Latest / The Breakfast Club / Wale's Intervention--I mean INTERVIEW!

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Wale's Intervention--I mean INTERVIEW! · The Breakfast Club

• 0:02
  Speaker 1: Room anywhere. So your friend fright, Yeah, you guess the
• 0:08
  Speaker 1: world's most dangerous morning shot camera the mother I agree?
• 0:13
  Speaker 1: Show is this listen City DJ Harry, the capital of
• 0:18
  Speaker 1: the usually the only one who can keep these guys in. Charlomagne,
• 0:22
  Speaker 1: the god who is the breath was competition. Good morning
• 0:37
  Speaker 1: Usa yo ya yoya yo yo yo yo yo yo
• 0:40
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:41
  Speaker 1: yo yo yo yo yo yo yo yo yo yos
• 0:44
  Speaker 1: pop Charlomagne, piece to the planet. Guess what day it is?
• 0:47
  Speaker 1: Guess what day it is? Yesterday is Wednesday, hump Day.
• 0:54
  Speaker 1: Two more days until Memorial weekend. You know, I don't
• 0:56
  Speaker 1: like to be counting my chickens before they hatch, but
• 0:59
  Speaker 1: I cannot wait for the holiday weekend. I'm counting you,
• 1:02
  Speaker 1: hear me, I am counting. I cannot wait to sit
• 1:05
  Speaker 1: poolside and eat what I want what I want. I'm
• 1:08
  Speaker 1: going home to South Carolina. You already knowth Carolina. Shoot,
• 1:15
  Speaker 1: you know you got to pull at your CrIV South Carolina.
• 1:18
  Speaker 1: I don't have a pool at my Crimina, South Carolina.
• 1:20
  Speaker 1: We don't have a pool here. I'm broke, baby, I'm broke, baby.
• 1:23
  Speaker 1: You're sitting pools poolside. You sitting. I'm gonna go to
• 1:25
  Speaker 1: a hotel like a Day's in a small double tree.
• 1:28
  Speaker 1: You know what I'm saying. I'm just gonna post up.
• 1:30
  Speaker 1: I mean, bring my own looking in a bag and
• 1:32
  Speaker 1: you know what I'm saying. Family, Okay, Rich Rinch talk
• 1:36
  Speaker 1: see that Rich talk Broke talk to Rich working. I'm
• 1:40
  Speaker 1: hosting alongside treeing a little DJ Drama, DJ Holiday, Young Jack,
• 1:44
  Speaker 1: a whole bunch of people. I don't sound like work.
• 1:45
  Speaker 1: I got some people's coming. They asked if you can
• 1:47
  Speaker 1: hook them up, if you get him in the club. Yes, okay,
• 1:51
  Speaker 1: They though people I am cool with. No, you don't know.
• 1:55
  Speaker 1: They work with me. A top pop at the soda
• 1:58
  Speaker 1: company I partially owned. And it was like, I'm going
• 2:00
  Speaker 1: out there, can you get Angeli? And I was like, yeah, yeah,
• 2:03
  Speaker 1: my friends are actually coming out there too, so I
• 2:04
  Speaker 1: think it's gonna be a good time. I'm an have fan.
• 2:06
  Speaker 1: I can't wait, all right. Nobody cared about our lives
• 2:08
  Speaker 1: like that. Who we got the day on the show.
• 2:11
  Speaker 1: He's light skin, but he's dark skin. He's not light
• 2:12
  Speaker 1: skin with his dogs. He's emotional, but he's not he's
• 2:14
  Speaker 1: dark skin with light skin tendencies. He's very emotional. While
• 2:19
  Speaker 1: will be joining us today. He's definite emotional. I'm excited
• 2:21
  Speaker 1: about this and love talking to while A. He has
• 2:23
  Speaker 1: a new record. The record is Dope. Yeah, Wile, he's
• 2:25
  Speaker 1: my guy. He's one of the few people that I
• 2:26
  Speaker 1: talked to when we're not when we're not here at
• 2:29
  Speaker 1: the at the studio. It's funny because they didn't used
• 2:32
  Speaker 1: to get along. He definitely didn't used to get along.
• 2:34
  Speaker 1: When I first saw While, he had on a Mickey
• 2:36
  Speaker 1: Mouth hoodie and real short dreadlocks, and I said, who
• 2:38
  Speaker 1: is this guy? And we had words back and forth.
• 2:42
  Speaker 1: I actually called you yesterday for Wallet's number. What did
• 2:44
  Speaker 1: you call Wile for? It's gonna sound crazy, but the
• 2:47
  Speaker 1: person that braided his hair, I needed to braid my
• 2:49
  Speaker 1: daughter's here, so I was trying to find, you know,
• 2:52
  Speaker 1: habraiders when you went, that's a hair hair braider? Yeah,
• 2:57
  Speaker 1: Guyque one time for Que? Did not Que braided my
• 3:00
  Speaker 1: head back in the day, y'all know, m he had
• 3:02
  Speaker 1: hair and Q love Bug braided in. I sat between
• 3:06
  Speaker 1: Q's legs and and and Q braided in the hair,
• 3:09
  Speaker 1: shouting one time for my guy, Que shout to QQ
• 3:12
  Speaker 1: didn't braid my hair, you'll definitely braided your head, the
• 3:15
  Speaker 1: owner of the shop. Shallows are braided in my head?
• 3:17
  Speaker 1: What shallows are as a female? No, don't really cute
• 3:23
  Speaker 1: shallows are? And Q used to work at the shops.
• 3:25
  Speaker 1: So shout to the boy que one time for my guy.
• 3:27
  Speaker 1: He definitely knows hair braiders. And while they don't have braids,
• 3:30
  Speaker 1: you got dreadlocks whatever. They do the same thing as dreads.
• 3:33
  Speaker 1: Not the same thing, bro the same thing at all people.
• 3:37
  Speaker 1: Isn't the same if you could do dread to the braids.
• 3:39
  Speaker 1: You just think everybody that's in the natural herbal products
• 3:42
  Speaker 1: knows not a braid and dread hunh. You think everybody
• 3:45
  Speaker 1: that listen to a little poetry and staff their fingers
• 3:47
  Speaker 1: like this knows how to do dreads and braid, don't you?
• 3:49
  Speaker 1: You think everybody who has rock the odorant does bred
• 3:52
  Speaker 1: and drede don't? You could have asked me, Vy, I
• 3:54
  Speaker 1: know plenty of hair braiders. So are you trying to
• 3:57
  Speaker 1: get here braided, corn motor or locked? I don't know.
• 4:01
  Speaker 1: I think corn roll? Okay, more, all of the story
• 4:04
  Speaker 1: is is gonna be here? A yeah, yeah, yeah, Well
• 4:07
  Speaker 1: it was able to refer you to someone who does
• 4:09
  Speaker 1: corn roll. I found the person that does his hup.
• 4:13
  Speaker 1: As much as you don't play his music, I do.
• 4:17
  Speaker 1: I thought you called me to play my new record
• 4:19
  Speaker 1: PYT and you called me to ask me about who
• 4:20
  Speaker 1: braves hell boy? This guy? All right, well, let's get
• 4:25
  Speaker 1: the show started. Front page News. What we're talking about you, Well,
• 4:27
  Speaker 1: we'll talk about the Justice Department. They want to seek
• 4:29
  Speaker 1: the death penalty against Dylan. Roof that good. I'm gonna
• 4:32
  Speaker 1: hold of fish fry in Charleston shooting. Yeah good, All right,
• 4:36
  Speaker 1: we'll get into all that when we come back. Keep
• 4:37
  Speaker 1: it locked as to Breakfast localmon e j m vy
• 4:41
  Speaker 1: Angelo Ye, Charlomagne the guy. We are the Breakfast Club.
• 4:44
  Speaker 1: Let's get in front page News. Now. There's thunder Beat
• 4:47
  Speaker 1: the Warriors last night one eighteen to ninety four. They
• 4:50
  Speaker 1: take a three one series lead. Yeah. I really think
• 4:52
  Speaker 1: it's Kevin Durant's Mom's lifetime special. When I saw that
• 4:55
  Speaker 1: special and new saw how sad it was, I knew
• 4:57
  Speaker 1: that there's gonna have some special magic, some special voodoo.
• 5:00
  Speaker 1: They do it. But the series ain't over. They're looking good.
• 5:03
  Speaker 1: Let's talk about Dylan Rufe. Yes, So the Justice Department
• 5:07
  Speaker 1: is seeking the death penalty against Dylan Rufe. Dylan Rufe
• 5:10
  Speaker 1: is the Charleston Church Charleston Church shooter. Now, what they're
• 5:13
  Speaker 1: saying is it's because of the nature of the crime
• 5:16
  Speaker 1: and the resulting harm. That's why this decision was sought.
• 5:20
  Speaker 1: Because he was trying to ignite racial tensions across the country.
• 5:23
  Speaker 1: He particularly targeted Emanuel African Methodist Episcopal Church because of
• 5:27
  Speaker 1: the local and historical significance of that church. I don't
• 5:30
  Speaker 1: see the problem. What you're gonna try to tell me, Oh,
• 5:32
  Speaker 1: he deserves another chance, that redemption, forgiveness, he can change
• 5:36
  Speaker 1: f out of here. I'm holding fish frying Charleston when
• 5:38
  Speaker 1: they kill that boy. Now. Rufe was charged with nine murders,
• 5:41
  Speaker 1: three attempted murders, and multiple firearms offenses as part of
• 5:44
  Speaker 1: this long planned assault with you was premeditated. Drop one
• 5:48
  Speaker 1: included bombs, fry him, last chamber, whatever you do and
• 5:52
  Speaker 1: just how you guys know the last time the federal
• 5:54
  Speaker 1: government carried out in execution that was back in two
• 5:56
  Speaker 1: thousand and three. No, I don't have a problem with that.
• 6:00
  Speaker 1: He threw his life all the way away. Absolutely Now
• 6:03
  Speaker 1: let's talk about this man hunt for a dad. What
• 6:04
  Speaker 1: the hell is going on? Well, as a man in Missouri,
• 6:07
  Speaker 1: and he shot and killed his eight month old son
• 6:10
  Speaker 1: Jesus while he was arguing with his wife. Then he
• 6:12
  Speaker 1: fled with two of his other sons in a rental car. Now,
• 6:15
  Speaker 1: those boys later were found unharmed. They were at a
• 6:18
  Speaker 1: relative's house. Diada Our Crockett is his name. He went missing.
• 6:21
  Speaker 1: He's in a rented black Honday Sonata. He is considered
• 6:24
  Speaker 1: armed and dangerous. They did find the car later on.
• 6:27
  Speaker 1: That car was recovered. Now the argument started. His wife
• 6:30
  Speaker 1: told police that she felt forced to get into the
• 6:32
  Speaker 1: car with three of their six children. At one point
• 6:35
  Speaker 1: she tried to get out of the car. She was
• 6:36
  Speaker 1: holding the baby, and that is when the father fired
• 6:39
  Speaker 1: one shot toward her and actually ended up shooting and
• 6:42
  Speaker 1: killing the baby. Is he in jail. They're trying to
• 6:46
  Speaker 1: find him. He's on the run. Turn yourself in, buddy,
• 6:51
  Speaker 1: all right, well last front page news. Now tell him
• 6:54
  Speaker 1: why you're man eight hundred five eight five one oh
• 6:56
  Speaker 1: five one. If you're upset, you need to vent folan
• 6:58
  Speaker 1: too wide open. Maybe somebody pitched you off, Maybe having
• 7:01
  Speaker 1: a bad morning, whatever it may be, phone lines or
• 7:04
  Speaker 1: wide open. You can call up right now invent on
• 7:06
  Speaker 1: air eight hundred five eight five one oh five one,
• 7:09
  Speaker 1: call us right now. It's the Breakfast Clock the Morning,
• 7:12
  Speaker 1: the Breakfast Club. Hey, Yodax, you know what makes you
• 7:19
  Speaker 1: mad but for the truth, but can't handle the truth.
• 7:22
  Speaker 1: I ain't no, tell him why you mad? Want to
• 7:23
  Speaker 1: Breakfast club? Yo? What yo? This Chris in Miami? Chris
• 7:28
  Speaker 1: tell him why you Chris? Tell them why you're mad? Avery?
• 7:30
  Speaker 1: You know why I'm mad at you? Wow? Because when
• 7:33
  Speaker 1: Robin e Malco was up there, you told him to
• 7:36
  Speaker 1: stop cussing and she can't cut. But when Adrian Burns
• 7:40
  Speaker 1: up there, he was just a custom is tail off.
• 7:43
  Speaker 1: You ain't say nothing because if you tell Adrian Bruna
• 7:46
  Speaker 1: to stop custing, then it won't be an interview quiet
• 7:50
  Speaker 1: the whole time. His vocabulary is kind of limited, sir.
• 7:53
  Speaker 1: That is true. That that's very true. Hey, hey, charlom Mane,
• 7:56
  Speaker 1: can I ask you a question? Uh? Huh? Hey? Can
• 7:58
  Speaker 1: I result the white to want to cluse bombs? Please? Absolutely?
• 8:01
  Speaker 1: What you want to want to close? Bombs for drop
• 8:03
  Speaker 1: with a clues, bombs for the britsh clubs y'all hot,
• 8:05
  Speaker 1: y'allare going, Hey, give me that one. That bomb is
• 8:08
  Speaker 1: for everybody, that's all ours? Hello, who's this? Did ja
• 8:12
  Speaker 1: called other? Floord? South Carolina? Tell them what's up? Man?
