Latest / Movie Meltdown / 203: The Bride of TurkZilla

Transcript

203: The Bride of TurkZilla · Movie Meltdown

• 0:00
  Speaker 1: And so basically it's meatloaf.
• 0:02
  Speaker 2: Yeah.
• 0:02
  Speaker 1: It's just turkey meatloaf.
• 0:03
  Speaker 3: Yeah.
• 0:04
  Speaker 4: With mashed potato, icing, and marshmallows.
• 0:07
  Speaker 1: Even better. And sweet potato casserole and.
• 0:14
  Speaker 5: Stovetop. It just gets better and better.
• 0:18
  Speaker 1: And there's a layer of cranberries in there. Of course
• 0:23
  Speaker 1: there is.
• 0:24
  Speaker 5: So, white meat.
• 0:26
  Speaker 1: And dark meat. Take it away.
• 0:30
  Speaker 6: The following feature has been rated R by the Motion
• 0:32
  Speaker 6: Picture Association of America. It is intended for mature audiences
• 0:36
  Speaker 6: and parental discretion is advised. It's showtime, folks.
• 0:50
  Speaker 7: Enjoy the show.
• 0:53
  Speaker 8: Our nuclear reactor pumping out one million kilowatts of power.
• 1:28
  Speaker 9: It ain't cool being no jive turkey so close to Thanksgiving.
• 1:42
  Speaker 1: What's up and welcome to Movie Meltdown. I'm Brian.
• 1:45
  Speaker 5: I'm Fred.
• 1:46
  Speaker 1: I'm Greg.
• 1:47
  Speaker 2: I'm Marlena. I'm Bo.
• 1:48
  Speaker 1: I'm Alan. I'm Lucy. And Happy Thanksgiving!
• 1:52
  Speaker 5: It is, uh... time for another special holiday episode. Special
• 1:56
  Speaker 5: is once again in quotes.
• 1:58
  Speaker 1: So with that we bring you the bride of Turkzilla.
• 2:03
  Speaker 5: Indeed.
• 2:04
  Speaker 1: Courtesy of Greg and this year she has a friend.
• 2:08
  Speaker 5: Yeah.
• 2:09
  Speaker 1: What have you billed her Lucy? The Tofurkzilla. Tofurkzilla.
• 2:13
  Speaker 2: Yes.
• 2:14
  Speaker 5: I don't know what to do with either of those really.
• 2:16
  Speaker 5: Except eat them.
• 2:18
  Speaker 10: Yeah.
• 2:18
  Speaker 1: Which I did.
• 2:19
  Speaker 5: So would you like to start with that with the
• 2:21
  Speaker 5: wrap up?
• 2:22
  Speaker 1: First of all Alan was kind of afraid.
• 2:25
  Speaker 7: Afraid.
• 2:25
  Speaker 1: Of Turkzilla.
• 2:27
  Speaker 5: I don't know if afraid is the word.
• 2:29
  Speaker 4: I was concerned.
• 2:31
  Speaker 5: Rightfully so. If you're not familiar, we did this year
• 2:35
  Speaker 5: before last. We'll post the pictures online. If you're not
• 2:40
  Speaker 5: on our Facebook page, that's your own fault. But, yeah,
• 2:44
  Speaker 5: as I described it to Alan and what instilled the
• 2:47
  Speaker 5: fear in his heart, Was a layer cake made of
• 2:50
  Speaker 5: all your Thanksgiving items. So it's a layer cake involving
• 2:53
  Speaker 5: turkey and stuffing and iced with mashed potatoes. It's the
• 2:58
  Speaker 5: best idea ever, isn't it?
• 3:00
  Speaker 1: There should maybe be like creamed corn in between a
• 3:03
  Speaker 1: couple of the layers.
• 3:04
  Speaker 5: I could get on board with that.
• 3:05
  Speaker 1: I thought about that. Venturing into vegetables. I don't know.
• 3:09
  Speaker 5: Because I like my cakes like I like my women runny.
• 3:11
  Speaker 1: So just work on that.
• 3:13
  Speaker 5: Venturing into vegetables goes against our nature anyway.
• 3:16
  Speaker 3: Right.
• 3:18
  Speaker 11: Lucy and I ventured into vegetables.
• 3:20
  Speaker 1: We did. That's a fact.
• 3:22
  Speaker 12: Although I will say that in creating the vegan counterpart
• 3:25
  Speaker 12: of Turkzilla, I didn't actually realize that the layer cake
• 3:29
  Speaker 12: concept was literal. Like I did not know it was
• 3:31
  Speaker 12: going to be cake shaped.
• 3:32
  Speaker 5: Like I feel like next year. Well, I told you
• 3:35
  Speaker 5: if you're going to do it, either it had to
• 3:36
  Speaker 5: be cake shaped or I told Fred, I wanted everything
• 3:39
  Speaker 5: shaped like a Turkey, which is hilarious that they always
• 3:42
  Speaker 5: shape the fake turkeys into a Turkey shape.
• 3:45
  Speaker 1: And like we, Well, Lucy, it kind of counts. It's
• 3:48
  Speaker 1: like a sheet cake.
• 3:49
  Speaker 13: Yeah.
• 3:50
  Speaker 5: All right.
• 3:51
  Speaker 2: Thank you.
• 3:51
  Speaker 4: So that was my concern.
• 3:52
  Speaker 11: It's like a sheet cake burning in my heart.
• 3:55
  Speaker 1: What?
• 3:58
  Speaker 4: My concern was the description of it as a layer cake,
• 4:00
  Speaker 4: because if you had said something like a casserole, that
• 4:02
  Speaker 4: would have been fine. Like yours is a casserole.
• 4:04
  Speaker 1: It's not a casserole.
• 4:05
  Speaker 2: Oh, I know.
• 4:05
  Speaker 4: But then when it was described to me, then it
• 4:07
  Speaker 4: sounded more like a casserole. And then Greg posted a
• 4:09
  Speaker 4: picture of this thing.
• 4:10
  Speaker 1: And you went, oh, God.
• 4:11
  Speaker 2: Oh, God.
• 4:11
  Speaker 5: It looks like a casserole.
• 4:13
  Speaker 4: Cake, but it's not. I don't know.
• 4:15
  Speaker 11: I think it looks like a mutant biscuit.
• 4:18
  Speaker 5: Right.
• 4:20
  Speaker 14: You were just afraid it was going to be like
• 4:21
  Speaker 14: one of those KFC bowls, but on steroids.
• 4:24
  Speaker 11: It kind of is.
• 4:26
  Speaker 1: There's no corn in this. Again, that can be a remedy.
• 4:30
  Speaker 14: Well, I mean, I just like a tracer element in
• 4:32
  Speaker 14: there to know that the bolus hasn't just stayed there.
• 4:36
  Speaker 1: Oh no, it's a cake. It's a standing cake.
• 4:40
  Speaker 8: You know, last time it was definitely more defined transitional
• 4:45
  Speaker 8: layers yeah they were just kind of brown beige mess yeah.
• 4:51
  Speaker 4: So it tasted good though i did i did try.
• 4:54
  Speaker 11: It everybody turkzillas fall apart the center cannot hold.
• 5:00
  Speaker 5: So you had a good time making it great right
• 5:04
  Speaker 5: do you want to go into.
• 5:05
  Speaker 8: That i i don't know i've had a um I
• 5:12
  Speaker 8: had a full-blown panic attack while I was making it today.
• 5:16
  Speaker 8: Other health issues, I think, caused that.
• 5:19
  Speaker 5: I don't know.
• 5:22
  Speaker 1: I had some trouble. I hope it was worth the effort.
• 5:28
  Speaker 1: It turned out very nicely.
• 5:29
  Speaker 11: About a couple of years after this Turkzilla, everyone who
• 5:33
  Speaker 11: ate it is going to have a panic attack.
• 5:37
  Speaker 1: Or a baby turkey.
• 5:39
  Speaker 5: That'll be pretty cool, actually.
• 5:40
  Speaker 4: You mentioned earlier you almost died. Was that in relation
• 5:42
  Speaker 4: to this?
• 5:43
  Speaker 8: Yeah, I think that's what I mean. I really did
• 5:46
  Speaker 8: feel like I was dying.
• 5:48
  Speaker 1: I had that.
• 5:50
  Speaker 5: Thanks to the bride of Turkzilla.
• 5:53
  Speaker 1: The curse of the bride of Turkzilla. Yeah, it wasn't pleasant,
• 5:57
  Speaker 1: so I'm glad to be on the other side of that.
• 5:58
  Speaker 14: It's almost like the brood. It's just you're giving birth
• 6:01
  Speaker 14: to the... It's taking something from you when you create it.
• 6:05
  Speaker 2: Yeah. Yeah.
• 6:07
  Speaker 8: I hope because i don't want that back well it's
• 6:10
  Speaker 8: good you're here right i almost didn't even come i
• 6:13
  Speaker 8: thought okay i'll just deliver it and go home but
• 6:15
  Speaker 8: then i felt much better after i was.
• 6:19
  Speaker 14: After you delivered it after i mean maybe it's a
• 6:21
  Speaker 14: natural reaction to it it's like you know you if
• 6:24
  Speaker 14: you smell food cooking you get hungry well that's going
• 6:26
  Speaker 14: to make you you have to be so damn hungry
• 6:28
  Speaker 14: to eat that thick cake it's just the body just
• 6:32
  Speaker 14: overdid itself and just like I'll shut down briefly so
• 6:35
  Speaker 14: that way he's really hungry later on perhaps yeah.
• 6:40
  Speaker 1: To go to the other side okay Lucy how was
• 6:42
  Speaker 1: your experience I had.
• 6:43
  Speaker 12: A perfectly pleasant experience making Topherzilla um I did not
• 6:48
  Speaker 12: have time to watch the movie though so there's gives
• 6:50
  Speaker 12: and takes to everything I don't know I watched the
• 6:52
  Speaker 12: first third um but yeah so we started should I
• 6:55
  Speaker 12: tell you the constituent ingredient.
• 6:58
  Speaker 5: Yeah but i just want to know how many layers
• 7:00
  Speaker 5: of lead there were in it because i picked it
• 7:02
  Speaker 5: up oh my god why is it so heavy well.
• 7:06
  Speaker 12: Because it's an entire thanksgiving feast in one casserole dish
• 7:10
  Speaker 12: so it's gonna be.
• 7:11
  Speaker 1: None of which is a giant bird though that's true.
• 7:13
  Speaker 11: But there's a black hole in there it could.
• 7:16
  Speaker 12: Be there's an entire tofurkey in there there's stuffing there's
• 7:20
  Speaker 12: a macaroni and cheese casserole there is a Whipped smashed potatoes.
• 7:26
  Speaker 12: I'm forgetting something. The yeast gravy, which may or may
• 7:28
  Speaker 12: not be the Jess Wexler cheese.
• 7:31
  Speaker 5: Yeah, we're debating that.
• 7:33
  Speaker 8: If it comes to its own without knowing of the
• 7:36
  Speaker 8: Jess Wexler cheese, it's not.
• 7:38
  Speaker 1: They just happen to be similar. Plus, it's in name.
• 7:43
  Speaker 1: They're fine.
• 7:44
  Speaker 14: I think Fred's on to something there. Maybe every Turkzilla
• 7:47
  Speaker 14: and permutation of it has a black hole in there.
• 7:50
  Speaker 5: Maybe you ate the black hole... A while back, it
• 7:53
  Speaker 5: was trying to just compact.
• 7:56
  Speaker 14: All of your innards into the point of singularity, but
• 7:58
  Speaker 14: you managed to digest it first.
• 8:01
  Speaker 5: Would it pack all your innards into a little bag,
• 8:03
  Speaker 5: and then later you could take them out before you...
• 8:05
  Speaker 5: Never mind.
• 8:06
  Speaker 3: Yeah.
• 8:07
  Speaker 5: Turkey humor. Come on, Dan.
• 8:08
  Speaker 11: That might explain something. I mean, it's as rational as anything.
• 8:12
  Speaker 5: Else, I guess.
• 8:13
  Speaker 2: I don't know.
• 8:13
  Speaker 5: It's as rational as giblets. That's true.
• 8:17
  Speaker 1: Because I've yet to figure out giblets.
• 8:18
  Speaker 4: Giblets are delicious.
• 8:19
  Speaker 1: Yeah.
• 8:21
  Speaker 4: Just tear into that liver every year. It's wonderful.
• 8:24
  Speaker 11: Isn't a giblet supposed to be like a smaller jib?
• 8:28
  Speaker 5: I think they serve those at Applebee's.
• 8:31
  Speaker 1: Fried giblets?
• 8:33
  Speaker 5: Yeah, it reminds me.
• 8:33
  Speaker 14: When I was in Beijing, I thought, okay, I'm in Beijing.
