Latest / DISGRACELAND / Bonus Episode - Official Narratives, Influence, and Telling the Whole Story

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Bonus Episode - Official Narratives, Influence, and Telling the Whole Story · DISGRACELAND

0:01
Speaker 1: Hey, Discos, need a little more Disgraceland in your life,
0:05
Speaker 1: just to touch to get you through. Yeah, me too.
0:08
Speaker 1: This is the podcast that comes after the podcast. Welcome
0:12
Speaker 1: to Disgraceland, the after party. Welcome to the Disgraceland bonus episode,
0:30
Speaker 1: a little thing we like to call the after party.
0:32
Speaker 1: This is the show after the show, the party after
0:35
Speaker 1: the party of the bridge to get you from one
0:36
Speaker 1: full episode of Disgraceland to the other, the backyard to
0:39
Speaker 1: dig into the dirt. On this bonus episode, we are
0:42
Speaker 1: talking about this week's full episode subject, Beastie Boys. We've
0:46
Speaker 1: got gnarly stories of rock and roll animalism from you guys,
0:49
Speaker 1: artists who want to control their stories and how they
0:52
Speaker 1: do it, and well your voicemails, text DMS emails and
0:56
Speaker 1: as always, a whole lot of rosie. All right, Discos,
0:59
Speaker 1: let's get into it all right, big thanks to everyone
1:13
Speaker 1: who got in touch with praise for the Basti Boys
1:15
Speaker 1: episode that we just released. Who I had to say,
1:19
Speaker 1: this was not an easy episode to write. It was
1:22
Speaker 1: super hard. Actually, one of the hardest stories to tell
1:25
Speaker 1: of all the episodes that we've done. I don't know
1:28
Speaker 1: if you guys have seen Beastie Boys Story on Apple
1:30
Speaker 1: TV Plus or if you've had a chance to read
1:32
Speaker 1: Beastie Boys Book, the book Mike D and Adrock published
1:35
Speaker 1: a couple of years ago, and the accompanying live performance.
1:39
Speaker 1: They're both great. They're both essentially the same thing. Both stories.
1:44
Speaker 1: The Beastie Boys Story which is again the live thing
1:47
Speaker 1: they did for Apple, and Beastie Boys Book. They're essentially
1:49
Speaker 1: the same story. The Apple things like an adaptation of
1:52
Speaker 1: the book. Both great, both awesome, So if you haven't
1:55
Speaker 1: seen it or read it, do both. Highly recommend. Calling
2:00
Speaker 1: Beastie Boys Book a book isn't accurate because it's so
2:05
Speaker 1: much more. This thing is like an exploding artifact of
2:08
Speaker 1: eighties and nineties culture with the story of the Beastie
2:11
Speaker 1: Boys weaved throughout it. It's Mike D an ad Rock
2:15
Speaker 1: telling their story, along with contributions from friends of theirs
2:18
Speaker 1: who are there telling added supplemental stories to fill in
2:21
Speaker 1: the gaps, and then there's all the amazing photography and
2:25
Speaker 1: artwork that documented the Bac Boys career that's all peppered through.
2:28
Speaker 1: It's just truly, truly great. But the thing that's really
2:33
Speaker 1: special about Beastie Boys Book and Beastie Boys story is
2:36
Speaker 1: Mike d in ad Rock's storytelling. These guys are thoroughly
2:42
Speaker 1: in command of their own voice. When they're writing, it
2:45
Speaker 1: sounds exactly like they speak. They are natural gifted storytellers,
2:52
Speaker 1: as you can imagine. Usually, I get an autobiography from
2:55
Speaker 1: an artist to use for my research for a podcast episode,
2:58
Speaker 1: and I am salivating. Autobiographies are the best, especially ones
3:03
Speaker 1: from the artists who are active before two thousand. They
3:05
Speaker 1: tend to feature the musician flexing, either overtly or low
3:09
Speaker 1: key flexing all their shitty behavior, I should say, trying
3:13
Speaker 1: to live up to their rock and roll behavior. The
3:16
Speaker 1: Beasties are, of course too classy for that. They acknowledge
3:20
Speaker 1: their shitty behavior generally speaking, and they have pretty much
3:24
Speaker 1: complete humility about it and are sincerely contrite, and thus
3:28
Speaker 1: they absolve themselves pretty good. So it's hard to find
3:32
Speaker 1: those moments in their story where I could be like, guys,
3:34
Speaker 1: can you believe these fuckers admitted to adopting their fourteen
3:36
Speaker 1: year old girlfriends? Their holy shit, Miked was in a
3:39
Speaker 1: threesome with Sam the Butcher and Alice from the Brady Bunch.
3:42
Speaker 1: None of that kind of stuff is in the book.
3:44
Speaker 1: Now you read like you know, the Rick James autobiography.
3:47
Speaker 1: That's a different story. Okay, not to say that there
3:50
Speaker 1: aren't wild stories in Beastie Boys book. That there are,
3:54
Speaker 1: but nothing really rises to the level of crime. So
3:58
Speaker 1: for the London crime wave and the Columbus George obscenity
4:01
Speaker 1: charges that are in the episode, all that stuff, I
4:03
Speaker 1: had to go outside the book to find that information.
4:05
Speaker 1: But that that wasn't really the problem. The problem is
4:09
Speaker 1: that of all the incredible stories in the book that
4:12
Speaker 1: make up the Beastie Boys backstory, their upbringing, their rise
4:16
Speaker 1: to fame, Mike d and Ad Rock tell their story
4:20
Speaker 1: better than anyone else could ever possibly tell their story,
4:25
Speaker 1: so it was really hard trying to find a way
4:28
Speaker 1: to do their history justice. I spent two weeks just
4:33
Speaker 1: gleefully researching this episode because I love this band so much,
4:37
Speaker 1: and when I was done, I felt completely fucked. I
4:40
Speaker 1: felt like what am I going to do now? And
4:42
Speaker 1: thankfully there were those crime elements that I could lean into,
4:46
Speaker 1: the crime wave, the Georgia thing I mentioned. There was
4:48
Speaker 1: also the Liverpool riot that's in the book. I found
4:51
Speaker 1: that Puerto Rican street gang fight story with John Joseph
4:54
Speaker 1: and the Cromags. I found that elsewhere and I was
4:57
Speaker 1: able to stitch together something for a narrative that I
5:00
Speaker 1: wasn't sure was going to be compelling enough for a
5:02
Speaker 1: podcast episode. But it seems that you guys liked it
5:05
Speaker 1: a lot, so I am very very happy about this.
