Latest / Frightmares / Ep. 147 - I See You (2019)

Transcript

Ep. 147 - I See You (2019) · Frightmares

• 0:43
  Speaker 1: Now all I'm doing is looking around seeing what I
• 0:45
  Speaker 1: could put Google eyes google eyes on.
• 0:48
  Speaker 2: Because we're not that serious and this is like serious
• 0:52
  Speaker 2: business collection.
• 0:53
  Speaker 1: Yeah, why not make it fun?
• 0:55
  Speaker 2: Yeah, make it a little less serious, make it a little.
• 0:57
  Speaker 1: Less serious, make it fun. The alligator would probably be
• 0:59
  Speaker 1: the best thing to look at with with googly eyes,
• 1:02
  Speaker 1: just because it's it's meant to look scary and you
• 1:04
  Speaker 1: had Google eyes to it and suddenly it's hilarious. Well,
• 1:07
  Speaker 1: and the.
• 1:07
  Speaker 2: Friday the thirteen fortieth anniversary poster.
• 1:10
  Speaker 1: If you put Google eyes on Jason, God damn amazing.
• 1:14
  Speaker 1: His eyes are already pretty pretty wide as it is,
• 1:17
  Speaker 1: so making them more comical would actually be hilarious. That
• 1:20
  Speaker 1: would be a good idea. And now seriously, I'm just
• 1:22
  Speaker 1: looking at everything I could put Google design. This is okay.
• 1:25
  Speaker 1: I got to go to Amazon. They can't be expensive.
• 1:28
  Speaker 1: They can't be expensive.
• 1:29
  Speaker 2: No, you can get Michael's for like nothing.
• 1:33
  Speaker 1: Mike, That's true, And we do go to Michael's a lot.
• 1:35
  Speaker 1: You know. Gabby is that artists, so she's always got
• 1:37
  Speaker 1: to get supply. She was just a Joe Ann's today.
• 1:40
  Speaker 1: God damn it. Do you know how you know? They
• 1:42
  Speaker 1: still like the giant googly eyes too. Have you seen No, No, no,
• 1:46
  Speaker 1: they're like I'm talking, They're like this big they have Yeah,
• 1:49
  Speaker 1: they have massive googly eyes. I don't have anything I
• 1:51
  Speaker 1: could use that for, but.
• 1:53
  Speaker 2: Welcome to the Google Eye Podcast.
• 1:55
  Speaker 1: Exclusively googly eyes. Then everything and in anything in the
• 2:02
  Speaker 1: industry of Google is six ninety nine for two hundred pieces.
• 2:06
  Speaker 1: I'm putting it in the cart. Are they different sizes? Okay?
• 2:09
  Speaker 1: Because oh no, they're all the same size. Is there aver?
• 2:12
  Speaker 1: I need a variety of sizes? There we go, Oh,
• 2:15
  Speaker 1: here we go, there's a hole. Yep, there we go.
• 2:17
  Speaker 1: There's like six different sizes four dollars for five hundred pieces.
• 2:21
  Speaker 1: That's even better. Add to my cart next time you
• 2:24
  Speaker 1: get you next time you're here for a podcast. Is
• 2:26
  Speaker 1: just gonna be ridiculous.
• 2:27
  Speaker 2: Everything on Amazon is just the impulse aisle.
• 2:33
  Speaker 1: I'm just scrolling through looking for something specific and see
• 2:36
  Speaker 1: seven things I don't need, and I'm like, oh, I
• 2:38
  Speaker 1: gotta put that in the cart as well. I'll just
• 2:41
  Speaker 1: use my Amazon points. Anyways, Welcome to episode one seven.
• 2:46
  Speaker 1: I'm your host, Austin Proctor. That is your co host
• 2:48
  Speaker 1: Corey Johnson. Hey, that was a terrible time to take
• 2:52
  Speaker 1: a sip. It's been a hot minute since you've been
• 2:54
  Speaker 1: on the air. Hell yeah, I know. We had a
• 2:57
  Speaker 1: random hiatus there because life got in the way.
• 2:59
  Speaker 2: But life, life got severely in the way.
• 3:03
  Speaker 1: Life did find a way back though, and here we are.
• 3:06
  Speaker 1: I'm I'm extremely excited today. I feel like the podcast
• 3:11
  Speaker 1: has been culminating to this moment ever since we I
• 3:16
  Speaker 1: mean when we were so if you for those of
• 3:18
  Speaker 1: you who don't know and who were not with us,
• 3:20
  Speaker 1: way back when we used to play a horror like game,
• 3:24
  Speaker 1: a couple games. Well, so hold on, was it even
• 3:27
  Speaker 1: before the game?
• 3:28
  Speaker 2: It's before the game? Oh Jesus, this we're going on?
• 3:33
  Speaker 2: Like episode four, we were talking about the village.
• 3:37
  Speaker 1: The village.
• 3:38
  Speaker 2: Yeah, we were talking about the village and you were like, oh, yeah,
• 3:42
  Speaker 2: blah blah blah Helen something, or yeah, because you were
• 3:47
  Speaker 2: talking about the deer and then you're like blah blah
• 3:49
  Speaker 2: blah Helen something. And then I was like, Helen Hunt.
• 3:54
  Speaker 1: Yeah, because we were trying to think of because yeah,
• 3:56
  Speaker 1: because we were talking about someone and we confused it
• 3:58
  Speaker 1: with Hunt and they were like, wait nos, a Bonnie Hunt.
• 4:01
  Speaker 1: And we were like, who's the Helen that we're thinking of.
• 4:03
  Speaker 1: So I guess it was before that, Yeah, it was,
• 4:06
  Speaker 1: but and then it just continued. Okay from there, Uh, the.
• 4:11
  Speaker 2: Bit became anytime we couldn't think of somebody's name, that
• 4:16
  Speaker 2: somebody then became Helen Hunt.
• 4:18
  Speaker 1: Yeah, because when we would play, yeah, we would play
• 4:20
  Speaker 1: that's right, Okay, So I guess Helen Hunt came about
• 4:22
  Speaker 1: when we couldn't think of the right hunt or the
• 4:24
  Speaker 1: right whatever Helen, so we joked that it was Helen Hunt.
• 4:28
  Speaker 1: And then yeah, then we started playing the horror games,
• 4:31
  Speaker 1: and anytime we did know an and twer, we'd go
• 4:33
  Speaker 1: Helen Hunt. And it was it was a great time
• 4:34
  Speaker 1: when we were playing the uh trivia games. So since
• 4:37
  Speaker 1: we've moved past that, since we just don't have time,
• 4:38
  Speaker 1: I don't know, okay, I'd also don't know how we
• 4:41
  Speaker 1: had time to review fifteen movies and then play trivia.
• 4:45
  Speaker 1: I mean, I guess you know it was like two
• 4:47
  Speaker 1: hour episodes. Yeah, but still we talk about one movie
• 4:51
  Speaker 1: for an hour and fifteen minutes. Now, well what the fuck?
• 4:54
  Speaker 1: And we're we're.
• 4:55
  Speaker 2: We're also watching these movies much less passively. Now it's
• 5:00
  Speaker 2: a it's a much more objective viewing of the movie now,
• 5:05
  Speaker 2: because like when I'm like, Okay, I gotta watch four movies,
• 5:08
  Speaker 2: I'm gonna pay twenty five percent attention to all four movies,
• 5:13
  Speaker 2: did you collectively get to one hundred percent?
• 5:15
  Speaker 1: And usually the conversations back then where I really linked
• 5:18
  Speaker 1: this movie for this reason and these people were good
• 5:22
  Speaker 1: next movie, like yeah, you know, it's just so funny
• 5:25
  Speaker 1: how we used to review all those movies and then
• 5:27
  Speaker 1: played trivia so this and it's funny because I remember
• 5:31
  Speaker 1: I watched this movie one time when I was on
• 5:35
  Speaker 1: like a found footage binge because there is elements of like,
• 5:38
  Speaker 1: you know, POV style, and it came across this and
• 5:41
  Speaker 1: I saw a familiar face and I was like, I
• 5:43
  Speaker 1: don't know, you look familiar. And I started watching. I'm like,
• 5:45
  Speaker 1: who the fuck is this? And I'm like, oh my god,
• 5:47
  Speaker 1: it's Helen hunt. She just she didn't necessarily age bad.
• 5:51
  Speaker 1: She just kind of aged like weird. She just doesn't
• 5:53
  Speaker 1: look like, you know, she looks like a person trying
• 5:56
  Speaker 1: to play Helen Hunts.
• 5:58
  Speaker 2: So when I saw her in this movie, I was like,
• 6:02
  Speaker 2: you droopy dog, motherfucker.
• 6:05
  Speaker 1: It's like her face got like elongated. I don't know,
• 6:08
  Speaker 1: she just looked like her chins more point. Yeah, she
• 6:12
  Speaker 1: just looks different.
• 6:13
  Speaker 2: Yeah, I mean it's great performance in this movie.
• 6:16
  Speaker 1: Yeah, fantastic for sure. But yeah, so but yeah, I'd
• 6:21
  Speaker 1: watched this a while ago and then I just took it.
• 6:24
  Speaker 1: I was like, I was like, oh my god, we're
• 6:26
  Speaker 1: still you know, me and you are still doing themed episodes. Obviously,
• 6:28
  Speaker 1: the themed episode for me and you today is Helen
• 6:30
  Speaker 1: Hunt horror, because I'm pretty sure, I mean, unless you
• 6:33
  Speaker 1: want to technically qualify Twister as a horror movie, you know,
• 6:37
  Speaker 1: like real life horror, this is like the only horror
• 6:40
  Speaker 1: movie to my knowledge that she is in. So I
• 6:42
  Speaker 1: was like, we have to do that.
• 6:44
  Speaker 2: And depending on what source you look on, it's not
• 6:48
  Speaker 2: even horror. It's classified as thriller.
• 6:51
  Speaker 1: And I'm IMDb it has horror in there, and that
• 6:55
  Speaker 1: is good enough for me.
• 6:56
  Speaker 2: I think. On Amazon it's classified as thriller drama.
• 7:00
  Speaker 1: It says thriller drama erotic on it. When I played
• 7:03
  Speaker 1: it today, yeah, I know, I had to. I had to.
• 7:06
  Speaker 1: I played it and then I said a hold on,
• 7:07
  Speaker 1: and then I went back and it said thriller drama, erotic,
• 7:10
  Speaker 1: and I looked at Gabby and it's like, what part
• 7:12
  Speaker 1: of this is erotic? What the the affair that we'll
• 7:15
  Speaker 1: get into?
• 7:15
  Speaker 2: Like, what the fuck? I don't know.
• 7:18
  Speaker 1: So, yeah, it's kind of funny.
• 7:19
  Speaker 2: Where is it the child molastic?
• 7:23
  Speaker 1: Maybe, but that's not it shouldn't be listening.
• 7:26
  Speaker 2: It should not not at all.
• 7:27
  Speaker 1: That's no, that's terrible. Let me see what I am
• 7:31
  Speaker 1: or not IMDb. Let me see what Letterbox has it as,
• 7:34
  Speaker 1: because it's funny how like all these different platforms can
• 7:36
  Speaker 1: be Yeah, here we go, crime, thriller, horror, mystery. Okay,
• 7:39
  Speaker 1: so at least okay, Letterbox and IMDb are on the
• 7:42
  Speaker 1: pretty much on the same page. But yeah, Amazon counts, Yeah,
• 7:45
  Speaker 1: it counts. It's two places. But yeah, it does not
• 7:48
  Speaker 1: have it listed as horror on Amazon, at least when
• 7:50
  Speaker 1: I played it. So but yeah, I feel like the
• 7:52
  Speaker 1: whole the whole podcast has been culminating to this moment
• 7:55
  Speaker 1: because Helen Hans has been a huge part of this
• 7:57
  Speaker 1: podcast for no reason, for no real reason besides hilarious hijinks.
• 8:03
  Speaker 1: So it just felt natural to do the horror movie
• 8:07
  Speaker 1: that she was in. And we'll get to that, of course,
• 8:10
  Speaker 1: in a little bit. And it's it's very it's very dense,
• 8:14
  Speaker 1: and we're gonna get into it because it's there's there's
• 8:17
  Speaker 1: a lot and what's going on.
• 8:20
  Speaker 2: And what's funny is how dense it is for the
• 8:24
  Speaker 2: main publishing house, which is Saban Films. Yeah, which if
• 8:29
  Speaker 2: you don't know what Saban Films are, they are famous
• 8:34
  Speaker 2: for Power Rangers.
• 8:35
  Speaker 1: Oh? Is that is that? Who made Power Rangers? Yeah?
• 8:37
  Speaker 2: Saban Oh okay, yeah, it's a it's a originally Japanese
• 8:43
  Speaker 2: publishing house that did like karatean, uh, like kung Fu,
• 8:48
  Speaker 2: like kids shows.
• 8:49
  Speaker 1: Okay, yeah, all right, I did not know that I had.
• 8:53
  Speaker 1: I saw the name Saban or Saban when it came up,
• 8:56
  Speaker 1: and I was like, I feel like I know them
• 8:57
  Speaker 1: from something, but what what is it? And I guess
• 9:00
  Speaker 1: that must be what it is. Oh yeah, Power Rangers. Okay,
• 9:02
  Speaker 1: there is Power Rangers, the Haunting of Sharon Tate, the
• 9:06
  Speaker 1: Vanishing Saban Films.
• 9:08
  Speaker 2: Yeah. Well, and what's funny is the original Power Rangers
• 9:13
  Speaker 2: were called Super Saban.
• 9:15
  Speaker 1: Oh were they Yeah?
• 9:16
  Speaker 2: They were called the Super Sabans.
• 9:18
  Speaker 1: Well see, and that's why I love having you on
• 9:20
  Speaker 1: this podcast. You just have all this goddamn knowledge that
• 9:23
  Speaker 1: I don't know shit about crossover and it just it
• 9:25
  Speaker 1: just works, just works perfectly. Could you flick that a
• 9:29
  Speaker 1: little bit more your way? Yeah, there we go. I
• 9:32
  Speaker 1: don't know why it was so wide. Yeah, there we go. Cool. So, yes,
• 9:36
  Speaker 1: before we get into this very dense movie, Uh, let's
• 9:40
  Speaker 1: talk about some ship we've been watching. It's been so
• 9:42
  Speaker 1: long since you let me just let's let's talk to you, man,
• 9:44
  Speaker 1: what have you been watching, because it's been a few months.
• 9:46
  Speaker 2: So honestly, I haven't been watching a whole lot. I
• 9:52
  Speaker 2: finished the last season of Peaky Blinders. Oh nice, fucking amazing?
• 9:57
  Speaker 2: Is that the like the last last Yes, it's done done.
• 10:01
  Speaker 2: It is done, done, done, done done, like one Hunt
• 10:05
  Speaker 2: if if they can, if they make a new season,
• 10:07
  Speaker 2: it's not Peaky Blinders, Okay, is I'm stating that right now?
• 10:10
  Speaker 1: So solid resolution.
• 10:12
  Speaker 2: I was very happy with the way it ended because
• 10:17
  Speaker 2: it could not have honestly ended any other way.
• 10:20
  Speaker 1: Cool. It's it's very rare these days to have a
• 10:23
  Speaker 1: show that you like and like and like and like,
• 10:25
  Speaker 1: you know.