• 8:36
  Speaker 14: I've got to go to a Beijing duck restaurant. Actually,
• 8:40
  Speaker 14: I'd been saving money just going to street foods. I thought,
• 8:44
  Speaker 14: I'm going to spend money and go to the finest
• 8:46
  Speaker 14: one in the city. You were talking about the chicken
• 8:51
  Speaker 14: being killed for you earlier i mean they did that
• 8:52
  Speaker 14: with the duck as well it's like they kill it
• 8:55
  Speaker 14: and they come out and they demonstrate it's like here
• 8:56
  Speaker 14: you go this is what i killed for you it's
• 8:58
  Speaker 14: like it's like a cat bringing something to you and
• 9:00
  Speaker 14: you nod but um they make a soup out of
• 9:03
  Speaker 14: it and then they bring you the actual like meat
• 9:06
  Speaker 14: and then for dessert they deep fry all the innards
• 9:09
  Speaker 14: like apparently that's the chinese dessert that goes along with
• 9:11
  Speaker 14: it is they deep fry all that stuff so it's
• 9:13
  Speaker 14: like they bring out the intestines and all that stuff
• 9:16
  Speaker 14: it's all just been deep fried it's like Can I
• 9:19
  Speaker 14: get it? I got it to go and I didn't
• 9:21
  Speaker 14: eat it.
• 9:23
  Speaker 11: Speaking of that, there was also the haggis. If you
• 9:28
  Speaker 11: want to call it. Yeah, so I took, I made the,
• 9:35
  Speaker 11: in Indianapolis there's this place where I got vegetarian haggis,
• 9:39
  Speaker 11: whatever that is. But it was good. It was seriously good.
• 9:43
  Speaker 11: It was kind of aromatic like Indian food.
• 9:46
  Speaker 5: It's just, it looks like It's.
• 9:49
  Speaker 11: Complete mush, and it's served with another mush, which is turnips,
• 9:54
  Speaker 11: and then another mush, which is potatoes.
• 9:57
  Speaker 1: You're not selling me on this so far. I know.
• 9:59
  Speaker 5: Turnips.
• 10:00
  Speaker 11: It's crazy good, though. It's really good. And so I
• 10:03
  Speaker 11: tried to figure out how to make it, and it's
• 10:07
  Speaker 11: just another vegan thing that you can call haggis. There
• 10:12
  Speaker 11: is scotch in it.
• 10:14
  Speaker 1: Oh, okay.
• 10:14
  Speaker 11: There's scotch in it.
• 10:17
  Speaker 14: My great regret is we didn't plan out a fake
• 10:19
  Speaker 14: recipe before we started doing this episode because we could
• 10:21
  Speaker 14: have just made something up and.
• 10:23
  Speaker 5: Probably sold it. No, it will be in the Movie
• 10:26
  Speaker 5: Meltdown cookbook that we've been working on for years now.
• 10:29
  Speaker 5: I mean, we eat about as much as we talk
• 10:31
  Speaker 5: about movies. So is that going to have your recipe
• 10:33
  Speaker 5: for straight bagels in it? I don't know if you
• 10:35
  Speaker 5: can afford that. That's a very secret recipe because it
• 10:38
  Speaker 5: doesn't exist. Because all we made was breadsticks.
• 10:40
  Speaker 1: Anyways.
• 10:42
  Speaker 11: It gets so defensive.
• 10:44
  Speaker 1: Because you don't know what a bagel is.
• 10:45
  Speaker 11: I was at the Kentucky Book Fair the other day
• 10:48
  Speaker 11: and I heard the greatest idea for a recipe book.
• 10:51
  Speaker 11: Because there's a lot of Appalachian writers and there's sort
• 10:57
  Speaker 11: of a vein of mountain literature. And my mother had
• 10:59
  Speaker 11: the idea for a book of old-fashioned recipes.
• 11:03
  Speaker 5: But it would be drinks.
• 11:04
  Speaker 11: They would market it as these old-timey recipes, but it
• 11:09
  Speaker 11: would all be recipes for old fashions.
• 11:13
  Speaker 9: Yeah.
• 11:15
  Speaker 11: And then I was going to append it to my idea,
• 11:17
  Speaker 11: which is... Well, the title of my cookbook was going
• 11:21
  Speaker 11: to be The Best Things in Life are Fried. But
• 11:24
  Speaker 11: then I came to this one idea, which was deep-fry
• 11:29
  Speaker 11: bourbon balls.
• 11:31
  Speaker 2: That sounds delicious, actually.
• 11:32
  Speaker 5: You have to.
• 11:33
  Speaker 11: It has to happen.
• 11:35
  Speaker 5: How is.
• 11:36
  Speaker 11: How did people not do that?
• 11:37
  Speaker 5: How does it not happen in Kentucky?
• 11:38
  Speaker 2: I don't know.
• 11:38
  Speaker 1: I questioned that.
• 11:39
  Speaker 11: Bourbon balls would fall into a vat. At some point.
• 11:45
  Speaker 5: I questioned that at the last state fair. I was like,
• 11:47
  Speaker 5: you're deep frying everything that's still in here, but the
• 11:50
  Speaker 5: one thing you're known for.
• 11:51
  Speaker 1: Around here, no. Have they deep fried the derby pie yet? Yeah, yeah.
• 11:55
  Speaker 11: I had that. Okay.
• 11:56
  Speaker 10: Yep.
• 11:57
  Speaker 11: Bourbon balls. We should do that tonight.
• 12:00
  Speaker 5: I have the best.
• 12:01
  Speaker 2: Idea for a fried fair food ever. Onion rings, like
• 12:06
  Speaker 2: onions that are wrapped in bacon and then dipped in
• 12:08
  Speaker 2: the batter and then fried.
• 12:10
  Speaker 5: And then coated in cheese. Maybe.
• 12:12
  Speaker 2: Maybe there's some cheese.
• 12:12
  Speaker 1: And then sprinkled with more bacon.
• 12:14
  Speaker 14: I'm not big into the deep fried stuff. The only
• 12:16
  Speaker 14: time I've come across something like that, I don't even
• 12:17
  Speaker 14: like the deep fried Oreos.
• 12:19
  Speaker 5: They're terrible.
• 12:20
  Speaker 14: When I was up at the Georgetown drive-in, they were
• 12:23
  Speaker 14: doing the deep fried red velvet Twinkies.
• 12:26
  Speaker 5: And I was like, oh.
• 12:27
  Speaker 1: I've deep fried a Twinkie.
• 12:28
  Speaker 11: That took a year off my life.
• 12:30
  Speaker 1: But it was so decadent. So I hear. You know
• 12:33
  Speaker 1: who loved those? Michael Madsen.
• 12:36
  Speaker 5: When they brought him here, they took him to the
• 12:38
  Speaker 5: drive-in that night. And he, again, it's not really a surprise,
• 12:42
  Speaker 5: I guess, if you know Michael.
• 12:45
  Speaker 14: I remember seeing him going on and around because I
• 12:47
  Speaker 14: was there that night. And I swear to God, I
• 12:50
  Speaker 14: saw him trying to pick up chicks as they were
• 12:52
  Speaker 14: coming out of the women's restroom.
• 12:55
  Speaker 1: That's pretty much all he did.
• 12:56
  Speaker 11: That's a good strategy.
• 12:58
  Speaker 1: A couple years ago.
• 12:59
  Speaker 2: I had no idea.
• 13:00
  Speaker 14: Yeah, it was for Fright Night Film Fest. It was
• 13:02
  Speaker 14: the same year Lyndon Blair had her come up there.
• 13:05
  Speaker 1: Hugely exciting.
• 13:07
  Speaker 4: The thing with the bacon around the onion rings, I've
• 13:09
  Speaker 4: done that with cheese.
• 13:11
  Speaker 1: It's like I'll.
• 13:12
  Speaker 4: Take the string cheese and just spread it, coat it,
• 13:14
  Speaker 4: and fry it and have cheese sticks. And one day
• 13:15
  Speaker 4: I was like, I'm going to wrap some bacon around
• 13:17
  Speaker 4: the cheese and then bread that and fry that. It
• 13:19
  Speaker 4: was good. So bacon, mozzarella stick.
• 13:22
  Speaker 2: Okay.
• 13:24
  Speaker 11: We deep-fried a Twinkie one Thanksgiving because they were going
• 13:27
  Speaker 11: to deep-fry the turkey. And it's like, wait, before we
• 13:30
  Speaker 11: use the oil, what all can we deep-fry?
• 13:33
  Speaker 5: You're dipping a stapler in there.
• 13:36
  Speaker 11: We couldn't find Mars bars anywhere in this city. They
• 13:40
  Speaker 11: just weren't around. But we did deep-fry a Twinkie, and
• 13:43
  Speaker 11: people were like, how was it? It was like, well,
• 13:46
  Speaker 11: it's better than a regular Twinkie. But, you know, and
• 13:49
  Speaker 11: people would come in, you want a deep-fried Twinkie?
• 13:51
  Speaker 5: And they'd be... I'm good. I don't like regular, but
• 13:56
  Speaker 5: it was a red velvet one.
• 13:57
  Speaker 14: And it had like, instead of just regular cream, it
• 14:00
  Speaker 14: was almost like the cream cheese inside. There's a legend
• 14:03
  Speaker 14: among my parents of a party that I was at
• 14:06
  Speaker 14: for red velvet cake that somebody made and brought to
• 14:10
  Speaker 14: the party. And there was this crazy guy who had
• 14:13
  Speaker 14: a master's in divinity and wanted to write poetry that
• 14:19
  Speaker 14: And he cut the top layer off the cake. He
• 14:21
  Speaker 14: was the first person in line, and he cut the
• 14:24
  Speaker 14: top layer.
• 14:25
  Speaker 5: And took it on his plate and went and sat down.
• 14:28
  Speaker 1: And everybody just.
• 14:32
  Speaker 1: What just happened?
• 14:34
  Speaker 5: If I would have known, I would have so done
• 14:36
  Speaker 5: that with the tofurkey.
• 14:39
  Speaker 2: I would have too. I think the sweet potatoes are
• 14:40
  Speaker 2: my favorite part.
• 14:41
  Speaker 5: I like that logic, though.
• 14:44
  Speaker 14: At school, they'll have snacks for the faculty meetings, and
• 14:47
  Speaker 14: afterwards it's like, take what you want, and I'll go
• 14:49
  Speaker 14: up and I'll take the silverware.
• 14:50
  Speaker 1: And they're like, what are you doing? I said, take
• 14:52
  Speaker 1: what I want. But that's for everyone.
• 14:56
  Speaker 11: Oh, it's like the scene in Midnight Cowboy. When they
• 15:04
  Speaker 11: go to the opening, and he's like, why are you
• 15:06
  Speaker 11: stealing food? And we're not stealing food, but it's free. Well,
• 15:11
  Speaker 11: if it's free, we're not stealing it.
• 15:13
  Speaker 5: I think what our other Thanksgiving activities have been.
• 15:19
  Speaker 4: There's a turkey that you made sure to have.
• 15:21
  Speaker 1: Yeah, we have our centerpiece. It looks like it's talking
• 15:24
  Speaker 1: into a microphone.
• 15:25
  Speaker 5: It does.
• 15:26
  Speaker 1: We all get a microphone.
• 15:27
  Speaker 11: It's kind of so sensitive to the air motion that
• 15:31
  Speaker 11: it looks vaguely alive.
• 15:33
  Speaker 1: Wait, let's hear what it has to say. More so
• 15:34
  Speaker 1: than I do. Here it goes. Gobble, gobble, motherfucker.
• 15:40
  Speaker 5: That's the theme of, you know, any good Thanksgiving gathering.
• 15:44
  Speaker 2: That was my favorite Thanksgiving movie ever. I know.
• 15:48
  Speaker 11: It sounds like we're trying to avoid the subject of
• 15:51
  Speaker 11: this movie.
• 15:52
  Speaker 5: I don't know why.
• 15:53
  Speaker 14: I have a funny male image of just Bruce Willis
• 15:55
  Speaker 14: going to promote the new Die Hard movie coming out
• 15:58
  Speaker 14: next summer.
• 15:59
  Speaker 1: He just goes on Sight Live or something for Thanksgiving.
• 16:02
  Speaker 14: They try to work up a sketch just to where
• 16:04
  Speaker 14: he uses the phrase gobble gobble motherfucker somewhere.
• 16:07
  Speaker 1: He'd just be ripping off the turkey. I don't want
• 16:09
  Speaker 1: a t-shirt that says that actually to wear around on Thanksgiving.
• 16:13
  Speaker 5: I bet there probably is one, actually.
• 16:15
  Speaker 1: Again, if they're marketing it. Yeah, if they're marketing it. Well,
• 16:18
  Speaker 1: that's the thing.
• 16:19
  Speaker 5: We're pushing that off for a future episode. Because it
• 16:22
  Speaker 5: just came out, and it was impossible to schedule it.
• 16:25
  Speaker 5: But they just did the sequel to Thanksgiving.
• 16:28
  Speaker 2: Oh, my God.
