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Wolf Creek and the Horrors of Australia · Movie Meltdown

• 0:06
  Speaker 1: Hi, I'm Mick Garrison.
• 0:07
  Speaker 2: You're listening to Movie Meltdown.
• 0:18
  Speaker 3: It's showtime. The following feature has been rated R by
• 0:22
  Speaker 3: the Motion Picture Association of America. It is intended for
• 0:25
  Speaker 3: mature audiences and parental discretion is advised. Our nuclear reactor
• 0:31
  Speaker 3: pumping out.
• 0:32
  Speaker 4: One million kilowatts of power.
• 0:59
  Speaker 5: Five more cooling in the containment chamber.
• 1:01
  Speaker 2: That's not a knife.
• 1:09
  Speaker 1: That's a knife.
• 1:26
  Speaker 2: See you right there.
• 1:56
  Speaker 1: What's up and welcome to Movie Meltdown. I'm Brian and
• 1:59
  Speaker 1: joining me this week is Dickstar. We're coming to you
• 2:03
  Speaker 1: live via digital recording from the Audity Studios here for
• 2:06
  Speaker 1: another Meltdown Horror Club meetup. And this is another, see
• 2:12
  Speaker 1: this has been an ongoing thing of trying to get
• 2:16
  Speaker 1: it out there and trying to get the word out.
• 2:17
  Speaker 1: So I recently did a little promo episode and put
• 2:21
  Speaker 1: it up on the regular feed. It was like, hey,
• 2:24
  Speaker 1: this is what we do. We're doing more horror stuff.
• 2:27
  Speaker 1: Come join the club and we're doing a bunch of these.
• 2:30
  Speaker 1: That was the recent Town That Dreaded Sundown. Have you
• 2:35
  Speaker 1: seen that one?
• 2:36
  Speaker 2: The original? A long time ago, yeah. We were not thrilled. Anyway,
• 2:40
  Speaker 2: it has such a reputation.
• 2:42
  Speaker 1: We went in with such high hopes and I was
• 2:44
  Speaker 1: just like, what the hell is this movie? So, yeah,
• 2:48
  Speaker 1: that's on the feed if you want to go hear
• 2:49
  Speaker 1: that if you didn't listen. But, yeah, so I'm potentially,
• 2:53
  Speaker 1: I'm like, alright, we're doing something here, we've got some plans,
• 2:57
  Speaker 1: so I'm like, we'll throw this one out on the
• 2:59
  Speaker 1: regular feed, but this is like, this is the promo,
• 3:01
  Speaker 1: this is like, here's the cool horror stuff we're thinking
• 3:05
  Speaker 1: of doing, we're already doing a bunch anyway, but we've got,
• 3:07
  Speaker 1: I've got other... For a while now, I wanted to
• 3:10
  Speaker 1: kind of expand what we're doing and bring other people
• 3:12
  Speaker 1: in and do different kinds of episodes.
• 3:15
  Speaker 2: So we're doing all of that, but.
• 3:17
  Speaker 1: It's trying to get the word out to people that like,
• 3:19
  Speaker 1: this is what we're doing. Come, come, you know, log in,
• 3:22
  Speaker 1: join the club. It costs next to nothing to be
• 3:24
  Speaker 1: a member. So just go to, go to movie meltdown.com,
• 3:28
  Speaker 1: go to the Patreon link and it's right there. And
• 3:31
  Speaker 1: we're doing tons of exclusive episodes that are just for
• 3:34
  Speaker 1: horror club members. And you get to see really cool
• 3:37
  Speaker 1: artwork like, I don't know, that 20 Ways to Die
• 3:40
  Speaker 1: artwork that we did.
• 3:42
  Speaker 2: Wait, who did? Oh, wait, it was Dick Starr that
• 3:44
  Speaker 2: did that artwork.
• 3:47
  Speaker 1: There's a die and a knife and a... The.
• 3:50
  Speaker 2: 20 Ways to Die? Yeah. Yeah, that's right. The die. Wait,
• 3:54
  Speaker 2: the D-I-E.
• 3:55
  Speaker 3: Yeah.
• 3:55
  Speaker 2: Die. I'm thinking of, what's the, is there a different
• 4:00
  Speaker 2: term for that? Dice. Well, yeah. For some reason, I
• 4:04
  Speaker 2: was thinking.
• 4:04
  Speaker 1: I think the geekier people decided to call it Die
• 4:07
  Speaker 1: And now we just dive into it And I just
• 4:10
  Speaker 1: used it as an excuse To watch horror movies and
• 4:12
  Speaker 1: watch people die And be nerds and roll dice So
• 4:16
  Speaker 1: it all comes together.
• 4:17
  Speaker 2: And I think there are more than 20 ways Oh
• 4:20
  Speaker 2: probably But.
• 4:21
  Speaker 1: For what we're doing There's only 20 And each one
• 4:26
  Speaker 1: Each person that comes on board and joins the club
• 4:28
  Speaker 1: Gets to add a movie onto our list And we're
• 4:30
  Speaker 1: constantly rotating through We don't know. It's random.
• 4:34
  Speaker 2: Which of these 20 movies are we going.
• 4:35
  Speaker 1: To watch next time? So that's how we've been doing it. Again,
• 4:39
  Speaker 1: if you're not listening, you might not know these things.
• 4:41
  Speaker 1: But these are cool things that we're doing at the
• 4:43
  Speaker 1: Horror Club.
• 4:44
  Speaker 2: So come on board. And you get to hang out
• 4:47
  Speaker 2: with Dick. Everybody's dream. Yeah, I think so. So it's
• 4:56
  Speaker 2: been a while.
• 4:57
  Speaker 1: Yeah. It's been even longer since we checked in via
• 5:01
  Speaker 1: the internets during the shutdown there, but I don't know.
• 5:05
  Speaker 1: I have issues with trying to do stuff that way.
• 5:08
  Speaker 2: It's convenient. I wish it worked better.
• 5:10
  Speaker 1: I just feel like there's a disconnect between people.
• 5:14
  Speaker 2: There's technical issues.
• 5:16
  Speaker 1: It's so much better in the same room.
• 5:19
  Speaker 2: No, I hear you.
• 5:20
  Speaker 1: In the same disease-filled room.
• 5:22
  Speaker 5: I hear you.
• 5:23
  Speaker 2: Well, it's one of those things where it's kind of
• 5:25
  Speaker 2: hard to keep track or keep up with everyone via
• 5:27
  Speaker 2: texting or social media or something. Because you never know
• 5:31
  Speaker 2: what's going on in somebody else's life. I mean, real
• 5:33
  Speaker 2: life things. Maybe they just need to sleep. Maybe they're sick.
• 5:37
  Speaker 2: Maybe there's a family emergency. You never know.
• 5:39
  Speaker 1: I mean, we've had a few this year that we
• 5:42
  Speaker 1: had to do that way because people were infected. At
• 5:46
  Speaker 1: one point, I might have been one of them. But
• 5:48
  Speaker 1: we've had several times it's like, all.
• 5:49
  Speaker 2: Right, we can't meet this time because I was like,
• 5:51
  Speaker 2: damn it. We should stop getting infected.
• 5:55
  Speaker 1: But it's been a long time since we've been in
• 5:58
  Speaker 1: the same general space. So how's it going this past year?
• 6:02
  Speaker 2: Hey, you know, pretty much like everybody, you know, just maintaining.
• 6:06
  Speaker 2: Like Cube says, trying to maintain. Man, I don't know.
• 6:10
  Speaker 2: It's been a weird one.
• 6:11
  Speaker 4: Yeah.
• 6:12
  Speaker 2: And for a long time. As a horror fan, I
• 6:16
  Speaker 2: watch movies and think, you know, if you know there's
• 6:19
  Speaker 2: imminent danger around the corner or outside, why don't you
• 6:23
  Speaker 2: listen to the people that are telling you to just
• 6:26
  Speaker 2: fucking stay inside? And then this happens.
• 6:30
  Speaker 1: And then you become one of those people and you're like,
• 6:31
  Speaker 1: but I want to go and get.
• 6:34
  Speaker 2: Oh, no, no, no. I'm the introvert.
• 6:37
  Speaker 1: But everyone wants to know how we all get through
• 6:39
  Speaker 1: that because that's the thing.
• 6:39
  Speaker 2: Of course. Many a time in this last year I've
• 6:42
  Speaker 2: been like, eh, it's very little that's changed for me. Well,
• 6:46
  Speaker 2: that's exactly it. My idea of a good time was
• 6:49
  Speaker 2: already sitting at home in the middle of the night
• 6:51
  Speaker 2: drawing and watching old wrestling or horror movies or playing
• 6:56
  Speaker 2: a video game in my free time, but I just don't.
• 6:59
  Speaker 6: I don't know.
• 6:59
  Speaker 2: This was one of those things where It's like, okay,
• 7:02
  Speaker 2: no wonder people make dumb decisions. They just do.
• 7:04
  Speaker 4: Yeah.
• 7:05
  Speaker 2: Always. We'll get to that later.
• 7:08
  Speaker 7: Yeah.
• 7:10
  Speaker 1: Because I have a few responses as I'm watching this
• 7:13
  Speaker 1: week's movie.
• 7:13
  Speaker 2: Exactly. But yeah, I don't know.
• 7:16
  Speaker 1: This whole past year has been a weird mixture because
• 7:21
  Speaker 1: it is like there's times when I'm like, I don't know.
• 7:23
  Speaker 2: I don't go anywhere anyway.
• 7:24
  Speaker 1: Like, can I go get food at the grocery?
• 7:26
  Speaker 4: Yeah.
• 7:27
  Speaker 2: I just got to wear a dumb mask.
• 7:28
  Speaker 7: All right.
• 7:28
  Speaker 1: Well.
• 7:29
  Speaker 5: That's fine.
• 7:30
  Speaker 1: And the rest of my week is just sitting here
• 7:32
  Speaker 1: and editing the show and watching another movie. And it
• 7:36
  Speaker 1: all just continues on with the exception of, and this,
• 7:39
  Speaker 1: I guess, has affected both of us more than most people, actually.
• 7:43
  Speaker 1: The only thing I ever did that completely shut down
• 7:46
  Speaker 1: was conventions.
• 7:46
  Speaker 8: Oh, yeah.
• 7:47
  Speaker 3: Yeah.
• 7:47
  Speaker 1: So that definitely impacted you, I would assume.
• 7:50
  Speaker 2: Well, even bars. I mean, you can't have art shows
• 7:52
  Speaker 2: at bars anymore. I mean, there were just a lot
• 7:54
  Speaker 2: of things. I don't go to bars.
• 7:56
  Speaker 1: Art shows, I did.
• 7:58
  Speaker 2: Exactly.
• 7:59
  Speaker 1: The only times I've been to bars recently has been
• 8:02
  Speaker 1: either some sort of live comedy event or music and
• 8:05
  Speaker 1: then art shows that my friends have at bars.
• 8:08
  Speaker 2: Absolutely. That's the only thing I do. I mean, I
• 8:10
  Speaker 2: go to Gore Club. That would be it. And that's
• 8:12
  Speaker 2: because I try to support things on Sundays or whatever,
• 8:16
  Speaker 2: especially with the horror community and Steve and them. um
• 8:19
  Speaker 2: but yeah like otherwise i just don't go to bars
• 8:22
  Speaker 2: i never add clubs you know and i don't get
• 8:25
  Speaker 2: it really like well it's a young person's game man not.
• 8:28
  Speaker 1: Even that because that's the thing people try to pull
• 8:30
  Speaker 1: that stuff on me oh you're old i'm like no
• 8:32
  Speaker 1: i was always like oh okay because i think back
• 8:35
  Speaker 1: i was like i didn't like it from the get-go
• 8:37
  Speaker 1: like i remember trying it when i was just legal
• 8:41
  Speaker 1: but um yeah i was just like this is what's
• 8:43
  Speaker 1: i don't i don't get the connection part of it
• 8:46
  Speaker 1: because i'm like i'm a geek who likes to sit
• 8:48
  Speaker 1: on and talk to people at best if they're the
• 8:49
  Speaker 1: right kind of people usually ignore everyone but occasionally if
• 8:52
  Speaker 1: i find the right person i'm like oh let's hang
• 8:54
  Speaker 1: out and talk well you can't do that it's just
• 8:57
  Speaker 1: freaking shout out yeah you're just a horse in 10
• 9:00
  Speaker 1: minutes so i'm just like i don't get that i
• 9:03
  Speaker 1: don't want to drink i don't want to be around
• 9:05
  Speaker 1: drunk people so it's like Where's the upside to this?
• 9:08
  Speaker 2: Oh, that helped me quit drinking. Yeah. Like, I used
• 9:09
  Speaker 2: to work in bars. So, like, you know, just, oh, man,
• 9:12
  Speaker 2: carrying people out, vomiting, or watching bachelorette parties go crazy.
• 9:16
  Speaker 2: It's like, nah, it's fine.
• 9:17
  Speaker 1: I just don't get it.
• 9:19
  Speaker 3: Yeah.
• 9:19
  Speaker 1: So, I'll stick with my geeky pastimes, and I'm fine
• 9:23
  Speaker 1: with hanging out at home doing those.
• 9:24
  Speaker 2: We'll see. And then that's when the pandemic comes through. Yeah. Like,
• 9:29
  Speaker 2: I do... Honestly, I used to never video chat ever.
• 9:32
  Speaker 2: I hated it. Like, you know, even growing up watching
• 9:34
  Speaker 2: Back to the Future or Demolition Man and being like,
• 9:36
  Speaker 2: oh my God, I can't wait. Now it's like, oh fuck,
• 9:39
  Speaker 2: they're FaceTiming me or like, you know, something like, oh,
• 9:42
  Speaker 2: someone's going to Skype.
• 9:44
  Speaker 1: No. And that I think is being an old person
• 9:47
  Speaker 1: because that's, I have gotten involved with several much younger
• 9:52
  Speaker 1: people and they like don't even think about it. Like
• 9:54
  Speaker 1: they just, Every time they go to like what would
• 9:57
  Speaker 1: have been a phone call to me now is automatically
• 10:00
  Speaker 1: facetiming or facebook has their own dumb version of it
• 10:03
  Speaker 1: like everybody everybody has their own facetiming version of it
• 10:07
  Speaker 1: and i was just like every time it would go
• 10:09
  Speaker 1: off and be like oh fuck it's like really like
• 10:11
  Speaker 1: i've got other stuff i'm trying to do at the
• 10:12
  Speaker 1: same time i can't just stare at my phone for
• 10:15
  Speaker 1: however long this dumb conversation goes on i'm dumb only
• 10:18
  Speaker 1: if you're talking to me No, man, you don't want to.
• 10:21
  Speaker 2: Get FaceTimes from your parents in the middle of the night.
• 10:24
  Speaker 1: Thankfully, they're also old, so I don't get that from them.
• 10:27
  Speaker 2: Well, that's the thing. I'm very lucky. I'm not complaining.
• 10:29
  Speaker 2: I love having my parents still around, but at the
• 10:32
  Speaker 2: same time, you know, if your grandma or son, you
• 10:34
  Speaker 2: see your phone light up and you're in the middle
• 10:37
  Speaker 2: of watching a movie or, I don't know, taking a shit,
• 10:39
  Speaker 2: and then you're like, oh, this is not the time
• 10:41
  Speaker 2: for you more than anyone. Why are you FaceTiming? Can
• 10:44
  Speaker 2: we just not be handled over the phone? It creeps
• 10:47
  Speaker 2: me out. It just does.
• 10:48
  Speaker 1: I'm pretty sure that video phone camera thing, I think
• 10:53
  Speaker 1: the camera steals your soul.
• 10:55
  Speaker 2: I'm pretty sure.
• 10:55
  Speaker 1: It just creeps me out.
• 10:56
  Speaker 2: More than anything. Yeah, I feel like an FBI agent
• 10:59
  Speaker 2: watches the inside of my pocket a lot. Oh, probably. Well,
• 11:02
  Speaker 2: that's the thing.
• 11:03
  Speaker 1: I assume everyone is recording and watching and listening and
• 11:06
  Speaker 1: all of that, but I'm just like, I feel so
• 11:08
  Speaker 1: bad for the bastard that gets assigned to me. Because
• 11:10
  Speaker 1: I'm like, it's just so lame.
• 11:12
  Speaker 2: And I pull up reference pictures of, like, My Little
• 11:15
  Speaker 2: Pony for somebody's commission or something.
• 11:17
  Speaker 1: Which I was going to say, with the exception of
• 11:18
  Speaker 1: my Google search, which is always loaded with weird shit, which,
• 11:23
  Speaker 1: I mean, aside from my own personal weird endeavors, which
• 11:27
  Speaker 1: are already weird enough, but then I always, like, will
• 11:29
  Speaker 1: type in weird stuff that we're talking about on the show,
• 11:31
  Speaker 1: either just to get the spelling right or something. So
• 11:33
  Speaker 1: I'm just, it's always in my Google search. And I'm like,
• 11:36
  Speaker 1: if somebody goes back, that's what the list became. If
• 11:39
  Speaker 1: you watch the episode, like, the description that comes up
• 11:43
  Speaker 1: i it started in the beginning of me just like
• 11:46
  Speaker 1: putting down the basic stuff we were talking about and
• 11:48
  Speaker 1: then it like spiraled off into we say the weirdest
• 11:51
  Speaker 1: dumbest shit ever and i'm just like so i started
• 11:54
  Speaker 1: typing some of those too and then after a while
• 11:56
  Speaker 1: it became mostly those and then oh yeah and we
• 11:59
  Speaker 1: actually talked about this movie but so now it's just
• 12:01
  Speaker 1: like a stream of random nonsense that we say that
• 12:05
  Speaker 1: sometimes is related to movies sometimes it's just insane and
• 12:09
  Speaker 1: i'm like i'm typing and then posting all of that
• 12:12
  Speaker 1: into google so many red flags.
• 12:15
  Speaker 2: And just well man i mean you know there's been
• 12:18
  Speaker 2: it could be it could go right from breakfast food
• 12:21
  Speaker 2: to lucha masks you know what i mean like in
• 12:23
  Speaker 2: the same both are awesome by the way totally 100
• 12:27
  Speaker 2: i'm on.
• 12:27
  Speaker 1: Board with both if you had like a Lucha mask
• 12:29
  Speaker 1: made out of bacon.
• 12:30
  Speaker 2: Oh, dude, just wait. I'll send you a picture in
• 12:33
  Speaker 2: a little bit. I just did one. Bacon and eggs.
• 12:36
  Speaker 2: Does not surprise me then. All right. That was like
• 12:40
  Speaker 2: probably the whole reason that first two came to my
• 12:42
  Speaker 2: mind was like the last two things open in my tab. Oh, yeah.
• 12:47
  Speaker 2: That's disturbing.
• 12:48
  Speaker 1: But yeah, that was the whole camera thing. It was
• 12:51
  Speaker 1: funny because someone previously Regular on this show actually got
• 12:57
  Speaker 1: a hold of me like and we was like, oh
• 12:58
  Speaker 1: we're doing like movie trivia You should get involved.
• 13:00
  Speaker 2: I'm like, okay.
• 13:01
  Speaker 1: Wait, do we have to be on camera? They were
• 13:04
  Speaker 1: like no if you want you can just do them
• 13:07
  Speaker 1: So like everyone else on there the other night they
• 13:10
  Speaker 1: were doing trivia There was like a whole little screen
• 13:13
  Speaker 1: of like different teams of people and they were all
• 13:15
  Speaker 1: on their little screen There's my black sitting up in
• 13:18
  Speaker 1: the corner.
