Latest / Abide Meditation App / 🌧️ RAINY Train Story_ A Dreamy Night on the 20th Century Limited - Part 2 - Sleepy Story with Rain
Transcript
- 0:01Speaker 1: Welcome to Get Sleepy, where we listen, we relax, and
- 0:09Speaker 1: we get sleepy. I'm your host, Thomas. I appreciate you
- 0:17Speaker 1: joining us for this bonus episode, and I want to
- 0:20Speaker 1: say a very happy Thanksgiving to all our friends that
- 0:24Speaker 1: celebrate it. Tonight. In the second part of our two
- 0:30Speaker 1: part adventure, we'll have a ticket to ride one of
- 0:34Speaker 1: the most luxurious trains of the twentieth century. We'll travel
- 0:41Speaker 1: back in time to the nineteen thirties. There, we will
- 0:47Speaker 1: walk the red carpet down platform thirty four at Grand
- 0:52Speaker 1: Central Station and step into a bygone era when an
- 0:57Speaker 1: overnight journey from New York to Chicago was a truly
- 1:02Speaker 1: lavish and unforgettable experience. Thanks again to Simon for his
- 1:10Speaker 1: excellent narration, and to Alicia Stephan who always does a
- 1:15Speaker 1: wonderful job of writing these dreamy tales. Before we embark
- 1:24Speaker 1: upon this once in a lifetime adventure, make sure you
- 1:28Speaker 1: feel ready to relax. Forget about the mundane details you've
- 1:36Speaker 1: managed all day for this train journey. You don't need
- 1:43Speaker 1: to pack, you don't need to plan. Everything will be
- 1:50Speaker 1: taken care of. All you have to do is make
- 1:56Speaker 1: sure you're ready to settle into your life luxurious, private
- 2:02Speaker 1: sleeping compartment. So take a slow, steady breath in hold
- 2:15Speaker 1: for a moment, and let it back out. Notice how
- 2:25Speaker 1: your body softens just a little more with the exhil
- 2:32Speaker 1: sinking into your bed and bringing a deeper sense of
- 2:37Speaker 1: coziness to your state of mind. Now imagine yourself heading
- 2:48Speaker 1: for your platform. Your train is departing soon, and you
- 2:55Speaker 1: are the most important passenger of the evening. This is
- 3:03Speaker 1: where our story begins.
- 3:30Speaker 2: You find yourself standing in a corridor at Grand Central
- 3:35Speaker 2: Terminal in New York. This famous meeting place is more
- 3:42Speaker 2: than just a train station. It is a storied crossroads
- 3:47Speaker 2: of New York City, meaning so many things the thousands
- 3:52Speaker 2: and thousands of people. It is a place in which
- 3:57Speaker 2: to arrive and to It is a meeting spot for
- 4:03Speaker 2: long lost friends. It is a hub of commerce, offering
- 4:09Speaker 2: nearly anything a person could need in the course of
- 4:13Speaker 2: a day. Most of all, it is a repository of history.
- 4:22Speaker 2: The building around you is a magnificent, living example of
- 4:27Speaker 2: the masterful Beaux Arts architectural style. It represents a time
- 4:34Speaker 2: when utility and beauty could live side by side. Its
- 4:41Speaker 2: classical details, its pillars and arches, provide a backdrop for
- 4:47Speaker 2: the lavish French embellishments that Beaux Arts buildings were known for.
- 4:54Speaker 2: So much happens here at Grand Central every day. At
- 4:58Speaker 2: this moment, however, you are standing in the terminal alone.
- 5:04Speaker 2: If this is a dream, it is a beautiful one
- 5:10Speaker 2: with an odd sort of certainty. You know that you
- 5:14Speaker 2: are expected somewhere. In fact, there is a man's voice
- 5:20Speaker 2: ahead of you, calling out to show you the way
- 5:25Speaker 2: in a friendly and coaxing manner. He is directing you
- 5:29Speaker 2: specifically to track thirty four. You are following on his heels,
- 5:37Speaker 2: and he sets an easy pace. As you approach the platform,
- 5:44Speaker 2: the sense that you are alone begins to melt away.
