Latest / Lux Radio Theater | Old Time Radio / Lux Radio Theatre - "The Awful Truth" (Old Time Radio, 1939)
Transcript
- 0:00Speaker 1: A separating Manhattan couple remain in one another's orbit when
- 0:03Speaker 1: custody of their dog, Mr. Smith, keeps bringing them together.
- 0:08Speaker 1: On September 11th, 1939, Lux Radio Theater returned from its
- 0:13Speaker 1: summer break with episode 228, The Awful Truth, adapted from
- 0:16Speaker 1: the 1937 Columbia Pictures film. Cary Grant reprises Jerry Warriner
- 0:24Speaker 1: with Claudette Colbert as Lucy, Phyllis Brooks plays Barbara Vance,
- 0:30Speaker 1: and Lou Merrill is Oklahoma oilman Dan Leeson. As Jerry
- 0:35Speaker 1: and Lucy move toward divorce amid mutual suspicion, new social
- 0:39Speaker 1: plans and their respective romantic acquaintances complicate the arrangements.
- 0:45Speaker 2: Cecil B.
- 0:46Speaker 1: DeMille is your host for this CBS presentation with a
- 0:50Speaker 1: radio script by Dick Stanger. Here is the original broadcast.
- 0:54Speaker 2: Lux presents Hollywood.
- 0:57Speaker 3: The Lux Radio Theater brings you Cary Grant and Claudette
- 1:12Speaker 3: Colbert in The Awful Truth with Phyllis Brooks. Ladies and gentlemen,
- 1:18Speaker 3: your producer, Mr.
- 1:19Speaker 2: Cecil B. DeMille.
- 1:28Speaker 3: Greetings from Hollywood, ladies and gentlemen. With a feeling of
- 1:31Speaker 3: gaiety and excitement along Hollywood Boulevard tonight, lights are ablaze
- 1:35Speaker 3: and crowds are gathering in front of our theater. All
- 1:38Speaker 3: the visible signs of a Hollywood opening are here to
- 1:40Speaker 3: welcome the Lux Radio Theater back to the air after
- 1:43Speaker 3: our summer vacations. There's another scene that interests us more
- 1:47Speaker 3: than the bright lights on Hollywood Boulevard. A scene repeated
- 1:50Speaker 3: some millions of times throughout the country. It's the scene
- 1:54Speaker 3: in your living room, where you and your family once
- 1:57Speaker 3: more occupy the reserved seats, which are yours tonight and
- 2:00Speaker 3: every Monday night. You are the ones who've made this
- 2:03Speaker 3: theater possible by your purchases of Luxe flakes and Luxe
- 2:06Speaker 3: toilet soap. We owe you an obligation to make this
- 2:10Speaker 3: new year in the Luxe Radio Theater the most entertaining
- 2:12Speaker 3: in our history. And tonight we pay you the first
- 2:15Speaker 3: installment on this obligation by presenting The Awful Truth, starring
- 2:20Speaker 3: Claudette Colbert and Cary Grant. Which reminds me that we
- 2:24Speaker 3: still owe an obligation to Miss Colbert. Whenever she's done
- 2:27Speaker 3: a comedy for us in the past, Claudette has always
- 2:30Speaker 3: said that next time she'd like to do a serious drama.
- 2:33Speaker 3: And we've solemnly promised that she could. And we'd keep
- 2:36Speaker 3: that promise if she'd give us the chance. But we're
- 2:39Speaker 3: continually finding comedies that she insists on doing. And I'm
- 2:43Speaker 3: not a man with either the courage or the inclination
- 2:45Speaker 3: to refuse Claudette anything. At lunch not long ago, we
- 2:50Speaker 3: talked about plans for the coming season in the Lux
- 2:53Speaker 3: Radio Theater. The moment I mentioned the awful truth, I
- 2:57Speaker 3: noticed a hungry gleam in Claudette's eyes. But quickly explained,
- 3:00Speaker 3: of course, that wouldn't interest you.
- 3:02Speaker 2: It's a comedy. I was wrong again.
- 3:05Speaker 3: Before we came to dessert, Claudette was asking for the script.
- 3:09Speaker 3: The memorable performance of Cary Grant as Jerry... in the
- 3:13Speaker 3: film produced by Columbia Pictures Corporation, instantly suggested him for
- 3:17Speaker 3: the same role in our radio adaptation, that he was
- 3:20Speaker 3: easier to cast than to find. In fact, Cary Grant
- 3:23Speaker 3: is probably one of the hardest men in Hollywood to find.
- 3:26Speaker 3: Our intelligence service, however, tracked him to the beach, where
- 3:28Speaker 3: he'd gone swimming with Phyllis Brooks. That gave us another idea,
- 3:32Speaker 3: and we signed them both right there, dripping wet. And so,
- 3:36Speaker 3: ladies and gentlemen, the very pleasant truth is that we're
- 3:40Speaker 3: ready to give you the awful truth. as we raise
- 3:42Speaker 3: the curtain on a new season in the Lux Radio Theater,
- 3:45Speaker 3: an act one of our play, starring Cary Grant as
- 3:48Speaker 3: Jerry and Claudette Colbert as Lucy, with Phyllis Brooks as Barbara.
- 4:00Speaker 3: The sunlamp room of a midtown Manhattan athletic club. Hank,
- 4:04Speaker 3: the attendant, is piling towels on a shelf as a
- 4:06Speaker 3: young man in gym trunks makes a hurried entrance. He's
- 4:10Speaker 3: Jerry Warriner, a tall young man, well-built and healthy. But
- 4:14Speaker 3: just now, there's a sharp contrast between his decided pallor
- 4:17Speaker 3: and the two dark, magnificent circles.
- 4:19Speaker 2: Under his eyes.
- 4:21Speaker 3: With a quick movement, he bounces up on the table
- 4:23Speaker 3: and stretches out luxuriously.
- 4:27Speaker 2: All right, Hank, my man, turn on that sun lamp.
- 4:29Speaker 2: Give her all she's got. Well, about 15 minutes on
- 4:31Speaker 2: each side is all I'd recommend, Mr. Warner. Oh, no,
- 4:33Speaker 2: 15 minutes, nothing. I'd better get a deep Florida tan
- 4:35Speaker 2: if it takes all afternoon. Give it the juice. Well, okay. Attaboy.
- 4:39Speaker 2: All aboard for Miami, Palm Beach, and Point South. Hiya, Jerry. Oh, hello, Frank.
- 4:43Speaker 2: I heard you were in here. Thought maybe you'd like
- 4:44Speaker 2: to play a little squash. Sorry, Frank, no time.
- 4:47Speaker 4: Say, you're awfully white-skinned for a guy who just spent
- 4:49Speaker 4: two weeks in Florida.
- 4:50Speaker 2: No, that's just what I thought. What did you do
- 4:53Speaker 2: down there? Carry a parasol? Or didn't you go? Ah, ah, ah, ah, ah, ah, ah.
- 4:58Speaker 2: Don't let any idea like that get around. Uh-huh. I
- 5:00Speaker 2: get it. Pulling a fast one on the little wife, huh? Oh, now, look, Frank.
- 5:04Speaker 2: I'm surprised at you. I'm supposed to have been in Florida. Now,
- 5:07Speaker 2: suppose one of Lucy's friends says, why isn't he tanned? Well,
- 5:11Speaker 2: Lucy's going to be embarrassed. Well, I'm going to be tanned.
- 5:13Speaker 2: Lucy's not going to be embarrassed. And what wives don't
- 5:15Speaker 2: know won't hurt them. What was it? A poker trip? Sure.
- 5:18Speaker 2: A fellow's got to bust out once in a while.
- 5:20Speaker 2: Assert his independence. Boy, did I assert it. Ah, you
- 5:22Speaker 2: certainly look it. But I bet you wouldn't like Lucy
- 5:25Speaker 2: to pull a stunt like that on you. Why not?
- 5:28Speaker 4: After all, a person doesn't have to stop being an.
- 5:29Speaker 2: Individual just because she gets married. Maybe. Anyhow, how about
- 5:33Speaker 2: coming over to my house for breakfast? We were all
- 5:35Speaker 2: out late last night and some of the gang is
- 5:37Speaker 2: stopping by. I got a better idea. Everybody come to
- 5:39Speaker 2: my place. Lucy will fix up breakfast for us and
- 5:41Speaker 2: maybe later we can sneak away and play some golf.
- 5:43Speaker 2: What do you say? I'm convinced. I'll see you later. Okay,
- 5:52Speaker 2: ladies and gents, come on in. The joint is yours.
- 5:55Speaker 5: Jerry, that's Sunburn.
- 5:56Speaker 2: You're positively vermilion.
- 5:57Speaker 3: Yeah.
- 5:58Speaker 2: Wait till Lucy sees what Florida did for you. Yeah,
- 6:00Speaker 2: where is she? Hey, Lucy!
- 6:01Speaker 6: Lucy!
- 6:02Speaker 2: Surprise! Well, well, hello, old.
- 6:05Speaker 7: Dog of mine.
- 6:06Speaker 2: How you been? Hey, where's Mama? Where is she?
- 6:08Speaker 5: Welcome back, Mr.
- 6:10Speaker 2: Warner. Oh, hello, Celeste. Will you tell Mrs. Warner I'm here?
- 6:12Speaker 5: I'm sorry, sir. Mrs. Warner's not at home.
- 6:16Speaker 2: Not home? Where'd she go?
- 6:18Speaker 5: I don't know, sir.
- 6:20Speaker 2: Oh, well, when did she leave?
- 6:22Speaker 5: I'm not sure, sir. I think last night.
- 6:26Speaker 2: You mean she hasn't been... Oh, well, okay, never mind.
- 6:31Speaker 2: What's the matter, Jerry? No welcoming arms to greet you
- 6:34Speaker 2: this trip? Mind your own business, will you?
- 6:36Speaker 4: Come to think of it, she probably ran up to
- 6:38Speaker 4: her Aunt Patsy's cabin in the mountains. She always does it.
- 6:40Speaker 2: She gets lonely.
- 6:41Speaker 5: Suppose her Aunt Patsy wasn't home?
- 6:43Speaker 2: Oh, I get it. I'm up to my neck in
- 6:44Speaker 2: funny people, huh? No, no, seriously. I wish Lucy would
- 6:48Speaker 2: go out and get some fun for herself now and then.
- 6:50Speaker 2: Do her good. That's the trouble with marriage.
- 6:52Speaker 4: People are always imagining things, and the next thing you know,
- 6:54Speaker 4: they end up in a divorce court.
- 6:55Speaker 2: Ah, the broad-minded man from Miami. Yeah, yeah.
- 6:58Speaker 4: Well, if you think you're going to get a chance
- 7:00Speaker 4: to prove my broad-mindedness, you're crazy. She's up in Aunt
- 7:02Speaker 4: Patsy's cabin, and I'll bet on it. Saying, is that
- 7:05Speaker 4: a spot, Frank? Why, the fish just... Up at Aunt
- 7:09Speaker 4: Patsy's cabin, eh?
- 7:11Speaker 2: Well, there's Patsy now. Some fun, eh? Oh, shut up. Hey,
- 7:15Speaker 2: turn that radio off, will you? Well, uh, hello, Patsy.
- 7:20Speaker 2: How did you get here?
- 7:21Speaker 5: By invitation. Lucy invited me yesterday on the phone. Say,
- 7:24Speaker 5: what is this? Lucy invites me? No, Lucy. Where is she?
- 7:27Speaker 2: I don't know. I... Hello, hello, hello. Lucy.
- 7:31Speaker 4: Hey, Lucy.
- 7:31Speaker 8: Hello, Jerry, darling.
- 7:33Speaker 2: Oh, darling. Gee, it's good to see you.
- 7:35Speaker 5: Oh, it's grand. You're looking marvelous, Jerry. Yeah? Oh, oh,
- 7:38Speaker 5: I nearly forgot, Armand. Armand, come on in and meet everybody.
- 7:41Speaker 8: Armand's the best music teacher a woman ever had, aren't you, Armand?
- 7:44Speaker 2: Thank you, my dear.
- 7:45Speaker 5: You know Armand Leval, Jerry, of course.
- 7:48Speaker 2: Oh, yeah, yeah, sure. How are you? How do you do?
- 7:50Speaker 5: Everybody else, this is Armand.
- 7:52Speaker 2: How do you do?
- 7:53Speaker 4: How do you do?
- 7:54Speaker 2: How are you?
- 7:55Speaker 5: Well, now that we're all introduced, I can relax. Oh,
- 7:59Speaker 5: Armand and I have had the most terrible time.
