Latest / Suspense / Suspense - Suspense 450531 (143) August Heat
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- 2:49Speaker 10: Now, the Roma Wine Company of Fresno, California presents.
- 3:01Speaker 11: Suspense.
- 3:06Speaker 12: Tonight, Roma Wines bring you the distinguished actor, Mr. Ronald Coleman,
- 3:11Speaker 12: in one of the great suspense stories of our time,
- 3:14Speaker 12: August Heat.
- 3:15Speaker 5: Suspense.
- 3:19Speaker 10: Suspense is presented for your enjoyment by Roma Wines. That's R-O-M-A,
- 3:25Speaker 10: Roma Wines. Those excellent California wines that can add so
- 3:30Speaker 10: much pleasantness to the way you live. To your happiness
- 3:33Speaker 10: and entertaining guests. To your enjoyment of everyday meals. Before
- 3:37Speaker 10: we bring you Ronald Coleman and our suspense play, here's
- 3:41Speaker 10: a brief message from Elsa Maxwell, famed for her great
- 3:45Speaker 10: charm as a hostess.
- 3:46Speaker 13: When food looks appetizing, it almost always lives up to expectations.
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- 3:58Speaker 13: green salads, golden rolls or muffins, and brilliant Roma California burgundy.
- 4:03Speaker 5: The food is more enjoyable, more delightful.
- 4:06Speaker 10: And for a summery touch of the outdoors, a vase
- 4:09Speaker 10: of flowers. Perfect color complement to the deep, rich beauty
- 4:13Speaker 10: of Roma Burgundy. You'll enjoy the fruity, robust taste. The
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- 5:05Speaker 10: full would be very pleasant, as Roma Wines bring you
- 5:10Speaker 10: a remarkable tale of suspense.
- 5:12Speaker 5: And with August Heat, W.F.
- 5:14Speaker 12: Harvey's matchless narrative of premonition and the brooding terror of
- 5:19Speaker 12: Twilight and the Unseen, and with the performance of Ronald Coleman,
- 5:24Speaker 12: Roma Wines hope indeed to keep you in.
- 5:27Speaker 11: Suspense!
- 5:50Speaker 14: Penniston Road, Clapham, August the 20th, 1945. I have had
- 6:00Speaker 14: what I believe to be the most remarkable day in
- 6:06Speaker 14: my life. And while the events are still fresh in
- 6:13Speaker 14: my mind, I wish to put them down on paper
- 6:19Speaker 14: as clearly as possible. Let me say at the outset
- 6:36Speaker 14: that my name is James Clarence Withencroft. You must remember
- 6:41Speaker 14: that in order to have the full implication of my story.
- 6:44Speaker 14: James Clarence Withencroft. I'm 40 years old, in perfect health,
- 6:52Speaker 14: never having known a day's illness. By profession, I am
- 6:56Speaker 14: an artist. Not a very successful one, but I earn
- 7:00Speaker 14: enough money by my black-and-white work to satisfy my necessary wants.
- 7:04Speaker 5: My only near relative, a sister, died five.
- 7:08Speaker 14: Years ago, so that there is no one in particular
- 7:11Speaker 14: to whom I address this manuscript.
- 7:13Speaker 5: Only you, who might by chance read it some day.
- 7:18Speaker 14: For, because of the peculiar circumstance about which you will
- 7:21Speaker 14: soon hear, I have the strong premonition.
- 7:24Speaker 5: That I shall never live to tell anyone about it.
- 7:38Speaker 14: I breakfasted this morning at nine at the usual time.
- 7:41Speaker 14: It was no different from any other morning. And after
- 7:44Speaker 14: glancing through the morning paper, I lighted my pipe. And
- 7:48Speaker 14: I proceeded to let my mind wander in the hope
- 7:51Speaker 14: that I might chance upon some subject for my pencil.
- 7:55Speaker 14: The room, though door and window were open, was oppressively hot.
- 8:01Speaker 14: And I just made up my mind that the coolest
- 8:03Speaker 14: and most comfortable place in the neighborhood would be the
- 8:06Speaker 14: deep end of the.
- 8:06Speaker 5: Public swimming bath When....
- 8:10Speaker 14: When I was suddenly shaken, a feeling swept over me
- 8:15Speaker 14: such as I'd never experienced before.