5:08
Speaker 1: I love this band, I pretty much always have, and
5:12
Speaker 1: I know from your feedback that that love of mine
5:16
Speaker 1: comes across in the episode and that makes me happy. Okay,
5:20
Speaker 1: that's all I just wanted to say that. But back
5:21
Speaker 1: to the idea of artists telling their own story, that's
5:24
Speaker 1: the main point. Zeth and I were talking about this
5:27
Speaker 1: last week. Zeth works, he writes a bunch of episodes, researches,
5:31
Speaker 1: does all kinds of stuff for Disgray Sand and we
5:33
Speaker 1: were talking about this last week and how this relates
5:36
Speaker 1: to what we do here in Disgraysan. The whole artists
5:39
Speaker 1: telling their own story thing. Artists are, as you can imagine,
5:42
Speaker 1: supremely interested. Not just the Beastie boys. Most artists who
5:45
Speaker 1: reach a certain point in their career become very interested
5:48
Speaker 1: in their legacies and they get real interested in the
5:51
Speaker 1: telling of their stories. They want their story out there,
5:54
Speaker 1: not someone else's version of their story. The Beastie Boys
5:57
Speaker 1: story is one of three friends who loved each other
6:00
Speaker 1: and loved great music and made great music with a
6:03
Speaker 1: lot of love that a whole lot of other people love.
6:06
Speaker 1: That's a beautiful story. Sure, they fucked up a lot
6:09
Speaker 1: of kids, but they've come clean about it, so we've
6:11
Speaker 1: forgiven them, and their honesty makes all the wild shit
6:15
Speaker 1: that they're on record is having done easier for us
6:18
Speaker 1: to swallow. That's the story the Beastie Boys want out there.
6:22
Speaker 1: That's the story the Beastie Boys want us to know.
6:25
Speaker 1: It also has the benefit of being true, so that helps.
6:28
Speaker 1: But nevertheless, the Beastie Boys are responsible for this story
6:31
Speaker 1: being the story. They framed this story, and they told
6:34
Speaker 1: it perfectly, a story that very well could have been
6:36
Speaker 1: a much different narrative. If they didn't get out ahead
6:39
Speaker 1: of it and shape our perception of their past, their
6:42
Speaker 1: story very well could have been something much different like story.
6:45
Speaker 1: Three friends who are alcoholic, misogynistic homophobes invented the dreaded
6:50
Speaker 1: rap rock genre. It gave us limp fucking biscuit, and
6:52
Speaker 1: then made an obscure record no one bought before taking
6:55
Speaker 1: over alternination in the nineties by appropriating black music and
6:58
Speaker 1: then banged a lot of chicks, did a lot of drugs,
7:00
Speaker 1: one dude died, and they faded into irrelevance. Okay, it
7:04
Speaker 1: would take a lot of collective ignorance for that to
7:07
Speaker 1: be the story, but it's not completely out of the
7:09
Speaker 1: realm of possibility. With enough framing and enough sort of
7:13
Speaker 1: readjusting of a lens, that very well could have been
7:15
Speaker 1: the Beastie Boys story. So you can understand why Beastie Boys,
7:20
Speaker 1: like most artists, want to control their story. They understandably
7:24
Speaker 1: have an interest in getting the story they want to
7:26
Speaker 1: be told about themselves to be the official narrative. Can
7:30
Speaker 1: you blame them? I cannot, But I've seen egregious versions
7:35
Speaker 1: of this motivation with artists in the past, Artists offering
7:38
Speaker 1: to collaborate with their biographers so they can control their story,
7:42
Speaker 1: catch and kill efforts, litigation, massive gazillion dollar pr efforts,
7:48
Speaker 1: pathetic big budget Hollywood biopics that service massive whitewash campaigns,
7:53
Speaker 1: and what happens is a very dubious version of the
7:58
Speaker 1: artist's history then become helms the public record, the official narrative. Well,
8:03
Speaker 1: we're here to disrupt that narrative. Now, we didn't need
8:08
Speaker 1: to do that with the Beastie Boys, in large part
8:10
Speaker 1: because they owned all their bullshit, like I said, which
8:13
Speaker 1: is commendable, and they also told their story, like I
8:16
Speaker 1: also said, better than anyone else could. The story I
8:20
Speaker 1: told is a love story in a lot of ways.
8:23
Speaker 1: It's about my love for this band despite their fuck ups. Okay,
8:28
Speaker 1: And I think that resonated with some people, which is
8:30
Speaker 1: awesome and I'm happy. But I didn't know it was
8:32
Speaker 1: going to work. I was going to resonate, and I'm
8:33
Speaker 1: happy it did. Okay, But again back to the artist
8:37
Speaker 1: controlling their story and the more egregious versions of this,
8:40
Speaker 1: not the Beastie Boys version of this. Okay, consider this.
8:43
Speaker 1: Last week I noticed a comment on one of our
8:46
Speaker 1: episodes on Spotify where a listener claimed I was lying
8:49
Speaker 1: about an anecdote in one of our Beatles episodes. It's
8:53
Speaker 1: the story of a maid in one of the hotels
8:56
Speaker 1: they were staying in on tour being slashed by a
8:58
Speaker 1: crazy fan. Stabbed. So we dove back into the research.
9:03
Speaker 1: I wanted to see where I got this info. That
9:05
Speaker 1: episode originally came out years ago. I don't you know,
9:08
Speaker 1: we obviously traffic in a lot of information. I didn't
9:11
Speaker 1: know exactly where that came from, but I knew I
9:13
Speaker 1: didn't make it up, so we went back in to
9:15
Speaker 1: check it out. It came from a book written about
9:18
Speaker 1: the Beatles by Peter Brown, who's the band's press agent,
9:21
Speaker 1: essentially their publicist. The book was written after the Beatles
9:25
Speaker 1: broke up. This part of Peter Brown's story also featured
9:29
Speaker 1: an anecdote that I incorporated into my story about having
9:33
Speaker 1: something to do with Japanese assassins wanting to kill the Beatles. Now,
9:36
Speaker 1: Peter Brown was there for both events. Now, I don't
9:40
Speaker 1: know if he was actually, you know, physically, and I
9:43
Speaker 1: believe the mad thing happened in Houston, and the assassin thing,
9:46
Speaker 1: like I said, happened in Japan. I'm not sure if
9:48
Speaker 1: he was actually physically there. I presume he was, but
9:54
Speaker 1: he was definitely part of the Beatles camp at that time.
9:57
Speaker 1: So he recounts these stories in his book, Great book.
