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Nipsey Hussle Interview and More · The Breakfast Club

• 0:01
  Speaker 1: Dan. If I come to the breakfast club, I call
• 0:05
  Speaker 1: this the hot sea. You're a you're around, You're hot control.
• 0:11
  Speaker 1: I'm not even doing here. I'm so peggy. Oh are
• 0:13
  Speaker 1: you're so peggy? The world's most dangerous morning h DJ bitch, Angel.
• 0:19
  Speaker 1: I stay in everybody's business, but in a good rad.
• 0:21
  Speaker 1: Charlamagne the ruler rubbed you the wrong way. The breakfast
• 0:25
  Speaker 1: club ain't for everybody. Good morning, Usa, Oh hey, good
• 0:42
  Speaker 1: morning ANGELI ye looking around all right, Well, guess what
• 0:45
  Speaker 1: day it is? Guess what day it is? Day? For me?
• 0:50
  Speaker 1: It's day seven of my detach. How was that going?
• 0:54
  Speaker 1: It's going? Because you know, yesterday I was like, I'm
• 0:57
  Speaker 1: hungry and I'm I was thinking I'm gonna go eat,
• 1:00
  Speaker 1: and I was like, what is ye doing right now?
• 1:01
  Speaker 1: That's what I was thinking to what is ye haven't
• 1:03
  Speaker 1: let any solid food? And but you know, I'm gonna
• 1:05
  Speaker 1: tell you the hardest part of it is that I'm
• 1:07
  Speaker 1: so number one walking past food and walking sometimes people
• 1:11
  Speaker 1: turn like you look like a chicken wing right now,
• 1:14
  Speaker 1: I look at you, but I would say a gizzard.
• 1:20
  Speaker 1: And the other part is that a lot of things
• 1:23
  Speaker 1: that happen revolve around food, like people will be like,
• 1:27
  Speaker 1: let's meet up, let's go grab a bite to eat. Oh,
• 1:29
  Speaker 1: you can't do that, right, can't do that? People have dinners,
• 1:32
  Speaker 1: people are like, let's go get a drink, And it's
• 1:34
  Speaker 1: really hard to do anything that doesn't revolve around food,
• 1:37
  Speaker 1: Like what do I meet up? And do? Can I
• 1:39
  Speaker 1: ask you some personal questions? When you poop, it's a
• 1:42
  Speaker 1: solid Now, I don't poop. There's nothing to come out,
• 1:45
  Speaker 1: so you just don't poop. Okay, yeah, I think I
• 1:48
  Speaker 1: have gone like twice in the past week, Oh my goodness,
• 1:51
  Speaker 1: and definitely not solid. Oh god, Okay, all right, now
• 1:55
  Speaker 1: the next question, right, you can't do it exercise right
• 1:58
  Speaker 1: now because I don't have the energy for that. All right.
• 2:00
  Speaker 1: No sexual harassment, No sexual harassment, No sexual harassment. You
• 2:03
  Speaker 1: can't have sex either. R. You can't say no sexual
• 2:05
  Speaker 1: harassment and ask me a question like that. But no.
• 2:07
  Speaker 1: You also are supposed to have stain from sex during
• 2:09
  Speaker 1: this detox for two weeks for how many day? He's
• 2:12
  Speaker 1: forty two weeks? Oh my goodness. You know what we
• 2:14
  Speaker 1: got lotioning. I'm gonna give some lotion for your boyfriend. Ahead,
• 2:17
  Speaker 1: give you a little of your boyfriend some of this
• 2:18
  Speaker 1: lotion and just tell him hold it down. Be goodness gracious.
• 2:24
  Speaker 1: All right, Well, last name my son is. He's black back,
• 2:27
  Speaker 1: black black, he's back panther. He's back playing basketball, and
• 2:31
  Speaker 1: I'm excited about that. Football makes me nervous with all
• 2:33
  Speaker 1: the concussion. So yes, say he's scored forty points. He
• 2:36
  Speaker 1: dropped forty. He dropped forty and had ten assists. It
• 2:38
  Speaker 1: was funny, right, I'm I'm the dad. He had thirty
• 2:41
  Speaker 1: eight right with two minutes like I said, you gotta
• 2:42
  Speaker 1: score two more. Scored two more and they were they
• 2:45
  Speaker 1: were up by like twenty, and I said, you gotta
• 2:46
  Speaker 1: score two more, and he dropped forty. Why did they
• 2:49
  Speaker 1: let some other kids play? They don't get to play.
• 2:52
  Speaker 1: At that point, I didn't ask. I was gonna say,
• 2:54
  Speaker 1: take my son out. He's doing amazing kids play. Hey,
• 2:57
  Speaker 1: whatever you want to do, coach, he's doing this damn
• 2:59
  Speaker 1: bit job logan. All right, Well, this morning, Nipsey Hustle
• 3:02
  Speaker 1: will be joining us. Of course, he's from the West Coast.
• 3:04
  Speaker 1: He has a new album out called Victory Lap. Victory Lap.
• 3:07
  Speaker 1: We'll be talking to him about all that amazingly, as
• 3:09
  Speaker 1: much as as Nipsey Hustle has done as many albums
• 3:12
  Speaker 1: as he's put out. This is his debut album on
• 3:14
  Speaker 1: a major label. Right, it feels like he's done so
• 3:17
  Speaker 1: much more because he has so many albums out. So
• 3:19
  Speaker 1: when he makes mixtapes, as they call it. All right,
• 3:21
  Speaker 1: So we'll kick it with Nipsey Hustle and we got
• 3:23
  Speaker 1: Front Page News. What we're talking about. We will talk
• 3:25
  Speaker 1: about possible gun bands. Is there gonna be anything going
• 3:29
  Speaker 1: on now with banning these weapons? We'll tell you what
• 3:32
  Speaker 1: Donald Trump had to say, and we'll tell you about
• 3:34
  Speaker 1: Florida legislature. All right, we'll get into all that when
• 3:37
  Speaker 1: we come back. Keep it lock at your ass up.
• 3:39
  Speaker 1: Good morning, it's the Breakfast Club morning. Everybody is DJ Envy,
• 3:44
  Speaker 1: Angela Yee, Charlemagne guy. We are the Breakfast Club. You
• 3:47
  Speaker 1: got all the white people asking me if that's my
• 3:49
  Speaker 1: car out front. The Godfather during hit me and says
• 3:52
  Speaker 1: that's your car front us to stop you. I got
• 3:54
  Speaker 1: on the woutan Clan talget T shirt on right now.
• 3:57
  Speaker 1: It's it's seventy degrees in New York, New Jersey today,
• 4:00
  Speaker 1: so I pulled out the baby today. I took it
• 4:02
  Speaker 1: off that I said, I unwrapped us. I said, I'm
• 4:05
  Speaker 1: gonna drop my baby today. What kind of car is that?
• 4:07
  Speaker 1: I can't tell you. It's very expensive and it has
• 4:10
  Speaker 1: a horse on it. There you go that scares and
• 4:13
  Speaker 1: take a picture if you don't tell me I'm type
• 4:15
  Speaker 1: of animal. It's definitely a horse. But I'm going downstairs.
• 4:17
  Speaker 1: Im gonna take a picture. Oh my goodness, let's get
• 4:18
  Speaker 1: in some front page news. Now, let's talk about these
• 4:22
  Speaker 1: weapon band Are they going to ban these A L fifteens?
• 4:24
  Speaker 1: What's going on? You? Well, it's not looking very helpful now.
• 4:26
  Speaker 1: The Florida State House on Tuesday they reject yesterday they
• 4:29
  Speaker 1: rejected a band on many semi automatic times and large
• 4:32
  Speaker 1: capacity magazines. And this is really sad because a lot
• 4:35
  Speaker 1: of the students and survivors were disappointed. Now Cheryl Aquilari,
• 4:40
  Speaker 1: I can't say her name right a pa Roylei. She's
• 4:42
  Speaker 1: a sixteen year old junior from Stoneman Douglas. She said,
• 4:45
  Speaker 1: it's just so heartbreaking to see how many voters names
• 4:48
  Speaker 1: were up there, especially after it was my school and
• 4:51
  Speaker 1: Spencer Blum, who's one of her schoolmates, and he felt
• 4:53
  Speaker 1: like lawmakers weren't representing him. He said, that's unacceptable. It
• 4:56
  Speaker 1: shows that they don't care about us. No, they don't
• 4:58
  Speaker 1: mass shootings or collater real damage for the right to
• 5:01
  Speaker 1: bear arms. Period. But they said they're gonna they said
• 5:04
  Speaker 1: they're gonna try to get the age old because right now,
• 5:07
  Speaker 1: at the age of eighteen, you can buy a R fifteen.
• 5:09
  Speaker 1: They're gonna try to make the states, not even all states.
• 5:11
  Speaker 1: In both states you have to be eighteen. In some
• 5:14
  Speaker 1: states you have to be twenty one to buy a
• 5:16
  Speaker 1: handgun minimum. Why not? But rightful, you can be eighteen, right,
• 5:19
  Speaker 1: why not just bend the sale of all assault rifles
• 5:22
  Speaker 1: automatical soul. I'm absolutely, I mean I don't need to
• 5:25
  Speaker 1: shoot a piece of paper forty five times around or
• 5:27
  Speaker 1: a dare or what's the other thing that they're a bore,
• 5:30
  Speaker 1: a hog whatever you say that. But you own a
• 5:32
  Speaker 1: R fifteen, right, I own it because the bad guys
• 5:33
  Speaker 1: on it, So you gotta stop saying it. No, I
• 5:36
  Speaker 1: don't I think that I think they should be bad,
• 5:38
  Speaker 1: But I'm not gonna get rid of mine, so you'll
• 5:40
  Speaker 1: give up yours and everybody. Absolutely, I don't need it.
• 5:42
  Speaker 1: I only use it for bad people. Gonna be honest
• 5:44
  Speaker 1: with you, ain't doing that either. I have mom behind
• 5:46
  Speaker 1: my back and everybody else turning it in. I'll turn
• 5:47
  Speaker 1: something else, and I'm gonna keep this one. If everybody's
• 5:50
  Speaker 1: turning them in it doesn't sound like it's gonna work,
• 5:52
  Speaker 1: then guys get rid of mine. Hey, I'm but I'm
• 5:56
  Speaker 1: gonna keep. I'm believe in the right to bear arms.
• 5:59
  Speaker 1: I'm never gonna sit there tell you that. But I
• 6:00
  Speaker 1: do feel like they need to be some type of
• 6:01
  Speaker 1: gun control, and they need to be some type of
• 6:03
  Speaker 1: people control. About the minimum age in most states being eighteen,
• 6:07
  Speaker 1: that's too young. It ain't even about power, it's about
• 6:11
  Speaker 1: people control. Man. Every day of our life, we're trying
• 6:13
  Speaker 1: to avoid crazy. That's every single day. You just never
• 6:16
  Speaker 1: know when somebody gonna go crazy. Well, let's get to
• 6:20
  Speaker 1: Donald Trump then, because he said yesterday he has directed
• 6:23
  Speaker 1: his Attorney general to propose changes that would ban a
• 6:26
  Speaker 1: bump fire stocks. Here is Donald Trump, and just a
• 6:29
  Speaker 1: few moments ago, I signed a memorandum directing the Attorney
• 6:34
  Speaker 1: General to propose regulations to ban all devices that turn
• 6:38
  Speaker 1: legal weapons into machine guns. I expect that these critical
• 6:42
  Speaker 1: regulations will be finalized, Jeff, very soon. That's just talk
• 6:47
  Speaker 1: because honestly, you can buy a piece or you could
• 6:51
  Speaker 1: take the spring out. So that's just talk. I mean,
• 6:53
  Speaker 1: it sounds good. It's just way of avoiding the bigger issues.
• 6:57
  Speaker 1: You're gonna ban this add on that can change your
• 7:00
  Speaker 1: gun into an assault weapon. You're banning the accessories, not
• 7:04
  Speaker 1: the actual phone, all right, don't ban the charges. If
• 7:08
  Speaker 1: the phones are the problem. Okay, If the phones are
• 7:12
  Speaker 1: the problem, get rid of the phone. Don't ban the
• 7:14
  Speaker 1: charges or the headphones that come with the phone, get
• 7:17
  Speaker 1: rid of the actual phone. And definitely needs to be
• 7:19
  Speaker 1: stronger background checks, mental health checks, I believe, digital footprint checks.
• 7:23
  Speaker 1: Let me see what this person has been posting online.
• 7:26
  Speaker 1: Are they saying anything threatening to people? Doesn't seem like
• 7:29
  Speaker 1: this person might have some issues, because that's a reason
• 7:32
  Speaker 1: why you shouldn't. You shouldn't be able to walk in
• 7:34
  Speaker 1: somewhere and just buy a gun because guns don't kill people.
• 7:36
  Speaker 1: Guns are just an inanimate object. You know, crazy people
• 7:39
  Speaker 1: with guns kill people. Now, let's talk about the seventh
• 7:41
  Speaker 1: grader who shot himself in the middle school bathroom. He shot,
• 7:45
  Speaker 1: he's still alive. He shot and injured himself. This was
• 7:48
  Speaker 1: in Ohio at Jackson Middle school. They say no other
• 7:51
  Speaker 1: students were hurt. It's not clear yet whether he intentionally
• 7:55
  Speaker 1: shot himself. What the student is being treated at a hospital. Well,
• 7:58
  Speaker 1: did his white friend win the freestyle battle? Look, I
• 8:00
  Speaker 1: don't know anywhere information. He's the seventh grade. I don't
• 8:04
  Speaker 1: know where he got the gun on friend one. The
• 8:07
  Speaker 1: freestyle that's front page news. That's all I wanted. That's
• 8:11
  Speaker 1: all you you know what? Get it off your chests
• 8:13
  Speaker 1: eight hundred five eight five one on five one. If
• 8:15
  Speaker 1: you're upset, you need to vent hit us up right now.
• 8:18
  Speaker 1: Maybe you had a bad night, bad morning, or maybe
• 8:20
  Speaker 1: you feel blessed. You want to spress some positivity. Maybe
• 8:23
  Speaker 1: you're weak because you're in the middle of a detox
• 8:24
  Speaker 1: eight hundred five eight five one on five one. Get
• 8:27
  Speaker 1: it off your chests. It's the breakfast Club. Good morning,
• 8:30
  Speaker 1: the breakfast Club. Pick up the mother mother phone and
• 8:36
  Speaker 1: don this is your time to get it off your chest.
• 8:38
  Speaker 1: Whether you're man or you want to hear from you
• 8:42
  Speaker 1: on the breakfast Club, so you better have the same energy. Hello,
• 8:45
  Speaker 1: who's this Charles? Charles? Good morning, bro, Get it off
• 8:49
  Speaker 1: your chests. Well, I want to get off my chests
• 8:51
  Speaker 1: and the misnormal that you can. You can ban a
• 8:54
  Speaker 1: R fifteen and think that the bad guys are still
• 8:58
  Speaker 1: not gonna happen. That's true, it's not still you've been
• 9:01
  Speaker 1: in all fifteens. All that means there's people like me
• 9:03
  Speaker 1: and you who are law abiding or citizen citizens won't
• 9:07
  Speaker 1: be able to get them. But the bad guys are
• 9:09
  Speaker 1: not giving their off, and they're still gonna be able
• 9:11
  Speaker 1: to have seen them because what they don't care about
• 9:13
  Speaker 1: the law. And you know what grew up in New
• 9:15
  Speaker 1: York City if you check it out, but we all
• 9:17
  Speaker 1: grew up in New York City, and you know New York.
