Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Phillip Marlowe: The Black Halo (EP1325)
Transcript
- 0:28Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
- 0:35is your host, Adam Graham. If you have a comment, email it
- 0:40to me Box thirteen at Great Detectives dot net, follow us on Twitter at
- 0:45Radio Detectives, and become one of our friends on Facebook, Facebook dot com
- 0:51Slash Radio Detectives. Before we do get started, I do want to remind
- 0:57you we have a couple other great series out there. We have the Old
- 1:00Tom Radio Superman Show. Currently Blaine Dollar is pinch hitting for me. You
- 1:06can follow that over at laser Andsword dot com. And then there is The
- 1:11War. As we continue our v E day week of programs. You can
- 1:17follow us at The War dot Great Detectives dot net. Well it's Tom now
- 1:23for today's episode of the Adventures of Philip Marlow. Today's episode the Black Halo.
- 1:30Somewhere in the cold, persistent rain that made the city itself seem a
- 1:34thing of evil, a girl it disappeared and it was my job to find
- 1:38it. But before I did, I found Death and the Devil. From
- 1:44the pen of Raymond Chandler, outstanding author of crime fiction, comes as most
- 1:48famous character. As CBS presents the Adventures of Philip barlow and now with Gerald
- 2:04Moore starred as Philip Marlowe, we bring you tonight's exciting story, The Black
- 2:08halos Well. Three days an ugly starm had lashed at the West coast from
- 2:27northern Oregon to the tip of lower California. And although it was only noon
- 2:30when I drove up to the sprawling red brick house just south of Santa Barbara
- 2:34to meet a new client of mine, the black that was in the sky
- 2:38and the driving rain that was everywhere left the day bleak and wet and cold.
- 2:44Left at the kind of day that made you feel that logs blazing in
- 2:46a fireplace and a warm, dry robe were the only things that could matter
- 2:51to anyone. But when I got inside the house, Felix Drum, three
- 2:55hundred and fifty uncomfortable pounds of executive in a wheelchair, his living importing perfumes,
- 3:00was very worried, not about the weather outside. Follow Julia Perry is
- 3:06gone. I want you to find her and bring her back. And the
- 3:09sooner you do that, the better, and the more I know, mister
- 3:12Drum, easier it'll be exactly who is Julia Perry? My assistant, very
- 3:16capable girl who in the past six months practically taken over my entire business.
- 3:22She handles most of the work from her cottage here on the grounds where she
- 3:25lives. She also has some little cabby hole in Los Angeles where she keeps
- 3:30her files and some sample stock. Yeah, the address of that cabby hole.
- 3:32If I knew the answer to everything, I wouldn't have hired you.
- 3:37And anyway, it isn't important A hand me that little bar is thank you.
- 3:55When did you last see Julian, mister Drum? Three days ago?
- 4:01It was three days ago when she left on one of her regular weekly trips
- 4:04down to Los Angeles to be done perfumed. Usually she stayed away overnight,
- 4:10but the Beechwood Plaza hotel most of the time, and she was back here
- 4:14by noon the next day. I suppose you've already checked the beach with Plaza.
- 4:16H Yes, of course, my man Ruby, the one who showed
- 4:19you in, is called the place a dozen times. But they only know
- 4:23that Julia registered there three days ago and hasn't been seen. Sin. What
- 4:27about the girl herself, mister Drum, I mean a background friend's family,
- 4:30that sort of thing. As far as I know, Marlowe Julia has no
- 4:32friends, no family either. They're just a sweet but smart little girl from
- 4:36someplace in Kansas. No bows, not even nice ones. Huh. I
- 4:41don't think she had the time. You see. When Julia first came to
- 4:44work for me, she wanted to get ahead, and I gave her the
- 4:46chance. She made good. Today she's as much my right arm as Ruby
- 4:50is my late Mister Drum. Did you notice anything unusual about Julia's behavior lately?
- 4:55Yes, and that's the reason I'm worried. But two weeks ago I
- 4:59saw changes and the girl Marlow, she seemed less spry, more preoccupied.
- 5:03Oh. I figured it was overwork myself, since the end of the year
- 5:09always means detailed and new reports, so I made no comment at the time.
- 5:14I say, tell me, mister Drum, what does she look like?
