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Top Storytelling Rap Songs of All Time · The Breakfast Club

• 0:00
  Speaker 1: What's up, guys, and welcome to the What hip Hop
• 0:02
  Speaker 1: Questions Legends and List. I am Nila Simone and I am.
• 0:04
  Speaker 2: The man to puts the Juncks and juxon position. Mounts Jones, Hey, this.
• 0:09
  Speaker 1: Be on it and I'm excited because we have a
• 0:11
  Speaker 1: lot to talk about.
• 0:12
  Speaker 2: Just talking about this fit, this fit gang. You like it.
• 0:15
  Speaker 2: I'm doing Dennim with the brown at the bottom is crazy.
• 0:18
  Speaker 2: The agenda is no longer a gender, but you don't
• 0:21
  Speaker 2: have to talk about that. They don't know what I'm
• 0:22
  Speaker 2: talking about. That's fine, you know what I'm talking.
• 0:23
  Speaker 3: About, Okay, But the agenda it's coming back. But you know,
• 0:26
  Speaker 3: right now, I gotta cash in. I have to cash in,
• 0:30
  Speaker 3: so that's what I'm doing. But really, I just have
• 0:32
  Speaker 3: a few things going on today, so I just I
• 0:35
  Speaker 3: thought I woul address up a little more.
• 0:37
  Speaker 2: I like it looks good. I like it. I'm always
• 0:40
  Speaker 2: been a fan of like big pockets.
• 0:41
  Speaker 1: Oh my god, you know, baggy jeans gives me makes
• 0:44
  Speaker 1: me feel like Aliyah.
• 0:47
  Speaker 3: Come on, boy, I've been watching you.
• 0:52
  Speaker 1: This is that the real This is what it feels
• 0:55
  Speaker 1: like it might be. Honestly, the videos so.
• 0:57
  Speaker 2: Many just do that, just do it with my yeah, okay, yeah,
• 1:03
  Speaker 2: you practice the baby sound doing.
• 1:09
  Speaker 1: Like, No, that's not like some walking.
• 1:13
  Speaker 2: It's like a class of us.
• 1:17
  Speaker 1: That's exacinitely the last.
• 1:18
  Speaker 3: Oh my god, speaking of TV film stuff, this so
• 1:23
  Speaker 3: Jonathan may.
• 1:24
  Speaker 2: Man, what are we doing? Oh? We're here? It's crazy
• 1:27
  Speaker 2: vindication for that black man?
• 1:29
  Speaker 3: Vindication? Are they really going to give him vindication?
• 1:33
  Speaker 2: Like?
• 1:33
  Speaker 3: Are you ever really vindicated when you get these type
• 1:35
  Speaker 3: of allegations.
• 1:36
  Speaker 4: One thing I love about today is the same thing
• 1:39
  Speaker 4: that we hate about today, these fucking phones. Video footage
• 1:44
  Speaker 4: will always vindicate the word of mouth. Don't do ship.
• 1:49
  Speaker 4: When video footage drops, everybody will.
• 1:52
  Speaker 1: Get there dropping footage.
• 1:53
  Speaker 2: They're dropping the footage. What the attorney said.
• 1:55
  Speaker 3: I love that good. I just I hate that this happened,
• 1:58
  Speaker 3: especially right now, like they're on a Pinnacle Creed three
• 2:02
  Speaker 3: was amazing, amazing, and then now that now this, I'm like,
• 2:05
  Speaker 3: of course they just can't let the king.
• 2:07
  Speaker 2: Is that why you didn't want to go see the
• 2:08
  Speaker 2: movie yesterday?
• 2:09
  Speaker 3: No?
• 2:10
  Speaker 2: No, I still go okay, because we were supposed to
• 2:12
  Speaker 2: go yesterday.
• 2:13
  Speaker 3: And you didn't text me back what it was. How
• 2:15
  Speaker 3: dare he try to act like like I'm the reason
• 2:17
  Speaker 3: why we didn't go to the movies. I said, Yo,
• 2:21
  Speaker 3: were still going to the movies or what I know?
• 2:22
  Speaker 3: We got an early recorded right.
• 2:24
  Speaker 1: And he didn't taket me.
• 2:25
  Speaker 4: Back after I did. That's what that's on me. I'm
• 2:28
  Speaker 4: not always the best.
• 2:28
  Speaker 1: That is why I don't like light skin.
• 2:30
  Speaker 2: I'm not light skin about okay?
• 2:33
  Speaker 1: Anyway? So today, oh shut down, absolutely not. You know
• 2:42
  Speaker 1: what I'm not anyway?
• 2:45
  Speaker 3: Today on what we're gonna be talking about top five
• 2:48
  Speaker 3: best storytelling records.
• 2:50
  Speaker 2: A favorite topic of mine.
• 2:51
  Speaker 1: This is a hard one.
• 2:53
  Speaker 3: Honestly, I thought it was gonna be easy, but I'm like, damn,
• 2:55
  Speaker 3: there's so many.
• 2:57
  Speaker 2: There's so many, there's a lot, there's so many.
• 3:00
  Speaker 1: Let's get into it, all right, guys, it's to what
• 3:03
  Speaker 1: hip hop questions. Let us listen.
• 3:05
  Speaker 3: Today we're talking top five best storytelling rap songs. But
• 3:08
  Speaker 3: I want to know Mouse and d Block like to you, guys,
• 3:11
  Speaker 3: what makes a good storytelling record?
• 3:13
  Speaker 2: Oh? I mean one telling a story? Yeah? Got to
• 3:19
  Speaker 2: tell a story. Yeah, you know it's right there. Sometimes
• 3:25
  Speaker 2: you got to take it right there or make forgure
• 3:28
  Speaker 2: that's good, doing more than enough, but not doing too
• 3:33
  Speaker 2: much right where Like.
• 3:37
  Speaker 4: I think when people get just to do a good storytelling,
• 3:42
  Speaker 4: you don't have to.
• 3:42
  Speaker 2: Have like the greatest lyrical decksterity. You just have to
• 3:44
  Speaker 2: be able to keep somebody's attention for three minutes, right.
• 3:48
  Speaker 4: So I think sometimes the lyrical miracle rappers do a
• 3:52
  Speaker 4: little bit too much.
• 3:55
  Speaker 2: I'm not the hate like that type of rap. I
• 3:58
  Speaker 2: like it.
• 3:58
  Speaker 4: I'm just saying some time they can do too much
• 4:02
  Speaker 4: and you lose people because you have to keep people attention.
• 4:05
  Speaker 4: I think, to be honest, I would love to hear
• 4:09
  Speaker 4: a storytelling record from like g Z.
• 4:12
  Speaker 2: I think GIZ does it good.
• 4:14
  Speaker 4: I think GZ does it like an amazing job of
• 4:16
  Speaker 4: keeping you captivated and engaged throughout songs. I would love
• 4:20
  Speaker 4: to hear him just tell one story, which he kind
• 4:22
  Speaker 4: of did on this last mixtage with Drama, talking about
• 4:27
  Speaker 4: I think it was like something Michael Jackson cry. I
• 4:31
  Speaker 4: think that's the name of the song he's talking about. No,
• 4:34
  Speaker 4: it's says not the name of song. I forgot named
• 4:35
  Speaker 4: the song. But he's talking about like his homeboys, all
• 4:37
  Speaker 4: his friends passing. Sure, it wasn't like one linear storyline
• 4:41
  Speaker 4: about one person, but it's still it's stayed on topic.
• 4:45
  Speaker 4: So I would have loved to hear more stuff like
• 4:48
  Speaker 4: that from him. But I just think being able to
• 4:50
  Speaker 4: keep someone's attention almost like writing a movie, you know,
• 4:53
  Speaker 4: being able to keeping me on the edge of my
• 4:56
  Speaker 4: seat for the next word.
• 4:57
  Speaker 1: Yeah, I agree, nothing black.
• 5:01
  Speaker 5: I was just gonna say, just like any story beginning,
• 5:03
  Speaker 5: middle and end, you know, I think that middle part
• 5:06
  Speaker 5: sometimes gets lost as far as like creating those steaks.
• 5:09
  Speaker 5: I think that's why Biggie does such a good job
• 5:11
  Speaker 5: on a lot of his storytelling wraps is that he
• 5:14
  Speaker 5: has that middle park that kind of gets you, gets
• 5:17
  Speaker 5: that has the stakes in it, you know, especially now
• 5:19
  Speaker 5: I got a story to tell, you know, that middle
• 5:21
  Speaker 5: part where the man walks in, man walks in and
• 5:24
  Speaker 5: he has to figure out what to do.
• 5:25
  Speaker 2: You know.
• 5:27
  Speaker 3: Yeah, I think for me, I really like like records
• 5:30
  Speaker 3: that evoke emotion. So like you're telling the story of
• 5:33
  Speaker 3: maybe something I've been through, or like something somebody I
• 5:36
  Speaker 3: know has run away.
• 5:39
  Speaker 2: I don't know. I don't know why that jump. I
• 5:45
  Speaker 2: don't know why that jumped.
• 5:47
  Speaker 1: Not bad, You've been practicing something that's familiar.
• 5:50
  Speaker 3: Who's inspired that? No, you said something that special? Yeah,
• 5:54
  Speaker 3: something that's familiar, something that I'm like, Damn.
• 5:56
  Speaker 1: I feel this.
• 5:57
  Speaker 3: So that's what that's what gets me going when it
• 6:00
  Speaker 3: comes to storytelling records.
• 6:01
  Speaker 1: So let's start off.
• 6:02
  Speaker 2: Let's do it. Start with me you first, Yeah, come.
• 6:04
  Speaker 1: On, I know, right, it's so hard to pick.
• 6:09
  Speaker 2: Yeah, I was gonna say, can we do honorable mentions?
• 6:12
  Speaker 1: Are you guys doing a specific order?
• 6:14
  Speaker 2: I have mine in order.
• 6:17
  Speaker 1: My one is just the one and then the rest of.
• 6:20
  Speaker 4: Your number one is your number one, two, three, four, five, Yeah, yeah.
• 6:24
  Speaker 2: Mine is in order.
• 6:24
  Speaker 5: Let's get some honorable mentions out.
• 6:26
  Speaker 2: So my honorable mention is Keisha song.
• 6:29
  Speaker 3: Wait, can we do honorable mentions at the end, because
• 6:31
  Speaker 3: I don't know who's going to.
• 6:32
  Speaker 1: Make my five?
• 6:33
  Speaker 2: See, get your shit together.
• 6:36
  Speaker 6: You can name one that's not gonna make your five, Okay,
• 6:39
  Speaker 6: yeah I can't.
• 6:39
  Speaker 4: Actually I'm gonna say Keisha song by Kendrick Lamar.
• 6:43
  Speaker 2: That is like it's not on my five.
• 6:45
  Speaker 4: But it's it's a it's a huge, huge favorite of mine,
• 6:49
  Speaker 4: like since SEC Like, I think you had two records
• 6:52
  Speaker 4: on section eighty that were like super heavy and storytelling.
• 6:57
  Speaker 4: I want to say it was that song and Timmy song.
• 7:01
  Speaker 4: Tamn song obviously was a little bit more playful, you know,
• 7:03
  Speaker 4: like with the whole. You know, the girl ended up
• 7:05
  Speaker 4: turning you know, queer at the end. But Keisha song
• 7:09
  Speaker 4: just you know, telling that story of the young prostitute.
• 7:14
  Speaker 3: Kenrick actually has a ship little His first album is
• 7:17
  Speaker 3: one big story, like I love it. Even his early
• 7:21
  Speaker 3: mixtape it's too many. But that's that's a good one.
• 7:25
  Speaker 2: Yeah, what about you the honorable mentions.
• 7:28
  Speaker 5: I put something that's a little fun just a Friend
• 7:31
  Speaker 5: by bis Marky. Yeah, just a great story.
• 7:35
  Speaker 6: Stop Tomato Tomato for that on the what we're talking
• 7:43
  Speaker 6: about the greatest we're talking about that time the.
• 7:46
  Speaker 1: New Generation flipp did the commercial.
• 7:50
  Speaker 2: That had Mark Did that song stand at tot time?
• 7:52
  Speaker 2: I did the Or did Mario's remix stay at touch Time? No?
• 7:56
  Speaker 5: Not Mario remix.
• 7:58
  Speaker 1: Mario's remix?
• 7:59
  Speaker 3: Absolutely whoa wa wait to show wait to show your
• 8:06
  Speaker 3: age block?
• 8:09
  Speaker 2: No, Marry what are you ready for me? Bridge? You
• 8:16
  Speaker 2: called me anytime? You ooh any time?
• 8:20
  Speaker 7: Said it doesn't matter whoa whoa whoa.
• 8:26
  Speaker 2: Don't fight the feeling. Don't fight the feeling. So oh girl,
• 8:32
  Speaker 2: and they not doing that. They're not doing that. But
• 8:34
  Speaker 2: we should change the.