10:01
Speaker 1: Then I recounted the stories in our podcast episodes on
10:05
Speaker 1: the Beatles, and I did this to disrupt the narrative
10:07
Speaker 1: that the Beatles stopped touring because they got too big
10:10
Speaker 1: and the fans were too loud and they could no
10:12
Speaker 1: longer hear themselves playing over the screaming and touring and
10:15
Speaker 1: become creatively unsatisfying. Now, of course that's part of the story, sure,
10:20
Speaker 1: but Peter Brown's stories are part of the story as well.
10:23
Speaker 1: The Beatles were freaked out, they were scared to play live, okay,
10:29
Speaker 1: and you can understand why I would be too. There's
10:31
Speaker 1: no shame in that, and that is more interesting to
10:35
Speaker 1: me than the official narrative that the Beatles put out
10:38
Speaker 1: there back in the sixties and then cemented into the
10:40
Speaker 1: historical record when they released their anthology documentary back in
10:43
Speaker 1: the nineteen nineties. The Beatles Documentary became the Beatles' story.
10:48
Speaker 1: Anything else that came after it, or hasn't been sanctioned
10:51
Speaker 1: by the band, anything else that doesn't meet that criteria.
10:56
Speaker 1: It is deemed to be heretical by most casual music fans.
11:00
Speaker 1: A guy who was there at the time, like I said,
11:02
Speaker 1: A guy who has zero incentive or had zero incentive
11:05
Speaker 1: to lie, A guy in fact, who was incentivized to
11:08
Speaker 1: do the opposite for fear of losing his credibility. Publicists
11:12
Speaker 1: need credibility, They need it to work to thrive. This
11:16
Speaker 1: guy's story is discarded from history, while Paul McCartney's whitewashed true,
11:21
Speaker 1: whitewashed story, but true story, sure, but not the whole
11:25
Speaker 1: story is regarded as absolute gospel. If you go outside
11:30
Speaker 1: the lines of that narrative, people call bullshit. This to
11:34
Speaker 1: me is ridiculous. I've researched enough artists in my life
11:38
Speaker 1: to know that the past is hazy at best. Oftentimes
11:42
Speaker 1: most times, actually the artist version of went down is
11:45
Speaker 1: far from the whole story. Those weird little anecdotes, Peter
11:49
Speaker 1: Brown's Japanese assassins, The Village Voice is archived record of
11:53
Speaker 1: ad Rock and MCA's offensive comments that I put in
11:57
Speaker 1: my episode that weren't in Beast Boys. Those are the
12:01
Speaker 1: stories that not only disrupt the narratives, but that preserve
12:05
Speaker 1: the real history, or for our purposes here, preserve the
12:08
Speaker 1: real spirit of rock and roll, or of twentieth century music,
12:11
Speaker 1: for better or for worse, warts and all all the grime,
12:15
Speaker 1: all the crime. It's all there. You just gotta look
12:18
Speaker 1: for it and have an open mind and not blindly
12:21
Speaker 1: accept the spoon fed narrative, even if that narrative is
12:24
Speaker 1: from an artist that we love so speaking, of the Beatles,
12:28
Speaker 1: both those Beatles episodes Parts one and Part two, story
12:32
Speaker 1: of their come up, story of Beatlemania, but also the
12:36
Speaker 1: story of drug smuggling, tax fraud, Like I said, assassins, assaults.
12:41
Speaker 1: All of that is coming in this week's rewind slots
12:44
Speaker 1: on Friday and Saturday. Next up in your feed. It's
12:46
Speaker 1: going to be a Beatles weekend to cap off a
12:48
Speaker 1: Beastie Boys week that we are having. Check these episodes
12:51
Speaker 1: out if you haven't already, and if you have, give
12:53
Speaker 1: them another listen for these stories that disrupt the narrative.
12:56
Speaker 1: Next week. Okay, finally, speaking of disrupting the narrative, speaking
12:59
Speaker 1: of heretical thinking. Next week, our Blink one eighty two
13:03
Speaker 1: episode is coming out. I am pumped for this one.
13:07
Speaker 1: All right. If any of you know Tom DeLong, and
13:10
Speaker 1: I'm sure that some of you out there listening, do
13:13
Speaker 1: get in touch with me on Instagram or email or wherever.
13:16
Speaker 1: I'd like to get Tom to come on the episode,
13:18
Speaker 1: to come talk to us on the after party. All right.
13:22
Speaker 1: This episode, the Blink one eighty two disgrace Land episode,
13:24
Speaker 1: was supposed to come out in November. We made a
13:28
Speaker 1: little video documentary to accompany the podcast episode which some
13:32
Speaker 1: of you, the Patreon All Access members, you've already you've
13:35
Speaker 1: already heard this story. You've seen this story. I should say,
13:37
Speaker 1: we're releasing it in podcasts form next week with the
13:40
Speaker 1: whole sound design. It'll be it'll be different than what
13:43
Speaker 1: you saw slightly. It'll be the same story, it'll be
13:45
Speaker 1: a different production, if that makes sense. Anyways, this podcast
13:49
Speaker 1: episode was supposed to come out I believe in November,
13:51
Speaker 1: early November, but uh, that release got pushed because of
13:56
Speaker 1: the hurricane. So now this episode is coming next week,
14:00
Speaker 1: and I feel this might be divine intervention because it
14:04
Speaker 1: feels like some big UAP disclosure might be happening between
14:07
Speaker 1: now and the release of this Blink one eighty two
14:10
Speaker 1: episode on Tuesday, at least, if you believe UFO Twitter,
14:13
Speaker 1: UAP Twitter. Everybody's freaking out. They think something's coming now
14:17
Speaker 1: the Trump's in office, they think something's coming soon. We
14:20
Speaker 1: shall see. I'm not convinced. I'm not convinced, but if
14:23
Speaker 1: it does happen, I'm gonna be freaked out. I tell
14:27
Speaker 1: you that right now. So hold on to your hats,
14:28
Speaker 1: boys and girls, when you're listening to this Blink one
14:31
Speaker 1: eighty two episode. I want you to be thinking about
14:33
Speaker 1: the existence of NHI non human intelligence, and I want
14:36
Speaker 1: to know if you believe Tom's assertion that aliens exist.
14:39
Speaker 1: You're gonna hear it. You might, you might be already
14:41
Speaker 1: rolling your eyes, don't, Okay, I'm gonna I'm gonna lay
14:45
Speaker 1: some real facts on you about Tom Delong's efforts. Yes,
14:49
Speaker 1: the Blink one eighty two guy, Yes, the Dick Joke guy. Yes,
14:52
Speaker 1: that Tom DeLong. Okay, So I want to know after
14:55
Speaker 1: you listen to the episode, do you believe non human
14:58
Speaker 1: intelligence exists? Sub question? Every time I do that, every
15:02
Speaker 1: time I say subquestion side note, I think of I
15:06
Speaker 1: think at Jack Black and high fidelity asking questions about music.