• 16:29
  Speaker 1: Thanksgiving 3.
• 16:29
  Speaker 5: Three.
• 16:30
  Speaker 1: Three.
• 16:31
  Speaker 5: The sequel. It's the only movie to ever skip a
• 16:35
  Speaker 5: sequel number.
• 16:37
  Speaker 1: They skipped two and went right to three. I think
• 16:40
  Speaker 1: it's part of the story.
• 16:41
  Speaker 5: I don't know.
• 16:41
  Speaker 1: We're going to have to come back to that one.
• 16:43
  Speaker 1: So future Thanksgiving episode right there.
• 16:46
  Speaker 8: So it was wonderful about that movie. It was, of
• 16:50
  Speaker 8: course it was intentionally bad, but it was also unintentionally bad.
• 16:55
  Speaker 1: It was, I don't know. It was a, it was
• 16:57
  Speaker 1: a perfectly well bound.
• 16:58
  Speaker 8: And I just saw the image of the father sitting
• 17:02
  Speaker 8: at the table, um, dressed up as a turkey and
• 17:06
  Speaker 8: the turkey's sitting across from.
• 17:07
  Speaker 5: Him and they're having a conversation. That was one of
• 17:09
  Speaker 5: the best moments.
• 17:12
  Speaker 14: There aren't that many. There's tons of Halloween and Christmas movies.
• 17:16
  Speaker 14: There aren't that many Thanksgiving movies.
• 17:19
  Speaker 1: I know. Actually, I find really endearing is Pieces of April.
• 17:23
  Speaker 5: That's a fun movie.
• 17:24
  Speaker 1: I like that.
• 17:25
  Speaker 5: That's like three off then. We've already listed so many.
• 17:30
  Speaker 1: Thanksgiving only comes once a year.
• 17:32
  Speaker 5: We're making our list.
• 17:34
  Speaker 1: It's a good thing we've got a decent amount here
• 17:35
  Speaker 1: because there's not that many. Thanksgiving's just a big meal.
• 17:39
  Speaker 5: I mean, we could make that happen.
• 17:40
  Speaker 1: It's not the same. You're just robbing it of its
• 17:44
  Speaker 1: fun and integrity.
• 17:45
  Speaker 2: There's got to be more movies about turkeys than just....
• 17:49
  Speaker 1: I mean, we could watch Cold Turkey, though it has
• 17:52
  Speaker 1: nothing to do with turkeys at all. How about that
• 17:54
  Speaker 1: Pilgrim movie, Solomon Cain? I would watch Solomon Cain just
• 18:00
  Speaker 1: because it's badass.
• 18:02
  Speaker 11: Isn't there a Holly Hunter movie?
• 18:05
  Speaker 1: Yeah, Home for the Holiday. That's one of the few
• 18:09
  Speaker 1: that centers around Thanksgiving.
• 18:11
  Speaker 5: I think it's that one and Pieces of April are
• 18:13
  Speaker 5: about the only mainstream Thanksgiving movie.
• 18:15
  Speaker 1: And Eli Roth keeps talking about doing Thanksgiving.
• 18:18
  Speaker 5: He's a slacker. Yeah.
• 18:20
  Speaker 14: I mean, it's like he did Cabin Fever, which was clever,
• 18:23
  Speaker 14: and Hostel, which was like.
• 18:25
  Speaker 5: Not so clever.
• 18:26
  Speaker 14: And then he made Hostel 2, which I didn't even
• 18:29
  Speaker 14: have a desire to see, and that's like it.
• 18:32
  Speaker 4: Did Hostel 3.
• 18:33
  Speaker 1: Did he do Hostel 3?
• 18:34
  Speaker 4: Yeah, I think it was just a straight-to-DVD. I haven't
• 18:36
  Speaker 4: seen it.
• 18:37
  Speaker 5: Good for him.
• 18:37
  Speaker 1: I don't know what to do with him.
• 18:42
  Speaker 5: He seems like a jackass. It was like he had promise,
• 18:46
  Speaker 5: but then just sort of fizzled. I kind of like
• 18:49
  Speaker 5: some of the stuff that he likes, but just every
• 18:52
  Speaker 5: time I see him, his acting is atrocious.
• 18:56
  Speaker 1: Yeah, just him as a person seems to, He.
• 18:59
  Speaker 14: Worked really well as the douchebag wet t-shirt contest host
• 19:03
  Speaker 14: on Piranha 3D.
• 19:04
  Speaker 1: Only because you sat there the whole time going, I
• 19:06
  Speaker 1: know he's going to get eaten. I know he's going
• 19:08
  Speaker 1: to get eaten. Damned if they don't deliver.
• 19:10
  Speaker 5: Spoiler alert. But everybody in that movie gets eaten.
• 19:12
  Speaker 1: So, man, it's okay.
• 19:17
  Speaker 10: Oh, man.
• 19:18
  Speaker 1: So, chomping at the bit, we really want to get
• 19:21
  Speaker 1: to the movie this week.
• 19:22
  Speaker 5: Is that what you're saying? Blood Freak. Blood Freak.
• 19:26
  Speaker 1: All right.
• 19:26
  Speaker 5: Well, we'll take our break here, and we'll come back
• 19:29
  Speaker 5: I don't know if we need to reload the plates
• 19:31
  Speaker 5: again and go have some more food.
• 19:32
  Speaker 1: I have a cookie. Along the way, I might go
• 19:36
  Speaker 1: get a cookie, actually.
• 19:38
  Speaker 5: But along the way, this, again, we have to pass
• 19:42
  Speaker 5: this along because she's a slacker and she didn't come,
• 19:44
  Speaker 5: but there's a little bit. Misty posted this on the
• 19:47
  Speaker 5: wall the other day, and now we all have to suffer.
• 19:51
  Speaker 5: This would be a song called It's Thanksgiving from Nicole Westbrook.
• 19:58
  Speaker 5: I'm sorry. Blame Misty for this one. Teenage white girls
• 20:02
  Speaker 5: rapping is not a good idea at all.
• 20:05
  Speaker 7: Indigestion.
• 20:06
  Speaker 10: Yeah.
• 20:07
  Speaker 2: All right.
• 20:08
  Speaker 5: We'll be back.
• 20:09
  Speaker 1: And I should take a step and.
• 20:13
  Speaker 5: Say thank you, thank you For the.
• 20:16
  Speaker 3: Things you've done And what you did, oh yeah, ooh.
• 20:22
  Speaker 15: Yeah December was Christmas January was New Year April was
• 20:29
  Speaker 15: Easter And the.
• 20:31
  Speaker 5: 4th of July.
• 20:33
  Speaker 16: But now it's Thanksgiving.
• 20:42
  Speaker 5: We, we, we're gonna have a good time.
• 20:46
  Speaker 1: Oh, oh, oh, it's Thanksgiving.
• 20:49
  Speaker 5: We, we, we are gonna have a good time.
• 20:53
  Speaker 11: With the turkey and mashed potatoes.
• 20:57
  Speaker 5: We, we, we are gonna have a good time.
• 21:00
  Speaker 17: With the turkey and mashed potatoes.
• 21:04
  Speaker 5: It's Thanksgiving. It's Thanksgiving. You know school is out. I
• 21:11
  Speaker 5: can show.
• 21:13
  Speaker 2: Thank you, thank you, thank you.
• 21:15
  Speaker 13: Tomorrow's Thanksgiving.
• 21:18
  Speaker 5: Mmm, turkey and dressing and pie and cake.
• 21:23
  Speaker 2: And fruit salad and whipped cream and cranberries.
• 21:26
  Speaker 8: Gee, I can hardly wait.
• 21:28
  Speaker 2: Me too.
• 21:30
  Speaker 13: Well, you know, children, we've had a lot of expenses
• 21:33
  Speaker 13: this month. And, well, your father and I thought that.
• 21:39
  Speaker 13: Well, the truth of the matter is, there just won't
• 21:41
  Speaker 13: be any turkey this year. No turkey for Thanksgiving?
• 21:45
  Speaker 18: Are you tired of film podcasts where the hosts exist
• 21:48
  Speaker 18: in a constant blissful state of agreement?
• 21:50
  Speaker 5: I mean, the main characters are two of the dullest
• 21:53
  Speaker 5: main characters I have ever encountered in any film. Well,
• 21:56
  Speaker 5: you're in luck.
• 21:58
  Speaker 18: Let me introduce you to Chinstroker and Punter.
• 22:00
  Speaker 5: One is an ex-film student.
• 22:01
  Speaker 18: With a penchant for David Lynch and art cinema.
• 22:04
  Speaker 5: The other is a man on the street.
• 22:06
  Speaker 18: Listen, the perplexed and horrified terror has made terror parts
• 22:10
  Speaker 18: one film a week.
• 22:13
  Speaker 1: It just really isn't.
• 22:14
  Speaker 4: It's not visually striking.
• 22:15
  Speaker 10: No.
• 22:16
  Speaker 4: Just getting confirmation.
• 22:17
  Speaker 1: That's the third time, though.
• 22:18
  Speaker 4: I mean, is this on?
• 22:20
  Speaker 18: You can find us at csvsp.libson.com.
• 22:24
  Speaker 7: So come and share the victory.
• 22:26
  Speaker 5: If you could fuck any man in film, who would
• 22:29
  Speaker 5: it be and why? My answer is Lance Henriksen.
• 22:33
  Speaker 1: He wouldn't tell. He looks like some... He looks like
• 22:36
  Speaker 1: somebody you can keep a secret.
• 22:39
  Speaker 15: This holiday season.
• 22:41
  Speaker 19: Prepare to have the stuff you're scared out of you.
• 22:46
  Speaker 7: Thanksgiving.
• 22:51
  Speaker 19: In the town of Plymouth, Massachusetts, the fourth Thursday in
• 22:57
  Speaker 19: November is the most celebrated day of the year. The
• 23:03
  Speaker 19: table is set. The festivities have begun. One uninvited guest
• 23:10
  Speaker 19: has arrived. And this year, there will be no leftovers.
• 23:14
  Speaker 19: From Director Eli Roth.
• 23:19
  Speaker 4: Thanksgiving.
• 23:31
  Speaker 13: Well, we'll just have to get along without turkey.
• 23:34
  Speaker 11: Mom, you don't mean it.
• 23:36
  Speaker 2: It won't be Thanksgiving at all.
• 23:38
  Speaker 3: Even the pilgrims had a feast.
• 23:40
  Speaker 13: After all, isn't that what Thanksgiving's for?
• 23:43
  Speaker 5: It's Thanksgiving.
• 23:45
  Speaker 1: It's Thanksgiving.
• 23:46
  Speaker 3: It's Thanksgiving giving and I'm trying to be forgiving.
• 23:50
  Speaker 1: Nothing is forbidden.
• 23:52
  Speaker 3: She know we gotta have.
• 23:53
  Speaker 1: I gotta give thanks to you and you and you.
• 23:56
  Speaker 1: Can't be hateful. Gotta be grateful. Gotta be grateful.
• 23:59
  Speaker 5: Can't be hateful. Mashed potatoes on my table.
• 24:02
  Speaker 2: I've got ribs.
• 24:03
  Speaker 3: Telling up my neighbor's grits.
• 24:05
  Speaker 5: Can't deny having good times.
• 24:07
  Speaker 1: We be laughing till we cry.
• 24:09
  Speaker 6: It's thanks, thanks, Thanksgiving.
• 24:11
  Speaker 13: Come on.
• 24:12
  Speaker 5: It's thanks, thanks, Thanksgiving. Give them thanks, yo.
• 24:17
  Speaker 7: Tweaked Audio, your source for high-performance, noise-reducing earbuds. Available in
• 24:22
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• 24:26
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• 24:29
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• 24:32
  Speaker 7: a one-year warranty, and now there's a special deal for
• 24:35
  Speaker 7: Movie Meltdown listeners. Just go to tweakedaudio.com, and when you
• 24:38
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  Speaker 7: 33% off and free shipping. Tweaked Audio. Sounds better.
• 24:47
  Speaker 1: Well, gee whiz, no, Dad. It's not that at all.
• 24:51
  Speaker 5: Oh, I know, Dick.
• 24:52
  Speaker 14: With turkey, it's easy to lose sight of what Thanksgiving
• 24:55
  Speaker 14: really means.
• 24:56
  Speaker 13: And don't think we're just making excuses because we don't
• 24:59
  Speaker 13: have any turkey this year.
• 25:00
  Speaker 2: We.
• 25:01
  Speaker 13: Well, we know it'll mean a lot more to us
• 25:04
  Speaker 13: the next time we do have it.
• 25:05
  Speaker 12: Well, sure.
• 25:07
  Speaker 1: Suppose we don't have a bang-up feast. We're still a
• 25:09
  Speaker 1: lot better off than the Pilgrims.
• 25:18
  Speaker 11: Hi, I'm Margaret Cho, and you're listening to Movie Meltdown.
• 25:30
  Speaker 13: I am a jerky.
