Latest / Suspense | Old Time Radio / Suspense - "Dead Ernest" (Old Time Radio, 1947)
Transcript
- 0:00Speaker 1: After a street accident, Ernest Bowers is separated from the
- 0:03Speaker 1: safeguards that identify a condition which can make him appear
- 0:07Speaker 1: to be dead. As Police Lieutenant Steve Healy retraces the events,
- 0:13Speaker 1: Bowers is carried through official medical and mortuary procedures, while
- 0:18Speaker 1: an important clue lies elsewhere. From CBS with Wally Marr
- 0:23Speaker 1: as Lieutenant Healy and Junius Matthews as Ernest Bowers, this
- 0:28Speaker 1: is Suspense, Dead Ernest, Episode 8, originally broadcast May 8, 1947.
- 0:35Speaker 1: The script is by C. Legg Lester and Merwin Gerard.
- 0:39Speaker 1: We now take you back to the original broadcast.
- 0:43Speaker 2: Yes, Roma wines taste better because only Roma selects from
- 0:49Speaker 2: the world's greatest wine reserves.
- 0:51Speaker 3: For your pleasure. And now, Roma Wines.
- 0:55Speaker 4: R-O-M-A. Roma Wines presents... Suspense! Tonight, Roma Wines bring you Mr.
- 1:07Speaker 4: Wally Mayer in Dead Earnest. A suspense play produced, edited,
- 1:12Speaker 4: and directed for Roma.
- 1:13Speaker 5: Wines by William Spear. Suspense!
- 1:19Speaker 3: Suspense.
- 1:20Speaker 2: Radio's outstanding theater of thrills is presented for your enjoyment
- 1:24Speaker 2: by Roma Wines.
- 1:26Speaker 3: That's R-O-M-A. Roma Wines.
- 1:29Speaker 2: Those better tasting California wines enjoyed by more Americans than
- 1:34Speaker 2: any other wine. For friendly entertaining, for delightful dining. Yes,
- 1:39Speaker 2: right now a glass full would be very pleasant. As
- 1:42Speaker 2: Roma Wines bring you Wally Mayer in a remarkable tale of.
- 1:46Speaker 5: Suspense.
- 1:50Speaker 6: Accident report submitted to Police Inspector Blandon from Lieutenant Steve Healy.
- 1:55Speaker 6: Place 15th Street and 4th Avenue. Time, 2.45 p.m. March 11th. Remarks.
- 2:01Speaker 6: Ernest Bowers, age 34, was crossing the intersection as signal
- 2:05Speaker 6: light changed from green to red. A car driven by
- 2:08Speaker 6: Theodore Tobey made legal right turn from 15th Street into
- 2:11Speaker 6: 4th Avenue.
- 2:13Speaker 5: Hey, hey, look out! He hit him!
- 2:17Speaker 6: He hit him!
- 2:18Speaker 7: Hey, officer!
- 2:18Speaker 8: Oh, look at those cameras.
- 2:20Speaker 6: Officer!
- 2:20Speaker 7: Here's a guy like him.
- 2:22Speaker 5: All right, all right. Give him some air. Come on now,
- 2:26Speaker 5: let me through here. All right, stand back.
- 2:29Speaker 9: Let's have a look.
- 2:30Speaker 7: Is he hurt bad, officer?
- 2:31Speaker 8: I didn't see him.
- 2:32Speaker 5: Honest, I didn't. I had the right of way. He's
- 2:34Speaker 5: passed out. One of you people call for an ambulance. Yeah, you. Okay,
- 2:39Speaker 5: move back, move back.
- 2:41Speaker 8: He's bleeding.
- 2:42Speaker 9: Here, I'll prop up his head.
- 2:43Speaker 5: Yeah, use his jacket. Here, I'll hold him. Golly, he's limp.
- 2:48Speaker 5: Feels just like he's dead.
- 2:55Speaker 9: Yes, Ernest Bowers felt like he was dead.
- 3:00Speaker 6: Ernest Bowers suffered from catalepsy, a strange disease.
- 3:04Speaker 9: He carried at all times a.
- 3:05Speaker 6: Note in his inside coat pocket stating that he was
- 3:08Speaker 6: a cataleptic and that in the event of seeming death,
- 3:11Speaker 6: his wife should be immediately notified or his doctor in
- 3:14Speaker 6: the event his wife is unavailable. The letter also requested
- 3:18Speaker 6: that no autopsy or embalming should be performed on his
- 3:21Speaker 6: body for 72 hours, although in his particular case, the
- 3:25Speaker 6: duration of the attacks were usually four hours or less.
- 3:29Speaker 9: Ernest Bowers also wore a.
- 3:32Speaker 6: Sterling silver bracelet with an inscription reading, Do.
- 3:36Speaker 9: Not embalm me. I am not dead. Catalepsy is a
- 3:42Speaker 9: disease of the nerves and mind.
- 3:43Speaker 6: The physical condition of the cataleptic when he is under
- 3:45Speaker 6: a spell closely resemble death in all aspects, including the
- 3:49Speaker 6: primary stages of rigor mortis.
- 3:52Speaker 5: Officer Abbott was at the scene of the accident.
- 3:54Speaker 6: He administered first aid to the injured man before making
- 3:57Speaker 6: out his report.
- 4:01Speaker 5: Eh, that ought to stop the bleeding. Looks like just
- 4:03Speaker 5: a cut on his forehead when he hit the ground.
- 4:05Speaker 5: Nothing much. He can't be hurt bad, officer.
- 4:08Speaker 8: I didn't hit him hard. That's right, officer.
- 4:10Speaker 10: I saw it. It looked like just a little bump.
- 4:12Speaker 5: All right, now clear back, clear back. Let's have a
- 4:15Speaker 5: little air here.
- 4:16Speaker 9: I'll have to take down some information.
- 4:19Speaker 5: What's your name? Theodore Tobey.
- 4:21Speaker 3: Here, here's my license.
