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What Does Death Mean To You · The Breakfast Club

• 0:01
  Speaker 1: In the morning. You wake up in the morning. I'm
• 0:04
  Speaker 1: talking right, I never you're about to experience a morning
• 0:07
  Speaker 1: showing like any yo to the breast club. What you
• 0:11
  Speaker 1: guys are doing right now, that's the hump culture. Breakfast
• 0:13
  Speaker 1: club is my morning sick. I need it and I
• 0:16
  Speaker 1: love it. Something you like. You're really not popping until
• 0:20
  Speaker 1: you do the breakfast Club and waiting come to y'all
• 0:23
  Speaker 1: show man, I know you gotta be a big time
• 0:24
  Speaker 1: celect me to be up and here you gotta be.
• 0:26
  Speaker 1: You gotta be big time t J. N Atioli and
• 0:29
  Speaker 1: Charlottagne the guy the breakfast club bitches. Take your good
• 0:43
  Speaker 1: morning Usa yo yo yo yo yo yo yo yo
• 0:46
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:48
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:50
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:51
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:53
  Speaker 1: yo yo yo yo yo yo Good morning, acually ye
• 0:58
  Speaker 1: good morning. He's amby Charlottagne. The god piece of the
• 1:01
  Speaker 1: planet is Monday. Yes, it's Monday. Back to the work week,
• 1:08
  Speaker 1: another quarantine work week. What's happening, how you're feeling out there?
• 1:11
  Speaker 1: How you're feeling man, shout out to all the mothers
• 1:13
  Speaker 1: out there. Hopefully you guys had a wonderful Mother's Day. Um,
• 1:17
  Speaker 1: I know I had to travel to Queens to us
• 1:20
  Speaker 1: see my mom. I was of course, I couldn't hug
• 1:22
  Speaker 1: or touch a kiss or anything like that. But we
• 1:24
  Speaker 1: played some music outside, we danced outside, we made us
• 1:27
  Speaker 1: some sons and she was very, very happy and excited.
• 1:30
  Speaker 1: She cried the whole time. And then we drove over
• 1:31
  Speaker 1: to Gear's mom's house and we did the same thing.
• 1:34
  Speaker 1: So it was just a great celebration day. We just relaxed,
• 1:37
  Speaker 1: chilled and what else could you do? I want to
• 1:41
  Speaker 1: drive Drive by celebrations are going to replace real celebrations
• 1:46
  Speaker 1: once all of this is over, because think about it, right,
• 1:48
  Speaker 1: when it's like a birthday party for one of your
• 1:51
  Speaker 1: kids classmates, a mother's day, people don't really want to
• 1:55
  Speaker 1: be bothered all the time with these long, elaborate four
• 1:57
  Speaker 1: or five hour parties. Sometimes those are a little dry,
• 2:00
  Speaker 1: boys just saying what's up. They make a lot of sense. Remember,
• 2:03
  Speaker 1: you know how it could before before the quarantine, people
• 2:05
  Speaker 1: would be like, I'm gonna do a quick little drive by, right,
• 2:07
  Speaker 1: I'm gonna do a little, quick, little, a little quick
• 2:09
  Speaker 1: little drive by being and out. Now you really get
• 2:11
  Speaker 1: to do that well for family members. For family members, no,
• 2:15
  Speaker 1: but for other things, I totally agree, because sometimes four
• 2:18
  Speaker 1: or five hour party, yeah buy you you don't. You don't.
• 2:21
  Speaker 1: You don't a gift out the car window? You especially
• 2:24
  Speaker 1: when the kid got three or four those a month,
• 2:27
  Speaker 1: because you know, all their little friends got their birthdays
• 2:29
  Speaker 1: run the same time, that quick little drive byby hitting. No,
• 2:33
  Speaker 1: kids would rather be at a party with their friends.
• 2:35
  Speaker 1: I would think, Yeah, yeah, kid's birthday parties aren't for you,
• 2:41
  Speaker 1: they're for the kids. Yeah. But you're absolutely right. But
• 2:44
  Speaker 1: we still parents at the end of the day. When
• 2:46
  Speaker 1: your parents, we're like, god, dang another one. It is exhausting.
• 2:49
  Speaker 1: Even though it's not about us, it is exhausting. It's
• 2:51
  Speaker 1: not even about you. Kids. We don't want probably don't
• 2:56
  Speaker 1: want to do a drive by. They probably want to
• 2:58
  Speaker 1: go and have it, know they I know they don't,
• 3:02
  Speaker 1: But I'm just speaking from a parents perspective. That would
• 3:05
  Speaker 1: be cool. Yeah, very much so very weak the horn
• 3:11
  Speaker 1: a couple of times, like I said, off the back
• 3:13
  Speaker 1: and keep it moving. Amazing the kid crying in the back,
• 3:17
  Speaker 1: Why can't I go in? Yeah, they're not crying. They excited.
• 3:20
  Speaker 1: They just excited to get out the house. Like my kids.
• 3:22
  Speaker 1: You gotta think about it. For my kids, this was
• 3:24
  Speaker 1: their friends. Because if the first time my kids have
• 3:27
  Speaker 1: been out the house, and I think ten weeks, ten weeks,
• 3:29
  Speaker 1: they haven't been out back, like out out the property,
• 3:32
  Speaker 1: you know, I mean, this was the first time. So
• 3:34
  Speaker 1: just them driving on the road, they were excited. And
• 3:36
  Speaker 1: we don't know if the kids are falling in love
• 3:38
  Speaker 1: with these drive buys, because you know, they get to
• 3:40
  Speaker 1: make their little signs, you know what I'm saying, They
• 3:42
  Speaker 1: get to pull up, hang out the window. They might
• 3:44
  Speaker 1: they might be enjoying this more than a being around
• 3:47
  Speaker 1: each other dancing and singing. Maybe that's just my wishful
• 3:50
  Speaker 1: thinking for the future. I don't think stuff that's that's
• 3:52
  Speaker 1: your wishful thinking. Yeah, that's what that is. All right. Well,
• 3:56
  Speaker 1: let's get the show cracking front page news. What we're
• 3:58
  Speaker 1: talking about, Well, well, you know, we have to start
• 4:01
  Speaker 1: this this Monday. We're talking about other things that happened
• 4:05
  Speaker 1: over the weekend, and there was some tragedy, some people
• 4:09
  Speaker 1: close to us have passed away, and some icons in
• 4:12
  Speaker 1: the music business. So we'll start off talking about that
• 4:16
  Speaker 1: all right, we'll get into that next and of course
• 4:19
  Speaker 1: Andre Horrell, he was he passed away over the weekend,
• 4:23
  Speaker 1: so rest in peace to Andre Horrell. He's been on
• 4:25
  Speaker 1: a Breakfast Club several times. He's a friend to everybody
• 4:28
  Speaker 1: in the room. Just a great energy, a great guy,
• 4:31
  Speaker 1: a great individual. He's a foundation to this music industry.
• 4:35
  Speaker 1: Some of your favorite artists, whether it's Mary J. Blige,
• 4:37
  Speaker 1: whether it's Guy, whether it's Joe to see how we
• 4:41
  Speaker 1: sh your monie for just to name a few. So
• 4:44
  Speaker 1: we're gonna get that interview back on the first time
• 4:46
  Speaker 1: he came to the Breakfast Club and he explained his
• 4:48
  Speaker 1: story how we created Uptown and all that. And we're
• 4:50
  Speaker 1: gonna get on a little Uptown mini mix on this morning,
• 4:53
  Speaker 1: so don't move. We'll do that next hour. It's the
• 4:55
  Speaker 1: Breakfast Club. Good morning morning. Everybody is DJ Envy Angela
• 4:59
  Speaker 1: yee shaw, I mean the guy we all to Breakfast Club.
• 5:01
  Speaker 1: Let's getting some front page news where we start with ye, Well,
• 5:07
  Speaker 1: this one really hit close to home and I know
• 5:09
  Speaker 1: we're paying tribute to Andre Horrell this morning, but rest
• 5:12
  Speaker 1: in peace to Andre Horrell who passed away over the weekend.
• 5:17
  Speaker 1: That was hard news for us all to get now,
• 5:21
  Speaker 1: you know, he is part of the Revolt family as well.
• 5:23
  Speaker 1: He was only fifty nine years old and he was
• 5:27
  Speaker 1: the vice chairman, and he was a lot of people's mentors,
• 5:30
  Speaker 1: a lot of people's friends, family members. So we just
• 5:34
  Speaker 1: want to give our condolences to everybody who Andre Horrell
• 5:38
  Speaker 1: has touched their life. As you know, he was in
• 5:42
  Speaker 1: nineteen eighty three, he was he hired Diddy to work
• 5:46
  Speaker 1: at def Jam. Well, no def Jam hired Andre Herrell
• 5:50
  Speaker 1: in nineteen eighty three. He was the vice president there.
• 5:52
  Speaker 1: Then it became general manager at the label. Then he
• 5:55
  Speaker 1: hired Um Diddy to go work at Uptown after he
• 5:57
  Speaker 1: founded Uptown Records. That's where he hired Diddy as an
• 6:00
  Speaker 1: intern and helped launch the career of so many people
• 6:02
  Speaker 1: like Mary Day Blithe, tv D and the Boys Joe
• 6:04
  Speaker 1: to See Teddy Riley, And in addition to that, there
• 6:08
  Speaker 1: was a lot of people who were giving stories that
• 6:10
  Speaker 1: we might have never heard before as well. So I
• 6:13
  Speaker 1: don't know if you guys saw all of these stories
• 6:16
  Speaker 1: that were being told, but there were a lot of
• 6:19
  Speaker 1: stories being told by Teddy Riley. He paid tribute to
• 6:22
  Speaker 1: Andre Horrell. He called him his mentor. He also said
• 6:25
  Speaker 1: that he spoke to him shortly before his versus battle
• 6:28
  Speaker 1: with Baby Face. He said, the pep talk that you're
• 6:30
  Speaker 1: you're you've given me right before, I felt like the
• 6:32
  Speaker 1: same pep talks you've given me from the beginning of
• 6:34
  Speaker 1: Uptown Records, sleeping on the couch at your office, your
• 6:37
  Speaker 1: brownstone in Brooklyn. You chose me out of all the
• 6:40
  Speaker 1: kids that you could have picked to work with you.
• 6:42
  Speaker 1: And Casey also gave his own tribute to Andre Horrell.
• 6:48
  Speaker 1: He said, the first time we met Drey, my group
• 6:49
  Speaker 1: went to New York to get a record deal. We went.
• 6:51
  Speaker 1: We wanted it to be from Uptown Records. At the time.
• 6:54
  Speaker 1: Dre had our favorite artists. He had Guy, he had
• 6:56
  Speaker 1: heavy d That's where we wanted to go. We got
• 6:58
  Speaker 1: to New York one morning and we just chance. We
• 7:00
  Speaker 1: went through the Yellow Pages and looked up Uptown Records.
• 7:02
  Speaker 1: We went over there. We saw Drey when we were
• 7:04
  Speaker 1: in the lobby waiting, but we didn't get a chance
• 7:06
  Speaker 1: to speak to him. He was getting on and off
• 7:08
  Speaker 1: the elevator, but we didn't say anything to him. How
• 7:11
  Speaker 1: he goes on to talk about how Andre Horrell also
• 7:14
  Speaker 1: came up with the MTV Unplugged Show with Uptown. That
• 7:18
  Speaker 1: was a clever idea of his. He had never done that,
• 7:20
  Speaker 1: that had never been done for a label. It was
• 7:22
  Speaker 1: all his idea, he said. Drey asked us to cover
• 7:24
  Speaker 1: Stevie Wonders lately for the show. We were like, we
• 7:27
  Speaker 1: can sing, but you're talking about Stevie wonder And he said,
• 7:29
  Speaker 1: y'all can do it, and that turned out to be
• 7:32
  Speaker 1: a big song for Joe to see. So rest in
• 7:34
  Speaker 1: peace to Andre Horrell. Also, Little Richard passed away at
• 7:37
  Speaker 1: the age of eighty seven. He is one of the legends,
• 7:41
  Speaker 1: one of the originators, and according to his family members,
• 7:45
  Speaker 1: he died in Nashville with his brother and his son
• 7:48
  Speaker 1: by his side. They said the cause of his death
• 7:49
  Speaker 1: is related to bone cancer. He had been ill for
• 7:52
  Speaker 1: a good while. We'll give you more information on Little
• 7:55
  Speaker 1: Richard throughout the morning as well. Also, this also heard
• 7:59
  Speaker 1: a lot of people. Betty Wright passed away over the weekend. Also,
• 8:03
  Speaker 1: she was sixty six and she died after her cancer diagnosis,
• 8:07
  Speaker 1: and they said something had clearly been wrong with her.
• 8:09
  Speaker 1: Because Shaka Khan actually made a plea calling all my
• 8:13
  Speaker 1: prayer warriors my beloved sister, Betty Wright is now in
• 8:16
  Speaker 1: need of all your prayers. So she was recently honored
• 8:19
  Speaker 1: on TV one's Unsung. She was called one of the
• 8:21
  Speaker 1: most underrated singers of her time. So many songs that
• 8:25
  Speaker 1: she had, including clean Up Woman. She was only eighteen
• 8:27
  Speaker 1: when that song was releasing. It was her biggest song ever.
• 8:31
  Speaker 1: She also had a lot of people sampled that song.
• 8:40
  Speaker 1: A lot of people sampled two Night is the Night,
• 8:43
  Speaker 1: whereas the Love We'll be talking about Betty Wright throughout
• 8:45
  Speaker 1: the morning as well, at the age of sixty six,
• 8:48
  Speaker 1: So we did lose a lot of legendary people over
• 8:50
  Speaker 1: this weekend. Yeah, made me allah, God be pleased with
• 8:55
  Speaker 1: all of those individuals. Salute to Andre Horrell, great brother
• 8:59
  Speaker 1: man personally and professionally that I talked to quite often
• 9:04
  Speaker 1: over the past few years. Um, you know, assisting him
• 9:07
  Speaker 1: and getting this Uptown record story off the ground, which
• 9:10
  Speaker 1: is coming out as a mini series on BT supposed
• 9:12
  Speaker 1: to be this fall, but you know, coronavirus pushed all
• 9:15
  Speaker 1: that back. But he made me a consultant producer on that,
• 9:17
  Speaker 1: so we we actually spoke very very often. I actually
• 9:20
  Speaker 1: spoke to him Tuesday, you know, Um, He's just a
• 9:24
  Speaker 1: just a great great greade grade grade, great great man,
• 9:28
  Speaker 1: great man. And that was I mean, all all of
• 9:31
  Speaker 1: these all depths of shocking, but it's just like that's
• 9:33
  Speaker 1: one you just do not expect to hear. I didn't
• 9:36
  Speaker 1: expect to hear that on you know, Friday, Friday night
• 9:39
  Speaker 1: at all. Like I literally was looking at somebody hit me, like, yo,
• 9:42
  Speaker 1: you talked to Andre. I'm like, uh, and I since
• 9:44
  Speaker 1: Tuesday and it's you know, it's Friday night, like I
• 9:48
  Speaker 1: already passed away. I'm like, huh. So it's just like,
• 9:51
  Speaker 1: you know, I don't know that I have a have
• 9:53
  Speaker 1: a very weird relationship with death. I've I've I've learned
• 9:56
  Speaker 1: to accept it over the past past couple of years,
• 10:00
  Speaker 1: really the past year, I've learned the accepted just leaning
• 10:02
  Speaker 1: into the uncertainty of life, knowing that every day could
• 10:05
  Speaker 1: be your last. But I still don't understand why things
• 10:08
  Speaker 1: happened to certain people at certain moments, because like Andrea
• 10:12
  Speaker 1: was really about to get his flowers in a real
• 10:14
  Speaker 1: real way when this when this mini series, you know,
• 10:17
  Speaker 1: dropped on bat and people were gonna really see the
• 10:20
  Speaker 1: legacy he built with Uptown and how ninety five percent,
• 10:24
  Speaker 1: not even ninety five percent. All black record labels now
• 10:27
  Speaker 1: are like like he laid the blueprint form just the
• 10:29
  Speaker 1: whole ghetto fabulous black excellence lifestyle. Andrea was that dude.
• 10:33
  Speaker 1: He was People was about to see that. They'll still
• 10:35
  Speaker 1: see that. What I'm saying, he would have been here
• 10:36
  Speaker 1: to receive those flowers. It was just strange. Man. Yeah, yeah,
• 10:40
  Speaker 1: you know, he did more than radio, but we'll talk
• 10:42
  Speaker 1: about him more. Man, He did more than radio Champagne
• 10:44
  Speaker 1: and Bubbles Bubbles. Baby, it was radio Champagne Bubbles was
• 10:50
  Speaker 1: a weekend weekend. No, no, he was. He was doing
• 10:55
  Speaker 1: it um on mornings at ninety seven. Uh when me
• 10:58
  Speaker 1: and miss Jones, miss Holmes was out and they brought
• 11:02
  Speaker 1: him in into Champagne and Bubbles. Yeah, and I was
• 11:04
  Speaker 1: helping him up up one time. I got stories, stories
• 11:06
  Speaker 1: and stories about Andre Horal. But rest in peace. We're
• 11:09
  Speaker 1: gonna get an interview all the next guy while rest
• 11:11
  Speaker 1: in peace to him, Rest in peace to Betty Wright,
• 11:14
  Speaker 1: and rest in piece of uri. Andre has done stuff
• 11:17
  Speaker 1: from U. He really got my wife's my wife's family
• 11:21
  Speaker 1: blessed in a real way. This shit, it's like Andrea
• 11:23
  Speaker 1: is a good dude, man, real man, good brother. All right,
• 11:27
  Speaker 1: all right when we come back, get it off your
• 11:29
  Speaker 1: chests eight hundred five eight five one on five one.
• 11:31
  Speaker 1: If you need to vent, hit us up now. It's
• 11:33
  Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. This is
• 11:40
  Speaker 1: your time to get it off your chest. Whether you're man,
• 11:44
  Speaker 1: I hear from you on the Breakfast Club. But if
• 11:45
  Speaker 1: you got something on your mind. Hello, who's this? This
• 11:51
  Speaker 1: is Chandler from columb So Hi on good morning, Jay, Shandela,
• 11:54
  Speaker 1: what's up? Get it off your chests? Brother? H well one,
• 11:57
  Speaker 1: I wanted to say Mother's Day, had a great Mother's Day.