- 5:50Speaker 2: Your guide has stopped and turned to face you with
- 5:55Speaker 2: a welcoming gesture and a wide smile. He sweeps his
- 6:00Speaker 2: arm to the side as if presenting the boarding area
- 6:04Speaker 2: for your approval. He tells you that you are just
- 6:09Speaker 2: on time to catch your train. It is a wide platform,
- 6:16Speaker 2: but unlike others you have seen, there are no pillars
- 6:21Speaker 2: running down the center. Instead, a crimson carpet has been
- 6:27Speaker 2: rolled the length of the walk by a group of
- 6:30Speaker 2: station attendants wearing white shirts, suspenders and red caps. Other
- 6:38Speaker 2: passengers are milling about. Uniformed porters are assisting them, loading
- 6:44Speaker 2: up their trunks and hat boxes and showing them where
- 6:49Speaker 2: to find their accommodations. All around you are the cheerful
- 6:55Speaker 2: sounds of the bustling platform. Passengers call out to their
- 7:01Speaker 2: children to step lively. Porters can be overheard politely asking
- 7:08Speaker 2: people to follow them to whatever car they are boarding.
- 7:13Speaker 2: You hear two men exchange a friendly greeting. A woman's
- 7:19Speaker 2: laugh floats out of a train window as she waves
- 7:23Speaker 2: goodbye to a friend. These travelers are all dressed very stylishly.
- 7:31Speaker 2: Perfectly quaffed. Ladies are wearing elegant fitted suits and pretty
- 7:36Speaker 2: dresses that fall below the knee. Some of these outfits
- 7:41Speaker 2: have puffed sleeves. Many of these women are showing off
- 7:47Speaker 2: smart looking hats that match their dresses. The men on
- 7:53Speaker 2: the platform look equally put together. It seems everyone is
- 7:59Speaker 2: expected to look their best. The men's suits vary in color.
- 8:08Speaker 2: Some are beige or light brown, others are gray. Some
- 8:16Speaker 2: have pinstripes or small plaid checks. Many are double breasted.
- 8:25Speaker 2: Pants are wide legged with a cuff at the bottom
- 8:31Speaker 2: under their suit jackets. Some of the men are wearing vests.
- 8:37Speaker 2: Everyone looks very comfortable, as if it is an every
- 8:41Speaker 2: day matter to be so buttoned up. You have never
- 8:46Speaker 2: traveled with such a fine looking crowd. You suddenly wonder
- 8:53Speaker 2: if you will stick out like a sore thumb amongst
- 8:56Speaker 2: these well heeled elites. Looking down at yourself, you are
- 9:02Speaker 2: delighted to find that you will fit right in. Your
- 9:09Speaker 2: clothing is perfectly turned out, as if you've been dressed
- 9:13Speaker 2: by an expert for the occasion. You lift your head
- 9:18Speaker 2: high and feel ready to join these sophisticated travelers wherever
- 9:24Speaker 2: they are headed. You continue to follow the smartly uniformed
- 9:31Speaker 2: porter who led you here. He is wearing the same
- 9:36Speaker 2: immaculate blue suit as all the other porters working on
- 9:40Speaker 2: the platform. Its shiny buttons gleam in a perfect row
- 9:46Speaker 2: up the front. Mashing the spotless plate on his jaunty cap,
- 9:54Speaker 2: he walks confidently among the people and their luggage along
- 9:58Speaker 2: the platform, a seasoned professional. Your attention turns to the
- 10:05Speaker 2: train itself. This is the twentieth Century Limited, a wonderful
- 10:13Speaker 2: example of a nineteen thirties luxury train. It stretches the
- 10:20Speaker 2: length of the platform, just like the pictures you've seen
- 10:26Speaker 2: on vintage posters. This elegant conveyance seems made for speed,
- 10:32Speaker 2: all round edges and silver metal with blue racing stripes.