- 5:15Well? I have no pictures, but she's a blonde of medium Hiden
- 5:18was wearing a plaid raincoat and little circle of a hat when she left.
- 5:24Altogether, she's sweet and simple, if that's what you mean. Yeah,
- 5:28you might if I stopped into the cottage on my way out. Hmmm,
- 5:30Marlow, you turn the place inside out if it will help any Only since
- 5:35I'm certain that Julia's in some kind of bad trouble, You'll be quick and
- 5:41finder. Julia Perry's cottage was strictly the fifty to fifty arrangement the Drumat mentioned,
- 5:53with one room office near the living quarters. In the office, I
- 5:57found everything in his poper place, so I moved to the other the moment
- 6:00I stepped over the threshold, the white fluff that trimmed the quilted bedspread and
- 6:04the splash of color in the drapes said that Julia Perry had to be something
- 6:09soft and warm, And the half a dozen quietly tailored suits that were lined
- 6:13up in the closet like a squad of soldiers facing right told me that she
- 6:17was also simple and meat. I ran through the pockets of her clothes and
- 6:21all the drawers and closets in the room, trying to find something that would
- 6:25give me a lead that I was sure I had to have perhapter. Twenty
- 6:29minutes, I had found only a leather cigarette case, a package of peppermint
- 6:31life savers in a maroon and gold monogram book of matches, the cover of
- 6:35which was half torn off, so that I could only be certain that the
- 6:39middle initial was a V and that an E or an F or on either
- 6:43end. But since the name and address of an La novelty company was on
- 6:46the inside, I bought the matches as a starting point, dropped them into
- 6:49my pocket and headed for the door. When I opened it, I was
- 6:53surprised to find Ruby, Drums, right hand man, purple scar and all
- 6:57standing in the rain, staring at me like my ears was spinning. You
- 7:00seem to be a very sorrow man, mister private detective, and you seem
- 7:04to be a very nosy one. What do you want? Help, Julia?
- 7:08Nothing else. Here's a postcard that came for this morning. It was
- 7:12mailed in La yesterday, h D. Julia tried to reach you at Santa
- 7:16Barbara one one eight one both yesterday and today, but got no answer and
- 7:24leaving I'm leaving town tomorrow. There's one little girl who fled life and having
- 7:28kansas to another. I would have enjoyed seeing you again or a bit before
- 7:33I moved on to who knows where? And Santa Barbara one one eight one
- 7:40not the number here? Yeah, it's Julia's private business phone? Or what
- 7:45do you think the postcard? Any help? Possibly? Tell me? Ruby?
- 7:47Why didn't you show this to mister Drum. I forgot about it until
- 7:51just now. You're a liar. Well, it's on account of the postcard
- 7:56was delivered here to the cottage, which is no man's land for you.
- 8:00Yeah, sort of. Mister Drum doesn't like people who work for him mixing
- 8:03socially with each other. Well, maybe a sweet kid like Julia hasn't got
- 8:07any use for the passes you've been making at Anne Hold. I like Julia,
- 8:11and even if she don't go for me, anything I can do to
- 8:11help her, I still do understand. Yeah, I understand. I'm not
- 8:16so sure I believe. Goodbye Ruby. It was pushing five o'clock and still
- 8:26raining by the time I got back to La and over to the Novelly Company.
- 8:28Once there, I presented the torn book of matches that I had found
- 8:31in Julia's cottage to a ball man with horizontal question marks for eyebrows and who,
- 8:37at the crickle of a five dollar bill, tore himself away from his
- 8:39racing farm long enough to check the files for set of maroon and gold initials
- 8:43that had a V in the middle. And it was six o'clock before I
- 8:46had the answer, which was E V e. They weren't initials, but
- 8:50the front name of Missus Eve Bentley, who lived in a villa at the
- 8:54swank Sunset Terrast Apartments, and, according to the gentleman who said he knew
- 8:58his oats, was a very classy. An hour later I was at Missus
- 9:01Bentley's front door, and while I made with the chimes and waited, I
- 9:05wondered just how much a guy who loves the ponies could know about women.
- 9:09But when the door opened, I had my answer, Yes, what is
- 9:13it? Missus Eve Bentley wasn't beautiful, but she was everything else, including
- 9:20a shimmering yard of gold hair piled high on her head and held in place
- 9:24by a knot of pearls that no boy scout at the time. Her face
- 9:28was wide blue eyes and open red lips on a backdrop of soft fair skin.