• 8:35
  Speaker 5: Name of this podcast to wash Young and somewhere in the.
• 8:38
  Speaker 1: Middle and somewhere in the middle.
• 8:43
  Speaker 2: What about you, Ana listens, we're just putting anything up
• 8:46
  Speaker 2: there now.
• 8:47
  Speaker 1: Wait, that's your only one.
• 8:48
  Speaker 5: I got misfat Booty by most stuff too as your
• 8:51
  Speaker 5: honorable mention. But there's another honorable mention that I think
• 8:54
  Speaker 5: we need to talk about what you better not say it.
• 9:00
  Speaker 5: Stan is a good storytelling song.
• 9:02
  Speaker 1: The Tomatoes Today, Derek got all.
• 9:09
  Speaker 2: All yours today. It's a good story. Though. It's a
• 9:12
  Speaker 2: good story, good story end. I mean, if a black
• 9:16
  Speaker 2: man wrote that, he'd be locked up.
• 9:17
  Speaker 5: I gotta say, I.
• 9:18
  Speaker 3: Think form a movie another similar.
• 9:25
  Speaker 2: What the FU.
• 9:27
  Speaker 5: When Clark Kent was on here, he talked about Kendrick
• 9:29
  Speaker 5: and Eminem's similarities, a sense that he's talking about stuff
• 9:33
  Speaker 5: that's unspoken right in white, white families. So it is,
• 9:42
  Speaker 5: I know, I didn't think over all. I think the
• 9:44
  Speaker 5: worst part about stan Is is when Eminem comes into
• 9:47
  Speaker 5: the song at the end. I think the guy from
• 9:50
  Speaker 5: the point of view of the fan, when he comes
• 9:54
  Speaker 5: in at the end, it feels kind of like milk
• 9:57
  Speaker 5: toast to me.
• 9:57
  Speaker 2: It feels like, I mean, like that song doesn't live
• 10:00
  Speaker 2: without that, the song does not connect her. But yeah,
• 10:03
  Speaker 2: that song doesn't that So Sharper. You know, it's like, yeah,
• 10:06
  Speaker 2: but I'm saying it was.
• 10:07
  Speaker 4: That song doesn't become the hit it does without that,
• 10:10
  Speaker 4: like because no one was, no one's playing, no one's
• 10:14
  Speaker 4: playing that song.
• 10:16
  Speaker 5: There's also am of like and we should be together,
• 10:19
  Speaker 5: just like all that ship that he was going out there.
• 10:22
  Speaker 5: Stan became a part of the vernacular after that. Yeah,
• 10:26
  Speaker 5: you know, I think it's a very it's a you know,
• 10:28
  Speaker 5: it's a great song. It's not my top five.
• 10:30
  Speaker 2: Though it sounds like it's close to your.
• 10:35
  Speaker 1: I say that I would go with Lupe Fiasco. Paris Tokyo.
• 10:39
  Speaker 3: It's one of my favorites.
• 10:41
  Speaker 1: You don't like Paris Tokyo.
• 10:42
  Speaker 5: I thought you're gonna say Kick Push.
• 10:44
  Speaker 3: Kick pushes one too. But I like Paris Tokyo because I.
• 10:47
  Speaker 2: Just feel like I want them to ann.
• 10:53
  Speaker 1: Anyway.
• 10:54
  Speaker 3: I love Faris Tokyo is one of my favorite records
• 10:56
  Speaker 3: just in general, because it's a guy who's saying I'm working,
• 11:00
  Speaker 3: but you're still with me, like in spirit, and then
• 11:04
  Speaker 3: eventually she does actually get to go with him to
• 11:06
  Speaker 3: like Paris into Tokyo and travel the world and as
• 11:10
  Speaker 3: he makes money on music, and I just fuck with
• 11:12
  Speaker 3: it because I am a girl who's working and making
• 11:14
  Speaker 3: money on music, so I feel it.
• 11:16
  Speaker 1: So anyway, Wow, I don't like.
• 11:18
  Speaker 5: Your parents the other any other outsideer. Do you want
• 11:20
  Speaker 5: to get to that layer?
• 11:21
  Speaker 2: Neither.
• 11:22
  Speaker 3: I guess I'll go with ice Cube. Today was a
• 11:29
  Speaker 3: good day.
• 11:30
  Speaker 2: Okay, wow wow, Okay, that's goode. I'm not mad. I
• 11:34
  Speaker 2: also would like to say I forgot to mention what
• 11:37
  Speaker 2: we mean you talked about slow down that I think
• 11:39
  Speaker 2: about it is Brandy Brand Nubian like yeah, like that's yeah.
• 11:45
  Speaker 1: That's don't let it go to your head.
• 11:47
  Speaker 3: That's the other one, because I feel like it's half storytelling,
• 11:51
  Speaker 3: half not ishue. But I listen to that record a
• 11:53
  Speaker 3: lot when I just be looking at the culture and
• 11:56
  Speaker 3: things that it's happening.
• 11:58
  Speaker 2: Or just I want y'all know Niledge thirty.
• 12:00
  Speaker 3: When I interact with certain people, I just be like,
• 12:05
  Speaker 3: she's been here before, this brand Nuvian to get my
• 12:08
  Speaker 3: mind right, because these niggas is crazy.
• 12:11
  Speaker 2: We're out here listening and touching Monday and good she's doing.
• 12:16
  Speaker 5: Some Internet nerds realized the actual day ice Cy was
• 12:19
  Speaker 5: talking about. They put it all together.
• 12:21
  Speaker 2: What day was off?
• 12:22
  Speaker 5: The day is February twenty third, nineteen ninety three.
• 12:25
  Speaker 2: The Lakers, because last night it's actually pretty easy.
• 12:28
  Speaker 5: Oh you have to do it all points and looked
• 12:30
  Speaker 5: at all of it.
• 12:30
  Speaker 4: Oh you have it's not hard at all. Last night
• 12:33
  Speaker 4: the Lakers beat the SuperSonics. So all you have to
• 12:34
  Speaker 4: do is look up the night the Lakers beat the SuperSonics.
• 12:37
  Speaker 2: Shake them up, shake them up, shake them up, shake
• 12:40
  Speaker 2: them throw it in a circle.
• 12:43
  Speaker 5: It's a little and authentic. Got a triple double?
• 12:47
  Speaker 2: No, it's not.
• 12:49
  Speaker 4: Sometimes that let me know you won't be playing basketball
• 12:51
  Speaker 4: with the homies, because sometimes.
• 12:53
  Speaker 2: It just be your day and it feels like you
• 12:56
  Speaker 2: fucked around and got a triple double. And it might
• 12:58
  Speaker 2: not have been a strong double. Ten ten tents, might
• 13:02
  Speaker 2: have been ten turnovers, might have had ten turnovers tennis
• 13:06
  Speaker 2: is and you might have got blocked ten times. But
• 13:10
  Speaker 2: you fucked around and you got a triple double. We
• 13:12
  Speaker 2: didn't say. He didn't say what kind of triple double?
• 13:14
  Speaker 5: It was true, that's true.
• 13:15
  Speaker 1: Can we start with my number five or I number one?
• 13:18
  Speaker 1: Number five?
• 13:20
  Speaker 3: Because my number one is so important to me and
• 13:23
  Speaker 3: I would be pissed if y'all said, hold on, let
• 13:25
  Speaker 3: me get to these tomatoes. Oh, he's ready because I
• 13:29
  Speaker 3: put some young niggas on here because I knew y'all
• 13:31
  Speaker 3: was it.
• 13:35
  Speaker 2: I love the show.
• 13:38
  Speaker 5: This is Wash.
• 13:43
  Speaker 1: What why Wash the Young One? And somewhere in the
• 13:47
  Speaker 1: middle of featuring the Wash the Young.
• 13:49
  Speaker 2: One and soon as long as everyone knows who's h.
• 13:55
  Speaker 1: I am definitely young somewhere.
• 13:58
  Speaker 2: No, no, you have to fuck now, it's somewhere lost.
• 14:01
  Speaker 2: All right, let's do it. I'll kick it off. My
• 14:03
  Speaker 2: number five The Artist Storytelling by alcas I love that
• 14:09
  Speaker 2: I love me personally, I love cohesiveness, and I love
• 14:14
  Speaker 2: I mean outcast is my I've said this with a
• 14:15
  Speaker 2: multiple occasion Outcast of my favorite group. But as a
• 14:20
  Speaker 2: kid growing up in New York, I didn't hear those stories.
• 14:22
  Speaker 2: I didn't hear it that way.
• 14:25
  Speaker 4: You hit You know that one hundred three thousand verse
• 14:27
  Speaker 4: probably one of my one of my favorite hundred three
• 14:29
  Speaker 4: thousand verses, just talking about the young girl, like there
• 14:33
  Speaker 4: was just so much stuff nuanced that I was hearing
• 14:35
  Speaker 4: that you didn't expect to hear from a person from
• 14:37
  Speaker 4: the South. And you know that might have been just
• 14:38
  Speaker 4: my young ignorance at the time. I also love that
• 14:43
  Speaker 4: the artist storytelling isn't the only artist storytelling.
• 14:46
  Speaker 2: It's four of them.
• 14:47
  Speaker 4: Yeah, and each one I don't know about two, but
• 14:50
  Speaker 4: each one two is not my favorite.
• 14:53
  Speaker 2: But like three and four.
• 14:54
  Speaker 3: That's the one with no.
• 14:56
  Speaker 2: I think that's three. Three has Lickoric. Four is him
• 15:00
  Speaker 2: and the drama. No, I don't think so.
• 15:04
  Speaker 5: The artist storytelling much is on my list. Is the
• 15:06
  Speaker 5: story of two women, Susie Screw Susie's and Sasha and Thumper.
• 15:11
  Speaker 5: Sasha he calls her Thumper because she's one is a
• 15:16
  Speaker 5: very promisciuous woman. The other is a drug. I think
• 15:21
  Speaker 5: it's I think it's a great song.
• 15:23
  Speaker 4: Like I said, you don't hear those stories, you know
• 15:24
  Speaker 4: what I mean, Like you weren't hearing those stories. And then,
• 15:27
  Speaker 4: like I said, there's something about that southern drawl that
• 15:31
  Speaker 4: Andre three thousand was in the middle of, like crafting
• 15:34
  Speaker 4: at the time, that just literally pulls you in.
• 15:37
  Speaker 3: Oh you know what, he's on part one.
• 15:38
  Speaker 4: He's on the first one, I think a sample. Oh okay,
• 15:42
  Speaker 4: but slick Rick is on the third one.
• 15:44
  Speaker 2: You're not on the second. Yeah.
• 15:46
  Speaker 3: No, that's a that's a great one. That's definitely on
• 15:49
  Speaker 3: my list too. But this is on your list. I'm
• 15:50
  Speaker 3: taking it off my list, so I can just give
• 15:52
  Speaker 3: you somebody else favorite line and that song su.
• 15:58
  Speaker 2: I think that I think that intro my favorite, just
• 16:01
  Speaker 2: the way he played with the the way.
• 16:03
  Speaker 4: He sung it, the cadence. I don't know if I
• 16:05
  Speaker 4: have a favorite. To me, it's not one of those.
• 16:07
  Speaker 4: It's like, I goes back to what I was saying
• 16:09
  Speaker 4: earlier about lyrical deckstery. I don't think it was so
• 16:11
  Speaker 4: much that the line. There were favorite lines.
• 16:13
  Speaker 2: It was the through line that got me, like as
• 16:16
  Speaker 2: if I was watching a movie and then hearing, you know,
• 16:21
  Speaker 2: hearing big boys look, hearing Andrea's look, and then I
• 16:25
  Speaker 2: really loved the way Andre brought in his verse. So
• 16:28
  Speaker 2: the girl name said, like it just was like okay.
• 16:30
  Speaker 2: It was like.
• 16:33
  Speaker 4: It was like sitting in a bathtub and just letting
• 16:35
  Speaker 4: the water fill up, if that makes sense, right, Like
• 16:39
  Speaker 4: You're just okay, I'm comfortable. I'm here wherever you want to,
• 16:43
  Speaker 4: wherever you want to take me, I'm going at this point,
• 16:46
  Speaker 4: production was phenomenal. You want to be when you grow up,
• 16:50
  Speaker 4: she said, she said, she said alive, She said, I
• 16:54
  Speaker 4: want to be alive.
• 16:55
  Speaker 1: I really liked the beginning. It's this small thing that
• 16:58
  Speaker 1: I love.
• 16:59
  Speaker 2: That what from the drop, I'm ready for nihilist production. Yo.
• 17:02
  Speaker 5: I love that that whole organized?
• 17:06
  Speaker 3: Was it organized?
• 17:07
  Speaker 2: Organized? Noise?
• 17:09
  Speaker 1: Beautiful? What makes their production so great? I think to me,
• 17:13
  Speaker 1: it's just like you could.
