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Silent Night, Deadly Night 2 · Citizen Frame

0:00
Music.
0:12
Or if you would feel more comfortable, you can just call me Doc. Fuck off, Doc.
0:20
Carpet day! Huh? No!
0:21
Music.
0:29
You know, I use the term fuck my life a lot. And mainly when I'm working with Trevor.
0:37
No offense, Trevor. And I'm taking?
0:40
So we put out a christmas list those are the films we're doing and we will be
0:46
doing the santa claus it will be our year-end one but right but rain man i will
0:53
call him you might know him as trevor,
0:57
says oh you say night daddy night too like what we do we did horror we don't
1:02
need to do another one. We'll get to it next year.
1:07
I want to do the Santa Claus. But you don't care and say it.
1:10
No, I want to do the Santa Claus. It's brilliant. It's got Tim Allen and Santa Claus.
1:15
Okay. No one's believing you at all. That's what happened.
1:20
So I said, you want to do Saturday night, the other night too?
1:23
Fine. But we're still doing the Santa Claus.
1:26
So we're doing an extra one for you guys.
1:28
And I told them, I go, our listeners we have a set list that's what we want
1:33
to do and trevor fashion says fuck our listeners i don't give one rash ass what
1:39
they want it's what i want and he starts crying.
1:46
So to shut him up we have to do silent night deadly night too so this is on him,
1:54
That's all I have now. And what a film it is too.
1:59
You know, Saturday Night, Dead of the Night 2. It was directed by mainly an
2:03
editor. Yes, he's edited with Cone Brothers.
2:07
Let's not give him credit, okay? His name's Lee Harry. Doesn't really work. Never really did.
2:13
Did odd sound projects and stuff as a gaffer and blah, blah, blah.
2:17
But Trevor loves him. Because I'll tell you right now, and I don't know what
2:21
Trevor's review of this film is going to be.
2:22
Clearly you all know because we all know at
2:25
this point in this podcast career is that
2:29
we all know that Trevor's batshit crazy so not
2:34
as crazy as Ricky that you know of but Lee Harry his claim to fame he did the
2:41
title sequence the title sequence of that's right Street Fighter I read up on that.
2:50
Yes. Yeah. Street Fighters.
2:53
Was that a podcast in it? Yeah. One of your favorite fucking films.
2:57
Rob Kek with Kylie Minogue and Jean-Claude cooked up the Azai Bolt.
3:04
Alright. So let's just jump into this piece of shit. There's not much really
3:09
to it. I think that's what the director said.
3:11
Because, you know, they never had a script. There's no way they had a script.
3:15
Because, and guys, I'm not making this up. And you'll have, we almost,
3:19
you almost want to watch it to see if I'm lying to what I'm about to tell you.
3:23
But I promise you, I am not.
3:26
So, the film is just under 90 minutes. Just a real slash of cliche,
3:32
90 minutes will take it, that's fine.
3:35
38 minutes of it is actually all part one. No, look at the club show. It's not...
3:42
It's literally Ricky telling us a story we already know. And it's all in flashbacks
3:48
and we see the whole film again.
3:50
Yeah. But it was like silent night, deadly night for dummies. Yeah. It's a clip show.
3:57
It's an embarrassment to filmmaking and it's an embarrassment to any filmmaker
4:01
who takes pride in anything they do.
4:04
This guy doesn't. This guy was just hired, do what you can.
4:08
But let's just jump into it. Here's the plot. All right.
4:11
So we all know Billy was killed the last time we talked about this.
4:14
Billy was killed after his rampage. He was killed at the orphanage where he
4:18
was raised in front of Mother Superior and, of course, in front of his younger brother, Ricky.
4:24
Well, it's years later, and this is where we're at. It's a Ricky story.
4:29
Silent Night, Deadly Night, Part 2.
4:30
We've got Ricky, Dr. Bloom, Jennifer, Mother Superior, Mr. and Mrs.
4:36
Rosenberg, Chip, the detective, and the loan shark.
4:38
Now, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa,
4:41
whoa, whoa, whoa, whoa, whoa, whoa, whoa. We forgot about someone.
4:42
The guy in the cinema. Oh, we're talking about him. I actually called him.
4:48
I got him a name for him. I was going to save that.
4:50
What name have you got for? Because that guy reminded me of you.
4:54
That guy was Trevor. Best scene in the film. That's the biggest compliment I've
4:58
had in a long time. Yeah, it's when he gets killed. It's the best scene.
5:04
This movie is terrible. So the music is so bad.
