Latest / INSPIRE STORY / Marble Hornets Pt. 1

Transcript

Marble Hornets Pt. 1 · INSPIRE STORY

• 0:09
  Speaker 1: Welcome back to creek Cast. Today we're venturing down the
• 0:13
  rabbit hole to one of the Internet's earliest spooky people,
• 0:18
  slender Man. Right.
• 0:20
  Speaker 2: I just want to point out that you said creep cast,
• 0:23
  and this isn't creep cast.
• 0:24
  Speaker 1: Oh creep TV whatever, dude, Come.
• 0:26
  Speaker 2: On, man, Yes we are going to slender Man of
• 0:30
  classic but not just any slender Man, the slender Man
• 0:33
  that made Slenderman popular. That is right, Marble Hornets. So
• 0:37
  if you're someone like me, you probably remember Marble Hornets
• 0:40
  as one of the earliest online horror projects to kind
• 0:45
  of give the birth of where online horror is now
• 0:48
  to like, you know, analog horr was, like it adapted
• 0:51
  the found footage style into like the YouTube platform. So
• 0:54
  Marble Hornets is a forerunner not only for starting like
• 0:58
  creepypasta culture with stuff like Slenderman, but for starting the
• 1:01
  way like Hoares presented now on the Internet. So if
• 1:04
  we're gonna have this whole series where we talk about
• 1:06
  early Internet whrror and like, you know, where this stuff
• 1:09
  came from, we might as well go back to the beginning.
• 1:11
  Speaker 1: I think it's a great idea. I love the idea
• 1:13
  of this too. This is my first time ever watching
• 1:15
  Marble Hornets. I've actually never heard of it. I've seen
• 1:17
  people suggesting it a lot on the subreddit or even
• 1:21
  like tweets and all that kind of stuff. And I
• 1:23
  love that it's found footage, especially that this is this
• 1:26
  came about fifteen years ago. It looks like the first
• 1:28
  video that we're getting ready to watch here introduction came
• 1:31
  out on June twentieth, two thousand and nine. That pivotal
• 1:34
  moment where found footage was also kind of like hurling
• 1:37
  itself back into the mainstream with like Paranormal Activity and
• 1:40
  clover Field all that kind of jazz, and I think
• 1:43
  I kind of was an inspiration for people to just
• 1:46
  pick up a camera and be like, fuck, do we
• 1:47
  can like walk around our house and act scared or whatever?
• 1:51
  You know? And I think that's and it's a fun
• 1:53
  little it's a fun transition into Internet horror becoming a
• 1:58
  thing that's shared around to people being like is this real?
• 2:02
  I can't tell?
• 2:03
  Speaker 2: Like like, plus, it's like you said, people can walk
• 2:07
  around their house and record stuff. It was one of
• 2:10
  the earliest examples of really what internet creation became of,
• 2:15
  like oh, I don't need a whole team or like
• 2:17
  a ton of experience to do this. I can figure
• 2:19
  it out as I go. And this is like, are
• 2:23
  you familiar with the plot of like the story at
• 2:25
  all or no idea?
• 2:26
  Speaker 1: The only thing that you told me was that it's
• 2:28
  about slender Man stuff. And the only thing I know
• 2:30
  about slender Man really was just the actual real life
• 2:35
  murder of that or attempted murder of that girl, or
• 2:37
  the murder of the of the child. I've seen some
• 2:40
  of that stuff, but I and I'm aware that it
• 2:41
  was a game and that kind of stuff too, But
• 2:44
  in terms of slender Man actual lore and the stories
• 2:47
  and stuff, I'm very I have no idea.
• 2:49
  Speaker 2: It doesn't like rely that heavily on a lot of
• 2:51
  Slenderman myth of online. Again, it was one of the first,
• 2:54
  like early ones to really capitalize on it. So the
• 2:56
  series builds out its own lore and stuff like that,
• 2:59
  mainly just using the visage of Slenderman. I believe he's
• 3:02
  referred to as the operator throughout the series. Yeah, like
• 3:06
  it's it's it's creative what it does with the concept.
• 3:09
  So I have never sat down and watched the whole
• 3:11
  thing through. I've watched a ton of like summaries about
• 3:14
  it an analysis on YouTube. But as someone who was
• 3:16
  also considering making a video of marble hornets in the future,
• 3:19
  this is a great excuse to watch through it. So
• 3:21
  I'm excited.
• 3:22
  Speaker 1: Yeah, no, definitely. You know what's funny you bring that
• 3:24
  up too, is I was gonna say, as I was
• 3:26
  going to pitch this to you on it during the recording,
• 3:29
  was the one year anniversary of creep Cast is barreling forward, right,
• 3:37
  and I was thinking for the one year anniversary, we
• 3:39
  could we could actually read in its entirety ted the caver.
• 3:42
  I think that'd.
• 3:42
  Speaker 2: Because, Ah, that'd be so cute.
• 3:45
  Speaker 1: Because we only did a summary, people kind of enlicit
• 3:48
  that as the first official creep Cast episode, But I
• 3:51
  think that revisiting that would be a lot of fun.
• 3:54
  So I think that'd look forward to that ahead. I
• 3:56
  think that would be a good time to go back.
• 3:58
  Speaker 2: And has it really been a year?
• 4:00
  Speaker 1: It is coming up quick? Hearing about like, I think
• 4:02
  it's like six weeks. Pretty crazy. Oh that's weird. That
• 4:05
  is so weird to think so one of us isn't
• 4:08
  dead yet. Well yeah, I know, thank god. The uh
• 4:11
  another thing too, this will be a multi part video series,
• 4:15
  just because Isaiah here was telling me that it's gonna
• 4:19
  take nine and a half hours to watch the whole thing.
• 4:22
  Speaker 2: I think if you watch all of the side channels
• 4:25
  and everything, it adds up to like nine hours, which
• 4:28
  I would like.
• 4:28
  Speaker 1: To do too, just to have the full context of everything.
• 4:30
  If you're gonna do it, you might as well do
• 4:32
  it right. But today I believe we're just gonna go
• 4:34
  over entries one through twenty on the Marble Hornets channel
• 4:38
  and just kind of get uh, get the feeld, get
• 4:41
  the groove today.
• 4:42
  Speaker 2: Okay, so hold on, I am looking at so apparently
• 4:46
  it's summarized into seasons, right, three seasons of the Core one.
• 4:50
  Season one is an hour and a half. It is
• 4:53
  the first forty four episodes.
• 4:54
  Speaker 1: Oh okay, so do you want should we just do
• 4:56
  one through forty four then season one.
• 4:57
  Speaker 2: We could try it. We'll see, we'll see off the time.
• 5:00
  Speaker 1: Let's see what we can do.
• 5:01
  Speaker 2: Yeah, okay, all right.
• 5:02
  Speaker 1: First one here is introduction. This is I'm excited. I'm
• 5:06
  ready to get a little spooked with slender Man. If
• 5:08
  I'm being honest, I've never been I've never been spoofed
• 5:10
  with slender Man before. Here we go.
• 5:12
  Speaker 2: I want to take a quick moment to think today's
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  really does mean the most. We are now back to
• 6:54
  the episode.
• 7:03
  Speaker 1: The fucking uh the sound POV. You're in Windagoon's hurricane rittenhouse. Okay,
• 7:12
  so this is taking place in CHOS six, so this
• 7:13
  is technically like, oh, this is three years okay.
• 7:16
  Speaker 2: Yeah, yeah yeah. His film crew.
• 7:19
  Speaker 3: Complained of his increasing level okay. Near the end of shooting,
• 7:24
  Alex Holler production event indefinitely and dropped the unfinished project.
• 7:29
  He told me if it was due to the unworkable
• 7:31
  conditions on his set, which was less of my way
• 7:34
  from his house. Typical college student. I asked that, what you're
• 7:37
  going to do with the candless numbers of tapes he
• 7:39
  had funded?
• 7:43
  Speaker 4: Burned them?
• 7:43
  Speaker 1: Oh that's sick, man. I love this old shitty camera.
• 7:58
  Mm hm oh such a vibe. The random text placement
• 8:02
  always being different is fucking me up a little bit.
• 8:05
  Speaker 2: It's just all over the just throwing itself all over
• 8:08
  the place.
• 8:28
  Speaker 1: Holy shit. This oozes oozes analog influence. Like oh yeah,
• 8:35
  even the found footage like found footage movies very rarely
• 8:39
  did you hold like text up and like you're conveying
• 8:41
  information in that kind of way, Like that felt more
• 8:45
  analog than anything. Like it's it's so crazy to see
• 8:48
  that precursor.
• 8:50
  Speaker 2: Yeah, it's it's like it's like pre everything right, It's
• 8:55
  like yeah, yeah, all like you said, the text randomly
• 8:58
  flying up differently. It's it's just like someone got a camera.
• 9:01
  It was like, well, make stuff to upload online and
• 9:03
  you can show text online and it's like you can
• 9:06
  see everything that came after this, how it was influenced by.
• 9:10
  Speaker 1: This, Yeah, which I love. I was saying that during
• 9:13
  the clip. I love the the low almost like Walmart camera.
• 9:18
  You can tell they just picked that fucking thing up
• 9:19
  from oh cam quarter from Walmart went home the Windows
• 9:23
  movie maker and was just typing out. They're like, well,
• 9:24
  I don't know how else were we You just drive
• 9:27
  down Main Street for five minutes.
• 9:29
  Speaker 2: Let's just take up there's your b roll. Yeah, there
• 9:31
  you go.
• 9:32
  Speaker 1: And then it's like yeah, and I love that setup.
• 9:34
  It's just so fun. But the it also just makes
• 9:36
  it so much more authentic to me, Like if I
• 9:39
  I picture me and my friends when we were younger
• 9:41
  making this kind of stuff, even though it was fun
• 9:43
  film because I'm one hundred and eight years old. But
• 9:46
  you know, but this is the first actual entry. It
• 9:49
  is entry number one.
• 9:51
  Speaker 2: Yes.
• 9:51
  Speaker 1: Yes.
• 9:51
  Speaker 2: So to clarify for the audience, the guy who was
• 9:55
  posting these got the tapes from his friend Alex, who
• 9:59
  doesn't want anything to do with him for some reason.
• 10:01
  Speaker 1: Yeah, for some reason, there were his tapes. Yeah, he
• 10:04
  had There was like a weird disturbance in their set
• 10:06
  and he's just like fucking burn him whatever. So we'll
• 10:09
  say entry number one.
• 10:13
  Speaker 3: And finding nothing unusual, I came across a clip that
• 10:15
  doesn't fit in with the others what I can tell
• 10:18
  The following footage takes place inside Alex's house, not the.
• 10:21
  Speaker 1: Set of Marble Hornets. Oh it's okay, So Marble Hornets
• 10:23
  is the set of his movie.
• 10:25
  Speaker 2: Yes, that was the movie Alex was filming. Happened.
• 10:29
  Speaker 3: Yeah, the audio has been removed, either the microphone was
• 10:31
  disabled at the time or was taken out afterwards.
• 10:48
  Speaker 2: Yeah.
• 10:50
  Speaker 1: Yeah, there was a strange French mime on my doorstep.
• 11:02
  There was a weird frenchman on my.
• 11:04
  Speaker 2: I will I will say, I will, I will say,
• 11:07
  I will say. I do really like how that was
• 11:10
  completely silent.
• 11:12
  Speaker 1: Oh dude, Yeah no, no, that was fun.
• 11:14
  Speaker 2: That was fun.
• 11:14
  Speaker 1: It is going to be impossible.
• 11:16
  Speaker 5: Let me let me just say, it's going to be
• 11:17
  impossible to take this extremely seriously with just how infamous
• 11:22
  slender Man has. Slender Man, I can't seeing the guy
• 11:25
  out there in a fucking white in a white morph
• 11:27
  suit with a tuxedo on or black suit on was
• 11:31
  just fine.
• 11:31
  Speaker 1: But I even just the way that the camera work
• 11:33
  at the beginning. It's just it's it's just a little
• 11:36
  the little glimpse at too. It's just fun. I like it,
• 11:39
  and just a drone. It's it's it's so much fun,
• 11:42
  true too.
• 11:42
  Speaker 3: After a few more hours of tapes from this clip
• 11:45
  of Alex talking while driving, but now I assume that
• 11:48
  this probably took place before the events of Entry one.
• 11:51
  Speaker 6: I got home late tonight and I was taken Rocky
• 11:53
  for his walk about twenty minutes ago, so around midnight.
• 11:58
  Speaker 7: This one is near the set of Marble Ornants.
• 12:01
  Speaker 8: A little bit farther down the road.
• 12:02
  Speaker 6: You saw this really tall guy stand in the middle
• 12:04
  of the street, just completely still. For whatever reason. It's
• 12:08
  really set off Rocky and she just got really scared.
• 12:12
  He wouldn't move and he kept on point. Actually used
• 12:14
  to go back home. There was something about this guy
• 12:17
  that was just it was strange. So we had it
• 12:21
  back home. I have a little bit of time left
• 12:23
  on this tape, and I want to go see if
• 12:25
  he's still hanging around. In fact, I think this is
• 12:28
  the light that he's standing under, so.
• 12:30
  Speaker 9: I'm to have a look here.
• 12:43
  Speaker 2: Why would you get out of the car.
• 12:45
  Speaker 1: Fuck, what are you doing? Why are you out of
• 12:47
  the car. All right, So now I'm totally all right.
• 12:50
  So now I'm actually totally exposed my stomach cats. I'm
• 12:53
  totally exposed right.
• 12:54
  Speaker 10: Now anyone around here.
• 12:56
  Speaker 4: So I guess he's moved on.
• 12:59
  Speaker 2: This is great, by the way.
• 13:00
  Speaker 1: Oh I love it.
• 13:02
  Speaker 2: Yeah, yeah, this is awesome.
• 13:06
  Speaker 11: That's great.
• 13:08
  Speaker 2: Oh my gosh, I forgot. I haven't seen this in
• 13:10
  a minute. That worked so well, just like again it's
• 13:14
  dummy got out of the car, but like just the
• 13:16
  shaky cam down down the road at night and then
• 13:20
  there's the light and he gets out and he's talking,
• 13:22
  and there's an entire episode dedicated to that, just to
• 13:25
  like building building the world. Man, that's fun.
• 13:27
  Speaker 1: Yeah, there's nothing I'll say it. I'll be I'll be
• 13:30
  the first person to say it. There's nothing creepier than
• 13:33
  these found footage kind of movies where it's just driving
• 13:35
  down a dark road. Yeah, you never know what the
• 13:38
  fuck's going on. But I love the I love the
• 13:41
  I like also how quickly got out. He's like, yeah,
• 13:43
  we're we're a big, tall creepy guy and he's just
• 13:45
  like parking. He's like, all right, car, I'm gonna go
• 13:47
  see the tall creepy guy he was he's underneath this light. Okay,
• 13:50
  he's not here now injury three.
• 13:53
  Speaker 2: I will say this, this is making me like like
• 13:56
  I want to go make something now. Oh yeah, this
• 13:59
  looks fun.
• 13:59
  Speaker 1: This is always I need to do. Yeah, you can tell.
• 14:02
  It was just a bunch of friends who live probably
• 14:04
  in nowhere in the middle of like like a little
• 14:06
  country town or something. They're just like, fuck, due, let's just.
• 14:09
  Speaker 2: Let's just let's make a horror movie.
• 14:11
  Speaker 1: Yeah, exactly. It's so endearing, which is so cool.
• 14:15
  Speaker 2: I mean, like what we kind of forget the aspect
• 14:17
  of YouTube because we're so used to it that it
• 14:19
  used to be completely impossible for anything close to that.
• 14:22
  But now you could just upload your own your own
• 14:24
  home movies and stuff and that that's just it's really cool.
• 14:27
  I'm getting nostalgic watching this.
• 14:29
  Speaker 1: Yeah, it feels fun. But also just the authenticity of
• 14:32
  it feels nice too.
• 14:33
  Speaker 2: Yeah. Yeah, it feels like a group of guys just
• 14:37
  yeah making a movie exactly.
• 14:38
  Speaker 1: And I think it really lends to the like aesthetic. Also,
• 14:40
  I kind of like a short and punchy they are too.
• 14:43
  It's like it doesn't feel like it's super frilled up
• 14:45
  and there's this big production. It feels like kind of
• 14:48
  like very weird little excerts of time from a guy
• 14:51
  who just had who just happened to have a camera
• 14:53
  on them.
• 14:54
  Speaker 2: Yeah, it feels like it is a series of tapes
• 14:58
  rather than like a series.