- 8:18Speaker 5: I attempted to rise to my feet, but.
- 8:20Speaker 14: Somehow it seemed as though I had suddenly been fastened
- 8:24Speaker 14: to my chair. My hand went out in an effort
- 8:27Speaker 14: to brace myself. And then, before I knew what I
- 8:30Speaker 14: was doing, my pencil was in my hand, and I.
- 8:34Speaker 5: Began to draw. Draw.
- 8:37Speaker 14: It was as though someone had taken my hand and
- 8:39Speaker 14: was moving it across the paper, swiftly, in bold strokes.
- 8:44Speaker 14: And then I seemed to take over. My hand, under
- 8:48Speaker 14: its own power, began to draw. I soon forgot the
- 8:52Speaker 14: oppressive heat. Everything was forgotten in this frantic feeling that
- 8:57Speaker 14: the sketch must be finished as soon as possible. I
- 9:10Speaker 14: had no idea how long I worked until I heard
- 9:12Speaker 14: the clock of St. Jude's in the distance. It was
- 9:16Speaker 14: four o'clock, and I had started just after breakfast. Now,
- 9:21Speaker 14: for the first time since I'd begun, I actually seemed
- 9:24Speaker 14: to see what I.
- 9:24Speaker 5: Had been sketching. I was surprised.
- 9:28Speaker 14: The final result was I felt sure the best thing
- 9:30Speaker 14: I'd ever done. It showed a criminal in the dock
- 9:35Speaker 14: immediately after the judge had pronounced sentence. The man was fat,
- 9:40Speaker 14: enormously fat. The flesh hung in rolls about his chin.
- 9:44Speaker 14: It creased his huge, stumpy neck. He was clean-shaven, or
- 9:49Speaker 14: perhaps I should say a few days before he must
- 9:51Speaker 14: have been clean-shaven. And he was almost bald. He stood
- 9:57Speaker 14: there before the judge, his short, clumsy fingers.
- 10:00Speaker 5: Clasping the rail, looking straight in front of him.
- 10:03Speaker 14: The feeling that his expression conveyed was not so much
- 10:08Speaker 14: one of horror as of utter, absolute collapse. There seemed
- 10:13Speaker 14: nothing in the man strong enough to sustain that mountain
- 10:16Speaker 14: of flesh. And then And then I saw that the
- 10:20Speaker 14: sketch wasn't complete, for the man's other hand seemed to
- 10:23Speaker 14: be clutching an instrument of some.
- 10:25Speaker 5: Kind, a weapon, but it hadn't been completed.
- 10:28Speaker 14: I had made this sketch, and yet I had no
- 10:32Speaker 14: recollection of what I'd intended the man to carry in
- 10:35Speaker 14: his other hand. I took up my pencil again, and
- 10:40Speaker 14: I attempted to fill in the fuzzy outline, but it
- 10:43Speaker 14: was useless. It was as though my fingers had suddenly
- 10:46Speaker 14: turned to lead. I sat down, and I felt the
- 10:51Speaker 14: moisture slowly forming on my forehead.
- 10:54Speaker 5: And once again, I was conscious of the oppressive heat.
- 11:00Speaker 14: Then I knew that there would be no finishing of
- 11:02Speaker 14: the sketch, at any rate not for the moment.
- 11:04Speaker 5: So I rolled it up, and without quite knowing why,
- 11:07Speaker 5: I put it in my pocket.
- 11:11Speaker 14: In spite of my peculiar inspiration, I was filled with
- 11:14Speaker 14: a rare sense of happiness which the knowledge of a.
- 11:17Speaker 5: Good thing well done gives. I believe that I set
- 11:30Speaker 5: out with the idea of calling upon Trenton.
- 11:33Speaker 14: For I remember walking along Lytton Street and turning to
- 11:36Speaker 14: the right along Gilchrist Road, at the bottom of the
- 11:39Speaker 14: hill where the men are at work on the new
- 11:40Speaker 14: tram line. From there onwards I have only the vaguest
- 11:44Speaker 14: recollection of where I went. Through parks, along crowded streets,
- 11:50Speaker 14: always conscious of the awful heat. that came up from
- 11:54Speaker 14: the dusty asphalt pavement in a suffocating wave. And I remember, too,
- 12:06Speaker 14: the hollow sound of my footsteps as I moved along.