• 10:26
  Speaker 2: Because if they tried to do anything else, it was
• 10:28
  Speaker 2: gonna go the way of Supernatural. Yeah, and I've heard it,
• 10:34
  Speaker 2: so the whole joke about Supernatural is all right? We
• 10:37
  Speaker 2: gotta fight the devil. All right, we beat the devil.
• 10:40
  Speaker 2: Now we gotta fight the devil's cousin death. Okay, we
• 10:44
  Speaker 2: beat death. Now we have to fight the actual incarnation
• 10:48
  Speaker 2: of darkness itself. Okay, now we beat that. Now we
• 10:52
  Speaker 2: have to beat the idea of evil. All right, let's
• 10:57
  Speaker 2: go like it just it's it suffers from that one
• 11:00
  Speaker 2: upmanship in its own self. And if if I feel that,
• 11:05
  Speaker 2: if Peaky Blinders would have tried to end any other way,
• 11:07
  Speaker 2: it would have started suffering from that.
• 11:09
  Speaker 1: What uh six seasons or seven? Yeah? Six? Six? Okay,
• 11:13
  Speaker 1: so that I got I gotta catch back up. I
• 11:15
  Speaker 1: watched one. I think I was on the end of four,
• 11:18
  Speaker 1: so I gotta watch five and six.
• 11:19
  Speaker 2: But it makes me fucking six season six episodes.
• 11:23
  Speaker 1: Apiece, Like, yeah, get the fuck out of but that.
• 11:25
  Speaker 1: But that's it's also good. That's probably why they were
• 11:27
  Speaker 1: able to keep it and maintain it and have it
• 11:29
  Speaker 1: end well because they didn't oversaturate it like some shows
• 11:32
  Speaker 1: where you have like.
• 11:33
  Speaker 2: I'm fucking sorry, Stranger Things gave me a two hour
• 11:39
  Speaker 2: and thirty five minute season ender. Yeah, like, no, get
• 11:43
  Speaker 2: the fuck out of here. You can do it like
• 11:45
  Speaker 2: you're just lazy. You're not the Duffer brothers. How dare you?
• 11:50
  Speaker 2: Stranger Things has set a precedent for every season finale
• 11:55
  Speaker 2: from here on. If I get anything under an hour
• 11:59
  Speaker 2: thirty riots.
• 12:01
  Speaker 1: Right, what for every episode next season? No?
• 12:03
  Speaker 2: No, I'm saying for season finales in general. Oh just oh,
• 12:07
  Speaker 2: just a general Freddy show. Any show, any doesn't matter,
• 12:11
  Speaker 2: fucking spans SpongeBob SquarePants season under our thirty doesn't even
• 12:16
  Speaker 2: I don't even care if he's just standing there, just
• 12:18
  Speaker 2: fly La.
• 12:23
  Speaker 1: Already off the rails. Well, speaking of Stranger Things without
• 12:27
  Speaker 1: obviously spoiling too much, or we can just spoil it
• 12:30
  Speaker 1: and say skip ahead ten minutes.
• 12:31
  Speaker 2: No, don't, okay, don't spoil it. Okay, the the uh,
• 12:36
  Speaker 2: the experience is there. I also got an accidental spoil
• 12:42
  Speaker 2: for the next season that's not even out yet, based
• 12:45
  Speaker 2: on a D and D nerd.
• 12:49
  Speaker 1: Is it about Cass? What is it about casts? Or
• 12:52
  Speaker 1: Cass the the new villain? No, not the new villain.
• 12:56
  Speaker 1: There's a there's a theory about a certain character. Uh
• 13:01
  Speaker 1: So in D and D there's a character called Cass
• 13:03
  Speaker 1: and his role is being Vecna's right hand man. Yeah,
• 13:07
  Speaker 1: and there's yeah. So there's a theory out there that
• 13:11
  Speaker 1: there's a character in the show that is going to
• 13:13
  Speaker 1: become Cass and is going to be Vecna's right hand man,
• 13:17
  Speaker 1: only for the kids to tap into that person's still
• 13:22
  Speaker 1: you know, human part of their brain to help because
• 13:24
  Speaker 1: in D and D, Cass kills Vecna. So that's the
• 13:27
  Speaker 1: theory about this is there's a character that's going to
• 13:29
  Speaker 1: be brought in his cast to defeat Vecna in the
• 13:31
  Speaker 1: final season. There's also a lot going on with time,
• 13:35
  Speaker 1: and there's this really interesting theory I heard on TikTok
• 13:38
  Speaker 1: that there is someone in the show that is a
• 13:41
  Speaker 1: secret villain and it is This isn't really spoiling anything,
• 13:45
  Speaker 1: this is just a theory. So you remember the guidance counselor,
• 13:48
  Speaker 1: the lady who was helping all the kids at school,
• 13:51
  Speaker 1: like helping Max when she was being bull or was
• 13:53
  Speaker 1: it Max I was being bullied? There was a oh.
• 13:56
  Speaker 2: Yes, yes, yeah, okay, yes, yes, so specifically in C
• 14:00
  Speaker 2: season four, so okay, yes, so I thought no, I
• 14:04
  Speaker 2: was like wait.
• 14:05
  Speaker 1: What no, just this season the guidance counselor, I can't
• 14:07
  Speaker 1: remember her name, but there's this theory that she's this
• 14:11
  Speaker 1: secret villain that also has something to do with D
• 14:13
  Speaker 1: and D because she has a necklace with a key
• 14:16
  Speaker 1: on it, and there's also a clock in her office
• 14:19
  Speaker 1: that is key shaped, and on Vecna's clock there is
• 14:22
  Speaker 1: a keyhole. So they're thinking that there's something to do
• 14:24
  Speaker 1: with her not being who she says she is. I mean,
• 14:27
  Speaker 1: I don't know. So there's just there's a lot of
• 14:29
  Speaker 1: cool theories going on out there right now. And there's
• 14:31
  Speaker 1: also this really cool thing I heard about Max with
• 14:35
  Speaker 1: what happens to her and the music that she plays
• 14:38
  Speaker 1: in the Upside Down to I kind of Help Save
• 14:41
  Speaker 1: Herself is an out a song by Kate Busch, and
• 14:44
  Speaker 1: there's an album that literally talks about exactly her storyline.
• 14:48
  Speaker 1: I won't give it away, but it's on TikTok. You
• 14:49
  Speaker 1: could find it. I'll tell you after the show. But
• 14:52
  Speaker 1: they pretty much told us Max's like what was gonna
• 14:54
  Speaker 1: happen to Max from the very beginning with Kate Bush
• 14:57
  Speaker 1: and the album that goes along with it, and it's
• 14:59
  Speaker 1: very cool. Well, so there's a lot of cool shit
• 15:01
  Speaker 1: on TikTok going around. I mean, the casting probably gonna happen,
• 15:05
  Speaker 1: I'd say, just because it makes the most sense, and
• 15:07
  Speaker 1: there's a lot of nerds out there that knows what's
• 15:09
  Speaker 1: going on, especially since that person had these two you know,
• 15:14
  Speaker 1: weapons or whatever. So there's a lot of cool shit
• 15:16
  Speaker 1: going on. But it really sucks that we, legit have
• 15:18
  Speaker 1: to wait two more I mean, the kids are gonna
• 15:21
  Speaker 1: be in their fucking thirties at this point. They're gonna
• 15:23
  Speaker 1: be so old, but we have to wait until twenty
• 15:25
  Speaker 1: twenty four for the last season. I don't know how
• 15:29
  Speaker 1: many episodes or if they're gonna split it like they
• 15:31
  Speaker 1: did this time.
• 15:32
  Speaker 2: So here is here's going to be my theory for
• 15:37
  Speaker 2: anything involving Netflix in the next five to ten years.
• 15:43
  Speaker 2: What's that everything's getting split up? Well, yeah, they did
• 15:47
  Speaker 2: that with Ozark too, because Netflix is in this not well.
• 15:51
  Speaker 2: Between this year and last year, Netflix has lost seventy
• 15:56
  Speaker 2: five person Yeah their stock price.
• 15:59
  Speaker 1: Yeah, good for them.
• 16:01
  Speaker 2: So they're trying to keep people around by forcing them
• 16:04
  Speaker 2: to stay around.
• 16:05
  Speaker 1: Yeah, because yeah, I know. I figured that's why they
• 16:08
  Speaker 1: did that with Stranger Things, because it was literally just
• 16:11
  Speaker 1: enough time for them to get one more month out
• 16:13
  Speaker 1: of people, but with Ozark it was like three or
• 16:15
  Speaker 1: four months. Yeah, I think Ozark was about three months
• 16:18
  Speaker 1: or maybe even four, So I guess that's the tactic
• 16:21
  Speaker 1: they're gonna do. I will say though, with Netflix, I
• 16:24
  Speaker 1: have noticed them stepping their game up lately, like they
• 16:28
  Speaker 1: have it on there now. They have a lot of
• 16:31
  Speaker 1: huge titles. I think I saw seven Fight Club, like
• 16:34
  Speaker 1: I've seen so much. Like I'm like, whoa, Okay, you're
• 16:37
  Speaker 1: realizing that, yeah, you guys don't really have a lot
• 16:40
  Speaker 1: of They have a lot of good original stuff, but
• 16:42
  Speaker 1: they didn't really have a lot of good in the
• 16:43
  Speaker 1: way of yeah, everything else. So I've noticed them truly
• 16:47
  Speaker 1: stepping their game out as probably a way to like
• 16:50
  Speaker 1: keep people subscribing.
• 16:51
  Speaker 2: Here's the other thing, though, guarantee you that around December
• 16:57
  Speaker 2: we're gonna hear announcement that come January February, get another
• 17:00
  Speaker 2: price hike for the Netflix subscription.
• 17:02
  Speaker 1: I know, which is crazy because they've literally gone up
• 17:05
  Speaker 1: like every year for the past few years. It's like
• 17:08
  Speaker 1: a couple extra.
• 17:08
  Speaker 2: Bodies, and they're like they are now four dollars less
• 17:14
  Speaker 2: than HBO and that's disgusting. What's HBO at eighteen nine?
• 17:20
  Speaker 1: Is it really well? Because I know you can get
• 17:23
  Speaker 1: HBO well no, yeah, HBO Max. That's right, because I
• 17:26
  Speaker 1: know there's certain you can get channels through Amazon for
• 17:28
  Speaker 1: a little bit cheaper, Like, yeah, I have HBO Max
• 17:31
  Speaker 1: by itself, so but if you want.
• 17:33
  Speaker 2: HBO Max with ads, it's only nine ninety nine.
• 17:36
  Speaker 1: See. Yeah, I feel like they're gonna I feel like,
• 17:38
  Speaker 1: I don't know why Netflix doesn't do that, just have
• 17:40
  Speaker 1: a cheaper option.
• 17:41
  Speaker 2: Well, so their cheaper option is their standard definition. And
• 17:46
  Speaker 2: let me tell you, it looks like you're watching it
• 17:51
  Speaker 2: in the reflection of a toaster.
• 17:55
  Speaker 1: A toaster. You took it so far, you're gonna say
• 17:58
  Speaker 1: they're flecxition of a mirror. No, And see, like how many.
• 18:02
  Speaker 2: People don't have high def TVs nowadays?
• 18:07
  Speaker 1: Nowadays?
• 18:07
  Speaker 2: Yeah, if most people don't at least have four K TVs. Yeah,
• 18:12
  Speaker 2: if you meet a fifty inch four K at Walmart
• 18:14
  Speaker 2: for two hundred and fifty bucks, they're very cheap.
• 18:16
  Speaker 1: Yeah. Yeah, so they're extremely cheap.
• 18:18
  Speaker 2: So when you have a four K TV running standard
• 18:22
  Speaker 2: seven to twenty P definition, yeah, of a show, it
• 18:27
  Speaker 2: it hurts.
• 18:27
  Speaker 1: I didn't see. I know they had the option, So
• 18:30
  Speaker 1: I have the option of the you know, because you
• 18:33
  Speaker 1: know it's a step up for the Ultra four KHD
• 18:35
  Speaker 1: and I have that, so I didn't know that this
• 18:37
  Speaker 1: step down was just like regular like like stall.
• 18:40
  Speaker 2: Man standard operating TV fucking quality.
• 18:44
  Speaker 1: Yeah, that's not good. I really think they should just
• 18:47
  Speaker 1: do a cheaper option with ads. I mean Hulu has that. Uh,
• 18:50
  Speaker 1: what's another one that has it. There's another one that
• 18:52
  Speaker 1: has ads. I think Peacock has it because I pay
• 18:55
  Speaker 1: Peacock's ten dollars a month. Except here's the thing. What
• 18:58
  Speaker 1: no one's gonna want to do that because they've never
• 19:00
  Speaker 1: had it.
• 19:00
  Speaker 2: Well, no, here's the thing. Why are we literally going
• 19:05
  Speaker 2: back to cable? Oh I know it's the worst, Like,
• 19:09
  Speaker 2: don't give me ads. Yeah, just give me what you
• 19:13
  Speaker 2: say you're going to give me and go away.
• 19:16
  Speaker 1: Yeah. That's what I couldn't stand about. Some streaming services.
• 19:18
  Speaker 1: They're like we have the ad option or the non
• 19:20
  Speaker 1: ad option. I'm like, I'm paying to stream I'm paying
• 19:23
  Speaker 1: the five extra dollars for no fucking ads because it's
• 19:26
  Speaker 1: so because you never know when they're coming either. It's
• 19:28
  Speaker 1: just like ad yeah, like there's not like there's these
• 19:30
  Speaker 1: dedicated commercial breaks. It's just bam at or it's like
• 19:33
  Speaker 1: ads starting in three seconds and you're like, cool, this
• 19:35
  Speaker 1: is the climax of the film. Great, Yeah, can't wait.
• 19:38
  Speaker 1: So yeah, I don't know why we seem to be
• 19:40
  Speaker 1: going backwards, but I feel like I feel like that's
• 19:43
  Speaker 1: kind of an option for them at this point to
• 19:44
  Speaker 1: just maybe maybe do that option where it's cheaper but
• 19:47
  Speaker 1: you have ads. But it is Netflix and that's never
• 19:50
  Speaker 1: been a thing. So I don't see really people doing that.
• 19:52
  Speaker 1: But yeah, if you keep up, see if they would
• 19:54
  Speaker 1: just stop making one hundred fucking shows a year and
• 19:56
  Speaker 1: then ditching those shows, they'd probably they'd probably make more money.
• 20:00
  Speaker 1: But they do that a lot. Mind Hunter, they did
• 20:02
  Speaker 1: two seasons. They're like, oh, we're done, and then what
• 20:04
  Speaker 1: was that other one that won RKV eighty one? They
• 20:06
  Speaker 1: did one season, We're done, and we're just like just like, like,
• 20:09
  Speaker 1: what the fuck? Why do you start all this shit
• 20:11
  Speaker 1: to just not finish it well?
• 20:12
  Speaker 2: Because Netflix is the creator's paradise. Netflix says, here's your
• 20:23
  Speaker 2: blank check, go produce something.