• 14:59
  Speaker 1: Yeah, I'm starting to notice a vast majority of the
• 15:01
  tapes are completely unrelated to Marbleford, and it's a lot
• 15:05
  of him naked in the shower singing. At some point
• 15:09
  it seems Alex began filming himself exclusively. I kind of
• 15:12
  like that too, of like almost like a like a
• 15:15
  just sent into madness kind of thing.
• 15:55
  Speaker 2: Is that the angry video game nerd.
• 15:57
  Speaker 1: Ab g N right there? So people keep messing with me.
• 16:02
  Speaker 2: Yeah, that's me whatever you call.
• 16:42
  Speaker 1: Interesting. I really like the build up of this guy,
• 16:45
  Like the having a camera on him at all times
• 16:49
  is a lot of fun, like just in terms of uh,
• 16:52
  still not fully aware of the kind of the strange
• 16:55
  phenomenon that's happening around him too. But do you think
• 16:58
  that the sod did the games come out before the
• 17:01
  story or did the story come.
• 17:03
  Speaker 2: What was the release date? Is?
• 17:06
  Speaker 4: Nine?
• 17:07
  Speaker 2: Episode June nine Slender eight pages.
• 17:11
  Speaker 1: Because I'm wondering, because I know in the game. From
• 17:13
  what I remember too, you would collect notes or whatever.
• 17:15
  Speaker 2: Right, Yeah, Eight Pages came out in twenty twelve.
• 17:18
  Speaker 1: Oh okay, so wait before this.
• 17:19
  Speaker 2: Okay, unless the eight Pages is a is a later one,
• 17:23
  hold on first slender.
• 17:26
  Speaker 1: Man, because I just know I was wondering if him
• 17:28
  tearing out the pages, if it was supposed to be
• 17:30
  hearkening to that or not.
• 17:31
  Speaker 2: It was first released in June of twenty twelve. Yep,
• 17:35
  so this the game came way after this, which means
• 17:39
  that the pages from the game are in reference to
• 17:41
  Marble Hornets. That's fun, That's what I thought, but I
• 17:45
  didn't want to say something to be called stupid on
• 17:48
  the internet.
• 17:49
  Speaker 1: Well we probably that will probably still happen eventually somehow.
• 17:52
  I know Entry for I love the no audio track
• 17:58
  for videos. It's very menacing, creepy park guy running, Well.
• 18:12
  Speaker 2: There you are, there, he is, there, he is.
• 18:16
  Speaker 1: It's just like guy. The thing too is, if I
• 18:20
  know if I saw the ship in two thousand and nine,
• 18:21
  I would be freaked the fuck out. I'd be like, dude,
• 18:24
  turn the light.
• 18:25
  Speaker 2: Yeah me as ak me as a kid would have
• 18:27
  lost his vide. I actually remember seeing the clip of
• 18:30
  the first one a ton being freaked out. Hold On,
• 18:32
  I was talking what did that audio? That? What that
• 18:34
  text say at the ending, it.
• 18:36
  Speaker 1: Was pretty much it said that like the only only
• 18:39
  entry one in this have no audio and he thinks
• 18:41
  that's because Alex removed to himself. Okay, so which also
• 18:45
  that's another thing too, Uh, just slender Man knowledge here
• 18:49
  as I have the slender Man expert, does he make
• 18:52
  some kind of like horrid sound or anything.
• 18:54
  Speaker 2: Or is it just it's whenever you see him, he
• 18:57
  starts to make you go insane, like the stat and
• 19:00
  this buzzing and stuff like that, at least in most adaptations.
• 19:04
  I don't know if that is something that's in marble hornets,
• 19:08
  because I know it's like he makes technology mess up
• 19:10
  and stuff like that. So maybe that's why the audio
• 19:12
  is removed.
• 19:13
  Speaker 1: Hm hmm. Yeah, So you're thinking that the narrative, like
• 19:15
  the person who said, like, oh, I'm suspecting Alex removed
• 19:18
  to himself is just because they don't understand the power
• 19:21
  of the of the creepy.
• 19:23
  Speaker 2: Potential and potentially because anytime you get near slender like
• 19:26
  everything gets staticky, and uh, there typically is a weird
• 19:30
  noise associated with it, like the kind of like sounds
• 19:33
  like a electronic scratch. But I assume that typically that's
• 19:39
  only applied to like technology like cameras and stuff like that.
• 19:43
  So I don't know if you yourself would hear it
• 19:45
  was he?
• 19:46
  Speaker 1: Was he like a pied piper? Or did he just
• 19:49
  straight up murder your ass? How did Slenderman?
• 19:52
  Speaker 2: Okay, So there's different It depends on which story you're
• 19:55
  going through. If you're going through like typical like Slender
• 19:58
  eight pages, then he's out in the woods and if
• 20:01
  he sees you, he like tracks you down and kills you.
• 20:04
  In other versions, he would which I'm pretty sure this
• 20:07
  also comes from marble hornets, he would do he would
• 20:11
  create what's called proxies, So basically some people he would kill.
• 20:16
  Others he would like melt their mind effectively and turn
• 20:21
  them into his like taskmen, like his wappits or whatever.
• 20:26
  In most stories, a lot of people you know that
• 20:29
  what's up one creep the rake? Do you know the Rake? No?
• 20:32
  Speaker 1: I know, that's like a popular creep pasta, but I
• 20:34
  still don't know.
• 20:34
  Speaker 2: It's it's like this little like claw footed It looks
• 20:37
  like a little grimlin thing that runs around and attacks people.
• 20:40
  I know in a lot of stories the rake is
• 20:42
  a slender Man proxy. And for full context, since you
• 20:49
  said you knew about the murders, if I remember right,
• 20:52
  the two girls that tried to kill that other girl
• 20:54
  said they were trying to become proxies.
• 20:57
  Speaker 1: Can we also just take time to talk about how
• 21:00
  badass the chick was, who fucking survived.
• 21:02
  Speaker 2: That live through that yeah a lot, and then walked out.
• 21:07
  Speaker 1: I was like, I felt so fucking pumped when I
• 21:10
  was watching the documentary. I think there's I think it
• 21:12
  was on HBO or something, but they did the documentary
• 21:15
  about that, and uh. When I heard that she like
• 21:18
  fucking like survived and like crawled her way, like basically
• 21:22
  got up and walked to I was like, what a
• 21:24
  like actual chad unbelievable, like some rocky type shit. I hear,
• 21:28
  no ball, they come back and stab her to death again.
• 21:31
  I'm getting note the Uh.
• 21:32
  Speaker 2: All right, thank you, hold on, hold on, I didn't
• 21:36
  realize this. Okay, So the way Slenderman first started is
• 21:41
  someone posted, uh it's it's two images of a group
• 21:44
  of kids at a playground and slender Man standing in
• 21:47
  the background. I think I've seen that one that was
• 21:49
  the original doctored image that led to the whole lore right,
• 21:53
  I did not know this. The first episode of Marble
• 21:56
  Hornets was posted ten days after the slender Man was
• 22:01
  first posted on some whole forums. That was fucking days after.
• 22:05
  That means this is like the first.
• 22:08
  Speaker 1: This has to be the absolute first. Also, holy ship
• 22:11
  that must have cut on so fast, that must have
• 22:13
  blown up.
• 22:15
  Speaker 2: Yeah, first Marble Hornet's affiliated post nine days after the
• 22:19
  character create days. I didn't realize it was that title.
• 22:22
  Ho wow, man, I know it was early. I didn't
• 22:26
  know it was that early. That's ridiculous.
• 22:27
  Speaker 1: I love that, man. I also love that because of
• 22:30
  Slenderman's simple design, people were able to just be like,
• 22:32
  fuck it, dude, let's just get a white more suit
• 22:34
  in a suit, and like, let's just make it.
• 22:36
  Speaker 2: Throw a mask on, wear a suit. Boom.
• 22:39
  Speaker 1: It's so sick.
• 22:41
  Speaker 2: And also like at the time this was happening, for one,
• 22:45
  I don't even know if he was given the name Slenderman,
• 22:47
  yet he might have been. I think in the original
• 22:49
  something off of forms, it's just like, you know, the thing,
• 22:52
  the thing that you know, yeah, some whatever, children, sure,
• 22:57
  but at the time, like he pretty much had any
• 23:01
  mythos he wanted to build off of. So I would
• 23:03
  say nearly all of the slender Man mythos that gets
• 23:05
  used to tone probably came from him.
• 23:07
  Speaker 1: You'd have to assume, so, I mean, you'd have to
• 23:09
  assume that people saw this stuff and probably other kind
• 23:12
  of creepypastas and shit people were writing and just but
• 23:14
  even then, I feel like the creepypastas that were probably
• 23:16
  being written were just solely influenced off of some of
• 23:20
  the shit that they saw here, if not all of it.
• 23:22
  Speaker 2: Yeah, honestly, you know, it reminds me of more recently.
• 23:25
  It reminds me of the back Rooms because back Rooms
• 23:27
  was one image that people kind of build stuff around,
• 23:30
  and then like Cane Pixels makes a series that gets
• 23:32
  sixty million views and a lot of people associate his
• 23:34
  lore with like the actual lore. Yeah right, yeah, well,
• 23:37
  I mean there's an image, and then marble Hornets came along.
• 23:40
  Speaker 1: He definitely made the definitive. He made the definitive. I
• 23:43
  feel like translation, you know what I mean, and everybody
• 23:47
  can just kind of build off that in their own way,
• 23:49
  and it's just yeah, it makes it's just so sick.
• 23:52
  I also love this idea too, of people deriving entire
• 23:55
  narratives off of single images, just really fun.
• 23:58
  Speaker 12: Yeah, I agree, all right, dis according, okay, uh, this
• 24:19
  is the where I want to come back.
• 24:21
  Speaker 2: And like it has a nostalgia critic hat.
• 24:24
  Speaker 1: Dude, nobody. They need to just fucking burn these hats. Dude,
• 24:29
  there's no there is no cultural context.
• 24:32
  Speaker 2: Hello, I'm the nostalgia critic. I remember, So you don't
• 24:35
  have to I.
• 24:38
  Speaker 1: Name one cultural or like fucking any event where that
• 24:41
  thing you should be wearing a fucking a bowl hat
• 24:44
  or where the fuck they call.
• 24:45
  Speaker 2: Those if if if if slender Man puts on one
• 24:49
  of those hats, is it not, then a nostalgia critic
• 24:51
  costume it?
• 24:53
  Speaker 1: Absolutely is?
• 24:55
  Speaker 13: It?
• 24:55
  Speaker 1: Absolutely? Absolutely is? Also I really like the first line
• 24:59
  he said there too. So this is the gazebo where
• 25:01
  I want my main character to come back and reflect.
• 25:04
  You really got a scout out that gazebo.
• 25:07
  Speaker 2: Where I want my character to reflect.
• 25:08
  Speaker 1: I want my character reflect. I want to hear that again.
• 25:11
  Speaker 8: This is the I want Brian come back and reflect later.
• 25:15
  Speaker 10: The probably be about three four the way through.
• 25:19
  Speaker 2: This will just be by himself, right.
• 25:20
  Speaker 4: Yeah, put it, you're talking.
• 25:33
  Speaker 2: This is how you speak.
• 25:35
  Speaker 1: This is Brian reflecting in the gazebo.
• 25:41
  Speaker 2: Yeah, I think Brian should.
• 25:44
  Speaker 1: I decided to Actually, he got drunk and he hit that.
• 25:56
  I'm wondering if you pause here, if you could see
• 25:58
  him somewhere right Slender, It's gotta be somewhere one of these.
• 26:01
  Speaker 2: It's it sounds like there's actual voices and what's being
• 26:05
  said to If I had to imagine this is probably
• 26:07
  Slender like trying to get in the mind of or sorry,
• 26:11
  the operator trying to get into the mind of these people.
• 26:17
  Speaker 8: It's very.
• 26:19
  Speaker 2: I don't know, included. I guess.
• 26:23
  Speaker 1: True, so true.
• 26:26
  Speaker 2: King.
• 26:26
  Speaker 1: I love those big ass dc IS shoes from back
• 26:28
  in the day, Dude, everybody looked like a fucking Cartoon
• 26:33
  Network character, like a Codings next door.
• 26:37
  Speaker 10: This is gonna be near Sarah's hunting camp.
• 26:41
  Speaker 2: Over there, me when Sarah's hunting camp where.
• 26:50
  Speaker 1: Sarah and Brian.
• 26:53
  Speaker 10: I don't have him there at some point are sitting around.
• 26:57
  Speaker 1: Think it will past you know, just there he is.
• 27:03
  Speaker 2: Oh wait, hold on, hold on for sure, that's gotta
• 27:07
  be him right there, right, hold on, go back, go
• 27:09
  back a few seconds. Let me see the camera pan over.
• 27:14
  I think you're paranoid. Buddy, I think that is a tree.
• 27:18
  Speaker 1: You don't think that's him.
• 27:18
  Speaker 2: I'm pretty sure that's a tree.
• 27:21
  Speaker 1: Mmm okay, really tall. I mean he's doing the classic
• 27:27
  like so there's these are trees. They're very tall, and
• 27:29
  the guy he's like looking right at that direction.
• 27:31
  Speaker 2: So they're they look out tall that there's very troll trees.
• 27:35
  Speaker 1: They've been here one time. It's very tall.
• 27:37
  Speaker 2: Look over there, look over there, tall I've seen and
• 27:39
  then watching these are tall ones.
• 27:41
  Speaker 1: He lift him u because he's gonna look back over
• 27:42
  and the thing's gonna be gone. They're gonna show over
• 27:45
  there one more time.
• 27:46
  Speaker 2: What's that? It's still there, like an old climbing wall.
• 27:51
  Speaker 10: I can't remember if it was a climbing wall or
• 27:54
  fire department.
• 27:58
  Speaker 2: Me wouldn't climbing the wall.
• 28:01
  Speaker 1: Me when at a military training facility. He's gone.
• 28:06
  Speaker 2: Now no it isn't go back, he's still. It's the
• 28:11
  same tree.
• 28:12
  Speaker 1: It's not this, I swear to God.
• 28:13
  Speaker 2: Go back like ten seconds. Okay, it's still there. I
• 28:21
  know you're I think this has got you messed up.
• 28:27
  I think you're scared. I think that's what it is. Yeah,
• 28:45
  I remember what I said. Slender disrupts like technology when
• 28:47
  yeah around it.
• 28:48
  Speaker 1: Yeah, yeah, almost positive. I feel like I feel like
• 28:52
  you're making me feel like I'm going fucking crazy.
• 28:54
  Speaker 2: I think you are going crazy, was slender man. I
• 28:58
  think I think your which is all right. I don't
• 29:03
  like that you said that, but I think I think
• 29:08
  I think the story is doing its job making you scared.
• 29:11
  I don't like that.
• 29:13
  Speaker 1: I can see, I can I can pick out a
• 29:14
  tall white man a model away, a model a way.
• 29:18
  I can see a tall white man.
• 29:20
  Speaker 2: If if if I'm in the woods and.
• 29:24
  Speaker 1: I can see I can see any white man from a.
• 29:30
  Speaker 2: Far yeah, yeah, just like lower it intended.
• 29:35
  Speaker 1: I found the falling clip at the beginning of a
• 29:37
  new tape.
• 29:42
  Speaker 2: Man. It had to be so tempting for these early
• 29:45
  horror filmmakers who just slowed their movie out with like
• 29:48
  jump scared noises and bit and stuff. Just the restraint
• 29:53
  on display.
• 29:54
  Speaker 1: And I feel like you don't you don't think it's
• 29:56
  gonna hapen. I feel like they're gonna be influence.
• 29:57
  Speaker 2: Oh, I mean that that'll happen later. That's whoa whoa,
• 30:01
  whoa whoa go back. I didn't even see that well,
• 30:03
  I was when he.
• 30:03
  Speaker 1: First looked at the window look at this. Look to
• 30:06
  the door.
• 30:07
  Speaker 2: Yo, that's that is fun. That's great.
• 30:11
  Speaker 1: That would scare the ship out of because it's it's.
• 30:13
  Speaker 2: Not just like slender Man quote unquote, it's like an
• 30:16
  entity that appears kind of tall personal formed. It's a
• 30:20
  tall person exactly. Yeah, yeah, although.
• 30:23
  Speaker 1: I think person so freakishly tall.
• 30:27
  Speaker 2: Sir, it was dropped. Go ahead, go ahead, do your
• 30:31
  best nod the bit was bad.
• 30:35
  Speaker 1: I'm not going to commit to it.
• 30:36
  Speaker 2: That's why I want to hear the bad. So no,
• 30:42
  just like a lot of people, like, yes, slender Man
• 30:45
  got way overdone in the media, so now it's like
• 30:47
  hard to take him scary or anything. But just the
• 30:51
  idea of like a non human human esque entity that
• 30:56
  is stalking you for some reason, it's like it, you know,
• 30:58
  it's classic.
