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Kiss Cam Operators · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists
• 0:07
  Speaker 1: this week on the show. Mmmuh oh my gosh, have
• 0:10
  Speaker 1: we been caught on camera? That's right, we're talking to
• 0:13
  Speaker 1: kiss cams.
• 0:14
  Speaker 2: Kiss cams are the number one greatest things at every
• 0:17
  Speaker 2: sporting event in the audience. You get to be activated.
• 0:21
  Speaker 2: You are caught on camera and you're part of the
• 0:23
  Speaker 2: big game and scene on the jumbo trump. These are
• 0:26
  Speaker 2: the guys that help capture it.
• 0:27
  Speaker 3: All during sports games.
• 0:29
  Speaker 4: They gotta buy time for commercials, so many other things
• 0:32
  Speaker 4: going on, and you gotta keep the crowd activated. These guys,
• 0:36
  Speaker 4: these brains and these artists do that.
• 0:39
  Speaker 5: So pucker up and let's listen in. And so I
• 0:47
  Speaker 5: head the angle all chosen. I had the angle on
• 0:52
  Speaker 5: these two love birds and they are locked into each
• 0:57
  Speaker 5: other's eyes and they are staring, and they are staring,
• 1:01
  Speaker 5: and then they look up at the camera and they go,
• 1:03
  Speaker 5: oh is that us? And in that moment they became
• 1:08
  Speaker 5: a couple perfect and they are married to this day.
• 1:12
  Speaker 5: And that is not the only kiss cam marriage that
• 1:15
  Speaker 5: there has been.
• 1:16
  Speaker 1: You kept in touch with them, I keep.
• 1:18
  Speaker 5: In touch with everybody.
• 1:20
  Speaker 2: That's why we do it.
• 1:21
  Speaker 3: That's this is why we do this. That's why we
• 1:23
  Speaker 3: freaking do it.
• 1:24
  Speaker 2: That's why we do it.
• 1:25
  Speaker 5: This is why we do the kiss cam.
• 1:27
  Speaker 2: This is the kind of thing that we're doing.
• 1:29
  Speaker 1: That's why we do it.
• 1:31
  Speaker 6: It's not just about the athletes, are right, some of
• 1:33
  Speaker 6: the athletes and then the features.
• 1:35
  Speaker 2: Uh, that's right, some of the freaking.
• 1:37
  Speaker 3: Athletes are sitting out there and listen.
• 1:40
  Speaker 6: I don't think we give enough credit that there's so
• 1:43
  Speaker 6: much time in between this so much.
• 1:45
  Speaker 2: There's so much time in between. There's always a lot
• 1:48
  Speaker 2: of time.
• 1:49
  Speaker 1: There's always sight because.
• 1:51
  Speaker 2: We're the ones that find those moments. We're the ones
• 1:53
  Speaker 2: that lok in. We say, hey, y'all are part of
• 1:57
  Speaker 2: this too, y'all are involved in this. Give them the
• 2:00
  Speaker 2: moment to sean. Usually they're looking up there, they're seeing
• 2:03
  Speaker 2: a rod they're seeing no more Garcia Para, they're seeing
• 2:06
  Speaker 2: pad Rodriguez. But now they're seeing themselves up there. That's exciting.
• 2:10
  Speaker 1: We are trying to capture that moment, that embrace of love,
• 2:16
  Speaker 1: that infinite decibel capturing of sound that comes from a smooch,
• 2:25
  Speaker 1: that exactly that a fucka sexy, raunchy, inappropriate feeling of lust.
• 2:36
  Speaker 5: A smooch can move a thousand ships. A smooch can
• 2:41
  Speaker 5: mend countries and destroying men. A smooch is the most
• 2:47
  Speaker 5: powerful weapon we have.
• 2:50
  Speaker 6: Always get a ball a the way down in the
• 2:53
  Speaker 6: first yard line.
• 2:55
  Speaker 2: A smooth can start a war. A smooch get into war.
• 2:59
  Speaker 1: I'm always there would be no wars if they put
• 3:04
  Speaker 1: kiss cams in those meetings. Oh god, the leaders had
• 3:08
  Speaker 1: to be caught and all of a sudden kiss each other.
• 3:12
  Speaker 2: Broadcast kiss came into this situation room.
• 3:16
  Speaker 6: Oh my gosh, c G TV. What's the stuff of
• 3:19
  Speaker 6: congress making all those votes?
• 3:22
  Speaker 5: Putant kiss cam in the Congress and we will have bipartisanship.
• 3:31
  Speaker 2: Let's see Marjorie Taylor Green kissing AOC. That would change
• 3:35
  Speaker 2: the world.
• 3:36
  Speaker 6: It would not because it just both girls, not just
• 3:41
  Speaker 6: because of that.
• 3:42
  Speaker 1: And that's and that's again we're gonna get into this.
• 3:45
  Speaker 1: It's not just because they're both girls.
• 3:48
  Speaker 2: We're gonna probably talk on it. If I could predict
• 3:50
  Speaker 2: it at length about same set couffles in kiss tamp
• 3:54
  Speaker 2: and what do we do and what what do we do?
• 3:58
  Speaker 5: You change the idol?
• 4:00
  Speaker 2: Then Okay, we ain't getting.
• 4:01
  Speaker 1: There yet, but I will say I will say it
• 4:05
  Speaker 1: did all change after nine.
• 4:07
  Speaker 6: Eleven, yestern bags had to be clear in the stadium.
• 4:11
  Speaker 1: And if there was a kiss cam that captured Bush
• 4:17
  Speaker 1: and Osama, I don't think he would have done that the.
• 4:20
  Speaker 6: Original original watch me all this cam.
• 4:28
  Speaker 2: Okay, guys, hold on, okay, we ain't even introduced ourselves.
• 4:32
  Speaker 2: Now we're doing kiss cam on nine to eleven. We're
• 4:34
  Speaker 2: doing teaching kiss camp. Guys, you did the whisper you did.
• 4:39
  Speaker 5: I was trying Orange Bush, to be honest, I'm showing
• 4:42
  Speaker 5: kiss camp build. I wasn't sure if I was supposed
• 4:43
  Speaker 5: to kiss him. What could be?
• 4:46
  Speaker 3: The kiss came on nine eleven, and that was kind
• 4:48
  Speaker 3: of what I'm thinking.
• 4:48
  Speaker 5: That is then eleven kiss camp.
• 4:50
  Speaker 2: It's yeah, we got new guests and they're showing up
• 4:53
  Speaker 2: to an eleven PM party. You don't know if.
• 4:56
  Speaker 5: You are watching, you did not skip to halfway through
• 4:59
  Speaker 5: the video. You actually are starting at minute one.
• 5:02
  Speaker 1: Just we just have.
• 5:06
  Speaker 2: This, Okay, this is passionate. We're passionate piece.
• 5:09
  Speaker 6: Yeah, and you might be wondering, isn't that just one
• 5:11
  Speaker 6: camera pointing somewhere with a filter on top of it
• 5:13
  Speaker 6: telling people to kiss?
• 5:14
  Speaker 2: No?
• 5:15
  Speaker 3: No, we got coordinators, we got film operators.
• 5:18
  Speaker 6: We got people pulling focus, we have people building graphics,
• 5:21
  Speaker 6: we have people running the sound.
• 5:22
  Speaker 3: It's a whole operation.
• 5:24
  Speaker 5: We are the kiss Cam team, and we we run
• 5:27
  Speaker 5: in tandem with the baseball stadium in house Jumbo Trons team.
• 5:33
  Speaker 5: But we are a special predict just like the producers
• 5:37
  Speaker 5: of the halftime show are not the same as the
• 5:40
  Speaker 5: producers of the football broadcast. We have our own section.
• 5:45
  Speaker 2: In house, and we do a lot of stuff. Right,
• 5:47
  Speaker 2: We ain't just kiss Cam. We're the dot race. We're
• 5:50
  Speaker 2: uh a celebrity look alike. Okay, we do all that stuff,
• 5:53
  Speaker 2: but we love.
• 5:55
  Speaker 1: For us the kiss Cam is the pinnacle. It's the showtime.
• 5:58
  Speaker 1: All of that other stuff is eating up to or
• 6:01
  Speaker 1: past it.
• 6:02
  Speaker 5: The kism is the tenth pole.
• 6:04
  Speaker 1: We always say top of the fourth.
• 6:09
  Speaker 3: And then I'd say about like third quarter, fourth corner.
• 6:11
  Speaker 6: We start doing uncle of sleep over there on the lap.
• 6:16
  Speaker 3: Little kid looks a little too passionate for to be
• 6:19
  Speaker 3: a kid.
• 6:20
  Speaker 1: Stuff like that. It is tired. Little kid is sugary.
• 6:23
  Speaker 2: Blonde woman, blonde woman in glasses. We know isn't gonna
• 6:27
  Speaker 2: be looking up.
• 6:28
  Speaker 1: Yeah, group of girls gonna miss it's group of.
• 6:31
  Speaker 3: Girls, group of girls and like this, Yeah, we should
• 6:38
  Speaker 3: go around. We should go around and talk about we should.
• 6:44
  Speaker 1: Because what are we if not the embodiment of love
• 6:50
  Speaker 1: incarnate in a moment?
• 6:51
  Speaker 5: You wish to do this kiss cam discussion anonymously.
• 6:56
  Speaker 1: Because why would I interrupt love? Why would I feels
• 6:59
  Speaker 1: like you're getting in the middle of your shoe. You
• 7:01
  Speaker 1: don't want us.
• 7:01
  Speaker 5: To put on agoes ahead of the kiss.
• 7:04
  Speaker 3: I think saying the process is kind of the idea behind.
• 7:06
  Speaker 2: The interview, but I would just say logistically to be
• 7:10
  Speaker 2: not to have a name.
• 7:12
  Speaker 1: Hi, I'm Caine Deuterotomy, and I've been working in kiss
• 7:18
  Speaker 1: cam for about six years now. I kind of stumbled
• 7:24
  Speaker 1: into it.