• 20:26
  Speaker 1: Yeah, like even if it's just it's just weird how
• 20:29
  Speaker 1: they do. Because Santa Clarita die, it was another one
• 20:31
  Speaker 1: three episode or three seasons left on a cliffhanger, no
• 20:35
  Speaker 1: more seasons, and they're like, why start something if you're
• 20:38
  Speaker 1: not gonna finish it, especially if you leave us on
• 20:40
  Speaker 1: a cliffhanger, that's just rude. Ye, why do this? So? Yeah,
• 20:44
  Speaker 1: Netflix has gotta They've gotta figure something out because honestly,
• 20:47
  Speaker 1: I've been thinking about it. They don't really need Netflix, Like,
• 20:50
  Speaker 1: once Stranger Things is done, I don't really need Netflix.
• 20:54
  Speaker 1: I have Peacock, I have Paramount, I have Hulu, I
• 20:56
  Speaker 1: have Amazon, I have fucking shutter Like, I have everything.
• 20:59
  Speaker 1: I don't need Netflix. And the only reason I used
• 21:02
  Speaker 1: it is because I'm piggybacking off my parents' account. So
• 21:05
  Speaker 1: it's like, and that's it. I can't.
• 21:08
  Speaker 2: I canceled my personal Netflix four months ago. Really, I've
• 21:14
  Speaker 2: been using my mother's. Yeah, same because she she got
• 21:17
  Speaker 2: a discount for it through work, and now that she's
• 21:21
  Speaker 2: not at that job anymore, she's just never bothered to
• 21:23
  Speaker 2: update it. Oh no, of course, so now she just
• 21:25
  Speaker 2: gets like a family planned discount, like four different devices
• 21:30
  Speaker 2: for like nine.
• 21:32
  Speaker 1: Yeah, that's a sei, It's ridiculous. Yeah, So if I
• 21:35
  Speaker 1: didn't have my parents, I probably would just wouldn't get it,
• 21:37
  Speaker 1: or I would just get it. When Stranger Things comes
• 21:39
  Speaker 1: back around, watch Stranger Things and then then be done
• 21:41
  Speaker 1: with it, because I really really don't need it. There's
• 21:44
  Speaker 1: plenty of HBO max Is. I've said this before, it
• 21:47
  Speaker 1: is the best in my opinion. They have the best show's,
• 21:50
  Speaker 1: best original content, and they have just the best movie selection.
• 21:53
  Speaker 1: It is so good.
• 21:55
  Speaker 2: Well, and see the problem with Netflix is a lot
• 21:59
  Speaker 2: of that shit is it's on Netflix. It's there, Yeah,
• 22:03
  Speaker 2: but you and I can't watch it because we're not
• 22:05
  Speaker 2: in the UK, or we're not in Canada, or we're
• 22:07
  Speaker 2: not fucking wherever. Yeah, it's it's fucking region locked content.
• 22:12
  Speaker 2: And if you didn't region lock the content, guess what
• 22:15
  Speaker 2: you would have so much more staying power.
• 22:18
  Speaker 1: Yeah, that's why you.
• 22:20
  Speaker 2: Can't compete with something like Amazon is because guess what.
• 22:22
  Speaker 2: I type in any fucking movie from any goddamn locality,
• 22:27
  Speaker 2: and if it's available, Amazon will put it there.
• 22:30
  Speaker 1: And if yeah, if you can't, even if you can't,
• 22:33
  Speaker 1: if it's not streaming, you can like have the option
• 22:35
  Speaker 1: to rent it. I mean that's if I can't find
• 22:36
  Speaker 1: a movie anywhere, I'll go to Amazon and nine times
• 22:39
  Speaker 1: out of ten it's at least there to rent. Yes.
• 22:41
  Speaker 1: So Amazon really is the true hero with all of
• 22:43
  Speaker 1: this because they know how to do their shit. But yeah,
• 22:46
  Speaker 1: Netflix has to adapt or they will literally be overrun
• 22:48
  Speaker 1: by the countless streaming services that are just kind of
• 22:51
  Speaker 1: doing it better. Which is funny because Netflix was like,
• 22:54
  Speaker 1: you know, they were the first. They started out just
• 22:56
  Speaker 1: shipping DVDs out and that's what they did, and then
• 22:58
  Speaker 1: they started streaming, and then.
• 23:00
  Speaker 2: You know, they still do ship DVD Yeah.
• 23:02
  Speaker 1: Oh yeah, I just I just canceled that recently because
• 23:05
  Speaker 1: I was like, I don't, like maybe a year ago.
• 23:07
  Speaker 1: It's like I don't really need this anymore because I'll
• 23:08
  Speaker 1: just buy the movie if I want it. So, yeah,
• 23:11
  Speaker 1: they still do that service they should go to. Yeah,
• 23:13
  Speaker 1: they should probably stop doing that because like, I don't,
• 23:16
  Speaker 1: I don't know. I mean, how much money are you
• 23:18
  Speaker 1: really making off that? Are people really still doing? I
• 23:20
  Speaker 1: mean maybe people are like I said I was, I didn't.
• 23:22
  Speaker 1: I mean that that seems like something your mom would do.
• 23:26
  Speaker 1: Yeah exactly, She's like, oh, let me just put this
• 23:28
  Speaker 1: on my cue and order ship to my I mean
• 23:30
  Speaker 1: it was cool for like new releases like brand new
• 23:32
  Speaker 1: ship that I didn't want to necessarily buy, but I
• 23:34
  Speaker 1: was like we could save a few bucks. There's no
• 23:36
  Speaker 1: fucking point in doing this, but yeah, I will go
• 23:39
  Speaker 1: I'll go on record as saying HBO is my max
• 23:42
  Speaker 1: or my max. Wow, Yes, HBO is my favorite. Then
• 23:44
  Speaker 1: probably Amazon Hulu, and then you know, of course shut
• 23:47
  Speaker 1: her for all the horror movies which they have been
• 23:49
  Speaker 1: killing it with original content lately, my friend, Oh my god.
• 23:54
  Speaker 2: And see you know what we asked for it. We
• 23:57
  Speaker 2: asked for it on this podcast. Shut or just give
• 23:59
  Speaker 2: these fucking creators money, and they're doing and what.
• 24:03
  Speaker 1: Happened, what happened they're doing it got banger after banger,
• 24:08
  Speaker 1: dude for banks, so many good fucking movies and one
• 24:11
  Speaker 1: that one that shockingly I thought was gonna go to
• 24:15
  Speaker 1: shutter that went to fucking Netflix. Is a brand new
• 24:18
  Speaker 1: movie for this year. It is a Taiwanese found footage
• 24:21
  Speaker 1: movie called Incantation that Netflix somehow fucking nabbed. And I'm like,
• 24:25
  Speaker 1: you know, I'm like okay, cool. So that is something
• 24:28
  Speaker 1: that me and you have to do an episode on. Like,
• 24:31
  Speaker 1: I don't care if it's a brand new. We've already
• 24:32
  Speaker 1: done two new releases this year. We did TCM and Fresh,
• 24:36
  Speaker 1: so we have like our next episode has to be
• 24:38
  Speaker 1: Incantation because uh, first of all, it's foreign. Second of all,
• 24:42
  Speaker 1: it's Taiwanese, which I've only seen one other Taiwanese movie,
• 24:46
  Speaker 1: which was The Sadness and a Lot of Land. Oh,
• 24:50
  Speaker 1: I hadn't seen that one. I hadn't seen a lot
• 24:52
  Speaker 1: of Land. Wasn't that Indonesian? Wasn't that the same guy
• 24:55
  Speaker 1: who did? Wasn't it wasn't that Yoko?
• 24:57
  Speaker 2: No?
• 24:57
  Speaker 1: That?
• 24:57
  Speaker 2: No, A lot of Land was not Yo, call on war.
• 25:01
  Speaker 1: I'm thinking of Satan Slaves.
• 25:03
  Speaker 2: You are thinking of Satan safe, same episode.
• 25:06
  Speaker 1: The same episode. Yeah, a lot of land isn't Yeah,
• 25:10
  Speaker 1: l A d da maybe uh yeah, Elert does a
• 25:13
  Speaker 1: lot of Land twenty eleven. Country of origin, oh, Thailand,
• 25:18
  Speaker 1: so yeah, yeah close Thailand. Taiwanese, yes, peninsula. Yeah, so
• 25:25
  Speaker 1: I've definitely and I've seen Thailand movies. I've seen Indonesian.
• 25:28
  Speaker 1: I've seen Japan, Korean or South Korean, you know, Chinese Mandarin,
• 25:32
  Speaker 1: but like Taiwani Is, I'm like, the only one I've
• 25:35
  Speaker 1: seen is The Sadness and Incantation. Let me double check,
• 25:38
  Speaker 1: because before it came to shutter, you know, it was
• 25:41
  Speaker 1: doing the festival circuit. Because it is I'm pretty sure
• 25:44
  Speaker 1: it's an you know independent movie okay went down a
• 25:47
  Speaker 1: little bit. It had a three six for a while,
• 25:49
  Speaker 1: but now that it's on Netflix and everyone has a
• 25:52
  Speaker 1: fucking opinion, it's down to the three three. But for
• 25:55
  Speaker 1: a found footage movie, three three is stellar. Yeah, and
• 26:01
  Speaker 1: found footage non English speaking, yeah, exactly, because three to
• 26:06
  Speaker 1: three is penomen Yeah. I guarantee if this was English,
• 26:09
  Speaker 1: it would have a higher ratings because there I know
• 26:11
  Speaker 1: there are a lot of people out there that hate
• 26:14
  Speaker 1: watching foreign movies because it's subtimes and I'm like, Okay,
• 26:16
  Speaker 1: I get it, but you're missing out on stuff. I know.
• 26:18
  Speaker 1: It's I know it's kind of hard to read and
• 26:21
  Speaker 1: also pay attention it is. It can be distracting.
• 26:23
  Speaker 2: Fucking watch it twice.
• 26:24
  Speaker 1: You watch it twice, dude, watch it to read it
• 26:26
  Speaker 1: and then just watch the action.
• 26:28
  Speaker 2: Exactly, know what's going on, understand the context, then watch
• 26:31
  Speaker 2: it for the scares, and then you double appreciate it.
• 26:34
  Speaker 1: Yeah, and it's an hour and fifty one. That's a
• 26:37
  Speaker 1: long found footage. Yeah, that's a long one. People. I've
• 26:40
  Speaker 1: seen people on the Found Footage group just like I'm
• 26:42
  Speaker 1: ten minutes and what the fuck or just and I'm like,
• 26:44
  Speaker 1: well you should get back to watching it. But yeah,
• 26:47
  Speaker 1: people are saying it is insane, so yeah, we're gonna
• 26:50
  Speaker 1: have to watch that because yeah again foreign found footage
• 26:54
  Speaker 1: Taiwanese three point three out of I mean all the
• 26:56
  Speaker 1: all my like top watched people here, four stars, four stars,
• 27:00
  Speaker 1: four and a half stars, Like I'm so excited.
• 27:02
  Speaker 2: That means I'm gonna be screaming. I want to give
• 27:04
  Speaker 2: it over five.
• 27:06
  Speaker 1: Where's Yeah, this is gonna be my number one. I
• 27:08
  Speaker 1: guarantee it'll be probably top five for me. There's there's
• 27:11
  Speaker 1: no way it doesn't make top five. So that's something
• 27:14
  Speaker 1: exciting that's coming out. A couple of things I've watched recently.
• 27:17
  Speaker 1: Let's go back to my shit. I just watched the
• 27:21
  Speaker 1: The Craft Legacy yesterday with Gabby, and my opinion of
• 27:26
  Speaker 1: it obviously not as good as the original. It gave
• 27:29
  Speaker 1: the original like a three five or four because it
• 27:31
  Speaker 1: is a solid movie, and the first two acts of
• 27:33
  Speaker 1: this were like really good. There was good representation for
• 27:36
  Speaker 1: the lg LGBTQ I A plus community. I can never
• 27:40
  Speaker 1: remember everything. I hope I got it all.
• 27:42
  Speaker 2: I'll mafia.
• 27:43
  Speaker 1: It's yeah, it's a lot of letters, but it had
• 27:45
  Speaker 1: good representation for them. It was very funny, had a
• 27:48
  Speaker 1: bang and soundtrack, but the third act kind of went
• 27:50
  Speaker 1: unhinged a little bit and was a bit silly, but
• 27:53
  Speaker 1: then there was a cool tie into the original. Gave
• 27:55
  Speaker 1: it a two and a half with the heart because like,
• 27:57
  Speaker 1: it wasn't good, but it wasn't bad, but I didn't
• 27:59
  Speaker 1: you know, I did enjoy it, and I think that's
• 28:02
  Speaker 1: streaming on Hulu. That's where we watched it, So that's
• 28:04
  Speaker 1: a good one. And then I recently watched Dark Water,
• 28:08
  Speaker 1: the Japanese one. I think it's it's Japanese or Korean,
• 28:12
  Speaker 1: because I had watched the one with Jennifer Connolly recently,
• 28:15
  Speaker 1: which is pretty decent. It was pretty Yeah, I give
• 28:17
  Speaker 1: that one, like, yeah, that is Japanese. Yeah, okay, so yeah,
• 28:19
  Speaker 1: I watched the American one first, the remake, which I
• 28:22
  Speaker 1: gave it three because I thought it was good. Plus
• 28:24
  Speaker 1: I'm a just a sucker for Jennifer Connolly, She's amazing.
• 28:27
  Speaker 1: But the Dark Water Japanese one was obviously better. Gave
• 28:30
  Speaker 1: it a three five. Very creepy, very eerie, and it's
• 28:34
  Speaker 1: just that part of the two thousands that I love,
• 28:37
  Speaker 1: you know, I love the like the early to mid
• 28:39
  Speaker 1: two thousands horror movies. That's when we had you know,
• 28:42
  Speaker 1: some of the scream movies. We had thirteen Ghosts, ghost Ship.
• 28:47
  Speaker 1: I just I love that, and then you know Saw
• 28:48
  Speaker 1: in two thousand and four. I just I just love
• 28:50
  Speaker 1: the mid two thousands for horror movies. They're just one
• 28:53
  Speaker 1: of my favorites. Eighties and then like mid two thousands.
• 28:55
  Speaker 2: Oh yeah for sure for me. Speaking of ghost Ship,
• 28:59
  Speaker 2: I ended up playing this game that uh oh yes,
• 29:03
  Speaker 2: free out on PlayStation right now for this month. It's
• 29:07
  Speaker 2: called uh the Dark Pictures Anthology The Man of Madon, Okay,
• 29:12
  Speaker 2: And so it's it's a series of games. I just
• 29:16
  Speaker 2: got the first one and there they are games that
• 29:20
  Speaker 2: you can literally sit down at noon and finish by
• 29:24
  Speaker 2: like four thirty five. So they're like just kind of
• 29:27
  Speaker 2: like small chapters, small chapters. It is very close to
• 29:32
  Speaker 2: just an interactive horror movie. Okay, every decision you make
• 29:38
  Speaker 2: will have an outcome later on. So like so it's
• 29:43
  Speaker 2: it's about this, uh, two brothers, one of the brother's girlfriends,
• 29:50
  Speaker 2: the girlfriend's brother, and then the boat captain. They're going
• 29:55
  Speaker 2: to go dive a World War two plane that got
• 30:00
  Speaker 2: shot down but it was never recorded. So they're the
• 30:03
  Speaker 2: first ones going down there. Some shit happens, and then
• 30:07
  Speaker 2: they end up on a giant warship that disappeared during
• 30:12
  Speaker 2: World War Two.
