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Sonic Elevation With SAMANTHA FISH · HEAVY Music Interviews

• 0:09
  Speaker 1: When I can the mirror dad who's staring back at me.
• 0:14
  Speaker 1: The world's again clearer.
• 0:16
  Speaker 2: But it's easier to see.
• 0:20
  Speaker 3: Hey everybody, I'm Samantha Fish and you're about to hear
• 0:22
  Speaker 3: a song off mighty record called paper Doll.
• 0:25
  Speaker 4: Let's do Itana, thanks for joining us today.
• 0:30
  Speaker 2: Yeah, thank you, my pleasure.
• 0:32
  Speaker 4: So you released a new album, Pipe Doll on April
• 0:35
  Speaker 4: to twenty, Like, it's still a little way away, But
• 0:38
  Speaker 4: how are you feeling is deciding to get to pressure point?
• 0:42
  Speaker 5: No?
• 0:42
  Speaker 3: I mean, honestly, oh god, there's there's this weird feeling
• 0:45
  Speaker 3: when you finish a record, at least for me, I
• 0:48
  Speaker 3: know every artist feels this way. You know, you're you
• 0:51
  Speaker 3: walk out of the studio and this giant weight has
• 0:53
  Speaker 3: been lifted off your shoulders. It's a much you for
• 0:55
  Speaker 3: when you're done with the record, it's like the pressure
• 0:57
  Speaker 3: is just like okay, like that's over, thank god, because
• 1:01
  Speaker 3: it's always fun, but it is like for me, it's
• 1:04
  Speaker 3: always like this mountain that I have to climb, you know,
• 1:06
  Speaker 3: to get through it, and it's you know, so it
• 1:09
  Speaker 3: feels great, but then it feels like you have the
• 1:10
  Speaker 3: secret that you have to keep for you know. Six
• 1:13
  Speaker 3: nine months a year they can't share with anybody. So
• 1:16
  Speaker 3: I finally feel like I'm able to like let.
• 1:18
  Speaker 2: People in on the little secret. That's that's kind of nice.
• 1:22
  Speaker 4: Good way looking at it. Can you just rub the
• 1:24
  Speaker 4: album chimmy from the musical point of view and then
• 1:26
  Speaker 4: what you're actually going for with it?
• 1:29
  Speaker 6: Oh?
• 1:29
  Speaker 2: God?
• 1:30
  Speaker 3: Well, this record, I wanted to lean into my strengths,
• 1:34
  Speaker 3: you know, what people might like, what are my super
• 1:36
  Speaker 3: power makes me different, what's what makes me unique? You know,
• 1:40
  Speaker 3: leaning into my voice, my guitar, my songwriting. I wanted
• 1:45
  Speaker 3: to make something that felt urgent, felt like rock and roll,
• 1:49
  Speaker 3: but was still rooted in the music that I love
• 1:52
  Speaker 3: and it inspires me, which is like blues music, you know,
• 1:55
  Speaker 3: uh North Hill country blues specifically. It's a deep well
• 1:59
  Speaker 3: of inspiration for me. I just wanted to write great
• 2:02
  Speaker 3: songs and write and record with an urgency that you know,
• 2:07
  Speaker 3: people would hear it and want to listen again and
• 2:10
  Speaker 3: again and again. You know, Timeless Records, that's my goal.
• 2:14
  Speaker 4: Nice. Now, it's the first one of your albums to
• 2:17
  Speaker 4: actually be pitched to me here an Australian heavy metal magazine,
• 2:20
  Speaker 4: So I'm guessing it's a lot more harder edged than
• 2:23
  Speaker 4: some of your previous albums.
• 2:25
  Speaker 2: You know, I think some of the songs are.
• 2:27
  Speaker 3: Yeah, I mean I feel like maybe we just finally
• 2:31
  Speaker 3: worked our way to, you know, to get your attention.
• 2:34
  Speaker 3: I feel like I've written some pretty heavy music, but
• 2:37
  Speaker 3: I think the production on this definitely has, you know,
• 2:42
  Speaker 3: this this.
• 2:42
  Speaker 2: Rock and roll edge to it. Absolutely.
• 2:46
  Speaker 4: Yeah, And you opened it with a song called I'm
• 2:48
  Speaker 4: Done Running, which is a great introduction in music. It's tough,
• 2:52
  Speaker 4: it's catchy as hell, but it's gets up. It's just
• 2:55
  Speaker 4: got a driving beat to the whole thing. Is that
• 2:57
  Speaker 4: why you chose to open the album?
