Latest / Naughty But Nice with Rob Shuter / King Charles and Prince William: Tension Mounts Amid Succession Power Struggle. Taylor Swift Ranked #2 on Billboard's Greatest Pop Stars of the 21st Century. A&E Sues Wendy Williams' Guardian Over Documentary Dispute

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King Charles and Prince William: Tension Mounts Amid Succession Power Struggle. Taylor Swift Ranked #2 on Billboard's Greatest Pop Stars of the 21st Century. A&E Sues Wendy Williams' Guardian Over Documentary Dispute · Naughty But Nice with Rob Shuter

• 0:09
  Speaker 1: Yell no, no, no, no, alone no. Welcome to the
• 0:15
  Speaker 1: Naughty but Night Show. I'm your host, Rob Shooter. It's
• 0:18
  Speaker 1: Thanksgiving today. I have a lot to be thankful for,
• 0:22
  Speaker 1: especially you guys. Thank you so much for listening to
• 0:25
  Speaker 1: our show. I think yesterday we made it back into
• 0:28
  Speaker 1: the top ten, so thank you. Thank you for that.
• 0:31
  Speaker 1: Normally every Thursday, idea friend Mark Lupo joins us he's
• 0:34
  Speaker 1: listening today. He's back home with his family in Florida.
• 0:38
  Speaker 1: So love to your mommy, Darius, and your brother Jonathan.
• 0:42
  Speaker 1: I don't know Mark's dad's name, but love to him
• 0:45
  Speaker 1: to Mark, have a brilliant, brilliant day. Talking about brilliant days.
• 0:50
  Speaker 1: A couple of nights ago, I met up with Captain Bree,
• 0:53
  Speaker 1: a longtime listener to The Naughty but Nice Show. Even
• 0:56
  Speaker 1: before this podcast even existed, I was on a radio show.
• 1:02
  Speaker 1: I was the weekly host. I didn't do it every day,
• 1:04
  Speaker 1: I did it one day a week. I can't remember
• 1:06
  Speaker 1: what date was. I think it was Thursday's with Taylor Streger.
• 1:11
  Speaker 1: And that's where I met so many of you noughty's,
• 1:15
  Speaker 1: including Captain Brie with her lovely son Miles, and also
• 1:20
  Speaker 1: her very dashing partner Trey. So we went for drinks
• 1:23
  Speaker 1: at Bottin as Miss d joined us and we had
• 1:26
  Speaker 1: a brilliant, brilliant night. So lots and lots and lots
• 1:30
  Speaker 1: of great stuff to be thankful for today. Let's jump
• 1:33
  Speaker 1: into as show. We're thankful for a little gossip too.
• 1:36
  Speaker 1: What time is it? My Friend's and as tea time
• 1:40
  Speaker 1: big story at the top of the show, there are
• 1:42
  Speaker 1: attentions within the palace. This time it does not involve Harry. Rather,
• 1:47
  Speaker 1: it's between King Charles and Prince William. So they are
• 1:51
  Speaker 1: having trouble. Tensions are mounting amid succession power struggles. Let
• 1:59
  Speaker 1: me explain the relationship between King Charles the Third and
• 2:04
  Speaker 1: Prince William has shifted dramatically as conversations surrounding the royal
• 2:10
  Speaker 1: succession have gained momentum. So insiders claim that the father
• 2:16
  Speaker 1: son dynamic has been strained due to the monarch's determination
• 2:22
  Speaker 1: to solid defy his legacy while William prepares to take
• 2:28
  Speaker 1: over the throne, and so say quotes, the dynamic has shifted.
• 2:33
  Speaker 1: Charles wants to beat the monarch for decades, but he
• 2:38
  Speaker 1: is battling cancer. He is seventy six and now the institution.
• 2:44
  Speaker 1: The machinery of the palace is starting to look towards William.
• 2:50
  Speaker 1: If you think about it, it's a really cruel system.
• 2:53
  Speaker 1: It might be the worst way to get a job
• 2:56
  Speaker 1: in the world. Your paarent has to die, the king,
• 2:59
  Speaker 1: the queen has to die for you to get that job.