• 7:25
  Speaker 3: We call that the makeout contract.
• 7:27
  Speaker 1: The makeout You are too bad, So I stumbled into it.
• 7:33
  Speaker 1: I was doing porn.
• 7:36
  Speaker 3: Deuterotomy was doing porn.
• 7:45
  Speaker 2: Right, we'll talk about how how how that that fateful
• 7:48
  Speaker 2: day came because because we called you last resort.
• 7:51
  Speaker 1: Last Resort, I had put my resume in I'd want
• 7:54
  Speaker 1: to be. I had wanted to segue myself out of
• 7:56
  Speaker 1: that industry for a while, but it's just too good money,
• 8:01
  Speaker 1: so I submitted. Just I saw this post that said
• 8:04
  Speaker 1: looking for people who know how to kiss and know
• 8:06
  Speaker 1: how to capture it on camera. And I said, that
• 8:09
  Speaker 1: is literally my m o. That he's the world I
• 8:12
  Speaker 1: have been investing in for a very long time. Yeah,
• 8:16
  Speaker 1: let me see and throw my hat and run.
• 8:18
  Speaker 2: And I think that is gorgeous. By the way, I
• 8:19
  Speaker 2: just want to shout out. You know you sent over
• 8:21
  Speaker 2: your reel. Yeah, you were known in the porn industry
• 8:24
  Speaker 2: for wanting to stay on kissing.
• 8:26
  Speaker 1: Yes, I said, don't move on to this. I said, whoa, whoa, whoa,
• 8:30
  Speaker 1: let's not skip this part.
• 8:32
  Speaker 3: We got to see.
• 8:33
  Speaker 6: We got to see what was so important, right, which
• 8:36
  Speaker 6: is your pan because you would naturally go down and
• 8:38
  Speaker 6: then you'd pam back up to me.
• 8:39
  Speaker 1: Yes, the cameraman is always trying to pan down and
• 8:42
  Speaker 1: I am literally grabbing that cameo Sam, going you shoot
• 8:46
  Speaker 1: them all the way back up, buddy. You do not
• 8:49
  Speaker 1: tilt down until I say you tilt down.
• 8:52
  Speaker 3: So you operate, You operate the machine.
• 8:54
  Speaker 1: Ah. Yes, so I am one of the machine operators.
• 8:57
  Speaker 1: I'm I both work in the finding and the machine operators.
• 9:00
  Speaker 1: Because a lot of the kiss camp is I am
• 9:03
  Speaker 1: on a camera that's not on record. They have not
• 9:05
  Speaker 1: thrown to me. I am looking around the audience trying
• 9:09
  Speaker 1: to find that perfect couple that I know I can
• 9:12
  Speaker 1: convince a kiss if I hold on them long enough.
• 9:14
  Speaker 6: And we work in video village, a part of video
• 9:17
  Speaker 6: Village that isn't where they do the scoreboard or anything.
• 9:19
  Speaker 3: We call it lip gloss toss.
• 9:22
  Speaker 1: Yeah, at least call it lip gloss. Literally actually started
• 9:25
  Speaker 1: this game because sometimes we get bored and it goes think.
• 9:29
  Speaker 2: Yeah, we toss a thing, a lip gloss, back and forth.
• 9:32
  Speaker 2: You see how many times we can throw it before
• 9:33
  Speaker 2: someone drops.
• 9:34
  Speaker 5: And three points three consecutive throws this, five points, five
• 9:38
  Speaker 5: consecutive throws this ten points.
• 9:40
  Speaker 2: Yeah, it's kind of prorated, like you'd buy tickets at
• 9:42
  Speaker 2: a county bear, kind of one of those impossible to
• 9:46
  Speaker 2: figure out scales.
• 9:49
  Speaker 1: Five in a row would be much more points I have.
• 9:55
  Speaker 5: The fun is trying to remember how many points is five?
• 9:59
  Speaker 2: Five is eight, he's fourteen. It's good, very exciting, but
• 10:02
  Speaker 2: then fourteen is three. I hit too many, So you.
• 10:06
  Speaker 1: Have to budget.
• 10:07
  Speaker 2: You're too hot. You gotta ask the bank. Somebody is
• 10:11
  Speaker 2: always the bank. You gotta get a loan. You gotta
• 10:15
  Speaker 2: get a loan for how many times you throw it
• 10:16
  Speaker 2: and then.
• 10:17
  Speaker 6: There's the robber.
• 10:24
  Speaker 2: Everyone guesses when I'm the robber.
• 10:28
  Speaker 5: Giggling your jiggling eyebrows up, You're very obvious.
• 10:34
  Speaker 3: The robber could take the inside of your lip gloss
• 10:37
  Speaker 3: and then.
• 10:39
  Speaker 2: And use it for their own I know, I know,
• 10:42
  Speaker 2: he y'all. How's it going. My name is Turkey Jerky
• 10:44
  Speaker 2: Turtle Top, and I'm so happy to be here. I
• 10:47
  Speaker 2: am the kissing scout. I'm the guy that knows who
• 10:52
  Speaker 2: we should paan to, who to grab and and it's
• 10:55
  Speaker 2: a you know, a fun time to come join everybody
• 10:57
  Speaker 2: in lipcofs toss. But I actually have of a job
• 11:00
  Speaker 2: where I'm out in the field, kind of in cognito,
• 11:03
  Speaker 2: watching people, you know, eating sunflower seeds, sitting on the fence.
• 11:06
  Speaker 3: Wh I launched a thousand kisses.
• 11:09
  Speaker 2: You know, I came from. I used to be a
• 11:13
  Speaker 2: talent scout for the Duke University. I was a sports
• 11:20
  Speaker 2: sports you know, baseball team baseball scout, and I started
• 11:25
  Speaker 2: getting caught, you know, I was looking at this game
• 11:29
  Speaker 2: and it was his high school team out in Kansas.
• 11:32
  Speaker 2: And it was funny because they were right next to
• 11:35
  Speaker 2: a train station. It was just baseball field next to
• 11:37
  Speaker 2: a train station. And I looked over and I saw
• 11:41
  Speaker 2: a couple saying goodbye on the train and they kiss
• 11:44
  Speaker 2: for a long time and they looked back and someone said, hey,
• 11:47
  Speaker 2: you were supposed to be watching Jerry Jefferes. You just
• 11:49
  Speaker 2: hit a grand slam. I said, you know, I'm focusing
• 11:51
  Speaker 2: on something different. I like that, you know. And I
• 11:54
  Speaker 2: went up to them and I said, hey, I like
• 11:55
  Speaker 2: I like what you all. Y'all are up to what
• 11:58
  Speaker 2: they said, mind drun business, you pervert. And I realize
• 12:02
  Speaker 2: I need to figure out a place where it's okay
• 12:04
  Speaker 2: for me to be looking. Yeah, exactly.
• 12:07
  Speaker 1: So I'm walking around, I'm seeing who's in the costumes.
• 12:10
  Speaker 1: I mean going to somebody or you dress up as
• 12:13
  Speaker 1: some yellers.
• 12:14
  Speaker 2: Yeah, I dress up as popcorn guys. I dress up
• 12:17
  Speaker 2: as somebody selling beer. I dress up as someone selling
• 12:20
  Speaker 2: raffle tickets. You know, I'm I'm different kinds of outfits.
• 12:22
  Speaker 2: So see who actually is in love? Because I am
• 12:25
  Speaker 2: it's important to me that I show people that are
• 12:29
  Speaker 2: in love on the kiss Cam. And it's an investment.
• 12:32
  Speaker 2: So if you're on the kiss Camp, I'm not gonna
• 12:34
  Speaker 2: be made to fool the next day when the news
• 12:36
  Speaker 2: comes out that you were on the Kiss Camp but
• 12:37
  Speaker 2: you're getting a divorce. He'p.
• 12:39
  Speaker 3: He's listening to any conversations.
• 12:41
  Speaker 6: If he finds somebody that he likes, he's gonna go
• 12:43
  Speaker 6: over there and he's gonna make sure you guys are
• 12:44
  Speaker 6: listening and responding and being respectful to each.
• 12:46
  Speaker 2: Othersolutely depend on some of the stadiums we're working at.
• 12:49
  Speaker 2: I have a special deal with the local law enforcement
• 12:51
  Speaker 2: to read everybody's tent so I can get them and
• 12:54
  Speaker 2: I can. I can read them, and I can see
• 12:56
  Speaker 2: who's in love. You know. If I see people that
• 12:57
  Speaker 2: I like, I can. I have this kind of sonar
• 13:00
  Speaker 2: device and I can know what phone is your phone is,
• 13:03
  Speaker 2: and then I can look in your kick.
• 13:05
  Speaker 1: So well, let's keep going around. Let's finish these out,
• 13:08
  Speaker 1: even though we shouldn't. Anonymity is so much.
• 13:13
  Speaker 2: Alright, all right, what's up?
• 13:18
  Speaker 3: What's up? I'm Brandon Brando, and I am I've been
• 13:23
  Speaker 3: on the team. I'm the Kiss Camp team for a while.
• 13:26
  Speaker 6: I do all the voices in between the the I
• 13:30
  Speaker 6: do all the activity voices. So there's a voice, there's
• 13:32
  Speaker 6: a voice of God, usually like John Mann, and there's
• 13:35
  Speaker 6: somebody else doing like saying what's.
• 13:37
  Speaker 3: Going on with the scores and what's going on with
• 13:39
  Speaker 3: the players.
• 13:39
  Speaker 6: But I do the activities, the voices for this T shirt, Cannon,
• 13:43
  Speaker 6: the voices for the kiss cam, and I'll do a
• 13:45
  Speaker 6: little I'll show you listen, I'll do you this.
• 13:46
  Speaker 1: I do like this.
• 13:48
  Speaker 3: And no Hawker up those lips.
• 13:52
  Speaker 1: We're doing kiss cam.
• 13:56
  Speaker 3: Hello Wisconsin, show us the love and the cheese.
• 14:00
  Speaker 2: Brandon, I don't even know how you found out you
• 14:02
  Speaker 2: know how to do that voice.