• 30:13
  Speaker 1: It's literally like ghost ship style. Yes, so they do.
• 30:16
  Speaker 1: They find this ship just in the floating in the
• 30:18
  Speaker 1: middle of the ocean kind of.
• 30:19
  Speaker 2: They so they have to get on to the warship
• 30:24
  Speaker 2: because their boat is being tossed in a storm.
• 30:27
  Speaker 1: Oh what's it called again? Real quick?
• 30:29
  Speaker 2: The dark pictures?
• 30:30
  Speaker 1: Pictures? Oh, anthology? Okay, I'm just kidding. I'm just curious here.
• 30:36
  Speaker 1: I was like getting some visuals.
• 30:38
  Speaker 2: It's it was now. It was super formulaic. I knew
• 30:44
  Speaker 2: when every single scare was going to happen. So I
• 30:48
  Speaker 2: sat through it and I was like, fun, it was.
• 30:54
  Speaker 2: It was very seth rogen laughy to me because like
• 30:58
  Speaker 2: it was so formulaic and every character is exactly a
• 31:04
  Speaker 2: stereotype of where they should be in the horror.
• 31:08
  Speaker 1: Niche dude, Okay, this is really cool. So oh my god,
• 31:16
  Speaker 1: let me pull him up real quick because I know
• 31:18
  Speaker 1: movies that he's done. But they're escaping me right now.
• 31:22
  Speaker 1: So the writer or one of the writers of the
• 31:25
  Speaker 1: game is Larry Fessenden, or Feast, and I can't know,
• 31:28
  Speaker 1: I don't know how to say his name, but he did,
• 31:31
  Speaker 1: uh he produced like House of the Devil. What did
• 31:34
  Speaker 1: he direct? What are some movies that he actually directed? Oh?
• 31:37
  Speaker 2: Yeah, No, they have a bunch of like horror writers.
• 31:40
  Speaker 1: That's so cool though. Okay, So he directed a movie
• 31:43
  Speaker 1: called Habit, which I've seen is very good. He did, Yeah,
• 31:47
  Speaker 1: he did one of the ABC's of Death part two.
• 31:49
  Speaker 1: He did a movie called Depraved that yeah, and then
• 31:53
  Speaker 1: he's you know, acted in like one hundred and sixteen things.
• 31:57
  Speaker 1: Oh that's so cool. They got like a legit fucking
• 32:00
  Speaker 1: like horror writer. That is really cool. Oh yeah, I
• 32:04
  Speaker 1: was just going through all this stuff. So he's one
• 32:06
  Speaker 1: of the writers. And then there's other director's composer, Jason Graves.
• 32:09
  Speaker 1: Sounds familiar to me.
• 32:10
  Speaker 2: And there's like and there's like, oh wow, time travel involved,
• 32:16
  Speaker 2: like on a very minor level, there's like time travel involved.
• 32:22
  Speaker 1: Oh wow.
• 32:23
  Speaker 2: Like the whole twist at the end is super dope.
• 32:28
  Speaker 1: So did you say? Okay? So is there is this
• 32:30
  Speaker 1: a series of games or is it just one? So
• 32:33
  Speaker 1: The Man of Madawn is one story? Okay? Okay, So
• 32:36
  Speaker 1: the Dark Pictures anthology. Is it's an anthology like Little Okay.
• 32:41
  Speaker 2: Yeah, so then the next one so then the next
• 32:44
  Speaker 2: one is Little Hope, and then the next one is
• 32:48
  Speaker 2: something White House or something dark, and I think they
• 32:51
  Speaker 2: all tie together. So there's one character that's gonna stay
• 32:55
  Speaker 2: through the entire and he's called the Curator and I
• 33:00
  Speaker 2: definitely know he's been in other shit, so.
• 33:04
  Speaker 1: Like the voice.
• 33:05
  Speaker 2: So yeah, And what they do is that the people
• 33:08
  Speaker 2: that play the characters, they basically are themselves. They like
• 33:13
  Speaker 2: motion track their faces and shit.
• 33:15
  Speaker 1: Really yeah, this is interesting. I'm trying to see if
• 33:18
  Speaker 1: I can it says it was for Xbox two. I'm
• 33:20
  Speaker 1: trying to find it. Oh games, there we go, the
• 33:24
  Speaker 1: Dark Pictures fucking go back, you son of a bitch,
• 33:29
  Speaker 1: Dark Pictures Anthology and tholow g.
• 33:32
  Speaker 2: So the Curator is Piptorrens Piptorans So he was.
• 33:39
  Speaker 1: He's been in one hundred and ninety five things. Holy shit,
• 33:42
  Speaker 1: So give me a second. Okay, yeah, this scroll down.
• 33:45
  Speaker 1: This is available on Xbox. Yeah, there's okay, So there's four.
• 33:49
  Speaker 1: There's The Devil in Me, Man of Madon and the
• 33:53
  Speaker 1: House of Ashes and Little Hope. So there's four. There's
• 33:56
  Speaker 1: four of them. That's fucking sick. I have to see
• 33:59
  Speaker 1: how much those are because I can download them to
• 34:01
  Speaker 1: my console, but they do cost money. I will have
• 34:03
  Speaker 1: to Oh, they might be on game Pass. I'll have
• 34:05
  Speaker 1: to check that out. It sounds tight as shit.
• 34:07
  Speaker 2: He was in Force Awakens. He was a colonel.
• 34:11
  Speaker 1: Oh wow, he.
• 34:14
  Speaker 2: Was in a bone of British shit.
• 34:18
  Speaker 1: So he's well versed in the acting. See.
• 34:21
  Speaker 2: Yeah, he was in one of the episodes of Black Mirror.
• 34:24
  Speaker 1: Oh nice, okay, oh oh oh oh? Is he the
• 34:27
  Speaker 1: red haired dude? Oh okay. I was thinking of the
• 34:29
  Speaker 1: ginger guy from he was in Black Mirror and he
• 34:32
  Speaker 1: was oh damn okay. I was like, I know exactly
• 34:36
  Speaker 1: who you're talking about. That's funny. No, okay, never mind,
• 34:41
  Speaker 1: never mind, that's awesome. Okay. So uh yeah, the Dark
• 34:44
  Speaker 1: Pictures Anthology. Check that out. On Xbox, there's and and PlayStation.
• 34:48
  Speaker 1: It's a free this month, you say this month? Okay?
• 34:51
  Speaker 1: Fuck yeah, dude, that's the dopest shit I'm gonna have.
• 34:53
  Speaker 1: I'll pay for him. I don't even care if I
• 34:54
  Speaker 1: have to. But they might be on game Pass because
• 34:56
  Speaker 1: game Pass on Xbox is pretty fucking and even.
• 34:59
  Speaker 2: If you do have to pay for they're like eighteen
• 35:01
  Speaker 2: bucks apiece or something.
• 35:02
  Speaker 1: They're cheap. I was gonna say, yeah, they're like yeah,
• 35:06
  Speaker 1: I was gonna say, there's no where, there's sixty five
• 35:07
  Speaker 1: a piece.
• 35:08
  Speaker 2: And have you seen everything everywhere all at once?
• 35:12
  Speaker 1: Yet we're watching the funny You should mention that we're
• 35:14
  Speaker 1: watching that tonight. We're literally watching that tonight.
• 35:17
  Speaker 2: Because man, let me tell you when I say that
• 35:21
  Speaker 2: movie better win at least two awards, it better win
• 35:26
  Speaker 2: at least two fucking.
• 35:28
  Speaker 1: I mean if he's got a four point five, which
• 35:30
  Speaker 1: is Godfather level and almost it had a four point
• 35:33
  Speaker 1: six for a while, which is what Parasite has, and
• 35:35
  Speaker 1: that's the highest rated thing on Letterbox. So it's gotta
• 35:38
  Speaker 1: win something. Hopefully it'll win Best Picture.
• 35:41
  Speaker 2: Dude, just the the editing and the cinematography of it combined.
• 35:47
  Speaker 2: I was sitting there just in thralled. Yeah, but like
• 35:52
  Speaker 2: I I went on a date to this movie. Oh shit,
• 35:56
  Speaker 2: so you're just like and mind melted and didn't even
• 36:00
  Speaker 2: pay attention to it. I was it was all about
• 36:02
  Speaker 2: the movie. Oh my god, So it is that good? Yeah, yeah,
• 36:06
  Speaker 2: I gave it a four and a half.
• 36:08
  Speaker 1: Yeah that makes sense. Yeah, it's like I said, it
• 36:10
  Speaker 1: has a four or five. Everyone's been raving about it.
• 36:12
  Speaker 1: I couldn't make it to theaters because it was in
• 36:15
  Speaker 1: Dolby for a very short time and then it was
• 36:17
  Speaker 1: out of Dolby, and I just can't sit in the
• 36:19
  Speaker 1: I can't sit in non recliner seats for more than
• 36:21
  Speaker 1: two hours.
• 36:22
  Speaker 2: And it's yeah, see, that's because you go to fucking
• 36:25
  Speaker 2: AMC Regal. Baby, every theater is recomming.
• 36:29
  Speaker 1: No, no, but like they don't have Dolby. I like
• 36:31
  Speaker 1: Mydoby plus nine times out of ten when I go there,
• 36:34
  Speaker 1: I'm in the Dolby theater. So that's why I can't
• 36:37
  Speaker 1: go do I can do two hours of max in
• 36:39
  Speaker 1: regular seats anything to twenty or like two of one
• 36:42
  Speaker 1: and over because that one's two twenty. And then you
• 36:44
  Speaker 1: got fucking twenty minutes of credit trailers. Then you got
• 36:47
  Speaker 1: Nicole Kidman fucking doing her bullshit in the beginning. It's
• 36:50
  Speaker 1: a whole process. So now that it finally came out,
• 36:53
  Speaker 1: it actually just arrived on Thursday, So we're gonna sit
• 36:57
  Speaker 1: down tonight and watch it because I gotta see what
• 36:58
  Speaker 1: all the hype is about.
• 36:59
  Speaker 2: And you you gotta snap me through it.
• 37:01
  Speaker 1: Oh yes, I will, I will. I will give you
• 37:03
  Speaker 1: live tweet updates or just live updates. But yeah, we're
• 37:06
  Speaker 1: gonna watch that tonight, so I'm very excited and we'll
• 37:09
  Speaker 1: probably talk about that. But yes, I agree with you.
• 37:11
  Speaker 1: Needs to win something, some type of awards. I don't
• 37:13
  Speaker 1: care if it's Best Picture, Cinematography, acting. It's gotta win something.
• 37:17
  Speaker 1: And I haven't even seen it. I just go I'm
• 37:19
  Speaker 1: going solely at the fact that it has a four
• 37:20
  Speaker 1: point five on letterbox, which is literally unheard of, Like
• 37:23
  Speaker 1: that is crazy. So it's way good. All right, Well,
• 37:27
  Speaker 1: I think that's enough. We did some good damage there.
• 37:30
  Speaker 1: Let's talk about miss Helen Hunt and her probably one
• 37:34
  Speaker 1: and only horror movie that I can think of. And
• 37:36
  Speaker 1: I misspelled stuff.
• 37:38
  Speaker 2: So as always, this is a twenty nineteen movie called
• 37:43
  Speaker 2: I See You. It had a limited release of December
• 37:48
  Speaker 2: sixth of that year in the US, and it was
• 37:51
  Speaker 2: released on December tenth of twenty nineteen to the Internet
• 37:54
  Speaker 2: in Canada, but nothing else was released.
• 37:58
  Speaker 1: But for let me read it, I Got You, I
• 38:00
  Speaker 1: Got You, but nothing there, so it was released. There's
• 38:04
  Speaker 1: like It was released to the internet in Cannon on
• 38:06
  Speaker 1: December tenth, but I couldn't find anything on when it
• 38:09
  Speaker 1: was released of the internet here because it's on Amazon.
• 38:11
  Speaker 1: There's no like physical copy of it, so I don't
• 38:13
  Speaker 1: know when it was. So we're gonna go by December
• 38:16
  Speaker 1: sixth of the release date. Rated R for no sex
• 38:19
  Speaker 1: and nudity, moderate violence and gore, moderate profanity which apparently
• 38:23
  Speaker 1: nine fucks is moderate mild alcohol, drugs and smoking, and
• 38:27
  Speaker 1: moderate frightening and intense scenes. Runtime of an hour and
• 38:31
  Speaker 1: thirty eight and it went by extremely quickly. Oh yeah,
• 38:34
  Speaker 1: like fucking wait.
• 38:35
  Speaker 2: They they had they had the zoom out at the
• 38:38
  Speaker 2: end and I was like, wait.
• 38:39
  Speaker 1: What Yeah, it's like it's up over done. YEP listed
• 38:43
  Speaker 1: as a crime drama, horror, mystery thriller according to IMDb.
• 38:47
  Speaker 1: Directed by a man named Adam Randall, who is only
• 38:49
  Speaker 1: seven directing credits and also did something called nineteenth which
• 38:53
  Speaker 1: released last year. Never heard of it, but it's something
• 38:57
  Speaker 1: he did. Written by a man named Devin Gray, who
• 39:00
  Speaker 1: literally has two writing credits. He did this and four
• 39:04
  Speaker 1: episodes of a show called The Girlfriend Experience. He does, however,
• 39:08
  Speaker 1: have fifty eight acting credits and was in thirteen sins
• 39:11
  Speaker 1: as Michael Brindle. I do not feel at home in
• 39:13
  Speaker 1: this world anymore as Christian. And it is also in
• 39:15
  Speaker 1: the new upcoming Jordan Peele joint Nope as writer Merbridge
• 39:20
  Speaker 1: so more of an actor than anything than a writer.
• 39:24
  Speaker 1: Composed by a man named William R. Kain and this
• 39:27
  Speaker 1: is literally his only composing credit, which is insane because
• 39:31
  Speaker 1: that score. To me, even Gabby comments that she was like,
• 39:34
  Speaker 1: the score in this is amazing. Who did this? And
• 39:36
  Speaker 1: I was like a guy who did one thing? Yeah?
• 39:39
  Speaker 1: Why did you do one thing? Maybe this was just
• 39:41
  Speaker 1: his first movie and he hasn't done anything. I mean
• 39:43
  Speaker 1: it's a twenty nineteen movie. So but like dude, the
• 39:45
  Speaker 1: score was very, very very well done. Cinematography by a
• 39:50
  Speaker 1: man named Philip Blowback who has thirty six cinematographer credits,
• 39:55
  Speaker 1: done a bunch of short TV specials and five episodes
• 39:58
  Speaker 1: of Bridgerton, which all these my wife and all these
• 40:02
  Speaker 1: ladies are raving about it. Is it more of like
• 40:04
  Speaker 1: a like a like a lady show? I know, I
• 40:07
  Speaker 1: don't know, because like her mom loves her friends.
• 40:10
  Speaker 2: I know, I know that it's a show. Yeah, that's it.
• 40:17
  Speaker 1: That's it because like uh, you know, her mom jan
• 40:19
  Speaker 1: loves it.
• 40:19
  Speaker 2: And there's something about a ladder.