- 8:01Speaker 2: Yes. Well, I imagine you must have. Where was the recital?
- 8:05Speaker 5: Oh, now, silly, what do you mean?
- 8:07Speaker 4: Oh, I didn't know they had recitals in the morning
- 8:09Speaker 4: and the people went to them in evening clothes.
- 8:11Speaker 2: That's formal, isn't it?
- 8:12Speaker 5: Well, Almar does look silly in tales at this time
- 8:14Speaker 5: of the day, doesn't he? Oh, it was such an
- 8:16Speaker 5: awful time.
- 8:17Speaker 3: Oh, why?
- 8:17Speaker 2: Somebody sing off pitch?
- 8:19Speaker 5: Oh, now, stop it, darling. You don't know what happened.
- 8:22Speaker 5: Almar's car broke down a million miles from nowhere. He
- 8:25Speaker 5: had to park me at a farmhouse and hike to
- 8:27Speaker 5: the nearest town to get them to tow the car.
- 8:29Speaker 5: And then he had to stay there, hang around garages
- 8:31Speaker 5: and things to pick me up in the morning and
- 8:32Speaker 5: bring me home. It was dreadful. We were coming home
- 8:36Speaker 5: from a party.
- 8:37Speaker 2: You were the loveliest human being there.
- 8:39Speaker 5: Oh, thank you, Elmore. You say the nicest things.
- 8:41Speaker 8: Well, Jerry, you understand.
- 8:47Speaker 5: Don't you?
- 8:49Speaker 2: Oh, yeah, yeah, yeah. Of course. Mr. Werner, you have
- 8:53Speaker 2: the continental mind. Oh, sure. That's it. I've got a
- 8:57Speaker 2: continental mind now. Oh, Lucy, dear.
- 9:01Speaker 5: So sorry, but I have to run. That horrible dressmaker
- 9:03Speaker 5: of mine.
- 9:03Speaker 2: Oh, of course, darling. You know too, Lucy. I'm sorry.
- 9:05Speaker 3: Oh, wait a minute.
- 9:06Speaker 2: What's the matter? The party hasn't even started yet. Oh, sure, sure.
- 9:09Speaker 2: We know. But you probably want to talk to Lucy. Oh,
- 9:12Speaker 2: come on, people. I'll give you all a hand. Okay, Frank.
- 9:14Speaker 2: We'll see you. Goodbye, Jerry.
- 9:15Speaker 3: Bye.
- 9:15Speaker 2: Bye.
- 9:18Speaker 4: Well.
- 9:20Speaker 2: Well, Mr.
- 9:21Speaker 4: Louvel, why didn't you let Frank give you a hitch?
- 9:24Speaker 5: I wanted to explain. You see, Mr.
- 9:26Speaker 2: Warner, the next time I take your wife out, I hope...
- 9:28Speaker 2: I hope you buy a new car, else alone you're mine.
- 9:30Speaker 2: Are you hungry? Oh, thanks.
- 9:34Speaker 5: Well, yes, I am.
- 9:35Speaker 4: Well, why don't you run out and get a bite?
- 9:38Speaker 4: A big, strong fellow like you should take care of himself,
- 9:40Speaker 4: sitting in drafty.
- 9:41Speaker 2: Garages all night. Mr. Warner, what have I done? That's
- 9:44Speaker 2: what I'm going to find out.
- 9:45Speaker 5: Oh, now, Jerry.
- 9:46Speaker 2: We'll discuss this in private, please. That is, if Mr.
- 9:49Speaker 4: Louvel can remember where we keep our door.
- 9:50Speaker 2: Very well. Perhaps it's best this way, Lucy.
- 9:53Speaker 5: Will I see you soon? Of course.
- 9:54Speaker 3: Anne.
- 9:55Speaker 2: Oh, it's all been so perfect, Lucy. Thank you for everything. And, Mr. Warner,
- 9:59Speaker 2: I think you must be out of your continental mind.
- 10:03Speaker 5: You know, that was pretty funny at that. I mean,
- 10:05Speaker 5: what he just said.
- 10:06Speaker 2: Oh, very funny. Brush me off, will you? Well, he's gone.
- 10:10Speaker 5: You can speak freely, darling.
- 10:12Speaker 2: Well, Lucy... What have you got to say for yourself? Oh,
- 10:16Speaker 2: that's so smart.
- 10:17Speaker 5: Well, I knew you'd say that, and I'm prepared to answer.
- 10:21Speaker 5: Armand was invited to the party by a young man
- 10:23Speaker 5: whose sister is a pupil of Armand. Armand invited me
- 10:25Speaker 5: to go along. I went because I could think of
- 10:27Speaker 5: nothing better to do. Believe it or not, I was lonely.
- 10:30Speaker 2: Yes, and then the car broke down.
- 10:32Speaker 5: Yes, and then I stayed at the farmhouse. I slept
- 10:34Speaker 5: badly because of insufficient blankets. Twice during the night, I coughed.
- 10:39Speaker 2: Now, let me see.
- 10:39Speaker 5: Was there anything else?
- 10:40Speaker 2: Now, look, Lucy. This situation isn't amusing, although you seem
- 10:43Speaker 2: to think it is.
- 10:44Speaker 4: If you had sense enough to see it, you'd know
- 10:46Speaker 4: that our marriage is teetering on the edge of a cliff.
- 10:49Speaker 2: Well, you're trying to be funny. But perhaps marriage doesn't
- 10:51Speaker 2: mean anything to you. Perhaps you've no sentiment left for me.
- 10:55Speaker 2: Look at this on the table. A letter I wrote
- 10:56Speaker 2: you from Florida, and you didn't even open it.
- 10:58Speaker 5: It's enough to destroy one's faith, isn't it?
- 11:01Speaker 2: Oh, I haven't any faith left in anyone.
- 11:03Speaker 5: Not even in that conscientious soul at Miami Beach who
- 11:06Speaker 5: followed your direction so nicely and mailed me a letter
- 11:08Speaker 5: every day?
- 11:08Speaker 2: Huh? What on earth are you talking about? Oh, darling.
- 11:13Speaker 5: You look so cute and pleased with your little athletic
- 11:16Speaker 5: club sunburst. Rather like a small boy who's just had
- 11:19Speaker 5: his curls cut off. Well, I don't like to be unpleasant, Jerry,
- 11:22Speaker 5: but you are not in Florida.
- 11:24Speaker 2: Now, don't change the subject.
- 11:25Speaker 5: You weren't in Florida and you weren't in Montreal that
- 11:27Speaker 5: time you said you were going there. Once you even
- 11:29Speaker 5: had the letters mailed from the wrong place.
- 11:31Speaker 3: Huh?
- 11:31Speaker 5: That, dear Lucy, Charleston is such a quaint city. The
- 11:35Speaker 5: quaint thing about Charleston is Charleston's postmark is Perth Amboy,
- 11:38Speaker 5: New Jersey. Nice trick your friend played on you.
- 11:42Speaker 2: Now, now, wait a minute.
- 11:43Speaker 4: Don't try to justify your behavior by insinuating things about me.
- 11:46Speaker 5: What? But I haven't any behavior to justify. I've just
- 11:50Speaker 5: been unlucky, that's all. You came home and caught me
- 11:54Speaker 5: in the truth. It seems there's nothing less logical than
- 11:56Speaker 5: the truth.
- 11:57Speaker 2: A philosopher.
- 12:00Speaker 5: You don't believe me?
- 12:01Speaker 2: How can I believe you?
- 12:02Speaker 5: Oh, listen, Jerry. Now, don't you see that there can't
- 12:05Speaker 5: be any doubt in marriage? The whole thing is built
- 12:08Speaker 5: on faith and... If you've lost that, you've lost everything.
- 12:10Speaker 2: Yes, I suppose when that's gone, the marriage is washed up,
- 12:13Speaker 2: isn't it?
- 12:14Speaker 5: Do you mean that?
- 12:15Speaker 7: Sure.
- 12:17Speaker 5: Well, I guess that settles it.
- 12:18Speaker 2: I guess it does. Let me tell you something.
- 12:20Speaker 5: Oh, let me tell you something. I wouldn't go on
- 12:22Speaker 5: living with you if you were dipped in platinum. So
- 12:25Speaker 5: go on.
- 12:26Speaker 2: Oh, go on.
- 12:27Speaker 5: Divorce me. It'll be a pleasure.
- 12:28Speaker 2: Divorce you? Are you crazy?
- 12:30Speaker 4: Do you think I want people to think you prefer
- 12:32Speaker 4: that music lover to me?
- 12:34Speaker 5: Well, then I'll divorce you. It's customary anyway. I think
- 12:37Speaker 5: it has something to do with the husband being a gentleman.
- 12:40Speaker 2: Never mind the gentleman stuff. Just get going on it.
- 12:42Speaker 2: Go on.
- 12:43Speaker 8: I'll call the lawyer right now.
- 12:45Speaker 5: By the way, what's the most convenient day for you
- 12:47Speaker 5: to be divorced?
- 12:58Speaker 2: In the case of Warner v.
- 13:00Speaker 9: Warner, the court grants an interlocutor decree of divorce to
- 13:03Speaker 9: the plaintiff, Lucy Warner. The divorce, if not further contested,
- 13:08Speaker 9: will become final in 90 days from this date.
- 13:11Speaker 2: That will be all. One moment, Your Honor. There's one
- 13:13Speaker 2: matter still unsettled. According to my client, Mr. Warner, it's
- 13:16Speaker 2: a matter of... Mr. Smith.
- 13:18Speaker 5: Yes, Your Honor.
- 13:19Speaker 4: Mr.
- 13:19Speaker 5: Smith.
- 13:19Speaker 2: And who is Mr. Smith? Mr. Smith is... He's their dog.
- 13:23Speaker 6: No, no.
- 13:23Speaker 2: Mr. Smith is my dog.
- 13:24Speaker 5: He's mine.
- 13:25Speaker 2: Silence. But Mr. Smith belongs to me and she's got him.
- 13:28Speaker 2: I told you to keep quiet.
- 13:29Speaker 10: But.
- 13:30Speaker 5: Oh, ignore him, Your Honor. I told you he was
- 13:31Speaker 5: impossible to get along with.
- 13:33Speaker 2: Oh, well. Let's hear it. The animal at present is
- 13:36Speaker 2: in Mrs. Warner's possession.
- 13:38Speaker 3: Mr.
- 13:38Speaker 2: Warner wishes to have him because... Because he's mine.
- 13:40Speaker 5: He is not.
- 13:41Speaker 2: Yes, sir.
- 13:41Speaker 5: He is not.
- 13:42Speaker 2: Silence. Silence.
- 13:44Speaker 5: Is not.
- 13:46Speaker 2: This seems to be a custody case.
- 13:48Speaker 9: And in custody cases, we frequently permit the final decision
- 13:50Speaker 9: to rest with the, uh, the dog.
- 13:53Speaker 2: Ah, ah, well, now we're getting somewhere. Now let Mr.
- 13:56Speaker 2: Smith decide whom he wants to live with. Silence, please.
- 13:59Speaker 9: Oh, Bailiff, have the dog brought in? The custody of
- 14:02Speaker 9: the dog will depend on his own desires. And let
- 14:05Speaker 9: me warn you, neither of you must use any false
- 14:08Speaker 9: means of influencing the animal's decision.
- 14:12Speaker 2: Unpass him the dog, please. Now. You may each call
- 14:16Speaker 2: the dog. Come on!
- 14:21Speaker 5: You know who's good to you, don't you?
- 14:24Speaker 10: Mrs.
- 14:25Speaker 5: Smith came to me, Your Honor.
- 14:26Speaker 2: Custody of the dog is awarded to Mrs. Warriner. Wait
- 14:30Speaker 2: a minute! Well, that wasn't fair, Judge. Silence. The court
- 14:35Speaker 2: is adjourned.
- 14:36Speaker 5: Good day, Your Honor.
- 14:39Speaker 2: Hey, you, you, wait a minute. Wait a minute. Come
- 14:41Speaker 2: back here, you.
- 14:42Speaker 5: You mean me?
- 14:43Speaker 2: What's Mr. Smith doing with that rubber bone in his mouth?
- 14:46Speaker 5: Well, it always was his favorite bone.
- 14:48Speaker 2: Where did he get it?
- 14:50Speaker 5: How would I know?
- 14:51Speaker 3: Oh, you.
- 14:53Speaker 2: You'd stoop to anything. You hid that bone under your
- 14:55Speaker 2: handbag and Mr. Smith smelled it. You're not going to
- 14:57Speaker 2: get him away from me like that.
