: steps in in front of him.
• 41:27
  Speaker 3: We need to return to Malta, sire.
• 41:30
  Speaker 1: Ailof watches as Caravaggio staggers away.
• 41:33
  Speaker 8: Michelangelo Marisi de Caravaggio.
• 41:38
  Speaker 1: Ailof and Stefano watches he disappears into the dark of
• 41:42
  Speaker 1: the prison. Cut to exterior front entrance Fossor de sant
• 41:48
  Speaker 1: Elmo prison continues. The gates open and Caravaggio, seriously ill
• 41:53
  Speaker 1: with nothing but the dirty clothing he's wearing, steps out.
• 41:58
  Speaker 1: He stumbles, regains his back balance, then walks with a
• 42:01
  Speaker 1: limp and coughs. People who see him look on with
• 42:04
  Speaker 1: disgust and disdain and either rush away or throw rocks
• 42:08
  Speaker 1: at him. He continues staggering on exterior dock, Naples Day.
• 42:16
  Speaker 1: Ailof Stefano and several knights reach their boat and board
• 42:19
  Speaker 1: it in silence. Cut to exterior swamp outside Naples Day.
• 42:28
  Speaker 1: Caravajo attempts to maintain his focus so he's headed in
• 42:31
  Speaker 1: the correct direction. He's at the tip of the swamp
• 42:35
  Speaker 1: and stops. He knows he must head north, so he
• 42:38
  Speaker 1: continues and enters the swamp. Exterior swamp Later, Caravaggio stumbles
• 42:45
  Speaker 1: through the swamp under the boiling sun as he burns
• 42:48
  Speaker 1: from his own fever. He hears voices and sure if
• 42:52
  Speaker 1: he's imagining them or not, He hides down in the
• 42:55
  Speaker 1: ankle deep murky waters next to a tree. He sees
• 42:59
  Speaker 1: a gang of robbers searching the swamp. He tries not
• 43:02
  Speaker 1: to breathe too loudly so they won't hear him. They
• 43:06
  Speaker 1: travel past him. Cut to exterior dock outside Porte de Colle. Later,
• 43:14
  Speaker 1: Caravaggio looks out and sees fishing boats sailing away. He
• 43:18
  Speaker 1: turns to an old sailor sitting there, drunk, old, oblivious.
• 43:24
  Speaker 2: Poortiocolle.
• 43:26
  Speaker 1: The old sailor just stares at him. Caravaggio walks along
• 43:30
  Speaker 1: the dock, following the fishing boats along the shore cut
• 43:34
  Speaker 1: to exterior beach day. Caravaggio, drenched in sweat but chilled
• 43:40
  Speaker 1: and shivering, walks along the white sands of the beach,
• 43:43
  Speaker 1: beneath the dreaded boiling sun. He looks out towards the sea,
• 43:47
  Speaker 1: mistakenly believing that what he sees is the Felucca, his
• 43:51
  Speaker 1: ship a short distance off the coast. He walks, trying
• 43:55
  Speaker 1: to keep pace with him. Exterior boat dock, Porte de Cola. Continuous,
• 44:03
  Speaker 1: Caravadiou reaches a small dark. A young boy is working
• 44:07
  Speaker 1: on the dark, looks up and sees Caravaggio. Caravajo steps
• 44:11
  Speaker 1: over to him, having difficulties speaking, breathing.
• 44:15
  Speaker 2: O what here is this place?
• 44:17
  Speaker 1: What evercorning h Caravajiou nods, then stumbles past the young boy,
• 44:23
  Speaker 1: realizing that Caravajiou is ill. The young boy rushes inland
• 44:27
  Speaker 1: for help. Exterior beach outside Porte de Cola continues. Caravadiou
• 44:35
  Speaker 1: stops and looks up at the blasting sun. He feels
• 44:38
  Speaker 1: as if he's in a furnace. He struggles on.
• 44:43
  Speaker 2: I tried to find that harmony between what I saw
• 44:48
  Speaker 2: and how I lived and failed.