• 40:25
  Speaker 1: Okay, that's it Ladder Bridgerton.
• 40:28
  Speaker 2: Ladder scene in Bridgerton, and it's it gets the woman
• 40:32
  Speaker 2: like flapping the collars in their.
• 40:34
  Speaker 1: Collars the vapor is starring. As you all know at
• 40:38
  Speaker 1: this point, Miss Helen Hunt is Jack Hunt Hunt Hunt
• 40:44
  Speaker 1: as Jackie Harper. She has one hundred and seven acting credits.
• 40:46
  Speaker 1: I shouldn't even need to tell you what she's in,
• 40:49
  Speaker 1: but most notably, i'd think you probably recognize her from
• 40:51
  Speaker 1: Twister is doctor Joe Harding As Good as It Gets
• 40:54
  Speaker 1: as Carol Connolly Mad About You as Jamie Buckman, and
• 40:57
  Speaker 1: in nineteen eighty four movie Actions if I called Transcers,
• 41:01
  Speaker 1: which is a fucking amazing movie. It's so goddamn it.
• 41:05
  Speaker 2: What's funny is I actually know her better from As
• 41:08
  Speaker 2: Good as It Gets rather than Twister.
• 41:11
  Speaker 1: Yeah, it's opposite for me because I watched Twister growing
• 41:13
  Speaker 1: up as a kid and didn't see that until Gabby
• 41:15
  Speaker 1: showed me that like recently, and I was like, oh shit,
• 41:17
  Speaker 1: there's Helen Hunts. Hey, I know Jack Nicholson and Jack
• 41:22
  Speaker 1: Nicholson fucking greatest movie. What an interesting pairing. So yes,
• 41:26
  Speaker 1: that is the star star of this movie here. Then
• 41:29
  Speaker 1: we've got John Tenny's Greg Harper eighty one acting credits,
• 41:33
  Speaker 1: was in Tombstone as bi Han or Bahan Legion as
• 41:36
  Speaker 1: Howard Anderson Beverly Hills Cop three as Levine or Levine
• 41:40
  Speaker 1: however you pronounce that. Then we've got o Intigue as
• 41:43
  Speaker 1: Alec Travers, who's thirty five acting credits and was Patrick
• 41:47
  Speaker 1: Hostetter in it, and uh Duncan West in The Empty Man, which.
• 41:52
  Speaker 2: Such a fucking weird looking person.
• 41:54
  Speaker 1: He's a very upsetting like face situation, has IMDb profile
• 41:59
  Speaker 1: looked like he actually looks like normal, but in it
• 42:02
  Speaker 1: and then this movie he just looks fucking wild. Yeah,
• 42:04
  Speaker 1: he's got this like wiry hair and like beady. Looks
• 42:07
  Speaker 1: like a dug character. Yeah, exactly, that's the greatest way
• 42:11
  Speaker 1: to describe him. Then we have Judah Lewis as Connor
• 42:16
  Speaker 1: Harper has eleven acting credits. But some fucking bangers here,
• 42:20
  Speaker 1: because we've got Summer of eighty four's Tommy Eats Eating
• 42:23
  Speaker 1: the Babysitter one and two, so Babysitter and Babysitter Killer
• 42:27
  Speaker 1: Queen as Coal and then the Christmas Chronicles and Christmas
• 42:30
  Speaker 1: Chronicles Part two is Teddy. The only one I don't
• 42:32
  Speaker 1: like of those is Christmas Chronicles Part two. The movie
• 42:35
  Speaker 1: sucked a bag of Dick's. Everything else is fucking solid movie.
• 42:38
  Speaker 1: So he's got a pretty good career for only having
• 42:40
  Speaker 1: eleven acting credits. Pretty fucking awesome. And he's pretty young too.
• 42:44
  Speaker 1: I think he's like barely in his twenties. And then
• 42:46
  Speaker 1: we have lib Bearer as Mindy, who has twenty three
• 42:50
  Speaker 1: acting credits, mainly TV shows that she's done, but she wasn't.
• 42:55
  Speaker 1: A new horror movie for this year called Slapface, which
• 42:57
  Speaker 1: is out on Shutter and it was meh. It was meh, yeah,
• 43:01
  Speaker 1: good concept, good scares men, Eh, it happens, terrible time
• 43:06
  Speaker 1: to take a sip break. But anyways. Estimated budget of
• 43:09
  Speaker 1: three million dollars with a worldwide box office gross of
• 43:12
  Speaker 1: one point two million. It had a limited release here,
• 43:15
  Speaker 1: so it didn't really go to theaters that much, which
• 43:17
  Speaker 1: makes sense. And like I said, I hadn't even heard
• 43:20
  Speaker 1: of it until I went to Amazona scrolling through shit
• 43:23
  Speaker 1: and I was like, I see you, oh three point three,
• 43:25
  Speaker 1: all right, let's let's check this out. And then I
• 43:27
  Speaker 1: was like, I love this movie. So yeah, it's something
• 43:30
  Speaker 1: and this is not to be confused with a movie
• 43:31
  Speaker 1: called I Still See You. There's a movie out there
• 43:34
  Speaker 1: called that. No correlation, not a sequel, nothing to do
• 43:37
  Speaker 1: with each other, So don't get confused. This one is
• 43:40
  Speaker 1: I See You creepy monkey face on the cover.
• 43:44
  Speaker 2: Which is hilarious because they called a frog mask and.
• 43:47
  Speaker 1: I'm like, yeah, it's a monkey. Yeah it's a fucking monkey.
• 43:50
  Speaker 1: It's not a frog. So this movie was filmed in them.
• 43:53
  Speaker 1: I'm sorry if you're from the state. The most boring
• 43:55
  Speaker 1: fucking state in America, Ohio. It was filmed in Charge
• 43:59
  Speaker 1: and Fall Is Lakewood, solid Vermilion at Linwood Park and
• 44:03
  Speaker 1: then Auburn at Cerna's farm and on the Harper's home
• 44:07
  Speaker 1: was fifteen four oh four Edgewater Drive, Lakewood, Ohio. I've
• 44:10
  Speaker 1: been to Ohio twice. It's it's only for lost Lands.
• 44:13
  Speaker 1: That's the only reason I went. It is the most
• 44:16
  Speaker 1: boring fucking.
• 44:16
  Speaker 2: State for lost lands and famine and.
• 44:20
  Speaker 1: Cedar Point and that's it. But seriously, I'm like, oh
• 44:23
  Speaker 1: my god, we got there to go to lost Lands.
• 44:25
  Speaker 1: We were in like downtown wherever the fuck the airport was,
• 44:29
  Speaker 1: and we were just like, holy shit, this is the
• 44:31
  Speaker 1: it's so flat and boring and everyone is just so bold.
• 44:35
  Speaker 1: I'm sorry. I don't mean to rip on Ohio, but
• 44:37
  Speaker 1: it is worse than Florida. At least we have fun,
• 44:39
  Speaker 1: crazy stories here and people on meth. Well, I guess
• 44:42
  Speaker 1: you do. You did mention meth in Ohio. I guess
• 44:45
  Speaker 1: that's something we have in common. You can watch this
• 44:47
  Speaker 1: on Amazon Prime Video. And now not to say that
• 44:49
  Speaker 1: Florida doesn't suck, Florida sucks as well. We just have crazy. Yeah,
• 44:54
  Speaker 1: we have crackers done meth. And at least we have
• 44:55
  Speaker 1: fucking theme parks. You have cedar Point, get into alligators, Yeah, now,
• 45:00
  Speaker 1: no problem. I think it's funny that people from other
• 45:03
  Speaker 1: countries are baffled. I watched this guy in TikTok who's
• 45:06
  Speaker 1: from England, and he's like he just always goes off
• 45:08
  Speaker 1: and like, how the fuck do you live with gators
• 45:10
  Speaker 1: on there? I'm like, well, they're not just roaming the
• 45:12
  Speaker 1: streets in most places.
• 45:14
  Speaker 2: But also they're not gonna fuck with you if you
• 45:16
  Speaker 2: don't fuck with them.
• 45:17
  Speaker 1: That's true. That's it's a gator.
• 45:20
  Speaker 2: It just wants to lay in the sun and eat small.
• 45:23
  Speaker 1: Don't eat smalling, just don't provoke it, you know, don't
• 45:27
  Speaker 1: go up to it poking it with a stick unless
• 45:29
  Speaker 1: you want to get an Alligator death Roll. Then that's
• 45:31
  Speaker 1: on you.
• 45:32
  Speaker 2: Alligator death Roll is an awesome metal band name, is it?
• 45:36
  Speaker 1: Or is or that would it be?
• 45:38
  Speaker 2: What it would be?
• 45:39
  Speaker 1: I have to I have to see now if that's
• 45:41
  Speaker 1: the thing, But yeah, that would be a great death
• 45:42
  Speaker 1: metal Yeah, look it up. See you see if it's.
• 45:43
  Speaker 2: A death metal band name, I guarantee you it's.
• 45:48
  Speaker 1: Let's see here movies that came out around the same
• 45:51
  Speaker 1: time as this one. Now we're gonna go off the
• 45:53
  Speaker 1: limited US release of December sixth, So movies that came
• 45:58
  Speaker 1: out around the same time and clue and you've seen
• 46:00
  Speaker 1: this one. I think Antrim the deadliest film ever made.
• 46:03
  Speaker 2: So yeah, the deadliest because it kills you of boredom
• 46:07
  Speaker 2: and white supremacy.
• 46:09
  Speaker 1: It is so okay. So it's listed as a you know,
• 46:14
  Speaker 1: found footage movie, but not in the sense of someone
• 46:18
  Speaker 1: found footage and we're seeing it through their POV or
• 46:22
  Speaker 1: it's someone you know, like breaking the fourth wall because
• 46:25
  Speaker 1: they're filming it. No, no, no, it is someone who
• 46:27
  Speaker 1: has found footage of a movie being filmed. So it
• 46:31
  Speaker 1: is literal. Oh, I found this reel of this crazy movie,
• 46:35
  Speaker 1: but it's still filmed like a regular style movie. It's
• 46:39
  Speaker 1: not found footage, but it's found footage, like they took
• 46:42
  Speaker 1: found footage literally and it's not from a POV. And
• 46:46
  Speaker 1: you're like, okay, yeah, and there's this warning. It's like,
• 46:49
  Speaker 1: if you continue to watch this movie, we don't know
• 46:53
  Speaker 1: what will happen to you. You will die. You will die.
• 46:56
  Speaker 1: And I'm like, uh, huh, okay, okay, Like I've liked
• 47:01
  Speaker 1: the premise. I think I gave it like a two
• 47:03
  Speaker 1: or two and a half, but it's like it was.
• 47:04
  Speaker 2: I think I gave it a one.
• 47:06
  Speaker 1: Really, Oh shit, Well now I have to look yeah,
• 47:09
  Speaker 1: because it's like I remember it was big and the
• 47:12
  Speaker 1: found footage group for quite some time, and I remember
• 47:15
  Speaker 1: watching it. What did I gave it? Yeah, okay, I
• 47:17
  Speaker 1: gave it a two and a half. I'm sure I
• 47:19
  Speaker 1: don't have to scroll down too far to see Corey
• 47:21
  Speaker 1: Where's Corey Corey Johnson freightmers? Oh my god, how many
• 47:25
  Speaker 1: fucking people have watched this in the time.
• 47:27
  Speaker 2: That I gave it a two?
• 47:29
  Speaker 1: Where are you? I don't even see Oh there you are? Yeah,
• 47:31
  Speaker 1: you gave it too. Yeah, so, yeah, it's not that great.
• 47:34
  Speaker 1: So andrewm the deadliest film ever made, which is a lot.
• 47:36
  Speaker 1: I don't believe that. Charlie's Angels the new one obviously,
• 47:40
  Speaker 1: not the one with you know, uh, what's her face? Blondie?
• 47:44
  Speaker 1: Oh my god, Drew barrymore Ford Versus Ferrari, Frozen two
• 47:48
  Speaker 1: twenty one, Bridges, Knives Out, Bloodshot, Jumanji, The Next Level, Black,
• 47:53
  Speaker 1: Christmas Star Wars, The Rise of Skywalker nineteen seventeen, Little
• 47:57
  Speaker 1: Women and Spies and Disguise is a very mixed bag
• 48:01
  Speaker 1: of movies right there. A lot of good ones, a
• 48:03
  Speaker 1: lot of okay ones, and a few shit ones and
• 48:06
  Speaker 1: a few shit ones. A Ford for Surrar was a
• 48:09
  Speaker 1: goddamn brilliant movie. Yeah, I saw that in Dolbey added
• 48:12
  Speaker 1: uh Disney Springs. It was so good. I didn't even
• 48:15
  Speaker 1: see Frozen one. I have no interest in seeing Frozen.
• 48:17
  Speaker 1: And then Knives Out with another fucking solid movie. They're
• 48:20
  Speaker 1: apparently doing a sequel to that one, which, oh yeah,
• 48:22
  Speaker 1: I don't know how they're gonna As long as they
• 48:24
  Speaker 1: can make it equivalent, I'm fine. I don't think they're
• 48:27
  Speaker 1: gonna be able to top it. I mean, I'm not doubting,
• 48:29
  Speaker 1: you know, Rihan Johnson, because that was a great movie.
• 48:31
  Speaker 1: But oh shit, well we can't relieve an answer a
• 48:35
  Speaker 1: lot of this stuff because most of it's kind of spoily. Yeah,
• 48:40
  Speaker 1: because yeah, my uh yeah, I can't really do specific
• 48:44
  Speaker 1: horror moment because yeah, it's kind of hard. I mean,
• 48:49
  Speaker 1: I guess, I guess my moment would be the mask
• 48:51
  Speaker 1: under the bed because that was really freaky.
• 48:53
  Speaker 2: First time, first time or second time?
• 48:56
  Speaker 1: Uh, first time, just because yeah, because first time for
• 48:59
  Speaker 1: the same Yeah. So I'll say that without being spoiler.
• 49:01
  Speaker 1: Favorite kill well there's only really technically one, and that's
• 49:07
  Speaker 1: a huge spoiler. Didn't really have a favorite line because
• 49:10
  Speaker 1: this was pretty a very serious movie. There wasn't really
• 49:13
  Speaker 1: any time for comedy. It was very they did. They
• 49:16
  Speaker 1: played it straight and everyone was very focused and you
• 49:20
  Speaker 1: were having revealed stuff revealed to you as the story
• 49:22
  Speaker 1: went along. Favorite character for me was probably Mendy because
• 49:26
  Speaker 1: she seemed like the most She was the least shitty
• 49:30
  Speaker 1: person and even like the kid Connor wasn't that great,
• 49:33
  Speaker 1: but she was the most like besides what she was doing,
• 49:36
  Speaker 1: which I need to I'm gonna get to a point
• 49:38
  Speaker 1: where I'm gonna ask you how far we think we
• 49:40
  Speaker 1: should go with it, because I don't know how much
• 49:42
  Speaker 1: I want to reveal. But I'd say Mendy for my
• 49:45
  Speaker 1: favorite character because besides what she the small things that
• 49:47
  Speaker 1: she did, she everyone else either was a dick bag
• 49:50
  Speaker 1: or it was just not a good person, yeah, or
• 49:52
  Speaker 1: you know, turn out it turned out to be someone
• 49:54
  Speaker 1: you just didn't like like so and then my least
• 49:57
  Speaker 1: favorite character spoiler for that as well, because uh, yeah,
• 50:01
  Speaker 1: I can't really say that. So this is like the
• 50:03
  Speaker 1: first time we really can't answer half of these because
• 50:06
  Speaker 1: there's not like there's not one twist in this movie.
