Latest / A Different World View with Darryl & Kadeem / "Pilot" | A Different World View

Transcript

"Pilot" | A Different World View · A Different World View with Darryl & Kadeem

• 0:00
  Speaker 1: Welcome to A Different Worldview with Daryl and Kadeem, a
• 0:03
  Speaker 1: production of the Black Effect Podcast Network and iHeartRadio. And
• 0:14
  Speaker 1: here we are. Back again. Episode three.
• 0:17
  Speaker 2: Shit show continues, folks. A Different Worldview with Daryl and Kadeem.
• 0:21
  Speaker 2: We have not been canceled yet.
• 0:22
  Speaker 3: Not yet.
• 0:24
  Speaker 1: And we haven't dropped yet, so yeah, that's good. Well,
• 0:26
  Speaker 1: technically we haven't dropped yet, but.
• 0:28
  Speaker 2: Well, by the time folks listen to this, yeah. Anything
• 0:30
  Speaker 2: is possible. So, here we are.
• 0:35
  Speaker 1: Episode three.
• 0:37
  Speaker 2: And we're going to do things a little differently.
• 0:40
  Speaker 1: Okay.
• 0:40
  Speaker 2: We should set that up. So, for everybody who's listening, first,
• 0:44
  Speaker 2: thank you for listening.
• 0:45
  Speaker 1: Thank you. Welcome. Here we are. Thank you. Here we are.
• 0:47
  Speaker 2: Coming on with us from the very beginning. And those watching, hello.
• 0:53
  Speaker 2: We are making this up, but we're doing things a
• 0:54
  Speaker 2: little different. So now we're not going to watch each episode.
• 0:59
  Speaker 1: Live.
• 1:00
  Speaker 2: We have already watched the episodes and now we're just
• 1:02
  Speaker 2: going to talk about it. And in future episodes, not
• 1:06
  Speaker 2: for today, we're going to have guests join us from
• 1:08
  Speaker 2: each episode.
• 1:08
  Speaker 1: They will sit right here. They will join in and
• 1:10
  Speaker 1: then they will talk. Yes.
• 1:11
  Speaker 2: Instead of us all watching.
• 1:12
  Speaker 1: Yes. Yes. So watch party-ish. Yes.
• 1:17
  Speaker 2: Watch party-ish. And let me also just, do you still.
• 1:20
  Speaker 1: Have this hat? I do not.
• 1:24
  Speaker 2: And these were not our baseball hats.
• 1:27
  Speaker 1: No. These were gift hats that we got at some place.
• 1:31
  Speaker 2: And funny, we've done this twice now. We've gone out
• 1:36
  Speaker 2: and had on a different world paraphernalia. And people walk
• 1:39
  Speaker 2: in and it's like we're advertising.
• 1:41
  Speaker 1: Look who's here. Yeah. Walked into the soul food joint
• 1:44
  Speaker 1: with a different world jacket and different world shirt. And
• 1:46
  Speaker 1: everybody's like, hey, it's the guys from a different world. Yeah.
• 1:51
  Speaker 2: I guess it is since we got it all over us.
• 1:54
  Speaker 2: But I thought, one, because I still had this, I
• 1:57
  Speaker 2: wanted to pull it out. And two, only because our
• 2:00
  Speaker 2: colors and then the Jordans. And the interesting thing, these
• 2:06
  Speaker 2: are the, when they talk about the retro band Jordans,
• 2:12
  Speaker 2: these are the ones that they reference that you can get.
• 2:16
  Speaker 2: But these aren't actually.
• 2:20
  Speaker 2: The shoes that were banned that actually were not banned.
• 2:23
  Speaker 2: You know the story, right?
• 2:24
  Speaker 4: Yeah, yeah, yeah.
• 2:25
  Speaker 1: Too much, not enough white.
• 2:26
  Speaker 2: But that part, but as the lore goes, because even
• 2:36
  Speaker 2: the first ones that Mike wore were not like these.
• 2:40
  Speaker 2: But they, one, they could say they didn't have enough
• 2:42
  Speaker 2: white in them, but technically the league didn't ban them.
• 2:47
  Speaker 2: They said they were not uniform. So if everybody was
• 2:51
  Speaker 2: wearing them, but because all the other guys had the
• 2:54
  Speaker 2: shoes with the white in them and his didn't, that's
• 2:57
  Speaker 2: what made the issue. So if everyone had chosen... to switch,
• 3:03
  Speaker 2: they could have. But instead, Nike was like, we're paying
• 3:06
  Speaker 2: the fine just to let Mike wear them. And if
• 3:08
  Speaker 2: you go back and look, so the first ones are,
• 3:11
  Speaker 2: and they weren't Air Forces, but they were something else. Yeah,
• 3:15
  Speaker 2: they were close to it. They had like a big
• 3:17
  Speaker 2: swoosh on them that were black and red, right? And
• 3:21
  Speaker 2: I don't think Nike ever made those ever again, right?
• 3:26
  Speaker 2: But then these have the Air Jordan on them. But
• 3:30
  Speaker 2: by the time they made these, this version for Mike,
• 3:33
  Speaker 2: which he wore with red laces in them as well,
• 3:36
  Speaker 2: the black and red laces, they weren't Air Jordans. They
• 3:40
  Speaker 2: hadn't made them yet. So you don't have an Air
• 3:42
  Speaker 2: Jordan logo. So with these, with the Air Jordan logo,
• 3:46
  Speaker 2: even though they call these The band ones that they
• 3:50
  Speaker 2: now sell, they're not exactly like, but they're close enough.
• 3:54
  Speaker 2: And so since they all work together, I just, you know,
• 3:57
  Speaker 2: just had to break that down.
• 3:58
  Speaker 1: Giving a little bit of knowledge there, a little bit
• 4:00
  Speaker 1: of sneaker knowledge from OG Sneakerhead.
• 4:03
  Speaker 2: And since, you know, we're all about sneakers, I just.
• 4:07
  Speaker 1: Not today.
• 4:08
  Speaker 2: Not today, yeah.
• 4:09
  Speaker 1: Not today. I'm not sure. I don't know. You ain't
• 4:11
  Speaker 1: got to worry about it, man. Don't worry about it.
• 4:14
  Speaker 1: Don't worry about it. Don't worry about it. Tell them
• 4:18
  Speaker 1: not to worry about it.
• 4:19
  Speaker 2: I like the fact that you are so confident that
• 4:21
  Speaker 2: you just came out in public wearing those.
• 4:24
  Speaker 1: Anything. Anything? Anything. I ain't scared. You have. Shit.
• 4:30
  Speaker 2: And look, I didn't know you was going to perform
• 4:32
  Speaker 2: a magic escape act, too, because you're wearing the.
• 4:37
  Speaker 2: Now you see me. You got the straight jacket with
• 4:40
  Speaker 2: the buckles. You just bringing it all, player.
• 4:43
  Speaker 1: I love this. It's a straight jacket. I'll be out
• 4:44
  Speaker 1: of this shit and going while he's still talking. Watch me. Oh, goodness.
• 4:50
  Speaker 2: Okay. Let's pull it together. So, let's start talking about,
• 4:55
  Speaker 2: because there's so much to unpack from the pilot, which was,
• 5:05
  Speaker 2: even though they, The pilot for A Different World was
• 5:08
  Speaker 2: not the first episode that aired.
• 5:10
  Speaker 3: Right.
• 5:11
  Speaker 1: Correct.
• 5:12
  Speaker 2: The pilot was the second episode.
• 5:14
  Speaker 1: Yep.
• 5:14
  Speaker 2: Even though it was the first one shot.
• 5:17
  Speaker 1: And you say that, why? And I say, we weren't
• 5:19
  Speaker 1: in it. They had shot the pilot and two other
• 5:23
  Speaker 1: episodes before Jasmine and myself were cast.
• 5:27
  Speaker 2: Yes.
• 5:28
  Speaker 1: So what they did was they shot a little scene,
• 5:33
  Speaker 1: a pickup, a couple of pickup scenes. with Jasmine and
• 5:36
  Speaker 1: I interacting with Lisa, the LaCroix, Denise's character, and edited
• 5:42
  Speaker 1: those into the original pilot that they shot, which was
• 5:48
  Speaker 1: crazy because then the pilot became number two. Marissa's character
• 5:53
  Speaker 1: didn't show up in the first episode.
• 5:55
  Speaker 2: Which is weird because she was in the pilot.
• 5:58
  Speaker 1: Right.
• 5:58
  Speaker 2: Why she wasn't in the second episode? I think that was,
• 6:02
  Speaker 2: I don't know. I don't know. Because in the pilot,
• 6:04
  Speaker 2: she moves in as a roommate. Right. But in the
• 6:07
  Speaker 2: first episode, is Whitley going to be roommates with Jaleesa?
• 6:14
  Speaker 2: Is Denise going to be? Denise is going to be
• 6:16
  Speaker 2: roommates with Jaleesa. Jaleesa or Whitley.
• 6:19
  Speaker 1: That's right. And she chooses Whitley. Denise. Jaleesa. One of
• 6:26
  Speaker 1: these names is going to be right. Just keep going.
• 6:28
  Speaker 1: I'll just keep going through the Rolodex. One of them
• 6:30
  Speaker 1: is going to land. Right. Yeah, so the girls had
• 6:32
  Speaker 1: to figure out who was going to be roommates, and
• 6:34
  Speaker 1: then they brought a third one in. And that seems
• 6:40
  Speaker 1: like the first show. It really felt like the first show.
• 6:43
  Speaker 1: It had It had books. It had a classroom.
• 6:46
  Speaker 2: It had the first classroom because there's no classroom in
• 6:49
  Speaker 2: the first episode.
• 6:49
  Speaker 1: Not even a book. No mention of school.