• 3:03
  Speaker 1: So you've wanted that job. Think about a job you've
• 3:05
  Speaker 1: won in your whole life. You've worked towards it. You
• 3:07
  Speaker 1: really really want this job, but you can't get it
• 3:10
  Speaker 1: on your talent. You can't get promoted because you work
• 3:13
  Speaker 1: super hard. No, you've gotta wait for the death of
• 3:17
  Speaker 1: your mom or your dad and then you'll get the job.
• 3:20
  Speaker 1: So the system, the whole system, it's mixed up, isn't it.
• 3:23
  Speaker 1: It's the weirdest thing. Even Survivor on television. Isn't this cruel.
• 3:27
  Speaker 1: It's a really cruel cruel. If this was a game show,
• 3:30
  Speaker 1: it wouldn't be allowed on TV. We couldn't do this.
• 3:32
  Speaker 1: It's like squid Game. Remember that show on Netflix where
• 3:35
  Speaker 1: people had to die for order you for you to
• 3:38
  Speaker 1: progress to the next level. Well, that's what it's like
• 3:40
  Speaker 1: being the king or the Queen of England. Charles had
• 3:43
  Speaker 1: to wait for his mommy, Queen Elizabeth to die. She
• 3:47
  Speaker 1: had to die for him to get the job, and
• 3:50
  Speaker 1: now William has to wait for his dad to die.
• 3:53
  Speaker 1: But this cancer diagnosis has really shaken the palace. William
• 3:58
  Speaker 1: is only forty two, so he's prepared for his eventual
• 4:01
  Speaker 1: accession to the throne, and he knows it's going to happen.
• 4:04
  Speaker 1: It's just when he's reportedly already engaging in discussions about
• 4:09
  Speaker 1: things he wants to change, transitions and even funeral plans
• 4:14
  Speaker 1: for his father now. Sources say obviously this topic is
• 4:18
  Speaker 1: very sensitive, adding that while both men share commitment to
• 4:24
  Speaker 1: their roles, there is occasionally tension. Plans for William's reign
• 4:30
  Speaker 1: for a first fast trek following the cancer diagnosis in February.
• 4:35
  Speaker 1: Royal staff began drawing up succession plans shortly after Charles's
• 4:41
  Speaker 1: coronation in twenty twenty three to ensure a smooth tradition.
• 4:48
  Speaker 1: So once again here this is not being cruel. This
• 4:51
  Speaker 1: has not being mean, or at least I hope it's not.
• 4:54
  Speaker 1: This is about a smooth transition. We're going to have
• 4:57
  Speaker 1: a big transition of power here in America in a
• 5:00
  Speaker 1: few weeks, and behind the scenes lots of planning has
• 5:03
  Speaker 1: gone into that, and that's the same that happens with
• 5:07
  Speaker 1: the royal family. There's not as many transitions. Unlike America,
• 5:11
  Speaker 1: we don't transition power every four years. The Royal family
• 5:15
  Speaker 1: that are there for life. Some people don't agree with that,
• 5:18
  Speaker 1: but that's what it is at the moment. And so
• 5:20
  Speaker 1: we're waiting now for Charles to pass, for William to
• 5:24
  Speaker 1: be king. Question. Could Charles resign? Yes, but it's never
• 5:29
  Speaker 1: really happened. I can only think of one instance when
• 5:33
  Speaker 1: a king resigned, and that was Edward and Wallace. To
• 5:38
  Speaker 1: remember that story, the American heiress who married the king
• 5:41
  Speaker 1: and he resigned before his coronation. Well, Charles could step aside,
• 5:46
  Speaker 1: I think too. Another good example of this is the pope.
• 5:49
  Speaker 1: I think there's been one or two popes that resigned.