• 17:14
  Speaker 3: Hear the soul and the beats absolutely once they start
• 17:17
  Speaker 3: rapping on it, It's just like magic that China.
• 17:21
  Speaker 4: It was all there, and then the end with like, yeah,
• 17:26
  Speaker 4: actually know some of.
• 17:27
  Speaker 3: The skins blow on me. I'm like, this should have
• 17:29
  Speaker 3: been on the album where you can like skip it,
• 17:30
  Speaker 3: not on the song where I got here the whole thing. Whoa,
• 17:33
  Speaker 3: You're so disrespectful And I'm not even talking about this
• 17:37
  Speaker 3: on the mis education Lauren.
• 17:38
  Speaker 1: I've always got to hear a skit. I'm so tired
• 17:41
  Speaker 1: of hearing that.
• 17:41
  Speaker 2: L Oh, what's happening here?
• 17:45
  Speaker 1: I love love, Heaven'll been in love every t.
• 17:52
  Speaker 2: J.
• 17:52
  Speaker 5: I can understand when it's coming.
• 17:54
  Speaker 2: Are you so you love them? I love you? Yes?
• 17:59
  Speaker 4: My thing with skin you if you put it on
• 18:02
  Speaker 4: the album, you gotta live with it. So when you
• 18:05
  Speaker 4: got to skip that works, you need it, You've got
• 18:07
  Speaker 4: to skit that doesn't work?
• 18:08
  Speaker 1: You keep this?
• 18:09
  Speaker 2: No, the album is not do you remember? I?
• 18:12
  Speaker 1: Oh, God, don't give it skip its own track.
• 18:15
  Speaker 2: I guess it's because it's a part of the song.
• 18:18
  Speaker 3: Yeah, But now when I'm trying to put it on
• 18:19
  Speaker 3: a playlist, you got a whole skit leading into the
• 18:22
  Speaker 3: song that I know.
• 18:22
  Speaker 2: You got to go into app Let me tell you,
• 18:24
  Speaker 2: go into Apple like we used to do back and
• 18:27
  Speaker 2: day and you you you remember we used to.
• 18:30
  Speaker 4: Be able to go yeah on iTunes, used to be
• 18:31
  Speaker 4: able to scrub you could. You used to be able
• 18:33
  Speaker 4: to change the time, so do that. Well, I don't
• 18:37
  Speaker 4: know if you can still do it on iTunes, but
• 18:38
  Speaker 4: back in the day you could. You remember when I'm
• 18:40
  Speaker 4: talking about like it used to be, like if the
• 18:41
  Speaker 4: song is like five minutes, you could go in there
• 18:43
  Speaker 4: and stop the song at like three.
• 18:45
  Speaker 1: Well, that's great.
• 18:46
  Speaker 3: I don't know if you can still do that on
• 18:47
  Speaker 3: my playlist, like I can't with these skits, Like you can.
• 18:51
  Speaker 4: Do it if it's downloaded to your computer computer, not
• 18:54
  Speaker 4: if it's like on Apple Music.
• 18:55
  Speaker 3: Got it.
• 18:55
  Speaker 5: But speaking of skits, with daylight back in all our minds,
• 18:59
  Speaker 5: three high and the eyes and skit is what the
• 19:01
  Speaker 5: whole game show that's happened?
• 19:03
  Speaker 3: Yeah, I will say, And even from listening to the
• 19:05
  Speaker 3: Daylight record, Daylight Album, Like it's making me a fan
• 19:09
  Speaker 3: of scratching, like I've always wanted to know, just so
• 19:13
  Speaker 3: hip hop pers or DJ Puris can't come and be.
• 19:15
  Speaker 2: Like you're not ready to.
• 19:17
  Speaker 3: But now it's like I actually like it sonically in
• 19:19
  Speaker 3: the music. I know when I hear it like on air,
• 19:22
  Speaker 3: i'd be like, do less and just play the record.
• 19:24
  Speaker 1: But it's a time and the place, and I think
• 19:26
  Speaker 1: it was done well.
• 19:27
  Speaker 2: The hope, the hope, Remember you asking me the favorite
• 19:32
  Speaker 2: the hook, the holk, the Hooklet y'all get the hunk
• 19:38
  Speaker 2: your back. Now it's like that and like that, and
• 19:42
  Speaker 2: it took me a lot of Let me also say
• 19:44
  Speaker 2: this because I know sometimes you know, our peers can
• 19:47
  Speaker 2: be on these platforms and do sometimes accidentally or even
• 19:51
  Speaker 2: on purpose, sound like you know historians.
• 19:53
  Speaker 4: Like yeah, I'm a historian a different way where like
• 19:55
  Speaker 4: it didn't hit me. I didn't know what the fuck
• 19:57
  Speaker 4: they was talking about for the longest.
• 19:58
  Speaker 2: It didn't hit me until but because like I told
• 20:01
  Speaker 2: you before, like my introduction to outcast was music videos
• 20:07
  Speaker 2: that would like like on rap City and then be
• 20:12
  Speaker 2: in my house.
• 20:13
  Speaker 4: I don't know if you remember that, but I know
• 20:15
  Speaker 4: you do, so like being my house would be like, well,
• 20:18
  Speaker 4: I guess you know, being older now you realize like
• 20:20
  Speaker 4: all the labels would have all these printed up CDs
• 20:23
  Speaker 4: and whatever then sell obviously they would have in a warehouse,
• 20:28
  Speaker 4: and then you can like subscribe to the CDs place,
• 20:31
  Speaker 4: so you you'd get like what was it that deep black? Sorry,
• 20:34
  Speaker 4: you get like ten CDs for like ninety nine cent,
• 20:38
  Speaker 4: and then the next time you'd order, like I guess,
• 20:41
  Speaker 4: you'd pay full price, and then you got like another
• 20:43
  Speaker 4: sixteen for like six cent. So like like Columbia Records,
• 20:48
  Speaker 4: there was like Columbia House, there's Columbia, there was being Mine,
• 20:51
  Speaker 4: there's somebody else.
• 20:52
  Speaker 2: But yeah, so that's how I got at Aliens.
• 20:56
  Speaker 4: And so I had At Aliens as a CD as
• 20:58
  Speaker 4: a kid, I didn't I'm just like like the music.
• 21:00
  Speaker 2: I didn't know what the hell was going on.
• 21:02
  Speaker 4: And like Outcast just every time they were on my TV,
• 21:05
  Speaker 4: they fucking grabbed my attention, like whether it was like me, you,
• 21:11
  Speaker 4: your mom, cousin too, very like cadlag Dog, like just
• 21:16
  Speaker 4: everything about them always encapsulated.
• 21:22
  Speaker 3: Yeah, so it's like yeah, there go again, talking that ship.
• 21:27
  Speaker 4: My duck, Like yeah, we're talking about two guys who don't.
• 21:31
  Speaker 4: They don't really get their credit. They don't get the
• 21:33
  Speaker 4: credit they deserve.
• 21:34
  Speaker 5: Big boys workplaces.
• 21:35
  Speaker 2: Like he's phenomenal. But I think that just happens.
• 21:38
  Speaker 4: And I've been you know, I've been a victim of
• 21:40
  Speaker 4: it as well, Like I've just jumped off the boat
• 21:44
  Speaker 4: and been.
• 21:44
  Speaker 2: Like, oh, I just think that's the greatest, which I
• 21:46
  Speaker 2: do believe.
• 21:47
  Speaker 4: I do believe one hundred three thousand is top three
• 21:49
  Speaker 4: greatest lyricists of all time. But man, big boy does
• 21:54
  Speaker 4: not get his credit for one just being as nice
• 21:56
  Speaker 4: as he is too, standing next to one hundred three
• 21:59
  Speaker 4: thousand being just as nice as he is.
• 22:01
  Speaker 3: So that's a good one. So you currently listen to
• 22:06
  Speaker 3: what hip hop questions, legends and lists will be right
• 22:08
  Speaker 3: back after this break.
• 22:12
  Speaker 2: What you got now?
• 22:13
  Speaker 5: What you got?
• 22:15
  Speaker 3: So for my number five, I'm just get this out
• 22:18
  Speaker 3: the way.
• 22:18
  Speaker 2: Here we go.
• 22:21
  Speaker 1: It's J Cold Lights.
• 22:22
  Speaker 3: Please are you? And you know what Jacob want another
• 22:24
  Speaker 3: one that I would just put Kamma J Cole lights
• 22:26
  Speaker 3: please Comma sideline story and I have to put you
• 22:31
  Speaker 3: don't like sideline story.
• 22:33
  Speaker 2: You're these are yours? These are your pick. I'm just saying,
• 22:37
  Speaker 2: he has songs that you are just skipping over.
• 22:40
  Speaker 3: Which one do you think should be.
• 22:41
  Speaker 2: It Dreams Dreams?
• 22:44
  Speaker 1: No, that's the one where he killed the boy. Yes, yeah, that's.
• 22:47
  Speaker 2: Not you Got Dreams and then knows the other one Enchanted.
• 22:52
  Speaker 1: Oh I love Enchanted, but yeah it's.
• 22:54
  Speaker 2: Not my pick five. I just said that.
• 22:58
  Speaker 3: So I'm going with J Cold Lights Please because that's
• 23:00
  Speaker 3: the first J Coot record I ever heard, and you
• 23:03
  Speaker 3: know that's my favorite rapper, so it's just like, yeah, yeah,
• 23:09
  Speaker 3: you see it now, So.
• 23:11
  Speaker 1: Love Cold Lights Please.
• 23:12
  Speaker 3: And then I also really like Sideline Story because it's
• 23:16
  Speaker 3: him just talking about like being in the rap game
• 23:20
  Speaker 3: and being unappreciated and just waiting for like his moment
• 23:23
  Speaker 3: to get up off the sideline. And I resonate with
• 23:26
  Speaker 3: that because you know, I'm in the entertainment industry and
• 23:30
  Speaker 3: it's a lot of shit I'm dealing with, So the
• 23:35
  Speaker 3: record just parallels to my life. So yeah, I like
• 23:38
  Speaker 3: the Sideline Story by Jay Cole.
• 23:40
  Speaker 2: Not mad at it. Not mad at it.
• 23:42
  Speaker 5: I mean I think what happens in Lights Please that
• 23:45
  Speaker 5: really appeals to you as far as with the storytelling.
• 23:47
  Speaker 2: Of it all.
• 23:48
  Speaker 3: I mean I really That's why I said slash sideline story,
• 23:51
  Speaker 3: because sideline story really resonates more with me than Lights Please,
• 23:54
  Speaker 3: Lights Please.
• 23:55
  Speaker 1: Is just him saying like he got this girl. She
• 23:58
  Speaker 1: bad as hell.
• 23:59
  Speaker 3: He's trying to like tell her about he's trying to
• 24:02
  Speaker 3: talk to her about real life ship that's going on,
• 24:04
  Speaker 3: but she just wants to fuck. And you know what,
• 24:07
  Speaker 3: he always he always falls victim to wanting to fuck
• 24:11
  Speaker 3: because like pussy is power and he's hypnotized by the pussy,
• 24:14
  Speaker 3: but and horny, and you know, he's trying to be
• 24:19
  Speaker 3: more of an intellectual, but she just wants to fuck,
• 24:22
  Speaker 3: and that's just what that's about.
• 24:23
  Speaker 1: So sideline story is more I think fitting.
• 24:27
  Speaker 5: But shout out to Cole, who's got next mouse?
• 24:32
  Speaker 2: I just like making it awkward. I just enjoy making
• 24:35
  Speaker 2: it awkward. Sometimes you didn't say you agree with me,
• 24:40
  Speaker 2: all right?
• 24:41
  Speaker 4: So once again mine is in order number four, ghost
• 24:46
  Speaker 4: face Killer. All that I got is you now my
• 24:50
  Speaker 4: favorite I want to I have this because it's like
• 24:53
  Speaker 4: my favorite line, or not my favorite line, my favorite setup.
• 24:56
  Speaker 2: So he said, family ain't family no more.
• 24:57
  Speaker 4: We used to play ball eggs after school, eat grits
• 24:59
  Speaker 4: because we was poor. Grabbed applies for the channel fixed
• 25:02
  Speaker 4: to hang on the TV, rocking each other's pants to
• 25:05
  Speaker 4: school wasn't easy.
• 25:06
  Speaker 2: We survived, whining snotty knows with no coachs. We kept
• 25:09
  Speaker 2: it real, but the older brother still had jokes. Sadly,
• 25:12
  Speaker 2: Daddy left me at the age of six. I didn't
• 25:14
  Speaker 2: know nothing, but Mommy neatly packed.
• 25:16
  Speaker 4: A shit so like that was like my that Like
• 25:20
  Speaker 4: I used to like rap that like it was mine.