• 14:04
  Speaker 1: I will say, I think people get wrong impression because
• 14:06
  Speaker 1: your voice sounds high. But you've told me you're just
• 14:09
  Speaker 1: on constant vocal rest.
• 14:10
  Speaker 5: Yeah, you are perpetually resting for the big moment each game.
• 14:17
  Speaker 6: I choose to talk like this up here because it
• 14:19
  Speaker 6: saves it. And I use all my head voice up here.
• 14:21
  Speaker 6: So then when it's time for me to activate.
• 14:23
  Speaker 2: Who wants a T shirt? Open up? I love when
• 14:29
  Speaker 2: you say open up?
• 14:30
  Speaker 1: When up, Well, you're always trying to shoot. They get
• 14:36
  Speaker 1: the T shirt? Keeted to shoot it up then? And
• 14:40
  Speaker 1: what's fun up that women spread their legs? Open up?
• 14:44
  Speaker 2: And I don't mean it a lot that you had
• 14:47
  Speaker 2: to start saying that.
• 14:48
  Speaker 6: I appreciate you, but but I like being with the
• 14:50
  Speaker 6: programming team because we're on the spot writing the copy.
• 14:54
  Speaker 5: We're on the spot.
• 14:55
  Speaker 3: Though, you guys will pitch something. You'll be like, okay,
• 14:57
  Speaker 3: something like we have a lot of kids, let's this
• 14:59
  Speaker 3: kid cam.
• 15:00
  Speaker 7: Right.
• 15:00
  Speaker 3: Sometimes we'll do that.
• 15:01
  Speaker 1: I will do a kid scale instead of a kiss
• 15:03
  Speaker 1: care because let me see.
• 15:06
  Speaker 3: Them five year olds.
• 15:08
  Speaker 5: And it's like, really always.
• 15:10
  Speaker 1: Struggling with you on the line of how to not
• 15:12
  Speaker 1: make it sound like the creepiest things I've ever heard of?
• 15:15
  Speaker 5: It taste off?
• 15:16
  Speaker 1: What? What?
• 15:17
  Speaker 5: How how you can get them to do exactly that
• 15:20
  Speaker 5: what you're describing is what we want them to do,
• 15:24
  Speaker 5: But it has to be there must be a tweak
• 15:26
  Speaker 5: in the wording we can use.
• 15:28
  Speaker 3: Well, I just kinda go off the couple a little
• 15:29
  Speaker 3: like like it's Mother's Day, Mama's get up, open up.
• 15:37
  Speaker 2: I think it's open up because you need to stop.
• 15:42
  Speaker 1: Definitely the hardest nice that one felt like mothers would
• 15:45
  Speaker 1: turn to their sons and finally open up after all
• 15:48
  Speaker 1: these years it's been on their mind, something that's been
• 15:51
  Speaker 1: on their minds.
• 15:51
  Speaker 5: I do think we should do the open up cam.
• 15:54
  Speaker 2: I think that could be nervous about it. I think
• 15:56
  Speaker 2: it's not specific enough, and we're going to be getting
• 15:58
  Speaker 2: stuff we don't want.
• 16:00
  Speaker 3: Let's get to specifically just when.
• 16:04
  Speaker 2: Your mouth open up your mouth, and then that's gonna
• 16:06
  Speaker 2: be a little grotesque of course. Yeah.
• 16:09
  Speaker 3: But I love working with you guys because I love
• 16:10
  Speaker 3: when you guys nudge me. You go go now.
• 16:12
  Speaker 1: Now, it's all lines, it's all nudget in lines.
• 16:17
  Speaker 5: Hello. My name is uh Alabaster Martini and I am
• 16:24
  Speaker 5: a kiss cam dramaturg. I have poured through hours and
• 16:31
  Speaker 5: hours and hours of kiss cam footage and I do
• 16:34
  Speaker 5: the research and the the cultural context for the kiss
• 16:39
  Speaker 5: cam so I am able to add assist the director
• 16:45
  Speaker 5: and the direction of the kiss cam and put it
• 16:48
  Speaker 5: into context of its theatrical legacy, so.
• 16:52
  Speaker 1: People don't understand how necessary and important a drama turg
• 16:59
  Speaker 1: is for this job.
• 17:03
  Speaker 6: To me, running across the field with a camera, I'm like,
• 17:06
  Speaker 6: that's connected to a whia with a producer going over there,
• 17:10
  Speaker 6: over there, and then you get yacked by a rope
• 17:13
  Speaker 6: and it's alabasta going.
• 17:14
  Speaker 1: We've done that before.
• 17:15
  Speaker 2: Absolutely, it is.
• 17:16
  Speaker 5: The drama turks rope that I only use when I
• 17:19
  Speaker 5: absolutely have to. I never want to use the drama
• 17:24
  Speaker 5: turgs rope. That just always a last resort for if
• 17:28
  Speaker 5: the walkie isn't working, if I haven't flipped to the
• 17:31
  Speaker 5: right page in the kiss Can encyclopedia yet and caught
• 17:34
  Speaker 5: it in the right time, then I will resort to
• 17:37
  Speaker 5: the drama turks lasso. But I don't want to have
• 17:40
  Speaker 5: to use it. My goal is to make sure we
• 17:43
  Speaker 5: are always doing an original kiss can, or if we
• 17:47
  Speaker 5: are referencing a different kiss cam, we are doing so
• 17:51
  Speaker 5: within the cultural context we Payoma.
• 17:55
  Speaker 2: Because you know, without Alabaster, we'd be just like every
• 17:58
  Speaker 2: other kiss cam team. But truth is, we have Alabaster,
• 18:01
  Speaker 2: so now our kiss cams have context. No matter what.
• 18:05
  Speaker 1: There's a president will start playing older kiss cams to
• 18:09
  Speaker 1: show the audience and introduce to them what they're about
• 18:11
  Speaker 1: to see. We'll show, oh, right now on camera, you're
• 18:14
  Speaker 1: seeing tall boyfriend short girlfriend. We will show three other
• 18:18
  Speaker 1: kiss camps of tall boyfriend.
• 18:19
  Speaker 5: Generationally spanning back. There are so many instances of tall
• 18:24
  Speaker 5: girlfriend's short boyfriend that we have to get you in
• 18:27
  Speaker 5: touch with before. We can't just throw you into uh
• 18:33
  Speaker 5: a stella stella stolla. We can't throw you into Tennessee William.
• 18:37
  Speaker 3: We shall do that.
• 18:41
  Speaker 1: That's what we call stella stella stella is when you
• 18:44
  Speaker 1: have three girls in a row and you're not sure
• 18:45
  Speaker 1: which one is the is going to kiss the boy.
• 18:48
  Speaker 1: It's three girls and a bully in the middle.
• 18:51
  Speaker 5: Tell us, noll, I think we're in estella stella stella sit.
• 18:54
  Speaker 1: It's always a surprise. You go, which one do I
• 18:57
  Speaker 1: focus on? Let's give it a shot. Which one's the sister,
• 18:59
  Speaker 1: which whi one's the friend, which one is the girl?
• 19:01
  Speaker 2: And you know, yeah, go ahead. Oh. I was just
• 19:03
  Speaker 2: gonna say. A big thing that Alabasas help us with
• 19:06
  Speaker 2: is the order derives the messaging. So if we're going
• 19:10
  Speaker 2: from uh, you know, young young man, young woman, old man,
• 19:14
  Speaker 2: old woman man man woman woman, that's a specific story
• 19:20
  Speaker 2: and narrative that we're telling.
• 19:21
  Speaker 1: Said Alabaster will never ever let us start on.
• 19:26
  Speaker 5: No no, because it's called the kiss cam funnel. Right,
• 19:31
  Speaker 5: you start with the most familiar, average woman, average man
• 19:37
  Speaker 5: of average age. It's the funnel. It's the funnel. You'll
• 19:41
  Speaker 5: get them in with the heterosexuality. The heterosexuality is a.
• 19:44
  Speaker 3: Hook across the stadiu milk like this, And that's when
• 19:49
  Speaker 3: I vintage.
• 19:50
  Speaker 1: Then I go, oh, that's what that means. I was
• 19:53
  Speaker 1: waiting to see that because I thought that was the
• 19:55
  Speaker 1: signal either vagina or the British way of flipping somebody off.
• 20:00
  Speaker 1: It's a vintage.
• 20:02
  Speaker 5: Retrol.
• 20:04
  Speaker 3: I go Dodger fans, open up the dugout of the past.
• 20:08
  Speaker 4: It's time for some vintage kiss camt I like the
• 20:14
  Speaker 4: dug out of the past.
• 20:15
  Speaker 5: It is haunting and devocative. Oh, but I am part
• 20:20
  Speaker 5: of the greatest team in show business. We work in
• 20:23
  Speaker 5: tandem to make sure our kiss cam is delivering a
• 20:26
  Speaker 5: message and it is bringing people together. And it is
• 20:29
  Speaker 5: something for the people who don't just want to watch
• 20:31
  Speaker 5: the ball being thrown and hit and thrown and hit.
• 20:34
  Speaker 5: It is for the artists and the observers who are
• 20:38
  Speaker 5: walking into what they don't know yet is art, but
• 20:43
  Speaker 5: it is.
• 20:44
  Speaker 1: Because there are so many different ways a kiss cam
• 20:47
  Speaker 1: can end up. Is it a kiss between a married
• 20:51
  Speaker 1: couple of forty five years. Is it a kiss between
• 20:55
  Speaker 1: people that have only this is their first ding and
• 20:57
  Speaker 1: they've never even kissed. Is it a kiss between friends
• 21:01
  Speaker 1: that don't know what to do and they have to
• 21:03
  Speaker 1: figure out how to get through this awkward situation.
• 21:06
  Speaker 2: But I've done the math they are in love, they
• 21:08
  Speaker 2: don't know it.
• 21:09
  Speaker 1: You never know what you're gonna end up.
• 21:11
  Speaker 6: You never got in love with a game has a
• 21:13
  Speaker 6: kiss cam that you could tell to the first kiss.