• 13:19
  Speaker 2: I'm like every once a while would pop up when
• 13:21
  Speaker 2: I would talk.
• 13:21
  Speaker 1: And be like That's me that's me i was controlling
• 13:27
  Speaker 1: myself i was still considering myself in public so i
• 13:30
  Speaker 1: yeah so that's.
• 13:31
  Speaker 2: Yeah i've gotten very comfortable with zoom calls.
• 13:35
  Speaker 1: I even even when we were recording i didn't bother
• 13:38
  Speaker 1: with the video aspect i'm like it's just gonna be
• 13:40
  Speaker 1: distracting we're just gonna be looking going what what the
• 13:42
  Speaker 1: hell are you doing oh yeah like let's just stick
• 13:45
  Speaker 1: to our old method and I.
• 13:47
  Speaker 2: Just know as far as work goes, Zoom.
• 13:50
  Speaker 1: That's what everybody does now. Thankfully, I don't have to
• 13:54
  Speaker 1: do that. It's what everybody's doing. I don't know that
• 13:58
  Speaker 1: that's going to change either. I feel like the world's
• 14:02
  Speaker 1: not really going to go back. Not for quite some time.
• 14:05
  Speaker 1: In general, I think there's so many aspects to what
• 14:08
  Speaker 1: has changed in this last year that it's not 100%
• 14:12
  Speaker 1: going to go back. People have gotten so comfortable with
• 14:17
  Speaker 1: Either video chatting all the damn time, not going into work,
• 14:21
  Speaker 1: handling everything in a Zoom meeting, like all of that
• 14:24
  Speaker 1: just convenient.
• 14:25
  Speaker 2: And I'm like, I don't think people are going to
• 14:28
  Speaker 2: go back.
• 14:28
  Speaker 1: Like some of them will, but I don't think you're
• 14:30
  Speaker 1: going to like all of a sudden 180 degrees. We're
• 14:33
  Speaker 1: right back to the.
• 14:33
  Speaker 2: Way it used to be.
• 14:35
  Speaker 1: People get set in their ways real quick.
• 14:39
  Speaker 2: You also see so many things, so many times in
• 14:42
  Speaker 2: literature or in movies where you know, down the road
• 14:45
  Speaker 2: in the, in the not too distant future, society is
• 14:49
  Speaker 2: kept apart largely, you know, and it's, and you always
• 14:52
  Speaker 2: wonder like, well, come on, when, when did it get
• 14:54
  Speaker 2: like that? Why would it ever be like that? And
• 14:56
  Speaker 2: then you see something like this and it's like, oh shit,
• 14:59
  Speaker 2: then the world has to keep going. So they develop
• 15:02
  Speaker 2: everything to be able to be done remotely from home. And,
• 15:05
  Speaker 2: you know, so like on your own and yeah, it's crazy.
• 15:10
  Speaker 1: Well, and I keep, I keep saying that especially tied
• 15:12
  Speaker 1: to what we do every, episode the entire entertainment system
• 15:17
  Speaker 1: has rearranged it and it was already doing that it
• 15:20
  Speaker 1: wasn't like oh covid came along screwed everything up like
• 15:23
  Speaker 1: the last 10 years has been a steady hey look
• 15:26
  Speaker 1: here's red box hey you don't even have to go
• 15:28
  Speaker 1: to a video store then it became hey netflix hey
• 15:31
  Speaker 1: netflix mails it to your house that's a dumb idea
• 15:33
  Speaker 1: hey look now it streams right near house and then
• 15:35
  Speaker 1: suddenly every i mean amazon was already doing it and
• 15:38
  Speaker 1: then all these other net you know Companies came along
• 15:41
  Speaker 1: and were just like, oh shit, we can make tons
• 15:43
  Speaker 1: of money and not ever have to physically do anything.
• 15:46
  Speaker 1: We just beam it out.
• 15:47
  Speaker 2: To them and charge them for it. that was already
• 15:50
  Speaker 2: going on.
• 15:50
  Speaker 1: So now that like people just don't go out into the,
• 15:54
  Speaker 1: like you see major releases coming straight to your, I
• 15:57
  Speaker 1: watched something on.
• 15:58
  Speaker 2: The premiere day the other day.
• 16:00
  Speaker 5: Right.
• 16:01
  Speaker 1: And it was weird because like, I then Google again,
• 16:04
  Speaker 1: I was like trying to figure, I was like, wait,
• 16:05
  Speaker 1: what was the name of that thing?
• 16:06
  Speaker 2: I just watched it.
• 16:07
  Speaker 1: I brought it up and it brought up the theaters
• 16:08
  Speaker 1: it was showing in.
• 16:09
  Speaker 2: I'm like, Oh, that's weird.
• 16:11
  Speaker 1: Like I've never, like I saw wonder woman, but that
• 16:14
  Speaker 1: would seem like a big promo. This was just a
• 16:16
  Speaker 1: regular old dumb movie. And I was just like, Oh,
• 16:19
  Speaker 1: that's like on its opening weekend, I sat in my
• 16:22
  Speaker 1: house and watched it. That's weird.
• 16:24
  Speaker 2: I mean, Borat 2, you know what I mean? That's
• 16:26
  Speaker 2: not the first Borat in the theater. Same with the
• 16:29
  Speaker 2: Jackass movies. And now it's kind of crazy to think that, yeah,
• 16:34
  Speaker 2: I don't know the next time I'll be in a theater.
• 16:36
  Speaker 2: And you're never really worried about that.
• 16:39
  Speaker 1: And I like the theater experience.
• 16:41
  Speaker 2: That's the thing, man. I still enjoy the theater. Yeah,
• 16:44
  Speaker 2: I look forward to it. It's still like... do I
• 16:47
  Speaker 2: want to sit there with a mask on? Like that's,
• 16:50
  Speaker 2: I'll wear them when I need to wear them.
• 16:52
  Speaker 1: But I'm like, it's just, it's not going to be
• 16:53
  Speaker 1: comfortable sitting there for what is always a three hour
• 16:56
  Speaker 1: minimum experience now. Cause you got commercials and trailers and everything.
• 17:00
  Speaker 1: Every movie is two hours and 30 minutes anyway.
• 17:02
  Speaker 2: So you want to have a drink, you want to
• 17:04
  Speaker 2: have a beverage or popcorn or anything like that. I mean,
• 17:07
  Speaker 2: even just, even just comfort, you know what I mean?
• 17:09
  Speaker 2: Sitting in the theater with other people, That might not
• 17:12
  Speaker 2: be wearing a mask. And then you're just circulating the
• 17:14
  Speaker 2: same air around.
• 17:15
  Speaker 7: I don't know.
• 17:15
  Speaker 2: You remember Outbreak from the 90s? You know, you watch
• 17:18
  Speaker 2: that scene in a theater where the one person coughs
• 17:20
  Speaker 2: or sneezes and you just watch the droplets go everywhere. Yeah,
• 17:23
  Speaker 2: and it's like, no, that's all right.
• 17:24
  Speaker 1: Yeah.
• 17:24
  Speaker 2: You know, especially now with the streaming the way it is.
• 17:27
  Speaker 2: Like you said, Wonder Woman came out the day straight
• 17:29
  Speaker 2: to HBO Max.
• 17:30
  Speaker 3: And I know.
• 17:31
  Speaker 2: What's the next Godzilla vs. King Kong? I saw the trailer.
• 17:34
  Speaker 2: That's the way that went.
• 17:35
  Speaker 8: Yeah.
• 17:36
  Speaker 2: That's the thing.
• 17:36
  Speaker 1: I had the trial of that, and I was like,
• 17:38
  Speaker 1: I don't really, it's not an impressive lineup, really, of
• 17:41
  Speaker 1: everything else. But then I saw the, here's what's coming
• 17:44
  Speaker 1: out the rest of the year. And I'm like, so
• 17:45
  Speaker 1: I'm just going to keep signing up for this every
• 17:47
  Speaker 1: couple of months, right? Because I'm like, I want to
• 17:50
  Speaker 1: see that. Oh, wait, I want to see that.
• 17:51
  Speaker 3: Ah, shit.
• 17:52
  Speaker 1: But I don't want it enough to keep it all
• 17:54
  Speaker 1: the time, because it's not really that great of their stuff.
• 17:56
  Speaker 2: Well, surprisingly, we already had HBO. And when HBO Max
• 18:03
  Speaker 2: came around, I was like, I'm not getting another HBO Max.
• 18:06
  Speaker 2: Are you joking? And then suddenly it swapped. Suddenly we
• 18:10
  Speaker 2: just had access to HBO Max. And I'm like, wait, what?
• 18:13
  Speaker 2: We have HBO Max? Okay, then it's fine. Well, it
• 18:16
  Speaker 2: became a thing where South Park is on there now.
• 18:20
  Speaker 2: There were a lot of TV shows. Yeah, there's a
• 18:22
  Speaker 2: handful of things that I'm like, okay. What all they
• 18:24
  Speaker 2: had access to. Yeah, and so, dude, I might not
• 18:27
  Speaker 2: keep it for very long, but I've had it for
• 18:29
  Speaker 2: like three or four months, and it's kind of one
• 18:31
  Speaker 2: of those where, yeah, if they're going to keep dropping movies, especially, especially,
• 18:35
  Speaker 2: I want to know if they sign some more deals
• 18:37
  Speaker 2: with other studios because movies last year that I was–
• 18:41
  Speaker 2: Freaking waiting. I mean, I've heard this show multiple times
• 18:45
  Speaker 2: and I've been on it. I can cuss, right?
• 18:46
  Speaker 1: Oh, yeah.
• 18:47
  Speaker 9: Okay.
• 18:47
  Speaker 2: So, the thing is, you know, like the Spiral movie,
• 18:51
  Speaker 2: the new Saw, the new Halloween, like Halloween Kills was
• 18:55
  Speaker 2: supposed to be out this past year. Deadpool, or not Deadpool,
• 18:59
  Speaker 2: I'm sorry, Venom 2 was supposed to be out. Like,
• 19:02
  Speaker 2: there's just a handful of really solid, you know, horror
• 19:05
  Speaker 2: type movies that I was waiting on. And... They're in
• 19:09
  Speaker 2: the can. Like, they're done. Just sitting there. You know
• 19:11
  Speaker 2: what I mean? And so I'm like, shit. Just put
• 19:15
  Speaker 2: it out. Just let me buy it. You know?
• 19:17
  Speaker 3: Yeah.
• 19:18
  Speaker 2: Even if you just throw the new Spiral on video
• 19:21
  Speaker 2: on demand for $ 10, I'll probably just buy it. Because,
• 19:25
  Speaker 2: you know what I'm saying? Produced by Chris Rock. Starring
• 19:27
  Speaker 2: Chris Rock, Sam Jackson. It's a new Saw movie. I'll
• 19:29
  Speaker 2: take it. I'll take it.
• 19:31
  Speaker 1: But see, look how easy that was. You know, where
• 19:34
  Speaker 1: like 10 years ago, nobody would have even thought of
• 19:36
  Speaker 1: that idea happening. But like now, not only is it happening,
• 19:40
  Speaker 1: but within a second there, you went, yeah, I'll probably
• 19:43
  Speaker 1: get that.
• 19:44
  Speaker 2: How much they want for it? Yeah, I'll probably do that.
• 19:46
  Speaker 1: It's just become that easy because it's convenient and it's
• 19:51
  Speaker 1: just even the world is set up to do that
• 19:55
  Speaker 1: now because you can't even count on theaters coming back
• 19:58
  Speaker 1: and they were already continually declining every year so that
• 20:01
  Speaker 1: they were already talking about oh man is this is
• 20:04
  Speaker 1: this gonna you know come crashing down at one point
• 20:06
  Speaker 1: and i'm like the movies aren't like they're still making
• 20:10
  Speaker 1: a ton of stuff so it's like they're always going
• 20:12
  Speaker 1: to be able to make more stuff and have a
• 20:14
  Speaker 1: market to put it out there unlimited amount now but
• 20:17
  Speaker 1: That theatrical first run thing, not necessarily.
• 20:21
  Speaker 2: Yeah, and they were adding so much to theaters too
• 20:23
  Speaker 2: to keep them relevant. I mean, whether it was 3D, 4D,
• 20:27
  Speaker 2: I mean, comfortable seats, reclining seats, dinner being served. I mean,
• 20:31
  Speaker 2: they were adding it all. They were spinning the plates
• 20:33
  Speaker 2: to keep people coming in. Like, what else can we do?
• 20:35
  Speaker 2: What else can we do? Man, I loved it though.
• 20:39
  Speaker 1: Again, I still want to go see stuff, but again,
• 20:43
  Speaker 1: I don't think it's ever going to go back.
• 20:45
  Speaker 2: To the way it was. Well, real quick side note,
• 20:48
  Speaker 2: think about things like buffets or salad bars. Dude, have
• 20:51
  Speaker 2: you walked through like a Whole Foods or a Kroger,
• 20:54
  Speaker 2: you know, and you see the salad, the graveyard of
• 20:58
  Speaker 2: the salad bar? It's just like all the holes, but
• 21:01
  Speaker 2: in the holes, it's just shoved a bunch of bags
• 21:03
  Speaker 2: of chips. They just shove like.
• 21:05
  Speaker 1: Get yourself some chips.
• 21:06
  Speaker 2: It's like, yeah, here's Parmesan crisps and pretzels now. It's
• 21:09
  Speaker 2: not fresh salad shit. Like, I don't know. That's another
• 21:12
  Speaker 2: thing I think... the more I watch shows and movies
• 21:15
  Speaker 2: from the past two, even from two years ago. Yeah.
• 21:19
  Speaker 2: Every other scene, I'm like, whoop, COVID. You know what
• 21:21
  Speaker 2: I mean? Can't do that now. Can't do that now.
• 21:23
  Speaker 9: Exactly.
• 21:24
  Speaker 2: Just like a hug or like somebody like, you know,
• 21:26
  Speaker 2: like just kissing a buddy or like, you know, eating
• 21:29
  Speaker 2: off of somebody else's plate. I'm like, COVID.
• 21:31
  Speaker 1: Nope, you're all dead and I hope you're happy.
• 21:33
  Speaker 2: Yeah, it's crazy. It's crazy because it's just, you look
• 21:36
  Speaker 2: at everything differently.
• 21:38
  Speaker 1: Yep.
• 21:38
  Speaker 2: I'm telling you. It's a different world.
• 21:46
  Speaker 10: To say the least The sun comes up from in
• 21:51
  Speaker 10: the west And sets down in the east.
• 21:55
  Speaker 8: The stars are out there shining But just where we
• 22:00
  Speaker 8: cannot say It's a different world now Like night and day.
• 22:10
  Speaker 9: Guitar solo.
• 22:14
  Speaker 7: It's our pleasure to welcome you to your friendly drive-in theatre.
• 22:17
  Speaker 7: For the information of those who are attending the drive-in
• 22:19
  Speaker 7: for the first time, the following hints will make you
• 22:22
  Speaker 7: feel at home and add to your enjoyment. Firstly, if
• 22:25
  Speaker 7: you've not already done so, remove the speaker from the
• 22:27
  Speaker 7: stand and place it in your car. Secondly, adjust the
• 22:31
  Speaker 7: volume control to suit your requirements. Right for loud, left
• 22:34
  Speaker 7: for soft. We must issue this warning. No attempt should
• 22:38
  Speaker 7: be made to disconnect the speaker. To do so, we'll
• 22:41
  Speaker 7: immediately register a red light in our control room. our
• 22:47
  Speaker 7: ultra-modern snack bar is now open and ready to.
• 22:49
  Speaker 5: Serve you.
• 22:51
  Speaker 7: How about fresh fillets of fish with chips and salad
• 22:55
  Speaker 7: tender steak with eggs chips and salad a big cup
• 22:59
  Speaker 7: of hot chips or fish and chips thick crunchy hamburger
• 23:05
  Speaker 7: giant size hot dogs laced with sauce or mustard banana
• 23:09
  Speaker 7: fritters with rich full cream steaming hot coffee Icy orange
• 23:16
  Speaker 7: or lemon drink. Smooth, creamy ice cream. And a great
• 23:20
  Speaker 7: range of sweets and chocolates. Our snack bar is open
• 23:24
  Speaker 7: for service.
• 23:30
  Speaker 1: So Misty, you like horror.
• 23:32
  Speaker 8: I do, it's my favorite.
• 23:35
  Speaker 2: I think most people are into that.
• 23:37
  Speaker 1: And if they are, they should be joining up on
• 23:40
  Speaker 1: the old Meltdown Horror Club.
• 23:41
  Speaker 3: I will take you to a place where my friends
• 23:44
  Speaker 3: will gather. There you will find stories of such blood-curdling
• 23:49
  Speaker 3: terror that will make your toes curl and your hair
• 23:53
  Speaker 3: reach up towards the sky.
• 23:56
  Speaker 1: Well, yes, all they have to do is go to MovieMeltdown.com,
• 23:59
  Speaker 1: click on the Meltdown Horror Club link that's right there
• 24:01
  Speaker 1: on the right-hand side, and join the club. Hells yeah.
• 24:04
  Speaker 2: And then they can hear exclusive episodes all about horror.
• 24:09
  Speaker 2: All about whatever crazy movies we're watching.
• 24:12
  Speaker 1: And at this point, they get to help us pick
• 24:14
  Speaker 1: the next movie that we watch.
• 24:16
  Speaker 2: Awesome. Them and Satan.
• 24:19
  Speaker 1: And or the evil forces that live inside the 20-sided
• 24:22
  Speaker 1: die that I now use to choose what our next
• 24:24
  Speaker 1: horror movie is going to be. But you put things
• 24:26
  Speaker 1: on the list and then we go to the evil
• 24:29
  Speaker 1: forces that live in the die and they tell us
• 24:31
  Speaker 1: what the next movie is.
• 24:32
  Speaker 2: It's pretty fun.
• 24:33
  Speaker 1: Sounds pretty exciting. I think we're having fun with it
• 24:35
  Speaker 1: and you can be part of that fun. Go to MovieMeltdown.com,
• 24:39
  Speaker 1: join the Meltdown Horror Club, and get in on the action.
• 24:42
  Speaker 11: The most fun you'll ever have being scared. There is
• 24:51
  Speaker 11: a place where time stands still. Where nature is harsh
• 24:57
  Speaker 11: and demanding. Where only the quick and the strong and
• 25:02
  Speaker 11: the deadly can survive. This place is no place... for
• 25:08
  Speaker 11: civilized man. In this place, man is just another of
• 25:23
  Speaker 11: God's creatures. The aborigine and the girl. 30,000 years apart, together. Walkabout.
• 25:49
  Speaker 11: Just about the most different film you'll ever see.
• 25:52
  Speaker 8: Walkabout.
• 26:13
  Speaker 12: Hi, this is Verdon Wells, and you're listening to Movie Meltdown.
• 26:17
  Speaker 12: And I have one thing to say. I know where
• 26:20
  Speaker 12: you live, you little fuckers. So listen, or I will
• 26:23
  Speaker 12: come and get you, I will rip off your head,
• 26:26
  Speaker 12: and I will piss down your neck. So, remember that.
• 26:34
  Speaker 2: One final word.
• 26:35
  Speaker 7: Before leaving, replace the speaker on its stand, then drive
• 26:40
  Speaker 7: forward and move.
• 26:41
  Speaker 2: To your left.
• 26:43
  Speaker 7: You must never reverse out of your position.
• 26:47
  Speaker 2: Thanks, everyone.
• 26:48
  Speaker 7: We trust you have a very pleasant evening.
• 26:50
  Speaker 2: It's time for Sofa Theater. Captain's log.
• 26:55
  Speaker 7: Sofa, no sign of intelligent lifeforms.
