Latest / PNW Haunts & Homicides / Shrunken Heads & Shipwrecks: More of Marsh’s Free Museum

Transcript

Shrunken Heads & Shipwrecks: More of Marsh’s Free Museum · PNW Haunts & Homicides

• 0:00
  Hi, Caitlyn! Hi, Cassie! Hi! We're doing a bonus for you today, and it is the long-awaited bonus for the Jake the alligator man of a zone.
• 0:12
  [laughs] Yeah, because I told you guys I couldn't leave him alone. He's not really in this. We're gonna talk about actually more of like the Marsh's free museum.
• 0:22
  And I know that you guys, well, Caitlyn, definitely had questions about the shipwreck. I don't know if you guys remember the shipwreck, so we'll get there.
• 0:33
  Okay, and we'll talk about it a little bit more.
• 0:35
  We're gonna talk about some of the other fun things besides Jake the alligator man of the museum.
• 0:43
  Yeah, the find at Marsh's free museum in Long Beach, Washington.
• 0:48
  Which fun fact, I don't know if you guys know Shay and Jody from Rainy Day Rabbit holes, when they came to visit us, they stopped here and visited Jake the alligator man, and they got us stickers, which I forgot to pull mine out, but they gave us a little Jake the alligator man sticker?
• 1:03
  Yes, they did.
• 1:05
  It's so sweet, and they took some pictures of some stuff for us.
• 1:08
  There is a replica, okay, so we are gonna start off talking about Jake, but then that's it. Okay, okay, so there is a replica of Jake that looks down from the roof like a gargoyle.
• 1:20
  I don't know if they got a picture of that. I'll have to look through them, but I thought that was so cute that he's just like up there, a replica of him watching over the entrance, the building.
• 1:32
  That just feels like a lot, but okay, I mean he is kind of like a main guy. He's like on, you know, all their stickers and stuff.
• 1:43
  Yeah, he's the 18.
• 1:46
  Yeah, exactly. They're not coming for some of this other stuff, which maybe they should be.
• 1:52
  So it also has the world's largest collection of glass fishing balls, which I don't know why I thought that that was so interesting that you guys needed to know, but I did, and now you know, so you're welcome.
• 2:07
  Yeah, I mean, I feel like I needed to know.
• 2:11
  Oh good, okay, thank you. They also have someone named Mary Lou, and Mary Lou is a complete human skeleton that was apparently.
• 2:20
  She was apparently found in someone's closet in Aberdeen.
• 2:24
  No, thank you.
• 2:26
  And I did try to look this up, but I couldn't find anything, but.
• 2:31
  So I don't know, it could not be true. It could not be reported on or maybe Caitlin can find it. I don't know.
• 2:38
  Okay, this is the funnest thing, though, that I think that they have.
• 2:43
  And I begged Shane Jodi. I was like, oh my god, you guys are there. I need a picture of this.
• 2:49
  I'm scared. It's the Wyoming werewolf.
• 2:56
  And this is quote a cleverly modified deer butt.
• 3:05
  Okay, that didn't exactly go how I expected it's very strange. And I was freaking in tears when I.
• 3:16
  When I saw a picture.
• 3:18
  This thing was captured December 12, 1976 in Afton, Wyoming.
• 3:25
  Okay.
• 3:28
  How's that cleverly modified deer butt, Caitlin?
• 3:34
  It's modified.
• 3:40
  I don't know how clever I think it is.
• 3:43
  It's real ugly. It is not.
• 3:47
  It's not attractive. The eye, the eyes don't eat the gum line.
• 3:52
  The tongue is orange. It's it's odd.
• 3:55
  But they basically made the but hole into a mouth.
• 4:02
  I have.
• 4:05
  I have it once so many and absolutely zero questions.
• 4:10
  You know what I mean?
• 4:11
  I know exactly what you mean.
• 4:16
  Oh boy.
• 4:18
  Yeah, that was my favorite.
• 4:20
  I've ever seen my life.
• 4:23
  That is that is a lot. It's a lot to take in.
• 4:27
  I think it's a lot of work.
• 4:33
  Which I feel like is what the deer was.
• 4:36
  That's what she said.
• 4:39
  Oh boy.
• 4:41
  What a were will.
• 4:42
  What a Wyoming were will.
• 4:44
  This was found in Wyoming.
• 4:46
  Yep.
• 4:47
  But the sign says the sign really reads a captured not found captured.
• 4:53
  The weird taxidermy just like to maybe some normal taxidermy.
• 4:56
  Oh, already.
• 4:59
  So they have Morris the cat who was and still is their shop cat.
• 5:05
  When he sadly passed away, they had him taxidermied and I don't know what that's called, but we're going to go taxidermied.
• 5:12
  Yeah.
• 5:13
  So that they could keep their beloved pet in the stores collection.
• 5:17
  I don't know how I feel about that.
• 5:19
  But I'm not going to lie. I did think about that for my cat, but it would be really creepy.
• 5:25
  Yeah.
• 5:26
  But in this environment where you already have a bunch of taxidermy, you see it every day.
• 5:32
  Yeah.
• 5:33
  You're used to this cat being there every day and then all of a sudden it's not.
• 5:36
  I feel like that's something that's like the rare situation where maybe it's not so creepy.
• 5:42
  Yeah. Just another Tuesday.
• 5:44
  Yeah. Just another Tuesday at Marsh's free museum.
• 5:50
  You can also apparently visit an authentic shrunken head from the Hebrew people in the Amazon rainforest of South America.
• 6:00
  It's apparently authentic, but we're going to go.
• 6:03
  I had to.
• 6:04
  I had to you guys.
• 6:06
  I was so interested in this.
• 6:09
  Like, are these things actually authentic? Are they real? Are they art like Jake?
• 6:15
  Like, what are these things?
• 6:17
  So I fell down that rabbit hole and I fell I fell in deep.
• 6:26
  And you guys have to go with me and now I'm going to drag you down there with me and we're going to learn all about how shrunken heads are made together.
• 6:34
  And it's going to be okay. We're going to get through it together. Okay. I need water first though.
• 6:39
  Okay. Great.