• 12:00
  Speaker 1: The White Sie and too I want it a little
• 12:04
  Speaker 1: Dickie series was a great series. Or I don't know
• 12:07
  Speaker 1: why you wasn't on an envy, but it was a great, great,
• 12:09
  Speaker 1: great series. And Angela and Charlotte Maagne yep, y'all did
• 12:14
  Speaker 1: a great job. And thank you. Free, no problem, no
• 12:18
  Speaker 1: problem free. Now. I know it's Corona. But if they
• 12:23
  Speaker 1: had a concert here and they said Applies was performing
• 12:26
  Speaker 1: that rock, I probably would risk it off. Where is here?
• 12:30
  Speaker 1: Where's here? Colomazo? Hi, clomazo Hi? Okay, So you love Applies?
• 12:35
  Speaker 1: You feel like you applies rock. Yeah, if you performed
• 12:38
  Speaker 1: that that energy might be one of the best performances
• 12:41
  Speaker 1: I've ever seen. I might risk it all if he
• 12:44
  Speaker 1: did that. Rock boys dropped on a clue box applies
• 12:47
  Speaker 1: somebody just guy said he would go risk it to
• 12:49
  Speaker 1: see Applies do rock. But I was actually closing on
• 12:53
  Speaker 1: the home that day when they did the Little Dickie
• 12:55
  Speaker 1: series side That's why I wasn't there. Oh well yeah, yeah, yeah,
• 12:59
  Speaker 1: great show, great show. I recommend everybody to watch it.
• 13:02
  Speaker 1: Thank you. Brother. Wake up in the morning and realize,
• 13:04
  Speaker 1: just do you think about the things you don't expect
• 13:06
  Speaker 1: to hear? He said, you would risk getting Corolla to
• 13:08
  Speaker 1: go see flies for four him? No, oh, here's my
• 13:10
  Speaker 1: rock Rock. Hello? Who's this? That Mercy whatever? Lead from Detroit? Hey,
• 13:18
  Speaker 1: what's up? Chess Man? First, I want to say I'm blessed.
• 13:21
  Speaker 1: I don't want to what my father is. I want
• 13:23
  Speaker 1: to like, it's all fad, I'm blessed. Ain't miss no
• 13:25
  Speaker 1: pay checks, wife, they miss no pay checks. But we
• 13:28
  Speaker 1: don't even know Hasitta at the post office? Man, But
• 13:30
  Speaker 1: we got the crazy man and the White Hawks man.
• 13:32
  Speaker 1: We had changed. I'm miss him my life everything, and
• 13:35
  Speaker 1: we just met. This is that sucks. That sucks. The
• 13:40
  Speaker 1: post office is a dangerous place. By the way, man,
• 13:42
  Speaker 1: we got a bust of people done. What you mean
• 13:45
  Speaker 1: people that work at the post office. Yeah, you're working
• 13:50
  Speaker 1: so hard too. I do have to say, man, you
• 13:53
  Speaker 1: guys do deserve hazard pay. And even going to the
• 13:56
  Speaker 1: post office. You go, you walk into post office if
• 13:58
  Speaker 1: it's four, if it's four or five people the post office,
• 14:00
  Speaker 1: I stay outside. I tell people come out. You can't
• 14:02
  Speaker 1: social distance. It's not even what mine isn't that big
• 14:05
  Speaker 1: in my neighborhood. I get something the other day from
• 14:07
  Speaker 1: the ap W, which is our union. I'm thinking there's
• 14:10
  Speaker 1: gonna be a letter saying they fight for us, they
• 14:12
  Speaker 1: don't get us has a pay. It was some stickers
• 14:14
  Speaker 1: and plastic rubber bands, Like what is this? What is
• 14:18
  Speaker 1: this y'all spending money on this nonsense? For we ain't
• 14:21
  Speaker 1: here risk in our lives Like this is I need
• 14:23
  Speaker 1: you all to make some noise for me and my
• 14:25
  Speaker 1: six hundred thousand coworkers. Y'all not consider government officials. Yes, yeah,
• 14:31
  Speaker 1: y'all should be getting as a pig. That's crazy than
• 14:34
  Speaker 1: noise for us. Man, get one of these junior people
• 14:35
  Speaker 1: on there so we can call it put them in check. Man.
• 14:38
  Speaker 1: All right, brother, well, thank you for calling, man, and
• 14:39
  Speaker 1: we appreciate the work what you're doing every day too. Man,
• 14:42
  Speaker 1: Get it off your chest eight hundred five eight five
• 14:45
  Speaker 1: one on five one. If you need to vent, hit
• 14:47
  Speaker 1: us up now. It's the Breakfast Club. Good morning, the
• 14:50
  Speaker 1: Breakfast Club. Wake up, wake up, wake y'all. You're trying
• 14:57
  Speaker 1: to get it off your chest with your man or blas.
• 15:01
  Speaker 1: We want to hear from you on the recons Well, Hello,
• 15:03
  Speaker 1: who's this? This is Bernard Datte calling from Silly. How's everyone?
• 15:08
  Speaker 1: Good morning, Charlotmgagne the god in Angela. Get it off
• 15:15
  Speaker 1: your chest? All right? Well, first of all, I want
• 15:18
  Speaker 1: to just say rest in pizza andre Harrell's family, Um,
• 15:22
  Speaker 1: Richard and Betty Wright. And wasn't Andre Harrell one of
• 15:25
  Speaker 1: the partners of Doctor Jacko Mister High Rap Group. Yeah
• 15:29
  Speaker 1: he was. Yeah. I don't want people to forget that
• 15:31
  Speaker 1: because you know that was part of the eighties legend
• 15:34
  Speaker 1: right there. But one of the things I didn't want
• 15:36
  Speaker 1: to call about today. Um, Charlottamagne. You always talk about
• 15:39
  Speaker 1: mental health awareness and I just want to bring awareness
• 15:43
  Speaker 1: to spend three years that I've been trying to call
• 15:46
  Speaker 1: in and talk to you all about this. My sister's
• 15:48
  Speaker 1: life was taken at the age of fifty by her
• 15:51
  Speaker 1: only son who suffered from schizophrenia. And let me tell you,
• 15:55
  Speaker 1: in North Carolina, she was constantly we were living in
• 15:58
  Speaker 1: Charlotte at the time, and whenever my nephew had thoughts
• 16:03
  Speaker 1: of taking her life and his life, she would hospitalize
• 16:07
  Speaker 1: him and they will always release him back to her.
• 16:11
  Speaker 1: And then when it went to court, he he didn't
• 16:14
  Speaker 1: even have a trial. The judge says he had been
• 16:17
  Speaker 1: mentally ill for quite some time and that he was
• 16:21
  Speaker 1: deemed not guilty due to the reason of insanity and
• 16:24
  Speaker 1: a crazy thing about it. We still have things in
• 16:27
  Speaker 1: litigation with her life insurance, but he's on all of
• 16:30
  Speaker 1: her life insurance policies and he is not guilty due
• 16:35
  Speaker 1: to the reason of insanity. He's in a mental institution
• 16:38
  Speaker 1: for the rest of his life. But unfortunately, there's no
• 16:41
  Speaker 1: laws out there for the for the caretaker, you know
• 16:44
  Speaker 1: what I mean, you mean, for the can't take good
• 16:49
  Speaker 1: as far as like, what do you mean, my sister.
• 16:54
  Speaker 1: There should be laws for the custodian parent or the
• 16:58
  Speaker 1: person who's taking care of someone that's an adult, that
• 17:01
  Speaker 1: that has mental illness. There's nothing out there for that person,
• 17:06
  Speaker 1: like the hospitals will constantly release them back to your custody,
• 17:10
  Speaker 1: knowing that he had thought of killing you. Yeah, there
• 17:14
  Speaker 1: should be some type of orders of protection in place.
• 17:16
  Speaker 1: All Honestly, that brother, that brother should have been in
• 17:18
  Speaker 1: the mental facility a long time ago, a long time,
• 17:21
  Speaker 1: a diagnosis in twenty twelve. He took her life in
• 17:24
  Speaker 1: twenty seventeen, and they constantly kept releasing them to them
• 17:28
  Speaker 1: to her. And that's what I just wanted to get out.
• 17:30
  Speaker 1: If there's anyone out there with any kind of information
• 17:33
  Speaker 1: of how we can continue to fight this fight or
• 17:36
  Speaker 1: get a law changed out there, please get in touch
• 17:39
  Speaker 1: with me, because I want to take this all the
• 17:41
  Speaker 1: way up. I want to be able to have something
• 17:43
  Speaker 1: called the Marcella Law because my sisters served twenty years
• 17:47
  Speaker 1: as a marine, and she didn't die for our country.
• 17:50
  Speaker 1: She died for her son. You know what I mean.
• 17:53
  Speaker 1: It's just could I get your info? When you leave
• 17:56
  Speaker 1: your info for me, when we hang up the phone,
• 17:58
  Speaker 1: I'm I'm gonna shoot you an email, all right, Hold on,
• 18:01
  Speaker 1: all right, get it off your chest eight hundred five
• 18:04
  Speaker 1: A five one oh five one. If you need to vent,
• 18:06
  Speaker 1: you can hit us something now. We got rumors on
• 18:07
  Speaker 1: the way. Ye yes, Over the weekend, a lot happened
• 18:10
  Speaker 1: Takashi six to nine. He broke all kinds of records
• 18:13
  Speaker 1: when he went live and also released some new music
• 18:16
  Speaker 1: and baby Face I was looking forward to this Mother's
• 18:19
  Speaker 1: Day tribute, but understandably it's been postponed, and we'll tell
• 18:23
  Speaker 1: you what he did instead. All right, we'll get into
• 18:25
  Speaker 1: that next. Keeping locked this to Breakfast Club. Good morning,
• 18:27
  Speaker 1: the Breakfast Club, DJ Envy, Angela Yee, Charlomagne, the guy
• 18:35
  Speaker 1: we all the Breakfast Club. Let's get to the rumors.
• 18:36
  Speaker 1: Let's talk to Kashi six nine. She's filling the team.
• 18:43
  Speaker 1: This is the rumor report with Angela Yee on the
• 18:46
  Speaker 1: Breakfast Club. So Takashi six nine went live for the
• 18:50
  Speaker 1: first time since he got out of prison, and he
• 18:53
  Speaker 1: broke all the records. He broke Tory Lanes's Instagram live record,
• 18:56
  Speaker 1: who had three hundred thousand. He had two million viewers
• 19:00
  Speaker 1: during his live. Now in addition to that, he also
• 19:03
  Speaker 1: put out a new song, Guba, and that song in
• 19:08
  Speaker 1: twenty four hours had forty three point five million views,
• 19:11
  Speaker 1: So he broke every record possible. He broke Eminem's record
• 19:15
  Speaker 1: in just twenty four hours for hip hop YouTube views. Now,
• 19:19
  Speaker 1: in addition to that, here's what he had to say
• 19:21
  Speaker 1: about snitching on his IG live. But where was the
• 19:24
  Speaker 1: loyalt when you were sleeping with my baby mother? Where
• 19:26
  Speaker 1: was the loyalt when you was caught on the white
• 19:28
  Speaker 1: tap trying to kill me? Who was the loyaltie when
• 19:29
  Speaker 1: you try to kidnap my mother? Where was the loyalty
• 19:32
  Speaker 1: when you were still the millions of dollars for me?
• 19:33
  Speaker 1: Where was that? So? Who broke it first? All right,
• 19:36
  Speaker 1: I'll get it. Don't fight fire fire, I'm sorry, But
• 19:39
  Speaker 1: what did I do on kidnap me? I'm supposed to
• 19:41
  Speaker 1: be loyal to that? No, you know what? You know
• 19:43
  Speaker 1: what it is, y'all don't want to accept the fact
• 19:46
  Speaker 1: that those are all true facts. Yeah, I heard that,
• 19:49
  Speaker 1: And you know, like I said, when I met the kid,
• 19:53
  Speaker 1: he's a good kid. But you talk about why you
• 19:55
  Speaker 1: snitched on those people, but you also got to talk
• 19:57
  Speaker 1: about the conversation of why you told on Cardi B
• 20:00
  Speaker 1: while you told on Jim Jones, Why you mentioned while
• 20:04
  Speaker 1: you put a hit out on somebody, like there's other reason,
• 20:06
  Speaker 1: it's not just it's not just somebody said something. And
• 20:09
  Speaker 1: then you said, now I'm not gonna go to jail
• 20:11
  Speaker 1: for them. You also opened up for so many other
• 20:13
  Speaker 1: people that had nothing to do with any of that. Yeah, man,
• 20:16
  Speaker 1: you know, and you and you use those people the
• 20:19
  Speaker 1: harm other people, like you just said, you use those
• 20:22
  Speaker 1: you know guys and security. You ordered hits on other guys.
• 20:25
  Speaker 1: You're not innocent at all. You know the lifestyle you
• 20:27
  Speaker 1: was leading, and when the lifestyle didn't benefit you anymore
• 20:29
  Speaker 1: and those wolves turned on you, you turned on the wolves.
• 20:32
  Speaker 1: Welcome to the streets now. Meek Mill went on Twitter
• 20:34
  Speaker 1: and said, I hope that rat going live to apologize
• 20:37
  Speaker 1: to the people he told on or the victim. He said,
• 20:40
  Speaker 1: y'all forgot that fast or rat killed Nipsey. He wasn't
• 20:42
  Speaker 1: supposed to be on the street. Sas the only thing
• 20:44
  Speaker 1: I'm gonna say, because he's dead, left his baby mom
• 20:47
  Speaker 1: and child like a coward as targets. And then he
• 20:50
  Speaker 1: also went on to say because he did just have
• 20:54
  Speaker 1: a you know, he had his child on his birthday
• 20:56
  Speaker 1: on Wednesday, And of course Dakashi had something to say
• 21:00
  Speaker 1: about that. Takashi went on social media and commented about
• 21:04
  Speaker 1: Meek Meil, you know, paying attention to him at this time.
• 21:06
  Speaker 1: He said, imagine having a newborn baby coming to the
• 21:09
  Speaker 1: world to be pressed about a Mexican with a rainbow hair. Well,
• 21:13
  Speaker 1: Miek Meil said, I'm sorry I lashed out. Sometimes when
• 21:15
  Speaker 1: I see people playing like that. Eloa, I've been locked
• 21:17
  Speaker 1: up too many times like an animal, as he said,
• 21:21
  Speaker 1: changed my pass code and don't give it to me
• 21:23
  Speaker 1: no more. And then he put some laughing emojis with that. Now,
• 21:26
  Speaker 1: in addition to that, there was some video that a
• 21:29
  Speaker 1: girl posted. I guess Takashi moved in next door to
• 21:33
  Speaker 1: her and she saw him outside taking pictures and she
• 21:36
  Speaker 1: posted this six nine is literally he moved into the
• 21:43
  Speaker 1: house behind me. He's taking pictures. Yeah, and there was
• 21:50
  Speaker 1: a whole lot of money talking. You know, I'm sure
• 21:53
  Speaker 1: the young man has money, but you ain't got real money.
• 21:56
  Speaker 1: If you got neighbors, bro, you're in witness protection. There's
• 21:59
  Speaker 1: no way in hell if when you's actually not though
• 22:01
  Speaker 1: he's not, well, that's that's even worse. Yeah, that's even worse.
• 22:05
  Speaker 1: Like you talk about money, you shouldn't have neighbors like
• 22:07
  Speaker 1: you shouldn't be on your porch and your neighbors be
• 22:08
  Speaker 1: able to take a video of you. And and I'm
• 22:11
  Speaker 1: just complain that I know my neighbors can't take pictures
• 22:13
  Speaker 1: of me. Look like it was a shared pool. To
• 22:16
  Speaker 1: the legs, you're live in a complex with the community pool.
• 22:19
  Speaker 1: Nothing wrong with that. It looks like he moved already,
• 22:21
  Speaker 1: so we don't know where he is now. But yeah,
• 22:24
  Speaker 1: that was very smart outside rainbow hair posing with money. Yeah,
• 22:27
  Speaker 1: you can't let the neighbors thousand on a chain and
• 22:31
  Speaker 1: you're in an area where people can come out to
• 22:33
  Speaker 1: the back porch, you're coming the pool and see you,
• 22:35
  Speaker 1: Like you have to be smarter than that as well.
• 22:37
  Speaker 1: I mean like he's not though, And that right there
• 22:39
  Speaker 1: is a prime example of why this isn't going to
• 22:41
  Speaker 1: end well. And this is why I don't even think
• 22:42
  Speaker 1: we should be entertaining any of this. I don't even
• 22:44
  Speaker 1: think we should be talking about this because energy, any
• 22:46
  Speaker 1: energy we give that young man, is only fueling his
• 22:50
  Speaker 1: untimely demise. Because let me tell you something about the universe.
• 22:52
  Speaker 1: When you bump your head in life, and the universe
• 22:55
  Speaker 1: teaches you a lesson from that head bump, and you
• 22:57
  Speaker 1: don't learn a lesson from that head bump, and you
• 22:59
  Speaker 1: go back to doing what caused you to bump your
• 23:00
  Speaker 1: head in the first place. You're not gonna get a
• 23:02
  Speaker 1: head bumped the next time. Next time, you will lose
• 23:04
  Speaker 1: your head all together. Watch all right, Well he did
• 23:08
  Speaker 1: break all kinds of records, So we're just letting you
• 23:10
  Speaker 1: know what's happening now, baby face. In the meantime, we're
• 23:13
  Speaker 1: supposed to do this a waiting to exhale Mother's Day Special,
• 23:16
  Speaker 1: but instead he said, due to the passing of a
• 23:19
  Speaker 1: very dear friend of mine, will have to postpone the
• 23:21
  Speaker 1: waiting to exhale Mother's Day Special, and instead he did
• 23:25
  Speaker 1: a tribute to Andre Horrell, who was very close to him.