• 50:09
  Speaker 1: I'd say there's about at least three that I can
• 50:12
  Speaker 1: think of, maybe four like full twists to this movie,
• 50:17
  Speaker 1: or if if.
• 50:18
  Speaker 2: You want to like get semantical, it could be like
• 50:22
  Speaker 2: two very heavy twists.
• 50:25
  Speaker 1: M yeah, yeah, I mean there's there's too heavy for sure.
• 50:29
  Speaker 2: Well, so there are two heavy ones, and inside of
• 50:33
  Speaker 2: those two twists are two separate.
• 50:35
  Speaker 1: Oh yeah, I see what she mean. Yeah, So it's
• 50:37
  Speaker 1: like it's like a branch. You have these two here
• 50:39
  Speaker 1: that kind of trickle down and do Yeah. So yeah,
• 50:40
  Speaker 1: there's two huge twists. I think we'll reveal the first
• 50:44
  Speaker 1: one because like that's only about forty minutes into the movie,
• 50:47
  Speaker 1: and then we'll leave, obviously the other one. Because there's there's, there's,
• 50:51
  Speaker 1: there's there's. Oh my god, Because like I said, i'd
• 50:53
  Speaker 1: seen this, but it had been so long the twists
• 50:55
  Speaker 1: were happening, and I was like, oh yeah, oh yeah,
• 50:58
  Speaker 1: it's still going. Holy like I'd forgotten most of the
• 51:01
  Speaker 1: movie besides the you know, the whole the whole first twist.
• 51:04
  Speaker 1: That's really the only thing I remembered.
• 51:06
  Speaker 2: As a quick update, Yes, uh, there is no Alligator
• 51:09
  Speaker 2: Death Roll metal band, but there is an artist that
• 51:13
  Speaker 2: goes by Crocodile Death Roll and he produces what I
• 51:17
  Speaker 2: assume is hip hop and he only has two followers
• 51:19
  Speaker 2: and two tracks.
• 51:23
  Speaker 1: I have to listen to that. Now. What is he on?
• 51:25
  Speaker 1: Like SoundCloud?
• 51:26
  Speaker 2: So hold on, just we'll take a hiatus and just
• 51:29
  Speaker 2: play this for a second. I'll put it up to
• 51:31
  Speaker 2: the fucking.
• 51:32
  Speaker 1: Oh my god. All right, let's hear this.
• 51:50
  Speaker 2: All right, this is terrible Crocodile Death Roll Sir, don't
• 52:01
  Speaker 2: be mean, No, I'm just don't quit your daja.
• 52:06
  Speaker 1: Oh that's so funny, because you got two followers two
• 52:11
  Speaker 1: tracks consistency. It's key.
• 52:12
  Speaker 2: Well, the other one's just a beat that's called one
• 52:15
  Speaker 2: thousand flute and drum beat. Oh so he's trying to
• 52:19
  Speaker 2: do the uh hip hop ninja shit. Yeah, good for him,
• 52:25
  Speaker 2: You're not Woo Tang Christ.
• 52:28
  Speaker 1: All right, So the IMDb summary is strange occurrence is
• 52:32
  Speaker 1: playing a small town detective in his family as he
• 52:34
  Speaker 1: investigates the disappearance of a young boy. And just like
• 52:38
  Speaker 1: you said to me, immediately got a twenty four vibes
• 52:41
  Speaker 1: from this first shot, well just going through floating around
• 52:45
  Speaker 1: the town.
• 52:45
  Speaker 2: I was like, here's what I find funny about that
• 52:49
  Speaker 2: summary is I gave no credit to the detective as
• 52:56
  Speaker 2: even being a main character. Like I thought this movie
• 52:59
  Speaker 2: was way more about Helen Hunt's character in Connor.
• 53:04
  Speaker 1: Yeah, well, I mean it does involve Greg though, because
• 53:07
  Speaker 1: you know Greg and Spits, because they were the two
• 53:09
  Speaker 1: detectives investigating. But see to me that.
• 53:11
  Speaker 2: Those are side characters. Okay, that's just how I received
• 53:17
  Speaker 2: the movie.
• 53:18
  Speaker 1: Yeah, okay, well, yeah, so we get all these unassuming
• 53:22
  Speaker 1: shots and then we finally focused in on a kid.
• 53:24
  Speaker 1: He's riding through of riding his bike through the woods,
• 53:27
  Speaker 1: and the music is really seamless because it's like happy
• 53:31
  Speaker 1: in light, and then it just gets kind of dramatic
• 53:33
  Speaker 1: intent and you're like, okay, for what reason? And then
• 53:36
  Speaker 1: this kid just like gets yeaded, like hits a brick
• 53:39
  Speaker 1: wallace centrally and gets flown back into the air, and
• 53:43
  Speaker 1: then it just cuts to the title card, and you're like, okay,
• 53:46
  Speaker 1: so you're at this point, I'm thinking supernatural.
• 53:49
  Speaker 2: That's that is also what I was thinking.
• 53:52
  Speaker 1: Yeah, so I was like, okay, I guess this is supernatural.
• 53:56
  Speaker 1: And then you get the title card, so I see you.
• 53:58
  Speaker 1: And then we cut to Jackie making brick for Connor uh,
• 54:01
  Speaker 1: making pancakes and all that shit and whatever, and she
• 54:03
  Speaker 1: can't seem to find her favorite coffee mug and is asking,
• 54:06
  Speaker 1: you know, have you seen it? He hasn't seen it.
• 54:09
  Speaker 1: Then then we see the father sleeping on the couch,
• 54:11
  Speaker 1: and I guess we at this point you can tell
• 54:13
  Speaker 1: there's some tension between the husband and wife, which they
• 54:16
  Speaker 1: haven't revealed yet, because then he gets a phone call
• 54:20
  Speaker 1: later from her and gets very upset from that phone call,
• 54:23
  Speaker 1: throws the phone out the window, and then sees the
• 54:25
  Speaker 1: coffee cups sitting on the roof with some cigarette busts
• 54:27
  Speaker 1: in it, and he's like, oh, Connor, Like, how could
• 54:29
  Speaker 1: you He thinks it's the sun smoking cigarettes. I would
• 54:32
  Speaker 1: be like, that's probably the wife since it's her favorite
• 54:34
  Speaker 1: coffee cups. So he thinks it's Yeah, he thinks it's
• 54:37
  Speaker 1: his son. I think it's the wife.
• 54:40
  Speaker 2: But if if you factor in the reveal later, it
• 54:47
  Speaker 2: would make sense why Greg thinks it is Connor. Yeah,
• 54:52
  Speaker 2: based on the actions of jack Jackie.
• 54:56
  Speaker 1: Yeah, is it Jackie? Yeah? Her name is Jackie. Yeah.
• 55:00
  Speaker 1: So then we see, uh, then we find out that
• 55:02
  Speaker 1: you know, if obviously, if you haven't figured out by
• 55:04
  Speaker 1: the description, Greg is a detective. He has a partner
• 55:07
  Speaker 1: named Spitz, which is shortened for sprits or sprit skull
• 55:11
  Speaker 1: or I don't know, something like that. So the Spitski
• 55:14
  Speaker 1: there we go, Spritz gol jesus. So the boy from
• 55:17
  Speaker 1: the beginning that we saw is now missing, and they're
• 55:20
  Speaker 1: pretty much on the case to figure out where this
• 55:23
  Speaker 1: boy is. You know, they're on the case to figure
• 55:25
  Speaker 1: it out. All they can find is his bike in
• 55:28
  Speaker 1: the woods. And uh, later that day, when Jackie comes home,
• 55:31
  Speaker 1: she knows is there's a drawer open all the silverware
• 55:34
  Speaker 1: is missing out of it, and she's calling out for Connor,
• 55:37
  Speaker 1: thinking that he did something. And then she's like she
• 55:40
  Speaker 1: runs into this repair man like scared the shit out
• 55:43
  Speaker 1: of me watching it because it was like a jump scare,
• 55:46
  Speaker 1: and she's like, why are you here? I'm fixing the window.
• 55:49
  Speaker 1: It's like who lets you in? Like, oh, you know
• 55:51
  Speaker 1: one of your one of your kids. She's a very
• 55:54
  Speaker 1: polite daughter or you know, a very very polite girl.
• 55:56
  Speaker 1: And she's like, what, like, I don't have a daughter,
• 55:59
  Speaker 1: what do you mean?
• 56:00
  Speaker 2: And then, which thus enforces the paranormal angle exactly.
• 56:05
  Speaker 1: So you're like, okay, we know she doesn't have or
• 56:07
  Speaker 1: at least a daughter hasn't been introduced. And when she
• 56:09
  Speaker 1: said wait, daughter, you realize that there's no fucking daughter
• 56:13
  Speaker 1: in this movie. So she's very confused at what's going on,
• 56:17
  Speaker 1: and so are you watching this? You're like okay. And
• 56:21
  Speaker 1: then and while they while us Spits in Gregor investigating
• 56:25
  Speaker 1: the scene where the kid disappeared, we find this green
• 56:27
  Speaker 1: knife and it's very significant at this point because he
• 56:30
  Speaker 1: pulled greg pulls Spits to the side and Spitz is like, yeah,
• 56:33
  Speaker 1: so before you remember the guy before you came on,
• 56:36
  Speaker 1: like the guy who murdered those like six boys and
• 56:39
  Speaker 1: buried them with a green knife, like a green pocket knife,
• 56:42
  Speaker 1: and he's like yeah, but he's behind bars and they're like, yeah,
• 56:45
  Speaker 1: so what's going Like, what are we thinking here? Is
• 56:46
  Speaker 1: a copycat? What's going on? So that's a pretty interesting
• 56:50
  Speaker 1: detail that it's like, now you're like, okay, you have
• 56:52
  Speaker 1: weird shit going on at the Harper house. You have
• 56:55
  Speaker 1: this murder with someone who's in jail for doing the
• 56:57
  Speaker 1: same thing that that happened here, So you've already got
• 57:01
  Speaker 1: like two steparate storylines going on. Oh yeah, so it's
• 57:04
  Speaker 1: it's it's very dense right off the bat. And then
• 57:07
  Speaker 1: at dinner that night, Greg's not there, but Jackie and
• 57:10
  Speaker 1: Connor are eating and he's asking about their you know,
• 57:12
  Speaker 1: she's asking about their reparently, like did you let him in?
• 57:14
  Speaker 1: And then you just get this bomb dropped on us
• 57:16
  Speaker 1: and he's like, is that who you cheated on Dad with?
• 57:18
  Speaker 2: And you're like, oh shit, that's why.
• 57:20
  Speaker 1: That's why he's sleeping on the Couch's like oh, And
• 57:22
  Speaker 1: then they get into a fight and then they completely
• 57:24
  Speaker 1: don't even get back to the subject of who opened
• 57:27
  Speaker 1: the door because he just gets very upset about it,
• 57:31
  Speaker 1: as any child would. I mean, yeah, if you knew
• 57:34
  Speaker 1: that happened, and.
• 57:35
  Speaker 2: The line of you ruined our family and you should
• 57:40
  Speaker 2: fucking pay for it?
• 57:42
  Speaker 1: Oh yeah, yeh yeah. Me and Gaby were like, oh geez,
• 57:46
  Speaker 1: he's and he like sold that ship too. Oh yeah,
• 57:49
  Speaker 1: he was like like drilling into her. I was like,
• 57:51
  Speaker 1: holy shit, that.
• 57:52
  Speaker 2: That came from something personal in that Actor's.
• 57:55
  Speaker 1: Like, yeah, seriously, he pulled from something and just threw
• 58:00
  Speaker 1: it right at her. So she's cleaning up, the TV
• 58:03
  Speaker 1: turns on out of nowhere. So Jackie turns it off
• 58:06
  Speaker 1: and it comes back on and Greg comes home and
• 58:09
  Speaker 1: she's like, where does silverwear going? You know? Where did
• 58:11
  Speaker 1: it go? She blames a repair man and like calls
• 58:14
  Speaker 1: the boss and like blames it on him because she's
• 58:16
  Speaker 1: like who else would have take He's like, what the
• 58:18
  Speaker 1: fuck would he take the silverware? So what are you
• 58:20
  Speaker 1: going on about?
• 58:21
  Speaker 2: And real quick, while this is going on, I would
• 58:24
  Speaker 2: like to point out an awesome thing that is happening
• 58:28
  Speaker 2: in the camera shots. So where their house is situated,
• 58:35
  Speaker 2: as their house goes into their backyard, there's just a
• 58:38
  Speaker 2: sheer drop off cliff into the ocean. Or a lake, yeah,
• 58:41
  Speaker 2: or something. And what's interesting is when you first see it,
• 58:47
  Speaker 2: you see it face on, so it looks like all
• 58:51
  Speaker 2: one unit. And as shit starts going weirder, you see
• 58:57
  Speaker 2: a much more angled view of this drop off and
• 59:01
  Speaker 2: you can see how close it is encroaching into the backyard,
• 59:06
  Speaker 2: showing the deterioration of the mentality in the morale of
• 59:11
  Speaker 2: the family.
• 59:12
  Speaker 1: Oh nice, I didn't even catch that. Yeah, I didn't
• 59:14
  Speaker 1: even catch that. That's interesting.
• 59:16
  Speaker 2: And I saw it and I was like, I know
• 59:18
  Speaker 2: what that is right there?
• 59:19
  Speaker 1: God, damn imagery. I didn't really, I'll have to I'm
• 59:22
  Speaker 1: obviously gonna watch it again, so I'll have to see
• 59:24
  Speaker 1: if I notice that on this time, All right, next time. So, yeah,
• 59:27
  Speaker 1: they're they're wondering where the fuck the silverware is and
• 59:30
  Speaker 1: Greg goes upstairs notice that there's a picture that is
• 59:32
  Speaker 1: hanging on the wall that the picture has been removed
• 59:35
  Speaker 1: from and the frame is still there, and then sees
• 59:37
  Speaker 1: this fucking hamster on the ground, chases it into a
• 59:40
  Speaker 1: closet door shuts behind him. He thinks it's Connor, yells
• 59:44
  Speaker 1: out for Connor, and then Jackie opens the door, like
• 59:46
  Speaker 1: what are you doing? And he's like, what are you doing?
• 59:48
  Speaker 1: And then they're both confused that as to like who
• 59:50
  Speaker 1: locked me? So again, paranormal shit, Yeah, like this is
• 59:53
  Speaker 1: a paranormal haunting or something, because all this unexplained shit
• 59:58
  Speaker 1: is happening for no reason and everyone fucking confused. So
• 1:00:01
  Speaker 1: I love how they just confuse the absolute shit out
• 1:00:04
  Speaker 1: of you throughout this entire movie, and then once you
• 1:00:07
  Speaker 1: get the twist, and then they just keep twisting on
• 1:00:09
  Speaker 1: the twists. It's just like I had to like posit
• 1:00:11
  Speaker 1: for a second. I was like, I gotta pee, I've
• 1:00:13
  Speaker 1: got to go to the bathroom. So in the middle
• 1:00:16
  Speaker 1: of the night, Jackie wakes up to voices. Turns out
• 1:00:18
  Speaker 1: it's just Connor's video games playing and he's not there
• 1:00:23
  Speaker 1: and and she's like trying to and then Connor shows up.