- 14:59Speaker 5: Get him? I've got him, darling. Goodbye.
- 15:09Speaker 2: Rain, rain, rain.
- 15:11Speaker 5: Look at that rain. Oh, why, Aunt Patsy? Is it
- 15:14Speaker 5: doing anything besides falling? I don't think so. Nothing unusual
- 15:18Speaker 5: ever happens around here. If I'd known we were going
- 15:21Speaker 5: to be buried side by side, I'd never have considered
- 15:23Speaker 5: to take an apartment with you. Yes, but I needed you,
- 15:25Speaker 5: Aunt Patsy. You know the period of readjustment that comes
- 15:28Speaker 5: in the wake of a divorce. Readjustment, my foot. Just
- 15:32Speaker 5: another word for moping around. Oh, don't be silly. Oh, why,
- 15:34Speaker 5: you know dozens of men who turn handsprings at the
- 15:36Speaker 5: chance to take you out. But no, you'd rather sit
- 15:38Speaker 5: around and readjust yourself. No, you're just an old grouch,
- 15:42Speaker 5: that's all.
- 15:42Speaker 3: Yeah?
- 15:43Speaker 5: Well, this is one old grouch who wants to go
- 15:44Speaker 5: somewhere where there's life. And I don't mean plant life. Well,
- 15:48Speaker 5: we can't go out without escorts, so that's that. Well,
- 15:52Speaker 5: I don't need an escort to go down to the lobby.
- 15:54Speaker 5: I'm going down to the newsstand and see Joe. He
- 15:57Speaker 5: may be funny-looking, but he's a man, and maybe he
- 15:59Speaker 5: knocks off early. Oh, Aunt Patsy, you wouldn't. Oh, I wouldn't, eh?
- 16:03Speaker 5: You're talking to a desperate.
- 16:07Speaker 2: Woman. Hey, Mr. Wainwright.
- 16:10Speaker 5: Well, I guess I've read pretty nearly everything here, Joe.
- 16:13Speaker 2: Too bad, ma'am.
- 16:14Speaker 5: Isn't it? I'm so bored. Too bad they stopped printing
- 16:18Speaker 5: zippy stories.
- 16:19Speaker 2: Yes, ma'am. That's what my wife says. Oh.
- 16:22Speaker 5: She does, I think.
- 16:24Speaker 2: Oh, pardon me, but did that copy come in of
- 16:26Speaker 2: the Tulsa, Oklahoma bugle? Sorry, Mr. Leeson. I guess maybe
- 16:30Speaker 2: there's something wrong with the mail. Oh, that's too bad.
- 16:33Speaker 6: Looks like I won't find out how we did at
- 16:34Speaker 6: the Rodeo.
- 16:36Speaker 10: Oh.
- 16:37Speaker 2: How do, ma'am?
- 16:38Speaker 5: Oh, how do you do?
- 16:39Speaker 7: I hope you don't think I'm fresh. My name's Dan Leeson,
- 16:43Speaker 7: room 1214. Ma, and I see you coming in and
- 16:46Speaker 7: going out sometimes. Oh, we've noticed you, too.
- 16:50Speaker 2: You did? Mm-hmm. Well, say, who is that beautiful girl
- 16:54Speaker 2: who's with you sometimes? She has a dog, and, well,
- 16:59Speaker 2: she's beautiful.
- 17:00Speaker 5: Oh, that's my niece, Lucy. She's just a little homebody.
- 17:04Speaker 2: No.
- 17:04Speaker 3: Mm-hmm.
- 17:05Speaker 2: Say, I wonder if you'd do me a favor.
- 17:07Speaker 5: Why, of course I would, Mr. Leeson. What is it?
- 17:09Speaker 7: Well, you see, I'm a stranger in town, and I
- 17:12Speaker 7: thought that perhaps I'd.
- 17:13Speaker 3: Go down there.
- 17:14Speaker 5: Here we are. Go right in, Mr. Leeson.
- 17:20Speaker 2: Oh, thanks.
- 17:21Speaker 5: You know, I think it's just wonderful that we met
- 17:22Speaker 5: this way. Oh, Lucy, Lucy, may I present Mr. Leeson. Mr. Leeson,
- 17:27Speaker 5: this is my niece who was so anxious to meet.
- 17:29Speaker 5: Her name is Lucy Warriner.
- 17:31Speaker 2: How do you do? Oh, how do you do, ma'am?
- 17:33Speaker 5: Mr. Leeson's from Oklahoma, Lucy, and he'd take it as
- 17:36Speaker 5: being right neighborly of us if we'd show him some
- 17:39Speaker 5: of the bright spots. Well, it's framing rather hard. Mr.
- 17:43Speaker 5: Leeson lives right across the hall with his mother. Isn't
- 17:46Speaker 5: that what you said, with your mother?
- 17:47Speaker 2: Yep, with Ma. We're here on a visit. I'm in oil,
- 17:51Speaker 2: you know.
- 17:51Speaker 5: Oh, marinated, so to speak.
- 17:56Speaker 2: Say, that's a good one. I must remember to tell
- 17:58Speaker 2: that to Ma.
- 17:59Speaker 5: Oh, I'm sure she'd adore that. Well, tell us all
- 18:03Speaker 5: about Oklahoma, Mr. Leeson.
- 18:05Speaker 2: Well, we all think Oklahoma, well, it's pretty darn swell.
- 18:10Speaker 5: Oh, there's the door. I'll get it. Yes, Mr. Leeson?
- 18:14Speaker 2: Well... Like I was saying, ma'am, Oklahoma is pretty darned. Why, Jimmy.
- 18:19Speaker 5: Oh, dear.
- 18:20Speaker 2: Well, how's the old girl?
- 18:22Speaker 5: Well, never better. Won't you come in?
- 18:25Speaker 2: I fully intend to.
- 18:26Speaker 7: Well, well.
- 18:26Speaker 2: Hello, Lucy. Hello.
- 18:29Speaker 5: What do you want?
- 18:29Speaker 2: Well, now, read this little legal document. I guess that'll
- 18:32Speaker 2: explain better than I could.
- 18:33Speaker 3: What?
- 18:34Speaker 5: What is this?
- 18:35Speaker 2: It's a writ. That's what it is.
- 18:36Speaker 5: A writ.
- 18:37Speaker 4: The court just ruled that I'm permitted to see Mr.
- 18:40Speaker 4: Smith for two hours a week. I am permitted to
- 18:42Speaker 4: take Mr. Smith walking, riding, motorplay... No, motorboating or aquaplaning.
- 18:48Speaker 2: No, not aquaplaning. That's too dangerous, isn't it?
- 18:51Speaker 4: Well, the order reads that I can visit with him
- 18:52Speaker 4: and entertain him in any form or manner that does
- 18:54Speaker 4: not endanger life or limb.
- 18:55Speaker 2: And that would rule out aquaplaning.
- 18:58Speaker 5: I suppose you've come to take him bicycling.
- 19:00Speaker 2: What, in this weather? Are you crazy? Why, he catches
- 19:03Speaker 2: death of cold. No, I've come to entertain him in
- 19:05Speaker 2: any form or manner. Hey, Smitty, where are you?
- 19:07Speaker 5: I'll get him.
- 19:08Speaker 2: Oh, Miss Warner, perhaps I've been.
- 19:09Speaker 5: Oh, I'm sorry, Mr.
- 19:10Speaker 2: Leeson.
- 19:11Speaker 5: This is my husband.
- 19:13Speaker 2: Oh, I mean, oh.
- 19:15Speaker 8: Well, he's only my husband for.
- 19:18Speaker 5: How much longer is it? Oh, 60 days.
- 19:20Speaker 2: No, no, no, 59.
- 19:22Speaker 4: Well, how are you, Mr.
- 19:22Speaker 2: Leeson? Howdy. I'm glad to know you. Excuse me, what
- 19:25Speaker 2: did you say? I said I'm glad to know you. Oh,
- 19:29Speaker 2: how can you be glad to know me?
- 19:31Speaker 4: I know how I'd feel if I was sitting with
- 19:33Speaker 4: a girl and her husband walked in.
- 19:38Speaker 5: I'll bet you do.
- 19:39Speaker 2: What's that supposed to mean, huh? Nothing, nothing.
- 19:42Speaker 5: Why don't you go and play with the dog?
- 19:44Speaker 2: Sure, where is he? Hey, Mr. Smith! Where are you, fella?
- 19:47Speaker 5: Oh, see you.
- 19:48Speaker 2: See you, old fella. It's good to see you.
- 19:50Speaker 4: Look what I brought you.
- 19:52Speaker 2: Your old leather strap.
- 19:54Speaker 11: Come on.
- 19:54Speaker 5: You were telling us about Oklahoma, Mr. Lincoln.
- 19:56Speaker 2: Oh, yes.
- 19:57Speaker 6: Well, I'm really a man of many interests out there, Mrs.
- 20:01Speaker 2: Warner.
- 20:02Speaker 6: Oil is my main business, of course. I can't complain
- 20:05Speaker 6: about that. It's treated me fine. And I have a
- 20:08Speaker 6: big ranch that's more of a hobby than any.
- 20:12Speaker 5: Oh, the lamp, Jerry. You broke the lamp. Oh, it's nothing.
- 20:15Speaker 5: I'll get you a new one.
- 20:16Speaker 12: Oh, don't bother.
- 20:17Speaker 5: It's only in the limport.
- 20:18Speaker 6: Like I was saying, Mrs. Warner, this ranch is just
- 20:21Speaker 6: outside of Tulsa. I have just about everything.
- 20:24Speaker 3: Good heavens.
- 20:26Speaker 5: Jerry, do you have to play that game?
- 20:28Speaker 2: Any other ones?
- 20:29Speaker 3: Yes.
- 20:29Speaker 5: Get his rubber bone for him. He loves that bone.
- 20:32Speaker 2: Oh, yes. I remember. Where is it?
- 20:34Speaker 5: In the closet, right there.
- 20:36Speaker 2: Huh? Here?
- 20:38Speaker 5: That's right.
- 20:38Speaker 2: I can't find it.
- 20:39Speaker 5: Oh, but just keep looking.
- 20:41Speaker 2: Hey, hey, what is this? Lock the door on me.
- 20:44Speaker 5: Oh, Patsy, what are you doing?
- 20:45Speaker 10: Mr.
- 20:45Speaker 5: Deer, why don't you run along with Mr.
- 20:47Speaker 6: Leeson?
- 20:48Speaker 5: Patsy, Patsy, let me out of here.
- 20:49Speaker 2: I'm locked in. Say, is anything wrong?
- 20:51Speaker 5: Oh, no. That's just a game Mr. Walden up has
- 20:56Speaker 5: with the dog.
- 20:56Speaker 2: Oh, oh, oh. Mr.
- 20:57Speaker 5: Deer, I want to get out of here. Oh, Lord. Well,
- 21:01Speaker 5: come on, Mr.
- 21:01Speaker 6: Leeson.
- 21:02Speaker 2: Let's go. Oh, I swear.
- 21:04Speaker 5: Good night, Aunt Patsy. I hope you know what you're doing.
- 21:06Speaker 5: Good night, dear.
- 21:07Speaker 2: Night.
- 21:08Speaker 5: Night.
- 21:09Speaker 2: I'll break the door down if you don't let me
- 21:11Speaker 2: out of here. Just a minute.
- 21:13Speaker 5: Just a minute. Come on out, dear.
- 21:16Speaker 2: Framed. That's what I am. Framed.
- 21:19Speaker 4: You're trying to cook up something between my wife and
- 21:21Speaker 4: that Buffalo Bill, aren't you?
- 21:22Speaker 11: Your wife?
- 21:22Speaker 2: She's still my wife for 60 days.
- 21:24Speaker 5: 59.
- 21:25Speaker 2: All right, 59, but she's still my wife. Do you understand?
- 21:28Speaker 5: And what are you going to do about it?
- 21:29Speaker 2: You'll find out what I'm going to do. Stick around
- 21:31Speaker 2: and watch. I've got some rights around here.
- 21:33Speaker 5: To entertain Mr. Smith in any form or manner.
- 21:36Speaker 4: Oh, shut up.
- 21:37Speaker 5: Oh, shut up.
- 21:52Speaker 3: While we are waiting for Jerry to make good on
- 21:54Speaker 3: those threats, we take a brief intermission from our play
- 21:57Speaker 3: to hear from Mr.
- 21:58Speaker 5: Rueck.
- 21:59Speaker 3: Ladies and gentlemen, in our intermission before Act II of
- 22:02Speaker 3: The Awful Truth, starring Claudette Colbert, Terry.