• 6:41
  We're going to listen and we're not going to judge. Okay. This is what we're doing.
• 6:45
  So the Hebrew people in the Amazon rainforest consists of four tribes.
• 6:51
  The show are at you are.
• 6:54
  Kwamisa.
• 6:56
  Kwamisa.
• 6:57
  I love that.
• 6:59
  And a guaruna. A guaruna. I wrote them all out. I really tried.
• 7:05
  Yeah. You got a hookdown phonics, baby.
• 7:08
  And they're like, they're beautiful words. They're really cool to say.
• 7:11
  Yeah. I think they are.
• 7:13
  We're listening and we're not judging these beautiful Amazonian rainforest tribes.
• 7:19
  Right? Okay.
• 7:20
  Okay. This is their culture.
• 7:22
  Not yet.
• 7:23
  This was their culture. This is their history.
• 7:26
  So that's that's the angle that we're coming at this with. Okay.
• 7:30
  Okay.
• 7:31
  The shrunken heads are called sanzas.
• 7:34
  And they're spelled like T.S. A.N. T.S. A.S.
• 7:40
  But it's pronounced sanzas, kind of like Game of Thrones, sanzas.
• 7:44
  Yes. Yes. That's exactly what I was thinking.
• 7:47
  This obviously seemed very morbid and grotesque to us now.
• 7:52
  And it is. But to them, you know, we kind of already talked about it.
• 7:56
  This was their tribal practice. It had great symbolic and spiritual meaning to them.
• 8:00
  So they don't do it anymore. Well, just start there.
• 8:05
  Okay.
• 8:06
  Are you going to tell us about what exactly they were doing?
• 8:11
  Yeah.
• 8:12
  Yeah. I'm going to.
• 8:13
  Okay.
• 8:14
  And it's going to be, it's going to be okay.
• 8:16
  So they were worn around their waist as trophies.
• 8:20
  They believe that by shrinking the head, they would acquire the soul of that person.
• 8:24
  And that would give them power and protection, like in battle.
• 8:28
  Oh my gosh.
• 8:29
  As many of us humans, the Hebrew people fought over land, resources, hunting grounds.
• 8:35
  And I'm sure many other things like a beautiful woman.
• 8:39
  Like it could have been anything. You know, yeah.
• 8:41
  Okay. So trigger warning.
• 8:43
  I'm going to describe the process of shrinking the heads, but as gently as possible.
• 8:49
  Okay.
• 8:50
  And just keep in mind that this was ceremonial.
• 8:53
  And we still don't really actually know everything that went on in the process.
• 8:57
  There's some mystery about it because it's not ours, you know.
• 9:01
  Okay.
• 9:02
  So after unaliving an enemy, they would remove the head from the body.
• 9:07
  Then they removed the skin from the skull.
• 9:11
  And then the skull was discarded.
• 9:13
  It was used as an offering to their spirit helpers.
• 9:16
  Oh.
• 9:17
  So they then have the skin, right?
• 9:21
  And they would sew the eyes shut.
• 9:23
  And then to actually shrink it, it would be simmered for one to two hours.
• 9:29
  And this kind of made the skin darker.
• 9:32
  It gave it more of a rubbery texture.
• 9:35
  And then it was filled with hot stones and sand to further shape and preserve it.
• 9:41
  That's it.
• 9:43
  Okay.
• 9:44
  So I told you gently fast, I didn't, there was a lot of other details.
• 9:49
  I didn't need to go into the details.
• 9:51
  I just wanted the basics of kind of how it was done.
• 9:55
  Yeah.
• 9:56
  So cut to the 18th and 19th centuries where Stanza's captivated European explorers
• 10:05
  who would take them home as souvenirs.
• 10:09
  So who's the gross ones?
• 10:11
  I'm going to be honest, I definitely think it's all, it's all a little gross.
• 10:16
  Yeah, definitely the, you know, colonists, people that are coming in, the colonizers.
• 10:23
  Yeah.
• 10:24
  Coming in and taking them as like a souvenir.
• 10:28
  And then they would be like, "Oh, I'm going to be honest.
• 10:32
  I'm going to be honest.
• 10:34
  I definitely think it's all, it's all a little gross.
• 10:39
  and taking them as like a souvenir.
• 10:41
  That's... it's layers of gross.
• 10:44
  Icki, and it gets... it just makes everything, like we do.
• 10:50
  It just made everything so much worse.
• 10:51
  Okay.
• 10:53
  They eventually became highly sought after.
• 10:56
  Naturally increasing demand.
• 10:58
  You maybe can see where this is going.
• 11:03
  The sludge to an increase in head hunting parties.
• 11:07
  For not only humans, but also animals, like sloths and monkeys.
• 11:12
  Why are we the worst?
• 11:15
  Yeah.
• 11:17
  And I was like, is this where like the term head hunting comes from?
• 11:21
  Oh, I didn't really look it up because I just kind of like was a passing thought in my mind.
• 11:27
  Well, I was like, "Oh, like that's a little thing."
• 11:30
  You know, I think I just... I think I...
• 11:35
  I think I want off this planet.
• 11:38
  I don't like it here.
• 11:40
  It's not for me.
• 11:41
  Yeah, and it's really sad because then they started...
• 11:43
  I mean, it's sad when you kill humans.
• 11:46
  But then they start killing like sloths and monkeys because they're like,
• 11:49
  "Yeah!"
• 11:50
  Cute little faces are very similar to ours.
• 11:53
  So...
• 11:54
  You know?
• 11:55
  I hate that.
• 11:57
  But so that they would do these, obviously, this is not ceremonial.
• 12:01
  This is not part of an ancient practice.
• 12:03
  This is now selling counterfeit heads.
• 12:08
  Right.
• 12:09
  Terturists and collectors.
• 12:11
  This is what happens when capitalism meets other culture.
• 12:16
  Yeah.
• 12:17
  Yeah.
• 12:18
  Literally.
• 12:19
  Quite literally.
• 12:20
  Yeah.
• 12:21
  It's so gross.
• 12:22
  It's really icky.
• 12:24
  But finally, in the 1930s, the Ecuadorian and Peruvian governments outlawed the trafficking
• 12:31
  of Shronkenheads.