• 8:15
  Speaker 1: And see what's happening in Florence? A forty three eight
• 8:17
  Speaker 1: oh three was going on, why are you mad? You know,
• 8:20
  Speaker 1: I'm saying I'm not mad, man, but you really need
• 8:24
  Speaker 1: to throw that fishfrid they kill that boy man? Oh
• 8:26
  Speaker 1: you know I'm having enough a fish Friday eight for
• 8:28
  Speaker 1: three when they when they execute dealing roof fish. Hello,
• 8:31
  Speaker 1: who's this? Why are you mad? Mama? I'm mad because
• 8:35
  Speaker 1: my boyfriend want to sit up here and give all
• 8:38
  Speaker 1: his co workers a ride, which is mostly females, and
• 8:41
  Speaker 1: it's uber everywhere. So I don't get it. You are
• 8:44
  Speaker 1: and you got a crush on your co worker? I mean,
• 8:46
  Speaker 1: I don't know what it is. He say he don't
• 8:48
  Speaker 1: have one or whatever, But you got a crush on
• 8:51
  Speaker 1: your co workers? Your boyfriend, Oh, your boyfriend playing a
• 8:57
  Speaker 1: little game with smelling finger. I mean, And I talked
• 9:01
  Speaker 1: to the girl till she just said that you know,
• 9:03
  Speaker 1: it's nothing or whatever. They all right, she betterfi her
• 9:06
  Speaker 1: own way to work. Yeah, listen, this is how you
• 9:09
  Speaker 1: ask her. Just find out if she's giving them gas
• 9:11
  Speaker 1: money or not. If she's not giving them no gas money,
• 9:13
  Speaker 1: he definitely smashing. All right, that's what's up. Let me
• 9:15
  Speaker 1: find out smash. I'm sure you trying to get that
• 9:19
  Speaker 1: me in trum, trying to get him in trouble. But
• 9:21
  Speaker 1: if if it bothers you, he gotta she gotta figure
• 9:23
  Speaker 1: another way to get to it. If they do respect
• 9:25
  Speaker 1: for your relationship. If they're doing this car food thing
• 9:27
  Speaker 1: and ain't nobody uting no gas money, he's smashing. Stop it. Hello,
• 9:30
  Speaker 1: who's this from? Tell them why you're mad man? I'm
• 9:34
  Speaker 1: mad man. Look, I'm a producer, right, I make beat.
• 9:37
  Speaker 1: I'm at a few rappers out here, mostly local rappers
• 9:40
  Speaker 1: out here that'd be like, oh, we got all this money,
• 9:43
  Speaker 1: all these cars, all these girls. Yeah, when it comes
• 9:46
  Speaker 1: to paying for the record, they're like, well, come work
• 9:49
  Speaker 1: out for me home, he come look out for me.
• 9:50
  Speaker 1: I'm looking out gonna pay these bills on me? Yeah,
• 9:53
  Speaker 1: I know those type. I know those type. You know that,
• 9:54
  Speaker 1: you know the type I hate. Like they'll ask you
• 9:56
  Speaker 1: can you get my video on world Star? And then
• 9:58
  Speaker 1: when you contact some money in World Star. Tell them
• 10:00
  Speaker 1: how much it called. They're like, I gotta pay you
• 10:02
  Speaker 1: ain't gonna who but you got a song about balling though. Hello,
• 10:05
  Speaker 1: who's this y'all are Miami? Tell them why you mad? Bro? Yo,
• 10:09
  Speaker 1: I'm not mad, but that all the way, y'all. Remix
• 10:11
  Speaker 1: Remy's versus Fire, y'all know I'm a Pinkett Smith one
• 10:15
  Speaker 1: for you knows Carter, I love Hole, but Remy washed
• 10:18
  Speaker 1: everybody on that remix. Everybody. She looked like she know
• 10:21
  Speaker 1: it too. When you see the picture of her and Jay.
• 10:23
  Speaker 1: Thank you, bro. All right, if you haven't heard the record,
• 10:25
  Speaker 1: we're gonna get that on in about thirty minutes. I
• 10:27
  Speaker 1: tell them why You're mad? Eight hundred and five eight
• 10:29
  Speaker 1: five one on five one. It's the Breakfast Club. God Morning,
• 10:32
  Speaker 1: the Breakfast Club. Hey, y'all, y'all, Hey, y'all, come morning,
• 10:38
  Speaker 1: this mad rap. I tell you why, man, tell you
• 10:40
  Speaker 1: why back? I'm mad because I don't know in the
• 10:41
  Speaker 1: club last night and there was too many good girls
• 10:43
  Speaker 1: in then, y'all for men, we don't need none of
• 10:44
  Speaker 1: your good girls in the club. We need loose girls.
• 10:46
  Speaker 1: Didn't drug girmydy sloppy girls. We didn't. Girls, that's gonna
• 10:48
  Speaker 1: call away. We don't need ane of your guys, girls,
• 10:50
  Speaker 1: and then go go away. Talk about it and tell
• 10:52
  Speaker 1: me why you mad breakfast club for real? Hey, you
• 10:54
  Speaker 1: need tell them why you man, mama, cause my dude
• 10:57
  Speaker 1: like he's so ignorant. We all at the club like look,
• 11:02
  Speaker 1: it's like a little white bar for real, like just
• 11:05
  Speaker 1: chilling having a good time. He did like go off like,
• 11:09
  Speaker 1: oh I got an appointment tomorrow. This sad in the
• 11:11
  Speaker 1: third let's hurry up and go like because he going
• 11:13
  Speaker 1: through stuff or whatever, he wasn't let us stretched out.
• 11:17
  Speaker 1: He ruined a good time he was about to have. Yes,
• 11:20
  Speaker 1: so being one of my friends, get up in the
• 11:22
  Speaker 1: business with me and my dude, and I'm just basically
• 11:24
  Speaker 1: telling her, like, you ain't got hing to do what
• 11:26
  Speaker 1: it is. She's basically trying to cause a conflict that
• 11:29
  Speaker 1: you know, just ask you to a fire that she
• 11:31
  Speaker 1: ain't gonna be able to put out. Ain't y'a always
• 11:33
  Speaker 1: just having a messy night out. Maybe the best thing
• 11:35
  Speaker 1: to do is to go home, And that's what I
• 11:37
  Speaker 1: try to do, but it ended up something else, fighting
• 11:40
  Speaker 1: and punching and all that. I'm gonna lie, you sound fat.
• 11:43
  Speaker 1: Bull ain't sad. But the whole point of the matter is, like, well, people,
• 11:47
  Speaker 1: you just always doing. I got a kind heart and
• 11:50
  Speaker 1: I'm always just you got a kind heart and big stomach.
• 11:52
  Speaker 1: How about you always stop it? Two forty? Okay? How
• 11:55
  Speaker 1: tall are you? Try? See? Yeah? I could hear to
• 11:58
  Speaker 1: tell you light around your neck? Thank you for calling mama.
• 12:02
  Speaker 1: Do you feel and you can say and you continue
• 12:04
  Speaker 1: to have a kind heart? There you go. But you
• 12:06
  Speaker 1: know who they say? I look like though for real though,
• 12:10
  Speaker 1: and all the people always telling me that Nicki Minaj
• 12:14
  Speaker 1: Yeah right, what's your Instagram? She said, Nicki Mina rather well,
• 12:21
  Speaker 1: I saw a picture of Nikki the other day on
• 12:22
  Speaker 1: Instagram Nikki body. Nikki. Ain't nothing about Nikki five six,
• 12:28
  Speaker 1: two forty. But how you know she was fat? From
• 12:29
  Speaker 1: her voice? You can hear fatness in people's voice. I
• 12:32
  Speaker 1: don't know why y'all keep backing like fatness is not
• 12:34
  Speaker 1: something that you can see coming to mile away and
• 12:36
  Speaker 1: hend coming to mile away. Hello, you know what you're
• 12:38
  Speaker 1: heard yourself? Funny? Hey mama, Well you know I'm not less.
• 12:46
  Speaker 1: I had to tell that girl that, but I'm really
• 12:48
  Speaker 1: not happy and I wanted to go like a yellow
• 12:50
  Speaker 1: shout out because they're so nice in you guys to
• 12:53
  Speaker 1: be how die to die for fat people? Yes, that's so.
• 13:00
  Speaker 1: And you know what, so let me tell you, I
• 13:02
  Speaker 1: got hits on to doctor Sandy when your face started
• 13:04
  Speaker 1: changing color, you know. But now, so I started following
• 13:10
  Speaker 1: her and following, you know, like really googling her stuff,
• 13:13
  Speaker 1: like not that my skin looked like you're skin at all?
• 13:16
  Speaker 1: But I want what hurt not? But you know, Ohio
• 13:20
  Speaker 1: is where the fat people live, for real, for real,
• 13:22
  Speaker 1: like let's be real. So she figures I'll come here.
• 13:25
  Speaker 1: She says, she's real busy, but she says she's definitely
• 13:27
  Speaker 1: gonna try to open up her schedule a little bit
• 13:30
  Speaker 1: for her to come to Ohio. Are you are you
• 13:32
  Speaker 1: ever so well? You don't listen, I sound work Charlomagne, Charlbagel,
• 13:36
  Speaker 1: sound fat. No, you don't actually sound fat. I couldn't.
• 13:39
  Speaker 1: My fat dog could be off though. Okay, well no, no,
• 13:43
  Speaker 1: no no, no, I'm not fat, but I mean I
• 13:45
  Speaker 1: am a little thicker. I mean I need a little
• 13:47
  Speaker 1: weight because this is and this is why I was
• 13:48
  Speaker 1: telling her nurse that. And I work out five days
• 13:51
  Speaker 1: a week I mean I do. I mean I work
• 13:52
  Speaker 1: out hard, but I can never lose weight. You speak
• 13:55
  Speaker 1: at my hormones. What are you eating? What are you
• 13:57
  Speaker 1: eating though? Checker fill a every every other day? Man,
• 14:00
  Speaker 1: I just tell your papas, don't so out big, okay,
• 14:02
  Speaker 1: So just no, no, I don't eat stuff like that.
• 14:05
  Speaker 1: Eat healthy, But I am a junkie. I'm a sugar person.
• 14:08
  Speaker 1: That's what it is. Also, if you do the same
• 14:10
  Speaker 1: workout every time, after a while, you hit a plateau, Yeah,
• 14:13
  Speaker 1: you gotta shock your body. Bull now, I try to
• 14:15
  Speaker 1: listen wat now like I live weight. You gotta stop
• 14:17
  Speaker 1: eating that junk. You're eating all them cookies and cheesecake.
• 14:20
  Speaker 1: That's what you gotta stop. Well, see there you go.
• 14:22
  Speaker 1: Children and men, I like you too. There's no piskies
• 14:24
  Speaker 1: and cheesecakes over you. And I bet you drink a
• 14:27
  Speaker 1: Solda too. You drink a Solda too. I don't drink
• 14:29
  Speaker 1: no all. I Drinchen's water. Are you to drink you still?
• 14:31
  Speaker 1: Or spring water? And I drink a gallon of a
• 14:33
  Speaker 1: day Like I do everything to be healthy. I'm thinking
• 14:36
  Speaker 1: my hormones are off. You know, first of all, just
• 14:38
  Speaker 1: pumped forty and I just think that my hormones are
• 14:41
  Speaker 1: really just off. You talk too much for us to
• 14:43
  Speaker 1: help you. Yeah, if you you just spend some of
• 14:45
  Speaker 1: that time on the treadmill, you know what, you got
• 14:48
  Speaker 1: him out, punch your face. You know that's good. Cardio two,
• 14:51
  Speaker 1: that's good. Goodbye, mama, jeez, tell them about you, man
• 14:55
  Speaker 1: eight hundred five eight five one o five one. If
• 14:57
  Speaker 1: your upset, you need it? What's that? Speaking of diets,
• 14:59
  Speaker 1: saluted TV one. TV one sent me a whole basket
• 15:02
  Speaker 1: of cookies because I guess they played reruns the Empire now,
• 15:05
  Speaker 1: so I guess this is like a cookie cookie thing
• 15:07
  Speaker 1: and I'm touching them. Fill our soft these cookies. Just
• 15:10
  Speaker 1: touch soft, Lord, have mercy. Yeah, you got eat those,
• 15:15
  Speaker 1: not even knees. Keep them over there. I'll touch him,
• 15:18
  Speaker 1: touch him, just touch him, y'all soft, y'all, Lord, have mercy?
• 15:22
  Speaker 1: Right God? Why man eight hundred five eight five one
• 15:26
  Speaker 1: five one, be your rum was coming up? Yes, imagine
• 15:28
  Speaker 1: if you took your card to the dealer and they
• 15:31
  Speaker 1: went ahead and drove it and crashed it. We'll tell
• 15:33
  Speaker 1: you what rapper that happened to with his four hundred
• 15:35
  Speaker 1: and nine thousand dollars Lamborghini of Ventador. Also Amber Rose
• 15:39
  Speaker 1: and her new talk show will tell you the debut
• 15:41
  Speaker 1: of that and what it's called. All right, all that
• 15:43
  Speaker 1: and more, Keep it locked. It's the Breakfast Club. Good morning,
• 15:46
  Speaker 1: the Breakfast Club blist. This just oh gosh, go report
• 15:56
  Speaker 1: got it report Breakfast Club that his card. Would you
• 16:04
  Speaker 1: be if you took your car to the dealership and
• 16:07
  Speaker 1: one of the employees went and took it for a
• 16:09
  Speaker 1: joy ride and then crashed it? Well, that's exactly what
• 16:12
  Speaker 1: happened to Yo, Gotti Dan no way. He took his
• 16:15
  Speaker 1: four hundred and nine thousand dollar Lamborghini in vented door
• 16:18
  Speaker 1: to the deal and Motor Cars of Georgia, and apparently
• 16:21
  Speaker 1: an employee took it out for a little joy ride
• 16:24
  Speaker 1: and crashed into a tractor trailer on the Interstates. Oh
• 16:28
  Speaker 1: my goodness, So Yo, gotta get some free lamba. They
• 16:30
  Speaker 1: got they have to have free lamb. Absolutely, you can't
• 16:34
  Speaker 1: take a bite of my sandwich if you work at
• 16:36
  Speaker 1: a fat food restaurant. In the handed to him, he
• 16:38
  Speaker 1: says his car sustained serious physical injury, and he's doing
• 16:42
  Speaker 1: for eighty thousand damages to the car, plus his own
• 16:45
  Speaker 1: personal pain and mental anguish. Oh yes, no, yo, gott
• 16:49
  Speaker 1: You can't get that car back. You need a new
• 16:51
  Speaker 1: call because if you crashed that Lambo just because it's
• 16:54
  Speaker 1: on car facts and it's an accident on that luxury
• 16:56
  Speaker 1: call is gonna be worth way less than what it's
• 16:59
  Speaker 1: really worth. But don't agree new call. Don't they already
• 17:01
  Speaker 1: appreciate with value anyway? Yeah, but if if it's an accident,
• 17:04
  Speaker 1: it's way even more. Yeah, way worse. He needs a
• 17:07
  Speaker 1: new car. They can't do that too. I don't know
• 17:09
  Speaker 1: that you got you gottahit me asked them a call?