• 25:23
  Speaker 4: Like he just painted a story that I knew so well,
• 25:28
  Speaker 4: like you know what I mean, just you know, to
• 25:30
  Speaker 4: take it there growing up black man in the community,
• 25:33
  Speaker 4: like in a black community, you see this, you see this,
• 25:37
  Speaker 4: like there was times where we was damn bad, not
• 25:40
  Speaker 4: like you know what I mean, not as bad as them,
• 25:42
  Speaker 4: but like it resonated, and I think, off rip, it
• 25:45
  Speaker 4: resonated like that was one of the first songs I
• 25:48
  Speaker 4: remember listening to her as a kid, with the tears
• 25:50
  Speaker 4: well Enough, Like to this day, I listened to that
• 25:53
  Speaker 4: song the Tears are Gonna well up, like because it's
• 25:56
  Speaker 4: so real, and I feel like even if it was
• 26:00
  Speaker 4: the song that I couldn't personally resonate, like if I
• 26:02
  Speaker 4: hadn't seen that with my cousins, if I wouldn't seen
• 26:04
  Speaker 4: that with myself. It's one of those songs where he
• 26:08
  Speaker 4: painted such a vivid picture. I felt like I was there.
• 26:12
  Speaker 4: I know, I know people like that, you know what
• 26:14
  Speaker 4: I mean, the people, the people up the street from
• 26:16
  Speaker 4: when we grew up. That was the first people I
• 26:17
  Speaker 4: ever met on Section eight. That was the first people.
• 26:20
  Speaker 4: They was at the end of all block. They were
• 26:22
  Speaker 4: the first people I ever met on section eight. And
• 26:25
  Speaker 4: we knew, you feel what I'm saying, Like we knew,
• 26:28
  Speaker 4: they knew they were on Section eight. That seemed they
• 26:30
  Speaker 4: knew the foodston They're going to Jimmy's, you know what
• 26:32
  Speaker 4: I mean, up there on Straight Path to get the
• 26:34
  Speaker 4: sandwich with the with the stamps, you know what I'm saying,
• 26:36
  Speaker 4: Like I seen that with my you know what I mean.
• 26:39
  Speaker 4: So like to see that and they hear that at
• 26:42
  Speaker 4: the time, you know, I'm young. Yeah, it resonated and
• 26:45
  Speaker 4: that that last that hit me, you know what I mean.
• 26:48
  Speaker 4: It kind of reverse for me because when I was
• 26:51
  Speaker 4: six is when my mom met and married the man
• 26:54
  Speaker 4: that raised me. But up until then, I was a kid,
• 26:57
  Speaker 4: I knew what it felt like not to have no dad.
• 26:59
  Speaker 4: So like where he says, you know, his dad left
• 27:01
  Speaker 4: when he was six. I kind of got a dad
• 27:02
  Speaker 4: when I was six, but it resonated with me, so
• 27:05
  Speaker 4: that right there or that got you, Like I said,
• 27:08
  Speaker 4: I listened to that once a month and it's still
• 27:11
  Speaker 4: the tears going well up every time, and everything was
• 27:14
  Speaker 4: just perfect. I think we understood, at least for me
• 27:18
  Speaker 4: growing up, I understood, like ghost faces bigger than just
• 27:21
  Speaker 4: a rapper.
• 27:22
  Speaker 5: That was his first big step out from the.
• 27:25
  Speaker 4: World, and like it was bigger than just some bragg
• 27:28
  Speaker 4: of doses fly gangster rap. It was like he used
• 27:32
  Speaker 4: his voice as an instrument, like for the first time
• 27:35
  Speaker 4: for me, Like his voice cut is just as important
• 27:38
  Speaker 4: as the strings on the sample and the keys on
• 27:40
  Speaker 4: the sample. Mat of course, Mary jay on that on
• 27:43
  Speaker 4: that hook is amazing. The video video is amazing.
• 27:47
  Speaker 5: The video and also for me, the familiar part that
• 27:50
  Speaker 5: now I mentioned, like the roaches out of the Cereal
• 27:52
  Speaker 5: box line, that was familiar for me growing up in
• 27:54
  Speaker 5: the projects. We did have roaches everywhere in the projects
• 27:57
  Speaker 5: going up, Like it was you turn on the lights
• 27:58
  Speaker 5: in the morning. That shit was really really real, the rots,
• 28:01
  Speaker 5: water bucks everywhere.
• 28:06
  Speaker 3: Listening to you describe the emotions evoked from the record
• 28:10
  Speaker 3: evoked to other records in my brain, but I'm like,
• 28:13
  Speaker 3: all right, I don't have time to name them all
• 28:16
  Speaker 3: so much, but I'm gonna go with Clock with No
• 28:18
  Speaker 3: Hands by Black Thought. And I really like this record
• 28:22
  Speaker 3: because he's just talking about like dealing with like family
• 28:27
  Speaker 3: and friends and how frustrating it can be. And it's
• 28:33
  Speaker 3: just it's just a real ass record, like you know,
• 28:37
  Speaker 3: you could cut other people off in your life, like
• 28:39
  Speaker 3: you know, there's like coworkers, you don't really like you
• 28:42
  Speaker 3: only got one family, you know, you just gotta deal
• 28:45
  Speaker 3: with it kind of thing. So this record Clock with
• 28:48
  Speaker 3: No Hands is fucking a damn near perfect song, just
• 28:53
  Speaker 3: if you're going through that and you're in that thought process,
• 28:57
  Speaker 3: especially like I feel like when it first drop, well
• 29:02
  Speaker 3: I don't even know actually want to fill out. But
• 29:03
  Speaker 3: when I first found out about.
• 29:04
  Speaker 1: It, come on.
• 29:08
  Speaker 3: When I first found out about the record, I was
• 29:11
  Speaker 3: still in Maryland, but it really resonated me. When I
• 29:14
  Speaker 3: got to New York and I was by myself, and
• 29:16
  Speaker 3: I guess I had time to reflect on family.
• 29:21
  Speaker 1: So yeah, and just Black Thought, it is.
• 29:23
  Speaker 2: Just an amazing artists, amazing lyricist.
• 29:26
  Speaker 3: Probably one of the best rappers period definitely underrated.
• 29:31
  Speaker 2: So.
• 29:33
  Speaker 3: Judging by mouth's face, I guess so agreed. Okay, all right,
• 29:38
  Speaker 3: all right.
• 29:39
  Speaker 5: Next the artist peer Pressure by Kindrack shout out to
• 29:45
  Speaker 5: Kendrick get in love on the fucking list the yeah yeah,
• 29:52
  Speaker 5: I mean I think the whole thing about you know,
• 29:54
  Speaker 5: for the Holmianes line, and he keeps on saying like,
• 29:56
  Speaker 5: I'm sober, but the Homies, I went to homies, I
• 29:59
  Speaker 5: went to home. Means when he says something, I'm usually
• 30:02
  Speaker 5: not violent, but I'm with the Homianes. That ship is
• 30:04
  Speaker 5: just it's real for a lot of people going.
• 30:08
  Speaker 2: Let's drop k DoD off because that his mama's been
• 30:11
  Speaker 2: because I know he's trying to fuck on Cherain to
• 30:13
  Speaker 2: night you're mad. In fact, drop me off too, I'm
• 30:16
  Speaker 2: trying to funk on something to neck. Man, it's such
• 30:18
  Speaker 2: a dumb ass back then, well, the whole hook.
• 30:21
  Speaker 5: Like one day it's going to burn you out. I mean,
• 30:23
  Speaker 5: that's just you gotta figure out. I think as everybody.
• 30:26
  Speaker 2: Growing down, you have to figure.
• 30:27
  Speaker 5: Out what you do with your friends and how you
• 30:32
  Speaker 5: need to create that separation.
• 30:33
  Speaker 2: At some point, they just yo, can we oh man?
• 30:36
  Speaker 2: I know it's your song, but can we talk about like, Yo,
• 30:39
  Speaker 2: Kendrick was, Kendrick was not he wasn't human on Good Kid,
• 30:44
  Speaker 2: Mad City, but specifically on Auto peer Pressure when he's
• 30:48
  Speaker 2: talking about it's the way he merges his cadence with
• 30:53
  Speaker 2: the beat, with the with the beat, the actual beat,
• 30:56
  Speaker 2: but also taking beats, which is leaving that pocket of
• 30:59
  Speaker 2: air in between words.
• 31:00
  Speaker 4: So like when he says we hit the black, say
• 31:04
  Speaker 4: hit the black. He hit the crib looking for anything,
• 31:07
  Speaker 4: and Nintendo hit the black from them, and he's like,
• 31:09
  Speaker 4: who it was righty right, made a left and made
• 31:12
  Speaker 4: it right and made a left one lucky night with
• 31:15
  Speaker 4: the homies.
• 31:16
  Speaker 1: I like how he called him not human.
• 31:18
  Speaker 2: He's not human. If you listen to that song, listeners
• 31:23
  Speaker 2: at home, I want you to stop the show right now,
• 31:25
  Speaker 2: press for us, and I want you to go listen.
• 31:27
  Speaker 2: Can we play? Can we put that part in it?
• 31:30
  Speaker 2: Can we just put that part left the right part?
• 31:32
  Speaker 4: Can we put that either that part or the part
• 31:34
  Speaker 4: where he's talking about the actual breaking, Because the part
• 31:36
  Speaker 4: where he put the actual breaking is the way I
• 31:38
  Speaker 4: realized we're not dealing with a human.
• 31:41
  Speaker 2: Because the way like I can't even.
• 31:45
  Speaker 4: As a person who's not a rapper, let alone, a
• 31:47
  Speaker 4: rapper of his his caliber. I can't even re enact
• 31:51
  Speaker 4: it the way he did it, but it's like the
• 31:53
  Speaker 4: way he's like just the way it's like a snake
• 31:56
  Speaker 4: moving through a room, the way he put those words
• 31:59
  Speaker 4: together that he was just like, you know, in search
• 32:02
  Speaker 4: of it, in search of anything, like, because he could
• 32:04
  Speaker 4: have said looking.
• 32:05
  Speaker 2: For in search of any and then it was.
• 32:08
  Speaker 4: That's crit shout out to you, d Block, because I
• 32:11
  Speaker 4: definitely forgot about that record, and I, like I said,
• 32:14
  Speaker 4: I had Kendrick for my honorable mentions, but yes, or
• 32:18
  Speaker 4: the peer pressure.
• 32:20
  Speaker 5: A lot of story, Duckworth is.
• 32:22
  Speaker 2: Duckworth is like I think I think people one that
• 32:27
  Speaker 2: being at the end of the album he's a he's
• 32:29
  Speaker 2: a nutcase.
• 32:30
  Speaker 4: He's not human, but just that story being a true
• 32:33
  Speaker 4: story and the way he told the story, he's not
• 32:38
  Speaker 4: human like Kendricks is not human in the way that
• 32:42
  Speaker 4: he performs these records.
• 32:43
  Speaker 1: Hell of a solid four was four?
• 32:45
  Speaker 2: That was just four? All right? Number three. I'm sitting
• 32:49
  Speaker 2: in the crib dreaming, somebody got died A big.
• 32:54
  Speaker 1: Dang mine is a biggie one too?
• 32:56
  Speaker 3: What is a different one? Bi got masked?
• 32:59
  Speaker 4: He want to put you to sleep. You want to
• 33:02
  Speaker 4: put your sleep, You wanted to put you out of sleep.
• 33:04
  Speaker 4: You got some night top stories, but said. I'm sitting
• 33:07
  Speaker 4: in the crib dreaming by lid Jets and coops, the
• 33:09
  Speaker 4: way Salt shoots and how they sell records like Snoop.
• 33:12
  Speaker 2: I'm interrupted by a doorbell three point fifty two. Who
• 33:15
  Speaker 2: the hell is this? It gets up quick cocks my ship,
• 33:18
  Speaker 2: stop the dog from balk and proceed like I feel
• 33:22
  Speaker 2: like I got to like you're you're so invested, you
• 33:27
  Speaker 2: get what I'm saying, like.
• 33:30
  Speaker 4: If you pay, if you're like outside of all I
• 33:32
  Speaker 4: got is you. These other songs are catching me from
• 33:34
  Speaker 4: the then from the beginning, Big says this, and I
• 33:39
  Speaker 4: feel like I'm gonna sound like I'm selling being extra,
• 33:42
  Speaker 4: but this is really hot, like ingest music. Every time
• 33:46
  Speaker 4: I hear the record, I feel like I'm sitting down
• 33:49
  Speaker 4: and the TV credit just open up and you see
• 33:52
  Speaker 4: the big pin. It's like a like a like an
• 33:54
  Speaker 4: allegory film, like like uh Wu tang is doing has
• 33:59
  Speaker 4: done over this last season. I feel like I'm watching
• 34:01
  Speaker 4: the allegory, like I feel like.
• 34:03
  Speaker 2: I'm watching what he's talking about. I want to see
• 34:07
  Speaker 2: this movie he's chilling, dreamingly, jets and coops the way.