• 12:32
  So, it's no longer legal.
• 12:35
  Okay.
• 12:36
  Well, that took a lot longer than I'm comfortable with.
• 12:39
  Yeah.
• 12:40
  The 1930s, you guys.
• 12:43
  Yeah.
• 12:44
  So, I don't know.
• 12:47
  It's possible that they have an older real Shronkenhead.
• 12:52
  It's possible they have a counterfeit.
• 12:56
  One that was headhunted.
• 12:58
  It's possible.
• 12:59
  I mean, not.
• 13:00
  Who knows?
• 13:01
  They do claim that it is authentic.
• 13:04
  That's just, I'm going to go with that.
• 13:05
  That's what they say at their store.
• 13:07
  But who knows?
• 13:09
  Okay.
• 13:10
  We're moving on.
• 13:11
  That wasn't so bad.
• 13:12
  Right.
• 13:13
  Okay.
• 13:14
  But it's so interesting that you go into these places and look at it.
• 13:20
  Because we've seen Shronkenheads before.
• 13:22
  I don't know if they were authentic either or not.
• 13:25
  But it's like, oh, yeah.
• 13:26
  Another Shronkenhead.
• 13:27
  Yeah.
• 13:31
  But now, when you know all of this, it goes into it and wears, because only these four specific
• 13:36
  tribes did this is from what I read anyway.
• 13:40
  So you're just like, I don't.
• 13:43
  It's very interesting.
• 13:46
  It is, I can confirm it is giving me the IK.
• 13:54
  But it is really interesting.
• 13:57
  But it also reminds you of Beetlejuice.
• 13:59
  And I didn't even plan to have Beetlejuice colors back there.
• 14:01
  It just happened.
• 14:02
  Because you know where you have the Shronkenhead guy.
• 14:06
  Yeah.
• 14:07
  Yeah.
• 14:08
  Okay.
• 14:09
  So we've come to the Admiral Benson, the SS Admiral Benson Shipwreck.
• 14:16
  Never forget a shipwreck.
• 14:18
  Speaking of the one shipwreck, we will never, ever forget.
• 14:23
  I wore a theme shirt.
• 14:30
  I wore my theme shirt for you guys.
• 14:33
  Because if you would listen to the episode, we talked about how the Benson, the hotel that
• 14:40
  we said was the Titanic and then there was a ship.
• 14:44
  It all connects.
• 14:45
  It was the whole thing.
• 14:46
  Yeah.
• 14:47
  It all connects.
• 14:48
  Keep up people.
• 14:49
  So you're welcome.
• 14:55
  So your question was, did the shipwreck stay there or did they get it removed?
• 15:01
  And I did not actually really know the answer to that question.
• 15:05
  I did say I think it broke up and then like went away.
• 15:08
  I don't think you're like, I don't know.
• 15:10
  Yeah.
• 15:11
  I don't really know.
• 15:12
  No.
• 15:13
  And that's fair.
• 15:14
  This episode was about Jake the Alligant, and this shipwreck was like bonus content.
• 15:18
  This is like a passerby, you know, like ships in the night if you will.
• 15:24
  But then I was like, well, why don't I just look it up and tell you guys.
• 15:27
  So here we are.
• 15:28
  So we're going to talk about the shipwreck, not the Titanic, the Admiral, that says Admiral
• 15:36
  Benson, Tripwreck.
• 15:37
  Okay.
• 15:38
  Like I'll take it.
• 15:39
  Leo, unfortunately, or fortunately, well, probably unfortunately wasn't on this boat
• 15:45
  because he put a survive he was on the shipwreck.
• 15:49
  Yeah.
• 15:50
  Yeah.
• 15:51
  Because we did talk about that.
• 15:52
  There were no casualties.
• 15:53
  So.
• 15:54
  Yeah, that's right.
• 15:56
  No floating doors.
• 15:57
  I mean, I'm not saying there wasn't floating doors, but no one died on them.
• 16:04
  Okay.
• 16:05
  All right.
• 16:06
  Or off of them.
• 16:07
  No one was pushed into the icy cold water.
• 16:10
  Into the icy blue depths.
• 16:11
  Are you ready?
• 16:13
  I'll never let go.
• 16:16
  She's not ready yet.
• 16:17
  Do you need another second?
• 16:18
  Do you need a minute?
• 16:19
  No, I'm good.
• 16:20
  Do you need to finish your reenactment?
• 16:23
  Listen, you can't bring up the Titanic and expect me to behave like an adult.
• 16:28
  Okay.
• 16:29
  It's tenuous and best.
• 16:32
  Anyways.
• 16:33
  Was it, there was like a reel or something I saw recently that was like turtles or something
• 16:37
  like reenacting the, the door scene and the Titanic.
• 16:41
  I'd, I'm like having a, I don't know.
• 16:43
  This is real.
• 16:44
  This could be a fever dream.
• 16:45
  I don't know.
• 16:46
  Either way, I want it.
• 16:48
  But it was like turtles or something like fighting over a log and like one of them pushed
• 16:54
  the other, yeah.
• 16:55
  Anyway, this is not about turtles.
• 16:58
  Okay.
• 16:59
  I mean, I guess I'm still interested.
• 17:03
  February 15th, 1930.
• 17:05
  So like kind of around the time that they were outlawing the Shronkenheads.
• 17:11
  Yeah.
• 17:12
  So it all comes together.
• 17:16
  It all rolls around.
• 17:19
  The, it all rolls around.
• 17:23
  The day after Valentine's Day, February 15th, 1930, the SS Admiral Benson was headed to Portland
• 17:31
  from San Francisco.
• 17:33
  The weather and the seas were relatively calm, but there was a heavy dense fog at the entrance
• 17:40
  to the Columbia River.
• 17:41
  Oh, boy.
• 17:42
  And at 6.40 p.m. the SS Admiral Benson ran aground on the south end of Peacock's
• 17:50
  bit a quarter mile west of the North Jettie.
• 17:54
  I don't know what any of that means, but that's the info.
• 17:57
  I don't know.
• 17:58
  You guys can Google it if you want to know where it's at.
• 18:00
  You know, like not a bullshit.
• 18:02
  Yeah.