• 17:11
  Speaker 1: You got he can't take the eighty thousand and eight enough.
• 17:13
  Speaker 1: I got a two thousand four Catillac Escalated with two
• 17:15
  Speaker 1: hundred thousand miles on it, And don't worry about the
• 17:17
  Speaker 1: You got rid of it and sold it for five
• 17:18
  Speaker 1: hundred dollars. Oh I did damn yea. How you be
• 17:21
  Speaker 1: lying in here catching yourself and got the lie you told?
• 17:26
  Speaker 1: I dig all right? Karen King from Loving Hip hoppet Land.
• 17:29
  Speaker 1: If you don't know, she's one of the newest cast
• 17:31
  Speaker 1: members from the show Loving Hip hoppet Land. Never heard
• 17:33
  Speaker 1: of him anyway. She just got arrested. She was in sacks,
• 17:37
  Speaker 1: and she tried to buy almost five thousand dollars worth
• 17:39
  Speaker 1: of merchandise using a stolen credit right scam that sound
• 17:43
  Speaker 1: about right, loving himpop cast number scamming That sounds about
• 17:46
  Speaker 1: right right well. She also was featured on America's Must
• 17:49
  Speaker 1: Wanted back in two thousand and twelve for allegedly beating
• 17:52
  Speaker 1: an ex boyfriend. Okay, dropped one of two for Karen King.
• 17:55
  Speaker 1: She's consistent on loving hip hop and later on she
• 17:57
  Speaker 1: went to jail in twenty thirteen on charges of aggravated
• 18:00
  Speaker 1: assault with intent to murder, kidnapping, arm robbery, and other offenses.
• 18:04
  Speaker 1: Satan Scott Young is out here giving these young fellows
• 18:07
  Speaker 1: the chance to rehabilitate themselves. All right, Okay, Loving hip
• 18:11
  Speaker 1: hop is like the Five Ventures. That's that's that program
• 18:14
  Speaker 1: you join when you're felling and you get out, you
• 18:16
  Speaker 1: try to get your life together. That's what I mean. Listen.
• 18:18
  Speaker 1: They promoted this to promote the show too. She said,
• 18:20
  Speaker 1: I've been in prison, not one, but but a few times.
• 18:23
  Speaker 1: It's unfortunate. I made mistakes. But when you're a single
• 18:25
  Speaker 1: mom and you don't want your kids to struggle, you
• 18:27
  Speaker 1: might make some choices. That are not so good. She's
• 18:29
  Speaker 1: in sacks with the avenue stealing clothes that's not for
• 18:31
  Speaker 1: her kids, steal clothes. She was trying to scare as
• 18:36
  Speaker 1: different and they also felt like she was incohots with
• 18:39
  Speaker 1: the sales employee because that's what it felt like. So
• 18:42
  Speaker 1: they both got arrested. Boosters and scams are two different things. Okay,
• 18:46
  Speaker 1: I didn't have boost the shopping. You cannot be on
• 18:49
  Speaker 1: loving hip hop and be out here boosting because when
• 18:51
  Speaker 1: you get caught, it's going to be all over everywhere.
• 18:53
  Speaker 1: She needed clothes for the new season and loving hip
• 18:56
  Speaker 1: hop and then return it. That's all how you gonna
• 19:01
  Speaker 1: buy it with no money. She didn't get no check.
• 19:03
  Speaker 1: He's sitting some money dollar check per episode. Okay, she
• 19:06
  Speaker 1: ain't get the first check yet, you know, like giving
• 19:09
  Speaker 1: him advantage, right, you need clothes for loving hip hop?
• 19:13
  Speaker 1: All right, Amma Rose. Her new show is going to
• 19:15
  Speaker 1: start on v H one June seventeenth at eleven PM.
• 19:19
  Speaker 1: So it comes on Friday nights at eleven It's called
• 19:21
  Speaker 1: Mother Rose and we told you about the show. It's
• 19:23
  Speaker 1: produced by doctor Phil. She's going to be talking about
• 19:26
  Speaker 1: pop culture, raised parenthood, and business. So she comes on
• 19:29
  Speaker 1: Friday night to eleven. Yeah, that's telling my show. Come on,
• 19:35
  Speaker 1: it's not a challenge. What is that supposed to. It's
• 19:44
  Speaker 1: a lot of shows that come on Friday nights at
• 19:45
  Speaker 1: eleven o'clock. Okay, it's enough people in America for everybody
• 19:48
  Speaker 1: to get good numb that is. But I actually wanted
• 19:50
  Speaker 1: to be successful. It's good the more black people that
• 19:53
  Speaker 1: get shows in that realm, that's a good thing. All right, Well,
• 19:57
  Speaker 1: and drop on a clue, bombs fan Rose because she
• 20:00
  Speaker 1: could have been a chick whose stereotypically should be on
• 20:03
  Speaker 1: a reality show like a loving hip hop or something
• 20:05
  Speaker 1: of that nature. But she got her own talk show.
• 20:07
  Speaker 1: That's good for her. You get listen, man, you gotta
• 20:09
  Speaker 1: get these holes something to describe for. He was so
• 20:14
  Speaker 1: positive and to the last Lois Farro hunting here and
• 20:18
  Speaker 1: you are calling women hosting right, I'm trying to do better, yo,
• 20:21
  Speaker 1: It was you need to stop using the world home.
• 20:24
  Speaker 1: It's enough people for all these progress you know, the
• 20:27
  Speaker 1: whole is the whole is a garden too. And then
• 20:29
  Speaker 1: the last thing he says referring to women's got to
• 20:32
  Speaker 1: do better, yo, what's holling you? Man? I did not
• 20:35
  Speaker 1: all right, you're right and that is your room report.
• 20:38
  Speaker 1: I'm angela ye. This guy's a jerk man. All right.
• 20:41
  Speaker 1: When we come back, while will be joining us while
• 20:44
  Speaker 1: keep it locked us to breakfast Local morning. That was
• 20:47
  Speaker 1: pairing the design the morning. Everybody is DJ m vy
• 20:49
  Speaker 1: Angela yee, Charlamagne the guy we are to breakfast club.
• 20:52
  Speaker 1: Everybody already drunk while they already kicking drinks over, spend
• 20:55
  Speaker 1: it over. You know we got a special guest in
• 20:58
  Speaker 1: the building. You didn't even give me then, yes, you're greeting.
• 21:01
  Speaker 1: This is a friend into the room, friend to the
• 21:03
  Speaker 1: friend to the room with charm. Charlomagne barely remember that
• 21:06
  Speaker 1: I've been here this year. I'm not memorable enough. No,
• 21:08
  Speaker 1: I couldn't remember. I didn't say that there's something that
• 21:11
  Speaker 1: needs to be done. There's something there's some type of
• 21:13
  Speaker 1: season and that needs to be put on my name.
• 21:16
  Speaker 1: I said, respect his name back, ladies, and we need
• 21:22
  Speaker 1: a better presentation for wild ladies like little plastic cuts,
• 21:25
  Speaker 1: I mean terrible. They don't have any they don't have
• 21:29
  Speaker 1: any acknowledgement of my handlead there's an acknowledgement on my handle.
• 21:35
  Speaker 1: While with good music, he got the record p YT.
• 21:39
  Speaker 1: But he all got no get mixed, no stories, no scandals.
• 21:42
  Speaker 1: You know what, you can't just to record scares me.
• 21:46
  Speaker 1: I'm truthfully scared. Somebody saying on Twitter, man, this PYT
• 21:51
  Speaker 1: while record is a little key hard as hell, like
• 21:53
  Speaker 1: they didn't want to let anyone give it a key
• 21:59
  Speaker 1: like you want don't he want't like to be a
• 22:01
  Speaker 1: cloud of fan or something. Though, good, I like this
• 22:04
  Speaker 1: one because now DJ could play. He just told me
• 22:07
  Speaker 1: he never played my stuff. Now it was very difficulty,
• 22:11
  Speaker 1: got slow temple. You got a temple now that I
• 22:14
  Speaker 1: I appreciate them. Put in the mix and now we're
• 22:15
  Speaker 1: gonna see. Though I ain't know you had Sam Sneak
• 22:17
  Speaker 1: on the record. I thought it was Tiger, and I said,
• 22:19
  Speaker 1: why did you do a record called p YT with Tiger?
• 22:22
  Speaker 1: Sam Sneak does look like Tiger a little bit playing
• 22:29
  Speaker 1: Tiger one of the best young businessmen in the game.
• 22:32
  Speaker 1: Though y'all playing they got me caught up. It's my guy,
• 22:36
  Speaker 1: Sam Sneak, Sam Sam doing a lot over there with
• 22:39
  Speaker 1: m MG. Though you liked the secret backbone over there,
• 22:41
  Speaker 1: the big homie Ricky Rose. Since I was a kid,
• 22:44
  Speaker 1: I met Rose and then he was like you my
• 22:46
  Speaker 1: djal this before hustling, Sam sneak out, I'm coming soon.
• 22:50
  Speaker 1: Then yeah, Walley, I saw you tweet. Don't let your
• 22:56
  Speaker 1: fascination with the star cloud your perception for the present time.
• 22:59
  Speaker 1: What you mean by that? I mean, I just think
• 23:01
  Speaker 1: a lot of people would be like, it'd be very
• 23:03
  Speaker 1: easy for me to come in and Joe and be
• 23:04
  Speaker 1: like yo, And if you remember, you know what I'm saying,
• 23:07
  Speaker 1: why don't you go back to like when you did
• 23:08
  Speaker 1: the Beanie Seguel this jount like you know what I'm saying,
• 23:11
  Speaker 1: the jaded disco, Like I could easily come in and
• 23:14
  Speaker 1: be like yo, the what're the verse that we can
• 23:16
  Speaker 1: pay the rest of the verse? You know what I'm saying. Like,
• 23:18
  Speaker 1: but that's where I was when that joint came out,
• 23:21
  Speaker 1: you know what I'm saying. I was in high school
• 23:22
  Speaker 1: or our first me in callege around that time when
• 23:25
  Speaker 1: I came out, like like, my appreciation for what he'd
• 23:28
  Speaker 1: do it is not about like that moment, and a
• 23:30
  Speaker 1: lot of people get caught up like where they was
• 23:32
  Speaker 1: when he heard lotus. A lot of me like I
• 23:34
  Speaker 1: had a girlfriend that I used to love and that's
• 23:37
  Speaker 1: was our song. We're not to govern them or bring
• 23:39
  Speaker 1: it back, and they think that like telling Walley bring
• 23:43
  Speaker 1: back the old wallet, it's gonna bring back that person subconsciously,
• 23:46
  Speaker 1: and that's a that's a fixation that a lot of
• 23:48
  Speaker 1: people got, you know what I'm saying. And that's why
• 23:50
  Speaker 1: I do get offended, Like, yo, I ain't making this
• 23:53
  Speaker 1: for me. I'm making for me every once in a
• 23:54
  Speaker 1: while about nothing was for me. China is for the
• 23:56
  Speaker 1: world for the first time in my career, like I
• 23:59
  Speaker 1: designed the songs to make an array of different women
• 24:02
  Speaker 1: feel good to scrictly for the woman I mean for
• 24:07
  Speaker 1: them the champion initially absolutely like not not for them,
• 24:11
  Speaker 1: But I just know my setupw my career set up,
• 24:14
  Speaker 1: Like everybody get up, you know what I'm saying. Let
• 24:21
  Speaker 1: me get the joke from me and mcgu because you
• 24:23
  Speaker 1: make the girl June. Actually I made a whole album
• 24:25
  Speaker 1: of other Junes. But you know a crazy thing about music.
• 24:27
  Speaker 1: Music is like a drug. It's like crack. But the
• 24:29
  Speaker 1: problem is if you sell a crack, crackheads always chasing
• 24:32
  Speaker 1: that first high, but they'll come by the same crack
• 24:33
  Speaker 1: from you. They don't do that with music. I don't know.
• 24:37
  Speaker 1: I don't know anything about you know what I'm talking about.
• 24:40
  Speaker 1: Don't they love that our brother, our brother is under
• 24:46
  Speaker 1: some serious allegations. Man, we don't know nothing about any
• 24:48
  Speaker 1: of that. Walla. That's what holla, what we call. They
• 24:51
  Speaker 1: love that first high when it comes to the music.
• 24:53
  Speaker 1: But you gotta keep giving them new drugs. That's in nostalgia. Though.
• 24:56
  Speaker 1: One of my mentors always talks about one Bob Jellan
• 24:58
  Speaker 1: when the electric and I was like a big like uproar.
• 25:01
  Speaker 1: I don't know if we allow our pioneers to do understand,
• 25:04
  Speaker 1: Michael Jackson did New Jack Swing. He didn't spearhead that movement.
• 25:09
  Speaker 1: He's like, I'm gonna do Michael Jackson on this Teddy
• 25:11
  Speaker 1: Riley vibe. M Rico Love told me this long time ago.
• 25:14
  Speaker 1: He was like, Yo, Like you know why you're gonna win.
• 25:16
  Speaker 1: He's like, because you're a fly that could wrap all
• 25:20
  Speaker 1: types of ways. It's like anything the way the game go,
• 25:22
  Speaker 1: you could just jump right in. And that always stuck
• 25:25
  Speaker 1: with me because it's just like all of y'all in
• 25:27
  Speaker 1: a way in your own fields, it's been a slow bill.
• 25:29
  Speaker 1: Ain't nobody You ain't getting no you didn't get no
• 25:31
  Speaker 1: block and yellow. First, at the beginning of your career,
• 25:34
  Speaker 1: you didn't even getting under that you ain't getting no
• 25:36
  Speaker 1: best to ever had in the beginning of your career.