• 23:29
  Speaker 1: He went on to share a song that he wrote
• 23:31
  Speaker 1: and dedicated to Andre Horrell. Here is that song. I
• 23:35
  Speaker 1: remember how you smile, I remember how you laugh, how
• 23:44
  Speaker 1: you always told you the truth and you never held
• 23:49
  Speaker 1: things bad. How you fought for excellence to be black
• 23:58
  Speaker 1: as we can be. Andrew, you knew who you were,
• 24:04
  Speaker 1: and I swear, if nothing else you talked me to
• 24:07
  Speaker 1: be me. Lord, have mercy, my baby face, got a
• 24:13
  Speaker 1: eulogy voice. I mean that whole song, is it just
• 24:16
  Speaker 1: it sounded like the end of the movie when they
• 24:19
  Speaker 1: putting up the pictures of the people who passed away,
• 24:22
  Speaker 1: like God, damn baby face, Lord have mercy all right. Well,
• 24:26
  Speaker 1: according to auto Hrrell's ex wife, she said that he
• 24:30
  Speaker 1: did die from heart failure and that he did have
• 24:33
  Speaker 1: a history of heart problems that led to this. So
• 24:36
  Speaker 1: apparently he was on a phone call the day before
• 24:39
  Speaker 1: he passed and the call just dropped, and according to
• 24:42
  Speaker 1: a source, they said the person didn't think anything of it.
• 24:44
  Speaker 1: After that, attempts to reach him all day by phone
• 24:46
  Speaker 1: were unsuccessful. That's when his cousin went by in the
• 24:50
  Speaker 1: morning and used a spare key and found that he
• 24:52
  Speaker 1: had passed. Yeah, and you know it's so interesting. Um,
• 24:56
  Speaker 1: you know, I saw Jesse Collins saying how he's hooked
• 25:00
  Speaker 1: to Andrea on Wednesday, and Andrew was adamant about talking
• 25:02
  Speaker 1: to one of the writers because he wanted to get
• 25:04
  Speaker 1: this this this story into the Uptown miniseries that they're doing,
• 25:09
  Speaker 1: and that he wanted to really land the ending. And
• 25:11
  Speaker 1: then I saw I was on Without Shopton on MSNBC
• 25:15
  Speaker 1: yesterday and he was talking about how they were on
• 25:16
  Speaker 1: this whole group call, you know, putting together these these
• 25:19
  Speaker 1: plans in regard to the election coming up in November.
• 25:22
  Speaker 1: And then you know, I'm looking at my phone on
• 25:24
  Speaker 1: Tuesday and he sent me this long, detailed plan about something,
• 25:28
  Speaker 1: and I'm just like, I want to do people know
• 25:31
  Speaker 1: when they're about to go, you know what I mean? Like,
• 25:34
  Speaker 1: that's it seems very odd that everybody had similar conversations
• 25:38
  Speaker 1: with him this week where he was like putting out
• 25:41
  Speaker 1: these detailed plans to people like it's it's I don't know,
• 25:45
  Speaker 1: It's all right now. Uh now, let's talk about this
• 25:49
  Speaker 1: scam that happened. And among the people's scam was Jennifer
• 25:52
  Speaker 1: Lewis from Blackish, a friend of ours two and she's
• 25:55
  Speaker 1: among four women who were kinds out of four hundred
• 25:58
  Speaker 1: thousand dollars in a romance scam. I believe she's spoken
• 26:01
  Speaker 1: on this before. But Antonio Marriott Wilson, also known as
• 26:04
  Speaker 1: doctor Tony Marriott and Bryce Carrington, he agreed to plead
• 26:08
  Speaker 1: guilty to one count of wire fraud after he got
• 26:11
  Speaker 1: that four hundred thousand dollars from these women. He previously
• 26:14
  Speaker 1: served a four year term in federal prison for wire
• 26:16
  Speaker 1: fraud and tax evasion back in two thousand and nine,
• 26:19
  Speaker 1: after pleading guilty. He met four women on dating apps
• 26:22
  Speaker 1: between May twenty fifteen and October twenty eighteen. He convinced
• 26:26
  Speaker 1: them to engage in romantic relationships with them, and then
• 26:29
  Speaker 1: once there, he proceeded to con all of them out
• 26:32
  Speaker 1: of three hundred and eighty seven thousand dollars cumulatively. So
• 26:35
  Speaker 1: Jennifer Lewis was among those people. She met him at
• 26:38
  Speaker 1: a gym where he worked as a manager. He would
• 26:40
  Speaker 1: use the money that he got from these women to
• 26:42
  Speaker 1: fund his lifestyle and then he was paying off all
• 26:44
  Speaker 1: of his debts and buying luxury items. And yeah, previously
• 26:48
  Speaker 1: he had done the same scheme. So now he's facing
• 26:50
  Speaker 1: a maximum sentence of twenty years in federal prison. They
• 26:53
  Speaker 1: have not yet set a date for his hearing. Now,
• 26:56
  Speaker 1: what was the time period that he got all his
• 26:58
  Speaker 1: money out of missus Jennifer Lewis, Queen Lewis, Because it
• 27:00
  Speaker 1: was like it was like four hundred thousand, right, four
• 27:03
  Speaker 1: women between four women, it was four hundred thousand cumulators. Oh,
• 27:07
  Speaker 1: I thought it was just Missus Lewis that eight from oh, okay, okay, okay, okay.
• 27:12
  Speaker 1: What was the time period though, between May twenty fifteen
• 27:15
  Speaker 1: and October twenty eighteen, so about three three years. That's
• 27:19
  Speaker 1: about one hundred grand a year. That ain't bad. I
• 27:21
  Speaker 1: was about I was okay. I want to say Dan,
• 27:24
  Speaker 1: he's pretty good. Scameal but three years that's about it, right?
• 27:27
  Speaker 1: All right? Well I'm Mandela Yee and that is your
• 27:29
  Speaker 1: rumor report. All right, thank you, miss ye. Now when
• 27:32
  Speaker 1: we come back, we got front page news what we're
• 27:34
  Speaker 1: talking about, yes, and you know we didn't get a
• 27:37
  Speaker 1: chance to get into more details about Betty right passing
• 27:40
  Speaker 1: in Little Richard passing, so we will get more into
• 27:43
  Speaker 1: that and front page news. All right, we'll get into
• 27:45
  Speaker 1: that when we come back. Keeping locked this to breakfast club.
• 27:47
  Speaker 1: Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne
• 27:52
  Speaker 1: the guy we all the breakfast club. Let's get in
• 27:54
  Speaker 1: some front page news where were starting? Ye, Man, I
• 27:59
  Speaker 1: just bad that. It's a lot of not good news
• 28:03
  Speaker 1: this morning. But little Richard rest in piece too. Little Richard.
• 28:06
  Speaker 1: He was eighty seven years old. He passed from bone
• 28:09
  Speaker 1: cancer at his house in Nashville on Saturday morning. He
• 28:14
  Speaker 1: signed his first record deal with RCA back in nineteen
• 28:18
  Speaker 1: fifty one, and he was known as one of the
• 28:22
  Speaker 1: architects of rock and roll. So rest in piece to
• 28:26
  Speaker 1: Little Richard. According to some of the all time greats,
• 28:29
  Speaker 1: they did say they learned a lot from him. Like
• 28:30
  Speaker 1: Davie Wonder. He said that when he was fifteen years
• 28:34
  Speaker 1: old and he was playing piano and doing all of that,
• 28:37
  Speaker 1: there was a mix of soul, gospel and blues that
• 28:40
  Speaker 1: captured the boisterous spirit of Little Richard, like Tutti Fruity Singer.
• 28:44
  Speaker 1: Also Mick Jagger from the Rolling Stones, the front man
• 28:47
  Speaker 1: from the Rolling Stones. He said he learned everything about
• 28:49
  Speaker 1: the art of the preen from the originator, a Little Richard.
• 28:53
  Speaker 1: And long before there were the lips like the good
• 28:56
  Speaker 1: Golly Miss Molly, Singer had perfected his pal But beyond that,
• 28:59
  Speaker 1: mc jack got in touch with his feminine side in
• 29:02
  Speaker 1: a way that Little Richard had done beforehand, freeing him
• 29:04
  Speaker 1: from the rules of rock star masculinity. Paul McCartney. According
• 29:08
  Speaker 1: to Paul McCartney, he says Little Richard schooled him on
• 29:11
  Speaker 1: his vocalizations, holding his signature woo no doubt, putting more
• 29:15
  Speaker 1: soul into his singing. Also, So a lot of people
• 29:18
  Speaker 1: owe a lot too, Little Richard, including Elton John, even
• 29:22
  Speaker 1: Prince Bett, Middler, a lot of people owe a lot
• 29:25
  Speaker 1: of their careers. And salutor Michael Jackson too. You know
• 29:29
  Speaker 1: Michael Jackson when he brought back the Beatles publishing as
• 29:33
  Speaker 1: part of that that that package, Little Richard's publishing was
• 29:36
  Speaker 1: in there, and he gave Little Richard his publishing back.
• 29:39
  Speaker 1: He gave it to him. Yeah, a lot of people
• 29:41
  Speaker 1: don't don't know that story, but yeah, Michael Michael Jackson
• 29:45
  Speaker 1: gave Little Richard publishing back. Wow. Also rest in piece
• 29:48
  Speaker 1: to Betty Right. She passed away and she's best known
• 29:52
  Speaker 1: for her songs clean Up Woman and Tonight Is The Night.
• 29:55
  Speaker 1: She was only sixty sixty years old. She died at
• 29:57
  Speaker 1: her Miami home on Sunday from cancer. She actually got
• 30:02
  Speaker 1: her stage name when she was just a kid. She
• 30:04
  Speaker 1: started singing in a gospel group called the Echoes of
• 30:06
  Speaker 1: Joy at just two years old, and they released an
• 30:09
  Speaker 1: album in nineteen fifty six when she was only three.
• 30:12
  Speaker 1: She then switched from gospel to R and B. At
• 30:14
  Speaker 1: eleven years old, she started singing at local talent shows
• 30:17
  Speaker 1: in Miami and her big breakthrough came with this this
• 30:20
  Speaker 1: song right here, Cleanup Woman, from her second album I
• 30:23
  Speaker 1: Love the Way You Love a Woman behind about That
• 30:39
  Speaker 1: song was actually sampled quite a bit. Mary J. Blige
• 30:42
  Speaker 1: obviously sampled that song for Real Love SWB. I'm sew
• 30:45
  Speaker 1: into You. That was a sample from clean Up Woman.
• 30:48
  Speaker 1: Even Chance the Rabbit, most recently featuring Childish Gambino favorite
• 30:51
  Speaker 1: song in twenty thirteen, That was a sample from clean
• 30:54
  Speaker 1: Up Woman. Another one of her popular songs, Two Night
• 30:56
  Speaker 1: is the Night, Parts one and two. I Remember my
• 31:19
  Speaker 1: Mom cleaning the house to that boy. Yes, and that
• 31:23
  Speaker 1: song was sample quite a bit too. Of course, I
• 31:25
  Speaker 1: want to set you up by calling me bad. That
• 31:28
  Speaker 1: is one of the biggest samples from that song to
• 31:31
  Speaker 1: Night Tonight is the Night, So rest in peace to
• 31:34
  Speaker 1: Betty Wright. Also Canny Man Knocking Knocking Boots. If y'all
• 31:37
  Speaker 1: remember that song, that was definitely sampled from Tonight's to Night,
• 31:42
  Speaker 1: all right Publishing checks you have been crazy? Yeah, listen,
• 31:46
  Speaker 1: Beyonce and jay Z upgrade you. They sample Girls Can't
• 31:49
  Speaker 1: Do What Guys Do, another one of her songs. She
• 31:51
  Speaker 1: had a lot of people sampling her so well known
• 31:55
  Speaker 1: for that. They said she was very underrated as far
• 31:57
  Speaker 1: as an artist. All Right, now let's talk about Jerry Stiller.
• 32:01
  Speaker 1: Actor and comedian Jerry Steller. He passed away due to
• 32:04
  Speaker 1: natural causes. He's also Ben Stiller's father, actor Ben Stiller's father.
• 32:07
  Speaker 1: He was ninety two years old. He said he was
• 32:09
  Speaker 1: a great dad and grandfather and the most dedicated husband
• 32:13
  Speaker 1: to Anne for about sixty two years. He will be
• 32:15
  Speaker 1: greatly misslove you, Dad. That was from Ben Stiller. He
• 32:18
  Speaker 1: was known as Frank Costanza in the show STEINFELDI was
• 32:21
  Speaker 1: also known as Arthur Spooner and the King of Queens.
• 32:25
  Speaker 1: So rest in peace to him. To Jerry Stiller, also, well,
• 32:30
  Speaker 1: you know, listen, man, deaf is not the opposite of life.
• 32:33
  Speaker 1: It's a part of it. And that's just a harsh reality.
• 32:35
  Speaker 1: And we all die. And the goal isn't to live forever.
• 32:38
  Speaker 1: The goal is to create something that will And all
• 32:40
  Speaker 1: of those people that you name, they definitely created things
• 32:43
  Speaker 1: that you know will stand in the test of time.
• 32:46
  Speaker 1: So that's that's that's that should be everybody's goal, like
• 32:49
  Speaker 1: create creates something that that will live forever. Because al
• 32:54
  Speaker 1: and also rest in peace to dj Amanda Blaze. She's
• 32:56
  Speaker 1: a personal friend and apparently she has passed the way also,
• 33:00
  Speaker 1: so our condolences to her family and friends. Absolutely, she
• 33:04
  Speaker 1: was Miami DJ and from she did in both New
• 33:08
  Speaker 1: York City, Miami and all over the world. She was
• 33:10
  Speaker 1: a great DJ. I mean she's book ye several times,
• 33:13
  Speaker 1: she's booked myself, So jeffinitely rest in peace to DJ.
• 33:18
  Speaker 1: Didn't say yet. They haven't said yet, Oh Mercy, All right,
• 33:23
  Speaker 1: well that is your front page news now when we
• 33:26
  Speaker 1: come back. Andre Horrell also passed away over the weekend,
• 33:31
  Speaker 1: and he was a friend to the room. He's been
• 33:34
  Speaker 1: to the show several times, and we're gonna get back
• 33:36
  Speaker 1: on an interview Volt and you know where I'm a
• 33:39
  Speaker 1: volt every morning. So Records, he taught y'all how to
• 33:45
  Speaker 1: be ghetto fabulous. He taught y'all what black excellence was
• 33:48
  Speaker 1: all about. I'm time Records laid the blueprint for every
• 33:51
  Speaker 1: single modern day black record label that exists. Now would
• 33:55
  Speaker 1: be nothing radio personality to So he has roots in
• 34:01
  Speaker 1: radio as well, and he's an artist himself, that's right.
• 34:04
  Speaker 1: So we're gonna get We're gonna talk to him again.
• 34:06
  Speaker 1: We're gonna get that interview back on when we come back.
• 34:08
  Speaker 1: So don't move. It's the Breakfast Club, Good Morning, the
• 34:11
  Speaker 1: Breakfast Club porting. Everybody is DJ Envy, Angela Yee, Charlomagne,
• 34:18
  Speaker 1: the guy. We are the Breakfast Club. Now rest in
• 34:23
  Speaker 1: peace to Andre Horrell. Andre Horrell was a friend to
• 34:25
  Speaker 1: the room. He's been to the station several times. We
• 34:28
  Speaker 1: don't the show several times to talk about things that
• 34:30
  Speaker 1: he's working on from uptown to the Revoke Music Conference. Well,
• 34:34
  Speaker 1: we're gonna replay his interview the first time he came
• 34:37
  Speaker 1: up here. Let's get that on Rest in Peace again,
• 34:40
  Speaker 1: Andre Horrell. It's the Breakfast Club, Good Morning, bestial guests
• 34:43
  Speaker 1: in the building. Also, he's a radio host. Be careful, guy,
• 34:46
  Speaker 1: because we're trying to take our job. In a minute, Yes,
• 34:48
  Speaker 1: mister Andre Horrell, it's a Champaigne and Bubble morning there
• 34:56
  Speaker 1: with Envy, I mean Yea, with the beautiful miss Angela Yello,
• 35:00
  Speaker 1: and we're getting ready to set this thing off. I
• 35:01
  Speaker 1: used to listening to Champaion of Bubbles on Kiss all
• 35:03
  Speaker 1: the time. Thank you many, because you know I like
• 35:07
  Speaker 1: R and B and you know he was playing that
• 35:08
  Speaker 1: good old nineties R and B. Two steps Yes, man, girl,
• 35:12
  Speaker 1: meet boy, boy, Meet girl, music. Yes, we're actually having
• 35:15
  Speaker 1: a nineties R and B party, Are you really we're
• 35:17
  Speaker 1: planning it for real? Yeah? We got to man, right,
• 35:20
  Speaker 1: let's yes, Yes, I'm available for that dancing the guy
• 35:25
  Speaker 1: in my house by myself, that's right. You know what
• 35:28
  Speaker 1: you want't get a woman next to you again? That
• 35:30
  Speaker 1: I mean we danced together. I'm saying I like old
• 35:32
  Speaker 1: school vibes. You know that dude, Jack swing Erro was
• 35:36
  Speaker 1: a different type of error. Man. That was a different
• 35:38
  Speaker 1: with the Gucci girls dancing and Teddy Riley met to say, Yes,
• 35:41
  Speaker 1: why you never signed Teddy Riley? I just signed he
• 35:44
  Speaker 1: was in Guy, he was in God what I'm saying
• 35:46
  Speaker 1: he wasn't You never signed him as a solo artist? No,
• 35:48
  Speaker 1: because I had got You didn't have Aaron as a
• 35:50
  Speaker 1: solo artist either, though, did you. That's what I mean
• 35:53
  Speaker 1: when I said, did you signed Teddy because you had Guy?
• 35:54
  Speaker 1: But then Aaron went solo and Teddy wouldn't did his
• 35:56
  Speaker 1: own thing. You just let him go up. No, it wasn't.
• 35:59
  Speaker 1: It wasn't. It wasn't just letting me go. They wanted
• 36:01
  Speaker 1: to split up and do different things. Sometimes when you
• 36:04
  Speaker 1: have a lot of artists, you don't want to control
• 36:06
  Speaker 1: every part of them because they end up not really
• 36:08
  Speaker 1: wanting to work with you. You got a lot of them,
• 36:10
  Speaker 1: get some other money got you? How did you get
• 36:12
  Speaker 1: your start in the music? Yeah, I think we might
• 36:14
  Speaker 1: be speeding. We got to tell how did you get
• 36:17
  Speaker 1: your start in the music industry? I started off as
• 36:20
  Speaker 1: a rapper when I was fifteen years old, nineteen seventy five.