• 21:16
  Speaker 6: But they were there on kind of a date. My god,
• 21:18
  Speaker 6: are you an artist in finding those people? You just
• 21:21
  Speaker 6: kind of calling out the elephant in the room, kind
• 21:23
  Speaker 6: of like a.
• 21:23
  Speaker 3: Mean girl in high school. It's like you two it
• 21:25
  Speaker 3: in love and you push them in a closet.
• 21:27
  Speaker 2: Well, there's always a tale. There's always a tale, right.
• 21:30
  Speaker 2: So I remember once I was at a Dowdger game
• 21:32
  Speaker 2: and I saw this one guy go up to the
• 21:36
  Speaker 2: counter that he was with a girl. And he went
• 21:38
  Speaker 2: up to the counter and he ordered something. He sopped
• 21:42
  Speaker 2: and he looked back and he said, do you want anything?
• 21:43
  Speaker 2: And I said, they're in love. They're in love. And
• 21:46
  Speaker 2: then he paid for it, and I said, that means
• 21:48
  Speaker 2: that they're not siblings. And that's the big thing I'm
• 21:51
  Speaker 2: looking for, right, I can tell sometimes people are in
• 21:53
  Speaker 2: love in a sibling familial sense or a relationship. It's
• 21:57
  Speaker 2: so sad.
• 21:57
  Speaker 1: One in one hundred you'll mess up.
• 21:59
  Speaker 2: It happens, happens, and they let us know really fast.
• 22:02
  Speaker 2: They do it and then if they kiss and they
• 22:05
  Speaker 2: are siblings, we don't know, you know, so we can't
• 22:08
  Speaker 2: know that. You come to me and say those two
• 22:10
  Speaker 2: were siblings, I don't know that.
• 22:12
  Speaker 1: And for me, what I really like about it is
• 22:14
  Speaker 1: I can actually still put it in the porn category. Sure,
• 22:17
  Speaker 1: oh this is step son, step mom. Sure it feels familiar,
• 22:21
  Speaker 1: feels familiar for me.
• 22:23
  Speaker 2: One thing that I have had kind of a fun time.
• 22:26
  Speaker 2: Then we've gone through some trials of it. Every single
• 22:29
  Speaker 2: ballpark has these theme nights. You know everyone's doing.
• 22:33
  Speaker 3: Uh well, I love LGBTQ night because it makes it easy.
• 22:37
  Speaker 2: It makes it easy, it makes it really easy. But
• 22:40
  Speaker 2: then there's you know, dog lovers nights, and there's there's
• 22:44
  Speaker 2: anime nights, you know, and they're they're really expanding. And
• 22:47
  Speaker 2: we had furry Night this year. Yeah, that was a
• 22:51
  Speaker 2: crazy one.
• 22:52
  Speaker 1: It was so odd.
• 22:53
  Speaker 2: Yeah night.
• 22:55
  Speaker 3: Now, if you're feel comfortable, show your face.
• 22:59
  Speaker 1: They will not show their face, but they are desperate
• 23:02
  Speaker 1: to kiss. That was a mistake on the right. Yeah.
• 23:05
  Speaker 2: I don't know why we thought they would.
• 23:08
  Speaker 5: We kind of thought we would get them in a
• 23:09
  Speaker 5: gotcha moment sort of You're not really a rabbit, are you?
• 23:14
  Speaker 3: It feels good.
• 23:15
  Speaker 6: It's the whole stadium of people. Send them and start
• 23:17
  Speaker 6: with if you're comfortable.
• 23:19
  Speaker 5: If you're comfortable, it's don't take it's really crazy.
• 23:24
  Speaker 2: It's really crazy.
• 23:24
  Speaker 1: Lots of hugs on that kiss can.
• 23:28
  Speaker 2: Just now, which is nice. We'll take it.
• 23:30
  Speaker 1: You know.
• 23:31
  Speaker 3: It was fun the hugcover cam or something we called it.
• 23:34
  Speaker 3: I don't know.
• 23:34
  Speaker 2: Here's something I love when you get too clearly straight
• 23:38
  Speaker 2: guys on the opposing team and you put them on
• 23:41
  Speaker 2: the kiss can because we got them as we got.
• 23:45
  Speaker 5: Yeah, imagine if the tool were Imagine what ruined you
• 23:53
  Speaker 5: fucking gay? Allow yourself to be consumed with the alternate
• 23:59
  Speaker 5: toysted reality of if these two men were gay.
• 24:03
  Speaker 2: It's insane.
• 24:06
  Speaker 5: It is a classic, and you see this time and
• 24:08
  Speaker 5: time and time again. It is as old as persephony
• 24:13
  Speaker 5: and the Greek chorus. It is as old as that is,
• 24:17
  Speaker 5: as old as we are. Imagine if these two men
• 24:20
  Speaker 5: were gay. It's just the call of the ancients.
• 24:23
  Speaker 1: And they love when you give me the okay to go.
• 24:26
  Speaker 3: Whoopsie are bad?
• 24:28
  Speaker 1: Yeah, absolutely, it's so fun when announced to a forty
• 24:31
  Speaker 1: thousand people stadium, Whoopsie are bad?
• 24:33
  Speaker 2: You can all hear it. Which is what's fun, but
• 24:35
  Speaker 2: they know it's being self whipped actually gay.
• 24:38
  Speaker 1: One of my favorite that you are a whiz at
• 24:40
  Speaker 1: finding is couple that aren't gonna kiss, but one of
• 24:43
  Speaker 1: them is going to chug a beer. That's is the best.
• 24:47
  Speaker 2: Way to end it is the best. I was actually
• 24:51
  Speaker 2: taking a drink of my beer. Chu chug, chug, chug,
• 24:54
  Speaker 2: chug chug. And the wife. It's usually the wife to
• 24:57
  Speaker 2: the husband because because the wife usually goes, oh my god.
• 25:00
  Speaker 5: Well, that is my favorite genre of kiss cam I
• 25:04
  Speaker 5: would say is husband who's gonna do a big embarrassing
• 25:08
  Speaker 5: smooch and wife who's gonna be sarcastically whatever.
• 25:12
  Speaker 3: Yeah, just kind of going ah yeah. I also love
• 25:16
  Speaker 3: when wife is on phone. It makes me giggle.
• 25:21
  Speaker 2: Is really fun.
• 25:22
  Speaker 3: Sometimes we'll do that mostly for the fourth quarter because
• 25:24
  Speaker 3: she's done, so yeah.
• 25:26
  Speaker 2: You know. Something I wanted to bring up was the huge,
• 25:29
  Speaker 2: huge backlash to kiss cams and the ethical implications. I
• 25:33
  Speaker 2: wanted to see what you guys wanted to say. Yeah, sure,
• 25:35
  Speaker 2: I know people are saying that kiss kims are a
• 25:38
  Speaker 2: moral they're unethical and what about all this?
• 25:40
  Speaker 1: I think, what about love is a moral? Well, it's
• 25:44
  Speaker 1: just what makes it more. What are people's issues with it?
• 25:48
  Speaker 1: I'm trying to understand dramaturgically.
• 25:50
  Speaker 5: If we look at the comments section of YouTube, it's
• 25:53
  Speaker 5: around the time of Me Too. People are criticizing the
• 25:57
  Speaker 5: kiss cam because they say the camera resents a sort
• 26:02
  Speaker 5: of implicit nudge towards a kiss, and the nuh the
• 26:07
  Speaker 5: nudge of the camera is what's the problem.
• 26:10
  Speaker 3: Well, that's when then we we responded to that.
• 26:13
  Speaker 6: Remember there was a time where we went, Okay, we
• 26:14
  Speaker 6: don't want to pressure anybody into kissing.
• 26:16
  Speaker 3: So then you guys had me go only kiss if
• 26:19
  Speaker 3: you want to, and that just took the air out
• 26:22
  Speaker 3: of the stadium.
• 26:23
  Speaker 2: They didn't want to.
• 26:24
  Speaker 5: That was the season of many disclaimers. I do remember
• 26:27
  Speaker 5: that we had to.
• 26:28
  Speaker 1: Change it from kiss camp too. We put the camera
• 26:30
  Speaker 1: on you and you get to choose what happens next exactly.
• 26:33
  Speaker 5: And that scarier for people.
• 26:36
  Speaker 1: I think people were starting to do some crazy thing.
• 26:40
  Speaker 2: Now we're back at it right because we were running
• 26:41
  Speaker 2: the kiss came at the cold Play concerts. Should we
• 26:43
  Speaker 2: talk about it?
• 26:44
  Speaker 1: Here we go?
• 26:44
  Speaker 2: I mean, I know it's old news.
• 26:48
  Speaker 1: This is very old news.
• 26:49
  Speaker 3: I do think that's why they got booked on this
• 26:51
  Speaker 3: podcast MS.
• 26:53
  Speaker 5: Knows is about six months old to.
• 26:55
  Speaker 1: You, probably eight.
• 26:56
  Speaker 5: I think it could be so long. Listen that cold
• 27:01
  Speaker 5: Play concert John buttrom It kind of brought us back.
• 27:04
  Speaker 5: It made us ten million dollars. We have monetized this
• 27:10
  Speaker 5: in such a way you would not believe.
• 27:12
  Speaker 2: I think.
• 27:12
  Speaker 6: I was watching a video of me walking down the
• 27:14
  Speaker 6: Jennifer Hudson Walk backstage.
• 27:17
  Speaker 3: And I went, I think because of that Copley concept.
• 27:20
  Speaker 2: I mean, can we talk about being on the Jennifer
• 27:21
  Speaker 2: Hudsond store.
• 27:22
  Speaker 1: She's so nice, she is so nice. I can't believe
• 27:25
  Speaker 1: we all shut up thinking that maybe it wasn't because
• 27:27
  Speaker 1: of the kiss camps. Well, I genuinely I didn't know
• 27:30
  Speaker 1: you guys were coming. I genuinely thought it was because
• 27:32
  Speaker 1: of my music.