• 25:38
  Speaker 1: You know what I'm saying, You ain't getting no as
• 25:40
  Speaker 1: as as at the beginning of your career, it all grew,
• 25:43
  Speaker 1: you know what I'm saying. And I just feel like
• 25:45
  Speaker 1: what I represent or what I want to rep I
• 25:47
  Speaker 1: try to represent is the person that like you might
• 25:49
  Speaker 1: not get employee of a month for your first two
• 25:53
  Speaker 1: years of your job, but maybe you might be the
• 25:55
  Speaker 1: first one to get a promotion. You might be the
• 25:57
  Speaker 1: first one because one thing that they knthanize my I
• 26:00
  Speaker 1: can seal anybody who goes skeptically leaves like, holy I
• 26:03
  Speaker 1: forgot this boy had this many hits. Yeah, you know
• 26:05
  Speaker 1: what I'm saying, and is a great example of that too.
• 26:08
  Speaker 1: That's who. That's who Rico and Fat Joe. You haven't
• 26:13
  Speaker 1: been a Fat Joe showing yoo. You know what too
• 26:17
  Speaker 1: like and not to go back. But that was the
• 26:19
  Speaker 1: time where you I think people love music more. Now
• 26:22
  Speaker 1: it's so fast. I don't know if they like they
• 26:24
  Speaker 1: don't love it as less. It's just like it's like,
• 26:26
  Speaker 1: what's next, it's just like if somebody make a bomb
• 26:28
  Speaker 1: ask pie and it's like four stores that sell pie,
• 26:31
  Speaker 1: Like you don't you probably like pote all time high
• 26:33
  Speaker 1: right now, but because it's just so much, it's so
• 26:37
  Speaker 1: many pies, like you don't know, like like it's like
• 26:39
  Speaker 1: everybody want to make pine now, you know what I'm saying.
• 26:41
  Speaker 1: So it's like we don't know. That's the only plight
• 26:44
  Speaker 1: of the artists of today, Like we won't never know
• 26:48
  Speaker 1: how hot we are. I try to get on set
• 26:50
  Speaker 1: it in their life seven times. Last, I want me
• 26:53
  Speaker 1: and Jerry what happened? I leave that up for speculation,
• 26:56
  Speaker 1: but I wanted to go. But how did they say no?
• 27:01
  Speaker 1: Like I'm saying, why, why would you think that? You
• 27:05
  Speaker 1: know why? Because you come and you grew up in
• 27:06
  Speaker 1: an urban environment. You know why? The girls and them
• 27:09
  Speaker 1: girls out there buyd dem Me Levado, who has really
• 27:12
  Speaker 1: like my curved my advances to write her music. I
• 27:16
  Speaker 1: will go on reckon to say that, like like she
• 27:18
  Speaker 1: don't give a about until Wile is on the top
• 27:21
  Speaker 1: forty then her and I was like, Yo, this is
• 27:23
  Speaker 1: kid named well, like you should work with him poetry hers,
• 27:26
  Speaker 1: This dreads like a crazy though she would pull the
• 27:30
  Speaker 1: interview with us. She doesn't so who we were and
• 27:32
  Speaker 1: she but my thing is I didn't give her nothing
• 27:39
  Speaker 1: but love. You know what I'm saying. I just think
• 27:40
  Speaker 1: she could sing, just like early on the Grand Day,
• 27:42
  Speaker 1: like I could. I think they could sing. And I'm
• 27:44
  Speaker 1: a big fan of Whitney Houston, like women Beyonce, women
• 27:47
  Speaker 1: that sold it and could sing. And unfortunately right now
• 27:51
  Speaker 1: there ain't no really no sisters that's doing what I
• 27:54
  Speaker 1: feel like a nineteen twenty one year old Whitney would do.
• 27:57
  Speaker 1: I mean, in my opinion, but I as if Whitney
• 28:00
  Speaker 1: was twenty years old. So I have these records that
• 28:03
  Speaker 1: I can't even get into her hands because of like like,
• 28:08
  Speaker 1: I mean, let's just be honest, but I'm gonna be
• 28:11
  Speaker 1: I'm gonna be completely honest. I think Christina aguiler On
• 28:14
  Speaker 1: the grandde and Demi. I'm not saying anybody Demi could sing,
• 28:18
  Speaker 1: like like when I want to say I wanted because
• 28:20
  Speaker 1: if you come to my parties, I DJ I'll play
• 28:22
  Speaker 1: I'm your Baby Tonight, I'll play you get Good Love
• 28:25
  Speaker 1: like I'll play I want to Dance with Mine, I
• 28:28
  Speaker 1: play he takes over the not even money to envy
• 28:37
  Speaker 1: about two dollars. Prayer got more money than you're looking
• 28:41
  Speaker 1: at you, Craig, No, you don't think your co workers
• 28:44
  Speaker 1: over Instagram letter rank. His wife is like the like
• 28:48
  Speaker 1: the muse of all the like one girls trying to
• 28:51
  Speaker 1: be fly for they all right, I'm just saying, you know,
• 29:01
  Speaker 1: that's some nice gain you got on. Don't get it wrong.
• 29:07
  Speaker 1: I'm uncomfortable, dog, I'm uncomfortable dog. All right, we got
• 29:11
  Speaker 1: more with wilet when we come back. Keep it locked
• 29:13
  Speaker 1: as to breakfast club, good morning, the breakfast club that morning,
• 29:21
  Speaker 1: everybody is tea jas d angela yee shawl A mean
• 29:23
  Speaker 1: the guy we are the breakfast club, wile is in
• 29:26
  Speaker 1: the building. So you meet y'all, good night we go.
• 29:29
  Speaker 1: We always gonna be good like we did. You do
• 29:31
  Speaker 1: congratulations because you had. But y'all make me got wording
• 29:36
  Speaker 1: in how y'all I'm gonna be clear. I'm gonna be clear.
• 29:42
  Speaker 1: I mean, I don't want to be clear like me.
• 29:44
  Speaker 1: We like real life. Do you know? We have a
• 29:46
  Speaker 1: big family and just do two brothers that's close in age.
• 29:49
  Speaker 1: That's like us, like we're always trying to I'll do
• 29:52
  Speaker 1: it like it's just like a like but if it's
• 29:54
  Speaker 1: something go down. Me gonna be like, yo, you're good,
• 29:56
  Speaker 1: like you need anything, you know what I'm saying? Or
• 29:58
  Speaker 1: did I get a call from top or Dean Ormelly
• 30:01
  Speaker 1: whatever like or even like a three days after that
• 30:06
  Speaker 1: jump Me and Molly did the record like it ain't
• 30:08
  Speaker 1: no thing, like I just know I know what it is,
• 30:10
  Speaker 1: like that's my brother like whatever, like at the end
• 30:12
  Speaker 1: of the day, like we don't even talk. That's my
• 30:15
  Speaker 1: nick and self made for like it's records that we
• 30:18
  Speaker 1: like going at each other like, but that's the relation
• 30:21
  Speaker 1: because I ain't fake. A lot of you come in here,
• 30:23
  Speaker 1: they come through a game plan in the elevator and
• 30:25
  Speaker 1: be like that's how we gonna act. The MMG for real,
• 30:28
  Speaker 1: dog Ross getting our when we started doing that part,
• 30:31
  Speaker 1: like like it's real sammcall. Let's say he hold Meek
• 30:34
  Speaker 1: down the club, he don't me me me down the club,
• 30:36
  Speaker 1: Rocky fresh O Marion Like quietly, I'm just gonna say this,
• 30:40
  Speaker 1: like quietly, MMG be putting out hits all the time.
• 30:44
  Speaker 1: I mean Marion, Joan one under the Radar and that
• 30:46
  Speaker 1: John one Go and it's almost platinum. You know what
• 30:48
  Speaker 1: I'm saying like they don't, they don't. It's just it
• 30:51
  Speaker 1: ain't even that record changed the whole you know what
• 30:54
  Speaker 1: you like to do. It changed it because what she
• 30:56
  Speaker 1: said and the groceries party. But Misychae commercial love it.
• 31:00
  Speaker 1: By the way, Mario got on that record because I
• 31:02
  Speaker 1: said that, I said exactly what you said. I said,
• 31:05
  Speaker 1: O Marion, I feel like the label lay behind them
• 31:07
  Speaker 1: the way they needed to be like that one. I can't,
• 31:09
  Speaker 1: I can't, I can't, I can't speak, can't we can't
• 31:12
  Speaker 1: speak on the major major. They owed him that one
• 31:14
  Speaker 1: because they owed him that one, because Marion put out
• 31:16
  Speaker 1: two records before that. I should have been The record
• 31:19
  Speaker 1: with ghost Face was crazy. The record on that was hot. Huh.
• 31:27
  Speaker 1: But you had a verse on that. The DJ is
• 31:30
  Speaker 1: always cut it. I know you label good because you're
• 31:36
  Speaker 1: not a fearful of telling the labor how you feel.
• 31:39
  Speaker 1: Be in Atlantic is good. We're good. The fact that
• 31:42
  Speaker 1: Charlemagne and you know a lot of other DJs was
• 31:46
  Speaker 1: was asking what you things holding while back or even
• 31:49
  Speaker 1: That's a conversation that's upsetting to me because I'm like, no,
• 31:52
  Speaker 1: I made this album to tell my story in a
• 31:55
  Speaker 1: broader scale. You know what I'm saying, like and and
• 31:57
  Speaker 1: and and to go back what I was saying, like
• 31:59
  Speaker 1: what you was doing in the early two thousands, like
• 32:02
  Speaker 1: you on a major radio station. Everybody know you and
• 32:05
  Speaker 1: you're doing it was the Naties. I don't know this
• 32:08
  Speaker 1: datum a little don't don't trying to do you It
• 32:16
  Speaker 1: wasn't out, yeah, but yeah, it was before it was.
• 32:18
  Speaker 1: It wasn't before that, but it was like the late
• 32:20
  Speaker 1: nineties because of National Who's five? It was a little
• 32:28
  Speaker 1: boudoum all the stars? Do you think because you do
• 32:35
  Speaker 1: so so many records for the ladies in the R
• 32:37
  Speaker 1: and B type records that but I don't really in
• 32:38
  Speaker 1: the person of nationally. But and that's the people see.
• 32:42
  Speaker 1: But what is nationally released? Because sometimes I put out
• 32:44
  Speaker 1: a record and if y'all don't react fast enough, like
• 32:47
  Speaker 1: the label will be like you know, if y'all don't
• 32:49
  Speaker 1: react fast enough. Um, I remember that night. But I
• 32:53
  Speaker 1: don't think people see that because I mean, I'm an
• 32:55
  Speaker 1: Hanssmate said the sky here man. Now, I'm just playing.
• 32:59
  Speaker 1: Let me ask you a ques. I'm just saying it's
• 33:01
  Speaker 1: act like wil not him. What do you think it's
• 33:04
  Speaker 1: missing from WI situation as far as what what do
• 33:07
  Speaker 1: you mean when you general because for me, I think
• 33:10
  Speaker 1: he's in a good space and I think it's missing
• 33:13
  Speaker 1: for what though, like missing to do As far as
• 33:15
  Speaker 1: him being on that next level of artists right now,
• 33:19
  Speaker 1: I don't think it's anything. I just think it's because
• 33:22
  Speaker 1: for one, he's an artist that's like you know, difficult
• 33:24
  Speaker 1: to understand. So I think with that it takes time
• 33:27
  Speaker 1: to understand him with everything, regardless of with the hits
• 33:30
  Speaker 1: he making, everything, it takes time. And they're around this time.
• 33:34
  Speaker 1: I think people are gonna really get them with Shine,
• 33:36
  Speaker 1: you know what I mean with the album it's self
• 33:37
  Speaker 1: made fault. You know, they're don't understand. They're gonna get on.
• 33:41
  Speaker 1: That's what I tell them all the time. It's only
• 33:42
  Speaker 1: a matter of time. Yeah, And that's all it is.
• 33:44
  Speaker 1: They just don't understand them and once they get it. Man,
• 33:47
  Speaker 1: And what you think about that question, because I mean
• 33:49
  Speaker 1: we we we flirt with the question sometimes, but like
• 33:52
  Speaker 1: at this point in my career, like I just I
• 33:54
  Speaker 1: just want to know. I hate Copparing, but I think,
• 34:00
  Speaker 1: like I said before, I just think a lot of
• 34:01
  Speaker 1: people don't respect you as a lyricist because they don't
• 34:03
  Speaker 1: hear you as lyrics. And the reason I say that,
• 34:04
  Speaker 1: it's like a nunciation is a technical thing. Now you think,
• 34:07
  Speaker 1: like you look at fabulous Balance puts out a female
• 34:09
  Speaker 1: record every time for his care but there's so much
• 34:13
  Speaker 1: other music in there that you forget about. I remember
• 34:15
  Speaker 1: when he did the Friday freestyle, and I remember Meek,
• 34:18
  Speaker 1: I remember Nicki Minaj. I remember a bunch of artists
• 34:21
  Speaker 1: being like, yo, Fabis dead nice, like you forgot he
• 34:23
  Speaker 1: was always that nice. Get about that, I think, man,
• 34:28
  Speaker 1: I mean because I don't know, because my thing, when
• 34:30
  Speaker 1: you say it like that, it seems like it's contrived
• 34:32
  Speaker 1: and like fab like I'm gonna make a chick record,
• 34:34
  Speaker 1: Like I don't know, because me and Fabris good friends.
• 34:38
  Speaker 1: That's what he does. That's his call he does. And
• 34:40
  Speaker 1: then you know it's to us a likability factor because
• 34:42
  Speaker 1: people don't want to like wallet. Yeah, I don't know.