• 26:59
  Speaker 8: Wow.
• 27:05
  Speaker 2: That's awesome. Looks like we might be spending the night.
• 27:19
  Speaker 2: Just stay in the car. What the bloody hell are
• 27:28
  Speaker 2: you mob doing out here? Scared the shit out of me. So,
• 27:34
  Speaker 2: where did you live? I get around here. Never know
• 27:38
  Speaker 2: where I might pop up.
• 27:39
  Speaker 12: What do you actually do?
• 27:42
  Speaker 2: I could tell you, but then I'd have to kill you.
• 27:52
  Speaker 2: He's got you.
• 27:58
  Speaker 11: Let's play.
• 28:00
  Speaker 4: Samba Faces around with skin so brown.
• 28:25
  Speaker 2: Smiling. Zinc cream and crowds.
• 28:28
  Speaker 4: Someday it's a beach. Never a cloud.
• 28:31
  Speaker 2: With an eucalyptus. Pushing pans and pans. Stuffing munch trucks.
• 28:35
  Speaker 2: Food loving at the cave.
• 28:37
  Speaker 4: Cause cough was tough till he hit the love.
• 28:40
  Speaker 2: Hey, Uncle Sam and John.
• 28:42
  Speaker 6: Were quite enough.
• 28:43
  Speaker 5: Too much of sunshine.
• 28:45
  Speaker 2: Too much of sky. Jump.
• 28:53
  Speaker 9: It's just enough to make you want to cry.
• 28:56
  Speaker 2: Oh, the power and the passion. Oh, the temper of
• 29:09
  Speaker 2: the time.
• 29:12
  Speaker 1: With all that fun state of the world out of
• 29:16
  Speaker 1: the way, we can move on to this week's movie.
• 29:19
  Speaker 2: To another fun place in the world. To another fun
• 29:22
  Speaker 2: little story.
• 29:24
  Speaker 1: This week's Sofa Theater feature is Wolf Creek. The year
• 29:27
  Speaker 1: is 2005. The director is Greg McLean. And the plot,
• 29:32
  Speaker 1: according to IMDb, three backpackers stranded in the Australian outback
• 29:38
  Speaker 1: are plunged into.
• 29:39
  Speaker 2: A That's kind of.
• 29:48
  Speaker 1: It cashed in all the 50 cent words on that description.
• 29:50
  Speaker 1: That was kind of more impressive than most IMDb. So
• 29:53
  Speaker 1: I usually call them out for terrible.
• 29:56
  Speaker 2: Good going. Yeah, it might have been actually written by
• 29:58
  Speaker 2: somebody involved in the movie. Like an actual writer. Yeah.
• 30:00
  Speaker 1: As opposed to just some random idiot on the Internet.
• 30:03
  Speaker 2: Somebody getting paid for the word. Yeah, really. Somebody there
• 30:07
  Speaker 2: cashed in.
• 30:07
  Speaker 1: So spoiler alert, we're going to ruin the hell out
• 30:11
  Speaker 1: of this. So hopefully you have seen it. As we
• 30:14
  Speaker 1: were discussing as we got rolling there, this is one
• 30:17
  Speaker 1: of those that I knew of since it came out
• 30:21
  Speaker 1: and was like, oh yeah, it sounds kind of cool.
• 30:23
  Speaker 1: I think I'd seen the trailer early on and I
• 30:25
  Speaker 1: was just like, yeah, I want to watch that.
• 30:26
  Speaker 2: And then just it got away from me.
• 30:30
  Speaker 1: And what's funny is I had a copy of it.
• 30:33
  Speaker 1: We had it early on in the show. Like we
• 30:36
  Speaker 1: had one of the regular listeners that we became friends
• 30:39
  Speaker 1: with and we saw him over the years. But like
• 30:41
  Speaker 1: in the very beginning, he's like, switch i think some
• 30:44
  Speaker 1: of it was switching stuff out the blu-ray some of
• 30:46
  Speaker 1: it is my wife said get rid of a lot
• 30:48
  Speaker 1: of this crap so it was just like clearing out
• 30:50
  Speaker 1: a bunch of dvds he's like look i got all
• 30:52
  Speaker 1: these i don't know what the hell i'm gonna do
• 30:53
  Speaker 1: with them you guys want them so like sent a
• 30:55
  Speaker 1: big box of dvds and i'm like hell yeah we'll
• 30:58
  Speaker 1: start so some of them we watch for the show
• 31:00
  Speaker 1: and then there were a bunch of others that are
• 31:01
  Speaker 1: i put on the shelf i'm like all right we'll
• 31:03
  Speaker 1: get to these and like they've been there like i've
• 31:06
  Speaker 1: slowly worked through but that was one and i'm like
• 31:08
  Speaker 1: i'm pretty sure that was in that batch and i
• 31:11
  Speaker 1: just haven't gotten to it yet And I went looking
• 31:13
  Speaker 1: yesterday like, there it is.
• 31:15
  Speaker 2: Wolf Creek.
• 31:16
  Speaker 1: And then it became the game of, for years there,
• 31:19
  Speaker 1: I kept, because I also saw the trailer for Cry Wolf.
• 31:22
  Speaker 1: And I kept going, wait, is it that one? Which
• 31:25
  Speaker 1: one is the one with the school? Because the trailer
• 31:28
  Speaker 1: looked really cool for that. And I finally, this past year,
• 31:30
  Speaker 1: watched Cry Wolf.
• 31:31
  Speaker 2: Not so great. Okay. If you haven't seen it. I
• 31:34
  Speaker 2: have not.
• 31:35
  Speaker 1: We can throw it on our ongoing list if somebody
• 31:37
  Speaker 1: out there wants to hear us talk about it.
• 31:38
  Speaker 2: But again, such a great concept.
• 31:43
  Speaker 1: Not really great execution. So every time I had to go, wait,
• 31:46
  Speaker 1: which one's in.
• 31:47
  Speaker 2: The outback and the guy trying to kill him?
• 31:49
  Speaker 1: And like, so finally I can answer my own question
• 31:51
  Speaker 1: and be like, oh, no, I've seen that movie, Wolf Creek.
• 31:53
  Speaker 2: Yeah.
• 31:54
  Speaker 11: Yeah.
• 31:54
  Speaker 2: So, yeah. And you said it had been a while
• 31:56
  Speaker 2: for you. Yeah. I mean, it had probably been a
• 31:58
  Speaker 2: couple or at least two or three years maybe because
• 32:01
  Speaker 2: I hadn't seen it for the longest time. And when
• 32:03
  Speaker 2: I finally did, I was like, why the hell haven't
• 32:06
  Speaker 2: I watched this yet? And then I was like, oh, shit,
• 32:10
  Speaker 2: there is a sequel. Yeah. You know, so again, it
• 32:12
  Speaker 2: got me into the movies, you know, so. But yeah,
• 32:15
  Speaker 2: I like it. I thought it was just one of
• 32:18
  Speaker 2: those outback gems, you know, that.
• 32:22
  Speaker 1: I wasn't sure what to think going in. Again, I
• 32:24
  Speaker 1: just kind of knew of it and knew it was
• 32:26
  Speaker 1: people running around out in the middle of nowhere trying
• 32:29
  Speaker 1: to stay alive. Crazy dude trying to kill him, which
• 32:32
  Speaker 1: is a lot of movies. But this is, I mean,
• 32:37
  Speaker 1: it hit kind of on two different levels.
• 32:39
  Speaker 2: I was like.
• 32:40
  Speaker 1: First time through just kind of watching it, I'm like...
• 32:42
  Speaker 1: I'm like, this is a good movie.
• 32:45
  Speaker 2: But I wasn't overly liked.
• 32:49
  Speaker 1: Scary kind of, it's just like, it's creepy, the dealing
• 32:53
  Speaker 1: with the guy, but maybe because it's so reality based,
• 32:57
  Speaker 1: like maybe I'm more like entertained and creeped out by
• 33:00
  Speaker 1: monsters and like weird supernatural end of it.
• 33:03
  Speaker 2: Then like, this is just.
• 33:04
  Speaker 1: A crazy dude. And again, because they present it as
• 33:06
  Speaker 1: so real life, this is what happened, which is not true,
• 33:10
  Speaker 1: but it's like, maybe because of that, I was like, yeah,
• 33:12
  Speaker 1: it's just another, like, like you're watching another true crime thing.
• 33:15
  Speaker 1: And to me, that's more like, disturbing, but on a,
• 33:19
  Speaker 1: this is just messed up kind of way versus a,
• 33:22
  Speaker 1: Oh my God, scary horror movie kind of stuff. So
• 33:24
  Speaker 1: I had that version of it kind of the first
• 33:28
  Speaker 1: time through and then going back and kind of doing
• 33:30
  Speaker 1: stuff for the show. I'm watching it going, this is
• 33:33
  Speaker 1: like a masterclass and how to make a super indie
• 33:37
  Speaker 1: film because then like, listen to the, like the producer
• 33:41
  Speaker 1: and the director talk about this.
• 33:42
  Speaker 2: I'm like, they had like no money.
• 33:44
  Speaker 1: No time and just kind of came up with this
• 33:46
  Speaker 1: idea and we're like okay how do we shoot this
• 33:48
  Speaker 1: so like so much of it from that angle is
• 33:51
  Speaker 1: really impressive because there's all these like real world technical
• 33:55
  Speaker 1: stuff that you hear them talking about that's like yeah
• 33:58
  Speaker 1: this whole little opening montage of all this like looks
• 34:01
  Speaker 1: like you're driving 500 miles across you know they did
• 34:04
  Speaker 1: that on one stretch of road And just hung out
• 34:07
  Speaker 1: the side of the car shooting footage and then edited
• 34:09
  Speaker 1: it together. So it looks like this massive road trip.
• 34:12
  Speaker 1: And it was literally up and down the same stretch
• 34:14
  Speaker 1: of road.
• 34:15
  Speaker 2: That's fantastic.
• 34:16
  Speaker 1: Yeah, I was like, that's genius filmmaking. That's just having
• 34:20
  Speaker 1: no options and being super creative and being like, all right,
• 34:22
  Speaker 1: how do we make this work? And there's so many
• 34:25
  Speaker 1: times when that kind of stuff happens, including the location. Like,
• 34:29
  Speaker 1: that is a real place, but it's not there. Like,
• 34:33
  Speaker 1: the way that you see it is not at all
• 34:35
  Speaker 1: how it exists.
• 34:36
  Speaker 2: Okay, yeah.
• 34:37
  Speaker 1: It's near, like, a national park. And there's probably tons
• 34:39
  Speaker 1: of people around if you go to the real one.
• 34:42
  Speaker 1: But they were like, that's not what we want to do.
• 34:45
  Speaker 1: We want to deal with isolation equally as much as.
• 34:48
  Speaker 2: Like, the horror end of it.
• 34:49
  Speaker 1: And we want to deal with, like, things just not
• 34:51
  Speaker 1: feeling right. Being out by yourself and being alone and being...
• 34:55
  Speaker 1: so far away from all of you know civilization that
• 34:58
  Speaker 1: like you don't really have the options you normally.
• 35:00
  Speaker 2: Would oh man and you're at the you're at the
• 35:02
  Speaker 2: mercy of the elements i mean at this point you're
• 35:04
  Speaker 2: at the mercy of being exhausted starving dehydrated you know
• 35:09
  Speaker 2: wounded uh yeah yeah.
• 35:11
  Speaker 1: That's another one of those the the the weather part
• 35:14
  Speaker 1: of it none of that was scripted oh it was
• 35:17
  Speaker 1: all just all the rain and the clouds coming in
• 35:20
  Speaker 1: and the weird gloomy atmosphere they were like it hadn't
• 35:23
  Speaker 1: rained in that area in like years like and all
• 35:27
  Speaker 1: of a sudden they roll into town to shoot rains
• 35:30
  Speaker 1: for like three days straight like all of a sudden
• 35:32
  Speaker 1: it kicked in and they're just so those scenes when
• 35:34
  Speaker 1: they're like oh look there's a storm coming in like
• 35:37
  Speaker 1: it was really them going oh shit what are we
• 35:38
  Speaker 1: gonna do and like they had to kind of on
• 35:41
  Speaker 1: the fly kind of rewrite it so those scenes of
• 35:43
  Speaker 1: them going i don't know i didn't think it was
• 35:45
  Speaker 1: gonna rain it was all like improv stuff that they
• 35:48
  Speaker 1: came up with on like okay work this in because
• 35:50
  Speaker 1: this is gonna be our plot now because we have
• 35:52
  Speaker 1: this many days to shoot this is it this is
• 35:55
  Speaker 1: what time we have to shoot here so make it
• 35:57
  Speaker 1: work like And the fact that it all looks that
• 36:00
  Speaker 1: good and like comes together and you don't question it
• 36:03
  Speaker 1: is really impressive.
• 36:04
  Speaker 2: Well, the fact that you say that, I mean, I've
• 36:05
  Speaker 2: seen the movie three or four times now and I've
• 36:07
  Speaker 2: never even thought about that. Like it just didn't cross
• 36:10
  Speaker 2: my mind.
• 36:10
  Speaker 1: It supposedly in that area, like never, like it goes
• 36:13
  Speaker 1: for years and they hardly.
• 36:15
  Speaker 2: Get any rain at all.
• 36:16
  Speaker 1: And like all of a sudden that weekend they were
• 36:18
  Speaker 1: shooting like tons of ranges. So yeah, like even being
• 36:23
  Speaker 1: able to like pivot and be able to work on
• 36:25
  Speaker 1: that kind of stuff and be like, all right, make
• 36:27
  Speaker 1: this work. because now you hear the director talking about it,
• 36:29
  Speaker 1: he's like, really, I'm so glad that happened, because it
• 36:31
  Speaker 1: adds such a level of just gloominess, and like, just
• 36:35
  Speaker 1: this weird, and again, like, that feeling that something's not right,
• 36:40
  Speaker 1: which is what they kind of keep coming back to,
• 36:42
  Speaker 1: that every time they get out there, there's just like.
• 36:44
  Speaker 2: Something unnatural is going on here.
• 36:46
  Speaker 1: And that works so well, like, if it was just
• 36:49
  Speaker 1: Sonny in 85, you know, all of a sudden, they'd
• 36:51
  Speaker 1: be like, this seems kind of weird, that like, now
• 36:54
  Speaker 1: this guy just shows up, but when everything.
• 36:57
  Speaker 2: For the entire first 20 minutes of the movie continually gets, huh?
• 37:00
  Speaker 2: That's weird. Huh? That's weird.
• 37:02
  Speaker 1: And like, it gets weirder and stranger and more distant
• 37:06
  Speaker 1: from humanity.
• 37:07
  Speaker 2: And like them, when you get to him.
• 37:09
  Speaker 1: Showing up, you're just like, Oh God, this is not
• 37:11
  Speaker 1: going to go. Like, You know that anyway, you're watching
• 37:14
  Speaker 1: a horror movie, but it just adds so much to
• 37:16
  Speaker 1: it that like, again, wasn't even planned in the.
• 37:19
  Speaker 2: Writing of it.
• 37:20
  Speaker 7: Yeah.
• 37:20
  Speaker 2: Well, I mean, and a lot of times writers and
• 37:22
  Speaker 2: directors add thunderstorms in there for mood. Yeah. For effect,
• 37:27
  Speaker 2: you know, so they were the other way. Yeah.
• 37:30
  Speaker 1: It's fantastic. They specifically had to. Work around that, and
• 37:35
  Speaker 1: it worked out.
• 37:35
  Speaker 2: The other thing was just the scenery of Australia. I mean,
• 37:38
  Speaker 2: Australia is one of those places where I've already said
• 37:41
  Speaker 2: to most of my friends, I would never go. Like,
• 37:45
  Speaker 2: I love looking at some of the wildlife online. but
• 37:49
  Speaker 2: I'm not about to die from an ant bite. You
• 37:51
  Speaker 2: know what I mean?
• 37:51
  Speaker 1: I mean, it is one of the more deadly places
• 37:54
  Speaker 1: on the planet.
• 37:54
  Speaker 2: Dude, you can die from any, like, and then even
• 37:58
  Speaker 2: if you're like out in the middle of a protected fortress,
• 38:01
  Speaker 2: a giant cloud of spiders can go floating into your,
• 38:05
  Speaker 2: you know, you're like, fuck this. But so again, if
• 38:08
  Speaker 2: you don't have to worry about centipedes and scorpions and
• 38:12
  Speaker 2: snakes and shit, you got to worry about Mick.
• 38:14
  Speaker 1: You know, that's the other issue that comes up. But
• 38:17
  Speaker 1: it does, like, from the other side of that same
• 38:20
  Speaker 1: coin is, like, for these purposes, it looks amazing. Like,
• 38:25
  Speaker 1: and they, again, they're talking about, like, we just, you know,
• 38:28
  Speaker 1: we didn't do anything.
• 38:29
  Speaker 2: It just, it looks like this. Dude, it's the location, man.
• 38:32
  Speaker 1: We just saw those birds going by and we got
• 38:35
  Speaker 1: this shot and it looks amazing. And, like, this, like,
• 38:38
  Speaker 1: there were a few times where they had to, like,
• 38:41
  Speaker 1: they had to like Matt in like they did get
• 38:43
  Speaker 1: the real footage, but it wasn't where they were at.
• 38:46
  Speaker 1: So they get like, you know, B unit stuff of
• 38:48
  Speaker 1: the sky and the background over here. And then later,
• 38:51
  Speaker 1: which again is amazing because they're pointing it out. And
• 38:54
  Speaker 1: I'm like, it doesn't look like that at all. Like
• 38:56
  Speaker 1: that's great work, especially 2005. I'm just like, you can't
• 39:00
  Speaker 1: even tell like that's impressive. Again, on just a low
• 39:03
  Speaker 1: budget technical end that they're able to throw this stuff
• 39:06
  Speaker 1: in and you not even notice.
• 39:08
  Speaker 2: Right.
• 39:08
  Speaker 1: But, again still shooting this like amazing landscape out there
• 39:12
  Speaker 1: and especially once you get to that whole meteor oh
• 39:16
  Speaker 1: man the overhead shots too that was before drones were
• 39:19
  Speaker 1: heavily available yeah I mean there are moments in there
• 39:21
  Speaker 1: where I'm like god dude what was the budget I
• 39:23
  Speaker 1: didn't know all these things you're telling me about I
• 39:26
  Speaker 1: think that was like their one helicopter that they rented
• 39:28
  Speaker 1: or something yeah just to get that footage. But other
• 39:31
  Speaker 1: than that, you never see a shot like that again
• 39:32
  Speaker 1: because they.
• 39:33
  Speaker 2: Couldn't afford it. No wonder. I mean, yeah.
• 39:36
  Speaker 1: But those are the times when I'm like.
• 39:38
  Speaker 2: I don't know. I'd kind of like to see that.
• 39:39
  Speaker 2: That looks pretty damn cool. But do I want to die? No.
• 39:43
  Speaker 1: I don't know.
• 39:44
  Speaker 2: That's why, yeah, I'll look at it on Google Earth.
• 39:47
  Speaker 2: I'll check out a documentary on National Geographic.
• 39:50
  Speaker 1: Which this is, right?
• 39:51
  Speaker 2: Exactly.
• 39:52
  Speaker 1: Wolf Creek, the documentary. Which you find out is completely lies.
• 39:56
  Speaker 1: What's that kind of like, actually?
• 39:59
  Speaker 2: Yeah, totally. People get so caught up in that.
• 40:02
  Speaker 1: And they're just like, well, actually, that's not how it happened.
• 40:05
  Speaker 1: I'm like, it's a movie.