- 4:22Speaker 7: Hey, hey, you kids.
- 4:24Speaker 5: What do those kids do?
- 4:25Speaker 8: They picked up something off the street.
- 4:28Speaker 3: Oh, here it comes.
- 4:29Speaker 5: I hope he's all right.
- 4:31Speaker 8: Doesn't look like he's breathing.
- 4:33Speaker 9: My gosh, he is.
- 4:34Speaker 5: I told you to get back. Now, come on. He's back.
- 4:37Speaker 5: All of you here.
- 4:39Speaker 9: All right.
- 4:40Speaker 5: Let us through here, please. Hello, Doc. Glad you got here.
- 4:44Speaker 5: He's hot cold. I'd say he is. Have a look. Well,
- 4:48Speaker 5: let's get him away.
- 4:50Speaker 3: He's dead.
- 4:51Speaker 10: Well, anyway, it didn't happen in the coach.
- 4:53Speaker 5: Okay.
- 4:54Speaker 3: We'll take him away. Keep them back, officer, will you? Okay.
- 4:56Speaker 5: Keep back.
- 4:57Speaker 3: Come on.
- 4:58Speaker 5: Clear off.
- 4:58Speaker 11: Show's over. Come on.
- 5:00Speaker 5: It's the second one today. Yeah.
- 5:02Speaker 3: Well, let's go.
- 5:05Speaker 10: Whose jacket was that he was laying on?
- 5:07Speaker 4: I don't know.
- 5:08Speaker 3: Did you pick it up?
- 5:09Speaker 12: Nope.
- 5:09Speaker 5: Hey, officer. Yeah? Where's the jacket? What?
- 5:13Speaker 6: The jacket.
- 5:14Speaker 10: The guy's jacket.
- 5:15Speaker 12: Oh, uh.
- 5:16Speaker 5: Oh, my gosh, it's gone.
- 5:18Speaker 2: Oh, okay.
- 5:19Speaker 5: Oh, those kids are... Never mind. Let's go, Payne.
- 5:22Speaker 7: All right.
- 5:32Speaker 6: Ernest Bowers had lost the identification of his condition. The
- 5:36Speaker 6: letter was in the inside pocket of his jacket. The
- 5:39Speaker 6: silver chain he wore on his left wrist had snapped
- 5:41Speaker 6: and fallen to the pavement. Two youngsters picked up the chain,
- 5:45Speaker 6: Robert Minnelli, age nine and a half, and Tommy Stoner, eight.
- 5:50Speaker 8: Hey, that cop yelled at us. Did you hear him?
- 5:52Speaker 7: Yeah.
- 5:53Speaker 8: Maybe we should give it back. Now, what for? So
- 5:56Speaker 8: he can keep it?
- 5:57Speaker 7: Let's go around the back to your father's shop, Bob.
- 5:58Speaker 9: All right.
- 6:00Speaker 8: Yeah, sure is a nice chain. Hey, there's writing on it.
- 6:03Speaker 7: Maybe it's a guy's name. Will you hurt that?
- 6:05Speaker 8: Hey, what's it saying?
- 6:06Speaker 11: Oh, just a second.
- 6:07Speaker 8: We'll be out of the alley. Yeah, Pop's gone home
- 6:10Speaker 8: to eat. Can you read it now? Wait a second,
- 6:12Speaker 8: will ya? It says, do not im- ball- do not
- 6:19Speaker 8: something me. I am not dead.
- 6:21Speaker 7: That's screwy.
- 6:22Speaker 8: What do we do with it? Sell it, Dopey. Well,
- 6:25Speaker 8: that's stealing, Bob. It ain't stealing. We found it, didn't we?
- 6:29Speaker 13: When we try to sell it, they'll ask us where
- 6:31Speaker 13: we got it.
- 6:32Speaker 8: What do we tell them?
- 6:33Speaker 11: Nothing.
- 6:34Speaker 10: Use your head. You know what we'll do?
- 6:36Speaker 7: What?
- 6:36Speaker 8: We'll use Pop's welding torch.
- 6:38Speaker 7: We'll melt it down.
- 6:39Speaker 8: But he told us not to use it. Pop ain't here,
- 6:42Speaker 8: is he?
- 6:43Speaker 13: No.
- 6:44Speaker 9: Well, come on.
- 6:45Speaker 7: Oh, there it is.
- 6:48Speaker 9: Yeah.
- 6:49Speaker 7: Now, here. You put it on that brick.
- 6:52Speaker 8: Okay?
- 6:53Speaker 7: Yeah. There, be careful.
- 6:59Speaker 5: What are you kids doing? Huh?
- 7:00Speaker 7: Oh, uh.
- 7:01Speaker 8: Oh, hello, Pop. Nothing, Mr.
- 7:04Speaker 14: Minnelli.
- 7:04Speaker 8: We ain't doing nothing.
- 7:05Speaker 7: Nothing, eh? I thought I told you kids not to
- 7:08Speaker 7: go near the torch.
- 7:09Speaker 8: Well, we want to melt this down.
- 7:11Speaker 15: Come on, come on.
- 7:12Speaker 7: Give me that.
- 7:15Speaker 3: Now, what's it all about?
- 7:16Speaker 8: Well, we found this chain, Papa, and we want to
- 7:18Speaker 8: melt it down and sell it.
- 7:20Speaker 5: Chain melted?
- 7:21Speaker 7: Who's this?
- 7:22Speaker 8: You don't know, do we, Tommy?
- 7:24Speaker 7: No, no, no, we don't.
- 7:26Speaker 5: Where you get it?
- 7:27Speaker 8: We found it.
- 7:28Speaker 5: Come on, come on, let me have it.
- 7:29Speaker 8: Well, there's nothing wrong, Pop. We just found it, see?
- 7:32Speaker 5: It's ours.
- 7:32Speaker 3: Shh, shut up.
- 7:35Speaker 4: Do not embalm me.