- 10:40Speaker 2: For you, it looks like an old fashioned science fiction movie.
- 10:46Speaker 2: You could well believe it was a futuristic robot on wheels,
- 10:51Speaker 2: as imagined by a person from this time period. It's
- 10:57Speaker 2: an Art Deco dream, a combination of technology and defiant design.
- 11:05Speaker 2: The red carpet seems as long as a sports field,
- 11:09Speaker 2: but your porter eventually indicates that you have reached your
- 11:13Speaker 2: train car. He is carrying a small overnight bag that
- 11:19Speaker 2: you realize belongs to you. Then he hands you a
- 11:25Speaker 2: ticket that indicates your compartment number and graciously steps aside
- 11:31Speaker 2: to allow you to board. As you walk down the
- 11:36Speaker 2: hall at this fine looking sleeper car, he tells you
- 11:40Speaker 2: that you are sure to have a peaceful night's sleep.
- 11:46Speaker 2: He says the train departs at five pm for Chicago,
- 11:50Speaker 2: and that it will take just sixteen hours to get there.
- 11:56Speaker 3: You will have.
- 11:57Speaker 2: Plenty of time to enjoy the views and have a
- 12:01Speaker 2: luxurious dinner. After you have enjoyed your evening, you will
- 12:07Speaker 2: be able to retire to your completely private apartment. As
- 12:13Speaker 2: you look for your compartment number. He adds that this
- 12:17Speaker 2: train is famous for providing its passengers a blissfully smooth
- 12:23Speaker 2: night time trip. Reaching your door, you look back at him.
- 12:30Speaker 2: He winks to you and nods his head approvingly. You
- 12:35Speaker 2: know you are in the right place. You open the
- 12:41Speaker 2: door of the compartment and walk into your snug private cocoon.
- 12:48Speaker 2: You feel like a movie star entering your dressing room.
- 12:53Speaker 2: The space is compact, but it exudes a slick urban
- 12:58Speaker 2: sophistication that makes use of every inch. A petite, velvety
- 13:05Speaker 2: sofa seat is located on the wall cleverly. A bunk
- 13:11Speaker 2: bed hangs above it. The floor is carpeted in a
- 13:16Speaker 2: snazzy Art Deco pattern, which provides a stylish contrast to
- 13:22Speaker 2: the muted colors in the room. In fact, all the
- 13:27Speaker 2: furnishings have a purposely elegant feel in shades of blue
- 13:32Speaker 2: and gray. This room is like an aristocrat. It has
- 13:38Speaker 2: no need to be showy in order to be luxurious.
- 13:45Speaker 2: You take this in for a moment and then turn
- 13:48Speaker 2: to bid farewell to your porter, who has set down
- 13:51Speaker 2: your small bag. He wishes you a lovely journey and departs,
- 13:59Speaker 2: closing the door behind him. Peeking out the window, you
- 14:04Speaker 2: enjoy some people watching as the rest of the passengers
- 14:08Speaker 2: make their way into the train from the platform. You
- 14:14Speaker 2: can tell that your departure is imminent as a sense
- 14:19Speaker 2: of energy and excitement for these last moments, and you
- 14:24Speaker 2: feel almost as if you're launching into outer space rather
- 14:29Speaker 2: than simply beginning a journey on land. This train feels
- 14:35Speaker 2: ready to go, and you are delighted by your private hideaway.
- 14:42Speaker 2: You are part of this grand atmosphere, but you are
- 14:46Speaker 2: safely in your own tiny bubble. It is an intoxicating combination.