• 3:00
  Speaker 3: Yeah, you know, I think that the the okay, So
• 3:03
  Speaker 3: every time you sequence a record, it's like the committee
• 3:05
  Speaker 3: comes into play. I mean, I feel like that song
• 3:08
  Speaker 3: it's inviting, you know, it's it's definitely inviting. It kind
• 3:13
  Speaker 3: of prepares you for what's to come. But it's also
• 3:16
  Speaker 3: you know, I feel like it just sort of opens
• 3:18
  Speaker 3: the door to a record. It's so hard to sequence,
• 3:20
  Speaker 3: you know, I mean, you can you can make a
• 3:23
  Speaker 3: completely different album with the same set of songs just
• 3:25
  Speaker 3: through the sequence alone. So you know, I definitely have
• 3:30
  Speaker 3: my my sequences that I love that I prefer. But
• 3:33
  Speaker 3: you know, when when you bring everybody in, I think
• 3:35
  Speaker 3: that the consensus was that song is inviting, so let's
• 3:39
  Speaker 3: put it first.
• 3:40
  Speaker 4: Nice speaking, a sacred thing. Like in the modern I
• 3:43
  Speaker 4: h where a lot of music streaming and no one
• 3:45
  Speaker 4: really listens to an album start to finish, do you
• 3:48
  Speaker 4: still put as much fight as into your order the tracks?
• 3:52
  Speaker 3: I mean, I I think so if I want people to,
• 3:55
  Speaker 3: you know, it's important because if somebody is listening to
• 3:59
  Speaker 3: the what's going to keep them from going, all right,
• 4:02
  Speaker 3: I've had enough, I'm gonna listen to something else. The sequence,
• 4:06
  Speaker 3: you know, like putting putting songs in an order that
• 4:09
  Speaker 3: continue to like surprise you. You know, if you put
• 4:11
  Speaker 3: everything up front that sounds the same, people go, I
• 4:14
  Speaker 3: know what this record sounds like. I don't need to
• 4:16
  Speaker 3: listen to the rest of it. So I feel like
• 4:18
  Speaker 3: it's a journey.
• 4:19
  Speaker 2: You know.
• 4:21
  Speaker 3: Not everybody goes on that journey anymore. I mean, it
• 4:23
  Speaker 3: is twenty twenty five. A lot of people just go
• 4:25
  Speaker 3: to Spotify and find their favorite song and listen to it.
• 4:27
  Speaker 3: But I want to create the opportunity for people to
• 4:32
  Speaker 3: want to hear the whole thing. So I think sequencing
• 4:34
  Speaker 3: is important for that reason, you know, take people on
• 4:37
  Speaker 3: a trip. It's it's art Christ's sakes, Let's let's do
• 4:41
  Speaker 3: something with it.
• 4:42
  Speaker 4: Right. Well, you've released the singles I'm Done Running and
• 4:46
  Speaker 4: Sweet Southern Sounds, which are complete polar opposites of each
• 4:50
  Speaker 4: other musically, Like, is that an indication of the range
• 4:52
  Speaker 4: that's over the whole album?
• 4:55
  Speaker 2: Yeah, I'd say so.
• 4:56
  Speaker 3: I mean, I think that the idea is to kind
• 4:59
  Speaker 3: of continue to surprise people with the direction. Yet I
• 5:03
  Speaker 3: feel like those songs are different, but there is like
• 5:05
  Speaker 3: a there is a similar thread throughout. I think you
• 5:08
  Speaker 3: can kind of hear you know that there is a
• 5:11
  Speaker 3: blues like a rootsiness in there. Even though they go
• 5:14
  Speaker 3: completely different directions, there is there is some cohesive themes throughout.
• 5:18
  Speaker 1: You know.
• 5:20
  Speaker 4: Yeah, it's a musically like from my first listen on
• 5:23
  Speaker 4: at like, there's a beautiful mix of there's rock, blues,
• 5:26
  Speaker 4: you got hard rock, there's country, there's a bit of
• 5:28
  Speaker 4: soul in their light. How difficult is it to get
• 5:30
  Speaker 4: the balance of all of those rod in the creative prices?