- 7:41Speaker 3: I am not dead.
- 7:44Speaker 9: But what.
- 7:46Speaker 9: What's that? It's screwy.
- 7:48Speaker 3: Well, where you find it?
- 7:49Speaker 8: In the street. On us, Pop.
- 7:51Speaker 7: Ask Tommy.
- 7:52Speaker 9: All right, go on.
- 7:53Speaker 10: Get out of here.
- 7:54Speaker 8: Well, how about melting it down, Pop? We can sell
- 7:56Speaker 8: it and buy some baseball.
- 7:58Speaker 5: All right.
- 7:59Speaker 3: I'll be back.
- 8:00Speaker 9: Look at Tommy.
- 8:05Speaker 8: You see it?
- 8:06Speaker 7: Yeah. It's starting to melt.
- 8:08Speaker 8: You see how he does it?
- 8:09Speaker 5: Keep away, I told you.
- 8:12Speaker 8: It's all melted.
- 8:20Speaker 9: They sold the melted chain for $ 1.
- 8:22Speaker 4: 30 to a dealer.
- 8:27Speaker 9: $ 1.
- 8:27Speaker 5: 30.
- 8:29Speaker 6: But the coat, the coat was the principal thing. In
- 8:32Speaker 6: the coat, in the inside pocket was the letter. The
- 8:34Speaker 6: information about Ernest Bower's condition was in the letter. The
- 8:37Speaker 6: instructions that could save his life. The coat was picked
- 8:41Speaker 6: up from the street by honest Jerry Murdoch. Now there's
- 8:46Speaker 6: a big sign near the corner of 15th Street.
- 8:48Speaker 9: It says... Honest Jerry Murdoch. Swap shop.
- 8:52Speaker 6: He brought the coat into his store, rummaged around on
- 8:55Speaker 6: his shelves until he found some cleaner, then started to
- 8:57Speaker 6: clean the bloodstains.
- 9:00Speaker 10: Uh, I'm looking for a sport jacket.
- 9:02Speaker 9: Uh, just a moment.
- 9:03Speaker 13: What kind?
- 9:04Speaker 5: Conservative.
- 9:05Speaker 3: Ah.
- 9:05Speaker 9: Come over here, please.
- 9:06Speaker 11: Mm-hmm.
- 9:10Speaker 5: Mm.
- 9:11Speaker 9: Yeah, something on that order.
- 9:12Speaker 13: Hey, uh, just pick out what you want. Uh, how
- 9:14Speaker 13: much you want to spend?
- 9:15Speaker 3: About five bucks.
- 9:17Speaker 13: Oh, these cost more.
- 9:18Speaker 5: How much?
- 9:19Speaker 13: From 8 to 12. Now, over here we got some cheaper.
- 9:22Speaker 3: These don't look so hot for 8 bucks.
- 9:24Speaker 13: From 8 to 12. Over here.
- 9:26Speaker 5: Well, I'll take a look. Here.
- 9:31Speaker 3: No, these don't appeal to me.
- 9:32Speaker 13: And what size do you wear?
- 9:34Speaker 11: 40.
- 9:35Speaker 2: Oh.
- 9:35Speaker 13: Here, try this one on. Nice and conservative.
- 9:37Speaker 11: There.
- 9:39Speaker 5: Yeah, it's kind of tight around the shoulders.
- 9:41Speaker 9: Yeah, tight.
- 9:42Speaker 3: Yeah, it looks cheesy.
- 9:44Speaker 10: Well, I guess you ain't got what I want.
- 9:45Speaker 13: Wait, wait, wait a minute.
- 9:46Speaker 12: Wait, what's your hurry? I'm just putting a new one
- 9:49Speaker 12: in stock over here by the county.
- 9:51Speaker 5: Huh?
- 9:53Speaker 3: Nah, that looks all right.
- 9:54Speaker 5: What size is it?
- 9:55Speaker 13: I don't know. Here, let's try it on you, huh?
- 9:58Speaker 9: Now, how's that?
- 9:59Speaker 11: Yeah.
- 10:00Speaker 5: That feels all right.
- 10:01Speaker 13: All right.
- 10:02Speaker 10: It's kind of stiff in front here.
- 10:03Speaker 13: It's almost new, ain't it? You'll break it in.
- 10:05Speaker 3: Feels like cardboard or something.
- 10:07Speaker 13: Look, you'll want it $ 5.
- 10:08Speaker 9: Okay.
- 10:10Speaker 12: There might be still a couple of stains on it.
- 10:12Speaker 12: I ain't got time to take them out. You use
- 10:13Speaker 12: some cleaner on it to bring it to the Taylor's
- 10:15Speaker 12: Hill spot. It'll be better than new.
- 10:17Speaker 5: Yeah.
- 10:17Speaker 6: Here.
- 10:18Speaker 3: Here's the $ 5.
- 10:25Speaker 6: Ernest Bowers was brought to the receiving room of the
- 10:27Speaker 6: Vetter General Hospital.
- 10:29Speaker 9: The time, 4.10.
- 10:32Speaker 5: If Bowers was going to awaken, it would.
- 10:33Speaker 6: Probably be before 6.45.
- 10:36Speaker 9: Intern on duty, Dr. Weldon, made out his report.
- 10:38Speaker 6: He wrote it down while he was standing near the
- 10:40Speaker 6: telephone switchboard.
- 10:45Speaker 7: Hello.
- 10:46Speaker 8: This is the Vetter General Hospital.
- 10:48Speaker 7: Is there anybody by the name of Bowers at home?
- 10:50Speaker 7: That's Bowers, B-O-W-E-R-A. No, nobody home.
- 10:53Speaker 5: Is Mr.
- 10:53Speaker 7: Bowers married? His wife thinks so.
- 10:56Speaker 8: Where can I reach her?
- 10:57Speaker 7: There's been an accident.
- 10:59Speaker 8: I don't know. She's out.
- 11:00Speaker 7: Will you tell her to call the Vetter General Hospital?