• 6:52
  Speaker 2: No.
• 6:53
  Speaker 1: Right. So you would think, what are we watching again?
• 6:55
  Speaker 2: Yeah.
• 6:55
  Speaker 1: Just the dude going, hey, how you doing? What the
• 6:59
  Speaker 1: hell was this? How you start a show with this?
• 7:03
  Speaker 1: Just looking like it was it. It wasn't Wonder Room.
• 7:12
  Speaker 1: Wasn't Wonderama.
• 7:14
  Speaker 2: What was it when they would look into the mirror
• 7:16
  Speaker 2: and she would say, I see this one. I see
• 7:18
  Speaker 2: that one. All the kids, uh, uh, Oh my gosh,
• 7:23
  Speaker 2: the children's show. Because I'm thinking Wonderama was Bob McAllister.
• 7:27
  Speaker 1: Bob McAllister, no, they all sat around. Oh, I remember that. Yeah,
• 7:31
  Speaker 1: she would look in there and say she saw everybody.
• 7:33
  Speaker 1: She never said fucking Kadeem. She never said Kadeem. I
• 7:36
  Speaker 1: didn't hear Daryl. All the time I heard of Kadeem
• 7:38
  Speaker 1: on that shit.
• 7:39
  Speaker 2: I see Joey, I see Emily, I see Sarah.
• 7:42
  Speaker 1: And I'm like, what about me? I'm here.
• 7:45
  Speaker 2: And for those at home, when they called and then
• 7:48
  Speaker 2: you really thought she was seen. She looked into the
• 7:50
  Speaker 2: little mirror. It's going to come to us.
• 7:53
  Speaker 1: Chat. Get on a chat. Do we have a chat?
• 7:55
  Speaker 1: Maybe we have a chat. I don't know. That's what
• 7:58
  Speaker 1: the kids say. So, yeah.
• 8:00
  Speaker 2: So, from that one, when you were looking into it,
• 8:02
  Speaker 2: we're now going to number two. Yes. Now, number two,
• 8:06
  Speaker 2: of the things that were notable about number two, just
• 8:10
  Speaker 2: to start, it's a spinoff of The Cosby Show.
• 8:14
  Speaker 1: Yeah.
• 8:14
  Speaker 2: And it's a pilot. It's directed by Jay Sandrin.
• 8:18
  Speaker 1: Legendary.
• 8:19
  Speaker 2: For folks who don't know Jay Sanders, this man directed
• 8:24
  Speaker 2: most of the Cosby show. I think he directed most
• 8:27
  Speaker 2: of the episodes, but he was one of the most
• 8:31
  Speaker 2: prolific and successful television directors of all time. And I
• 8:38
  Speaker 2: want to say he was probably the favorite director on Cosby,
• 8:44
  Speaker 2: but he directed so many other legendary shows. television shows.
• 8:49
  Speaker 2: And so Jay directed the pilot, even though it was
• 8:53
  Speaker 2: episode two, but it's significant because there are rules in
• 8:58
  Speaker 2: the director's guild. If you direct the pilot, you are
• 9:00
  Speaker 2: attached to the series for life. And Jay was so kind,
• 9:07
  Speaker 2: had the opportunity to have dinner with Jay, be invited
• 9:10
  Speaker 2: to his house, and he loved to say the house
• 9:13
  Speaker 2: in the Beverly Hills flat. He was like, this is
• 9:14
  Speaker 2: the house Cosby built.
• 9:17
  Speaker 1: That part. And just could not be kinder or nice, right?
• 9:23
  Speaker 2: So, Jay Sanders, the fact that he directed the pilot
• 9:27
  Speaker 2: of A Different World, I had no clue.
• 9:29
  Speaker 1: Yeah.
• 9:29
  Speaker 2: So, start there. And then second, you said you noticed
• 9:34
  Speaker 2: something about the writers for it.
• 9:36
  Speaker 1: There's three writers. Yeah. I think I lost the names,
• 9:41
  Speaker 1: but I know John Marcus. Yes. I think was one. Yep.
• 9:45
  Speaker 1: Carmen Finestra? Yep. was another and the third one I
• 9:50
  Speaker 1: can't see but I was like wow I never I
• 9:52
  Speaker 1: don't remember the last time I saw three writers names
• 9:57
  Speaker 1: on a pilot episode or an episode of television usually
• 9:59
  Speaker 1: it's written by and then directed by but this had
• 10:03
  Speaker 1: three writers for the pilot and I was like That's interesting.
• 10:06
  Speaker 1: And then you started hollering, stop, don't talk until we
• 10:08
  Speaker 1: get to the podcast.
• 10:09
  Speaker 2: Because that's the thing. Again, Kadeem has been saying this
• 10:13
  Speaker 2: for months, that he's not going to talk to me
• 10:15
  Speaker 2: because of the podcast unless somebody's paying us.
• 10:17
  Speaker 1: Right.
• 10:17
  Speaker 2: Because you don't want to waste all your best stuff.
• 10:19
  Speaker 1: On just me. Yeah.
• 10:20
  Speaker 2: So when you start talking before we get to the podcast,
• 10:23
  Speaker 2: I got to tell you to shut up.
• 10:24
  Speaker 1: Yeah, that's true.
• 10:25
  Speaker 2: So that you can stop wasting all the stuff we're
• 10:27
  Speaker 2: doing here for the podcast in the car.
• 10:29
  Speaker 1: On the way over. You caught me. You caught me.
• 10:31
  Speaker 2: So the third writer is Matt Williams.
• 10:34
  Speaker 1: Oh, wow. Now, between you and me, who would you.
• 10:38
  Speaker 2: Say, if we had to talk about writers, directors, actors,
• 10:43
  Speaker 2: who do you think is more, whose well goes deeper
• 10:48
  Speaker 2: of knowledge of actors, writers, and directors between the two.
• 10:54
  Speaker 1: Of us? I would say mine. I won't argue. I'm
• 10:58
  Speaker 1: getting set up, y'all. I'm getting set up, y'all.
• 11:01
  Speaker 2: I love how you said it so gingerly.
• 11:05
  Speaker 5: I would say mine. I dare that shit look hot.
• 11:11
  Speaker 5: That water look hot. That water look hot. Why am
• 11:14
  Speaker 5: I going to get in this water? He's asking me
• 11:17
  Speaker 5: the question.
• 11:17
  Speaker 1: Because I can feel the rake. I can feel the rake.
• 11:19
  Speaker 1: I'm going to step on it. Bam. Oh, you motherfucker.
• 11:25
  Speaker 2: So, I want to tell you that what's so amazing is,
• 11:32
  Speaker 2: I believe the exact quote was, you won't believe it,
• 11:35
  Speaker 2: the pie was written by three dudes.
• 11:37
  Speaker 1: Like, Carmen, right, shit. It was like, three dudes. Like, yes,
• 11:40
  Speaker 1: it just so happened.
• 11:41
  Speaker 2: To be John Marcus, right? John Marcus, who also went
• 11:44
  Speaker 2: on to write Larry David.
• 11:46
  Speaker 1: Wow. I'm sorry, Larry Sanders. Oh, Larry Sanders Show. Larry
• 11:51
  Speaker 1: Sanders Show. Not Larry David. Close.
• 11:53
  Speaker 2: Larry Sanders Show. And, Carmen and Matt, so you will remember,
• 12:00
  Speaker 2: made the Cosby connection.
• 12:02
  Speaker 1: Jay Sandridge, one of the.
• 12:04
  Speaker 2: Directors for Cosby, but so was this guy named Tony Singletary.
• 12:08
  Speaker 1: Oh, I know Tony. And Tony, when there.
• 12:11
  Speaker 2: Was trouble for our first season, they sent Tony to
• 12:15
  Speaker 2: direct episodes of A Different World.
• 12:17
  Speaker 1: Yep. And Tony came in and it was great working
• 12:20
  Speaker 1: with Tony. Had a good time with Tony, yep.
• 12:22
  Speaker 2: Fast forward a year or so later Tony always vacationed
• 12:28
  Speaker 2: in New England, in Massachusetts. And Tony said, hey, I
• 12:32
  Speaker 2: do this summer stock every year up in Massachusetts. And
• 12:40
  Speaker 2: I'd love for you to marry in Massachusetts. Would you
• 12:43
  Speaker 2: come and do this summer place? And I went with
• 12:48
  Speaker 2: Tempest Bledsoe. We did a play together called Love. But
• 12:52
  Speaker 2: also Carmen Finestra and Matt Williams came and they performed
• 12:56
  Speaker 2: as well.
• 12:57
  Speaker 1: And you came. To Boston? Yes.
• 13:02
  Speaker 2: Marion, Massachusetts. Not to Boston. You came because you drove
• 13:06
  Speaker 2: all the way up there because this is where Geraldo
• 13:09
  Speaker 2: vacationed as well. And we had a big dinner after
• 13:14
  Speaker 2: the shows. And you came to watch us all perform.
• 13:17
  Speaker 1: Yeah, right.
• 13:19
  Speaker 2: And I remember the night when you came up because
• 13:21
  Speaker 2: the big thing was at the end of this play, Love,
• 13:27
  Speaker 2: The character that I was playing had to get on
• 13:29
  Speaker 2: this motorcycle and the damn thing wouldn't start. It always
• 13:31
  Speaker 2: worked in rehearsal. It wouldn't start during the actual show.
• 13:36
  Speaker 2: And I'd throw out some ad lib and, you know,
• 13:39
  Speaker 2: next on Geraldo because Geraldo lived there. And Geraldo actually
• 13:42
  Speaker 2: came to see the place, all that. So we were
• 13:45
  Speaker 2: all together that night. So you were actually at a
• 13:48
  Speaker 2: dinner table with Carmen and Matt because they were out
• 13:52
  Speaker 2: there performing.