5:08
You know what the music reminded me of? The music reminded me of going to your
5:15
four-year-old's first piano recital.
5:17
You know what? But I would say that the score in this film is the least of its problems.
5:24
I think there's a lot worse stuff going on.
5:27
To be fair. Boy. All right. So Ricky is now a teen, and we're pretty much doing
5:32
the whole, he's being interviewed by obviously a doctor of some sort.
5:38
Well he's you know he's obviously in a shrink ward of some
5:40
sort yeah even though like that yeah this guy
5:43
has like killed multiple people he's unrestrained you
5:47
know what i mean he's given free he's he's unrestrained and he has a lighter
5:54
i know you know what i love i love i love the the the opening line whatever
6:01
the the doctor sits down he's all very doctorly insensible and stuff and he's saying,
6:05
and you can call me Doc or you can call me by my first name.
6:09
And Ricky just, with this really ropey acting, just bounces in and goes, fuck off, Doc.
6:16
It sets the tone straight away. No, I tell you what sets the tone.
6:21
It's that fucking horrible music.
6:22
And then the orderly, whoever comes in, or the nurse or the guard,
6:27
whoever it was, and all he does is stare him down for like 20 minutes.
6:30
We're watching this like this bad, it's almost like a bad spaghetti western
6:35
showdown between this nurse and Ricky,
6:42
And the staring contest, it's fucking laughable. Yeah.
6:45
And then Ricky then with the completely bizarre acting, you know,
6:50
says, I don't talk to anyone, doc.
6:53
I don't tell anyone my story. But anyway, do you want to hear my story?
6:58
It's terrible. This whole thing went on for seven minutes.
7:03
And then we got this worst opening scene ever in film history.
7:07
All right. So we get seven minutes of nothing.
7:10
And then it goes, I'm going to tell you my story December 24th now,
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the next 30 minutes we'll skip all this, it's Silent Night Deadly Night and
7:20
here's what I don't get this is my one big question,
7:25
he keeps saying yeah, my parents were killed by this and blah blah blah and
7:31
he's telling the whole story but he was a baby I know,
7:35
I know this film takes place in a
7:38
parallel universe were babies like
7:41
have crystal clear memories of everything that's happened whenever there were
7:46
babies it's nuts he even says it was night time and we just reached a turn off
7:52
how the fuck do you know that but also he describes details of Billy's murder
7:58
rampage which only Billy would have known,
8:02
so yeah there's more of this to come illogical stuff that makes no sense whatsoever.
8:10
Fuck me, this is terrible. It's a guy who's like... You know,
8:15
technically the film, after you get rid of the whole expose, diddy dump. Yeah.
8:22
Remember we made fun of little harmless little Friday 13th?
8:26
Friday 13th would give us the whole film that we just saw previously on Friday
8:30
13th, and they give us like a two-minute montage.
8:32
We complained about that for a second. Wow, these guys really...
8:36
It's literally half the film. And also, due to so much footage from the first
8:40
film being used to extend the end credits, they credit the entire cast of the first film.
8:49
And the end credits actually last for 10 minutes.
8:52
So if you add the 10 minutes onto the 38 minutes of clips, more than half of
8:57
this film is not the film.
9:01
Yeah. 40 minutes is what we get of a new film. and so technically it's a short
9:08
film yeah exactly yeah yeah.
9:12
Yeah. Oh, my God. Yep. But then we'll find out Billy's tragic story, you know, the tragedy.
9:18
Not Billy, sorry, Ricky, the brother. You know, we'll find out his,
9:22
you know, his doomed love of Jennifer. Yeah.
9:27
So the orphanage closes, obviously,
9:30
for obvious reasons, and he gets adopted by the Rosenbergs. Yes.
9:34
And there's a scene where they don't really know what's wrong with him.
9:38
He's just kind of quiet. But then he sees these nuns coming in slow motion.
9:43
And they're two most evil looking creatures ever.
9:48
I mean. Yeah. And then the nuns come out of a, they leave and they come out
9:54
of a store and the mom keeps missing him. What's your problem?
9:57
What's your problem, Ricky?
9:58
And then he sees the color red fabric in this store. She goes,
10:04
oh my God, it's the red fabric.
10:07
Yeah. i have more but i was more distracted
10:10
by the fact that the younger versions of ricky look
10:13
absolutely nothing like him you know we'll
10:17
have yeah and there's other stuff here you know like where he says
10:20
that so mr rosenberg you know his stepdad died five years later so this should
10:25
have been teenage billy that we'll meet later on at standing at the graveside
10:28
instead we've got like 12 year old billy or not billy exactly the names mixed
10:32
up ricky you know so i'm getting it almost as mixed up as the filmmakers did. You know, so.