• 5:52
  Speaker 1: Most of them die, most of them die as pope,
• 5:55
  Speaker 1: and then they go into conclave that's the fancy term
• 5:58
  Speaker 1: for the election all the bishops and they decide the
• 6:01
  Speaker 1: next pope. Well, in the royal family, we don't have
• 6:04
  Speaker 1: a conclave, we don't have a vote. It is the
• 6:07
  Speaker 1: next child that used to be the next boy, now
• 6:10
  Speaker 1: it's the next child who will become king or queen,
• 6:14
  Speaker 1: and that is William, which brings us to our pole
• 6:18
  Speaker 1: question of the day. There's tension in the palace between
• 6:21
  Speaker 1: Charles and William, ad mid succession, power struggles. There's some
• 6:26
  Speaker 1: struggles there. Charles doesn't want to do any of this.
• 6:29
  Speaker 1: He's the king. He doesn't want to be looking over
• 6:31
  Speaker 1: his shoulder. This is my reign. I've waited over seventy
• 6:35
  Speaker 1: years to get this job. Back off William, let me
• 6:37
  Speaker 1: be the king. How William's constant presence in the background.
• 6:43
  Speaker 1: He's a nice guy, William as he's not been too poich,
• 6:44
  Speaker 1: you hear. It's certainly causing some tension and our pole
• 6:48
  Speaker 1: question quite simple. Should Charles retire? Should he step down?
• 6:53
  Speaker 1: Would you retire and give the job to your son?
• 6:56
  Speaker 1: All the polls say that William is much more popular,
• 7:00
  Speaker 1: So I think the public would really like King William.
• 7:03
  Speaker 1: He's super popular. Kate is super popular. She's the most
• 7:07
  Speaker 1: popular royal of all of them, and their children I
• 7:09
  Speaker 1: just be loved. So this would be the perfect looking
• 7:13
  Speaker 1: royal family and often looks image are very important, and
• 7:17
  Speaker 1: so should Charles retire? Hey? Go vote on our Twitter
• 7:21
  Speaker 1: page at Naughty nine Rob or our Facebook page, which
• 7:23
  Speaker 1: is naughdy gossip. Andy. Sure to check back to my
• 7:26
  Speaker 1: row to hear your results. Okay, moving along, this story's wild.
• 7:30
  Speaker 1: So Taylor Swift has been ranked number two on Billboard's
• 7:34
  Speaker 1: Greatest Pop Stars of the twenty first Century, leaving her
• 7:38
  Speaker 1: fans stand not excited. Number two for Taylor is not
• 7:42
  Speaker 1: good enough. They wanted her to be number one. Let
• 7:45
  Speaker 1: me explain them. So. Taylor Swift has been named the
• 7:48
  Speaker 1: second greatest pop Star of the twenty first century by Billboard,
• 7:54
  Speaker 1: a ranking that has left her fans had devoted fans
• 7:58
  Speaker 1: the Swifties both pray and sort of angry and surprised.
• 8:02
  Speaker 1: While many assumed the global phenomenon would clinch the top spot,
• 8:09
  Speaker 1: Taylor came in at number two, ahead of Riana number three.
• 8:14
  Speaker 1: Drake is number four, Lady Gaga is number five, Britney
• 8:19
  Speaker 1: Spears is number six. Now, the ranking, Billboard points out
• 8:23
  Speaker 1: is based on cultural impact and defining pop stardom over
• 8:28
  Speaker 1: the past twenty five years. So in the past twenty
• 8:31
  Speaker 1: five years, who has been the biggest pop stars? Billboard
• 8:34
  Speaker 1: journalist Hannah Daily praised Taylor Swift for her ability to
• 8:38
  Speaker 1: quote bend culture at her will. What she's saying, there
• 8:42
  Speaker 1: is that Taylor defines the moment. She's not chasing somebody
• 8:48
  Speaker 1: else's fashion, music, look sensibility. She's creating her own. Other
• 8:53
  Speaker 1: people on the list Kanye West, just In Bieber, Ariana
• 8:56
  Speaker 1: Grande or powerhouses, but we don't. Oh yeah, who is
• 9:00
  Speaker 1: number one? There's lots of speculation. If Taylor Swift is
• 9:03
  Speaker 1: number two, who is the most important pop star of
• 9:07
  Speaker 1: the twenty first century. Who's the greatest pop star of
• 9:12
  Speaker 1: the last twenty five years? Everybody's bet in, including me,
• 9:16
  Speaker 1: the Beyonce will be the number one? Pick? What do
• 9:19
  Speaker 1: you think? Who should be number one? Moving along, A
• 9:23
  Speaker 1: and E is now suing Wendy Williams guardian over a
• 9:27
  Speaker 1: dispute about the documentary, saying we have the right to
• 9:30
  Speaker 1: tell her story. So A and E Networks that at
• 9:34
  Speaker 1: the very controversial documentary Where Is Wendy Williams has filed
• 9:39
  Speaker 1: a lawsuit against Wendy Williams guardian nurse Sabrina Morrissey, accusing
• 9:45
  Speaker 1: her of overstepping her authority by attempting to censor their documentary.