• 34:13
  Speaker 5: He brings, and he also mentions that when he drops
• 34:16
  Speaker 5: like snoop, like something's going on at that time, it's
• 34:20
  Speaker 5: just he just says, like very non nonchalantly, like actually, like.
• 34:23
  Speaker 2: He said, and I get to walk and you see
• 34:26
  Speaker 2: this big, hulking figure walking around with the GAT. He's like, yeah, big, yeah,
• 34:30
  Speaker 2: it was going on.
• 34:31
  Speaker 4: Somebody gotta die. Let the gun shots go. Somebody got
• 34:35
  Speaker 4: to die. Nobody has to know that kid. He's crazy.
• 34:42
  Speaker 3: My big record, which is number three, is every Day Struggle,
• 34:46
  Speaker 3: And I was like, it was hard to pick one
• 34:50
  Speaker 3: of him because he can do we can do a
• 34:52
  Speaker 3: top five best big storytelling. Yeah, just on him because
• 34:56
  Speaker 3: he got so many. But you know, I've always liked
• 34:58
  Speaker 3: when big rap, fastatory stuff, so I like the second person.
• 35:02
  Speaker 3: He's like, I mean, I got the master pan.
• 35:06
  Speaker 4: On my way to Maveryland in two texts take over
• 35:09
  Speaker 4: the Projects, they call it two texts. He told two texts,
• 35:12
  Speaker 4: and when he sparked a bunch like the answer next
• 35:18
  Speaker 4: Biggs nuts.
• 35:19
  Speaker 2: He was nuts. Yeah.
• 35:21
  Speaker 3: His storytelling is just phenomenal and I just love it,
• 35:24
  Speaker 3: Like with in the crack of ass to make a
• 35:32
  Speaker 3: quick cash.
• 35:34
  Speaker 2: They got, he said, when they got his bitch, he said,
• 35:37
  Speaker 2: I hold the damn should be holding three.
• 35:42
  Speaker 1: For the whole family. True, g that's me.
• 35:47
  Speaker 4: I don't want to live no more the time they
• 35:49
  Speaker 4: hear death knocking at my front door. Living every day
• 35:52
  Speaker 4: at the trestle, another drug to juggle, another day, another struggle.
• 35:56
  Speaker 2: Right, people, do you understand lucky you was to lift
• 36:01
  Speaker 2: through that?
• 36:02
  Speaker 5: Oh my god, I can tell you my number three
• 36:06
  Speaker 5: is who the fuck is this page me?
• 36:08
  Speaker 2: That's your number three in the morning, your number two.
• 36:11
  Speaker 2: Let me tell you that your number two and your
• 36:14
  Speaker 2: number one better be phenomenal.
• 36:16
  Speaker 5: Picture.
• 36:17
  Speaker 2: It's my nigga pot from the barber shot. So he
• 36:20
  Speaker 2: was in the gambling spot. I heard the intricate plot.
• 36:23
  Speaker 2: A niggas water stick, your light, flying papers, cable, slow down,
• 36:26
  Speaker 2: love your piece dropped the caper. Remember them niggas up
• 36:30
  Speaker 2: you that you grew up? It got nice with Yeah,
• 36:35
  Speaker 2: that's my nigga fame from the pros. I didn't say
• 36:37
  Speaker 2: that love dis respect. I didn't say this it Clark
• 36:41
  Speaker 2: returned the niggas that you do from back when when
• 36:43
  Speaker 2: you was locking minding figures. Now to here you're blowing
• 36:46
  Speaker 2: up like night Troll and the water through your way
• 36:49
  Speaker 2: pipe slow, hold than me? Now water you got tell
• 36:55
  Speaker 2: me what you want to do? Man? Why didn't my paper? Damn?
• 37:00
  Speaker 5: I think what's going on in that song? Like even
• 37:02
  Speaker 5: the fact that the whole part like I didn't say
• 37:04
  Speaker 5: them like that storytelling is so specific. No, I'm not
• 37:09
  Speaker 5: talking about those guys else You're you're ready incredible, because like.
• 37:14
  Speaker 2: He wasn't human.
• 37:16
  Speaker 5: And also like the paranoia that you feel in his songwriters,
• 37:20
  Speaker 5: like he was really fucking nervous about like what you
• 37:22
  Speaker 5: think all the guns.
• 37:23
  Speaker 2: For what you think? I was just about to say
• 37:25
  Speaker 2: that what you think all the guns is full? He
• 37:29
  Speaker 2: said in the feet of Gunpowder. So they trying to
• 37:33
  Speaker 2: talk about.
• 37:34
  Speaker 5: This, I mean, the psychosis that was going to his
• 37:38
  Speaker 5: head and a lot of his lyrics.
• 37:40
  Speaker 1: It's just like you he got too many, honestly he
• 37:43
  Speaker 1: got because.
• 37:45
  Speaker 5: How could you want to live like that? You make
• 37:47
  Speaker 5: all this money to get out of the hood, and
• 37:48
  Speaker 5: then you just like it's so sad how it ended.
• 37:51
  Speaker 5: But it's just like when you think about once he
• 37:53
  Speaker 5: got out, he had this whole other.
• 37:57
  Speaker 4: And they say he was really paranoid, like Little Season
• 37:59
  Speaker 4: and said like in those latter you know, in that
• 38:02
  Speaker 4: latter part of at least when they were recording that album,
• 38:04
  Speaker 4: he was really pardo, especially after the accident.
• 38:08
  Speaker 5: And we've seen even more recent stuff with you know,
• 38:11
  Speaker 5: pop smoke and all these guys who've been.
• 38:13
  Speaker 2: Damn, why don't want to stick me from my paper? Damn?
• 38:17
  Speaker 2: Why didn't want to stick me from my paper?
• 38:19
  Speaker 5: Great song and I and I put that ahead of
• 38:21
  Speaker 5: another Biggie song, which I think Mouse may talk about
• 38:24
  Speaker 5: later because of the entertaining part about the guy with
• 38:27
  Speaker 5: what the the auto tune did on the voice, as
• 38:31
  Speaker 5: if he's calling from itself. I just think I love song.
• 38:36
  Speaker 5: I think Mouse is going to talk about maybe later,
• 38:38
  Speaker 5: but it's just I think the entertainment value of Warning is.
• 38:41
  Speaker 2: The entertainment values with all of these records. Big does
• 38:44
  Speaker 2: something no matter if it's all ready to die, no
• 38:47
  Speaker 2: matter if it's on his feature Like Big, you can
• 38:50
  Speaker 2: tell and you can appreciate it as like you know,
• 38:54
  Speaker 2: with with hindsight, how talented he was and how intelligent
• 38:58
  Speaker 2: he was. You know, well even the worst rapper is
• 39:02
  Speaker 2: you know, kind of.
• 39:04
  Speaker 4: Kind of a bit more intelligent than the average person,
• 39:07
  Speaker 4: because you have to be entertaining. I think there's a
• 39:09
  Speaker 4: level of intelligence that has to go into entertaining.
• 39:11
  Speaker 1: People, right, I disagree with this thing, but okay.
• 39:14
  Speaker 2: Big was so entertaining he because he attacked it like TV,
• 39:18
  Speaker 2: like you think of you know, he painted a picture.
• 39:22
  Speaker 2: You're now listening to the what hipov questions legend. The
• 39:24
  Speaker 2: list will be right back after the break.
• 39:28
  Speaker 1: All right, Number two.
• 39:30
  Speaker 2: My number two.
• 39:33
  Speaker 4: This is it's my favorite. But if I have to
• 39:36
  Speaker 4: be honest, it's number two. I just think and I
• 39:39
  Speaker 4: think I've crafted my list based on like a hard criteria. Right, So,
• 39:44
  Speaker 4: although this is my number two is my favorite storytelling
• 39:46
  Speaker 4: rap of all time, I understand it putting it number two,
• 39:52
  Speaker 4: even number three on some people's list, I don't understand
• 39:55
  Speaker 4: it not being on people's list.
• 39:57
  Speaker 2: Meet the Parents by.
• 39:57
  Speaker 4: Jay Z, Meet the Parents on jay Z on the
• 40:00
  Speaker 4: Blueprint two is the It's like a master class in storytelling.
• 40:06
  Speaker 4: Not only is it a master class in storytelling, you
• 40:09
  Speaker 4: can tell he was influenced by one of the greatest
• 40:13
  Speaker 4: storytellers ever, Biggie, and you know Blueprint two starts off.
• 40:17
  Speaker 4: Blueprint two starts off with the conversation with Big in
• 40:21
  Speaker 4: hole and Faith on the hook and you know.
• 40:24
  Speaker 2: So just to see. As the album progresses, we get
• 40:27
  Speaker 2: Meet the Parents where jay Z is literally rapping about
• 40:31
  Speaker 2: a father killing his son, and he talks about you know,
• 40:36
  Speaker 2: he says, he said, seems like the young seems like
• 40:41
  Speaker 2: the end of every young black life. It's this line.
• 40:43
  Speaker 2: Damn him already, because then we saw some of us.
• 40:47
  Speaker 2: He fought like us, talk like smacked him, get the
• 40:50
  Speaker 2: wall even you know what I mean. And he's like,
• 40:52
  Speaker 2: even how he ended six shots into your kin out
• 40:55
  Speaker 2: of a gun. Niggas be a father, you're killing your son.
• 40:58
  Speaker 2: Meet the parents and talks about isis and and Mike,
• 41:02
  Speaker 2: and Mike.
• 41:03
  Speaker 4: Was just this. He wasn't really the one to love her, right,
• 41:06
  Speaker 4: there was a nigga names want to take it out
• 41:08
  Speaker 4: the city life. But what he said, he said about
• 41:11
  Speaker 4: isis like this. She iis loved this city. She liked
• 41:15
  Speaker 4: the Gucci sneakers, the red.
• 41:16
  Speaker 2: Green and right. She was so turned on when he
• 41:18
  Speaker 2: first saw the fight. They had to go home and
• 41:20
  Speaker 2: she had a shower twice.
• 41:22
  Speaker 4: Like he paints this picture, you feel like you were
• 41:25
  Speaker 4: in bedsty and you know Mike and you know Isis
• 41:29
  Speaker 4: you know they son, You could see them. You could
• 41:32
  Speaker 4: see them like you can almost like paint this young
• 41:35
  Speaker 4: man's face, like just.
• 41:38
  Speaker 5: Did think about it? Is that he didn't know was
• 41:39
  Speaker 5: his son, right, he had no idea that this was
• 41:42
  Speaker 5: his son, that he that he but.
• 41:44
  Speaker 2: He had no because that's how far removed he just
• 41:46
  Speaker 2: on like there was so much it's like a it's
• 41:49
  Speaker 2: like a scor Saves.
• 41:50
  Speaker 5: Or Spiker tragedy. Right, So you talk about the father
• 41:55
  Speaker 5: killing on sons, those Greek tragedies, Yeah, electric complex, the
• 41:58
  Speaker 5: mother has sex with on some all like those classic
• 42:01
  Speaker 5: Greek storyline and.
• 42:02
  Speaker 2: You look at it and you're like.
• 42:05
  Speaker 4: Everybody's I don't know how long it took jay Z
• 42:07
  Speaker 4: to craft a song. If somebody told me it took
• 42:11
  Speaker 4: him a year to craft the song, I would be
• 42:12
  Speaker 4: like you damn right.
• 42:13
  Speaker 2: Because if you think about a movie, right, like deb
• 42:16
  Speaker 2: like you you're a producer or director, like even to
• 42:19
  Speaker 2: get to what we do every day, it's not just
• 42:22
  Speaker 2: you know me and I look great, but there's still
• 42:23
  Speaker 2: is some part where you're like, all right, hey, what
• 42:25
  Speaker 2: are we talking about. We'll go here, we'll go here.
• 42:29
  Speaker 2: So on these like longer shoots when you're doing your
• 42:31
  Speaker 2: documentaries and things of that nature, it's like, Okay, we
• 42:35
  Speaker 2: know how I want to start. I know how I
• 42:36
  Speaker 2: want to finish, and we have to fill all the
• 42:37
  Speaker 2: sin and then when I fill this stuff in, you know,
• 42:41
  Speaker 2: this interview is really a splice of like because I
• 42:43
  Speaker 2: really want to touch on like five or six more
• 42:45
  Speaker 2: things from this interview. He had to do that.
• 42:47
  Speaker 4: Jay Z had to do that, almost as if he
• 42:49
  Speaker 4: was writing a script. There was character breakdowns that you know,
• 42:52
  Speaker 4: you had to like what he said. He said, like
• 42:55
  Speaker 4: you talk about the dad Mike and he's like this MoMA.
• 42:59
  Speaker 4: He says, oh, mom is baby. He said, if that
• 43:01
  Speaker 4: baby was mine, it would be more dog.
• 43:03
  Speaker 2: So is Mama's baby pop is maybe like you know
• 43:07
  Speaker 2: what I mean? Like and now that's become something in
• 43:10
  Speaker 2: the in the ethos, right, everybody says it.