10:38
Yeah, I love the scene where, so after the kid has the flashbacks,
10:42
after seeing the fucking red fabric and the nun, they bring him to like a shrink. Yeah.
10:47
And the guy, the father, the adoptive father goes, Mr.
10:51
Rosenberg goes, oh my God, we got to be there for him. Yeah.
10:56
And then the next scene, well, stepdad is dead now.
11:00
Wow. But instead of, but instead of teenage, ricky being at the gravestone it's
11:06
12 year old ricky who has time traveled for some reason that doesn't make any sense.
11:12
Well, it's the same thing with fucking Saturday Night, Deadly Night.
11:16
He was 16-year-old, I think he was, and he was built like Dolph Lundgren.
11:20
Well, yeah, I mean, that's a sort of bit of a trope for these types of films
11:23
anyway, that basically teenagers are played by... Oh, okay, okay.
11:26
You're backing that up. That's okay. Our teenagers are played by 40-year-olds,
11:31
I would say as well. Steroids. Yeah.
11:34
See the guy who plays the younger version of Ricky, you know,
11:38
the teenage Ricky, the one who starts killing.
11:40
In reality, he was actually older, Then the guy who plays, I don't believe, or I don't, you know?
11:50
Who cares? Yeah. Who fucking cares? So when he tells the doctor,
11:54
I'm going to tell you something I never told anyone before. He's like, let it out. Yeah.
11:59
So when, after his stepfather died, Ricky's going for a walk,
12:03
you know, with his thoughts and he's carrying a stick as you do.
12:06
And he sees these picknickers and he
12:10
and the guy's getting really frisky yeah you know she was watch your shirt's
12:15
getting dirty when you need a new shirt yeah why because i see something i like
12:20
and then she's like huh you're such a pig and he's like yeah and he gobbles
12:25
his beer i was like, Jesus. That's what you love about me.
12:31
So he starts getting, you know, hands on him and he starts having flashbacks.
12:38
Ricky's having flashbacks of something he's never witnessed.
12:41
Because he was a baby. There is no way he could have. Yeah, exactly. Yeah.
12:46
And he's like, naughty.
12:49
And he runs him over like 12 times with a jeep. But you don't see it.
12:53
There's actually two before. There's actually a couple of pretty good deaths in this.
12:56
But some of the other ones, obviously, for budgetary reasons or whatever reasons,
13:00
they all happen off screen.
13:03
So like whenever he's running over carpet or something instead of that guy, you know. I love.
13:09
Well, that's in first kill, basically. I love when he goes, he's going to kind
13:15
of rape this woman. Yeah.
13:17
He goes to his, I'll be back. I'm going to give you the beer.
13:20
Yeah. Well, she could have got up and left. She could have run away. But instead.
13:24
No, she doesn't. No, she could have. Yeah, she could have, but this is what she does instead.
13:29
So Ricky runs him over with the Jeep, a red Jeep, by the way.
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She then walks over to him. There's his dead body. She looks at Ricky and goes, thank you.
13:42
Yeah but you know what see to go
13:46
back to the first film when billy you
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know kills rapey guy in the toy store the girl
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who he basically saves he turns around
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and she has a normal reaction in that she goes
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what have you done you sick psycho but here just showing you the difference
14:02
because i like i'm a big fan of the first one here he she turns around and goes
14:07
thank you you know so just it's almost like a perfect example of the difference
14:13
between these two films you know yeah,
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and then he kills the loan shark,
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he's only he's only,
14:23
he's only killing people that are hurting others that's the difference he's
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not just randomly killing spree so he's killing the loan shark guy with the
14:32
umbrella fucking stupid,
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fucking terrible I quite like that because it is over the top silly I mean,
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it's completely impractical. It would never happen in real life.
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But I particularly like whenever they have a poignant moment,
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whenever after it, you see your man land, they're dead, and there's an umbrella
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drenched in blood, and then all of a sudden, it starts raining on it.
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But if you look closely, the rain is only happening in that one spot.
14:59
Obviously, it's fake rain. I saw that. Or the umbrella.
15:03
The cardboard boxes are nice and dry right next to it. Everything is apart from
15:07
the tiny rain cloud that is just putting rain on the umbrella.
15:13
And now we meet Jennifer, the love interest. I have to admit,
15:17
this love scene is so fucking laughable. Yeah.