• 9:19
  Speaker 1: In New York City, you can, you can almost it's
• 9:21
  Speaker 1: almost impossible to own a gun. But Omny Brothers, we
• 9:24
  Speaker 1: know in one of the Steeples guns. You know what's
• 9:27
  Speaker 1: crazy what you're talking about. Though all of these mass shootings,
• 9:29
  Speaker 1: these people aren't necessarily bad guys. These are like students.
• 9:33
  Speaker 1: They're regular people up until they commit these hainous crimes.
• 9:35
  Speaker 1: Most of them don't even have criminal records. But they're
• 9:37
  Speaker 1: legally buying these AOFIF teams. They're not they're not getting
• 9:40
  Speaker 1: you know, from some crazy way. You know, they're legally buying.
• 9:42
  Speaker 1: Y'all keep saying bad guys like these guys have a
• 9:44
  Speaker 1: life of crime. They're not. You know what's interesting? And
• 9:47
  Speaker 1: he brought up growing up in New York City. I've
• 9:49
  Speaker 1: always been very uncomfortable with guns because I'm not used
• 9:51
  Speaker 1: to people being able to just have guns. And when
• 9:54
  Speaker 1: I go to other states and I see people just
• 9:56
  Speaker 1: walking around openly carrying guns, has always been really weird.
• 9:59
  Speaker 1: You grew up in Brooklyn your whole life, and you
• 10:00
  Speaker 1: ain't You're not supposed to have it out, so you
• 10:02
  Speaker 1: can't just walk around holding a gun like you are
• 10:04
  Speaker 1: allowed to have. You got him, I don't see I
• 10:06
  Speaker 1: don't see guns places, and I see people just able
• 10:10
  Speaker 1: to hold Let me put my gun up. I'm not
• 10:12
  Speaker 1: used to that. My dad's retire police officer. I've been
• 10:15
  Speaker 1: around all types of exactly. Its Indiana Parade, your whole life,
• 10:18
  Speaker 1: and you gunshots every year. I used to gunshots about
• 10:21
  Speaker 1: block all the time. But you don't just walking around
• 10:24
  Speaker 1: holding a gun. It's hidden. Hello, who's this Andrew? Andrew,
• 10:28
  Speaker 1: get it off her chess. I had to get off
• 10:30
  Speaker 1: my chest. You know, when when you messed up in
• 10:32
  Speaker 1: the relationship and you know you you did wrong, confess,
• 10:36
  Speaker 1: But it's like, when you want to work it out,
• 10:38
  Speaker 1: they were like, I'm good. Well, of course they say
• 10:40
  Speaker 1: that you messed up. What do you expect they're gonna
• 10:43
  Speaker 1: just be like, but like, but when you don't mess up,
• 10:46
  Speaker 1: they're like, you're a dog, and oh, he doesn't care
• 10:49
  Speaker 1: and he wants to move on. But it's like, you
• 10:50
  Speaker 1: got a guy that wants to work it out. And
• 10:53
  Speaker 1: I understand you can't control how nobody take information and all,
• 10:56
  Speaker 1: but it's like it's like kind of a double standard almost,
• 10:59
  Speaker 1: it's a double standard. You messed up. Now you have
• 11:02
  Speaker 1: to pay the punishment. Now, let's see if you're really
• 11:04
  Speaker 1: gonna hang in there and acknowledge that you messed up.
• 11:06
  Speaker 1: We're not gonna feel sorry for you. You gotta be. Yeah,
• 11:10
  Speaker 1: you can't be sorry for yourself. You left up. The
• 11:12
  Speaker 1: best apologies, change behavior, bro, the best apologies, change behavior, sir.
• 11:16
  Speaker 1: Now you got to show somebody that you really care
• 11:18
  Speaker 1: and that you mentioned and that you really changed. And
• 11:20
  Speaker 1: guess what. That takes time. Yeah, it takes time. And
• 11:22
  Speaker 1: it's like they want you to change, but this is like,
• 11:24
  Speaker 1: I'm cool, So you got to change for the next person.
• 11:27
  Speaker 1: But it's like, I want to show you our change,
• 11:29
  Speaker 1: and then it's like, but I get it. You know
• 11:31
  Speaker 1: how long it takes to show somebody that you've changed.
• 11:33
  Speaker 1: It takes a while exactly. Let me ask you a
• 11:35
  Speaker 1: really important question, sir, huh, well, the other woman's puoming
• 11:38
  Speaker 1: puoming worth it? Don't answer that? Come on now between us.
• 11:41
  Speaker 1: If you answer that, if you laugh at that, you
• 11:45
  Speaker 1: ain't changed. It's between us. No, I mean, it's never
• 11:48
  Speaker 1: worth it. I need you to shed a tail, get
• 11:52
  Speaker 1: off of your chest eight hundred five eighty five, one
• 11:55
  Speaker 1: on five one. If you're upset, you need to vent
• 11:56
  Speaker 1: here this now. It's the Breakfast Club. Good morning, the
• 11:59
  Speaker 1: Breakfast Club. Wake up, wake up, wake y'all, as you're
• 12:07
  Speaker 1: time to get it off your chat, we want to
• 12:11
  Speaker 1: hear from you on the breakfast Well, hello, who's this?
• 12:14
  Speaker 1: Good morning clubs? Good morning? So this morning, I actually
• 12:19
  Speaker 1: wanted to do U spoken word peeps from back to
• 12:22
  Speaker 1: three months for you guys. It's that's okay. How long
• 12:25
  Speaker 1: is it? Um? It's so literally a minute? All right,
• 12:28
  Speaker 1: let's go okay, So and before you coop on it, listen,
• 12:31
  Speaker 1: all right, so it goes. They want to emasculate our
• 12:34
  Speaker 1: men and have them's rest for them, and then then
• 12:36
  Speaker 1: call it fashion. I know you see dollars dancing, but
• 12:38
  Speaker 1: is it worth committing the greatest sense to gain the
• 12:40
  Speaker 1: world to lose your soul. There's so many treasures up
• 12:43
  Speaker 1: in heaven that this world can't fathom. Nobody could break into,
• 12:46
  Speaker 1: steal or touch, not even the craftiest peep or the
• 12:49
  Speaker 1: common crook. You probably wonder where I came from. Well,
• 12:52
  Speaker 1: let me paint the picture. If our ancestors were here,
• 12:54
  Speaker 1: they will probably have the drakes things wrong. You wasn't
• 12:57
  Speaker 1: with me picking in the steel. You wasn't with me
• 12:59
  Speaker 1: shooting in the him. But I come from cotton picking.
• 13:02
  Speaker 1: Remember Mama making covey chicken stool piece and pigtails. She
• 13:05
  Speaker 1: put pigtails in my thick hair. Never finished college, which
• 13:08
  Speaker 1: made sure that I got here, graduated top of my class.
• 13:11
  Speaker 1: I had so much passing, but the white thought I
• 13:13
  Speaker 1: was classless. But this black test, I read it to
• 13:16
  Speaker 1: the air like I'm trying to stop traffic, this naturally
• 13:19
  Speaker 1: sun tan skin. Hopefully one day they see passed it
• 13:22
  Speaker 1: walking to a room and still all the attention without speaking.
• 13:25
  Speaker 1: That's black girl magic. So black boy, black girl in
• 13:28
  Speaker 1: the mirror. I hope your visions getting cleverer black men,
• 13:31
  Speaker 1: black women. It's a PSA. Put the world on notice
• 13:35
  Speaker 1: and tell them we're coming this time. We ain't marching,
• 13:38
  Speaker 1: We're running. Okay, I'm gonna put a dollar in your hat.
• 13:41
  Speaker 1: You rhymed every four balls, but you know it was Wait,
• 13:44
  Speaker 1: what was the first line? Again? The first line? They
• 13:46
  Speaker 1: want to emasculate our men and have them dressed feminine,
• 13:50
  Speaker 1: then call it fashion. That's a fact on the scale
• 13:53
  Speaker 1: of one of the Black panthers. I get out of
• 13:54
  Speaker 1: six all right, and my name is de Marie. You
• 13:56
  Speaker 1: can find me simply dot Marie on Instagram. I love
• 13:59
  Speaker 1: you guys right back. Hello, who's this? My name is
• 14:02
  Speaker 1: Clint Quentin Clinton, Clinton, Clinton, Clinton, Get it off your chests? Yeah.
• 14:08
  Speaker 1: Why does everybody's tell him that slaying that kid is
• 14:11
  Speaker 1: mentally And he said the whole thing off for months
• 14:15
  Speaker 1: and he killed seventeen innercent people. I know he's mentally ill.
• 14:19
  Speaker 1: That I don't think he mentally ill, but he damn
• 14:21
  Speaker 1: show went crazy and every day of our life we
• 14:23
  Speaker 1: got a void crazy. Sometimes people go crazy, Yeah, I know,
• 14:26
  Speaker 1: but it's mentally ill and there does nothing to him
• 14:29
  Speaker 1: on the setting him up like he's an innocent person.
• 14:31
  Speaker 1: He's disgusting. Yeah, I don't think. I don't think he's
• 14:34
  Speaker 1: mentally ill. But you know what you see that the
• 14:36
  Speaker 1: family that took him in in November, they're trying to
• 14:38
  Speaker 1: get his inheritance is eight hundred thousand dollars. Really yeah,
• 14:42
  Speaker 1: he was set to get eight hundred thousand dollars when
• 14:44
  Speaker 1: he turned twenty. What saw I saw this morning? Like,
• 14:48
  Speaker 1: what what's going on around here? Ye? No, get that
• 14:51
  Speaker 1: money to your families? Thank you? What the hell was
• 14:52
  Speaker 1: he getting it on the dollars room? Oh? Okay, yeah,
• 14:56
  Speaker 1: they should give that money to the families. Break I
• 14:58
  Speaker 1: guess they saying even if he managed to still get
• 15:00
  Speaker 1: that money, he's gonna get sued and lose it all anyway,
• 15:02
  Speaker 1: he should that money should go to the family. Did
• 15:04
  Speaker 1: he know he was about to get that money? Yeah,
• 15:06
  Speaker 1: and he decided to effort all up by killing seventeen people.
• 15:08
  Speaker 1: Okay from resorry for get it off your chest eight
• 15:12
  Speaker 1: hundred five eight five, one oh five one. If you're upset,
• 15:14
  Speaker 1: you need to vent. You can hit this at anytime. Now.
• 15:16
  Speaker 1: We got rumors on the way, Yes, we are going
• 15:18
  Speaker 1: to talk about Wendy Williams. White people mad at her now,
• 15:21
  Speaker 1: as they should be. They're putting bees all in her comments. Also,
• 15:24
  Speaker 1: what a rapper is changing his name to sex? Okay,
• 15:26
  Speaker 1: we'll get into all that when we come back. Keep
• 15:28
  Speaker 1: a lock. It's the Breakfast Club. Good morning, and Nipsey
• 15:30
  Speaker 1: Hustle will be joining us next hour. Oh big krip
• 15:33
  Speaker 1: nip the Breakfast Club is the rumor report, Angela Yee
• 15:47
  Speaker 1: the Breakfast Club. Well. Wendy Williams on her show decided
• 15:52
  Speaker 1: that she wanted to call out some artists she felt
• 15:54
  Speaker 1: needs auto tune. She said there's only a handful of
• 15:57
  Speaker 1: artists that don't need auto tune who can sing raw.
• 16:00
  Speaker 1: Here's what she had to say. There are only a
• 16:02
  Speaker 1: few people who can sing raw. Dog and Fergie is
• 16:06
  Speaker 1: not one. She needs auto tune. Jenn Lopez needs auto tune,
• 16:10
  Speaker 1: and Janet needs auto tune. Beyonce needs auto tune, Adele, Aretha,
• 16:18
  Speaker 1: Seleen gann Warwick and Loire they need nothing. Hey, Wendy
• 16:24
  Speaker 1: Williams shut up in dribble all right. Something did not
• 16:27
  Speaker 1: take this too kindly. They were on that ass. Something
• 16:30
  Speaker 1: I right with Wendy man I'm talking about physically and psychologically.
• 16:33
  Speaker 1: If you watch the show, like you can see her
• 16:35
  Speaker 1: mental and physical health like deteriorator, deteriorating right before eyes.
• 16:39
  Speaker 1: Like she almost passed out on TV last week. She
• 16:40
  Speaker 1: had to take a few days off. It's hard for
• 16:42
  Speaker 1: her to get through sentences. It's like she had a
• 16:44
  Speaker 1: stroke and isn't telling anyone. Like, whatever going on with
• 16:47
  Speaker 1: Wendy is not going in Well. It might be a
• 16:48
  Speaker 1: lot of stress, but she bugging with the Honestly, I
• 16:52
  Speaker 1: feel like she's just a product at this point. They're
• 16:54
  Speaker 1: just wheeling her out every day because she makes a
• 16:55
  Speaker 1: lot of people money. But like, clearly she's not well.
• 16:58
  Speaker 1: All right. Young Doug has just said to change his name.
• 17:00
  Speaker 1: He went on Twitter and said, I'm changing my name
• 17:03
  Speaker 1: to Sex. Then he put out another tweet he said,
• 17:05
  Speaker 1: from now on, call me Sex. So he hasn't explained
• 17:09
  Speaker 1: why that is, but that's his new name. You have
• 17:12
  Speaker 1: a problem with calling him sex, Yes, I do. I'm
• 17:15
  Speaker 1: not calling him, well, you know, I'm not calling him
• 17:17
  Speaker 1: a thugi. I don't think you should go around calling
• 17:18
  Speaker 1: yourself a thug either, but I'm definitely not calling you sex.
• 17:21
  Speaker 1: What about Young Sex? You know. I thought he used
• 17:23
  Speaker 1: to young sex on a clue box from my man
• 17:25
  Speaker 1: Bill Black. That's a guy used to work with a
• 17:28
  Speaker 1: hot one on three nine. Columbia's still a good friend
• 17:30
  Speaker 1: of mine. Now, his name was big Sexy on the
• 17:32
  Speaker 1: radio because you know the rest of the big Sex
• 17:33
  Speaker 1: calling him that. What did he do? R and B? No,
• 17:36
  Speaker 1: he was a radio person. It was based off the
• 17:39
  Speaker 1: W W E character Big Sex. Right, Yeah, so he
• 17:42
  Speaker 1: used to call himself big sexy. So did you call
• 17:44
  Speaker 1: him that? Yeah, he used to call him big sex.
• 17:46
  Speaker 1: I was just radio name, so you could call it
• 17:48
  Speaker 1: thug sex. I guess what's the difference. I don't know.
• 17:51
  Speaker 1: You gotta put another adjective with it. Man, you gotta
• 17:52
  Speaker 1: be something sex. Maybe young sex will work. I can't
• 17:55
  Speaker 1: call you sex, yo, sex Yo? Sex? Come here, sex? Yo?
• 18:00
  Speaker 1: What's up with sex? Imagine if your man don't know,
• 18:02
  Speaker 1: Imagine some stranger see you talking to your homeboy sex
• 18:05
  Speaker 1: and you walk up to him, Yo, what's up with sex?