• 25:31
  Speaker 11: Kill me.
• 25:32
  Speaker 3: What a thoughtful gift. Why, you are as civilized as we,
• 25:39
  Speaker 3: except we wear shoes and have last names. Welcome to
• 25:43
  Speaker 3: our table, our new primitive friend.
• 25:46
  Speaker 13: Wait.
• 25:47
  Speaker 1: What?
• 25:48
  Speaker 3: We cannot break bread with you.
• 25:49
  Speaker 1: Huh?
• 25:51
  Speaker 2: Becky, what's going on?
• 25:53
  Speaker 3: You have taken the land which is rightfully ours. Years
• 25:57
  Speaker 3: from now, my people will be forced to live in
• 25:59
  Speaker 3: mobile homes on reservations. Your people will wear cardigans and
• 26:04
  Speaker 3: drink highballs. We will sell our bracelets by the roadsides.
• 26:08
  Speaker 3: You will play golf and enjoy hot hors d'oeuvres. My
• 26:12
  Speaker 3: people will have pain and degradation. Your people will have
• 26:16
  Speaker 3: stick shifts. The gods of my tribe have spoken. They
• 26:20
  Speaker 3: have said do not trust the pilgrims, especially Sarah Miller. Gary,
• 26:26
  Speaker 3: she's changing the words. And for all these reasons, I've
• 26:30
  Speaker 3: decided to scalp you and burn your village to the ground.
• 26:36
  Speaker 1: It's time for Sofa Theater.
• 26:40
  Speaker 6: We live in a world subject to constant change. Every
• 26:44
  Speaker 6: second of every minute of every hour, changes take place.
• 26:52
  Speaker 6: These changes are perhaps invisible to you. Us, because our
• 26:56
  Speaker 6: level of awareness is limited. Take, for example, how the
• 27:02
  Speaker 6: things we do and say to the people we meet.
• 27:05
  Speaker 6: All these things affect our lives, influence our destiny. And
• 27:13
  Speaker 6: yet there seems to be some kind of fantastic order
• 27:15
  Speaker 6: to the whole thing. We never know how or when
• 27:20
  Speaker 6: we will meet a person who will become a catalyst,
• 27:25
  Speaker 6: Or who will lead us to one?
• 27:27
  Speaker 5: What is a catalyst?
• 27:31
  Speaker 6: Well, in this case, a catalyst is a person that
• 27:33
  Speaker 6: will bring about changes. They could be good or bad.
• 27:39
  Speaker 6: But there will be changes. You can meet one almost
• 27:43
  Speaker 6: anywhere in your everyday life. In a supermarket, drugstore, anywhere.
• 27:52
  Speaker 5: Even riding down the Florida Turnpike. A pretty girl with
• 27:58
  Speaker 5: a problem.
• 28:00
  Speaker 1: Who could resist?
• 28:02
  Speaker 6: Certainly not Herschel.
• 28:04
  Speaker 20: I like turkeys. When they're in my face. When they're
• 28:11
  Speaker 20: on my face. I like turkeys. They make me happy.
• 28:20
  Speaker 20: Very happy. When they run around gobbling turkeys, they mean
• 28:36
  Speaker 20: everything to me.
• 28:41
  Speaker 5: Lucy is desperately trying to finish watching the movie. Actually,
• 28:45
  Speaker 5: I realize it's probably a good thing you didn't get
• 28:48
  Speaker 5: to a certain.
• 28:48
  Speaker 1: Part in this.
• 28:49
  Speaker 5: Are we back on the air?
• 28:50
  Speaker 1: I don't think you'd be.
• 28:51
  Speaker 5: Okay with this.
• 28:52
  Speaker 11: Yeah, I wondered how much you would enjoy this movie.
• 28:55
  Speaker 5: Well, a specific part of it I wasn't sure if
• 28:58
  Speaker 5: you were going to be okay with.
• 28:59
  Speaker 4: I actually started liking the movie at that part and
• 29:01
  Speaker 4: then two minutes later.
• 29:02
  Speaker 1: I was pissed off. That was a very clever cut.
• 29:06
  Speaker 5: In the movie.
• 29:06
  Speaker 1: It was the only one. Yeah, probably.
• 29:08
  Speaker 2: Okay, are you going to tell me what the next
• 29:11
  Speaker 2: part is?
• 29:11
  Speaker 1: Alright, so we'll get to it. We're getting ahead of ourselves.
• 29:14
  Speaker 5: So, we're back obviously with more crazy thanksgiving festivities here
• 29:20
  Speaker 5: so um this.
• 29:23
  Speaker 1: Week's sofa theater feature is blood freak.
• 29:26
  Speaker 10: Uh yeah i don't know what to tell you sorry
• 29:28
  Speaker 10: alternate title blood freaks the year is 1972 the direct
• 29:36
  Speaker 10: tour is because it took more than one to get
• 29:39
  Speaker 10: this done.
• 29:40
  Speaker 5: Well, yeah.
• 29:42
  Speaker 1: Brad F.
• 29:43
  Speaker 5: Grinter and Steve Hawks are stars. Are stars, surprisingly enough.
• 29:47
  Speaker 1: And co-writers.
• 29:48
  Speaker 5: The plot, according to IMDb, I don't have to say.
• 29:53
  Speaker 1: That one's pretty on.
• 29:55
  Speaker 5: Well, more than that, it already clears things up that
• 29:58
  Speaker 5: I really wasn't sure about in watching. I sat there
• 30:01
  Speaker 5: and watched the entire movie, and in this plot, it
• 30:03
  Speaker 5: already tells me more that I was like, oh, I
• 30:05
  Speaker 5: wasn't really sure about that part. So this will put
• 30:08
  Speaker 5: you ahead of the game if you haven't seen it.
• 30:10
  Speaker 5: First of all, spoiler alert, but, you know, we get
• 30:12
  Speaker 5: that out of the way. All right, so the plot
• 30:15
  Speaker 5: according to IMDb. A biker comes upon a girl with
• 30:18
  Speaker 5: a flat tire and offers her a ride home. He
• 30:21
  Speaker 5: winds up at a drug party with the girl's sister,
• 30:24
  Speaker 5: then follows her to a.
• 30:25
  Speaker 1: Turkey farm owned by her father, a mad scientist. A
• 30:29
  Speaker 1: mad scientist?
• 30:30
  Speaker 5: The father turns the biker into a giant turkey monster
• 30:34
  Speaker 5: who goes after drug dealers.
• 30:35
  Speaker 1: Okay, that's a little off.
• 30:36
  Speaker 2: That's not happening at all.
• 30:38
  Speaker 1: No, not really. Sounds like a better movie.
• 30:39
  Speaker 9: Kind of.
• 30:40
  Speaker 4: Kind of does. Yeah, it makes it sound exciting and interesting.
• 30:42
  Speaker 4: This is just really fucking boring.
• 30:45
  Speaker 5: That's, well, that was going to be my question.
• 30:47
  Speaker 1: Where do you want to start? That's where we're going
• 30:48
  Speaker 1: to start.
• 30:49
  Speaker 14: We'll start at the very beginning because it's got to
• 30:50
  Speaker 14: be the slowest opening.
• 30:52
  Speaker 5: It's just like, all right.
• 30:53
  Speaker 11: It was like four and a half minutes of them
• 30:55
  Speaker 11: driving on the road.
• 30:56
  Speaker 1: They even stop at 70s.
• 31:00
  Speaker 11: Background rock and roll going on, man.
• 31:03
  Speaker 14: It was like the opening to Manos, Hands of Fate.
• 31:05
  Speaker 1: It's just like, keep driving, driving. Though, you mentioned they
• 31:08
  Speaker 1: stopped even at the toll booth.
• 31:09
  Speaker 14: That actually was one of my favorite moments of the
• 31:11
  Speaker 14: movie is just the expression on that woman at.
• 31:13
  Speaker 5: The toll booth.
• 31:14
  Speaker 1: There you go, I'm in a movie. It was the
• 31:17
  Speaker 1: best look ever. Look at one of these things. It's
• 31:19
  Speaker 1: a toll booth. Have you ever seen one?
• 31:21
  Speaker 12: Which I think was cut in later, too. It didn't
• 31:23
  Speaker 12: look like that was the same toll booth lady that
• 31:25
  Speaker 12: was actually in the long shot. I could be wrong
• 31:26
  Speaker 12: because I was watching it on a very small screen.
• 31:29
  Speaker 5: I like that you're looking for that continuity.
• 31:33
  Speaker 1: That early on because it doesn't get any better.
• 31:36
  Speaker 2: I like that the movie, even though people messed up
• 31:38
  Speaker 2: their lines constantly, they're just like, we're rolling with it.
• 31:41
  Speaker 1: No second take.
• 31:45
  Speaker 8: Just because it came to me now and I'm afraid
• 31:46
  Speaker 8: I'm going to forget it later, the lamb chop lab
• 31:50
  Speaker 8: assistant in the lab.
• 31:52
  Speaker 1: That couldn't get his... He would pause and you could see.
• 31:55
  Speaker 5: Oh, you don't remember his name? No, I know.
• 31:58
  Speaker 16: Gene.
• 31:59
  Speaker 13: Gene.
• 32:00
  Speaker 5: You know Gene.
• 32:01
  Speaker 11: There are times when I suspect that you're the brains
• 32:04
  Speaker 11: for this outfit.
• 32:07
  Speaker 1: I think if we're going to go right off the bat,
• 32:09
  Speaker 1: it's before we're even on the road. As soon as
• 32:11
  Speaker 1: it opens with our fun narrator.
• 32:14
  Speaker 5: I love the narrator. I'm like, oh, the wood paneling.
• 32:19
  Speaker 1: That's when you know you're in trouble. If a movie
• 32:21
  Speaker 1: can't afford real walls, I know I can make fun
• 32:23
  Speaker 1: of it.
• 32:23
  Speaker 5: I grew up with wood paneling. Yeah, we had that too. Yeah,
• 32:26
  Speaker 5: I'm just like, oh, this is going to be ghetto.
• 32:29
  Speaker 11: Did you notice in the house there is... glossy black painted.
• 32:34
  Speaker 2: I love the interior of Anne's house.
• 32:40
  Speaker 1: That's because you love cheetah print? There's lion print.
• 32:44
  Speaker 5: Mostly cheetah, but there's not one, but at least.
• 32:49
  Speaker 1: Two tiger paintings. I'm pretty impressed with the artwork.
• 32:53
  Speaker 11: I think that was an original Rembrandt on The glossy
• 32:59
  Speaker 11: black painted wood panel.
• 33:00
  Speaker 1: As you would have.
• 33:01
  Speaker 5: Next to the black light framed poster or whatever that
• 33:05
  Speaker 5: one was.
• 33:06
  Speaker 1: It looked like it was like a black light conquistador
• 33:09
  Speaker 1: or something.
• 33:10
  Speaker 11: I don't know what it was.
• 33:10
  Speaker 5: It was pretty groovy.
• 33:11
  Speaker 1: She had a groovy pad.
• 33:13
  Speaker 5: Let me say that, that, that cheetah print beanbag she
• 33:17
  Speaker 5: had going on that.
• 33:18
  Speaker 1: Man, that's how you know she was cool.
• 33:20
  Speaker 11: Yeah, the druggie sister, her hair was the color of
• 33:23
  Speaker 11: glossy black painted wood panels.
• 33:25
  Speaker 5: It's because they only had one color paint and they
• 33:27
  Speaker 5: had to do everything with it. She was blonde when
• 33:29
  Speaker 5: she got there. Yeah, but that narrator, I mean, A,
• 33:32
  Speaker 5: I love the fact that he's reading his lines.
• 33:33
  Speaker 2: Off the script.
• 33:34
  Speaker 5: Yeah, that was very obvious.
• 33:35
  Speaker 1: My favorite part of it all is that he just
• 33:38
  Speaker 1: goes into a coffee and grabs a cigarette. And it's
• 33:41
  Speaker 1: just like. That's good enough.
• 33:43
  Speaker 5: We'll close with that anyway. Yeah, we're jumping way ahead,
• 33:46
  Speaker 5: but I... Yeah, spoiler alert.
• 33:49
  Speaker 1: At least he didn't get to that part. Yeah, by
• 33:51
  Speaker 1: the end, I thought it was.
• 33:52
  Speaker 5: Well, maybe he just went with it, because that first
• 33:55
  Speaker 5: one didn't seem like it was fake, but I almost... Yeah,
• 33:57
  Speaker 5: the first one didn't seem fake, but then... I almost
• 34:00
  Speaker 5: hurt myself laughing at that first one.
• 34:02
  Speaker 1: It was the funniest thing in this movie.
• 34:04
  Speaker 5: There was only one thing funny and it was that
• 34:06
  Speaker 5: guy coughing in the middle of his big monologue and.
• 34:10
  Speaker 1: He just kept going.