- 9:35She wore a black silk jersey dress that must have been sprayed on.
- 9:41She smiled when I said my name was Philip Marlowe and that I wanted to
- 9:43talk talk about what mister Morrow Julia Perry. Have you hear of her?
- 9:48No? I haven't, hm, So I'll try again. What do you
- 9:50know about Anne? Somebody from Haven, Kansas? Absolutely nothing. This torn
- 9:56book of matches says otherwise. I found them in Julia Perry's Julia Perry is
- 10:01missing. I'm a private detective. It was hired to find it, and
- 10:03the matches turned out for yours. How may I come in? What?
- 10:11Oh, missus Bentley? Maybe we are to start all over. Wait just
- 10:13a minute, mister Marlow, I may be able to help you. Did
- 10:16this Julia Perry deal in perfumes? That's right now? How did you know
- 10:22that? Because I just remembered something, and now I'm sure I can explain
- 10:26why my matches showed up with it. Just a minute, just a minute.
- 10:28You know, whenever I'm talking to a beautiful woman, somebody is always
- 10:31creeping around in the kitchen. Who is it this time? Really, mister
- 10:37Marlow. There's a storm outside, and there were windows and trees. You
- 10:41put those three things together. That noise could have been a branch scratching on
- 10:45a glass bean or somebody with squeaky shoes and a lot of curiosity, somebody
- 10:50like mister Bentley, for instance. I doubt that, mister Marlow. You
- 10:54see, mister Bentley's been dead now for three long years. Oh yes,
- 11:00well, you were saying something about the matches. Oh yes, this is
- 11:05Julia Perry must somehow rather gotten hold of them through my fiancee, Marvin Whittaker
- 11:09figure like two and two. Marvin is in the perfume business. Julia also,
- 11:15I think he mentioned her name once, said she was very clever for
- 11:18her girl who looked like somebody's kid's sister. That's it's all right. Where
- 11:22well? I find said fiance at his favorite bar and grill. But won't
- 11:28you have a drink mister tomorrow? No, thanks e, there there wasn't
- 11:33time now the bar and grill, the Blue Boar, Blue Witch boor,
- 11:39mister Marlowe. It's a very English spot over on Wilshire, opposite Arthur Murray
- 11:45studio. But before you dash, do you at least have a match?
- 11:50Yeah? Old book up and honey tongue covered all and I want you to
- 11:54keep them. After all, they brought us together, didn't they. When
- 12:07I got outside, I postponed my run between the rain drops over the Wilship
- 12:11Boulevard long enough to take a look behind the villa. There, in a
- 12:13newly planted strip of clover lawn below missus Bentley's kitchen window, I found something
- 12:18which was no surprise, two clear prints of a man's shoe. But from
- 12:22there on out I got nothing more than a lot of rain down the back
- 12:26of my neck. So ten minutes later I dripped into my car and headed
- 12:28for the Blue Boar and Eve Bentley's Gentleman for him. I located Marvin Whitaker,
- 12:39a handsome hail fellow well met and a white turtleneck sweater and whiting bridges
- 12:43behind a hot rum toddy in a corner booth that was pictures of steeplechase mounts
- 12:46against newly antique mahogany. And when I told him that I was looking for
- 12:52Julia Perry, he flashed a lot of glistening teeth at me, insisted that
- 12:54I joined him in a warming glass of spirits, and started to talk,
- 12:58gesturing all the time with a riding crop. Bye. Yes, old man,
- 13:01I know Julia Perry and pact almost did some business with her today.
- 13:05I mean, you were supposed to meet Julia someplace that's right at eighteen eighty
- 13:09one Selma Avenue'll be precise. But she called me this morning and postponed the
- 13:13whole transaction indefinitely. Could you stop projecting long enough to tell me why?
- 13:18She didn't say, of course, it's of no father to me on a
- 13:22day like this. No sane man should be any father away from a Toddi
- 13:26than we are right now. So drink up, all boy. It'll do
- 13:28you a world of good. Yeah, yeah, but it will plug mister
- 13:33Whitaker. One more question. Did Julia ever speak of a girlfriend named Dan,
- 13:37someone she knew years ago in Kansas? No, I don't believe she
- 13:39did. Model a matter of fact, Julia never talks of anything but perfumes.