• 40:06
  Speaker 2: It's fine. You're like, have you seen the Amityville?
• 40:08
  Speaker 1: I was like, yeah, get over it. I'm like, because
• 40:11
  Speaker 1: people kind of put too much faith in everything. Even
• 40:14
  Speaker 1: when they read a novel, they're just like, well, in
• 40:16
  Speaker 1: the book it said that. I'm like, yeah, that's also fake.
• 40:18
  Speaker 1: He's like, don't assume anybody's telling you the truth.
• 40:22
  Speaker 2: Like, it's just a story. Well, it's also a bio.
• 40:25
  Speaker 1: Be entertained. Yeah.
• 40:26
  Speaker 2: How many times do your friends retell the same story
• 40:30
  Speaker 2: that you told, and it's got different details, different shit,
• 40:32
  Speaker 2: like ways you don't remember it, and you're like, wait, what?
• 40:35
  Speaker 2: I don't remember, you know, but it's like, dude, again, yeah.
• 40:38
  Speaker 2: You take it for what it is. There's so many
• 40:40
  Speaker 2: different things that, you know, based on a true story,
• 40:43
  Speaker 2: you find out it was like, some guy heard of
• 40:45
  Speaker 2: a dude that did one thing one time that sounded
• 40:47
  Speaker 2: similar to this. And yeah, it doesn't make sense.
• 40:49
  Speaker 1: That's kind of what we're dealing with. And that's why
• 40:52
  Speaker 1: I went back. Cause at first I was just going
• 40:53
  Speaker 1: to watch it and be like, whatever. I was like, well,
• 40:54
  Speaker 1: I kind of want to know how much, you know,
• 40:57
  Speaker 1: they worked in of that other, of the original story
• 41:00
  Speaker 1: that they claim.
• 41:01
  Speaker 2: And it's not really them. They just ran with the
• 41:04
  Speaker 2: missing persons thing, right?
• 41:05
  Speaker 1: Because he's the writer-director, and he wrote this years before
• 41:10
  Speaker 1: that happened. He already wrote a horror movie about kids
• 41:15
  Speaker 1: running around out in the outback and some guy trying
• 41:18
  Speaker 1: to kill them. He already had that, and didn't really
• 41:20
  Speaker 1: like the way it turned out. Sat on his shelf.
• 41:23
  Speaker 1: This new story came up, and he was just like, huh. Now,
• 41:26
  Speaker 1: what if I kind of reworked it and kind of
• 41:29
  Speaker 1: spun it in the way.
• 41:31
  Speaker 2: That's this new story?
• 41:32
  Speaker 1: And so he combined those into this new thing. And
• 41:36
  Speaker 1: even then, it's like bits and pieces of other stories kind.
• 41:39
  Speaker 6: Of like that.
• 41:39
  Speaker 2: That's totally, yeah. That's how Texas was. If it works, good.
• 41:43
  Speaker 2: Go for it.
• 41:44
  Speaker 1: People should not put that much faith in some other
• 41:47
  Speaker 1: person's movie that is supposed to be the truth.
• 41:49
  Speaker 2: It's just for fun. If it made them question it
• 41:52
  Speaker 2: that way, well, then they're doing something right. The director
• 41:55
  Speaker 2: and writer did something all right.
• 41:58
  Speaker 1: And the moral is don't trust people. Don't go out
• 42:00
  Speaker 1: there into these scary places. You're going to get killed.
• 42:03
  Speaker 1: Learn those things from it. Don't worry about the details.
• 42:06
  Speaker 2: Exactly.
• 42:07
  Speaker 1: Just don't trust Mick or anyone like Mick.
• 42:09
  Speaker 2: It's a parable. You're supposed to take the moral.
• 42:12
  Speaker 1: The moral is don't get killed by Mick.
• 42:15
  Speaker 2: What did he actually do?
• 42:17
  Speaker 1: Now.
• 42:22
  Speaker 2: Oh, I can tell you. And then I'm going to
• 42:24
  Speaker 2: have to kill you. So you.
• 42:32
  Speaker 1: Don't really shoot kangaroos, do you?
• 42:39
  Speaker 2: I'm doing people a service.
• 42:40
  Speaker 7: I've taken out a few roos.
• 42:41
  Speaker 2: They're everywhere out here now.
• 42:45
  Speaker 1: Like tourists.
• 42:46
  Speaker 6: That guy, man.
• 42:47
  Speaker 2: The actor, what's his name? John, I think? John Jarrett? Jared,
• 42:58
  Speaker 2: that's what, yeah, yeah, yeah. Man, that guy is, his laugh,
• 43:02
  Speaker 2: everything about his demeanor, like you believe it. You believe
• 43:05
  Speaker 2: he is a 100% been out in the outback for 40,
• 43:09
  Speaker 2: 50 years, easy, doing everything he's doing.
• 43:13
  Speaker 1: And that's, again, like points to him because he's like,
• 43:16
  Speaker 1: he's known over there for doing like a sitcom. Okay,
• 43:19
  Speaker 1: I know he's an awesome actor. They said when he
• 43:20
  Speaker 1: was out there, yeah, because I don't think the other
• 43:22
  Speaker 1: ones had done a ton of acting, but he was
• 43:24
  Speaker 1: like their big get. He, I think, wrote it with
• 43:26
  Speaker 1: him in mind and was like, gee, I hope we
• 43:27
  Speaker 1: could get that guy. And then they ended up getting him,
• 43:30
  Speaker 1: but he was going out into the world trying to
• 43:33
  Speaker 1: get into character and trying to be super creepy. And
• 43:36
  Speaker 1: people were like, hey! And they'd be calling him by
• 43:38
  Speaker 1: his character name. People knew him from his goofy regular
• 43:42
  Speaker 1: acting roles. So it's not like he's just that all
• 43:46
  Speaker 1: the time, which is more impressive.
• 43:48
  Speaker 2: It's fantastic, yeah.
• 43:50
  Speaker 1: But I also, again, from the storytelling aspect, standpoint is
• 43:54
  Speaker 1: really impressive because they're also like using our expectations especially
• 44:00
  Speaker 1: outside of australia to their advantage like even so much
• 44:04
  Speaker 1: so that the characters bring up crocodile dundee like the
• 44:07
  Speaker 1: guy who lives in that country brings it up and
• 44:10
  Speaker 1: like because that did such a weird number on their
• 44:14
  Speaker 1: entire identity as a country as a continent like it
• 44:20
  Speaker 1: got so much recognition for that, that like, they're kind
• 44:24
  Speaker 1: of playing on that. They're like, well, what if we
• 44:25
  Speaker 1: throw this guy in there that has all the, the
• 44:29
  Speaker 1: charm and the folksiness of that same guy. But what
• 44:33
  Speaker 1: if you turn out, if you trust him, you're going
• 44:36
  Speaker 1: to die.
• 44:37
  Speaker 2: And what if he's like the craziest predator out in
• 44:40
  Speaker 2: the outback?
• 44:42
  Speaker 1: Yeah. So, yeah, I think that's, what's so impressive about
• 44:45
  Speaker 1: the way that he's written and the performance is that,
• 44:48
  Speaker 1: you totally buy into his like, again, it's almost that
• 44:53
  Speaker 1: folksy part of it. It's not like he's like so
• 44:57
  Speaker 1: charming and refined. It's just like, you totally buy him
• 45:00
  Speaker 1: as this guy and he's a real world guy and
• 45:03
  Speaker 1: he's out in the world and he, you assume, oh yeah,
• 45:05
  Speaker 1: he's been out here. He knows how to fix the car.
• 45:08
  Speaker 1: He knows how to like, you guys, you don't question
• 45:10
  Speaker 1: his like authority in this world. If you were in
• 45:13
  Speaker 1: the middle of Sydney, you'd be like, who the hell
• 45:15
  Speaker 1: is this guy? And you'd know what's going on. But
• 45:17
  Speaker 1: because they're, so removed from everything.
• 45:20
  Speaker 2: They're like, this guy's the authority.
• 45:22
  Speaker 1: This guy knows, you know, everything about this area out here.
• 45:24
  Speaker 2: We can totally trust him. Plus they're in jeopardy. Don't
• 45:27
  Speaker 2: trust him. Like they're already in trouble. They're already stranded.
• 45:30
  Speaker 2: They're in trouble anyway. Yeah, yeah, yeah. Like, it's definitely, like,
• 45:34
  Speaker 2: they have really no choice. And then this guy presents
• 45:37
  Speaker 2: himself with all the charm of a snake handler. You know, like,
• 45:40
  Speaker 2: the guy's just got, like, he's got jokes, anecdotes. He's, like,
• 45:44
  Speaker 2: you know, quips. He even kind of, like, you know,
• 45:46
  Speaker 2: gives off a little bit of an angry vibe and
• 45:48
  Speaker 2: then joking around. You know, I'm busting your balls. And
• 45:51
  Speaker 2: he kind of puts him at ease multiple times when
• 45:53
  Speaker 2: he could have, like, laid into them. Yeah, yeah. Like, man,
• 45:58
  Speaker 2: and I really think his laugh, his laugh is one
• 46:00
  Speaker 2: of the most, like, It's one of those memorable villain laughs,
• 46:05
  Speaker 2: like it's disarming, but it's also like you almost laugh
• 46:09
  Speaker 2: with him. You know, like you hear him do the,
• 46:12
  Speaker 2: you know, and you're just like, whoa, that's like. Man,
• 46:15
  Speaker 2: that's what those guys laugh like. But I don't even know.
• 46:17
  Speaker 2: You know what I mean?
• 46:18
  Speaker 1: I think they said he worked for weeks on end
• 46:22
  Speaker 1: just trying to perfect that laugh. And then one of
• 46:26
  Speaker 1: the two girls was like, I still have nightmares. She's
• 46:29
  Speaker 1: still traumatized by it.
• 46:31
  Speaker 2: By his laugh? Yeah. She's like, I still hear that laugh.
• 46:34
  Speaker 2: It still creeps me out. That was one of my
• 46:35
  Speaker 2: favorite parts, man. And not even a part. It was
• 46:38
  Speaker 2: just one of my favorite little elements in this whole
• 46:41
  Speaker 2: Wolf Creek genre. or this whole Wolf Creek universe, is
• 46:45
  Speaker 2: that laugh. It almost strikes me as his Michael Myers music.
• 46:52
  Speaker 2: Whenever you hear that laugh, shit's about to go down.
• 46:55
  Speaker 2: Get away. But yeah, I don't know. I think that
• 46:59
  Speaker 2: that's another one of those character traits that just sold
• 47:03
  Speaker 2: the movie that I was already into. And I think
• 47:08
  Speaker 2: he made it. just so much more believable. And I
• 47:11
  Speaker 2: think he's also the best part of the movie.
• 47:13
  Speaker 1: I mean, he definitely makes the movie. Like if it
• 47:16
  Speaker 1: were just, cause the other three are fine. And like,
• 47:19
  Speaker 1: they're really good. Especially once we get to the, the
• 47:22
  Speaker 1: scared part of it, like the, the girl chained up,
• 47:24
  Speaker 1: like her performance is amazing. As far as just, you
• 47:28
  Speaker 1: do not question that she is not terrified.
• 47:31
  Speaker 6: Yeah.
• 47:31
  Speaker 1: So like that performance is also pretty impressive, but like,
• 47:34
  Speaker 1: I think, That's where you could see something, especially an
• 47:37
  Speaker 1: indie movie, and you just pick the wrong actor, and.
• 47:40
  Speaker 2: It would just fall apart. Absolutely.
• 47:42
  Speaker 1: You'd just be like, oh, this is terrible. You'd be
• 47:45
  Speaker 1: lucky to finish it if that doesn't come along in
• 47:48
  Speaker 1: the middle. Because at that point, you almost need that
• 47:52
  Speaker 1: to pull you through, because it starts getting twisted and disturbing.
• 47:56
  Speaker 1: And a lot of people would be like, oh, because
• 47:57
  Speaker 1: they even talk about where the walkout points are.
• 48:00
  Speaker 2: They're like.
• 48:01
  Speaker 1: They're like, there's times when it goes a little too
• 48:03
  Speaker 1: far and people are like, nope, I'm out. So I
• 48:05
  Speaker 1: think everybody would be if it also didn't have a good.
• 48:07
  Speaker 2: Performance behind it.
• 48:08
  Speaker 1: But it's him being so, again, kind of alluring with
• 48:13
  Speaker 1: the way that he does that.
• 48:14
  Speaker 2: He adds levity to some horrible situation. Well, and again,
• 48:19
  Speaker 2: when you say the walkout thing, I'm curious because... When
• 48:24
  Speaker 2: you watched it with the commentary, did they mention what
• 48:27
  Speaker 2: they had removed for the theatrical cut? Well, here's the
• 48:32
  Speaker 2: reason I'm asking. When I went to re-watch this, the
• 48:38
  Speaker 2: theatrical rated R version is 10 minutes shorter than the
• 48:42
  Speaker 2: director's cut. And so I'm like, 10 minutes on film?
• 48:46
  Speaker 2: is a long time like five minutes is a good
• 48:50
  Speaker 2: amount of gore and material so i was curious.
• 48:54
  Speaker 1: See i don't remember it being all the stuff they
• 48:57
  Speaker 1: said that they shot a lot more of was the
• 48:59
  Speaker 1: other stuff okay because so much of the character building
• 49:03
  Speaker 1: with these three is stuff that they did through like
• 49:07
  Speaker 1: they had stuff scripted out they shot a basic version
• 49:09
  Speaker 1: of what was on the page and then they were
• 49:10
  Speaker 1: just like all right everybody just go have fun like
• 49:13
  Speaker 1: do your thing let's do some improv whatever So, like,
• 49:16
  Speaker 1: that whole, like, scene of the party, they were like,
• 49:19
  Speaker 1: we got to, a half hour of stuff of just
• 49:22
  Speaker 1: because and like finished stuff not just footage of like
• 49:25
  Speaker 1: at one point that party was a half hour and
• 49:27
  Speaker 1: we had to cut it down and then you get
• 49:29
  Speaker 1: to the three of them like one of those times
• 49:31
  Speaker 1: when the three of them are just sitting around talking
• 49:34
  Speaker 1: that was like another 10 minute segment they got cut
• 49:36
  Speaker 1: down so that i think part of it was taken
• 49:38
  Speaker 1: out of that And then, but yeah, the gore stuff,
• 49:42
  Speaker 1: I don't think there was a ton.
• 49:44
  Speaker 2: It's a slow burn. Yeah. So I can definitely see that. How,
• 49:47
  Speaker 2: you know, if they remove some conversation or some, you know.
• 49:50
  Speaker 1: Well, they even, there's a lot of misdirection leading up
• 49:55
  Speaker 1: to it because you get, if you didn't, if you
• 49:57
  Speaker 1: didn't see the trailer, if you just get into this
• 50:00
  Speaker 1: and you're watching it and you're getting that like uneasy feeling,
• 50:03
  Speaker 1: you're just like, oh, something's weird. And then you get
• 50:05
  Speaker 1: to like weird storm comes out of nowhere. And then
• 50:08
  Speaker 1: we get to, Oh, this giant meteor and the weird
• 50:11
  Speaker 1: stories that guy keeps telling at the beginning.
• 50:13
  Speaker 2: And then those lights.
• 50:15
  Speaker 1: Start coming towards them. You're like, this is all of
• 50:17
  Speaker 1: a sudden a supernatural movie. And like for, they play
• 50:20
  Speaker 1: that scene like that. And I thought that was really cool.
• 50:22
  Speaker 1: Cause even that first time through, I was like, I
• 50:24
  Speaker 1: know that's not where it's going, but you would buy it.
• 50:27
  Speaker 1: Like if I didn't know what was coming, you would
• 50:30
  Speaker 1: totally be like, Oh shit, what's coming?
• 50:31
  Speaker 2: What is it?
• 50:32
  Speaker 1: You know, it could, Aliens, ghosts, hell, I don't know.
• 50:34
  Speaker 1: Like it could be anything weird at that point. Right, right.
• 50:37
  Speaker 1: And we've already established this area is known for weird stuff.
• 50:40
  Speaker 1: Their watches stop, like the car quit working, people disappear.
• 50:44
  Speaker 1: So like any weird paranormal thing could happen at that point.
• 50:48
  Speaker 1: So if you didn't know, like if there were people
• 50:50
  Speaker 1: just like, Hey, I got free passes for this new movie.
• 50:52
  Speaker 1: And like, you're that far in, you're just like, Oh shit,
• 50:55
  Speaker 1: what's going to happen?
• 50:56
  Speaker 2: Like you kind of don't know 40 minutes in before
• 50:58
  Speaker 2: you even meet. Yeah. I mean, I want to say
• 51:01
  Speaker 2: it's almost an hour before shit hits the fan, which.
• 51:04
  Speaker 1: Which I think helps because again, these are not the,
• 51:07
  Speaker 1: deepest characters ever but we just log in so much
• 51:10
  Speaker 1: time in the beginning that i think that like you
• 51:14
  Speaker 1: at least care enough because there's plenty of horror movies
• 51:16
  Speaker 1: like i don't care who dies like i don't like
• 51:18
  Speaker 1: these people are annoying i don't care well they write
• 51:20
  Speaker 1: them that way but with it yeah on purpose a
• 51:23
  Speaker 1: lot of times yeah But with this, again, none of
• 51:26
  Speaker 1: them are amazing.
• 51:28
  Speaker 2: They're just dorks. They're all three just such dorks. Yeah,
• 51:31
  Speaker 2: they don't even make the guy a stand-up dude for
• 51:34
  Speaker 2: sticking up in the restaurant for the asshole that says
• 51:36
  Speaker 2: some horrible stuff. They treat it pretty real.
• 51:39
  Speaker 1: But even that's misdirection, because I'm watching that going, in
• 51:43
  Speaker 1: a normal movie, I'm like, so we're assuming these guys
• 51:45
  Speaker 1: are going to go out there and mess with them
• 51:47
  Speaker 1: as soon as they're going to go camping or wherever
• 51:49
  Speaker 1: they go. They're going to show up and terrorize them,
• 51:52
  Speaker 1: because that's where... many a horror movie would go. But again,
• 51:56
  Speaker 1: the misdirection through that first half is like really clever.
• 52:00
  Speaker 1: The way that they kind of set things up and
• 52:02
  Speaker 1: then just pull the rug out. And then crocodile Dundee
• 52:06
  Speaker 1: shows up and you're just like, Oh, what, what's gonna
• 52:09
  Speaker 1: happen here. And it does not go well.
• 52:13
  Speaker 2: He's one of those unexpected, like superstars. It just kind
• 52:16
  Speaker 2: of shows up and you're like, Holy shit. Who is
• 52:20
  Speaker 2: this guy? And then once it starts to go down,
• 52:24
  Speaker 2: you have another 45, 50 minutes of watching him in
• 52:28
  Speaker 2: action and watching people make pretty realistic decisions.
• 52:32
  Speaker 1: Because they're all bad.
• 52:33
  Speaker 2: That's what I mean. Plus, also, if you're trying to
• 52:35
  Speaker 2: put yourself in their perspective, you're in a little place
• 52:39
  Speaker 2: that took three hours to get to. And this is
• 52:42
  Speaker 2: in the middle of fucking nowhere. And so you're pretty
• 52:45
  Speaker 2: much stuck with whatever's around here. So you're not running away.
• 52:49
  Speaker 2: Even when that one kid does get away, where is
• 52:52
  Speaker 2: he going? I thought that the whole way through. I
• 52:55
  Speaker 2: was just like, that's the most.
• 52:56
  Speaker 1: When they kept driving, because they really did want to
• 52:58
  Speaker 1: draw out that scene.