- 12:10Speaker 14: Although walking aimlessly, I somehow knew that there was a goal.
- 12:13Speaker 5: A something to which I was drawn.
- 12:15Speaker 14: I longed for the thunder promised by the great banks
- 12:19Speaker 14: of copper-colored clouds that hung low over the western sky.
- 12:24Speaker 14: I've really no idea how far I walked when a
- 12:27Speaker 14: small boy roused me from my abstraction.
- 12:30Speaker 2: You got the time, mister?
- 12:33Speaker 5: Twenty minutes to seven.
- 12:34Speaker 12: Thanks.
- 12:35Speaker 2: Hot enough for you, sir?
- 12:37Speaker 5: Yes.
- 12:41Speaker 14: When he left me, I began to take stock of
- 12:43Speaker 14: my bearings. I found myself standing before a gate that
- 12:48Speaker 14: led into a yard bordered by a strip of thirsty earth.
- 12:52Speaker 14: There were flowers, purple stock and scarlet geranium, and great
- 12:56Speaker 14: numbers of bees droned over them. I stood looking down
- 13:00Speaker 14: at them for a moment, and then, for some reason,
- 13:03Speaker 14: I looked up. Over the entrance to the place, there
- 13:07Speaker 14: was a board with the inscription, Charles Atkinson, Monumental Mason,
- 13:12Speaker 14: Worker in English and Italian Marbles. From the yard itself
- 13:25Speaker 14: came a cheery whistle, a noise of hammer blows, and
- 13:29Speaker 14: a cold sound of steel meeting stone. A sudden impulse
- 13:34Speaker 14: made me enter, and I went in, in the direction
- 13:36Speaker 14: of the noise. There was a man, sitting with his
- 13:40Speaker 14: back towards me.
- 13:42Speaker 5: He was busy at work on a slab of curiously-painted marble.
- 13:47Speaker 14: Then, without turning, his hammer stopped in mid-air, as he
- 13:52Speaker 14: was about to bring it down on his chisel. He
- 13:55Speaker 14: held his position a moment before turning, but I knew
- 13:58Speaker 14: that he was aware of my presence.
- 14:00Speaker 5: And when he turned, I saw his face.
- 14:03Speaker 14: It was, although I'd never seen him before, it was
- 14:09Speaker 14: the face of the man I had been drawing.
- 14:22Speaker 5: Yes, it was the face of the man whose sketch
- 14:24Speaker 5: was in my pocket.
- 14:27Speaker 14: He sat there on his low stool, huge and elephantine,
- 14:30Speaker 14: the sweat pouring from his scalp, not speaking. Then he
- 14:34Speaker 14: took a red silk handkerchief and he mopped his brow.
- 14:38Speaker 14: Although this face that looked up at me was the
- 14:40Speaker 14: same as my sketch, the expression was absolutely different. Suddenly
- 14:44Speaker 14: the puzzled expression left his face and he smiled as
- 14:48Speaker 14: if we were old friends.
- 14:49Speaker 5: And he walked over and he took my hand.
- 14:52Speaker 2: Good day, sir. Good day.
- 14:54Speaker 5: I'm sorry to intrude.
- 14:55Speaker 2: Not at all.
- 14:57Speaker 14: Everything is so hot and glary outside. This is like
- 15:00Speaker 14: an oasis in the wilderness.
- 15:03Speaker 11: I don't know about an oasis, but it certainly is hot.
- 15:07Speaker 11: Take a seat, sir.
- 15:09Speaker 14: He pointed to the end of the gravestone on which
- 15:11Speaker 14: he was at work, and I sat down.
- 15:14Speaker 2: Very hot.
- 15:16Speaker 5: It's a beautiful piece of stone you've got hold of.
- 15:18Speaker 2: In a way, it is.
- 15:19Speaker 11: The surface here is as fine as anything you could wish.
- 15:23Speaker 11: There's a big flaw at the back. Oh, I don't
- 15:27Speaker 11: expect you'd notice it. Oh, I shouldn't think so.
- 15:30Speaker 2: I could never really do a good job at a
- 15:32Speaker 2: bit of marble like that.