• 1:00:26
  Speaker 1: She's like trying to relate to him, like, oh, look
• 1:00:27
  Speaker 1: at this is your old toy, and he's like not
• 1:00:29
  Speaker 1: fucking having it. He's like he's he's just kind of
• 1:00:32
  Speaker 1: sick of her at this point because she's trying to
• 1:00:34
  Speaker 1: bond with him and he's just like, you can't just
• 1:00:37
  Speaker 1: do this and like everything's okay, which again I can
• 1:00:40
  Speaker 1: understand why he would have a hard time letting go,
• 1:00:43
  Speaker 1: but you know she's putting in the effort, so you know,
• 1:00:45
  Speaker 1: it's like she's.
• 1:00:46
  Speaker 2: She's And what's funny is during this like it's like
• 1:00:50
  Speaker 2: Tony Collette is wearing a Helen Hunt suit because Helen
• 1:00:56
  Speaker 2: Hunt is playing Tony Collett's character from Fucking Hereditary. Yes,
• 1:01:01
  Speaker 2: like it is almost a like hair for hair character.
• 1:01:07
  Speaker 1: Yeah she yeah, she and she does. And she does
• 1:01:09
  Speaker 1: a very very good job in this movie. I will
• 1:01:11
  Speaker 1: give it to her because I hadn't seen her in
• 1:01:13
  Speaker 1: anything in a while until this. So later that we
• 1:01:17
  Speaker 1: see like, oh my god, there's so much more to
• 1:01:18
  Speaker 1: get through. I'm gonna do my best to get through
• 1:01:20
  Speaker 1: it quickly because there's so I got there's so much
• 1:01:22
  Speaker 1: to explain. Later we see Greg sleeping and he moved
• 1:01:26
  Speaker 1: upstairs into another room of the house that's not in
• 1:01:29
  Speaker 1: you know, the master bedroom with his wife because obviously
• 1:01:31
  Speaker 1: still mad. We see his blanket being pulled down, and
• 1:01:34
  Speaker 1: then in the middle of the night he gets a
• 1:01:36
  Speaker 1: call from his boss saying they need to see him.
• 1:01:37
  Speaker 1: Gets up, notice that he's peed the bed because he
• 1:01:40
  Speaker 1: takes ambien to go to sleep, So I guess he
• 1:01:42
  Speaker 1: thinks I guess I must have pissed my.
• 1:01:44
  Speaker 2: Speaking of which, goddamn everybody is on ambien.
• 1:01:47
  Speaker 1: Yeah everyone, So he's done that. Sh It's no fucking
• 1:01:51
  Speaker 1: joke either. Yeah, and I don't fuck around with ambient
• 1:01:54
  Speaker 1: and I think that's why he doesn't think anything of it,
• 1:01:57
  Speaker 1: because he just throws his shit in the washer and dryer,
• 1:02:00
  Speaker 1: you know, like whatever, I guess I pissed myself. So
• 1:02:03
  Speaker 1: the boss, you know, police chief, says that since there's
• 1:02:06
  Speaker 1: this new case with a green knife, the man in
• 1:02:08
  Speaker 1: jail for it named Gordon, is trying to build a
• 1:02:10
  Speaker 1: case for mistrial because obviously, if he's in jail and
• 1:02:13
  Speaker 1: there's someone out there doing the same thing, he's gonna
• 1:02:16
  Speaker 1: try to convince a judge that he is not the
• 1:02:18
  Speaker 1: person responsible for the murders, that he was set up.
• 1:02:21
  Speaker 2: But which, by the way, not how that works.
• 1:02:25
  Speaker 1: Well I mean, yeah, I know, But so he's gonna
• 1:02:27
  Speaker 1: try to go for a mistrial just because, like I mean,
• 1:02:29
  Speaker 1: any would, well anyone would in that situation. But you
• 1:02:33
  Speaker 1: know what Spitz is like, Yo, he was a convicted pedophile.
• 1:02:36
  Speaker 1: There was way too much evidence against him. I did
• 1:02:38
  Speaker 1: not mess this up. And there's two survivors of the
• 1:02:42
  Speaker 1: of the of Gordon and they go to talk to
• 1:02:46
  Speaker 1: one of them, so and his name is Tommy, and
• 1:02:48
  Speaker 1: Spitzky like tries to confront him, and he's looking rough
• 1:02:51
  Speaker 1: because I think he got burned because his face is
• 1:02:55
  Speaker 1: it looks like he got The way I.
• 1:02:57
  Speaker 2: Read it is he tried to kill himself after what
• 1:03:01
  Speaker 2: happened to him. Oh ship, that's the context I got at. No,
• 1:03:08
  Speaker 2: I think you're right on that one. Yeah, and I
• 1:03:10
  Speaker 2: think so. And hold on, go ahead, Uh No, I'm
• 1:03:13
  Speaker 2: not gonna say this on air because it will spoil
• 1:03:17
  Speaker 2: I will say this to you after we turn off
• 1:03:19
  Speaker 2: the mics because what I'm about to say, you're gonna
• 1:03:21
  Speaker 2: go instead of just going, oh, oh you're gonna go.
• 1:03:23
  Speaker 1: Oh I'm ready. Uh so okay, that makes more sense
• 1:03:29
  Speaker 1: than so. Yeah, he's very upset, recognizes Spitsky and then
• 1:03:32
  Speaker 1: just pretty much like no, no, no, and then it
• 1:03:34
  Speaker 1: just cuts away. And then this is where shit really
• 1:03:38
  Speaker 1: starts to hit the fan, literally, because this man shows
• 1:03:43
  Speaker 1: up at Jackie's house and it's revealed very quickly that
• 1:03:45
  Speaker 1: that is the man she cheated on her husband with.
• 1:03:48
  Speaker 1: His name is Todd. He just shows up at the
• 1:03:50
  Speaker 1: house like I love you. I want to be with
• 1:03:52
  Speaker 1: you and Jackie, let's leave. And Jackie's like, you cannot
• 1:03:56
  Speaker 1: be here, you have to leave. And then out of nowhere,
• 1:04:01
  Speaker 1: Jackie's coffee cup comes flying from the sky, bashes this
• 1:04:06
  Speaker 1: guy in the head, shatters to the ground and she
• 1:04:08
  Speaker 1: looks down, looks up and she you know, she it's like,
• 1:04:11
  Speaker 1: it's Connor. He's mad. He knows that this is the
• 1:04:14
  Speaker 1: guy I cheated on with because he's here. So she's like,
• 1:04:16
  Speaker 1: let's okay, let's let's take it out of the basement.
• 1:04:19
  Speaker 1: Let's let's dress this wound. Let's let's figure this out.
• 1:04:22
  Speaker 1: She's like, I gotta take Connor to school that once
• 1:04:24
  Speaker 1: I do, we're gonna take you to the hospital. So
• 1:04:27
  Speaker 1: that's the plan from there. And then Connor hears noises
• 1:04:30
  Speaker 1: upstairs while he's brushing his teeth and goes to check
• 1:04:33
  Speaker 1: it out, doesn't find anything, so then we go back
• 1:04:35
  Speaker 1: to the basement. Jackie gets a call from Todd's cell phone,
• 1:04:40
  Speaker 1: which doesn't make sense because Todd is right there in
• 1:04:43
  Speaker 1: front of her, so she answers nothing there, hangs up,
• 1:04:48
  Speaker 1: calls back, and she's like, do you not have your
• 1:04:50
  Speaker 1: cell phone? Because I'm getting a call from you, and
• 1:04:52
  Speaker 1: then she picks it up and here's this song playing
• 1:04:54
  Speaker 1: on the other end that she can also hear in
• 1:04:57
  Speaker 1: the fucking house. So she goes up upstairs, finds this
• 1:05:01
  Speaker 1: record player playing this song and then turns it off
• 1:05:05
  Speaker 1: and Connor's shows up and she's like, were you playing
• 1:05:07
  Speaker 1: a song? Were you up on the roof? And Connor's
• 1:05:09
  Speaker 1: like what, no, Like let's go to school, like we
• 1:05:11
  Speaker 1: have to go, So of course she's confused by this.
• 1:05:14
  Speaker 1: It's like, uh, okay, just go to school then. And
• 1:05:18
  Speaker 1: then down in the basement, Todd is just hanging out,
• 1:05:20
  Speaker 1: you know, looking for something to clean his head with,
• 1:05:24
  Speaker 1: like a towel, and then he gets bashed in the
• 1:05:27
  Speaker 1: head by an unseen force and then it fades out
• 1:05:29
  Speaker 1: to black. So clearly we know someone else is involved
• 1:05:33
  Speaker 1: because it wasn't Connor or something yeah or something again, like,
• 1:05:37
  Speaker 1: it's either someone or something that is involved with with
• 1:05:40
  Speaker 1: whatever is going on. So he's assumed to be knocked
• 1:05:43
  Speaker 1: out at this point. And then after that we see
• 1:05:46
  Speaker 1: Greg and Sprits at the crime scene. They figure out
• 1:05:48
  Speaker 1: that this kid fell off of his bike due to
• 1:05:50
  Speaker 1: a wire that was strung between two trees, so at
• 1:05:53
  Speaker 1: this point you're like, Okay, that makes more sense. It
• 1:05:57
  Speaker 1: wasn't that that incident wasn't paranormal, but the other incidents
• 1:06:00
  Speaker 1: could very well be paranormal much Those are two unrelated incidents.
• 1:06:05
  Speaker 1: So you find out, okay, that's why he was shot
• 1:06:08
  Speaker 1: back so aggressively, and can we talk about how awesome
• 1:06:10
  Speaker 1: that scene was? Though?
• 1:06:11
  Speaker 2: It was it was pretty cool.
• 1:06:12
  Speaker 1: He's just riding and ride and then it was like
• 1:06:14
  Speaker 1: slow motion he just gets like flown back. It was
• 1:06:17
  Speaker 1: such a cool, just dramatic shot. It was so awesome.
• 1:06:22
  Speaker 1: And then after Jackie you know, takes uh Todd or
• 1:06:25
  Speaker 1: I'm not Todd. After Jackie takes Connor to school, she
• 1:06:28
  Speaker 1: comes back to Todd on the ground, unconscious, not knowing
• 1:06:31
  Speaker 1: what to do. So she finds Greg upstairs and it's
• 1:06:33
  Speaker 1: like help. Literally, she's like help me, I need help.
• 1:06:36
  Speaker 1: And Greg goes down there like why the fuck didn't
• 1:06:39
  Speaker 1: you call someone to help? And she's like it was Connor.
• 1:06:42
  Speaker 1: Even though she doesn't know that it was Connor, she's
• 1:06:44
  Speaker 1: assuming it was. And he's like, well, I can't be
• 1:06:48
  Speaker 1: able to help our son at this point because like
• 1:06:50
  Speaker 1: I can't protect him, you know, our son if our
• 1:06:52
  Speaker 1: son did this, I will not be able to protect him.
• 1:06:54
  Speaker 1: I don't have that much power, you know, Like I'm
• 1:06:57
  Speaker 1: just a detective. I'm not like a police sheef that
• 1:06:59
  Speaker 1: could cover this up. So he's like, change out of
• 1:07:01
  Speaker 1: your clothes. And then it cuts to these group of people,
• 1:07:05
  Speaker 1: like massive, massive group of people looking for the missing boy.
• 1:07:08
  Speaker 1: At the beginning of the movie, we see Jackie and
• 1:07:10
  Speaker 1: Greg passing them, not not stopping to help, passing them,
• 1:07:14
  Speaker 1: going to a spot in the woods and fucking burying Toddy.
• 1:07:18
  Speaker 1: I love how quickly people in movies go from I
• 1:07:21
  Speaker 1: wasn't gonna do this today to hiding a body.
• 1:07:24
  Speaker 2: Oh yeah, well you got it.
• 1:07:26
  Speaker 1: I know.
• 1:07:26
  Speaker 2: It's just funny because once the body's there, it's not
• 1:07:30
  Speaker 2: going away until you go it away.
• 1:07:33
  Speaker 1: It's just so funny how there's it's it's such a
• 1:07:35
  Speaker 1: thing that happens in horror movies all the time. Someone
• 1:07:38
  Speaker 1: gets killed accidentally and people are just like, well, I
• 1:07:40
  Speaker 1: guess I'm burying this, Like I didn't have this on
• 1:07:43
  Speaker 1: my agenda today, but I'm burying this body. So they
• 1:07:46
  Speaker 1: literally bury this fucking body on the middle of the woods,
• 1:07:51
  Speaker 1: and I'm gonna talk about it. There's only a little
• 1:07:52
  Speaker 1: bit more that I want to say, and then we'll
• 1:07:54
  Speaker 1: and then we'll cut it because I don't want to
• 1:07:56
  Speaker 1: give to you too much.
• 1:07:56
  Speaker 2: I was about to say, you're gett you're getting into
• 1:08:00
  Speaker 2: dangerous territory of getting to Spoiley.
• 1:08:03
  Speaker 1: Trust me, there's I'm gonna You'll know exactly where I'm
• 1:08:06
  Speaker 1: gonna stop. I think. So, uh So, now Connor's at
• 1:08:10
  Speaker 1: home alone playing video games. He hears something downstairs and
• 1:08:13
  Speaker 1: goes to investigate and finds all the fucking silverware in
• 1:08:16
  Speaker 1: the pillowcase in the dryer. So now you're like, what
• 1:08:20
  Speaker 1: is happening? Did Helen Hunt black out? Because it seems
• 1:08:24
  Speaker 1: to be that honestly she's crazy because I kind of
• 1:08:26
  Speaker 1: got the vibe that she was crazy. Maybe she's because
• 1:08:29
  Speaker 1: you know, she's accusing all of this stuff of going missing.
• 1:08:32
  Speaker 1: Maybe she's just blacking out or sleepwalking or doing crazy,
• 1:08:35
  Speaker 1: you know what I mean. Like, so.
• 1:08:38
  Speaker 2: Never mind, I can't say that part. But you you
• 1:08:42
  Speaker 2: learn specific pieces of information about Helen Hunt's character that
• 1:08:49
  Speaker 2: lead you to believe that this might be all in
• 1:08:55
  Speaker 2: somebody's head exactly like Eggzach. And maybe it's not paranormal.
• 1:08:59
  Speaker 2: Maybe literally everything that's going on is just straight up delusions.
• 1:09:04
  Speaker 1: Yeah, but then they go.
• 1:09:05
  Speaker 2: But then because everybody takes ambient now, you don't know
• 1:09:12
  Speaker 2: who is having the.
• 1:09:13
  Speaker 1: Hallucination right exactly, So you have no idea at this point.