• 9:51
  Speaker 1: The cable channel claims that Sabrina the conservator is blocking
• 9:57
  Speaker 1: one of the last opportunity unities for the talk show
• 10:02
  Speaker 1: host to connect with her fans. So the documentary aired
• 10:06
  Speaker 1: already in February, so I don't quite understand what the
• 10:08
  Speaker 1: big fuzz is here. It's aired, We've seen it. It aired,
• 10:11
  Speaker 1: and when it aired, it was a bombshell. It made
• 10:14
  Speaker 1: me feel really dirty afterwards. I didn't like watching it.
• 10:17
  Speaker 1: I know Wendy, I'm quite friendly with Wendy. In fact,
• 10:20
  Speaker 1: the last time I saw Wendy, she didn't recognize me.
• 10:22
  Speaker 1: She was completely gone. She didn't know who I was.
• 10:25
  Speaker 1: It was deeply, deeply upsetting. But they are alleging that
• 10:30
  Speaker 1: Wendy was mentally incapacitated when she signed the agreement. So
• 10:36
  Speaker 1: her conservator is saying that no, no, no, she shouldn't
• 10:39
  Speaker 1: have made this documentary because she was incapacitated. Now a
• 10:42
  Speaker 1: Andy are saying she signed a release. She did sign it,
• 10:46
  Speaker 1: and they counter that this is a valid talent agreement
• 10:51
  Speaker 1: and that this happened long before the conservators ship even began,
• 10:55
  Speaker 1: so they had Wendy signing this release. What happened the
• 10:57
  Speaker 1: is years ago Wendy May a documentary four A and
• 11:02
  Speaker 1: E and they I think had a three part deal
• 11:04
  Speaker 1: and this was the third part. It was the part oward,
• 11:07
  Speaker 1: So it wasn't like she signed this while she was
• 11:10
  Speaker 1: really really struggling. This was an old deal and she
• 11:13
  Speaker 1: wanted to deliver the final episode, the final chapter. In
• 11:17
  Speaker 1: this so A and E also alleges that the conservator
• 11:20
  Speaker 1: actions are an attempt to deflect from their own failures
• 11:25
  Speaker 1: to protect Wendy Williams. Now, I think they've got a
• 11:28
  Speaker 1: good point there. Who's looking after her? Who allowed this
• 11:32
  Speaker 1: to happen while she was filming it? And it took
• 11:35
  Speaker 1: weeks and months to film this documentary. Where was the conservator?
• 11:39
  Speaker 1: She was taking the money, but she wasn't there. Shouldn't
• 11:42
  Speaker 1: she have been there? When I was a publicist, it
• 11:44
  Speaker 1: was the simplest part of the job. Every time my celebrities,
• 11:47
  Speaker 1: my stars, my clients, did interviews, I turned up this
• 11:51
  Speaker 1: conservator wasn't there. So now it's rich for them to
• 11:56
  Speaker 1: try and get this documentary band wherein in fact they
• 11:59
  Speaker 1: do have a legally bound, in valid agreement. Now people
• 12:03
  Speaker 1: are saying, maybe she shouldn't have signed it, she was
• 12:06
  Speaker 1: not in the right state of mind. The network is
• 12:08
  Speaker 1: standing by its right to tell Wendy Williams's story, insinuating
• 12:13
  Speaker 1: that the lawsuit from the Conservator infringes on their contractual
• 12:19
  Speaker 1: and creative rights. A couple of things here. She did
• 12:22
  Speaker 1: sign it. She's allowed Wendy Williams to do this before
• 12:27
  Speaker 1: the Conservatur took over. If the Conservator wanted to stop it,
• 12:31
  Speaker 1: they should have stopped it in the beginning. Don't wait
• 12:34
  Speaker 1: for something to air and then say, hang on a minute,
• 12:38
  Speaker 1: we don't like this. And so I think A and
• 12:40
  Speaker 1: A here leally are probably on some very solid ground. Morally,
• 12:45
  Speaker 1: I don't know that's more difficult. I'm not sure they
• 12:48
  Speaker 1: should have aired it. They knew what was going on.