- 15:32Speaker 11: It would be all right in the summer like this.
- 15:37Speaker 11: Wouldn't mind the blasted heat. Wait until the winter comes.
- 15:42Speaker 5: Winter?
- 15:43Speaker 11: There's nothing quite like frost to find out the weak
- 15:46Speaker 11: points in stone.
- 15:47Speaker 3: Oh.
- 15:47Speaker 2: A gravestone, you see.
- 15:49Speaker 5: Oh, I see. Then what's this one for?
- 15:52Speaker 3: Heh.
- 15:53Speaker 2: You'd hardly believe if I was to tell you, but
- 15:55Speaker 2: it's for exhibition.
- 15:57Speaker 5: It's the truth.
- 15:58Speaker 2: Artists have exhibitions, so do grocers and butchers.
- 16:02Speaker 10: Oh.
- 16:04Speaker 11: We have them too. All the latest little things in Edstone's,
- 16:08Speaker 11: you know.
- 16:11Speaker 5: He went on to talk of marbles, which sort of marble.
- 16:14Speaker 14: Best withstood wind and rain, and which were easiest to work.
- 16:18Speaker 14: Then of his garden and some new sort of carnation
- 16:21Speaker 14: he had bought. At the end of every other minute,
- 16:25Speaker 14: he would drop his tools, wipe his shining head.
- 16:28Speaker 5: This heat.
- 16:29Speaker 11: This heat's bad. A man's not responsible for what he does.
- 16:35Speaker 5: This heat. I said little, for I felt uneasy.
- 16:40Speaker 14: There was something unnatural, uncanny in all of this. The
- 16:43Speaker 14: feeling that I'd experienced it all before. The oppressive heat,
- 16:47Speaker 14: the fragrance of the stocks in the air, the conversation
- 16:50Speaker 14: about the marble, the flowers, everything as though I had
- 16:54Speaker 14: experienced it before. And yet I knew that I'd never
- 16:58Speaker 14: ever been in this section of town before. I tried
- 17:03Speaker 14: to persuade myself that at least I'd seen him before.
- 17:07Speaker 14: That his face, unknown to me, had found a place
- 17:10Speaker 14: in some out-of-the-way corner of my memory. But I knew
- 17:14Speaker 14: that I was practicing little more than a plausible piece
- 17:16Speaker 14: of self-deception.
- 17:19Speaker 5: As I sat there quietly, watching him, he looked up
- 17:22Speaker 5: at me and he said... There.
- 17:25Speaker 11: What do you think of that?
- 17:26Speaker 5: He said it with an air of evident pride. A
- 17:29Speaker 5: job well done.
- 17:31Speaker 14: I could sense that he was experiencing the same feeling
- 17:35Speaker 14: I had experienced when I'd finished my sketch.
- 17:38Speaker 5: Then he got up with a sigh of relief... Oh, heart.
- 17:44Speaker 11: Heart, ain't it?
- 17:46Speaker 14: I was seated in such a position that I was
- 17:48Speaker 14: unable to see his work. And for some reason, I
- 17:51Speaker 14: didn't move. Suddenly, he began to read what he'd carved
- 17:57Speaker 14: on the tombstone.
- 17:58Speaker 5: He spoke deliberately and with a flat voice.
- 18:02Speaker 11: In the midst of life, we are in death. Born
- 18:06Speaker 11: January 18, 1905.
- 18:12Speaker 5: I looked up at the start. This man had read
- 18:15Speaker 5: my exact birthday.
- 18:23Speaker 11: He passed away very suddenly on August 20th, 1945.
- 18:30Speaker 5: That's today.
- 18:34Speaker 2: We usually use a present date on these exhibition stones.
- 18:39Speaker 2: Do you.
- 18:42Speaker 5: Do you usually put a name on them, too?
- 18:47Speaker 2: Yes, yes.
- 18:50Speaker 11: Sacred to the memory of... James Clarence Withencroft.
- 18:56Speaker 6: THE END.
- 19:10Speaker 5: Cold shudders swept over me and i sat.