• 34:44
  Speaker 1: I always hated that, like MV always talked to like
• 34:48
  Speaker 1: about Janine like he feels the consensus, not even trolls
• 34:51
  Speaker 1: like like, I mean, I think the thing when United
• 34:53
  Speaker 1: their line, if that was a Kendrick or Cold, they'd
• 34:56
  Speaker 1: have sympathy for me. Yeah, yeah, they're for you. It's like,
• 34:58
  Speaker 1: why are you doing that? After the United their lady
• 35:00
  Speaker 1: see what you know what like they probably got like
• 35:03
  Speaker 1: something like in within the past week when they went
• 35:04
  Speaker 1: bad on the same people, Like when I like for
• 35:07
  Speaker 1: being honest seeing first, I ain't like WILEI but not
• 35:11
  Speaker 1: because I knew him, Because I just looked at him
• 35:13
  Speaker 1: like he looks sad. HEAs just admit Itstopher brother, admit it.
• 35:22
  Speaker 1: He looks sad and miserable and always mad. I'm like,
• 35:24
  Speaker 1: what's wrong with wil I got the little vibe when
• 35:26
  Speaker 1: you know what I'm saying, when you need it, when
• 35:28
  Speaker 1: you need want to drink, man, you gonna tell him
• 35:31
  Speaker 1: man he is. I don't think he's not likable. I
• 35:37
  Speaker 1: think you see he's not understood because if when you
• 35:39
  Speaker 1: sit around him and just have a conversation, right, but
• 35:42
  Speaker 1: if somebody who doesn't sit around him and meets him
• 35:44
  Speaker 1: for the first time a season, for the first time
• 35:46
  Speaker 1: playing the politics, they go off they go off here,
• 35:48
  Speaker 1: say though you go off here and say coming with
• 35:50
  Speaker 1: a notion like you and then so if you see
• 35:52
  Speaker 1: a little bit yeah, yeah, they're right, I got complex, bro,
• 35:59
  Speaker 1: that was a passionate discussion. But but we heard the
• 36:01
  Speaker 1: rap rate on podcast when you cursed out y N
• 36:04
  Speaker 1: and b dot even though they did deserve because they
• 36:06
  Speaker 1: wasn't attacking. Yeah, curs mom. You got a narrative gets
• 36:12
  Speaker 1: gets finessed a little bit. You see, He's not like
• 36:15
  Speaker 1: when the narrative gets finessed the finish line and oftentimes,
• 36:18
  Speaker 1: you know, you know, has repercussions to the protagonists. I'm
• 36:22
  Speaker 1: not I'm not I'm not the villain. You know, sometimes
• 36:25
  Speaker 1: the narrative gets miscisstrued, and then people run with it.
• 36:27
  Speaker 1: What does it take for you to say, Okay, now
• 36:30
  Speaker 1: I feel like I recent success. You ask me that
• 36:31
  Speaker 1: every time I run the same time. Is that my cute? No?
• 36:36
  Speaker 1: You go. It seems like there's a lot of things
• 36:38
  Speaker 1: that I always discuss this. Oh no, man, I think
• 36:41
  Speaker 1: I'm getting closer to me. I think I'm getting closer
• 36:43
  Speaker 1: to me. I am scared for the day I but
• 36:46
  Speaker 1: let my foot of the guys. You find you find
• 36:47
  Speaker 1: a girl. The last time you was saying you were
• 36:49
  Speaker 1: looking for love because I look in see how the
• 36:51
  Speaker 1: narrative exploring the option of finding like I love, like
• 36:58
  Speaker 1: what love can do like, you know what I'm saying,
• 37:00
  Speaker 1: and have you failed that person? Um? I think so
• 37:03
  Speaker 1: pretty young, I think so. I love what love can do.
• 37:07
  Speaker 1: I love and I love what it can do. Like
• 37:09
  Speaker 1: it's like to be honest with you like um, you um,
• 37:12
  Speaker 1: you get certain energies around you and then you you
• 37:14
  Speaker 1: let you let you know, you let God in, like
• 37:16
  Speaker 1: what Quincy and them say, right when you feel something
• 37:19
  Speaker 1: for somebody like easy when I wrote that way, it
• 37:22
  Speaker 1: was so easy. I was just having a conversation that round.
• 37:24
  Speaker 1: You know what I'm saying the same thing with pyt.
• 37:27
  Speaker 1: You know it's inspiration for everything. Some girls for decoration,
• 37:31
  Speaker 1: some girls for inspiration. Yeah, definitely, Yes, you have found love,
• 37:36
  Speaker 1: you said, I think so. Yeah, I think so. I
• 37:39
  Speaker 1: mean if I say I know, then I feel like
• 37:41
  Speaker 1: I'm like, if I ever lose it, I'm gonna be
• 37:43
  Speaker 1: heartbroken every time I watched this. But I mean, like,
• 37:46
  Speaker 1: you know, UM would be a good place for wallet
• 37:52
  Speaker 1: you focus on your love and and less of the trolls.
• 37:56
  Speaker 1: It ain't about it ain't about the trolls. Though he's
• 37:59
  Speaker 1: ignoring ever that you's getting. You didn't give me my drink?
• 38:06
  Speaker 1: Got that Joe, She must be white Man. You see
• 38:09
  Speaker 1: how the narrative gets juggled. The narrative gets juggled. Why
• 38:13
  Speaker 1: do on the video allow the people to be on
• 38:15
  Speaker 1: the journey with me as I pursue normalcy like that,
• 38:18
  Speaker 1: That's what I'm gonna say, journey with me, on the
• 38:20
  Speaker 1: journey with me, And if if in the fifth and
• 38:24
  Speaker 1: if I did have one, and if I did that
• 38:26
  Speaker 1: and if I did that one, maybe I'm waiting for
• 38:28
  Speaker 1: the right time to tell you in a way that
• 38:30
  Speaker 1: you make you understand the way that I maybe I
• 38:32
  Speaker 1: just don't wanted to be on This is a new
• 38:34
  Speaker 1: sitcom right here, while and sneak you get two more
• 38:36
  Speaker 1: dudes to be the male version of Living single four
• 38:39
  Speaker 1: bachelors Charlotte Magnin. I'm glad keep you. That's why whatever
• 38:53
  Speaker 1: that's right, the fun out the fun. I'm gonna your
• 38:56
  Speaker 1: little finger got true flue. That's why you like kind
• 39:05
  Speaker 1: of way. I'm glad high All right, Wile is in
• 39:11
  Speaker 1: the building. Now, should we play Wile's record? I definitely
• 39:13
  Speaker 1: think you should play Wiles record. Of course, it's a
• 39:16
  Speaker 1: great song. I love it. Let's kid into people say
• 39:21
  Speaker 1: like that, my p y t aw, you're gonna get
• 39:23
  Speaker 1: the name wrong. I'm sorry. It's the Breakfast took the
• 39:25
  Speaker 1: Wiles here that was my p y t Wile Morning.
• 39:29
  Speaker 1: Everybody's DJ m vi Agela Ye Charlemagne the gud we
• 39:32
  Speaker 1: are the Breakfast club. Wili is in the building that
• 39:36
  Speaker 1: se the album's dropping soon. Anything else dripping trying let
• 39:39
  Speaker 1: make me leave here when I'm just getting started, man,
• 39:41
  Speaker 1: anything else dripping we should know besides just the album,
• 39:45
  Speaker 1: you know what I mean, probably all with Meek one
• 39:48
  Speaker 1: album because the album dope. You heard that. I think
• 39:54
  Speaker 1: it's dope to you. Would you be surprised, you know,
• 39:56
  Speaker 1: when it comes to the politics of the business, if anything,
• 39:59
  Speaker 1: if anything, any if anything. We were surprised that the
• 40:01
  Speaker 1: game just was fair. It was that Drake Kendrick who
• 40:05
  Speaker 1: was in the category, who wasn't in that category. It's
• 40:11
  Speaker 1: Billboard giving an award, so it's not like that. It's numbers.
• 40:15
  Speaker 1: It's there's right, you know what it was though people
• 40:17
  Speaker 1: think it's all who attached to that job. The two
• 40:20
  Speaker 1: factors when the album dropped, like eight records started number
• 40:23
  Speaker 1: one two weeks in a row. Put in work though,
• 40:25
  Speaker 1: promising for you though I don't know, man, I just
• 40:27
  Speaker 1: think I'm just I'm trying to pursue that and I
• 40:29
  Speaker 1: want to. I love the art, and I write all
• 40:31
  Speaker 1: my wraps. I write every note, every everything, So it's like,
• 40:34
  Speaker 1: it's all it's important to me to be knowing as
• 40:36
  Speaker 1: somebody that's doing that. I put a lot of time
• 40:38
  Speaker 1: on this show. Maybe sometimes I'm overheads, but I just
• 40:40
  Speaker 1: expect that I grew up in at that time when
• 40:43
  Speaker 1: we listening to Jay and here verse three months later
• 40:46
  Speaker 1: and then catch something and I just try to design
• 40:49
  Speaker 1: myself the same way. Whatever happened to your management, then
• 40:52
  Speaker 1: you're supposed to get new management. I mean Leonards there
• 40:55
  Speaker 1: right right then, I thought it was a rumor you
• 40:58
  Speaker 1: were signing like a real big manager said yeah, well
• 41:04
  Speaker 1: I ain't man. What listen, man, listen, I had h
• 41:07
  Speaker 1: did did an agreement with Scooter bron I did? Did
• 41:10
  Speaker 1: did a deal with Scooter? Uh? The story could probably
• 41:14
  Speaker 1: be told to a different way. They're stronger than I am.
• 41:16
  Speaker 1: So if suitor make a statement right now, it'll be
• 41:18
  Speaker 1: what he say, you know, I mean, because we have
• 41:21
  Speaker 1: a disagreement on what exactly happened. At the end of
• 41:23
  Speaker 1: the day, I'm like, I'm a grown man. I'm thirty one,
• 41:26
  Speaker 1: So I'm not stupid, like I know you're gonna do
• 41:29
  Speaker 1: what's right for you and your family. The stakes is
• 41:31
  Speaker 1: high with you. If going to run behind you is
• 41:34
  Speaker 1: what's best for you in your profile and rap, why
• 41:37
  Speaker 1: wouldn't you do that? Or Justin Bieber just dropped the
• 41:39
  Speaker 1: number one album and got five number ones on there
• 41:42
  Speaker 1: and the biggest why not you got Tori Kelly and
• 41:44
  Speaker 1: and and Justin Arianna Granny like you know what I mean?
• 41:47
  Speaker 1: Like like I said, I'm not gonna hide when the
• 41:49
  Speaker 1: people like that's happen. I heard Scooter didn't want you
• 41:52
  Speaker 1: because you can't have two artists with dreads. So it's
• 41:54
  Speaker 1: either you were Justin if it might have been everybody,
• 41:58
  Speaker 1: it might have been, but Justin cut In. I'm still
• 42:00
  Speaker 1: winking on the convent. But I don't want to be
• 42:02
  Speaker 1: all like black person. You didn't do this for me
• 42:06
  Speaker 1: like we could do it. You know what I'm saying.
• 42:09
  Speaker 1: I just gotta have more faith for my people, like
• 42:11
  Speaker 1: y'all holding me down and just getting back to where
• 42:14
  Speaker 1: I got. But but understand this, my success is everybody
• 42:19
  Speaker 1: that's ever been told like you're not gonna be able
• 42:21
  Speaker 1: to do this you're not gonna be able to people
• 42:23
  Speaker 1: like to do that fake sob story like when they
• 42:25
  Speaker 1: get on like nobody believed in me. My jone is
• 42:29
  Speaker 1: for real, like y'all saw it. You're witnessing it right
• 42:31
  Speaker 1: now with some aspects. My pyt that what you learned.
• 42:36
  Speaker 1: We learned that bothered as he was before, he might
• 42:40
  Speaker 1: have found that that love or that that that person
• 42:43
  Speaker 1: he was looking for. He seemed in a better space
• 42:45
  Speaker 1: than the last time. He seemed very disgruntled. I just
• 42:48
  Speaker 1: got some reasons to shine. I got reasons to shine.
• 42:52
  Speaker 1: Let's just put it, let's leave it. And plus, you
• 42:53
  Speaker 1: gotta appreciate your blessed You are a solid artist out here,
• 42:56
  Speaker 1: bron that that's gonna be different solid Just why you
• 42:59
  Speaker 1: got old album. People of people have made me believe
• 43:02
  Speaker 1: differently in and that's that's driving me to a place
• 43:04
  Speaker 1: that I go harder and harder and harder and try
• 43:07
  Speaker 1: to think where I go wrong on that note. You're
• 43:11
  Speaker 1: ending it, No, you're ending it. It's the Breakfast Club
• 43:18
  Speaker 1: with wallet, the Breakfast Club. Listen, it's just oh goshu reports,
• 43:31
  Speaker 1: It's report the Breakfast Club. Brother. Daily Mail did an
• 43:35
  Speaker 1: exclusive report on what happened behind the scenes at the
• 43:38
  Speaker 1: reel that caused Tamar to somehow part ways with the show.
• 43:42
  Speaker 1: Whether she left to focus on her solo singing career
• 43:46
  Speaker 1: or whether she was fired, you know, it remains to
• 43:49
  Speaker 1: be seen. Now. Lonnie Love says that none of the
• 43:51
  Speaker 1: women knew this was coming. Here's what she said on
• 43:53
  Speaker 1: the reel. None of us found out about Tamar until
• 43:57
  Speaker 1: I got a group text from Tamar. She said, I
• 44:00
  Speaker 1: heard I'm being fired. I ended up texting her on
• 44:03
  Speaker 1: the group text and I said, please let me know
• 44:05
  Speaker 1: what's going on. Then that's when we got a phone
• 44:08
  Speaker 1: call from Telepictures and they confirmed that she was no
• 44:13
  Speaker 1: longer let go. I asked why they told me basically,
• 44:16
  Speaker 1: none of my business because it's between Tamar and her
• 44:20
  Speaker 1: management and them. I think she meant to say she
• 44:23
  Speaker 1: was no longer part of the show. Now, according to
• 44:26
  Speaker 1: the Daily Mail, I'll tell you what they said, okay.