- 13:43Now, drink your drink, fellow, before it's chilled through. Thanks,
- 13:46but no thanks, old bean. I do have to run. Really.
- 13:56It was a twenty minute drive to the address on Selma. The rain
- 13:58had stop at the time I got there. The place was one of those
- 14:01once upon a time rooming houses that had been partitioned off into a couple of
- 14:05dozen two by four cubby holes just big enough with a very small businessman to
- 14:09Phillis Mountain pen In. When I got to the door and asked the scrub
- 14:13woman, it was a lot of wild red hair around two popeyes with Julia
- 14:16Perry. I knew I was moving in the right direction because the lady standing
- 14:20in front of me was anything, but come more important, she had just
- 14:22heard a pistol shot from the back of her house. Yes, that's right,
- 14:26a pistol shot, not over two minutes ago. I'm sure that Perry
- 14:28girl had time to do with it, because when I come from inside,
- 14:31I saw her rush out down these ships. Did she say anything? I
- 14:35don't know. She was going out of site before I could open my mouth,
- 14:37but I know it was her on account of that plaid copety hat you
- 14:39wear. Yeah, yeah, now which room is hers? Come on?
- 14:41Well that one day with a light showing under the door. But it's not
- 14:46she will be able to get in. I get cried. I will try
- 14:48again for luck. It's not the best one, but my business. Amen,
- 15:01Yeah, dead one. At that Granny you know who the mudd and
- 15:09clover grass on the bottom of his shoes. I tag him as a guy
- 15:11who was looking at a lady's kitchen window of an hour ago, that purple
- 15:16scar and his chink, and knew even better than that the name Granny is
- 15:20Ruby, a guy I thought was still in Santa Barbara. In just a
- 15:37moment, we will return to the second act of the Adventures of Philip Marlowe,
- 15:39but first given clues, even the newest of Philip marlow fans can deduce
- 15:45the characters and CBS's great new early Sunday evening comedy lineup. The Washboard leads
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- 15:54course, that's for America's most famous non virtuoso violinist, Jack Benny, who
- 15:58follows Spike joneses on CBS. The two a's Amos and Andy, who are
- 16:03heard on CBS immediately following Jack Benny. So it's really no mystery at all
- 16:07why millions of Americans now stay tuned to CBS on Sunday nights where these three
- 16:12superb comedy shows in succession, Spike Jones and Amos and Andy over most of
- 16:18these same CBS stations, and Jack Benny over them all. And now with
- 16:23our star Gerald Moore, we returned the second act of Philip Marlowe and Tonight's
- 16:27story. The black Halo, Ruby's buddy sprawl on the floor and the girl
- 16:41in the plaid raincoat running away from it meant one thing. Julia Perry's trouble
- 16:45was important, like life, but more like death. A half sneer was
- 16:48congealed on Ruby's face and his eyes turned waxy, still held a look of
- 16:52mild surprise. And I wasted some breath telling the scrub woman not to touch
- 16:57anything. And then I put in a call and my overweight client in Santa
- 17:00Barbara. He was glad to hear from me at first. Well, no,
- 17:06I didn't expect to call from you this soon. You should work fast,
- 17:08don't you, lad? Have you found her? Have you located Julia?
- 17:12Not quite. She's about five minutes ahead of me. Incidentally, mister
- 17:15Drum, she works fast too. What do you mean by that? That
- 17:18me ask the questions? Number one? What was your like man Ruby doing
- 17:21in La at night? Ruby? Yeah? Why? I send him in
- 17:25to pick up some medicine for me. Why come on, Drum even talked
- 17:29straight at that, and you're better. I just found Ruby dead dead?
- 17:32Ruby's dead? What happened to him? Olow? It was shot, So
- 17:37forget the gags and tell me why he was snooping around? All right?
- 17:41I didn't trust you. It's my policy to trust nobody until he proves himself.
- 17:45I sent Ruby in to follow you and check on your progress. That
- 17:48was brilliant. He only made three mistakes. First, I don't need to
- 17:52be checked on second, you got your man killed. In third, you
- 17:53forced Julia's hand because it was Miss Perry herself will pulled the trigger on Ruby.