- 14:55Speaker 2: After taking a moment to settle into your compartment, you
- 14:59Speaker 2: open up an interior door and find a small private
- 15:04Speaker 2: bathroom in there. You are fascinated by its clever design
- 15:10Speaker 2: and even happier to know that you have it all
- 15:12Speaker 2: to yourself. Opening up your bag, you see there is
- 15:18Speaker 2: a pair of flannel pajamas in there, as well as
- 15:22Speaker 2: basic necessities like a toothbrush and some soap. Your favorite
- 15:28Speaker 2: book is also nestled amongst your overnight items. You look
- 15:35Speaker 2: forward to snuggling into your bunk with that. Later, a
- 15:40Speaker 2: whistle blows and you hear a conductor cry out all
- 15:45Speaker 2: aboard looking at the platform. Once again, you see all
- 15:51Speaker 2: the passengers have now vacated the boarding area and the
- 15:55Speaker 2: porters have loaded up all the luggage promptly. At five o'clock,
- 16:02Speaker 2: the train lurches gently and begins to pull out of
- 16:07Speaker 2: the station. You are mesmerized by the sight as the
- 16:13Speaker 2: red carpet slides by and eventually recedes into the distance.
- 16:21Speaker 2: At first, there is darkness as the train makes its
- 16:24Speaker 2: way through the tunnels of Grand Central Terminal. Soon, however,
- 16:31Speaker 2: the muted early evening light streams through your window. You
- 16:38Speaker 2: are on your way. You only have a couple of
- 16:43Speaker 2: hours of daylight to enjoy, so you take full advantage
- 16:47Speaker 2: of the sights as they drift by. There will be
- 16:52Speaker 2: plenty of time to eat dinner in a little while.
- 16:57Speaker 2: Before you head to the dining room, you want to
- 17:00Speaker 2: enjoy the view from the observation area at the back
- 17:04Speaker 2: of the car. Venturing out of your compartment, you make
- 17:09Speaker 2: your way to the nearby lounge, which is decorated with
- 17:13Speaker 2: chic urban murals. The lights are low and welcoming, and
- 17:21Speaker 2: soft blue leather seats for two or three people are
- 17:25Speaker 2: thoughtfully arranged around the space. This allows a surprising number
- 17:32Speaker 2: of people to be there at the same time without
- 17:35Speaker 2: being crowded together. Near the end of the car, a
- 17:41Speaker 2: rounded love seat and a mural seem to section off
- 17:45Speaker 2: an additional nook. At the back of the train, you
- 17:50Speaker 2: pass by a couple of other passengers who are comfortably
- 17:54Speaker 2: sitting here and there, chatting quietly amongst themselves and reading newspapers.
- 18:02Speaker 2: Peeking around the partition, you are happy to find that
- 18:06Speaker 2: there is more seating on the other side that allows
- 18:09Speaker 2: you to enjoy the view out the back of the train. Luckily,
- 18:15Speaker 2: none of the other passengers have come back here, so
- 18:19Speaker 2: you settle into the comfy leather cushions, running your hand
- 18:23Speaker 2: across their cool blue surface. With the little wall partitioning
- 18:30Speaker 2: you from the rest of the room, it's like you're
- 18:33Speaker 2: in a secret pocket of solitude while you watch the
- 18:40Speaker 2: panorama along your route is unfolding and ceaselessly receding behind you.
- 18:47Speaker 2: It is mesmerizing how the scenery slowly transitions from the
- 18:52Speaker 2: city to the country. You are glad that night has
- 18:57Speaker 2: not yet fallen because the sparkling Hudson River becomes visible
- 19:03Speaker 2: next to the train, quite near you. It is such
- 19:08Speaker 2: an impressive sight, with a dynamic shoreline that seems to
- 19:12Speaker 2: constantly change as you get further and further from the city.