• 18:03
  I don't know.
• 18:04
  I like the Peacock spit though.
• 18:06
  Yeah.
• 18:07
  It's like, oh boy, I didn't realize that they did that.
• 18:12
  I thought that was like kind of more exclusive to camels.
• 18:15
  I don't know.
• 18:16
  Let's ask a Peacock if they spit or swallow.
• 18:19
  What?
• 18:20
  My Peacock.
• 18:21
  Cut.
• 18:22
  Yeah.
• 18:23
  We've done that before in that song.
• 18:24
  I'm like Katy Perry's song.
• 18:25
  We've talked about Peacock's before, man.
• 18:27
  It's not the first time.
• 18:29
  I, you know, I'd like to say I'm surprised, but obviously I'm not.
• 18:35
  So it did run aground.
• 18:37
  It wasn't like a wreck.
• 18:38
  It was a pretty gentle wreck.
• 18:41
  Like nothing crazy happened.
• 18:44
  And the Admiral Benson was not damaged or in immediate danger.
• 18:48
  So, okay.
• 18:49
  So this is more like I literally ran out of gas and I just slowly like let myself off
• 18:56
  onto the shoulder.
• 18:57
  Kind of.
• 18:58
  Yeah.
• 18:59
  Kind of like that.
• 19:00
  Ran aground.
• 19:01
  Yeah.
• 19:02
  That's a good way to put it.
• 19:03
  I just, in Charles C. Graham, radioed the Coast Guard for assistance, but doesn't send any
• 19:08
  distress signal because it was not really a distress.
• 19:12
  Yeah.
• 19:13
  Okay.
• 19:14
  I mean, oh, oh, okay.
• 19:16
  Yeah.
• 19:17
  All right.
• 19:18
  On February 16th.
• 19:20
  So the next day, the Coast Guard removed 34 passengers and all non-essential crew members.
• 19:28
  And at high tide, Captain Graham attempted to reflote the vessel.
• 19:32
  The vessel.
• 19:33
  I like to see the ship.
• 19:35
  I don't know.
• 19:36
  I don't want to see the vessel, the ship.
• 19:38
  Yeah.
• 19:39
  But she did remain stuck.
• 19:41
  He wasn't able to get her free.
• 19:43
  Well, maybe she should have stopped calling her a vessel.
• 19:46
  Yeah.
• 19:47
  Talk nice to her rubber nice.
• 19:49
  Maybe, you know, yeah.
• 19:52
  This is a quote direct from the article because, well, you'll just see.
• 19:57
  Okay.
• 19:58
  Quote, "several tugboats, including the powerful Canadian seagowing tug salvage king,
• 20:05
  stood by to attempt to pull the Admiral Benson out."
• 20:08
  Oh, but it didn't work.
• 20:10
  Not even the powerful Canadian seagowing tug salvage king could free the Admiral Benson.
• 20:17
  What should we do?
• 20:18
  Well, I'll tell you.
• 20:21
  On February 17th, the weather starts to look bad.
• 20:24
  So maybe there is a little bit more pressing danger.
• 20:29
  Okay.
• 20:30
  So the coast guard removed the five remaining passengers in most of the remaining crews.
• 20:36
  The only like the captain and very essential crew members were on board.
• 20:41
  At noon, a decision was made to abandon all efforts to pull the Admiral Benson off the
• 20:46
  peacock's foot until the storm passed.
• 20:49
  So obviously like storming, they can't really try to save it.
• 20:53
  Yeah, I mean, not a great time.
• 20:56
  But captain Graham flooded all of the cargo holds to try to keep the ship from pounding
• 21:02
  against the sand bar.
• 21:04
  So they tried to weigh it down.
• 21:06
  I guess.
• 21:07
  Okay.
• 21:08
  That's what that means.
• 21:10
  Yeah.
• 21:11
  I mean, I think I see the logic.
• 21:15
  Yeah.
• 21:16
  It's like it's not going to sink because it's stuck on a sand bar.
• 21:18
  So they're trying to just make it so it's not beating wildly around in the waves and
• 21:23
  stuff.
• 21:24
  I still, I don't know.
• 21:26
  Not a not a good expert, but I'm not sure that I love that with passengers aboard.
• 21:34
  Well, they've all been off board.
• 21:37
  All the passengers are gone at this point.
• 21:39
  Yeah, some of the crew members.
• 21:41
  Well, that's what I'm saying.
• 21:43
  Okay.
• 21:44
  There's still human people on the ship.
• 21:49
  But if they, I don't know if they agreed to be there, if they were forced, I have no idea.
• 21:53
  Yeah.
• 21:54
  I don't know.
• 21:55
  But on February 18th, so the next day, the storm got worse and then the last of the crew members
• 22:01
  were removed.
• 22:02
  So like any true captain, Captain Graham decided he was going to stay on board until there
• 22:07
  was absolutely no hope of saving the ship.
• 22:09
  So he's really going to stick it out until the end.
• 22:12
  Yeah.
• 22:13
  I mean, they always say like, you know, the captain goes down with the ship, right?
• 22:17
  Which I hope he doesn't because that would be a really stupid thing to die.
• 22:23
  That would be the, not the way to go down on a duck ship.
• 22:28
  That's not an end danger.
• 22:30
  Right.
• 22:31
  Like you do that because you're there to man the ship and try to protect the passengers.
• 22:39
  He just like, he lives there now.
• 22:41
  He's like, okay, I'm living here now.
• 22:42
  I'm going down with the ship no matter how long it takes.
• 22:46
  Yeah.
• 22:47
  Zero dollars rent you guys.
• 22:50
  He's out there in like a wine shirt.
• 22:53
  Hell yeah.
• 22:54
  Anyway, he didn't work remotely, you know.
• 22:59
  So the storm just kept getting worse over the next several days and Captain Graham reported
• 23:04
  that the ship was starting to break up.
• 23:06
  It's just not good.
• 23:09
  And the weirdest thing happened.
• 23:11
  I was sitting here typing this, listening to a little, you know, Spotify.
• 23:17
  As I'm typing like this sentence, Selena Gomez comes on and is singing.
• 23:23
  And as I'm literally typing break up, she is singing.