• 13:53
  Speaker 1: And Carmen....
• 13:56
  Speaker 2: And Matt and John are credited with writing the pilot
• 14:01
  Speaker 2: for A Different World. And I believe were writers in
• 14:04
  Speaker 2: the first season. They only went on to be the
• 14:06
  Speaker 2: co-creators of Home Improvement.
• 14:08
  Speaker 1: Damn. Yes, man. That's right.
• 14:12
  Speaker 2: That Carmen and that Matt Williams were the.
• 14:15
  Speaker 1: Writers for our show. Wow.
• 14:18
  Speaker 2: And mind you, writers on the pilot for which everyone
• 14:22
  Speaker 2: said sucked and wasn't fun yeah only two of the
• 14:25
  Speaker 2: most successful comedy writers of all time.
• 14:29
  Speaker 1: Yeah went out read the reshot pieces.
• 14:32
  Speaker 2: That is great and now matt matt is i want
• 14:35
  Speaker 2: to say matt was also on roseanne and i think
• 14:38
  Speaker 2: matt is also the creator and executive producer on the.
• 14:41
  Speaker 1: Connors damn And so, you know. You're raking them in.
• 14:45
  Speaker 2: I'm just saying, that's who the three guys were.
• 14:49
  Speaker 1: Three dudes that rode on our pilot. Three dudes. Three dudes.
• 14:53
  Speaker 1: Just like they were some miscellaneous cats.
• 14:56
  Speaker 3: Yeah.
• 14:56
  Speaker 1: They brought in big guns. And for some reason, it
• 15:00
  Speaker 1: still wasn't quite what they wanted when they saw the cut.
• 15:09
  Speaker 2: So this is something we're going to get into. So
• 15:11
  Speaker 2: when you watch this, the pilot, what was your takeaway?
• 15:16
  Speaker 1: I was really excited to see a mention of a
• 15:20
  Speaker 1: classroom and some books. And probably my favorite scene was
• 15:28
  Speaker 1: the scene with Denise and the professor. See you next week.
• 15:40
  Speaker 3: Dr.
• 15:40
  Speaker 1: Harris? Yes?
• 15:42
  Speaker 3: You called your wife. She told me you were teaching tonight.
• 15:44
  Speaker 3: You probably don't even remember me. I met you at
• 15:46
  Speaker 3: freshman orientation.
• 15:47
  Speaker 1: Denise Huxtable.
• 15:48
  Speaker 4: Yes, sir. You live in Gilbert Hall, and you currently
• 15:51
  Speaker 4: have a 1.7 grade average.
• 15:53
  Speaker 3: I'm working on it, sir.
• 15:55
  Speaker 1: I hope so.
• 15:55
  Speaker 4: Your major's undecided, and you're always late with your assignments.
• 15:59
  Speaker 4: How did you know all that? Well, as dean of
• 16:01
  Speaker 4: student affairs, I'm a lot like Santa Claus. I know
• 16:04
  Speaker 4: who's been naughty and who's been nice. Now, what's the problem?
• 16:09
  Speaker 2: Problem?
• 16:09
  Speaker 3: Problem?
• 16:10
  Speaker 4: Anytime a student is slinking around my room at the
• 16:12
  Speaker 4: end of my class, I know there's a problem.
• 16:15
  Speaker 1: Right, there is.
• 16:15
  Speaker 3: See, I wrote checks for the dorm fees for me
• 16:18
  Speaker 3: and my roommate, and they bounced.
• 16:20
  Speaker 6: Denise, as I.
• 16:21
  Speaker 4: Recall, this isn't the first time your check has bounced
• 16:24
  Speaker 4: since you've been at Hillman.
• 16:25
  Speaker 3: Yeah, I've had one or two others.
• 16:27
  Speaker 4: Try four or five.
• 16:30
  Speaker 3: Has it been that many?
• 16:31
  Speaker 1: Bounce city.
• 16:32
  Speaker 3: Yeah, see, but I've always had the money to make
• 16:37
  Speaker 3: those checks good, except this time I can't. And I
• 16:40
  Speaker 3: was hoping you could help me get a student loan.
• 16:42
  Speaker 4: Denise, those loans are for students who have a need.
• 16:45
  Speaker 3: I have a need.
• 16:46
  Speaker 4: You also have a mother who's a lawyer and a
• 16:48
  Speaker 4: father who's a doctor.
• 16:50
  Speaker 1: Why don't you ask them?
• 16:51
  Speaker 3: Because if I asked them, they'd think I was messing up.
• 16:53
  Speaker 1: You are messing up.
• 16:56
  Speaker 4: You've messed up quite often since you've been at Hillman.
• 17:01
  Speaker 4: This is a personal problem, not a school problem. There's
• 17:04
  Speaker 4: nothing I can do.
• 17:04
  Speaker 6: Yes, sir.
• 17:06
  Speaker 2: Thank you.
• 17:07
  Speaker 4: I suggest you call your parents.
• 17:08
  Speaker 6: I can't.
• 17:10
  Speaker 1: You can't?
• 17:11
  Speaker 3: Well, yeah, I can, but I don't want to. I
• 17:14
  Speaker 3: don't want them coming to my rescue anymore. They've done
• 17:16
  Speaker 3: that my whole life. They must think they're going to
• 17:19
  Speaker 3: have to take care of me forever. And I don't
• 17:22
  Speaker 3: want them to think that. This is my problem. I
• 17:26
  Speaker 3: want to take care of it. I want to do
• 17:28
  Speaker 3: this myself.
• 17:33
  Speaker 4: Maybe there's something we can do. How do you feel
• 17:37
  Speaker 4: about a part-time job?
• 17:39
  Speaker 3: I would do anything. Anything, anything.
• 17:41
  Speaker 4: I know of a job opening, and I'm pretty sure
• 17:44
  Speaker 4: with my charm and wit that I can convince them
• 17:47
  Speaker 4: to give you a $ 200 advance.
• 17:49
  Speaker 3: Oh!
• 17:49
  Speaker 6: That would be great, sir.
• 17:58
  Speaker 4: Let's go over to the student center and bother some people.
• 18:02
  Speaker 3: So, where do you think I'll be working?
• 18:04
  Speaker 1: Well, let's put it this way. It won't be at
• 18:06
  Speaker 1: the bank. that scene between the two of them was
• 18:15
  Speaker 1: fantastic because that's a throw forward to what Dwayne would do,
• 18:22
  Speaker 1: to what Colonel Taylor did for Dwayne. Like all the
• 18:26
  Speaker 1: other students leave and then there's that one student and
• 18:30
  Speaker 1: that one-on-one time you get with an elder that can
• 18:35
  Speaker 1: change your attitude or your perspective or whatever. And to
• 18:40
  Speaker 1: the point that, you know, she jumped in his arms
• 18:44
  Speaker 1: and then jumped.
• 18:47
  Speaker 2: What's so great, and this may be a clip we're
• 18:51
  Speaker 2: going to pull up.
• 18:51
  Speaker 1: Yeah.
• 18:52
  Speaker 2: When he helps her and she jumps into his arms,
• 18:56
  Speaker 2: it looks like she headbutt him right in his face.
• 19:00
  Speaker 1: It does.
• 19:00
  Speaker 2: And it looks like it hurt. And he still managed
• 19:03
  Speaker 2: to hold it together. But it looked like she really
• 19:06
  Speaker 2: clocked him. She was supposed to hug him and she
• 19:09
  Speaker 2: really went for it and he was not ready.
• 19:11
  Speaker 1: And she was notorious. If she hits you in a scene,
• 19:14
  Speaker 1: she hits you. Like, I've seen old girl Elaine on Friends,
• 19:21
  Speaker 1: who I love. I can't think of her name either.
• 19:24
  Speaker 1: But she would hit people and you would see them.
• 19:27
  Speaker 1: Julia Louis-Dreyfus. Julia Louis-Dreyfus. Yes, JLD. But before... It was Lillicoe.
• 19:33
  Speaker 1: It was Lisa, who if she hit you in a scene, ah,
• 19:37
  Speaker 1: she hit you in a scene. She gave it to
• 19:39
  Speaker 1: you for real. It wasn't like play hitting. It wasn't show. No, no.
• 19:42
  Speaker 1: It wasn't acting. Yeah, she was very physical. One of
• 19:45
  Speaker 1: the things I love. So, yeah, I can imagine she
• 19:50
  Speaker 1: went for it live and just clocked him.
• 19:53
  Speaker 2: Now we should also take a moment to say part
• 19:56
  Speaker 2: of what I'm enjoying about all of this is going
• 19:59
  Speaker 2: back to seeing everybody. So that was Ted Ross.
• 20:03
  Speaker 1: Ted Ross.
• 20:04
  Speaker 2: Ted Ross who played the lion in The Wiz.
• 20:07
  Speaker 1: The mean old lion.
• 20:09
  Speaker 2: Just phenomenal that he came to do this little role.
• 20:13
  Speaker 1: Yeah, and we never, he never came back. Never got
• 20:17
  Speaker 1: another scene? I saw that scene. To my knowledge. We're
• 20:21
  Speaker 1: going to find out, but I don't think he ever
• 20:22
  Speaker 1: got to come back. I don't remember having any scenes
• 20:24
  Speaker 1: with him. And I thought when I saw that, I
• 20:26
  Speaker 1: was like, oh, that's what I want to do. I
• 20:28
  Speaker 1: want to do that kind of stuff, like have those moments.
• 20:33
  Speaker 1: And I never got to a classroom with him.