• 30:59
  Speaker 1: I mean the entry six so far. Definitely, it's I
• 31:03
  think objectively true to say that's weird. Freaky footage, Yeah, uncanny,
• 31:08
  like long length, like lanky humanoid person looking in also
• 31:12
  had no eyes or whatever. So also always better to
• 31:20
  just give him a glimpse, you know, don't ever, dude,
• 31:24
  I don't want to see slender Man for a full
• 31:25
  u interrupted ten seconds.
• 31:27
  Speaker 2: I also want to say uh that that last one,
• 31:32
  not six, but five was an entire one that had
• 31:37
  no direct slender Man. It's just like, oh, the camera
• 31:39
  was weird at some points. It adds to the legitimacy
• 31:41
  of this being someone just trying to catalog stuff that's happening.
• 31:44
  Speaker 1: Well, Entry five, I beg to differ. I think that
• 31:46
  the slender Man was behind the tree.
• 31:49
  Speaker 2: All right, Well, those of us in the audience who
• 31:51
  aren't blind, I need.
• 31:52
  Speaker 1: People in the comments to let me know if I
• 31:54
  if you saw slender Man.
• 31:56
  Speaker 2: You are just insane.
• 31:57
  Speaker 1: I'm telling you that was and what people rushing in
• 32:01
  saying Entry five, he's right behind the tree. I better
• 32:04
  get a goddamn apology immediately.
• 32:08
  Speaker 2: Brian, it's right behind the tree, is right by the tree.
• 32:15
  Speaker 10: Let's start again.
• 32:15
  Speaker 7: Let's start again to look at you.
• 32:18
  Speaker 10: Yeah, that's fine, all right, I'm rolling and just think
• 32:21
  with me.
• 32:26
  Speaker 14: I thought you were talking to her. Crap, I just
• 32:29
  lost this script. You know, I'm talking to Brian there
• 32:41
  because the camera picks it up. All right, you ready?
• 32:45
  Speaker 7: Yeah? Are you gonna feed me Tim's lines?
• 32:48
  Speaker 10: Yeah?
• 32:53
  Speaker 1: All right?
• 32:54
  Speaker 7: Action, I don't know. This town just doesn't feel the
• 32:59
  same to me anymore. I missed it so much when
• 33:03
  I was in college, But now that I'm back, I
• 33:08
  just feel like a depressed teenager all over again.
• 33:11
  Speaker 1: Isaiah reading Pancake Family be like.
• 33:15
  Speaker 7: Stuck in a loop of unhappiness.
• 33:18
  Speaker 10: Maybe you've grown up.
• 33:20
  Speaker 7: I don't know, maybe this town has grown up.
• 33:23
  Speaker 2: What that was? That was low and uncalled?
• 33:28
  Speaker 3: For?
• 33:29
  Speaker 2: First?
• 33:29
  Speaker 1: I thought the hurricane took out your power.
• 33:32
  Speaker 2: I wish it dead.
• 33:34
  Speaker 1: That was low and uncalled?
• 33:38
  Speaker 2: Oh there he is?
• 33:39
  Speaker 1: So is he? Is he gonna? Do we see him
• 33:41
  this time? Can we confirm we see slender Man this time?
• 33:44
  Speaker 2: I don't know. I have to go read The Pancake
• 33:46
  Family and be really bad at it.
• 33:47
  Speaker 1: So maybe this town's grown up? Is a that that
• 33:51
  that is a brutal line.
• 33:53
  Speaker 2: I do like how well this feels like a like
• 33:56
  a high school film.
• 33:58
  Speaker 1: So authentic. So the amount of just like especially him
• 34:02
  like fumbling his keys like you motion sickness, just because
• 34:05
  the guy he's kept it recording and he's just like
• 34:07
  flinging the camera around. Slenderman's kind of look a little
• 34:11
  prehistoric dude with his little like weird baby arms, his
• 34:14
  weird little fucking velociratter hands.
• 34:18
  Speaker 2: That one kind of looks like a statue.
• 34:20
  Speaker 1: Do you think do you think that's just a statue
• 34:22
  or do you think that's a person in an outfit?
• 34:24
  Speaker 2: Well, either way, I think the length of the arm
• 34:27
  is fake.
• 34:28
  Speaker 1: Right, it looks like somebody holding something in the sleeves
• 34:32
  or something like that.
• 34:33
  Speaker 2: Yeah, yeah, that's it.
• 34:35
  Speaker 4: Yeah, we're done.
• 34:38
  Speaker 1: At that point. If you were the guy being tortured,
• 34:40
  if you're Alex here, right, would you not just be like, hey, man,
• 34:42
  can you check out that uh eight foot tall white guy?
• 34:45
  Speaker 2: Well here, here's the thing about slender. Right. So one
• 34:49
  of the early concepts with slender was if you see it,
• 34:53
  it begins to stalk you.
• 34:55
  Speaker 1: Oh, so he's trying to save his boys.
• 34:57
  Speaker 2: Yes, which again probably comes from Marble Hornets, since I
• 35:02
  didn't realize how early Marble Hornets was in the mythos.
• 35:06
  So you don't want anyone else to see it, which
• 35:08
  is probably why Alex was like, burn the tape.
• 35:11
  Speaker 1: Well, that's what I was wondering. Do you think that
• 35:12
  translates over as well even from footage.
• 35:14
  Speaker 2: Or I feel like it's only in person.
• 35:20
  Speaker 1: That's what I was thinking too, because I was I
• 35:22
  was wondering, I'm like, if he was that conscious with
• 35:24
  his friends about it. Why would he keep recording all
• 35:26
  of himself.
• 35:26
  Speaker 2: Yeah, I think it's only in person because I think
• 35:29
  I remember people posting images and being like, images are safe,
• 35:32
  but if you ever come into contact with blah blah blah. Oh,
• 35:36
  so I think images are fine, it's seeing it in person,
• 35:39
  so he doesn't want his buddy to look at it.
• 35:41
  There's also the fact that Slenderman manipulates your mind over time,
• 35:45
  so someone who's been stalked by isn't is either going
• 35:47
  to become a proxy or at the very least isn't
• 35:49
  going to be in the best state. You know, they're
• 35:51
  not going to be reasonable.
• 35:53
  Speaker 15: So yeah, that was It's just they.
• 36:03
  Speaker 1: Should just rocket ship out to space. Right there.
• 36:08
  Speaker 2: He drives straight into the building.
• 36:11
  Speaker 1: The Alex Alex character is becoming more fleshed out to
• 36:16
  him trying to help, like basically save his friends from
• 36:19
  doing like from being affected. Is nice? Not trying to
• 36:23
  get that fitin al flopped from slender Man. You know
• 36:24
  what I mean? Slender Man a fittin all. Can you
• 36:33
  imagine slender Man giving you galaxy? Gas?
• 36:35
  Speaker 2: Is galaxy? I heard some jokes about is it just nitrous?
• 36:39
  Speaker 1: Well, it's nitrous it's nitrous oxide. But it's like I
• 36:42
  just like you know those Coleman thermoses. It's like the
• 36:45
  size of that whippets are little capsules. The galaxy gaess
• 36:49
  thing is like flavored. It's like banana cream. It's destroyed.
• 36:57
  Here's a here's a ps A. Do not do galaxy gas, guys.
• 37:01
  Speaker 2: Well, you know you know how nitrous oxide gets you high?
• 37:05
  Do you know what the function of it is?
• 37:07
  Speaker 1: That so of just suffocates like part of your brain.
• 37:09
  Speaker 2: It suffocates your brain. Yeah, so it kills brain cells
• 37:14
  such an degree that you feel high because your brain
• 37:17
  is dying. Do you think show instantly makes you stupid?
• 37:20
  Speaker 1: Do you think our show is big enough to where
• 37:23
  somebody has been listening to us read terrible creepypastas and
• 37:26
  they're getting high on galaxy gas, on on Peni Colada
• 37:31
  galaxy gas.
• 37:33
  Speaker 2: It tastes like Dreamsickle.
• 37:38
  Speaker 1: Cocord falls back his deal. Yeah, we're just like just
• 37:46
  like listen to the left right game. He took a
• 37:48
  left and then all right.
• 37:51
  Speaker 16: Yeah, someone someone someone's like overdose as the as the
• 37:59
  TV's like, I don't know about this, Bristol.
• 38:02
  Speaker 2: We we ought to get you back, hold on, come back,
• 38:08
  come back to the.
• 38:09
  Speaker 1: Middle, like the one overdosing on galaxy gas at the
• 38:15
  part when uh, when the main character of Left Right
• 38:18
  Game is talking to their like future and angel ethereal
• 38:21
  self would be a trip someone completely high, They're just like,
• 38:25
  oh my girl, it's like in the past. The guy's like,
• 38:29
  what the fuck.
• 38:34
  Speaker 2: Someone's like about a die.
• 38:35
  Speaker 1: It's a shot of galaxy gas container.
• 38:41
  Speaker 2: Someone's about a die, and we're like, we just have
• 38:44
  to make it to winter b We just just go.
• 38:47
  Speaker 1: Yeah, the ambulance is there, sir, can you hear me?
• 38:55
  Don't guess he's drawing him here? Also, is that the
• 38:57
  marble hornet's logo or whatever that that comes synonymous too
• 39:00
  from this series?
• 39:01
  Speaker 2: Yeah, the circle with the X.
• 39:02
  Speaker 1: Yes, the rest of the tape remains too dark to see.
• 39:05
  An audio never comes back.
• 39:07
  Speaker 2: So he's drawing these pages for some reason.
• 39:09
  Speaker 1: Yeah, nice, little uh kind of reminds you like a ring?
• 39:13
  Is that ring? Is that the movie where? Yeah? Yeah, yeah,
• 39:16
  ring or ring you whatever, the America one ring? But yeah,
• 39:20
  the little kid draws the circle kind reminds me of that.
• 39:22
  Speaker 2: Yeah.
• 39:22
  Speaker 3: Yeah, Entrey nine, I've never seen Alex act the way
• 39:26
  he does in the following raw footage from Marble Hornets.
• 39:30
  Speaker 1: What do you think marble Horns is about? Especially where
• 39:33
  it's like Brian's gonna reflect here later.
• 39:35
  Speaker 2: I uh, it's it sounds like I'm tired to thinking
• 39:42
  about the over Dude.
• 39:52
  Speaker 1: Stop it smells like Corshata in here. It's supposed to
• 39:55
  real bad.
• 39:57
  Speaker 2: The TV behind him just misster wellas don't lie I get.
• 40:03
  Speaker 1: Rush gold. Dude, stop, you're starting to scare me.
• 40:11
  Speaker 8: Oh god, oh my dog, the devil?
• 40:23
  Speaker 4: No, no, would that be good?
• 40:32
  Speaker 2: Where did you just whip that out from? What are
• 40:36
  you saying? God? I see the devil ready?
• 40:41
  Speaker 1: I guess you're sitting in the room with a guy.
• 40:45
  You guys are watching marble Hornets. He's just here like,
• 40:49
  what are you doing with do you?
• 40:53
  Speaker 4: Little demon?
• 40:54
  Speaker 1: And the cool brothers would just be dude, you're starting
• 41:00
  to scare men.
• 41:05
  Speaker 14: There's angel tapping at the door.
• 41:07
  Speaker 4: There's an angel tapping at the door.
• 41:10
  Speaker 1: Yeah, that would scare the ship on me. There's an angel.
• 41:22
  Speaker 2: Just play the video.
• 41:24
  Speaker 16: He came back.
• 41:25
  Speaker 1: You know, what the fuck is this color green?
• 41:29
  Speaker 17: You talked to him?
• 41:29
  Speaker 2: It all it's just blown out? Well, what what it is?
• 41:35
  Hold on pause? Real quick.
• 41:36
  Speaker 1: Also, what the fuck is his shirt?
• 41:38
  Speaker 2: So there is the middle.
• 41:40
  Speaker 1: It's a radioactive but it's Tommy Hill figure.
• 41:45
  Speaker 2: They're in the middle of the of like abiminy in
• 41:48
  the day, right, so it's super shaded under that. So
• 41:51
  he's like, oh, well, to see their faces, I'll just
• 41:53
  blow out the is s o right, which is why
• 41:56
  it looks like that, and it is. This is super
• 41:58
  student film.
• 42:00
  Speaker 1: Extremely well, they're back at the gazebo. The gazebo is
• 42:02
  going to be a reoccurring set theme. I think here,
• 42:06
  I think so, I agree he left me when he went.
• 42:08
  Speaker 18: Off to the city and that's that.
• 42:10
  Speaker 1: Yeah, yeah, sure, so I love the idea too of
• 42:18
  a student films. Nobody ever gets costumes. They're just like, hey,
• 42:21
  show up dressed kind of nice.
• 42:23
  Speaker 2: They were exactly their outfits.
• 42:25
  Speaker 1: You care about wear my radioactive Tommy Hill figure shirt?
• 42:28
  Going you care?
• 42:29
  Speaker 2: You care? If this shirt has an insanely distracted loud.
• 42:35
  Speaker 18: I'm not really going to do anything.
• 42:40
  Speaker 8: We're gonna do it again. The pacing still feels weird.
• 42:43
  It's it doesn't sound like a conversation. You guys still
• 42:47
  sound like your redo.
• 42:50
  Speaker 1: You guys are bad actors. You're acting poorly.
• 42:53
  Speaker 2: This was me with my sisters when I was like, uh,
• 42:56
  like twelve, because I would want to do these little
• 42:59
  like home movie bees and uh, I just my sisters
• 43:02
  are the only people I could do it, and I'd
• 43:04
  be like, what is this performance?
• 43:06
  Speaker 1: Like what the hell? Guys? So I guess we're not
• 43:09
  trying to we're not actually trying to make a film.
• 43:10
  Speaker 2: Okay, okay, So I guess you're not dedicated to the project.
• 43:14
  Is that it?
• 43:14
  Speaker 1: Okay?
• 43:15
  Speaker 2: Well you hit your galaxy asked, well, look who's the
• 43:24
  YouTuber now? Huh? And look who's look who's in nursing school?
• 43:27
  So what's that telling you? That's what do you do?
• 43:30
  Speaker 8: Just have a conversation.
• 43:31
  Speaker 1: Also, like how they're put out by having to do
• 43:33
  another take. It's like, are you not actors?
• 43:36
  Speaker 2: Yeah, it's like do you know what? You don't do
• 43:38
  it all one time? What are you talking about?
• 43:40
  Speaker 1: Yeah, I'm looking for cylinder man.
• 43:45
  Speaker 2: He would look like the sun right now without a
• 43:47
  shooting star right now.
• 43:51
  Speaker 8: That's yeah, wonderful.
• 43:55
  Speaker 13: Nice because I didn't have anything to you.
• 44:01
  Speaker 8: Why would you have anything to do anyway?
• 44:03
  Speaker 10: You knew you were coming.
• 44:04
  Speaker 8: On set an afternoon shoot though, you guys will do
• 44:11
  it right. First off, I am by lunch. Let's just
• 44:14
  do it again. Just stop.
• 44:17
  Speaker 6: Action.
• 44:20
  Speaker 18: You seemed really distant ever since he came.
• 44:21
  Speaker 19: Back from the beginning rolling. What well did you not
• 44:28
  have it recording during the break? I told you to
• 44:31
  keep the camera recording at all.
• 44:35
  Speaker 2: I love this. This is fun.
• 44:36
  Speaker 1: I love It's so terrible, but I love it. It's
• 44:39
  so real.
• 44:42
  Speaker 2: Like, what do you mean you were filming? Yeah?
• 44:44
  Speaker 8: I gave you one job. All you're supposed to do
• 44:46
  was coming.
• 44:47
  Speaker 2: Look now he's adjusting the brighton's back down and press
• 44:50
  record once.
• 44:52
  Speaker 8: You don't stop it at all. I made this extremely clear.
• 44:56
  Speaker 18: If this is moving on for a while, can I
• 44:58
  get a script again?
• 45:03
  Speaker 19: You helped me load up the car. You know how
• 45:05
  many tapes we have. If we run out of time
• 45:07
  on this tape, we'll get another. It's not a problem.
• 45:14
  Speaker 1: His face. That reaction is so good his on this tape.
• 45:23
  Speaker 2: You look so upset.
• 45:25
  Speaker 8: I mean, you brought your.
• 45:27
  Speaker 11: Dog, you brought your dad. Stupid, stupid.
• 45:42
  Speaker 1: Just don't just don't read him right off?