- 11:03Speaker 11: Yeah.
- 11:05Speaker 7: What happened?
- 11:05Speaker 5: Mr.
- 11:06Speaker 7: Bowers is dead.
- 11:07Speaker 9: That's funny.
- 11:09Speaker 3: Just a superficial cut on his forehead. Well, that's cardiac.
- 11:14Speaker 3: I'm going to go. Get me the orderly room, honey.
- 11:16Speaker 7: Okay, use that phone there.
- 11:17Speaker 3: Right.
- 11:22Speaker 7: Yeah?
- 11:22Speaker 5: This is Dr. Weldon.
- 11:23Speaker 3: There's a delivery for you to go to the morgue.
- 11:25Speaker 14: Morgue?
- 11:26Speaker 1: Now?
- 11:26Speaker 14: Yeah.
- 11:27Speaker 10: I ain't had anything to eat since.
- 11:28Speaker 3: Yeah, I know. Since lunch.
- 11:30Speaker 9: Go on now.
- 11:31Speaker 3: It's down in the receiving room. The papers are down there, too.
- 11:33Speaker 10: Can I get a sandwich first?
- 11:34Speaker 3: No. Go on. Get going.
- 11:37Speaker 10: Oh, why can't I wait a few minutes? It's got
- 11:39Speaker 10: to go now.
- 11:40Speaker 4: They'll want to start the embalming so they can go home.
- 11:46Speaker 9: It was then 4.22 in the afternoon. Dr.
- 11:50Speaker 5: Theodore J.
- 11:51Speaker 6: Weldon left Honey at the switchboard and walked upstairs to
- 11:56Speaker 6: the intern quarters and settled down to reading the sports
- 11:58Speaker 6: page of the afternoon paper.
- 12:01Speaker 9: At that moment, if anyone had been in.
- 12:02Speaker 6: Receiving room B of the Vetter General Hospital where the
- 12:05Speaker 6: body of Ernest Bowers lay on the patient carriage, they
- 12:09Speaker 6: would have seen a fly crawl slowly across the face
- 12:13Speaker 6: of the dead man.
- 12:16Speaker 9: And they would have seen his nose twitch.
- 12:29Speaker 4: For suspense, Roma Wines are bringing you an all-star cast
- 12:33Speaker 4: of Hollywood radio players, headed by Wally Mayer in Dead Earnest.
- 12:38Speaker 4: A radio play by Celik Lester and Merwin Gerard. Roma
- 12:42Speaker 4: Wines presentation tonight in radio's outstanding theater of thrills, Suspense.
- 12:56Speaker 2: Between the acts of Suspense, this is Truman Bradley for
- 12:59Speaker 2: Roma Wines. In Roma Wine, you enjoy an important difference. Yes,
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- 14:03Speaker 4: Roma.
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- 14:08Speaker 4: And now, Roma Wines bring back to our Hollywood soundstage
- 14:11Speaker 4: Wally Mayer, who, as Police Lieutenant Healy, heads an all-star
- 14:15Speaker 4: cast of Hollywood radio players in Dead Earnest, a tale
- 14:20Speaker 4: well calculated to keep you in suspense.
- 14:24Speaker 5: Dead Earnest.
- 14:34Speaker 6: Henry Prince had purchased the coat in which was the
- 14:37Speaker 6: letter that could save the life of Ernest Bowers. When
- 14:40Speaker 6: Henry Prince left Honest Jerry Murdoch's second-hand.
- 14:43Speaker 9: Store, he stopped to have a chat.
- 14:45Speaker 6: With some friends, made some purchases at the grocery store,
- 14:48Speaker 6: and then started home.
- 14:50Speaker 9: The time?
- 14:51Speaker 5: A few minutes after five.
- 14:54Speaker 6: He lived about two blocks from the scene of the accident,
- 14:56Speaker 6: and his wife was waiting for him.
- 14:58Speaker 7: Turn around a little bit, will you?
- 14:59Speaker 3: I didn't like him for five bucks.
- 15:00Speaker 7: Oh, it looks all right. If you lose some of
- 15:02Speaker 7: that weight, it'll look better. Wait a minute, wait a minute.
- 15:04Speaker 7: What's that, a spot?
- 15:05Speaker 9: Where?
- 15:06Speaker 7: Take it off a minute.
- 15:08Speaker 11: Here.
- 15:08Speaker 5: Yeah?
- 15:09Speaker 7: Yeah. I wonder what that is.
- 15:11Speaker 3: Oh, he's sat there a couple of spots.
- 15:12Speaker 5: Cleaner will take him out.
- 15:13Speaker 7: Yeah, it looks like it might be. What's this in
- 15:16Speaker 7: the pocket? Hmm?
- 15:17Speaker 3: I don't know.
- 15:19Speaker 7: Heaven's sake. To whom it may concern, please open and read.
- 15:23Speaker 9: Well, that's what must have felt stiff, huh?
- 15:26Speaker 14: Yeah.
- 15:27Speaker 11: This note is carried on my person wherever I go.
- 15:30Speaker 11: It is to advise responsible parties that I am a cataleptic.
- 15:38Speaker 11: That if it appears as though I am dead, I
- 15:41Speaker 11: am not. And that my body is not to be
- 15:46Speaker 11: molested for a period of 72 hours.
- 15:47Speaker 7: Neither by.
- 15:50Speaker 11: Autopsy nor by embalming, although the maximum periods of my
- 15:57Speaker 11: attacks usually do not exceed four hours. Please telephone my wife, Mrs.
- 16:01Speaker 11: Margaret Bowers at Fulton 11231. This is a boarding house,
- 16:05Speaker 11: address 84111.
- 16:07Speaker 7: West 25th Street. If she is not there, please try
- 16:11Speaker 7: to ask Mr.
- 16:13Speaker 3: 43422.
- 16:13Speaker 7: This is the number of Dr. Benton.