• 43:12
  Speaker 4: Now you know, you watch more Mama's Baby pop is
• 43:15
  Speaker 4: maybe you know what I mean? And you just look
• 43:17
  Speaker 4: at that and it's like, how the fuck did you
• 43:19
  Speaker 4: come up with this? What was going in yet? But
• 43:22
  Speaker 4: it's not that hard to think, like I don't know,
• 43:26
  Speaker 4: I didn't it could have been you know, I'm thirty three.
• 43:29
  Speaker 4: I never I didn't hear it before Jae MoMA's Baby
• 43:31
  Speaker 4: pop is.
• 43:32
  Speaker 5: Maybe I don't it might have been like an old
• 43:34
  Speaker 5: school saying, I don't know if it was on wax,
• 43:36
  Speaker 5: but I think the peeling of the onion that you're
• 43:38
  Speaker 5: talking about. He starts off, just saying, this is your
• 43:41
  Speaker 5: typical stuff, rainy night night, Yep, you know this kind
• 43:44
  Speaker 5: of and then there's more layers to this. Yeah, I
• 43:46
  Speaker 5: think that's what is amazing.
• 43:47
  Speaker 4: Yeah, that's the in every layer felt I'm gonna sound
• 43:51
  Speaker 4: like such. I probably sound like sound every time we
• 43:54
  Speaker 4: talked about hip hop. I could smell the rain the
• 43:57
  Speaker 4: first time I'm listening to it, I can smell the rain.
• 44:01
  Speaker 2: I can feel that that moment where jay.
• 44:06
  Speaker 4: Z says the moment he says, he tells her young
• 44:11
  Speaker 4: and get off the block. But the younger it ain't
• 44:13
  Speaker 4: buzz stood him, he said, but in him he saw
• 44:16
  Speaker 4: something like a bird Nate scene from the old He says,
• 44:19
  Speaker 4: like a sign from the almighty Lord. You know what
• 44:23
  Speaker 4: I'm saying, Like I'm I feel like I'm and you know,
• 44:26
  Speaker 4: I have my own you know, I mean issues with
• 44:29
  Speaker 4: my biological father.
• 44:30
  Speaker 2: So I'm really connected.
• 44:31
  Speaker 4: I'm really feeling like I've stood there, I stood you
• 44:34
  Speaker 4: know what I mean I'm stood in front of this
• 44:35
  Speaker 4: nigga like playing with me, like you know, and and
• 44:38
  Speaker 4: what jay Z said, J said, he said, he's like
• 44:40
  Speaker 4: a like a like a self, like he's seen him,
• 44:42
  Speaker 4: but like he's like he's looking at himself, but more mature.
• 44:45
  Speaker 4: I've been there, I've stood in this man face and
• 44:47
  Speaker 4: had issues with him and look at him like damn,
• 44:51
  Speaker 4: he canna look like me.
• 44:52
  Speaker 2: You know what I mean.
• 44:53
  Speaker 4: I've been there, So it's like you know what I mean,
• 44:55
  Speaker 4: Like you're standing there. No, I always boom him, but
• 44:59
  Speaker 4: I'm just sitting there like I' been in this situation
• 45:00
  Speaker 4: where there's tension between us, and I'm like looking at
• 45:03
  Speaker 4: him and it's like in my mind, I want to
• 45:05
  Speaker 4: do this to him, Like I want to do something
• 45:07
  Speaker 4: to this man, but there's something that's stopping me because
• 45:12
  Speaker 4: there's an innate connection between us, and I don't think
• 45:14
  Speaker 4: this man is I don't think it's reverbing to him.
• 45:18
  Speaker 2: I don't think he's seeing it the same way in
• 45:21
  Speaker 2: my mind. And that happened with me.
• 45:22
  Speaker 4: So to hear jay Z talk about with Mike and
• 45:25
  Speaker 4: his son, he's like, he's like, you know what I mean?
• 45:28
  Speaker 4: He said, what do he pulled out, pulled out a
• 45:30
  Speaker 4: brand new theory. But you know, you say what you
• 45:33
  Speaker 4: know what they say about he who hesitates a war,
• 45:36
  Speaker 4: he who hesitates his last didn't even blank for his mind.
• 45:41
  Speaker 2: Went meet the parent. Yo, that what kind of line
• 45:46
  Speaker 2: did that to say?
• 45:47
  Speaker 5: He calls me the parents of the last the last
• 45:50
  Speaker 5: line of the parents, the parents.
• 45:55
  Speaker 2: That's my favorite.
• 45:58
  Speaker 4: That's my number. It's my favorite of all time. But
• 46:01
  Speaker 4: number two. It's a number two for a reason.
• 46:04
  Speaker 3: Okay, my number two, I'm gonna go with. I feel
• 46:07
  Speaker 3: like it's way less a sentimental as what Mouth just said,
• 46:12
  Speaker 3: like that was some real ship just now. I'm like, damn,
• 46:14
  Speaker 3: all right, Yeah, that's that's great. But I think mine's
• 46:17
  Speaker 3: is like a fun one. Everybody likes Troy.
• 46:21
  Speaker 2: They reminisced sob my god, I'm not gonna song.
• 46:26
  Speaker 3: That record is just the beat is great, the story
• 46:29
  Speaker 3: is great.
• 46:29
  Speaker 5: It is about want to heavy these dancers.
• 46:32
  Speaker 4: Yeah really I thought that was about no Troy.
• 46:39
  Speaker 5: It's about one of Heavy's backup dancs.
• 46:41
  Speaker 2: Troy is one of the boys. Yeah, I never put
• 46:47
  Speaker 2: on two togethern't know that.
• 46:48
  Speaker 5: Yeah, someone said I think on Twitter recently, like you know,
• 46:52
  Speaker 5: there's been no better eulogy song than Troy.
• 46:56
  Speaker 1: That's a eulogy song when.
• 46:59
  Speaker 5: They reminisceed my god, wow, the horns, those horns.
• 47:04
  Speaker 2: Man.
• 47:04
  Speaker 5: He used to find.
• 47:06
  Speaker 4: First of all, Mecca the Soul Brother one of my
• 47:08
  Speaker 4: favorite albums, one of my favorite albums of one of
• 47:11
  Speaker 4: my favorite albums across any genre of all time, like
• 47:14
  Speaker 4: p Rod. But you talk about as good as Mecca
• 47:20
  Speaker 4: and the Soul Brother, is Troy being the song that
• 47:23
  Speaker 4: stands out?
• 47:24
  Speaker 2: Said so much.
• 47:25
  Speaker 1: Record listen to it again.
• 47:27
  Speaker 3: I thought that was him talking about his life and
• 47:30
  Speaker 3: I thought so too, But it's.
• 47:31
  Speaker 4: Just certain things wasn't making sense with like interviews and stuff.
• 47:34
  Speaker 4: So I didn't put two in together until d Black
• 47:36
  Speaker 4: just said it. And then when I think about it,
• 47:37
  Speaker 4: reminists over you, Troy. If you look it up, Troy
• 47:40
  Speaker 4: is one.
• 47:41
  Speaker 2: Of the boys. You know, it's heavy in the boys.
• 47:43
  Speaker 2: One of the one of the boys name is Troy
• 47:45
  Speaker 2: and he did die yeah.
• 47:47
  Speaker 3: Yeah, forget this the days the way back, even just
• 47:50
  Speaker 3: down to so he just that's his good friend. Because
• 47:53
  Speaker 3: he talked about mom being the youngest, always.
• 47:55
  Speaker 2: Had yoh my god, just that yo're talking about getting out.
• 48:00
  Speaker 1: Check it positive over negative for a woman to master.
• 48:03
  Speaker 3: It's like, what you're gonna do.
• 48:07
  Speaker 2: I don't know.
• 48:08
  Speaker 3: That's impressive. That's actually really impressive.
• 48:11
  Speaker 1: I didn't know that, all right.
• 48:12
  Speaker 3: Number one or number two.
• 48:14
  Speaker 5: Number two is, here's a little story. I got the
• 48:20
  Speaker 5: it's not going to be here. It's not gonna be here.
• 48:25
  Speaker 2: I gotta flip this table. It was poor through this
• 48:29
  Speaker 2: table that once upon a time, not long ago, people
• 48:32
  Speaker 2: with pajamas and lived life slow with justice. Justice.
• 48:36
  Speaker 7: If people weren't behaving like that author cook, there was
• 48:38
  Speaker 7: a little boy who was led by another little boy,
• 48:41
  Speaker 7: and this is what he said, me and U K,
• 48:43
  Speaker 7: we're gonna make the cash robbing old folks and making
• 48:46
  Speaker 7: it dad.
• 48:47
  Speaker 2: They did. Money came with it, but one can't stop
• 48:50
  Speaker 2: it like you had it, you robbing up and try
• 48:53
  Speaker 2: to rob it was yo. That ships, Yo.
• 48:58
  Speaker 4: But if you talk about stort like if you just
• 49:01
  Speaker 4: think about it, I know I be dragon ship. But
• 49:02
  Speaker 4: if you think about it like yes, high like.
• 49:04
  Speaker 2: That, I know I be draggon.
• 49:06
  Speaker 4: I know, I know I love I love hip hop.
• 49:10
  Speaker 4: I know I know I be dragon ship. I love
• 49:14
  Speaker 4: hip hop, and I make no qualms about it. Yes,
• 49:17
  Speaker 4: it's not just your fucking Patty and everyone's gonna sing
• 49:22
  Speaker 4: poo putt song. Think about what he's saying in the record.
• 49:25
  Speaker 4: He's saying some fly ship. He's telling a fly story.
• 49:28
  Speaker 4: Like no, he said, no need for static, No, no, no,
• 49:31
  Speaker 4: no no, and he gave him a slap. Little did
• 49:33
  Speaker 4: he know the little.
• 49:34
  Speaker 2: Boy was strapped, said watch you hit me straight for
• 49:38
  Speaker 2: the cops.
• 49:39
  Speaker 7: Kid me like you talking about even talking about dave shoes,
• 49:45
  Speaker 7: walk to no soap me bullets, hurry up, running the cop,
• 49:51
  Speaker 7: back up bank shot.
• 49:53
  Speaker 1: Each time that you gotta say a record, it reminds
• 49:55
  Speaker 1: me of another record.
• 49:56
  Speaker 3: Give an honorable mention.
• 49:58
  Speaker 1: Y'all gonna laugh.
• 49:59
  Speaker 3: But this is a story all about how much life
• 50:03
  Speaker 3: turned upside down.
• 50:06
  Speaker 2: I think that's a fun but I think that goes
• 50:07
  Speaker 2: back and I'm not shooting. I think that goes back
• 50:09
  Speaker 2: to what I was saying, like a few seconds ago.
• 50:11
  Speaker 2: I think that's a fun song, dance to tell the story.
• 50:14
  Speaker 2: It's a fun song. List no flash, this is a pioneer.
• 50:19
  Speaker 2: I thought that was a I know, but I thought
• 50:21
  Speaker 2: it was a No, that's not a.
• 50:23
  Speaker 1: Real record, that's just TV interest.
• 50:25
  Speaker 2: So it wasn't the original, it wasn't right.
• 50:28
  Speaker 5: Well, we talked about on list about you know, we
• 50:30
  Speaker 5: can't give the pioneers. I mean, pioneers are pioneers, you know,
• 50:34
  Speaker 5: like when we had the groups just because your person
• 50:37
  Speaker 5: pioneering storytelling song. So it gets a lot of points
• 50:40
  Speaker 5: from me. But it's also like, just when you listen
• 50:43
  Speaker 5: to it again, some of those slick ricks Cadence that
• 50:45
  Speaker 5: you when he says this seem funny. So don't you
• 50:47
  Speaker 5: dare laugh? It's like there's something about the upbeatness of
• 50:50
  Speaker 5: the song still, but the kid is shot by the
• 50:52
  Speaker 5: cops at the end, right, so just when you realize
• 50:55
  Speaker 5: that the darkness.
• 50:57
  Speaker 3: Sure, I feel like Children's story probably if we're just
• 51:01
  Speaker 3: talking about like most famous, it's probably number one.
• 51:03
  Speaker 2: Yeah, we're talking about the most famous. Yea, I think
• 51:06
  Speaker 2: I think it will go.
• 51:07
  Speaker 4: I think it's number two to what you just raped.
• 51:09
  Speaker 4: I think fresh friends about let number one? I think
• 51:12
  Speaker 4: I honestly, yeah, I think those the most popular. Yeah, yeah,
• 51:16
  Speaker 4: I would say, but.
• 51:17
  Speaker 2: Also honorable mentioned the message Oh yeah in sugar Hill
• 51:24
  Speaker 2: the rapper's delay. Those are story records. Yeah, you haven't
• 51:29
  Speaker 2: been a somebody eating.