• 36:23
  Speaker 1: I went to Charles Avenue's High School. We were a
• 36:25
  Speaker 1: hollow group and my name was doctor Jackal. We weren't
• 36:28
  Speaker 1: doctor Jucklin, mister high right. We just sent the parties
• 36:31
  Speaker 1: and hallow us. I see those old pictures a classical,
• 36:36
  Speaker 1: but they are my Instagram. You just go check them out.
• 36:39
  Speaker 1: I remember any of those old boss Come on, man,
• 36:41
  Speaker 1: spit something. I ain't spending them right yere. When I
• 36:45
  Speaker 1: get that feeling you're beat on, I do what I do.
• 36:47
  Speaker 1: You know I ain't afraid of the mic. We know,
• 36:50
  Speaker 1: okay you didn't. But did you have a messed up contract?
• 36:53
  Speaker 1: Back then? Of course we're taking everything, were taking your children,
• 37:01
  Speaker 1: your trained pass everything we could take. But you know,
• 37:05
  Speaker 1: fortunately back then deals were like for twelve inches, they
• 37:08
  Speaker 1: only lasted a year. So if you didn't hit that summer,
• 37:11
  Speaker 1: you got dropped and you're free to go get another deal.
• 37:14
  Speaker 1: It was just a singles market. So by the time
• 37:16
  Speaker 1: it became album time, we were very well educated in
• 37:19
  Speaker 1: the business, so much so I decided to take a
• 37:22
  Speaker 1: backseat and do the business. Start Uptown Records. Tell us
• 37:27
  Speaker 1: about that. How did you find Uptown Records? How did
• 37:29
  Speaker 1: you get the funding and how did you find the
• 37:31
  Speaker 1: How did you learn the business? Though? Like the maker,
• 37:33
  Speaker 1: you say you want that's what you wanted to do.
• 37:35
  Speaker 1: I was always the manager of microp Seglement Side, so
• 37:37
  Speaker 1: I always dealt with Russell when he had Court the
• 37:39
  Speaker 1: Bow to produce records with the jerky managers in Cleveland.
• 37:43
  Speaker 1: I always had the road map how to do it.
• 37:46
  Speaker 1: It was just natural to me. Uptown You started Uptown.
• 37:48
  Speaker 1: I started Uptown really kind of by accident. I was
• 37:52
  Speaker 1: sitting in the office at Rush working with Ross heavy
• 37:55
  Speaker 1: D called me, want to speak to Russell Simmons got
• 37:58
  Speaker 1: blessed Dad and I said Russell was not here. He said,
• 38:01
  Speaker 1: what's your name? I said, my name is Andre Rob
• 38:03
  Speaker 1: He said, yo, you tea out? Yeah yeah, yeah, yeah, yeah,
• 38:07
  Speaker 1: I'm busy man, what's going on? He said nothing, I'm
• 38:09
  Speaker 1: gonna call you tomorrow. So he hung up right, got
• 38:13
  Speaker 1: his game together. The thing about Heavy, I don't know.
• 38:15
  Speaker 1: He was charming. Hey, what's happening baby, It's just me
• 38:18
  Speaker 1: have I should think going and you'd be relaxed, a
• 38:21
  Speaker 1: big fat cut he dude, you start relaxed. He was
• 38:24
  Speaker 1: the original Champago. Yeah, and he made you relax. I'm
• 38:28
  Speaker 1: all right, and you didn't want to be mean and
• 38:30
  Speaker 1: you wanted to take in what he said. And then
• 38:32
  Speaker 1: when he came down to the office and Russell staw
• 38:34
  Speaker 1: on Russell thay he was one of the fat boys,
• 38:36
  Speaker 1: I said, and that kind of put big men in style.
• 38:40
  Speaker 1: Absolutely a big man. I could dance like Heavy. Heavy
• 38:45
  Speaker 1: could dance, dance, he could do reggae, he could dance. Everything.
• 38:50
  Speaker 1: Was very talented. First artist, Heavy was my first artist
• 38:53
  Speaker 1: that worked out. And Heavy was a hit. Who came
• 38:56
  Speaker 1: after Heavy who I'll be sure you were the first
• 39:01
  Speaker 1: dude to give lights can people. I'll be sure Christopher
• 39:04
  Speaker 1: would him would have never been in the style if
• 39:07
  Speaker 1: it was you. They wasn't styled. They went out and
• 39:11
  Speaker 1: they was fighting with Jordan and Bobby Brown. I'll be sure.
• 39:14
  Speaker 1: With the last one who stood up with the Curls
• 39:17
  Speaker 1: and Christopher, obviously Christopher. I was so happy when Nedo
• 39:20
  Speaker 1: Brown stabbed him in the head. And lord, wait, let
• 39:24
  Speaker 1: me tell you the power of lights can dudes with
• 39:25
  Speaker 1: girls back then, I'll be sure. Came to my office,
• 39:28
  Speaker 1: he said, Drake, come downstairs. We went walking for about
• 39:32
  Speaker 1: part of a block. You're here, that'll be sure, that'll
• 39:35
  Speaker 1: be sure. We walk another quote block that's I'll be sure,
• 39:39
  Speaker 1: and girls start running after us. I never had an
• 39:42
  Speaker 1: artist where streaming girls like that, never with his day
• 39:46
  Speaker 1: chase you down the street girls in New York City
• 39:48
  Speaker 1: when you see that, right, So what happened happened with
• 39:51
  Speaker 1: like or would think they wouldn't. Joe was kind of tough,
• 39:57
  Speaker 1: looking like you just didn't want to run up on
• 40:01
  Speaker 1: Katie and diving on and see what's happening? Did you
• 40:04
  Speaker 1: know that when you signed Joe to See, because you
• 40:05
  Speaker 1: could just go from these I guess attractive lights kin
• 40:08
  Speaker 1: guys to these four dudes from North Carolina. Well, Joe
• 40:11
  Speaker 1: to See. They were playing music for one of my
• 40:13
  Speaker 1: and arts went to consint with me, so half was
• 40:16
  Speaker 1: having to meet with me and we kept hearing. So yeah,
• 40:19
  Speaker 1: having my bad. So we're listening to that. Who is
• 40:22
  Speaker 1: this we're just coming from? Then I heard come and
• 40:25
  Speaker 1: talk to me? That Me and have got up and
• 40:28
  Speaker 1: went in and opened the door and four little dudes
• 40:31
  Speaker 1: from North Carolina was sitting there, and we said, Yo,
• 40:34
  Speaker 1: did y'all make these records? Yep? I wrote them and
• 40:37
  Speaker 1: produced them. And that was DeVante Swain, and I said,
• 40:40
  Speaker 1: y'all ain't gonna home. Were signing y'all, y'all getting ready
• 40:43
  Speaker 1: to making record there You're gonna be on uptown Records.
• 40:45
  Speaker 1: That's what they told us. There was like we had
• 40:46
  Speaker 1: old records before we got there, Like I didn't believe them,
• 40:48
  Speaker 1: but yeah they did. Now what happened was the records
• 40:51
  Speaker 1: wasn't right at their first gorind because you know, you're
• 40:53
  Speaker 1: in North Carolina back in nineteen ninety one. It wasn't
• 40:56
  Speaker 1: like you was at HIT factory, so it wasn't mixed right,
• 41:00
  Speaker 1: was noisy? I put on that Johnny Gil record my mind,
• 41:03
  Speaker 1: and I remember sitting them down and saying, do you
• 41:05
  Speaker 1: see how this boy is saying put on that red dress?
• 41:08
  Speaker 1: Do you see red dress? Slip on them high heels
• 41:11
  Speaker 1: and she moving around the living room. Now, I play
• 41:13
  Speaker 1: your record, and every red was got to that cat
• 41:17
  Speaker 1: said do you see anybody? Or do you just hear
• 41:19
  Speaker 1: a noise? So they got so mad or frustrated. But
• 41:23
  Speaker 1: then I put out be Sure with him to produce,
• 41:26
  Speaker 1: so it was still their lyrics, still the music, but
• 41:29
  Speaker 1: I had more experience producer. He had worked with Pointsy,
• 41:32
  Speaker 1: so he was a really massiful producer. And that's how
• 41:35
  Speaker 1: we got that's first Joe to See album. And there
• 41:37
  Speaker 1: was a big fight over the first single too. Remember
• 41:40
  Speaker 1: the first single was gotta love it because it was
• 41:43
  Speaker 1: half the album was like more up Temple. The other
• 41:45
  Speaker 1: half was slow. That's right. So Puff and Joe to
• 41:48
  Speaker 1: See got together and this this is my policy. If
• 41:51
  Speaker 1: you feel strongly about something, you know yourself and you
• 41:55
  Speaker 1: know your fans better than I can, you just keep
• 41:57
  Speaker 1: arguing with me until you get your way, till I
• 41:59
  Speaker 1: see it your way. So they argued, argued, but I
• 42:03
  Speaker 1: gotta love and we know that wasn't it. Let's puffing
• 42:05
  Speaker 1: that video um dances. So then I said, let's put
• 42:12
  Speaker 1: out Forever my Lady, and we put out for my Lady.
• 42:16
  Speaker 1: It blasted off. I feel like all those we were off,
• 42:23
  Speaker 1: and then we hit you with the remix the hip
• 42:25
  Speaker 1: hop soul and then the ghost face and stopping. You know,
• 42:29
  Speaker 1: mister Dalvin did that Freaking You remix? Yeah, Freaking You
• 42:32
  Speaker 1: remix the second album. They come and talk to me,
• 42:36
  Speaker 1: remixed out and I see we're gonna talk all let's
• 42:38
  Speaker 1: talk about Jose and we're not gonna play one record.
• 42:40
  Speaker 1: Look at all that we're gonna mix this morning? What okay? Alright, alright, alright,
• 42:50
  Speaker 1: guy Heavy d Joe to see Christoph Williams. Sure, Mary
• 42:54
  Speaker 1: jim Blige, he signed so many artists when we come back,
• 42:56
  Speaker 1: Let's talk about Mary a little bit. I don't go anywhere.
• 42:59
  Speaker 1: Andre Horrell was in the building. It's a breakfast morning.
• 43:02
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlemagne the guy. We
• 43:05
  Speaker 1: all the breakfast club. We have Andre Horrell in the building.
• 43:08
  Speaker 1: Throw back Thursday, found of Uptown Records. Now, how did
• 43:12
  Speaker 1: you get up with Mary j Blige? So? I got
• 43:14
  Speaker 1: with Mary through her managers. Mary stepfather game in his tape.
• 43:19
  Speaker 1: So they came and they played me the tape. It
• 43:22
  Speaker 1: was Shaka Kan Sweet Thing. So she played sweet Thing.
• 43:26
  Speaker 1: I'm gonna love you anyway, you know how she kills it.
• 43:29
  Speaker 1: So I'm listening to that. I'm like, it felt like
• 43:32
  Speaker 1: a Picasso Paynton, the way her voice was going through
• 43:35
  Speaker 1: the canvas, like all that pain, all our heart. I
• 43:38
  Speaker 1: went out to Snowbound Projects right to meet up and
• 43:41
  Speaker 1: a mother and everything. And so when I came up there,
• 43:43
  Speaker 1: she was looking at me, just smiling, and she was shy,
• 43:46
  Speaker 1: and I said, your voice is serious. I said, one
• 43:49
  Speaker 1: day you're gonna sing for rock and roll legends, kings
• 43:52
  Speaker 1: and queens. And she just giggled like a seventeen year old.
• 43:56
  Speaker 1: And look what happened. Yeah, step Game the Queen and
• 43:58
  Speaker 1: hip hop soul. Yeah, almost twenty years later, and then
• 44:02
  Speaker 1: you got you got soul for real. You had yeah
• 44:05
  Speaker 1: heavy father MC. So have you found so he had
• 44:08
  Speaker 1: the Lost Boys too? Right? Yeah, we had the Lost
• 44:10
  Speaker 1: Boys too. Oh. At one point we had nine records
• 44:15
  Speaker 1: on the radio here in New York. I never and
• 44:18
  Speaker 1: you know what, I don't know if because of the
• 44:20
  Speaker 1: time period, but I've never heard anybody say Andre Herrel
• 44:22
  Speaker 1: didn't treat me fairly. That's nice. I mean, I don't know. Yeah,
• 44:27
  Speaker 1: maybe I didn't hear it. No, you always hear stories
• 44:30
  Speaker 1: trying to be nice. But what I try to do
• 44:32
  Speaker 1: I think more importantly is I try to look at
• 44:34
  Speaker 1: an artist and see them for who they want to be,
• 44:38
  Speaker 1: and then I try to tell them, these are the
• 44:40
  Speaker 1: clearest things that will make you big and we should
• 44:42
  Speaker 1: move toward that. And fortunately my relationship with such a
• 44:47
  Speaker 1: trusting relationship with them. They would try some things that
• 44:49
  Speaker 1: would want to do, and they worked out what was
• 44:51
  Speaker 1: your biggest mistake running up tail records or all that
• 44:54
  Speaker 1: you passed, or I got everybody I want it. If
• 44:57
  Speaker 1: I wanted it, it meant everybody el I just wanted it.
• 45:00
  Speaker 1: Like before I wanted, they didn't. They wasn't sure. But
• 45:03
  Speaker 1: once I wanted, everybody was sure. So then I got
• 45:07
  Speaker 1: so many records on the radio. I'm like, you're gonna
• 45:09
  Speaker 1: go with them, and you're gonna go with me. Back then,
• 45:11
  Speaker 1: if they was going with me, because the artists were happy,
• 45:14
  Speaker 1: they want tour together. We had a sound. Matter of fact,
• 45:17
  Speaker 1: we had a culture. We would get old fabulous, right.
• 45:20
  Speaker 1: We drank up all the champagne, danced at all the parties,
• 45:24
  Speaker 1: and that's what they was looking at. They was looking
• 45:26
  Speaker 1: at that lifestyle from rags to richards, going from the
• 45:29
  Speaker 1: bottom to the top. That get old fabulous. But we
• 45:32
  Speaker 1: always get the infamous story about how did he worked
• 45:34
  Speaker 1: for you? And he was an intern and he would
• 45:36
  Speaker 1: ride the train and hide in the bathroom. So because
• 45:38
  Speaker 1: he was in college, Howard just to come and work
• 45:40
  Speaker 1: at uptown. And then they said you ended up firing him.
• 45:44
  Speaker 1: I can see why you fire No, no, no, so
• 45:46
  Speaker 1: this so much, this so much, y'all had no idea
• 45:50
  Speaker 1: further a Buff was having the time of his life. Nobody, nobody,
• 45:57
  Speaker 1: nobody loved get old Fabulous more than him. Yeah. Puff
• 46:01
  Speaker 1: came in the door with two earrings on. I had
• 46:04
  Speaker 1: never seen that. He came in with boots and and
• 46:08
  Speaker 1: blazes and hoodies. I was looking at him like, okay,
• 46:11
  Speaker 1: all right, all right, all right, I think that works.
• 46:13
  Speaker 1: We dressed Joe to see like that, and we did.
• 46:16
  Speaker 1: And the rerec Colly was saying, put him in suits,
• 46:17
  Speaker 1: put him in suits, and Puff said, I'm about to
• 46:19
  Speaker 1: put him in suits. Tid like you're gonna dress him
• 46:22
  Speaker 1: how you dressed Puff? And I would empower my young
• 46:26
  Speaker 1: people to let them know the things that they did
• 46:28
  Speaker 1: right and that they had a lifestyle that other people
• 46:30
  Speaker 1: would like. And for Puff, he really had the close
• 46:34
  Speaker 1: opportuity because He really worked closely with me. Puff used
• 46:37
  Speaker 1: to watch me like television on the phone. I used
• 46:39
  Speaker 1: to stop in the middle of Puff, don't you gotta
• 46:42
  Speaker 1: go to work? So he was really a student of
• 46:46
  Speaker 1: the game and he worked really, really, really hard. How
• 46:50
  Speaker 1: much did Puff contribute to uptime because it seems like
• 46:52
  Speaker 1: it's a lot of CREDITI up time because he's a
• 46:54
  Speaker 1: lot of credit for Joe to Seeing Mary Ja. He
• 46:56
  Speaker 1: did contribute a lot, but these are the main things
• 46:58
  Speaker 1: he contribute. I saw Mary J. Blies, I signed jod
• 47:01
  Speaker 1: to cy, but Puff worked on Joe to See. But
• 47:04
  Speaker 1: I'll be shure produced them all right. What Puff claimed
• 47:08
  Speaker 1: the fame is musically was his construction in fashion of
• 47:13
  Speaker 1: Mary J. Blige. That's him, he like, I signed to her,
• 47:17
  Speaker 1: but Puff put that beat up under her and changed
• 47:20
  Speaker 1: the game him. Eddie Aff Darnell Jones came and they
• 47:26
  Speaker 1: laid down that those sad kind of chords, and Mary
• 47:29
  Speaker 1: was seeing like projects sunshine over them like love without
• 47:32
  Speaker 1: a limit. He has made you feel like it's good
• 47:36
  Speaker 1: in the hood. Let's drop the top and let's pull
• 47:37
  Speaker 1: up some new sneakers. Absolutely, so we love Mary, Like
• 47:42
  Speaker 1: in my office, if Mary had a performance everybody would
• 47:46
  Speaker 1: sit there and debate, and I wasn't the leader. I
• 47:49
  Speaker 1: wasn't the boss. When he came the artist's best argument wins.
• 47:53
  Speaker 1: I'm listening to see you back up what you're gonna say.
• 47:56
  Speaker 1: So they would say Mary can't wear that, that's not
• 47:58
  Speaker 1: what her audience wants, and I'll be all right, all right,
• 48:02
  Speaker 1: And I felt like taking care of Mary and help
• 48:05
  Speaker 1: him lift her up and make her queen. We were
• 48:08
  Speaker 1: lifting up girls from single households, girls from in Paris neighborhoods.
• 48:13
  Speaker 1: So so Mary was and is a symbol of what
• 48:17
  Speaker 1: you can really do. That's what they said. In order
• 48:19
  Speaker 1: for you to ride, you gotta lift up others. Yes,
• 48:21
  Speaker 1: I think she's the best example of that, right, So didn't.