• 23:28
  Call me when you break up.
• 23:29
  As I'm typing break up.
• 23:31
  How fucking weird is that?
• 23:33
  This just happened when I was fixing up my notes while I was in the room.
• 23:37
  Is that weird?
• 23:38
  Well, it's crazy.
• 23:39
  I just have to bring those up whenever it happens because it's so interesting to me.
• 23:43
  So the Admiral Benson actually made it through the storm with little damage.
• 23:47
  Interestingly, that's so crazy.
• 23:49
  But it did push the ship further into the peacock's fit.
• 23:55
  It's, now I mean, now we kind of already know how this ends.
• 23:59
  Yeah.
• 24:00
  Spoiler alert.
• 24:01
  This made it impossible to ever free the Admiral Benson.
• 24:05
  On the Sunday, February 23rd.
• 24:08
  So this happened on the 15th.
• 24:11
  So now the 23rd.
• 24:13
  Captain Graham finally abandons ship.
• 24:16
  Finally.
• 24:17
  Life is so freaking pissed.
• 24:19
  She's like, she's like, come on.
• 24:23
  The twins have colic.
• 24:26
  And I could really use some help around here.
• 24:29
  She's got a baby on her hip.
• 24:30
  She's all mad.
• 24:31
  She's got two.
• 24:34
  One on each hip.
• 24:36
  Some reason the other one was on the ground.
• 24:38
  I pictured it was on the ground like it was holding onto her leg.
• 24:41
  And one was on her hip.
• 24:43
  And she's flipping off the boat.
• 24:46
  And he's like, I live here now.
• 24:48
  This makes more sense.
• 24:50
  Why he stayed more than it all could.
• 24:53
  The twins.
• 24:55
  Colic is rough.
• 24:56
  Colic is rough.
• 24:57
  I'd stay on the boat too.
• 24:59
  Yeah, yeah, you should.
• 25:00
  Especially if there's no immediate danger.
• 25:02
  It's a freaking vacation, man.
• 25:04
  I mean, you'd be an asshole husband.
• 25:06
  But yeah, I also at the same time would be like, yeah, I could see it.
• 25:10
  There was a hearing after this.
• 25:12
  The captain Graham testified that it was only his second trip to Portland.
• 25:17
  And he did not have the experience to be able to successfully navigate, navigate,
• 25:22
  navigate the, navigate the, navigate the admiral Benson.
• 25:29
  He did, he didn't have it.
• 25:31
  You guys, he couldn't navigate the admiral Benson across the Columbia River bar under the
• 25:37
  severe foggy conditions.
• 25:39
  And I wrote severed, but I meant to write severe foggy conditions.
• 25:43
  He gave no excuses for it other than misjudgment of the strong ocean currents, carried him a
• 25:50
  little off course.
• 25:52
  There was heavy fog.
• 25:53
  He couldn't see well.
• 25:55
  Yeah, I mean, I've had a sore throat for a month and a half.
• 25:59
  He gave no excuses other than all of this stuff.
• 26:02
  Now I mean, I feel like that, you know, it sounds like kind of in a way.
• 26:09
  And I'm worth saying that jokingly.
• 26:12
  It does kind of sound like, oh, he gave no excuses.
• 26:15
  It's tough.
• 26:16
  But it's like, that's really important context because in his position, you know, I mean,
• 26:22
  you could be criminally charged.
• 26:24
  Right.
• 26:25
  Even if nobody was necessarily physically harmed, like that could be, you know, gross negligence
• 26:31
  or something.
• 26:32
  So I feel like that's fair.
• 26:34
  Like, hey, listen, this is totally my bad, but just so you know.
• 26:38
  Like, these were kind of extraordinary circumstances.
• 26:42
  Like I wasn't drunk, basically.
• 26:44
  Right.
• 26:45
  Yeah.
• 26:46
  Right.
• 26:47
  Listen, I didn't stick the landing like solely, but no, not at all.
• 26:52
  Not at all.
• 26:53
  I mean, maybe boats are harder to fly than planes.
• 26:56
  And we're just going to leave that where it landed and keep going.
• 27:01
  Okay.
• 27:02
  We're going to leave it where it landed just like the SS had Robinson.
• 27:06
  Oh, God.
• 27:07
  Yeah, no, we'll just use golf rules, you know, just you got to play it as it lies.
• 27:13
  Captain Cece Graham, he pleaded guilty to the charge of negligence and his master marinara
• 27:19
  license was suspended for six months.
• 27:23
  That's rough.
• 27:25
  Yeah.
• 27:26
  I mean, I guess it probably wasn't a paid suspension.
• 27:28
  I don't know.
• 27:29
  Yeah.
• 27:30
  I mean, who could get that?
• 27:31
  Because he just got his license taken away.
• 27:33
  So yeah, like he can't work.
• 27:34
  Or, you know, he can do some stuff off the books.
• 27:37
  And I would imagine he's got the twins at home.
• 27:39
  So yeah, yeah, you got to keep those mouths fed.
• 27:43
  So now we're going to find out what happened to the boat because this was like kind of your
• 27:47
  question.
• 27:48
  It took me kind of forever to get here.
• 27:49
  But now we're going to answer your question finally.
• 27:51
  Yeah.
• 27:52
  History and she.
• 27:54
  I know.
• 27:55
  And then this, this long-ass thing I'm about to say, the association of marinara insurance
• 28:03
  underwriters.
• 28:04
  They, those guys sent salvagers to protect the ship from being pillaged.
• 28:11
  Okay.
• 28:12
  Yeah, that makes sense.
• 28:13
  After the storm, a salvage crew went in and they used gondolas to like, like a rigging
• 28:23
  police system of gondolas.
• 28:25
  Oh my gosh.
• 28:26
  To remove all the usable cargo that was left over in the ship.
• 28:30
  They were like, we're taking it.
• 28:31
  Yeah.
• 28:32
  You're getting it.
• 28:33
  You're going to leave all that money just because then other people were just going to take
• 28:36
  it.
• 28:37
  So they wanted to take anything they could out, but it took them like two weeks to do it because
• 28:41
  they were using fucking gondolas.