• 5:36
  Speaker 3: I mean, I just kind of follow what feels right
• 5:40
  Speaker 3: for me. You know, these are all things that it's
• 5:42
  Speaker 3: not like I'm writing a song in a genre that
• 5:45
  Speaker 3: I have no uestion too, or you know, like simply
• 5:49
  Speaker 3: out of my comfort zone. I mean a lot of
• 5:52
  Speaker 3: everything that I write it comes from you know, comes
• 5:55
  Speaker 3: from my heart. So to make it all fit together,
• 5:59
  Speaker 3: I feel like there's there's already a cohesive thread involved,
• 6:02
  Speaker 3: you know, and so it to me, it's not it's
• 6:05
  Speaker 3: not too complex. And also I owe a lot of
• 6:08
  Speaker 3: that sort of you know, connection throughout the material to
• 6:13
  Speaker 3: the session. You know, when you're in there working with
• 6:16
  Speaker 3: the same musicians and producer, you're in you're in a room,
• 6:19
  Speaker 3: you're in a space, there is a vibe. It's like
• 6:22
  Speaker 3: a snapshot in time. So you know, it's not like
• 6:24
  Speaker 3: we're gonna make something way over here and it's something
• 6:26
  Speaker 3: that you know, it's all gonna feel like a family,
• 6:29
  Speaker 3: you know, like the songs kind of go together, even
• 6:32
  Speaker 3: if they're wildly different. There's there's still a connection. You know,
• 6:35
  Speaker 3: we're playing the same instruments, we're being recorded on the
• 6:37
  Speaker 3: same console. It's like there, it's a moment, you know.
• 6:41
  Speaker 4: And the my reason why I asked that is so
• 6:43
  Speaker 4: I'm pretty sure it was on the first song I'm
• 6:45
  Speaker 4: done running but it's started off like there's a country
• 6:48
  Speaker 4: Twain tour. Then I got a little bit of blues
• 6:50
  Speaker 4: in it, and then I go to hot rock. While
• 6:51
  Speaker 4: I was listening to it, I'm sitting down thinking like,
• 6:54
  Speaker 4: how the hell as she made this sound good from
• 6:57
  Speaker 4: day to day to dare. So that's why I asked
• 6:58
  Speaker 4: that question because from listen, okay, it doesn't sound like
• 7:02
  Speaker 4: it'd be an easy thing to play together.
• 7:04
  Speaker 2: Well, when you put it on paper like that, when
• 7:06
  Speaker 2: you like, you know, I think you know, I I
• 7:13
  Speaker 2: don't know. I just to me when I hear that song, it.
• 7:15
  Speaker 3: All, it all just kind of tells the story, right,
• 7:18
  Speaker 3: even if you're you know, if you listen to a
• 7:19
  Speaker 3: song on the record called Fortune Teller, it goes wild
• 7:22
  Speaker 3: different directions that it's unexpected.
• 7:25
  Speaker 2: But you know, that's that's the exciting thing about making music.
• 7:28
  Speaker 2: You want to make things that people don't know.
• 7:30
  Speaker 3: Exactly where it's going, but it's still if you can
• 7:32
  Speaker 3: find a way to make it work, that's the art, right.
• 7:35
  Speaker 4: Bake it till you make it. Yeah, now all read
• 7:40
  Speaker 4: in the press release where you said the album and
• 7:42
  Speaker 4: a lot of the guitars on it was inspired by
• 7:44
  Speaker 4: Mississippi Hills Country blues like I hear in Australia, that
• 7:48
  Speaker 4: doesn't really mean much for us. So what actually what
• 7:50
  Speaker 4: is that?
• 7:51
  Speaker 3: Well, you got to go pick up some Junior Kimbro
• 7:54
  Speaker 3: and some RL Burnside.
• 7:55
  Speaker 2: Go check out the Fat Possum Roster.
• 7:57
  Speaker 3: Yeah, North Hill Country is like a region in North Mississippi.
• 8:02
  Speaker 3: It's it's a very To me, it's like it's it's
• 8:05
  Speaker 3: like a mixture of I mean, it's Delta blues, but
• 8:11
  Speaker 3: there's like a heavy drum element involved. There's a drone involved,
• 8:14
  Speaker 3: and I you know, to me, growing up as a
• 8:17
  Speaker 3: kid in Kansas City and really loving rock and roll
• 8:21
  Speaker 3: and loving like, you know, Detroit in New York, when
• 8:25
  Speaker 3: I heard Hill Country blues music for the first time,
• 8:28
  Speaker 3: to me, it kind of felt like the same kindred
• 8:32
  Speaker 3: spirit to my favorite kind of rock and roll. This
• 8:35
  Speaker 3: sort of raw, loose, kind of like aggressive, you know,
• 8:40
  Speaker 3: give no fucks kind of a feel, and there was
• 8:42
  Speaker 3: nothing really super polished about it, and to me, it
• 8:46
  Speaker 3: just really spoke to me because and it just felt
• 8:49
  Speaker 3: really natural to go from.