• 20:36
  Speaker 2: And here's what else I'm going to tell you. For
• 20:39
  Speaker 2: everything that is maligned about season one, that scene in
• 20:45
  Speaker 2: that classroom, particularly if it's supposed to be an HBCU,
• 20:50
  Speaker 2: what do we know about him? He was the Dean
• 20:53
  Speaker 2: of Student Affairs. And she said, I don't know if
• 20:57
  Speaker 2: you know me. You're Denise Huxley.
• 20:59
  Speaker 1: You live in Gilbert Hall. Like, he ran down everything.
• 21:02
  Speaker 1: He knew our whole deal.
• 21:04
  Speaker 2: He said, you got a GPA of 1.7. You're failing
• 21:08
  Speaker 2: all your classes. You're late for all your assignments. I'm like,
• 21:11
  Speaker 2: I know everything about you. And he said, well, how
• 21:16
  Speaker 2: do you know this? I'm the dean of student affairs.
• 21:19
  Speaker 2: It's like, it's my job to know. And he also
• 21:21
  Speaker 2: had a great line. It was very funny that I
• 21:23
  Speaker 2: can't remember now. But he had a great line. where
• 21:26
  Speaker 2: he broke that down. And that's what HBCU students will
• 21:30
  Speaker 2: tell you. Their professors have a greater interest in their
• 21:34
  Speaker 2: students and no more.
• 21:35
  Speaker 1: Right.
• 21:37
  Speaker 2: And, and so it was also interesting that when she
• 21:44
  Speaker 2: gave him the problem, And found out, he was like,
• 21:48
  Speaker 2: you've bounced multiple checks.
• 21:49
  Speaker 1: He's like, you're the king of bouncing or something like that.
• 21:52
  Speaker 1: She said like two or three.
• 21:53
  Speaker 2: He was like four or five. Yeah, he was like,
• 21:55
  Speaker 2: you're just notorious.
• 21:56
  Speaker 1: Yeah, don't try it with me, kid.
• 21:57
  Speaker 2: Yeah, I know everything. Bursar tells me all the things.
• 22:00
  Speaker 2: We got this Huxtable kid bouncing checks.
• 22:02
  Speaker 1: 11 right.
• 22:04
  Speaker 2: And he said, well, you know, what you're talking to
• 22:06
  Speaker 2: me about, isn't a school problem. It's a you problem.
• 22:10
  Speaker 1: Figure it out.
• 22:10
  Speaker 2: You better, you know, she's like, I need help. He said,
• 22:13
  Speaker 2: I also know you got a mother who's a lawyer
• 22:16
  Speaker 2: and a father who's a doctor. You better call him.
• 22:19
  Speaker 1: And funny that.
• 22:21
  Speaker 2: Her response, and it went to a close-up on her.
• 22:24
  Speaker 1: Pushing. Yes. Yeah, man. Yes, when she said, get him, girl.
• 22:28
  Speaker 2: I always do this. And I don't want to call
• 22:32
  Speaker 2: my parents. I want to solve this for myself.
• 22:35
  Speaker 1: Yeah. And that won him over. Yeah.
• 22:37
  Speaker 2: And he was like, okay, I can help.
• 22:38
  Speaker 1: I think I might be able to help you.
• 22:40
  Speaker 2: Now, the other part, this was also because this was
• 22:43
  Speaker 2: the pilot, and to launch it, There's a cameo of
• 22:49
  Speaker 2: Keisha Knight, William, and Bill Cosby. Yep.
• 22:51
  Speaker 1: Both. Yep.
• 22:52
  Speaker 2: And what I also liked about, you know, because it
• 22:56
  Speaker 2: was classic Cosby-style humor.
• 22:59
  Speaker 1: Like, are you in jail? Do you need money or
• 23:02
  Speaker 1: something like that? What's wrong?
• 23:04
  Speaker 2: And they had something that most folks don't know anything about.
• 23:08
  Speaker 2: A collect phone call.
• 23:10
  Speaker 1: Right. A collect call.
• 23:11
  Speaker 3: Yeah.
• 23:11
  Speaker 1: Would you accept it? Back in the day, you had to.
• 23:13
  Speaker 1: These kids don't know what a collect call is.
• 23:15
  Speaker 3: No.
• 23:16
  Speaker 2: And, it's a damn shame, did you ever make collect
• 23:21
  Speaker 2: phone calls?
• 23:22
  Speaker 1: No. Oh, bro.
• 23:24
  Speaker 2: There was a whole science to the collect call.
• 23:27
  Speaker 1: Yeah, right, a protocol.
• 23:27
  Speaker 2: There was a whole, so we had codes. So if
• 23:31
  Speaker 2: I called and used my first name and said it's
• 23:34
  Speaker 2: a collect call, that meant I'm ready to go. If
• 23:37
  Speaker 2: I called and used my middle name, that meant I
• 23:40
  Speaker 2: need more time. Yeah. So if it was a collect
• 23:45
  Speaker 2: call from Michael, they knew not to accept it. But
• 23:47
  Speaker 2: they didn't have to accept the first one. They knew
• 23:49
  Speaker 2: to come get me. If Michael called collect, he's like,
• 23:52
  Speaker 2: I'm not ready for my pickup yet. Like, we would
• 23:54
  Speaker 2: do all those sort of things. Or if you didn't
• 23:58
  Speaker 2: have money... It's a collect call from, and then they
• 24:02
  Speaker 2: just knew to hang up and call back. So they
• 24:04
  Speaker 2: didn't have to pay the extra charge for the collect call.
• 24:07
  Speaker 2: It's a damn shame. These are the things we used
• 24:08
  Speaker 2: to do to AT & T before.
• 24:10
  Speaker 1: They broke up the monopoly. Hey, you know what? Screw
• 24:12
  Speaker 1: the conglomerates. Screw the conglomerates. And the extra charge on
• 24:17
  Speaker 1: the collect call. Come on, man. That's just being greedy.
• 24:21
  Speaker 2: But it was so funny because one, again, for every
• 24:27
  Speaker 2: way in that first scene, His role, his stern stance
• 24:33
  Speaker 2: with her, his knowledge of his students, her wanting to
• 24:36
  Speaker 2: declare on her own.
• 24:38
  Speaker 1: And then when it cut back.
• 24:39
  Speaker 2: To the Huxtable.
• 24:41
  Speaker 1: My second favorite scene.
• 24:42
  Speaker 2: She said she called for money, but then when he
• 24:45
  Speaker 2: was like, what do you need? They were playing like
• 24:47
  Speaker 2: Denise Who and all of that. When she had the call,
• 24:51
  Speaker 2: she hangs up and doesn't ask. How many times have
• 24:55
  Speaker 2: folks called like, I'm calling for something.
• 24:57
  Speaker 1: And then why are you talking? You can't get up
• 24:59
  Speaker 1: the nerve to do it. Yeah, chicken out. It's like,
• 25:02
  Speaker 1: it's really good.
• 25:03
  Speaker 2: And as soon as they hung up, it was like,
• 25:05
  Speaker 2: she needed money. Like, yeah, but she couldn't bring herself
• 25:08
  Speaker 2: to ask for it.
• 25:09
  Speaker 1: Right?
• 25:10
  Speaker 2: When they go back to it.
• 25:12
  Speaker 1: That's my other favorite.
• 25:39
  Speaker 4: Huxtable residence.
• 25:43
  Speaker 1: Yes, yes, operator. I will accept the charges. Hi, Dad.
• 25:47
  Speaker 1: What's up?
• 25:48
  Speaker 3: Well, something was up earlier, and I thought I was
• 25:50
  Speaker 3: going to need your help. I mean, I did need
• 25:52
  Speaker 3: your help, but now I don't. I handled the entire
• 25:55
  Speaker 3: thing myself.
• 25:56
  Speaker 6: Was it legal?
• 25:59
  Speaker 1: Yes, and I'm so proud of me. Oh, would I
• 26:01
  Speaker 1: be proud of you?
• 26:03
  Speaker 3: Yeah, you'd be proud of me, too.
• 26:04
  Speaker 1: Okay, good.
• 26:06
  Speaker 3: I gotta go, but kiss Mom for me, okay?
• 26:08
  Speaker 4: I will, honey.
• 26:09
  Speaker 1: I love you. I love you too.
• 26:11
  Speaker 2: Bye.
• 26:12
  Speaker 1: Bye-bye. She still wants money? No, she found a.
• 26:17
  Speaker 6: Way to get it. Good for her.
• 26:24
  Speaker 2: When they go back to it, what was your... Okay,
• 26:26
  Speaker 2: so if it's your favorite, tell me what your favorite was.
• 26:31
  Speaker 1: My absolute favorite moment, I loved them on the phone together,
• 26:35
  Speaker 1: but when she got off the phone and then he
• 26:38
  Speaker 1: had the Dialogue with Keisha. And she said she needed money,
• 26:44
  Speaker 1: but she worked it out. And Keisha said, good for her.
• 26:46
  Speaker 1: And I was like, oh, snap. That just got me.
• 26:51
  Speaker 1: That just got me. I felt that all the way in.
• 26:55
  Speaker 2: What I enjoyed most, I'm going to say Rudy was
• 27:02
  Speaker 2: at that time five or six.
• 27:04
  Speaker 1: Yeah.
• 27:05
  Speaker 4: Yeah.
• 27:06
  Speaker 2: He's playing chess with her.
• 27:07
  Speaker 1: Yeah, word. They bopping. They playing chess?
• 27:10
  Speaker 3: Yeah.
• 27:10
  Speaker 1: He played chess with his five or six-year-old.
• 27:13
  Speaker 3: Yes, man.
• 27:14
  Speaker 1: And he's watching her.
• 27:15
  Speaker 3: Yes.