- 16:16Speaker 11: It is of vital importance. It may mean my life.
- 16:20Speaker 11: Thank you, Ernest Bowers.
- 16:22Speaker 3: Yeah, that's a funny one.
- 16:23Speaker 7: Where'd you get that jacket, Harry?
- 16:25Speaker 5: Right on. It's Jerry Murda.
- 16:27Speaker 7: Gee, I wonder what we can do.
- 16:27Speaker 9: Well, nothing.
- 16:28Speaker 3: It's probably forgotten already.
- 16:29Speaker 5: Somebody sold the jacket to him, forgot to take the
- 16:31Speaker 5: letter on.
- 16:31Speaker 7: You sound like something a guy would forget.
- 16:33Speaker 12: No, the devil.
- 16:34Speaker 7: Well, it might be important. Say, look at that, Harry.
- 16:37Speaker 7: Those spots look like blood.
- 16:40Speaker 5: No, too dark.
- 16:41Speaker 7: That's the color that blood turns. I'm going to telephone
- 16:43Speaker 7: that number.
- 16:44Speaker 3: Well, go ahead, but I think you're wasting your time.
- 16:46Speaker 7: Oh, you're hush, will you, a minute?
- 16:47Speaker 3: Don't keep crying out loud.
- 16:49Speaker 7: Keep still. Hello? I'd like to talk to Mrs.
- 16:59Speaker 9: Bowers.
- 16:59Speaker 7: She ain't in. Well, how do you know? You didn't
- 17:01Speaker 7: even go to find... She went out, and you ain't
- 17:03Speaker 7: the first after her. Who else wanted to get in
- 17:06Speaker 7: touch with her? Oh, somebody. I don't know who. Oh, well,
- 17:09Speaker 7: thank you.
- 17:10Speaker 5: There, you see?
- 17:11Speaker 8: You're wasting your time.
- 17:12Speaker 7: I'll try that doctor.
- 17:13Speaker 3: Oh, for heaven's sakes.
- 17:14Speaker 5: I'm turning into a regular busybody.
- 17:16Speaker 7: Well, think of somebody else.
- 17:17Speaker 9: Well, I'm getting hungry. Oh, hush, will you? Oh, hush,
- 17:20Speaker 9: will you?
- 17:21Speaker 14: Oh.
- 17:22Speaker 3: How about some dinner?
- 17:23Speaker 7: It's cooking. It's cooking. Honestly, I can't get it out
- 17:26Speaker 7: of my head.
- 17:27Speaker 11: That guy, whoever he is, just lying there and people
- 17:30Speaker 11: thinking I'm dead when he ain't.
- 17:31Speaker 7: Maybe doing things to him. Gee, what's embalming?
- 17:37Speaker 9: Oh, they do that at the morgue.
- 17:38Speaker 3: It's preparing his body for burial. I think they take
- 17:41Speaker 3: all the blood out of his veins.
- 17:42Speaker 7: Heaven's sakes, that'd kill him if he wasn't already dead.
- 17:45Speaker 3: Couldn't kill him any deader.
- 17:47Speaker 7: Harry, I'm going to find out about that coat. Now,
- 17:48Speaker 7: where's this place you bought it?
- 17:49Speaker 3: Now, wait a minute, Frances.
- 17:50Speaker 5: I put in a good day's work.
- 17:52Speaker 8: I'm tired.
- 17:53Speaker 2: I don't want to run around the city looking for
- 17:54Speaker 2: something I don't even know about.
- 17:55Speaker 7: Well, I'll go myself.
- 17:56Speaker 5: How about me at home here while you go out?
- 17:58Speaker 8: I want to eat.
- 17:59Speaker 13: I'm hungry.
- 17:59Speaker 7: Well, dinner won't be ready for another 15 minutes anyway.
- 18:02Speaker 7: Where's the place?
- 18:03Speaker 5: Oh, all right. I'll go with you.
- 18:12Speaker 1: Pardon me.
- 18:13Speaker 13: What's wrong?
- 18:17Speaker 9: Where's Harry?
- 18:18Speaker 7: We want to find out about the man next door.
- 18:19Speaker 7: Do you know when he'll come back?
- 18:20Speaker 5: Oh, that's Jerry?
- 18:21Speaker 7: Yeah.
- 18:22Speaker 12: Oh.
- 18:23Speaker 13: Are you there?
- 18:24Speaker 7: No, he isn't. Harry, listen, go take another look, huh?
- 18:26Speaker 7: I'll try that number again.
- 18:27Speaker 5: Oh, crap. I have a safe.
- 18:28Speaker 12: I'm hungry.
- 18:41Speaker 5: Oh.
- 18:44Speaker 7: They answered it.
- 18:46Speaker 13: I'm using this.
- 18:47Speaker 11: Oh.
- 18:48Speaker 9: Well, he ain't back yet.
- 18:49Speaker 7: Well, what does this sign say? Ten minutes?
- 18:50Speaker 1: Yeah, but those guys put up signs like that if
- 18:52Speaker 1: they're going away for an hour.
- 18:53Speaker 7: Well, we'll just wait a couple of more minutes.
- 18:55Speaker 3: Oh, come on, Francis.
- 18:57Speaker 5: Wait. Is Mrs. Bowers in?
- 18:57Speaker 12: No. Uh, Mr.
- 18:58Speaker 5: Bowers.
- 19:02Speaker 7: He's dead. He is? That's what they tell me. Well, look, listen,
- 19:05Speaker 7: will you please... You're bothering me, lady.
- 19:07Speaker 10: I got a meal set up on the table.
- 19:09Speaker 7: I can't be answering a million questions. All I want
- 19:12Speaker 7: to know is when Mr. Bowers died. How do I know?
- 19:14Speaker 8: Ask Mrs.
- 19:15Speaker 15: Bowers.
- 19:15Speaker 7: She'll be home soon. Yeah, well, thanks.
- 19:19Speaker 15: Well?
- 19:19Speaker 12: Mr.