• 8:50
  Speaker 2: Liking you know, like the Stooges to liking RL Burnside.
• 8:54
  Speaker 3: It all just sort of felt, you know, COHESI but
• 8:58
  Speaker 3: if you don't know about it, go check out some
• 9:00
  Speaker 3: records because it's.
• 9:01
  Speaker 2: It's the truth. It's the truth, the truth.
• 9:04
  Speaker 4: Yeah, there's also another quite from me and there that
• 9:06
  Speaker 4: all found really interesting. You said that it's taken me
• 9:10
  Speaker 4: years to fondly find more voice in a studio setting.
• 9:13
  Speaker 4: Can you elborate on that.
• 9:16
  Speaker 3: I get that quote a lot, and I regret saying
• 9:18
  Speaker 3: it like that because it sounds like.
• 9:21
  Speaker 2: It sounds so sad, no what I mean.
• 9:26
  Speaker 3: As a singer, and a lot maybe other singers can
• 9:28
  Speaker 3: really relate to this. Singing live on a stage is
• 9:30
  Speaker 3: completely different than singing with headphones on in an isolated
• 9:34
  Speaker 3: studio setting. For me, like my earlier recording is when
• 9:37
  Speaker 3: I listened to my voice, and I've grown a lot
• 9:39
  Speaker 3: as a vocalist. Like I'm not trying to short change myself,
• 9:42
  Speaker 3: because I put in a lot of work as a singer,
• 9:46
  Speaker 3: but I do feel like I was able to reach
• 9:49
  Speaker 3: areas of my voice and get comfortable in ways to
• 9:53
  Speaker 3: sing that I maybe haven't naturally been able to really
• 9:57
  Speaker 3: tap into. I think I was just starting to kind
• 9:58
  Speaker 3: of tap into it with death, Wish and faster, you know,
• 10:03
  Speaker 3: like there wasn't there wasn't a ton of restraint in
• 10:06
  Speaker 3: my vocals, Like I was able to do the thing
• 10:07
  Speaker 3: that I do naturally on stage in a studio, which
• 10:10
  Speaker 3: kind of feels good because you're like you have these
• 10:12
  Speaker 3: aha moments all the time as a musician, you know, like, oh,
• 10:16
  Speaker 3: you know, this little thing unlocks.
• 10:18
  Speaker 2: This big thing.
• 10:20
  Speaker 3: And that's really what I meant by that quote, not
• 10:22
  Speaker 3: that like I was stifled creatively and I wasn't able
• 10:25
  Speaker 3: to be myself or anything. I just I felt like
• 10:29
  Speaker 3: my true actual singing voice, like I find I was
• 10:32
  Speaker 3: I kind of unlocked something. Was was able to go
• 10:34
  Speaker 3: to places that I don't think I've been able to
• 10:36
  Speaker 3: quite go to in the past.
• 10:38
  Speaker 4: Nice Paper Doll was written and created mostly on the
• 10:42
  Speaker 4: road this time, which is different for you. So was
• 10:45
  Speaker 4: it a difficult process touring and writing?
• 10:51
  Speaker 3: It's how I've always done it. It's always it's always
• 10:55
  Speaker 3: like it's always like that. You know, you have to
• 10:57
  Speaker 3: find time and make it when you can. I did
• 11:01
  Speaker 3: have some to I remember early on in that writing process,
• 11:04
  Speaker 3: I did have some time off at home, and you know,
• 11:07
  Speaker 3: I mean sometimes you need a bit of a ticking
• 11:09
  Speaker 3: clock to be productive, you know.
• 11:11
  Speaker 7: Like like it helps it helps to know like, Okay,
• 11:15
  Speaker 7: I have to I have to be ready at this time,
• 11:17
  Speaker 7: you know, and so it just sort of like motivates
• 11:20
  Speaker 7: the creative process even further, you know.
• 11:23
  Speaker 6: But I don't know.
• 11:24
  Speaker 2: I mean, I write a lot about.
• 11:26
  Speaker 3: The road, about my experiences, so you know, sometimes sometimes
• 11:30
  Speaker 3: getting out there and doing it, it's it's great fodder
• 11:34
  Speaker 3: for inspiration, you know.
• 11:37
  Speaker 2: Yeah.