- 19:13Speaker 14: There in silence the sound of birds and crickets seemed
- 19:19Speaker 14: loud in my ears as we stood there looking at
- 19:23Speaker 14: each other saying nothing and then he mopped his brow
- 19:27Speaker 14: again hot hot i was finally able to speak where
- 19:35Speaker 14: where did you see that name oh i.
- 19:38Speaker 11: Didn't see it anywhere Appointed some name, and I put
- 19:42Speaker 11: down the first that came into my head.
- 19:44Speaker 5: It's a strange coincidence, but it happens to be mine.
- 19:48Speaker 2: What? That's your name? You're James Clarence... Withencroft. Yes.
- 20:00Speaker 5: Well.
- 20:04Speaker 11: And the date's?
- 20:09Speaker 5: I can only answer for the birth date. It's correct.
- 20:15Speaker 2: Oh. That's a rum go.
- 20:23Speaker 5: I made a sketch this morning. Of you.
- 20:28Speaker 2: Of me? But you've never seen me before. No.
- 20:35Speaker 5: Oh. Oh. I took my sketch from my pocket and
- 20:41Speaker 5: I showed it to him.
- 20:44Speaker 14: As he looked, the expression on his face altered, until
- 20:47Speaker 14: it became more and more like that of the man
- 20:50Speaker 14: I had drawn.
- 20:50Speaker 2: And it was only the other day before that I
- 20:54Speaker 2: told Maria there were no such things as ghosts.
- 20:59Speaker 5: Neither of us had seen a ghost, but I knew
- 21:01Speaker 5: what he meant. Then I spoke to him.
- 21:04Speaker 6: You.
- 21:05Speaker 5: You probably heard my name someplace.
- 21:07Speaker 15: Yes.
- 21:09Speaker 2: You must have seen me somewhere and forgotten it.
- 21:11Speaker 5: Yes, yes.
- 21:12Speaker 11: Were you at Clacton-on-Sea last July?
- 21:16Speaker 3: No.
- 21:16Speaker 5: No, I've never been to Clacton in my life.
- 21:20Speaker 2: Oh.
- 21:25Speaker 14: And we were silent for some time again. And we
- 21:28Speaker 14: stood there looking at one another. And at the two
- 21:31Speaker 14: dates on the gravestone. And the birth one was right.
- 21:36Speaker 14: And the other was today.
- 21:38Speaker 2: Well, come inside and have some supper.
- 22:01Speaker 14: His wife was a strange little woman. who was pallid
- 22:04Speaker 14: with the look of those who lived their lives indoors.
- 22:07Speaker 14: Her husband introduced me as a friend of his who
- 22:09Speaker 14: was an artist, and he informed her that I was
- 22:12Speaker 14: staying to supper. I spoke, making.
- 22:16Speaker 5: Some comment that I hoped I wouldn't be an intrusion,
- 22:19Speaker 5: and she looked up at me and she said, You
- 22:21Speaker 5: have a pleasing voice, Mr. Withencroft, and you're welcome in
- 22:25Speaker 5: my home. I'm sorry Charles has not brought you here before.
- 22:38Speaker 5: Very little was said during the meal.
- 22:41Speaker 14: And after the sardines and portacress had been removed, she
- 22:45Speaker 14: walked over to her cupboard and she.
- 22:47Speaker 5: Took down a thin black book. And as she handed
- 22:50Speaker 5: it to me, she spoke. Would you read aloud, Mr.
- 22:53Speaker 5: Wytham Croft?
- 22:55Speaker 14: Puzzled, I looked down at the book which she'd opened
- 22:59Speaker 14: and placed before me.
- 23:01Speaker 5: It was a very tiny book.
- 23:03Speaker 14: The Prophet, it was called, by an author run known
- 23:06Speaker 14: to me with a strange eastern name, Khalil Gibran. And
- 23:12Speaker 14: my eyes fell across the page, and suddenly I was
- 23:15Speaker 14: reading aloud, as she'd asked me to. Then Almitra spoke, saying,
- 23:22Speaker 14: we would ask now of death. And he said, you
- 23:28Speaker 14: would know the secret of death.
- 23:32Speaker 5: How shall you find it unless you seek it in
- 23:34Speaker 5: the heart of life?
- 23:37Speaker 14: The owl, whose night-bound eyes are blind unto the day...