• 18:09
  Speaker 1: What if they don't know? What if they don't know
• 18:11
  Speaker 1: your friend big sexy and different? Yo? Big sexy? Got
• 18:16
  Speaker 1: sound all right? Neo's wife, Christo, she had some comments
• 18:25
  Speaker 1: to make about her son's hair, and she ended up
• 18:27
  Speaker 1: having to go and defend those comments. Now she posted
• 18:31
  Speaker 1: a picture and she said, so my son wasn't blessed
• 18:34
  Speaker 1: with mommy's Hawaiian silky, as my sister likes to say.
• 18:37
  Speaker 1: Can anyone suggest some good products and moisturizers. Nothing I've
• 18:41
  Speaker 1: tried will help the dryness's hair seems to just soak
• 18:43
  Speaker 1: up everything instantly. Comment below if you've had that's help.
• 18:48
  Speaker 1: And so people didn't have very nice things to say
• 18:51
  Speaker 1: about her referring to her son not being blessed with
• 18:54
  Speaker 1: the mom's Hawaiian silky. Here's what you had to say
• 18:57
  Speaker 1: after everybody went in on her. Thank you guys for
• 19:00
  Speaker 1: the negativity because once again I'm gonna channel it into
• 19:03
  Speaker 1: something positive and I am now in the process of
• 19:07
  Speaker 1: creating a hair came lin for mixed children. Thank you
• 19:11
  Speaker 1: once again. She don't gotta defend that, man, I mean,
• 19:13
  Speaker 1: you know, I think it's kind of frustrating that she'll
• 19:15
  Speaker 1: defend her son's head but not her husband's hate. Like
• 19:18
  Speaker 1: if you don't defend Neio's cranium when he don't have
• 19:20
  Speaker 1: a hat on, don't defend yourself him. Yes, she definitely does,
• 19:24
  Speaker 1: but you can't talk to kids like that or anybody. Oh,
• 19:26
  Speaker 1: you don't have the good silky hair you. Everybody's here
• 19:29
  Speaker 1: is beautiful, right there, you have it. We just all
• 19:32
  Speaker 1: have different textures of here. Y'all say that that y'all
• 19:34
  Speaker 1: need a perm I never had a perm. Some has.
• 19:37
  Speaker 1: You got to manage him differently. That's all different products
• 19:39
  Speaker 1: in the here. Yeah. I think it's beautiful when people
• 19:41
  Speaker 1: have natural hair. It's just how you take care of
• 19:43
  Speaker 1: it and what products you use. All right, Well, I'm
• 19:46
  Speaker 1: Angela Yee and that is your rumor report, all right,
• 19:48
  Speaker 1: when we come back, Nipsey Hustle Alrighty's from the West Coast.
• 19:52
  Speaker 1: Of course. He has a new album, Victory Lapp and
• 19:53
  Speaker 1: we'll kick it with him when we come back. So
• 19:55
  Speaker 1: don't move. It's to Breakfast Club. Good morning morning. Everybody
• 19:58
  Speaker 1: is d J Envy, Angela Yee, Charlotte and the guy.
• 20:01
  Speaker 1: We are the Breakfast Club. We got a special guest
• 20:03
  Speaker 1: in the building. Yeah, see y'all, So what up? What up?
• 20:06
  Speaker 1: What up? Yeah? What's up? My brother? What's the deal? Bro? Now?
• 20:08
  Speaker 1: I don't know nothing about LA politics, but are you
• 20:10
  Speaker 1: allowed to wear? That? Was read? I could do it?
• 20:12
  Speaker 1: I won't. Man, it's my brand, don't you know what
• 20:16
  Speaker 1: I'm saying? Absolutely, I like I read look with gold,
• 20:18
  Speaker 1: you know what I mean? People tripped like that with
• 20:20
  Speaker 1: the colors you wear or depend Like again, everybody knows
• 20:24
  Speaker 1: who I am far as where I belong, so you
• 20:27
  Speaker 1: know I'll be seeing like internet uh comments some time
• 20:31
  Speaker 1: when I'll be flamed up. But in La, you know
• 20:33
  Speaker 1: what I mean, we grew up. If he was a
• 20:35
  Speaker 1: real when you can wear what you want, that don't
• 20:37
  Speaker 1: really apply. You know what I'm saying is it's still
• 20:41
  Speaker 1: heavy like that though. I mean it's like if I'm
• 20:44
  Speaker 1: in somebody elsehood with a gang of red on and
• 20:46
  Speaker 1: I'm not a known face and I'm in a crip hood,
• 20:49
  Speaker 1: Yeah it'll probably I probably get addressed. But I don't
• 20:52
  Speaker 1: think I had that problem. They'd be like, that'sn't it.
• 20:54
  Speaker 1: You know what I'm saying. Congratulations on the album, man, Yeah,
• 20:59
  Speaker 1: Victory lapping or go grab that stream that all that
• 21:03
  Speaker 1: I've had to it took too long, right, you had
• 21:05
  Speaker 1: a lot to prove on that head. I did. Let's
• 21:07
  Speaker 1: talk about it now. The album's dealt first and formal.
• 21:10
  Speaker 1: I love the album. I hear a lot that you
• 21:12
  Speaker 1: don't like weirdow rappers facts that what's a weirdo rapper
• 21:16
  Speaker 1: to you? Well, I think you're talking about the line
• 21:18
  Speaker 1: when I was like the Saint this weirdo wrapper usual. Yeah,
• 21:21
  Speaker 1: I just feel like, you know, um, I felt pressure
• 21:24
  Speaker 1: a little bit from where the game is at. And
• 21:27
  Speaker 1: it ain't no just to nobody specific just like it
• 21:30
  Speaker 1: ain't it ain't um in a direction of what we
• 21:34
  Speaker 1: grew up on in terms of like you gotta say something,
• 21:38
  Speaker 1: you know what I mean, You gotta be a man
• 21:39
  Speaker 1: of respect or a woman of respect, you know what
• 21:42
  Speaker 1: I mean, Even from like just the drug stuff like
• 21:44
  Speaker 1: you know that was never glorified in rap culture. We
• 21:47
  Speaker 1: could almost like led by Scarface of jay Z or
• 21:51
  Speaker 1: Tupac lyrics if we ain't had no principles, like a
• 21:55
  Speaker 1: man around, we could live by the lyrics and come
• 21:57
  Speaker 1: out as a solid individual. What I meant. Just as
• 22:00
  Speaker 1: far as like you know, just returning to that direction,
• 22:04
  Speaker 1: I don't know, like telling people what to do, but
• 22:07
  Speaker 1: just you know, try to represent the principles that I
• 22:11
  Speaker 1: grew up on in rap music. That's one thing I
• 22:13
  Speaker 1: like a bunch of music. It always has socially redeeming
• 22:15
  Speaker 1: value to it and on dedication. You know, Kendrick says
• 22:18
  Speaker 1: that this man else said do a song with nip
• 22:21
  Speaker 1: here better Crypa. Kendricks said, he a man. First, do
• 22:23
  Speaker 1: you hear what these peaks about from black businesses and
• 22:25
  Speaker 1: false imprisonments? And he said, listen closest bigger than deduces
• 22:28
  Speaker 1: and four. So is that a challenge for you to
• 22:30
  Speaker 1: get people to see you from more than the stereotypical
• 22:32
  Speaker 1: West Coast gangster repel? I mean people people receive me
• 22:35
  Speaker 1: based on what I said, so I wouldn't I wouldn't
• 22:38
  Speaker 1: blame people for that. I came in and said, it's
• 22:40
  Speaker 1: why I'm from and it's why I represent. But it
• 22:42
  Speaker 1: was for a reason I wanted. I wanted to establish,
• 22:45
  Speaker 1: you know, what I belonged to, and I looked at
• 22:47
  Speaker 1: it like jail. That's why I used to tell my
• 22:49
  Speaker 1: homies because even some of my homeboys would be like, well,
• 22:51
  Speaker 1: you can't come out talking about the hood and specifically
• 22:55
  Speaker 1: you know what I mean. When you walk into a dorm,
• 22:57
  Speaker 1: the first thing you establishes where are you from? And
• 23:00
  Speaker 1: then from there you get into the person behind this.
• 23:02
  Speaker 1: Just in case whoever got a problem with this, wherever
• 23:04
  Speaker 1: your enemies is, you go to the bank, you hunt
• 23:06
  Speaker 1: of your business, and then you get into like, okay,
• 23:09
  Speaker 1: I could actually with you you you know what I mean.
• 23:11
  Speaker 1: We get to know each other, but you get that
• 23:13
  Speaker 1: out the way first. And so um. Also, I wanted
• 23:17
  Speaker 1: to I wanted my message to impact gang culture, you
• 23:22
  Speaker 1: know what I'm saying. I wanted what I had to
• 23:23
  Speaker 1: say to impact individuals like myself, young people. I was
• 23:27
  Speaker 1: in these areas that was controlled by a gang banging.
• 23:29
  Speaker 1: I didn't want to appreciate the choir, but I wanted
• 23:31
  Speaker 1: to be able to say, you know, I'm one of you,
• 23:34
  Speaker 1: and where I'm gonna go, wherever I end up, you're
• 23:37
  Speaker 1: gonna You're gonna know that you can end up there
• 23:39
  Speaker 1: two whether it's at the top of the game or
• 23:41
  Speaker 1: in a successful situation as a business owner. I came
• 23:44
  Speaker 1: from this and it's it's authentic and I'm not on
• 23:46
  Speaker 1: the outside of this coachure. That's why I came in
• 23:49
  Speaker 1: like I came in. I wasn't trying to like be
• 23:51
  Speaker 1: on th super tough guys, you know what I'm saying.
• 23:53
  Speaker 1: I just wanted to be clear that you know, wherever
• 23:56
  Speaker 1: I take it, I'm not. I'm not different. I'm exactly
• 23:59
  Speaker 1: the same. I've been through everything you've been through or
• 24:01
  Speaker 1: you're gonna go through as a somebody in that culture.
• 24:04
  Speaker 1: What is a better crypt What does that mean? I
• 24:07
  Speaker 1: don't know because I ain't saying, But what I would
• 24:08
  Speaker 1: assume Kendrick meant was that, um, somebody that is not
• 24:13
  Speaker 1: one bias or outside of communicating with a blood or
• 24:22
  Speaker 1: somebody from the other side of the tracks. Maybe that's
• 24:24
  Speaker 1: what he meant. That's what I took it, as you know,
• 24:26
  Speaker 1: but we had to ask Kendrick his his take on
• 24:29
  Speaker 1: what he meant by that. You talk about West Coast infrastructure,
• 24:32
  Speaker 1: it was a period when you needed adopted Drake co
• 24:34
  Speaker 1: sign to get out of the West. Why why do
• 24:36
  Speaker 1: you think that changed? Drake Man he built Uh. I
• 24:40
  Speaker 1: call it an island. If you look at music, it's
• 24:42
  Speaker 1: like three or four islands in rap music, you know
• 24:46
  Speaker 1: what I mean. And a lot of a lot of
• 24:47
  Speaker 1: things that you might not know, well y'all know, but
• 24:49
  Speaker 1: that the people might not know are connected to these islands.
• 24:52
  Speaker 1: They connected. You got to like Jimmy Iveen, Doctor Drey Island,
• 24:56
  Speaker 1: which you gotta let start. The artist Tupac came under
• 24:59
  Speaker 1: that snoop game. Um Kendrick, Well yeah, Kendrick is a
• 25:04
  Speaker 1: part of the top Dog thing as well. But it connects,
• 25:07
  Speaker 1: you know what I'm saying. And so then you got
• 25:09
  Speaker 1: like the Leoor def Jam Island and that not the
• 25:13
  Speaker 1: island records. I'm just saying, you know what I'm saying. Yeah,
• 25:16
  Speaker 1: and a rough frauder's murder ain't Rocket Feller. Yeah, you know,
• 25:21
  Speaker 1: Um Kanye, then all the artists that came out to
• 25:24
  Speaker 1: ya fall under that, and then you got, um, whatever
• 25:27
  Speaker 1: happened on Sony, you know what I mean. And so
• 25:30
  Speaker 1: it was one of them three options for artists and
• 25:33
  Speaker 1: unless you you wanted to go what I called just
• 25:36
  Speaker 1: taking the stairs and figuring out how to how to
• 25:39
  Speaker 1: get into one of those situations as your own thing.
• 25:42
  Speaker 1: Top Dog did it. You know what I'm saying. Top
• 25:44
  Speaker 1: Dog created his own thing. And so that was my
• 25:46
  Speaker 1: goal to build an island myself. You know what I mean.
• 25:49
  Speaker 1: I saw what even like Jay they got rock Nation.
• 25:51
  Speaker 1: That's an island, right, absolutely, that's his own thing. Even
• 25:53
  Speaker 1: though it came from then being an artist connected to
• 25:55
  Speaker 1: another situation, they have turned that into its own operation. Yeah,
• 26:00
  Speaker 1: talking to Nipsey Hustle. Of course he has a new album,
• 26:02
  Speaker 1: Victory Lap out right. Now, what kind of conversation did
• 26:05
  Speaker 1: you and did he have? Because you and did he? Yeah,
• 26:08
  Speaker 1: formed a relationship I assumed through Lauren London and Cassie
• 26:12
  Speaker 1: Yeah yeah, yeah book through me too. You know, no,
• 26:17
  Speaker 1: I'm saying Lauren, Lauren introduced me to Puff. I mean
• 26:20
  Speaker 1: I knew Puff, but it was it was more of
• 26:22
  Speaker 1: a personal relationship out to you know, Uh we was
• 26:25
  Speaker 1: at Cassie budget something like that. He who made you
• 26:28
  Speaker 1: want to get old? Like did he and put him
• 26:29
  Speaker 1: on young? Crazy? Did he? Did he Young? I'll try
• 26:33
  Speaker 1: to get him more rap because I was I was
• 26:36
  Speaker 1: referencing to Hate Me Now video and what his his
• 26:40
  Speaker 1: presence on that record with nas brought to it. I'm like,
• 26:43
  Speaker 1: look this this the record, this rap. I want you
• 26:45
  Speaker 1: to get on this. Put the mink on in the video.
• 26:47
  Speaker 1: We're gonna make a movie. And he was like, um,
• 26:50
  Speaker 1: he told me the whole story behind that. He like
• 26:51
  Speaker 1: Robbuster phony million out of check a week before I
• 26:54
  Speaker 1: did that movie, So I wouldn't. I mean that video Wow,
• 26:57
  Speaker 1: Like that's that's the energy you saw in that video?
• 27:00
  Speaker 1: Like I wouldn't spend all this dough on the chain
• 27:01
  Speaker 1: and we got tigers. He's like, I got the figures
• 27:04
  Speaker 1: check in my life. Yeah, so he like, we probably
• 27:06
  Speaker 1: gonna able to recreate that, but you know, um, when
• 27:11
  Speaker 1: I played the rest of the songs for him, he
• 27:13
  Speaker 1: heard young and he chose that record. Yeah, so you know,
• 27:16
  Speaker 1: he just went in the booth and then started, you know, yeah,
• 27:19
  Speaker 1: start gassing, you know, but even still like rap. He
• 27:23
  Speaker 1: gave me some real production advice on that record. When
• 27:26
  Speaker 1: I played it for him, it was different than what
• 27:28
  Speaker 1: y'all heard enough, yeah, and he was like, listen, bro.