• 45:44
  Speaker 17: A little bit more human with it exactly?
• 45:48
  Speaker 8: Yeah, you know act how about that?
• 45:53
  Speaker 17: You know, considering how much you're paying us at everything.
• 45:55
  Speaker 8: Why would I pay for what.
• 45:56
  Speaker 18: You're giving me?
• 45:57
  Speaker 1: I mean, Alex the Chad.
• 46:03
  Speaker 8: Well, yeah, you already on tapes.
• 46:05
  Speaker 13: You can't afford actors anyway.
• 46:09
  Speaker 2: God damn you and your tapes.
• 46:13
  Speaker 8: I'm sorry, Just don't stop recording. It's not a problem.
• 46:18
  Speaker 2: This is awesome. Okay, fine, sorry, this is awesome. Yeah,
• 46:25
  he can. He never wants to turn a camera off.
• 46:31
  Speaker 1: Okay. They're saying that slenderman is is affecting his personality.
• 46:35
  I just want to say, not that crazy of a
• 46:37
  response for these act I would be fucking livid too.
• 46:41
  Speaker 2: Sure, but these are also student actors and stuff. But
• 46:43
  I think the main takeaway is that he's stressed, for one,
• 46:46
  but also that he needs a camera on around him
• 46:50
  at all times. That's why he's like, I have more tapes,
• 46:52
  just keep it running. What do you mean you cut it?
• 46:54
  Speaker 1: Yeah? Yeah, And with that part, he's just like, I
• 46:56
  told you to keep it running at all time. Yeah, no,
• 46:58
  little part. Also Tree nine by far my favorite one
• 47:01
  so far. That was really funny. I like it. I really,
• 47:07
  I think that the silent ones are the most effective though. Honestly, yeah,
• 47:13
  I'm gonna go in and I'm gonna make my own
• 47:14
  audio for these scenes, just.
• 47:16
  Speaker 2: Like stereotypical horror movie music.
• 47:19
  Speaker 1: No, it's gonna be panting and stuff. But then it's
• 47:21
  gonna be that that Cranberry song Zombies Zombie. But it's
• 47:27
  just gonna be that part where it's like hen Ther
• 47:29
  bones and there guns and there bones and there guns.
• 47:33
  It's just that repeated over and again. It's really gonna
• 47:36
  listen a nice panic attack out of the out of
• 47:39
  the audience. I'm gonna send chills down everybody spines. What
• 47:43
  do you think slender Man has people do? Like whenever
• 47:47
  you become like a you know, a proxy whatever.
• 47:51
  Speaker 2: So the original Slenderman images, like a lot of the
• 47:54
  early lore was about him like stealing away children, like
• 47:57
  kind of like what you were saying, like pie Piper there.
• 48:01
  Speaker 8: But.
• 48:04
  Speaker 2: Most of it later I think was he just like
• 48:06
  steals anyone for some unknown reason. I don't think he
• 48:09
  outright kills people. I think he like makes them disappear, right,
• 48:13
  so maybe like dimensionally or drags him away somewhere. I
• 48:16
  don't know. So the vibe I'm getting this stuff like
• 48:18
  Entry ten and Entry one are all within like a
• 48:22
  couple nights of each other, and we're just kind of
• 48:24
  viewing stuff out of order as our our guides finding
• 48:27
  it right.
• 48:28
  Speaker 1: Yeah, yep, I imagine that I would imagine his like
• 48:31
  the abduction part would have to be I imagine to be
• 48:35
  fairly quickly, like if it's if it's ramping up that much,
• 48:37
  i'd imagine it's within days.
• 48:38
  Speaker 2: Yeah, he couldn't have spent a very long time like that.
• 48:41
  I don't think, Oh the does the circle with the
• 48:51
  X mean no face?
• 48:53
  Speaker 1: I'm guessing it had probably maybe.
• 48:54
  Speaker 2: I've seen that logo for years, but I don't think
• 48:57
  i've ever put that.
• 48:58
  Speaker 1: That's a fun response. It's like a fun like I
• 49:01
  like reason for the iconography though.
• 49:04
  Speaker 2: If if that is what it is, like yeah, I mean,
• 49:06
  but there's nothing there ye.
• 49:07
  Speaker 1: Immediately registered for me, So I think that you're you're
• 49:11
  probably onto something.
• 49:14
  Speaker 9: H m h m hm hm hm hm h m hm.
• 49:55
  Speaker 2: Oh, look that that was cool like that, that.
• 50:00
  Speaker 1: Is fun, irresponsible electric use though you're gonna be hurting
• 50:04
  on that electric bill next month. Even the light on
• 50:05
  the staircase like that.
• 50:06
  Speaker 2: I don't know, that's definitely what's on his mind.
• 50:08
  Speaker 1: I think that's what that's what's on my mind. I'm like, dude,
• 50:10
  think I can tell, I can tell, I don't know
• 50:14
  hill there, let's.
• 50:16
  Speaker 10: Go ahead and get this shot.
• 50:17
  Speaker 1: His wonder where this is film?
• 50:22
  Speaker 2: Just getting set to control it, and it was I
• 50:25
  have the wiki pulled up. It was filmed in Tuscaloosa, Alabama.
• 50:29
  Speaker 1: Then Alabama.
• 50:34
  Speaker 8: I don't so that's about as prior form I go.
• 50:39
  We don't want that.
• 50:42
  Speaker 2: Would be there.
• 50:44
  Speaker 1: He is, I am gonna die on that fucking entry
• 50:47
  five hill, dude, I am dying on the hill.
• 50:54
  Speaker 2: And they acknowledge him just then go back, go back,
• 50:56
  Well that's what he said. Did they say, like, there
• 50:58
  he is? Yeah? What's he doing? Yeah? Walking to it?
• 51:05
  Speaker 1: Yeah, yeah, let's get him off the credit.
• 51:10
  Speaker 4: I hope he's not angry at it.
• 51:11
  Speaker 1: Heydy, Yeah, so he's he's like, I hope he's not.
• 51:16
  Speaker 2: They all addressed him, yeah, in doing what's he doing?
• 51:19
  Speaker 1: So that's probably also where you're talking about when you
• 51:21
  said that the like all the friends have their entries
• 51:24
  as well, because it looks like they all saw him
• 51:25
  right there.
• 51:26
  Speaker 10: Yeah yeah, Yeah, this one's kind of low. Do you
• 51:32
  have the extra one?
• 51:33
  Speaker 1: Those DC shoes, dude, holy ship, does do you see
• 51:36
  do they even make shoes anymore?
• 51:39
  Speaker 9: Them?
• 51:39
  Speaker 10: In a hot minute in the passenger seat.
• 51:41
  Speaker 14: Okay, if not the trunk, all right, I'm gonna keep
• 51:45
  on going though, So okay.
• 51:50
  Speaker 2: Oh that's pretty close.
• 51:53
  Speaker 1: Got him at the end. So yeah, it's like almost
• 51:55
  every time the audio cuts out, he starts to pop up.
• 51:57
  Do you think that do you think he Do you
• 51:59
  think he's the one who wrote on the stone there?
• 52:02
  Or do you think that was just there before?
• 52:04
  Speaker 2: What did the stone say? I didn't see it.
• 52:06
  Speaker 1: It was like the circle with the extra it ah,
• 52:10
  but he was like dusting it off.
• 52:12
  Speaker 2: Oh oh oh that that was probably someone else came before. Okay,
• 52:18
  because I thought if slenders in the area, other people
• 52:20
  have had this an encounter.
• 52:23
  Speaker 1: Just curious because I was like, I was wondering if
• 52:24
  if it was him who was like, you know, making
• 52:27
  that stuff up, or if it's like imagery that he's
• 52:29
  seeing in his head now because he's transcribing that on
• 52:32
  a paper too.
• 52:33
  Speaker 2: Maybe he sees it in like symbols like that and
• 52:35
  then just carries on the action.
• 52:38
  Speaker 1: Already image tearing, probably gonna see it.
• 52:41
  Speaker 2: I think I've seen this one before.
• 52:43
  Speaker 1: Is this a pretty popular one?
• 52:44
  Speaker 4: Yeah?
• 52:45
  Speaker 2: This is one that gets shared around a lot.
• 52:47
  Speaker 1: Oh yeah, yeah, this is this is some classic classic. Yeah,
• 52:53
  how fun is that?
• 52:55
  Speaker 2: Yeah? I mean it is like again Slender's overdone, but
• 52:58
  that is menacing, like something taller, just a.
• 53:00
  Speaker 1: Tall, creepy man walking to my house. You shouldn't be here.
• 53:05
  Oh what do you think this slender Man sounds like?
• 53:09
  Speaker 2: Hello, miss slender Man? Sure, buddy, do you think he
• 53:15
  sounds like that?
• 53:15
  Speaker 1: All right?
• 53:17
  Speaker 2: He doesn't he he doesn't have a mouth. I don't
• 53:19
  think he makes noise.
• 53:23
  Speaker 1: What he murmured? Bruh, he'd just shut the fucking door
• 53:37
  all the way. Damn, slender Man just came in and
• 53:49
  just kicked the ship out of him.
• 53:51
  Speaker 2: Yeah, just beat him up.
• 53:52
  Speaker 1: And just just fucking punched the fucking out.
• 53:55
  Speaker 2: The next time you all play it with your stupid cameras.
• 53:57
  Speaker 1: Yeah, I want you to leave it. Keep leaving your
• 53:59
  door cracked.
• 53:59
  Speaker 2: Put see, I'm gonna I'm gonna I'm gonna eat that
• 54:04
  sandwich on the counter on my way out, all right by.
• 54:06
  Speaker 1: It'd be kind of funny if actually he like looked
• 54:08
  at the camera. He's like, so a vase fell on
• 54:11
  my head.
• 54:15
  Speaker 2: And I'm upset.
• 54:17
  Speaker 1: Last time I put a lamp on the shelf above
• 54:19
  my bed, we're gonna be talking mad Ship on Alex. Dude. Yep,
• 54:31
  Alex stopped even buying Arby's for lunch.
• 54:33
  Speaker 2: So I've been dressing up as a as like a
• 54:36
  tall faceless man in a suit.
• 54:38
  Speaker 1: Ye followed, just a mess with him. Are they in
• 54:42
  high school?
• 54:42
  Speaker 2: You think? Yes?
• 54:44
  Speaker 1: Okay? I thought it might have been a college film,
• 54:45
  like a Blair Witch.
• 54:48
  Speaker 8: I guess so.
• 54:49
  Speaker 17: I mean, it's been quite a while to give this.
• 54:52
  Speaker 1: Also, we've been kind We've been under the impression too
• 54:55
  that I feel like Alex lives alone.
• 54:57
  Speaker 2: But hold on, are you saying the care or the
• 55:01
  actual people, because I think I feel like the actual
• 55:03
  people are probably high school but maybe they're just acting. Yeah.
• 55:07
  Speaker 1: I fully believe that these are like seventeen eighteen years people.
• 55:11
  But I think in this in the context of this story,
• 55:14
  I'm trying to figure out if, oh, he's in he's
• 55:16
  supposed to be in college or whatever?
• 55:19
  Speaker 2: Yeah?
• 55:20
  Speaker 4: Right, Yeah.
• 55:20
  Speaker 13: More more specifically, the director Alex Alex Curly, you remember, I.
• 55:25
  Speaker 17: Don't really remember much. I mean, he was a friend
• 55:27
  of Brian, so I didn't really talk to him that much.
• 55:30
  I mean, he just kind of asked me to be
• 55:32
  part of the cast. For the sake of convenience.
• 55:34
  Speaker 13: In terms of his directing at the time, how was
• 55:36
  he as a director?
• 55:38
  Speaker 17: He is a pretty decent director.
• 55:44
  Speaker 1: Who's a pretty decent director.
• 55:48
  Speaker 17: After a while, he got to the point where he
• 55:49
  would be yelling at us more than he'd be actually
• 55:52
  be filming the movie. So he'd just be really paranoid
• 55:57
  waving his camera around all over the place. I mean,
• 55:58
  I just couldn't really came other other than the camera
• 56:01
  he was using to shoot the Yeah, he had a
• 56:03
  handheld that he was carrying around with him all over
• 56:05
  the place.
• 56:07
  Speaker 2: Okay, okay, all right, calmed down, Okay, all right, dude,
• 56:15
  what are you doing?
• 56:18
  Speaker 7: How many? How many?
• 56:18
  Speaker 18: Would you say?
• 56:19
  Speaker 7: You had.
• 56:21
  Speaker 17: Way more than necessary.
• 56:22
  Speaker 13: More than you would need to make up a production
• 56:24
  like this. Yeah, just for himself. Yeah, speaking of Alex,
• 56:28
  I mean, I don't I don't know if you do
• 56:29
  this or not, but but he didn't move away after
• 56:31
  he ended this production, so you wouldn't know what might
• 56:35
  have caused Alex to move away.
• 56:38
  Speaker 17: No, I know, Brian did say something about, like, I
• 56:41
  think somebody who's leaving dead animals and like his uh,
• 56:44
  like his front yard or something.
• 56:47
  Speaker 2: It's pretty normal.
• 56:48
  Speaker 1: Yeah, I think people were like that. I feel like
• 56:51
  people were leaving, like killing cats and leave him in
• 56:53
  his front yard.
• 56:54
  Speaker 2: Hey, we've all we've all had.
• 56:55
  Speaker 1: I couldn't think of anything particular. I couldn't think of
• 56:58
  anything particular, like people kept cutting off like their fingers
• 57:02
  and leaving him in his mailbox. But I couldn't pinpoint
• 57:05
  exactly why he would leave.
• 57:06
  Speaker 2: I just don't know what's gone so worked up?
• 57:09
  Speaker 13: What do you mean pets like cats or dogs or anything.
• 57:12
  Speaker 17: I don't think so he didn't.
• 57:14
  Speaker 7: Kind of live in it. I really wooded area.
• 57:16
  Speaker 17: I don't think it was anything like that. But I mean,
• 57:18
  you have to ask Brian.
• 57:19
  Speaker 1: I'm not really the this mother. He's like, I just
• 57:23
  why are you even talking to me? Talk to Brian.
• 57:25
  I have no idea what's going on.
• 57:26
  Speaker 13: But did you have to notice I know these are
• 57:28
  like public places and there were people there, but did
• 57:30
  you notice anything out of the ordinary about any any
• 57:33
  people any went he saw? I mean it was just
• 57:37
  you know, families, kids, you know, and just I mean,
• 57:41
  you just have to get people off the set on
• 57:42
  a regular basis, So okay, anything anyone that you wouldn't.
• 57:48
  Speaker 1: Any eight foot tall faceless men.
• 57:50
  Speaker 2: Anything, a little little strange.
• 57:53
  Speaker 13: Guy, guy in a business suit like business suit?
• 57:56
  Speaker 17: Don't remember? I mean it was quite a while ago,
• 58:00
  and then there may have been, but I mean it's,
• 58:02
  you know, several years ago, and you asked me about
• 58:04
  a guy in a suit.
• 58:05
  Speaker 13: So okay, So so you don't really remember now specifics
• 58:09
  about anyone.
• 58:09
  Speaker 3: You had to move off?
• 58:10
  Speaker 1: Is he so fucking aggressive?
• 58:12
  Speaker 17: I'm really sorry, but I got to get the launch
• 58:14
  after this one, right, I mean, I'm sorry, we do this.
• 58:18
  Speaker 2: Quick, okay. I think it makes sense why he's so aggressive,
• 58:23
  because think about it, he is trying to figure out
• 58:25
  what happened to his friend Alex. Alex disappeared, and then
• 58:27
  he finds a guy who was on set and all
• 58:30
  that Brian has seen or not Brian Jay Jay is
• 58:34
  the one who's posting all this. All Jay has seen
• 58:37
  so far is a ton of videos of Brian like
• 58:41
  being stalked by guy in a suit, and then he
• 58:43
  saw that the guy in the suit's on set, and
• 58:45
  then he saw that that guy was in Alex's house,
• 58:48
  So now he's stressed. You find someone named Tim and
• 58:51
  he's like, hey, do you know anything about Alex? What
• 58:52
  about this guy in the suit? Have you seen him?
• 58:54
  He was on set, I saw it on videos. How
• 58:56
  could you not have seen him? Like he's confused?
• 58:59
  Speaker 1: I guess more so, I was thinking of the aggressive
• 59:02
  from the interviewee.
• 59:05
  Speaker 2: Oh oh oh oh, I see what you're saying.
• 59:07
  Speaker 1: I think I think that I think that Jay was uh.
• 59:11
  I think that I got the idea that he's just like, dude,
• 59:13
  I have seen it. Did you not see anything else?