• 48:24
  Speaker 1: Did he bring Biggie to Uptown at one point? Yes,
• 48:26
  Speaker 1: but but he bought He bought Biggie to Uptown through
• 48:30
  Speaker 1: bad Boy, like we started bad Boy at Uptown, And
• 48:33
  Speaker 1: so Puff wanted to sign Biggie. His label was new,
• 48:36
  Speaker 1: he didn't have any artists. He just needed me to
• 48:39
  Speaker 1: assure Biggie. Yes, yes, yes, I gave bad Boy records.
• 48:46
  Speaker 1: He had already signed Total Yeah, already signed Craig mac
• 48:50
  Speaker 1: and Biggie and Biggie had our part in Bulls that
• 48:53
  Speaker 1: came out on Uptown Records, and we had a dinner.
• 48:56
  Speaker 1: I sat down Biggie and assured him that Puff had
• 49:00
  Speaker 1: all my confidence and all my resources and that he
• 49:03
  Speaker 1: would be treated no different than any other artists we got.
• 49:06
  Speaker 1: We don't sign a lot of artists, and if we
• 49:08
  Speaker 1: signed you, we're gonna figure you out and make you
• 49:10
  Speaker 1: the biggest star that we can make you. And that's
• 49:13
  Speaker 1: all he needed to hear. And then Puff did his thing.
• 49:17
  Speaker 1: Did you believe in Big when you first saw I
• 49:18
  Speaker 1: believed him Puff? But after I started hearing that music, well,
• 49:25
  Speaker 1: I signed black and ugly as ever. Yeah, Big, he's
• 49:28
  Speaker 1: my favorite rapper. He's like the mom and get a
• 49:30
  Speaker 1: hip hop. So what was the down for if there
• 49:32
  Speaker 1: was a dawn full of Uptail records? Why why the
• 49:34
  Speaker 1: Uptail stopped producing all those records? No, no, no, no,
• 49:41
  Speaker 1: they just came with an offer from Motown up so
• 49:44
  Speaker 1: ridiculous at the time. I had to take a look
• 49:46
  Speaker 1: at it. And then Heavy came on. He would be
• 49:49
  Speaker 1: the president. But artists sometimes can have a hard time
• 49:54
  Speaker 1: managing artists because artists, in order to be great, they
• 49:58
  Speaker 1: need to spend a lot of time thinking about himselves.
• 50:00
  Speaker 1: So as the president of the label, you have to
• 50:03
  Speaker 1: give yourself to others and give yourselves to helping other
• 50:06
  Speaker 1: people's dreams. So that's a different headspace. But that's really
• 50:11
  Speaker 1: the only reason because their kidding went on because they
• 50:13
  Speaker 1: had all the town to people. It was amount of
• 50:16
  Speaker 1: being able to manage everybody's expectations, ego and motivate them.
• 50:20
  Speaker 1: So you left Uptown to go to Motown, yep, and
• 50:23
  Speaker 1: and and left the jail open and just the artists
• 50:26
  Speaker 1: running out side insany sild for a minute, do you
• 50:30
  Speaker 1: know what Mary j. Blige made it through. Blige made
• 50:35
  Speaker 1: it through. Jould have made it through too if it
• 50:37
  Speaker 1: wasn't for like their personal issues. You're right, you're right.
• 50:40
  Speaker 1: We got more with Andre Horrell when we come back.
• 50:42
  Speaker 1: This is the first interview he did with us when
• 50:45
  Speaker 1: he came through here. He's been up here several times
• 50:47
  Speaker 1: to talk about so many different things, from Uptown Records
• 50:50
  Speaker 1: to Revolt Music Conference to everything that he's working on.
• 50:54
  Speaker 1: So we'll get that back on when we come back,
• 50:56
  Speaker 1: and let's get into an Uptown Records mini mix. I mean,
• 50:59
  Speaker 1: he's broke in so many artists, but we don't have
• 51:02
  Speaker 1: that much time. I mean, if you want to talk
• 51:03
  Speaker 1: about it, we have Lost Boys, Mary J. Blige, Guy,
• 51:07
  Speaker 1: I'll be sure, Christopher Williams, Joe to See, just to
• 51:10
  Speaker 1: name a few, and we're gonna get that on right now.
• 51:12
  Speaker 1: It was the Breakfast Club Good Morning. That was an
• 51:15
  Speaker 1: Uptown Records mini mix. Like I said, we couldn't play
• 51:18
  Speaker 1: all the artists. I mean, when you think about it,
• 51:20
  Speaker 1: Mary J. Blige, Heavy D and the Boys Guy, Christopher Williams,
• 51:24
  Speaker 1: I'll be sure money for the lost Joe to See.
• 51:27
  Speaker 1: So that was a little bit MC follow them see.
• 51:32
  Speaker 1: Of course, So let's get back into our interview with
• 51:34
  Speaker 1: Andre Horrels the Breakfast Club Good Morning Morning. Everybody is
• 51:37
  Speaker 1: DJ Envy angela Ye, Charlemagne the guy we are the
• 51:40
  Speaker 1: Breakfast Club. Andre Horrell's in the building out Charlemagne. Now
• 51:44
  Speaker 1: you work for a vote now, which is interesting because
• 51:46
  Speaker 1: you had to fire Diddy. But you have to fire
• 51:48
  Speaker 1: Diddy though. You gotta understand. When Puff worked for me,
• 51:52
  Speaker 1: Puff was like he was my protege, so you know,
• 51:55
  Speaker 1: he basically he got to do all the things I did,
• 51:58
  Speaker 1: and so anytime somebody else would tell him though it
• 52:02
  Speaker 1: was a problem. So I had New York on to
• 52:04
  Speaker 1: cover up. So I run over there with Dick Wolf
• 52:06
  Speaker 1: trying to work on this show. Yeah, so was the
• 52:17
  Speaker 1: music super okay, So right, we're gonna come. Puff is
• 52:22
  Speaker 1: walking around the office without a shirt or you know,
• 52:25
  Speaker 1: just really living out the video in the old bill. Yeah.
• 52:28
  Speaker 1: So then one day we sat down, we had a
• 52:31
  Speaker 1: conversation with the general manager and Puff said, Buff said,
• 52:35
  Speaker 1: straight up, I don't work for him. I work for you, Drake.
• 52:39
  Speaker 1: And I was like, oh my god. I mean this episode, everything,
• 52:46
  Speaker 1: everything that happened, now none of y'all gonna be able
• 52:48
  Speaker 1: to handle it because gonna be on me. And I
• 52:51
  Speaker 1: was feeling I wanted to grow Puff into his own
• 52:54
  Speaker 1: boot labor because we had given him Bad Boy, but
• 52:57
  Speaker 1: he needed his own space and I couldn't get MC
• 53:00
  Speaker 1: to give me the space. So when he got fired,
• 53:02
  Speaker 1: he was on payroll the whole time, in his artists
• 53:07
  Speaker 1: on payroll the whole time. Oh and when he got
• 53:10
  Speaker 1: his deal, I sat there and helped him negotiate and
• 53:13
  Speaker 1: pick the best deal. So I let him go to
• 53:17
  Speaker 1: make him rich. That was the best thing you probably have.
• 53:20
  Speaker 1: We want to be fighting. I'm gonna have to spend
• 53:22
  Speaker 1: all my time watching And I was growing doing so
• 53:26
  Speaker 1: many things. And it's not like I didn't enjoy watching Puff,
• 53:30
  Speaker 1: but if I couldn't be there to watch him do
• 53:32
  Speaker 1: his thing, but buffer come to my office play his
• 53:35
  Speaker 1: records that he just makes. He would do a hot dance,
• 53:38
  Speaker 1: you know what I'm saying. Like every Monday he would
• 53:40
  Speaker 1: come into my office, and Monday morning at nine o'clock,
• 53:43
  Speaker 1: you had to be at my staff meeting. If you
• 53:45
  Speaker 1: missed the staff meeting, you missed the opportunity to chime
• 53:49
  Speaker 1: in on the moves that the artists are gonna make.
• 53:51
  Speaker 1: And we had so many artists. Those a lot of
• 53:53
  Speaker 1: sexy moves. So if you're twenty six, twenty seven, you
• 53:56
  Speaker 1: want you want to be involved in that because you
• 53:58
  Speaker 1: might want to make a move. You want to have
• 54:00
  Speaker 1: your hand on that, because this thing is moving. So
• 54:04
  Speaker 1: I remember I was making a movie. It was strictly business,
• 54:08
  Speaker 1: and Puff got a part in it. Said Mike, coming,
• 54:11
  Speaker 1: I let you be stars. Puffs taking audition. He got
• 54:14
  Speaker 1: a parting. So so wait, we're sitting there having a
• 54:19
  Speaker 1: regular meeting. Phone rings, it's my producer on the other line.
• 54:23
  Speaker 1: He said, Yo, we got a problem out here. I said, what,
• 54:26
  Speaker 1: Puff just punched one of the gaffers in the faith,
• 54:29
  Speaker 1: I said, what, Buff just punched the gaffers to face?
• 54:35
  Speaker 1: Buff of like Dennis the minutes back then, He's changed,
• 54:39
  Speaker 1: he said, he's changed. No, he is trying to change.
• 54:42
  Speaker 1: He told me, is trying to chang. I'm talking about that.
• 54:45
  Speaker 1: So I remember we're having our staff being. Puff is
• 54:48
  Speaker 1: in jail, dropping quarters in the pay phone, coming in
• 54:52
  Speaker 1: over the speaking phone, trying to be at the meeting.
• 54:55
  Speaker 1: That like that serious, dedicated he That was a very,
• 55:00
  Speaker 1: very enjoyable time. And I really enjoy working with Pop
• 55:03
  Speaker 1: because me and Puff are able together to take this
• 55:06
  Speaker 1: whole black thing to a pop international level. There you go.
• 55:10
  Speaker 1: All right. That was our interview with Andre Horrell. Rest
• 55:13
  Speaker 1: in peace and condolences to his family and friends. I mean,
• 55:17
  Speaker 1: he was such an inspiration on this industry. Yeah, and
• 55:21
  Speaker 1: listen that that Uptown mini series is coming to BT.
• 55:25
  Speaker 1: I don't want anybody, you know, saying stupid things like,
• 55:28
  Speaker 1: oh no, that's Joe want to do a mini series. No,
• 55:31
  Speaker 1: that mini series got announced last year. You know Andre
• 55:34
  Speaker 1: about it? Yeah, Andrews been working on that for the
• 55:37
  Speaker 1: past you know, a few years. I'm a consultant producer
• 55:40
  Speaker 1: on it. Jesse Collins is the executive producer. Andre was
• 55:43
  Speaker 1: very very involved with the story, very involved with the script,
• 55:46
  Speaker 1: even up until this past Wednesday. He was on the
• 55:49
  Speaker 1: phone with Jesse. You know, um, I'm wanting to add
• 55:52
  Speaker 1: some things to the story. So yes, that his story
• 55:55
  Speaker 1: will be told and his life will be celebrated the
• 55:58
  Speaker 1: way it needs to. All right, well, we got rumors
• 56:00
  Speaker 1: on the way, so don't move. It's the Breakfast Club.
• 56:02
  Speaker 1: Good morning, listen. It's just report. It's a rule report.
• 56:12
  Speaker 1: So over the weekend, as we were watching this versus
• 56:15
  Speaker 1: battle that was highly anticipated, the numbers over six hundred
• 56:20
  Speaker 1: thousand people watch Erica bad doing Jill Scott on Saturday Night.
• 56:25
  Speaker 1: I was one of those people and one of the
• 56:28
  Speaker 1: first stories they started off with. And we talked about
• 56:30
  Speaker 1: this with Jill Scott when she was on The Breakfast
• 56:32
  Speaker 1: Club is the song you Got Me? Because Jill Scott
• 56:34
  Speaker 1: actually wrote that while Ericabadu was featured on that root song.
• 56:37
  Speaker 1: And here's what was said about it. The Roots gave
• 56:40
  Speaker 1: me my first opportunity to write anything ever. It's the
• 56:44
  Speaker 1: first song I ever wrote, and for you, Queen wadud
• 56:49
  Speaker 1: to sing words that I wrote, and I don't. I
• 56:51
  Speaker 1: don't think you've ever done that again, like everything else
• 56:54
  Speaker 1: you've written yourself. I'm so honored. I'm going to play
• 56:57
  Speaker 1: the exact same song Babies. Yes. So they both got
• 57:13
  Speaker 1: to me, and that's how they started off the battle.
• 57:16
  Speaker 1: It was over seven hundred thousand people. I don't it
• 57:18
  Speaker 1: got into like seven in change, so I think seven
• 57:20
  Speaker 1: twenty seven thirty. It was over seven hundred thousand on. Yes, yea.
• 57:23
  Speaker 1: It started a little late too. I was like, what's
• 57:26
  Speaker 1: going on? Everything was, Everything was pretty smooth. I think
• 57:30
  Speaker 1: at one point Erica baddu her battery died and then
• 57:33
  Speaker 1: she had to jump back on. And that was when
• 57:35
  Speaker 1: Jill Scott was playing Tyrone for her so man Tyrone
• 57:39
  Speaker 1: and getting a bad rap for a long time bro
• 57:42
  Speaker 1: like Tyrone. All of these years have been catching slander.
• 57:44
  Speaker 1: They've been calling people you old Tyrone, asked Negro. All
• 57:47
  Speaker 1: Tyrone was was the friend of an f boy. Tyrone
• 57:51
  Speaker 1: was a good friend. Man was driving. I thought that
• 57:55
  Speaker 1: was very clear from the song. And I thought people
• 57:57
  Speaker 1: were just they wos say you better all Tyrone and
• 58:00
  Speaker 1: tell him help you get your stuff. That's what I
• 58:04
  Speaker 1: never thought about it until Saturday night when I was
• 58:06
  Speaker 1: watching the battle, and then everybody started tweeting all of
• 58:08
  Speaker 1: this Tyrone slander, and I'm like, wait a minute, all
• 58:11
  Speaker 1: Tyrone was doing was being a good friend. And ain't
• 58:13
  Speaker 1: his fault. You don't only that man knew without a call.
• 58:16
  Speaker 1: And why didn't Erica ever name that brother she named Tyrone,
• 58:20
  Speaker 1: She named Jim, James and Paul, but never names that
• 58:23
  Speaker 1: boy she was talking about. I thought people were always
• 58:26
  Speaker 1: would say when you got mad at to man, you
• 58:27
  Speaker 1: bet you better call Tyrone and tell him come on,
• 58:30
  Speaker 1: come help you get your stuff. So it's weird that
• 58:33
  Speaker 1: people thought that that was a vibe on Saturday night.
• 58:37
  Speaker 1: And that title playlist that Erica bout dude, Jill's got
• 58:40
  Speaker 1: title playlist is so hard. That is absolutely gonna be
• 58:42
  Speaker 1: the soundtrack of my house for a long time. We
• 58:44
  Speaker 1: had the sage burning, We had to candles lit. Oh man,
• 58:49
  Speaker 1: we had we got these dip tea candles my wife got. Man,
• 58:52
  Speaker 1: they smell so good instead of vibe. Oh yeah, I
• 58:54
  Speaker 1: have like five of those in here and they're beloved too. Yes,
• 58:58
  Speaker 1: all right, all right. Now. In addition to that, we're
• 59:01
  Speaker 1: getting ready for the next versus battle and guess who
• 59:04
  Speaker 1: it's gonna be. Listen to Timberland and Swiss Beats talk
• 59:06
  Speaker 1: about it. You want me tell them? Who want the smoke?
• 59:08
  Speaker 1: Das Nellie won't the smoke? Tell them? Okay, come on,
• 59:13
  Speaker 1: come on, Nellie won't the smoke with Ludacris. Nellie won't
• 59:17
  Speaker 1: the smoke? Attention, attention, Nellie won't the smoke? Nellie and Ludacris.
• 59:22
  Speaker 1: A lot of people have been calling for this one. Well,
• 59:24
  Speaker 1: when Nellie called into the Breakfast Club to talk about
• 59:28
  Speaker 1: you know, the air Force force, I bought that up.
• 59:31
  Speaker 1: You know, Nelly versus Luta. I think that's a damn
• 59:34
  Speaker 1: good battle. I think that's gonna be great. I can't
• 59:36
  Speaker 1: wait to see that. That's I think the problem people
• 59:39
  Speaker 1: it's ready for that. The problem people have with these
• 59:42
  Speaker 1: verses is that when they think of Nellie Louta, they
• 59:44
  Speaker 1: automatically think lyricism. Right, this ain't about lyrics, This is
• 59:47
  Speaker 1: about songs, correct, I mean records. So Nellie had big records,
• 59:51
  Speaker 1: Luda had big records. That is gonna be a fun,
• 59:54
  Speaker 1: entertaining battle next Saturday. I can't wait for that. I know.
• 59:57
  Speaker 1: Personality wise, they both are gonna have a lot to say,
• 1:00:00
  Speaker 1: so that should be interesting. Now here's another possible versus battle.
• 1:00:05
  Speaker 1: Here's John Legend. He was talking to Nick Cannon on
• 1:00:07
  Speaker 1: who he could potentially battle, and here's what he said.
• 1:00:10
  Speaker 1: I think that probably the best thing. And honestly, I
• 1:00:13
  Speaker 1: think we would do it if we did it like
• 1:00:15
  Speaker 1: a dueling piano Yeah, no, Yo, that'd be crazy. Yeah,
• 1:00:18
  Speaker 1: I think we will. But I what I do love
• 1:00:21
  Speaker 1: about the way it's been going so far is we're
• 1:00:23
  Speaker 1: seeing producers and writers more than just artists. Because the
• 1:00:28
  Speaker 1: producers and writers, what's so cool about it is you
• 1:00:31
  Speaker 1: didn't maybe know that they produced this song and you're
• 1:00:34
  Speaker 1: hearing these stories and stuff. Yeah. So John Legend versus
• 1:00:38
  Speaker 1: Alicia Keys, that might have to do it. She gotta
• 1:00:40
  Speaker 1: do it, he called her out. She got to do it.
• 1:00:42
  Speaker 1: That's on some piano battle. Who that That's gonna be
• 1:00:44
  Speaker 1: a great one if they got they gotta do that
• 1:00:47
  Speaker 1: during the week though, that's not a weekend one. Yes
• 1:00:49
  Speaker 1: it is. That's not. That's not a Saturday night. It's not.