15:11
Speaker 1: Sub question are you experienced? Have you ever been experienced?
15:16
Speaker 1: Says something anomalous in the skies ever appeared for you?
15:21
Speaker 1: Have you ever been touched? Have you ever been contacted? Okay,
15:25
Speaker 1: I'm saying all this, I swear to God with a
15:27
Speaker 1: straight face. All right, I am open minded. Okay, If
15:32
Speaker 1: you have been, then you know that they say that
15:34
Speaker 1: those who have experiences have multiple So if you've had one,
15:38
Speaker 1: if you've had two, whatever it is, I want to
15:40
Speaker 1: know hit me up. Let me know whether you believe
15:44
Speaker 1: Tom and why, whether you think Tom was right and
15:47
Speaker 1: why and sub question. Like I said, if you've had
15:50
Speaker 1: UFO UAP experience, NHI experience, I want to hear about it.
15:54
Speaker 1: The creepier the better. Six one seven nine oh six
15:57
Speaker 1: six six three eight at Disgrace Lampod on the so
16:00
Speaker 1: Disgrace Lampod at gmail dot com. I'll be back right
16:04
Speaker 1: after this with your calls, text and DMS on last
16:07
Speaker 1: week's question of the Week. All right, guys, just a
16:27
Speaker 1: reminder to make sure you Apple podcast listeners have auto
16:30
Speaker 1: downloads turned on. Okay, make sure you're not missing any
16:34
Speaker 1: Disgrace Land episodes, especially you new new Disgrace LAMD listeners.
16:37
Speaker 1: Get those auto downloads turned on on Apple podcasts so
16:41
Speaker 1: you know how to get in touch with me. Six
16:42
Speaker 1: one seven nine oh six six six three eight to
16:44
Speaker 1: leave a voicemail, send me a text. Let's check out
16:47
Speaker 1: this voicemail from Heidi in the eight three eight.
16:50
Speaker 2: Hey Jake, it's height again. I probably should have waited
16:56
Speaker 2: like an hour after listening to the VAT Boys episode.
17:00
Speaker 3: Before I called, because I was like overstimulated and who
17:04
Speaker 3: were excited?
17:05
Speaker 2: Because you did a fucking fantastic job. I loved the
17:08
Speaker 2: way he told their story. It brought back a lot
17:11
Speaker 2: of memories to me because I'm an old school hardcore
17:15
Speaker 2: punk rock kid. I came from the Leinhatte Valley in Pennsylvania,
17:20
Speaker 2: but I spent a lot of time in the Lower
17:21
Speaker 2: East Side growing up. I was at pretty much every
17:25
Speaker 2: Sunday Matt Days. And then when you talked about the
17:29
Speaker 2: one seven one Day in the Rat Cage, that brought
17:32
Speaker 2: back so many memories. And you know, my all time
17:35
Speaker 2: favorite Beaf albums. I actually loved Paul's boutique and I
17:40
Speaker 2: loved Check your Head. But Yeah, you did a great
17:44
Speaker 2: job representing all the different genres they went through. And
17:49
Speaker 2: thank you for saying how much they sucked with fighting
17:54
Speaker 2: for your right to party, because that was just fucking horrible.
17:57
Speaker 3: Then I got really sad. We started talking about a
18:01
Speaker 3: Yeah and his passing away. I was just recently diagnosed
18:07
Speaker 3: with cancer a month ago, so that hit me hard.
18:11
Speaker 3: And he was a great man and he's a legended
18:14
Speaker 3: to this day. So I'm going to ramble on, but hey,
18:18
Speaker 3: I wanted to also say you should seriously think about
18:21
Speaker 3: doing some sort of episode.
18:23
Speaker 2: About the hardcore scene in New York, the Lower east Side.
18:30
Speaker 2: All right, gotta go to work.
18:33
Speaker 4: Have a great day, Heidi.
18:36
Speaker 1: A lot in that text there, First and foremost, I
18:39
Speaker 1: hope you're doing okay. I I hope your your fight
18:43
Speaker 1: is going in the direction that you wanted to do.
18:46
Speaker 1: Just know that I'm thinking of you, and I'm sure
18:48
Speaker 1: everybody listening to this right now I was thinking of you.
18:50
Speaker 1: So I just want to wish you good luck in
18:52
Speaker 1: the trenches there, good luck with your battle. As for
18:57
Speaker 1: your note about a hardcore episode, I'm sure you heard
19:02
Speaker 1: the John Joseph and the Agnostic Front and I even
19:05
Speaker 1: managed to work in Gorilla Biscuits, not the band, but
19:08
Speaker 1: the actual gorilla biscuit thingy thing of a jiggy into
19:12
Speaker 1: the episode. Those are, all, of course, homage to my
19:15
Speaker 1: love of New York hardcore. I would love to do
19:17
Speaker 1: a New York harcore episode. Frankly, I don't know where
19:21
Speaker 1: to start, and I don't there's a lot of beef there,
19:24
Speaker 1: I know, and I don't want to be divisive, and
19:25
Speaker 1: I got a lot of friends connected to that world,
19:29
Speaker 1: and I want to piss people off. I'm very careful
19:31
Speaker 1: when I talk about it. Let's put it that way.
19:33
Speaker 1: So perhaps someday, if I can find the right ankle.
19:36
Speaker 1: In the meantime, you're gonna have to just deal with me,
19:39
Speaker 1: sort of sort of casually working in my love for
19:42
Speaker 1: the genre into these other episodes, perhaps a Bad Brains episode.
19:45
Speaker 1: I know they're not New York, but so they're connected enough. Anyway,
19:48
Speaker 1: Thank you for the call, Hot, you appreciate you. All right,
19:50
Speaker 1: Let's check out Clint in the four one two.
19:53
Speaker 5: Hey Jay, my name is Clinton, And I would have
19:56
Speaker 5: to say the musician that instead gotten to me the
20:00
Speaker 5: most would.
20:02
Speaker 4: Be Eddie Muney. Really liked Eddie Muney. He's been accused
20:05
Speaker 4: of looking like Eddie Money. Had a drink with Eddie
20:08
Speaker 4: Money one time.
20:09
Speaker 3: He was a cool guy. I'm going with Eddie Money.
20:12
Speaker 4: Bro, thanks a lot, have good night. I'm from the
20:15
Speaker 4: four one two.