• 27:33
  Speaker 5: I thought it was because of my poetry work.
• 27:35
  Speaker 2: Yes, your poetry. Yeah, I thought it was because of
• 27:37
  Speaker 2: my bumper sticker. It's so funny now that you say it.
• 27:41
  Speaker 6: I did think it was because of my friend friend
• 27:44
  Speaker 6: Andison Ray, my friend, my Besty.
• 27:48
  Speaker 3: We grew up together.
• 27:49
  Speaker 1: You were best read, she liked, she was adorable.
• 27:54
  Speaker 5: Why we were watching you won't forget it. Oh, it's
• 27:57
  Speaker 5: such a talent, such a generational talent.
• 28:00
  Speaker 6: Was get invited to big stuff, and I go, oh,
• 28:01
  Speaker 6: it's because I'm my friend, right, But then when I
• 28:03
  Speaker 6: thought about it, we were blowing up.
• 28:05
  Speaker 3: That happened and we were being knocked We would the
• 28:08
  Speaker 3: door was being knocked on. Every day. We couldn't play
• 28:10
  Speaker 3: Live Gloss Toss for how long?
• 28:12
  Speaker 2: No, probably six eight weeks.
• 28:14
  Speaker 5: We couldn't get yes playing.
• 28:16
  Speaker 1: I mean, they wanted us to create something like that
• 28:19
  Speaker 1: every single time.
• 28:20
  Speaker 5: Everybody wanted a cold play, kiss cams.
• 28:24
  Speaker 1: CEOs, cheating with their fos.
• 28:28
  Speaker 2: And that's just not what I do. I'm looking for
• 28:30
  Speaker 2: people that are in love, and so I don't want
• 28:32
  Speaker 2: to find adulterers.
• 28:34
  Speaker 3: And that's why I hired Chelsea.
• 28:36
  Speaker 6: Yeah, and she was supposed to You were supposed to
• 28:40
  Speaker 6: find a love, and she was supposed to find that.
• 28:42
  Speaker 1: So much she's always trying to find people that are
• 28:44
  Speaker 1: trying to duck.
• 28:45
  Speaker 2: Away Chelsea Scaparelli.
• 28:48
  Speaker 1: So Chelsea Scaparelli isn't here because we lied and told
• 28:51
  Speaker 1: her that we weren't doing this, and I got moved.
• 28:54
  Speaker 5: We're doing a mean girls thing with Chelsea Scaparelli where
• 28:57
  Speaker 5: we're telling her about parties that don't exist.
• 29:00
  Speaker 1: But if you guys were you'd get it, you'd get it.
• 29:03
  Speaker 5: We told Chelsea, have told almost like she's bullying us.
• 29:07
  Speaker 2: Yeah, we told Chelsea Scaparelli we were going to Johnny
• 29:10
  Speaker 2: Carino's restaurant.
• 29:12
  Speaker 6: And she's something so unsettling about a woman walking around
• 29:15
  Speaker 6: looking for people being me and each other.
• 29:17
  Speaker 3: I just don't think it's up the thing for sport.
• 29:19
  Speaker 2: No, he's not fitting in. And also, by the way,
• 29:21
  Speaker 2: she can't live gloss Toss for shit.
• 29:23
  Speaker 1: It's embarrassing how bad she is Atlas, and she keeps.
• 29:27
  Speaker 5: Asking about the points. She keeps going, so do.
• 29:30
  Speaker 1: I have twelve?
• 29:31
  Speaker 5: And we're like, Chelsea, keep up.
• 29:34
  Speaker 6: Once she was the Tanner and I went, you can't
• 29:36
  Speaker 6: be the tanner and and move the lip gloss twice.
• 29:39
  Speaker 3: You can only play as the werewolf or the toss.
• 29:42
  Speaker 1: She has no idea what's going on.
• 29:45
  Speaker 3: And then the banker was like, I think you were
• 29:47
  Speaker 3: playing bank.
• 29:47
  Speaker 5: Oh I was the banker, and we were like, you
• 29:50
  Speaker 5: have to pay the toll, and she would to pay
• 29:52
  Speaker 5: the toll. She keeps coming after me going like, so
• 29:54
  Speaker 5: what's the toll, and it's like, bitch, pay it.
• 29:58
  Speaker 1: I didn't tell you I'm banker.
• 30:00
  Speaker 2: She was absolutely silent during decision point time. It was crazy.
• 30:04
  Speaker 3: Oh do we try to counsel speak up?
• 30:07
  Speaker 1: Speak up? Literally, your team is relying on you to
• 30:10
  Speaker 1: speak up. Right now?
• 30:11
  Speaker 5: She tries to play a purple card and I'm like,
• 30:13
  Speaker 5: are we playing yachtzi?
• 30:15
  Speaker 1: What are you even before we playing yacht?
• 30:18
  Speaker 2: Where did that come from?
• 30:19
  Speaker 3: Speaking of bitches can.
• 30:27
  Speaker 1: Wow? Wow.
• 30:29
  Speaker 2: So we've been having so much fun to do in
• 30:33
  Speaker 2: this episode, but we want to take a quick pause
• 30:35
  Speaker 2: and tell you that we also have a Patreon where
• 30:37
  Speaker 2: we have a lot of fun too.
• 30:39
  Speaker 5: We have an after show that we do for every
• 30:41
  Speaker 5: episode where we break down the episode and we just
• 30:43
  Speaker 5: hang out. Sometimes. We watched full episodes of the TV
• 30:46
  Speaker 5: show Mobbed, which was a flash mob reality show competition.
• 30:50
  Speaker 5: We also was an ad for mob We also challenges.
• 30:53
  Speaker 2: We also write full scripts and do twelve weeks of
• 30:56
  Speaker 2: dance and play weddings. We just have a blast because
• 30:58
  Speaker 2: we're a bunch of friends and if you want to
• 31:00
  Speaker 2: hang out with people that also like this podcast, but
• 31:02
  Speaker 2: you feel like a freak because you can't find anyone
• 31:04
  Speaker 2: to relate to because nobody knows how to understand this
• 31:07
  Speaker 2: podcast about you.
• 31:08
  Speaker 5: Are you a freak?
• 31:09
  Speaker 1: A freak.
• 31:11
  Speaker 4: So many fun There are so many of you in
• 31:13
  Speaker 4: the comments that are going why hasn't this blown up yet?
• 31:15
  Speaker 4: I love this podcast. I just want to support it.
• 31:17
  Speaker 4: There is a way, and we all do it all
• 31:19
  Speaker 4: by ourselves, with our producers. It's a small baby, So
• 31:22
  Speaker 4: feed the baby.
• 31:23
  Speaker 5: Feed the baby baby, join the Patreon and.
• 31:26
  Speaker 1: Feed the baby. You freaks love you, Yes, can throw off.
• 31:33
  Speaker 3: I can't, and they'll cut this out. But I kind
• 31:36
  Speaker 3: of missed the bitchcam.
• 31:39
  Speaker 1: The cat.
• 31:40
  Speaker 2: We know that was importaste and we own it. I
• 31:42
  Speaker 2: actually really liked I think you pitched this albaster and
• 31:45
  Speaker 2: I thought it was wonderful indifference Cam.
• 31:47
  Speaker 5: I am all the case.
• 31:49
  Speaker 2: I know you did at all.
• 31:51
  Speaker 5: It is a deconstruction of the form itself. Time, love,
• 31:56
  Speaker 5: and energy all flipped into a prism that is collapsing
• 32:00
  Speaker 5: upon itself. We are entering the fourth dimension.
• 32:03
  Speaker 3: It's not offense, it's not defense, it's indifference. It could
• 32:09
  Speaker 3: have stuck, stuck, and only if.
• 32:14
  Speaker 5: People were ready, if society was ready to watch people
• 32:17
  Speaker 5: look at each other and go. Then we want to
• 32:20
  Speaker 5: be somewhere.
• 32:22
  Speaker 2: Why are you so scared of seeing someone who has
• 32:25
  Speaker 2: neither positive nor negative feelings happening at the moment.
• 32:28
  Speaker 1: That's a question for you to ask. We are challenging
• 32:31
  Speaker 1: the viewer of the camp.
• 32:33
  Speaker 3: Let's take of the genre flippant.
• 32:34
  Speaker 6: It's on a head, it's flimman, it's on a tad
• 32:36
  Speaker 6: because when it's doing, it's taking passion. And we're going,
• 32:38
  Speaker 6: let's look at the inverse because so much of what
• 32:40
  Speaker 6: we do is is it's feeling passion.
• 32:43
  Speaker 5: Yeah, exactly, you know what, Cam, I loved that I
• 32:47
  Speaker 5: do wish we should bring back. And then this is
• 32:49
  Speaker 5: we should talk about other dream camps as well. Uh,
• 32:53
  Speaker 5: father son, It's it's difficult for them to look at
• 32:57
  Speaker 5: each other.
• 32:58
  Speaker 2: Camp Cats in the Cradle, Camms, we play Cats in
• 33:02
  Speaker 2: the Cradle and we jumped to father sons that feel complex,
• 33:06
  Speaker 2: but they're here at the game together.
• 33:09
  Speaker 3: Play Cats in the Cradle. It's time to see some
• 33:12
  Speaker 3: Baby's Wadle.
• 33:14
  Speaker 2: Exactly.
• 33:14
  Speaker 1: So Baby's Wadle was a stretch for sure.
• 33:17
  Speaker 2: Well, here's what I'll tell you why that didn't work.
• 33:19
  Speaker 2: I think it had a lot of promise, almost too
• 33:21
  Speaker 2: much promise. I was coming back with four hundred, five hundred,
• 33:25
  Speaker 2: six hundred people that needed and because of what was
• 33:27
  Speaker 2: going on in my life, I said we needed to
• 33:29
  Speaker 2: show all of them. So it was this weird kind
• 33:32
  Speaker 2: of music video montage of like four hundred five hundred.
• 33:35
  Speaker 1: People all specifically at a baseball game. That's exactly where
• 33:39
  Speaker 1: we're gonna find those relationship.