• 28:43
  Gondolas.
• 28:44
  Oh my God.
• 28:45
  Yeah.
• 28:46
  Dude, that is wild.
• 28:48
  And they had to like protect the ship that whole time too.
• 28:51
  So other people wouldn't take this stuff.
• 28:53
  I think that's kind of crazy.
• 28:54
  Oh my God.
• 28:55
  No, the 1930s of it all.
• 28:57
  Yeah.
• 28:58
  And I can still, I can like see all these people like standing on the beach too.
• 29:01
  They're just like watching all of this happen watching the gondola ride.
• 29:05
  Like, that's why the burger stand did so good.
• 29:11
  If we remember kind of that whole thing.
• 29:13
  That's amazing.
• 29:14
  No, honestly, this reminds me of, um, oh my gosh.
• 29:18
  What was it?
• 29:19
  Was it treasure, Coles?
• 29:21
  I think I covered for prohibition crimes.
• 29:24
  Oh yeah.
• 29:25
  Is that the right?
• 29:26
  I don't know if that's the right name.
• 29:27
  I know you mean.
• 29:28
  I know you mean.
• 29:29
  Yeah.
• 29:30
  People on the beach, they were like, oh shit.
• 29:33
  Ship coming from Canada just crashed.
• 29:36
  Oh, interesting.
• 29:37
  I wonder what they had aboard.
• 29:39
  I guess I should go and check it out.
• 29:42
  That's the party ship.
• 29:43
  The party ship crash.
• 29:45
  Go.
• 29:46
  Go, go, go.
• 29:47
  Go.
• 29:48
  Go.
• 29:49
  Go.
• 29:50
  So over time, once they got all of the stuff, the usable stuff out of the ship, they just
• 29:56
  obviously scavengers got to it and they just like removed.
• 29:59
  They just like left it there.
• 30:00
  They just like left it there.
• 30:01
  They just had to leave it there.
• 30:02
  They literally couldn't get it out.
• 30:04
  I mean, we talked about it.
• 30:06
  The Canadian strong man, the most old man, you know, the guy.
• 30:12
  So I was like, oh, I'm gonna go on the beach.
• 30:18
  I'm gonna go.
• 30:19
  I'm gonna go on the beach.
• 30:20
  I'm gonna go on the beach.
• 30:21
  I'm gonna go on the beach.
• 30:22
  I'm gonna go on the beach.
• 30:23
  So I'm gonna go on the beach.
• 30:24
  I'm gonna go on the beach.
• 30:25
  I'm gonna go on the beach.
• 30:26
  I'm gonna go on the beach.
• 30:27
  I'm gonna go on the beach.
• 30:28
  I'm gonna go on the beach.
• 30:29
  I'm gonna go on the beach.
• 30:30
  I'm gonna go on the beach.
• 30:31
  I'm gonna go on the beach.
• 30:32
  I'm gonna go on the beach.
• 30:33
  I'm gonna go on the beach.
• 30:34
  I'm gonna go on the beach.
• 30:35
  I'm gonna go on the beach.
• 30:36
  I'm gonna go on the beach.
• 30:37
  I'm gonna go on the beach.
• 30:38
  I'm gonna go on the beach.
• 30:39
  I'm gonna go on the beach.
• 30:40
  I'm gonna go on the beach.
• 30:41
  I'm gonna go on the beach.
• 30:42
  I'm gonna go on the beach.
• 30:43
  I'm gonna go on the beach.
• 30:44
  I'm gonna go on the beach.
• 30:45
  I'm gonna go on the beach.
• 30:46
  I'm gonna go on the beach.
• 30:47
  I'm gonna go on the beach.
• 30:48
  I'm gonna go on the beach.
• 30:49
  I'm gonna go on the beach.
• 30:50
  I'm gonna go on the beach.
• 30:51
  I'm gonna go on the beach.
• 30:52
  I'm gonna go on the beach.
• 30:53
  I'm gonna go on the beach.
• 30:54
  I'm gonna go on the beach.
• 30:55
  I'm gonna go on the beach.
• 30:56
  I'm gonna go on the beach.
• 30:57
  I'm gonna go on the beach.
• 30:58
  I'm gonna go on the beach.
• 30:59
  I'm gonna go on the beach.
• 31:00
  I'm gonna go on the beach.
• 31:01
  I'm gonna go on the beach.
• 31:02
  I'm gonna go on the beach.
• 31:03
  I'm gonna go on the beach.
• 31:04
  I'm gonna go on the beach.
• 31:05
  I'm gonna go on the beach.
• 31:06
  I'm gonna go on the beach.
• 31:07
  I'm gonna go on the beach.
• 31:08
  I'm gonna go on the beach.
• 31:09
  I'm gonna go on the beach.
• 31:10
  I'm gonna go on the beach.
• 31:11
  I'm gonna go on the beach.
• 31:12
  I'm gonna go on the beach.
• 31:13
  I'm gonna go on the beach.
• 31:14
  I'm gonna go on the beach.
• 31:15
  I'm gonna go on the beach.
• 31:16
  I'm gonna go on the beach.
• 31:17
  I'm gonna go on the beach.
• 31:18
  I'm gonna go on the beach.
• 31:19
  I'm gonna go on the beach.
• 31:20
  I'm gonna go on the beach.
• 31:21
  I'm gonna go on the beach.
• 31:22
  I'm gonna go on the beach.
• 31:23
  I'm gonna go on the beach.
• 31:24
  I'm gonna go on the beach.
• 31:25
  I'm gonna go on the beach.
• 31:26
  I'm gonna go on the beach.
• 31:27
  I'm gonna go on the beach.
• 31:28
  I'm gonna go on the beach.
• 31:29
  I'm gonna go on the beach.
• 31:30
  I'm gonna go on the beach.
• 31:31
  I'm gonna go on the beach.
• 31:32
  I'm gonna go on the beach.
• 31:33
  I'm gonna go on the beach.
• 31:34
  I'm gonna go on the beach.
• 31:35
  I'm gonna go on the beach.
• 31:36
  I'm gonna go on the beach.
• 31:37
  I'm gonna go on the beach.
• 31:38
  I'm gonna go on the beach.