20:16
Speaker 1: All right, Eddie Money, just like Ronnie says, love it, Clint,
20:19
Speaker 1: be my little baby. Just love the Eddie Money love.
20:22
Speaker 1: And I played this message because Eddie Money is just
20:24
Speaker 1: one of those dudes who I feel like nobody talks
20:26
Speaker 1: about enough. And Baby Hold onto Me is an incredible song.
20:29
Speaker 1: I mean, come on, why has no one sampled that
20:32
Speaker 1: for a hip hop song. By the way, I mean,
20:35
Speaker 1: I shouldn't have said that. I should have done that.
20:37
Speaker 1: Put that song on, Put baby hold onto me on
20:39
Speaker 1: out in the backyard on a sunny day with a
20:41
Speaker 1: cold beer, and try not to feel good. It's impossible
20:45
Speaker 1: to do that. You're gonna feel good. All right, Thank
20:47
Speaker 1: you Clint for reminding us of that.
20:49
Speaker 4: All right.
20:49
Speaker 1: I want to do one more message on last week's topic,
20:52
Speaker 1: Bill Murray, because you guys just want to talk about
20:54
Speaker 1: Bill Murray, and I don't blame you before putting the
20:56
Speaker 1: Bill Murray subject to bed. This is a good said Matt.
21:00
Speaker 1: Let's hear from Paul b in the eight four to three.
21:04
Speaker 5: Hey Jake, it's your boy. Paul Bee from the eight
21:07
Speaker 5: four to three Friendly neighborhood, sports therapist and personal train arms.
21:12
Speaker 5: As usual, I've listening to your podcast in the Red
21:14
Speaker 5: Light Therapy Machine. Barrin Murray. Well, I live in Harry
21:22
Speaker 5: where Bill Murray lives down in South Carolina. He has
21:25
Speaker 5: a house here in Charleston. He actually owns the local
21:28
Speaker 5: baseball team, a minor league River Dogs. The stadium is awesome.
21:33
Speaker 5: Been featured on Food Network several times. I've had the
21:37
Speaker 5: privilege of meeting Bill on many occasions, drank lots of
21:41
Speaker 5: beers with him, shared the occasional left handed cigarette.
21:47
Speaker 4: Bill seems to be.
21:50
Speaker 5: He's an amazing talent, no doubt. Love Bill Murray to death.
21:53
Speaker 5: He's an awesome guy. The problem with Bill's he just
21:57
Speaker 5: he just seems to be argumentative. Like, you know, you
22:00
Speaker 5: might meet him at the local taco boy having some
22:02
Speaker 5: tacos and killing out. He might follow you home to
22:05
Speaker 5: a house party and do your dishes, you know, while
22:08
Speaker 5: you're all party, but he'll argue with you about whether
22:11
Speaker 5: the sky is blue, just just because. And I really
22:15
Speaker 5: feel like that's probably if there's a flaw in his
22:19
Speaker 5: his character, that's probably it's he can be overbearing, argumentative,
22:25
Speaker 5: and he will have the last word. So I guess,
22:29
Speaker 5: you know, that's kind of an asshole. But he brings
22:35
Speaker 5: a lot of money into our economy down here, and
22:37
Speaker 5: we love him. So he's our asshole and we love
22:40
Speaker 5: you Bill. Thanks Jake, always a pleasure. Thanks for bringing
22:44
Speaker 5: us the content really speeds along my workout, brother, enjoy
22:49
Speaker 5: peace out rock a.
22:51
Speaker 1: Roller, fascinating insight. Paul, appreciate it, you know, as you're
22:55
Speaker 1: as I was listening to your message. You know, I
22:58
Speaker 1: got to the word asshole before you did. But what
23:02
Speaker 1: I love about your message is that it's honest and
23:04
Speaker 1: it's nuanced, and we don't have a lot of that
23:06
Speaker 1: these days. You know, people's behavior just sort of gives
23:10
Speaker 1: them a scarlet letter and then we move on and
23:13
Speaker 1: we don't talk about it, and we put them in
23:14
Speaker 1: the box and that's it. And I love how you've
23:17
Speaker 1: had firsthand experience with this guy and you have a
23:20
Speaker 1: very nuanced assessment of him. So I thought that was
23:24
Speaker 1: a great call on the red light therapy real quick.
23:26
Speaker 1: I've done that before. Made me feel great. I understand
23:30
Speaker 1: the benefits of sauna, and I do. I don't have
23:34
Speaker 1: a sauna in my house, but I do have a
23:35
Speaker 1: hot tub my pool jacuzzi, which I use regularly. Do
23:38
Speaker 1: I get the same benefit from the hot tub as
23:40
Speaker 1: I do in an actual steam sauna? Let me know,
23:43
Speaker 1: by the way, I love that you're a stoned sports therapist.
23:46
Speaker 1: I just wanted to say that six one seven, nine
23:49
Speaker 1: oh six six sixty three eight voicemail and text eight
23:52
Speaker 1: one eight right it say great episode of the Beat Boys.
23:54
Speaker 1: Jake for the question of which musician slash musicians have
23:57
Speaker 1: been influential to me. Well, coincidentally enough, it is the
24:01
Speaker 1: Beastie Boys. One of the things I do is design
24:03
Speaker 1: graphic T shirts, and I like to think that I
24:05
Speaker 1: don't run out of ideas when designing, so a lot
24:07
Speaker 1: of times I listened to the BC's when I'm creating,
24:10
Speaker 1: not only because I love their music, but they're also
24:12
Speaker 1: a constant reminder that creativity has no limit. Plus, Mike
24:16
Speaker 1: d has one of the coolest voices and rhyme style.
24:19
Speaker 1: The other influential artist would be Lenny Kravitz. The Mama
24:21
Speaker 1: Said and Are You Going to Go My Way? Albums
24:23
Speaker 1: were great, but Letty's transformation from Mama Set into are
24:26
Speaker 1: You Going to Go My Way? Was incredible, both on
24:28
Speaker 1: artistic and a life level. Be cool and I am out?
24:33
Speaker 1: All right, I appreciate that. Eight poet eight thanks for
24:35
Speaker 1: the text. All right Tony from the seven seven three
24:37
Speaker 1: love the Bad Brains tattoo guys. Tony sent in this
24:40
Speaker 1: tattoo and had a couple of other questions for me. Tony,
24:42
Speaker 1: I'm gonna hit you up. You can email me on
24:45
Speaker 1: your questions. I'll get back to you. Amazing tattoo work.