• 27:15
  Speaker 1: Because she'd probably be giving him that word. Because when
• 27:17
  Speaker 1: he went to get the phone, he kept his eye
• 27:20
  Speaker 1: on her like, yeah, you little, what the hell is
• 27:22
  Speaker 1: happening here? Why are we still even working on this?
• 27:25
  Speaker 1: That part.
• 27:25
  Speaker 2: 100%. So it was demonstrative for what everyone thought appreciate
• 27:35
  Speaker 2: it even if they didn't know it. It was the
• 27:38
  Speaker 2: message you were getting that wasn't even the focus of
• 27:40
  Speaker 2: what we're talking about. That's exactly right.
• 27:42
  Speaker 1: Subliminals.
• 27:43
  Speaker 2: Just like all the artwork in the background, just like
• 27:46
  Speaker 2: all the music and so forth. Oh, let's talk about that.
• 27:50
  Speaker 2: I don't know, and I can't wait to see the
• 27:53
  Speaker 2: further we get down the road. But I loved how
• 27:57
  Speaker 2: every transition was to the theme song.
• 28:01
  Speaker 1: Yes.
• 28:02
  Speaker 3: Yes. Yeah.
• 28:03
  Speaker 1: Yes. A little guitar.
• 28:05
  Speaker 6: Yes.
• 28:05
  Speaker 1: Yeah, yeah. I noticed that. I don't think I remember that.
• 28:08
  Speaker 1: I don't remember that either. I don't remember that. But
• 28:10
  Speaker 1: I dig it so much. Yeah, yeah, yeah. That he
• 28:13
  Speaker 1: used to be. Yeah, like, pow, pow, pow, pow, pow, pow.
• 28:16
  Speaker 1: Just like Seinfeld would do. They stole, you see how
• 28:19
  Speaker 1: they just steal? Steal everything. They steal everything. It came
• 28:23
  Speaker 1: from where we started.
• 28:24
  Speaker 6: Yeah.
• 28:25
  Speaker 1: It was so good. Harmonica cue. Yes. Yeah, right. It
• 28:30
  Speaker 1: was really good. Yes, I noticed that in watching, like, huh.
• 28:35
  Speaker 2: And so for everything that it didn't get right.
• 28:40
  Speaker 1: Oh, boy.
• 28:41
  Speaker 2: But see what I'm saying, but if we had to
• 28:42
  Speaker 2: talk about what didn't get right in the pilot, in
• 28:47
  Speaker 2: this episode, it's going to take me more time to
• 28:51
  Speaker 2: think about that. I will tell you one of the
• 28:53
  Speaker 2: other things I found interesting was that, so we had
• 28:55
  Speaker 2: Loretta Devine and Stevie with the child.
• 28:58
  Speaker 1: Yeah.
• 28:59
  Speaker 2: So we were pointing out that there was the dorm
• 29:03
  Speaker 2: mother and she was a single mother. Mm-hmm. But we
• 29:07
  Speaker 2: never talked about it. It never got any kind of storyline.
• 29:11
  Speaker 1: I mean, yeah, Whitley would take snipes at her. All
• 29:14
  Speaker 1: the time. You know what I mean? About it.
• 29:16
  Speaker 2: It's the one thing that Jasmine said when she talks about...
• 29:19
  Speaker 2: She couldn't say some of the things Whitley says.
• 29:22
  Speaker 1: She told the young man, you don't know your M's
• 29:24
  Speaker 1: from your W's. She was like, you little idiot. I'm like,
• 29:27
  Speaker 1: he's a kid. He's a child. He's like, where's my chocolate?
• 29:31
  Speaker 1: Hush up. Oh, my gosh.
• 29:33
  Speaker 2: Yeah.
• 29:34
  Speaker 1: You don't know your M's from your W's. I was like, no. No.
• 29:40
  Speaker 1: Same thing upside down. How the fuck is a five-year-old
• 29:43
  Speaker 1: going to know? I'm a child. I don't know who
• 29:46
  Speaker 1: you are. Yeah, right. It was, again. One of the
• 29:50
  Speaker 1: things that they got fantastically wrong in the pilot was
• 29:59
  Speaker 1: Or it just was a, it was a, it was a,
• 30:02
  Speaker 1: how can we fix this? And they came up with
• 30:05
  Speaker 1: the best way they could, you know, the best idea.
• 30:08
  Speaker 1: They got their heads together. They came up and came
• 30:11
  Speaker 1: up with, okay, we can't duplicate this. So we'll fix
• 30:16
  Speaker 1: it with this. And it's in, in my only scene,
• 30:21
  Speaker 1: I think in a pilot, I come in and bump
• 30:24
  Speaker 1: into Denise and she has on this, big hat with
• 30:28
  Speaker 1: a big brim and the front brim is pushed up
• 30:31
  Speaker 1: and there's a brooch stuck in it so it kind
• 30:33
  Speaker 1: of gives a little flip in the front and i
• 30:36
  Speaker 1: remember as we were shooting that scene because it was
• 30:38
  Speaker 1: just a pickup it wasn't part of the original pilot
• 30:41
  Speaker 1: it was just to get me and jasmine in the episode.
• 30:44
  Speaker 6: Um hi denise heard about your new roommate I understand
• 30:49
  Speaker 6: she's a very unusual girl, kind of a human tumbleweed
• 30:53
  Speaker 6: that's been blown hither and yon before settling in your room.
• 30:57
  Speaker 3: Maddie Lawton just happens to be a brilliant journalism student
• 31:00
  Speaker 3: who has traveled many times around the world with the Army.
• 31:03
  Speaker 6: Well, I'm sure you'll be as snug as three bugs
• 31:06
  Speaker 6: in a very small rug.
• 31:26
  Speaker 1: They were yelling at her when she ran up the
• 31:32
  Speaker 1: stairs to take off your hat. And she would run
• 31:35
  Speaker 1: up the stairs and take off her hat. And they
• 31:36
  Speaker 1: were like, do it again. Take off your hat as
• 31:38
  Speaker 1: you're going up the stairs. So you watch her. And she,
• 31:43
  Speaker 1: when she did it, she snatched that hat off because
• 31:46
  Speaker 1: she was kind of tired of the run upstairs. And
• 31:48
  Speaker 1: they wouldn't tell you why. Why? We're doing this. Just
• 31:51
  Speaker 1: do it. Don't ask why. Actors don't like that shit.
• 31:57
  Speaker 1: Actors don't like that shit. As a general rule, people
• 32:00
  Speaker 1: don't like that shit. Yeah, yeah, yeah. But actors in particular,
• 32:02
  Speaker 1: when acting, if they say why. Give me a reason.
• 32:05
  Speaker 1: Give them something. Yeah. A little something. So they had
• 32:09
  Speaker 1: her go up there and do it a couple of times.
• 32:10
  Speaker 1: And she snatched the hat off. And it's because they
• 32:13
  Speaker 1: were going to cut that scene into the pilot, the
• 32:16
  Speaker 1: original pilot, directed by Jason. But they didn't have the
• 32:22
  Speaker 1: headband that she was wearing in it. And they didn't
• 32:25
  Speaker 1: have time to do her hair. Our hair was different.
• 32:28
  Speaker 1: So they put this big hat on her, had her
• 32:30
  Speaker 1: run up the stairs, and then snatched the hat off
• 32:33
  Speaker 1: as she was still in camera shot. So that when
• 32:36
  Speaker 1: she came around the corner and went into her dorm...
• 32:39
  Speaker 1: With all the hair off.
• 32:41
  Speaker 3: Yeah.
• 32:41
  Speaker 1: Now she has. It matches. Yeah. Only it don't match.
• 32:46
  Speaker 1: So when you watch the scene, if we can watch it,
• 32:50
  Speaker 1: I guess we just talked about it.
• 32:51
  Speaker 2: Yes, sir.
• 32:51
  Speaker 1: And you know what to look at. So we can
• 32:53
  Speaker 1: put it on. So we got, we'll pull the clip.
• 32:56
  Speaker 1: We'll run that clip. I was just, and I didn't
• 32:58
  Speaker 1: even notice that then. I remember them yelling at her
• 33:02
  Speaker 1: to take your hat off before you get to the
• 33:04
  Speaker 1: top of the stand. As you're going, I'm in the,
• 33:07
  Speaker 1: and she was like, what? I was like, what is
• 33:10
  Speaker 1: going on? Because I have no knowledge that they're cutting
• 33:12
  Speaker 1: this and doing this and doing what they're doing with it.
• 33:14
  Speaker 2: What's going on with it.
• 33:15
  Speaker 1: And what they're trying to do. But when I saw it,
• 33:18
  Speaker 1: it jumped out at me like, oh shit she got
• 33:21
  Speaker 1: a whole different hairstyle yes what's up from downstairs she
• 33:25
  Speaker 1: turned the corner threw a hat away pushed her hair
• 33:29
  Speaker 1: back put a headband on and then went into the
• 33:32
  Speaker 1: room like she was still right what do i have
• 33:34
  Speaker 1: what was she mad at.
• 33:35
  Speaker 2: That it's a long stairway yeah yeah yeah it's a
• 33:38
  Speaker 2: long stairway i saw that and really wanted to point
• 33:40
  Speaker 2: it out for the the folks at home to see
• 33:42
  Speaker 2: because uh You don't see things like that.
• 33:46
  Speaker 1: Yeah, you never see. You don't always pick those things
• 33:49
  Speaker 1: out or get a chance to understand why. Why did
• 33:52
  Speaker 1: that change? How did these things happen? And I just
• 33:55
  Speaker 1: told you how. One of the other things that I really.
• 34:02
  Speaker 2: Liked, I'm going to see how long it lasts, but
• 34:05
  Speaker 2: I thought it was funny because Jaleesa calls everybody by
• 34:09
  Speaker 2: their last name.
• 34:10
  Speaker 1: Right. Huxtable. And then she called Marissa Minnesota at one point.