• 33:40
  Speaker 6: I felt like we would just that was when we
• 33:42
  Speaker 6: were overworked, right, and we would, and it felt like
• 33:44
  Speaker 6: we were like, let's just.
• 33:45
  Speaker 3: Do something we see all the time, so then we
• 33:46
  Speaker 3: want to look for it. It'll just be everywhere. Yeah.
• 33:48
  Speaker 1: One of my favorites that didn't stick was the Mess
• 33:50
  Speaker 1: Up Yo Sneeze Camp, where we tried to capture people
• 33:54
  Speaker 1: right before they sneeze, throw them on the big screen
• 33:57
  Speaker 1: so they can't they get they get in their head,
• 33:59
  Speaker 1: they get conscious that they need a sneeze, and they
• 34:00
  Speaker 1: keep on.
• 34:03
  Speaker 5: And you had such a hard job scouting for that
• 34:05
  Speaker 5: because you had to look for people with chronic allergies
• 34:08
  Speaker 5: who were sneezing, who were likely to sneeze again.
• 34:11
  Speaker 2: Well, Pepper everywhere.
• 34:18
  Speaker 3: That The way you had to call when we were
• 34:21
  Speaker 3: rolling was so fast you'd be like, gow you missed it.
• 34:24
  Speaker 2: Yeah, it was like riding away. It was like surfing.
• 34:26
  Speaker 2: That one felt like surfing.
• 34:27
  Speaker 1: I think my line before was U yeah, yeah.
• 34:30
  Speaker 2: I mean, look, there aren't all gems.
• 34:32
  Speaker 5: You know.
• 34:32
  Speaker 2: We had a drinking a drink cam. I mean that
• 34:36
  Speaker 2: was easy but boring. I mean drink to drink camp.
• 34:41
  Speaker 3: Drinking in the nineties. I loved them when we did
• 34:45
  Speaker 3: that person needs a hot talk kind of weird like that, Yeah.
• 34:50
  Speaker 1: Weird cam.
• 34:52
  Speaker 3: It was that kind of funny.
• 34:54
  Speaker 1: What about this friend groups hates one of their friends here?
• 34:57
  Speaker 1: That was fun, But it's in the wine pointed person,
• 35:02
  Speaker 1: the way they all knew how to point it one
• 35:04
  Speaker 1: the one person would always be pointing and then realize terrible.
• 35:08
  Speaker 5: You think, how could this happen? But I know if
• 35:10
  Speaker 5: Chelsea were here, we'd be pointing.
• 35:13
  Speaker 1: Literally.
• 35:15
  Speaker 2: What about I know a terrible secret camp?
• 35:17
  Speaker 1: Oh yeah, zoom in on an old man's face.
• 35:20
  Speaker 2: The closest we could get to.
• 35:21
  Speaker 3: An old man generational trauma.
• 35:25
  Speaker 1: He's seen some war.
• 35:28
  Speaker 5: It's a terrible sacred I did.
• 35:29
  Speaker 1: Some things and saw something and now he's just trying
• 35:33
  Speaker 1: to watch baseball. God, these camps were I love it.
• 35:39
  Speaker 2: I love working with you all.
• 35:40
  Speaker 3: I really do too. I got a fun little exercise.
• 35:44
  Speaker 3: What's I brought a cinema roll?
• 35:46
  Speaker 1: Okay, okay, already I want this exercise.
• 35:53
  Speaker 3: What's it going to I'm not kissing. You're gonna tell
• 35:55
  Speaker 3: me how you film it?
• 35:56
  Speaker 1: Okay, a little bit of Okay, give the relationship too,
• 36:02
  Speaker 1: I'll give you.
• 36:02
  Speaker 3: Yeah here, okay, yeah.
• 36:03
  Speaker 1: Wait, hold the mic up so we can hear the kiss.
• 36:05
  Speaker 1: Come on, I don't want to miss it.
• 36:06
  Speaker 5: Okay, okay, okay.
• 36:08
  Speaker 3: Should I see myself in the camp first?
• 36:10
  Speaker 2: Yeah? Yeah?
• 36:10
  Speaker 1: Yeah, yeah, yeah, notice the camp? Okay, fifteen years married couple,
• 36:19
  Speaker 1: that's my vote.
• 36:20
  Speaker 5: Say you're married three years together their boyfriend girlfriend.
• 36:24
  Speaker 2: I'm saying second marriage for you, first marriage for him,
• 36:28
  Speaker 2: and first for the role. Yeah, and you have two
• 36:31
  Speaker 2: kids and he has no kids. But he's he's doing great.
• 36:34
  Speaker 2: But you're just happy to have me. He's a little
• 36:35
  Speaker 2: bit younger, but you never thought you'd be dating younger,
• 36:37
  Speaker 2: but now you are.
• 36:38
  Speaker 1: That just can't be it. That just can't How did
• 36:41
  Speaker 1: you nail it? How did you do that? How did
• 36:44
  Speaker 1: you do that?
• 36:45
  Speaker 2: I've seen this before.
• 36:46
  Speaker 3: You want another one?
• 36:47
  Speaker 2: Yeah?
• 36:50
  Speaker 3: Okay?
• 36:55
  Speaker 1: Oh god? So in this did you bite their face? Okay? Okay,
• 37:01
  Speaker 1: I don't think I want to go after that one
• 37:06
  Speaker 1: that was drunk couple? Third date?
• 37:09
  Speaker 2: I would say, yeah, that's I would say.
• 37:11
  Speaker 5: Drunk couple, third date. There, we're going to their place
• 37:15
  Speaker 5: after this. It's a fun time.
• 37:17
  Speaker 2: Yeah, I would say, y'all are seniors in college. Yes,
• 37:20
  Speaker 2: are absolutely in love. You have been overserved at this
• 37:23
  Speaker 2: at this.
• 37:23
  Speaker 3: Uh, how did you know it was a college ky?
• 37:25
  Speaker 2: This is just not true.
• 37:27
  Speaker 1: How are you doing this?
• 37:28
  Speaker 2: Man?
• 37:28
  Speaker 3: Okay?
• 37:29
  Speaker 2: Last one?
• 37:29
  Speaker 1: Last week? Oh? Oh what, I'll fine.
• 37:49
  Speaker 2: He has the divorce paper she doesn't know yet, and
• 37:51
  Speaker 2: in the car, the papers in the car. The car,
• 37:55
  Speaker 2: she said, there is in the car, so this isn't
• 37:58
  Speaker 2: all go get him the car. In that moment when
• 38:03
  Speaker 2: she realized you wouldn't kiss her. That file that's sitting
• 38:06
  Speaker 2: in the back seat, those are the divorce she said,
• 38:08
  Speaker 2: I'll go get them.
• 38:11
  Speaker 1: Yeah. Time, I know.
• 38:13
  Speaker 5: It's a teil is oldest time.
• 38:15
  Speaker 1: Do you guys remember any kisses that have gone wrong?
• 38:21
  Speaker 1: I remember one. Yeah. So there was a situation where
• 38:28
  Speaker 1: two couples were sitting next to each other and we
• 38:32
  Speaker 1: accidentally put the kiss kim on the two people that
• 38:36
  Speaker 1: weren't in a couple together right in the middle, in
• 38:38
  Speaker 1: the middle, and as a joke, they went no, no, no, whatever,
• 38:43
  Speaker 1: and they kissed, and that's when their relationship started. You
• 38:47
  Speaker 1: could see for the rest of the baseball game, both
• 38:48
  Speaker 1: couples fighting, they ended up together, and the couples on
• 38:51
  Speaker 1: the side ended up together. And it was this whole
• 38:54
  Speaker 1: thing that happened throughout the baseball game.
• 38:56
  Speaker 5: And you know what, dramaturgically is so interesting about that. Well,
• 39:00
  Speaker 5: so this exact thing that couple you're referring to, it
• 39:04
  Speaker 5: happened to their great grandfather, no way, family, that exact
• 39:09
  Speaker 5: same family in the year nineteen twelve.
• 39:12
  Speaker 2: At New York Knickerbockers, New York Knickerbockers.
• 39:15
  Speaker 1: Can't you get into this again?
• 39:18
  Speaker 5: I was raised in the back room of a library.
• 39:23
  Speaker 5: I was to be kept a secret between three librarians,
• 39:27
  Speaker 5: raising raising me in secret like a library, a library.
• 39:36
  Speaker 5: I was not allowed to go to school, No no no.
• 39:39
  Speaker 2: And I was not allowed.
• 39:44
  Speaker 5: I was not allowed to date, No no no. And
• 39:48
  Speaker 5: so I stayed in the corner and I learned, and
• 39:52
  Speaker 5: I read, and the books became my mother's and the
• 39:56
  Speaker 5: and the the bookmarks became my lovers and every one,
• 40:01
  Speaker 5: Oh God, not that.
• 40:07
  Speaker 1: It would have to be that way. What other way
• 40:10
  Speaker 1: could you have meant it?
• 40:11
  Speaker 5: It's a smooch, A smooch alone, a smooch alone. Look,
• 40:15
  Speaker 5: that is a private part of my private life. But
• 40:18
  Speaker 5: I emerged from the library when a a construction worker said, hey,
• 40:25
  Speaker 5: is anybody in there?
• 40:27
  Speaker 3: Like the village paper?
• 40:28
  Speaker 1: What a why a construction worker was there?
• 40:30
  Speaker 2: But I'm just going to keep it around library.
• 40:38
  Speaker 1: The library would be like anybody in.
• 40:41
  Speaker 2: There, But some curious got wondering if anyone's in a building.
• 40:50
  Speaker 2: He does that every empty room walks by.
• 40:53
  Speaker 3: Before he started to jewel handlers.
• 40:56
  Speaker 5: And then I said, yes, I am in here, and
• 40:59
  Speaker 5: he said cool. I was just asking around, and then
• 41:03
  Speaker 5: he said I'm actually going to go eat lunch, and
• 41:11
  Speaker 5: I I said, can I come with you? This is
• 41:15
  Speaker 5: my eighteenth birthday, and I knew it's based on a
• 41:18
  Speaker 5: tally on the law on the wall.