24:47
Speaker 1: By the way four one six right saying hey, nineteen
24:51
Speaker 1: ninety seven. Me and my girlfriend, Now why first time
24:53
Speaker 1: together in New York City. It was a weekday. We
24:55
Speaker 1: walked across the Brooklyn Bridge to Dumbo and then back.
24:58
Speaker 1: Being the nineties, I had my trusting man ulta film camera.
25:00
Speaker 1: On the way back across the Brooklyn Bridge, I realized
25:02
Speaker 1: I was on a film. We were down near Broadway
25:04
Speaker 1: and Chambers. I spotted a bodego with a Kodak sign
25:07
Speaker 1: in the window on the other side of the street.
25:08
Speaker 1: We crossed the street and there's a big gaggle of
25:11
Speaker 1: people waiting to cross the other way. As usual, so
25:13
Speaker 1: so many people it was hard to get through the crowd.
25:15
Speaker 1: I guess I was in a grumpy mood because as
25:17
Speaker 1: we were threading our way through the crowd, I said
25:19
Speaker 1: to my girlfriend, why is it always such a pain
25:21
Speaker 1: to try to get through? Holy shit, it's the beastly boys.
25:24
Speaker 1: I was standing shoulder to shoulder with all three of
25:27
Speaker 1: them waiting to cross the street. MCA and Mike D
25:30
Speaker 1: did not even turn their heads. Ad Rock turned looked
25:32
Speaker 1: at me, then looked my girlfriend up and down, and
25:34
Speaker 1: then they were crossing the street. I was busy trying
25:36
Speaker 1: to pull my rewounds pool of film back into the
25:38
Speaker 1: camera so that I could at least get some kind
25:41
Speaker 1: of record of this experience as they walked away, but
25:43
Speaker 1: within a few yards, the indifferent crowd closed around them
25:46
Speaker 1: and that was it. No picture. I don't miss the
25:49
Speaker 1: days before iPhones from the four to one six love
25:54
Speaker 1: it four one six. You know, it's kind of a
25:56
Speaker 1: better story because you're a photographer and you didn't get
25:59
Speaker 1: a picture. Okay, I do miss the days before iPhones.
26:03
Speaker 1: I'm sure you have lots of other grave pictures of
26:05
Speaker 1: lots of other great rock stars, and I appreciate your story,
26:08
Speaker 1: So thanks for texting it in six one seven nine
26:10
Speaker 1: oh six sixty six three eight. You guys want to
26:11
Speaker 1: text me at this Gray Slam pod. You want to
26:13
Speaker 1: hit me up on the dms, or you can get
26:16
Speaker 1: into the comments and some of the Beastie boys content
26:18
Speaker 1: that we are serving up on Instagram and Facebook and X.
26:23
Speaker 1: To that point, we posted a real detailing the Mike D.
26:26
Speaker 1: It's like an you know, sixty second version of the
26:28
Speaker 1: Mike D story about the the London crime waves and
26:31
Speaker 1: the crime wave and the disappearing Volkswagen hood emblem badges
26:36
Speaker 1: that Mike d inspired with his b boy style and
26:39
Speaker 1: that Volkswagen emblem that he used to rock and got
26:42
Speaker 1: a lot. I'm actually surprised that how many of you
26:45
Speaker 1: commented about having taken part in this low level criminal
26:51
Speaker 1: behavior back in the eighties over in the UK. So
26:55
Speaker 1: we posted that, and Drone d Love says, yep was
26:58
Speaker 1: the whole of the UK, thir teen year old me
27:00
Speaker 1: and my mates going wild out stealing the badges of
27:04
Speaker 1: cars all the time. You couldn't find a Volkswagen with
27:06
Speaker 1: a badge anywhere, so we ended up taking anything we
27:09
Speaker 1: could find, be it a Murk or a Ford anything.
27:12
Speaker 1: And then a lot of people chime in as well.
27:14
Speaker 1: They got into this action. I just I didn't expect that.
27:17
Speaker 1: That was pretty interesting. You guys are straight hoods. We
27:20
Speaker 1: also posted this little video on the on the homage
27:24
Speaker 1: the Beastie Boys paid in their gratitude video. The homage
27:27
Speaker 1: they paid to Pink Floyd and the Live at POMPEII
27:31
Speaker 1: film and got a lot of good action this this
27:35
Speaker 1: one guy comments. Shady NYC says, hey, thanks for posting this.
27:38
Speaker 1: I wrote the concept, directed it and I shot the
27:41
Speaker 1: helicopter footage for the video he's talking about. Cheers, David
27:45
Speaker 1: Perez shady, pretty frickin' awesome. Thanks David, appreciate you chiming
27:49
Speaker 1: in all right, guys. You know that in addition to
27:52
Speaker 1: our Question of the Week, where every week you guys
27:54
Speaker 1: answer question relative to the artists that we've covered, the
27:58
Speaker 1: Beastie Boys, Bill Murray, whoever, we also have the Story
28:02
Speaker 1: of the Week where you guys can call in text
28:05
Speaker 1: or email or DM me with your story of rock
28:08
Speaker 1: and roll animalism, your tale of rock and roll excess.
28:12
Speaker 1: Could be anything related to the spirit of rock and roll,
28:16
Speaker 1: the true spirit of rock and roll. Could be something
28:18
Speaker 1: that happened to you, could be something you heard secondhand,
28:20
Speaker 1: could be something you read of or saw in a
28:23
Speaker 1: movie that you're hitting the rest of us too. And this,
28:25
Speaker 1: of course is all done as part of our ongoing
28:27
Speaker 1: effort here in Disgraceland to preserve, like I said, the
28:30
Speaker 1: true spirit of rock and roll, to save rock and roll,
28:33
Speaker 1: if we may be so grand, to save rock and
28:36
Speaker 1: roll from going the way of jazz music or the
28:39
Speaker 1: Dodo Bird. To document this wild history so that there's
28:42
Speaker 1: a permanent record of the wildest of these stories that
28:46
Speaker 1: as I mentioned earlier in the show, have a tendency
28:48
Speaker 1: to be written out of history. This is our purpose.
28:50
Speaker 1: And this is this week's story of the Week, which
28:52
Speaker 1: comes from Chris and the seven eight to one and
28:54
Speaker 1: Woe Nelly. I want to warn you it's gross.
28:57
Speaker 4: Hey, Jake Chris from the seven eight to one, following
29:00
Speaker 4: up on a message I sent you on IG So,
29:04
Speaker 4: back in the eighties, I was in a band, and
29:07
Speaker 4: I was lucky enough to work with the great producer
29:10
Speaker 4: Jimmy Miller, who did everything from Exile on Main Street,
29:13
Speaker 4: Sticky Fingers, just the best Stones work, the Mick Taylor error.