• 34:11
  Speaker 2: There's two funny things. I mean, this is also jumping
• 34:14
  Speaker 2: way ahead when he's like, now what you've witnessed is
• 34:17
  Speaker 2: based on fact and possibility.
• 34:20
  Speaker 4: Oh, that was funny.
• 34:23
  Speaker 5: That's what killed me. He didn't do the pause.
• 34:26
  Speaker 11: This story has been based partly on fact, partly on Probability.
• 34:32
  Speaker 11: That was not the word I thought was going to
• 34:35
  Speaker 11: come next.
• 34:36
  Speaker 17: No.
• 34:37
  Speaker 11: Probability. And then, yes, then he goes, and yet there.
• 34:41
  Speaker 5: Are far too.
• 34:44
  Speaker 11: Many of us taking the good way of life for granted.
• 34:48
  Speaker 5: Did you find like a transcript online?
• 34:50
  Speaker 1: Is that what you're reading? I wrote the movie. He
• 34:52
  Speaker 1: typed it as he went. He was taking dictation. He
• 34:56
  Speaker 1: watched it seven times. There's a lot of quotable stuff
• 34:59
  Speaker 1: in there.
• 35:01
  Speaker 14: After he's turned into the creature, I just love the
• 35:04
  Speaker 14: line with the two stoners or druggies. They make the comment,
• 35:07
  Speaker 14: have you seen him? Man, have you seen his body?
• 35:11
  Speaker 14: It's just not his body. Have you seen his head?
• 35:14
  Speaker 1: Here's the line.
• 35:16
  Speaker 5: It's not only his physical appearance anymore. It's his head.
• 35:22
  Speaker 1: He's just not commercial anymore. And he means his mind.
• 35:27
  Speaker 1: He doesn't even mean his head.
• 35:28
  Speaker 5: It's his head, man. He's not even Herschel anymore.
• 35:32
  Speaker 1: He's not even there. Dude.
• 35:34
  Speaker 11: See, you know what I really wish I'd done.
• 35:36
  Speaker 14: Was write down some of these lines as it was going.
• 35:41
  Speaker 14: We could have made a top ten list of just
• 35:43
  Speaker 14: some of the cheesy lines in it. Because the closing line, well,
• 35:46
  Speaker 14: you probably have it on there that the father tells
• 35:49
  Speaker 14: the girl as he's taking her away to where it's just,
• 35:51
  Speaker 14: you know, He's apologizing for the state of Herschel as
• 35:55
  Speaker 14: he's going and getting in the car.
• 35:56
  Speaker 5: You have that there?
• 35:57
  Speaker 10: No. No.
• 35:59
  Speaker 14: I just remember it was something along the line of
• 36:01
  Speaker 14: it's just he's apologizing to her. He's like, well, sorry,
• 36:04
  Speaker 14: you know, we performed some experiments on him. And, you know,
• 36:10
  Speaker 14: we didn't know that he was a drug addict and
• 36:12
  Speaker 14: that he'd been a non.
• 36:13
  Speaker 1: It's like he's going on with this weird explanation. And
• 36:17
  Speaker 1: she's like, okay.
• 36:18
  Speaker 5: Yeah.
• 36:19
  Speaker 11: It was in NOM and he was burned, which is
• 36:21
  Speaker 11: weird because that dude later after this movie actually was
• 36:25
  Speaker 11: badly burned.
• 36:27
  Speaker 1: Well, he looked like he had been anyway.
• 36:30
  Speaker 2: He was.
• 36:30
  Speaker 1: Early in the movie I sat there going, what is
• 36:33
  Speaker 1: up with his skin?
• 36:33
  Speaker 5: And then I thought maybe that was the real backstory,
• 36:36
  Speaker 5: but his skin was weird.
• 36:38
  Speaker 11: Well, maybe it was before the movie, but it sounded
• 36:42
  Speaker 11: like from what I read that it was after it.
• 36:45
  Speaker 11: And he lost his animals this year, in February of
• 36:48
  Speaker 11: this year. He had an animal sanctuary, but he didn't
• 36:54
  Speaker 11: have the right permits to have an animal sanctuary.
• 36:58
  Speaker 5: And so they took.
• 36:59
  Speaker 1: Them all away in February of this year.
• 37:01
  Speaker 5: So what has he been doing since Blood Freak? I
• 37:04
  Speaker 5: don't know.
• 37:05
  Speaker 11: My wife walked by while I was watching part of this,
• 37:08
  Speaker 11: and she saw the narrator, and she just... Couldn't watch it.
• 37:11
  Speaker 11: She said, all I can think while he's talking is
• 37:13
  Speaker 11: that he's probably dead now.
• 37:18
  Speaker 1: So that's the narrator.
• 37:21
  Speaker 11: I think he was saying something like in sort of
• 37:25
  Speaker 11: a Captain Kirk quality he had. Interesting how when we
• 37:31
  Speaker 11: come to moments of despair, when we can't seem to
• 37:35
  Speaker 11: solve our problems any other way, then But not until then.
• 37:41
  Speaker 5: We turned to God. Only would be made better if
• 37:45
  Speaker 5: you were wearing a cool purple slash blue shirt and smoking.
• 37:49
  Speaker 5: People don't look like that anymore.
• 37:51
  Speaker 10: No.
• 37:52
  Speaker 1: But they used to.
• 37:53
  Speaker 5: I was there.
• 37:54
  Speaker 1: I saw it.
• 37:55
  Speaker 5: I've been there, man.
• 37:57
  Speaker 1: That's like a little digression in The Watchmen, if you've
• 38:01
  Speaker 1: ever read that. Like in one of the stories in
• 38:03
  Speaker 1: between the graphic arts panels where Alan Moore goes on
• 38:06
  Speaker 1: this whole thing about how If you look at certain generations.
• 38:10
  Speaker 5: In the U.S. history, I guess just in any, there's.
• 38:12
  Speaker 14: Always certain looks to people that don't exist anymore. If
• 38:17
  Speaker 14: you look at somebody, it's like, that person looks like
• 38:19
  Speaker 14: they're from the 50s.
• 38:20
  Speaker 1: Just their facial structures and stuff.
• 38:23
  Speaker 14: It's pretty characteristic of most generations as you go back
• 38:27
  Speaker 14: and look at photos.
• 38:28
  Speaker 11: They don't make hippie girls like the ones I grew
• 38:32
  Speaker 11: up with. Every now and then you'll see one out
• 38:34
  Speaker 11: walking around Bardstown Road and you'll think, somebody had to
• 38:37
  Speaker 11: put her together in their garage like an antique car
• 38:41
  Speaker 11: from spare parts because it's not really the same.
• 38:45
  Speaker 5: Well, it's like that going further back, like the old
• 38:48
  Speaker 5: pin-up girls from the 40s.
• 38:50
  Speaker 1: Girls don't look like that now.
• 38:52
  Speaker 5: It's just a different body type.
• 38:54
  Speaker 1: I don't know what happened.
• 38:55
  Speaker 5: Something changed over these years, but it's weird.
• 38:59
  Speaker 2: Yeah, it's really interesting because even though, like if you
• 39:02
  Speaker 2: look at the Cheesecake model's, they had wider hips, but
• 39:06
  Speaker 2: if you look at their arms, their arms are really thin.
• 39:09
  Speaker 2: If a woman nowadays were to have hips that wide
• 39:12
  Speaker 2: and have any filling to her in her midsection, she
• 39:18
  Speaker 2: would have thicker arms. That always confuses me.
• 39:21
  Speaker 1: That's very strange.
• 39:22
  Speaker 2: That's weird.
• 39:23
  Speaker 12: I always just thought looks sort of fell in and
• 39:25
  Speaker 12: out of favor and that the representations of them are
• 39:28
  Speaker 12: sort of, but that doesn't, stand.
• 39:30
  Speaker 11: Well, I think partly it is people conform to certain looks,
• 39:35
  Speaker 11: and so it creates the illusion that things existed that
• 39:39
  Speaker 11: don't anymore.
• 39:40
  Speaker 5: But I don't know.
• 39:43
  Speaker 11: You ever think about this fantastic, Order of things.
• 39:50
  Speaker 5: You're going to do that all the time, aren't you?
• 39:53
  Speaker 1: It's just so fun. I thought of him as, you
• 39:55
  Speaker 1: know how, is it Bill Clinton's brother, is it Roger?
• 39:59
  Speaker 5: The rock star?
• 40:01
  Speaker 8: Right, the one that, he's like, oh yeah, you can
• 40:03
  Speaker 8: tell he's Bill Clinton's brother, but he hasn't got his
• 40:06
  Speaker 8: shit together. I thought of him as like, the narrator
• 40:11
  Speaker 8: is like the Roger Clinton, Vincent Price.
• 40:15
  Speaker 1: You know, he looked, he wanted to be the director.
• 40:17
  Speaker 1: He wanted to kind.
• 40:18
  Speaker 8: Of have that look, but he was in the seventies
• 40:20
  Speaker 8: and he, yeah, he couldn't keep his shit together pretty much.
• 40:26
  Speaker 5: I can't think of Roger Clinton without, do you know
• 40:29
  Speaker 5: the reference I'm about to make? It's our friend in common.
• 40:33
  Speaker 5: This was during the Clinton era. This is when Clinton
• 40:37
  Speaker 5: was the president of our country and, His brother was
• 40:41
  Speaker 5: going around on tour with his rocking band, and he
• 40:44
  Speaker 5: came here to our town, and our mutual friend was working,
• 40:48
  Speaker 5: and I think the band that he was setting up
• 40:51
  Speaker 5: drums for opened for the Roger Clinton band. Afterwards, I
• 40:57
  Speaker 5: guess the few people that cared were hanging around getting
• 41:00
  Speaker 5: him to sign stuff, and he could care less about
• 41:03
  Speaker 5: the guy, but he knew this is my one chance,
• 41:06
  Speaker 5: and how stupid.
• 41:07
  Speaker 1: Can I make this? So he asked him if he
• 41:10
  Speaker 1: would sign.
• 41:11
  Speaker 5: An autograph and address it, personalize it to Turbo Rimjob.
• 41:17
  Speaker 1: I know the... Yeah. You know who I'm talking about.
• 41:19
  Speaker 10: Oh, yeah.
• 41:20
  Speaker 1: And he did.
• 41:21
  Speaker 5: Without... Granted, he.
• 41:22
  Speaker 1: Had to have been drunk off his mind.
• 41:24
  Speaker 5: But without that, he and I went, Turbo Rimjob. All right.
• 41:27
  Speaker 1: And scribbled away. Here you go, buddy. And handed it
• 41:30
  Speaker 1: to him.
• 41:30
  Speaker 5: I was just like, that guy is related to the
• 41:34
  Speaker 5: leader of our country.
• 41:35
  Speaker 3: Yeah.
• 41:35
  Speaker 5: Yeah.
• 41:36
  Speaker 1: Maybe he just didn't care. I actually.
• 41:38
  Speaker 14: I met Carrie Fisher at a convention, and she was
• 41:43
  Speaker 14: just asking how they wanted stuff personalized, and I said,
• 41:47
  Speaker 14: can you sign it to Bo, the restraining order stands.
• 41:51
  Speaker 5: Carrie Fisher, and she did. I like that one.
• 41:55
  Speaker 1: It turned out nice. She's always had a sense of humor, though.
• 41:58
  Speaker 14: I think she was also drunk, ridiculously, because when I
• 42:02
  Speaker 14: got there, I mean, she had the convention security guard
• 42:06
  Speaker 14: or whatever, and She just had this giant Sam's Club
• 42:10
  Speaker 14: bag of Cracker Jacks. She tears it open and she
• 42:16
  Speaker 14: dumps the whole thing out on the table and then
• 42:19
  Speaker 14: she just tosses the bag down on the ground and
• 42:21
  Speaker 14: she signs somebody else's autograph and the people there are
• 42:24
  Speaker 14: looking at her like, what do we do?
• 42:25
  Speaker 1: And they start to clean up. Don't clean it. Just
• 42:29
  Speaker 1: pick out. I just like the peanuts. Just pick out
• 42:31
  Speaker 1: the peanuts.
• 42:32
  Speaker 5: You can clean the rest up. Those are good peanuts.
• 42:37
  Speaker 1: They started making a separate bagged version of just the peanuts.
• 42:40
  Speaker 2: Yeah.
• 42:41
  Speaker 1: You have to look for them.
• 42:41
  Speaker 11: As they should.
• 42:42
  Speaker 1: They're hard to come by.
• 42:43
  Speaker 11: They're called Carrie Fisher's nuts.
• 42:46
  Speaker 1: Carrie Fisher's nuts.
• 42:49
  Speaker 11: Well, you know, if you go through a Taco Bell,
• 42:52
  Speaker 11: I think I've mentioned this, and you ask for a
• 42:54
  Speaker 11: couple of caramel apple loompa loompas, they just.
• 42:57
  Speaker 5: Give them to you.
• 42:58
  Speaker 11: They don't ask you what you're talking about.