• 1:00:55
  Speaker 1: That's a Sunday afternoon. No, r no Thursday. That's that's
• 1:01:03
  Speaker 1: a nice date night one too, though. Gonna have, They're
• 1:01:07
  Speaker 1: gonna have the pianos going, got some, you have many up,
• 1:01:11
  Speaker 1: You got a couple of up tempo joints. Yes, he
• 1:01:13
  Speaker 1: does leash keys, Yeah, I got that legend. Got a
• 1:01:19
  Speaker 1: lot of great um also a lot of great appearances
• 1:01:23
  Speaker 1: on other people's songs too, though he does black my
• 1:01:26
  Speaker 1: Money on that one. I think a battle well, well, Luda,
• 1:01:31
  Speaker 1: Chris Nelli? Who went in that one? Luda, Chris Nelli?
• 1:01:33
  Speaker 1: Who you got that went into it? That One's not
• 1:01:37
  Speaker 1: as easy as people think it is. I'm telling you,
• 1:01:40
  Speaker 1: I don't know, man, I'm I'm I'm gonna say slight
• 1:01:43
  Speaker 1: edge to Luda only because I think Luda can take
• 1:01:47
  Speaker 1: Nelly in those later rounds with with with with bigger records,
• 1:01:53
  Speaker 1: big red. I gotta go through their catalogs. I gotta
• 1:01:57
  Speaker 1: sit down and go through it all. Right now, I
• 1:01:59
  Speaker 1: want to ask y'all. I'm just gonna say, because when
• 1:02:02
  Speaker 1: Nellie started doing those country songs, those are good records.
• 1:02:05
  Speaker 1: But I just will go don't know how he will
• 1:02:07
  Speaker 1: go over on a Saturday night on on Instagram Compared
• 1:02:10
  Speaker 1: to some of the stuff I know Luda can play.
• 1:02:11
  Speaker 1: He can't do those cosay now, While we're all quarantine.
• 1:02:14
  Speaker 1: Let's talk about some issues you guys might be having.
• 1:02:17
  Speaker 1: Because Young Thug was very honest about having some dirty
• 1:02:21
  Speaker 1: penis issues. So here's what he had to say on
• 1:02:23
  Speaker 1: his Instagram story. I take a bad every day. I
• 1:02:25
  Speaker 1: don't even have six every day, right, so every time
• 1:02:28
  Speaker 1: I take a ball, my chest, my body be clean.
• 1:02:31
  Speaker 1: But every time I watched my it'd be dirt on
• 1:02:33
  Speaker 1: the on the red. But I ain't had six, I
• 1:02:35
  Speaker 1: ain't did nothing. I ain't even I just go chill,
• 1:02:39
  Speaker 1: then come home, go to sleep. Next day I wake up,
• 1:02:41
  Speaker 1: take a ball of dirty. It's always be dirt on
• 1:02:43
  Speaker 1: the top on the red. I think I just got
• 1:02:46
  Speaker 1: permanented it dirty. I love the transparency, I love the honesty.
• 1:02:50
  Speaker 1: But you may want waking up with dirt on your
• 1:02:54
  Speaker 1: penis no matter how much you shower. He got magma it.
• 1:02:58
  Speaker 1: I don't know what I do dirt like you really
• 1:03:02
  Speaker 1: need you really need to keep your d out the dirt.
• 1:03:04
  Speaker 1: Young Thug. Now, if I'm a woman who hasn't happens
• 1:03:07
  Speaker 1: sex or anything, though he said, it's just nothing, he
• 1:03:09
  Speaker 1: just really wakes up and yeah, you need to go
• 1:03:13
  Speaker 1: to the doctor. Brother. If I'm a woman who asked
• 1:03:15
  Speaker 1: sex with young thug, and I've had any bacterial infections,
• 1:03:18
  Speaker 1: I'm suing, okay, young thug turning these women in the
• 1:03:21
  Speaker 1: young yeast infection, young bacterial vaginosis, young discharge. It could
• 1:03:26
  Speaker 1: just see some It could just see some schmegma, maybe young, older,
• 1:03:31
  Speaker 1: some dead cells. Nah. I think if it was smegma,
• 1:03:36
  Speaker 1: twere just uh well not when it drives up. I
• 1:03:40
  Speaker 1: would think if it drives up, wouldn't it be a smell. No,
• 1:03:44
  Speaker 1: he washes it and still sees dirt on it. That's
• 1:03:46
  Speaker 1: a problem. He needs to go to the doctor. Well,
• 1:03:49
  Speaker 1: they're having similar issues. Can you tweet us and let
• 1:03:52
  Speaker 1: us know all why he took that to social media though,
• 1:03:56
  Speaker 1: Like that's the first place you thought to tell everybody
• 1:03:58
  Speaker 1: you got a dirty d because dealing with the same thing,
• 1:04:02
  Speaker 1: you know, maybe through other people might and y'all just
• 1:04:05
  Speaker 1: not being honest about it. But that's cool. Young thug
• 1:04:07
  Speaker 1: is confident in himself, all right, imagulating problem and that
• 1:04:11
  Speaker 1: is your rumor report? All right, thank you? What that means?
• 1:04:15
  Speaker 1: What kind of dirt? Show us the rag next time? Thugs,
• 1:04:18
  Speaker 1: that's what you were in order to get up, in
• 1:04:20
  Speaker 1: order to get a proper social media diagnosis. You have
• 1:04:23
  Speaker 1: to show us the actual rag. Show us what that
• 1:04:25
  Speaker 1: dirt looked like. I'll pass, all right, Charlomage, who you
• 1:04:28
  Speaker 1: give it? That donkey to you? Donkey of the day
• 1:04:31
  Speaker 1: today is going to a district attorney George Barnhill. He
• 1:04:35
  Speaker 1: was the prosecutor in the Ahmed Aubrey case. Uh. He
• 1:04:38
  Speaker 1: needs to come to the front of the congregation. We'd
• 1:04:40
  Speaker 1: like to have a world with him. All right, we'll
• 1:04:41
  Speaker 1: get into that next keeping lock this to Breakfast Club.
• 1:04:43
  Speaker 1: Good morning. I was born to donkey. It's the donkey
• 1:04:48
  Speaker 1: of the death Charlomagne, devil, Breakfast Club, Darthia. Today from Monday,
• 1:05:04
  Speaker 1: Mayor Levin goes to a Georgia prosecutor, District attorney George Barnhill.
• 1:05:09
  Speaker 1: Now George Barnhill was the prosecutor on the case of
• 1:05:12
  Speaker 1: the young brother Armad Aubrey, arresting pea star Mad. Condolences
• 1:05:17
  Speaker 1: to his family. George Barnhill actually recused himself from the
• 1:05:22
  Speaker 1: investigation on April sixth because his son is a prosecutor
• 1:05:26
  Speaker 1: in the Brunswick District Attorney's office, where one of those thugs,
• 1:05:30
  Speaker 1: one of those murderers of Ahmad one of those goons.
• 1:05:33
  Speaker 1: Gregory McMichael, a former cop, worked as an investigator, but
• 1:05:37
  Speaker 1: he didn't fall back from the case until after he
• 1:05:40
  Speaker 1: received the optopsy report on Armad's death and wrote a
• 1:05:43
  Speaker 1: letter to police explaining why George McMichael and his demon
• 1:05:47
  Speaker 1: Seede son, Travis McMichael should not be charged. That's right,
• 1:05:51
  Speaker 1: you heard me. He said they should not be charged
• 1:05:54
  Speaker 1: and that Armad Aubrey's case was a justifiable homicide. Let's
• 1:05:58
  Speaker 1: go to white guy w aga fox report police. A
• 1:06:02
  Speaker 1: former federal prosecutor, says the GBI and the US Department
• 1:06:06
  Speaker 1: of Justice should both look into the death of Jagger
• 1:06:09
  Speaker 1: Ahmad Aubury. George Barnhill is the elected district attorney for
• 1:06:13
  Speaker 1: the way Cross Circuit. Barnhill recused himself from the case
• 1:06:17
  Speaker 1: that is sweeping the nation. Jogger Aubrey's mother, Wanda Cooper Jones,
• 1:06:22
  Speaker 1: insisted he had a conflict of interest. Barnhill's son works
• 1:06:26
  Speaker 1: in the Brunswick DA's office that Greg McMichael worked in
• 1:06:30
  Speaker 1: as an investigator and later retired from. Barnehill's letter to
• 1:06:33
  Speaker 1: Glenn County Police is getting national attention because it justifies
• 1:06:37
  Speaker 1: the deadly shooting of the black jogger by two white men.
• 1:06:41
  Speaker 1: The longtime prosecutor wrote, we do not see grounds for
• 1:06:44
  Speaker 1: an arrest of any of the three parties. It goes
• 1:06:47
  Speaker 1: on to say Travis McMichael, his father, Greg McMichael, and
• 1:06:51
  Speaker 1: the man who he says shot the video, Brian Williams,
• 1:06:54
  Speaker 1: were following in quote hot pursuit a burglary suspect with
• 1:06:59
  Speaker 1: solid first hand probable cause. DA Barnhill writes that the
• 1:07:02
  Speaker 1: video in real time shows Aubrey attacks Travis McMichael, but
• 1:07:07
  Speaker 1: the former federal prosecutor believes civil rights violations likely occurred.
• 1:07:13
  Speaker 1: First of all, the fact that you recuse yourself from
• 1:07:16
  Speaker 1: this case because you have a son who works in
• 1:07:18
  Speaker 1: the DA's office with that murderer Gregory McMichael used to work,
• 1:07:22
  Speaker 1: lets us know you're already biased. So being that you're biased,
• 1:07:25
  Speaker 1: nobody wants to hear your little letter to the police
• 1:07:28
  Speaker 1: explaining why those devils should not be charged. Okay, we
• 1:07:31
  Speaker 1: know why you think they shouldn't be charged, because one,
• 1:07:34
  Speaker 1: you're protecting one of your own. In two, anytime a
• 1:07:37
  Speaker 1: white man, a domestic terrorist, a member of Vanilla ISIS
• 1:07:40
  Speaker 1: kills a black man in America is justifiable in your eyes. Furthermore,
• 1:07:44
  Speaker 1: if you're going to recuse yourself from the situation, to
• 1:07:47
  Speaker 1: recuse yourself from the situation altogether. Okay. The definition of
• 1:07:50
  Speaker 1: recuse is excuse oneself from a case because of a
• 1:07:54
  Speaker 1: potential conflict of interest, our lack of impartiality. Therefore, his
• 1:08:00
  Speaker 1: letter with his five points regarding the case should be disregarded. Okay.
• 1:08:04
  Speaker 1: If you know you have a complicate interest, and everyone
• 1:08:07
  Speaker 1: else knows you have a complicate interest, then take that
• 1:08:09
  Speaker 1: biased ass letter you wrote the police and wipe your
• 1:08:12
  Speaker 1: ass with it. Okay. How can I, as a black
• 1:08:15
  Speaker 1: person in America ever have faith in a justice system
• 1:08:19
  Speaker 1: like this? See this is why I say every black
• 1:08:21
  Speaker 1: person in America needs to go out and purchase a
• 1:08:23
  Speaker 1: legal firearm. Go to the range, learn how to use it,
• 1:08:27
  Speaker 1: learn the laws of your state to see where you
• 1:08:29
  Speaker 1: can carry it, because you have to protect yourself because
• 1:08:32
  Speaker 1: there is no laws in place to protect us. Okay.
• 1:08:35
  Speaker 1: The Second Amendment to right to bear arms is your
• 1:08:38
  Speaker 1: constitutional right, black man. It's your constitutional right, black woman. Okay.
• 1:08:42
  Speaker 1: It is your constitutional right to possess a legal firearm,
• 1:08:45
  Speaker 1: and you can use that firearm for traditionally lawful purposes
• 1:08:49
  Speaker 1: such as self defense within the home and outside the home,
• 1:08:52
  Speaker 1: depending on your state. I to be Welles once said,
• 1:08:57
  Speaker 1: a Winchester rifle should have a place of honor and
• 1:08:59
  Speaker 1: every black home. And it should be used for that
• 1:09:01
  Speaker 1: protection which the law refuses to give. I repeat, and
• 1:09:05
  Speaker 1: it should be used for that protection which the law
• 1:09:08
  Speaker 1: refuses to give. Okay, replacement Winchester rifle with any gun
• 1:09:12
  Speaker 1: in your choice, and let that quote sink into your heart. Okay.
• 1:09:15
  Speaker 1: And I hear y'all Black people, you know, I hear
• 1:09:18
  Speaker 1: y'all saying our constitution, all right, don't respected our constitutional rights?
• 1:09:21
  Speaker 1: Not respected. If a mad had a gun and shot back,
• 1:09:24
  Speaker 1: he would be in jail right now, or they would
• 1:09:26
  Speaker 1: be justifying his murder because he had a gun. Let
• 1:09:28
  Speaker 1: me tell you, pessimistic punk something. Y'all better stop worrying
• 1:09:32
  Speaker 1: about what your pressure thinks to you. Okay. That's number one,
• 1:09:35
  Speaker 1: all right. Number two, go by a legal firearm because
• 1:09:38
  Speaker 1: it is your constitutional right and you must protect yourself
• 1:09:41
  Speaker 1: from these kinds of threats. Okay. And number three, I
• 1:09:44
  Speaker 1: would rather a mad or any brother or a sister
• 1:09:46
  Speaker 1: who finds themselves in a situation like a mod founds himself,
• 1:09:49
  Speaker 1: and I would much rather than be in jail fighting
• 1:09:52
  Speaker 1: for their freedom because they shot back at some domestic
• 1:09:55
  Speaker 1: terrorists trying to take their life, then have their family
• 1:09:58
  Speaker 1: crying over their casket at funeral. Okay, you can't fight
• 1:10:01
  Speaker 1: these cases when you're dead, all right. I would much
• 1:10:04
  Speaker 1: rather be judged by twelve than carried by six. And
• 1:10:06
  Speaker 1: not only is me owning a legal fire on my
• 1:10:10
  Speaker 1: constitutional right when you're a black person in America, owning
• 1:10:14
  Speaker 1: a legal firearm is a form of self care, because
• 1:10:17
  Speaker 1: we need to care for self at times like this,
• 1:10:21
  Speaker 1: because this wicked American judicial system clearly doesn't care about us.
• 1:10:25
  Speaker 1: Please give George Barnhill the biggest he hall. Oh, I'm
• 1:10:32
  Speaker 1: tripping a matter of fact, like Kathy Griffin. Give George
• 1:10:35
  Speaker 1: barne Hill the biggest he are. Please give this giant
• 1:10:37
  Speaker 1: Jaral male the biggest hea hall. All right, Well, thank
• 1:10:43
  Speaker 1: you for that. Do key of the day. Yes, did
• 1:10:47
  Speaker 1: y'all run with Maud over the weekend? Till I did
• 1:10:49
  Speaker 1: that this weekend? No? I did not. I don't. I
• 1:10:53
  Speaker 1: really don't understand the point of that, to be honest
• 1:10:56
  Speaker 1: with you. I was just showing support for his family.
• 1:10:59
  Speaker 1: You know, he was running, and he's a runner, so
• 1:11:01
  Speaker 1: a lot of people went out just to do that run,
• 1:11:03
  Speaker 1: just to honor him. Well, I'm gonna do it. Run
• 1:11:05
  Speaker 1: for AMD and I want all black people and black
• 1:11:09
  Speaker 1: black people to run to the gun store and purchase
• 1:11:11
  Speaker 1: a legal firearm. Okay, that's what I would like to do.
• 1:11:14
  Speaker 1: Let's let's and if you're gonna do these jogs, let's
• 1:11:16
  Speaker 1: let's let's all run to the gun store and purchase
• 1:11:19
  Speaker 1: legal firearms and get our gun permits and learn how
• 1:11:22
  Speaker 1: to use guns so we can protect ourselves from attacks
• 1:11:26
  Speaker 1: like the one a mad had to experience sadly. All right,
• 1:11:32
  Speaker 1: all right, well, thank you for the donkey of the day.
• 1:11:34
  Speaker 1: Now when we come back eight hundred five eight five
• 1:11:37
  Speaker 1: one oh five one. What are we discussing this morning?
• 1:11:39
  Speaker 1: Let's talk about death, man? What I mean? It seems
• 1:11:42
  Speaker 1: it seems like death was was everywhere this weekend, you know,
• 1:11:46
  Speaker 1: from Andre Horauld, a little Richard to Betty Wright to
• 1:11:49
  Speaker 1: you knowin Jerry Stiller to you know, um a man
• 1:11:53
  Speaker 1: de Blade. It just seemed like, yeah, death was everywhere.
• 1:11:58
  Speaker 1: So I just wonder what a people's thoughts about death,
• 1:12:01
  Speaker 1: and not even just this past weekend, you know, you know,
• 1:12:03
  Speaker 1: with with the passing of Kobe Bryant, with the passing
• 1:12:06
  Speaker 1: of you know, Nipsey Hustle. When you see these situations
• 1:12:09
  Speaker 1: like Ahmad Aubrey and Georgia, Like, what are your thoughts
• 1:12:13
  Speaker 1: about death? Dude? People, I just want to know what
• 1:12:17
  Speaker 1: your relationship is like with death, Like what do you
• 1:12:18
  Speaker 1: think about it? You know what I'm saying? Like I
• 1:12:20
  Speaker 1: have been questioning my own mortality in a way that
• 1:12:23
  Speaker 1: I never have before. So I have a lot of
• 1:12:27
  Speaker 1: thoughts about death. I just wonder what, what what? What's on? What?
• 1:12:30
  Speaker 1: What do y'all think? All right, let's let's talk about
• 1:12:32
  Speaker 1: it when we come back. Eight hundred five eight five
• 1:12:34
  Speaker 1: one on five one. It's the Breakfast Club. Good morning
• 1:12:39
  Speaker 1: in right now at your opinion to the Breakfast Club
• 1:12:43
  Speaker 1: top eight hundred five eight five one on five one,
• 1:12:47
  Speaker 1: The Breakfast Club Morning. Everybody is DJ Envy, Angela Yee,
• 1:12:54
  Speaker 1: Charlomagne the guy. We all the Breakfast Club, good morning now.
• 1:12:57
  Speaker 1: If you just joined us, we opened up the phone
• 1:12:59
  Speaker 1: line eight hundred five five one oh five one. So
• 1:13:03
  Speaker 1: many people passed away in the last couple of months,
• 1:13:06
  Speaker 1: in the last couple of days, from Andre Horrel to
• 1:13:09
  Speaker 1: Betty Right too, Little Richard to dj A Man the Blaze.