• 52:59
  Speaker 2: So you understood... How far they went.
• 53:02
  Speaker 1: And I was like, at that point, I'm like, you're screwed. Like,
• 53:04
  Speaker 1: even if you get a car, you probably don't even
• 53:06
  Speaker 1: know where the hell you're going.
• 53:07
  Speaker 2: Or the gas to get back.
• 53:08
  Speaker 1: Yeah, you could drive in the wrong direction and just die. Like,
• 53:12
  Speaker 1: just from the vehicle being lost out in the middle
• 53:15
  Speaker 1: of nowhere. Like, you don't even need a serial killer.
• 53:17
  Speaker 1: You could get killed by being stuck out in the
• 53:20
  Speaker 1: outback because 500 things are waiting to kill you. Or
• 53:23
  Speaker 1: you're just going to dehydrate and die out in the
• 53:25
  Speaker 1: middle of nowhere. Yeah.
• 53:26
  Speaker 2: Yeah, there's that part of it, too.
• 53:28
  Speaker 1: Like, there's so many of these weird little creepy moments
• 53:31
  Speaker 1: that I'm like, are not even part of the bigger picture,
• 53:34
  Speaker 1: but they work on their own.
• 53:36
  Speaker 2: They work as their own weird thing. And if it
• 53:38
  Speaker 2: happened in another movie, especially without setting up the desolate area,
• 53:43
  Speaker 2: if it happened in any other film, you'd be like, bitch,
• 53:45
  Speaker 2: get the fuck out. Or, dude, why are you staking around? Run, dude!
• 53:49
  Speaker 3: You know?
• 53:49
  Speaker 2: And it wouldn't... It just... There are character choices and
• 53:53
  Speaker 2: scenes in this movie... That only work because they are
• 53:56
  Speaker 2: stranded in the middle of fucking nowhere and you can't
• 53:59
  Speaker 2: blame them. What do you want them to do?
• 54:01
  Speaker 1: I still, like any good horror movie, I still am
• 54:05
  Speaker 1: yelling at them quite a bit. Of course. Because, but
• 54:07
  Speaker 1: this one, like, they were being so slow.
• 54:10
  Speaker 12: I know.
• 54:11
  Speaker 2: Dude, they also didn't bash his head after she, yeah, dude, totally.
• 54:15
  Speaker 2: They haven't addressed.
• 54:16
  Speaker 1: They're like normal people. That's not gonna horror movie geeks.
• 54:20
  Speaker 1: That's what we want to do.
• 54:20
  Speaker 2: Everybody.
• 54:21
  Speaker 1: But like, they're like normal people. That doesn't occur to you.
• 54:24
  Speaker 1: They're just like run away, save yourself. But like immediately
• 54:27
  Speaker 1: wanting to kill a person is not in everybody.
• 54:29
  Speaker 2: Oh, especially two girls and a guy who's been overpowering them.
• 54:33
  Speaker 1: And I'm just like, I get that part of it.
• 54:36
  Speaker 1: I guess again, like, I'm just like, whatever.
• 54:38
  Speaker 2: I know, dude, I was like, use the butt of
• 54:40
  Speaker 2: that gun and bash his brains out. Well, that's what
• 54:44
  Speaker 2: I think that about so many horror movies. I'm like,
• 54:46
  Speaker 2: people are relatively delicate.
• 54:49
  Speaker 1: I mean, granted, you can withstand quite a bit, but
• 54:53
  Speaker 1: within specifics, if you get just the right thing and
• 54:56
  Speaker 1: smack somebody on the head, they're dead. Assuming it's not supernatural.
• 55:00
  Speaker 2: Also, just incapacitate it. It doesn't mean that they're dead.
• 55:04
  Speaker 2: If they find him and put him on life support
• 55:05
  Speaker 2: and he makes it in three months, fine. But he
• 55:08
  Speaker 2: ain't coming after you in two minutes.
• 55:09
  Speaker 1: There's 40 cars in there. Throw him in the trunk
• 55:12
  Speaker 1: of one and he can't come and get you.
• 55:14
  Speaker 2: Do it 100%. There are a lot of those things
• 55:18
  Speaker 2: where it's like, okay, if we're stopping and thinking with
• 55:21
  Speaker 2: a straight, clear head, then yay. But at the same time,
• 55:25
  Speaker 2: I just– yeah, I find myself not too upset at
• 55:28
  Speaker 2: the choices in this movie.
• 55:30
  Speaker 4: No.
• 55:30
  Speaker 2: Especially when compared to some of my favorite horror movies
• 55:33
  Speaker 2: when I'm, like, very lenient with some of my characters.
• 55:36
  Speaker 2: I'm like, well, yeah, yeah. He's– They don't have a
• 55:38
  Speaker 2: lot of choices here.
• 55:40
  Speaker 1: But I just– like, there's so many times when, like,
• 55:42
  Speaker 1: she goes in, like, she blows up the thing and
• 55:44
  Speaker 1: he goes out there and she goes to– to the
• 55:46
  Speaker 1: other girl hanging on a chain. And I'm just like,
• 55:50
  Speaker 1: she just stops and she's trying to get, and then
• 55:52
  Speaker 1: she waits there. I'm just like, oh my God, get
• 55:54
  Speaker 1: her and go. Like, I'm like, why are you taking
• 55:56
  Speaker 1: so long? And then what's the other, she, oh, the,
• 56:00
  Speaker 1: the car thing. Like when he comes back in and
• 56:02
  Speaker 1: she's behind the wheel and it takes so long. I'm
• 56:05
  Speaker 1: just like, oh my God, hit the gas, run that
• 56:07
  Speaker 1: bastard over. I'm like, what are you doing? Like, So,
• 56:11
  Speaker 1: I mean, to me, that's a good horror movie. If
• 56:13
  Speaker 1: it makes you be like, what the hell are you doing?
• 56:15
  Speaker 2: Like, you want that from a horror movie. Yeah, and
• 56:17
  Speaker 2: you don't immediately go, this is a fucking idiot.
• 56:20
  Speaker 3: Yeah.
• 56:20
  Speaker 2: You're just like, but why are you taking so long?
• 56:23
  Speaker 2: Kill them faster.
• 56:24
  Speaker 6: Like, yeah.
• 56:26
  Speaker 2: There's so many times. Well, same thing. Again, we're just
• 56:28
  Speaker 2: jumping around now.
• 56:29
  Speaker 1: But while we're on those, like. Okay, we've already established
• 56:33
  Speaker 1: you're miles away from anything.
• 56:36
  Speaker 2: You're in a vehicle.
• 56:37
  Speaker 1: Let's take the only vehicle we have and shove it
• 56:40
  Speaker 1: over the side of the split.
• 56:41
  Speaker 2: And I was just like, but... can't go sideways.
• 56:45
  Speaker 1: Or like i know he's coming but there's not a
• 56:47
  Speaker 1: better option now granted they just made a choice and
• 56:50
  Speaker 1: went with it so i'm like points to them for
• 56:52
  Speaker 1: coming up with something i guess and not just standing
• 56:54
  Speaker 1: there till he showed up but i was just like
• 56:57
  Speaker 1: you need a vehicle you know that they even state
• 56:59
  Speaker 1: that a few minutes later and i'm like how.
• 57:01
  Speaker 2: About the one you just shoved off a cliff see
• 57:04
  Speaker 2: and that was they also i feel like you know
• 57:07
  Speaker 2: that further introduce the fact that they have no idea
• 57:10
  Speaker 2: the predator that they're dealing with. Like he wants them
• 57:13
  Speaker 2: to be playing games like this because he's hunting them,
• 57:17
  Speaker 2: you know, like he, he can literally, well, I mean,
• 57:21
  Speaker 2: even with the, the, from a distance.
• 57:22
  Speaker 1: Yeah, it's just, that's, that's the thing. Once we got
• 57:25
  Speaker 1: to that point, I was like, even when you think
• 57:27
  Speaker 1: you got him be like, he's still, because they even
• 57:30
  Speaker 1: set that up in the little, in the little, like
• 57:33
  Speaker 1: campfire scene with all of them there. It's like, His
• 57:36
  Speaker 1: little backstory, he's not lying about it. Everything he's done
• 57:40
  Speaker 1: up to this point has made him the perfect person
• 57:44
  Speaker 1: to kill you. Like he has no problem like taking
• 57:48
  Speaker 1: out these wild boars. up close and personal so he
• 57:52
  Speaker 1: has no problem gutting people also the other half of
• 57:55
  Speaker 1: his job was snipering creatures from really far away so
• 58:00
  Speaker 1: he's got the right gun he's got the skill to
• 58:02
  Speaker 1: do it so even when for a second you're like
• 58:04
  Speaker 1: she's laughing behind the wheel so he's like fine i
• 58:06
  Speaker 1: got away i got away he doesn't even sweat it
• 58:09
  Speaker 1: he doesn't even rush dude he wasn't he slowly gets
• 58:12
  Speaker 1: out gets his gun Gets up there, lines it up.
• 58:16
  Speaker 2: I was just like, oh, my God. This is why
• 58:18
  Speaker 2: you can't do that with this guy.
• 58:19
  Speaker 1: He's got too much expertise in this general area to
• 58:22
  Speaker 1: kill you no matter what happens.
• 58:24
  Speaker 7: Yeah.
• 58:25
  Speaker 2: This is his playground. Yeah. He knows every nook and cranny.
• 58:29
  Speaker 2: It's almost like Jason Voorhees, Crystal Lake. He just knows.
• 58:32
  Speaker 2: He has the little tunnels built. He knows every little nook.
• 58:36
  Speaker 2: He's going to get in and out. And it's so beautiful.
• 58:39
  Speaker 1: Barren and desolate that he also knows there's never gonna
• 58:43
  Speaker 1: be somebody there to worry about because even like the
• 58:46
  Speaker 1: old man comes along yeah I can kill him and
• 58:49
  Speaker 1: I'll take care of his body too like if there
• 58:51
  Speaker 1: were tons of people around you couldn't do that but
• 58:53
  Speaker 1: he knows it's like just a few people every once
• 58:56
  Speaker 1: in a while I can kill them I can take
• 58:58
  Speaker 1: care of that problem like everything is just desolate enough
• 59:03
  Speaker 1: to that you can constantly have the.
• 59:05
  Speaker 2: Upper hand no matter what yeah it's crazy well it
• 59:11
  Speaker 2: wasn't it wasn't even a gore heavy movie you know
• 59:14
  Speaker 2: no that's that's.
• 59:15
  Speaker 1: Why i think it's it's weird when they talked about
• 59:17
  Speaker 1: the walkouts as much as they did again i think
• 59:19
  Speaker 1: it's the main one was like her on the chain
• 59:21
  Speaker 1: screaming i'm like that's more performance like that's Her selling
• 59:25
  Speaker 1: that so much. I could see people being disturbed just
• 59:28
  Speaker 1: by because like she fooled the director. They said like
• 59:31
  Speaker 1: he went out to do something else and it was
• 59:33
  Speaker 1: just the two actors in there and he was getting
• 59:35
  Speaker 1: like the POV shot of the other girl from the
• 59:38
  Speaker 1: other side of the door. And she started, and he
• 59:41
  Speaker 1: thought something really went wrong. He thought she was actually
• 59:44
  Speaker 1: in pain and ran back in there.
• 59:47
  Speaker 2: And they were like, what the hell's wrong with you, dude?
• 59:48
  Speaker 2: We're shooting.
• 59:50
  Speaker 1: I was like, that's convincing. When he told you action,
• 59:54
  Speaker 1: and he ran back in because he thought something happened.
• 59:56
  Speaker 2: That's a convincing performance. Yeah.
• 59:59
  Speaker 1: Yeah, other than that, the hand is really like chopping
• 1:00:02
  Speaker 1: off those fingers is pretty gory. So that's the other
• 1:00:06
  Speaker 1: part that they said, people walked out on that scene.
• 1:00:09
  Speaker 2: Well, you know, I don't understand the walking out. I
• 1:00:12
  Speaker 2: understand the absolute jarring of a scene like that because
• 1:00:15
  Speaker 2: that's what it's supposed to do. I mean, you are
• 1:00:17
  Speaker 2: not expecting your lead heroine, the final girl in your mind,
• 1:00:22
  Speaker 2: to have her fingers lopped off because that's like... What
• 1:00:28
  Speaker 2: are they– it's one of those wounds like you didn't
• 1:00:30
  Speaker 2: expect Michael Myers' fingers to get lopped off in that
• 1:00:32
  Speaker 2: newest Halloween movie. Because that's like a– where do you
• 1:00:35
  Speaker 2: go from there? You're not coming back from that. Yeah.
• 1:00:38
  Speaker 2: You're missing fingers now.
• 1:00:39
  Speaker 1: Yes.
• 1:00:40
  Speaker 2: She now has four or three less digits on this hand. So,
• 1:00:44
  Speaker 2: I mean, that is a crippling, crushing blow to hand
• 1:00:48
  Speaker 2: to your.
• 1:00:49
  Speaker 1: Even even the again, that's a great reveal because there's
• 1:00:53
  Speaker 1: so many the things I will give them points for
• 1:00:55
  Speaker 1: in this is the.
• 1:00:56
  Speaker 2: Misdirection along the way.
• 1:00:57
  Speaker 1: And like the fact that one of what we can
• 1:01:00
  Speaker 1: get to the final girl thing, but like even just
• 1:01:03
  Speaker 1: that happening, like when she gets in that car and
• 1:01:05
  Speaker 1: you're like, all right, good. She's behind the wheel. She
• 1:01:07
  Speaker 1: can get out of here. And within a second, like
• 1:01:09
  Speaker 1: you see his face and she is just knife all
• 1:01:12
  Speaker 1: the way through. I mean, it's just like and I'm like, oh,
• 1:01:14
  Speaker 1: that's not a minor wound. I'm like, oh shit, she's
• 1:01:17
  Speaker 1: not the final girl. That was the moment, even before
• 1:01:19
  Speaker 1: the fingers, I was like, I don't think she's going
• 1:01:21
  Speaker 1: to come back from that wound. That was a hardcore
• 1:01:24
  Speaker 1: knife wound. Oh, and he sat waiting like a predator.
• 1:01:28
  Speaker 2: Again, he sat like a fucking mountain lion, just dead silent.
• 1:01:34
  Speaker 2: Knew she'd go for the vehicle that was parked right there.
• 1:01:37
  Speaker 1: So that's another thing that I think is pretty interesting
• 1:01:40
  Speaker 1: about this is because it's, Again, he's kind of a
• 1:01:43
  Speaker 1: horror fan anyway, so you see him playing with the
• 1:01:46
  Speaker 1: conventions of horror, which is any good filmmaker. This far
• 1:01:50
  Speaker 1: in in the genre, you can't just do run-of-the-mill stuff
• 1:01:53
  Speaker 1: because it's a million times we've seen all that. So
• 1:01:56
  Speaker 1: he's kind of playing with your expectations there of like, okay,
• 1:01:59
  Speaker 1: you want this to happen, okay, now I'm going to
• 1:02:01
  Speaker 1: do this.
• 1:02:02
  Speaker 2: Well, even so much so that.
• 1:02:03
  Speaker 1: We've built her up from the second she wakes up.
• 1:02:06
  Speaker 1: She's our final girl. Like we are in her point
• 1:02:09
  Speaker 1: of view. We see everything from there. And then that
• 1:02:12
  Speaker 1: knife goes in.
• 1:02:13
  Speaker 2: And like, you know, she's gone. You're like, oh shit.
• 1:02:15
  Speaker 1: I guess the other girls now, like we're doing a,
• 1:02:18
  Speaker 1: we're doing a psycho switch out here. We're like, okay,
• 1:02:20
  Speaker 1: she's going to be dead. So this is the other
• 1:02:22
  Speaker 1: P you know, that we're going to switch into her
• 1:02:24
  Speaker 1: POV now. And she's the final girl. And then equally
• 1:02:27
  Speaker 1: as brutal to me, I was like, the other one
• 1:02:29
  Speaker 1: is way more gory, but I'm like, it's almost more
• 1:02:33
  Speaker 1: disturbing that rifle shot that he just walks up long shot.
• 1:02:36
  Speaker 2: They don't cut.
• 1:02:38
  Speaker 1: They're just long shot.
• 1:02:39
  Speaker 2: Bam.
• 1:02:40
  Speaker 1: Drops her, walks up another shot, point blank, another shot.
• 1:02:44
  Speaker 1: It was just like, oh, we had no final girl.
• 1:02:47
  Speaker 2: I'm like, oh, God.
• 1:02:48
  Speaker 1: Because I don't even know. I think they cut to
• 1:02:50
  Speaker 1: him at one point, but I didn't even know for sure.
• 1:02:52
  Speaker 2: The guy made it. No, I didn't know. Yeah, yeah.
• 1:02:55
  Speaker 1: I was assuming he killed him because he doesn't need him.
• 1:02:58
  Speaker 2: If he's using them for... Or whatever. He can do
• 1:03:01
  Speaker 2: whatever he wants. I don't know what he's into.
• 1:03:04
  Speaker 1: But we had just kind of assumed he's going to
• 1:03:07
  Speaker 1: do horrible things to the girls. He probably just offed the.
• 1:03:09
  Speaker 7: Guy, so.
• 1:03:11
  Speaker 1: Yeah, you totally don't see that move coming, because I
• 1:03:15
  Speaker 1: guess unless you know the story. But again, they're not
• 1:03:18
  Speaker 1: real accurate with anything else, but that is sort of
• 1:03:21
  Speaker 1: the guy did come walking out of the Outback in
• 1:03:24
  Speaker 1: the real world story. So that's one of the few
• 1:03:26
  Speaker 1: things that carries through from the actual news story. But otherwise, yeah,
• 1:03:31
  Speaker 1: I assumed he was long gone, except we never saw him.
• 1:03:34
  Speaker 1: So I kept, yeah, for the longest time, I'm like, well,
• 1:03:36
  Speaker 1: he didn't see his body, so... I guess he'll come
• 1:03:39
  Speaker 1: popping up at some point. But again, I figured he
• 1:03:41
  Speaker 1: would still get killed and.
• 1:03:43
  Speaker 2: One of the others would be the final girl. Yeah.
• 1:03:45
  Speaker 2: They don't play those games.
• 1:03:47
  Speaker 7: No, man.
• 1:03:49
  Speaker 2: Yeah, it's one of those movies that when I finally
• 1:03:51
  Speaker 2: did see it, I was like, damn it. I have
• 1:03:54
  Speaker 2: been sleeping on this movie. Because since then, yeah, I've
• 1:03:58
  Speaker 2: invested in the character. And, you know, for anyone that's
• 1:04:02
  Speaker 2: also listening that is thinking about getting into the film
• 1:04:06
  Speaker 2: or into watching it, You know, there's a part three
• 1:04:09
  Speaker 2: and a series three coming, or season three. They've been
• 1:04:12
  Speaker 2: working on both of them at the same time. So
• 1:04:14
  Speaker 2: it's a continuing, you know, I love the fact that
• 1:04:16
  Speaker 2: he's become such a, not an anti-hero, but like a...
• 1:04:20
  Speaker 2: A lovable villain that... I guess.
• 1:04:23
  Speaker 1: As lovable as that guy can be.
• 1:04:25
  Speaker 2: Well, you know, Tobin Bell brought to Jigsaw. You know
• 1:04:28
  Speaker 2: what I mean? Like, I mean, God, you don't even
• 1:04:30
  Speaker 2: see him for the entire first movie. And then you
• 1:04:33
  Speaker 2: just lucked out and they picked a character actor that
• 1:04:35
  Speaker 2: could actually... A guy who really is a good actor. Right, right.