• 34:13
  Speaker 1: And she called her, but she called her Lawden too.
• 34:15
  Speaker 2: Yeah.
• 34:16
  Speaker 1: Yeah. Lawden and Huxtable.
• 34:19
  Speaker 2: Yeah. And that's an interesting character choice because.
• 34:23
  Speaker 1: I don't know a lot of women that do that. No,
• 34:25
  Speaker 1: that sounds like some drill sergeant shit.
• 34:28
  Speaker 2: And funny because Maggie's the army brat.
• 34:31
  Speaker 3: Right.
• 34:32
  Speaker 2: But they gave it to Jaleesa instead, which was interesting.
• 34:36
  Speaker 2: And the other thing, It was very cool that, similar to,
• 34:43
  Speaker 2: so when Seth Rogen and them won the Emmy for
• 34:47
  Speaker 2: the studio, he's like, this is so surreal because in
• 34:51
  Speaker 2: the studio, I.
• 34:51
  Speaker 1: Had the writers winning an Emmy.
• 34:54
  Speaker 3: Right.
• 34:54
  Speaker 1: And then we won the Emmy for the studio. Right.
• 34:56
  Speaker 2: He said, the only way I thought I'd get an
• 34:57
  Speaker 2: Emmy is if I wrote it into the script and then.
• 35:00
  Speaker 1: We won it. Right.
• 35:02
  Speaker 2: Everyone talks about, and I can't tell you how many
• 35:04
  Speaker 2: people say, I was dating my girlfriend in college. But
• 35:10
  Speaker 2: every Thursday, I couldn't talk to her because they were
• 35:13
  Speaker 2: all gathered around the TV watching A Different World. And
• 35:16
  Speaker 2: in this show, there was everyone gathered around the TV
• 35:20
  Speaker 2: in the women's dormitory telling everybody to shut.
• 35:23
  Speaker 1: Up because their program was on. And I was like,
• 35:26
  Speaker 1: that's what they're doing for this show every Thursday.
• 35:30
  Speaker 2: And there it was, right there.
• 35:32
  Speaker 1: In the middle of the city. It was very cool.
• 35:36
  Speaker 2: Now, I got to say that The flip side, I.
• 35:42
  Speaker 1: Don't know anybody.
• 35:45
  Speaker 2: I don't know whatever the dorm fees are. That part
• 35:50
  Speaker 2: kind of... Oh, her paying for Jaleesa's dorm fees?
• 35:53
  Speaker 1: Dorm fees. Because the week before she had to pay
• 35:55
  Speaker 1: for something of hers.
• 35:56
  Speaker 2: For activity fees or something like.
• 35:59
  Speaker 1: So, look, I'm just.
• 36:00
  Speaker 2: Telling you, at least college, there was an activity fee
• 36:05
  Speaker 2: that was part of your tuition that went in there.
• 36:09
  Speaker 2: You had to pay for your housing, you know, because
• 36:12
  Speaker 2: otherwise you wouldn't have a place to live.
• 36:13
  Speaker 1: You'd be unhoused. Correct.
• 36:15
  Speaker 2: But that will come into play. Yeah, there's an Easter
• 36:19
  Speaker 2: egg for later.
• 36:19
  Speaker 1: Shout out to Jordan.
• 36:22
  Speaker 2: But I just thought, nobody's going to get kicked out
• 36:25
  Speaker 2: of the dorm because whatever the $ 200 fee was, that
• 36:29
  Speaker 2: wasn't what it cost you to get room and board.
• 36:31
  Speaker 1: You know what I mean?
• 36:32
  Speaker 2: So in other words, you paid the $ 5, 000 for a
• 36:34
  Speaker 2: semester to live in the dorm room, but because of
• 36:37
  Speaker 2: the dorm fees, you're going to get kicked out? Right.
• 36:38
  Speaker 2: I was like, okay.
• 36:39
  Speaker 1: Yeah, right.
• 36:40
  Speaker 2: We're going to go with this. Let's move along. And
• 36:43
  Speaker 2: of all things that Jaleesa figured, Denise had money problems.
• 36:49
  Speaker 2: So she paid for Denise because it is that money problem.
• 36:52
  Speaker 1: So I'm going to.
• 36:53
  Speaker 2: Trust you to pay my bill?
• 36:54
  Speaker 1: Yeah, my shit next time when it come up. Knowing
• 36:57
  Speaker 1: you can't balance the checkbook.
• 36:59
  Speaker 2: I've already said you're immature, you're undisciplined, but I'm going
• 37:03
  Speaker 2: to just trust you to pay my fee.
• 37:04
  Speaker 1: And I think Maggie said, don't you balance your check?
• 37:07
  Speaker 1: Don't you done enough? She was like, I do, but
• 37:08
  Speaker 1: it gets hard.
• 37:09
  Speaker 2: She said, because I have so many responsibilities, I don't
• 37:13
  Speaker 2: have time to.
• 37:13
  Speaker 1: Be responsible when I'm doing all my work.
• 37:16
  Speaker 2: Yeah. And Maggie had a great line because when they
• 37:18
  Speaker 2: were walking up the stairs, she said, in the one
• 37:21
  Speaker 2: day that I've known you, this is the only mistake
• 37:23
  Speaker 2: you've made.
• 37:24
  Speaker 1: That's right. In the one day that I've known you. Oh,
• 37:26
  Speaker 1: in the one day.
• 37:27
  Speaker 2: I'm just saying.
• 37:30
  Speaker 1: Yeah. This is the pilot. Yeah.
• 37:32
  Speaker 2: This is the pilot that had a lot of, you know,
• 37:34
  Speaker 2: this is.
• 37:35
  Speaker 1: Of cuts, edits, and so forth. Yeah, reshoots, everything. But
• 37:38
  Speaker 1: it had some good stuff in it. Absolutely.
• 37:40
  Speaker 2: And that's why I'm saying, you know, again, I'm trying
• 37:43
  Speaker 2: to look at this through the lens of it wasn't,
• 37:46
  Speaker 2: we didn't go where we knew. This, particularly the scene
• 37:52
  Speaker 2: with Ted Ross, should have been our North Star.
• 37:55
  Speaker 1: Absolutely.
• 37:57
  Speaker 2: But it was there, but we got pulled a different direction.
• 38:00
  Speaker 2: And we'll probably see more of that as we go
• 38:02
  Speaker 2: through the first season. Also in, in that episode was
• 38:07
  Speaker 2: the Phyllis Stickney, who was, who was.
• 38:11
  Speaker 1: There in, in the beginning.
• 38:12
  Speaker 2: Uh, I'm, I'm, I would love to get Phyllis on
• 38:15
  Speaker 2: so we could talk to her about her experience.
• 38:18
  Speaker 1: And, um, Paris Vaughn was in there, too. Paris came
• 38:22
  Speaker 1: running in. She was the last one to come in,
• 38:24
  Speaker 1: I think, that sat down and was like, what did
• 38:26
  Speaker 1: I miss?
• 38:26
  Speaker 4: Yeah.
• 38:27
  Speaker 1: And they told her, shh.
• 38:28
  Speaker 2: And so, you know, I'm just going back to look
• 38:30
  Speaker 2: at all, you know, for all the guest stars that
• 38:33
  Speaker 2: we keep talking about that had come through.
• 38:35
  Speaker 1: A lot. What?
• 38:37
  Speaker 6: A lot.
• 38:37
  Speaker 1: No, I'm just thinking a lot.
• 38:38
  Speaker 2: Oh, yeah, of all that came through. The other thing
• 38:42
  Speaker 2: I just found interesting, they wrote the character of Dwayne Wade.
• 38:47
  Speaker 1: Mm-hmm.
• 38:48
  Speaker 2: Dwayne wanted to hit on all the girls, and all
• 38:51
  Speaker 2: the girls were buffed him for the most part.
• 38:53
  Speaker 1: Mm-hmm.
• 38:54
  Speaker 2: But there were scenes when Dwayne would walk in, Steve
• 38:57
  Speaker 2: would say, Dwayne, hello, door, and then walk out.
• 39:00
  Speaker 1: They wrote a character to walk in. And walk out.
• 39:03
  Speaker 1: Just to walk out.
• 39:04
  Speaker 6: Yeah.
• 39:04
  Speaker 1: Say something slick to Denise, get a smile maybe. And
• 39:07
  Speaker 1: walk out. Then boom, get out. Get out.
• 39:09
  Speaker 2: I was like, ah.
• 39:12
  Speaker 1: Denise, why is it that we seem to keep bumping
• 39:15
  Speaker 1: into each other?
• 39:16
  Speaker 3: Because I'm always late and you're always in the way.
• 39:17
  Speaker 1: Yeah, that's what I thought. Destiny. Dwight? Denise, looking for me?
• 39:26
  Speaker 6: Stevie, nice haircut.
• 39:28
  Speaker 1: Denise, nice haircut. front. You're still late with your dorm fees.
• 39:34
  Speaker 1: This man is a serious regular.
• 39:36
  Speaker 2: He's getting paid to walk on the set and walk
• 39:40
  Speaker 2: right back out.
• 39:40
  Speaker 1: And this was the inserts that they were just trying
• 39:44
  Speaker 1: to establish me having been there since in the first episode.
• 39:49
  Speaker 1: not the pilot, but the first episode, I opened the show.
• 39:53
  Speaker 1: So here they wanted to make sure that you were
• 39:55
  Speaker 1: still established. Where did that dude that opened the show go?
• 39:59
  Speaker 1: In the second episode, was he gone? Did they throw
• 40:02
  Speaker 1: him out all the way out?