• 1:13:12
  Speaker 1: We can go a little further back to Nipsey Hustle,
• 1:13:15
  Speaker 1: just so many people so and of course the lives
• 1:13:19
  Speaker 1: lost from coronavirus COVID nineteen as well. So we're asking
• 1:13:23
  Speaker 1: what are your thoughts on death? That is that what
• 1:13:25
  Speaker 1: we're asking today? Yes, what are your thoughts on death? Simple,
• 1:13:28
  Speaker 1: simple question. Okay, well let's start in the room. Yeah,
• 1:13:30
  Speaker 1: let's start. What are your thoughts on death? Ye? I
• 1:13:33
  Speaker 1: think for myself it's something that has always been really
• 1:13:36
  Speaker 1: hard for me to process. I know a lot of
• 1:13:39
  Speaker 1: people are like immediately will go on you know, social
• 1:13:41
  Speaker 1: media and do the rest in peace thing. I think
• 1:13:43
  Speaker 1: for myself a lot of times it just takes me
• 1:13:45
  Speaker 1: a moment and sometimes I just like to process that
• 1:13:48
  Speaker 1: privately myself, and things kind of hit me not right away.
• 1:13:53
  Speaker 1: It'll be a moment, like a couple of days later
• 1:13:55
  Speaker 1: while I'm doing something and I'll think about it at
• 1:13:57
  Speaker 1: a random time. So myself, and if it's a family member,
• 1:14:02
  Speaker 1: that's even harder for me. Yeah, you know, for myself,
• 1:14:05
  Speaker 1: I don't. I don't think about death a lot. It's
• 1:14:09
  Speaker 1: just something that I know that it happens to everybody,
• 1:14:11
  Speaker 1: so I try not to think about it, but it
• 1:14:13
  Speaker 1: worries me. I would have to say, meaning, I just
• 1:14:16
  Speaker 1: want to make sure my family's good. And that's that's
• 1:14:18
  Speaker 1: the only thing that bothers me, you know, And that's
• 1:14:20
  Speaker 1: one of my anxieties we always talk about all the time.
• 1:14:23
  Speaker 1: I just want to make sure if when I leave
• 1:14:25
  Speaker 1: this earth, that my kids are good, my wife is good,
• 1:14:27
  Speaker 1: my family is good, and that I leave something for
• 1:14:31
  Speaker 1: a legacy that will continue to take care of my
• 1:14:34
  Speaker 1: family for generations to come. You know, you look at
• 1:14:37
  Speaker 1: what's going on, and you know there's a lot of
• 1:14:39
  Speaker 1: people out there that says, hey, you know, my son
• 1:14:41
  Speaker 1: lost his job, so you know what, but I'm good,
• 1:14:43
  Speaker 1: I got savings. I can help my son, you know.
• 1:14:45
  Speaker 1: And I want to make sure that i'm that for
• 1:14:47
  Speaker 1: my family that if anything ever happens, they can rely
• 1:14:49
  Speaker 1: on me, that something could continue to make sure that
• 1:14:52
  Speaker 1: my family is good, that they're secure, that I'm teaching
• 1:14:54
  Speaker 1: them to write things about business, about agriculture that they
• 1:14:57
  Speaker 1: can feed themselves. And I'm just trying to that. And
• 1:15:00
  Speaker 1: that's the things that that has me a little crazy
• 1:15:03
  Speaker 1: about death. But as far as it happening or how
• 1:15:06
  Speaker 1: it happens, or any of that. It's something that I
• 1:15:08
  Speaker 1: know I can't control, so I don't think about that
• 1:15:10
  Speaker 1: part or that aspect of it. Yeah, when it comes
• 1:15:13
  Speaker 1: to death, I'm not good with it. I don't want
• 1:15:15
  Speaker 1: to die anytime soon. I am not with that live fast,
• 1:15:18
  Speaker 1: die young mentality. I want to live to be old,
• 1:15:21
  Speaker 1: but I know I can't control it. If I to
• 1:15:24
  Speaker 1: your point, n Vy, if I didn't have a wife,
• 1:15:27
  Speaker 1: if I didn't have kids, I probably would be more
• 1:15:29
  Speaker 1: accepting of it. But I do want to be there.
• 1:15:31
  Speaker 1: I want to be here, you know, for them. But
• 1:15:34
  Speaker 1: my thoughts don't death have changed so much over the years,
• 1:15:36
  Speaker 1: because you know, when you're young, you believe in heaven
• 1:15:38
  Speaker 1: a hell, and if someone you love passes, you know
• 1:15:41
  Speaker 1: you're taught that you'll see them in the future. Then
• 1:15:43
  Speaker 1: you get older and you just don't know what happens
• 1:15:45
  Speaker 1: when you pass. You just know you don't want to die,
• 1:15:47
  Speaker 1: And then you start hearing stories of people making plans
• 1:15:49
  Speaker 1: before they passed. You know. I think about my grandmother
• 1:15:52
  Speaker 1: right before she died, she put her a wig on
• 1:15:53
  Speaker 1: like she was going somewhere, sat in her favorite chair
• 1:15:56
  Speaker 1: and you know, passed away. I think on you know, Harrel.
• 1:16:01
  Speaker 1: You know, I spoke to him Tuesday. He literally, you know,
• 1:16:03
  Speaker 1: sent me this line for line plan, like telling me,
• 1:16:06
  Speaker 1: you know, how it should be executed. And the last
• 1:16:09
  Speaker 1: thing I said to him was, Okay, I'm gonna send
• 1:16:10
  Speaker 1: you some ideas tomorrow. But guess what, there was no tomorrow,
• 1:16:13
  Speaker 1: you know, at least here. But I truly believe there
• 1:16:16
  Speaker 1: is something after this. And then, you know, when you
• 1:16:18
  Speaker 1: get old and you start, you know, having things like
• 1:16:20
  Speaker 1: life insurance and making your will, you know, things like that,
• 1:16:25
  Speaker 1: it really makes you feel like you're staring your your
• 1:16:28
  Speaker 1: your your your death in its face and you wonder
• 1:16:31
  Speaker 1: how close it is. But no, to your point, it's
• 1:16:34
  Speaker 1: just like we got to put those things in place
• 1:16:36
  Speaker 1: just in case, because every day is uncertain, right, you
• 1:16:39
  Speaker 1: just don't know. My plan is to live until I'm
• 1:16:42
  Speaker 1: ninety one hundred years old. I want to live until
• 1:16:44
  Speaker 1: I got to erectile this function. I actually don't ever
• 1:16:46
  Speaker 1: want to have a rerect out this function, but you
• 1:16:48
  Speaker 1: know what I mean. So it's like that's my plan,
• 1:16:51
  Speaker 1: but that may not be God's plan for me. And
• 1:16:53
  Speaker 1: you know, that's just a scary thought. But let's go
• 1:16:56
  Speaker 1: to the phone line. Hello, who's this Hey, good morning brother. Hey,
• 1:17:00
  Speaker 1: it's definitely it's always been curious to me. You know,
• 1:17:02
  Speaker 1: nobody's walking as earth, really know, after life is life?
• 1:17:05
  Speaker 1: You know, nobody died and can't warn nobody would expect,
• 1:17:08
  Speaker 1: you know, once they die. So what I'm curious about
• 1:17:10
  Speaker 1: is with white people raising their kids with hatred. How
• 1:17:13
  Speaker 1: about you know what you're gonna say after you die.
• 1:17:15
  Speaker 1: You know, it's very true slave masters throwing brothers off
• 1:17:18
  Speaker 1: ships in sixteen hundred. So let's say if they die,
• 1:17:21
  Speaker 1: it's true, you get judged and you go to heaven
• 1:17:23
  Speaker 1: and hell. They say they didn't know them slave. Now
• 1:17:25
  Speaker 1: the sixteen hundred and died, Let's say they look up
• 1:17:27
  Speaker 1: and what they were being judged by with the same
• 1:17:30
  Speaker 1: colors and brothers they were throwing off them ship. They
• 1:17:32
  Speaker 1: didn't know. It's gonna be a black soul or spirit judging.
• 1:17:35
  Speaker 1: We don't know, right, yeah, yeah, we don't talk about
• 1:17:38
  Speaker 1: hell enough like we used to. I feel like a
• 1:17:41
  Speaker 1: lot of times people also try to justify things that
• 1:17:43
  Speaker 1: they do in life, and they try to come up
• 1:17:45
  Speaker 1: with reasons why it's okay, and that's the that's the
• 1:17:48
  Speaker 1: man for the pastor's fault, because anybody that dies, the
• 1:17:53
  Speaker 1: pastor can appreciate preached them into heaven. No matter what
• 1:17:57
  Speaker 1: that person did, the pastor can always say, well, you
• 1:18:00
  Speaker 1: know they repented and you know God will have mercy
• 1:18:02
  Speaker 1: on their soul, and YadA, YadA yah. We don't talk
• 1:18:04
  Speaker 1: about hell enough because eight hundred if you believe in
• 1:18:07
  Speaker 1: having a hell, then they gotta be some people in hell, right,
• 1:18:09
  Speaker 1: I don't believe in neither. To be honest with you,
• 1:18:11
  Speaker 1: but let's open up the phone lines eight hundred five,
• 1:18:13
  Speaker 1: eight five, one oh five one. We're asking what are
• 1:18:16
  Speaker 1: your thoughts on death? Call us now? Is the Breakfast Club?
• 1:18:18
  Speaker 1: Good morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne
• 1:18:23
  Speaker 1: the guy. We are the Breakfast Club. Now, if you
• 1:18:26
  Speaker 1: just joined us, we're asking what are your thoughts on death?
• 1:18:29
  Speaker 1: All right? Now, we've lost so many people. Dude's coronavirus
• 1:18:33
  Speaker 1: COVID nineteen. Also, Andre Herald just passed, Little Richie just passed,
• 1:18:38
  Speaker 1: Betty Wright just passed. DJ Man the Blaze just passed
• 1:18:41
  Speaker 1: so many different people. So we're opening up the phone
• 1:18:44
  Speaker 1: lines eight hundred five eighty five, one oh five one Hello,
• 1:18:46
  Speaker 1: who's this? Hello? Hey? What's your name? Her? Can you
• 1:18:52
  Speaker 1: take us all Bluetooth? You got me selling like Teddy
• 1:18:54
  Speaker 1: Riley with the equa Yo, y'all gonna stop disrespecting Teddy Riley. Okay,
• 1:18:58
  Speaker 1: I'm tired all of this. Teddy Riley's land, Ericabod do
• 1:19:00
  Speaker 1: even disrespect to Eddy Riley This Weekends is not synonymous
• 1:19:05
  Speaker 1: with echoes. You know who? Mark shut him? Hello? Hello? Hey,
• 1:19:13
  Speaker 1: Now what is your thought on death right now? Um? Well,
• 1:19:16
  Speaker 1: I'm twenty seven a year old, and uh I live
• 1:19:20
  Speaker 1: I live out out of Detroit now, but you know,
• 1:19:23
  Speaker 1: I've had my experience with death. I believe death impacts
• 1:19:25
  Speaker 1: everybody differently, not only because people have experienced it so much,
• 1:19:30
  Speaker 1: but not only that, the experience where you know if
• 1:19:32
  Speaker 1: somebody is shot or you know if somebody dies really
• 1:19:35
  Speaker 1: really hard. Um. But um, people forget that this is
• 1:19:39
  Speaker 1: a cycle of life. You cannot live without dying and
• 1:19:41
  Speaker 1: cannot die without living. So um, I guess that helps
• 1:19:45
  Speaker 1: me cope better with death, knowing that you know there
• 1:19:47
  Speaker 1: can't be one without the others. But I heard always
• 1:19:50
  Speaker 1: knows oout the sting that loses song them. But um,
• 1:19:53
  Speaker 1: it alwaysn't take me different if it's not, you know, relatable.
• 1:19:56
  Speaker 1: But I always you know, I put my sympity out there,
• 1:19:58
  Speaker 1: my condolence. But that's only part of life, all right.
• 1:20:03
  Speaker 1: You're right they say death is not Death is not
• 1:20:05
  Speaker 1: the opposite of life. It's a part of it, all right. Hello,
• 1:20:09
  Speaker 1: who's this? Hey shawna, Hey Shanna, Good morning. How are
• 1:20:13
  Speaker 1: you feeling this morning? Good morning, I'm feeling glass. How
• 1:20:16
  Speaker 1: about you? Oh, we're feeling okay, we're blessed over here
• 1:20:19
  Speaker 1: as well. We're talking about death. What are your thoughts
• 1:20:22
  Speaker 1: on death? Okay? Well, Um, I kind of felt like,
• 1:20:24
  Speaker 1: you know, I guess when I was a little younger,
• 1:20:26
  Speaker 1: I was more scared of death because I just kind
• 1:20:29
  Speaker 1: of didn't really know the meaning behind it. Um. I
• 1:20:32
  Speaker 1: think now that I'm a little older, I kind of
• 1:20:35
  Speaker 1: feel like, you know, death doesn't discriminate, Death doesn't have
• 1:20:38
  Speaker 1: a name. You know, death is coming. You know, we
• 1:20:40
  Speaker 1: we live to die. So I just think that it's
• 1:20:43
  Speaker 1: important to, you know, live life the best way that
• 1:20:47
  Speaker 1: you can. Um, while you have the luxury of still
• 1:20:50
  Speaker 1: being on earth, you need to do right not only
• 1:20:52
  Speaker 1: by yourself, not only by God, but you got to
• 1:20:54
  Speaker 1: do right by others. And then when that day comes
• 1:20:57
  Speaker 1: for you to die, you know it is what it is.
• 1:21:00
  Speaker 1: As long as you've done what you was supposed to
• 1:21:02
  Speaker 1: do while you're here, then you know where you're going
• 1:21:04
  Speaker 1: when it's time for you to go. I agree with that.
• 1:21:06
  Speaker 1: I saw a switchpiech on social media talking about Andre
• 1:21:10
  Speaker 1: Horrell's passing and saying that he's doing a celebration of
• 1:21:13
  Speaker 1: his life because that's where Andre would have wanted. And
• 1:21:15
  Speaker 1: I think one thing you do one is when you
• 1:21:17
  Speaker 1: do pass away. That's why I agree with you. You
• 1:21:19
  Speaker 1: want people to remember you finally and celebrate those amazing
• 1:21:22
  Speaker 1: memories they have of you as a person. Yeah. I
• 1:21:25
  Speaker 1: agree with everything you're saying, except for that we know
• 1:21:27
  Speaker 1: where we're going. A part we don't know where we're going.
• 1:21:29
  Speaker 1: And I think that that that fear of uncertainty. Are
• 1:21:33
  Speaker 1: that fear of not understanding, right, because that's what they say,
• 1:21:36
  Speaker 1: people fear what they don't understand. If fear of not
• 1:21:37
  Speaker 1: understanding where you're going after your die, after you die,
• 1:21:40
  Speaker 1: I think what causes the anxiety, right, Well, thank you
• 1:21:44
  Speaker 1: for cola mama. So what's the moral of the story,
• 1:21:45
  Speaker 1: If there's a moral, I don't I don't know if
• 1:21:47
  Speaker 1: there's a moral. But I also wonder is it okay
• 1:21:49
  Speaker 1: to question death? Because questioning death seems like you're questioning God.
• 1:21:55
  Speaker 1: But then I wonder how much of a hand does
• 1:21:58
  Speaker 1: God have and whether you live or die? Because I
• 1:22:00
  Speaker 1: don't think God wants us to be taking each other's lives,
• 1:22:03
  Speaker 1: right Like, I think there's God's will and then there
• 1:22:06
  Speaker 1: is free will, you know, and and you know, sometimes
• 1:22:09
  Speaker 1: you make the choices to do things that you shouldn't
• 1:22:11
  Speaker 1: be doing, like when you pull out a gun and
• 1:22:13
  Speaker 1: kill another person. You know what I mean. I don't know.
• 1:22:15
  Speaker 1: I just wonder, you know, I wonder, you know, is
• 1:22:17
  Speaker 1: it okay to the question that, because it does feel
• 1:22:19
  Speaker 1: like you're questioning God, you know. But if there is
• 1:22:22
  Speaker 1: a moral to the story, I would just tell everybody
• 1:22:24
  Speaker 1: speak life, you know. I want to live, to be old.
• 1:22:28
  Speaker 1: I want to be the veteran og and just understand,
• 1:22:31
  Speaker 1: we all die. The goal isn't to lift over. The
• 1:22:34
  Speaker 1: goal is to create something that will right all right?
• 1:22:37
  Speaker 1: Well even got roomors all the way? Yes and Eminem
• 1:22:41
  Speaker 1: stopped by Little Wayne's Young Money Radio on Apple Music
• 1:22:44
  Speaker 1: on Friday, AM. Or tell you some of the things
• 1:22:46
  Speaker 1: that we're discussed. And also we have a special announcement
• 1:22:49
  Speaker 1: about the Robin Hood Benefit coming up, so don't move.
• 1:22:52
  Speaker 1: It's to Breakfast Club. Good morning, the Breakfast Club. Morning.
• 1:22:58
  Speaker 1: Everybody is DJ and Angela Yee, Charlomagne and God we
• 1:23:02
  Speaker 1: are the Breakfast Club. Now we have a Robbin the
• 1:23:05
  Speaker 1: Hood Benefit announcement. Shout to all the Giants fans out there.