- 19:19Speaker 7: Bowers is dead. I found that out.
- 19:21Speaker 5: Oh, you see? I told you.
- 19:22Speaker 7: Well, what about the letter, then? What if he ain't dead?
- 19:25Speaker 7: What if they only think he's dead?
- 19:26Speaker 5: What, do you want it to wait here all night?
- 19:28Speaker 7: If I have to.
- 19:29Speaker 5: Well, without me, then.
- 19:31Speaker 7: Well, just do as you please.
- 19:32Speaker 5: I'll be home.
- 19:33Speaker 8: I'm hungry.
- 19:33Speaker 3: It's after six.
- 19:34Speaker 5: If you think more of a crazy letter than you
- 19:36Speaker 5: do of feeding your own husband.
- 19:37Speaker 13: Then that's all.
- 19:38Speaker 7: What do you mean, that's all?
- 19:40Speaker 8: That's what I said.
- 19:40Speaker 5: That's all.
- 19:41Speaker 7: Oh, Harry, the trouble with you is you haven't got
- 19:43Speaker 7: any imagination.
- 19:44Speaker 8: No, I haven't got any imagination.
- 19:45Speaker 2: I'm just a home-loving guy.
- 19:46Speaker 10: That's all.
- 19:47Speaker 3: I don't go sticking my nose where it don't belong.
- 19:50Speaker 7: Oh, well, for heaven's sakes, go home, then. I'll find
- 19:52Speaker 7: out about it. Because something beside your stomach once in
- 19:55Speaker 7: a while.
- 19:56Speaker 8: Officer, officer.
- 19:57Speaker 10: Yes, ma'am?
- 19:59Speaker 11: Do you know where the fellow who owns that swap
- 20:01Speaker 11: shop lives, Honest Jerry Murdoch?
- 20:03Speaker 5: No, ma'am, I don't.
- 20:04Speaker 7: Oh, dear. Gee, I want to get in touch with him,
- 20:06Speaker 7: and there's a sign on his door saying.
- 20:08Speaker 5: Why don't you ask him, ma'am?
- 20:09Speaker 9: There he is now.
- 20:10Speaker 11: Huh?
- 20:10Speaker 3: He's going in over there.
- 20:11Speaker 7: Oh, gee, thank you.
- 20:13Speaker 11: Mr.
- 20:13Speaker 6: Murdoch?
- 20:14Speaker 11: Yeah?
- 20:15Speaker 7: Oh, gee, I'm sure glad you came back.
- 20:17Speaker 13: Come in, come in. Just out having a bite to eat.
- 20:19Speaker 11: Yeah, listen, you sold my husband a jacket, a sports
- 20:22Speaker 11: jacket this afternoon.
- 20:23Speaker 13: Did I? What kind?
- 20:24Speaker 7: Well, a light blue one with little red boxes in it.
- 20:27Speaker 7: It had a few stains on it.
- 20:28Speaker 13: Oh, sorry, I can't take anything back once it's sold.
- 20:31Speaker 7: No, no, no, I don't want to give it back. Listen,
- 20:33Speaker 7: where did you get it, Mr. Murdoch?
- 20:34Speaker 13: How can I remember where I got it?
- 20:36Speaker 7: Long ago? Was it very long ago?
- 20:37Speaker 13: I don't see what's any of your business where I
- 20:39Speaker 13: got it.
- 20:40Speaker 7: Well, it may be important. I've been trying to reach
- 20:41Speaker 7: the numbers.
- 20:42Speaker 11: The doctor's number's always busy and his wife isn't home yet.
- 20:45Speaker 13: I don't know what you're talking about.
- 20:46Speaker 7: Look, tell me one thing, just one thing. Did you
- 20:48Speaker 7: have the jacket in here a long time?
- 20:50Speaker 13: Well.
- 20:51Speaker 8: Oh, please, listen, it's very important.
- 20:53Speaker 13: Well, no, no, I just got it in this afternoon. Well,
- 20:56Speaker 13: where did you get it? Look, you said one question,
- 20:58Speaker 13: you asked it, I answered it, that's all.
- 21:00Speaker 7: There was blood on it.
- 21:01Speaker 13: Well, that I can't help.
- 21:03Speaker 11: Listen, if that man's alive and they do anything to him,
- 21:05Speaker 11: I'll just never get over it.
- 21:06Speaker 7: I'll never be able to live with myself.
- 21:08Speaker 13: What are you talking about?
- 21:09Speaker 7: Listen to me.
- 21:11Speaker 11: There was a letter in the inside pocket of that jacket,
- 21:13Speaker 11: you see. It said that Ernest Bowers was a cataleptic.
- 21:17Speaker 9: What's that?
- 21:17Speaker 13: He goes into fits?
- 21:18Speaker 7: No, no, no.
- 21:19Speaker 11: A cataleptic is somebody who looks like he's dead at times,
- 21:22Speaker 11: and he isn't. He goes into a spell, and it
- 21:24Speaker 11: looks as though he's dead. You see, sometimes they take
- 21:27Speaker 11: dead bodies to the morgue and bomb them. That means
- 21:30Speaker 11: they take all the blood out of their veins. Now,
- 21:32Speaker 11: this fellow Bowers is a cataleptic. I don't know whether
- 21:35Speaker 11: he's dead or alive or even if he's worrying about
- 21:37Speaker 11: this letter, but I've got to find out. I.
- 21:40Speaker 13: There was... What?
- 21:41Speaker 15: What?
- 21:41Speaker 13: An accident before.
- 21:42Speaker 7: Where?
- 21:43Speaker 13: Who was in it? I don't know. Believe me, lady,
- 21:44Speaker 13: I didn't know anything about all this.
- 21:46Speaker 12: You think that this guy was taken away in an ambulance?
- 21:48Speaker 13: Was it a catalepsy?
- 21:48Speaker 7: That coat. Was it his?
- 21:50Speaker 13: Yeah, lady, but it was left there in the street.