• 59:16
  Like he's really trying to pry it out of him? Like, yeah,
• 59:18
  I mean the guy was standing there in broad daylight,
• 59:20
  but the guy was just like what I mean, come,
• 59:21
  I don't know, I come on. What the fact makes
• 59:24
  me think that is also hiding something too. I think
• 59:27
  he's maybe not wanting to dive into that part of
• 59:30
  his memory again, is what I would assume.
• 59:33
  Speaker 2: Okay, Yeah, I see what you're saying.
• 59:35
  Speaker 1: That makes sense because he was just getting very flustered
• 59:38
  by the end, like you're asking me about a guy
• 59:39
  years ago as soon. I don't know, Like it just
• 59:42
  seems a bit condescending and a bit aggressive.
• 59:46
  Speaker 2: Yeah, do you care to pause? Real quick?
• 59:48
  Speaker 1: Yp Sure received an anonymous tip about where Brian could
• 59:51
  be located. Also, are you under the impression with this
• 59:54
  that that they are, that they've basically been abducted by Slenderman,
• 59:59
  or that they've been killed by under Man. They didn't move,
• 1:00:01
  Like whenever say oh he moved, I was like, oh
• 1:00:04
  didn't move?
• 1:00:05
  Speaker 2: Yeah A hundred yeah, no question, no question. Yeah he
• 1:00:13
  finds Alex, It's like, oh, I moved to Toledo, great
• 1:00:16
  housing prizes out here.
• 1:00:18
  Speaker 1: I just did. It was too much, man, I had
• 1:00:20
  to go. I also think these work a lot better
• 1:00:31
  too as a series. Like if this was a movie,
• 1:00:32
  I think it would be it'd be too hard to
• 1:00:34
  establish the whole guys carrying a camera around, Like I
• 1:00:38
  feel like it would feel really rushed. So the build
• 1:00:41
  up of him continuously carrying the camera and going around
• 1:00:43
  has been nice. But I'm curious to see if he
• 1:00:45
  finds Brian.
• 1:00:46
  Speaker 2: Here's like the YouTube format of all this, yeah, ways
• 1:00:49
  to be cataloged. We're watching it just lends itself to
• 1:00:52
  the story.
• 1:00:53
  Speaker 1: Also, now you're starting to have I like the theming
• 1:00:55
  of now somebody who has found the footage is also
• 1:00:59
  kind of becoming this you know, filmmaker carrying a camera
• 1:01:03
  on him as well. So it's almost like two people
• 1:01:05
  who have been driven mad and have are constantly trying
• 1:01:09
  to like surveillance themselves. Back Doors are always open, baby,
• 1:01:14
  slide it open.
• 1:01:18
  Speaker 2: That's what she said. Yeah, mm hmmm, what.
• 1:01:26
  Speaker 1: I tell you. I'm telling you these fucking these Backwood
• 1:01:30
  Alabama people, they know it.
• 1:01:33
  Speaker 2: Never locked out.
• 1:01:34
  Speaker 1: They're like, they're like, no one walks to the back.
• 1:01:37
  Speaker 2: So this is Jay going to Brian's place.
• 1:01:39
  Speaker 1: That's what it said. He's trying to find Brian.
• 1:01:47
  Speaker 2: Alice Brian, Yeah, because he suspects Brian knows something about Alex.
• 1:01:58
  He's not letting on.
• 1:01:59
  Speaker 1: Yeah, it almost be weird if it almost be more
• 1:02:07
  weird if you found them here.
• 1:02:10
  Speaker 2: Yeah, like the wreckage and everything.
• 1:02:13
  Speaker 1: Yeah, or they're just there and he's like, dude, where
• 1:02:14
  have you been for all this time? Well essentially years? Right?
• 1:02:19
  Speaker 2: Oh, well you know rinse cheap here, you know, got
• 1:02:21
  to move back.
• 1:02:21
  Speaker 1: Well, you know, I mean I have I do what
• 1:02:23
  I have to do. I want to see a slender
• 1:02:30
  Man like twerk compilation.
• 1:02:33
  Speaker 2: Okay, that's I'm almost positive that's out there.
• 1:02:36
  Speaker 1: Slender Man twerk and Galaxy Gas compilation.
• 1:02:39
  Speaker 2: All right, you and this Galaxy Gas have gone somewhere.
• 1:02:42
  Did you make a video.
• 1:02:42
  Speaker 1: I'm young, I'm a young hip kid.
• 1:02:45
  Speaker 2: Okay, you are at least thirty five. What was that noise?
• 1:02:54
  They like, They're like, I don't like that.
• 1:03:01
  Speaker 1: Uh are we are we supposed to assume that Jay
• 1:03:07
  is patient zero with COVID?
• 1:03:09
  Speaker 2: Yeah, I think that's what you're were trying to get
• 1:03:11
  out of this hunter for sure. I think that's what
• 1:03:14
  this story.
• 1:03:15
  Speaker 1: What was Alex trying to say?
• 1:03:16
  Speaker 2: Well, you told me before we start you don't believe
• 1:03:18
  in COVID.
• 1:03:19
  Speaker 1: Oh, absolutely not.
• 1:03:26
  Speaker 2: And if and if I recall you also continued to
• 1:03:29
  said any and all vaccines are the mark of the
• 1:03:32
  beast to put the anti Christ into you as what you.
• 1:03:37
  Speaker 1: Said, Yeah, I thought the forbidden syrups.
• 1:03:40
  Speaker 2: Yeah, the galaxy gas of the soul, so to speak.
• 1:03:45
  Speaker 1: The only true cure to COVID is of flavored galaxy gas.
• 1:03:54
  I know what I'm doing, tell the public disinformation.
• 1:04:01
  Speaker 2: Imagine this is just what your house looks like this.
• 1:04:04
  Speaker 1: This is yeah, all the.
• 1:04:05
  Speaker 2: Electricities routed to your streaming set up. So like just
• 1:04:09
  your wife crawls around like a rat in the dark
• 1:04:12
  because you won't let her have any lights. What what
• 1:04:19
  does that?
• 1:04:20
  Speaker 1: I don't know, like a bend?
• 1:04:21
  Speaker 2: Is that like a like a toolbox. Oh uh, oh huh,
• 1:04:29
  oh buh, I'm having flashbacks to the Oh gosh, what
• 1:04:34
  is it. There's a storm in Japan?
• 1:04:38
  Speaker 1: Oh yeah, yeah. He just like wiped up with his hands. Blood.
• 1:04:43
  It's dry blood. We touch it.
• 1:04:44
  Speaker 2: What is this cherry? Galaxy gas?
• 1:04:48
  Speaker 1: All right? So this is definitely the serum for galaxy gas.
• 1:04:50
  This is definitely this shit smells sweet. He's like, oh
• 1:04:54
  my god, ben a drill.
• 1:04:56
  Speaker 2: Okay, So if this is okay, So it's either Alex
• 1:05:00
  was here or Brian was here and was going through
• 1:05:03
  way more than we thought, right, Like he he is
• 1:05:07
  in the thick of it.
• 1:05:08
  Speaker 1: I would assume it's Alex. I think that got They're
• 1:05:11
  all plagued in their own.
• 1:05:12
  Speaker 2: Oh that was a bullet case. Yeah, that's not good.
• 1:05:16
  Those are Alex's pages.
• 1:05:18
  Speaker 1: Right, Yeah, I'm wondering what what the whole fucking like
• 1:05:20
  the sick thing is did Alex Well, I guess we
• 1:05:22
  haven't seen Alex coffe yet.
• 1:05:24
  Speaker 2: Maybe the pages. It could also be maybe there's a
• 1:05:29
  smell in there something.
• 1:05:31
  Speaker 1: Well, he was kind of caught, remember he coughed during
• 1:05:33
  the interview.
• 1:05:33
  Speaker 2: He was like, oh, you're right, you're right, Yeah, you're right.
• 1:05:48
  All right, So we're now. I may go back soon
• 1:05:51
  to enteen seventeen.
• 1:05:53
  Speaker 18: I had to do that about five times.
• 1:05:56
  Speaker 7: That's a good story.
• 1:05:59
  Speaker 1: That's a good story.
• 1:06:00
  Speaker 7: I'm out of the frame.
• 1:06:00
  Speaker 8: Yeah, you're good. Uh you know where we're starting to?
• 1:06:04
  Speaker 17: Uh why do you come back?
• 1:06:07
  Speaker 18: Yes?
• 1:06:08
  Speaker 2: And uh did that say that Jay was on set? Yeah?
• 1:06:12
  I found more footage of me.
• 1:06:14
  Speaker 1: Right helping Alex.
• 1:06:15
  Speaker 2: Yeah yeah, yeah, yeah yeah. So if he was on set,
• 1:06:17
  then he should also remember, like the operator being there
• 1:06:21
  and stuff like that.
• 1:06:21
  Speaker 1: I don't think that he I don't think he was
• 1:06:23
  on set the whole time, though. I think he was
• 1:06:25
  just helping him sometimes. I'm pretty sure.
• 1:06:26
  Speaker 2: Oh is that him? Yeah, that's him.
• 1:06:30
  Speaker 1: You talk about my boy, Slindy, there's the boy just
• 1:06:34
  like Entry five, baby, No, not just like Entry Entry five.
• 1:06:38
  He was there, dude, I hope.
• 1:06:40
  Speaker 2: I hope he's there, but he's in a completely different place.
• 1:06:44
  Speaker 1: Dude. Why are you gonna wish that kind of evil
• 1:06:46
  on me? Man? It's fucked up.
• 1:06:51
  Speaker 2: Dialogue with the Alex That was just me.
• 1:06:54
  Speaker 8: I do all the script for this.
• 1:06:56
  Speaker 1: I do all the script for this.
• 1:06:58
  Speaker 2: I do all the script for this. Met describing writing,
• 1:07:01
  I do all the script for this.
• 1:07:03
  Speaker 8: Why are you running a jacket?
• 1:07:05
  Speaker 7: It's pretty cold in here.
• 1:07:07
  Speaker 8: I'm comfortable.
• 1:07:10
  Speaker 2: Up or something.
• 1:07:12
  Speaker 8: Well, we're going through it a couple more time in anyway, but.
• 1:07:19
  Speaker 2: My ears okay, from that points all the end of
• 1:07:24
  the tape, the picture is frozen. A few problems are
• 1:07:27
  still present in this clip. But there's something else about
• 1:07:30
  really disturbs me. Is it the guy standing outside the window?
• 1:07:33
  Speaker 1: I remember any of it happened.
• 1:07:34
  Speaker 2: Oh, that's fun.
• 1:07:37
  Speaker 1: I decided to go back to the house. Ooh, he's
• 1:07:39
  going back. I like that.
• 1:07:41
  Speaker 2: That's fun. Okay, So he was there for a lot
• 1:07:45
  of the stuff he's seen in the footage. I can't
• 1:07:47
  remember for something. But he's like.
• 1:07:49
  Speaker 1: I don't remember doing that eighteen.
• 1:07:55
  Speaker 2: Hell yeah, let's go. Let's go, let's go. Oh I'm high.
• 1:08:00
  This is great. This is way better than I remember it.
• 1:08:02
  Speaker 1: The door's locked again.
• 1:08:05
  Speaker 2: Well, he went through the back door last time.
• 1:08:07
  Speaker 1: Remember didn't he run out the front door? I remember
• 1:08:09
  he unlocked it the first time and then he went upstairs.
• 1:08:20
  Speaker 2: Uh, that's that's more destruction than last time.
• 1:08:24
  Speaker 1: I was gonna say. It looks way more.
• 1:08:27
  Speaker 2: Yeah, this is like, Yeah, there's there's a table flipped
• 1:08:29
  over and like chairs. Yeah, that couch is upside down. Yeah,
• 1:08:36
  that's that closet they were living in, right.
• 1:08:39
  Speaker 1: I'm guessing. So I'm still confused by the closet situation thing.
• 1:08:43
  Speaker 2: I think it's because there's no windows. Oh that's oh
• 1:08:48
  someone's made of all.
• 1:08:50
  Speaker 20: Yeah.
• 1:08:50
  Speaker 2: I'm guessing they're sleeping in the closet because there's no
• 1:08:52
  windows to be watched through. Oh my gosh, oh shit,
• 1:09:02
  Oh my god.
• 1:09:06
  Speaker 1: Bro, that fucked me up.
• 1:09:08
  Speaker 2: Dude, what the fuck that that made me jump? Oh?
• 1:09:23
  Speaker 1: I was not even Slender Man.
• 1:09:25
  Speaker 2: No, this this is one of the proxies, Like what
• 1:09:27
  I was talking about. He's wearing a mask, right, Yeah,
• 1:09:31
  it has screamed so hard.
• 1:09:36
  Speaker 1: Bruh.
• 1:09:40
  Speaker 2: Wow, he doesn't remember these interactions.
• 1:09:45
  Speaker 1: I woke up here the next morning, my car off
• 1:09:47
  the road. A lot of up shots of the trees
• 1:09:54
  kind of shots as well. Very reminds me a lot
• 1:09:57
  of Blair Witch.
• 1:10:01
  Speaker 2: Dude, that was great running across the floor.
• 1:10:04
  Speaker 1: It was a really strong reveal. I don't understand the
• 1:10:13
  mask thing, though, Isaiah fill me in on the mask.
• 1:10:16
  Speaker 2: Well, Slender has no face, right, sure, so his followers
• 1:10:20
  wear things to cover their face. It's like a church
• 1:10:22
  of him almost. I see what was that the first barvtext?
• 1:10:26
  I didn't catch that one, okay, interested Okay, so I
• 1:10:36
  think that is either Brian or Alex. The thing is
• 1:10:50
  probably Brian because I feel like the Alex reveal will
• 1:10:52
  come later.
• 1:10:53
  Speaker 1: Yeah, I think it's gonna be like I imagine that
• 1:10:55
  Alex Reville will crescendo to be like more of the finale.
• 1:10:58
  Speaker 2: Yeah, there we go. Okay, all right, so now here
• 1:11:08
  comes the point where I think we should bring in
• 1:11:13
  the second channel, right, so it's called to the arc
• 1:11:16
  all one word? Okay, there it is all right now, operator, Yeah,
• 1:11:32
  lakes and stillness will take every light of the night.
• 1:11:43
  Speaker 1: I wonder how much of that audio is also people running,
• 1:11:46
  uh like running from previous Is it is that audio from.
• 1:11:53
  Speaker 2: You're getting ahead of it a little bit yourself? But
• 1:11:57
  these are all recontextualizations of stuff we've all already seen. Okay, see,
• 1:12:01
  and that will become very apparent here in a second.
• 1:12:03
  But yes, that's audio from previous episodes of Marble Hornets.
• 1:12:06
  Speaker 1: Should we be going into delusion next?
• 1:12:09
  Speaker 4: Yes?
• 1:12:22
  Speaker 1: I really enjoy these little blips. It reminds me a
• 1:12:25
  lot of David Lynch's ABC's movie He did in college.
• 1:12:57
  It looks like it's spelling something are.
• 1:13:02
  Speaker 2: It goes across the whole thing. T H e R
• 1:13:05
  e W. There was more.
• 1:13:11
  Speaker 1: There's more. At first I thought it was like binary
• 1:13:14
  like ones and zero or whatever.
• 1:13:43
  Speaker 2: Does that guy look familiar to you?
• 1:13:45
  Speaker 1: I can't tell. I can't tell if it's Alex or
• 1:13:46
  if it looks okay.
• 1:13:48
  Speaker 2: So do you remember back in tape thirteen of Marble
• 1:13:51
  Hornets when he's in the woods with that guy and
• 1:13:53
  he says, hey, go to the car and get more tapes.
• 1:13:55
  And while he's exploring, he finds the XO. Yeah.
• 1:13:58
  Speaker 1: Yeah, He's like, I'll meet you down there.
• 1:14:00
  Speaker 2: This is when that guy goes back to the car.
• 1:14:02
  Someone to the arc. Whoever it is was watching them
• 1:14:05
  from the woods.
• 1:14:06
  Speaker 1: To the arc, and I almost think it's Alex, Like.
• 1:14:09
  Speaker 2: Well, Alex was the one who we were watching, maybe
• 1:14:11
  a possessed version. Alex was the one we were watching
• 1:14:15
  in tape thirteen. Unless you're this just happening simultaneously.
• 1:14:18
  Speaker 1: So is this is this supposed to be Brian? Then
• 1:14:20
  the person recording the person in frame?
• 1:14:23
  Speaker 2: Uh, That's what I'm wondering, because oh oh, according, so
• 1:14:28
  I have I have the key log for e Cheps.
• 1:14:30
  I pulled up that is Jay.
• 1:14:32
  Speaker 1: Oh, okay, so that's our.