- 22:04Speaker 2: Grant, with Phyllis Brooks, we bring you a musical interview.
- 22:08Speaker 3: Three charming young ladies will sing a song suggesting something
- 22:11Speaker 3: about our product, Lux Toilet Soap.
- 22:14Speaker 2: Well, Sally, what is your song going to be?
- 22:16Speaker 5: Sweet Sue, Mr.
- 22:17Speaker 2: Rueck.
- 22:18Speaker 5: Shall we sing it?
- 22:19Speaker 2: Yes, please.
- 22:21Speaker 11: Every star above knows the one I love. Seems to
- 22:28Speaker 11: just you. And the moon on high knows the reason
- 22:34Speaker 11: why it's you. No one but you.
- 22:40Speaker 5: No one else has ever.
- 22:42Speaker 11: Shared my dream. Without you, dear, I don't know what
- 22:47Speaker 11: I'd do. In this heart of mine, you live.
- 22:52Speaker 5: All the time.
- 22:54Speaker 11: Sweet Sue, just you.
- 23:00Speaker 2: Mmm, a sweet song. And you chose it because... Well, Mr.
- 23:04Speaker 5: Rui, because we think one of the nicest things about
- 23:07Speaker 5: Lux Toilet Soap is the way it leaves you feeling
- 23:09Speaker 5: so sweet.
- 23:10Speaker 2: So Sweet Sue reminds you of a Lux girl. Mmm,
- 23:13Speaker 2: that's nice.
- 23:14Speaker 3: And it's true that Luxe toilet soap leaves you feeling
- 23:17Speaker 3: sweet and dainty. That's why it's such a delightful bath soap. Really,
- 23:21Speaker 3: a fragrant Luxe toilet soap bath is the most refreshing
- 23:24Speaker 3: experience you can have when you're tired and feeling sort of, well, uncharming.
- 23:29Speaker 3: Its rich, creamy, active lather just floats away. Perspiration and
- 23:34Speaker 3: dust and dirt leaves you utterly dainty. And when you
- 23:37Speaker 3: consider how little Luxe toilet soap costs, only a few pennies,
- 23:41Speaker 3: why every member of.
- 23:42Speaker 2: The family can share the luxury of this kind of bath.
- 23:45Speaker 3: You know, it's because so many millions of cakes of
- 23:48Speaker 3: Lux Toilet Soap are sold that it can cost so little.
- 23:52Speaker 3: So everybody, fathers, mothers, youngsters, babies, can have its gentle care.
- 23:58Speaker 3: Remember that it's gentle, it cleanses beautifully, it leaves you
- 24:01Speaker 3: dainty and sweet and charming to other people, as you
- 24:05Speaker 3: always want to be. Buy three cakes at a time
- 24:08Speaker 3: so that Lux Toilet Soap will always be at hand.
- 24:11Speaker 2: Our producer, Mr. DeMille.
- 24:13Speaker 3: Act II of The Awful Truth, starring Claudette Colbert as Lucy,
- 24:17Speaker 3: Cary Grant as Jerry, with Phyllis Brooks as Barbara. It's morning,
- 24:27Speaker 3: a few weeks after Jerry's hectic visit. Across the breakfast
- 24:31Speaker 3: table in their lonely apartment, Aunt Patsy is looking at
- 24:34Speaker 3: her niece with an expression of growing horror.
- 24:39Speaker 5: What did you say, Lucy? I said, of course I
- 24:41Speaker 5: like Dan Leeson. Why shouldn't I? He's sweet and thoughtful.
- 24:46Speaker 5: And you should be the last one to object. You
- 24:48Speaker 5: introduced him to me. Only because he was a man
- 24:50Speaker 5: who could take us out. I didn't expect you to
- 24:52Speaker 5: get silly about him. Was it silly to like a
- 24:54Speaker 5: man who's sane and considerate? I was married to one
- 24:57Speaker 5: of those gay romantic types, and one's enough. Your toast
- 25:00Speaker 5: is burning. Lucy, do you know what rebound is? That
- 25:04Speaker 5: business of trying to get over one love affair by
- 25:06Speaker 5: bouncing into love with somebody else? Then it's fine. Except
- 25:10Speaker 5: the rebound is rarely the real thing. There's the first bounce,
- 25:13Speaker 5: the second bounce. And, well, look at me. You wind
- 25:17Speaker 5: up like an old tennis ball. Now, look, I tell
- 25:21Speaker 5: you I'm serious about Dan Leeson. He's a fine person.
- 25:24Speaker 5: I like him. I like him very much. I'm all
- 25:27Speaker 5: through with Jerry. He doesn't mean a thing to me.
- 25:30Speaker 5: I don't love him. What's more, I probably never did.
- 25:32Speaker 5: I guess that surprises you, doesn't it? I hate Jerry
- 25:35Speaker 5: Warner and I like Dan Leeson very, very much. I
- 25:38Speaker 5: can hardly wait to see him tonight. I hope he's
- 25:40Speaker 5: just mad about me because I think he's the finest
- 25:42Speaker 5: man I ever met. Lucy. I know, my toasty.
- 25:48Speaker 12: Oh, Mr.
- 25:52Speaker 5: Goodness, Mr. Warner.
- 25:54Speaker 13: I think it's simply wonderful of you to come here
- 25:56Speaker 13: just to hear me sing.
- 25:57Speaker 2: Huh? Oh, yeah, yeah, sure, sure.
- 26:00Speaker 5: Mr. Warner, you're awful.
- 26:01Speaker 13: Sweet and all that, but you always seem to have
- 26:03Speaker 13: your mind on something else.
- 26:05Speaker 5: Or maybe it's someone else.
- 26:06Speaker 13: Am I right, sugar pie?
- 26:08Speaker 2: Oh, yeah, yeah. I'm in love with love.
- 26:11Speaker 3: Uh-huh.
- 26:12Speaker 4: In the spring, a young man's fancy likely turns to
- 26:15Speaker 4: what he's been.
- 26:16Speaker 2: Thinking about all winter. Say, uh, how long have you
- 26:20Speaker 2: been talking like Amos and Andy? Oh, for a long time.
- 26:25Speaker 5: It helps me in my work. Well, shut my mouth.
- 26:27Speaker 13: Who's that dogged-looking creature just coming in?
- 26:30Speaker 2: Oh, where? Oh, my, my.
- 26:34Speaker 4: Well, you've heard that gag that's flying around town. Who
- 26:36Speaker 4: was that lady I saw you with?
- 26:37Speaker 5: You mean that's no lady. That's your wife?
- 26:39Speaker 3: Uh-huh.
- 26:39Speaker 2: That's my wife.
- 26:40Speaker 14: I guess this is our table over here, Lucy.
- 26:43Speaker 5: Sit down.
- 26:44Speaker 2: Come on over and meet her. Well, well, well. Hello, folks.
- 26:53Speaker 5: Oh, hello.
- 26:55Speaker 2: Uh, uh, this is, uh, Miss Dixie Belle Lee. This
- 26:57Speaker 2: is Mrs. Warriner, and this is Mr. Leeson. The gentleman, Mrs. Warriner,
- 27:00Speaker 2: is going to marry. That's right.
- 27:02Speaker 5: I'm mighty proud to meet you all.
- 27:03Speaker 2: Now, now, you're sure we're not intruding, huh? Well, what
- 27:06Speaker 2: do you mean? Well, wouldn't you like to buy us
- 27:07Speaker 2: a drink? Oh, oh, why, why, yes, of course. Well,
- 27:11Speaker 2: sit down. Oh, thank you. Ah, well, my, my, my,
- 27:15Speaker 2: isn't this cozy, huh? Mm-hmm. So you two are going
- 27:19Speaker 2: to be married, huh? Oh, I was glad when I
- 27:21Speaker 2: heard that. Yes, I said to myself.
- 27:24Speaker 4: That Leeson's just the man for Lucy, and then I
- 27:27Speaker 4: said to myself.
- 27:27Speaker 5: He's always talking to himself.
- 27:29Speaker 10: Yes.
- 27:30Speaker 8: This is a charming place, don't you think, Mr.
- 27:33Speaker 13: Dixie Belle Lee.
- 27:34Speaker 2: Oh.
- 27:34Speaker 5: Do you like it, honey? I'm so glad, because I
- 27:37Speaker 5: kind of feel like the place is mine. Oh, you
- 27:39Speaker 5: come here often? Well, I work here. Didn't you all
- 27:42Speaker 5: know that? No, no.
- 27:44Speaker 2: Say, you're from the South, aren't you?
- 27:46Speaker 5: Now, isn't he just the cleverest?
- 27:48Speaker 2: Yes.
- 27:49Speaker 5: How'd you ever guess that, Mr.
- 27:50Speaker 2: Mayor? Oh, I don't know. It was just a shot
- 27:53Speaker 2: in the dark.
- 27:54Speaker 5: Shot in the dark?
- 27:57Speaker 2: Well, you see, Dixie Belle Lee isn't her real name.
- 28:00Speaker 4: No?
- 28:00Speaker 2: Oh, no, no. She changed it because her family objected
- 28:03Speaker 2: to her going into show business. Isn't that right, Dixie?
- 28:05Speaker 5: That's right.
- 28:06Speaker 13: Well, I guess I'd better go now and get ready.
- 28:08Speaker 13: You reckon you all can stay to see my aunt?
- 28:10Speaker 5: Of course we'll stay.
- 28:11Speaker 2: Well, nothing could drag us away.
- 28:13Speaker 5: Well, I'll see you later, honey child.
- 28:14Speaker 2: I'll be here.
- 28:15Speaker 5: She seems like a lovely girl.
- 28:18Speaker 2: Ah, she is, Lucy. But wait till she sings. A
- 28:21Speaker 2: golden throat, that's what. I keep coming here all the
- 28:23Speaker 2: time just to listen to her.
- 28:24Speaker 5: How faithful of you.
- 28:25Speaker 2: Does she really sing awful good?
- 28:28Speaker 5: Well, no, I don't.
- 28:30Speaker 2: Think her singing's up to lucid, no. I think she
- 28:32Speaker 2: has a sort of an elfin charm, a je ne
- 28:35Speaker 2: sais quoi, if you know what I mean.
- 28:36Speaker 5: And I don't... Dan, dear. I don't... Don't you think
- 28:39Speaker 5: you ought to ask Jerry about it now?
- 28:41Speaker 2: Oh, yeah, yeah, sure. Uh-huh, uh-huh. About what?
- 28:44Speaker 5: About our mine, Jerry.
- 28:46Speaker 2: What mine?
- 28:47Speaker 5: Our mine. You know, our coal mine. It's our last try, Jerry. And, well,
- 28:51Speaker 5: I was telling Mr. Leeson how badly it was doing, and...
- 28:54Speaker 5: He thought maybe he could do better with it.
- 28:56Speaker 2: That's right. I'd like to gamble on it, Mr.
- 28:58Speaker 6: Warner.
- 28:59Speaker 2: I'm pretty lucky. Do you know what they call me
- 29:02Speaker 2: out west? I can guess. Well, how about us having
- 29:09Speaker 2: a conference at my apartment tomorrow? Well, I don't know.
- 29:11Speaker 2: I'll have to think about it.
- 29:16Speaker 5: And now, ladies and gentlemen, it is with great pleasure
- 29:19Speaker 5: that I present that great little artist, Miss Dixie Bell Lee.
- 29:22Speaker 2: Thank you. Here she comes, isn't she pretty? She sure is.
- 29:29Speaker 5: The costume's a little short, isn't it? I mean, unless
- 29:31Speaker 5: she does a tank act.
- 29:32Speaker 2: Uh-uh. Shh, Listen to this.
- 29:36Speaker 5: Listen to this.
- 29:37Speaker 13: I got an invitation for Mrs.
- 29:41Speaker 8: Hutton. Yippee! Is that what you mean by Elton John?
- 29:45Speaker 2: Say, she'd go great in Oklahoma, wouldn't she?
- 29:50Speaker 5: Come on.
- 29:51Speaker 2: Swing it, miss. Yippee!
- 29:54Speaker 5: I don't feel well. Yippee!
- 29:56Speaker 2: Why, what's the trouble, Lucy?
- 29:57Speaker 5: Dan, I think you'd better take me home.
- 29:59Speaker 2: But, Lucy, we can't walk out in the middle of
- 30:00Speaker 2: Miss Lee singing. Don't you like her, Lucy?
- 30:03Speaker 5: Oh, I love her, yes.
- 30:05Speaker 8: I can see now it was easier for her to
- 30:06Speaker 8: change her name.
- 30:07Speaker 5: Than for her whole family to change theirs. Come on, Dan.