• 43:01
  Speaker 1: What is it they give you then? The empanadas. Little
• 43:04
  Speaker 1: orange dudes. Deep fried. Deep fried orange dudes.
• 43:08
  Speaker 11: You just say, give me a couple of those Oompa Loompas,
• 43:11
  Speaker 11: and they throw.
• 43:12
  Speaker 2: Them in the bag. That's any job where people can't
• 43:15
  Speaker 2: pronounce things. People ask me all the time for a
• 43:17
  Speaker 2: gondola or an Americana, and I'm just like, I know
• 43:21
  Speaker 2: what you mean.
• 43:22
  Speaker 5: Well, we get that at the theater.
• 43:23
  Speaker 14: They won't know how to pronounce the titles, and it's
• 43:24
  Speaker 14: gotten to the point where nobody asks for movies anymore,
• 43:28
  Speaker 14: like the movie Flight.
• 43:28
  Speaker 1: They just come in, two for Denzel. Okay. All righty.
• 43:33
  Speaker 5: Inzel it is.
• 43:34
  Speaker 14: I like it every now and then when we get
• 43:36
  Speaker 14: one where it throws them like we had, oh, God,
• 43:40
  Speaker 14: I can't remember. It was Abraham Lincoln Vampire Hunter, and
• 43:44
  Speaker 14: it ran over with a conspirator. We had them both
• 43:47
  Speaker 14: for one week, and one week alone people just came
• 43:49
  Speaker 14: in and said, one for the Lincoln movie.
• 43:51
  Speaker 5: Which one? And all of a sudden it looked like
• 43:54
  Speaker 5: it just blew a neuron. Oh, if only the Spielberg
• 43:57
  Speaker 5: one would have made it out faster.
• 43:59
  Speaker 1: Three options they couldn't have. I know, yeah. You ought
• 44:02
  Speaker 1: to just find a way to get them all there
• 44:03
  Speaker 1: at the same.
• 44:05
  Speaker 13: Time.
• 44:06
  Speaker 1: Every now and then, too, always the best one was
• 44:08
  Speaker 1: two for the French movie. We have three.
• 44:11
  Speaker 5: I don't know.
• 44:14
  Speaker 1: One of them you could probably sell. Whichever one they
• 44:17
  Speaker 1: have a loaf of bread when they're on their way home.
• 44:19
  Speaker 5: Oh, damn, that's all.
• 44:21
  Speaker 4: Speaking of Lincoln, did anybody else watch the trailer and
• 44:24
  Speaker 4: think it... When I watched it, it felt like a parody.
• 44:27
  Speaker 2: Yeah.
• 44:27
  Speaker 4: Like, there's this video on Cracked a while back, the
• 44:30
  Speaker 4: trailer for every Oscar-winning movie ever made, and it was
• 44:32
  Speaker 4: just basically a parody, and that's what this felt exactly like.
• 44:37
  Speaker 2: Yeah.
• 44:37
  Speaker 5: I thought so. It was unbelievable.
• 44:39
  Speaker 4: And I get to go get paid to see it,
• 44:41
  Speaker 4: which I'm very excited about.
• 44:43
  Speaker 1: Because that's going to be a.
• 44:44
  Speaker 4: Fun review to write. I don't expect to like it.
• 44:46
  Speaker 1: That cocksucker Lincoln. Fuck him.
• 44:51
  Speaker 4: Cocksucker Lincoln.
• 44:54
  Speaker 10: All right.
• 44:54
  Speaker 1: We've spiraled off as we usually do.
• 44:58
  Speaker 2: You're so big.
• 45:00
  Speaker 1: I like mustaches.
• 45:02
  Speaker 6: And you must be very strong.
• 45:10
  Speaker 7: And you're very beautiful.
• 45:13
  Speaker 4: And you have a boyfriend.
• 45:15
  Speaker 21: So?
• 45:16
  Speaker 6: You shouldn't be acting this way with me. Especially when
• 45:19
  Speaker 6: you're with someone else.
• 45:20
  Speaker 2: You've got to be putting me on.
• 45:22
  Speaker 10: Guy doesn't mind if I'm like someone else.
• 45:26
  Speaker 2: He wouldn't even mind if I went to bed with you.
• 45:29
  Speaker 6: I just don't go for a girl that acts like
• 45:31
  Speaker 6: a tramp. Even if she's very beautiful.
• 45:35
  Speaker 13: Well, thanks a lot.
• 45:37
  Speaker 6: You're nothing but a dumb bastard who doesn't know where
• 45:39
  Speaker 6: it's at anyway.
• 45:41
  Speaker 1: So, speaking of.
• 45:43
  Speaker 14: So, let's get back to the emancipation of turkeys with
• 45:45
  Speaker 14: Blood Freak.
• 45:46
  Speaker 5: I was trying to figure out, like, as soon as
• 45:48
  Speaker 5: we see our quote-unquote hero... protagonist whatever you want to
• 45:52
  Speaker 5: call that dude i'm i kept trying to figure out
• 45:54
  Speaker 5: what like what what is my term for this guy.
• 45:57
  Speaker 22: I i call him the smoking narrator well no not
• 46:00
  Speaker 22: him our like hero our guy on the bike and
• 46:04
  Speaker 22: like finally as soon as he stops and he meets
• 46:06
  Speaker 22: the old man and he refers to him as husky
• 46:10
  Speaker 22: I was like, oh.
• 46:11
  Speaker 1: I could use a Husky boy like you.
• 46:13
  Speaker 5: I was like, you pinpointed it for me.
• 46:15
  Speaker 1: Thank you. I was leaning towards Meathead, but I mean,
• 46:18
  Speaker 1: Husky will work.
• 46:20
  Speaker 2: He looks like Andre the Giant and Joaquin Phoenix put together.
• 46:23
  Speaker 11: Well, he's an interesting looking guy, but there's a little
• 46:27
  Speaker 11: Roy Clark in there, too.
• 46:29
  Speaker 1: Yeah.
• 46:30
  Speaker 11: And Eddie Money.
• 46:33
  Speaker 1: And yes, Eddie Money. There's some Eddie Money. He seems
• 46:36
  Speaker 1: like a cartoon.
• 46:37
  Speaker 5: What was the big burly dude on like Will Abner
• 46:40
  Speaker 5: or somebody? Who's the one that like, there's somebody that
• 46:42
  Speaker 5: looks just like him. Yeah, that guy.
• 46:45
  Speaker 1: He looks just like that guy.
• 46:46
  Speaker 12: Isn't there a line where they refer to him as
• 46:48
  Speaker 12: like strong and handsome and appreciates being attractive to women?
• 46:52
  Speaker 1: And then I was like, oh, he wrote that line.
• 46:56
  Speaker 5: Of course he did.
• 46:56
  Speaker 10: Yeah.
• 46:57
  Speaker 5: He did.
• 46:57
  Speaker 1: That's amazing.
• 46:58
  Speaker 5: That's some Joe Cocker.
• 47:01
  Speaker 11: Little Joe Cocker.
• 47:04
  Speaker 2: Something.
• 47:05
  Speaker 11: Oh, he's an interesting looking guy.
• 47:07
  Speaker 1: That's one way of putting it.
• 47:08
  Speaker 2: He has a lot of hair. He's got really big hair.
• 47:10
  Speaker 5: He had a lot of hair.
• 47:11
  Speaker 11: It looms avalanche-y over his head.
• 47:14
  Speaker 1: It kind of reminded me of the Yeti. His hair.
• 47:19
  Speaker 5: He was not near as expressive as that Yeti.
• 47:21
  Speaker 1: No, no, no.
• 47:22
  Speaker 2: I have a friend who his facial expression sometimes reminded
• 47:26
  Speaker 2: me of the Yeti. I had to tell him about that.
• 47:28
  Speaker 2: He was like.
• 47:28
  Speaker 5: Did he appreciate that?
• 47:29
  Speaker 2: Yeah, he kind of did.
• 47:30
  Speaker 5: He obviously hasn't seen the movie. Can you do that
• 47:37
  Speaker 5: with your nipple?
• 47:39
  Speaker 10: Oh, yeah.
• 47:40
  Speaker 5: That's gross.
• 47:41
  Speaker 2: So....
• 47:44
  Speaker 1: The nipple.
• 47:45
  Speaker 10: Do you not.
• 47:45
  Speaker 1: Remember the nipple?
• 47:46
  Speaker 2: I thought it was like a sword.
• 47:49
  Speaker 1: We thought that at first until we dissected it. No,
• 47:51
  Speaker 1: it has to be a nipple. It's a nipple. You
• 47:55
  Speaker 1: can wish it was whatever you want.
• 47:56
  Speaker 5: It really takes a creepy turn in there, doesn't it?
• 48:00
  Speaker 1: Which I realize, yeah, that's one of the only times
• 48:02
  Speaker 1: I'll probably say to somebody, no, it's not a sword.
• 48:05
  Speaker 7: It's a nipple.
• 48:06
  Speaker 1: It's not a gunshot wound. That's a nipple. Come on,
• 48:09
  Speaker 1: damn it.
• 48:10
  Speaker 2: Oh my.
• 48:11
  Speaker 10: We're better.
• 48:11
  Speaker 3: Better.
• 48:11
  Speaker 1: I liked it better.
• 48:12
  Speaker 5: And the religious sister.
• 48:13
  Speaker 7: The angel.
• 48:13
  Speaker 2: Angel.
• 48:14
  Speaker 5: I also like that she disappears.
• 48:15
  Speaker 4: She's just gone.
• 48:15
  Speaker 2: I guess.
• 48:16
  Speaker 1: I didn't know what that was. Midway in I was
• 48:17
  Speaker 1: just like.
• 48:39
  Speaker 5: What happened to the other girl who was supposed to
• 48:41
  Speaker 5: be like our main character?
• 48:43
  Speaker 1: She just disappeared and we switched off.
• 48:45
  Speaker 14: It kind of turns into reefer madness. It's like he
• 48:48
  Speaker 14: just smokes a joint and all of a sudden it's
• 48:50
  Speaker 14: like downhill slope.
• 48:52
  Speaker 2: I also thought it was like a movie.
• 48:53
  Speaker 5: And he got hooked.
• 48:54
  Speaker 2: I thought it was a movie version of one of
• 48:56
  Speaker 2: those religious tracks that people go through.
• 48:58
  Speaker 5: That's true.
• 48:59
  Speaker 1: It does have that quality to it. Very propaganda.
• 49:02
  Speaker 5: Correct.
• 49:03
  Speaker 1: It's very, very high and mighty.
• 49:07
  Speaker 5: But again, I'm assuming everybody in this movie was on drugs.
• 49:11
  Speaker 5: But at the same time, they're so preachy about everything.
• 49:14
  Speaker 1: That's what I didn't notice.
• 49:15
  Speaker 5: Oh, sorry.
• 49:16
  Speaker 2: I was just going to say, I was watching the
• 49:19
  Speaker 2: movie and I was like, was this... put on by
• 49:20
  Speaker 2: a church or something like that?
• 49:22
  Speaker 1: It seems like it.
• 49:22
  Speaker 2: Because none of those people are actors, you can tell.
• 49:24
  Speaker 2: These are just regular people that are like, hey, I'm
• 49:27
  Speaker 2: making a movie, want to be in it? Oh.
• 49:29
  Speaker 21: All of the acting was so stilted except for the
• 49:31
  Speaker 21: drug scenes. When they're sitting around doing coke, you're like, oh,
• 49:34
  Speaker 21: that's people sitting around doing coke. It felt supernatural. But
• 49:37
  Speaker 21: every other scene, they didn't know how to function or
• 49:39
  Speaker 21: use words or.
• 49:41
  Speaker 1: Drugs, no problem.
• 49:42
  Speaker 5: Well, that very early party scene, I guess, is what
• 49:45
  Speaker 5: you're talking about. The scary part about that is it's
• 49:47
  Speaker 5: not anybody from the movie. It actually just looks like
• 49:50
  Speaker 5: Super 8 footage of your parents' friends having a party.
• 49:54
  Speaker 1: That's exactly what I thought, too.
• 49:56
  Speaker 5: We ended up at a party with a bunch of, like,
• 49:58
  Speaker 5: 50-year-old hippie?
• 49:59
  Speaker 1: What is going on here? The one woman that was like, oh,
• 50:03
  Speaker 1: that's got to be the mom. That one threw me.
• 50:06
  Speaker 1: I was like, oh. She takes him to a party
• 50:08
  Speaker 1: to where she's like 20 years, where they're both 20
• 50:11
  Speaker 1: years younger than everyone else at the party. It's just
• 50:13
  Speaker 1: so weird. And it's at her house.
• 50:15
  Speaker 14: It's like a faculty meeting meets Fear and Logan in
• 50:18
  Speaker 14: Las Vegas sort of thing.
• 50:19
  Speaker 1: It's just so odd.