- 23:42Speaker 14: cannot unveil the mystery of light. If you would indeed
- 23:46Speaker 14: behold the spirit of death... open your heart wide unto
- 23:50Speaker 14: the body of life. For life and death are one...
- 23:55Speaker 14: even as the river and the sea are one. In
- 23:59Speaker 14: the depth of your hopes and desires... lies your silent
- 24:03Speaker 14: knowledge of the beyond. Unlike seeds dreaming beneath the snow,
- 24:09Speaker 14: your heart dreams of spring.
- 24:12Speaker 5: Trust the dreams, for in them is hidden the gate
- 24:16Speaker 5: to eternity.
- 24:18Speaker 14: Your fear of death is but the trembling of the
- 24:21Speaker 14: shepherd when he stands before the king whose hand is
- 24:24Speaker 14: to be laid upon him in honor. Is the shepherd
- 24:28Speaker 14: not joyful beneath his tremblings? that he shall wear the
- 24:32Speaker 14: mark of the king? Yet is he not more mindful
- 24:36Speaker 14: of his trembling? For what is it to die, but
- 24:40Speaker 14: to stand naked in the wind, and to melt into
- 24:43Speaker 14: the sun?
- 24:45Speaker 5: And what is it to cease breathing, but to free the.
- 24:48Speaker 14: Breath from its restless tides, that it may rise and
- 24:52Speaker 14: expand and seek God unencumbered? Only when you drink from
- 24:57Speaker 14: the river of silence shall you indeed sing, And when
- 25:01Speaker 14: you have reached the mountain top, then you shall begin
- 25:05Speaker 14: to climb. And when the earth shall claim your limbs,
- 25:10Speaker 14: then shall you truly dance.
- 25:28Speaker 5: When I looked up, Mr. Atkinson had gone. but his
- 25:32Speaker 5: wife stood before me, and as she took the book,
- 25:34Speaker 5: she spoke. Thank you. Then I went outside, and I
- 25:39Speaker 5: found Atkinson sitting on the gravestone and smoking. He looked
- 25:44Speaker 5: up at me. Hot. Hot.
- 25:52Speaker 11: Man's not responsible for what he might do in this heat.
- 26:00Speaker 11: She never asked anyone to read aloud before.
- 26:02Speaker 5: And then we talked about the sketch again.
- 26:06Speaker 2: He looked at it. Likeness is me, all right.
- 26:10Speaker 5: On trial? You must excuse my asking, but.
- 26:16Speaker 5: Do you know of anything you've done for which you
- 26:19Speaker 5: could be put on trial?
- 26:21Speaker 2: No, I've done nothing. Not yet.
- 26:25Speaker 14: He got up, fetched a can from the porch... And
- 26:30Speaker 14: he began to water the flowers.
- 26:31Speaker 11: Twice a day regular in the hot weather. And then
- 26:34Speaker 11: the heat sometimes gets the better of the delicate ones.
- 26:36Speaker 2: And first. Good Lord, they could never stand it. Where
- 26:41Speaker 2: do you live?
- 26:42Speaker 5: I told him my address.
- 26:43Speaker 14: It would take an hour's quick walk to get back home.
- 26:46Speaker 14: And he stopped watering. And he faced me squarely. It's
- 26:50Speaker 14: like this. We look at the matter straight. If you
- 26:54Speaker 14: both go back home tonight, you'd take your chance of accidents.
- 26:58Speaker 14: A cart may run over you.
- 26:59Speaker 11: There's always banana skins and orange peels. They say nothing
- 27:04Speaker 11: of falling ladders.
- 27:06Speaker 5: He spoke of the improbable.
- 27:08Speaker 14: With an intense seriousness that would have been laughable six
- 27:10Speaker 14: hours before.
- 27:12Speaker 5: But I did not laugh.
- 27:14Speaker 11: The best thing we can do is for you to
- 27:16Speaker 11: stay here till 12 o'clock.
- 27:19Speaker 2: Then it'll be tomorrow, do you see?
- 27:21Speaker 5: Yes.
- 27:23Speaker 11: We'll go upstairs and smoke. It may be cooler inside.
- 27:29Speaker 5: And to my surprise, I agree.
- 27:42Speaker 14: We are sitting in a long, low room beneath the eaves.