• 27:31
  Speaker 1: He pulled up Natural, More Killers, a Boy ice Cube
• 27:33
  Speaker 1: and Doctor Dre Like that's what you're going for. It's
• 27:36
  Speaker 1: what y'all trying to do on this record, maximizing make
• 27:38
  Speaker 1: it sound like this. And we went back in the
• 27:40
  Speaker 1: studio and I played it for my producers and then
• 27:42
  Speaker 1: we turned it up and added a simpleat all the
• 27:46
  Speaker 1: way through so it sound more like West Coast violent,
• 27:48
  Speaker 1: you know what I mean. And I felt what he said.
• 27:51
  Speaker 1: After the fun I was a little set, like what
• 27:52
  Speaker 1: you mean, banging, But after I reapproached it, it was
• 27:57
  Speaker 1: room to make the record better. See That's what all
• 27:59
  Speaker 1: these people who say did he don't do like when
• 28:01
  Speaker 1: they said he don't really produce? Nah, but see me
• 28:03
  Speaker 1: my understanding the day this high look at did he right?
• 28:06
  Speaker 1: All right? Think about my money, more problems, No disrespect
• 28:09
  Speaker 1: to Big bigg is a legend. So what I'm about
• 28:11
  Speaker 1: to say is not a shot against Biggie. Don't please,
• 28:14
  Speaker 1: don't spend it like that when they hear this. What
• 28:16
  Speaker 1: I'm saying is that, all right, I've seen an interview
• 28:19
  Speaker 1: and Biggie had the glasses on and he was like, yes,
• 28:21
  Speaker 1: more money, more problems. You know what I mean, you
• 28:23
  Speaker 1: gotta you just come with this. That was before the record, right,
• 28:27
  Speaker 1: So who told this songwriter, hey, look, take the dinnah
• 28:30
  Speaker 1: Ross melody and take this line more money, more problems
• 28:35
  Speaker 1: and in the hook with my money more problems. That
• 28:38
  Speaker 1: was Puff, that's production and big and then presented it
• 28:41
  Speaker 1: to Biggie, who said sample to Dinah Ross, I'm coming
• 28:44
  Speaker 1: out records. You know what I'm saying. Who said that
• 28:47
  Speaker 1: that was puff decision and then to Biggie to Alley Oop,
• 28:51
  Speaker 1: and Biggie came with the big poss Yeah. But to
• 28:55
  Speaker 1: catch that Allie Oop, I've been an artist. I know
• 28:57
  Speaker 1: what that dude, I gotta when I think, I think
• 29:00
  Speaker 1: about then we should sample a big record, and I
• 29:03
  Speaker 1: think about what can I tell the songwriter for the hook?
• 29:06
  Speaker 1: Then I got to also do the verse. So that's
• 29:09
  Speaker 1: what I told, puff Bro, throw me some alis like
• 29:11
  Speaker 1: you threw. You know what I'm saying. Yeah, listen to
• 29:13
  Speaker 1: what I'm saying to my interviews, learn me get in
• 29:16
  Speaker 1: your puff daddy the producer bag and throw me some LUs.
• 29:19
  Speaker 1: I'm gonna catch him all. We have more with Nipsey
• 29:22
  Speaker 1: Hustle when we come back, keep it. Lock this to
• 29:23
  Speaker 1: Breakfast Club. Good morning, the Breakfast Club Morning. Everybody is
• 29:30
  Speaker 1: DJ Envy Angela Yee, Charlemagne the guy. We are the
• 29:33
  Speaker 1: Breakfast Club. We have Nipsey Hustle in the building. Charlemagne
• 29:37
  Speaker 1: Samp with Hard Knocked Life on the album. Yeah, yeah,
• 29:40
  Speaker 1: did you have to clear what do you have to quit?
• 29:41
  Speaker 1: That with jay Z? Okay, okay, yeah, you know what's
• 29:43
  Speaker 1: crazy about that record? I thought you played the keys
• 29:45
  Speaker 1: over just to the stuff where you have to clear
• 29:47
  Speaker 1: Hustle hard Motivation record, Get Hustling motivata. Yeah. So when
• 29:51
  Speaker 1: jay Z got Annie to clear the record, I guess
• 29:55
  Speaker 1: when he paid him, he said, y'a gotta let every
• 29:57
  Speaker 1: other rap artists after me use it. Wo. Yeah, So
• 30:01
  Speaker 1: that was his that was his deal with with with whoever,
• 30:04
  Speaker 1: the producers and riders, you know what I'm saying. So yeah,
• 30:07
  Speaker 1: so we benefited off his negotiation in nineteen ninety eight. Wow,
• 30:11
  Speaker 1: we just had to get jay Z to clear because
• 30:14
  Speaker 1: when he cleared it with the owners of the copyright,
• 30:17
  Speaker 1: he made it to where any hip hop artist after
• 30:19
  Speaker 1: him could use the record. Jay did that, so hopefully
• 30:22
  Speaker 1: you don't have to go through that. I'm saying, Yeah, everybody,
• 30:25
  Speaker 1: every hip hop arts got to clear with Jay first,
• 30:27
  Speaker 1: where they just need excuse me, they just need the
• 30:29
  Speaker 1: jay Z clearance to any clearance as good long as
• 30:31
  Speaker 1: they're hip hop artists. Jays always showed you Lottle, but
• 30:33
  Speaker 1: didn't you buy like a thousand copies of your Crenshaw
• 30:36
  Speaker 1: was the he bought it. He bought a hundred copies
• 30:38
  Speaker 1: of Crenshaw. That was one hundred dollars. OK. Yeah, yeah,
• 30:41
  Speaker 1: And now you didn't even know him back then. Now,
• 30:43
  Speaker 1: I mean, you know, I met j in La years
• 30:45
  Speaker 1: ago at a concert. I was just backstage, and I
• 30:47
  Speaker 1: you know, I've ran up to I adin't run up
• 30:49
  Speaker 1: to him, just like what's uping, I'm nip you know
• 30:50
  Speaker 1: what I mean? From a like bro rolling sixties. He
• 30:52
  Speaker 1: actually bought a low rider. The story is, I ain't
• 30:55
  Speaker 1: never asked him, but he bought a low rider from
• 30:56
  Speaker 1: one of my homeboys, Money Mike. That's in the Maya video.
• 31:00
  Speaker 1: That's to me. Yeah, you know what I mean, he
• 31:02
  Speaker 1: bought that from one of my homeboys. One of my
• 31:04
  Speaker 1: j homies from La I was the old school hustling.
• 31:06
  Speaker 1: That was really his hunh Yeah that was here. He
• 31:08
  Speaker 1: bought that being so real. Yeah, yeah, you know what
• 31:12
  Speaker 1: I mean. Wow. So I just was like, yeah, I'm
• 31:15
  Speaker 1: I'm net by Rolling sixties. He's like nah, I know.
• 31:18
  Speaker 1: And you know, this was years before the Crenshaw thing.
• 31:20
  Speaker 1: He like, you know, y'all doing your thing? He keep going.
• 31:23
  Speaker 1: So that was the only count boy we ever had
• 31:25
  Speaker 1: until the Crenshaw thing. But um, yeah, Jake been a
• 31:29
  Speaker 1: hunted man, so you know what I mean, a lot
• 31:30
  Speaker 1: of love and now Blue Laces too, one of my
• 31:33
  Speaker 1: favorite records on the album You Make a Spook who
• 31:35
  Speaker 1: Sat by the Door reference you know about that man? Yeah? Absolutely,
• 31:38
  Speaker 1: But I don't I don't think you are spook sat
• 31:40
  Speaker 1: by the door. I think your intention to pretty clip Well, now,
• 31:43
  Speaker 1: I would say so, but even to the to the
• 31:44
  Speaker 1: point of made earlier. That's one of the reasons I
• 31:46
  Speaker 1: was so vocal about where I was coming from and
• 31:49
  Speaker 1: what I represented, because I know I knew who I
• 31:52
  Speaker 1: wanted to mobilize. You know what I mean. You know,
• 31:54
  Speaker 1: if anybody ain't seen that book, I mean seeing that movie.
• 31:56
  Speaker 1: You read the book. It's about a gang member from
• 32:00
  Speaker 1: Chicago who you know, presented himself in a way he
• 32:04
  Speaker 1: never kind of cases he was. He was. He had
• 32:06
  Speaker 1: a clean cut look, and he infiltrated the CIA, and
• 32:10
  Speaker 1: he became educated and became and basically he used their agenda,
• 32:14
  Speaker 1: which was to have a token in the CIA for
• 32:17
  Speaker 1: political reasons. You know, we're gonna speak blunt um. He
• 32:21
  Speaker 1: used it against him. And I think that in terms
• 32:24
  Speaker 1: of hip hop, you think of the message that they embrace,
• 32:27
  Speaker 1: I feel parallel with like, you know what I mean,
• 32:29
  Speaker 1: the power structure. I don't mean the culture of hip hop,
• 32:32
  Speaker 1: but the power structure of music. They got prescribed personas
• 32:37
  Speaker 1: they expect from us, you know what I'm saying. So
• 32:38
  Speaker 1: I feel like the way he used their intention against
• 32:41
  Speaker 1: him was was one of my underlying strategies. You know,
• 32:45
  Speaker 1: you gotta put the medicine in the candy. And it
• 32:47
  Speaker 1: was interesting by that book. All his people used to
• 32:49
  Speaker 1: call him my uncle Tom and the coon, you know
• 32:50
  Speaker 1: what I'm saying. Yeah, but he was there working for
• 32:53
  Speaker 1: them the whole time. Yeah, and he and he I
• 32:55
  Speaker 1: don't want to go blow nothing up like he did
• 32:56
  Speaker 1: in the movie, you know what I mean, But just
• 32:58
  Speaker 1: in terms of being able to mowlge his homies towards
• 33:02
  Speaker 1: to a hard cause. You know, there's a lot of
• 33:04
  Speaker 1: little jewels that you're saying. And then that's what I like.
• 33:06
  Speaker 1: Like I said, the medicine really isn't the candy. Because
• 33:08
  Speaker 1: even when you drop a ball, like about doctor Seby. Yeah,
• 33:10
  Speaker 1: like just that one thing they killed doctor Seby will
• 33:12
  Speaker 1: make somebody go research on hundred doctor Sey, doctor Ceb
• 33:18
  Speaker 1: take little. I never met him, I met his wife,
• 33:24
  Speaker 1: and I take his products for sure. Why killed? Why
• 33:27
  Speaker 1: do they kill all holistic doctors messing up the medicals?
• 33:32
  Speaker 1: You short stopping the ground. Why don't you get killed
• 33:34
  Speaker 1: for the hustling in front of the spot. You're short
• 33:36
  Speaker 1: stopping the grind? And they checked his billions. You got
• 33:41
  Speaker 1: that get flipped for a couple hundred thousand, So you're
• 33:44
  Speaker 1: playing with some pharmaceutical money, you know, and what's crazy.
• 33:47
  Speaker 1: I'm working on doing a documentary on the trial. In
• 33:50
  Speaker 1: nineteen eighty five, doctor Sevy went to trial against New
• 33:53
  Speaker 1: York because he put the newspaper cure A did he did? He?
• 33:58
  Speaker 1: And he went to federal court the next day and
• 34:00
  Speaker 1: beat that case on record, and nobody talk about it.
• 34:04
  Speaker 1: We're still talking to Nipsey Hustle. He's in the building
• 34:06
  Speaker 1: right now now. What happened with reboking and were you
• 34:10
  Speaker 1: signed the reboking the reboking do the release that you
• 34:12
  Speaker 1: were there? Nah? I didn't. I didn't endorse me with
• 34:14
  Speaker 1: Puma right recently. Um, I don't want to go too
• 34:17
  Speaker 1: deep into that because man, I ain't. I ain't uh
• 34:23
  Speaker 1: faking nah. But I don't want to go too far
• 34:26
  Speaker 1: into details with the with the other thing because it's
• 34:28
  Speaker 1: something that we're gonna pursue. But um, you know, it
• 34:32
  Speaker 1: wasn't authorized, It wasn't authorized, And they put all money
• 34:35
  Speaker 1: in on the shoe. They put rich rolling on the shoot.
• 34:38
  Speaker 1: I don't even know that's that's some gang. You don't
• 34:40
  Speaker 1: put rich rolling on the shoot. You know, you gotta
• 34:43
  Speaker 1: pay thousands of people. It's doing life in jail that,
• 34:47
  Speaker 1: you know what I mean, fall under that structure. So
• 34:50
  Speaker 1: you gotta be careful with that. You know I don't.
• 34:52
  Speaker 1: I'm not even taking a check for nothing. To say
• 34:54
  Speaker 1: Rich Rolling, I would have told him. I'd have told
• 34:56
  Speaker 1: the designers, no, bro, stay clear that you can't copy right.
• 35:00
  Speaker 1: It's like putting crip on a shoe or something. Who
• 35:02
  Speaker 1: are you gonna pay? And that caused the problems for you, like, oh,
• 35:05
  Speaker 1: you got paid off. And even outside of that, because
• 35:08
  Speaker 1: if if I was right, I would I would stand
• 35:11
  Speaker 1: on being right. That's not right. I'm not I'm not
• 35:14
  Speaker 1: the beneficiary of that. You can't just pay me and
• 35:17
  Speaker 1: think that. And by the way, they didn't pay me.
• 35:19
  Speaker 1: You can't just pay me and think that we paid
• 35:21
  Speaker 1: nip Man he speaked for the Naha bros. That got
• 35:25
  Speaker 1: a hundred years. You know what I'm saying, what I
• 35:27
  Speaker 1: look like taking a check. I can't do it. I'm
• 35:30
  Speaker 1: grinding all my life. You tell a story where somebody
• 35:33
  Speaker 1: got stomped out, and you say, fifty and midweather bound
• 35:35
  Speaker 1: from joking Vegas. What was that? That was a long
• 35:38
  Speaker 1: time ago. Man at a club me and why he
• 35:39
  Speaker 1: was performing that in Vegas called strip hop, and uh,
• 35:43
  Speaker 1: you know somebody Melee broke out and uh, you know
• 35:47
  Speaker 1: it ain't going nice favor that didn't that started it?
• 35:50
  Speaker 1: And uh just so happened fifty and and Mayweather was
• 35:53
  Speaker 1: in the club. You know, they had all the cards
• 35:55
  Speaker 1: and it was really just coming to show up and uh,
• 35:59
  Speaker 1: you know it made the news. It was a big
• 36:01
  Speaker 1: old thing. But tried to robbers, you know what I mean.
• 36:04
  Speaker 1: Like somebody was waiting outside of my section. It was
• 36:06
  Speaker 1: all girls coming into section and take pictures and you know,
• 36:09
  Speaker 1: you be in the section, your chain hand just down
• 36:11
  Speaker 1: on the couch, and you know, somebody was like, where
• 36:14
  Speaker 1: are you from? One of the things you're a fan.