• 31:39
  I'm gonna go on the beach.
• 31:40
  I'm gonna go on the beach.
• 31:41
  I'm gonna go on the beach.
• 31:42
  I'm gonna go on the beach.
• 31:43
  I'm gonna go on the beach.
• 31:44
  I'm gonna go on the beach.
• 31:45
  I'm gonna go on the beach.
• 31:46
  I'm gonna go on the beach.
• 31:47
  I'm gonna go on the beach.
• 31:48
  I'm gonna go on the beach.
• 31:49
  I'm gonna go on the beach.
• 31:50
  I'm gonna go on the beach.
• 31:51
  I'm gonna go on the beach.
• 31:52
  I'm gonna go on the beach.
• 31:53
  I'm gonna go on the beach.
• 31:54
  I'm gonna go on the beach.
• 31:55
  I'm gonna go on the beach.
• 31:56
  I'm gonna go on the beach.
• 31:57
  I'm gonna go on the beach.
• 31:58
  I'm gonna go on the beach.
• 31:59
  I'm gonna go on the beach.
• 32:00
  I'm gonna go on the beach.
• 32:01
  I'm gonna go on the beach.
• 32:02
  I'm gonna go on the beach.
• 32:03
  I'm gonna go on the beach.
• 32:04
  I'm gonna go on the beach.
• 32:05
  I'm gonna go on the beach.
• 32:06
  I'm gonna go on the beach.
• 32:07
  I'm gonna go on the beach.
• 32:08
  I'm gonna go on the beach.
• 32:09
  I'm gonna go on the beach.
• 32:10
  I'm gonna go on the beach.
• 32:11
  I'm gonna go on the beach.
• 32:12
  I'm gonna go on the beach.
• 32:13
  I'm gonna go on the beach.
• 32:14
  I'm gonna go on the beach.
• 32:15
  I'm gonna go on the beach.
• 32:16
  I'm gonna go on the beach.
• 32:17
  I'm gonna go on the beach.
• 32:18
  I'm gonna go on the beach.
• 32:19
  I'm gonna go on the beach.
• 32:20
  I'm gonna spread these out and herequen.
• 32:21
  I'm gonna feel it out.
• 32:22
  I won't leave my mouth open while I do this.
• 32:24
  I'm gonna feel it out.
• 32:25
  I won't leave my mouth open while I do this.
• 32:26
  I won't leave my mouth open while I do this.
• 32:27
  I won't leave my mouth open while I do this.
• 32:28
  I won't leave my mouth open while I do this.
• 32:29
  I won't leave my mouth open while I do this.
• 32:30
  I won't leave my mouth open while I do this.
• 32:31
  I won't leave my mouth open while I do this.
• 32:32
  You guys.
• 32:33
  You want to see what we got?
• 32:34
  You want to see what we got?
• 32:35
  You want to see what we got?
• 32:36
  You want to see what we got?
• 32:37
  You want to see what we got?
• 32:38
  You want to see what we got?
• 32:39
  We got Morris the cat!
• 32:41
  Oh, cute!
• 32:44
  We talked about a kitty.
• 32:47
  We did!
• 32:48
  It's Fades.
• 32:49
  It's the Jacob Fades.
• 32:53
  The... I don't know what the Jacob's Fades is in, so we're gonna just quickly Google it,
• 32:59
  unless Caitlyn's already doing it.
• 33:02
  Spades in playing cards corresponds to the suit of sword, while Jackson playing cards
• 33:10
  don't have a direct equivalent in tarot, they are often interpreted representing both
• 33:17
  pages and night.
• 33:19
  This says the Jacob's Fades being specifically associated with a night of swords.
• 33:25
  Oh, okay.
• 33:26
  Night of swords are keywords are daring, shifl-free.
• 33:32
  Fourth, rightness, impatience, single-mindedness, and insensitivity.
• 33:40
  This is sort of screaming captain to me, like all of it, even the insensitivity with what
• 33:45
  you were saying.
• 33:46
  Single-mindedness.
• 33:47
  Yeah.
• 33:48
  But like filling the rooms with water and you were like, "But there's still people on
• 33:54
  boards."
• 33:55
  Night's often symbolize messages or travel.
• 33:58
  Travel?
• 33:59
  They don't say.
• 34:00
  Oh, before I forget, the battling, so this is the shrunken heads, the swords.
• 34:08
  And the cat does look like it's holding.
• 34:12
  You're gonna like this in a good event.
• 34:13
  I don't know if you can see it.
• 34:14
  It looks like a little bit.
• 34:16
  Yeah, good.
• 34:17
  I mean, it's a spade head.
• 34:18
  Yeah, yeah, yeah.
• 34:20
  Interesting.
• 34:21
  Night's often symbolize messages or travel.
• 34:24
  Some decks, including the writer-weight Smith Taro, show this night rushing hell-bent toward
• 34:30
  an adversary or adventure.
• 34:32
  Oh, okay.
• 34:33
  Yeah.
• 34:34
  Or you could be rushing hell-bent towards a fan bar.
• 34:38
  I mean, you know.
• 34:40
  Take that's an adversary.
• 34:42
  Yeah.
• 34:43
  I really is.
• 34:44
  A formidable one at that.
• 34:48
  In the Aquarian Taro, however, he shoulders his sword, contemplating his next move.
• 34:54
  If he represents a person you know, he may be someone who's overly aggressive or argumentative
• 35:01
  who lives in attack mode.
• 35:04
  Or he might be a spiritual warrior.
• 35:08
  One who uses his intellect to examine and purify himself.
• 35:12
  Interesting.
• 35:13
  That is all like interesting and I'm not sure if I have the words to connect it, but there's
• 35:18
  some sort of connection there.
• 35:19
  You guys, you tell us.
• 35:21
  The upright night may suggest you're passionate about your ideas and believe wholeheartedly
• 35:27
  in the rightness of your objective.
• 35:30
  Going down with the ship.
• 35:32
  Yeah.
• 35:33
  If this card represents a natural person, he's probably a young man who expresses his ideas
• 35:40
  enthusiastically and may have trouble understanding others viewpoint.
• 35:45
  Hmm.
• 35:46
  He was a new captain, too.