• 1:14:34
  Speaker 2: This is the guy doing our our catalog and of everything.
• 1:14:38
  Speaker 1: Right, this makes you think that it's either Alex or Brian.
• 1:14:40
  Then part of me thinks is Alex? Uh? Like he
• 1:14:45
  something happened to him and then he ran back up
• 1:14:47
  and recorded, like in a trance or something.
• 1:14:49
  Speaker 2: Right, Yeah, yeah, yeah, I could see that. Where is
• 1:15:06
  the arc? That is a great question, trying.
• 1:15:08
  Speaker 1: To find what it said at the beginning to rat
• 1:15:10
  rat or rather.
• 1:15:14
  Speaker 2: Or rat here or.
• 1:15:18
  Speaker 1: Top top top Mmmm.
• 1:15:22
  Speaker 2: I do not know what that means rat.
• 1:15:25
  Speaker 1: Let me look at that spelled out almost.
• 1:15:27
  Speaker 2: I was rather rather, So I spelled rather because there's
• 1:15:31
  no oh in it.
• 1:15:33
  Speaker 4: I was no.
• 1:15:34
  Speaker 1: I guess I thought it was or rat. It could
• 1:15:38
  be the or, but I don't know what the r
• 1:15:40
  A is.
• 1:15:40
  Speaker 2: I don't know. Maybe it's out of order. Mm hmmm,
• 1:15:44
  I don't know. All right, So that's that one. Next
• 1:15:49
  should be program.
• 1:15:54
  Speaker 1: It's gonna be kind of cool if we find out
• 1:15:57
  bleed more. It's gonna be kind of interesting to find
• 1:15:59
  out if like the possessed version of Alex or the
• 1:16:02
  manipulated version of Alex is like editing this.
• 1:16:06
  Speaker 2: Putting them all together. Yeah, I'll also say all of
• 1:16:09
  the little zeros and stuff like that. Stuff flashes on screen.
• 1:16:13
  I'm sure hidden messages that will be decoded when the
• 1:16:16
  eventual Windgoon video, But for right now, I'm not going
• 1:16:18
  to try to put that together. So you see a
• 1:16:29
  video on Marble hornets and then you see it recontextualize
• 1:16:32
  over here onto the arc. Right, all right, So next.
• 1:16:36
  Speaker 1: We Havetion edition. Yes, I think it's that him coffin
• 1:16:49
  on the ground while he was running away.
• 1:16:50
  Speaker 2: Yes, Oh my gosh. So whoever is doing this account
• 1:16:54
  was in the house when that happened.
• 1:16:56
  Speaker 1: Do you not think that's from the perspective of the
• 1:16:58
  guy on the couch or do you think it was
• 1:16:59
  somebody else? Do you think there's a second party there?
• 1:17:02
  Speaker 2: He wasn't coffeing and the one he got attacked in right,
• 1:17:04
  because he woke up the next day that was this
• 1:17:06
  was the first time he came to the house, right, Oh.
• 1:17:09
  Speaker 1: You're right, yep, yep, yep, yep, you're right.
• 1:17:11
  Speaker 2: That's when he wasn't attacked.
• 1:17:13
  Speaker 1: Yeah, that's the first time he went to the house.
• 1:17:15
  That's true.
• 1:17:19
  Speaker 4: Something something.
• 1:17:29
  Speaker 2: This is going to activate some sleeper agent one of
• 1:17:32
  our viewers. I don't like that. You. I don't like that.
• 1:17:47
  Go upstairs to your room. I will be waiting for you.
• 1:17:49
  Absolutely not.
• 1:17:50
  Speaker 1: It almost seems like these are messages to Jay two though,
• 1:17:53
  come back is it referring to come back to the house,
• 1:17:55
  almost like some kind of entrance or something, you know
• 1:17:57
  what I mean.
• 1:17:58
  Speaker 2: So that one took place that was signal Right, signal
• 1:18:01
  comes right after Entry seventeen, which is the episode before
• 1:18:05
  he returns to the house. So yeah, comeback is delivered
• 1:18:08
  right before Jay goes back to the house.
• 1:18:10
  Speaker 1: Okay, So then I'm guessing smiling for the cameras or
• 1:18:13
  messages is next.
• 1:18:14
  Speaker 2: Messages is after he gets attacked at the house at night.
• 1:18:21
  Speaker 1: You've been keeping hmmm, you've been keeping secrets?
• 1:18:34
  Speaker 2: Jay's been Okay, So this is talking to Jay. That
• 1:18:36
  means Jay's been keeping secrets.
• 1:18:37
  Speaker 1: Well, that's what I'm saying. I'm wondering what Jay hasn't
• 1:18:39
  been informing the us the viewers like it's him saying stuff. Also,
• 1:18:45
  it could could it be secrets as in the memories
• 1:18:47
  that he can't remember. Potentially, yes, because I'm wondering if
• 1:18:51
  he I'm wondering if he's I'm wondering if Entry nineteen
• 1:18:54
  is going to respond to.
• 1:18:54
  Speaker 2: That unless he's lying about it. So he's saying right there, Okay.
• 1:18:58
  At the opening of Inch nineteen, he says, I saw
• 1:19:02
  his response to Tree eighteen, So that is what we
• 1:19:04
  just saw.
• 1:19:05
  Speaker 1: That's what I'm saying. That's why. Yeah, So let's see
• 1:19:08
  what he says here.
• 1:19:13
  Speaker 2: This is what we just saw.
• 1:19:17
  Speaker 20: Mmmm.
• 1:19:18
  Speaker 1: Interesting Okay, unreliable narrator.
• 1:19:24
  Speaker 2: Okay. The same thing that was getting Alex is getting
• 1:19:27
  to him yielded nothing worth mentioning, so he began only
• 1:19:30
  checking it weekly.
• 1:19:35
  Speaker 1: Where Oh interesting, So he's been recording all of this
• 1:19:40
  to a hard drive.
• 1:19:40
  Speaker 2: Correct, yep.
• 1:19:42
  Speaker 1: Interesting.
• 1:19:43
  Speaker 2: Yeah, he has become the exact same thing Alex was. Yeah.
• 1:19:46
  Speaker 1: We we haven't talked about that a little bit before. Yeah,
• 1:19:49
  each of these people kind of do. So this is Jay.
• 1:19:55
  Speaker 2: This is insanely well done. This is so much better
• 1:19:57
  than I remember it being when, like I watched this
• 1:19:59
  year's back. I guess I just wasn't paying attention enough
• 1:20:01
  where I appreciate it more.
• 1:20:02
  Speaker 1: Now, is there's something behind the window here?
• 1:20:06
  Speaker 2: I hope not, because if that's a face, I'm gonna cry.
• 1:20:09
  Oh my god.
• 1:20:10
  Speaker 1: Oh Jesus Christ. I'm almost positive that face was out there.
• 1:20:14
  Oh oh, it's fun, man. Some of these jumps are
• 1:20:24
  really nice, Like these jump scares are really.
• 1:20:25
  Speaker 2: Nice, Dude. I've jumped out of my scared.
• 1:20:28
  Speaker 1: That one nut got me.
• 1:20:30
  Speaker 2: Ah. The room is empty for about three hours after
• 1:20:33
  a watch. I come back in and fall asleep instantly.
• 1:20:36
  I don't remember ever getting up for an extent.
• 1:20:38
  Speaker 1: He's being puppeted, bro. He's like they're they're fucking with
• 1:20:42
  his mind.
• 1:20:43
  Speaker 2: I suspect is the person wearing the mask knows where
• 1:20:45
  I live.
• 1:20:46
  Speaker 1: It's got to be Alex. Also trying to think.
• 1:20:48
  Speaker 2: Of these clips. I've kept not left my house at all.
• 1:20:51
  I've kept all the doors and windows locked. I need
• 1:20:56
  to find somewhere else to go. It's not safe to
• 1:20:57
  stay here anymore.
• 1:20:59
  Speaker 1: Very good entry, extremely good.
• 1:21:02
  Speaker 2: That Okay, what the whole thing I said about, Like, oh, well,
• 1:21:05
  the jump there's no jump scares or anything. It means
• 1:21:07
  when they do happen, they are so effective because I'm
• 1:21:11
  not ready.
• 1:21:12
  Speaker 1: Not only are they just effective, but they don't rely
• 1:21:14
  on like a lot of movies when they use jump
• 1:21:15
  scares are like like big sound, where it's just volume
• 1:21:19
  being raised and it's like it's shocking my nervous system.
• 1:21:22
  This is just this is just a really fun character entry.
• 1:21:25
  They're nineteen point five or to be hot back over.
• 1:21:28
  Speaker 2: Okay, we hop back to to the art, so now
• 1:21:30
  they alternate for a bit. Okay, cool, so real quickly,
• 1:21:33
  let me real quickly that one shook it out of me.
• 1:21:35
  Let me peek right back.
• 1:21:40
  Speaker 1: Awesome, very good. The idea too, of where he was
• 1:21:47
  gone for three hours. I wonder if he was just
• 1:21:49
  in this state of of just sitting there with these
• 1:21:54
  pulsating lights and.
• 1:21:55
  Speaker 2: He's right there with the operator, so you know, he's
• 1:21:58
  as deep in as you can be.
• 1:22:00
  Speaker 1: Decided to make a visio recorded the items I took
• 1:22:02
  from my house an entry. I hope also moving forward
• 1:22:05
  with this too, I really hope that he keeps interacting
• 1:22:07
  with this other channel, Like I love the collaborative nature
• 1:22:09
  of like, yeah, I saw what that one page did.
• 1:22:11
  I I kind of it's gonna send him like just
• 1:22:15
  make him even more crazy, you know, stir crazy of
• 1:22:17
  this person's watching me and uploading it kind of reminds
• 1:22:19
  me of Michael Hannike's movie Cache. I don't know if
• 1:22:22
  you've ever seen that movie.
• 1:22:23
  Speaker 2: But I'm not familiar with it.
• 1:22:24
  Speaker 1: Michael handike one of my favorite directs Amazing made this
• 1:22:27
  week called Cashe and it's all about this guy keeps
• 1:22:29
  getting tapes delivered to his house and it's just he
• 1:22:31
  plays the tapes and they're just recordings of his house.
• 1:22:33
  So it's just recording his house. Very good. It's Michael
• 1:22:37
  handikey though, So it's very weird, but it's it's not
• 1:22:39
  I wouldn't say it's necessarily horror, but it's a thriller,
• 1:22:41
  trauma kind of thing.
• 1:22:43
  Speaker 2: Okay, the stuff he got in tape sixteen.
• 1:22:45
  Speaker 1: Entry sixteen. This is some of the stuff he's got.
• 1:22:47
  Speaker 2: Which is the pills. Yeah, that was the one before
• 1:22:49
  he got attacked.
• 1:22:50
  Speaker 1: Correct, this is the first time. So this is he's
• 1:22:53
  showing off the drawings to pills in the bold. I'm
• 1:22:55
  guessing forget what I see is what the paper said. Yeah,
• 1:23:08
  he definitely shook it. He did.
• 1:23:13
  Speaker 2: Oh, he must have been taking the pills in the.
• 1:23:16
  Speaker 1: Trance, I'm guessing. So very fun. Way to tie that together.
• 1:23:21
  How fun?
• 1:23:22
  Speaker 2: That is fun? That is very cool. He's losing his
• 1:23:25
  memory problem.
• 1:23:28
  Speaker 8: Why are you were in your jacket?
• 1:23:30
  Speaker 4: It's pretty cold?
• 1:23:31
  Speaker 2: Any here, man? That thing freaked me out so bad.
• 1:23:55
  Speaker 1: That was definitely the most effective scare so far through
• 1:23:57
  my blood. That in like the hall when the guy
• 1:24:00
  was running down the hallway, Yeah, seize me.
• 1:24:13
  Speaker 2: Yeah, the circle of the ax has to be no face.
• 1:24:15
  Speaker 1: Yeah, absolutely, some of the second she's been reoccurring. Yeah,
• 1:24:18
  I mean, wonder we wiped it here. I was wondering.
• 1:24:20
  I'm wondering if, yeah, if he did this, or if
• 1:24:23
  it's other people who have been.
• 1:24:24
  Speaker 2: Affected because that that was Alex film, Yes, that was Alex.
• 1:24:27
  Speaker 1: H Yeah.
• 1:24:27
  Speaker 2: Well, according to Jay, it seems like absolutely you do stuff,
• 1:24:31
  you go into trances and do stuff you're not familiar with.
• 1:24:33
  Speaker 1: You have to I mean, I I you you'd have
• 1:24:35
  to assume too. Alex is having these laps of times
• 1:24:38
  of not remembering anything.
• 1:24:40
  Speaker 2: Yeah. At the Tower, it's written in the same style
• 1:24:44
  of writing that's on the front.
• 1:24:46
  Speaker 1: At the Tower, sees me at the tower, with.
• 1:24:50
  Speaker 2: Me at the tower, knowing in towers nearby.
• 1:24:53
  Speaker 1: We haven't seen any fixtures like that, right. The only
• 1:24:55
  thing we've seen remotely to like, I guess if you
• 1:24:57
  want to call it the tower is uh, the rock
• 1:25:00
  climbing wall when he.
• 1:25:01
  Speaker 2: Was Yeah, that's true. You're right, you're right, something needs
• 1:25:07
  to come at or the rust trails got cold. Yeah,
• 1:25:09
  because Alex only had so many tapes.
• 1:25:12
  Speaker 1: Well, yeah, that's yeah, exactly all right, I'm almost finished
• 1:25:16
  looking through the tapes.
• 1:25:18
  Speaker 2: Man, I'm so locked in.
• 1:25:19
  Speaker 1: Then we coulupposed to be the final clue I get
• 1:25:21
  from them. Okay, cool, big big reveal here again. I
• 1:25:24
  don't remember any of this happening. Oh you know, you know,
• 1:25:28
  ship starts whatever, like.
• 1:25:30
  Speaker 2: I do not remember this. Yeah, all right, let's see
• 1:25:34
  we'll do a little special featurette here from the das
• 1:25:37
  were waiting for Tim, who's running the.
• 1:25:39
  Speaker 8: Screen over for me. That looks awful.
• 1:25:42
  Speaker 2: Where'd that painting? I think?
• 1:25:44
  Speaker 8: Yeah, I took it down and I wanting back.
• 1:25:49
  Speaker 1: So we're here on Haunting photo.
• 1:25:52
  Speaker 8: Ryan is somewhere.
• 1:25:54
  Speaker 10: I don't know where.
• 1:25:54
  Speaker 2: I wasn't I wasn't paying attention.
• 1:25:56
  Speaker 12: Where do you.
• 1:25:59
  Speaker 8: We've been doing some script revisions for coming up here.
• 1:26:03
  Speaker 2: I've been supervising that because I'm the script supervisor.
• 1:26:05
  Speaker 8: Yes, Jane has been very helpful today. I'm very proud
• 1:26:08
  of him. We're just waiting on Tim to get here.
• 1:26:11
  Go give him the new script and every run over
• 1:26:12
  some lines.
• 1:26:19
  Speaker 1: Me with my script and he try. Anytime someone tries
• 1:26:22
  to have you read some of their work. Anytime I've
• 1:26:25
  ever anytime I've ever been like, hey, can you check
• 1:26:27
  this out, They're like, freak out?
• 1:26:30
  Speaker 2: How you doing? Tim?
• 1:26:31
  Speaker 8: Drive my right, it's okay, Sorry, I'm late. Why is
• 1:26:37
  it so cold? And let's go ahead.
• 1:26:41
  Speaker 1: Also, that's the same jacket as the face the mask.
• 1:26:46
  Speaker 2: Oh you're right, King, You're so right. It's Tim.
• 1:26:49
  Speaker 1: I'm really tired of this.
• 1:26:50
  Speaker 8: I really need a break down. Oh fie tick five?
• 1:27:02
  Speaker 2: Oh the coffin.
• 1:27:03
  Speaker 1: I wonder what kind of sickness you get?
• 1:27:05
  Speaker 2: Well, I think your body begins to physically like change, right, surely.
• 1:27:09
  Speaker 1: You'd have to have some kind of altercation. I'm guessing
• 1:27:12
  maybe it's monkey pocks.
• 1:27:13
  Speaker 2: Yeah, you don't believe in that either?
• 1:27:15
  Speaker 1: I thought, No, absolutely not.
• 1:27:17
  Speaker 2: Yeah, just some mess match tape. Uh?
• 1:27:22
  Speaker 8: Do you need to go hug for the kado? I'm fine.