• 41:20
  Speaker 1: Can I ask a question really quick? Did you have
• 41:21
  Speaker 1: a concept of what lunch was at this point?
• 41:24
  Speaker 5: At this point I thought it was simply something that
• 41:29
  Speaker 5: you do when you are hungry.
• 41:33
  Speaker 1: So good.
• 41:36
  Speaker 2: You have answer. He knew what lunch was three meals
• 41:56
  Speaker 2: a day, said eighteen years.
• 41:58
  Speaker 5: There are nuances to lunch. I simply only knew if
• 42:01
  Speaker 5: there's something you do. I did not know what time
• 42:06
  Speaker 5: of day to Kurt or with whom or for what?
• 42:10
  Speaker 5: So I got lunch with him and he sort of
• 42:12
  Speaker 5: showed me the world and I am. I left the
• 42:17
  Speaker 5: librarian's a note that said I have to find myself.
• 42:20
  Speaker 5: I have to find who I am. Are you familiar
• 42:23
  Speaker 5: with under the Sea, ariel.
• 42:28
  Speaker 1: Him?
• 42:30
  Speaker 2: Yes, yeah, I mean familiar with the song under the
• 42:33
  Speaker 2: Sea song to the.
• 42:37
  Speaker 5: I like to call her under the Sea, Yes, the mermaid.
• 42:43
  Speaker 5: She always wanted to be on land, and then eventually
• 42:46
  Speaker 5: she did. And I feel my aerial story was when
• 42:49
  Speaker 5: I was pulled out of the library to go have lunch.
• 42:53
  Speaker 1: So how did you end up? We get to kid
• 42:55
  Speaker 1: kim oh. I was not expecting that kind of I
• 42:59
  Speaker 1: read the book about it.
• 43:02
  Speaker 5: After I went back to the library to sort of
• 43:05
  Speaker 5: tie up some loose ends, get my toothbrush, stuff like that.
• 43:09
  Speaker 5: There was a book and it fell out of the
• 43:12
  Speaker 5: cabinet where I used to sleep, and it said kiss
• 43:15
  Speaker 5: Cams through the Years. And then there's another book on
• 43:18
  Speaker 5: Brict that explained to me what drama Turkey was. And
• 43:23
  Speaker 5: I connected the two and now I am the only
• 43:25
  Speaker 5: accredited professor of kiss cam drama Turkey Turkey.
• 43:35
  Speaker 1: I am a drama Turky.
• 43:38
  Speaker 2: Funny Cracks he's a funny I mean, he's.
• 43:44
  Speaker 1: I did of his life to be so funny.
• 43:48
  Speaker 5: I did did a humor is the way out. Look,
• 43:52
  Speaker 5: how I got here is just because I was wanting something.
• 43:56
  Speaker 1: You know. Well, yeah it makes sense the books too,
• 43:59
  Speaker 1: and the books as well, but.
• 44:00
  Speaker 5: We all want something and that is what kiss cams are,
• 44:04
  Speaker 5: and in its totality is you are wanting to kiss.
• 44:08
  Speaker 5: We are wanting to see the case.
• 44:11
  Speaker 2: You know. Yeah, I feel the same way, and I
• 44:13
  Speaker 2: love that you're on this team. I want to talk
• 44:15
  Speaker 2: about one of my Kisskim mistakes. Oh, I just to
• 44:22
  Speaker 2: say mine, because I'll never forget this and you can't
• 44:25
  Speaker 2: foresee this coming. But it was an unmitigated disaster because
• 44:30
  Speaker 2: I had unknowingly started the kiss cam the same time
• 44:36
  Speaker 2: the audience was starting the wave. When I say that
• 44:41
  Speaker 2: it caused twenty five to thirty injuries, I'm telling the
• 44:47
  Speaker 2: truth for.
• 44:49
  Speaker 1: Me because so much of the kiss cam was groins,
• 44:52
  Speaker 1: and it was like we wanted the groins to kiss.
• 44:54
  Speaker 2: Or if they were trying to get kissed. There was
• 44:56
  Speaker 2: one guy that was tall, one guy that was low,
• 44:58
  Speaker 2: and then they would bump heads and.
• 45:01
  Speaker 1: One at a time, one at a time that was
• 45:05
  Speaker 1: the other problem.
• 45:05
  Speaker 2: At the time.
• 45:06
  Speaker 1: The really helped.
• 45:07
  Speaker 2: You thought you were going to be able to control
• 45:08
  Speaker 2: it with your voice. So you're screaming of them. They're
• 45:11
  Speaker 2: doing the wave, we're catching groins and bumps. Could everyone
• 45:15
  Speaker 2: settle down? Yeah, so then they thought it was the time.
• 45:17
  Speaker 5: Also is an instruction for the wave. There's an instruction
• 45:22
  Speaker 5: for both one at a time.
• 45:24
  Speaker 2: It actually led it to the best wave I've ever seen.
• 45:27
  Speaker 2: United all of them in creating the wave.
• 45:29
  Speaker 3: But that's when we learned that communication with the DJ department.
• 45:33
  Speaker 3: It's fundamental.
• 45:34
  Speaker 1: Yeah, absolutely.
• 45:35
  Speaker 3: Yeah.
• 45:36
  Speaker 2: It was bad for our views too because someone was
• 45:38
  Speaker 2: watching the jumbo tron and as everybody knows in baseball stadiums,
• 45:42
  Speaker 2: they've added uh an I count on every jumbo tron
• 45:46
  Speaker 2: so they know when you're looking. So we know in
• 45:48
  Speaker 2: our ratings are high er low.
• 45:50
  Speaker 5: God, then I have to be big twitch for that
• 45:53
  Speaker 5: big twitch.
• 45:54
  Speaker 1: Big Twitch, that big which is a guy who runs
• 45:58
  Speaker 1: the camp. He's well on big Twitch. He's really fun guy.
• 46:02
  Speaker 1: One of my biggest mistakes, I would say, was when
• 46:05
  Speaker 1: I actually turned the camera sideways and I put one
• 46:08
  Speaker 1: person on the first floor on one person on the
• 46:09
  Speaker 1: second floor on the same camera. To kiss and the
• 46:12
  Speaker 1: guy jumped.
• 46:13
  Speaker 5: It was that was I am surprised you brought this
• 46:19
  Speaker 5: up because it is but he's living well.
• 46:22
  Speaker 3: No, he is not living well.
• 46:26
  Speaker 5: Wells had to come out of retirement well.
• 46:32
  Speaker 2: But also that's just because he's just loving junk food.
• 46:35
  Speaker 2: I mean it's like he's doing fine, but he's not
• 46:37
  Speaker 2: living well and that he's just eating junk.
• 46:41
  Speaker 1: Reading his Facebook posts. I mean, just let it go, man.
• 46:44
  Speaker 2: Every other week it's just one fan, one man. But
• 46:51
  Speaker 2: we keep in touch with our fans, the people that
• 46:54
  Speaker 2: you remember from the kiss mistakes that you've had. Yeah,
• 46:57
  Speaker 2: oh yeah, talking.
• 46:59
  Speaker 6: About Sometimes if I'm not careful, I'll read anything in
• 47:03
  Speaker 6: front of me on the big mic with the big boys.
• 47:05
  Speaker 3: I gotta be careful because if you leave a book
• 47:07
  Speaker 3: in front of me, I'll read it. If you leave,
• 47:10
  Speaker 3: I don't know whatever.
• 47:13
  Speaker 5: Well it was there was the time that you read
• 47:15
  Speaker 5: uh my texts from my computer where I was talking
• 47:20
  Speaker 5: shit about Chelsea is Caparelli and you you read them
• 47:25
  Speaker 5: to the entire stadium. I just think she's got a
• 47:29
  Speaker 5: buttch in that looks so much like a butt, it's
• 47:32
  Speaker 5: not even a chin.
• 47:34
  Speaker 1: You were going in on her physical appearance.
• 47:36
  Speaker 5: I wish you know off her body, and that's something
• 47:40
  Speaker 5: I wish. I wish you just stayed in the text
• 47:44
  Speaker 5: A good look.
• 47:44
  Speaker 2: You cannot you cannot text.
• 47:47
  Speaker 3: I can't tell which way she's sending, if it's from
• 47:49
  Speaker 3: front or behind, because that buttchin up front.
• 47:52
  Speaker 5: But I wish I didn't send so many texts. But
• 47:55
  Speaker 5: you know what, I regret that my life, it would
• 47:58
  Speaker 5: be sending less texts about this woman.
• 48:00
  Speaker 1: You know what.
• 48:01
  Speaker 2: Try to get a dramatic to issue an apology, because
• 48:04
  Speaker 2: he can work his way out of anything I said.
• 48:06
  Speaker 2: He you shouldn't have said that. He started referencing Sophocles.
• 48:10
  Speaker 5: I will wriggle my way onto the.
• 48:13
  Speaker 1: Story context for what he said, for everything.
• 48:16
  Speaker 5: It is interesting. The first time sorry was uttered in
• 48:20
  Speaker 5: fifteen fifty two by one Christopher ice Cream.
• 48:26
  Speaker 1: Was sorry.
• 48:29
  Speaker 2: The first apology was, y'all don't know that. No, this
• 48:34
  Speaker 2: is well known.
• 48:36
  Speaker 1: You don't see you haven't seen this. You haven't read
• 48:38
  Speaker 1: this book they called the ice cream Apology.
• 48:40
  Speaker 5: Yeah, I it's an ice cream apology. I I don't
• 48:43
  Speaker 5: know which is pop culture and which is stuff, and
• 48:45
  Speaker 5: I only know about so sometimes you have to remember this.
• 48:48
  Speaker 1: Yes, because he went, he went up to his girlfriend
• 48:51
  Speaker 1: then at that time, and he invented this thing like
• 48:54
  Speaker 1: frozen frozen yogurt almost and he kind of looked at
• 48:57
  Speaker 1: her and went ice cream and counted. Kind of don't
• 49:04
  Speaker 1: zone out in this episode. If you zone out for
• 49:07
  Speaker 1: a second, you're dead. Sorry, Hold on a minute. You
• 49:13
  Speaker 1: know this.