- 17:59Julia, Hi hollow. I don't believe that, which proves nothing,
- 18:03mister Drum, but skip it. Tell me. Do you know a man
- 18:04named Marvin Whittaker? Yeah? Oh should? I really says he's in the
- 18:08perfume business. I know everybody on the coast to board more than two bottles
- 18:12of perfume at one time in the last forty years, and I don't recall
- 18:15that name. I think the man must be a liar, so do I
- 18:19thanks for the help, and Drum. If you've got any more expendable flukies
- 18:22around, keep him out of my hair. I'll call you when I've got
- 18:26something. I called homicide next and told the tective lieutenanty Barrow where to find
- 18:33the body and who was responsible for it being in that dead condition. When
- 18:37the question of why came up, I admitted that I was still shooting blanks.
- 18:41I told him about the razzle Dazzle Whittaker had handed me and named the
- 18:45Blue Boar on Wiltshire is my next stop. Ibarra said he'd called me there,
- 18:48And when I got to the entrance to the place, I saw Whittaker
- 18:51draped in a trench coat that involved in upcloth the rig a foremasted schooner standing
- 18:56in the ante room, impatiently smacking his leg with that riding crop. He
- 19:00looked positively dashing. Question wise, which way hire them all? Old hey,
- 19:06old boy, you look upset, anything wrong, and maybe upset wike
- 19:08of each other? One that's gonna spill? First, you're leaving or coming
- 19:11back? I'm just leaving, been here all the times since I talk to
- 19:15you. That's right, You see, my code is perfectly dry. Stop
- 19:18raining half an hour ago. Well but you see, if i'd been outside,
- 19:22I would have known that. But why this third degree mallow? What's
- 19:26up? It's a long story. Maybe we better sit down and talk it
- 19:30all over from the beginning. Oh, I'm afraid I can't not just now.
- 19:32I've got a date showcap. Not this one. That's something something rather
- 19:37special, special, like Eve Bentley. Look here, old boy, you're
- 19:42prying into my personal affairs. Ripped the lid clear off your personal affairs if
- 19:45necessary to get a clean answer out of you. What do you really know
- 19:49about Julia Perry? I told you once. Are you implying that I'm alive
- 19:52at least that for instance? Who puts out a mirror? Come on,
- 19:56widick, it's a well known fragrance. Why I don't recall off hand?
- 20:02That's strange because any woman knows Amy it's a Dana perfume. Just what are
- 20:06you trying to prove by all this? And it's a perfume dealer, you
- 20:07stink and try this. Besides, when I got to that address you gave
- 20:11me, I found a fresh copse there with a bullet hole in it.
- 20:15A murder, yeah, and your routine was pat brother. So before homicide
- 20:18starts calling out the snags in your story, you better untangle it yourself right
- 20:22now. Your lied to me? And why did you do it? You
- 20:26go? Why the devil? Tell all right, Marlow, I'll tell you.
- 20:29I'll tell you. It was as quick as a wounded cat. The
- 20:37riding crop slashed across my face even before I'd realized it moved, and by
- 20:41the time the red light stopped dancing in my eyes, Robin Witiger was gone.
- 20:48I turned as the headwaiter walked up to me. He studied the hot
- 20:52red weal uprising on my face for a moment, and then murmured discreetly that
- 20:55if my name was Mallow, I was wanted on the phone it was Altenably
- 21:00Barr. Well, you can stop beating the brush for Judith Perry. We
- 21:03found her, it did. Where is she borro She's out in the alley.
- 21:07Here behind the beechwood applies Hotel Marlo, exactly eight floors down from the
- 21:11window of her room. She goes through the glass roof above the rear.
- 21:15Oh it's not pretty. She explained the whole thing, including that Ruby guy's
- 21:21murder and a note we found in her room. I'll be right over hebar
- 21:26okay, the whole story. Marlow and Drum finally got around a trusting hurr.
- 21:42He practically gave her his business. It was too much temptation. She'd
- 21:47been stealing from him in a big way for almost a year, her note
- 21:49says, and she decided to run for it when she knew she couldn't hide
- 21:52the test any longer. That's right. That Ruby caught on someway and she
- 21:56killed him. But I guess murder was too rich for a blood, so
- 22:00she came back here, thought it over, and then checked out. Yeah,
- 22:04all she left behind was a little plaid raincoat and that purse over there.