- 30:10Speaker 2: Well, all right, if you want, Lucy. Don't forget tomorrow
- 30:13Speaker 2: afternoon at my apartment, Mr. Warner. About that mine.
- 30:16Speaker 4: I'll be there, big boy.
- 30:26Speaker 2: Sit down, Warner. I want to hear all about these mines. Well,
- 30:29Speaker 2: I've got all the records and history with me. Oh,
- 30:31Speaker 2: by the way, Lucy, I searched all over for the
- 30:33Speaker 2: report McCall made before we bought it, but I couldn't
- 30:35Speaker 2: find it. You must have it.
- 30:36Speaker 5: Well, perhaps I have.
- 30:37Speaker 2: Well, when you get a chance, take a look through
- 30:39Speaker 2: your stocking drawer with you. You know, Dan, she always
- 30:42Speaker 2: hides important things in the top drawer of her dresser.
- 30:44Speaker 2: She does? Oh, sure, sure. It's an old habit of hers.
- 30:47Speaker 4: Every legal paper we ever had smelled of sachet. Even
- 30:50Speaker 4: our marriage certificate.
- 30:52Speaker 5: About the mine, Mary.
- 30:54Speaker 2: Oh, yes, yes, the mine, uh-huh.
- 30:56Speaker 5: Good afternoon.
- 30:58Speaker 2: Oh, come on in, Ma. Come on in. Oh, hello, Mrs.
- 31:00Speaker 3: Wheaton.
- 31:01Speaker 5: Good afternoon, Lucy.
- 31:02Speaker 7: I guess you don't know this fella here, Ma. He's
- 31:04Speaker 7: Jerry Warner, Ma.
- 31:05Speaker 2: Hello.
- 31:06Speaker 5: Well, it's very funny seeing you here, Mr.
- 31:09Speaker 2: Warner. Is it? Well, it's funny seeing you.
- 31:14Speaker 15: I met some people today and they spoke about you
- 31:16Speaker 15: and about Lucy, too. They knew you both before the divorce.
- 31:20Speaker 8: I imagine you're one of the dozens of people who did.
- 31:22Speaker 5: They spoke very well of you, Mr.
- 31:24Speaker 2: Warriner.
- 31:25Speaker 5: They said you were a real gentleman.
- 31:27Speaker 2: No kidding. Got any gum? No.
- 31:31Speaker 8: They talked about Lucy, too. Well, isn't it nice not
- 31:34Speaker 8: to be forgotten by your old friends?
- 31:36Speaker 15: You know, Lucy, as many times as I've heard your
- 31:38Speaker 15: fine singing, I never realized that you must have had
- 31:42Speaker 15: a teacher.
- 31:43Speaker 5: They tell me he's been teaching you for some time,
- 31:47Speaker 5: and he's a very romantic type. This woman I was
- 31:52Speaker 5: talking to told me that... Oh, well, no matter.
- 31:55Speaker 2: What's that, Mom? Now, now, now, look at this map, Leeson,
- 31:57Speaker 2: about this new opening in the northern side of the mine.
- 31:59Speaker 10: Now, Lucy.
- 32:00Speaker 2: Here, now, let me show you the prospectus.
- 32:01Speaker 5: Jerry, I think I ought to tell you that nobody's
- 32:03Speaker 5: listening to you.
- 32:04Speaker 2: Huh? Huh? What do you mean?
- 32:06Speaker 4: Now, what could possibly be more interesting than the Warriner mine?
- 32:10Speaker 5: The Warriner divorce. The gal's name meets clearing, partner.
- 32:13Speaker 2: Oh, that's ridiculous.
- 32:15Speaker 5: Is it really?
- 32:15Speaker 2: Certainly, Mrs. Leeson, and so are you. No, no, Dan, relax, relax.
- 32:19Speaker 2: No fisticuffs. I'll explain. Mrs.
- 32:21Speaker 14: Leeson, our divorce was one of those tragedies you read
- 32:24Speaker 14: about in the newspapers. Yes, a trusting woman and a
- 32:28Speaker 14: worthless man. Lucy's above suspicion, Mrs. Leeson, always has been.
- 32:32Speaker 14: She's as pure as the driven snow, as faithful as
- 32:35Speaker 14: she is fair. I tell you, something wonderful went out
- 32:39Speaker 14: of my life when I lost her.
- 32:40Speaker 10: Yep.
- 32:41Speaker 2: I know just how you feel, Mr.
- 32:43Speaker 1: Warner.
- 32:43Speaker 2: How do you know?
- 32:45Speaker 4: How can you know.
- 32:46Speaker 2: How I feel to have used up the best years
- 32:48Speaker 2: of a woman's life?
- 32:49Speaker 4: Huh?
- 32:51Speaker 2: Oh, well, folks, that's the way it goes. Excuse me, Mrs. Neeson,
- 32:55Speaker 2: you're sitting on my prospectus.
- 32:57Speaker 10: Oh!
- 32:58Speaker 4: Sorry.
- 32:59Speaker 2: Well, I'll be going now. Take good care of her, Dan,
- 33:02Speaker 2: won't you? I'm sure you'll be happy out where the
- 33:05Speaker 2: West begins. All three of you. Maybe you'll succeed, Dan,
- 33:09Speaker 2: where I failed. Goodbye now. Well, Ma, are you convinced
- 33:16Speaker 2: about everything?
- 33:18Speaker 5: What about the music teacher? Oh, now, look, you two.
- 33:20Speaker 8: Why don't you go back to your room and settle
- 33:22Speaker 8: things for yourselves? And let me know how it all
- 33:24Speaker 8: comes out.
- 33:24Speaker 5: I'll tell you.
- 33:25Speaker 8: Put a light in the window if it's yes and
- 33:27Speaker 8: two if it's no.
- 33:28Speaker 3: But, Lucy, we.
- 33:28Speaker 5: And if you can't make up your mind, just pull
- 33:30Speaker 5: down the shade. All I want to know is, what
- 33:42Speaker 5: has Armand Laval got to do with all this? Why
- 33:44Speaker 5: is he coming here? Because I sent for him. You
- 33:47Speaker 5: said that. I still say, why? He ruined your last
- 33:50Speaker 5: happy home to bust the Oklahoma deal wide open. That's
- 33:53Speaker 5: just it. There isn't going to be any Oklahoma deal. Hmm?
- 33:56Speaker 5: I'm not going to marry Dan Leeson. Why not? Oh.
- 34:01Speaker 5: Because I'm still in love with that crazy lunatic.
- 34:04Speaker 8: There's nothing I can do about it.
- 34:06Speaker 5: What's the matter with you? I'm a gibbering idiot.
- 34:08Speaker 8: I'm a mad woman. Oh, now, Patsy, stop this. Answer
- 34:12Speaker 8: the door, will you?
- 34:16Speaker 5: Oh, good evening, Mr.
- 34:17Speaker 2: LaValle. Good evening.
- 34:18Speaker 5: I'll not come in.
- 34:19Speaker 2: How are you, my dear Lucy? I got your call.
- 34:21Speaker 5: Yes, look, I'll not. Sit down, will you? It's about Jerry. Ah, yes,
- 34:26Speaker 5: your husband.
- 34:27Speaker 2: He's a very funny man, yes? Yes, he is.
- 34:31Speaker 5: But I'm convinced he still cares about me or he
- 34:33Speaker 5: wouldn't do the funny things he does.
- 34:35Speaker 2: Yes. But he doesn't care much about me.
- 34:38Speaker 5: No, he doesn't. No. And that's just what I'm getting at, Armand.
- 34:42Speaker 5: You know that everything was all right that night. I
- 34:45Speaker 5: want you to convince him that everything was just as
- 34:47Speaker 5: we said it was.
- 34:48Speaker 2: I'd be glad to.
- 34:50Speaker 5: Does he carry a gun? Now, you're not afraid of him.
- 34:54Speaker 2: Oh, of course not. No. But you know her better.
- 34:58Speaker 8: Then you'll do it as soon as possible, won't you?
- 35:00Speaker 8: He mustn't know that I've had anything.
- 35:01Speaker 2: To do with it. Very well.
- 35:02Speaker 8: As soon as possible? Open up, Mr.
- 35:05Speaker 2: Smith.
- 35:06Speaker 5: It's Jerry.
- 35:07Speaker 2: Oh, but this is much too soon.
- 35:09Speaker 5: Oh, of course it is.
- 35:10Speaker 8: We'll do something.
- 35:11Speaker 2: What shall I do? Open up.
- 35:13Speaker 5: Well, you can't stand there. Go in the other room.
- 35:16Speaker 8: And hurry and don't come out.
- 35:17Speaker 5: I don't care for this.
- 35:18Speaker 11: Well, neither do I.
- 35:20Speaker 5: Let him in, Aunt Patsy.
- 35:21Speaker 2: Oh, Lord.
- 35:23Speaker 5: You said it.
- 35:25Speaker 2: Ah, greetings, Patsy. Oh. Hello. Oh, hello, Lucy.
- 35:31Speaker 5: Hello.
- 35:31Speaker 4: Hello.
- 35:32Speaker 2: What's the matter? I, uh, nothing.
- 35:35Speaker 5: Well, I, uh, I guess you two want to be alone. No, no, no, no, Patsy.
- 35:41Speaker 5: I whipped up a little omelet from the kitchen. No.
- 35:43Speaker 2: Ah, smart girl you are, Patsy. I, matter of fact, dear,
- 35:46Speaker 2: I did want to be alone.
- 35:48Speaker 5: You did?
- 35:49Speaker 2: Yeah. Look, Lucy, let's get right down to it. I've
- 35:52Speaker 2: been a sap.
- 35:53Speaker 5: Have you? Yeah.
- 35:54Speaker 2: I want to apologize.
- 35:56Speaker 4: I know that chump Lubell couldn't have meant anything to you, but, well,
- 36:00Speaker 4: guys like him just make me murderous.
- 36:01Speaker 2: I just want to... Oh. Oh, well, I just want
- 36:05Speaker 2: to say I'm sorry for everything, dear. Oh, Jerry. Oh, look, Jerry.
- 36:10Speaker 5: Let's meet later and talk it all over, shall we?
- 36:13Speaker 2: Sure.
- 36:13Speaker 5: Yes, that's wonderful. Here's your hat. Goodbye, dear.
- 36:17Speaker 2: Yeah, but, but... I'll call you.
- 36:19Speaker 5: Goodbye. Oh.
- 36:21Speaker 2: Trying to get rid of me?
- 36:22Speaker 8: Oh, no, of course not.
- 36:23Speaker 5: Why should I try to get rid of you? Here's
- 36:25Speaker 5: your hat.
- 36:26Speaker 2: My hat? Well, that isn't my hat.
- 36:31Speaker 8: Oh, no.
- 36:32Speaker 2: Look at the thing. It comes down on my ears.
- 36:34Speaker 4: Look at that.
- 36:36Speaker 8: Oh, isn't that funny?
- 36:38Speaker 5: Did you get a haircut, maybe?
- 36:42Speaker 2: Well, not since I came in. Now, now, now, now,
- 36:45Speaker 2: look at that thing. Doesn't that look funny to you?
- 36:47Speaker 2: It's holiday, look.
- 36:48Speaker 5: Yes, I know.
- 36:50Speaker 8: It's just a little roomy, but maybe they're wearing them
- 36:52Speaker 8: that way this year.
- 36:53Speaker 2: Well, I don't think so. I'm not.
- 36:56Speaker 5: Oh, I'll talk to the bell. All right. Why am
- 36:59Speaker 5: I always answering doorbells?
- 37:00Speaker 2: Oh, well, look, Lucy, if you've got company... No, no,
- 37:02Speaker 2: it's nobody.
- 37:03Speaker 5: It's just Dan Leeson, probably.
- 37:04Speaker 2: Leeson, oh. Well, I don't want him to see me here.
- 37:07Speaker 2: I've caused you enough trouble. I've just stuck in the
- 37:08Speaker 2: other room.
- 37:09Speaker 4: No!
- 37:09Speaker 5: No, Jerry!
- 37:10Speaker 2: No, no, Lucy, I'm going to be happy. I'll wait
- 37:12Speaker 2: in there till they're gone.
- 37:13Speaker 3: Yes, but, Jerry, you.
- 37:15Speaker 5: Oh!
- 37:15Speaker 2: Hello, Miss Adams.
- 37:18Speaker 5: Oh, it's Mr. Leeson and his mother, Lucy.
- 37:21Speaker 2: Oh, hello, Lucy.
- 37:22Speaker 5: Lucy, dear, I've come to tell you something. Oh, hello.