- 19:20Speaker 2: You think how different this is from the emptiness you're
- 19:23Speaker 2: used to seeing out the window of an airplane. This relaxation,
- 19:30Speaker 2: the rhythmic motion of the train car, and the beautiful
- 19:34Speaker 2: view are certainly delivering the luxurious experience you'd been promised
- 19:40Speaker 2: by your porter at Grand Central. You stay like this
- 19:46Speaker 2: for a while, happily losing count of the minutes. One
- 19:51Speaker 2: of the most relaxing aspects of this train journey is
- 19:55Speaker 2: that you have nowhere to be and nothing to accomplish.
- 20:00Speaker 2: You are merely expected to go along for the ride
- 20:05Speaker 2: while the conductor and the staff make sure the train
- 20:08Speaker 2: stays on time. At some point, the light outside begins
- 20:14Speaker 2: to dim and you start thinking about locating the dining car.
- 20:20Speaker 2: Giving up your secret spot at the back of the car,
- 20:24Speaker 2: you retrace your steps through the lounge. It looks like
- 20:30Speaker 2: you are not the only one who is thinking of
- 20:32Speaker 2: your evening meal. The lounge has quietly become almost deserted,
- 20:39Speaker 2: as each passenger or pair of travelers has had the
- 20:42Speaker 2: same thought. In fact, you find the dining car quite
- 20:47Speaker 2: easily simply by going with the flow of traffic. Everyone
- 20:54Speaker 2: is walking in the same direction. You have overheard someone
- 20:59Speaker 2: saying this train has two identical dining cars, each serving
- 21:04Speaker 2: sixty seven passengers. You end up with the one nearest
- 21:10Speaker 2: to you. Inside it is a marvel genteel. Waiters are
- 21:18Speaker 2: at the ready taking care of passengers who are seated
- 21:22Speaker 2: at cleverly nested tables. Some of these are just for
- 21:28Speaker 2: one or two intimate companions. They are arranged on either
- 21:34Speaker 2: side of the car facing the center aisle, where there
- 21:40Speaker 2: is only a single diner. The person does not seem
- 21:44Speaker 2: at all out of place because the table is small.
- 21:50Speaker 2: In the case of a couple eating together, they are
- 21:53Speaker 2: cozily nested together on one side, leaving the aisle free
- 21:58Speaker 2: for weight. Staff then periodically, tables for four people divide
- 22:06Speaker 2: those rows, much like the lounge car. The juxtaposition of
- 22:12Speaker 2: the different sized tables facing different directions gives a feeling
- 22:18Speaker 2: of privacy and confidentiality that belies the small space. It
- 22:25Speaker 2: is not just the arrangement of the dining car that
- 22:28Speaker 2: creates its charm. A record player or perhaps a radio
- 22:34Speaker 2: fills the car with the latest popular songs, bright white tablecloths,
- 22:41Speaker 2: shining silver utensils, and sparkling glassware adorn each table. As
- 22:49Speaker 2: you pass by on the way to your seat, you
- 22:52Speaker 2: notice there is a little branded book of matches at
- 22:55Speaker 2: every place. You haven't even seen the menu yet, but
- 23:02Speaker 2: you are expecting something impressive just judging by the look
- 23:06Speaker 2: of the room. You take a seat at one of
- 23:10Speaker 2: these lovely tables and pick up the menu that lies
- 23:14Speaker 2: before you. The service is even more luxurious than you
- 23:20Speaker 2: had imagined. There is something here that must appeal to
- 23:25Speaker 2: almost everybody. The ala carte menu tempts you with options
- 23:32Speaker 2: such as shrimp, cocktail, imported caveat an omelet, and roasted chicken.
- 23:40Speaker 2: This alone would have more than satisfied you. However, you
- 23:46Speaker 2: may also choose from dinner entrees that include charcoal broiled steak,
- 23:52Speaker 2: baked Philadelphia capon, and fresh lake whitefish. These are all
- 24:00Speaker 2: served with a la carte's sides and a salad. From
- 24:05Speaker 2: the drinks menu, you are amused to see that you
- 24:08Speaker 2: could get an entire pot of malted milk or hot
- 24:12Speaker 2: cocoa if you were feeling like reliving your childhood. Furthermore,
- 24:19Speaker 2: the desserts are very enticing. How would you choose among
- 24:25Speaker 2: butterscotch Sundays deep dish, cherry pie, and pancakes with marmalade.