• 12:50
  Speaker 1: They knew, I know, people who worked on this documentary.
• 12:53
  Speaker 1: They knew Wendy was struggling. They knew Wendy wasn't making
• 12:56
  Speaker 1: good decisions. They saw it. They literally documented her melt
• 13:00
  Speaker 1: and we all saw it. Anyone that watched that documentary
• 13:03
  Speaker 1: saw her struggle, saw her difficulties, and nobody, not one
• 13:07
  Speaker 1: person on the production side, on the network side, said
• 13:10
  Speaker 1: hang on a minute, guys, we got to stop. This
• 13:13
  Speaker 1: is just not right. It's going to make us a
• 13:15
  Speaker 1: lot of money, and it's going to get a lot
• 13:17
  Speaker 1: of viewers and a lot of publicity. But Is it
• 13:20
  Speaker 1: actually right to do this? It's a big question too
• 13:22
  Speaker 1: on a lot of reality shows, the Real Housewives going
• 13:25
  Speaker 1: through a legal process right now, but maybe more concerning
• 13:29
  Speaker 1: as a moral question. Two, is it right to wind
• 13:33
  Speaker 1: these people up? Often many of them have mental health struggles,
• 13:37
  Speaker 1: licker them up and then wind them up and then
• 13:40
  Speaker 1: film them explode, explode, They literally explode on these shows.
• 13:45
  Speaker 1: Is that right? I think that's a much bigger question.
• 13:48
  Speaker 1: This one surprised me. So Universal is responding to allegations
• 13:53
  Speaker 1: that Ariana Grande made a lot more money than Cynthia
• 13:56
  Speaker 1: Rivu in the new fabulous movie Wicked. So Universal has
• 14:01
  Speaker 1: addressed swirling rumors are a massive pay discrepancy between the
• 14:06
  Speaker 1: Wicked co stars, dismissing claims that are quote completely false.
• 14:12
  Speaker 1: Now reports suggested that Arianna received fifteen million, one five
• 14:17
  Speaker 1: for her role as Glinda, while Cynthia a Revo allegedly
• 14:21
  Speaker 1: was paid just one million for her role of Alphaba.
• 14:25
  Speaker 1: A Universal spokesperson clarified quote reports of pay disparity between
• 14:33
  Speaker 1: Cynthia and Arianna are completely false and based on Internet voda.
• 14:40
  Speaker 1: In fact, the women received equal pay for their work
• 14:44
  Speaker 1: on Wicked, so I'm told they did get the same amount.
• 14:47
  Speaker 1: It's a lot less than fifteen million, but it's a
• 14:49
  Speaker 1: lot more than one million. They got a good fee. Now,
• 14:53
  Speaker 1: the reason Ariana got the same fee is Ariana might
• 14:55
  Speaker 1: be a global superstar here, but she's not an actress,
• 14:58
  Speaker 1: or at least he's not known to be an act
• 15:00
  Speaker 1: So the studio actually took a bit of a risk
• 15:02
  Speaker 1: on Ariana Grande. She really wanted this part. She auditioned
• 15:05
  Speaker 1: for it like five or six times. You don't audition
• 15:08
  Speaker 1: five or six times and then after you get it
• 15:10
  Speaker 1: demand a massive salary. I think Arianna would have done this.
• 15:14
  Speaker 1: I don't want to say for nothing. That's a cliche,
• 15:16
  Speaker 1: but she would have done this regardless of the pay.