• 44:52
  Speaker 1: Exterior an empty stretch of beach continuous. Caravajiou continues to walk,
• 44:58
  Speaker 1: looking out at the sea, seeing what he imagines to
• 45:01
  Speaker 1: be his ship on the horizon.
• 45:03
  Speaker 2: There is a life going on beyond this life, a
• 45:06
  Speaker 2: life that separates us from all our mistakes, from accidents pain.
• 45:15
  Speaker 1: He looks up at the sun and kneels at first,
• 45:18
  Speaker 1: then falls onto the beach. Dressed in tatter clothing of
• 45:22
  Speaker 1: vivid golden red, Caravaggio lies motionless on the white sand
• 45:26
  Speaker 1: at the edge of the blue sea, under the pure
• 45:29
  Speaker 1: white light of the sun. He reaches his arms towards
• 45:33
  Speaker 1: the sun. Cut to exterior beach outside Porte de Collie continues.
• 45:42
  Speaker 1: Two nuns from a small hospital off the beach, led
• 45:44
  Speaker 1: by the young boy, appear. They rush to Caravaggio's side.
• 45:49
  Speaker 2: That is how God has been to me all my life,
• 45:52
  Speaker 2: just out of reach, perhaps the light tells me to
• 45:59
  Speaker 2: love the mystery, and then Lecco.
• 46:04
  Speaker 1: The nuns comfort him with water to drink, then rubbing
• 46:07
  Speaker 1: his forehead with it. They place a light blanket over
• 46:10
  Speaker 1: him to ease his tremble.
• 46:12
  Speaker 5: Your holiness, I have been informed that Michelangelo Maurici de
• 46:17
  Speaker 5: Caravaggio was found dead the day before yesterday, July eighteenth,
• 46:23
  Speaker 5: on the Tryhenian coasts outside.
• 46:26
  Speaker 3: Of port are called.
• 46:28
  Speaker 1: Two workers appear with a stretcher and rush over to Caravaci.
• 46:31
  Speaker 5: He was made aware of your pardon.
• 46:34
  Speaker 1: Cut to interior papal chambers, roam day alone, the Pope
• 46:40
  Speaker 1: faces Caravacchio's paintings.
• 46:42
  Speaker 5: As you demanded, I have secured all the canvasses from
• 46:47
  Speaker 5: the knights, and all that he created that were not
• 46:51
  Speaker 5: painted on the walls.
• 46:53
  Speaker 1: The paintings of gloriously realistic, intense, brutal, and filled with
• 46:58
  Speaker 1: a searching for faith.
• 47:00
  Speaker 5: They will be brought to your private residence in Rome.
• 47:05
  Speaker 1: The Pope is clearly affected. Cut to exterior beach outside
• 47:10
  Speaker 1: Porte de Coli day. As the two workers and the
• 47:15
  Speaker 1: two nuns strain to ease Caravachio onto the stretcher, he
• 47:18
  Speaker 1: turns and sees Ailov standing on the beach directly in
• 47:22
  Speaker 1: front of the sun facing him. Stefano stands behind Ailof.
• 47:28
  Speaker 1: Behind them is a small boat on the beach with
• 47:30
  Speaker 1: several knights keeping it from moving with a tide.
• 47:34
  Speaker 7: Alone.
• 47:34
  Speaker 1: Ailof walks to Caravaccio reaches him and stops. The workers
• 47:39
  Speaker 1: and nuns ignore him as they steady the stretcher to
• 47:42
  Speaker 1: place Caravacchio onto it. Ailof looks down at Caravacio, forgive me.
• 47:51
  Speaker 1: Caravachio strains to look into Ailov's eyes, his own eyes
• 47:55
  Speaker 1: still being with intelligence and searching, despite being overwhelmed with suffering,
• 48:01
  Speaker 1: until having lost all strength, he closes his eyes, falls
• 48:05
  Speaker 1: back and dies.
• 48:08
  Speaker 2: What you see in the art, you will find in
• 48:10
  Speaker 2: the artist, And what you see in the artist you
• 48:15
  Speaker 2: will find in the man.
• 48:17
  Speaker 1: Aloft watches as Karavacha's bodies lifted up and carried off
• 48:21
  Speaker 1: the beach. The end