- 24:33Speaker 2: As you watch the staff travel efficiently from the small
- 24:37Speaker 2: tables to the kitchen, you cannot imagine how they produce
- 24:41Speaker 2: all this fine food in such a tiny space. The
- 24:47Speaker 2: dishes appear from the hidden kitchen as if injured by
- 24:50Speaker 2: a magician. A waiter appears and politely asks if you
- 24:56Speaker 2: can take your order in the mood for having a
- 25:01Speaker 2: meal that is on the lighter side, so you order
- 25:04Speaker 2: something delicious off the ala carte menu. He responds that
- 25:11Speaker 2: you have made an excellent choice, and then vanishes seamlessly
- 25:15Speaker 2: into the invisible kitchen of wonders to procure your dinner.
- 25:21Speaker 2: While you wait, you enjoy the twilight scenery that flashes
- 25:24Speaker 2: by in the opposite window. As promised, this train offers
- 25:30Speaker 2: an extremely smooth ride. Now that night is falling, you
- 25:36Speaker 2: can see the moon shining on the Hudson River. Branches
- 25:41Speaker 2: make a moving web of intrigue against the sky. Tiny
- 25:46Speaker 2: lights twinkle in the distance as homes and businesses light
- 25:51Speaker 2: up for the night. You feel as if you're flying
- 25:56Speaker 2: past the hustle and bustle of the world as it
- 26:00Speaker 2: beds down and tucks in for the evening. Your dinner
- 26:06Speaker 2: arrives with a flourish After refilling your water, your waiter
- 26:11Speaker 2: offers his assistance should you need anything else, and then
- 26:16Speaker 2: politely disappears again. Meanwhile, the dining car has become completely
- 26:23Speaker 2: filled with delighted passengers. You see all sorts of well
- 26:29Speaker 2: healed travelers at the tables for four Some families are
- 26:35Speaker 2: with children. At the smaller tables, you see couples and
- 26:40Speaker 2: many people who are traveling on their own. Your fellow
- 26:45Speaker 2: diners sip tea, read books, and engage in conversation with
- 26:50Speaker 2: their companions. This car is a hub of activity, yet
- 26:57Speaker 2: the sense of relaxation is pervasive. You take your time
- 27:03Speaker 2: having dinner. When you're finished, you notice that the other
- 27:08Speaker 2: passengers are also beginning to clear out. The families appear
- 27:15Speaker 2: to be heading back to their private compartments, but you
- 27:19Speaker 2: are not quite ready to do that. Out of curiosity,
- 27:25Speaker 2: you follow a pair of finely dressed people out the
- 27:28Speaker 2: other side of the dining car. When you overhear them
- 27:31Speaker 2: saying they want to visit the lookout lounge. You soon
- 27:37Speaker 2: find yourself in the very last car of the train.