• 51:31
  Speaker 3: But you know, as we talk about this, I'm like, damn,
• 51:33
  Speaker 3: I think a lot of songs tell stories, but then
• 51:36
  Speaker 3: they're storytelling records. Because when you were talking about Damn,
• 51:40
  Speaker 3: I think the number three version number.
• 51:42
  Speaker 2: Three, my number three was I can't remember my number three.
• 51:49
  Speaker 2: I think I got to die.
• 51:50
  Speaker 3: Your number three reminded me of how I felt about
• 51:53
  Speaker 3: when I heard Queen Latifa Unity.
• 51:55
  Speaker 1: I'm like, that's not really a storytelling record, but she
• 51:57
  Speaker 1: is telling the story.
• 51:58
  Speaker 3: She walks down the street a dude, disrespect BacT and
• 52:01
  Speaker 3: she's like, who you calling the bitch? Respect Unity And anyway,
• 52:05
  Speaker 3: that's how I felt. But I'm like, it's not really
• 52:07
  Speaker 3: a storyteller record.
• 52:08
  Speaker 1: Does she telling us.
• 52:10
  Speaker 2: Storytelling?
• 52:11
  Speaker 1: It's hard.
• 52:12
  Speaker 4: It sucks you right then it's like, like I said,
• 52:14
  Speaker 4: like allegory, like you're stuck and you're just like when
• 52:17
  Speaker 4: the song ends, you feel like you're watching credits instead
• 52:20
  Speaker 4: of the next song is going.
• 52:21
  Speaker 2: That's the way I kind of see it.
• 52:23
  Speaker 1: Number one, Let's get to a mouse.
• 52:27
  Speaker 2: Damn doors for you, even all my mother fucking holes
• 52:30
  Speaker 2: for you, Frank pussy with with the Kodak. It's the
• 52:35
  Speaker 2: mad Tech. Come on, man, I got a story to tell, Biggie.
• 52:38
  Speaker 2: I got a story to tell by Biggie for so
• 52:41
  Speaker 2: many reasons.
• 52:42
  Speaker 4: Once again, it's layers upon layers upon layers, you know,
• 52:46
  Speaker 4: it being about motherfucking Anthony Anthony Mason, you know, the.
• 52:51
  Speaker 2: New York Knicks fucking bully.
• 52:52
  Speaker 5: That was my guy on the next two.
• 52:54
  Speaker 2: I loved him all all my people loved him, all
• 52:57
  Speaker 2: my old heads loved him.
• 52:58
  Speaker 5: That Nick team of the early nine.
• 53:00
  Speaker 2: He was amazing.
• 53:01
  Speaker 5: Hopfully, Mason starts.
• 53:03
  Speaker 2: It was so crazy, but like just big, just what
• 53:09
  Speaker 2: what y'all over? There?
• 53:09
  Speaker 3: Don arm legs.
• 53:13
  Speaker 5: Like legs.
• 53:15
  Speaker 4: But but it's so dope because that's his career. That's
• 53:18
  Speaker 4: that's but but also that's five. That's five percenter. That's
• 53:23
  Speaker 4: five percent. Now the five arm leg leg that's the
• 53:29
  Speaker 4: five that's the together. Yeah yeah, but like I don't play.
• 53:36
  Speaker 1: That's a great number one?
• 53:37
  Speaker 2: Is that the man? Listen from just you're engaged from there,
• 53:41
  Speaker 2: like just from the minute you hit that.
• 53:45
  Speaker 3: Check it out.
• 53:47
  Speaker 2: Talking about oh my niggas, the niggas crib. I like,
• 53:56
  Speaker 2: so yeah, like after what you said, got the head,
• 54:00
  Speaker 2: got the bread, I'm gone.
• 54:04
  Speaker 1: Now that's a great number one.
• 54:05
  Speaker 2: Like you just said, like you were, I don't the
• 54:08
  Speaker 2: first time. I don't know, man, I keep saying this
• 54:10
  Speaker 2: shit like the first time. Every time I heard, for
• 54:13
  Speaker 2: the exception of.
• 54:16
  Speaker 4: For except the three out of the forty record, three
• 54:18
  Speaker 4: of the four, three of the five of these records,
• 54:20
  Speaker 4: I'm on the edge of my seat every word because
• 54:23
  Speaker 4: you know, obviously you got.
• 54:24
  Speaker 2: All that I got.
• 54:26
  Speaker 4: He just recant in his life say and with Dard storytelling,
• 54:31
  Speaker 4: you know, I was a little you know, I was
• 54:33
  Speaker 4: a little green. I didn't know what he was talking about.
• 54:34
  Speaker 4: I just enjoyed what they were.
• 54:37
  Speaker 2: So I wasn't on the you know, there's no it
• 54:39
  Speaker 2: didn't connect now that connected. There was no. It wasn't
• 54:43
  Speaker 2: a ride. I wasn't like, oh, what's next? You know
• 54:46
  Speaker 2: what I mean? But with these other three on the
• 54:51
  Speaker 2: edge of my seat, what is going to happen? Will
• 54:55
  Speaker 2: be will Big make it out next time? On Dragon
• 54:58
  Speaker 2: ball Z?
• 54:58
  Speaker 4: Like you know what I'm saying, Like, that's that's what
• 55:00
  Speaker 4: I'm here. Like so like when he's like, you know
• 55:05
  Speaker 4: what she said, what she said?
• 55:06
  Speaker 2: He said, tell me cool?
• 55:07
  Speaker 4: He said, no, no, he said he when Big told
• 55:10
  Speaker 4: the girls that you better tell your man be cool,
• 55:12
  Speaker 4: she don't know.
• 55:13
  Speaker 2: I'm cool as a fig gas head. I don't want
• 55:16
  Speaker 2: to blast him, man, but I can in the window.
• 55:19
  Speaker 1: I'm trying to even though the situation.
• 55:21
  Speaker 4: You look, it came to me like a song I wrote,
• 55:25
  Speaker 4: Come boy, it can't tell me yo. First of all, inception,
• 55:30
  Speaker 4: it came to me like a song I wrote. Wait, nigga,
• 55:33
  Speaker 4: this is a song you wrote. Wait again, nigga, Wait again, nigga.
• 55:38
  Speaker 2: You don't even write. You don't even write.
• 55:42
  Speaker 1: Oh my god, no, great record. That's a that's a
• 55:45
  Speaker 1: good one.
• 55:48
  Speaker 5: But before we get you your one, because I want
• 55:51
  Speaker 5: you to finish, can I just tell you what my
• 55:53
  Speaker 5: number one is? I wonder you I think you finished this?
• 55:56
  Speaker 5: Yeah no, but my number one is black Steel in
• 55:59
  Speaker 5: the r of cast pump Endemy And I think you know,
• 56:02
  Speaker 5: I got a letter from the government like that song
• 56:05
  Speaker 5: to me is a is a great story that you
• 56:07
  Speaker 5: can when you talk about the visualization, you can see
• 56:11
  Speaker 5: all that happening as he's talking about with the prison
• 56:14
  Speaker 5: rate and just like just them getting to the helicopter
• 56:17
  Speaker 5: on top of the prison and getting out and just
• 56:19
  Speaker 5: shooting its way out. I think that's the dope.
• 56:21
  Speaker 1: I think that's a fair one.
• 56:24
  Speaker 3: It don't resonate with me, but that.
• 56:27
  Speaker 1: What I just I know it's a great one.
• 56:31
  Speaker 2: Dad, it's like one of the record.
• 56:33
  Speaker 4: It's yeah, like we can always acknowledge how great some
• 56:36
  Speaker 4: ships even if it don't resonate.
• 56:37
  Speaker 1: Yeah, yeah, all right, but mine?
• 56:41
  Speaker 4: Wow, I just want to tell you why you put
• 56:45
  Speaker 4: a lot of pressure on yourself. You said it's better
• 56:47
  Speaker 4: than I got to.
• 56:48
  Speaker 1: I think it's better.
• 56:49
  Speaker 3: But they're in different lanes because, like you said, like
• 56:51
  Speaker 3: I got a storyteller is entertainment where this is?
• 56:55
  Speaker 6: This is really If you say waterfalls, I'm gonna flip
• 56:58
  Speaker 6: because Left Eyes Verse was so crazy.
• 57:01
  Speaker 2: At the launches.
• 57:05
  Speaker 1: No, my number one is common I used to love her.
• 57:08
  Speaker 2: You are you kidding me? Better than a story to.
• 57:11
  Speaker 1: Tell common I used to love her absolutely.
• 57:13
  Speaker 3: That's one of the best hip hop records period, like,
• 57:18
  Speaker 3: and it's great because it talks about like hip hop
• 57:22
  Speaker 3: in its purest form, and then it's transformation, I mean, yeah,
• 57:25
  Speaker 3: as it evolves to like mass media selling itself, whereas
• 57:29
  Speaker 3: to now you're trying to tell me that certain records
• 57:32
  Speaker 3: are great.
• 57:32
  Speaker 2: When it's a rund like common Sense.
• 57:40
  Speaker 1: I used to love her. It's great, and I will
• 57:42
  Speaker 1: never forget.
• 57:43
  Speaker 3: I thought the record was like cute as I'm listening
• 57:46
  Speaker 3: to it, because I thought it was about a girl.
• 57:48
  Speaker 2: I'm like, we've been wrapping this whole episode opening this
• 57:51
  Speaker 2: song up. Bro.
• 57:52
  Speaker 3: I met this girl when I was ten years old,
• 57:54
  Speaker 3: and what I love most she has so much so
• 57:57
  Speaker 3: she was old school when I was just a shorty.
• 57:59
  Speaker 3: Never throughout my life she would be there for me
• 58:02
  Speaker 3: on a regular not a church girl. She was secular,
• 58:05
  Speaker 3: not about the money. The stuff is Mike, check it up.
• 58:07
  Speaker 3: But I respected her.
• 58:08
  Speaker 1: She hit me in the heart.
• 58:10
  Speaker 3: A few New York niggas had did it in the dark,
• 58:13
  Speaker 3: but she was there for me, and I was there
• 58:15
  Speaker 3: for her, put out a chair for her like. I
• 58:17
  Speaker 3: just really liked the way he dressed hip hop up
• 58:19
  Speaker 3: as a woman.
• 58:20
  Speaker 1: And then at the end, no, not as.
• 58:24
  Speaker 3: My friend's nigga.
• 58:25
  Speaker 1: Why because why is that sip?
• 58:27
  Speaker 2: Because I know a few New York nigga did the dark.
• 58:30
  Speaker 2: I'll pulled up the chair for hunks.
• 58:32
  Speaker 3: Anyway, So I didn't like that.
• 58:34
  Speaker 2: It was a dig. I ain't like that. Yeah, that
• 58:38
  Speaker 2: was a little dig. That was a little dig. That
• 58:40
  Speaker 2: was not it.
• 58:41
  Speaker 1: He was just saying, like.
• 58:43
  Speaker 2: Adult New York niggas was doing her like she was
• 58:49
  Speaker 2: a whole.
• 58:50
  Speaker 3: Well then she broke to the West Coast, and that
• 58:53
  Speaker 3: was cool because around the same time, I went to
• 58:54
  Speaker 3: way to school and I'm a man of expanded, so
• 58:56
  Speaker 3: why should I stand in a way? She probably get
• 58:59
  Speaker 3: her money in LA and she did so that she
• 59:01
  Speaker 3: got big fu for what was foul. She said that
• 59:03
  Speaker 3: the pro black was going out of staff, like I
• 59:05
  Speaker 3: just like how he broke down the eras of hip hop,
• 59:08
  Speaker 3: Like yes, was fell in love with it.
• 59:10
  Speaker 1: He fell in love with.
• 59:11
  Speaker 3: It when it was in the New York scene, but
• 59:13
  Speaker 3: he wanted a piece of it for himself. He sees
• 59:15
  Speaker 3: her going out west and he starts expanding, which, by
• 59:17
  Speaker 3: the way, commons commons evolution from his first album to
• 59:21
  Speaker 3: his second album is two different commons, which is I
• 59:25
  Speaker 3: think he's explaining that also in the record.
• 59:28
  Speaker 1: So just so I want to talk about y'all's hip hop.
• 59:32
  Speaker 3: I was just like, oh, like that emoji the brain
• 59:35
  Speaker 3: is like lifted, and you're like, quick question, put that
• 59:38
  Speaker 3: emoji in my face.
• 59:39
  Speaker 5: But do you think when she goes into the West
• 59:41
  Speaker 5: Coast side of things that he actually has a little
• 59:43
  Speaker 5: bit of this, Like you know when he says, now
• 59:44
  Speaker 5: black music is black music, and it's all good. So
• 59:47
  Speaker 5: when he says that line is he kind of like
• 59:48
  Speaker 5: still looking at her differently? You think, I mean hip
• 59:51
  Speaker 5: hop is the herd, right, So is he looking at
• 59:54
  Speaker 5: it differently?