• 44:29
  Speaker 1: Apparently they said that Tamar was very difficult to work
• 44:32
  Speaker 1: with and this was the breaking point. Pinterest was sponsoring
• 44:36
  Speaker 1: a segment on the show. It was a game and
• 44:37
  Speaker 1: Tamar was losing the game. She was genuinely upset. She
• 44:40
  Speaker 1: acted out during the taping in front of the studio audience,
• 44:43
  Speaker 1: she exploded. Behind the scenes, she also cursed out the
• 44:45
  Speaker 1: executive producers. Producers had to heavily edit the segment to
• 44:49
  Speaker 1: make it presentable to air on TV, and the client
• 44:52
  Speaker 1: was on set and saw it as well. Now they
• 44:55
  Speaker 1: said her outburst, yeah, this alleged according to The Daily Mail.
• 44:58
  Speaker 1: They said her outbursts on set frequent and she would
• 45:01
  Speaker 1: regularly blow up on the executive producer and sometimes her
• 45:04
  Speaker 1: husband or her co host would have to calm her down.
• 45:07
  Speaker 1: They said she was becoming unbearable now. While she was
• 45:10
  Speaker 1: done Dancing with the Stars, remember she got really sick
• 45:12
  Speaker 1: and she had the blood clot and she had to
• 45:14
  Speaker 1: take an extended leave of absence. Well, they used several
• 45:17
  Speaker 1: guest hosts to fill in for her, and while she
• 45:19
  Speaker 1: was gone, they said it was very peaceful on the set.
• 45:21
  Speaker 1: The ratings maintain and sometimes they went up depending on
• 45:24
  Speaker 1: who was a guest co host for the show. Listen, kids,
• 45:26
  Speaker 1: I don't care who you are. Everybody's replaceable, and the
• 45:29
  Speaker 1: nicest thing anybody could ever say to you at your
• 45:32
  Speaker 1: job is you are a pleasure to work with. Absolutely
• 45:35
  Speaker 1: nobody wants to work with a difficult human being well.
• 45:37
  Speaker 1: According to the Daily Mail, they did a focused group
• 45:39
  Speaker 1: and research show that most educated and working women did
• 45:42
  Speaker 1: not identify with Tamar's show vernacular. They didn't know her
• 45:46
  Speaker 1: use of words that were popular among drag queens and
• 45:49
  Speaker 1: some gay men like get your life where they do
• 45:51
  Speaker 1: that at have several seats They didn't identify with, and
• 45:54
  Speaker 1: they felt she was more suited to be a judge
• 45:56
  Speaker 1: on RuPaul's drag race or in logo. They said. Men
• 46:00
  Speaker 1: found her to be ghetto and her aggressive eye rolling,
• 46:03
  Speaker 1: neck rolling and the smacking of the mouth to where
• 46:05
  Speaker 1: stereotypical behavior African American women have worked years to overcome.
• 46:09
  Speaker 1: It's a focus. Yeah, but who are the people? Who
• 46:11
  Speaker 1: are the people in the group. I would have to
• 46:13
  Speaker 1: see the demographic good of people, because the truth to
• 46:15
  Speaker 1: the matter is those sayings are actually saying they can
• 46:17
  Speaker 1: make a lot of money from right, Like, it don't
• 46:19
  Speaker 1: matter what walk of life you are in black, white,
• 46:22
  Speaker 1: Whatever you tell somebody you have several seats is effective.
• 46:25
  Speaker 1: I mean, I really liked Tamar. I toold Tama was
• 46:28
  Speaker 1: pretty good. So I don't know, but I like Tamar too.
• 46:31
  Speaker 1: So this is all alleged. This is all according to
• 46:33
  Speaker 1: the Daily Mail that their exclusive report of what happens.
• 46:36
  Speaker 1: But let's keep in mind, we like Tamar, but according
• 46:38
  Speaker 1: to our focused blogs, we are a show that caters
• 46:41
  Speaker 1: to ghetto dwelling urban people of all races. Want to
• 46:46
  Speaker 1: clus bombs for our blogs. That does an actual statement
• 46:49
  Speaker 1: from our focused blogs. That's right, Breakfast Club of pills,
• 46:52
  Speaker 1: the ghetto dwelling urban people of all racists. Is that good?
• 46:55
  Speaker 1: I don't know what that means. I don't know what.
• 46:59
  Speaker 1: I haven't figured that out. Yeah, I still haven't figured that.
• 47:00
  Speaker 1: I mean all right now, Chris Brown was in court
• 47:03
  Speaker 1: with his child's mother at Royalty's mom, Nia Gooseman, and
• 47:07
  Speaker 1: you know, she was trying to make sure he had
• 47:09
  Speaker 1: monitored visits in strict supervision when she when he has
• 47:12
  Speaker 1: their one year old daughter. But the judge said no,
• 47:14
  Speaker 1: he is still going to continue to get twelve days
• 47:17
  Speaker 1: a month with his daughter. It will continue to be unmonitored,
• 47:20
  Speaker 1: so they are still going to have joint legal and
• 47:23
  Speaker 1: physical custody. Who's this Brown now? Nia Gooseman is also
• 47:28
  Speaker 1: trying to get more child support. That case hasn't come
• 47:30
  Speaker 1: up yet, but she gets twenty five hundred dollars a month.
• 47:33
  Speaker 1: Now she wants to get up to sixteen thousand dollars
• 47:35
  Speaker 1: a month. Twelve days a month is a lot dropped
• 47:37
  Speaker 1: on a club. Custody, that's great, that's true. I know
• 47:39
  Speaker 1: some baby daddies that would love to build their kids
• 47:41
  Speaker 1: twelve days a morning. It seems like he does a
• 47:43
  Speaker 1: wonderful job with it, so I don't see why he
• 47:46
  Speaker 1: should have it any other way. Well, since we're talking
• 47:48
  Speaker 1: about custody and all kinds of payments. Derek Fisher and
• 47:53
  Speaker 1: his ex wife Kennis, they have decided to destroy the
• 47:55
  Speaker 1: embryos they had frozen while they were married as part
• 47:57
  Speaker 1: of their divorce settle. One thing embryos do them? Well,
• 48:01
  Speaker 1: I guess it's a big ethical debate it And you know,
• 48:05
  Speaker 1: I guess he doesn't want her to go ahead and
• 48:07
  Speaker 1: have his babies when they're not together somebody else. Let
• 48:10
  Speaker 1: somebody else cooking and range. No, that's his baby together anymore.
• 48:13
  Speaker 1: Documents agreeing to destroy embryos that were on ice at
• 48:16
  Speaker 1: a reproductive center. So they decided to do that. Now,
• 48:19
  Speaker 1: according to these court documents, guess how much Candice Fisher
• 48:22
  Speaker 1: gets and spouse to support a month? How much if
• 48:26
  Speaker 1: you just had to guess two million a month a month,
• 48:30
  Speaker 1: I would say fifteen thousand a month. One hundred and
• 48:33
  Speaker 1: nine thousand dollars a month. Very Fisher balling like dollars.
• 48:37
  Speaker 1: That's how much she gets. She might need to keep
• 48:39
  Speaker 1: the memorials. Then money fifteen thousand dollars a month in
• 48:45
  Speaker 1: child support because they have nine year old twin sons.
• 48:48
  Speaker 1: She didn't know you could keep embryos on ice. That
• 48:49
  Speaker 1: sounds crazy. Babies on ice, babies on ice, that is
• 48:54
  Speaker 1: your room of report. I'm angel, yeez, that's a lot
• 48:57
  Speaker 1: of money. That is a lot of money. My goodness.
• 49:00
  Speaker 1: Let Derek Fisher get me pregnant? What well, you're a bird?
• 49:04
  Speaker 1: You are? You have the audio? He just I don't understand.
• 49:07
  Speaker 1: Why do y'all you know, judge me for my capitalist
• 49:09
  Speaker 1: way you would get Let Derek Fisher get you pregnant anymore?
• 49:13
  Speaker 1: For one hundred and nine grand a month. You're a bird,
• 49:17
  Speaker 1: so you would be pregnant and give birth to a
• 49:21
  Speaker 1: child by Derek Fisher. Well you would too, yea for
• 49:23
  Speaker 1: one hundred and nine grand a month. It's wrong with you. Well,
• 49:26
  Speaker 1: I'm a woman, so it's different for you. About it's both.
• 49:30
  Speaker 1: What's wrong with both? Y'all be clear about that. Not
• 49:32
  Speaker 1: only would get one hundred nine and grand a month,
• 49:33
  Speaker 1: you know how popping out be having a baby as
• 49:35
  Speaker 1: a grown ass man. Both for you, I'm a freaking nature,
• 49:39
  Speaker 1: all right, medical mark our ratings through the roof us
• 49:43
  Speaker 1: A pregnant the breakfast club, Charlemagne is if you came
• 49:49
  Speaker 1: here every day? So how was last night? I have
• 49:54
  Speaker 1: a whole If I replaced Dog to Day with a
• 49:57
  Speaker 1: segment called morning sickness would just be me venting about
• 50:00
  Speaker 1: And the first pregnant man on this planet. Oprah had
• 50:02
  Speaker 1: a pregnant man on back in the day, but it
• 50:03
  Speaker 1: wasn't really a man, a woman who came. God forbid
• 50:06
  Speaker 1: that Charlotmagne gets postponum depression though, because he doesn't even
• 50:09
  Speaker 1: know what that's like. Depressed. You got Donkey today coming up? Bird?
• 50:13
  Speaker 1: I do actually gonna tell us what it's about. Remember
• 50:15
  Speaker 1: the episode of the Copy show, all the mental pregnant, No,
• 50:19
  Speaker 1: I remember, they wan't pretend it was a dream, and
• 50:22
  Speaker 1: they all had like like Bill Copy had like a
• 50:24
  Speaker 1: wholegie or something. Yeah, I don't even know why I
• 50:27
  Speaker 1: thought about that, but yes, Donkey today is coming up next,
• 50:29
  Speaker 1: and it's going out to Buffalo Bill's general manager Doug Walley.
• 50:32
  Speaker 1: We'd like to have a world with him. Okay, we'll
• 50:34
  Speaker 1: get into that when we come back. Keep it locked
• 50:35
  Speaker 1: and let's get into it. Might have just text me
• 50:37
  Speaker 1: and said, I'll get you pregnant. Who numbers? Goodness? Everybody
• 50:40
  Speaker 1: Danielle's brother. Let's get it to the new joint. His
• 50:44
  Speaker 1: fat Joe, Remy mar jay Z. I want to clue
• 50:47
  Speaker 1: for Remy. Mob salute the whole salute the Fat Joe.
• 50:49
  Speaker 1: But Remy watched everybody on this record all the way up. Remix.
• 50:53
  Speaker 1: Let us know what you think. It's the breakfast clog
• 50:55
  Speaker 1: the morning of the day. I'm a Democrat, so being
• 51:04
  Speaker 1: Dunky of the day a little bit of a mix.
• 51:06
  Speaker 1: So like a do other day. Now, I've been called
• 51:14
  Speaker 1: a lot in my twenty three years. That Donkey of
• 51:16
  Speaker 1: the day is a new wife. Hey, yeah, Donkey to
• 51:21
  Speaker 1: day for Wednesday, May twenty fifth, calls the Buffalo Bills
• 51:24
  Speaker 1: general manager Doug Walley. Now, did you hear what I
• 51:26
  Speaker 1: just said? Buffalo Bills general manager. Now, if you don't
• 51:30
  Speaker 1: know the Buffalo Bills or a football team, a professional
• 51:32
  Speaker 1: football team, in the NFL, now, and when when you're
• 51:34
  Speaker 1: a general manager of anything, you're pretty much run stuff.
• 51:37
  Speaker 1: I mean, of course you got someone you answer to
• 51:39
  Speaker 1: which you really high on the food chain or whatever
• 51:40
  Speaker 1: company you work for. When you are the GM, okay,
• 51:42
  Speaker 1: a general manager, you know, manages the revenue and cost
• 51:46
  Speaker 1: elements of a company, income statements, stay to day operations
• 51:49
  Speaker 1: of the business, all that, Okay, he runs things. And
• 51:51
  Speaker 1: in the NFL you are in charge of a roster
• 51:53
  Speaker 1: of ninety men who played football. Okay, the playing of
• 51:56
  Speaker 1: football is what the business consists of, nothing more than
• 51:59
  Speaker 1: nothing us. As long as you have men on the
• 52:02
  Speaker 1: field playing football, you are always be in business. So
• 52:04
  Speaker 1: I would think, you know, just personally, I would think
• 52:07
  Speaker 1: that if you're the general manager of a football team,
• 52:10
  Speaker 1: you would want people to be in the business. You
• 52:13
  Speaker 1: would encourage people to be in the business. You would
• 52:15
  Speaker 1: hope people want to be in the business. But Doug
• 52:18
  Speaker 1: Walley thinks otherwise. Now, Doug Welley called in the wg
• 52:21
  Speaker 1: Off five fifty and he was asked if one of
• 52:23
  Speaker 1: his players, Sammy Watkins, was injury prone. And Doug Willey,
• 52:26
  Speaker 1: the general manager of the Buffalo Bills, had this to say.
• 52:29
  Speaker 1: It's a game of football and injuries are part of it.
• 52:31
  Speaker 1: It's a violent game that I personally don't think humans
• 52:34
  Speaker 1: are supposed to play, and these things are going to
• 52:36
  Speaker 1: come up. But we just were trusting our medical staff
• 52:38
  Speaker 1: and we trust in each individual athletes do what they
• 52:42
  Speaker 1: have to do to get back on the field. What
• 52:44
  Speaker 1: did he say? Okay, well, I don't think y'all heard
• 52:47
  Speaker 1: the general manager of the Buffalo Bills. Okay, the general
• 52:50
  Speaker 1: manager of professional football team played again. He had this
• 52:53
  Speaker 1: to say about the game of football. Played again. It's
• 52:55
  Speaker 1: a game of football and injuries are part of it.
• 52:57
  Speaker 1: It's a violent game that I personally don't humans are
• 53:00
  Speaker 1: supposed to play, and these things are going to come out.
• 53:03
  Speaker 1: But we just were trust in our medical staff and
• 53:05
  Speaker 1: we trust in each individual athlete to just do what
• 53:08
  Speaker 1: they have to do to get back on the field. Hey, Doug,
• 53:10
  Speaker 1: did you hit the powerball lottery and not telling nobody?