- 27:43Speaker 2: A few other patrons are seated in the buttery leather chairs,
- 27:47Speaker 2: enjoying refreshments and views of the night lights of New
- 27:51Speaker 2: York State. You find a little nook for yourself and
- 27:57Speaker 2: order your own favorite beverage. A waiter brings it to
- 28:02Speaker 2: you with a cocktail napkin, and you lean back in
- 28:06Speaker 2: the soft seat, listening to the chatter around you. One
- 28:12Speaker 2: man boasts that this train goes nine hundred and sixty
- 28:16Speaker 2: miles in nine hundred and sixty minutes. He tells his
- 28:21Speaker 2: companion that there will only be a couple more stops
- 28:25Speaker 2: and that the last one will be while everyone is asleep,
- 28:31Speaker 2: having already picked up passengers in the New York cities
- 28:34Speaker 2: of Harmon and Albany. The train will stop again around
- 28:38Speaker 2: bedtime in Syracuse, then just after midnight, it will pause
- 28:45Speaker 2: one final time in Buffalo, while its lucky passengers are
- 28:52Speaker 2: sweetly dreaming. The train will then pass the shores of
- 28:56Speaker 2: Lake Erie as it rockets by Toledo. Eventually, it will
- 29:02Speaker 2: fly around the tip of Lake Michigan after sunrise, delivering
- 29:07Speaker 2: all these travelers to Chicago. By the time they are
- 29:10Speaker 2: done with breakfast, you think it would be nice to
- 29:15Speaker 2: see Lake Erie, but you also look forward to a
- 29:19Speaker 2: good night's sleep. The prospect of awakening to the shores
- 29:25Speaker 2: of Lake Michigan is uplifting. You imagine the croissant you
- 29:31Speaker 2: will probably have while you're drinking your tea or your coffee,
- 29:36Speaker 2: all the while enjoying the sparkling waters outside your window.
- 29:42Speaker 2: It's an exciting prospect and something to look forward to.
- 29:48Speaker 2: What a fitting end, you think to this unforgettable journey.
- 29:54Speaker 2: You're beginning to feel a bit drowsy after your lovely
- 29:57Speaker 2: dinner and your day of exploration. Contented to stay where
- 30:04Speaker 2: you are for a few minutes, you sink further into
- 30:07Speaker 2: your luxurious leather seat and close your eyes. As you
- 30:11Speaker 2: sip on your nightcap. The low hum of conversation drifts
- 30:17Speaker 2: around you, occasionally punctuated by a quiet laugh. You focus
- 30:24Speaker 2: briefly on a conversation between two men nearby. One of
- 30:30Speaker 2: them is telling the other that he is going to
- 30:33Speaker 2: ring the secretary shortly so he can dictate a letter
- 30:36Speaker 2: to a colleague. You smile to yourself without opening your eyes,
- 30:42Speaker 2: and wonder if there is anything that is not provided
- 30:46Speaker 2: on this train. When you have finished your drink, you
- 30:52Speaker 2: begin to think fondly of your compartment with some reluctance.
- 30:58Speaker 2: You bid your comfy lafenge perch farewell and make your
- 31:02Speaker 2: way back in the direction of your sleeper compartment via
- 31:06Speaker 2: the dining car. As you enter the dining room, you
- 31:11Speaker 2: are dazzled to see that it has been transformed since
- 31:15Speaker 2: you were last there. All the white tablecloths have been
- 31:20Speaker 2: removed and replaced with dark red ones. Where Stewart's were
- 31:26Speaker 2: serving dinner, you now see a cafe full of people
- 31:30Speaker 2: who are socializing and enjoying the late evening atmosphere. Two
- 31:37Speaker 2: women laugh over a private joke in the corner. Couples
- 31:42Speaker 2: bend their heads together to speak quietly in the dim
- 31:46Speaker 2: late evening light. A man in the corner zips a
- 31:52Speaker 2: cocktail while scribbling in a notebook. Above it all, a
- 31:57Speaker 2: phonograph continues to play jazz standards. As you pass the
- 32:04Speaker 2: dining car Steward, you stop to ask him how you
- 32:07Speaker 2: will get breakfast in the morning. He smiles broadly and
- 32:13Speaker 2: tells you that you hardly need to lift a finger.
- 32:18Speaker 2: Just call the dining car, he says, and they will
- 32:21Speaker 2: bring your breakfast to your private room. You imagine yourself
- 32:28Speaker 2: cozied up in your pajamas, watching the waters of Lake, Michigan.