• 1:23:09
  Speaker 1: Right now you can turn your fantasy into something that
• 1:23:13
  Speaker 1: you can really do. I'm talking about the New York
• 1:23:15
  Speaker 1: Giants Ultimate Backyard Football Experience. Now, for a donation of
• 1:23:20
  Speaker 1: just ten dollars or more, you could be entered for
• 1:23:23
  Speaker 1: a chance to have New York Giant Super Bowl champions
• 1:23:25
  Speaker 1: Eli Manning, Michael Strahan, Phil Simms, and Justin Tuck come
• 1:23:31
  Speaker 1: to your house and play a game of flag football
• 1:23:34
  Speaker 1: with you and three of your friends. So it's four
• 1:23:35
  Speaker 1: on four all right now. The team owners will be
• 1:23:38
  Speaker 1: the coaches, so how dope is that? And if you
• 1:23:40
  Speaker 1: live outside of New York, they'll invite you to the
• 1:23:42
  Speaker 1: Giants facility or practice facility to play this game. After
• 1:23:46
  Speaker 1: the game, they will have dinner together at your crib
• 1:23:49
  Speaker 1: at your house, where the team will present you with
• 1:23:52
  Speaker 1: your own Giant Super Bowl ring. All right, So if
• 1:23:56
  Speaker 1: you want more information to in to go to Oma
• 1:23:59
  Speaker 1: zet come slash Giants. This is a shot at a
• 1:24:02
  Speaker 1: once in a lifetime moment. I know I'm gonna put
• 1:24:05
  Speaker 1: some some money in and if I WINNA play with
• 1:24:08
  Speaker 1: me here a big Giants fan, so I feel like
• 1:24:10
  Speaker 1: you should enter. I'm gonna tell you something as a
• 1:24:12
  Speaker 1: Dallas Cowboy fan, I think this is a disgusting prize.
• 1:24:15
  Speaker 1: I don't even know why. I don't know why anybody
• 1:24:17
  Speaker 1: would like this. So if I win, or you're gonna play,
• 1:24:20
  Speaker 1: they're gonna play on my team. Yeah, you could be
• 1:24:24
  Speaker 1: the center Charlemagne and you go, oh no, no, no,
• 1:24:26
  Speaker 1: I no no. By the way I would play, we're
• 1:24:28
  Speaker 1: playing against the Giants, yes, oh yeah, I'm all about
• 1:24:31
  Speaker 1: opposition to the Giants. Baby, I'll come up there with
• 1:24:34
  Speaker 1: my Dallas Cowboy football. I would rather be on I'd
• 1:24:40
  Speaker 1: rather be on NV's team playing flag football because then
• 1:24:42
  Speaker 1: you will probably be grabbing for something else that's long
• 1:24:45
  Speaker 1: and dangling from my body. What we're on the same team,
• 1:24:48
  Speaker 1: I know that I'd rather play with you. You know what,
• 1:24:51
  Speaker 1: you're kinky. Let's get to the room, by the way.
• 1:24:53
  Speaker 1: By the way Justin wouldn't be the only one tucking
• 1:24:55
  Speaker 1: in that game if I had to play against v
• 1:25:00
  Speaker 1: A kinky My goodness, how we turn a benefit into
• 1:25:03
  Speaker 1: kinky talk? Now, I don't know what's happened. Let's get
• 1:25:06
  Speaker 1: to the rumors. Let's talk Eminem. This is the rum
• 1:25:10
  Speaker 1: of report with Angela. Yes, Eminem stopped by Little Wayne's
• 1:25:21
  Speaker 1: Young Money Radio and a lot of things that they
• 1:25:23
  Speaker 1: discussed included the new Michael Jordan's documentary, which we're about
• 1:25:26
  Speaker 1: to discuss. Also, one thing that they both do, and
• 1:25:29
  Speaker 1: it has to do with their lyrics because they've been
• 1:25:31
  Speaker 1: in this game for quite some time. Listen to this,
• 1:25:33
  Speaker 1: you start getting to the point where you've wrapped about
• 1:25:35
  Speaker 1: everything everywhere. Man, am I have to literally bro when
• 1:25:40
  Speaker 1: I'm doing something much. You can if you go through
• 1:25:43
  Speaker 1: my phone history, when my Google history is gonna and
• 1:25:45
  Speaker 1: you press all, first thing gonna come up as Little
• 1:25:48
  Speaker 1: Wayne lyrics. I literally have to google my lyrics to
• 1:25:50
  Speaker 1: make sure I didn't say certain stuff before. Yo. I
• 1:25:53
  Speaker 1: swear to God, I do that too, man, that's how
• 1:25:55
  Speaker 1: long we've been doing it. I just did that last night. Yeah.
• 1:26:00
  Speaker 1: I can't think about what could they have not ever
• 1:26:02
  Speaker 1: talked about and he both got a lot of bars
• 1:26:05
  Speaker 1: between them that makes sense, and especially Wayne because I
• 1:26:08
  Speaker 1: don't think Wayne writes. Wayne says he just goes into
• 1:26:10
  Speaker 1: studio and rap. So yeah, I'm sure you have to
• 1:26:11
  Speaker 1: keep track now other things. If you want to listen
• 1:26:13
  Speaker 1: to the whole interview, Eminem talks about pleasing old fans
• 1:26:16
  Speaker 1: and trying to reach new fans as well. They talk
• 1:26:18
  Speaker 1: about Killer Mike and Run the Jewels and yeah, a
• 1:26:21
  Speaker 1: lot of different things. So that's a good interview and
• 1:26:23
  Speaker 1: some donations that they're doing right now. So it's pretty
• 1:26:27
  Speaker 1: dope to listen to all right now, since they discussed
• 1:26:30
  Speaker 1: the Michael Jordan's documentary, let's talk about that. So Michael
• 1:26:33
  Speaker 1: Jordan talked about his father's death and there was a
• 1:26:36
  Speaker 1: lot of conspiracy theories. They said, you know, different things
• 1:26:39
  Speaker 1: about gambling connections, and Michael Jordan's father was murdered. His
• 1:26:44
  Speaker 1: body was found near the North Carolina and South Carolina border.
• 1:26:47
  Speaker 1: They searched for him for weeks. Here's what Michael Jordan
• 1:26:50
  Speaker 1: had to say. It did hurt, you know, but you
• 1:26:53
  Speaker 1: had people that were throwing darts who wanted to hurt me. Anyway.
• 1:26:55
  Speaker 1: It wasn't from the people that I loved, though, the
• 1:26:57
  Speaker 1: people that knew me and people that cares its people
• 1:27:00
  Speaker 1: that you know, got tired of me being on top.
• 1:27:03
  Speaker 1: There is an a thimble's worth of evidence to connect
• 1:27:06
  Speaker 1: that horrible incident to Michael Jordan's gambling or any other
• 1:27:11
  Speaker 1: aspect of Michael Jordan's behavior. Man, I almost cried. I
• 1:27:14
  Speaker 1: was right there. I felt the welling up happened, especially
• 1:27:17
  Speaker 1: when they showed him breaking down in the locker room,
• 1:27:19
  Speaker 1: you know. And what they did to Michael in regards
• 1:27:22
  Speaker 1: to his father and blaming him is what all you
• 1:27:24
  Speaker 1: lame mass social media conspiracy theorists do nowadays, all right,
• 1:27:28
  Speaker 1: talking about everything and everybody like y'all have a clue.
• 1:27:30
  Speaker 1: And I think it's so wacked that people could not
• 1:27:32
  Speaker 1: understand the toll the game was having on Michael Jordan's
• 1:27:34
  Speaker 1: mental and emotional well being, Like, yes, he needed a break,
• 1:27:38
  Speaker 1: you had to walk away, like it was no conspiracy,
• 1:27:40
  Speaker 1: Like look at what he was going through. Jesus Christ,
• 1:27:44
  Speaker 1: all right now. Michael Jordan also talked about his retirement
• 1:27:47
  Speaker 1: not having anything to do with gambling. There were people
• 1:27:51
  Speaker 1: saying that that was why he retired. And here's what
• 1:27:54
  Speaker 1: they said about that. The folklore, the urban legends that
• 1:27:57
  Speaker 1: I sent him away because he was gambling, ridiculous. There's
• 1:28:01
  Speaker 1: never no basis in fact, I didn't retire because he
• 1:28:05
  Speaker 1: kicked me out. Well, they suspended me for a year
• 1:28:08
  Speaker 1: and a half. That is not true. It's no truth
• 1:28:10
  Speaker 1: of that. I needed a break. You know, my father
• 1:28:13
  Speaker 1: just past and I retired, you know, and I retired
• 1:28:16
  Speaker 1: with the notion that I wasn't going to come back.
• 1:28:18
  Speaker 1: Prime example of people trying to understand what's going on
• 1:28:22
  Speaker 1: in somebody else's mind. It's not up for you to understand.
• 1:28:25
  Speaker 1: It's for that person. That person made a decision for himself.
• 1:28:28
  Speaker 1: You don't have to justify, well, why is Michael walking away?
• 1:28:30
  Speaker 1: Michael know why you walked away? Now. You also talked
• 1:28:33
  Speaker 1: about being hard on people, and when you watch this documentary,
• 1:28:36
  Speaker 1: some people might say, or he was so hard on everyone. Well,
• 1:28:38
  Speaker 1: here's what he had to say in response to y'all people.
• 1:28:41
  Speaker 1: Winning has a price, and leadership has a price. I
• 1:28:45
  Speaker 1: challenge people when they didn't want to be challenged, and
• 1:28:47
  Speaker 1: I earned that right because my teammates came after me.
• 1:28:51
  Speaker 1: Once you joined the team, you live in a certain
• 1:28:53
  Speaker 1: standard that I played the game and I wasn't gonna
• 1:28:55
  Speaker 1: take any less. Now that means I had to go
• 1:28:58
  Speaker 1: in and get in your ass a little bit, and
• 1:28:59
  Speaker 1: I did that. You ask all my teammates. The one
• 1:29:02
  Speaker 1: thing about Michael Jordan was he never asked me to
• 1:29:05
  Speaker 1: do something that he didn't do. When people see this
• 1:29:09
  Speaker 1: and they're gonna say, well, he wasn't really a nice guy.
• 1:29:11
  Speaker 1: He may have been a tyrant. Well that's you, because
• 1:29:13
  Speaker 1: you never wanted anything like I don't want to do this.
• 1:29:16
  Speaker 1: I'm only doing it because it is who That was
• 1:29:19
  Speaker 1: com mentality. If you don't want to play that way,
• 1:29:22
  Speaker 1: don't play that. That's right. Winning has a price. He
• 1:29:26
  Speaker 1: is a winner. He has a certain level that he
• 1:29:30
  Speaker 1: plays at and he wants everybody to rise to that level.
• 1:29:33
  Speaker 1: And I don't. I don't have a problem with it whatsoever. Championship, sure, dude.
• 1:29:38
  Speaker 1: And then Gary Payton spoke about the Seattle supersund expresses
• 1:29:41
  Speaker 1: the balls in the series and he said he didn't
• 1:29:43
  Speaker 1: know how to play against Michael Jordan, and Michael Jordan
• 1:29:46
  Speaker 1: responded to those comments. A lot of people back down
• 1:29:49
  Speaker 1: the bike. I didn't. I made it a point, I said,
• 1:29:52
  Speaker 1: just tire him out tired. You just got to tire
• 1:29:56
  Speaker 1: him out. And I kept heat even and banging him
• 1:29:59
  Speaker 1: and even banging it. It took a toll on Mike,
• 1:30:02
  Speaker 1: and took a toll and then resting him a little
• 1:30:06
  Speaker 1: bit and then the serious church And I wish I
• 1:30:10
  Speaker 1: could have did it earlier. I don't know if the
• 1:30:13
  Speaker 1: would have been different, but it was a difference and
• 1:30:18
  Speaker 1: beat him down a little bit. I had no problem
• 1:30:20
  Speaker 1: with the glove. I had a lot of the things
• 1:30:22
  Speaker 1: on my mind. How do you feel about that they
• 1:30:25
  Speaker 1: lost the series? For the two they did? The Bulls
• 1:30:28
  Speaker 1: won the first three games. Seattlet want two in a roll?
• 1:30:31
  Speaker 1: I don't, you know. I can't. And it's easy to say,
• 1:30:34
  Speaker 1: you didn't you know you could have held Michael, but
• 1:30:36
  Speaker 1: you didn't. You know you didn't. You can't. You can't
• 1:30:40
  Speaker 1: talk about what you could have did when when they
• 1:30:42
  Speaker 1: beat you. Honestly, Yeah, and Gary, Gary Payton is a beast,
• 1:30:45
  Speaker 1: one of the greatest defensive players of all time. He
• 1:30:49
  Speaker 1: was saying if he was smarting him the whole time.
• 1:30:51
  Speaker 1: Maybe I don't know they did win, what could have
• 1:30:54
  Speaker 1: what it could have shied nobody, But yeah, I just
• 1:30:58
  Speaker 1: don't think. I think but didn't have Jordan's reaction to
• 1:31:00
  Speaker 1: that though. That's what's interesting. Yeah, nobody beats Michael Jordan,
• 1:31:04
  Speaker 1: and Michael Jordan don't want don't want to be beat.
• 1:31:06
  Speaker 1: I actually believe that, all right. And you know Sunday
• 1:31:09
  Speaker 1: Nights is also Insecure Nights as well. And I just
• 1:31:11
  Speaker 1: want to shout out to Evan and Org She has
• 1:31:13
  Speaker 1: her first HBO stand up comedy special. Mama, I made
• 1:31:17
  Speaker 1: it and here is I just wanted to bring you
• 1:31:19
  Speaker 1: on here so my home. There is no way I
• 1:31:22
  Speaker 1: could do is special about my life without showing you life.
• 1:31:25
  Speaker 1: My parents successful to get me married off. The first
• 1:31:27
  Speaker 1: due to show up in my house withd a go
• 1:31:29
  Speaker 1: might be the right one. This is where you negotiate
• 1:31:32
  Speaker 1: my bad price about how much do you think it
• 1:31:33
  Speaker 1: will start out to day? I'm like just one dollar?
• 1:31:41
  Speaker 1: My mom she leaves me voicemails all the time. This
• 1:31:43
  Speaker 1: is your mother fine with for nobody you are no
• 1:31:47
  Speaker 1: longer It's bring chicken, Happy Beth day span to close
• 1:31:53
  Speaker 1: bombs for vonn org Man. I actually had a chance
• 1:31:56
  Speaker 1: to go see her do stand up. I really like
• 1:31:58
  Speaker 1: Evon org a lot, so shout out her in congratulations.
• 1:32:00
  Speaker 1: I'll be watching that absolutely. I saw once she opened
• 1:32:03
  Speaker 1: up for Chris Rock a couple of years ago. Yep,
• 1:32:06
  Speaker 1: me too. All right, BC before Corona, I know that much.
• 1:32:10
  Speaker 1: I'm Angela, yeah, and that is your rumor report. All right,
• 1:32:13
  Speaker 1: thank you, miss ye. When we come back, we got
• 1:32:15
  Speaker 1: the People's choice mixed. Get your requested. Now it's the
• 1:32:17
  Speaker 1: Breakfast Club. Good morning morning. Everybody is DJ Envy, Angela ye, Charlomagne,
• 1:32:22
  Speaker 1: na guy. We are the Breakfast Club now again. Rest
• 1:32:26
  Speaker 1: in peace to Andre Horrell. We replayed his interview this morning,
• 1:32:31
  Speaker 1: just talking about Uptown Records and everything that he's doing
• 1:32:34
  Speaker 1: and just giving us the history lesson. So rest in
• 1:32:37
  Speaker 1: peace and definitely condolences and friends. Heartbreaking. It's gonna be
• 1:32:41
  Speaker 1: so weird not having Andre Horrel around anymore. So again
• 1:32:46
  Speaker 1: our condolences to his family and close friends. Absolutely that's right,
• 1:32:51
  Speaker 1: and that Uptown Records UH mini series is absolutely coming
• 1:32:55
  Speaker 1: to BT. Andrea was heavily involved in that, heavily involved
• 1:32:59
  Speaker 1: in the star, heavily involved in the script. I mean
• 1:33:01
  Speaker 1: even up until Wednesday, you know, he was on the
• 1:33:04
  Speaker 1: phone with Jesse, you know, wanting some things added to
• 1:33:07
  Speaker 1: the story, and he was adamant about adding them. I
• 1:33:09
  Speaker 1: don't know if y'all saw Jesse Collins um you know,
• 1:33:12
  Speaker 1: post on post on Instagram, but you know, it's good
• 1:33:15
  Speaker 1: that you know his story is gonna be told, and
• 1:33:16
  Speaker 1: it's good that he got his flowers while he was here,
• 1:33:20
  Speaker 1: even though I still think, um, you know, I would
• 1:33:23
  Speaker 1: have liked I would have liked to see him be here,
• 1:33:25
  Speaker 1: to see what the reaction would have been to the
• 1:33:27
  Speaker 1: Uptime mini series. I just don't know if people really
• 1:33:29
  Speaker 1: truly understand what Andre Horrell meant to this culture. I'm
• 1:33:34
  Speaker 1: not sure if they do, but they will and very soon.
• 1:33:39
  Speaker 1: And I also want to say, man, since you know
• 1:33:41
  Speaker 1: it's so much death going on, you have to celebrate
• 1:33:43
  Speaker 1: life in a huge way. I want to say happy
• 1:33:45
  Speaker 1: Borne Day to my guy, be High, you know, And
• 1:33:48
  Speaker 1: I want to say happy High. What's up? Yeah, Bis?
• 1:33:51
  Speaker 1: One day was yesterday, Happy belated birthday to be High.
• 1:33:58
  Speaker 1: All the time just walking around I'm Brooklyn randomly that's
• 1:34:02
  Speaker 1: my guy in a happy born days and an honorable
• 1:34:04
  Speaker 1: Minister Lewis Farrakhan. Minister Lewis Farrakon is eighty seven years
• 1:34:09
  Speaker 1: young today. Drop on a clues bomb for the minister
• 1:34:12
  Speaker 1: man Like that's that's the age I'm trying to get to.
• 1:34:15
  Speaker 1: I don't know about y'all. I want to be here.
• 1:34:16
  Speaker 1: I want to be here. I want to be eighty
• 1:34:18
  Speaker 1: seven and still kicking ass. God damn asolutely. So absolutely
• 1:34:22
  Speaker 1: when we come back. We got the positive notes, so
• 1:34:24
  Speaker 1: don't move. It's to Breakfast Club morning. Everybody's DJ Envy
• 1:34:28
  Speaker 1: Angela Yee. Charlomagne the guy we are the Breakfast Club.
• 1:34:32
  Speaker 1: That's Charlemagne. You got a positive note, yeah, man, Um,
• 1:34:35
  Speaker 1: I just want to tell everybody about this is is
• 1:34:37
  Speaker 1: we're having all these conversations about death. Just know that
• 1:34:40
  Speaker 1: death is not the greatest loss in life. The greatest
• 1:34:43
  Speaker 1: loss is what dies inside us while we are still alive.
• 1:34:47
  Speaker 1: Breakfast Club, you don't finish for y'all, dumb