• 36:16
  Speaker 1: I'm like, hunh you at my concert? You don't know
• 36:18
  Speaker 1: what I'm from? From? La Bro' Like, no, where are
• 36:20
  Speaker 1: you from? And I frowned. I guess my homeboys seeing
• 36:24
  Speaker 1: me frowning, dolfending and then it just a big old
• 36:27
  Speaker 1: male broke out, you know what I'm saying. But yeah,
• 36:29
  Speaker 1: that's what I was about. It's on YouTube. The news
• 36:32
  Speaker 1: footage is on YouTube. But fifty and maybe the bount
• 36:35
  Speaker 1: for j'all like they need they needed to get out
• 36:36
  Speaker 1: the club. Well, you that was probably taking out of context.
• 36:40
  Speaker 1: They left the same time, twenty thirty security and fifty
• 36:45
  Speaker 1: was it with fifty thirty people? So yeah, that was
• 36:49
  Speaker 1: good money on. I wasn't saying like they needed our help.
• 36:51
  Speaker 1: It's just like, you know, a little fact they was
• 36:55
  Speaker 1: in the building and you know, they got footage and
• 36:57
  Speaker 1: floored on the end of arguing with the police and
• 37:00
  Speaker 1: in front of the club. You know, I just I'll
• 37:02
  Speaker 1: be trying to revolve around really that took place, you
• 37:04
  Speaker 1: know what I mean? Just to go back to the
• 37:05
  Speaker 1: doctor Sebi thing real quick. What makes you want to
• 37:07
  Speaker 1: do a documentary? Okay, get it right, man, it makes
• 37:10
  Speaker 1: you want to do a documentary about doctor Ceb. I
• 37:13
  Speaker 1: think the story is important. I think it's a powerful narrative.
• 37:16
  Speaker 1: It is, you know what I mean. And I think
• 37:17
  Speaker 1: if imagine this anybody in this room, if I could
• 37:21
  Speaker 1: say somebody cured age, I'll be like, yeah, right, and
• 37:24
  Speaker 1: then I could show you an example of him going
• 37:27
  Speaker 1: a trial, improving in the court to a jury that
• 37:31
  Speaker 1: he cured age. Yeah, I'll be interested in that absolutely,
• 37:34
  Speaker 1: And y'all will look into the way he did it right,
• 37:37
  Speaker 1: So I feel like, more so than like Champion, his
• 37:40
  Speaker 1: products or explaining his methodology put some light on that case.
• 37:45
  Speaker 1: Imagine being able to cure cancer or being able to
• 37:48
  Speaker 1: cure any type of herpes and all kinds, and that's
• 37:51
  Speaker 1: what he do he did. Yeah, yeah, yeah, he used
• 37:53
  Speaker 1: to send all types of vitamins up to the station.
• 37:56
  Speaker 1: Yeah herpes, No, I said vitamins. Hear me? I said
• 38:02
  Speaker 1: this crazy up y'all? Is DJ Envy Angela Yee, Charlemagne
• 38:07
  Speaker 1: the guy we are the breakfast club. Nipsey hustles in
• 38:10
  Speaker 1: the building. That was his joint dedication feature Kenchick Lamar.
• 38:13
  Speaker 1: Now now, Nipsey, you were talking about Cardi and he
• 38:16
  Speaker 1: wearing different colors and I wasn't. No, that's not what
• 38:19
  Speaker 1: I said. And you know what I mean, Just yeah,
• 38:22
  Speaker 1: I like Cardi B Cardi B DI diverse for me.
• 38:26
  Speaker 1: I like, yeah, that's that's that's a fact. Like anybody
• 38:29
  Speaker 1: don't like Cardi? That a hater. I used to watch
• 38:32
  Speaker 1: her ig clips and be laughing, like this girl crazy,
• 38:35
  Speaker 1: but her personality is golden, you know what I mean?
• 38:38
  Speaker 1: But wrong is wrong? Right is right? Bro? That's what
• 38:41
  Speaker 1: I grew up on that loved me. Bro, gonna tell
• 38:43
  Speaker 1: me but it was wrong, right, all right, don't tell
• 38:45
  Speaker 1: me that in public. Wait until we get back to
• 38:47
  Speaker 1: the hood. I might set off of melee and we
• 38:50
  Speaker 1: gonna fight with me. But when we get back to
• 38:52
  Speaker 1: the hood, Bro, that was but don't do that. You
• 38:53
  Speaker 1: don't have us. You're gonna get us in the wreck. Wrong,
• 38:56
  Speaker 1: it's wrong, right, it's right. That terminology she used is
• 38:59
  Speaker 1: like real. Look, let me just for the record, that's
• 39:01
  Speaker 1: how bloods talk. Blood say crab, bloods say flu, Crips
• 39:06
  Speaker 1: say slob, crips say dead like the files. With all
• 39:10
  Speaker 1: my homeboys, I'll be like, bro, give me a dead bull.
• 39:13
  Speaker 1: That's how we talk. But I'll be intentionally respectful on
• 39:19
  Speaker 1: the record because we're talking about a public environment, which
• 39:24
  Speaker 1: is the music industry. You feel what I'm saying. We
• 39:27
  Speaker 1: saw what happened with death Row, So we're gonna set
• 39:31
  Speaker 1: tripping public. Y'all gonna get count on camera squabbling. You're
• 39:34
  Speaker 1: gonna violate while you were three hundred million sugar night.
• 39:37
  Speaker 1: You're gonna go to the pen Pocky're gonna die right
• 39:41
  Speaker 1: A wrong that happened. That was game banging. That was
• 39:43
  Speaker 1: set tripping publicly, so we would be bad leaders to
• 39:47
  Speaker 1: read create that. What about somebody like Takashi sixth nine.
• 39:52
  Speaker 1: I don't want to talk about other people for real.
• 39:54
  Speaker 1: You know what I'm saying. I feel. I feel my
• 39:57
  Speaker 1: own way about it, but God, bless everybody. Man, get
• 39:59
  Speaker 1: your money. You feel me what I said about Cardi
• 40:02
  Speaker 1: Big asked me, and so I spoke on it. But
• 40:04
  Speaker 1: I don't want to hate on CARDI. B get your money. Cardi.
• 40:06
  Speaker 1: I respect what you're doing. You know what I'm saying.
• 40:09
  Speaker 1: She done a verse for me. I see to me goes,
• 40:11
  Speaker 1: I shake their hand. You know what I'm saying. I
• 40:13
  Speaker 1: respect her. Come up, she came from the gutter about
• 40:16
  Speaker 1: saying disrespectful things on I G I'm gonna always be
• 40:21
  Speaker 1: like that. Ain't to move, That's not That's not what
• 40:24
  Speaker 1: you're supposed to do. Now do I tell you what
• 40:26
  Speaker 1: to do? Nah? You get it how you live. If
• 40:28
  Speaker 1: you like it, I love it. I just know me
• 40:30
  Speaker 1: and mine we're gonna move this way because I'm always
• 40:33
  Speaker 1: stand on what I do. So that if I walk
• 40:36
  Speaker 1: into a room full of bloods and I ain't gonna
• 40:38
  Speaker 1: be like, oh, they go to slops, I'm not gonna
• 40:41
  Speaker 1: talk like that, because that's that's called being a seal
• 40:44
  Speaker 1: soldier on some jails. You know what I'm saying, Get
• 40:48
  Speaker 1: us in the cell, popping it because you can't get touched.
• 40:51
  Speaker 1: You're hiding behind the seal. You know what I'm saying,
• 40:55
  Speaker 1: pop the gates. Talk like that. If you ain't gonna
• 40:58
  Speaker 1: talk like that, then keep it going away. Hey, I've
• 41:00
  Speaker 1: been in a tank with a hundred bloods before. I'm
• 41:03
  Speaker 1: from six old crib. I ain't evenna call the slaves
• 41:06
  Speaker 1: to kill me. But I ain't even this is where
• 41:09
  Speaker 1: I'm from, Homie. You feel what I'm saying, and so
• 41:12
  Speaker 1: same the other way around. I've been in the dorm
• 41:15
  Speaker 1: with a hundred crips in two or three bloods and
• 41:18
  Speaker 1: they ain't using that terminology. They not. That's just against
• 41:22
  Speaker 1: the laws of nature. This is just such self preservation
• 41:25
  Speaker 1: gonna prevent you. I'm talking like that. That's what I
• 41:28
  Speaker 1: was speaking on. But for the record, and just for
• 41:30
  Speaker 1: the New York bangers, I respect. Realis everywhere in every
• 41:34
  Speaker 1: city and state. You can't take that from nobody. Gang
• 41:38
  Speaker 1: culture came from out of la I don't mean it
• 41:41
  Speaker 1: ain't really in New York. That pushing aligne as bloods
• 41:45
  Speaker 1: and cribs. But we gotta be honest. We gotta speak honestly.
• 41:49
  Speaker 1: We can't be political about the dead and doing life
• 41:52
  Speaker 1: for you know what I'm saying that, So that's that's
• 41:55
  Speaker 1: that's my stance on it. But like I said, everybody
• 41:57
  Speaker 1: getting money. Man, I respect party, you know what I mean.
• 42:00
  Speaker 1: She linked up with with Wacko. One of my respect
• 42:04
  Speaker 1: he ad Paro And you know, I ain't mad out
• 42:07
  Speaker 1: of deal thing. I just my personal opinion. It's in
• 42:10
  Speaker 1: your interest not to be public this in gangs, you
• 42:14
  Speaker 1: know what I'm saying, unless you want to put your
• 42:16
  Speaker 1: security at risk, because it ain't gonna be you shooting
• 42:19
  Speaker 1: or getting shot at. You're gonna be pushed into the car.
• 42:21
  Speaker 1: You know, we were talking about on Friday last week,
• 42:25
  Speaker 1: we were talking about checking in and how do you
• 42:27
  Speaker 1: feel about checking in? Because I mean, it's it's a
• 42:29
  Speaker 1: big thing, especially in LA, you know, I mean, because
• 42:31
  Speaker 1: it's so open and you mean you could drive in
• 42:33
  Speaker 1: a block in LA. One block would be a sunny,
• 42:35
  Speaker 1: clean block, mixed block, you in the middle of the hood. Yeah,
• 42:39
  Speaker 1: checking in is it suggests friendly extortion? When you say
• 42:44
  Speaker 1: checking in a relationship is different because we all need relationships.
• 42:49
  Speaker 1: You know what I'm saying. I'm sure when you travel
• 42:52
  Speaker 1: you're from New York, but you got relationships all over
• 42:54
  Speaker 1: the country. Charlotte, man, you got relationships all over it
• 42:56
  Speaker 1: and I'm sure you do too, and a relationship. I
• 43:00
  Speaker 1: don't believe in fake relationships. So it just established genuine relationships.
• 43:04
  Speaker 1: Everywhere you go, you'll be in a better position. And
• 43:07
  Speaker 1: you do that off being respectful and being you know,
• 43:11
  Speaker 1: you're reciprocated. Somebody come to your city, Bro, you need something,
• 43:14
  Speaker 1: whether it's a car, some weed, you know what I mean.
• 43:17
  Speaker 1: You want to go somewhere to eat what you need?
• 43:18
  Speaker 1: You out of town. I got you, not just some
• 43:21
  Speaker 1: protection you feel me, So I wouldn't say to check in.
• 43:25
  Speaker 1: I don't know them about that, but just I got
• 43:27
  Speaker 1: relationships in New York that it's respect. When I pull up,
• 43:30
  Speaker 1: you know what I mean, to make sure I got
• 43:32
  Speaker 1: whatever I need. Same in LA. I can get you
• 43:35
  Speaker 1: from the airport. Bro. You could take my car. You
• 43:37
  Speaker 1: could come to my store. You could you meet my homeboys.
• 43:40
  Speaker 1: You could get numbers. If any problems or whatever, just
• 43:42
  Speaker 1: call in or you want to know where to go
• 43:44
  Speaker 1: eat that that ain't because you've had to. That's because yeah,
• 43:48
  Speaker 1: we can strengthen numbers, and we only from one place.
• 43:50
  Speaker 1: You know, now what happened with the LGBT community. They
• 43:53
  Speaker 1: wore set tripping on you at one point when you
• 43:55
  Speaker 1: you know, man, they for the record, come on, man,
• 43:59
  Speaker 1: I live in LA I'm in the music industry. You're
• 44:02
  Speaker 1: gonna I can't no way I could have take issue
• 44:04
  Speaker 1: with anybody's sexuality, you know what I'm saying. And at
• 44:07
  Speaker 1: the end of the day, I got people in my family.
• 44:09
  Speaker 1: I got people I loved, my homegirls, some of them,
• 44:12
  Speaker 1: you know, people that I grew up around that you know,
• 44:15
  Speaker 1: that stay lifestyle. I could never judge nobody for their sexuality.
• 44:20
  Speaker 1: What they what they took out of context was a
• 44:22
  Speaker 1: critique on the media. I made a critique on the media,
• 44:26
  Speaker 1: and I was really speaking toward what my homeboy, big
• 44:31
  Speaker 1: you did for the kids and the image of you know,
• 44:35
  Speaker 1: somebody that came from prison, that came from gang culture,
• 44:41
  Speaker 1: with what the image gets portrayed ass around that type
• 44:47
  Speaker 1: of individual and what this this this person's actually doing.
• 44:51
  Speaker 1: And you know, I think that it was taken out
• 44:53
  Speaker 1: of contexts um you know, and that's a that's a
• 44:57
  Speaker 1: sensitive thing. I would never want people to feel alienated
• 45:01
  Speaker 1: or like, damn you know an artist that I inspired by,
• 45:05
  Speaker 1: look up to, or somebody I respect. My look at
• 45:08
  Speaker 1: me is less staying. That's not what I'm meant, you
• 45:10
  Speaker 1: know what I'm saying. And I think it just got
• 45:13
  Speaker 1: taken out of context. And you know, it's a movement
• 45:15
  Speaker 1: right now for like acceptance and quality, so you know
• 45:19
  Speaker 1: there's a whole machine built behind it's like, uh like
• 45:23
  Speaker 1: a witch hunt, you know what I'm saying. Let it like,
• 45:25
  Speaker 1: let anybody say sexism, homophobia, you know what I'm saying.
• 45:29
  Speaker 1: So I fell into that. It's all good, you know
• 45:31
  Speaker 1: what I mean. I respect it. I'm with the movement
• 45:33
  Speaker 1: of equality and everybody respect everybody's individuals. God is the
• 45:37
  Speaker 1: creator and the judge. I'm not the judge. I think
• 45:39
  Speaker 1: they were just upset because they felt like you were
• 45:42
  Speaker 1: implying that homosexuals couldn't look like total call real min
• 45:47
  Speaker 1: And that was probably the air that I made in
• 45:49
  Speaker 1: articulation that you know it could be red like that.
• 45:52
  Speaker 1: I could have been more clear, you know what I'm saying,
• 45:54
  Speaker 1: But me personally, I judged things off for intention we
• 45:58
  Speaker 1: all human, we're gonna we're gonna making mistakes. But I
• 46:01
  Speaker 1: gave somebody intention. What was you trying to say? You
• 46:03
  Speaker 1: know what I'm saying? And if the intention is clear,
• 46:07
  Speaker 1: I give the execution a little wiggle room, you know
• 46:11
  Speaker 1: what I'm saying, or the articulation. And I asked everybody
• 46:14
  Speaker 1: looking my attention, you know what I'm saying. Was I
• 46:16
  Speaker 1: trying to say, I'm trying to pick up my homeboy
• 46:18
  Speaker 1: for creating a banquet for these young kids from the
• 46:21
  Speaker 1: hood that played football, got everybody suited and booted. I
• 46:25
  Speaker 1: seen something there that was killers at one time with
• 46:28
  Speaker 1: suits on, you know, serving the kids food, and you
• 46:32
  Speaker 1: know what I mean, I'm like, we gotta do this
• 46:33
  Speaker 1: more often. I wanted to share light on that, you
• 46:35
  Speaker 1: know what I'm saying. Yeah, my last question for nip
• 46:38
  Speaker 1: Man because I'm riding in the car and I'm like,
• 46:40
  Speaker 1: what wasn't gonna get into for this? You said that
• 46:42
  Speaker 1: your mistress is creole? How do you get away with that? Man?