29:18
Speaker 4: He did tell us some great Stone stories, but I
29:21
Speaker 4: am going to save those for another time because their
29:25
Speaker 4: third party and I cannot validate them. But what I
29:28
Speaker 4: can't tell you is that we were doing a recording
29:30
Speaker 4: session at Downtown Recordings in Boston. So this is like
29:35
Speaker 4: nineteen eighty seven ish. Jimmy does not show up for
29:39
Speaker 4: the session. Well, when we see him later, it turns
29:42
Speaker 4: out that he was hanging out with Johnny Thunders in
29:45
Speaker 4: New York. What were he and Johnny Thunders doing in
29:48
Speaker 4: New York? They were scoring heroin, so they needed to
29:55
Speaker 4: shoot up and the only water that was available was
30:00
Speaker 4: this puddle of water that had that film of oil
30:04
Speaker 4: on top of it. After Jimmy letchard Johnny about how
30:09
Speaker 4: disgusting that water was, he said, hey, are you usually
30:14
Speaker 4: use that, you know, kind of abscesss or whatever? That
30:17
Speaker 4: will do well. Afterwards we asked him to go, well,
30:20
Speaker 4: what did you do? He goes, yeah, I shot up too. Thanks.
30:24
Speaker 4: Have a great one, Chris.
30:26
Speaker 1: This story is surprising to me or gross to me,
30:29
Speaker 1: I should say, even by Johnny Thunder's standards, true rock
30:34
Speaker 1: and roll animal, Johnny Thunders. Did Jimmy Miller produce some
30:37
Speaker 1: Johnny Thunder stuff? Should know that if he did, and
30:39
Speaker 1: I apologize if I didn't know that. It's something that
30:43
Speaker 1: I absolutely should know. I have an actual Johnny Thunder's
30:45
Speaker 1: tattoo for God's sake, of course, you guys, Jimmy Miller.
30:49
Speaker 1: Chris mentions who he is. He was great Stones collaborator
30:52
Speaker 1: around for the best of the Stones records, so no
30:56
Speaker 1: surprise that he was working with Johnny Thunders at least
30:58
Speaker 1: hanging around with him. Great story, Chris, and Chris, I
31:02
Speaker 1: just want to say happy to hear you're still alive,
31:04
Speaker 1: I mean with friends like that. Yeesh, damn man, you
31:07
Speaker 1: are a survivor. It sounds like you must have lived
31:09
Speaker 1: a pretty rock and roll life yourself, and happy to
31:11
Speaker 1: have you among the living. Okay, you, guys, I want
31:14
Speaker 1: to hear your stories of rock and roll animalism. Give
31:16
Speaker 1: me a call six one seven nine oh six six
31:19
Speaker 1: sixty three eight call, text dm email Disgrace lamdpod at
31:23
Speaker 1: gmail dot com and tell me about that time that
31:25
Speaker 1: you got arrested a lallapalooza, or about that time he
31:27
Speaker 1: snuck out to go meet Nikki six but ended up
31:29
Speaker 1: passing out at his roadies apartment at that time you
31:31
Speaker 1: wait in a line all weekend to buy Alice and
31:33
Speaker 1: Chains tickets, Or the White Stripe show you were out
31:35
Speaker 1: where Meg brought her cat out onto the stage, or
31:37
Speaker 1: the Killer show in Vegas where they ran out of
31:39
Speaker 1: fourteen dollars beers. Whatever the story is, I want to
31:42
Speaker 1: hear it. Hit me up and your story might be
31:45
Speaker 1: the Disgrace Lands story of the week. I'll be back
31:47
Speaker 1: in a flash with more from you. Guys. All right, guys,
32:05
Speaker 1: we are back. You know the drill. If you want
32:06
Speaker 1: to support the show, you can leave a review for
32:08
Speaker 1: the show we really appreciate it. You leave that review
32:10
Speaker 1: over on Apple Podcasts or on Spotify. The reviews help
32:14
Speaker 1: with discovery of show. They juice the algorithm, so to speak.
32:17
Speaker 1: And in exchange for you guys being so generous and supportive,
32:21
Speaker 1: each week, I dip into the reviews. I know they
32:24
Speaker 1: say you're not supposed to read your reviews, but I
32:26
Speaker 1: read my reviews. What can I say? I dip into
32:28
Speaker 1: them occasionally, and by occasionally I mean once a week,
32:32
Speaker 1: and I extract one review from Apple Podcasts and one
32:36
Speaker 1: from Spotify. Read it here, and if your review gets read,
32:39
Speaker 1: you can take the initiative to reach out to me,
32:42
Speaker 1: either on social media or via email. I will grab
32:45
Speaker 1: your shirt size, because we might have some shirts lying
32:48
Speaker 1: around and if we do, you know, in your size,
32:51
Speaker 1: just a big if, maybe maybe you'll get a shirt.
32:54
Speaker 1: Maybe there's no shirts in your size, Maybe you'll get
32:56
Speaker 1: a pin. Maybe you'll get I don't know something else
32:59
Speaker 1: that we have lying around here. That's cool. I don't
33:01
Speaker 1: know what else we have stickers. I guess for now,
33:04
Speaker 1: that's just our way of saying thank you, we appreciate it.
33:07
Speaker 1: So here you go. Apple Podcasts. Ryan Redd four fifty
33:10
Speaker 1: one writes, the show is very well written with great
33:12
Speaker 1: delivery of the story. Everyone that asks for something new
33:15
Speaker 1: to listen to, Disgraceland is my first option for them.
33:18
Speaker 1: To try keep up the great work, y'all. We're going
33:21
Speaker 1: to do that. Ryan read over on Spotify. Now I'm
33:23
Speaker 1: reading this one here on Spotify from Tyler Hall because
33:27
Speaker 1: he points out this this element of the episode, the
33:30
Speaker 1: BC Ways episode that I almost didn't include. I wrote it,
33:33
Speaker 1: I recorded it, I listened to the mix, and I
33:35
Speaker 1: started thinking, hmm, how can I cut that out and
33:38
Speaker 1: keep the story, keep the form, the form of the story,
33:41
Speaker 1: the structure in place, because there's a little too personal.
33:44
Speaker 1: And I will say that most times when I get
33:48
Speaker 1: personal like this, y'all seem to respond in a positive way,
33:51
Speaker 1: and I don't seem to learn that lesson. It's always
33:53
Speaker 1: my instinct to cut it. But anyways, Tyler Hall says, Hey, Jake,
33:58
Speaker 1: this episode is killer. I found your show towards the
34:00
Speaker 1: end of last year and have been binging it like crazy.