- 22:08Hey, she was wearing a dinky hat, towy Bard, you find
- 22:11that? Come over here to the windlow Phil, see down there and I
- 22:15kind of be that little black circle. That's her hat. I sent Mooney
- 22:19down to get it. Can't leave any loose ends around you know, yeah
- 22:25that light Lieutenant? Oh sure, yeah? Thanks? Hey, what happened
- 22:30to you that well? Down in your face? Phil? Uh backed that
- 22:33horsey liar named Whittaker into a corner and he slapped his way out with a
- 22:37riding crap. And speaking of loose ends, if I ever catch up with
- 22:41that, hey, barrow, where did that stuff on the dresser come from?
- 22:45This? Out of the pockets of Judah's plaid coat? Why? But
- 22:48that's impossible unless holy smoke, that's why Whittaker lied to me. Hey,
- 22:53where are you going with that? Phil? Come back here. I gotta
- 22:56check on something and keep your notebook handy. If I'm right, this dealer
- 22:59is still open all the way from the Suicides Room in the Beechwood Plaza out
- 23:08to the Widows Villa in the sunset Terrace, and mine juggled a jumble of
- 23:11facts trying to beat them into a brand new pattern, a pattern that had
- 23:15to include an object the borrow had found in the pocket of that plaid raincoat.
- 23:18It almost made sense. I needed just a little more. Oh.
- 23:23When I turned into the parking lot at the sunset Terrace, rain began to
- 23:26fall again, thin cold rain. I walked to Eve Mentley's door and pressed
- 23:32the bell. Just as I expected, it was Marvin Whittaker, unsmiling and
- 23:37nervous, who entered the door. I didn't give him a chance to think.
- 23:40I just swung high. Okay, horseman, that squares us up.
- 23:45Come on, heavy, rollover. I'd see if you're carrying a gun,
- 23:48okay, no gun, be a good boy, whitty gun. You'll make
- 23:52out all right, But one funny wiggle out of you and I'll crack a
- 23:55skull. It's I promise, Do you hear me? All right? Where's
- 24:00Eve? Is she here? Try not for yourself, mallow, I'm fair
- 24:04enough that so I'm not talking through my head. I'll take a look in
- 24:07her closet. First. She won't be in there, I can see,
- 24:11no, but a future might be. Let's see, it's gotta be in
- 24:15here someplace. Oh yeah, yeah, yeah, this is probably it.
- 24:18Brown fourth cote a sheik is a pair of hob nail boots and still damp.
- 24:22The label says the pH company have in Kansas. That does it.
- 24:26I've got it all now, and my chivalry just died. Where is she
- 24:29Wittker? Where's he right here? Marlow? Oh, don't try that.
- 24:33I guess you really do have it figured out, haven't you. Yeah?
- 24:36See, I have sorry it turned out this way because you had your points
- 24:41as even as Julia. Don't put it in the past tense Marlow. As
- 24:45Eve Bentley, my life is just beginning, and now I've got everything I
- 24:48ever wanted as Julia Perry. Julia Perry I was, she still is Whitaker.
- 24:53At least that's what the bailet will call it in court. There won't
- 24:56be any court, Marlow, I'm afraid there will. Baby twice a killer
- 25:00now, and both for the same reason. Remember first, Ruby, because
- 25:03he saw you as Eve and the girl you pushed out of the hotel window,
- 25:07who was no doubt, Anne, your old chum from the hometown.
- 25:10She must have seen you posing as Eve too. All right, Mama Anne
- 25:14ran into me by accident and ruined everything. I had no choice. I
- 25:18promised her money and then told her to go to my room at the beach
- 25:19with pleasant and wait for me. I can't believe this. It can't be
- 25:22true. Yes, Marvin, it is true, darling. I didn't want
- 25:26this mess. I'd have left tom this morning as I intended, if sweet
- 25:29sly little Ann hadn't seen me. I tried to get rid of you the
- 25:33easy way, Marlow, and I sent you to Marvin. The Selma Street
- 25:36address he gave you should have led you to the end of Julia Perry.