- 27:48Speaker 14: Atkinson has sent his wife to bed. He himself is
- 27:54Speaker 14: busy sharpening some tools at a little oilstone. smoking one
- 27:59Speaker 14: of my cigars the while. And as I look at
- 28:02Speaker 14: my sketch before me, I suddenly see the fuzzy outline
- 28:06Speaker 14: of what the man in the picture holds in his hands.
- 28:11Speaker 14: But while I had not been able to sketch it before,
- 28:14Speaker 14: I am able to do so now.
- 28:17Speaker 5: It is... a chisel.
- 28:21Speaker 14: And it is stained... with dark liquid. The sketch is
- 28:32Speaker 14: completed now. The air seems charged with thunder. And I
- 28:40Speaker 14: hear it in the distance. It is ominous, but it
- 28:47Speaker 14: carries the hope of rain. Perhaps this damnable heat will.
- 28:52Speaker 5: Be broken soon.
- 28:54Speaker 14: And the day will soon be over. It is close
- 28:58Speaker 14: to twelve. I am writing this.
- 29:05Speaker 5: At a shaky table before the open window. The leg
- 29:10Speaker 5: is cracked.
- 29:12Speaker 14: And Atkinson, who seems a handy man with his tools,
- 29:17Speaker 14: is going to mend it.
- 29:19Speaker 5: As soon as he has finished putting an edge on
- 29:22Speaker 5: his chisel... there.
- 29:28Speaker 2: It is twelve.
- 29:30Speaker 5: The day is over. And I shall be going home.
- 29:36Speaker 5: But the heat.
- 29:40Speaker 5: The heat is stifling.
- 29:42Speaker 15: This heat is enough to send a man mad.
- 30:26Speaker 12: And so closes August Heat, in which Roma Wines have
- 30:29Speaker 12: brought you Ronald Coleman as star of tonight's study in... Suspense.
- 30:34Speaker 12: Suspense is produced, edited, and directed by William Spear. Music
- 30:38Speaker 12: for August Heat was composed by Lucian Morrowick and conducted
- 30:41Speaker 12: by Lud Gluskin. Dennis Hoy appeared as Atkinson.
- 30:45Speaker 10: This is Truman Bradley with a word for Roma Wines,
- 30:48Speaker 10: the sponsor of suspense. America's famed authority on hospitality, Elsa Maxwell,
- 30:53Speaker 10: recently made this suggestion for gracious entertainment.
- 30:56Speaker 16: Your friends will respect your good taste when you serve
- 31:00Speaker 16: delightful Roma California toque, enjoyable at any time, with coffee
- 31:05Speaker 16: or dessert, with nuts and fruit. I suggest serving Roma
- 31:09Speaker 16: toque cool.
- 31:10Speaker 10: A most timely suggestion from Miss Maxwell. You'll find flame-bright
- 31:14Speaker 10: Roma toque, velvety smooth, moderately sweet, light, yet delightfully rich
- 31:20Speaker 10: in color. And you'll find Roma wines always delicious, of
- 31:24Speaker 10: unvarying fine quality and goodness. June is the month of weddings,
- 31:28Speaker 10: and the most distinguished way to face the June bride
- 31:31Speaker 10: is by serving Roma California Champagne. Its gold and sparkle
- 31:36Speaker 10: and delicious, delightful dryness tell you that here is a
- 31:40Speaker 10: truly fine Champagne, Roma Champagne. Next time you plan for
- 31:45Speaker 10: a special occasion, add this sparkling touch of perfection.
- 31:49Speaker 5: Good Roma Champagne.
- 31:51Speaker 12: Next Thursday, you will hear John Payne and Frank McHugh
- 31:54Speaker 12: as stars of Suspense.
- 31:59Speaker 10: Presented by Roma Wines, R-O-M-A. Made in California for enjoyment
- 32:05Speaker 10: throughout the world. This is CBS, the Columbia Broadcasting System.
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- 32:38Speaker 8: Subject to availability.
- 32:39Speaker 3: Participation varies.
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- 33:02Speaker 6: car insurance. Cornmarket Group Financial Services Limited is regulated by
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- 33:24Speaker 4: when he hears it.
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- 33:34Speaker 4: there are texts. And that's why he's our top salesperson.
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