34:02
Speaker 1: The part around eighteen minutes of this episode where you
34:04
Speaker 1: talk about your dad's record collection gave me life. I've
34:08
Speaker 1: got two young kids and a large record collection myself
34:10
Speaker 1: I hope they find music like that in my collection
34:13
Speaker 1: and that they connect with it. Man, that gave me
34:15
Speaker 1: the most wholesome feeling. Thank you for all the gnarly episodes.
34:18
Speaker 1: You're the man, Rocke Rolla, Tyler Hall, thank you. I
34:21
Speaker 1: appreciate that, I really do. And hit me up and
34:24
Speaker 1: we will send some merch your way. All right, Today,
34:27
Speaker 1: it's Thursday. It's the last Thursday of the month. You
34:30
Speaker 1: know what that means. That means if you're an All
34:32
Speaker 1: Access member, you're getting an extra Disgraceland episode this week,
34:36
Speaker 1: full episode, not a bonus episode, new exclusive, scripted, fully
34:42
Speaker 1: sound designed episode. Okay, you get one per month if
34:46
Speaker 1: you're an All Access member. This month's All Access episode
34:49
Speaker 1: is on the late great Towns van Zandt, one of
34:53
Speaker 1: the greatest and to use Tyler's word, gnarliest country singers
34:58
Speaker 1: of all time songwriters, I should say country song writers.
35:01
Speaker 1: He's saying too. But he's you know, his his thing
35:04
Speaker 1: was really was more his writing than his voice. Not
35:06
Speaker 1: that his voice isn't great, it is, but he's not
35:08
Speaker 1: George Jones Hank Williams. On the other hand. You know,
35:12
Speaker 1: he approaches that he approaches that gets closer and that's
35:16
Speaker 1: really what the episode is about. So if you want
35:18
Speaker 1: to hear this episode, the only way you're gonna be
35:20
Speaker 1: able to hear it is by becoming an All Access
35:21
Speaker 1: member on other Apple podcasts or through our Patreon and
35:25
Speaker 1: then you know, whatever podcast player you listen to podcasts on, right,
35:30
Speaker 1: it'll get delivered right there, right there. Okay, you don't
35:33
Speaker 1: have to be on a Patreon app to listen to it.
35:34
Speaker 1: You don't have to be an Apple podcast but you
35:36
Speaker 1: can listen in those apps if you should choose to.
35:38
Speaker 1: It's only five bucks a month, that's it, and you
35:40
Speaker 1: get AD free listening. Okay, you get AD free listening
35:43
Speaker 1: as well on all episodes. And for the bonus episodes
35:46
Speaker 1: like this one the after Party, you're going to get
35:49
Speaker 1: an extra bonus to the bonus episode the non all
35:53
Speaker 1: Access members will not hear, and that's coming up right
35:56
Speaker 1: after this. Okay, So just so you know, become an
35:58
Speaker 1: All Access member. Go to dis Gray sampod Slash membership,
36:01
Speaker 1: sign up five bucks a month, AD free, extra episode,
36:05
Speaker 1: extra bonus bit here in the afterparty. All right, we
36:30
Speaker 1: are back, guys, especially for the new listeners out there.
36:33
Speaker 1: We mentioned a bunch of artists in this episode, A
36:35
Speaker 1: lot of them. We have episodes in our archive on Okay,
36:38
Speaker 1: we mentioned New York Dolls, Motley Crue, Jimmy Hendrix. Anyhow,
36:42
Speaker 1: we have episodes on all those guys in our archive,
36:46
Speaker 1: And if you check the show notes, Matt Boden, our producer,
36:50
Speaker 1: will make sure that there are specific episode numbers and
36:53
Speaker 1: dates in there that'll make you be able to navigate
36:56
Speaker 1: our massive archive of two hundred plus episodes to find
36:59
Speaker 1: the ones that we talked to about here if you
37:00
Speaker 1: are interested, and why wouldn't you be interested? You love
37:02
Speaker 1: great rock and roll stories just as much as I do.
37:05
Speaker 1: Those archive episodes are there for you. I get to
37:07
Speaker 1: get out of here, so I just want to recap
37:09
Speaker 1: real quick. Number one. You know this now. I want
37:12
Speaker 1: your story. I want it every week, call me, text me,
37:14
Speaker 1: hit me up on the socials. What is your favorite
37:17
Speaker 1: story of rock and roll animalism as wild? A story
37:20
Speaker 1: about a rock star that you are aware of that
37:22
Speaker 1: you want to tell me something maybe that happened to you,
37:24
Speaker 1: something that I should know about, even if it didn't
37:26
Speaker 1: happen to you. Maybe you write it in a book,
37:28
Speaker 1: maybe somebody else told you. I don't care I want
37:30
Speaker 1: to hear it. Hit me up and you might have
37:32
Speaker 1: the story of the week number two right now in
37:35
Speaker 1: your feed. Our episode on Beastie Boys number three coming tomorrow.
37:39
Speaker 1: Rewinding back to our two part Beatles episodes number four,
37:43
Speaker 1: Merched Winners, Get in Touch, you know who you are?
37:44
Speaker 1: Number five. Remember no one cares about preserving the true
37:46
Speaker 1: spirit of rock and roll more than you do. And
37:48
Speaker 1: well that's a disgrace, all right now. Adam yalk Akamca
37:52
Speaker 1: passed away on May fourth, twenty twelve, and I miss him,
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Speaker 1: and so do you. So in honor of the gone
37:59
Speaker 1: too soon, rate Beastie Boy, this is the Billboard charts
38:02
Speaker 1: from the day we lost mc A. Number one, Somebody
38:08
Speaker 1: that I used to know Gotier featuring Kimbra last week
38:12
Speaker 1: one weeks at number one, two weeks on Chart sixteen.
38:17
Speaker 1: Number two. We Are Young Fun featuring Janelle Monet last
38:21
Speaker 1: week two peak position one weeks on Chart eighteen. Number three,
38:28
Speaker 1: Pey Falls Maroon five featuring Wiz Khalifa last week not
38:33
Speaker 1: a play position peak position five, three weeks on Churn
38:37
Speaker 1: The one under three, Number four Boyfriend peak Justine Fibers
38:41
Speaker 1: three last week five peak Pysition two weeks on charl
38:46
Speaker 1: SO show number five, glad we kill last week three
38:53
Speaker 1: positions three weeks. Quit talking and start mixing.