• 53:14
  Speaker 1: Somebody hit the Mega millions and is plotting an exit
• 53:17
  Speaker 1: from his job. This is the kind of things you
• 53:18
  Speaker 1: say when you're about to quit, have already quit, are
• 53:21
  Speaker 1: looking to get fired. Okay. This is the epitome of
• 53:23
  Speaker 1: defecating when you eat. This is spitting in the wind.
• 53:25
  Speaker 1: This is making the Hulk angry. This is like offering
• 53:28
  Speaker 1: minister fire can pork. This statement makes no logical sense whatsoever.
• 53:32
  Speaker 1: Do you think the general manager of Chick fil A
• 53:34
  Speaker 1: would stand up and say, hey, no, humans should eat
• 53:37
  Speaker 1: our chicken sandwiches they called yatteries. Do you think the
• 53:40
  Speaker 1: general manager of Hersheys would say humans shouldn't need our
• 53:43
  Speaker 1: products they cause diabetes. Do you think the general manager
• 53:46
  Speaker 1: of io Heart would ever say, hey, humans shouldn't listen
• 53:48
  Speaker 1: to our radio stations because radio airwaves cause your brain
• 53:51
  Speaker 1: to melt and ooze out your ears. Okay, Like, where
• 53:54
  Speaker 1: is the logic of a general manager telling people his
• 53:57
  Speaker 1: line of business isn't for humans and further them all,
• 54:00
  Speaker 1: If you think the sport of football is so bad,
• 54:02
  Speaker 1: why are you the general manager of a football team?
• 54:05
  Speaker 1: That sounds crazy. This is like working for a cigarette
• 54:07
  Speaker 1: company in the day, but going around being an advocate
• 54:09
  Speaker 1: for lung cancer away and it's at night preaching about
• 54:12
  Speaker 1: the dangers of cigarettes, but you sell cigarettes. And furthermore,
• 54:16
  Speaker 1: once again, why would you want to be a part
• 54:18
  Speaker 1: of the system if you know that system is hurting people?
• 54:21
  Speaker 1: None of this adds up. Can I hear what Doug
• 54:23
  Speaker 1: had to say about football again? Just one more time? Please?
• 54:25
  Speaker 1: It's a game of football, and injuries are part of it.
• 54:27
  Speaker 1: It's a violent game that I personally don't think humans
• 54:30
  Speaker 1: are supposed to play. And these things are going to
• 54:32
  Speaker 1: come up. But we're just We're trusting our medical staff
• 54:34
  Speaker 1: and we trust in each individual athlete to just do
• 54:38
  Speaker 1: what they have to do to get back on the field. Hey, Doug,
• 54:40
  Speaker 1: don't sell me crack, but then preach to me about
• 54:43
  Speaker 1: how crack is killing the community. You can't be old
• 54:46
  Speaker 1: dog and shary from minutes at the same damn time. Okay,
• 54:49
  Speaker 1: please give Doug Welly the biggest he hall. So I'm confused.
• 54:54
  Speaker 1: So I let my son players? Should I not let
• 54:55
  Speaker 1: him play? According to him, you're not supposed to play.
• 54:58
  Speaker 1: I have no idea I want to hear. Want to
• 55:00
  Speaker 1: here to clean up. The clean up for this is
• 55:02
  Speaker 1: gonna be like, what do you say after you verbade
• 55:05
  Speaker 1: him say humans shouldn't play football? It's too dangerous. He
• 55:08
  Speaker 1: sounds crazy. He needs to be five. Honestly, would you
• 55:12
  Speaker 1: want you would you want your general manager, you know,
• 55:16
  Speaker 1: to talk down upon the company or say that the
• 55:18
  Speaker 1: company is no good people. Why are you here? Then?
• 55:21
  Speaker 1: That sounds like what are you here for? Geez? Really,
• 55:24
  Speaker 1: what are you here for? All right? Well, thank you
• 55:27
  Speaker 1: for that donkey. Today when we come back, ask ye
• 55:29
  Speaker 1: if you need relationship advice or any type of advice,
• 55:32
  Speaker 1: you can call you right now. Eight five eight five
• 55:34
  Speaker 1: one on five ones. You put your live on the end,
• 55:36
  Speaker 1: help you with your problems again. The numbers eight hundred
• 55:39
  Speaker 1: five eight five one on five one is the breakfast
• 55:41
  Speaker 1: club The Morning the breakfast club that was Tory Lane
• 55:48
  Speaker 1: would say it morning everybody is DJ m zy Angela
• 55:51
  Speaker 1: yee Charlomagne, the guy out of my face? No, I can't.
• 55:55
  Speaker 1: I'm gonna keep those nice soft cookies right in your face.
• 55:58
  Speaker 1: I might even go warm them up. You. Ye, since
• 56:02
  Speaker 1: you got pregnant by Derek Fisher, you've been really nice.
• 56:05
  Speaker 1: We've all the guys in he had been looking being
• 56:07
  Speaker 1: nice to you because you look cute. Okay, okay, hey,
• 56:13
  Speaker 1: you know what I mean? You look good? I thought you.
• 56:16
  Speaker 1: What's that yakie what they call it? No, this is
• 56:18
  Speaker 1: a Peruvian okay, pure you go, you get import you
• 56:25
  Speaker 1: want to go to? All right? Hello, who's this? Hey,
• 56:29
  Speaker 1: it's going on. Man, it's Mike from Queens. Mike from Queens.
• 56:31
  Speaker 1: What's your question from me? So basically, I have a girlfriend,
• 56:34
  Speaker 1: don't want her for two years plus and I met
• 56:37
  Speaker 1: her on Facebook? Wow? How did that happen? It was?
• 56:40
  Speaker 1: It was very brief. I saw her in person before
• 56:42
  Speaker 1: and then like I mentioned her on Facebook and then
• 56:44
  Speaker 1: we started going out pretty much. She had a boyfriend.
• 56:48
  Speaker 1: I guess I kind of took her from her boyfriend,
• 56:50
  Speaker 1: but not really. Her boyfriend was asked. According to her,
• 56:52
  Speaker 1: he was, I'm sure if you hear his side, it's different,
• 56:55
  Speaker 1: but go ahead. Yeah. Yeah, and uh so basically I'm
• 56:58
  Speaker 1: kind of going through the same thing right now that
• 57:00
  Speaker 1: she was, Well, that's how you met her. You know
• 57:03
  Speaker 1: what they say, how you meet her is how you
• 57:05
  Speaker 1: keep her. Yeah. True, But I mean she's been good
• 57:08
  Speaker 1: and everything. Well nothing's ever been wrong, but basically she's
• 57:12
  Speaker 1: been messages. Another guy hit her up in the DM
• 57:16
  Speaker 1: on Instagram, so basically hit her up in that wet
• 57:19
  Speaker 1: like said what she responded? Obviously if he DMed her
• 57:22
  Speaker 1: and she saw it, she and she responded she had
• 57:25
  Speaker 1: some type of interest, right, that is true? Yeah, so
• 57:28
  Speaker 1: what's the problem I don't want her to talk to him.
• 57:31
  Speaker 1: So how do you notice she told you how you
• 57:33
  Speaker 1: checked her Instagram? I checked? I checked. So basically, you
• 57:37
  Speaker 1: don't trust her anyway, No, I do, So why did
• 57:41
  Speaker 1: you check her instagram ms? Well, she actually showed me.
• 57:45
  Speaker 1: She showed me that she hit her up, and then
• 57:50
  Speaker 1: she's still like I guess, communicated, but not in the
• 57:52
  Speaker 1: sense of where like, oh I want to Max, but
• 57:56
  Speaker 1: like in the sense of like being friends but still
• 57:59
  Speaker 1: submaran m. Dude, she doesn't know hit her up in
• 58:01
  Speaker 1: her dms on Instagram, and she's continued some type of
• 58:05
  Speaker 1: correspondence with him after that, Yes, and she thinks that's okay.
• 58:11
  Speaker 1: I guess. So, yeah, isn't this how your relationship with
• 58:13
  Speaker 1: her started? No? Not really. We were strictly friends at first.
• 58:17
  Speaker 1: I mean, and that's that's exactly what it looks like now. Yeah,
• 58:21
  Speaker 1: they were strictly they're strictly friends now too, right. Yeah,
• 58:24
  Speaker 1: it sounds like she needs attention or she needs something.
• 58:28
  Speaker 1: Does she have some type of insecurity issues where she
• 58:30
  Speaker 1: needs people to validate that she's wanted, she's attractive or
• 58:34
  Speaker 1: something like that. Oh, No, she's attractive, she knows it.
• 58:38
  Speaker 1: I don't think that you should date somebody that will
• 58:40
  Speaker 1: randomly meet guys on Instagram and respond to them or
• 58:43
  Speaker 1: any type of social media, and that is how you
• 58:45
  Speaker 1: met her. Also, so clearly this guy season end, he's
• 58:48
  Speaker 1: going for it. It's disrespectful to you. It's disrespectful to
• 58:51
  Speaker 1: your relationship, and if she doesn't see that, then she's
• 58:53
  Speaker 1: clearly not ready to settle down. Yeah, you know, being
• 58:57
  Speaker 1: in a relationship. If some random guy hits me on Instagram,
• 59:00
  Speaker 1: I'm not gonna keep going back and forth with him. Yeah, period,
• 59:05
  Speaker 1: she needs Did she tell him she has a boyfriend? Oh? Yeah,
• 59:08
  Speaker 1: she talks about me all the time, and you know,
• 59:10
  Speaker 1: I kind of like see that he's he's still trying
• 59:14
  Speaker 1: to like go at it for like from a different angle,
• 59:15
  Speaker 1: you know, like let me be your friend first, but
• 59:17
  Speaker 1: then like after, I'm gonna go after you. She knows
• 59:20
  Speaker 1: what it is. Somebody don't just hit you up on
• 59:22
  Speaker 1: Instagram saying let me be your friend with the intention
• 59:24
  Speaker 1: of just being your friend, especially when you have a boyfriend,
• 59:27
  Speaker 1: and that is so disrespectful to you. She is letting
• 59:29
  Speaker 1: this guy play you. Yeah, you're right, And if she
• 59:33
  Speaker 1: doesn't see that, then she's clearly not the person you
• 59:35
  Speaker 1: need to settle down with. She must, she must take
• 59:38
  Speaker 1: attention from other people. And all that's gonna happen is
• 59:41
  Speaker 1: one day y'all gonna get into a fight, get into
• 59:43
  Speaker 1: an argument, and guess what's gonna happen. Yeah, you're right,
• 59:47
  Speaker 1: it's gonna go down in him ms. All right, I
• 59:50
  Speaker 1: appreciate it, All right, no problem, Look, bro, are you ask?
• 59:58
  Speaker 1: Ask you right now? Call up as a breakfast That
• 1:00:02
  Speaker 1: was Kent Jones with Dope Mind Morning. Everybody is DJ
• 1:00:05
  Speaker 1: Envy Angela, Yee, Charlomagne the guy. We are the breakfast club.
• 1:00:09
  Speaker 1: It's time to ask ye Hello, who's this? Hi? This
• 1:00:11
  Speaker 1: is Malia um Tally in Jacksonville. Okay, So my question
• 1:00:16
  Speaker 1: is I'm just more of a friendship issue. I've been
• 1:00:19
  Speaker 1: having a friend um that I met in the service
• 1:00:22
  Speaker 1: for about six years now, and she um as farther
• 1:00:28
  Speaker 1: being a friend. We've just been kind of having some fallouts.
• 1:00:33
  Speaker 1: And the thing is she's also the godmother of my child,
• 1:00:37
  Speaker 1: and so our relationship has to become It's strange, but um,
• 1:00:41
  Speaker 1: you know, she spent so much time with my child
• 1:00:43
  Speaker 1: at my child, my child almost too. But she knows
• 1:00:46
  Speaker 1: how to ask for her, called her nana, her nana whatever,
• 1:00:49
  Speaker 1: I reap. So it's strange, like sometimes I feel like
• 1:00:51
  Speaker 1: I don't even want to deal with her, but then
• 1:00:53
  Speaker 1: it's like it makes and I don't want to be
• 1:00:55
  Speaker 1: petty and like stop her from seeing my child because
• 1:00:58
  Speaker 1: she really, you know, like to send her my daughter.
• 1:01:00
  Speaker 1: But it's like it's like the last time I go yeah, basically, yeah, basically,
• 1:01:06
  Speaker 1: and we have a child together, basically, you know what
• 1:01:08
  Speaker 1: I mean. So it's just kind of war Like the
• 1:01:10
  Speaker 1: last time I dropped my child off, it was like
• 1:01:13
  Speaker 1: we were just so awkward. So what is it that
• 1:01:16
  Speaker 1: childa arguing about? Can this friend should be repaired? Well,
• 1:01:19
  Speaker 1: it's not. It's not really it's hard to explain. It's
• 1:01:22
  Speaker 1: it's like it's not it's not one thing. It's like
• 1:01:24
  Speaker 1: she's just unreliable. Like if I or if she asked
• 1:01:28
  Speaker 1: me to do something and I'll say, okay, we are
• 1:01:30
  Speaker 1: what time do you want me to meet you at
• 1:01:31
  Speaker 1: the house or whatever, like it's always something like she's
• 1:01:34
  Speaker 1: really bad at managing her time. And I guess I'm
• 1:01:38
  Speaker 1: just a different type of person. So it's like when
• 1:01:40
  Speaker 1: when we say we're gonna do this at this time,
• 1:01:43
  Speaker 1: you know, let me know. And then sometimes it's like
• 1:01:45
  Speaker 1: if I don't hear, like I won't hear from her,
• 1:01:47
  Speaker 1: so then I'm out call her, you know, and she'll
• 1:01:50
  Speaker 1: be like, oh girl, I didn't hear my phone or whatever.