• 1:09:17
  Speaker 1: And I'm gonna there's like two more sentences and then
• 1:09:19
  Speaker 1: I'm done because if you don't know what this word is,
• 1:09:21
  Speaker 1: you'll have to look it up because I didn't know
• 1:09:23
  Speaker 1: what it was. So after Connor finds all that shit
• 1:09:26
  Speaker 1: in the uh dryer, he goes back upstairs to a
• 1:09:29
  Speaker 1: message on the computer and it's from a random number
• 1:09:32
  Speaker 1: and it says, do you know what frogging is? And
• 1:09:34
  Speaker 1: he goes, who is this? And then in all caps,
• 1:09:36
  Speaker 1: do you know what frogging is? And ummm, that's all
• 1:09:41
  Speaker 1: I'm gonna say. Which, by the way, that's a made
• 1:09:43
  Speaker 1: up term for the movie. It's not a real thing.
• 1:09:47
  Speaker 1: Oh I'm oh no, No, I've heard that word before
• 1:09:51
  Speaker 1: the movie, have you? Yeah?
• 1:09:53
  Speaker 2: I have not, And I I know train kids, train kids?
• 1:09:58
  Speaker 1: Yeah?
• 1:09:59
  Speaker 2: Have you never heard heard of trained kids? Motherfuckers that
• 1:10:02
  Speaker 2: like straight out of high school just hop trains to
• 1:10:05
  Speaker 2: get across the country. Oh no, live the hobo lifestyle?
• 1:10:09
  Speaker 1: No, I never heard that. I mean it might have
• 1:10:11
  Speaker 1: originated from this movie, but I mean it's it's on
• 1:10:13
  Speaker 1: Urban Dictionary, so it's there, but it was.
• 1:10:16
  Speaker 2: When was the Urban Dictionary listing crewer?
• 1:10:19
  Speaker 1: But I was about to say it was after the movie,
• 1:10:21
  Speaker 1: so maybe they made it up. Oh wait, no, April
• 1:10:24
  Speaker 1: twenty ninth, twenty nineteen, when did this come out? All
• 1:10:27
  Speaker 1: the way back to the top December sixth, So it's
• 1:10:30
  Speaker 1: possible maybe.
• 1:10:31
  Speaker 2: It was an arg It's an argy. Fucking they contacted
• 1:10:36
  Speaker 2: Abrams and they were like, hey, how the fuck do
• 1:10:39
  Speaker 2: we make this seem legit?
• 1:10:41
  Speaker 1: So it's either definitely it's either something that had just
• 1:10:44
  Speaker 1: come out or that was made it for this movie.
• 1:10:46
  Speaker 1: But yeah, they he asked me what frogging is. He
• 1:10:48
  Speaker 1: doesn't know, And that's where I'll leave it because the
• 1:10:50
  Speaker 1: movie after that literally takes you in so many different
• 1:10:54
  Speaker 1: and this is about probably forty five fifty minutes in,
• 1:10:57
  Speaker 1: so there's a good fifty or forty five minutes left
• 1:11:01
  Speaker 1: of this movie. So I just get the trash can over.
• 1:11:04
  Speaker 1: So yeah, after you figure out what's going on with
• 1:11:08
  Speaker 1: that twist, then you I don't want to say anything else.
• 1:11:12
  Speaker 1: I want to say it, but like I don't want
• 1:11:14
  Speaker 1: to say at the same time, you just experience the
• 1:11:16
  Speaker 1: movie in a whole different way, and you get led by,
• 1:11:20
  Speaker 1: led on again by a few more twists, and by
• 1:11:22
  Speaker 1: the end of it you realize one of the people
• 1:11:25
  Speaker 1: is has it like played such an important part in
• 1:11:28
  Speaker 1: the movie that you didn't even know.
• 1:11:30
  Speaker 2: And it gives you such a satisfying aha moment. Yeah,
• 1:11:35
  Speaker 2: But what's what's frustrating is it's.
• 1:11:39
  Speaker 1: Not one of those aha moments where where you're able
• 1:11:43
  Speaker 1: to get there yourself and it's satisfying without the movie
• 1:11:48
  Speaker 1: telling you what's going on.
• 1:11:49
  Speaker 2: Well, yeah, there's no aha moment.
• 1:11:51
  Speaker 1: Yeah, they have to lead you there because it is
• 1:11:54
  Speaker 1: kind of hard to know exactly why you have with
• 1:11:55
  Speaker 1: the imagery that they give you. No, it is impossible,
• 1:11:59
  Speaker 1: we have I'm saying, yeah, it's it's because it's it
• 1:12:01
  Speaker 1: literally is impossible. So that's why they have to lead
• 1:12:03
  Speaker 1: you there. But yeah, I my my rating still stands
• 1:12:09
  Speaker 1: on this movie. From when I first watched it, I
• 1:12:11
  Speaker 1: was kind of I was kind of nervous because I
• 1:12:13
  Speaker 1: watched it. I watched it a few years ago and
• 1:12:15
  Speaker 1: I was like, I feel like that's a little high. No,
• 1:12:17
  Speaker 1: my rating still stands. I think this movie is fucking brilliant.
• 1:12:20
  Speaker 1: It does something that it just it does. It's it's
• 1:12:23
  Speaker 1: just I don't I gave it a four and a half,
• 1:12:25
  Speaker 1: like it is so good in my opinion, so.
• 1:12:27
  Speaker 2: And I gave it a three and a half.
• 1:12:28
  Speaker 1: Oh, reason being is it happens specifically for that.
• 1:12:33
  Speaker 2: Reason I just talked about. They give you an aha moment.
• 1:12:36
  Speaker 2: But it's impossible to get there by yourself. It's it's
• 1:12:40
  Speaker 2: complexity without substance.
• 1:12:44
  Speaker 1: So that, but what about everything else though? Like just
• 1:12:47
  Speaker 1: because so just what if you okay, I guess that
• 1:12:49
  Speaker 1: they're giving you that aha moment where you didn't have
• 1:12:52
  Speaker 1: all the complexity, what would it have been.
• 1:12:54
  Speaker 2: Probably before hka four or five?
• 1:12:56
  Speaker 1: Okay, yeah, interesting, It's so.
• 1:13:00
  Speaker 2: My whole my whole thing is if if it's gonna
• 1:13:05
  Speaker 2: be complex, it's gotta be complex for a reason. Like
• 1:13:09
  Speaker 2: use Tenant for an example. It's stupid complex because it's time.
• 1:13:15
  Speaker 2: It's a time travel loop. It has to be complex.
• 1:13:18
  Speaker 2: It even makes sense. This was complex for the sake
• 1:13:24
  Speaker 2: of being complex.
• 1:13:25
  Speaker 1: You must have missed a very important line of dialogue
• 1:13:27
  Speaker 1: because I picked it out before you saw that shot
• 1:13:30
  Speaker 1: at the end. There's a specific moment of dialogue I'll
• 1:13:33
  Speaker 1: tell you that where you can put it together.
• 1:13:36
  Speaker 2: So no, I I think I know what piece of
• 1:13:39
  Speaker 2: dialogue that is. And looking backwards on it, there was
• 1:13:44
  Speaker 2: way more dialogue that they put in there that would
• 1:13:49
  Speaker 2: lead you to the conclusion. But without knowing the ending first,
• 1:13:55
  Speaker 2: that information is much more padded and much less in impactful.
• 1:14:01
  Speaker 1: And when we when we hang up the mics, all
• 1:14:04
  Speaker 1: I'll explain to you why I say that.
• 1:14:07
  Speaker 2: You'll you'll get what I'm saying.
• 1:14:08
  Speaker 1: Yeah, cause the only reason like it. So for me,
• 1:14:10
  Speaker 1: there's a line of dialogue that it's it's literally like
• 1:14:13
  Speaker 1: two words, but it's said, and I'm like, holy shit,
• 1:14:17
  Speaker 1: is it this? And then the ending just like verified
• 1:14:19
  Speaker 1: it for me because like I was ninety nine percent
• 1:14:23
  Speaker 1: sure of my thought of what was going to happen,
• 1:14:26
  Speaker 1: and then when they showed like the two shots, I
• 1:14:28
  Speaker 1: was like, yes, that's what's going on. So it was like,
• 1:14:31
  Speaker 1: I think this is what's happening, and then it was
• 1:14:32
  Speaker 1: confirmed for me. So I guess I don't know. I
• 1:14:35
  Speaker 1: guess that's why I And I also I've also seen
• 1:14:37
  Speaker 1: it twice too, so maybe maybe that did have something
• 1:14:41
  Speaker 1: to do with it. Maybe on a second, I don't
• 1:14:43
  Speaker 1: know maybe because that's what happens with a lot of movies.
• 1:14:45
  Speaker 1: If sometimes I'll watch a movie and hate it and
• 1:14:47
  Speaker 1: then love it on the second watch, or vice versa.
• 1:14:49
  Speaker 1: This was just like even for me because I thought
• 1:14:51
  Speaker 1: it was I'm really just the twists and turns and
• 1:14:54
  Speaker 1: everything that happened, because once something is revealed, you think
• 1:14:57
  Speaker 1: that person does an action, and then it's like someone
• 1:15:00
  Speaker 1: else and you're like, holy shit, no, no, just fucking spirals
• 1:15:04
  Speaker 1: out of control, No, for sure, and it's it's a
• 1:15:07
  Speaker 1: fun rabbit hole to chase. Yeah, but I mean three
• 1:15:10
  Speaker 1: and a half is still a great rat Yeah, yeah,
• 1:15:11
  Speaker 1: it's it's still a great rating. It's not like I
• 1:15:14
  Speaker 1: gave it no, Yeah, it's definitely worthy. And like I said,
• 1:15:17
  Speaker 1: it's got a three point three, which is already a
• 1:15:19
  Speaker 1: pretty solid movie or a rating for a movie that really,
• 1:15:22
  Speaker 1: you know, I'm no one's talking about this movie, Like
• 1:15:26
  Speaker 1: I had to scroll through it on the Endless Movies
• 1:15:28
  Speaker 1: on Amazon that it just happened to see because it
• 1:15:31
  Speaker 1: was like, if you watch this, you might like this
• 1:15:34
  Speaker 1: so real quick, there really wasn't you want to know
• 1:15:37
  Speaker 1: some trivia the only piece of trivia on this movie, Uh,
• 1:15:41
  Speaker 1: where is it trivia opening scenes shot in Shargun Falls, Ohio.
• 1:15:45
  Speaker 1: Hell yeah, that's it. No goofs, there was a couple.
• 1:15:48
  Speaker 1: There's spoilers, tagline, true evil hides and plain sight. No
• 1:15:52
  Speaker 1: mid or post credit scene. Uh. Six point eight out
• 1:15:55
  Speaker 1: of ten on IMDb, three point three out of five
• 1:15:57
  Speaker 1: on Letterbox. So it's got a slight bit more love
• 1:15:59
  Speaker 1: on IMDb by about point two if you double three
• 1:16:02
  Speaker 1: point three. He gave it three and a half. I
• 1:16:05
  Speaker 1: gave it a four and a half. I'd label this
• 1:16:08
  Speaker 1: a freight mare certified slap. Yeah, that was perfect. Yeah,
• 1:16:14
  Speaker 1: it was just it was just good, good, all around.
• 1:16:17
  Speaker 1: You can catch it on Amazon Prime. It's been there
• 1:16:19
  Speaker 1: since I watched it a couple of years ago, so
• 1:16:21
  Speaker 1: I don't think it's going anywhere anytime soon. So go
• 1:16:24
  Speaker 1: check it out.
• 1:16:24
  Speaker 2: Queue the plot twist of it. Literally when we walk
• 1:16:29
  Speaker 2: out the door, it is now no longer available in
• 1:16:31
  Speaker 2: your rea.
• 1:16:32
  Speaker 1: I go to search and it's gone, So definitely check
• 1:16:35
  Speaker 1: that out. We hit a big fucking milestone today. Wherever
• 1:16:39
  Speaker 1: my fucking phone went? Where did my phone go? Oh?
• 1:16:42
  Speaker 1: There it is. We hit a fucking major milestone. I
• 1:16:46
  Speaker 1: literally right now. On Facebook you can confirm this. Look
• 1:16:49
  Speaker 1: at the notifications right there. I have one hundred and
• 1:16:51
  Speaker 1: twelve notifications on Facebook. We hit eight thousand, thirty six
• 1:16:55
  Speaker 1: likes today and eighty five hundred and twenty four follows,
• 1:16:59
  Speaker 1: So that is a massive, massive, fucking milestone. We are
• 1:17:02
  Speaker 1: only two k away from ten thousand likes on Facebook,
• 1:17:06
  Speaker 1: so please, please please, if you haven't, go follow us
• 1:17:09
  Speaker 1: on Facebook. I have like twenty nine memes in the
• 1:17:12
  Speaker 1: can you gave me the one of the great and dude,
• 1:17:15
  Speaker 1: that meme fucking exploded. It started off real slow and
• 1:17:20
  Speaker 1: I was like, no, come on, like, you gotta get
• 1:17:22
  Speaker 1: it people and a lot of people were like, it's
• 1:17:25
  Speaker 1: no a the line he says take my strong I'm like, no,
• 1:17:27
  Speaker 1: actually it's not. It says my other hand isn't strong enough.
• 1:17:30
  Speaker 1: You take my little hand. He does not stay strong hand.
• 1:17:33
  Speaker 1: Fucking facts, verify it. I verified it on YouTube before
• 1:17:36
  Speaker 1: it and I told that to people. I was like,
• 1:17:38
  Speaker 1: I verified this before I made this fucking meme. But
• 1:17:41
  Speaker 1: that meme twenty three native likes on the actual like
• 1:17:46
  Speaker 1: post that I did eighty four shares and reached fifty
• 1:17:48
  Speaker 1: two thousand people. That is massive. I just did another
• 1:17:51
  Speaker 1: post on Halloween shit that one hundred and forty thousand
• 1:17:54
  Speaker 1: people reads two hundred ninety four shares like we're literally
• 1:17:57
  Speaker 1: blowing up right now, which is great, And usually from
• 1:18:00
  Speaker 1: until about November is when we get the most likes
• 1:18:03
  Speaker 1: because it's spooky season, people are more interested. Yeah, and
• 1:18:06
  Speaker 1: usually the you know, the listens to the show go
• 1:18:08
  Speaker 1: up as well. So thank you for supporting the podcast.
• 1:18:11
  Speaker 1: Go follow us on Facebook and slasher rab at fright
• 1:18:13
  Speaker 1: Maar's our Facebook at Frightmares, slash erra app and Instagram
• 1:18:18
  Speaker 1: at Frightmar's podcast Twitter, Fright May's Underscore Pod. I am
• 1:18:23
  Speaker 1: Doctor Procter on Letterbox. You are Fright ma Corey fright
• 1:18:26
  Speaker 1: Mar's Corey see what we're watching. Me and Gabby will
• 1:18:30
  Speaker 1: be back next week doing some crazy movie, I'm sure.
• 1:18:33
  Speaker 1: And again I'm gonna remind you guys of our one
• 1:18:35
  Speaker 1: hundred and fiftieth episode. We're doing a double feature. It's
• 1:18:37
  Speaker 1: going to be a lot of fun too, to god
• 1:18:40
  Speaker 1: awful movies that I just purchased, one on DVD because
• 1:18:43
  Speaker 1: there's no Blu Ray and one on Blu Ray because
• 1:18:45
  Speaker 1: it was on a double feature. So I did it.
• 1:18:48
  Speaker 1: So until then, guys, stay tuned.
• 1:18:50
  Speaker 2: And stay spooky bitches.