• 49:13
  Speaker 2: I feel like I don't want to man explain to you.
• 49:15
  Speaker 2: But it's kind of common knowledge that in fifteen fifty two,
• 49:18
  Speaker 2: Christopher ice Cream invented the phrase I'm sorry by going
• 49:21
  Speaker 2: up to his girlfriend.
• 49:22
  Speaker 5: Basis of the phrase i'm sorry by saying I'm sorry.
• 49:25
  Speaker 8: In the intonation, well he's saying ice cream and he
• 49:32
  Speaker 8: said ice cream, and it was understood was sorry bishness.
• 49:36
  Speaker 8: You can test trace for centuries. It was the sheepishness
• 49:40
  Speaker 8: that was carried over. It's like in old English, where
• 49:43
  Speaker 8: things are where the five was one's fief.
• 49:46
  Speaker 1: You say something, yes, thank God for that construction worker
• 49:50
  Speaker 1: getting you out of that library. Where would we be
• 49:53
  Speaker 1: without you.
• 49:54
  Speaker 5: I'm so happy, I am so grateful. I am so
• 49:57
  Speaker 5: grateful to be here, and I am so grateful for Rich.
• 50:00
  Speaker 5: He was the construction work.
• 50:01
  Speaker 2: It's great, great name for it.
• 50:02
  Speaker 1: Rich.
• 50:03
  Speaker 5: He was so lovely and I don't know where he
• 50:07
  Speaker 5: is today. He changed his cell phone and now I
• 50:11
  Speaker 5: am unable to reach him.
• 50:13
  Speaker 3: But did she changed his cell phone?
• 50:15
  Speaker 5: He changed his cell phone.
• 50:18
  Speaker 3: Him.
• 50:19
  Speaker 5: Now this is not something I can read in the book. Yeah,
• 50:22
  Speaker 5: this is something I have to learn the hard way.
• 50:24
  Speaker 3: Learn the hard way, Cam, you men.
• 50:29
  Speaker 5: Rich dramaturgically, I will never say I'm sorry.
• 50:33
  Speaker 3: Learn the hardway. Cam does this Mike hand.
• 50:37
  Speaker 5: Reference is a picture of a woman saying I am sorry.
• 50:41
  Speaker 5: From nineteen thirty one. She bet all of her money
• 50:44
  Speaker 5: in the stock market and then it crashed and she
• 50:47
  Speaker 5: had nothing to feed her family. So she looked at
• 50:49
  Speaker 5: her family and she said, I am sorry. That is
• 50:52
  Speaker 5: something I'd like to reference when I say to you, Rich,
• 50:56
  Speaker 5: when I texted you too many times that you changed
• 50:58
  Speaker 5: your phone number.
• 51:02
  Speaker 1: And that later Wow, thank you. The learned the hard
• 51:05
  Speaker 1: way camerang learned the hardway camera turned out to be
• 51:07
  Speaker 1: more of a story that.
• 51:11
  Speaker 2: Plays well. Usually plays when really there's a real low
• 51:14
  Speaker 2: quiet moment when everyone maybe he's a changeover, or everyone's
• 51:18
  Speaker 2: kind of curious if a baseball player is hurt. We
• 51:20
  Speaker 2: learn the hardway.
• 51:22
  Speaker 5: Wait to buy a lot of time.
• 51:24
  Speaker 3: They started doing it with celebrities.
• 51:26
  Speaker 6: If a celebrity kind of had a bad pr image,
• 51:28
  Speaker 6: they would send him to a game.
• 51:29
  Speaker 3: And we had to learn the hard way.
• 51:30
  Speaker 2: And it was tough, you know this. We we had
• 51:33
  Speaker 2: to stop doing cams with microphones because those boomomps are
• 51:35
  Speaker 2: not so tired.
• 51:37
  Speaker 1: They have to be so high up because your entire
• 51:44
  Speaker 1: stadium and boom was always in the shot, was in
• 51:47
  Speaker 1: the shot. Guys, let's talk about dream kiss cam. Let's
• 51:51
  Speaker 1: do it get dream scenario kiss cam. I want to
• 51:57
  Speaker 1: hear it, I want to feel it. I want to
• 51:59
  Speaker 1: sense it in my low. I want to take it
• 52:01
  Speaker 1: on and eat it. I want it to be as
• 52:02
  Speaker 1: juicy as an apple that you can suck on. Get
• 52:05
  Speaker 1: get going.
• 52:05
  Speaker 5: And this is the couples you'd like to see on
• 52:08
  Speaker 5: the kiss came or is this types of kiss games?
• 52:10
  Speaker 1: I want you to describe the perfect dream kiss cam
• 52:14
  Speaker 1: scenario that you want to film, all right, that you
• 52:16
  Speaker 1: want to capture.
• 52:18
  Speaker 2: What I'm looking for is four generations of mixed race couples,
• 52:22
  Speaker 2: all related to each other, all next to each other.
• 52:25
  Speaker 2: So we we got we got an old challenge. We
• 52:28
  Speaker 2: got old Hispanic great grandpa with old white great grandma.
• 52:34
  Speaker 2: They kiss pan over. We see Hispanic white mixed grandpa
• 52:41
  Speaker 2: and uh black grandma pan over. They kiss, Yeah, yeah,
• 52:47
  Speaker 2: they panover. We see Hispanic white black mom and Filipino dad.
• 52:58
  Speaker 1: We're all on the same tea.
• 53:02
  Speaker 5: We're all on the same team.
• 53:05
  Speaker 2: And then we paint over one more time. In their
• 53:07
  Speaker 2: twenties college game, we got his big flack white Filipino
• 53:14
  Speaker 2: son kissing albino boyfriend.
• 53:22
  Speaker 3: Friend.
• 53:24
  Speaker 1: Friends were all on the same team.
• 53:28
  Speaker 5: We're all on the same team. We're all on the
• 53:34
  Speaker 5: same team. And that's how you show it. And this
• 53:37
  Speaker 5: game is for everybody, my dream kiss cam. It is
• 53:43
  Speaker 5: nineteen forty four, the war has just ended. A soldier
• 53:47
  Speaker 5: and a nurse are coming out for the baseball game.
• 53:50
  Speaker 3: He dips her and they.
• 53:52
  Speaker 5: Takes a perfect photo finish like that photo, Like that
• 53:57
  Speaker 5: photo A reference, A hard one to one reference.
• 54:03
  Speaker 7: Maybe I tell that something like injection made healing, healing,
• 54:13
  Speaker 7: healing because of the nurse.
• 54:16
  Speaker 1: You guys, you guys didn't hear the colon in the
• 54:19
  Speaker 1: middle of that injection made loud enough.
• 54:23
  Speaker 5: I understand.
• 54:24
  Speaker 6: I think my dream kiss cam would be one day
• 54:30
  Speaker 6: we'll find a couple that looks like twins.
• 54:33
  Speaker 2: Yeah, and I want to and I want to go.
• 54:38
  Speaker 3: Don't worry, folks, they're not twins. I heard there's climbers.
• 54:47
  Speaker 3: My voice actually mean something.
• 54:50
  Speaker 2: It's more of a punchline for you. I love that
• 54:53
  Speaker 2: you don't look at the open use of these stadiums
• 54:55
  Speaker 2: because you're all over them. People are like, why are
• 54:58
  Speaker 2: they talking so much of this? I love it.
• 55:02
  Speaker 1: Yeah, I guess for me, I want So there's a
• 55:07
  Speaker 1: woman and she's been down on her luck for a
• 55:09
  Speaker 1: couple of years, she hasn't found love in a long time,
• 55:15
  Speaker 1: and maybe she is at the stadium and then a
• 55:21
  Speaker 1: guy comes and says, did somebody order pizza? And she
• 55:26
  Speaker 1: sits down and goes, yeah, I don't think I did.
• 55:30
  Speaker 1: And that's when we cut to them and the guy
• 55:32
  Speaker 1: is holding the pizza and she is going, I didn't
• 55:35
  Speaker 1: order the pizza. They're caught on camera. She goes, maybe
• 55:39
  Speaker 1: this is it. Maybe this is the moment, and they
• 55:42
  Speaker 1: start kissing, like mmm mm hmmm.
• 55:46
  Speaker 2: None of us described the kitssen. I think we all
• 55:48
  Speaker 2: just assume that you can.
• 55:50
  Speaker 5: I ask you, are you missing the bornography?
• 56:00
  Speaker 1: This has been.
• 56:02
  Speaker 5: Answering the question.
• 56:03
  Speaker 1: Now.
• 56:03
  Speaker 5: That's why they call it show biz. We'll see you
• 56:06
  Speaker 5: next time.
• 56:07
  Speaker 1: Live the Beautiful Dynasty time.
• 56:10
  Speaker 3: Guys, truly go to our Patren. It's super cheap. We're
• 56:13
  Speaker 3: gonna talk about kissing.
• 56:14
  Speaker 2: Yeahsing, good Night, Hollywood.
• 56:17
  Speaker 1: Ant I was a pervert.
• 56:20
  Speaker 9: Artists on Artists On Artists on Artists is an improvised
• 56:22
  Speaker 9: Hollywood Bround People podcast created and performed and produced by
• 56:25
  Speaker 9: Kylie Braakman, Jeremy Colheyne, Angelo Jeratana, and Patrick McDonald. Music
• 56:29
  Speaker 9: is by Gabriel Ponton. The opinions expressed on this podcast
• 56:33
  Speaker 9: do not reflect the opinions of anyone who works on it,
• 56:35
  Speaker 9: not even the performers, because this is an improvised podcast
• 56:38
  Speaker 9: and we're stupid. Full video versions of ao ao ao
• 56:41
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• 56:44
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• 56:46
  Speaker 9: your podcasts.
• 56:47
  Speaker 3: Good Night, Hollywood,