• 35:48
  Hmm.
• 35:49
  Oh.
• 35:50
  He has a quick mind and keen intellect, but may lack true wisdom.
• 35:55
  Hmm.
• 35:56
  Hmm.
• 35:57
  Getting capy.
• 35:58
  Do you see Graham?
• 35:59
  Sometimes this night symbolizes an urgent message or an unexpected trip.
• 36:05
  Yeah.
• 36:06
  That is so unexpected.
• 36:08
  Unexpected trip.
• 36:09
  Unexpected detour.
• 36:10
  Detour.
• 36:11
  Yeah.
• 36:12
  Well, he did have an unexpected trip because he was on his way to Portland.
• 36:18
  But when he got to Portland, he had a hearing instead of just like unloading his ship.
• 36:23
  Hmm.
• 36:24
  Yeah, interesting.
• 36:25
  Okay, so I think this has a tie-in to kind of the first half of what we were talking about.
• 36:30
  Cool.
• 36:31
  So there's an extra excerpt in between in the interpretation here, so I'm gonna read that.
• 36:37
  I'm gonna read that.
• 36:38
  Read that, sir.
• 36:39
  I'm gonna read that, sir.
• 36:40
  (laughs)
• 36:41
  Our modern day athletic teams have the roots in the medieval period when nights serve
• 36:47
  the royalty and noble houses.
• 36:51
  Our allegiance to particular teams often connected to schools we attended or the places
• 36:56
  where we live recalls our ancestors' fidelity to the tribes, victims, or countries to which
• 37:04
  they belonged.
• 37:06
  And the penance waived at sporting events harkened back to days of old when soldiers carried
• 37:12
  banners into battle to indicate the side for which they fought.
• 37:15
  Whoa, like war trophies.
• 37:18
  Banner is kind of on the front end of war and the trophies are kind of on the back end.
• 37:24
  But yeah, I'm sure they have their tribal banners and stuff like that.
• 37:29
  Yeah, they have to with.
• 37:31
  But I mean, it's like the overarching principle of like everybody has sort of their own customs
• 37:37
  when it comes to everything in life, including war.
• 37:41
  In a reading about money, you may need to act quickly in a financial matter with some
• 37:46
  gondola two weeks.
• 37:49
  (laughs)
• 37:50
  But don't neglect to study the situation before making a decision.
• 37:57
  The upright night may point to a trip for financial reasons or a message about money.
• 38:03
  Sometimes he hurls a change in your resources.
• 38:06
  Like I don't know, maybe a few unplanned months of unpaid leave.
• 38:11
  Yeah, yeah.
• 38:12
  Which I feel like it's too bad because I feel like, you know, so much can happen in terms
• 38:19
  of, you know, seafaring conditions and the weather.
• 38:23
  That's, it's a lot to put on.
• 38:25
  But he did, we did learn that he did work.
• 38:27
  He just wasn't able to drive the boat.
• 38:30
  He just didn't have his boat in my sense.
• 38:31
  But he did work like at the marina or whatever they said.
• 38:36
  I can't remember.
• 38:37
  Yeah.
• 38:38
  Oh my God.
• 38:39
  If the rating is about your job, this can represent a business trip.
• 38:45
  Sometimes it means a job change or a shift in work related responsibilities.
• 38:50
  Weird.
• 38:51
  The night may also caution you to hold your tongue and bite your time.
• 38:57
  Diplomacy is important now.
• 38:59
  I mean, he definitely bite at his time.
• 39:02
  Yep.
• 39:03
  Yep.
• 39:04
  How many days?
• 39:05
  The 15th to the 23rd.
• 39:07
  Like, well, I'm thinking more in the aftermath.
• 39:11
  For sure.
• 39:12
  Yeah.
• 39:13
  That is true.
• 39:14
  Yep.
• 39:15
  Yeah.
• 39:16
  Hold your tongue.
• 39:17
  I have to.
• 39:18
  Nothing else happened.
• 39:19
  Like, he kind of approached it from a position of like really taking ownership, but also like
• 39:26
  and also being, it seems like from all indications very respectful.
• 39:30
  So it was very much like diplomacy for sure.
• 39:34
  Yeah, we just, you know, I want to juice your history.
• 39:37
  This is why, you know, historical things are in movies are often.
• 39:42
  They spite historical things.
• 39:44
  They're movies are often more spicy.
• 39:50
  It all connects.
• 39:51
  Nice spice that bad, boy.
• 39:53
  How crazy do my eyes get when there's like a connection?
• 40:01
  In a reading about love, the night may point to a new affair or a change in an existing
• 40:06
  relationship that brings more freedom, excitement and openness.
• 40:11
  We can also recommend being more flexible and tolerant.
• 40:16
  Maybe because his wife with the twins at home had to hold the fabrication that we made
• 40:23
  of the spice that we added.
• 40:26
  The completely fictional backstory that we have invented.
• 40:29
  So sorry, CC Graham, wherever you are.
• 40:33
  RAP, I assume.
• 40:35
  Yeah, I'm going to say, yeah, we're just having fun here.
• 40:40
  We're yes, Andy.
• 40:41
  Yeah, no, we really are.
• 40:43
  Yeah, it's a party.
• 40:44
  Yes, they are.
• 40:45
  For sure.
• 40:46
  Well, should we go?
• 40:47
  Yeah, we should do it.
• 40:49
  Have a creepy ass day.
• 40:50
  Have a creepy ass day.
• 40:51
  Oh my god.
• 40:52
  What the heck?
• 40:53
  Last time you said it, you said it was too slow.
• 40:56
  I said it like normal and you went like, I'm a creepy ass day.
• 41:05
  Yo.
• 41:06
  I thought you were saying goodbye.
• 41:10
  I mean, we were.
• 41:12
  And then you all they married up in this bitch.
• 41:18
  Should we do it again?
• 41:19
  Or was that sufficient enough?
• 41:20
  I'm sure it was fine.
• 41:22
  Okay, perfect.
• 41:23
  Okay, bye.
• 41:24
  Okay, bye.
• 41:25
  We listen and we don't judge.
• 41:33
  I can do one.
• 41:34
  [Music]