- 21:52Speaker 13: They drove away and left it.
- 21:53Speaker 5: Who?
- 21:53Speaker 13: The ambulance.
- 21:54Speaker 7: What ambulance? I don't know.
- 21:55Speaker 13: It was on the corner. The cop was there. He
- 21:56Speaker 13: told somebody to call an ambulance. It came and took
- 21:58Speaker 13: away the man.
- 21:59Speaker 7: Is that the cop out there right now?
- 22:00Speaker 8: Yeah, yeah, but look, look.
- 22:01Speaker 13: You've got to protect me. I ain't done anything wrong.
- 22:03Speaker 10: I didn't know anything like this had happened.
- 22:05Speaker 13: I would never have taken the coat.
- 22:06Speaker 3: Officer!
- 22:07Speaker 13: Officer!
- 22:16Speaker 9: Ernest Bowers lay on a slab at the moor.
- 22:20Speaker 6: If he were alive, probabilities were that he would regain
- 22:23Speaker 6: consciousness before 6.45.
- 22:24Speaker 9: The two embalmers on duty at the time had decided
- 22:29Speaker 9: to get a bite to eat when the phone rang.
- 22:32Speaker 10: Yeah, but we're going out to eat.
- 22:34Speaker 9: Yeah, I know.
- 22:35Speaker 10: Another one just came in. We got it here. Oh,
- 22:38Speaker 10: what's the rush? No, no, we just want to grab
- 22:41Speaker 10: a cup of coffee. We'll get right on it. Well,
- 22:44Speaker 10: is it our fault if it comes in just when
- 22:45Speaker 10: we want.
- 22:46Speaker 5: To have a.
- 22:47Speaker 7: Oh.
- 22:48Speaker 10: Oh, we can go home after? Yeah, that puts a
- 22:50Speaker 10: different complexion on.
- 22:52Speaker 5: Okay.
- 22:53Speaker 9: Yeah.
- 22:55Speaker 10: Hey, what time is it, Anthony?
- 22:56Speaker 5: 6.30.
- 22:57Speaker 13: Good.
- 22:58Speaker 15: Doc says if we embalm this one now, we can
- 23:00Speaker 15: go home.
- 23:00Speaker 5: Well, let's start in, then.
- 23:01Speaker 3: I'm hungry.
- 23:02Speaker 9: Okay, I'll start the motor.
- 23:07Speaker 3: Young guy, ain't he?
- 23:08Speaker 9: Yeah. Yeah.
- 23:10Speaker 10: I was saying to the wife about that yesterday.
- 23:12Speaker 9: Oh, get the injector out, will you, Tony?
- 23:14Speaker 10: She was saying more and more people die older and older.
- 23:17Speaker 9: Here.
- 23:19Speaker 3: Yeah, looks like we can open through the neck.
- 23:21Speaker 7: Yeah.
- 23:21Speaker 9: Give me a piece of that gauze.
- 23:24Speaker 10: I said to Velma, she should be around this place
- 23:26Speaker 10: a while. We get them all ages.
- 23:29Speaker 3: You want me to do it?
- 23:30Speaker 10: No, no, you get the injector ready.
- 23:33Speaker 5: Look at him. Hmm?
- 23:35Speaker 4: You'd never think that such a little thing like his
- 23:37Speaker 4: heart stops beating could make him dead and not alive.
- 23:40Speaker 9: Yeah.
- 23:41Speaker 5: Okay.
- 23:42Speaker 9: Now, hold it steady, will you?
- 23:44Speaker 10: Yeah.
- 23:46Speaker 5: Ready?
- 23:46Speaker 3: Just a second.
- 23:50Speaker 5: Yep.
- 23:52Speaker 9: All right.
- 23:53Speaker 3: Here we go.
- 23:54Speaker 9: Hmm.
- 23:57Speaker 3: What's wrong?
- 23:58Speaker 10: My glasses.
- 23:59Speaker 9: They're clouding up.
- 24:01Speaker 3: Take them off. That's all right.
- 24:03Speaker 9: I'll just clean them.
- 24:05Speaker 5: What'd the wife say to that?
- 24:07Speaker 11: What?
- 24:07Speaker 10: Oh, about all ages? Yeah. Oh, she didn't have anything
- 24:10Speaker 10: to say.
- 24:10Speaker 15: Only that most of the guys we deal with probably
- 24:13Speaker 15: come to a violent end.
- 24:14Speaker 2: There's something in that. Yeah.
- 24:17Speaker 10: Okay, I got my glasses clean.
- 24:19Speaker 9: Now, let's see here.
- 24:22Speaker 13: Hmm.
- 24:24Speaker 10: What's the matter? They're steamed up again.
- 24:27Speaker 9: That's funny.
- 24:29Speaker 15: Every time I bend over and knit, I wonder.
- 24:33Speaker 13: What?
- 24:35Speaker 9: Ah, it must be my imagination.
- 24:37Speaker 10: What? Well, I could have sworn this guy was breathing
- 24:41Speaker 10: on my glasses.
- 24:42Speaker 5: Is he?
- 24:45Speaker 9: No, how could he?
- 24:47Speaker 3: Well, come on then, let's go.
- 24:48Speaker 10: It's a quarter to seven already.
- 24:50Speaker 2: Yeah.
- 24:52Speaker 9: Oh, hold it, I'll get the phone.
- 24:53Speaker 10: No, no, let's get this started first.
- 24:55Speaker 8: Okay.
- 24:56Speaker 10: Now, we'll just.
- 24:57Speaker 5: Stop.
- 24:58Speaker 7: Huh? I.
- 25:00Speaker 2: I.
- 25:01Speaker 10: What's the matter with you? I.
- 25:03Speaker 10: I thought I saw this guy's hand twitch.
- 25:07Speaker 9: Oh, don't be silly. Phew.
- 25:09Speaker 3: That gave me a scare.
- 25:13Speaker 10: Let's wait a second.