• 50:21
  Speaker 14: It's like I've never seen that many horn-rimmed glasses partaking
• 50:24
  Speaker 14: in drugs before.
• 50:26
  Speaker 5: At least, you know, not until Wes.
• 50:27
  Speaker 14: Anderson films became popular, but that's a different story.
• 50:31
  Speaker 1: Oh, but yeah, they're all so.
• 50:33
  Speaker 5: Old in that little part.
• 50:35
  Speaker 2: I forgot why she lived in that house, because she's like,
• 50:36
  Speaker 2: I'm going to go change. And then he's, like, banging
• 50:39
  Speaker 2: her sister.
• 50:40
  Speaker 5: Where is she?
• 50:41
  Speaker 2: I don't know.
• 50:42
  Speaker 1: She disappeared.
• 50:43
  Speaker 2: He said about it or something because, like, she was
• 50:46
  Speaker 2: kind of interested in him, right?
• 50:47
  Speaker 14: Well, night and day and the passing of time seem
• 50:50
  Speaker 14: to be a very incidental thing. Especially once he went
• 50:54
  Speaker 14: on the killing spree. I was like, is this all
• 50:56
  Speaker 14: in the same night? Or is this multiple nights?
• 50:59
  Speaker 1: I could not figure out a sense of time. I
• 51:01
  Speaker 1: couldn't figure out if he'd even killed the person sometimes.
• 51:04
  Speaker 3: Yeah.
• 51:04
  Speaker 1: Or if he was going... He picks the one girl.
• 51:07
  Speaker 8: I didn't understand that he picks one girl up and
• 51:09
  Speaker 8: he's carrying her off, and you think she's screaming to.
• 51:11
  Speaker 1: Die, but she doesn't scream to die.
• 51:13
  Speaker 11: No she doesn't she kicks her legs for a while
• 51:16
  Speaker 11: and that's it and then eventually she screams.
• 51:19
  Speaker 14: She screams like after she's dying right when like her
• 51:22
  Speaker 14: throat's been slit that's when she keeps screaming well that's the.
• 51:25
  Speaker 11: Other girl too carries her she just kicks her legs
• 51:28
  Speaker 11: like scissors yeah.
• 51:29
  Speaker 1: She doesn't try to get away she just scissors them
• 51:31
  Speaker 1: back and forth.
• 51:32
  Speaker 8: Or when the one drug guy he sees it through
• 51:34
  Speaker 8: the window so he leaves the house and he just
• 51:37
  Speaker 8: kind of walks you know Instead of running to a
• 51:40
  Speaker 8: historic lot.
• 51:41
  Speaker 2: And it makes the most noise ever.
• 51:43
  Speaker 3: Right.
• 51:43
  Speaker 2: Like you could hide in a place that's more quiet.
• 51:46
  Speaker 1: Yeah.
• 51:48
  Speaker 4: Is that the guy who got his.
• 51:50
  Speaker 1: Leg cut off.
• 51:51
  Speaker 4: I was reading on IMDb, apparently he's actually an amputee.
• 51:53
  Speaker 1: Yeah, he is an amputee.
• 51:54
  Speaker 2: I thought that looked very convincing.
• 51:56
  Speaker 1: I wonder if he was having so much trouble walking.
• 51:58
  Speaker 5: I don't know if his leg got cut off.
• 52:00
  Speaker 14: He was having trouble holding on to the stump. He
• 52:02
  Speaker 14: kept trying to slip out the pants leg.
• 52:05
  Speaker 11: He wasn't an amputee when they did the movie.
• 52:09
  Speaker 1: Just after that scene.
• 52:11
  Speaker 2: I watched that and I was like, how did they
• 52:12
  Speaker 2: accomplish this? I was like, this is a really good effect.
• 52:15
  Speaker 1: Look at that green screen.
• 52:17
  Speaker 5: That's awesome.
• 52:19
  Speaker 4: See, that whole sequence, because my three-year-old daughter was up,
• 52:23
  Speaker 4: and so she was out playing, and during the scene
• 52:24
  Speaker 4: where everybody was getting killed, it was a lot of fun, because... The.
• 52:29
  Speaker 1: Woman just kept screaming.
• 52:31
  Speaker 4: She would scream and then stop for a couple seconds
• 52:33
  Speaker 4: and scream again, and every time, my daughter would just
• 52:35
  Speaker 4: scream right after her and imitate her. She was having
• 52:38
  Speaker 4: a great time with this movie.
• 52:40
  Speaker 5: It's good that somebody did. Yeah, I know.
• 52:42
  Speaker 4: It was more entertaining watching my daughter.
• 52:43
  Speaker 11: Well, you know, anything she can dig, I can dig.
• 52:47
  Speaker 2: Yeah.
• 52:47
  Speaker 10: Yeah.
• 52:49
  Speaker 1: You are going to live and die by this movie.
• 52:52
  Speaker 4: See, but then he switches to the other girl and
• 52:54
  Speaker 4: then he digs the drugs. He's a very flaky man.
• 52:58
  Speaker 1: Easily he changes. She calls him a coward. And then
• 53:01
  Speaker 1: he's like, okay, give it to me. I'm going to
• 53:02
  Speaker 1: smoke and I'm going to fuck you. He's really bogarting
• 53:05
  Speaker 1: that joint, though. Did you notice that? He's just like
• 53:07
  Speaker 1: sucking it.
• 53:07
  Speaker 4: He's like, I'm going to share, dude.
• 53:09
  Speaker 1: Or when he's hooked.
• 53:10
  Speaker 5: That's why he got hooked.
• 53:13
  Speaker 4: He starts getting these. His face does get a little expressive, though.
• 53:15
  Speaker 4: He looks really happy about it. It's like his eyes
• 53:18
  Speaker 4: get all wide.
• 53:18
  Speaker 11: He does have a little Andre the Giant. But also
• 53:22
  Speaker 11: in the corner of his mouth, there's a little Arnold.
• 53:25
  Speaker 11: A little trace of Arnold sometimes. And when you see it,
• 53:29
  Speaker 11: it's like dead on. And she, Angel, she's kind of
• 53:33
  Speaker 11: like Peg Bundy Loretta Lynn.
• 53:37
  Speaker 5: Yeah.
• 53:38
  Speaker 2: You know, I think she's probably a really beautiful person. Like,
• 53:42
  Speaker 2: she had very nice teeth and a very nice face,
• 53:45
  Speaker 2: but her eyebrows drove me crazy.
• 53:47
  Speaker 1: What, the woolly bears?
• 53:49
  Speaker 2: No, they were, like, these sharpie things that were just, like,
• 53:52
  Speaker 2: drawn on her face. They kind of had, like, little
• 53:55
  Speaker 2: cut angles.
• 53:56
  Speaker 11: Yeah, like, not where eyebrows.
• 53:57
  Speaker 2: Should be on a person's face. They, like, started in
• 54:00
  Speaker 2: the middle of her eye and, like, stopped.
• 54:02
  Speaker 5: So you were thinking of the hippie guy who had
• 54:04
  Speaker 5: just one big eyebrow.
• 54:05
  Speaker 20: Yeah.
• 54:06
  Speaker 10: Yeah.
• 54:07
  Speaker 11: I was thinking of the drug guy who came into
• 54:11
  Speaker 11: the house wearing a tight white t-shirt with a big
• 54:15
  Speaker 11: wad of drugs stuck on it.
• 54:16
  Speaker 5: That would be the drug guy.
• 54:18
  Speaker 1: Because his name is Guy.
• 54:20
  Speaker 4: Guy.
• 54:21
  Speaker 1: Again, they're so creative here.
• 54:23
  Speaker 2: No, it wasn't Guy.
• 54:24
  Speaker 5: It was Guy's guy. It was the rapist guy.
• 54:27
  Speaker 4: The wannabe rapist.
• 54:28
  Speaker 5: Yeah, he had names.
• 54:29
  Speaker 14: I like the fact that... herschel was named after herschel
• 54:32
  Speaker 14: gordon lewis.
• 54:33
  Speaker 5: I thought that immediately and then yeah that's.
• 54:36
  Speaker 1: What it was because no i that but i mean
• 54:38
  Speaker 1: as soon as you said blood freak i didn't pay
• 54:40
  Speaker 1: attention to the initial request i was like oh i
• 54:42
  Speaker 1: love blood feast oh blood freak yeah wait a minute
• 54:45
  Speaker 1: that's not right.
• 54:46
  Speaker 11: My sister she's a doll but this bible stuff is
• 54:50
  Speaker 11: really a drag.
• 54:52
  Speaker 1: She's got a point i mean bible stuff.
• 54:55
  Speaker 2: The bible stuff is a drag.
• 54:56
  Speaker 5: It is a drag really so it's like something out
• 55:01
  Speaker 5: of star trek or the twilight zone yeah.
• 55:06
  Speaker 1: The hippies were laughing.
• 55:07
  Speaker 14: Yeah i mean the only thing that i remember laughing
• 55:11
  Speaker 14: at a lot was the whole scene to where he
• 55:13
  Speaker 14: shows up after he's transformed with the turkey head and
• 55:16
  Speaker 14: he goes into her bedroom at night and she's not
• 55:19
  Speaker 14: taken aback at all it's just like.
• 55:21
  Speaker 1: Oh, what's happened to you? It's like he got a
• 55:23
  Speaker 1: scrape or something or he has a black eye. No,
• 55:25
  Speaker 1: he writes a note to give her.
• 55:27
  Speaker 5: He writes a fucking book because he has a turkey head.
• 55:31
  Speaker 11: She's laying on the bed there and she's reading and so.
• 55:34
  Speaker 2: That was before people became concerned with Saving Tree.
• 55:38
  Speaker 1: But then it goes into the whole scene like it
• 55:40
  Speaker 1: just blacks out.
• 55:41
  Speaker 14: I don't know if it was just they ran out
• 55:42
  Speaker 14: of film or what happened but then you just hear
• 55:44
  Speaker 14: like the gobbling sounds and the darkness.
• 55:48
  Speaker 3: Well.
• 55:48
  Speaker 1: No, that's my favorite. She has the whole little.
• 55:51
  Speaker 5: Rundown there of like, well, I mean, you know, what
• 55:55
  Speaker 5: if you stay like this?
• 55:56
  Speaker 1: I mean, she goes back and forth with that for
• 55:58
  Speaker 1: like 15 minutes.
• 55:59
  Speaker 5: Because that goes into the whole, what will the children think?
• 56:03
  Speaker 1: What are they going to look like?
• 56:05
  Speaker 11: What will they look like? Their father?
• 56:09
  Speaker 1: But my favorite is that he then turns the light off.
• 56:12
  Speaker 3: Yeah.
• 56:13
  Speaker 1: And so I assume then she's going to, like, scream
• 56:15
  Speaker 1: or run out of the room, but she just says, oh, Herschel.
• 56:18
  Speaker 10: Oh, Herschel.
• 56:19
  Speaker 1: And I was like, okay, wait, now you're into it?
• 56:21
  Speaker 1: That makes you a turkey fucker.
• 56:23
  Speaker 4: Well, see, it all turned out to be a dream anyway.
• 56:25
  Speaker 5: Yeah.
• 56:26
  Speaker 11: Spoiler alert for me.
• 56:28
  Speaker 1: Spoiler alert.
• 56:30
  Speaker 5: Yeah, sorry.
• 56:30
  Speaker 1: Which, what a boring dream. I mean, kind of, you know.
• 56:35
  Speaker 11: I think he dreamed that it was a dream and
• 56:37
  Speaker 11: he's really got a turkey head. That was a convincing
• 56:42
  Speaker 11: turkey head.
• 56:42
  Speaker 1: Who dreams that they go to work?
• 56:44
  Speaker 5: You've never done that?
• 56:47
  Speaker 1: I mean, did you work for, you know?
• 56:49
  Speaker 4: Yeah, I've had work dreams.
• 56:50
  Speaker 1: They suck. I'm sorry.
• 56:53
  Speaker 11: When I worked at an art gallery, I would dream
• 56:57
  Speaker 11: that I was vacuuming and closing up.
• 57:01
  Speaker 5: And then the alarm would go off and I'd have
• 57:03
  Speaker 5: to get out.
• 57:03
  Speaker 1: I can't even remember if I... I mentioned this movie before.
• 57:06
  Speaker 5: It might have been you and I talking about Long Dream.
• 57:09
  Speaker 4: Did I tell you about that? Okay, I thought so.
• 57:11
  Speaker 4: What was the Spiral one called?
• 57:13
  Speaker 5: Uzumaki was the other one.
• 57:15
  Speaker 1: Long Dream is just about this fellow where every time
• 57:20
  Speaker 1: he goes to sleep, he's dreaming years of his life,
• 57:22
  Speaker 1: and then he wakes up, and all of a sudden
• 57:23
  Speaker 1: it's like 10 years ago when.
• 57:24
  Speaker 5: He first started the dream. It's like only a day
• 57:26
  Speaker 5: has passed. It's a guy that's been so.