- 37:24Speaker 2: We've come to tell you, Lucy.
- 37:26Speaker 5: Well, what have you come to tell me? I want
- 37:27Speaker 5: to apologize for those awful things I accused you of
- 37:30Speaker 5: this morning, Lucy.
- 37:31Speaker 2: Yes.
- 37:33Speaker 3: Yes?
- 37:34Speaker 11: Well, go on.
- 37:35Speaker 2: What's that?
- 37:36Speaker 10: I think somebody's cleaning up in the next room. Lucy,
- 37:42Speaker 10: I don't want you to be angry with me for
- 37:44Speaker 10: repeating what that awful woman said about your divorce.
- 37:46Speaker 8: Oh, no, of course I'm not angry.
- 37:48Speaker 10: What nonsense!
- 37:49Speaker 5: What is that?
- 37:50Speaker 2: Oh, it's nothing. But.
- 37:51Speaker 3: But... Oh!
- 37:52Speaker 10: Oh! Oh!
- 37:52Speaker 2: Oh!
- 37:53Speaker 10: Oh!
- 37:53Speaker 2: Oh!
- 37:54Speaker 3: Oh!
- 37:54Speaker 10: Oh! Oh! Oh!
- 38:02Speaker 2: Don't forget to touch second, boys!
- 38:05Speaker 11: Who was that?
- 38:06Speaker 5: Was that Mr.
- 38:07Speaker 2: Warner?
- 38:08Speaker 8: Yes, he just dropped in.
- 38:10Speaker 5: And out. Dan, I think we'd better go. Two men
- 38:15Speaker 5: hiding in the other room.
- 38:16Speaker 2: Well, all I gotta say is, a man's best friend
- 38:20Speaker 2: is his mother. Mrs. Warner, I certainly learned about women
- 38:24Speaker 2: from you. Come on, Ma.
- 38:26Speaker 5: Oh, wait a minute.
- 38:27Speaker 8: Well?
- 38:28Speaker 5: You can't fire us, we quit.
- 38:30Speaker 8: Oh, Lucy, don't.
- 38:40Speaker 5: Don't cry, dear. He believed it. He thought Elmo was hiding.
- 38:44Speaker 7: In that room.
- 38:46Speaker 5: Sure. So did his mother.
- 38:48Speaker 8: I'm talking about Jerry.
- 38:50Speaker 5: Oh, Jerry. It's getting hard to keep track. What's the
- 38:55Speaker 5: matter with Jerry? We read this in the newspaper.
- 38:58Speaker 2: Oh, I could die.
- 39:00Speaker 5: Okay. Jerry Waterner is being seen these days with Barbara Vance,
- 39:05Speaker 5: the madcap actress. We wonder if there'll be wedding bells
- 39:08Speaker 5: when Jerry's divorce becomes final in two weeks. Two weeks?
- 39:12Speaker 5: He's going to steal him from me. It's big of me.
- 39:15Speaker 5: She's not married to him yet. No. No, she won't be.
- 39:20Speaker 8: He said he'd stick to me for better or worse.
- 39:22Speaker 5: And if he knows what's good for him, he'd better.
- 39:25Speaker 12: The curtain.
- 39:39Speaker 3: Falls on Act Two of The Awful Truth. And I
- 39:42Speaker 3: assure you, a great surprise is in store for Jerry
- 39:44Speaker 3: Warriner in Act Three. But before the curtain goes up,
- 39:47Speaker 3: There's a word or two of wisdom, I believe, for
- 39:49Speaker 3: the ladies. In the very brief moment before Cary Grant,
- 39:52Speaker 3: Claudette Colbert, and Phyllis Brooks return, I would like to
- 39:55Speaker 3: make this observation about our product, Lux Toilet Soap. Everyone
- 39:59Speaker 3: knows that nine out of ten screen stars use Lux
- 40:01Speaker 3: Toilet Soap. And we're very proud of this fact, because
- 40:04Speaker 3: it certainly is significant that such an overwhelming majority of
- 40:07Speaker 3: these charming women, whose very livelihood depends to such an
- 40:11Speaker 3: extent upon their appearance, have come to look upon Lux
- 40:14Speaker 3: Toilet Soap as such a trusted aid in the task
- 40:17Speaker 3: of keeping themselves ever beautiful. But another fact, which is
- 40:21Speaker 3: just as important and just as significant, is that lovely girls,
- 40:25Speaker 3: young women and older women in every village and town
- 40:28Speaker 3: throughout this broad land also look upon Lux Toilet Soap
- 40:32Speaker 3: as a trusted aid in the very important feminine job
- 40:36Speaker 3: of keeping beautiful. Screen stars must have lovely skin because
- 40:40Speaker 3: they're screen stars, of course. But for another reason also.
- 40:44Speaker 3: These famous beauties have close-ups to face off the screen, too.
- 40:49Speaker 3: They know that for every woman who wants to win
- 40:51Speaker 3: romance and hold it, lovely skin is important. And that's
- 40:55Speaker 3: why they are really glad to be able to pass
- 40:57Speaker 3: on to other women the happy experience they've had with
- 41:00Speaker 3: Luxe Toilet Soap. Here's what Betty Davis says. I use
- 41:04Speaker 3: Luxe Toilet Soap regularly, as other Hollywood screen stars do.
- 41:08Speaker 3: Why don't you use this fragrant white soap? So I'm
- 41:12Speaker 3: going to ask every woman in our audience if she
- 41:14Speaker 3: won't go to the store tomorrow and buy at least
- 41:16Speaker 3: three cakes of Luxe toilet soap and use this fine, white,
- 41:20Speaker 3: gentle soap with active lather faithfully. And it is my
- 41:24Speaker 3: honest belief that if you do this, when the three
- 41:27Speaker 3: cakes have gone, you will be just as enthusiastic over
- 41:30Speaker 3: Luxe toilet soap as the screen stars. We pause now
- 41:34Speaker 3: for station identification. This is the Columbia Broadcasting System. Carrie Grant,
- 41:58Speaker 3: Claudette Colbert, and Phyllis Brooks proceed with Act Three of
- 42:01Speaker 3: The Awful Truth. Two weeks have gone by, and the
- 42:09Speaker 3: divorce is almost final. Determined to block Jerry's impending marriage
- 42:13Speaker 3: to the society heiress, Lucy has tricked her way into
- 42:16Speaker 3: his apartment. Just inside the door, she stands facing him,
- 42:20Speaker 3: smiling coyly.
- 42:23Speaker 5: Hello, Jerry.
- 42:24Speaker 2: Well, now that you're in, what's the nature of this visit?
- 42:27Speaker 5: Well, I just thought that you know what today is,
- 42:29Speaker 5: don't you?
- 42:30Speaker 2: Certainly.
- 42:30Speaker 4: Our divorce becomes final tonight at 12 o'clock, and tomorrow
- 42:33Speaker 4: we'll both be back in circulation.
- 42:35Speaker 5: That's right. I just thought I'd drop up to wish
- 42:38Speaker 5: you a lot of luck.
- 42:39Speaker 2: Oh, that's very nice of you, but I'm just on
- 42:41Speaker 2: my way out.
- 42:42Speaker 5: Where to?
- 42:42Speaker 4: Well, as you must know, I'm on my way out
- 42:44Speaker 4: to a pre-engagement dinner for me and Barbara at the Fancy's.
- 42:47Speaker 5: Oh, Jerry, you can't.
- 42:49Speaker 2: Who says so?
- 42:50Speaker 5: You can't because you love me. The things you believe
- 42:53Speaker 5: me guilty of couldn't cause aggravation and heartache unless you
- 42:55Speaker 5: love me.
- 42:56Speaker 2: Of course, I loved you.
- 42:57Speaker 5: I said love, not love. Oh, you're so stubborn, Jerry.
- 43:02Speaker 5: You're throwing away our happiness.
- 43:03Speaker 2: Barbara's a fine girl. We'll get along swell together.
- 43:06Speaker 8: But that isn't necessarily happiness, Jerry.
- 43:08Speaker 5: Look, you and I fight and we disagree on every
- 43:11Speaker 5: subject under the sun. But we were happy. It's no
- 43:15Speaker 5: fun for me to come here practically crawling to you, Jerry.
- 43:18Speaker 5: But our marriage is worth it. I'd do anything to
- 43:20Speaker 5: make you understand that you and I belong together. Tomorrow
- 43:23Speaker 5: will be too late, dear. Once you're free, the banters
- 43:25Speaker 5: will officially announce your engagement, and you won't be able
- 43:27Speaker 5: to jilt a girl whose jilting would be news for
- 43:30Speaker 5: every newspaper in the world. You'll be caught by circumstances.
- 43:34Speaker 5: You'll be lost, Jerry.
- 43:35Speaker 2: I'm very contentedly, too.
- 43:36Speaker 5: Oh, no.
- 43:38Speaker 2: You'll be miserable.
- 43:39Speaker 5: Oh, you dope. Why can't you understand? I'll take it.
- 43:43Speaker 2: Oh, no, you won't.
- 43:43Speaker 5: I've got it. Hello? Hello. Oh, hello. Who is this,
- 43:49Speaker 5: may I ask?
- 43:50Speaker 2: Give me that phone.
- 43:51Speaker 5: Jerry, I think it's... Hello.
- 43:53Speaker 2: You have to answer my telephone.
- 43:54Speaker 5: I only said hello.
- 43:55Speaker 2: Hello. Shut up now. Give it to me.
- 43:57Speaker 5: Hello. Tell her to call you back. Yes.
- 43:59Speaker 2: Hello. Hello? Oh, hello, darling.
- 44:05Speaker 5: Well, it took you long enough. Have you made up
- 44:08Speaker 5: your mind who the woman is?
- 44:10Speaker 2: Oh, that's funny. I knew you were going to ask
- 44:12Speaker 2: me that.
- 44:12Speaker 5: Uh-huh. So did I. Who was she?
- 44:15Speaker 2: Well, it's really very simple, dear. That was my sister.
- 44:19Speaker 5: Oh, really? Your sister. Now, how are you ever going
- 44:21Speaker 5: to get out of that?
- 44:22Speaker 2: I didn't know Oh, sure, sure. She just got back
- 44:24Speaker 2: from Paris. Dropped in to see me, you know, and... Oh,
- 44:27Speaker 2: that's lovely.
- 44:27Speaker 5: I'd love to meet your sister, Jerry.
- 44:30Speaker 2: Why don't you bring her along tonight? Oh, no, no.
- 44:32Speaker 2: I don't think she can come over this evening. She
- 44:34Speaker 2: has a previous engagement. Oh, I'm sorry. Well, naturally it is.
- 44:37Speaker 2: She's very anxious to meet you, but.
- 44:39Speaker 5: Oh, yes, tell her I'd love to meet her. Tell
- 44:40Speaker 5: her to wear a boxing glove.
- 44:41Speaker 2: Keep quiet. Now, look, Barbara. Look, Barbara. She said if
- 44:44Speaker 2: she possibly could, she'd break her engagement and come over later. Yes,
- 44:47Speaker 2: but I doubt that very much.
- 44:49Speaker 5: Yes, I doubt it, too. Well, if she can, she can,
- 44:52Speaker 5: of course.
- 44:52Speaker 2: That's right, dear. But I'll do my best to fix
- 44:54Speaker 2: it up so the two of you will meet very soon. Goodbye. Goodbye, dear.
- 44:58Speaker 2: Hurry over.
- 44:59Speaker 6: I will.
- 45:00Speaker 2: Now I'm in a fine fix. She wants to meet
- 45:04Speaker 2: my sister. Well? You're a big help.
- 45:06Speaker 5: Well, you know me. Anything I can do?
- 45:08Speaker 2: Oh, to break it up?
- 45:09Speaker 5: I see what you mean.
- 45:11Speaker 2: Well, I'm in a fine mess.
- 45:12Speaker 5: No, I'm sorry, Jerry.
- 45:14Speaker 2: Really, I am. Yeah, sure.
- 45:15Speaker 5: But I wouldn't worry about it, dear. She trusts you,
- 45:17Speaker 5: doesn't she?
- 45:18Speaker 2: Of course she does.
- 45:19Speaker 5: Hello? Hello. Oh, I did it again.
- 45:23Speaker 2: Give me that thing.
- 45:24Speaker 5: Listen, you don't have to take that from anybody.
- 45:27Speaker 2: Quiet.
- 45:28Speaker 5: You don't have to take that from anybody. Put your
- 45:29Speaker 5: foot down.
- 45:32Speaker 2: But, darling, I told you she couldn't make it.