- 25:38Is that why you phoned me and told me to lie to Marlow? Yes,
- 25:41Marvin, I was going there to write my suicide note and used the
- 25:44stock room for my disappearing act. But Ruby caught me, and after that
- 25:48I had to work fast. But it's all right now. It all worked
- 25:53out perfectly. They were the only two who knew besides you, Marlow.
- 26:00Aren't you forgetting little Marvin here? Forgetting him? Oh no, mister Marra.
- 26:06Marvin's the one person I can count on. That's what you think.
- 26:08You don't get me mixed up in this. I bargain for an heiress,
- 26:12not a murderist. Are you dirty? Look all right, then I'll use
- 26:18this gun on you. Too, because I'm getting out of here. No
- 26:21one could have stoped me. You're right between U. See, you can't
- 26:22get us both. He's right, baby, You're not good enough to get
- 26:25us both, and killing just one of us isn't going to solve anything.
- 26:27What are you saying? It's been a long night, baby. He just
- 26:33couldn't tell anyone. Do you want any more of this coffee model? No,
- 26:51it's sludge, Lieutenant. I wonder what Julia Perry uses for a heart.
- 26:55You know, she planned the thing for six months when she first set
- 26:57herself up as Eve Badley, and it probably would have oh oh yes,
- 27:03probably would have worked if everything hadn't closed in on her. Yeah. A
- 27:07friend then from Kansas, Ruby the leg Man, and you were that torn
- 27:11book of matches. Incidentally, that was pretty fast figuring up in the hotel
- 27:14room that a mortal Oh not so fasty, But I knew he've had those
- 27:18matches because I left him with him. So when you found the same matches
- 27:21in the pocket of Julia's plaid, Codd figured Julia almost had to be that
- 27:25left and to furnish the body for the suicide. Yeah, you know,
- 27:30I wasn't so sure about that until I found the brown coat with a Haven
- 27:33Kansas label in Eve's apartment. Yeah, well, i'd better wait on back
- 27:37to the office. What can that rain come down? I think i'd let
- 27:41a stop. I don't know, I doubt it. Oh, by the
- 27:45way, here it's her hat Moon. He finally got it out off that
- 27:48hotel canopy. Maybe you'd like it for a souvenir. Yeah, the military
- 27:52people call it a halo hat and Alan wilald. I sat there a while
- 28:10after he borrow left, looking at the rain in the street, the cold
- 28:15coffee in front of me, and Julia's little round halo on the table,
- 28:19And finally I got up and went outside. Dirty water scutted along the gutter
- 28:26and gurgled thickly into the sewer drain at the corner. For a minute,
- 28:32I caught a glimpse again of the girl I'd figured Julia Perry to be when
- 28:36I went through a cottage at Santa Barbara. Yeah, that girl was an
- 28:40angel. But when I finally caught up with her, a halo turned out
- 28:45to be black jet black inside knock. I dropped the little hat into the
- 28:52gutter and watched it go as far as the drain at the corner and then
- 28:56I went home. The Adventures of Philip Marlowe, created by Raymond Chandler,
- 29:22stars Gerald Moore and is produced and directed by Norman McDonald. Script is by
- 29:29Meldon La Robert Mitchell and Gene Levitts featured in the cast with Joan Banks,
- 29:33Paul Freeze, Peter Leeds, Jack Prusian and Lois Corbett. Lieutenant Detectiva bar
- 29:38Is played by Jeff Corey. The special music was by Richard o'ran. Be
- 29:47sure and be with us again next week. When Philip Marlowe says a startled
- 29:52corpse, a blue eyed woman in a cryptic message scrawled by a dingy man
- 29:56with the pieces of a Chinese puzzle, it wouldn't fit together until I've found
- 30:00out what was deadly about the orange dog. You'll find a whole hour of
- 30:18fun, variety music and thrills on sing it again tonight and every Saturday for
- 30:22it's heard over most of these same CBS network stations. Now stay tuned for
- 30:29Gang Busties, which follows immediately over most of these same stations. This is
- 30:40Roy Rowan speaking for CBS the Columbia Broadcasting Systems. Welcome back well, a
- 31:03very strong story definitely has a feeling of something that could have come from the
- 31:10pen of Raymond Chandler, and I love the double identity a twist, and
- 31:15just Marlowe's overall sardoniquit just a great episode. Speaking of that, I received
- 31:22an email from Merph who writes a professor great work choosing pearls r Nuisance for
- 31:29the recent special good Friend from Chandler and Bennox. I've been reading and rereading
- 31:33Chandler at least since the seventies. I became a fan of the Life of
- 31:37Riley in the fifties. I even named my computer's Chester and the Laptop of
- 31:42Riley. What a revolting development for fans of the show. That was an
- 31:48actually insult. That was actually one of Chester Riley's catchphrases. But I digress.