• 1:04:38
  Speaker 2: And so with this guy, like, I didn't know him
• 1:04:40
  Speaker 2: from anything. Like you said, he's an awesome actor. Unless
• 1:04:43
  Speaker 2: you're in Australia, nobody did. And in fact, they put
• 1:04:46
  Speaker 2: him on the map and now, I mean... Dude, it's
• 1:04:48
  Speaker 2: one of my favorite horror characters. He just crept right
• 1:04:52
  Speaker 2: in and became like a top 10 for me. And
• 1:04:54
  Speaker 2: it's one of those things where I think it was
• 1:04:58
  Speaker 2: the same night that I finished the first one, I
• 1:05:01
  Speaker 2: found the second one. And it was like, it was
• 1:05:03
  Speaker 2: streaming on something. And I was like, holy shit. There's
• 1:05:05
  Speaker 2: another one.
• 1:05:06
  Speaker 6: Yeah.
• 1:05:08
  Speaker 1: Well, perhaps we'll come back to that one.
• 1:05:10
  Speaker 2: Oh, yeah, for sure. For, yeah, this one, the other thing.
• 1:05:14
  Speaker 1: This and I wanted to see this is usually a
• 1:05:17
  Speaker 1: very divisive even to bring up the name of this movie.
• 1:05:22
  Speaker 1: I also got a really specific vibe once we got
• 1:05:25
  Speaker 1: into that second half.
• 1:05:27
  Speaker 2: And I'm like. feeling a high tension thing here. Okay. Yeah,
• 1:05:31
  Speaker 2: I can feel that. I mean, I can see that.
• 1:05:33
  Speaker 1: What's weird is I don't think I've seen it since
• 1:05:35
  Speaker 1: that first time. So I haven't revisited it enough to
• 1:05:38
  Speaker 1: know how accurate I was, but I was just getting
• 1:05:41
  Speaker 1: the vibe of like, that's what this is reminding me of.
• 1:05:44
  Speaker 2: I feel, I feel like it does have that similar. Yeah.
• 1:05:47
  Speaker 2: It's the girl being girl hiding from the killer. Uh, the,
• 1:05:51
  Speaker 2: the gruff old man that, that seems ultimately too comfortable
• 1:05:55
  Speaker 2: doing what he's doing, you know? Uh, but then at
• 1:05:57
  Speaker 2: the same time, You know, High Tension is one of
• 1:06:01
  Speaker 2: those movies that I loved. Like, I saw it in
• 1:06:04
  Speaker 2: a theater. I was one of, like, five people in
• 1:06:06
  Speaker 2: a theater. Yeah, really.
• 1:06:07
  Speaker 1: Because I don't even remember hearing about it until it
• 1:06:09
  Speaker 1: was already, like, out on video.
• 1:06:10
  Speaker 2: Yeah, yeah. It was just one of those, like, oh, whatever,
• 1:06:13
  Speaker 2: what is this? You know, and I think I read
• 1:06:15
  Speaker 2: about it on Bloody Disgusting, which is, you know. But
• 1:06:18
  Speaker 2: at the same time, with that movie, the ending ruins
• 1:06:23
  Speaker 2: it for me. I think that's why I said device it.
• 1:06:26
  Speaker 1: Almost everybody like it's rare that i hear somebody goes
• 1:06:29
  Speaker 1: wow that ending was really cool everybody's just like fuck
• 1:06:32
  Speaker 1: this movie like everybody immediately just turned on that movie
• 1:06:36
  Speaker 1: i feel like the movie is so good for 98
• 1:06:38
  Speaker 1: of it yeah that i i am okay with watching
• 1:06:42
  Speaker 1: the movie again and again but now that's my take
• 1:06:45
  Speaker 1: on it is yeah it's like just just go with
• 1:06:47
  Speaker 1: it for what's good about it because everything else is
• 1:06:49
  Speaker 1: so well done that i'm like just enjoy what's there
• 1:06:52
  Speaker 1: you know see.
• 1:06:53
  Speaker 2: I do also understand where if you watch it more
• 1:06:56
  Speaker 2: than one... Like, if you're a regular viewer of the movie, man,
• 1:07:00
  Speaker 2: there are points where you are... You say yelling at
• 1:07:03
  Speaker 2: the TV.
• 1:07:03
  Speaker 4: Oh, yeah.
• 1:07:04
  Speaker 2: Dude, there are points where my blood is boiling because
• 1:07:07
  Speaker 2: I'm like, that would have never been possible.
• 1:07:09
  Speaker 1: Oh, yeah.
• 1:07:09
  Speaker 2: This would have... You know what I mean? And I
• 1:07:11
  Speaker 2: just want to flip the table sometimes because I'm like,
• 1:07:13
  Speaker 2: did the director not watch his own movie? Yeah, and so...
• 1:07:18
  Speaker 2: The movie is so well done, and I like that director, too.
• 1:07:22
  Speaker 2: So it's one of those things where I just, I'm like, okay,
• 1:07:25
  Speaker 2: I just have to accept the fact I don't like
• 1:07:27
  Speaker 2: the end. Like, I love Dexter. I hate that. I
• 1:07:30
  Speaker 2: hate the last season. I think the last couple of
• 1:07:33
  Speaker 2: seasons it was already going down. The last two seasons.
• 1:07:36
  Speaker 2: I mean, four is almost perfect. And then I enjoyed five.
• 1:07:39
  Speaker 1: I think five is weird and different than everything else
• 1:07:42
  Speaker 1: that was going on before it. So at least it
• 1:07:44
  Speaker 1: was kind of original. And from five on, they just started,
• 1:07:48
  Speaker 1: they ran out of ideas.
• 1:07:49
  Speaker 2: Absolutely. And they kept pushing people further and further. And
• 1:07:52
  Speaker 2: you're like, dude, you don't need to make somebody... uh,
• 1:07:54
  Speaker 2: evolve three lifetimes in one season. Like it just doesn't
• 1:07:58
  Speaker 2: have to happen. And so, yeah, that, that's another one
• 1:08:00
  Speaker 2: of those where I can still like Dexter because of
• 1:08:03
  Speaker 2: what it was and because of how long it lasted
• 1:08:05
  Speaker 2: and how much it gave me, you know, how solid
• 1:08:08
  Speaker 2: it is through.
• 1:08:09
  Speaker 1: Yeah.
• 1:08:09
  Speaker 2: And high tension gave, gave so much like the movie's
• 1:08:12
  Speaker 2: done so well. The directing is so good. And, and,
• 1:08:15
  Speaker 2: Like the intensity and just, man, it is a solid movie.
• 1:08:20
  Speaker 2: That is why, that's why the ending is so frustrating.
• 1:08:24
  Speaker 8: Because you're like, no, you don't get to do that.
• 1:08:27
  Speaker 1: But that was also, and that's what I ended up wanting.
• 1:08:30
  Speaker 1: Like the more I thought about it, I was like,
• 1:08:33
  Speaker 1: it also was at the point in time where everything
• 1:08:37
  Speaker 1: needed a twist. Everything, it was coming right out of
• 1:08:40
  Speaker 1: that post Sixth Sense moment. Everything's got to have a
• 1:08:44
  Speaker 1: crazy twist at the end and a super like from
• 1:08:48
  Speaker 1: the filmmaking aspect twist. Not even just like, again, they'd
• 1:08:52
  Speaker 1: already done so many of the big story twists. They're like,
• 1:08:55
  Speaker 1: what if we're messing with you from the concept? You know,
• 1:08:58
  Speaker 1: it's like that kind of version of it. it. So
• 1:09:00
  Speaker 1: I'm like, there was that going on at the same time.
• 1:09:03
  Speaker 1: But then I was like looking at like, cause it's
• 1:09:06
  Speaker 1: kind of interesting. And that's why I like sort of
• 1:09:08
  Speaker 1: stepping back from the specifics of what's going on in
• 1:09:11
  Speaker 1: the movie and looking at what was going on at
• 1:09:13
  Speaker 1: the time. Cause there's also like, this was just such
• 1:09:16
  Speaker 1: a weird time that like, there's a lot of horror
• 1:09:18
  Speaker 1: movies coming out in that like early two thousands through
• 1:09:22
  Speaker 1: 2010 and whatever that like became sort of big and iconic.
• 1:09:25
  Speaker 1: But at the same time, they're not necessarily even influenced
• 1:09:29
  Speaker 1: by each other. Some of them were shooting and being
• 1:09:31
  Speaker 1: written around the same time, but they're all kind of
• 1:09:33
  Speaker 1: pulling from a similar vibe. That was like that two
• 1:09:37
  Speaker 1: thousands era horror movies and like high tensions definitely mixed
• 1:09:40
  Speaker 1: in there. I was also thinking this totally fits in
• 1:09:43
  Speaker 1: with like, this is coming, I guess, right around that
• 1:09:46
  Speaker 1: same time as Hostile. So this is that, stupid people
• 1:09:52
  Speaker 1: that don't know you know again already kind of self-entitled
• 1:09:55
  Speaker 1: not as much in this movie but like going to
• 1:09:57
  Speaker 1: some place that they don't know anything about you're a
• 1:10:00
  Speaker 1: foreigner in this land and like hey guess what they
• 1:10:03
  Speaker 1: don't necessarily want you here and right guess what it's
• 1:10:05
  Speaker 1: not gonna go well.
• 1:10:06
  Speaker 2: And a lot of misdirection uh like setting you up
• 1:10:09
  Speaker 2: with a fake with with a fake out of a
• 1:10:13
  Speaker 2: main character. Yeah. You know, where you're, you're like, okay,
• 1:10:16
  Speaker 2: I don't like these two guys, but this guy's your
• 1:10:18
  Speaker 2: good guy. And then he gets fucking killed. Guess what? Yeah.
• 1:10:21
  Speaker 2: What the hell? Yeah, well, and Hostel was another one
• 1:10:24
  Speaker 2: that utilized CG in a way that nobody could ever tell.
• 1:10:27
  Speaker 9: Yeah.
• 1:10:28
  Speaker 2: You know what I mean? Like, they would throw a
• 1:10:29
  Speaker 2: smokestack in the background because that's where the factory should
• 1:10:32
  Speaker 2: have been.
• 1:10:32
  Speaker 1: Yeah.
• 1:10:32
  Speaker 2: But they didn't have one. You know, or things like
• 1:10:35
  Speaker 2: that where you're like, oh, shit, that's genius.
• 1:10:37
  Speaker 1: Those are, well, and just technically impressive so many times.
• 1:10:40
  Speaker 2: I'm just like, wow. Well, also look at the director.
• 1:10:42
  Speaker 2: The writer-director. That you can do that, yeah. Dude, he's,
• 1:10:44
  Speaker 2: we've talked about Eli and about how he's just a student. Like,
• 1:10:47
  Speaker 2: that guy, you could go- He knows his horror movies.
• 1:10:53
  Speaker 2: He knows his filmmaking. Of course, man. He's one of
• 1:10:57
  Speaker 2: those guys where it's almost pompous level of listening to
• 1:11:00
  Speaker 2: him talk. But it's because he's fucking... He's an encyclopedia.
• 1:11:05
  Speaker 2: He will literally find a guy who's in his 80s
• 1:11:08
  Speaker 2: that lives in France. And he goes, hey, remember that
• 1:11:10
  Speaker 2: scene you composed for that Italian movie in the 1970s?
• 1:11:14
  Speaker 2: I want you to compose one scene for this film.
• 1:11:16
  Speaker 2: And then the guy's like, okay.
• 1:11:17
  Speaker 1: There's a reason he became like the kid brother to Tarantino.
• 1:11:21
  Speaker 1: who is the ultimate version of that guy. Like he
• 1:11:24
  Speaker 1: is exactly that guy. And Eli was kind of like
• 1:11:26
  Speaker 1: the horror movie version of Tarantino. So yeah, but that
• 1:11:30
  Speaker 1: was the, that same, I was looking, I was thinking
• 1:11:32
  Speaker 1: of all the different stuff. Cause this is also like,
• 1:11:34
  Speaker 1: people kept comparing this to like, a Texas chainsaw thing.
• 1:11:38
  Speaker 1: This is also that reboot time too. And that first
• 1:11:41
  Speaker 1: one came out and like, it's more of, it's still
• 1:11:43
  Speaker 1: kind of playing on that same vibe of these dumb
• 1:11:47
  Speaker 1: kids from the city that don't know anything about it.
• 1:11:49
  Speaker 1: So it's the same thing here. It's like, even the
• 1:11:51
  Speaker 1: guy from that country is from Sydney. Like, so it's
• 1:11:54
  Speaker 1: like you're in the, in the woods somewhere. This is
• 1:11:57
  Speaker 1: the Outback woods, but essentially it's like, yeah, you're in
• 1:11:59
  Speaker 1: the woods. So it's, it's your Texas chainsaw remake.
• 1:12:03
  Speaker 2: It's, um, uh, uh, what the hell is the other ones? Well,
• 1:12:07
  Speaker 2: I mean, you know, house of a thousand corpse, like, like,
• 1:12:10
  Speaker 2: like there, that's a total, yes.
• 1:12:12
  Speaker 1: You know, they're just ripping off, but, but a really
• 1:12:15
  Speaker 1: well done, again, a student of that genre to the
• 1:12:17
  Speaker 1: point that he's just making a fan film of the
• 1:12:20
  Speaker 1: movie that he loves. And like, I liked that first
• 1:12:23
  Speaker 1: one because of that almost.
• 1:12:24
  Speaker 2: Absolutely. Well, the characters, again, it's all about the, the
• 1:12:27
  Speaker 2: execution of it. And, uh, I feel like, man, I
• 1:12:30
  Speaker 2: feel like, um, that's where Wolf Creek really, really works too,
• 1:12:34
  Speaker 2: is that seclusion in, in another country. Because like when you,
• 1:12:38
  Speaker 2: when you watch Texas, Texas is already another country to me.
• 1:12:41
  Speaker 2: I mean, like, like if you're, you know, especially it's
• 1:12:44
  Speaker 2: equal open spaces in the middle of nowhere. And so
• 1:12:48
  Speaker 2: you feel desolate when, when you're watching certain the way
• 1:12:51
  Speaker 2: it's filmed or where it's filmed or whatever. Uh, And
• 1:12:53
  Speaker 2: so with Australia, not only is it that desolate feeling,
• 1:12:56
  Speaker 2: but it's also completely unknown because for 90% of the
• 1:13:01
  Speaker 2: people in the States, they don't go, oh, we haven't
• 1:13:04
  Speaker 2: been to Australia. And don't know anything about it. Exactly.
• 1:13:06
  Speaker 2: You only know the horror stories or things that have
• 1:13:09
  Speaker 2: made it viral or things you've learned in a discovery thing.
• 1:13:12
  Speaker 2: And it's almost like a. Like a bizarro world of, like,
• 1:13:16
  Speaker 2: danger and excitement and new species.
• 1:13:19
  Speaker 1: Even just going to the bar, these guys might kill
• 1:13:21
  Speaker 1: you in the parking lot.
• 1:13:22
  Speaker 2: And they're regular guys.
• 1:13:23
  Speaker 1: Well, that's another thing.
• 1:13:24
  Speaker 2: Ask anybody, what do you know about Australia, just in general? Well,
• 1:13:27
  Speaker 2: it was a formal penal colony, you know? That's what
• 1:13:31
  Speaker 2: I was thinking.
• 1:13:31
  Speaker 1: I was like, it also, like, it's almost like a
• 1:13:34
  Speaker 1: lawless land. It almost still feels like the old west.
• 1:13:37
  Speaker 1: For us, only it's an entire country and they still
• 1:13:41
  Speaker 1: like there's a couple of cities and everywhere in the
• 1:13:44
  Speaker 1: middle is just martial law. Go do whatever you want.
• 1:13:46
  Speaker 2: Who's going to stop you? Because there are hundreds of
• 1:13:49
  Speaker 2: miles away. Exactly. That's just it. We don't know. And
• 1:13:52
  Speaker 2: so I feel like that is a huge helping hand
• 1:13:55
  Speaker 2: in the making you feel stranded and helpless kind of
• 1:13:59
  Speaker 2: a story, you know, or kind of a setting for
• 1:14:01
  Speaker 2: the story. It definitely, you know, whenever I see a desert,
• 1:14:05
  Speaker 2: I feel like desert settings make people uncomfortable, but it
• 1:14:08
  Speaker 2: makes me uncomfortable. Yeah. But like movies like U-Turn or like...
• 1:14:12
  Speaker 2: I was thinking, yeah, Wrong Turn was the one I
• 1:14:13
  Speaker 2: was trying to think of. Wrong Turn. Okay.
• 1:14:15
  Speaker 3: Yeah, yeah, yeah.
• 1:14:15
  Speaker 2: Well, U-Turn is the one with Sean... That's the... Yeah.
• 1:14:19
  Speaker 1: Yeah, yeah, yeah. Which is also, it's like a small
• 1:14:21
  Speaker 1: town version, which I was thinking is that same thing.
• 1:14:23
  Speaker 1: It's like, it's dumb city kids that are either out
• 1:14:26
  Speaker 1: in the woods that they don't understand... out in the
• 1:14:28
  Speaker 1: country that they don't understand or just a small town
• 1:14:31
  Speaker 1: that they don't get right what's going on and they
• 1:14:33
  Speaker 1: usually suffer because.
• 1:14:34
  Speaker 2: Of it like house of wax or something yeah yeah
• 1:14:37
  Speaker 2: i know it definitely feels like the fish out.
• 1:14:39
  Speaker 1: Of water so much of that going on then like
• 1:14:41
  Speaker 1: yeah it was like a wrong turn and like even
• 1:14:44
  Speaker 1: like a cabin fever was that saying like all those
• 1:14:47
  Speaker 1: kept coming out at that time that were all very
• 1:14:50
  Speaker 1: different stories but they're kind of that same vibe like
• 1:14:52
  Speaker 1: you can definitely feel a very specific thing that was
• 1:14:55
  Speaker 1: going on in horror movies in that 2000s era that
• 1:14:59
  Speaker 1: was like a very specific thing so much so that
• 1:15:03
  Speaker 1: like the perfect movie came along to make fun of
• 1:15:05
  Speaker 1: it Tucker and Dale is like the answer to everybody
• 1:15:09
  Speaker 1: who watched all of those movies and was just like
• 1:15:11
  Speaker 1: how come all of.
• 1:15:12
  Speaker 2: This is like, you just see all these.
• 1:15:13
  Speaker 1: Similarities and you're like, they're just playing with that so
• 1:15:17
  Speaker 1: well that like, yeah, that was kind of like the
• 1:15:19
  Speaker 1: tail end of that. And like the cap on it
• 1:15:21
  Speaker 1: was just like, yep, this is all you need to make.
• 1:15:23
  Speaker 1: This makes fun of everything you need to make fun of.
• 1:15:25
  Speaker 2: It's fine. And in the same vein, uh, behind the mask, Yeah.
• 1:15:28
  Speaker 2: You know, that was another one that kind of turned
• 1:15:31
  Speaker 2: its ear or kind of said, oh, yeah, you know
• 1:15:33
  Speaker 2: all those things that you see in horror films? This
• 1:15:36
  Speaker 2: is why. And then you just kind of, oh, shit.
• 1:15:39
  Speaker 2: Wait a minute. Yeah, well, I mean, dude, Shaun of
• 1:15:42
  Speaker 2: the Dead, there are a lot of horror comedies that just,
• 1:15:45
  Speaker 2: they just strike at the right moment. They just nailed it. Yeah, yeah.
• 1:15:49
  Speaker 2: Shaun of the Dead definitely was one of those. That's
• 1:15:51
  Speaker 2: one of those movies a lot of people hate because,
• 1:15:52
  Speaker 2: you know, it kind of popularized or repopularized zombies.