• 40:04
  Speaker 2: But you know what's interesting, if you go back, that
• 40:07
  Speaker 2: could have been cool because that would have been just
• 40:09
  Speaker 2: like The Godfather. In The Godfather, the opening shot is
• 40:13
  Speaker 2: on The Undertaker. When they pull back, In the original Godfather,
• 40:18
  Speaker 2: the undertaker is the first face you see.
• 40:21
  Speaker 1: And you don't see him.
• 40:22
  Speaker 2: Again, but that's how they establish it. When I came
• 40:25
  Speaker 2: to this country, you know, he's telling all this stuff.
• 40:28
  Speaker 2: And then tells the Don what they did to his daughter.
• 40:32
  Speaker 2: So that to me is what it reminded me of,
• 40:35
  Speaker 2: that establishing shot from the Godfather.
• 40:38
  Speaker 1: Yeah, yeah. I know. Me, it was too many teeth,
• 40:41
  Speaker 1: too much.
• 40:43
  Speaker 2: See, but I'm making the connection that the directors may
• 40:46
  Speaker 2: have made.
• 40:46
  Speaker 1: I understand. I see that. Yeah, I was just scared shitless. Well,
• 40:51
  Speaker 1: there's all of that. And the other part was I laughed. Yeah, yeah, yeah.
• 41:04
  Speaker 1: I laughed. I laughed. The second one was easier than
• 41:08
  Speaker 1: the first one for me.
• 41:09
  Speaker 2: The laughing?
• 41:10
  Speaker 1: Yeah. The first one I kind of watched, Maggie was
• 41:14
  Speaker 1: a good addition. You know what I mean? Terrific. When
• 41:18
  Speaker 1: she came in, she lit it up.
• 41:20
  Speaker 2: Yep.
• 41:21
  Speaker 1: Everything seemed to be, of course, the scene with Ted
• 41:24
  Speaker 1: is my- Go. Yeah. Go.
• 41:26
  Speaker 2: He was great.
• 41:27
  Speaker 1: And then, of course, having Bill and Keisha to kind
• 41:30
  Speaker 1: of book in, you know, start out with that little
• 41:33
  Speaker 1: phone call and then end with that phone call, I thought, oh, shit,
• 41:36
  Speaker 1: we got something. Uh, uh, you, you said, uh, you.
• 41:40
  Speaker 2: Said something that reminded me now I've got to think
• 41:42
  Speaker 2: of it was, uh, uh, having, having Ted come in. Um,
• 41:50
  Speaker 2: you know, I suppose in the same tradition that the
• 41:53
  Speaker 2: Cosby show had all of these famous guest stars come
• 41:57
  Speaker 2: in and play some of these roles, you know, that were, um,
• 42:02
  Speaker 2: you know, caricature and you turn around and it's, it's, um,
• 42:07
  Speaker 2: Why can't I say Tony's last name right now?
• 42:11
  Speaker 1: Tony Quinn. You know what I mean?
• 42:12
  Speaker 2: And he comes and he's playing some, you know, I
• 42:16
  Speaker 2: can't remember what he played, but he's like the plumber.
• 42:18
  Speaker 1: You know what I mean? Something like that. So, yeah, having.
• 42:24
  Speaker 2: Ted in the original, just it was a sign of
• 42:28
  Speaker 2: things to come for all of the other guest stars.
• 42:31
  Speaker 1: That we would have. I love those scenes when it's
• 42:35
  Speaker 1: two people in a scene. They seem to get that
• 42:39
  Speaker 1: more right than wrong.
• 42:40
  Speaker 2: The other part, though, that I found interesting, which was
• 42:44
  Speaker 2: a really interesting pull, was when she got a job,
• 42:48
  Speaker 2: They said she was working in the cafeteria.
• 42:51
  Speaker 1: Yeah. It was not the pit. No. There was no pit.
• 42:55
  Speaker 1: It's so funny. Jaleesa was working there, too. That's the
• 42:58
  Speaker 1: whole point.
• 42:59
  Speaker 2: Both of them had the uniform for the cafeteria.
• 43:02
  Speaker 1: Yep. Busting tables. And it should have been the pit.
• 43:05
  Speaker 2: And, you know, the other thing was I thought that
• 43:09
  Speaker 2: was part of the challenge they had with Jaleesa's character
• 43:13
  Speaker 2: that we're going to see later. She's 26 and older.
• 43:19
  Speaker 2: But so was Stevie. So they're very similar. And so
• 43:24
  Speaker 2: playing the dorm mother kind of role-ish seemed like it
• 43:29
  Speaker 2: was a little nebulous there. So it hadn't been worked
• 43:32
  Speaker 2: out yet. So that was something they had to come to.
• 43:36
  Speaker 2: And also that Maggie, I'm not sure where in the
• 43:43
  Speaker 2: seasons from the Cosby show, but Maggie was our first
• 43:46
  Speaker 2: fast talker.
• 43:48
  Speaker 1: Yeah.
• 43:48
  Speaker 2: So before Charmaine, but there was also the other character that.
• 43:55
  Speaker 1: Liz Narvaez played. Yeah, that came.
• 43:57
  Speaker 2: Who was Vanessa's friend.
• 43:59
  Speaker 1: Yeah. Yes. She was the other little fast talker. That's correct.
• 44:03
  Speaker 2: But Maggie was a fast talker for us.
• 44:04
  Speaker 1: Yeah. Right? Yeah.
• 44:06
  Speaker 2: And we also had not only other white actors in
• 44:11
  Speaker 2: the background, we had Asian actors.
• 44:14
  Speaker 1: It was the United Colors of Benetown up in there.
• 44:16
  Speaker 1: The white dude was dancing to Freed Nelson Mandela in
• 44:19
  Speaker 1: the joint. He was grooving. I was like, what is this?
• 44:23
  Speaker 1: What is wrong with this picture?
• 44:25
  Speaker 2: Oh, God.
• 44:25
  Speaker 1: The white guy was dancing to Free Nelson Mandela. Free
• 44:29
  Speaker 1: Nelson Mandela. And the white dude was starting the white
• 44:32
  Speaker 1: dude doing his shit. And I was like... Huh. Straight
• 44:36
  Speaker 1: from Soweto. They couldn't find no... He's up for Johannesburg. Yeah, right.
• 44:41
  Speaker 1: They couldn't find one of us to put in there
• 44:43
  Speaker 1: for that part to dance. Oh, my gosh. He's stealing, boy.
• 44:49
  Speaker 1: That is hilarious. Yeah.
• 44:54
  Speaker 4: Oh, jeez.
• 44:55
  Speaker 1: That's how the show came. The credits was rolling. I
• 44:58
  Speaker 1: was like, look at this. And I remember that dude
• 45:01
  Speaker 1: as an extra. He was there all the time.
• 45:03
  Speaker 4: Yeah.
• 45:04
  Speaker 1: White dude. You know, just like he was a California dude.
• 45:07
  Speaker 1: He was special business. Yeah. That's right. He was always there.
• 45:10
  Speaker 1: Every week. Until Debbie came. And then he said, we're
• 45:15
  Speaker 1: freeing Mandela and you. Right. You can go. Y'all are
• 45:19
  Speaker 1: both free. Y'all are both out of jail. Y'all are
• 45:22
  Speaker 1: both free. Y'all are both free to go. You are gone.
• 45:24
  Speaker 2: I'll see you later.
• 45:24
  Speaker 1: Wow. Hasta la vista. Oh, God. Yeah.
• 45:28
  Speaker 2: All I can say is there are folks who will again,
• 45:36
  Speaker 2: bemoan season one. And season one was not where we
• 45:40
  Speaker 2: ended up going, but I think we got all these
• 45:44
  Speaker 2: episodes that there was enough there that you found entertaining because.
• 45:48
  Speaker 1: Again, Lisa Bonet is one of the most popular.
• 45:56
  Speaker 2: Recognizable on the planet at this time, right?
• 46:01
  Speaker 1: For the last 40 years. Yeah.
• 46:03
  Speaker 2: And you got, you know, the help of the number
• 46:08
  Speaker 2: one television show.
• 46:10
  Speaker 1: Wait, as we're saying this, one of the most recognizable,
• 46:15
  Speaker 1: popular places on the planet, and I sent you a
• 46:18
  Speaker 1: picture of her, a video of her, outside talking, and
• 46:23
  Speaker 1: you said, who's this? No! I.
• 46:28
  Speaker 2: So, so wait, not who, I didn't say who's this
• 46:34
  Speaker 2: as in, I don't recognize her. What did I say?
• 46:37
  Speaker 1: Go ahead. Let's look this up. Cause yeah.
• 46:40
  Speaker 2: Let's look it up. Go ahead to the, go ahead
• 46:42
  Speaker 2: to the text. We're going to do this for the people.
• 46:44
  Speaker 2: We're going to take a minute for the people and
• 46:46
  Speaker 2: let you look it up. And then we're going to
• 46:48
  Speaker 2: see what this turns.
• 46:49
  Speaker 1: Out to be. I'm going to, I'm going to let
• 46:51
  Speaker 1: you write. I will not.
• 46:54
  Speaker 2: Accuse you of false things a hundred times as soon
• 46:58
  Speaker 2: as you finish this. So we're going to, I figured
• 47:02
  Speaker 2: like we need to have that music.
• 47:05
  Speaker 1: You did not say who's this. What did I say?
• 47:08
  Speaker 1: You said what? With a no, wait a minute. Yes.
• 47:13
  Speaker 2: That's what I said. I was, I was stunned that
• 47:18
  Speaker 2: not only had, Was she out in the world, but
• 47:21
  Speaker 2: that she actually talked? Not that she's out in the world.
• 47:24
  Speaker 2: She goes out all the time. But to be on camera,
• 47:28
  Speaker 2: and she actually talked to the press, because it's something
• 47:30
  Speaker 2: that she does not like to generally do.