• 15:19
  Speaker 1: She doesn't need the money. She's got hundreds of millions.
• 15:22
  Speaker 1: Cynthia needs the money, maybe not. She makes a good
• 15:25
  Speaker 1: living too. We would love her wages, her salary. But nevertheless,
• 15:30
  Speaker 1: she doesn't live like Ariana Grande. She does very very well,
• 15:33
  Speaker 1: but she does not live like Ariana Grande's. They both
• 15:36
  Speaker 1: got the same amount. Let's be honest here, Hollywood is
• 15:38
  Speaker 1: a business. Movies are a business. If I don't have
• 15:41
  Speaker 1: to pay you more, if you really, really really want
• 15:43
  Speaker 1: this part with Arianna certainly didn't. Then why would I
• 15:46
  Speaker 1: give you all this money? It just doesn't make any sense.
• 15:49
  Speaker 1: They both got the same and it was a lot
• 15:51
  Speaker 1: less than fifteen million. Okay, we're going to take a
• 15:55
  Speaker 1: quick break and we will be right back. Welcome back
• 15:59
  Speaker 1: to the Naughty nine. Roush you the hey, let's get
• 16:02
  Speaker 1: to the polls. Are you ready that the dull? You
• 16:07
  Speaker 1: sound thevelous? The last show revealed Kate Middleton and Williams
• 16:13
  Speaker 1: plans to join the royal family this Christmas. They're all
• 16:16
  Speaker 1: gonna be together at the Sangrington estate. They're not going
• 16:20
  Speaker 1: up to Bellmarle this year in Scotland. They're going to Sandrington,
• 16:23
  Speaker 1: which is a beautiful estate about two hours out outside
• 16:26
  Speaker 1: of of London. A question was pretty simple, would you
• 16:29
  Speaker 1: like to join them? Would you like to be if
• 16:30
  Speaker 1: the Royals this Christmas? What do you think? It sounds
• 16:33
  Speaker 1: pretty fabulous, doesn't it? Would you like to I'd like
• 16:35
  Speaker 1: to be with them on Thanksgiving, that Christmas, at Easter
• 16:38
  Speaker 1: a passerver, I'd like to do all of the all
• 16:41
  Speaker 1: of the above. Let's have a look. Eighty five percent
• 16:44
  Speaker 1: he said, yes, you would love to be there? I agree,
• 16:47
  Speaker 1: don't forget to vote on today's poll, go out to
• 16:49
  Speaker 1: the Patriot Naughty Nights rob or our Facebook patriots is
• 16:52
  Speaker 1: no only yours in and be sure to check back
• 16:54
  Speaker 1: to marrow to hear your results. And now it's time
• 16:57
  Speaker 1: for our nicest of the day. Oh Ariana Grande refused
• 17:03
  Speaker 1: to sing a hip hop version in Wicked of the
• 17:05
  Speaker 1: popular song Popular, saying absolutely not so. The Grammy winner
• 17:12
  Speaker 1: wasn't looking to change the beloved song Popular from Wicked,
• 17:16
  Speaker 1: despite being pitched a different new version of the tune.
• 17:20
  Speaker 1: What happened to here is Stephen Schwartz, the brilliant the
• 17:22
  Speaker 1: film the musical's brilliant composer and lyricist. He said in
• 17:26
  Speaker 1: an interview that, in the spirit of being open to
• 17:28
  Speaker 1: new things for the movie, my music team and I thought,
• 17:32
  Speaker 1: let's refresh the rhythm. Let's maybe, I don't know, hip
• 17:36
  Speaker 1: hop it up a little bit. So were going to
• 17:38
  Speaker 1: change the rhythm of this song, make it more contemporary,
• 17:42
  Speaker 1: make it. They wanted a hit record, They wanted a
• 17:44
  Speaker 1: record on the radio, and so Arianna Grande certainly knows
• 17:48
  Speaker 1: how to do that, but she wasn't gonna get it.
• 17:50
  Speaker 1: They didn't think with Popular as the stage version, but
• 17:53
  Speaker 1: Arianna said no, she said absolutely not, don't do it.