15:19
And I love the line where he goes, that was my first, and I thought it was hers.
15:26
Doom love story. Yeah.
15:30
Because little did we know, well, we'll soon find out that she has been sleeping with Chip.
15:36
The badass Chip. The stud that is Chip. But before that, we'll get asshole in the cinema.
15:42
Then we got Trevor in the cinema who wouldn't stop talking during the movie
15:47
and what theater is this by the way the lights are on, there's like four seats,
15:52
and I love how he attacks them,
15:55
like he's got his buddy next to him, he's going back and forth he turns his
15:58
head and now he's there where'd his buddy go, what is he a fucking ninja people
16:02
sort of magically disappear and reappear here, you know what I mean and he kills
16:07
him you don't see anything which is stupid,
16:10
and he kills him and nobody hears this yeah
16:13
yeah but then chip comes over and has a conversation with jennifer
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says you miss me and all i'm the best you've had and stuff
16:19
yeah but then chip's girlfriend doesn't really seem to notice
16:22
that well she eventually she notices that chip's talking to jennifer you know
16:25
but well it's got you know i will say this it's got some pretty good writing
16:29
um there's a great line where the guys in the back of the cinema call him a
16:34
faggot that's right and the girl goes I know that's not true,
16:40
see that's powerful that's pretty good that's something you'd get from a Scorsese
16:46
film well it's Tarantino-esque sort of quirky dialogue you know.
16:50
And then all of a sudden when she's talking to Chip like you said talking about
16:53
the ninja stuff all of a sudden without them knowing that he was right beside
16:57
them Ricky's there with his face right in them you know what I mean.
17:04
What's this movie about it's about a man dressed up as kill a
17:07
santa and killing people oh this is my type of film yeah
17:10
yeah and also when it before the film starts she
17:14
jennifer turns around and goes you know they have a
17:17
trailer for some other film that's called chaos or something she's going do
17:20
you like this sort of stuff that's awful you know she's pretending to be all
17:24
girly next thing says oh this film is about somebody who goes on a killing rampage
17:28
at christmas i love these types of things so it's like a complete character
17:32
shift within seconds and also the film they're watching is Silent Night,
17:36
Deadly Night 1 makes no sense,
17:39
yeah and it doesn't make any sense because that's his trigger,
17:42
Red's his trigger or Santa and Red and whatever,
17:46
and then here's what I don't get after the theatre scene a couple days later,
17:50
what happened to an investigation with the dead bodies in the theatre I mean,
17:54
these are the worst police ever or maybe it's just a complete plot convenience you know,
18:00
yep nobody investigated not unless you know that guy was known as being a bit
18:04
of an asshole so people were glad he was bumped off you know the guy in the cinema,
18:09
yeah also it's obviously all during the summer sorry film during the summer
18:14
because it's only really the last 10-15 minutes is actually set at Christmas oh gives a fuck.
18:22
There's Lee we're about to talk about the killing spree and this film is almost
18:26
over so So, yeah, so they're walking in broad daylight and they run into Chip.
18:32
Yep. He's being a dick. And so as you do, you're deaf by high voltage.
18:37
Even though. Which I actually did like to death. I thought it was all right.
18:40
But Ricky should have been electrocuted as well.
18:43
You know what I mean? He's basically a superhero at this point.
18:46
No, why would he be electrocuted? Because he's got his hand on him while he's doing the thing.
18:50
He's in direct contact with him while he's electrocuting him.
18:53
But he's got, no, he wouldn't be.
18:57
Because he's got the handles that have the rubber. Well, I'm no scientist.
19:01
You know, I'm no position. But I don't know. There's a bit of sort of. Well, clearly.
19:05
They're playing loose and fast. Well, what about a few seconds later when he
19:09
shoots a car? He shoots again a car and the car blows up.
19:13
How does that happen? That's the best one.
19:15
What about the cop? The cop walks right up to him with a gun.
19:18
You usually put, turn around, put your hands on your head. That's the two things
19:23
they're going to ask you to do if they're going to cuff you. Mm-hmm.
19:26
You don't walk up with a gun in their face. Yep. But he shoots them in the head.
19:31
But then he shoots the two neighbors, the poor guy, Garbage King.
19:36
Well, that's the iconic scene, of course. Garbage day.
19:41
So stupid. Yep. And then he shoots three bullets into the car and then it explodes.
19:47
Yeah. He shoots someone in a car and the car explodes. That was the budget.
19:52
Yeah. Oh, yeah. That was all there. Yeah.