• 11:38
  Speaker 4: They also said in there to you that it's the
• 11:39
  Speaker 4: first album you've recorded with your touring band, Like do
• 11:42
  Speaker 4: you normally use session musicians?
• 11:46
  Speaker 2: I have in the past.
• 11:47
  Speaker 3: Yeah, then it's not because it was some you know,
• 11:51
  Speaker 3: it was never like a decision like I chose to
• 11:54
  Speaker 3: use these musicians and not these musicians. It's just, you know,
• 11:58
  Speaker 3: every album has kind of been like you knows who's
• 12:02
  Speaker 3: working on it, where are you at, you know, what,
• 12:05
  Speaker 3: what's the band's situation like in this moment. Sometimes you know,
• 12:08
  Speaker 3: like during the faster recordings, I didn't have a band
• 12:11
  Speaker 3: at the time because it was the pandemic, you know,
• 12:14
  Speaker 3: so things were you know, you you bring in different
• 12:18
  Speaker 3: musicians at different times for different things because of many
• 12:20
  Speaker 3: different reasons. But this album, we were on the road
• 12:25
  Speaker 3: touring all over the place, like and just completely crazy
• 12:30
  Speaker 3: touring schedule, and you know, I had a really good
• 12:33
  Speaker 3: energy in a chemistry with this band, so it just
• 12:37
  Speaker 3: felt right natural to go into the studio and continue
• 12:40
  Speaker 3: that momentum that we had on.
• 12:41
  Speaker 2: The road and on the stage into the studio setting.
• 12:44
  Speaker 4: They're nice. So what's the next for Samantha fish Off?
• 12:47
  Speaker 4: The album comes out of fand slot. If you do
• 12:49
  Speaker 4: nothing but record and sure, that's about it.
• 12:53
  Speaker 2: Man, that's kind of a life.
• 12:56
  Speaker 3: That's kind of a life, gul you know, it's not.
• 12:59
  Speaker 3: I feel like I love being on stage. It's where
• 13:03
  Speaker 3: I feel most at home. I love creating a show
• 13:08
  Speaker 3: that's different from my previous shows. I like the challenge of,
• 13:13
  Speaker 3: you know, getting to reimagine everything and make it make
• 13:16
  Speaker 3: something new for the.
• 13:18
  Speaker 2: Fans, you know, And I just really feel at home.
• 13:21
  Speaker 3: On stage, you know, like it's it's just it's a
• 13:23
  Speaker 3: good feeling place for me.
• 13:25
  Speaker 2: So I don't mind it.
• 13:27
  Speaker 4: So if your plans to make it to Australia in
• 13:30
  Speaker 4: the new future, because all come.
• 13:33
  Speaker 3: Twenty twenty six, they are the rumors that I'm hearing,
• 13:35
  Speaker 3: but nothing is confirmed. So this is not an official announcement.
• 13:38
  Speaker 3: It's a goal, it's a goal yeah, twenty twenty six. Nice.
• 13:43
  Speaker 4: Now, before you go, saman So, I've got a new
• 13:45
  Speaker 4: thing I've started doing called fighto bombs. So basically, before
• 13:49
  Speaker 4: I speak to you, I'll tell you social media. I
• 13:51
  Speaker 4: come up with a few fighters that don't want to
• 13:52
  Speaker 4: ask you more about Okay, I one of you that
• 13:57
  Speaker 4: proves that you do have a be to meddle in
• 13:58
  Speaker 4: your veins.
• 14:01
  Speaker 3: Halloween yeah, well yeah, I mean I don't know. I
• 14:08
  Speaker 3: always do Halloween up pretty big, I gotta say, which
• 14:13
  Speaker 3: is so funny, Like we've I've gotten, I've gotten so much.
• 14:17
  Speaker 3: You know, I love to dress up really really ugly
• 14:20
  Speaker 3: on Halloween because I have to dress up pretty the
• 14:23
  Speaker 3: rest of the year. So you know, it's my opportunity
• 14:26
  Speaker 3: just to go as you know, disgusting as I want,
• 14:30
  Speaker 3: you know, dark disgusting.
• 14:31
  Speaker 2: Let's go for it.
• 14:32
  Speaker 3: But that was one of my best I mean, I
• 14:33
  Speaker 3: use the special effects horns and you know, that was
• 14:37
  Speaker 3: a fun look.
• 14:38
  Speaker 2: That was a good one, very nice.
• 14:40
  Speaker 5: And the other one I found was.