• 46:46
  Speaker 1: This music man? I said, I said, my wife is
• 46:49
  Speaker 1: a Cno, I said, this life is a free through
• 46:52
  Speaker 1: my life, my wife is a CN, but my mistress
• 46:55
  Speaker 1: is creole. You know that was That was number one.
• 46:58
  Speaker 1: I recorded that before me, before I had a girl
• 47:00
  Speaker 1: for real. That's that's a fact though I ain't just
• 47:06
  Speaker 1: But then again, this music man like my girls an actress.
• 47:09
  Speaker 1: If she kissing on camera, what I'm gonna be mad? Thing?
• 47:13
  Speaker 1: I love. I love the fact you said your girls,
• 47:15
  Speaker 1: so you're back together, y'all go yeah, yeah, yeah, were
• 47:16
  Speaker 1: solid players to man. That's all I'm saying about that.
• 47:20
  Speaker 1: The reason I asked because she don't play. Yeah, no
• 47:22
  Speaker 1: run down on you. She ran down, you know. Charlotte
• 47:25
  Speaker 1: Mane went hard. You know what I'm saying. But yeah,
• 47:27
  Speaker 1: boogie boogie boogie man. You know, she knows how to
• 47:30
  Speaker 1: defend herself and stand up, you know what I mean.
• 47:32
  Speaker 1: And you know she's from La she grew up. Um.
• 47:36
  Speaker 1: A lot of people might think she got a privileged background.
• 47:38
  Speaker 1: She ain't got no privilege background. She think she's new
• 47:40
  Speaker 1: new in real life, that's yeah, yeah no, but she
• 47:43
  Speaker 1: comes from LG man and you know what I mean.
• 47:45
  Speaker 1: She's seen Charlotte Magne zero then but she I told her.
• 47:49
  Speaker 1: I told her from jump though, I'm like, you're gonna
• 47:50
  Speaker 1: meet Charlotte Magne and like Charlotte magn respect, Charlotte Man
• 47:53
  Speaker 1: you know what I mean, Charlotte Magne, known for being honest,
• 47:56
  Speaker 1: and you know what I mean, ruffling feathers. But I
• 47:59
  Speaker 1: know his stance and I'm like, y'all got the similar
• 48:02
  Speaker 1: mentality in terms of like what's right? You know what
• 48:04
  Speaker 1: I'm saying. So yeah, she she got a lot of
• 48:07
  Speaker 1: love and respect for you, and we appreciate you joining us. Lap. Yeah,
• 48:13
  Speaker 1: And it's the Breakfast Club. Good morning, Yeah, the Breakfast Club,
• 48:20
  Speaker 1: b j Envy, Angela Yee, Charlomagne, the guy. We are
• 48:23
  Speaker 1: the Breakfast Club. They don't forget. You can start getting
• 48:25
  Speaker 1: on the phone lines right now for ask ye if
• 48:28
  Speaker 1: you need relationship advice, we do that next hour. So
• 48:30
  Speaker 1: eight hundred five eight five one oh five one, And
• 48:33
  Speaker 1: shout out to the couple who we gave away a
• 48:35
  Speaker 1: spy day to up Spy two for Valentine's They they
• 48:38
  Speaker 1: actually went and sent me video from the spy Okay, nice.
• 48:41
  Speaker 1: He needed some advice and he didn't have a lot
• 48:43
  Speaker 1: of money. Okay, well nice. Well let's get to the rooms.
• 48:46
  Speaker 1: Let's talk bird Man on Wendy's. This is the Rumor
• 48:53
  Speaker 1: Report with Angela Yee on the Breakfast Club all right, Well,
• 48:58
  Speaker 1: bird Man went Wendy Williams and addressed a few different topics. First,
• 49:03
  Speaker 1: he talked about little Wayne and the money that he
• 49:05
  Speaker 1: owes him. Check it out. That's a lot of moving possible,
• 49:09
  Speaker 1: man Wayne. It's important to me that I fixed that.
• 49:12
  Speaker 1: I will fix that. But now Wayne is suing you
• 49:15
  Speaker 1: for millions and millions of dollars and he's got Carter
• 49:18
  Speaker 1: five on deck. He can't release that without getting released
• 49:22
  Speaker 1: from you. So you're holding up his money. Now you
• 49:25
  Speaker 1: got it backwards. In a minute, it all gonna self
• 49:27
  Speaker 1: explained itself. And I ain't come here to explain that.
• 49:30
  Speaker 1: But in due time, what I can't tell you. At
• 49:32
  Speaker 1: some point in life, you're gonna see man wainet working
• 49:34
  Speaker 1: together again. Y'all believe that you did. You see Burmann
• 49:38
  Speaker 1: Wain't working together again. I have no idea what goes
• 49:40
  Speaker 1: on behind the scene. I think so with them. I
• 49:42
  Speaker 1: just want to know why Wayne and get his money. Yet, well,
• 49:45
  Speaker 1: Burman did pay up that money that he owed for
• 49:47
  Speaker 1: a bad can give all his money. He bought his
• 49:50
  Speaker 1: girl a Bentley truck the money that why can't I
• 49:52
  Speaker 1: have my all? Right? Now, he talks about Tony Braxton
• 49:56
  Speaker 1: being his other half. See that's my girl, my friend,
• 50:02
  Speaker 1: my family. Do you have sex? That's my love, my
• 50:08
  Speaker 1: soldier in my life, she my everything and Bentley truck. Yes.
• 50:13
  Speaker 1: So the implication is that's your girlfriend, see my life.
• 50:17
  Speaker 1: I love all. Heymart implied that you're married. We're not
• 50:23
  Speaker 1: married as of yet. Well they are engaged though, and
• 50:27
  Speaker 1: it's a beautiful thing. That's great. You know he loves
• 50:29
  Speaker 1: it because when she asked him a question like are
• 50:30
  Speaker 1: you guys having sex? He just continued on like she
• 50:35
  Speaker 1: when you care about somebody, all right now, Wendy, you
• 50:38
  Speaker 1: also did try to take some jobs at their relationship.
• 50:41
  Speaker 1: And here's what she said, because I admittedly on hot topics,
• 50:45
  Speaker 1: said no bueno to this relationship. Like I'm like, Tony,
• 50:49
  Speaker 1: what are you doing? Honestly? Why? What's the problem your image?
• 50:56
  Speaker 1: You're I'm just a gangster. That don't mean okay, certified too, okay,
• 51:04
  Speaker 1: but what that gotta do with love? Has wondering Williams
• 51:07
  Speaker 1: ever met her husband. I don't understand she talked to
• 51:10
  Speaker 1: Birdman about his image and met her husband. Well there
• 51:16
  Speaker 1: you have it all right now. Serena Williams revealed a
• 51:19
  Speaker 1: lot of people about her pregnancy. Now, we told you
• 51:23
  Speaker 1: previously she almost died giving birth to her daughter, Olympia,
• 51:26
  Speaker 1: and she gave a lot of details about it and
• 51:29
  Speaker 1: explained how she ended up being sure of breath. She
• 51:32
  Speaker 1: had a history of these blood clots, so fortunately for her,
• 51:36
  Speaker 1: she had all these health complications. But the doctors and
• 51:38
  Speaker 1: nurses there were the best, so they were able to
• 51:41
  Speaker 1: take care of her. Her medical team, she said, was incredible.
• 51:44
  Speaker 1: The hospital had stated the art equipment, but she wanted
• 51:46
  Speaker 1: to point out the reality of what happens with women
• 51:49
  Speaker 1: around the world. She said, Black women in the United
• 51:52
  Speaker 1: States are over three times more likely to die from
• 51:54
  Speaker 1: pregnancy or childbirth related causes. And it's not just a
• 51:58
  Speaker 1: challenge in the United States, it's all around the world.
• 52:00
  Speaker 1: She talks about UNICEF and according to UNICEF, each year,
• 52:03
  Speaker 1: two point six million newborns die tragically before their lives
• 52:07
  Speaker 1: even really gets started. Over eighty percent die from preventable causes.
• 52:11
  Speaker 1: And there are simple solutions that do exist, like access
• 52:13
  Speaker 1: to midwise functional health facilities, along with breastfeeding, skin to
• 52:17
  Speaker 1: skin contact, clean water, basic drugs, and good nutrition. Yet
• 52:20
  Speaker 1: we are not doing our part. So she wants to
• 52:22
  Speaker 1: make sure that people donate to UNICEF and be that change.
• 52:26
  Speaker 1: All right, I'm angela yee and that is your rumor report.
• 52:29
  Speaker 1: All right, thank you, miss ye. Charlo Bank, Yes, will
• 52:31
  Speaker 1: you give it that? Don't I need JJ Reddick to
• 52:33
  Speaker 1: come to the front of the congregation. Man, this is
• 52:36
  Speaker 1: a teachable moment only because there's something shouldn't happen, Like
• 52:40
  Speaker 1: there's this Racism Prejudice handbook, and some things are on
• 52:43
  Speaker 1: the first page chapter one of that handbook. No racial slurge.
• 52:47
  Speaker 1: JJ Reddick violated. All right about it? When we come back,
• 52:50
  Speaker 1: keep a lot just to Breakfast Club. Good morning, Oh god,
• 53:00
  Speaker 1: that made that thing. Don't time you get you are.
• 53:20
  Speaker 1: I'm gonna fatten all that around your eye. They want
• 53:22
  Speaker 1: this man's to doten blowers. Man, they're waiting for Charlomagne
• 53:25
  Speaker 1: to top the blows. Let's go to make a judgment.
• 53:28
  Speaker 1: Who was going to be on the Donkey of the day.
• 53:30
  Speaker 1: They chose you because the breakfast club, bitch you Who's
• 53:33
  Speaker 1: donkey of the day to day? Wow, Donkey of the
• 53:37
  Speaker 1: day for Wednesday, February twenty first goes to Philadelphia seventy
• 53:41
  Speaker 1: six is guard JJ Reddick? Now I am so tired
• 53:43
  Speaker 1: of having to explain the basics of racism and prejudice
• 53:46
  Speaker 1: to people, like it's just some things that are on
• 53:48
  Speaker 1: the first page of the Racism Prejudice Handbook. Okay, some
• 53:52
  Speaker 1: things are just so basic around You know, not to
• 53:55
  Speaker 1: call a gay person the gay slurred that rhymes with maggot.
• 53:58
  Speaker 1: You know, not to make jokes about the Holocaust. We
• 54:00
  Speaker 1: know not to do these things same way we know
• 54:03
  Speaker 1: not to scream I have a bomb in the airport,
• 54:05
  Speaker 1: are going to Chick fil A looking for pizza? Are
• 54:09
  Speaker 1: having unprotected sex with prostitutes in Vegas? Certain things we
• 54:12
  Speaker 1: just know not to do. Now we live in a
• 54:14
  Speaker 1: world where a lot of things are misconstrued. When kid,
• 54:17
  Speaker 1: it's hard to tell, you know, sometimes you know what's what,
• 54:20
  Speaker 1: all right? I mean? For example, Laura Ingram from Fox
• 54:23
  Speaker 1: News total lebron to shut up and dribble the other thing.
• 54:25
  Speaker 1: The fact that she's an elderly colonizer on Fox News
• 54:28
  Speaker 1: automatically makes you think she's being racist, and she may
• 54:31
  Speaker 1: or may not be, but it's hard to prove it totally.
• 54:34
  Speaker 1: When she put out a book called Shut Up and
• 54:36
  Speaker 1: Sing Back in two thousand and three, all right and
• 54:40
  Speaker 1: that whole shut up and filling the blank thing is
• 54:42
  Speaker 1: kind of her catchphrase. So it's kind of difficult to
• 54:44
  Speaker 1: prove racism beyond a reasonable doubt, all right, And often
• 54:48
  Speaker 1: people reach for racism and sexism and homophobia and transphobia,
• 54:52
  Speaker 1: and you don't have to do that. It's no need
• 54:54
  Speaker 1: to go out searching for it. If you just wait
• 54:56
  Speaker 1: a while, it will find you. And in the case
• 54:59
  Speaker 1: of JJ Reddick, this is one of those times where
• 55:01
  Speaker 1: you don't have to debate at the word that came
• 55:03
  Speaker 1: out of his mouth. For racists of prejudice, they are
• 55:06
  Speaker 1: pretty cut and dry. Now. NBA players recently did a
• 55:09
  Speaker 1: video wishing Chinese fans a happy New Year. Is a
• 55:12
  Speaker 1: Chinese New Year yet you? Oh? Yes, Chinese? It was
• 55:15
  Speaker 1: February sixteen? Go on, hey five choi Okay, Now, I'm
• 55:18
  Speaker 1: gonna play this clip for you, all right, Tweet me
• 55:20
  Speaker 1: when you hear it. Okay at c the god ce
• 55:22
  Speaker 1: t g O D on Twitter. Let's listen to the
• 55:25
  Speaker 1: NBA players wishing the Chinese fans a happy New Year,
• 55:27
  Speaker 1: and let's see what JJ Reddick went wrong. NHow happy
• 55:31
  Speaker 1: Chinese sing Happy Year, Happy Year? Adults? Definitely happy Chinese
• 55:38
  Speaker 1: two years. Happy year. I'm badly I just wanted to
• 55:43
  Speaker 1: wear NBA fans in China very happy new Year. Did
• 55:49
  Speaker 1: you hear it? Oh? My god, of course I did. Oh. Oh,
• 55:52
  Speaker 1: you heard what you thought you heard. Let's let's play
• 55:54
  Speaker 1: the clip one more time. Just JJ, just JJ, let's
• 55:56
  Speaker 1: just play. JJ. I just wanted to wear fans in China.
• 56:04
  Speaker 1: Z JJ Reddick, wishing Chinese fans of the NBA a
• 56:07
  Speaker 1: happy New Year, referred to Chinese fans as a chink.
• 56:12
  Speaker 1: Pull out your Racism Prejudice Handbook, Chapter one, page one.
• 56:16
  Speaker 1: All right, it says, clear as day, don't use racial slurs.
• 56:20
  Speaker 1: In case you don't know, the word chink is a
• 56:22
  Speaker 1: racist term used to describe the Chinese. It's the equivalent
• 56:24
  Speaker 1: of JJ Reddick saying happy Nigga history muff all right
• 56:27
  Speaker 1: to you and yours now, JJ, did you just chuckle,
• 56:30
  Speaker 1: white man? Yeah, you're getting fight now. JJ Redick posted
• 56:34
  Speaker 1: a tweet and he said, just saw a video that
• 56:37
  Speaker 1: is being circulated of me wishing a happy New Year
• 56:40
  Speaker 1: to NBA fans in China. Clearly I was tongue tied
• 56:43
  Speaker 1: as the word I perfectly said, it is not in
• 56:45
  Speaker 1: my vocabulary. I'm disappointed that anyone would think I would
• 56:48
  Speaker 1: use that word. I love and respect our friends in China.