• 1:15:55
  Speaker 1: Well, that's what I was going to say. It came
• 1:15:57
  Speaker 1: at that turning point like in it everything was just
• 1:16:01
  Speaker 1: domino at that point like i give more credit to
• 1:16:05
  Speaker 1: what's the freaking outbreak movie the one that everybody argues
• 1:16:09
  Speaker 1: because it's not a zombie movie oh wait you're talking
• 1:16:11
  Speaker 1: about 28 days later yeah yeah that's the one i'm
• 1:16:14
  Speaker 1: like that i think was the key like i think
• 1:16:17
  Speaker 1: that was the one that set everything off it's starting
• 1:16:20
  Speaker 1: with horror fans and then it started spreading out to
• 1:16:23
  Speaker 1: other people like like the outbreak that it is like.
• 1:16:25
  Speaker 2: The virus spreading that it.
• 1:16:27
  Speaker 1: Is That then led to your Dawn of the Dead remake.
• 1:16:31
  Speaker 10: Oh, yeah.
• 1:16:32
  Speaker 2: They introduced the fast-running zombies 28 days later. So then, yeah.
• 1:16:38
  Speaker 1: But that remake was pretty well-received.
• 1:16:40
  Speaker 2: Yeah.
• 1:16:41
  Speaker 1: And brought all that stuff with it, too. And then
• 1:16:43
  Speaker 1: you get to Shaun of the Dead. And then it's
• 1:16:45
  Speaker 1: a comedy and brings in all these new people.
• 1:16:47
  Speaker 2: So, yeah.
• 1:16:48
  Speaker 1: You see all of that stuff around that same era.
• 1:16:50
  Speaker 2: I love it.
• 1:16:50
  Speaker 1: Just, like, changing the face of horror. Which, again, all
• 1:16:54
  Speaker 1: of these.
• 1:16:54
  Speaker 2: Movies kind of did. Mm-hmm.
• 1:16:56
  Speaker 1: This was a good sleeper version of that. It was
• 1:16:59
  Speaker 1: right there in the middle of all that, still kind
• 1:17:01
  Speaker 1: of playing all that. Never got near as big as
• 1:17:03
  Speaker 1: the other ones. Yeah, I never hear people really talking
• 1:17:06
  Speaker 1: about this, man. That's why you threw it out. I
• 1:17:08
  Speaker 1: was like, yeah, I do need to watch that actually. Again,
• 1:17:11
  Speaker 1: when you were like, man, let's think of something funny.
• 1:17:14
  Speaker 2: I was just trying to think of a movie I
• 1:17:16
  Speaker 2: don't get to talk about with friends because most of
• 1:17:18
  Speaker 2: my friends haven't even seen it. But yeah, it's just
• 1:17:23
  Speaker 2: one of those I got turned on to way too
• 1:17:25
  Speaker 2: late and now I'm happy that I did and dude
• 1:17:28
  Speaker 2: you know that that Jarrett dude is he's like 70
• 1:17:32
  Speaker 2: years old like we don't have a lot like that's
• 1:17:35
  Speaker 2: why I'm like dude make part 4 make part 5
• 1:17:37
  Speaker 2: he better hurry up like you sons of bitches because
• 1:17:41
  Speaker 2: the guy isn't gonna be the most convincing killer you
• 1:17:43
  Speaker 2: know by the time he's 80 he's got a walker
• 1:17:46
  Speaker 2: wait how old is he let me check the other well.
• 1:17:50
  Speaker 1: I ran into a story on him earlier but it's
• 1:17:53
  Speaker 1: again it's more disturbing what Because he's, well, the headline
• 1:18:00
  Speaker 1: here is Wolf Creek Star claims he was seduced and
• 1:18:05
  Speaker 1: had a consensual relationship, sex relationship, with a 19-year-old housemate
• 1:18:11
  Speaker 1: who has accused him of rape.
• 1:18:13
  Speaker 2: I was like, oh shit. When was this?
• 1:18:16
  Speaker 1: I'm staying out of this 2019. July of 2019 popped
• 1:18:22
  Speaker 1: up as the first thing that was attached to him.
• 1:18:24
  Speaker 2: I was like, oh shit. As of 2020, he was
• 1:18:29
  Speaker 2: already working on those new roles, so I'm hoping they
• 1:18:32
  Speaker 2: vetted that. I'm hoping this was not.
• 1:18:35
  Speaker 1: Again, any of those stories, I'm staying out of it.
• 1:18:39
  Speaker 2: I have no opinion. I don't know what happened.
• 1:18:40
  Speaker 1: I don't want to I'm not picking sides. It all
• 1:18:43
  Speaker 1: sounds horrible from every end.
• 1:18:45
  Speaker 6: I don't.
• 1:18:45
  Speaker 2: I hate that kind of shit yeah i've already had
• 1:18:47
  Speaker 2: to write off maryland this fucking.
• 1:18:51
  Speaker 1: Month but 68 68 he is now yeah i just
• 1:18:54
  Speaker 1: brought him up today he is 68 oh as of
• 1:18:57
  Speaker 1: today well oh i thought you said now not 2019 okay.
• 1:19:02
  Speaker 2: Yeah, yeah. I just knew that he was getting up there.
• 1:19:05
  Speaker 2: I mean, as far as killers go, I feel like
• 1:19:07
  Speaker 2: Robert Englund is around the same age. Yeah. He hung
• 1:19:11
  Speaker 2: up his claws a long time ago. But would still
• 1:19:14
  Speaker 2: be good.
• 1:19:14
  Speaker 1: I wish they would make use of him. I don't
• 1:19:16
  Speaker 1: know if he just doesn't want to work, period. I
• 1:19:18
  Speaker 1: see him turn up and stuff, but it's usually behind
• 1:19:21
  Speaker 1: the scenes doing, like, you know, just interviews and stuff.
• 1:19:24
  Speaker 2: He was on an episode of workaholics. Yeah. Like a
• 1:19:26
  Speaker 2: haunted guy in a painting. And I mean, he looked great. Yeah.
• 1:19:30
  Speaker 2: Like he wears full makeup in, in Freddy Krueger.
• 1:19:33
  Speaker 1: Yeah. I, I, we just like, well, again, the last
• 1:19:35
  Speaker 1: time I was out in the world, the big event
• 1:19:37
  Speaker 1: I went to, I ended up, the other person I
• 1:19:40
  Speaker 1: was with was like, let's go to this and we'll
• 1:19:41
  Speaker 1: get there early. So we can, so we were like
• 1:19:43
  Speaker 1: five rows back from the table where he's doing like
• 1:19:45
  Speaker 1: the nightmare on Elm street, like anniversary, whatever it was.
• 1:19:48
  Speaker 1: And like, I'm like, he looks good. Like he still
• 1:19:52
  Speaker 1: looks like, and he was up there still like hamming
• 1:19:54
  Speaker 1: it up and, and had his claws on and was
• 1:19:57
  Speaker 1: trying to kill everybody in the cast that was on stage.
• 1:19:59
  Speaker 1: And like, it was like, he could do whatever he
• 1:20:01
  Speaker 1: wants now. Like, I don't know why they're not just
• 1:20:03
  Speaker 1: making use of him as an actor and skip.
• 1:20:05
  Speaker 2: The Freddie thing. No, true, true.
• 1:20:07
  Speaker 7: Yeah.
• 1:20:07
  Speaker 2: Again, man, he showed up in that Jack Brooks monster slayer. He,
• 1:20:10
  Speaker 2: he still shows up in things, but I feel like
• 1:20:12
  Speaker 2: a lot of it is garbage rolls too. Like they
• 1:20:15
  Speaker 2: get him for one day and they have him just
• 1:20:17
  Speaker 2: show up as a cameo. But, man, if anyone could
• 1:20:21
  Speaker 2: do Freddy, or of any of the killers, you know
• 1:20:24
  Speaker 2: what I mean? You could have Kane Hodder play Jason
• 1:20:27
  Speaker 2: until he's 70. You could have Nick Castle play Michael Myers. Yeah,
• 1:20:31
  Speaker 2: the rest, it doesn't matter.
• 1:20:32
  Speaker 1: They all have a mask on.
• 1:20:33
  Speaker 2: Dude, exactly. And then Freddy is literally makeup. So you
• 1:20:37
  Speaker 2: don't have to de-age him. put on fucking makeup and then.
• 1:20:40
  Speaker 1: If he got burned horribly, he's still fine.
• 1:20:42
  Speaker 2: Yeah, dude. And he's in decent shape. Yeah. Like, even
• 1:20:47
  Speaker 2: when he said that during Freddy vs. Jason he needed
• 1:20:50
  Speaker 2: a stunt double for most of the action sequences, that's fine.
• 1:20:54
  Speaker 2: That's what movies are for.
• 1:20:55
  Speaker 1: Like, dude.
• 1:20:57
  Speaker 2: When I hear an actor does their own stunts, I'm like,
• 1:20:58
  Speaker 2: are they insane? Like, are they that stupid?
• 1:21:01
  Speaker 1: You do know you have to continue on and do.
• 1:21:04
  Speaker 2: Other roles after this. That's the thing. It's like, don't
• 1:21:06
  Speaker 2: hurt yourself or kill yourself.
• 1:21:08
  Speaker 7: Yeah.
• 1:21:08
  Speaker 2: If you're the face of the product, if you are
• 1:21:10
  Speaker 2: the star of the product, then, again, let somebody else
• 1:21:14
  Speaker 2: that that's their profession.
• 1:21:15
  Speaker 6: Yeah.
• 1:21:15
  Speaker 2: They know how to do this.
• 1:21:17
  Speaker 7: Yeah.
• 1:21:17
  Speaker 1: Yeah.
• 1:21:18
  Speaker 2: So I feel like, man, let somebody do the stunts.
• 1:21:22
  Speaker 2: Get up in there and do all those close-ups, do
• 1:21:24
  Speaker 2: all those voiceover, do whatever you got to do. But
• 1:21:26
  Speaker 2: I think Robert Englund could do another Freddy. And I
• 1:21:30
  Speaker 2: know I'm saying that as a shitty fan. I don't
• 1:21:31
  Speaker 2: even need him to. Again, I'd rather see him get.
• 1:21:34
  Speaker 1: Another lead role in something else and give him a
• 1:21:36
  Speaker 1: chance to do something that's not behind.
• 1:21:40
  Speaker 2: Again, I love Freddy.
• 1:21:41
  Speaker 1: I love Freddy more than most of those other killers, but...
• 1:21:44
  Speaker 1: We've seen so much of that. And we saw him
• 1:21:46
  Speaker 1: be serious and we saw him get super hammy. We've
• 1:21:49
  Speaker 1: kind of run the spectrum with Freddy. So do something different.
• 1:21:52
  Speaker 2: See, I was thinking more along the lines of the fanboy.
• 1:21:55
  Speaker 2: If they were to give us a Freddy vs. Jason
• 1:21:57
  Speaker 2: 2 and throw in somebody like Ash like they did
• 1:22:00
  Speaker 2: in the comics. Something like that. Something fun. I feel
• 1:22:05
  Speaker 2: like if you got Robert Englund and if you had
• 1:22:08
  Speaker 2: Bruce Campbell and you had your... I feel like that
• 1:22:10
  Speaker 2: could be a holy shit. I can't believe they did this. That, yeah.
• 1:22:14
  Speaker 1: I mean, again, they don't normally do that much crossover stuff. But,
• 1:22:18
  Speaker 1: I mean, in a post-Marvel world, you'd think they'd do
• 1:22:21
  Speaker 1: the horror version of it.
• 1:22:22
  Speaker 2: And people, I hear a lot of hate for Freddy vs. Jason.
• 1:22:26
  Speaker 2: But that movie is a Tom and Jerry rated R
• 1:22:29
  Speaker 2: horror cartoon for us horror fans. Like, that is one
• 1:22:32
  Speaker 2: of those movies where it has terrible acting, some of
• 1:22:35
  Speaker 2: the worst casting as far as the kids go. But, man, oh, man,
• 1:22:39
  Speaker 2: the body count alone is the highest of, like, any
• 1:22:41
  Speaker 2: of the Jason films. There's like lots of practical effects
• 1:22:44
  Speaker 2: out the wazoo that I don't even know how they did.
• 1:22:47
  Speaker 2: So yeah, I could always go for another one of those.
• 1:22:50
  Speaker 2: And they did just make a new Tom and Jerry.
• 1:22:52
  Speaker 1: So obviously, just when you think they're done with something,
• 1:22:56
  Speaker 1: that's one of those I saw it mentioned.
• 1:22:58
  Speaker 2: I was like, no. And then I saw the trailer.
• 1:23:01
  Speaker 6: I was like.
• 1:23:02
  Speaker 2: The hell are they doing see i haven't seen the
• 1:23:04
  Speaker 2: trailer but i saw a a screen cap of it
• 1:23:07
  Speaker 2: and i thought it was kind of clever because it
• 1:23:09
  Speaker 2: was like inside i don't know the mouse jerry's uh yeah.
• 1:23:13
  Speaker 1: It's like in the real world they're like roger rabbit
• 1:23:15
  Speaker 1: i was gonna say he had like air buds yeah
• 1:23:18
  Speaker 1: your ear pods like hanging up in his house's speakers
• 1:23:21
  Speaker 1: and i was like yeah that's kind of like i
• 1:23:23
  Speaker 1: can't decide even from the trailer i'm like it seems
• 1:23:25
  Speaker 1: like a terrible idea to at from the get go.
• 1:23:28
  Speaker 1: But I'm like, if they got the right person, like
• 1:23:31
  Speaker 1: you could, I don't rule out that you can not
• 1:23:34
  Speaker 1: do something good with any project, but so often it's
• 1:23:37
  Speaker 1: done badly.
• 1:23:37
  Speaker 2: Wait, have you seen Sonic? No, dude, dude, I heard better.
• 1:23:44
  Speaker 1: Again, it got so much beforehand. I couldn't, by the
• 1:23:46
  Speaker 1: time it caught out, I feel like nobody saw it,
• 1:23:48
  Speaker 1: but like I've heard decent things.
• 1:23:50
  Speaker 2: It was for free on like stars or something. And
• 1:23:53
  Speaker 2: it was one of those, we got a trial and,
• 1:23:56
  Speaker 2: I watched it, and holy shit, that movie, I watched
• 1:24:00
  Speaker 2: it two times in the span of a day or two, dude. Like,
• 1:24:03
  Speaker 2: it was fun.
• 1:24:04
  Speaker 1: You get suckered in.
• 1:24:05
  Speaker 2: No, it was fun. I mean, there are even parts
• 1:24:08
  Speaker 2: where only a diehard Sonic the Hedgehog, like a kid
• 1:24:11
  Speaker 2: that grew up playing Sonic the Hedgehog, would know. You
• 1:24:13
  Speaker 2: know what I mean? Like, hey, hey.
• 1:24:16
  Speaker 1: It only works for those geeks, but everybody else is
• 1:24:19
  Speaker 1: just along for the ride.
• 1:24:20
  Speaker 2: Yeah, I watched Wolf Creek, Hostel, and Sonic the Hedgehog.
• 1:24:23
  Speaker 1: I think that says a lot about you.
• 1:24:26
  Speaker 2: Yeah, yeah. It's pretty much.
• 1:24:30
  Speaker 1: I was just trying to finalize since we threw that
• 1:24:32
  Speaker 1: out there. I don't want to throw horror stories out
• 1:24:34
  Speaker 1: and leave it hanging. The suit was settled out of
• 1:24:38
  Speaker 1: court on December 22nd, 2019. And the Telegraph, who posted
• 1:24:43
  Speaker 1: all those headlines, apologized.
• 1:24:46
  Speaker 2: On their website. I don't know.
• 1:24:50
  Speaker 1: Still don't know what happened, but they settled the case.
• 1:24:52
  Speaker 2: Yeah, you know. Whatever.
• 1:24:54
  Speaker 1: I'm staying out of it.
• 1:24:55
  Speaker 2: Man, I hate hearing that shit. But at the same time,
• 1:24:57
  Speaker 2: you also never know.
• 1:24:58
  Speaker 1: I know. That's why I don't want to, I'm like,
• 1:25:01
  Speaker 1: I feel horrible for everyone involved. I'm like, if it's
• 1:25:04
  Speaker 1: not true, this is a nightmare for him. Every day
• 1:25:09
  Speaker 1: it's going on, it's a nightmare for all these other
• 1:25:11
  Speaker 1: women out there. So, like, I'm one aside with the
• 1:25:15
  Speaker 1: victim all the time. But then every once in a while,
• 1:25:17
  Speaker 1: there's one of those stories that, like, The guy didn't
• 1:25:20
  Speaker 1: do anything. And I'm like, that's a nightmare of a
• 1:25:22
  Speaker 1: whole different type.
• 1:25:23
  Speaker 2: Then you read about Amber Heard and you're like, Jesus.
• 1:25:28
  Speaker 2: I think she'll just beat anybody's ass. Dude, it's crazy, man.
• 1:25:32
  Speaker 2: Not that he's not asking for it. And that's another thing, dude.
• 1:25:34
  Speaker 1: We all kind of want to punch him in the face.
• 1:25:36
  Speaker 2: I know. I'm kind of a douche. I'm guilty of
• 1:25:38
  Speaker 2: being a douche because when I heard the news, I
• 1:25:40
  Speaker 2: was like, oh, man, fuck Johnny Depp. And then I
• 1:25:43
  Speaker 2: started actually looking into it. I'm like, oh, man. Fuck
• 1:25:46
  Speaker 2: Amber Heard. I mean, we all want to punch him.
• 1:25:50
  Speaker 2: I don't know. Yeah, see, and then again, I don't
• 1:25:52
  Speaker 2: know other people's affairs.
• 1:25:53
  Speaker 1: I just.
• 1:25:54
  Speaker 2: I know.
• 1:25:55
  Speaker 1: That's why I'm just like, I just don't like hearing
• 1:25:57
  Speaker 1: it in general.
• 1:25:58
  Speaker 2: I just.
• 1:25:59
  Speaker 1: Wish people would stop being horrible to each other.
• 1:26:01
  Speaker 2: Exactly.
• 1:26:02
  Speaker 1: That's not the world we live in. Wolf Creek is
• 1:26:04
  Speaker 1: the world we live in.
• 1:26:05
  Speaker 2: For real.
• 1:26:07
  Speaker 1: That's the real world where you're trapped in the outback
• 1:26:10
  Speaker 1: and some crazy bastard's going to kill you. And is
• 1:26:13
  Speaker 1: very happy with being able to kill people.
• 1:26:16
  Speaker 2: And from 100 and 200 yards away. Yeah.
• 1:26:19
  Speaker 1: But even, yeah, I do like the whole little, once
• 1:26:23
  Speaker 1: they built up his whole little area there. Like, the
• 1:26:26
  Speaker 1: fact that the girl's body was still hanging there from
• 1:26:29
  Speaker 1: last time, like, that was the most disturbing part, really,
• 1:26:33
  Speaker 1: is him going into the whole story of her and
• 1:26:36
  Speaker 1: how much time they spent and how many horrible.
• 1:26:39
  Speaker 2: Things he did to her.
• 1:26:40
  Speaker 1: And, yeah, like, you get into, like, as happy as
• 1:26:45
  Speaker 1: he is to be tormenting her... And then you get
• 1:26:48
  Speaker 1: that story and I'm like, this bastard is like, he's
• 1:26:51
  Speaker 1: not just like normal. And that's why I said, I
• 1:26:53
  Speaker 1: was like, I don't think I got the normal creepy
• 1:26:55
  Speaker 1: killer vibe because it's so real world. It's so like,
• 1:26:59
  Speaker 1: how did this guy get this messed up?