- 31:56He goes on to say, concerning Chandler, I suspect you've already read
- 32:00The Simple Art of Murder, but if you know, you might look it
- 32:04up first publisher. I think in Atlantic it was his defense of realistic mystery
- 32:09and detective fiction as post for example, stories like those written by Agatha Christy.
- 32:15He makes a good case. Although I've enjoyed a lot of the sort
- 32:17of stories he's dismissed. Great work also with your podcast The War, not
- 32:22just because of the two Life of Riley episodes, although I didn't enjoy them,
- 32:27remembrance is important. You do good work. I appreciate it well.
- 32:30Thanks so much, Murph. And I have read his Simple Art of Murder,
- 32:37and I'm kind of in the same boat as you. I love Poirot,
- 32:39but he does make a very strong, very passionate case for his style
- 32:45of detective fiction, of the hard boiled style. I don't like the dismissive
- 32:52parts, but I really like the passion that he brings to that piece.
- 32:57And you know, if you read that essay, and it is available online,
- 33:00it's hosted over at the University of Texas, I you can just do
- 33:07a search for Simple Art of Murder, and that's where I first read it
- 33:12a year or two back. You read it, and you can in fact
- 33:15get a description and a picture of Philip Marlowe and just reading from one paragraph
- 33:22in the essay writing about this story, he says, in everything that can
- 33:28be called art, there's a quality of redemption. It may be pure tragedy,
- 33:32if it is high tragedy, and it may be pity and irony,
- 33:35and it may be the raucous laughter of strong men. But down these mean
- 33:39streets a man must go who is not himself mean, who is neither tarnished
- 33:45nor afraid. The detective in this kind of story must be such a man.
- 33:50He is the hero. He is everything. He must be a complete
- 33:54man and a common man, and yet an unusual man. And he goes
- 34:01on to write some other characteristics. He is a relatively poor man, or
- 34:06he would not be a detective at all. He is a common man,
- 34:09or he would not go among common people. He has a sense of character,
- 34:14or he would not know his job. He will take no man's money
- 34:17dishonestly, and no man's insolence without due and dispassionate revenge. He is a
- 34:22lonely man. In his pride is that you will treat him as a proud
- 34:28man, or be very sorry you ever saw him. And I actually think
- 34:32you read that. That just captures so much the spirit of Philip Marlow.
- 34:37And one thing I love about the radio writers. Radio writers often on other
- 34:43programs they would take detectives from literature and they'd say, you know, it's
- 34:47great, You've got all these characteristics and personality, but We're just gonna take
- 34:52this character name and make him the type of detective we want him to be.
- 34:57The writers of Philip Marlowe. I think, you know, within the
- 35:00limits of content standards on radio, they captured that character and you saw that
- 35:07sort of sense of the dispassionate revenge served out when that fiance took a cheap
- 35:15shot at him today, So I do. I think it's definitely worth a
- 35:20read. You may not agree with all Chandler has to say, but I
- 35:25think it's a very powerful, well stated sa and it is, as I
- 35:30said, definitely worth of read and worth of thought myself. I'm just continuing
- 35:36to take my first reads through Chandler. I've of course listened to all the
- 35:42radio plays from the BBC and from the US I've been able to get my
- 35:46hands on, but working through the books. Just finished the fifth one,
- 35:51The Little Sister, and next up will be as short story collection Trouble as
- 35:54My Business, so some fun stuff I had. Thanks so much for the
- 35:59email, truly appreciated it. All right, Well, that will do it
- 36:04for today. If you have a comment, send it to me Box thirteen
- 36:07at Great Detectives dot net. Follow us on Twitter at Radio Detectives and become
- 36:13one of our friends on Facebook, Facebook, dot com. Slash Radio Detectives
- 36:17from Boiseadaho. This is your host, Adam Grahamson and off