- 45:33Speaker 5: There's no reason for her to call you up every
- 45:35Speaker 5: five minutes, is there? No, no, no.
- 45:37Speaker 2: Look, dear, there's no reason for you to call me
- 45:39Speaker 2: up every five minutes, is there?
- 45:40Speaker 5: Jerry.
- 45:42Speaker 4: Goodbye! Well, well.
- 45:44Speaker 2: Oh, keep quiet. Sit down, my boy, sit down. Thanks, Mrs. Vance.
- 45:57Speaker 5: It's too bad your sister couldn't come tonight, Jerry.
- 45:59Speaker 2: Oh, yes. Well, she was terribly sorry, Mrs.
- 46:01Speaker 6: Vance.
- 46:01Speaker 2: You see, she didn't weather the boat trip very well.
- 46:03Speaker 2: As a matter of fact, when I left, she was
- 46:05Speaker 2: calling the doctor.
- 46:06Speaker 8: You can imagine my surprise when I heard a woman's
- 46:08Speaker 8: voice down the phone.
- 46:09Speaker 5: You can't blame me for being suspicious, Jerry, darling.
- 46:12Speaker 2: Certainly. I mean, of course not.
- 46:14Speaker 5: I was thinking, dear.
- 46:15Speaker 8: Mother, don't you think it would be nice if I
- 46:17Speaker 8: asked Jerry's sister to be a bridesmaid?
- 46:19Speaker 2: Oh, lovely.
- 46:20Speaker 4: Well, I think she's sailing back to Paris almost immediately.
- 46:22Speaker 4: She said she'd do her best to see you before
- 46:24Speaker 4: she goes, though. Oh, you'd like my sister, Barbara. She's
- 46:27Speaker 4: very much your type.
- 46:28Speaker 5: Where did she go to school?
- 46:29Speaker 2: Uh, excuse me, what did you say?
- 46:31Speaker 5: I said, where did she go to school?
- 46:32Speaker 2: In, in, um, Switzerland.
- 46:35Speaker 10: Oh.
- 46:36Speaker 2: And you say your father was a Princeton man? Yes,
- 46:38Speaker 2: that's right, sir. Class of 92. He tells some very
- 46:41Speaker 2: funny stories about the place in those days.
- 46:43Speaker 4: He tells one in particular about a football game.
- 46:45Speaker 2: It seems Yale was playing Princeton one day. I beg
- 46:47Speaker 2: your pardon, Mrs. Zantz.
- 46:49Speaker 12: Yes, Edward?
- 46:50Speaker 2: Mr. Jerry's sister has arrived.
- 46:52Speaker 3: What?
- 46:52Speaker 2: Miss Lulu Warriner.
- 46:54Speaker 14: Hello.
- 46:55Speaker 8: Well, I made it, Jerry.
- 46:56Speaker 5: Are you surprised?
- 46:57Speaker 2: Oh, you maniac.
- 46:58Speaker 5: What did you say, dear?
- 47:00Speaker 2: Oh, I just asked how you were feeling.
- 47:01Speaker 5: Well, I'm feeling fine.
- 47:04Speaker 2: Mrs. Vance, may I present my sister, Lola. How do
- 47:06Speaker 2: you do?
- 47:07Speaker 5: How do you do? Oh, it's lovely to know you, Mrs. Vancey. Vance,
- 47:10Speaker 5: my dear.
- 47:11Speaker 2: Oh, sure, I forgot. Barbara, this is Lola.
- 47:14Speaker 5: How do you do? How do you do? Well, you know,
- 47:17Speaker 5: it's nice getting a chance to meet you. I see
- 47:19Speaker 5: your pictures in the paper, and I wondered what you
- 47:21Speaker 5: really look like. I've wondered about you, too. Oh, well, thanks.
- 47:26Speaker 2: Oh, Lola.
- 47:26Speaker 5: Yes, dear?
- 47:28Speaker 2: This is Barbara's father, Mr. Vance. Mr. Vance, my sister.
- 47:31Speaker 2: How do you do? How do you do?
- 47:33Speaker 3: Well.
- 47:34Speaker 2: What's the matter?
- 47:35Speaker 5: Oh, nothing, only I never would have known you from
- 47:37Speaker 5: Jerry's description. I think you look kind of cute. Won't
- 47:40Speaker 5: you sit down, Miss Waterner? Thank you. Say, did I
- 47:43Speaker 5: interrupt something? Go right on with your story, Jerry, honey.
- 47:46Speaker 2: Oh, well, I was telling a story about my, uh...
- 47:48Speaker 2: About our father.
- 47:50Speaker 5: Oh, you were? Well, go right ahead, dear.
- 47:51Speaker 2: Thanks, thanks. You see, Mr. Vance, it was Yale's ball
- 47:54Speaker 2: on Princeton's two-yard line.
- 47:55Speaker 5: Oh, Mrs.
- 47:56Speaker 8: Vance, I don't want to appear rude, but I wonder
- 47:58Speaker 8: if I could have a little drinky.
- 48:00Speaker 5: Why, certainly. Well, I had three or four before I
- 48:04Speaker 5: got here, but they're beginning to wear off, and you
- 48:05Speaker 5: know how that is.
- 48:07Speaker 8: Oh, well, don't look at me like that, Jerry.
- 48:09Speaker 5: You like a little drink yourself. You know what we
- 48:12Speaker 5: call him, isn't it? We call him Jerry the Nipper.
- 48:16Speaker 8: He likes to sneak them when nobody's looking.
- 48:18Speaker 5: Oh, he's awful cute about it, too, yeah. I've seen
- 48:21Speaker 5: him go along all evening and apparently not have a
- 48:23Speaker 5: thing to drink and all of a sudden fall flat
- 48:25Speaker 5: on his puss. Edward, a glass of sherry for Miss Waterner, please. What? Sherry? Oh, no,
- 48:33Speaker 5: I don't like sherry.
- 48:34Speaker 10: Oh, Mr.
- 48:34Speaker 2: Edwards, come here, will you? Yes, miss?
- 48:36Speaker 5: You know what I want, don't you? About the three fingers?
- 48:39Speaker 2: Yes, miss.
- 48:40Speaker 5: Snap it up, will you? I'm sorry to interrupt you, Terry.
- 48:42Speaker 5: What were you saying?
- 48:43Speaker 4: Well, I was just telling them one of Father's stories.
- 48:45Speaker 2: You've heard it. Oh, I have. You see, there was
- 48:47Speaker 2: a minute to go. Dad had the ball and... Ball?
- 48:49Speaker 2: What ball? What ball? The football.
- 48:52Speaker 8: Well, what in the world was Dad doing with a football?
- 48:54Speaker 4: Look, look, I was just telling a story about when
- 48:57Speaker 4: Father was at Princeton.
- 48:58Speaker 2: You remember that?
- 49:00Speaker 3: Oh, sure.
- 49:01Speaker 5: Well, because I remember.
- 49:02Speaker 2: Oh, yeah.
- 49:03Speaker 8: You know, Pop loved Princeton. Yeah, he was there nearly
- 49:06Speaker 8: 20 years.
- 49:07Speaker 2: Oh.
- 49:08Speaker 3: Yeah.
- 49:08Speaker 8: If ever a man loved a place, he did.
- 49:11Speaker 5: He just adored it, and he certainly kept it looking beautiful, too.
- 49:15Speaker 5: You've seen the grounds, haven't you?
- 49:16Speaker 2: The grounds?
- 49:18Speaker 5: Of course.
- 49:18Speaker 2: Well, Mrs.
- 49:19Speaker 4: Manson, afraid that my sister has a somewhat distorted sense
- 49:22Speaker 4: of humor.
- 49:22Speaker 5: So have I.
- 49:24Speaker 2: Your drink, miss.
- 49:24Speaker 5: Oh, gee, thanks.
- 49:25Speaker 2: Now, what she really meant to say was that.
- 49:27Speaker 5: Oh, gosh, was that good. I was so thirsty. It
- 49:30Speaker 5: must have been that ham I had for dinner.
- 49:32Speaker 2: Now, listen, you.
- 49:33Speaker 8: Where did you get your liquor, Mr.
- 49:34Speaker 3: Vance?
- 49:34Speaker 5: It isn't too personal.
- 49:35Speaker 2: It's imported from Paris.
- 49:37Speaker 5: You don't say. All the way? Oh, gee, that's pretty
- 49:40Speaker 5: good stuff, though. If I ever manage to get to Paris,
- 49:43Speaker 5: I'm going to look up the guy who sold it
- 49:44Speaker 5: to you. If you ever get to Paris. Didn't you
- 49:47Speaker 5: just come back from there? Who, me? Oh, I only
- 49:50Speaker 5: wish I had. Oh, I guess that's just one of
- 49:53Speaker 5: Jerry's stories again. You know, when Jerry and I were kids,
- 49:56Speaker 5: we were the worst liars in the neighborhood. We always
- 49:58Speaker 5: used to pretend we had rich relatives who were going
- 50:00Speaker 5: to leave us money. Oh, I guess it was harmless enough, though.
- 50:04Speaker 5: Everybody knew we were just sort of kidnight spells. Are
- 50:06Speaker 5: you sure everybody knew?
- 50:08Speaker 2: Well, sure.
- 50:08Speaker 8: Who would be dope enough to look at Jerry and
- 50:10Speaker 8: me and think we had.
- 50:11Speaker 5: Money or a family?
- 50:12Speaker 8: Oh, but you have to give Jerry credit.
- 50:16Speaker 5: We're proud of him, you know. He's worked himself up
- 50:19Speaker 5: from nothing to this. What do you mean by this,
- 50:24Speaker 5: Miss Warner? Well, now, you look at me. I'm different. Now,
- 50:27Speaker 5: it isn't money that counts with me, your position in life. No, sir. No,
- 50:30Speaker 5: it's art. All the time I was working at the
- 50:32Speaker 5: Virginia Club, I thought that I... You worked at the
- 50:34Speaker 5: Virginia Club? Sure.
- 50:36Speaker 8: Didn't Jerry tell you?
- 50:37Speaker 2: No, he didn't.
- 50:38Speaker 5: You're a singer, Miss Warner. That's what I do. I sing.
- 50:40Speaker 2: Well, perhaps you'd sing for us now. No, no, no.
- 50:43Speaker 2: Some other time. You see, my.
- 50:44Speaker 5: Oh, now, that's the trouble with you, Jerry. You've tried
- 50:46Speaker 5: to keep me in the background all your life. Well,
- 50:48Speaker 5: of course I'll sing for you. Sure I will. Do
- 50:51Speaker 5: you own a piano? Right there. Well, thanks. Now, you
- 50:54Speaker 5: see when... Oh, wait a minute. Don't anybody leave this room.
- 50:59Speaker 5: I've lost my purse. Gracious. There's your purse, Miss Warner,
- 51:03Speaker 5: on the chair. Well, my relief.
- 51:06Speaker 2: Oh, Mr. Edwards. Yes, miss.
- 51:08Speaker 5: Well, you kind of keep an eye on my purse,
- 51:10Speaker 5: you know.
- 51:10Speaker 2: Lola, I think we'd better go now. It's getting late. Oh, no.
- 51:14Speaker 5: Now, not before I sing, Jerry. Oh, God. Who does
- 51:20Speaker 5: your tuning?
- 51:20Speaker 8: I'm sure I don't know.
- 51:22Speaker 5: Well, maybe it's just the piano. What are you going
- 51:24Speaker 5: to sing? Oh, it's a surprise, isn't it? But the
- 51:27Speaker 5: first time I sang this number, oh, I killed him.
- 51:30Speaker 5: You know, there was a fellow there. I think he
- 51:32Speaker 5: was a critic. He said my voice had a... Let
- 51:34Speaker 5: me see. What was it?
- 51:35Speaker 8: Oh, yeah.
- 51:36Speaker 5: Elfin charm.
- 51:37Speaker 8: Je ne sais quoi.
- 51:38Speaker 5: Do you know what I mean? Now, quiet, please. Barbara,
- 51:43Speaker 5: I'm afraid I... Quiet, mister. I got an invitation from Mrs.
- 51:50Speaker 3: Hutton.
- 51:50Speaker 8: I'm all dressed up, don't care for nothing.
- 51:52Speaker 12: Stop it, stop it.
- 51:53Speaker 2: Come on, get up. You're getting out of here.
- 51:55Speaker 12: No, I won't stop.
- 51:56Speaker 5: All my life you've tried to keep me in the background.
- 51:58Speaker 2: I said stop it. I won't stop. Oh, my finger.
- 52:01Speaker 8: Oh, I might be right there speaking to Mrs.
- 52:04Speaker 3: Hutton.