• 47:32
  Speaker 1: He's right.
• 47:34
  Speaker 3: Woo!
• 47:34
  Speaker 1: He's right. Bam! This is why you don't play with me, ma'am!
• 47:38
  Speaker 1: He did not say who's that.
• 47:40
  Speaker 2: That's absolutely correct.
• 47:42
  Speaker 1: I did not. I did give him the answer before
• 47:46
  Speaker 1: he responded.
• 47:47
  Speaker 2: Because I know who she is.
• 47:49
  Speaker 1: I see them. Who do you think I am, a millennial?
• 47:53
  Speaker 1: What's wrong with you? And then I waited for him
• 47:57
  Speaker 1: to respond, and he didn't.
• 47:59
  Speaker 2: So from now on, I'm going to tell you what
• 48:01
  Speaker 2: you said, and then you'll know in advance. See, so
• 48:06
  Speaker 2: we have now wasted all of our good listeners who've
• 48:09
  Speaker 2: downloaded our podcast time.
• 48:11
  Speaker 1: I'm sorry, folks. I'm sorry. Normally, I mop the floor
• 48:14
  Speaker 1: with him on things like this. No, you don't. But
• 48:16
  Speaker 1: this time, he was right. You don't normally mop the floor.
• 48:18
  Speaker 1: And I can admit it. See how he's doing that
• 48:20
  Speaker 1: denial shit? Like, you don't normally.
• 48:22
  Speaker 2: What?
• 48:23
  Speaker 1: No, you never. I never lost. Never lost. One, let's
• 48:28
  Speaker 1: be clear.
• 48:28
  Speaker 2: I've lost a lot to you.
• 48:30
  Speaker 1: Yep.
• 48:30
  Speaker 2: Because when we play basketball one-on-one, what is your record?
• 48:34
  Speaker 1: I got to be like 1,500 and 0.
• 48:37
  Speaker 2: That is correct. So I've lost you quite a bit.
• 48:39
  Speaker 1: Quite a bit.
• 48:40
  Speaker 2: That's 100%.
• 48:41
  Speaker 1: Like nothing but losses.
• 48:42
  Speaker 2: But my record is also 1,000% on did I say
• 48:46
  Speaker 2: who's this? So from now on, we won't ask Darryl
• 48:52
  Speaker 2: Bell if he doesn't know who in the hell Lisa.
• 48:55
  Speaker 1: Bonet is when he looks at her in the picture.
• 48:57
  Speaker 1: You moron. And he's trying to accuse me of it.
• 49:01
  Speaker 1: On film? On live TV.
• 49:03
  Speaker 2: Oh, boy.
• 49:03
  Speaker 1: What's wrong with you? Yeah, I jumped out the window
• 49:06
  Speaker 1: on that one. Okay. I'm back, folks. I'm back.
• 49:09
  Speaker 2: Look, this has been spectacular for this. I cannot wait
• 49:15
  Speaker 2: to get in deeper.
• 49:19
  Speaker 1: Because.
• 49:20
  Speaker 2: we're actually going to have to be more deliberate about
• 49:26
  Speaker 2: to looking at what we liked, but then figuring out
• 49:30
  Speaker 2: why this first season, notwithstanding the fact that it was
• 49:33
  Speaker 2: so successful, because it was, but to have the conversation
• 49:38
  Speaker 2: about why is it so maligned, was it actually as
• 49:41
  Speaker 2: bad as some folks think? Or was it good, like
• 49:46
  Speaker 2: the scene was with Ted Ross, but it just got
• 49:49
  Speaker 2: exponentially better when it got specific to tell the truth
• 49:53
  Speaker 2: about the HBCU experience. And that's what differentiated it. Yeah,
• 49:59
  Speaker 2: I really thought it was going to be.
• 50:02
  Speaker 1: Really hard. I thought it was going to be watching
• 50:04
  Speaker 1: this old shit. I was like, why am I doing this?
• 50:07
  Speaker 1: And then you got a couple laughs. And then, yep.
• 50:10
  Speaker 1: And as much as I was thrilled that You got
• 50:14
  Speaker 1: to go to the ball last night and I had
• 50:16
  Speaker 1: to stay home and do homework. I almost was going
• 50:20
  Speaker 1: to go into five and six just because I had
• 50:23
  Speaker 1: a good time with at least the pilot. The pilot.
• 50:28
  Speaker 1: And then we get into some other stuff and I
• 50:30
  Speaker 1: was like... And then they start... Yeah, so... You know what?
• 50:34
  Speaker 2: I'm so glad that you're glad that you're actually going
• 50:36
  Speaker 2: to watch the episode since we're doing a rewatch podcast.
• 50:41
  Speaker 1: That you're not going to quit. Because you don't want
• 50:43
  Speaker 1: to watch it. I don't really.
• 50:45
  Speaker 2: I'm so glad that this is not a chore for you.
• 50:48
  Speaker 1: It's really good. I think 38, 39 years might be
• 50:54
  Speaker 1: the sweet spot for me.
• 50:55
  Speaker 2: To have enough space.
• 50:57
  Speaker 1: Yeah. In between. To be like, oh, let me watch this.
• 51:01
  Speaker 1: I still don't know what planet my hands are from.
• 51:04
  Speaker 2: I still don't know. This was something you liked.
• 51:07
  Speaker 1: To do all the time. Pointing at you and bringing
• 51:11
  Speaker 1: them to my... You can always see my hands and
• 51:14
  Speaker 1: my chin. I don't know what the fuck was happening, bro.
• 51:17
  Speaker 1: I can't... I'm so glad I didn't see it.
• 51:20
  Speaker 2: Just a nervous tick.
• 51:21
  Speaker 1: Oh, yeah. I came up last night with... It's a
• 51:27
  Speaker 1: coping mechanism because I was so... Like, Dwayne's sense of humor,
• 51:33
  Speaker 1: more Thad Mumford sense of humor.
• 51:36
  Speaker 2: Nope.
• 51:36
  Speaker 1: My sense of humor? Not. So committing to these jokes,
• 51:41
  Speaker 1: like saying something that you know is corny and then going, oh,
• 51:44
  Speaker 1: what the fuck? Wait a minute. You just got tickled
• 51:49
  Speaker 1: like the pills. Yeah, but that's what it had me
• 51:54
  Speaker 1: doing at points in this shit. I would say the
• 51:56
  Speaker 1: dumbest shit and then laugh at it. It means confidence.
• 52:04
  Speaker 1: What the fuck, bro? Oh, my God. So I think
• 52:10
  Speaker 1: in my undiagnosed anxiety... You're like, in New York, they're
• 52:17
  Speaker 1: going to kill me. They're going to fucking rob me
• 52:19
  Speaker 1: on the street. I'm never going to be able to
• 52:20
  Speaker 1: go anywhere. When I show up on the basketball court...
• 52:22
  Speaker 1: They're going to be like, you better get the fuck
• 52:24
  Speaker 1: out of here, boy. With that book. With that corner stuff.
• 52:27
  Speaker 1: I just thought... Yes. I realized last night as I
• 52:30
  Speaker 1: was watching, I was like, I think that is because...
• 52:33
  Speaker 1: I'm having such a hard time committing to these things.
• 52:38
  Speaker 1: And to say these things like I believe them, that
• 52:42
  Speaker 1: this became a defense, a mask for me. Yeah. So
• 52:47
  Speaker 1: that's my story, and I'm sticking to it. And it
• 52:48
  Speaker 1: ain't going nowhere until at least midway through season two. Okay.
• 52:54
  Speaker 2: We'll look for that.
• 52:55
  Speaker 1: Yeah. You won't be able to. avoid it because as
• 52:59
  Speaker 1: long as I'm there in season one, you're going to
• 53:02
  Speaker 1: see all 10 fingers telling you the story as I'm talking.
• 53:06
  Speaker 2: Folks are wondering if you're not trying to motion your unwell.
• 53:12
  Speaker 1: Somebody come get me right now. You're trying to signal somebody.
• 53:16
  Speaker 1: I don't know what I'm doing.
• 53:18
  Speaker 2: I'm going crazy.
• 53:19
  Speaker 1: I need some intervention. Yes, this is not what I'm
• 53:22
  Speaker 1: meant to do. I really shouldn't be doing this. So now,
• 53:28
  Speaker 1: that's it for today. Mm-hmm. Or for this week. Mm-hmm.
• 53:32
  Speaker 2: We're going to regroup, get ready for next week with
• 53:35
  Speaker 2: episode three.
• 53:37
  Speaker 1: Pop.
• 53:37
  Speaker 2: There we go.
• 53:38
  Speaker 1: And it is called Porky the Bergerac.
• 53:41
  Speaker 2: That is correct.
• 53:42
  Speaker 1: Yes. Can we do our outro? Whenever you're ready. See
• 53:46
  Speaker 1: you motherfuckers soon.
• 53:47
  Speaker 2: I'm trying to get sponsors and this is what I'm
• 53:49
  Speaker 2: working with. Okay.
• 53:50
  Speaker 1: See you motherfuckers next week. Oh my gosh. See you
• 53:53
  Speaker 1: motherfuckers later. That was good.
• 54:02
  Speaker 2: A Different Worldview with Daryl and Kadeem is a production
• 54:04
  Speaker 2: of the Black Effect Podcast Network. For more podcasts from iHeartRadio,
• 54:09
  Speaker 2: visit the iHeartRadio app, Apple Podcasts, or wherever you listen
• 54:14
  Speaker 2: to your favorite shows. You can also follow me at
• 54:17
  Speaker 2: Daryl M. Bell on Instagram, X, or Facebook.
• 54:21
  Speaker 1: You can also follow Kadeem at Kadeem Hardison on Instagram.