• 56:52
  Speaker 1: That word. JJ Reddick could really take a job in
• 56:56
  Speaker 1: the Trump administration right now, because he is literally telling
• 56:59
  Speaker 1: us that he didn't say what we heard him say.
• 57:01
  Speaker 1: Kind of apology is that? Apologize for what you say?
• 57:04
  Speaker 1: He said the word is not in his vocabulary. Well,
• 57:07
  Speaker 1: whose vocabulary were you borrowing in this video? Because it
• 57:09
  Speaker 1: was your face, it was your mouth, it was your tongue,
• 57:13
  Speaker 1: but not your vocabulary. Then he says in the tweet,
• 57:15
  Speaker 1: I'm disappointed that anyone would think I would use that word.
• 57:19
  Speaker 1: Sake t h I n K. Webster's dictionary definition to
• 57:23
  Speaker 1: have a particular opinion, belief, or idea about someone or something.
• 57:26
  Speaker 1: All right, JJ Reddick, you don't even use those kind
• 57:29
  Speaker 1: of spin moves on the basketball according right, there's no
• 57:32
  Speaker 1: thinker required about this. I know, beyond the shadow of
• 57:35
  Speaker 1: a doubt that you used the racial slur towards Chinese people, period.
• 57:38
  Speaker 1: Not the Only thing for me to think about is
• 57:40
  Speaker 1: why you used it? Are you racists? Where you're trying
• 57:43
  Speaker 1: to make a bad joke. I don't know what the
• 57:45
  Speaker 1: reason for using that term was, but there's absolutely no
• 57:47
  Speaker 1: way to take someone calling a Chinese person a chink
• 57:50
  Speaker 1: out of context. Okay, your excuse that you were not
• 57:53
  Speaker 1: that you were trying to say China and not chink
• 57:56
  Speaker 1: doesn't even make sense. Listen to me when I'm about
• 57:57
  Speaker 1: to say China, China, China, China, not even close to
• 58:02
  Speaker 1: being chink. All right, play the clip again, this one
• 58:05
  Speaker 1: more time, play China China. No, jj Reddick, save your apologies,
• 58:15
  Speaker 1: save your clean up tweets. The only thing you need
• 58:17
  Speaker 1: to do, in the words of a suspected white supremacist,
• 58:21
  Speaker 1: shut up and dribble. Please give JJ Reddick the biggest
• 58:23
  Speaker 1: he hall. Let me ask you a questions, no question.
• 58:28
  Speaker 1: He was absolutely wrong. Don't ask me no question. What
• 58:30
  Speaker 1: network did it like that? That's that's another problem that
• 58:35
  Speaker 1: like you air. That's very true, that's precorded and to
• 58:39
  Speaker 1: put together maybe just he said it, well, maybe maybe people.
• 58:42
  Speaker 1: It's hard to find good people behind the scenes nowadays.
• 58:46
  Speaker 1: Everybody wants to be in front of the king. He
• 58:48
  Speaker 1: was absolutely wrong, yes, but the network absolutely right. Let's
• 58:54
  Speaker 1: just make sure the whole world knows. No, you cannot
• 58:56
  Speaker 1: use that word. You can't say chinky, you can't say that.
• 58:59
  Speaker 1: Good point. Angela. By the way, let J. J. Reddick
• 59:03
  Speaker 1: be a lesson to you. You can't use that word
• 59:05
  Speaker 1: not at all in reference to Chinese people. Okay, all right,
• 59:08
  Speaker 1: all right, well anytime you can use that one when
• 59:10
  Speaker 1: you say, all right, PD, they're a good brother. Chinks.
• 59:12
  Speaker 1: That's it. You can say there's a chink in the armor, yeah,
• 59:15
  Speaker 1: saying that I ain't don't. Yeah, I say what. I
• 59:17
  Speaker 1: just say R I P chin because I don't know
• 59:19
  Speaker 1: nobody that wears on them except for me when I
• 59:20
  Speaker 1: got the whold armor god the and ain't no chink
• 59:23
  Speaker 1: of that? All rights? All right, well, thank you for that, dunkey.
• 59:25
  Speaker 1: Today up next is ask Ye eight undred five eighty
• 59:28
  Speaker 1: five one oh five one. If you got a question
• 59:30
  Speaker 1: for Ye, you can call her right now. I shall
• 59:32
  Speaker 1: help you with your relationship problems. It's the Breakfast Club.
• 59:34
  Speaker 1: Good morning, the Breakfast Club Morning. Everybody is DJ Envy, Angela, Yee,
• 59:42
  Speaker 1: Charlomagne the guy. We are the Breakfast Club at time
• 59:45
  Speaker 1: for asking ye? Hello? Who's this Hello? My name is Ebony, Hey, Ebony,
• 59:49
  Speaker 1: what's your question for Ye? I had a question? I
• 59:52
  Speaker 1: just I've described this job. I put a pay club
• 59:54
  Speaker 1: to come for this job. I would make a first
• 59:59
  Speaker 1: and he can pay cull like a two dollars fifty
• 1:00:01
  Speaker 1: cent pay. Cus. This is our third month of being open.
• 1:00:04
  Speaker 1: It's a fast fool industry. I never worked at fastful,
• 1:00:06
  Speaker 1: so this is something new to me. I'm always doing
• 1:00:09
  Speaker 1: like receptionist or a pause center. So my boss was
• 1:00:12
  Speaker 1: given he get three people a fifty cent raise, and
• 1:00:16
  Speaker 1: I feel like I need a raise. Like, dude, he
• 1:00:19
  Speaker 1: know how to co pay cull. He guaranteed me a
• 1:00:21
  Speaker 1: raise or whatever. I I was gonna wait for April
• 1:00:23
  Speaker 1: to see if they can me raise. He keeps talking
• 1:00:25
  Speaker 1: to me about it, but he's still having like getting
• 1:00:27
  Speaker 1: me a raise or whatever. So I was like, okay,
• 1:00:30
  Speaker 1: So like what about so Evan and you've been in
• 1:00:32
  Speaker 1: for three months? Yes, and you said in April you
• 1:00:36
  Speaker 1: wanted to see about a raise. Yeah. I thought I
• 1:00:38
  Speaker 1: was gonna wait April. He don't approseate and I was
• 1:00:40
  Speaker 1: going our protel because usually people don't get raises within
• 1:00:43
  Speaker 1: the first three months of working somewhere. But what is
• 1:00:45
  Speaker 1: it here? But what is it that makes you feel
• 1:00:48
  Speaker 1: like you deserve a raise? My hard work? I was
• 1:00:50
  Speaker 1: the only manager there. I trying everyone. Then he was
• 1:00:54
  Speaker 1: bringing people one and started off at thirty higher than
• 1:00:57
  Speaker 1: me or whatever, and then I'm like school, So if
• 1:01:01
  Speaker 1: you bringing someone know I'm higher than me and I
• 1:01:03
  Speaker 1: have to train them. I literally go above and beyond
• 1:01:06
  Speaker 1: for this company. And I was just wondered, Okay, So, Ebony,
• 1:01:09
  Speaker 1: this is what I need you to do because I
• 1:01:11
  Speaker 1: have actually done this in my own life when I
• 1:01:13
  Speaker 1: felt like I deserved to raise. What you have to
• 1:01:15
  Speaker 1: do is set up a meeting with your boss. So
• 1:01:17
  Speaker 1: this is official sit down of you sitting down to
• 1:01:20
  Speaker 1: ask for what it is that you feel that you deserve.
• 1:01:23
  Speaker 1: Make sure you have a lists and documents of everything
• 1:01:26
  Speaker 1: showing why you deserve that raise. What are your responsibilities?
• 1:01:30
  Speaker 1: Have you gone above and beyond those responsibilities? Offered to say?
• 1:01:34
  Speaker 1: What is it that I need to do If you
• 1:01:36
  Speaker 1: feel like at this point in time, I'm not going
• 1:01:38
  Speaker 1: to get a raise, what do I need to do
• 1:01:39
  Speaker 1: to earn that raise? Or are there additional responsibilities that
• 1:01:41
  Speaker 1: I can take on so that I can make more
• 1:01:43
  Speaker 1: money here because I have been putting forth all of
• 1:01:46
  Speaker 1: this extra work and a lot of times people feel
• 1:01:48
  Speaker 1: like they want to raise because they need one of
• 1:01:50
  Speaker 1: you feel like you want to raise because you deserve it,
• 1:01:52
  Speaker 1: so you have to sit there and tell him why
• 1:01:55
  Speaker 1: you deserve it. A lot of times our bosses don't
• 1:01:57
  Speaker 1: even realize the work that we're putting in because we're
• 1:01:59
  Speaker 1: just doing what we're supposed to do. But maybe you
• 1:02:02
  Speaker 1: need to let him know. Look, I've been training people.
• 1:02:04
  Speaker 1: My job responsibilities include this, but I've taken on this
• 1:02:07
  Speaker 1: additional responsibility. I've stepped up to the plate when other
• 1:02:09
  Speaker 1: people have called out. I've done this, I've done that.
• 1:02:12
  Speaker 1: So I feel like I deserve a raise. But you
• 1:02:14
  Speaker 1: need to sit down and let him know that. You
• 1:02:17
  Speaker 1: can't just be upset that he's not just giving you one.
• 1:02:19
  Speaker 1: A lot of times people aren't going to just come
• 1:02:20
  Speaker 1: to you and say, here's a raise. You have to
• 1:02:22
  Speaker 1: go and ask for it. Okay, I'm gonna throw on
• 1:02:25
  Speaker 1: no food today. Yeah, sit down and that way when
• 1:02:28
  Speaker 1: you have a meeting, it's very professional, and tell him
• 1:02:30
  Speaker 1: I do enjoy working here. I do see a future
• 1:02:32
  Speaker 1: at this company, but I feel that I deserve to
• 1:02:34
  Speaker 1: make more money and here's why. Okay, thank you, Hey, Hey,
• 1:02:39
  Speaker 1: I hope it works out. I hope you get your raise. Okay,
• 1:02:41
  Speaker 1: thank you. I'm doing freesday and how are you guys
• 1:02:44
  Speaker 1: so much? Ask ye eight on dread five A five
• 1:02:48
  Speaker 1: one oh five one if you need relationship advice caller?
• 1:02:51
  Speaker 1: Now was the breakfast club? Good morning? Mooted? Everybody is
• 1:02:53
  Speaker 1: dj envy Angela yee cholomnea guy. We all the breakfast
• 1:02:57
  Speaker 1: club were in the middle of ask ye hello, who's
• 1:03:00
  Speaker 1: this all right? What's up? Drea? Hey, Dre? What's your
• 1:03:03
  Speaker 1: question for you? Um? It's kind of for everybody. I
• 1:03:06
  Speaker 1: found the like you know, I got a daughter, you
• 1:03:08
  Speaker 1: know what I'm saying. I found the six store on
• 1:03:10
  Speaker 1: her own sex toy missed me? Help, bro? What was
• 1:03:14
  Speaker 1: this sex toy that you found? Deal? Though? No curs,
• 1:03:19
  Speaker 1: so my fault. She's seventeen, bro. Yeah, she's a good kid.
• 1:03:24
  Speaker 1: Though she gets in advanced class to get good grades.
• 1:03:26
  Speaker 1: I just know that. Don't mean she's not a good kid.
• 1:03:28
  Speaker 1: If you found a deal? Would you rather find the deal? Joe?
• 1:03:30
  Speaker 1: All real people? What it is? Asking you? So? Let
• 1:03:33
  Speaker 1: me ask you this? Um, are you and and her
• 1:03:36
  Speaker 1: mother still together? Or does she? Is she in the house? Also? Yeah,
• 1:03:39
  Speaker 1: she in the house. I told her. She said the
• 1:03:41
  Speaker 1: same thing like it could have been a boy. But
• 1:03:43
  Speaker 1: I was like, Yo, now have you guys had a
• 1:03:45
  Speaker 1: conversation with her about the birds and the bees about sex? Yeah,
• 1:03:48
  Speaker 1: we had a conversation. Did you ask her about this
• 1:03:50
  Speaker 1: sex toy that you found? Nah? Because it was last night.
• 1:03:53
  Speaker 1: I gotta gether when she get out of school. Ain't
• 1:03:55
  Speaker 1: gonna ge, but I'm you know, first of all, you
• 1:03:56
  Speaker 1: shouldn't make her feel ashamed about having it, because she
• 1:03:59
  Speaker 1: should be able to come to you guys about anything. So,
• 1:04:01
  Speaker 1: you know, I don't know if maybe it was somebody
• 1:04:03
  Speaker 1: gave it to her as a funny gift. Who knows
• 1:04:06
  Speaker 1: where she got it from, so it could be an
• 1:04:08
  Speaker 1: easy explanation, or it could be that she's using a dildo,
• 1:04:10
  Speaker 1: which I mean, how old were you when you started masturbating?
• 1:04:13
  Speaker 1: I mean when I was seventeen, so exactly. So you know,
• 1:04:17
  Speaker 1: you have to just be understanding and be willing to
• 1:04:20
  Speaker 1: talk to your daughter and let her know if there's
• 1:04:21
  Speaker 1: any questions, she can come to you. And but your
• 1:04:23
  Speaker 1: daughter's almost seventeen. Yeah, she's almost seventeen. And if I
• 1:04:26
  Speaker 1: found a dildoor it would hurt me a little bit,
• 1:04:29
  Speaker 1: but it can't be mad. But I would think about
• 1:04:31
  Speaker 1: it like this, I'd rather a dialdough than it could
• 1:04:35
  Speaker 1: be empty. You know it mean what dido and she
• 1:04:38
  Speaker 1: drank get pregnant from a dildog? Right, that's the good part.
• 1:04:41
  Speaker 1: And um, I was reading Chelsea Handle's book a long
• 1:04:43
  Speaker 1: time ago. Chelsea was master beating now like four five.
• 1:04:46
  Speaker 1: That ruined me. That was like that. That bugs me.
• 1:04:48
  Speaker 1: A lot of people master to be early. So she
• 1:04:50
  Speaker 1: I mean she's she's touching herself and finding out about
• 1:04:53
  Speaker 1: I mean, she's seventeen years old. Is she gonna go
• 1:04:55
  Speaker 1: to college? No? Fifteen inch deal college? Right? So I
• 1:04:59
  Speaker 1: mean basically, you know, as parents, you guys have done
• 1:05:02
  Speaker 1: a great job. I'm sure of raising her, but make
• 1:05:04
  Speaker 1: sure you do a great job of letting her know
• 1:05:06
  Speaker 1: that she can talk to you about anything, because you
• 1:05:08
  Speaker 1: never want your daughter to feel ashamed about anything. Absolutely,
• 1:05:11
  Speaker 1: and it may not even be used. Did you smell it?
• 1:05:13
  Speaker 1: I ain't want to touch it, bro. And even if
• 1:05:16
  Speaker 1: it even if it is, it is a natural thing.