- 25:14Speaker 5: I'll get the phone.
- 25:14Speaker 10: No, no, it'll probably be another job, and we'll never
- 25:16Speaker 10: get out of here.
- 25:17Speaker 7: Now, let her ring.
- 25:18Speaker 10: But the doc said we could go home after.
- 25:20Speaker 9: Oh, all right.
- 25:22Speaker 7: Well, come on.
- 25:22Speaker 10: Let's get this thing over with.
- 25:24Speaker 13: Now.
- 25:25Speaker 9: Okay, now, give me the knife again. All right.
- 25:29Speaker 15: Now, I'll make a nice, neat little incision right.
- 25:35Speaker 9: Hey, Tony. Yeah?
- 25:38Speaker 10: Look, I'm bent over like this, see? I ain't gonna move.
- 25:43Speaker 15: My glasses are full of steam again.
- 25:45Speaker 7: Oh, Lord.
- 25:48Speaker 5: Is.
- 25:49Speaker 9: Is he alive? Hey, look at me.
- 25:54Speaker 10: I'm shaking all over.
- 25:55Speaker 5: Look at him, Al. Look at him. Look at his lips.
- 25:59Speaker 7: Huh?
- 26:00Speaker 9: Listen, I.
- 26:02Speaker 9: Shut that thing off.
- 26:03Speaker 5: Ah!
- 26:41Speaker 14: Apparently, the life of Ernest Bowers was worth $ 1. 30 for
- 26:45Speaker 14: a silver bracelet to the boys who ran away with it,
- 26:49Speaker 14: and $ 5 for a blood-stained jacket to honest Jerry Murdoch.
- 26:55Speaker 14: Their petty thefts brought a man to the brink of death.
- 26:59Speaker 14: As for the busy telephone in the doctor's office, it
- 27:02Speaker 14: wasn't busy at all. The good doctor had unwittingly replaced
- 27:06Speaker 14: the receiver on the phone stand incorrectly. There is just
- 27:13Speaker 14: one more episode which perhaps does not belong in an
- 27:16Speaker 14: accident report, but which I would like to include. After
- 27:21Speaker 14: regaining full consciousness, Ernest Bowers put in a telephone call
- 27:26Speaker 14: from the morgue.
- 27:31Speaker 7: Hello. Hello, Mrs. Brawley.
- 27:33Speaker 2: Is Mrs.
- 27:34Speaker 13: Bowers in?
- 27:35Speaker 7: I don't know. I'll see. Josie, see if Mrs.
- 27:39Speaker 10: Bowers is home.
- 27:41Speaker 7: Who is it?
- 27:42Speaker 5: This is Mr.
- 27:43Speaker 3: Bowers.
- 27:44Speaker 8: Who?
- 27:45Speaker 10: Mr.
- 27:45Speaker 5: Bowers?
- 27:46Speaker 7: They told me you were dead. The hospital called and said.
- 27:49Speaker 9: I know, Mrs. Brawley, but they made a mistake.
- 27:51Speaker 8: Oh, well, here she is.
- 27:53Speaker 7: Hello?
- 27:54Speaker 8: Ernest?
- 27:55Speaker 10: Where are you? Well, darling, it's quite a long story.
- 27:58Speaker 7: Well, never mind. You get right home, you hear? Your
- 28:01Speaker 7: dinner's getting ice cold.
- 28:16Speaker 3: Suspense!
- 28:18Speaker 2: Presented by Roma Wines, R-O-M-A, Roma, America's favorite wines. In
- 28:25Speaker 2: just one moment, we'll have a special announcement of interest
- 28:27Speaker 2: to our suspense listeners. This is Truman Bradley reminding you
- 28:31Speaker 2: that Roma Wines tastes better because Roma selects better tasting
- 28:36Speaker 2: wines from the world's greatest wine reserves. Yes, in Roma wine,
- 28:41Speaker 2: you enjoy an extra premium goodness. In fuller bouquet, richer body,
- 28:46Speaker 2: and better taste. That's why more Americans enjoy Roma than
- 28:51Speaker 2: any other wine. So insist on Roma, a premium wine
- 28:56Speaker 2: in everything but price.
- 28:58Speaker 4: Tomorrow, enjoy the ruby richness of Roma, California port.
- 29:03Speaker 3: Delicious after dinner, ideal for entertaining.
- 29:08Speaker 9: Now.
- 29:09Speaker 2: it is my pleasure to introduce Mr. Don Thornburg, Vice
- 29:13Speaker 2: President of the Columbia Broadcasting System. Ladies and gentlemen, your
- 29:19Speaker 2: regular suspense listeners will, I'm sure, be pleased to know
- 29:23Speaker 2: that your suspense program has won the 1946 George Foster
- 29:29Speaker 2: Peabody Award for.
- 29:31Speaker 3: Outstanding Excellence in Radio Drama.
- 29:34Speaker 2: In behalf of the Columbia Broadcasting System, I congratulate producer...
- 29:39Speaker 2: William Spear, the actors, the musicians, sound effects men, technicians, announcers,
- 29:47Speaker 2: and the sponsor, Roma Wines, whose combined efforts have earned
- 29:51Speaker 2: for Suspense the well-deserved title of radio's outstanding theater of thrills.
- 29:58Speaker 4: Dead Ernest, heard this evening, is one of the plays
- 30:01Speaker 4: upon which the Peabody Award was based. It was repeated
- 30:05Speaker 4: by popular request. Next Thursday, same time, Roma Wines bring
- 30:10Speaker 4: you Mr. Robert Mitchum as star of Suspense, radio's outstanding
- 30:16Speaker 4: theater of thrills. Produced and directed by William Speer for
- 30:21Speaker 4: the Roma Wine Company of Fresno, California.
- 30:31Speaker 1: That brings us to the end of Suspense, Dead Earnest,
- 30:34Speaker 1: first heard in 1947. Follow Suspense for more classic broadcasts.