- 32:33Speaker 2: Slip by and your hot morning drink arrives with a newspaper,
- 32:38Speaker 2: delightful nodding a friendly farewell to the helpful steward. You
- 32:46Speaker 2: continue to your compartment with a small thrill of anticipation.
- 32:53Speaker 2: You open the door and slip inside. Someone has a
- 33:00Speaker 2: rusted the lights low for you and turned your bed down.
- 33:04Speaker 2: It's like being welcomed home. You close the small curtains,
- 33:10Speaker 2: blocking out the night and giving your petite room a
- 33:14Speaker 2: feeling of secrecy. The tiny bathroom area makes it easy
- 33:20Speaker 2: for you to get ready for bed. In a few minutes,
- 33:26Speaker 2: you're in your comfy flannel pajamas, with your face freshly
- 33:30Speaker 2: scrubbed and your teeth brushed. You retrieve your book from
- 33:37Speaker 2: your overnight bag and set it up on your bunk bed.
- 33:43Speaker 2: Then you easily climb the clever little ladder and lie
- 33:47Speaker 2: down on the soft mattress. Pulling the crisp covers over yourself,
- 33:54Speaker 2: you settle down to read. As you turn the pages,
- 34:01Speaker 2: you have the comforting sense of being rocked lightly in
- 34:05Speaker 2: a cradle. The rhythmic sound of the train is very
- 34:11Speaker 2: soothing in a predictable way. You are dimly aware the
- 34:19Speaker 2: occasional passenger walking by in the hall. At one point
- 34:26Speaker 2: you hear someone making a request for an overnight shoe shine.
- 34:32Speaker 2: As the minutes tick by, you read page after page
- 34:38Speaker 2: after page. You know you will not stay awake until
- 34:45Speaker 2: the train stops in Buffalo, and that's fine with you.
- 34:53Speaker 2: When all is finally silent and the words in your
- 34:56Speaker 2: book begin to fade before your eyes, you know it
- 35:01Speaker 2: is time to go to sleep. You slip out of
- 35:06Speaker 2: your little bed and go down the ladder to put
- 35:09Speaker 2: your book away and turn off the lights. But you
- 35:15Speaker 2: also want to open the curtains because you are eager
- 35:18Speaker 2: to open your eyes to the sunrise tomorrow. As you
- 35:25Speaker 2: lean over to do that, you notice something sitting on
- 35:29Speaker 2: the small table near the window. It is an envelope.
- 35:35Speaker 2: You pick it up and open it. Inside you find
- 35:42Speaker 2: a ticket. It is a return passage on this very train.
- 35:51Speaker 2: You will be able to spend the day in Chicago
- 35:54Speaker 2: and then do the whole trip over again, heading back
- 35:59Speaker 2: to New York's tomorrow afternoon. You are filled with a
- 36:06Speaker 2: sense of gratitude and happiness. You climb back into your
- 36:14Speaker 2: comfortable bunk and completely relax into the mattress. The window
- 36:24Speaker 2: is dark, but you sometimes see a small light go
- 36:29Speaker 2: by like a shooting star. Closing your eyes, you feel
- 36:38Speaker 2: like you have become one with the sound of the train,
- 36:42Speaker 2: its wheels ticking rhythmically as it travels onward. As you
- 36:50Speaker 2: slip further and further under its spell, you imagine the
- 36:55Speaker 2: shores of the Great Lakes as you will see them tomorrow.
- 37:02Speaker 2: Through the early waves of sleep, your mind wanders and
- 37:07Speaker 2: you imagine returning to your secret spot in the back
- 37:11Speaker 2: of the lounge where you can see the view at
- 37:15Speaker 2: its best. You think about how you will curl up
- 37:23Speaker 2: there and watch the miles pass and disappear into the distance.
- 37:33Speaker 2: You imagine one more exquisite day of travel aboard this
- 37:39Speaker 2: beautiful luxury train, and then you drift into a wonderful.
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- 2:20:05Speaker 5: Insist open us lady.
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