• 1:05:19
  Speaker 1: It's not a huge fifteen in size one right if
• 1:05:21
  Speaker 1: sel can nby happened, right, it ain't. It ain't. It's
• 1:05:24
  Speaker 1: just like okay, you know, I mean, let's say it's hard.
• 1:05:28
  Speaker 1: I think it's hard for anybody to think about their
• 1:05:30
  Speaker 1: kids masturbating or having sex. It is what it is,
• 1:05:34
  Speaker 1: you know, it's a it's what happens. You did it.
• 1:05:37
  Speaker 1: You had her at seventeen. So that's why it's important
• 1:05:39
  Speaker 1: for you to keep those lines of communication open. Treating
• 1:05:41
  Speaker 1: like the period. Man, I got a nine year old
• 1:05:43
  Speaker 1: and two year old. When they start doing stuff like that,
• 1:05:44
  Speaker 1: go to mama. Man, I don't know nothing about no period,
• 1:05:47
  Speaker 1: and I don't know nothing about no dildos, And nyuse
• 1:05:50
  Speaker 1: is a little different. The daughter can come to him
• 1:05:51
  Speaker 1: about dildolls. You know what I'm saying. Shut up, man,
• 1:05:53
  Speaker 1: you have a good one. Bro with good luck, man,
• 1:05:55
  Speaker 1: we can say still use mine you got, says Vicious
• 1:06:00
  Speaker 1: on it. I wrote a beef for Vicious on mine.
• 1:06:04
  Speaker 1: I'm assuming you guys the defamation the character. I'm going
• 1:06:09
  Speaker 1: to human resources, all right, ask ye eight hundred five
• 1:06:12
  Speaker 1: eighty five one on five one. You got rumors on
• 1:06:14
  Speaker 1: the way, Yes, I dude, we are going to be
• 1:06:16
  Speaker 1: talking about Russell Simmons. He posted where he's at and
• 1:06:19
  Speaker 1: what he's doing right now. He is temporarily closed. Who
• 1:06:22
  Speaker 1: all right? WHOA wow? That sounds crazy After them already
• 1:06:27
  Speaker 1: trying to tell somebody yay. Rumors on the way is
• 1:06:31
  Speaker 1: the Breakfast lug more wanting everybody is DJ Envy Angela yee.
• 1:06:35
  Speaker 1: Charlemagne the guy, we are the Breakfast Club. Let's get
• 1:06:38
  Speaker 1: to the rumors. What we what we're talking about? Charlemagne
• 1:06:40
  Speaker 1: oh Russell Simmons says his ass is closed and tell
• 1:06:44
  Speaker 1: what what what are y'all talking about? His ass is
• 1:06:47
  Speaker 1: closed until further notice what oh Gosu reports Breakfast Club
• 1:06:59
  Speaker 1: say that? Did he? I just want to remove myself
• 1:07:01
  Speaker 1: from what Charlotte Mane an Envy do in this room,
• 1:07:03
  Speaker 1: and I'm going to get into what Uncle Russ posted
• 1:07:06
  Speaker 1: on his page on Instagram. He said, temporarily closed for
• 1:07:09
  Speaker 1: spiritual maintenance. I'm in valley, writing, meditating at holy sites,
• 1:07:15
  Speaker 1: and practicing asanas, letting everyone speak while I listen, focusing
• 1:07:19
  Speaker 1: and praying to realize one goal, being a more useful
• 1:07:22
  Speaker 1: servant of God. I want to fully devote myself to
• 1:07:24
  Speaker 1: my daughters, the underserved community that I've always worked with,
• 1:07:27
  Speaker 1: and the growth of a new conscious community. We need
• 1:07:29
  Speaker 1: a revolution of consciousness. Now is the time for new beginnings,
• 1:07:33
  Speaker 1: one awakened being at a time I can only go
• 1:07:35
  Speaker 1: off the conversations that I've had with Russell Simmons throughout
• 1:07:38
  Speaker 1: my life. If it's one person who will learn from
• 1:07:40
  Speaker 1: whatever it is they're going through, it's Russell Simmons. Now.
• 1:07:44
  Speaker 1: You know how we say the best apology is changing behavior.
• 1:07:47
  Speaker 1: If it's one person who'll change their behavior, it's definitely right.
• 1:07:49
  Speaker 1: But he has said that he hasn't done any of
• 1:07:51
  Speaker 1: these things, and everything really done has been consensual. So
• 1:07:54
  Speaker 1: in order to change that behavior, you have to know
• 1:07:57
  Speaker 1: clearly you're trying to reconstruct something. You just don't close
• 1:07:59
  Speaker 1: your ass all right as is nowhere in here nothing
• 1:08:03
  Speaker 1: about assa, but is close to that all right now, Shade,
• 1:08:07
  Speaker 1: you know how much I think everybody in this room Loveday,
• 1:08:10
  Speaker 1: one of my favorite artists. Well, Ava Duberna also loves her,
• 1:08:13
  Speaker 1: and she posted I never thought she'd said yes, but
• 1:08:16
  Speaker 1: asked anyway. She was kind and giving, a goddess. We
• 1:08:19
  Speaker 1: began a journey together that I'll never forget. Proud to
• 1:08:22
  Speaker 1: announce that Shade has created an original song for Wrinkle
• 1:08:26
  Speaker 1: in Time. It's entitled Flower of the Universe, and it's
• 1:08:29
  Speaker 1: a dream come true. I really wanted to see this
• 1:08:32
  Speaker 1: movie Wrinkle in time, and I will say, on a
• 1:08:34
  Speaker 1: scale of wonder Black Panther, my excitement for this movie
• 1:08:37
  Speaker 1: is at a nine and a half because Ava is
• 1:08:39
  Speaker 1: the first African American woman to have a one hundred
• 1:08:41
  Speaker 1: million dollar budget. Just starts a young black queen named
• 1:08:43
  Speaker 1: Storm read Oprah, isn't it My daughter really wants to
• 1:08:45
  Speaker 1: see this film? And I'm glad because that gives me
• 1:08:47
  Speaker 1: a reason to have my old ass. And they're watching it,
• 1:08:49
  Speaker 1: all right? Kevin Hart. Now he was out with Eddie Murphy,
• 1:08:53
  Speaker 1: Dave Chappelle, Chris Rock, Chris Tucker, Usher, Duane Wade, all
• 1:08:57
  Speaker 1: of them. Annie went to dinner at Masstro's. Who paid
• 1:09:01
  Speaker 1: the bill is the question. Here's what Kevin Hart had
• 1:09:03
  Speaker 1: to say when TMZ asked him what I do is
• 1:09:05
  Speaker 1: I always say I'll do it first to create the argument,
• 1:09:09
  Speaker 1: right right right dot this bill? No no way, Kevin,
• 1:09:11
  Speaker 1: All right, you win. That's how to get myself followed, right.
• 1:09:14
  Speaker 1: And then and then who ended the pain? Though? Chris good,
• 1:09:17
  Speaker 1: good good? But Chris Rock should have paid. He never
• 1:09:19
  Speaker 1: paid paid. It's about Tommy Pick. Kevin just followed my rule.
• 1:09:23
  Speaker 1: My rule is whoever the richest person is, they paid
• 1:09:26
  Speaker 1: a bill. It. Don't insult that person by pulling out
• 1:09:28
  Speaker 1: your little bit of lookers Eddie. I mean I think
• 1:09:33
  Speaker 1: Eddie just saw Shrek alone. Yeah, just off his Shrek Moneyede.
• 1:09:37
  Speaker 1: But next time anybody goes out with Kevin Hrt and
• 1:09:39
  Speaker 1: he offers to pay the bill first, just say thanks
• 1:09:41
  Speaker 1: to be quiet. There's the reason Eddie and Mike Myers
• 1:09:43
  Speaker 1: don't do anything Shrek like. You know, Eddie gets paid
• 1:09:45
  Speaker 1: when donkeys gets sold in the store, Like, Eddie makes
• 1:09:49
  Speaker 1: money off that forever. Anytime you see that donkey Eddie
• 1:09:51
  Speaker 1: getting paid, he get paid for donkey today too. No,
• 1:09:53
  Speaker 1: he don't because I don't use all right, Snoop. Here's
• 1:09:58
  Speaker 1: something great that he did. He rescued a stranded driver.
• 1:10:01
  Speaker 1: Now imagine this. This woman catching a Graham was on
• 1:10:04
  Speaker 1: the side of the highway. Her car was broken down,
• 1:10:07
  Speaker 1: and she said, as she was waiting for her brother,
• 1:10:08
  Speaker 1: she heard somebody knock on the window and guess who
• 1:10:10
  Speaker 1: it was, snoop dog. Now, she said, he offered to
• 1:10:13
  Speaker 1: give her car a push because he thought she was
• 1:10:15
  Speaker 1: in an unsafe spot, and parked his own ride off
• 1:10:17
  Speaker 1: the exit, ran back to help her get out of
• 1:10:20
  Speaker 1: the way of moving traffic. Drop him. That was done
• 1:10:22
  Speaker 1: for that real life Snoopbulster released a surprise EP by
• 1:10:27
  Speaker 1: the way as well, so make sure you guys check
• 1:10:30
  Speaker 1: out his surprise But the Gospels twenty. Now, what's the
• 1:10:33
  Speaker 1: name of it. It's called two twenty two twenty? Yeah,
• 1:10:36
  Speaker 1: what's that like? Half a blunt like February twice, Yeah,
• 1:10:39
  Speaker 1: February twenty twenty small twenty. Well, the album came out
• 1:10:43
  Speaker 1: to twenty, so I guess that's why he called it
• 1:10:45
  Speaker 1: two twenty. That's when you just high and you ain't
• 1:10:47
  Speaker 1: got time to think of no title, it's two twenty
• 1:10:49
  Speaker 1: to twenty, all right, Carucha, I guess it's really with
• 1:10:54
  Speaker 1: Victor Cruz. Now. She did an interview with Ebbony magazine
• 1:10:57
  Speaker 1: and they asked about her relationship with him, and she said,
• 1:11:00
  Speaker 1: we've been hanging out and getting to know one another.
• 1:11:02
  Speaker 1: My main priority is always worked. But he's a gentleman.
• 1:11:04
  Speaker 1: He's a sweet guy, and he's really nice. We're taking
• 1:11:07
  Speaker 1: it slow, but es Wellkwa Bunker Crew has got a
• 1:11:09
  Speaker 1: nice ring to it. Why well, Kalamara Cruise. That's a
• 1:11:14
  Speaker 1: nice ring. I don't think so, Carucci, all right, And
• 1:11:17
  Speaker 1: Tavis Smiley is filing a lawsuit against PBS. Now, remember
• 1:11:22
  Speaker 1: they fired him about sexual harassment allegations and he was
• 1:11:25
  Speaker 1: on there for fourteen years. He did admit to having
• 1:11:28
  Speaker 1: relationships with co workers, but he said they all were consensual.
• 1:11:31
  Speaker 1: In his lawsuit, he is saying that there was a
• 1:11:33
  Speaker 1: racial tension at PBS, and he said the heads of
• 1:11:36
  Speaker 1: the network would hassle him whenever he had African American
• 1:11:39
  Speaker 1: guests who espoused controversial positions and tried to stop any
• 1:11:43
  Speaker 1: such guests from appearing. So in these documents, he said
• 1:11:46
  Speaker 1: his personal production company has been losing multiple millions of
• 1:11:50
  Speaker 1: dollars since he got fired, and he's had to lay
• 1:11:52
  Speaker 1: off about twenty employees. How do you approve racism? Though?
• 1:11:56
  Speaker 1: I don't know. The PBS is saying that that lawsuit
• 1:11:58
  Speaker 1: is a meritless and that he's trying to distract everyone
• 1:12:02
  Speaker 1: from his pattern of sexual misconduct. Maybe y's gonna have
• 1:12:05
  Speaker 1: Laval Burton tells to find and say, look, I did
• 1:12:06
  Speaker 1: read Rainbow here for years and there's never was no
• 1:12:08
  Speaker 1: racism that happened to have PBS. Well, I don't know,
• 1:12:11
  Speaker 1: but I guess Burton and Oscar Garage is gonna take
• 1:12:13
  Speaker 1: the stand following this case I'm angela ye, and that
• 1:12:17
  Speaker 1: is your rumor report. Charlomi. Did you read Ryan Kogler's
• 1:12:19
  Speaker 1: letter to everybody about Black Panther? I did, Actually, yeah,
• 1:12:23
  Speaker 1: I figured is that real? And to thank you letter? Oh,
• 1:12:26
  Speaker 1: because everybody said tell us what he said? Thank you? No,
• 1:12:30
  Speaker 1: That's why I just wanted to bring up because I
• 1:12:31
  Speaker 1: knew it would interest him. But he just wanted to
• 1:12:33
  Speaker 1: express his gratitude to everybody about his filmmaking. He said,
• 1:12:37
  Speaker 1: it's a team sport. Our team was made up of
• 1:12:38
  Speaker 1: amazing people from all over the world who believed in
• 1:12:41
  Speaker 1: this story. Never in a million years did we imagine
• 1:12:44
  Speaker 1: that you all would come out this strong. It still
• 1:12:46
  Speaker 1: humbles me to think that people care enough to spend
• 1:12:49
  Speaker 1: their money and time watching our film. Well, first of all,
• 1:12:51
  Speaker 1: let the record show that last August I told Ryan
• 1:12:54
  Speaker 1: Coo that Black Panther was gonna make over a billion dollars. Okay,
• 1:12:58
  Speaker 1: I told him that, So he really mean never in years?
• 1:13:00
  Speaker 1: All right? He didn't listen, And I told him that
• 1:13:02
  Speaker 1: because when you take all the Marvel fans who would
• 1:13:04
  Speaker 1: go watch this movie anyway, combined it with the casual
• 1:13:07
  Speaker 1: black fans who've never seen a Marvel movie, but would
• 1:13:09
  Speaker 1: go see Black Panther. It was gonna cause what we
• 1:13:11
  Speaker 1: are presently seeing right now, which is all of these
• 1:13:12
  Speaker 1: record numb. But I'm sure he's still overwhelmed by the
• 1:13:15
  Speaker 1: support that he's gone, because when you do something you
• 1:13:16
  Speaker 1: never really know until it happens. And the fact that
• 1:13:19
  Speaker 1: everybody came out that's a blessing. So people just to me,
• 1:13:22
  Speaker 1: they wouldn't be so surprised about thing. Goodness, they listen
• 1:13:24
  Speaker 1: to you, they think Russell Simmons butt's closed. So you're
• 1:13:27
  Speaker 1: saying you're saying it's open, you know, because clearly I
• 1:13:30
  Speaker 1: would just assume unless he's on the toilet right now
• 1:13:33
  Speaker 1: doing the number two, that his butt would be close.
• 1:13:35
  Speaker 1: Unless you have some information that we're not privy to
• 1:13:37
  Speaker 1: shout to him. Then you want to tell us shout
• 1:13:39
  Speaker 1: to revote. We'll see you got Russell butt being open. Everybody.
• 1:13:41
  Speaker 1: I was talking about this because here I would talk
• 1:13:45
  Speaker 1: about Ryan Cool, you talt talk about Russell but being
• 1:13:47
  Speaker 1: open nothing. But oh my god, uncle, stop get no stop.
• 1:13:52
  Speaker 1: See you know what people choice makes it up. Next,
• 1:13:54
  Speaker 1: it's the breakfast lug of morning