• 14:45
  Speaker 4: Do you seriously play in high hills and then negotiate
• 14:49
  Speaker 4: your pedal boards with them on?
• 14:51
  Speaker 8: Yeah?
• 14:52
  Speaker 6: I do.
• 14:52
  Speaker 2: Hall the hell I got the back problems to prove it.
• 14:58
  Speaker 2: Just say good.
• 15:00
  Speaker 3: You know, Honestly, those stilettos kind of create like a
• 15:03
  Speaker 3: nice little point, so it's easier to push the buttons
• 15:07
  Speaker 3: than when I'm like when I wear big like I'll
• 15:09
  Speaker 3: wear my doctor Martins to sound check, and I'm like
• 15:11
  Speaker 3: stamping on all the buttons at the same time, Like Jesus,
• 15:14
  Speaker 3: how how do people do this with their regular big,
• 15:18
  Speaker 3: clumsy shoes on. I feel like you kind of have
• 15:21
  Speaker 3: to have a nice, narrow little point to be precise.
• 15:24
  Speaker 4: I'm saying other photos, if you jump it all over
• 15:27
  Speaker 4: the place on side Joe, you just shouldn't happen. You
• 15:30
  Speaker 4: shouldn't be out to jump and move and should just
• 15:32
  Speaker 4: like that.
• 15:34
  Speaker 3: It's a I don't know, man, I've seen some photos
• 15:38
  Speaker 3: that I'm like, why did I date that? That's it
• 15:40
  Speaker 3: gives me like intrusive kind of like, oh, I could
• 15:44
  Speaker 3: have broken ankle. I can definitely see how that juke
• 15:47
  Speaker 3: probably would have let you know, led me somewhere dangerous.
• 15:49
  Speaker 3: But I don't know, you know, you feel it in
• 15:51
  Speaker 3: the in the moment, like I just know I'm gonna land.
• 15:54
  Speaker 2: I have this, Like I just know I can do it.
• 15:58
  Speaker 2: That's what That's what the stage to you.
• 16:00
  Speaker 3: It gives you all kinds of like confidence and it's
• 16:03
  Speaker 3: like you should not have confidence like that in stilettos
• 16:06
  Speaker 3: for sure.
• 16:08
  Speaker 4: Then if you need to should should not have confidence?
• 16:12
  Speaker 2: Yeah, it's math.
• 16:15
  Speaker 4: Well, thanks very much for your song. The album hyper
• 16:17
  Speaker 4: Dole He's out Eiffel twenty fifth and take it from
• 16:19
  Speaker 4: a middlehead. It's a seriously fucking good album. So gratulations
• 16:23
  Speaker 4: and ipades.
• 16:25
  Speaker 2: Thank you so much. I appreciate it. Can't wait to
• 16:27
  Speaker 2: come see y'all down there. Thank you.
• 16:38
  Speaker 1: When I can. The mirror Dad who's staring back at me.
• 16:43
  Speaker 1: The world's again clearer, but it's easier to see. I'm
• 16:48
  Speaker 1: turning into some one that I never know. Pastor is
• 16:54
  Speaker 1: coming none done, but I like where I am going. No, No,
• 16:58
  Speaker 1: I'm changed and agent.
• 17:02
  Speaker 5: Watch me go.
• 17:13
  Speaker 1: My window.
• 17:14
  Speaker 2: I see both the sun and rain.
• 17:17
  Speaker 1: No one's not here without.
• 17:20
  Speaker 5: A dose of DNA pain. You'll try to leave.
• 17:23
  Speaker 1: The birds skin or on the bruising battery lightning so heavy.
• 17:29
  Speaker 1: Lord wants yourself to shattered. I know want change and
• 17:33
  Speaker 1: shag and.
• 17:36
  Speaker 6: Watch me go, Chancey come man closkey, dying man z.
• 17:56
  Speaker 8: Clke hine man, long time, I'm mad, Sam.
• 18:04
  Speaker 5: Ray Clear.
• 18:34
  Speaker 1: We'll not like in the mirror, stand up the hindle,
• 18:39
  Speaker 1: well not get clearer, but like.
• 18:42
  Speaker 3: Where I'm going.
• 18:45
  Speaker 5: Keep come classy, go mad, tear him, but.
• 18:54
  Speaker 8: Clocks going come mad, don't tear them. Has kept man
• 19:06
  Speaker 8: clowny b S, cloudy.
• 19:14
  Speaker 5: S long talk, Come man you Sam
• 19:23
  Speaker 8: Sloss Sip super