• 1:27:01
  Speaker 7: Mm-hmm.
• 1:27:02
  Speaker 1: I'm playing way more psychological with it.
• 1:27:05
  Speaker 2: And he's able to carry a conversation. He's able to
• 1:27:07
  Speaker 2: connect with these people. And to be able to snow people.
• 1:27:09
  Speaker 1: That's the impressive part because some people just get so
• 1:27:13
  Speaker 1: even normal. Just watching people today, they're so antisocial. They're
• 1:27:17
  Speaker 1: so messed up that they don't even know how to
• 1:27:19
  Speaker 1: interact with other humans. So you get somebody who's got–
• 1:27:22
  Speaker 1: that are capable of doing these things but are so
• 1:27:25
  Speaker 1: aware of it. They also know how to put on
• 1:27:29
  Speaker 1: the disguise and be able to go out there and
• 1:27:31
  Speaker 1: be like, I'm just a good natured guy and like
• 1:27:34
  Speaker 1: lure people in so much. So like you get to
• 1:27:36
  Speaker 1: the point of seeing how much of none of this
• 1:27:39
  Speaker 1: was an accident. Like you watch her looking at the tape.
• 1:27:42
  Speaker 1: he was following them already. So you see, now he's
• 1:27:44
  Speaker 1: following them. You get the little clip of the other family.
• 1:27:47
  Speaker 1: You're like, okay, so the water's drugged, obviously. And then
• 1:27:50
  Speaker 1: so like every step of the way, he showed up,
• 1:27:53
  Speaker 1: found their car, messed it up.
• 1:27:54
  Speaker 2: So it wasn't going to start.
• 1:27:55
  Speaker 1: He didn't just happen by like everything comes into play
• 1:27:58
  Speaker 1: that you're just like maniacally so like organized about the
• 1:28:04
  Speaker 1: way that he does, which they even play in on
• 1:28:06
  Speaker 1: like the, and that I think was the actor coming
• 1:28:09
  Speaker 1: up with some of this weird, he came up with
• 1:28:10
  Speaker 1: this huge, Backstory for his character that he then didn't
• 1:28:14
  Speaker 1: tell anybody so it's not like worked into the plot
• 1:28:17
  Speaker 1: It was his weird method of coming up with his
• 1:28:20
  Speaker 1: character that he came up with this massive backstory That
• 1:28:23
  Speaker 1: was only in his head like that He only made
• 1:28:26
  Speaker 1: use of in the performance and they didn't elaborate on
• 1:28:29
  Speaker 1: in the story Wow, but one of those yeah, it's
• 1:28:31
  Speaker 1: like so much so that the the whole little thing
• 1:28:35
  Speaker 1: of the guy showing up when they're at the back
• 1:28:37
  Speaker 1: of the truck and they're trying to figure out are
• 1:28:38
  Speaker 1: we going with them or not going with them? And
• 1:28:40
  Speaker 1: he's like, hey, can I help you? He's like, nah,
• 1:28:41
  Speaker 1: I've got a special way of putting all the tools in.
• 1:28:44
  Speaker 1: That was like a thing that he threw in there
• 1:28:46
  Speaker 1: of like, this guy would be that OCD about everything.
• 1:28:50
  Speaker 1: They like to be able to pull off everything he does.
• 1:28:53
  Speaker 1: he has a way of doing everything so much so
• 1:28:56
  Speaker 1: that it filters all the way down to even putting
• 1:28:58
  Speaker 1: the tools in the back of the truck is a
• 1:29:01
  Speaker 1: process for him.
• 1:29:02
  Speaker 2: And like, that's how he juggles all.
• 1:29:04
  Speaker 1: This stuff is he's that specific in the way he
• 1:29:08
  Speaker 1: addresses everything and does everything. And probably why it became
• 1:29:11
  Speaker 1: such a routine of like, I set this up, I
• 1:29:15
  Speaker 1: find the right people, I follow them around and, I
• 1:29:18
  Speaker 1: mess with their car. I show up to be the hero.
• 1:29:20
  Speaker 1: I got the, Oh look, you guys are thirsty. Here's
• 1:29:23
  Speaker 1: all this water. Like everything is like dominoes just like
• 1:29:26
  Speaker 1: every time. And that's how he gets all these cars
• 1:29:29
  Speaker 1: and this crate full of camcorders. And like, you see
• 1:29:32
  Speaker 1: how many people he's been through because he's just got
• 1:29:36
  Speaker 1: it down.
• 1:29:36
  Speaker 2: It's just like a process at this point. Yeah. It's
• 1:29:39
  Speaker 2: just what he does.
• 1:29:40
  Speaker 1: The more disturbing thing was the other videos and the kids.
• 1:29:43
  Speaker 2: I was like, oh, God, what happens.
• 1:29:44
  Speaker 7: To the kids?
• 1:29:45
  Speaker 1: I'm already disturbed enough by what he does to the regular,
• 1:29:49
  Speaker 1: the women in particular, but I'm just like, oh, God, good.
• 1:29:52
  Speaker 1: I don't want to see that story.
• 1:29:54
  Speaker 2: Please. Well, see, that's all that they had to do
• 1:29:56
  Speaker 2: was just introduce the idea and you fill in the
• 1:29:59
  Speaker 2: blanks by knowing what this guy's capable of.
• 1:30:01
  Speaker 1: It's even more horrifying. She's like, no, no, no, let's
• 1:30:04
  Speaker 1: stay on this one. Let's just watch these poor bastards.
• 1:30:07
  Speaker 1: They're already going to die.
• 1:30:08
  Speaker 2: Well, another little funny thing I noticed... Not that that
• 1:30:11
  Speaker 2: was funny.
• 1:30:11
  Speaker 5: I'm saying.
• 1:30:12
  Speaker 2: Disturbing. Yeah, well... A funny Australian thing I noticed was
• 1:30:19
  Speaker 2: referring to the girls as Sheila's. Yeah. He's like, so
• 1:30:22
  Speaker 2: you got a couple of Sheila's. I'm like, what?
• 1:30:25
  Speaker 1: Well, and he's a bloke, so.
• 1:30:26
  Speaker 2: Yeah, exactly. Because he's the one... A bloke and a Sheila.
• 1:30:29
  Speaker 2: That's the other.
• 1:30:29
  Speaker 1: I don't think... Maybe it's just dumb Americans, but it was...
• 1:30:33
  Speaker 1: until they said it, I was like, Oh, they're from England.
• 1:30:37
  Speaker 2: I'm either.
• 1:30:38
  Speaker 1: Cause I'm assuming they know how to act. So I'm
• 1:30:40
  Speaker 1: assuming I'm just bad at deciphering accents. Cause I was
• 1:30:44
  Speaker 1: just like, I don't know, a bunch of crazy people
• 1:30:46
  Speaker 1: from Australia. Right. So yeah, only one of the three
• 1:30:50
  Speaker 1: was actually from Australia in the story, but that's the thing.
• 1:30:53
  Speaker 1: All the actors are Australian.
• 1:30:54
  Speaker 2: So like, I'm like, well, were they pulling off English?
• 1:30:58
  Speaker 2: I don't know. Like, I don't know, but that was
• 1:31:01
  Speaker 2: kind of fun too. Cause I'm like, I don't know
• 1:31:03
  Speaker 2: the difference.
• 1:31:04
  Speaker 1: They got an accent.
• 1:31:05
  Speaker 2: I don't know.
• 1:31:09
  Speaker 1: Oh, the other main thing I think that, that I
• 1:31:13
  Speaker 1: wanted to mention that was so good at like tone
• 1:31:18
  Speaker 1: and setting the mood for all the creepy stuff going on.
• 1:31:21
  Speaker 1: That music is so atypical. It is just not.
• 1:31:26
  Speaker 2: Horror music at all.
• 1:31:27
  Speaker 1: And I think that's why it's, again, so unnerving.
• 1:31:30
  Speaker 2: Like, it's so.
• 1:31:32
  Speaker 1: Everything else is supposed to be unnatural about what's going on,
• 1:31:35
  Speaker 1: and we get this, which is almost like out.
• 1:31:37
  Speaker 2: Of a drama. Like, it's so.
• 1:31:39
  Speaker 1: But it's really well done. Like, it's a full, like,
• 1:31:41
  Speaker 1: orchestra piece, but it's done in a way that's so not, like,
• 1:31:46
  Speaker 1: trying to rip off Bernard Herrmann. It's not trying to
• 1:31:48
  Speaker 1: do something that's very arch, you know, over-the-top, you know,
• 1:31:52
  Speaker 1: horror movie soundtrack. It's trying to do its own thing...
• 1:31:56
  Speaker 1: And that running in the background of this somehow makes
• 1:31:58
  Speaker 1: it even heavier.
• 1:32:00
  Speaker 2: Okay, yeah.
• 1:32:01
  Speaker 4: I don't know.
• 1:32:01
  Speaker 2: I really like the score.
• 1:32:02
  Speaker 1: Like, almost so much I would hear it somewhere else
• 1:32:04
  Speaker 1: and not even know because it's just a really well-done score. But, yeah,
• 1:32:09
  Speaker 1: it just makes everything on a different level watching it
• 1:32:12
  Speaker 1: in the middle of all this horror that's going on. Right.
• 1:32:15
  Speaker 2: But, yeah, I was really impressed with the music. Man, sweet.
• 1:32:19
  Speaker 4: Yeah.
• 1:32:20
  Speaker 6: All right.
• 1:32:21
  Speaker 1: Anything else we haven't covered on this one? oh man
• 1:32:27
  Speaker 1: i've hit most of my uh things i was impressed
• 1:32:30
  Speaker 1: by which was way more than i expected going in
• 1:32:33
  Speaker 1: i i assumed more of a standard again there were
• 1:32:37
  Speaker 1: a lot of not overly impressive things that came out
• 1:32:40
  Speaker 1: at that time and i that's why i hadn't even
• 1:32:42
  Speaker 1: gotten to this one i just sort of lumped it
• 1:32:44
  Speaker 1: in as another slasher out in the middle of nowhere
• 1:32:47
  Speaker 1: same so yeah watching and i was like there's a
• 1:32:49
  Speaker 1: lot of better especially to be his first feature like
• 1:32:53
  Speaker 1: looking at his listing there like he'd done a short
• 1:32:55
  Speaker 1: film and this was his first feature film okay that's
• 1:32:59
  Speaker 1: impressive to be able to pull off with no budget
• 1:33:02
  Speaker 1: you know this amount of playing with your you know
• 1:33:05
  Speaker 1: preconceived notions and your your genre tropes and all of
• 1:33:09
  Speaker 1: that like knowing that kind of stuff going in and
• 1:33:12
  Speaker 1: to have not even done a feature before I'm like
• 1:33:14
  Speaker 1: that's pretty impressive right.
• 1:33:15
  Speaker 2: And then like you said having to work with things
• 1:33:17
  Speaker 2: on the fly with weather and things like that too no.
• 1:33:20
  Speaker 1: Budget yeah yeah so yeah it's it's it's all surprisingly.
• 1:33:25
  Speaker 2: Well done yeah yeah i i completely.
• 1:33:28
  Speaker 1: Agree and maybe we'll come back for that second i
• 1:33:34
  Speaker 1: hope so if you guys are up for that sort of.
• 1:33:37
  Speaker 2: Thing i actually started watching that again you got suckered
• 1:33:42
  Speaker 2: right in oh man as soon as that first one
• 1:33:44
  Speaker 2: ended i was like well shit.
• 1:33:46
  Speaker 1: I do want to see what's going on because it
• 1:33:49
  Speaker 1: is quite a jump in time there it's not like
• 1:33:51
  Speaker 1: the next year they followed it up it takes a
• 1:33:54
  Speaker 1: break he makes some other movies and then came back
• 1:33:56
  Speaker 1: and did that second one so i kind of want
• 1:33:58
  Speaker 1: to see how different it is for that reason too.
• 1:34:01
  Speaker 2: Well, even the show, the show's done by the same people.
• 1:34:04
  Speaker 2: So that's another thing where you're, it kind of takes,
• 1:34:07
  Speaker 2: you know, the character in a crazy direction and just,
• 1:34:10
  Speaker 2: you know, the story's in crazy directions, but at the
• 1:34:12
  Speaker 2: same time, still true to everything. And I mean, it's
• 1:34:15
  Speaker 2: almost like, I don't know, there's a bit more absurdity,
• 1:34:19
  Speaker 2: you know, to the series, but at the same time,
• 1:34:21
  Speaker 2: I mean, I think most series, if you're trying to
• 1:34:23
  Speaker 2: keep it going, you know what I mean? Especially with
• 1:34:25
  Speaker 2: a horror story, it's kind of got to be a
• 1:34:27
  Speaker 2: little bit absurd. Yeah.
• 1:34:28
  Speaker 1: Well, it seems like that would be hard to do, really,
• 1:34:31
  Speaker 1: because horror movies work so well in their own isolated little, like,
• 1:34:35
  Speaker 1: story arc, and that's it, and then maybe you can
• 1:34:38
  Speaker 1: come back for another movie later, but to do, like,
• 1:34:40
  Speaker 1: week-to-week show with a crazy bastard like him, like, seems
• 1:34:44
  Speaker 1: really hard to write.
• 1:34:45
  Speaker 2: Oh, and when you're thinking of a movie, you know, like,
• 1:34:49
  Speaker 2: the director's cut, the underrated director's cut was, like, less
• 1:34:53
  Speaker 2: than two hours.
• 1:34:54
  Speaker 1: I was surprised how quick it was over. Like, I
• 1:34:56
  Speaker 1: got to that, like... maybe before we even got to
• 1:35:00
  Speaker 1: the guy, but I thought like, all right, so we
• 1:35:02
  Speaker 1: still got like a good 25 minutes.
• 1:35:04
  Speaker 2: Right.
• 1:35:04
  Speaker 1: And like 10 minutes later, it's like over.
• 1:35:07
  Speaker 2: I was like, Oh, Oh, I was like, really?
• 1:35:09
  Speaker 1: It's like, I was kind of waiting for a whole
• 1:35:11
  Speaker 1: nother story arc following him around for 20 minutes, but yeah,
• 1:35:14
  Speaker 1: it just jumps right to the end. I was like, Oh, Okay, that's, yeah, again, unexpected.
• 1:35:19
  Speaker 2: It's not at all what I thought they were going
• 1:35:21
  Speaker 2: to do. Well, and imagine having to put together eight
• 1:35:23
  Speaker 2: hours of television. Nine hours over a span of ten episodes.
• 1:35:27
  Speaker 2: It's like, dude, that's like three, four movies that you're
• 1:35:30
  Speaker 2: having to work on. And the story's all got to
• 1:35:32
  Speaker 2: fit together. And so, yeah, the fact that they even
• 1:35:36
  Speaker 2: turned it into a series and kept it the same
• 1:35:38
  Speaker 2: people is like, well, shit. And that.
• 1:35:42
  Speaker 1: far time period like it to just come out in
• 1:35:45
  Speaker 1: these last couple years versus 2005 like that's a huge
• 1:35:49
  Speaker 1: time to be like hey remember that movie from a
• 1:35:52
  Speaker 1: while ago that you didn't see like we're also gonna
• 1:35:54
  Speaker 1: make a TV series out of it exactly yeah how
• 1:35:57
  Speaker 1: that got greenlit like I'm glad it did but I'm
• 1:35:59
  Speaker 1: like I don't know how these projects come together sometimes yeah.
• 1:36:02
  Speaker 2: I would love to know some more about that too
• 1:36:04
  Speaker 2: because yeah yeah it's just kind of surprising.
• 1:36:07
  Speaker 1: Definitely a lot about this movie was surprising mm-hmm Well,
• 1:36:13
  Speaker 1: thank you for suggesting it and coming on for this
• 1:36:16
  Speaker 1: little Outback journey.
• 1:36:18
  Speaker 2: Yeah, yeah.
• 1:36:20
  Speaker 1: Yeah, we'd thrown it out there. Maybe we can do
• 1:36:22
  Speaker 1: some of these semi-regular. So as we go forward, yeah.
• 1:36:26
  Speaker 1: So get on board with the old horror club so
• 1:36:29
  Speaker 1: you can be invested and get all your dick episodes.
• 1:36:35
  Speaker 2: Sounds worse than it is. Hey, some people are just
• 1:36:38
  Speaker 2: into Dick.
• 1:36:39
  Speaker 1: I see a whole fan club for him online, so
• 1:36:42
  Speaker 1: that's what I was going to tell them. If they
• 1:36:44
  Speaker 1: want to find you are a very talented artist, if
• 1:36:47
  Speaker 1: they need to have some.
• 1:36:48
  Speaker 2: Of your work, where would they go find you? You
• 1:36:51
  Speaker 2: can go to Dickstar.net and that's two R's, Dickstar. Or
• 1:36:56
  Speaker 2: you can just go to Facebook. I'm on Facebook, Instagram,
• 1:36:58
  Speaker 2: all that kind of stuff. But yeah, that's pretty much it, man.
• 1:37:03
  Speaker 2: Stay busy. drawing pictures and watching horror movies. Yeah.
• 1:37:07
  Speaker 1: So join, join the club and be part of his fun. So,
• 1:37:12
  Speaker 1: all right, well, thank.
• 1:37:12
  Speaker 2: You for joining me. Thanks for having me.
• 1:37:14
  Speaker 1: We shall return. Otherwise that about does it. We will
• 1:37:17
  Speaker 1: return next time.
• 1:37:18
  Speaker 2: Same geek feed. Thanks for listening.
• 1:37:20
  Speaker 9: I've been to cities that.
• 1:37:24
  Speaker 6: Never closed down.
• 1:37:28
  Speaker 2: From New York to Rio.
• 1:37:32
  Speaker 6: An old London town.
• 1:37:36
  Speaker 9: But no matter how far Or how wide I.
• 1:37:42
  Speaker 10: Roam I still call Australia home I'm always traveling.
• 1:38:01
  Speaker 9: I love being free So I keep believing the sun
• 1:38:10
  Speaker 9: and the sea But my heart lies waiting.
• 1:38:17
  Speaker 10: Over the foam I still call Australia.
• 1:38:27
  Speaker 3: Amen.
• 1:38:30
  Speaker 9: All the sons and daughters Spinning round the world Away from.
• 1:38:39
  Speaker 6: Their family and friends But as the world gets older
• 1:38:49
  Speaker 6: colder it's good.
• 1:38:52
  Speaker 1: To know where your journey ends.
• 1:39:01
  Speaker 6: Someday we'll all be.
• 1:39:06
  Speaker 8: Together once more.
• 1:39:10
  Speaker 9: When all of the ships Come back to the shore.
• 1:39:18
  Speaker 9: I realize something I've always known.
• 1:39:27
  Speaker 8: I still call Australia home. I still call Australia. I
• 1:40:06
  Speaker 8: still call Australia. I still call Australia home. I'm no
• 1:40:24
  Speaker 8: master of love. Oh, I still call.
• 1:41:03
  Speaker 2: I'm literally like, dude, what the fuck, man? You know?
• 1:41:09
  Speaker 5: This episode is a production of Movie Meltdown, produced and
• 1:41:12
  Speaker 5: edited by The Oddity Studios, with opening music performed by
• 1:41:15
  Speaker 5: The Empires. For more on how to sponsor or support
• 1:41:18
  Speaker 5: the show, email producer at moviemeltdown.com.
• 1:41:21
  Speaker 7: Talk hard!
• 1:41:28
  Speaker 1: This program is a proud member of the Battleship Pretension Fleet.