19:55
And then he puts a gun to his head and does his evil laugh you know what I mean
19:58
and the cops horrendous acting by the cops and it's all don't do it don't do
20:02
it it's not worth it you know and then he goes there's a powerful moment,
20:08
when he bumps into the wee girl and she's wearing red,
20:12
and he goes oh I'm sorry I missed her when she hits him with the bike he goes
20:16
that's okay and he smiles at her this is a call back to the first one where
20:22
Billy spurs the child who's being babysat, you know,
20:25
by the two dipshits who one of them he puts on,
20:28
you know, the antlers, you know, the naked chick.
20:31
He sort of impales her on the antlers.
20:34
Well, but Billy Spurs is a child in this scene, so it's a callback to that,
20:36
but it's like Ricky's last remnant of humanity.
20:40
But I did laugh whenever he's talking about how, you know, whenever he goes
20:44
to blow his own brains out at this point and there's no more bullets left,
20:47
he goes, I was young and stupid.
20:51
You know though i'm gonna give it a pass on that one why continuity well he
20:58
wouldn't have been he was using a six shooter he he was using a six shooter
21:01
and he see fire six times far enough yeah yeah to its credit there you go yeah
21:07
there you go silent night deadly night two gets a pass,
21:12
continuity and then the twist did you see the twist coming of course not he killed the doctor.
21:20
Again another off-screen death to
21:23
save on the budget presumably you know yeah but all you see no because they
21:27
did that they they wanted we wanted to go what well it works in both ways no
21:31
way yeah they're like i'm like a 38 minute film and a twist and continuity and
21:38
all we see is like the the reams of tape wrapped around and stuff.
21:42
The only thing we don't see is escape either, which is, again,
21:45
some things are better left unseen.
21:48
Yeah, you just hear the screams. You hear the screams and stuff.
21:52
It's the most sort of low-security facility for a serial killer ever. You know?
22:01
Then we got the showdown. That's right. Sister Mother Superior is back.
22:06
Yep. Different actress.
22:08
Why is your face all burned well it said she took a stroke but as far as i know,
22:13
strokes didn't strokes don't turn you into a fucking demon but but they are
22:18
trying to sort of um sort of set her up as the sort of you know the big bad
22:21
guy overall because if you notice her her the number of her house i mean it's
22:27
not exactly his whole you know six six six.
22:33
Yeah I don't know, I was trying to think back because it didn't show it in the
22:37
clip show was there a part in the original, I can't remember it's been a couple
22:41
of years, where she was burnt in some way by Billy,
22:45
no, that's what I don't get I thought Stroke would your face might drool a bit
22:50
yeah, turns you into Pazuzu in this world but this is also the same world where
22:54
babies can remember an intricate detail whenever they're adult shit that happened,
23:00
And if you have a minor stroke, you turn into a toxic avenger. Exactly.
23:05
Yeah. Yeah. There you go. I will say the death of Mother Superior is actually
23:11
good whenever, you know, the other nun comes in. It's terrible.
23:14
With the head. Oh, come on. It's cheesy fun. Yes, it's. Oh, my God. It's terrible.
23:19
Yeah. So after the big chase sequence between the crippled nun and Ricky, very intense.
23:25
By the way, how many wheelchairs does this nun own?
23:28
Because. Well, she knows. That's how it works. You'll have one on the top of
23:32
stairs and then she'll try to get in the elevator stairs, and then there'll
23:37
be a chair waiting for her in the bottom. Okay, fair enough.
23:38
Well, that's my mistake. Fair enough.
23:41
Continuity again. Wow. Look at this film. It's full of continuity. Check out all the boxes.
23:47
Yeah, because you've got the nun and the cops show up, right? Worst cops ever.
23:52
And there's the nun sitting there in her nunish outfit, right?
23:58
Not a drop of blood anyway.
24:01
Mm-hmm. And you find out she's been beheaded. Yep.
24:06
So where's the blood? Well, Ricky's that good, you know what I mean?
24:09
He can sort of do it so clinically, you know, the blood will... In a half a second.
24:13
Yeah, that's how good Ricky boy is, you know.
24:17
And not only that, after he gets shot, he's not really dead.
24:23
Oh, he smiles at the end. Yeah, he like jumps up. I love it.
24:26
He comes back, sure, in the third one.
24:29
I don't know if there's a third one. Oh, there is, isn't there?
24:32
But it's a different actor. It's a guy, what do you call him from Texas Chainsaw Massacre 2?
24:37
Oh, his name escapes me at the moment. What do you call him?