• 1:27:27
  Speaker 2: If it seems to be out of order or missing
• 1:27:29
  parts altogether. Tim is also acting very strange. The pill
• 1:27:34
  bodle he has looked similar to the one I found
• 1:27:36
  in the house. Is that not the same house? In
• 1:27:40
  regards to Entry nineteen o five, I included at the tire.
• 1:27:43
  Maybe you'refering the red structure. Look at you, Look at you?
• 1:27:46
  Speaker 1: An entry five where we saw our first cylinder man. Okay,
• 1:27:50
  if he pans over and shows it here, I'm gonna
• 1:27:52
  fucking dunk on you so hard.
• 1:27:55
  Speaker 2: It's it's not because it's not there. This is the
• 1:27:58
  only solid lead right now. Sid to other interesting sick Okay, nice, Okay,
• 1:28:05
  So now we go back to the ARC.
• 1:28:09
  Speaker 1: So it's upside down. Seems like it was a lot
• 1:28:16
  of words. It's a lot of stuff said like uh,
• 1:28:19
  poison random centered, excludes death, accounting, stale truth and dangering
• 1:28:23
  section for you. Basically, it just seems like it's a
• 1:28:25
  bunch of like threatening, threatening phases. It's it once again.
• 1:28:30
  It seems like the the ARC channel seems to be
• 1:28:32
  a tantalizing kind of like uh yeah, uh, what am
• 1:28:38
  I thinking of, like hypnotizing them to combat or something.
• 1:28:41
  Speaker 2: The wiki I've pulled up here says there's an inverted
• 1:28:44
  damage of a red tower with Morse code that spells
• 1:28:47
  out operator, which this would be the first message in
• 1:28:51
  the series. We have to Slender's name within it, right.
• 1:28:55
  Speaker 1: Or besides the from the ARC, I think on the
• 1:28:59
  arc one of the So it's called Okay, you're right,
• 1:29:02
  you're right on this one, but I would say maybe
• 1:29:04
  in video form.
• 1:29:06
  Speaker 2: Yeah, yeah, And then it says some fast moving words
• 1:29:09
  that translates to precede trees, which is an anagram for
• 1:29:14
  deeper secrets.
• 1:29:16
  Speaker 1: Hmmm. So still it's it's still I'm guessing that there's
• 1:29:19
  things that even.
• 1:29:20
  Speaker 2: There's still things hidden. JA doesn't know, right, all right,
• 1:29:24
  So we're now on to entry twenty one. Mm hm,
• 1:29:44
  just do it, Just do it if you're gonna jump scary.
• 1:29:46
  Speaker 1: Either a hole or did someone dig something up there
• 1:29:49
  that looks like a hole.
• 1:29:51
  Speaker 2: It looked like a hole. It seems that the noise
• 1:29:54
  only got loud whenever he was close to it. See
• 1:29:57
  now I'm on edge. Now I'm on edge because it's
• 1:29:59
  got me one. It's coma be a couple of times.
• 1:30:01
  Speaker 1: I'm wondering what was unearthed there.
• 1:30:06
  Speaker 2: At that tree. I'm looking at that tree. You were
• 1:30:08
  looking at it, and there's not a slender man behind it?
• 1:30:10
  Speaker 1: Okay, not now he wasn't there. Now he's gone.
• 1:30:13
  Speaker 2: I guess I was gonna say that, like, it seems
• 1:30:15
  kind of dumb for Jay to like go places he
• 1:30:19
  knows this stuff's happening at But if Jay's being stalked
• 1:30:22
  by it, he has no other option, right, if he's
• 1:30:24
  being stalked.
• 1:30:24
  Speaker 1: But also not even that, but like puppeteered, Like it
• 1:30:26
  doesn't seem like how much free will is he beginning
• 1:30:29
  to lose? You know what I mean?
• 1:30:30
  Speaker 2: I mean he saw he saw a video with the
• 1:30:32
  thing in his room, right, Yeah, it's not like he
• 1:30:34
  has much to lose, so he's got to chase any Lee.
• 1:30:36
  Speaker 1: There has to be some kind of obsession forming.
• 1:30:38
  Speaker 2: Yeah. Yeah, And and I mean plus, like if you
• 1:30:42
  have any hope of saving yourself, you gotta gotta go
• 1:30:45
  for something, right.
• 1:30:46
  Speaker 1: Yeah, you can't just live in this fucking madness.
• 1:30:49
  Speaker 2: It's in his house.
• 1:30:50
  Speaker 1: Yeah, what am I gonna do?
• 1:30:53
  Speaker 2: Yeah, it's it's standing on his all the.
• 1:30:55
  Speaker 1: Weird old Oh there you go. I wonder if the
• 1:30:57
  structure is still here in Alabama though, how sick with that?
• 1:31:00
  Speaker 2: That'd be pretty cool if you can go find it. Yeah,
• 1:31:02
  if anyone's in Tuscaloosa, let us know. I hope that
• 1:31:05
  scratch is still there, that'd be cool. I really, it
• 1:31:08
  is wild, like how much these guys were trailblazers, right,
• 1:31:13
  Like doing all of this on YouTube this way, like
• 1:31:17
  way before anyone else is doing something close to.
• 1:31:20
  Speaker 1: Oh shit, police table around here.
• 1:31:22
  Speaker 2: Mm hmm.
• 1:31:23
  Speaker 1: Maybe there is some kind of crime crimers.
• 1:31:25
  Speaker 2: Like sure, only good things happened.
• 1:31:29
  Speaker 1: Oh absolutely, I bet you anything. That thing is still standing.
• 1:31:41
  And I bet you, I bet you people have like
• 1:31:43
  made more x's and o's on it. I bet it's
• 1:31:46
  like a landmark around there.
• 1:31:46
  Speaker 2: I know I would, I know, I for sure would.
• 1:31:49
  Speaker 1: If only we were doing a creep cash show in Alabama,
• 1:31:51
  we could stop by.
• 1:31:53
  Speaker 2: That would be a lot of fun.
• 1:31:55
  Speaker 1: Actually, the police tape all around it makes you think potential.
• 1:32:00
  I'm wondering if somebody fell and died there that can
• 1:32:03
  they closed it off or something. And that's also why
• 1:32:05
  they like closed off all of the took out all
• 1:32:09
  of the like plastic rocks whatever. I can't tell what
• 1:32:21
  kind of metal case that is.
• 1:32:23
  Speaker 2: It sounds like a tin, like a tin case of something.
• 1:32:30
  Did he fall?
• 1:32:31
  Speaker 1: I think he just dropped the camera.
• 1:32:32
  Speaker 2: Dropped the camera. It's a silver tin.
• 1:32:38
  Speaker 1: Just looks like yeah, just so ooh a new tape.
• 1:32:49
  Speaker 2: Oh let's go, let's go, baby, this is so fun.
• 1:32:55
  Speaker 1: I'll be watching the tape I found soon nice.
• 1:32:58
  Speaker 2: Okay, so there is no to the ark for that one.
• 1:33:01
  We're straight into tape twenty two twenty two.
• 1:33:04
  Speaker 1: In tree twenty two twenty two, I am hooked in
• 1:33:09
  like a mofo.
• 1:33:10
  Speaker 2: Hook line and sinker.
• 1:33:11
  Speaker 1: Let's go hook line and stinker.
• 1:33:16
  Speaker 4: The tape.
• 1:33:19
  Speaker 2: Oh Alex again, So this must have been he thought
• 1:33:22
  he went through all of Alex's tape, So this is
• 1:33:24
  another one of Alex's I would have to assume.
• 1:33:26
  Speaker 1: Yeah, but it looks like maybe one even Alex head
• 1:33:28
  or it could be people are planning clues for him
• 1:33:31
  to like lead him somewhere. We were the audio dropping
• 1:33:44
  out there was creepy.
• 1:33:45
  Speaker 2: Where are they?
• 1:33:47
  Speaker 1: That's what I was wondering too. At first I thought
• 1:33:48
  they were back at the tower, but now they're in
• 1:33:54
  a building, just an abandoned building. Maybe looks like it
• 1:33:57
  was burnt down or something. I can't tell.
• 1:34:00
  Speaker 2: Like that noise series got me tweaking, bromh.
• 1:34:20
  Speaker 1: All of these set locations rule, I'm so scared. Oh ship.
• 1:34:34
  Speaker 2: These guys did such a good job.
• 1:34:35
  Speaker 9: Man.
• 1:34:36
  Speaker 1: The editing is really it's gotten a lot stronger to
• 1:34:38
  the more it's gone on.
• 1:34:42
  Speaker 8: The led back upstairs.
• 1:34:48
  Speaker 2: So because the camera's doing that we know that he's
• 1:34:51
  around here somewhere.
• 1:34:52
  Speaker 1: Yeah, there's some there's there's he's in there with them,
• 1:34:55
  but where weird like boiler room kind of thing.
• 1:35:01
  Speaker 2: I just have one of the Year of the headphones
• 1:35:03
  away from my head so I don't have a heart attack.
• 1:35:14
  Speaker 1: What a weird What a weird fucking building.
• 1:35:18
  Speaker 2: It looks like an old like factory or something. Also,
• 1:35:21
  who's with Alex?
• 1:35:23
  Speaker 1: I'm wondering if it's uh Jay and he just doesn't
• 1:35:27
  remember this, could be could be Brian, but I don't know.
• 1:35:30
  The only camera operator we've seen so far is Jay.
• 1:35:34
  Speaker 4: Look at this.
• 1:35:41
  Speaker 2: I'm freaked out, man. All the noises, Dad, I'm scared.
• 1:35:53
  Speaker 1: Man, the atmosphere, this one's fucking awesome. Oh man, you
• 1:35:57
  see his face, He like went faceless for a second.
• 1:35:59
  Speaker 2: Yeah.
• 1:36:02
  Speaker 1: I can't tell if it's the footage or if it's
• 1:36:04
  the caraman shaking.
• 1:36:05
  Speaker 2: It not bo it's me shaky. I'm scared.
• 1:36:08
  Speaker 1: Oh I kind of that little turn. I don't know
• 1:36:10
  why that turned on me.
• 1:36:12
  Speaker 2: Just stop, Just do it, Just do it, Just do it, Okay,
• 1:36:14
  just do it. Never forget stop.
• 1:36:20
  Speaker 1: Sara, He said, Zach, Zach, I think, he said Zach.
• 1:36:29
  Speaker 2: Right, I don't know. It's so freaked out. Tin stuf
• 1:36:34
  seth or Seth seth. Oh. Okay, well never Brian's dead.
• 1:36:40
  Speaker 8: Then we were the only two left, and I left.
• 1:36:49
  Speaker 6: Brian is gone.
• 1:36:52
  Speaker 1: Down, he said, Jay, Sarah, No even Jay.
• 1:36:58
  Speaker 8: I just woke up in this house.
• 1:37:00
  Speaker 2: H Jay's been under the control for a while. That's
• 1:37:04
  camera is gone.
• 1:37:06
  Speaker 3: All I can remember from the night.
• 1:37:08
  Speaker 2: That's right here.
• 1:37:12
  Speaker 21: All I can remember at all is on the tape.
• 1:37:15
  Now I'm leaving this house. I thought I would be
• 1:37:28
  safe right here.
• 1:37:30
  Speaker 8: By running away, but everything's just gone worse here.
• 1:37:36
  Speaker 4: It goes.
• 1:37:38
  Speaker 2: Here, it goes camera's messing up. Just do it. Just
• 1:37:41
  get over with Get over with.
• 1:37:48
  Speaker 7: Good please?
• 1:37:51
  Speaker 1: What a great ending, man, That was cool. That was
• 1:37:54
  probably that was probably the strongest entry so far.
• 1:37:57
  Speaker 2: That goes so hard, all of it. Man, this keeps
• 1:37:59
  kidding better. Okay. So now we go to attention over
• 1:38:03
  onto the arc.
• 1:38:09
  Speaker 1: So it seems like maybe Ja made it out somehow.
• 1:38:11
  Speaker 2: Wake up, return to us, wake up.
• 1:38:16
  Speaker 1: The tower, the mark on the tower. I'm wondering if this,
• 1:38:18
  if Jake, if Jay somehow made it out, you know
• 1:38:21
  what I mean.
• 1:38:22
  Speaker 2: The words at the end of Attention re arranged to
• 1:38:25
  awaiting your arrival. Yes, I think so. I think you're right.
• 1:38:28
  Speaker 1: Are you going back to entry twenty three?
• 1:38:30
  Speaker 2: Yes? Entry twenty three. I was to return to the
• 1:38:34
  house again to see what I could find.
• 1:38:37
  Speaker 1: Well, at least he went during the day of this time.
• 1:38:39
  Speaker 2: Yeah, he wasn't letting that happen again.
• 1:38:43
  Speaker 1: Front door open, audio completely cut out.
• 1:38:51
  Speaker 2: That's a great sign.
• 1:39:00
  Speaker 1: Yeah, okay, there's blood there before, right.
• 1:39:37
  Speaker 2: Yep, blood's gone.
• 1:39:40
  Speaker 1: Oh shit, what do you not see that?
• 1:39:43
  Speaker 2: No, you're screen froze for me for a second.
• 1:39:45
  Speaker 1: Oh shit, sorry, can you see this?
• 1:39:47
  Speaker 9: Yeah?
• 1:39:48
  Speaker 2: Oh my gosh, h.
• 1:39:59
  Speaker 1: M wait what So I'm wondering it looks like I
• 1:40:02
  thought he was going out of the room and then he.
• 1:40:04
  Speaker 2: Went out of the room and he suddenly in the
• 1:40:06
  living room right.
• 1:40:11
  Speaker 9: That?
• 1:40:11
  Speaker 1: Or I thought he was like back in another bedroom
• 1:40:13
  or something. Is it like nighttime now?
• 1:40:19
  Speaker 20: Yeah?
• 1:40:19
  Speaker 2: What the heck?
• 1:40:22
  Speaker 1: Yo?
• 1:40:23
  Speaker 2: What the heck?
• 1:40:24
  Speaker 1: Brutal?
• 1:40:25
  Speaker 2: So is this saying that like it's him switching in
• 1:40:28
  and out of consciousness or is this just like weird
• 1:40:30
  dimensional stuff.
• 1:40:32
  Speaker 1: I read it as switching out of consciousness, but I
• 1:40:35
  can't tell, Like if he stopped.
• 1:40:37
  Speaker 2: Recording, he's looping. He keeps like going back to the
• 1:40:44
  same set of rooms every time he opens one, he's
• 1:40:46
  back there in the hall. Yeah, he just opened the
• 1:40:49
  door and got reversed. What the heck? That's so, that's wild.
• 1:40:54
  What the heck? This is insane for a early for
• 1:40:58
  as early as this was like on high school kids.
• 1:41:02
  Speaker 1: Yeah, it's your fucking this is getting this is getting
• 1:41:13
  me a little spooked.
• 1:41:14
  Speaker 2: I know, right, I have no idea what's gonna happen?
• 1:41:24
  Speaker 1: Oh, bro, he's back at the abandoned building, isn't he.
• 1:41:45
  Speaker 2: He's in that Avata building. Yeah, where Alex's last entry was.
• 1:41:49
  Speaker 4: What the heck?
• 1:41:51
  Speaker 1: Maybe this Do you think that this place is supposed
• 1:41:52
  to be quote unquote the tower.
• 1:41:55
  Speaker 2: It's either the tower or it's like the an extra
• 1:42:00
  your dimensional place or something where like the operator is
• 1:42:04
  or like a layer you know what I mean?
• 1:42:05
  Speaker 20: Right?
• 1:42:06
  Speaker 1: No, I know what you mean.
• 1:42:07
  Speaker 2: Is that him? No, it's a reflection.
• 1:42:10
  Speaker 1: Wondering if Jay is still even conscious at this point
• 1:42:13
  or is he just completely in zombie mode.
• 1:42:18
  Speaker 2: He seems worried, like the actions with the camera, he
• 1:42:20
  seems freaked out, darting back and forward.
• 1:42:23
  Speaker 7: You know.
• 1:42:25
  Speaker 2: About I know about how my soul get ripped out
• 1:42:27
  of my body, body, because that that noise means the
• 1:42:31
  operator's near.
• 1:42:38
  Speaker 1: Just do it, Just do it. I'm so curious to
• 1:42:40
  see where they film this shit.
• 1:42:46
  Speaker 2: This is a banger. Look, if it came out right
• 1:42:51
  now would be great. But the fact that it was
• 1:42:54
  like the first.
• 1:43:12
  Speaker 1: Choosing his buddies voices to Yeah, I mean it almost
• 1:43:17
  sound like Tim a little bit, didn't it.
• 1:43:18
  Speaker 2: Jay's the only one who isn't under its control right now? Right?