• 1:01:52
  Speaker 1: But when I'm around her, you know, she got a
• 1:01:54
  Speaker 1: little bluetooth and she always on the phone, right, so
• 1:01:56
  Speaker 1: you kind of feel like she's being a little she's
• 1:01:59
  Speaker 1: not respecting your time. I'm in the plans that you
• 1:02:01
  Speaker 1: guys make. Yeah, and we've we've had fallouts about it
• 1:02:04
  Speaker 1: a lot, you know, and then and a lot of
• 1:02:05
  Speaker 1: times like and I try to talk to her and
• 1:02:07
  Speaker 1: she'll be like, oh girl, you're just in your feelings,
• 1:02:10
  Speaker 1: like you know, it wasn't like that, or you're you know,
• 1:02:12
  Speaker 1: you're overthinking it. It's always putting it back on me
• 1:02:15
  Speaker 1: instead of owning up for what's kissing me all she's
• 1:02:17
  Speaker 1: I mean, she's irresponsible. And I've had friends like that also.
• 1:02:20
  Speaker 1: I've had friends that I know, if we make plans
• 1:02:23
  Speaker 1: to do something, they're either going to cancel or be
• 1:02:25
  Speaker 1: so late that I'm gonna be waiting for two hours
• 1:02:26
  Speaker 1: and by the time they show up, I'm gonna be irritated. Yeah.
• 1:02:30
  Speaker 1: So it's just like I've gotten to a point where
• 1:02:32
  Speaker 1: it's like I don't even really want to deal. But
• 1:02:34
  Speaker 1: it's like, now I've allowed her to have a relationship
• 1:02:37
  Speaker 1: with my child, and like I said, my daughter, you know,
• 1:02:41
  Speaker 1: she'll ask for and like you know, Nana, Nana. You know.
• 1:02:44
  Speaker 1: So it doesn't sound like she's a bad person in
• 1:02:46
  Speaker 1: any way. It just sounds like she's an irresponsible person
• 1:02:49
  Speaker 1: and you can't really rely on her when it comes
• 1:02:51
  Speaker 1: to y'all making plans. Now, Yeah, my advice to you
• 1:02:54
  Speaker 1: because I had friends like this also, like I said,
• 1:02:56
  Speaker 1: it's just to know how to treat them. If I
• 1:02:58
  Speaker 1: make plans with certain people, I already have plans to
• 1:03:01
  Speaker 1: do something else, or I bring somebody else because I
• 1:03:03
  Speaker 1: know they might not show up. So that's all I mean.
• 1:03:05
  Speaker 1: Now I know what they're like and I know they're
• 1:03:07
  Speaker 1: not changing, So because of that, I act accordingly. Sometimes
• 1:03:11
  Speaker 1: you have to show people what they do. We make
• 1:03:12
  Speaker 1: plans together and then you do actually show up. I'm
• 1:03:15
  Speaker 1: gonna say, oh, I make plans to do something else
• 1:03:17
  Speaker 1: because you never show up anyway, So my bad. I'm
• 1:03:19
  Speaker 1: you know, I already decided to do something else because
• 1:03:22
  Speaker 1: I don't really rely on you. Sometimes people have to
• 1:03:24
  Speaker 1: see the error of their ways in order for them
• 1:03:26
  Speaker 1: to change. But yeah, I will say it's okay for
• 1:03:29
  Speaker 1: people to not always be friends the way they were
• 1:03:31
  Speaker 1: when they first became friends. Sometimes our friendships evolve and
• 1:03:35
  Speaker 1: change and we don't hang out all the time like
• 1:03:38
  Speaker 1: we used to. To me, it seems like it's not
• 1:03:40
  Speaker 1: worth it for y'all to just have a complete Oh
• 1:03:42
  Speaker 1: we're not cool no more. But you have to treat
• 1:03:44
  Speaker 1: people accordingly. So now when y'all make plans to do something,
• 1:03:47
  Speaker 1: just have somebody else come or make a backup, or
• 1:03:50
  Speaker 1: maybe just don't really make plans to her too much
• 1:03:52
  Speaker 1: unless it's her coming by the house or you go
• 1:03:54
  Speaker 1: going by over there, because she's not reliable. Okay, you're right,
• 1:03:58
  Speaker 1: thank you, No problem, all right? Ask ye eight hundred
• 1:04:01
  Speaker 1: five eight five one oh five one. If you want
• 1:04:03
  Speaker 1: to holler at you, you can always call her that you.
• 1:04:05
  Speaker 1: We got rumors coming up. Yes, let's talk about little
• 1:04:07
  Speaker 1: Wayne versus Birdman. Now we already told you about him
• 1:04:10
  Speaker 1: saying f cash money. We'll tell you behind the scenes
• 1:04:13
  Speaker 1: what happened there. Also, we'll tell you about Bill Cosby.
• 1:04:17
  Speaker 1: He has to stand trial for allegedly sexually assaulting a
• 1:04:20
  Speaker 1: woman and will tell you what happened why the judge
• 1:04:23
  Speaker 1: is saying that he does have to go to trial.
• 1:04:24
  Speaker 1: All right, all that and more, keep it locked. It's
• 1:04:26
  Speaker 1: the breakfast look the morning. What's the breakfast club? Listen,
• 1:04:31
  Speaker 1: just oha, gosh go, it's a rumor report. God, guys
• 1:04:35
  Speaker 1: with angel and it's a rum report breakfast club. Well,
• 1:04:40
  Speaker 1: Little Wayne were playing his audio for you yesterday. He
• 1:04:43
  Speaker 1: was performing at a concert and he started an F
• 1:04:46
  Speaker 1: cash money chant if you've missed it, and it's a
• 1:04:49
  Speaker 1: lot of it is bleeped out, so I don't know
• 1:04:50
  Speaker 1: if you'll still here, but here's what it sounded like.
• 1:05:00
  Speaker 1: F cash money. Well, according to sources, connects to the label.
• 1:05:04
  Speaker 1: The problem is this Birdman vowed he was gonna have
• 1:05:07
  Speaker 1: Little Wayne's back to the death. They were going to
• 1:05:09
  Speaker 1: patch things up. There's that fifty one million dollar lawsuit
• 1:05:12
  Speaker 1: they were trying to settle all of that. Part of
• 1:05:14
  Speaker 1: what Wayne wanted, really only wanted was to be able
• 1:05:16
  Speaker 1: to release the car to five. That was his first priority.
• 1:05:19
  Speaker 1: Birdman seemed like he was on board, but it still
• 1:05:22
  Speaker 1: hasn't happened. So that's why Wayne has pulled the plug.
• 1:05:25
  Speaker 1: That's why he took that picture with Rick Ross and
• 1:05:27
  Speaker 1: Trick Daddy and all of that. All talks have broken
• 1:05:29
  Speaker 1: down now us being well, me being the radio guy,
• 1:05:32
  Speaker 1: us being radio people. If we report that and asked
• 1:05:35
  Speaker 1: the question, why isn't Birdman paying his son? And man
• 1:05:38
  Speaker 1: he asked, had it on his body? Man? He said,
• 1:05:40
  Speaker 1: he will die for Why didn't Wayne have his money?
• 1:05:42
  Speaker 1: Why is Wayne discrunted? We report that, then we uh
• 1:05:45
  Speaker 1: not putting respect on his name by just simply reporting
• 1:05:48
  Speaker 1: more without there. I think it was more. I think
• 1:05:51
  Speaker 1: it was more. I think it was more than that.
• 1:05:52
  Speaker 1: That was I think it was You say, he's the
• 1:05:59
  Speaker 1: wax Rupp of all time. He's one up, but he
• 1:06:01
  Speaker 1: makes good record, top five maybe definitely top five, definitely
• 1:06:04
  Speaker 1: top five. Now that's you know, but forget all that.
• 1:06:09
  Speaker 1: What my main issue is, and the only reason we
• 1:06:12
  Speaker 1: ever have been bringing him up for the past couple
• 1:06:14
  Speaker 1: of years, is the fact that he has not paid
• 1:06:17
  Speaker 1: Little Wayne. Why is little Wayne is crony? If it
• 1:06:19
  Speaker 1: was Tiger okay whatever, Drake okay, whatever, you have to
• 1:06:22
  Speaker 1: pay everybody, but Wayne, the guy that you said yourself
• 1:06:26
  Speaker 1: definitely hand on it. Wouldn't be no young money, cash
• 1:06:30
  Speaker 1: money without Wayne. All right, now, let's discuss discuss Bill Cosby.
• 1:06:33
  Speaker 1: He does have to stand trial for allegedly sexually assaulting
• 1:06:36
  Speaker 1: Angia Constant. He don't have to do nothing. He can
• 1:06:38
  Speaker 1: just do what I told him to do a year
• 1:06:39
  Speaker 1: and a half ago and just die. Only can't do that.
• 1:06:42
  Speaker 1: He can't. The judge did rule it's probable cause believing
• 1:06:45
  Speaker 1: that he did drug her at his mansion back in
• 1:06:47
  Speaker 1: two thousand and four, stick his hand down her pants
• 1:06:49
  Speaker 1: and fondle her. He faces up to ten years in
• 1:06:51
  Speaker 1: prison if he is convicted of aggravating. He really think
• 1:06:54
  Speaker 1: Bill got another ten years left now? Bill Cosby also
• 1:06:57
  Speaker 1: in a previous deposition, I said he did have sexual
• 1:07:00
  Speaker 1: contact with two teenage girls and that his agent did
• 1:07:03
  Speaker 1: pay one of them off so his wife wouldn't find out.
• 1:07:05
  Speaker 1: So that's the newly released deposition that he had did
• 1:07:08
  Speaker 1: years ago. Why are you doing this to yourself? Bill Cobby,
• 1:07:11
  Speaker 1: I told you a year and a half ago. The
• 1:07:12
  Speaker 1: best thing for you to do at this moment is
• 1:07:14
  Speaker 1: just simply pass away. He can't just do that. He
• 1:07:16
  Speaker 1: just can't go. I'm passing away today and closure I
• 1:07:19
  Speaker 1: think when you're at the age you can you decide
• 1:07:22
  Speaker 1: whether or not you want to. During that deposition, he
• 1:07:24
  Speaker 1: also did admit that she masturbated him with lotion and
• 1:07:28
  Speaker 1: they had sexual relationship. Looks up like that, what's wrong
• 1:07:32
  Speaker 1: with you? Because I just can't pickure bill God be
• 1:07:33
  Speaker 1: getting a hand jout. But we don't want you to.
• 1:07:36
  Speaker 1: We don't want you to picture it all right? Who
• 1:07:40
  Speaker 1: Snoop Dogg is resurrecting Doggie Style Records? Now, he did
• 1:07:44
  Speaker 1: confirm it. He put out a new mixtape, the Return
• 1:07:46
  Speaker 1: of Doggie Style Records. It has thirty songs on it
• 1:07:49
  Speaker 1: and a lot of them are new or artists. So
• 1:07:51
  Speaker 1: if you want to check out The Return of Doggie
• 1:07:53
  Speaker 1: Style Records, it is available now. And of course we
• 1:07:56
  Speaker 1: talked about this all morning, but jay Z has finally
• 1:08:00
  Speaker 1: he said something through his music about lemonade and that
• 1:08:03
  Speaker 1: is on the All the Way Up remix with Fat
• 1:08:06
  Speaker 1: Joe and Remymi. Check out jay Z's part. You know,
• 1:08:09
  Speaker 1: you know when the fact you match made it is
• 1:08:11
  Speaker 1: worth millions. Lemonade it's a popular drinking it still is
• 1:08:15
  Speaker 1: Who survivor what the littus to really up furst up
• 1:08:20
  Speaker 1: in your business? Come in the room were real not
• 1:08:22
  Speaker 1: allow who who? I'm the only one in the room
• 1:08:27
  Speaker 1: that they fed right now? Whoo? I think they clip
• 1:08:31
  Speaker 1: right now? Are celebrating the red champagne. We don't play that,
• 1:08:34
  Speaker 1: or we see his gold bottles and plane has twenty
• 1:08:37
  Speaker 1: one Grammys that I use for do say cups. I'm
• 1:08:40
  Speaker 1: on the Pinhouse floor. Call you wear up? Og said, oh,
• 1:08:44
  Speaker 1: high high, it's higher enough. I said, so we are
• 1:08:46
  Speaker 1: you nine with the higher RUPs until we let him
• 1:08:49
  Speaker 1: know he ain't. Those ship xcel Our babies showered and
• 1:08:53
  Speaker 1: golden blue looking like popping the tough David la Chapelle
• 1:08:57
  Speaker 1: levels are not giving the full Prince sleppers masses way
• 1:09:00
  Speaker 1: they're safe and sound. You never gonna let the elevator
• 1:09:03
  Speaker 1: take a more. Prince left his masters where he know
• 1:09:07
  Speaker 1: they're safe and sound. Drop on a clues bombs for
• 1:09:09
  Speaker 1: whole title. The floor is still immaculate. You don't like
• 1:09:12
  Speaker 1: that verse. You're just not used to hearing audible rappers
• 1:09:15
  Speaker 1: in twenty sixteen. Okay, well that is your rumor report.
• 1:09:18
  Speaker 1: I'm angela year before the record. Remy washed everybody on
• 1:09:20
  Speaker 1: that all the way, every check it out, they all
• 1:09:23
  Speaker 1: killed it. Joe versus slept on to it, but it
• 1:09:25
  Speaker 1: would just be I do JAYZ and Remy's versus start
• 1:09:28
  Speaker 1: off a little offbeat, just me it sound like they do,
• 1:09:31
  Speaker 1: but then they get in pocket. But I still think
• 1:09:33
  Speaker 1: Remy washed Mammy killed it on the original version, so
• 1:09:36
  Speaker 1: as well. Yeah, and don't get me wrong, everybody's versus
• 1:09:38
  Speaker 1: dope on that song, Remy washed everybody. All right, Well,
• 1:09:41
  Speaker 1: if you want to hear the full version, we're gonna
• 1:09:43
  Speaker 1: get into that next in the mix. If you want
• 1:09:44
  Speaker 1: to hear something eight hundred five, eight five one or
• 1:09:46
  Speaker 1: five one, shout out family a revote. We'll see you
• 1:09:48
  Speaker 1: guys tomorrow. Everybody else to mixes up next, Hit me
• 1:09:51
  Speaker 1: up with your request, tell a friend teller from them
• 1:09:53
  Speaker 1: and play the full version. It's a rappers Cluglemner