- 52:04Speaker 11: Good night, Mrs.
- 52:05Speaker 2: Fane.
- 52:05Speaker 3: Mrs.
- 52:05Speaker 5: Fane.
- 52:05Speaker 2: Barbara, good night.
- 52:07Speaker 5: I'm sorry.
- 52:07Speaker 2: Just hang on, dear. Didn't wait, sweet miss.
- 52:24Speaker 5: Jerry. Jerry, aren't you speaking to me?
- 52:28Speaker 2: No.
- 52:29Speaker 3: That's better.
- 52:30Speaker 5: Oh, it's wonderful of you to drive me up to
- 52:32Speaker 5: Aunt Patsy's cabin after all the trouble I've caused you.
- 52:34Speaker 2: Shut up. I'm handing you over to your Aunt Patsy,
- 52:36Speaker 2: and then I'm leaving for good.
- 52:38Speaker 5: I don't blame you, Jerry. I really don't, honestly. Thank you, Jerry.
- 52:55Speaker 5: You can leave now.
- 52:56Speaker 2: Oh, no, no, no. I want to see you safely
- 52:58Speaker 2: in the doorway. You can get in your aunt's hair
- 52:59Speaker 2: and out of mine. Mrs. Warner.
- 53:02Speaker 5: Hello, Frank.
- 53:03Speaker 2: I wasn't expecting anybody tonight.
- 53:05Speaker 5: Will you tell Aunt Patsy I'm here?
- 53:07Speaker 2: Why, she ain't here, Mrs. Warner. She ain't been here
- 53:08Speaker 2: for weeks.
- 53:09Speaker 5: Yes.
- 53:10Speaker 2: Oh, I get it. Another one of your little tricks, huh? Well,
- 53:14Speaker 2: it won't work. I'm going back to town and I'm
- 53:16Speaker 2: going alone. Good night and good bye.
- 53:21Speaker 5: Good bye, Jerry.
- 53:22Speaker 8: Be careful driving, dear.
- 53:24Speaker 2: Hey.
- 53:26Speaker 5: What's the matter?
- 53:27Speaker 2: Well, the keys to the car. Where are they?
- 53:29Speaker 5: What?
- 53:30Speaker 2: The keys to the car. The ignition key. Where is it?
- 53:32Speaker 5: Well, I don't know. Did you have it when you came?
- 53:34Speaker 2: Well, how do you think I drove here? Now, listen, Lucy.
- 53:37Speaker 2: You took that key and I want it back.
- 53:39Speaker 5: I haven't got it.
- 53:40Speaker 2: You have so got it.
- 53:41Speaker 5: Do you want to search me?
- 53:42Speaker 2: Yeah.
- 53:43Speaker 3: No.
- 53:44Speaker 5: Poor Jerry. I'm afraid you're stuck here all night, darling.
- 53:49Speaker 2: Isn't it a shame?
- 53:59Speaker 5: I'm sitting here in front of the fireplace, just the
- 54:02Speaker 5: way it was when we came here on our honeymoon, dear.
- 54:05Speaker 2: Oh, now, please, Lucy, the less you have to say
- 54:07Speaker 2: about it, the better I'll like it. Well, it won't
- 54:10Speaker 2: be long.
- 54:10Speaker 5: It's a quarter after 11. Forty-five minutes, and you'll never
- 54:14Speaker 5: have to listen to me again. Just 45 teeny minutes. Funny,
- 54:20Speaker 5: isn't it, Jerry?
- 54:21Speaker 2: Well, it wasn't my fault. I only... Oh, keep quiet.
- 54:25Speaker 5: Forty-five.
- 54:26Speaker 2: You'll be happy, I think.
- 54:38Speaker 5: All this that happened tonight will be forgotten. I'll tell
- 54:41Speaker 5: Barbara Vance myself that it was all a joke and
- 54:43Speaker 5: that I want you to be very, very happy. It's
- 54:47Speaker 5: only 30 minutes now, Jerry. Okay.
- 54:50Speaker 2: Lucy, listen, I.
- 54:51Speaker 5: What?
- 54:54Speaker 2: Nothing. Oh.
- 54:56Speaker 8: She seems to be a nice girl, Jerry. I'm sure
- 54:59Speaker 8: she will mean more to.
- 55:08Speaker 5: You.
- 55:08Speaker 2: Never think about me.
- 55:09Speaker 5: Never let me spoil your happiness, Jerry. I'll get along
- 55:12Speaker 5: all right. Just be happy, darling. I'll get along all right.
- 55:17Speaker 5: No one will ever know that I... Oh, I shouldn't
- 55:20Speaker 5: say these things, should I, Jerry? I'll get along all right.
- 55:26Speaker 2: Wait a minute, listen.
- 55:27Speaker 8: Yes?
- 55:27Speaker 2: Listen, Lucy.
- 55:28Speaker 7: What?
- 55:29Speaker 2: Listen, it's all off.
- 55:30Speaker 4: I'm not going to go through with it.
- 55:31Speaker 2: I don't care whether you love me or not.
- 55:32Speaker 4: You're married to me and you're going to stay married,
- 55:33Speaker 4: you hear?
- 55:34Speaker 5: Jerry!
- 55:35Speaker 2: Call the caretaker. No, I'll call him myself. Frank, Frank,
- 55:37Speaker 2: come in here right away. Anything wrong, Paul? Now, listen, Frank,
- 55:40Speaker 2: you're a witness. See, the divorce is on.
- 55:42Speaker 5: Oh, Jerry!
- 55:43Speaker 2: Exactly 30 seconds before 12 o'clock, we called off the divorce.
- 55:46Speaker 2: Remember that and swear to it. You betcha. All right, now, uh, uh, uh,
- 55:49Speaker 2: get out. You betcha.
- 55:51Speaker 11: Oh, Jerry.
- 55:52Speaker 2: Ah, Lucy.
- 55:54Speaker 5: Oh, Jerry, listen. 12 o'clock. Wedding bell, darling.
- 56:00Speaker 2: Every second that passes, I love you twice as much.
- 56:03Speaker 5: Say it, darling.
- 56:04Speaker 2: I love you, Lucy. I love you, Jerry. I love you, Lucy.
- 56:07Speaker 2: I love you.
- 56:28Speaker 3: With peace restored in the Warriner family, Terry Grant and
- 56:31Speaker 3: Claudette Colbert are returning now to our microphone. In fact,
- 56:34Speaker 3: the whole family is here with the exception of Mr. Smith,
- 56:37Speaker 3: the dog.
- 56:37Speaker 2: What happened to him?
- 56:38Speaker 5: Well, I suppose he lived happily ever after, too.
- 56:41Speaker 2: Oh, I envy those dogs. No troubles, no worries. No worries?
- 56:44Speaker 2: You don't know my dog. He worries more than I do.
- 56:47Speaker 2: I don't doubt it. I bet he's home worrying.
- 56:49Speaker 4: About this program right now.
- 56:50Speaker 5: By the way, CB, who does he worry about next week?
- 56:53Speaker 5: What play are you going to have?
- 56:55Speaker 3: Next Monday night, we're going to have Barbara Stanwyck, Brianna Hearn,
- 56:58Speaker 3: and Ida Lupino. And the play is Wuthering Heights. One
- 57:03Speaker 3: of the strangest love stories ever told. And certainly one
- 57:06Speaker 3: of the most gripping. Barbara Stamwick, Brian O'Hearn, and Ida Lupino? Say,
- 57:10Speaker 3: that sounds great to me. I don't think your dog
- 57:12Speaker 3: will have to worry about that show, Phoebe.
- 57:14Speaker 2: No.
- 57:15Speaker 5: You know, my dog's a critic, too. Every once in
- 57:16Speaker 5: a while, he chews up one of my favorite hats.
- 57:18Speaker 2: Oh, chews up women's hats, huh? Well, I think he'll
- 57:20Speaker 2: get his slant on that. But every dog is his taste.
- 57:23Speaker 2: You know, I was in a picture.
- 57:24Speaker 4: Once with a dog that weighed 23 pounds when we
- 57:26Speaker 4: started shooting, and a week later, he was up to
- 57:28Speaker 4: 30 pounds.
- 57:29Speaker 2: What was he eating, scenery? Oh, no, sir. The director
- 57:32Speaker 2: was eating that. He had to wait for the mutt
- 57:34Speaker 2: to reduce.
- 57:34Speaker 5: Oh, now, Gary, what made the poor dog so fat?
- 57:37Speaker 2: Ice cream.
- 57:38Speaker 4: Every time he did a trick right, he got an
- 57:40Speaker 4: ice cream cone, and that.
- 57:41Speaker 2: Dog never missed. That was killing him with kindness. Couldn't
- 57:46Speaker 2: you find a better way of rewarding him?
- 57:47Speaker 4: Well, when we were shooting The Author Truth, Mr. Smith's
- 57:50Speaker 4: trainer used a mouse, a rubber mouse named Oslo that squeaked.
- 57:53Speaker 2: If Mr. Smith performed well in a scene, he could
- 57:55Speaker 2: play with Oslo.
- 57:56Speaker 4: It worked fine, too, until he spotted a still camera
- 57:59Speaker 4: on the set with one of those rubber bulbs dangling alongside.
- 58:02Speaker 5: Mr. Smith thought it was the mouse, I suppose.
- 58:05Speaker 2: It squeaked just as well. But you know, after that
- 58:07Speaker 2: dog took his first picture, he wanted a dark room
- 58:09Speaker 2: put right in his doghouse.
- 58:11Speaker 5: A very tall tale, Mr. Graham.
- 58:12Speaker 4: Well, it was a tall doghouse, Claudia.
- 58:14Speaker 2: Really, you could have managed it.
- 58:15Speaker 5: Now, Carrie, just relax. Before I go, I want to
- 58:20Speaker 5: say something about the product behind this program. I've used
- 58:23Speaker 5: Lux soap now for a good many years, and from
- 58:25Speaker 5: my own experience, I can recommend it wholeheartedly. Good night, C.B.
- 58:29Speaker 5: Good night, Carrie.
- 58:29Speaker 3: Hello.
- 58:30Speaker 2: Good night.
- 58:43Speaker 3: Our sponsors, the makers of Lux Toilet Soap, join me
- 58:46Speaker 3: in inviting you to be with us again next Monday
- 58:48Speaker 3: night when the Lux Radio Theater presents Barbara Stanwyck, Brianna Hearn,
- 58:52Speaker 3: and Ida Lupino in Wuthering Heights. This is Cecil B.
- 58:56Speaker 3: DeMille saying goodnight to you from Hollywood. This is Melville
- 59:10Speaker 3: Rourke asking you to be sure to listen to the
- 59:12Speaker 3: Lux daytime radio program, The Life and Love of Dr.
- 59:16Speaker 2: Seuss.
- 59:17Speaker 3: This human and gripping story of a young, attractive woman
- 59:19Speaker 3: doctor is brought to you every afternoon, Monday through Friday.
- 59:23Speaker 3: For the time and station, see your newspaper. The Life
- 59:26Speaker 3: and Love of Dr. Seuss comes to you in addition
- 59:28Speaker 3: to the Lux Radio Theater. Heard in tonight's play were
- 59:31Speaker 3: Lou Merrill as Dan Leeson, Gail Gordon as Frank, Inez
- 59:35Speaker 3: Seabury as Aunt Patsy, Ralph Sedan as Armand LeVar, John
- 59:39Speaker 3: Fee as Judge, Verna Felton as Mrs. Leeson, Forrest Taylor
- 59:43Speaker 3: as a lawyer, Mary MacDonald as Dixie Belle Lee, Ted
- 59:47Speaker 3: Bliss as Joe, Lee Millar as Edwards, Molly Jo Duncan
- 59:51Speaker 3: as Gladys, Annalisa as Celeste, and Ross Forrester as Hank.
- 59:56Speaker 3: Claudette Colbert has just completed the picture Drums Along the
- 59:59Speaker 3: Mohawk for 20th Century Fox. Cary Grant appears through courtesy
- 1:00:03Speaker 3: of Columbia Pictures and Harry Cohen and will soon be
- 1:00:06Speaker 3: seen in His Girl Friday. His current picture is the
- 1:00:09Speaker 3: RKO production In Name Only. Louis Silvers is from 20th
- 1:00:13Speaker 3: Century Fox where he directed music for The Rains Came.
- 1:00:16Speaker 12: This is the Columbia Broadcasting System.
- 1:00:38Speaker 1: We leave you now with Lux Radio Theater's The Awful Truth.
- 1:00:42Speaker 1: Follow Lux Radio Theater for more classic broadcasts.