• 59:55
  Speaker 3: Based question the way he said he wasn't salty. She
• 59:58
  Speaker 3: was with the boys in the hood.
• 1:00:00
  Speaker 2: But do you believe it? Sure it was because they
• 1:00:02
  Speaker 2: got into a beef right after that.
• 1:00:04
  Speaker 3: I think they got into a beef for other reasons,
• 1:00:06
  Speaker 3: not because of that record, because like even Erica, but
• 1:00:10
  Speaker 3: I do love.
• 1:00:10
  Speaker 1: In my life.
• 1:00:11
  Speaker 2: He's got to ask you, which one do you like better, though,
• 1:00:14
  Speaker 2: love my life.
• 1:00:14
  Speaker 3: Or that I like I used to love her better,
• 1:00:17
  Speaker 3: but I love the Erica I do record too. But
• 1:00:19
  Speaker 3: I'm to Darren's question of do I think he was salty? No,
• 1:00:22
  Speaker 3: because he says the boys made her better to grow.
• 1:00:25
  Speaker 3: I had to let her to be the Jeddah and
• 1:00:28
  Speaker 3: I understood that looking for cheese.
• 1:00:30
  Speaker 2: That don't make her a hood right.
• 1:00:31
  Speaker 3: In fact, she's a queen to me, like Beams on me.
• 1:00:34
  Speaker 3: I love it when she sings to me like, oh
• 1:00:38
  Speaker 3: you know you like I think when it comes to
• 1:00:49
  Speaker 3: like my POV of hip hop and what it means
• 1:00:52
  Speaker 3: to me, I love I used to love her.
• 1:00:56
  Speaker 1: It's like all the songs I named are songs that
• 1:00:58
  Speaker 1: really resonate.
• 1:00:58
  Speaker 5: The first time you guys heard that song, did you
• 1:01:00
  Speaker 5: know what the metaphor was right away?
• 1:01:02
  Speaker 2: Way? Because somebody introduced it to me.
• 1:01:04
  Speaker 3: I knew that.
• 1:01:05
  Speaker 2: They told you. Somebody told me.
• 1:01:07
  Speaker 4: My cousin was like like that was when I was
• 1:01:10
  Speaker 4: getting into my lyrical bag, and I was like, yeah,
• 1:01:13
  Speaker 4: like having like creating my standard of rap. And my
• 1:01:16
  Speaker 4: cousin like, yo, listen to this, like he rapping about
• 1:01:19
  Speaker 4: hip hop, Like it's not a woman, it's hip hop.
• 1:01:22
  Speaker 4: So I already went into it knowing, which kind of
• 1:01:24
  Speaker 4: helped because I was able to come down one thousand percent.
• 1:01:26
  Speaker 2: Sure. If I listened to it the first time, I
• 1:01:27
  Speaker 2: would have been like, Oh, he's talking my hip hop.
• 1:01:29
  Speaker 2: I'm like, what girl he talking about?
• 1:01:30
  Speaker 3: The whole stop you would have thought she was a
• 1:01:33
  Speaker 3: whore girl from New York to.
• 1:01:38
  Speaker 2: No.
• 1:01:39
  Speaker 3: I was watching I saw it on the countdown. I
• 1:01:42
  Speaker 3: got in TV channel and I'm just watching it. I'm like,
• 1:01:44
  Speaker 3: this is a vibe.
• 1:01:45
  Speaker 1: This is a vibe.
• 1:01:47
  Speaker 2: This is the vibe.
• 1:01:47
  Speaker 1: Who I'm talking about, y'all.
• 1:01:50
  Speaker 2: I'm like watching TV.
• 1:01:52
  Speaker 1: Oh ship hip hop? I'm like, call dad, you know
• 1:01:56
  Speaker 1: what this song about?
• 1:01:57
  Speaker 5: Common Car wait a minute time out common sense.
• 1:02:00
  Speaker 2: No, No, I'm talking about when did you discover this song?
• 1:02:03
  Speaker 2: Because you said you picked up a cell phone?
• 1:02:05
  Speaker 1: Well, no, a phone like the house phone. All okay,
• 1:02:09
  Speaker 1: she's probably like two thousand and four.
• 1:02:11
  Speaker 2: Okay, okay, okay, okay, that's okay. I my parents discovered
• 1:02:16
  Speaker 2: the song yesterday.
• 1:02:17
  Speaker 3: They couldn't afford a babysitter, you know something, the crib,
• 1:02:20
  Speaker 3: be in the creb whatever.
• 1:02:21
  Speaker 2: But I call him up a parents, real niggas.
• 1:02:23
  Speaker 1: No, I'm like, Dad, I just found this song. He's like,
• 1:02:28
  Speaker 1: I played that song your entire life, Like, you don't
• 1:02:30
  Speaker 1: know that song.
• 1:02:31
  Speaker 2: I'm like, like, not at work? You never you remember
• 1:02:33
  Speaker 2: you remember calling your parents at work to ask something dumb.
• 1:02:37
  Speaker 3: No, my brother used to be getting on my nerves.
• 1:02:40
  Speaker 2: Shout out to just hell, okay, I speak to, I
• 1:02:43
  Speaker 2: speak to to have some first chokes, put some in
• 1:02:48
  Speaker 2: the oven.
• 1:02:48
  Speaker 1: Joe, he's standing at the door.
• 1:02:49
  Speaker 3: I keep telling him to get out, but he's just
• 1:02:51
  Speaker 3: standing at the door, like, oh man.
• 1:02:55
  Speaker 2: Yeah, that was a good way to end.
• 1:02:56
  Speaker 5: It was as far as that storytelling raps, A great
• 1:03:00
  Speaker 5: storytelling rap, Yeah.
• 1:03:01
  Speaker 3: I think I got a storytellers more like he said,
• 1:03:04
  Speaker 3: more like spins, you're not. It's not suspenseful one. I
• 1:03:08
  Speaker 3: used to love her. It's just a story.
• 1:03:10
  Speaker 4: But he takes I don't argue with it being a
• 1:03:14
  Speaker 4: fucking master craft of a song, of a storytelling song.
• 1:03:17
  Speaker 2: Just say that I got a storytelling No, no, it's real.
• 1:03:20
  Speaker 3: People, all right, you know what, Let's make this a poll.
• 1:03:22
  Speaker 2: Let's make it a poll.
• 1:03:24
  Speaker 3: Let's do it, all right, guys, me.
• 1:03:26
  Speaker 1: And Moss want to know who do you Who do
• 1:03:28
  Speaker 1: you think has a better storytelling record?
• 1:03:30
  Speaker 3: Is it common? I used to love her?
• 1:03:32
  Speaker 2: Or biggie, I got a story to tell.
• 1:03:35
  Speaker 1: Drop comments in the section below.
• 1:03:37
  Speaker 2: Click the poll.
• 1:03:38
  Speaker 4: All of that, we make sure d block a king,
• 1:03:40
  Speaker 4: Make sure we got a nice clip to post. I'm
• 1:03:42
  Speaker 4: posted to the page. Make sure I want to see that.
• 1:03:45
  Speaker 4: Because this is ridiculous, that would be so.
• 1:03:47
  Speaker 1: Let's collapse that one.
• 1:03:49
  Speaker 2: Okay, so people can yell at your people. Your people
• 1:03:53
  Speaker 2: are probably gonna agree with me. Don't don't bring the
• 1:03:58
  Speaker 2: book community who don't?
• 1:04:00
  Speaker 3: Did he shima? Did he just make up?
• 1:04:03
  Speaker 2: All?
• 1:04:04
  Speaker 5: Right?
• 1:04:07
  Speaker 1: Any any last words?
• 1:04:08
  Speaker 2: Yeah? I got a story to tell.
• 1:04:12
  Speaker 3: Speaking got a.
• 1:04:13
  Speaker 1: Story and tell you got anything going on that you
• 1:04:14
  Speaker 1: want shout out real quick?
• 1:04:16
  Speaker 2: The same thing I always got going on. Man, it's
• 1:04:18
  Speaker 2: the what I question.
• 1:04:19
  Speaker 4: Like the list each and every Monday, got next door
• 1:04:20
  Speaker 4: each and every Monday, and track karaoke on the road.
• 1:04:25
  Speaker 2: Make sure you get your tickets. Check karaoke dot com.
• 1:04:27
  Speaker 2: You got something coming up. You got a whole bunch
• 1:04:29
  Speaker 2: of stuff coming up? What's going on?
• 1:04:30
  Speaker 3: You've got a whole bunch of stuff going up too,
• 1:04:32
  Speaker 3: Like you forgot about Broccoli Fest by the way.
• 1:04:35
  Speaker 1: Oh my god, Yes, I'm not gonna talk about your jobs.
• 1:04:38
  Speaker 2: I'm sorry. Well, that's why we're such good brother and sisters,
• 1:04:41
  Speaker 2: because we hold each other.
• 1:04:42
  Speaker 1: I'm excited to see.
• 1:04:43
  Speaker 2: You know your schedule, you know, we just don't know
• 1:04:46
  Speaker 2: our own schedule.
• 1:04:47
  Speaker 3: Bracy is gonna be dope though.
• 1:04:49
  Speaker 2: Yes, insane. I cannot wait.
• 1:04:52
  Speaker 1: It's gonna be dope. All right, I got a special visitor.
• 1:04:55
  Speaker 1: Who who, there's somebody popping out?
• 1:04:59
  Speaker 3: No, all right, anyway, I'm so annoying, So all right,
• 1:05:04
  Speaker 3: I just wanted to shout out my Amazon show every
• 1:05:07
  Speaker 3: Wednesday night on Twitch makes you guys tune in.
• 1:05:10
  Speaker 1: It's called rotation.
• 1:05:11
  Speaker 2: Arguing with y'all.
• 1:05:13
  Speaker 1: Yeah, so what I do with mouse? Honestly, after arguing
• 1:05:16
  Speaker 1: with him I'm ready to argue with anybody. Mouse has
• 1:05:18
  Speaker 1: got me prepped and ready for war. So shut up
• 1:05:21
  Speaker 1: to Mouse for that makes you guys.
• 1:05:23
  Speaker 3: Tune into Rotation every Wednesday, and then make sure you
• 1:05:26
  Speaker 3: guys tune into AMP every Tuesday and Thursday twelve pm.
• 1:05:29
  Speaker 1: Tune in and listen. But we're just more so playing
• 1:05:31
  Speaker 1: new music on there.
• 1:05:33
  Speaker 2: Like what you got going on? You got stuff going on?
• 1:05:35
  Speaker 5: I got the what hip Hop Questions listening list every
• 1:05:37
  Speaker 5: Monday in the documentary documentary.
• 1:05:42
  Speaker 2: More on that later to.
• 1:05:46
  Speaker 1: Come and we'll be back.
• 1:05:47
  Speaker 4: My favorite thing about hip hop is you know when
• 1:05:50
  Speaker 4: people know, like when they do interviews niggas, that would
• 1:05:53
  Speaker 4: be my favorite thing, Like that's how I know niggas lit.
• 1:05:55
  Speaker 4: That's that would be my like marker for how to
• 1:05:57
  Speaker 4: let you are like throwing the stuff you can't talk about.
• 1:05:59
  Speaker 2: Like I hate when the artist come up to there.
• 1:06:01
  Speaker 2: Oh yeah, just dropping this day, just dropping this day now,
• 1:06:04
  Speaker 2: ask them if when just coming. We're working on dates
• 1:06:06
  Speaker 2: right now. You know, third quarter, you know, look out
• 1:06:09
  Speaker 2: for that third quarter. That used to be my favorite.
• 1:06:12
  Speaker 2: Second quarter, your second we come in, we come in
• 1:06:14
  Speaker 2: early second quarter. I be like, yeah, this is lip.
• 1:06:19
  Speaker 3: Okay understandable. I got some things I'm working on to
• 1:06:22
  Speaker 3: that I can't really talk about yet for second quarter,
• 1:06:26
  Speaker 3: second third quarter. Yeah yeah, I'm wait to Q three
• 1:06:30
  Speaker 3: to drop some more bombs, clue bombs. All right, Next
• 1:06:36
  Speaker 3: Monday to another episode of The Wedding Questions.
• 1:06:39
  Speaker 1: Can you start with.
• 1:06:43
  Speaker 3: That isnay, We'll be back next Monday. Till next time, guys, He's.
• 1:06:52
  Speaker 4: So, don't miss an episode of the What hip Hop
• 1:06:54
  Speaker 4: Questions Legends and list Listen and subscribe on the Black
• 1:06:57
  Speaker 4: Effect Podcast Network, iHeart Radio, app or wherever.
• 1:07:00
  Speaker 2: You get your podcasts.
• 1:07:01
  Speaker 4: So What hip Hop Questions Legends and Lists podcasts as
• 1:07:04
  Speaker 4: a production of the Black Effect Podcast Network and our
• 1:07:06
  Speaker 4: executive producer is Darren Byrne and produced by A King