• 1:43:22
  Speaker 1: Yeah? Currently? I wonder if it was before he It
• 1:43:25
  seemed like Alex made it seem like he was before though.
• 1:43:27
  Speaker 2: Yeah he was at one point for sure. But if
• 1:43:30
  he got out, then that means everyone else is still
• 1:43:33
  in Oh shit, Oh wh.
• 1:43:36
  Speaker 20: Hello damn, that's last thing the camera recorded.
• 1:43:50
  Speaker 1: Hmmm.
• 1:43:51
  Speaker 2: I woke up back in my home the next day.
• 1:43:54
  I found out that no longer works. Remember nothing other
• 1:43:59
  than what the footage I got off of its shows
• 1:44:06
  the apurns. It doesn't even matter to me anymore. I'm
• 1:44:12
  never going back. Yeah, good call, no ship, dude, I
• 1:44:16
  think third times the jar. Goddamn, I'm done with this.
• 1:44:23
  I don't want to know the answers anymore. Yeah, but
• 1:44:25
  it also like is effectively in your house now you
• 1:44:30
  can't completely turn it off.
• 1:44:33
  Speaker 1: The biggest thing of Wadrick at the moment is why
• 1:44:35
  would it keep him alive? You know what I mean?
• 1:44:40
  Speaker 2: Yeah?
• 1:44:41
  Speaker 1: Look, what kind of what kind of game is it playing?
• 1:44:43
  Unless it is just so?
• 1:44:45
  Speaker 2: Next is Warning?
• 1:44:53
  Speaker 1: Alex is creepy little fucking stop motion project. Oh so
• 1:45:02
  maybe it is Alex.
• 1:45:04
  Speaker 2: It might be.
• 1:45:07
  Speaker 1: There's gotta be multiple though.
• 1:45:09
  Speaker 2: Yeah, well I think all of them have become proxies.
• 1:45:22
  Uh did we watch did we watch admission? Did we
• 1:45:26
  skip it?
• 1:45:27
  Speaker 1: I think we might have skipped it.
• 1:45:28
  Speaker 2: I think we might have skipped to admission too. This
• 1:45:46
  is what we were supposed to watch right before twenty.
• 1:45:48
  Speaker 1: Three him looking in the house.
• 1:45:55
  Speaker 2: Okay, so we watched twenty three and then okay, Warning
• 1:45:59
  is the last to the arc video, the one we
• 1:46:03
  watched a second ago. That is the last two the
• 1:46:05
  arc video we're watching in season one.
• 1:46:07
  Speaker 1: Okay, so now it's just there.
• 1:46:09
  Speaker 2: So now it is just twenty four, the numbered one,
• 1:46:12
  twenty five, twenty six.
• 1:46:13
  Speaker 1: Alright.
• 1:46:13
  Speaker 2: Do following is taken from the surveillance camera SEP inside
• 1:46:16
  my home.
• 1:46:30
  Speaker 1: I do like how they have the gig can do
• 1:46:32
  the surveillance stuff too, because he's established that he has
• 1:46:35
  been recording shit to his hard drive.
• 1:46:37
  Speaker 2: Yeah, how messed up would it be? If it cuts
• 1:46:39
  to one and Freddy vas Bear standing there?
• 1:46:41
  Speaker 1: I would be like, cool, I'm done. None.
• 1:46:46
  Speaker 2: No, this came out at nine. He would have been
• 1:46:49
  a revolutionary. He invented it.
• 1:47:01
  Speaker 1: You have surveillance cameras in every fucking room.
• 1:47:04
  Speaker 2: What didn't you did? This thing's in your house possessing you,
• 1:47:09
  and you're randomly having these bouts of lost information. You're
• 1:47:12
  not recording everything.
• 1:47:14
  Speaker 1: Yeah, this is how I sleep right here.
• 1:47:18
  Speaker 2: I imagine that's just what you look like.
• 1:47:19
  Speaker 8: You.
• 1:47:20
  Speaker 1: It makes that sound too. Two hours passed before he's
• 1:47:26
  seen again.
• 1:47:29
  Speaker 2: You just walk out a door in your house and disappear.
• 1:47:33
  Speaker 1: The only door. So I'm guessing they're talking about inner
• 1:47:37
  like interdimensional shit kind that we saw a little bit
• 1:47:41
  in the Last House movie.
• 1:47:42
  Speaker 2: He touched the mask and immediately went to the old factory,
• 1:47:46
  so it has to be right. Yeah, he steps out
• 1:47:50
  of the door, disappears from his house for two hours,
• 1:47:53
  and then walks back into the bedroom and seemingly here
• 1:47:59
  he's in a ants right, doesn't remember it? Yeah, Oh
• 1:48:08
  my gosh, that's weird. Do you see that the second
• 1:48:12
  he is opening his door to walk into the living room.
• 1:48:15
  The living room camera shows the door shut. That's so cool.
• 1:48:18
  He stepped through that door to somewhere else. Hey, what
• 1:48:21
  what did do the arc say? There are doors that
• 1:48:23
  remain unopened. Okay, this looks like to the arc.
• 1:48:28
  Speaker 1: Well, let's just say this looks like the ARC, but
• 1:48:29
  it's on the marble hornets chance. It almost just seemed
• 1:48:32
  like somebody's uploading to it. Now. We're leaving through the arc,
• 1:48:50
  is what it sounded like. He said.
• 1:48:52
  Speaker 2: He said, I'm coming for you. We're leaving through the arc.
• 1:48:55
  Speaker 1: Is what's coming for you. We're leaving through the Arc
• 1:48:57
  twenty five.
• 1:49:00
  Speaker 2: So I've been in my home ever since to the
• 1:49:03
  art the last video on the show. I like how
• 1:49:04
  they reference it like they're talking about directly. I'm staying
• 1:49:07
  in a hotel. Yes there. I got a call from
• 1:49:10
  someone I know telling me to turn on the news.
• 1:49:13
  Speaker 1: Well, fuck, I wonder if they found alex or bodies
• 1:49:16
  or something, you know what I mean.
• 1:49:18
  Speaker 18: Yeah, apartment fire is to times. Shannon has been covering
• 1:49:22
  a florist and joins us now with the latest. Shannon,
• 1:49:25
  and you can take a look behind me. This is
• 1:49:26
  the most relaxed. We've seen this scene since we've been here.
• 1:49:29
  By the original firefighters.
• 1:49:30
  Speaker 1: That were here have all left and they've all been
• 1:49:33
  one of his apartment burned down.
• 1:49:34
  Speaker 18: I bet the firefighters do think that everyone get out. Okay,
• 1:49:37
  it's set from for some pets, if you. Disabled.
• 1:49:40
  Speaker 22: Residents were rescued by the police chief and several other
• 1:49:44
  people who.
• 1:49:44
  Speaker 18: Ran inside and pulled them out.
• 1:49:46
  Speaker 1: They believe it because they're just like, fuck, we're we
• 1:49:48
  have to use real footage.
• 1:49:49
  Speaker 2: Yeah, we can't dox these people.
• 1:49:51
  Speaker 18: This is home video that was shot by a resident.
• 1:49:53
  Speaker 22: At one point, you can see the flames coming out
• 1:49:57
  of the side bedroom, and it's believed that's where the
• 1:49:59
  fire started.
• 1:50:02
  Speaker 2: Yeah, that's his house for sure. Man, Slenderman wasn't messing around,
• 1:50:10
  got no kidding, dude, Holy shit, he fire bombed his house.
• 1:50:17
  Speaker 1: Soonderman has been performing acts of terrorism around town.
• 1:50:24
  Speaker 2: Dude, dude like has been wouldn't come back to the house,
• 1:50:27
  and Slenderman's like it's time.
• 1:50:29
  Speaker 1: Like you ain't got nothing to go back to now, boy.
• 1:50:34
  Speaker 2: Thank you all save boy.
• 1:50:36
  Speaker 1: You think you'll you've done now? All right? Last episode
• 1:50:40
  of the season.
• 1:50:41
  Speaker 2: Last episode of the season. Let's go.
• 1:50:45
  Speaker 1: Looks very familiar to the first episode of the season.
• 1:50:48
  Speaker 2: Yep. Since seeing the new support ins between five, I've
• 1:50:51
  been changing my location frequently, trying to keep anyone from
• 1:50:54
  following me. It was over these couple of weeks of
• 1:51:00
  going from hotel to hotel that I had a realization.
• 1:51:03
  Speaker 13: Frankly, I've been feeling a lot better, my memories better,
• 1:51:08
  not as paranoid. I'm not looking over my shoulder all
• 1:51:10
  the time like it used to be.
• 1:51:12
  Speaker 2: So I think that.
• 1:51:15
  Speaker 8: This is for the best.
• 1:51:17
  Speaker 18: So this is going to be the last entry that
• 1:51:23
  I'll be posting.
• 1:51:30
  Speaker 2: Yeah, I mean, if staying away from it saves you,
• 1:51:33
  then you absolutely stay away.
• 1:51:34
  Speaker 1: Also, like that, we transition out of the text to
• 1:51:36
  him actually talking to the camera.
• 1:51:37
  Speaker 4: Yeah.
• 1:51:39
  Speaker 2: A plan to move far out of state for it
• 1:51:41
  to be over forever. However, shortly after that, I received
• 1:51:44
  a text message from a strange number four one eight,
• 1:51:51
  one zero. All right, Oh yes, phone numbers that have
• 1:51:55
  colon's in them need ten. Oh interesting, see my current location.
• 1:52:10
  I found something.
• 1:52:15
  Speaker 1: Wow, boo, thank you. Oh got mailed another tape. A
• 1:52:30
  slenderman went to the post office.
• 1:52:34
  Speaker 2: Slenderman fire bombed an apartment complex.
• 1:52:37
  Speaker 1: The fire bombed apartment complex.
• 1:52:39
  Speaker 2: And now he's taking went to the post office.
• 1:52:42
  Speaker 1: Now he controls our mail.
• 1:52:47
  Speaker 2: Oh boy, let's go. Mm this has got to be
• 1:53:06
  to the arc.
• 1:53:06
  Speaker 1: Right, I'm curious that. I'm curious as well.
• 1:53:19
  Speaker 6: Four or four?
• 1:53:20
  Speaker 2: This was four days ago, right, four? Four twenty ten?
• 1:53:23
  Speaker 18: Yeah?
• 1:53:24
  Speaker 2: Or yeah, six days when he's uploaded. Oh was it
• 1:53:27
  four ten? Okay?
• 1:53:28
  Speaker 1: I think it's four ten, twenty tenkay? Or it could
• 1:53:31
  be four eight, I can't remember. You're probably right some
• 1:53:34
  few days before. I'm guessing.
• 1:53:37
  Speaker 2: I don't know why, but that camera turning around on
• 1:53:40
  her scared.
• 1:53:41
  Speaker 1: Scared me as well. I'm guessing this is also going
• 1:53:45
  to introduce our second season cast.
• 1:53:47
  Speaker 8: Alex, Come on, we don't have a camera, Yes we do.
• 1:53:52
  Where did you find that? It was in the closet.
• 1:53:55
  There's a tape already in it.
• 1:53:56
  Speaker 1: But when I tried to watch it it was maybe
• 1:53:58
  he did move.
• 1:53:59
  Speaker 7: I don't know.
• 1:54:02
  Speaker 8: That's probably just my old camera from college. I'd probably
• 1:54:05
  stepped back in there.
• 1:54:06
  Speaker 2: What Alex is alive?
• 1:54:08
  Speaker 1: He's what I'm saying.
• 1:54:10
  Speaker 2: Unless it but this, okay, it doesn't matter. The tape
• 1:54:15
  showed up with watch this. This could all be a
• 1:54:18
  ploy and I'm not recording anymore and stills a lot.
• 1:54:24
  Speaker 8: Are you okay, Alex?
• 1:54:26
  Speaker 1: Nope, their tear He's coming back.
• 1:54:32
  Speaker 2: Try Oh my god, you know right now.
• 1:54:46
  Speaker 8: Down the street go by right behind you go.
• 1:55:01
  Speaker 2: That scared me so bad.
• 1:55:08
  Speaker 1: It's got to be his house.
• 1:55:10
  Speaker 2: Well it's Alex's house right right, That's what I'm saying.
• 1:55:12
  Speaker 1: They return address. Yeah, I almost kind of wish it
• 1:55:17
  ended here, but I'm curious to see.
• 1:55:21
  Speaker 2: This is the I want to know more.
• 1:55:24
  Speaker 1: The ending of season one. I'm always I always just
• 1:55:26
  love ending on a nice, like solid piece of especially
• 1:55:30
  it's like a Ted the Caver kind of ending, you
• 1:55:31
  know what I mean.
• 1:55:33
  Speaker 2: I'm going to find him type thing.
• 1:55:35
  Speaker 1: Yeah, that is the end of season one of Marble Hornets.
• 1:55:38
  Speaker 2: So that now makes sense why Alex left because uh,
• 1:55:44
  Jay found out if he leaves, it goes away as
• 1:55:47
  long as you're distant from Hyeah. Until that camera came
• 1:55:49
  back out and it reignited everything.
• 1:55:51
  Speaker 1: Yeah, the camera that had also seen Slenderman before as well, yes,
• 1:55:55
  or the operator as it was like he was.
• 1:55:57
  Speaker 2: Attached to it.
• 1:55:58
  Speaker 1: The Uh it's insane. The progress of like how much
• 1:56:02
  more effective these got as they went on, like like
• 1:56:05
  entries one through ten felt pretty juvenile, you know, but
• 1:56:10
  it just kept getting better better, the editing got stronger.
• 1:56:13
  I mean, I'm so bought into these cast of characters
• 1:56:16
  and stuff. Also, I'm stoked that there's an ending to
• 1:56:18
  this story too, like we are building to something.
• 1:56:22
  Speaker 2: There is there is a definitive endate. There is like
• 1:56:24
  a close a clothes off for it, right.
• 1:56:29
  Speaker 1: Especially, it looks like what looks like it's Ah, so
• 1:56:33
  they did this project for five years. It looks like
• 1:56:36
  pretty crazy, Yes they did.
• 1:56:39
  Speaker 2: And then I think, I know they had some involvement
• 1:56:41
  with the movie that got made, but I know everyone
• 1:56:44
  hates the movie, so I would imagine it was more
• 1:56:47
  of a studio thing.
• 1:56:48
  Speaker 1: Yeah, I see, I see. Well this is a beautiful
• 1:56:51
  beginning too. It's fun to a long running series. I
• 1:56:55
  will say, it's a lot more enjoyable than I thought
• 1:56:57
  it was going to be. I know a lot of
• 1:56:58
  people recommended it and stuff, and this usually some of
• 1:57:00
  this older media is hit or.
• 1:57:01
  Speaker 2: Miss, and whatever you all recommend is awful.
• 1:57:04
  Speaker 1: So that's true. But I'm excited to see this one
• 1:57:07
  all the way through. This is gonna be so so
• 1:57:09
  sick and I can't wait to keep to keep getting
• 1:57:12
  scared with our beautiful fans. Yees. So until next time, y'all,
• 1:57:18
  we will catch you in the next one.
• 1:57:22
  Speaker 2: I'm excited. I'm excited for this to keep going. Hopefully
• 1:57:25
  I don't die in a hurricane because I can't wait
• 1:57:27
  for the next part.
• 1:57:28
  Speaker 1: So this makes so sad on the channel. So the
• 1:57:32
  next time, Hey, guys, So, actually Isaiah ended up dying
• 1:57:35
  in that hurricane.
• 1:57:36
  Speaker 2: And so now I have to watch it by myself
• 1:57:39
  to watch it, watching it like Isaiah would like that.
• 1:57:44
  Speaker 1: That was weird.
• 1:57:46
  Speaker 2: Hudder. If I die while we're more young, I hope
• 1:57:49
  for the rest of your life, every time you watch
• 1:57:51
  a horror movie or something you're like Isaiah would like that.
• 1:57:54
  Speaker 1: Isaiah would love that too. Bad that branch took his
• 1:57:58
  life in the hurricane.
• 1:57:59
  Speaker 2: Yep. Okay, well, I hope happens to you, and.
• 1:58:03
  Speaker 1: Then my son will be like Daddy, who's Isaiah? And
• 1:58:05
  I'm like, don't worry about it, your little son of
• 1:58:08
  a bitch.
• 1:58:08
  Speaker 2: You you wouldn't get it.
• 1:58:10
  Speaker 7: You wouldn't get it.
• 1:58:11
  Speaker 2: You're just like your mother. So she left that long
• 1:58:14
  questions right in their mouth.
• 1:58:16
  Speaker 1: Huh yeah, yeah, Okay, I'm stopping my
• 1:58:28
  Speaker 13: H