• 17:58
  Speaker 1: I want to be Glinda Riana Grande playing Glinda. Hey,
• 18:03
  Speaker 1: good for you. And the last time I looked, just
• 18:05
  Speaker 1: a few minutes ago, it is on the charts. It's
• 18:07
  Speaker 1: number fourteen. And so stick to what is right. Don't
• 18:12
  Speaker 1: be changing things up. If it ain't broken, don't fix it.
• 18:16
  Speaker 1: And nice is of the day, and I notice the
• 18:18
  Speaker 1: day naughty. We now know why brother has dumped everybody
• 18:23
  Speaker 1: on vander Pump Rules and they're starting over after twelve seasons.
• 18:28
  Speaker 1: So sources reveal the drastic decision was completely creative, not financial.
• 18:34
  Speaker 1: So they're leaving behind a lot of their stars, Tom
• 18:37
  Speaker 1: scandalval Adriana, Ash's gone, Katie. They'll all be fired. They're
• 18:41
  Speaker 1: devastated about it. But insiders told people that the show
• 18:45
  Speaker 1: had no path forward with the original cast due to
• 18:49
  Speaker 1: the ongo intentions. They said, quote, everyone is still stuck
• 18:53
  Speaker 1: in their feelings after the reunion, there was no bending,
• 18:56
  Speaker 1: no moving forward. It got so nasty. I hate this,
• 18:59
  Speaker 1: don't you. These shows that started off so much fun,
• 19:01
  Speaker 1: so much silliness, so much so much joy gets so
• 19:06
  Speaker 1: dark and nasty. We've seen it on Housewives we saw
• 19:08
  Speaker 1: it on vander Pump and now these cast members, they're
• 19:12
  Speaker 1: gonna regret this because we're gonna forget them in six months.
• 19:15
  Speaker 1: Remember when Stassy Schroeder got fired from vander Pump Brules
• 19:19
  Speaker 1: because of her racist comments. She at the time thought
• 19:22
  Speaker 1: she would go on to do bigger, better stuff. She hasn't.
• 19:25
  Speaker 1: We don't remember her anymore. The same with the housewives.
• 19:28
  Speaker 1: Once they're not on the show, the moment passes, So
• 19:31
  Speaker 1: make as much money as you can. Now, if you're
• 19:33
  Speaker 1: listening a lower, lower low, because we're having a whole
• 19:35
  Speaker 1: new cast and this is your own fault, you should
• 19:38
  Speaker 1: have all got together and said, are we gonna cut
• 19:40
  Speaker 1: off our noses to spite our face? Are we really
• 19:43
  Speaker 1: gonna be that we can't work together? Or are we
• 19:45
  Speaker 1: gonna just be that that's stubborn, that angry, that we're
• 19:48
  Speaker 1: gonna blow a lot of money and our freers over pettiness.
• 19:53
  Speaker 1: The answer is yes, you did our naughties of the day.
• 19:56
  Speaker 1: Let's end with a moment of Rob gonna Rob. If
• 20:00
  Speaker 1: you're chasing your dreams, you're not running fast enough. Run faster.
• 20:04
  Speaker 1: I say that with love, you can run faster than
• 20:06
  Speaker 1: you think And your dreams are much closer than you
• 20:11
  Speaker 1: ever ever thought. Run fast and catch those dreams. Hey,
• 20:17
  Speaker 1: that is bit for today. Thank you so much for
• 20:19
  Speaker 1: listening to the Noise Bit Nice with Rob and the
• 20:22
  Speaker 1: Naughtise Show. You're the co hosts today. We're a production
• 20:25
  Speaker 1: of iHeartRadio. Don't forget to subscribe on the iHeartRadio Apple podcast.
• 20:29
  Speaker 1: Wherever you listen, leave us a view if you can.
• 20:31
  Speaker 1: They really do help and remember altogether, and I let
• 20:34
  Speaker 1: me hear you singing along. If you're going to be naughty,
• 20:38
  Speaker 1: you got to be nice. Take care of everybody. Happy Thanksgiving. Gobble, gobble,
• 20:46
  Speaker 1: it's not even nice with roun