24:40
He's a well-known actor. Have you met him at one of those conventions? I think.
24:44
Bill Moseley? Yes, Bill Moseley plays him. Yes.
24:47
In the third one. Oh, my God. We'll have to check that one out.
24:51
And then the series takes a completely different sort of direction,
24:54
which becomes about witches and evil toy makers played by Mickey Rooney.
24:59
I actually remember liking the one with the toy maker. That's the Mickey Rooney one.
25:03
Yeah, but it's not really a
25:05
Silent Night. They just decided to put the label on there a Silent Night.
25:08
They were produced, the fourth and the fifth were produced by,
25:10
one of them was directed by Brian Yosna, you know the special effects guy.
25:14
Yeah. Directed. That's probably the robot one which actually has I can't remember.
25:18
I got a question again. Clint Howard as well is in them.
25:22
Oh wow. You put a boy Clinton there. Well, he's in everything, you know.
25:28
Yeah this is this is just i'll never watch this
25:31
again i have to say i have to say in its defense and its
25:34
defense i would have to say that you know whenever you
25:36
you watch any film or any form of entertainment you
25:40
ask yourself after was i entertained and i
25:43
have to say yes i was i always i'm always entertained by this so it gets a pass
25:50
and for that i will give this a pass maybe it's entertaining for all the wrong
25:55
reasons and different reasons that they actually set out and unintended to do, but yep,
26:00
I will 100% give this a pass. No problem. Yeah, yeah.
26:04
I will never, because there's a difference between knowing what a film is trying
26:09
to do or at least trying to do something different or, you know,
26:13
and it might not work, but you'll give it a pass because, you know,
26:16
you appreciate the effort they put into it.
26:17
You can appreciate what the actors tried to do and it just didn't work,
26:21
but yeah, you know, at least they tried something different.
26:24
That's to me giving you a pass this is a cheat this movie's it's not even a
26:30
film it's a short film and it's terrible and the same thing when we talk about
26:36
stop over my mama shoot or tell me a lot the the jump's up it's completely disrespect
26:41
to steven king's original work.
26:44
And but you see something through the shit that i don't i make fun of it talking
26:49
about it yeah and it sounds like because we're having a good laugh at its expense
26:53
that makes it a good movie guys it doesn't it's terrible it's the reason why
26:57
it's got the reviews it has.
26:59
Don't watch this. I promise you. Watch something.
27:04
Watch Black Christmas, for Christ's sake. Well, that's a classic.
27:07
At least, I mean, I gave Silent Night a pass.
27:10
And the reason I did was, A, because of the violence. Gore was fucking brilliant.
27:13
Yep, this is a brilliant film. And it definitely didn't sell out.
27:16
And I thought the story was actually quite dark with the kid dealing with post-traumatic
27:20
stress. Yep. It's a really good film.
27:22
Yeah, it's got some... No, it's not... You really got a really good film,
27:28
really? For the type of film it is, yes.
27:31
So, at least there was a serious tone to it with a wink at the audience.
27:37
This is about a fucking baby dealing with PTSD.
27:42
The fuck name? And that makes me laugh.
27:46
Absolutely. The central performance by the guy Eric something,
27:49
who plays Ricky, is, yeah, this is it's I was laughing the whole way through. Yep.
27:58
It was in there we don't we're not gonna we're not gonna agree on it so it's
28:02
it's naughty punish it's not it's not it's it's bad i'm not gonna do that all right,
28:11
we're just gonna wrap this one up because oh all right 38 seconds okay so this,
28:21
what we should do to what we should do to actually to extend this podcast is,
28:25
I have clips from previous podcasts from the Silent Night Diddly Night one, the first one. Yeah.
28:33
Before we review Silent Night Diddly too, here's their entire podcast.
28:39
Alright guys, listen, I'm going to wrap this one up. Long kiss goodnight will
28:41
be next. Then we'll end Christmas month with the Santa Claus.
28:46
Cool. Yep. The new issue of Phantasm Gloria is out now. Indeed, yes.
28:51
It's available on Amazon worldwide and of course locally here at Belfast and
28:56
Forbidden Planet and the U.S.
28:58
And stores peppered all over the U.S. there and there you have it.
29:02
Give us a shout at CitizenFrame underscore podcast on Instagram or of course Facebook.
29:06
We're going to wrap this one up because this fucking piece of shit movie has
29:09
taken 30 minutes of my life and that doesn't include the 38 minutes of actual film.
29:18
Fucking hell.
29:22
Music.