• 57:28
  Speaker 4: I want to see it.
• 57:29
  Speaker 1: I'm lost in here.
• 57:30
  Speaker 5: What happened?
• 57:36
  Speaker 1: No, Inception.
• 57:37
  Speaker 8: I've lost a year of my life watching it.
• 57:41
  Speaker 11: I loved actually working at the theater when we had that,
• 57:43
  Speaker 11: because I loved to walk into Inception right before it
• 57:46
  Speaker 11: ended and just hear everyone just.
• 57:48
  Speaker 5: It was like this audible, just like the audience was
• 57:50
  Speaker 5: pissed at the screen moment.
• 57:53
  Speaker 11: I saw Herschel with a chick last night.
• 57:56
  Speaker 16: A chick.
• 57:56
  Speaker 5: A chick.
• 57:57
  Speaker 1: I get it.
• 58:02
  Speaker 11: This is after he has a fucking turkey head it's
• 58:05
  Speaker 11: like urschel's not so great i saw him with a
• 58:09
  Speaker 11: chick last night.
• 58:12
  Speaker 1: Aside from the whole.
• 58:13
  Speaker 11: Turkey fucking head thing he's sort of like dating.
• 58:17
  Speaker 1: Around on you yeah.
• 58:20
  Speaker 4: I didn't think Guy knew about the turkey head at
• 58:22
  Speaker 4: that point.
• 58:22
  Speaker 1: I don't think he did. I don't think he did.
• 58:23
  Speaker 5: She did.
• 58:24
  Speaker 1: But it makes it funnier.
• 58:25
  Speaker 4: Yeah, which is why when she's like, no, he wasn't,
• 58:27
  Speaker 4: because she knows, like, no, he wasn't.
• 58:29
  Speaker 5: Oh, I couldn't tell.
• 58:31
  Speaker 1: I had no idea.
• 58:32
  Speaker 4: I was paying attention.
• 58:33
  Speaker 5: I like actually that idea, though.
• 58:34
  Speaker 14: You could almost make it into a comedy, like someone
• 58:37
  Speaker 14: gets the turkey head, and the next thing you know,
• 58:38
  Speaker 14: he's cheating around because chicks are into it.
• 58:44
  Speaker 5: At that moment, I was like, it kind of reminded
• 58:46
  Speaker 5: me of like a Peanuts episode.
• 58:49
  Speaker 3: Yeah.
• 58:49
  Speaker 1: Beethoven's not so great.
• 58:51
  Speaker 5: Yeah.
• 58:51
  Speaker 1: What's so great about Beethoven? Marshall, he doesn't even have
• 58:56
  Speaker 1: baseball cards.
• 58:56
  Speaker 5: I mean, it's not so great.
• 58:59
  Speaker 11: I saw a little chick last night, a blonde chick.
• 59:02
  Speaker 1: That's Sally, bitch. The awkwardness of him trying to drink
• 59:07
  Speaker 1: the blood. Like he'd get underneath it and let it
• 59:10
  Speaker 1: fall on his head.
• 59:11
  Speaker 8: He'd get it in his hands and he'd put it
• 59:14
  Speaker 8: near the mask.
• 59:16
  Speaker 11: So he's a vampire turkey.
• 59:19
  Speaker 1: He'd rub it on the top of the turkey. No,
• 59:22
  Speaker 1: you didn't cup it.
• 59:24
  Speaker 14: No, the whole logic behind it is since he's got
• 59:26
  Speaker 14: the turkey head, he can't smoke pot, you know, joints
• 59:30
  Speaker 14: anymore so he has to drink the blood of drug
• 59:34
  Speaker 14: addicts so that way he can get a buzz.
• 59:36
  Speaker 1: Again you notice how none of this actually comes through
• 59:38
  Speaker 1: in the.
• 59:39
  Speaker 4: Movie like i only figured that out from the tagline.
• 59:42
  Speaker 5: Yeah it doesn't it doesn't ever really and he doesn't
• 59:45
  Speaker 5: even seem like he's going after hippies or druggies or
• 59:49
  Speaker 5: anything it's like he's just random Like, here's a girl.
• 59:53
  Speaker 4: But they all happen to be drug addicts.
• 59:54
  Speaker 1: They all happen to be, but yeah, again, it's the 70s.
• 59:57
  Speaker 1: That's everywhere you go, right?
• 59:58
  Speaker 2: Why is it easier to kill high people and drink
• 1:00:01
  Speaker 2: their blood than it is to, like, drink some type
• 1:00:04
  Speaker 2: of liquid drug?
• 1:00:05
  Speaker 1: I've been asking that question all my life. Well, again,
• 1:00:09
  Speaker 1: I was like, why is he hanging them upside down?
• 1:00:12
  Speaker 5: And then it just spills out, and he can't... Yeah,
• 1:00:14
  Speaker 5: I was like, there's got to be a more efficient system.
• 1:00:16
  Speaker 1: You have to have a table. Yeah, I don't know
• 1:00:18
  Speaker 1: why he hung it upside down. Blood is going to
• 1:00:19
  Speaker 1: gush out anyway if you're slitting your throat.
• 1:00:21
  Speaker 5: I mean.
• 1:00:22
  Speaker 1: If you had a flat surface, you could get a
• 1:00:24
  Speaker 1: cup going.
• 1:00:25
  Speaker 5: Come on, man. This is better.
• 1:00:26
  Speaker 1: The guy, he cuts off his leg, and then he
• 1:00:29
  Speaker 1: just sits under it. He doesn't tilt his head back.
• 1:00:31
  Speaker 1: He just sits under it and lets it fall on
• 1:00:33
  Speaker 1: his head. Well, that's what... I don't know why. I
• 1:00:36
  Speaker 1: just imagine this little thought bubble puppet. It's just like...
• 1:00:38
  Speaker 1: This fucking sucks. And it's dribbling all down his.
• 1:00:42
  Speaker 5: Face like this isn't fun anymore. That might be the
• 1:00:46
  Speaker 5: other time I laughed was when he slices off his
• 1:00:49
  Speaker 5: leg and then just sits down like he's winded. And
• 1:00:54
  Speaker 5: just loves pouring all over.
• 1:00:55
  Speaker 1: His head like he's taking a shower. He's just like winded.
• 1:00:59
  Speaker 4: I actually started to enjoy the movie at that point
• 1:01:01
  Speaker 4: because right after that, was.
• 1:01:03
  Speaker 14: Yeah i thought it ended the thing well the thing
• 1:01:06
  Speaker 14: uh you're probably glad you didn't get to lucy um
• 1:01:09
  Speaker 14: they they show an actual.
• 1:01:11
  Speaker 1: Beheading of a turkey.
• 1:01:13
  Speaker 5: And i got to that point.
• 1:01:14
  Speaker 11: Oh shit lucy's watching this it's a snuff film it.
• 1:01:18
  Speaker 1: Is it's a turkey snuff film it's pretty shocking too
• 1:01:21
  Speaker 1: when you're there you're like what.
• 1:01:22
  Speaker 4: They don't even lay the turkey i was just standing
• 1:01:24
  Speaker 4: there and just wax it up and they're just.
• 1:01:28
  Speaker 23: For a long time I captured the horror anybody who
• 1:01:32
  Speaker 23: wants to know that reaction we have the lucy it's.
• 1:01:41
  Speaker 5: Sad that that was my first thought i was like
• 1:01:43
  Speaker 5: oh shit lucy what have i done she is not
• 1:01:46
  Speaker 5: gonna be pleased.
• 1:01:46
  Speaker 12: I have sat through cockfighter i am i was like
• 1:01:50
  Speaker 12: a harry dean fan i am all right and.
• 1:01:52
  Speaker 4: Then was the weird thing with the turkey head on
• 1:01:53
  Speaker 4: the platter and where they're all tearing at the turkey if.
• 1:01:57
  Speaker 1: It would have ended there it would have been kind
• 1:01:59
  Speaker 1: of cool. That's the coolest that movie could have been.
• 1:02:02
  Speaker 4: It was a fucking dream and that pissed me off.
• 1:02:04
  Speaker 5: And then not only a dream sequence but then we
• 1:02:07
  Speaker 5: get like 15 more minutes of shit we don't care about.
• 1:02:10
  Speaker 1: 15 more minutes of let's lecture you of your morals
• 1:02:13
  Speaker 1: at you and then let's give you a happy ending
• 1:02:15
  Speaker 1: which we say we're giving you a happy ending just
• 1:02:17
  Speaker 1: for the sake of a happy ending but we'll.
• 1:02:18
  Speaker 5: Still give it to you anyway.
• 1:02:19
  Speaker 1: And then we'll give you a little more lecture right
• 1:02:21
  Speaker 1: before you leave.
• 1:02:22
  Speaker 5: And then a coughing fit. And we're done.
• 1:02:24
  Speaker 4: I figured the coughing though was meant to be I
• 1:02:27
  Speaker 4: felt like it was meant to be um because he's smoking.
• 1:02:29
  Speaker 5: He's doing drugs.
• 1:02:31
  Speaker 4: So I don't know if that was the case.
• 1:02:32
  Speaker 1: I felt that it was.
• 1:02:34
  Speaker 11: I felt that it was almost like Dan Aykroyd's bag
• 1:02:38
  Speaker 11: of glass toy guy.
• 1:02:41
  Speaker 5: It had that quality.
• 1:02:42
  Speaker 11: All along, he's sort of a narrator, and he's very serious.
• 1:02:48
  Speaker 11: Oddly serious, because everything in the movie is ridiculous, but
• 1:02:53
  Speaker 11: he's talking about it like, he's actually talking about something.
• 1:02:57
  Speaker 1: Are you talking about Dan Aykroyd from Nothing But Trouble?
• 1:03:00
  Speaker 11: No, I'm talking about the old Saturday night.
• 1:03:03
  Speaker 1: Oh, no, no.
• 1:03:03
  Speaker 11: When he would come on the talk show and they'd say, well,
• 1:03:06
  Speaker 11: there have been some concerns about this Halloween toy.
• 1:03:09
  Speaker 5: Oh, yeah.
• 1:03:09
  Speaker 1: It's a bag of glass.
• 1:03:11
  Speaker 11: Yeah, there's different colors, prisms and shit. Kids love it.
• 1:03:15
  Speaker 11: And he's always smoking maniacally.
• 1:03:18
  Speaker 2: But.
• 1:03:21
  Speaker 11: Yeah, I felt like that coughing fit had to be intentional.
• 1:03:25
  Speaker 5: Spoiler alert.
• 1:03:28
  Speaker 11: I mean, I don't even know what it's supposed to
• 1:03:29
  Speaker 11: mean in the end, but it's like he's unreliable. I
• 1:03:32
  Speaker 11: guess it's because they're talking about drugs and putting chemicals
• 1:03:39
  Speaker 11: and stuff. People are putting chemicals and stuff, and who
• 1:03:43
  Speaker 11: knows what.
• 1:03:44
  Speaker 14: Isn't there the expression about how, like, you treat your
• 1:03:46
  Speaker 14: body like a mixing bowl or something like that in there?
• 1:03:50
  Speaker 11: And so he's talking about that, and then I guess
• 1:03:52
  Speaker 11: it's the irony because he's, like, chain-smoking all the way through.
• 1:03:56
  Speaker 5: I don't know what.
• 1:03:58
  Speaker 8: It really missed, it threw every possible theme you could
• 1:04:02
  Speaker 8: in there aside from, like, saving the rainforest, but it was,
• 1:04:05
  Speaker 8: you know, government manipulation of things, sending men to Vietnam,
• 1:04:12
  Speaker 8: you know, Drugs.
• 1:04:13
  Speaker 1: Drugs.
• 1:04:14
  Speaker 5: Poisoning the environment.
• 1:04:16
  Speaker 1: Poisoning your body with chemicals. Yeah.
• 1:04:19
  Speaker 8: It's like we've got to put it all in here.
• 1:04:20
  Speaker 8: Just cram it all in. All these issues, you know.
• 1:04:23
  Speaker 8: And thinking they're making something important when it's, you know.
• 1:04:27
  Speaker 1: And that very much has like that stoner reality to
• 1:04:30
  Speaker 1: where you can just imagine all of them just sitting
• 1:04:31
  Speaker 1: around just smoking one joint.
• 1:04:34
  Speaker 5: After the next.
• 1:04:35
  Speaker 1: Like, oh, you know what else we should put in there?
• 1:04:37
  Speaker 3: Yeah.
• 1:04:39
  Speaker 1: Dude, that's the thing.
• 1:04:41
  Speaker 5: It seems like it's made by kids that are high,
• 1:04:44
  Speaker 5: so it's so weird that there's these weird heavy messages.
• 1:04:47
  Speaker 5: It's like he's a monster because of Vietnam.
• 1:04:50
  Speaker 16: What if we make him a real monster? Let's make
• 1:04:54
  Speaker 16: him a turkey, a half turkey, because Thanksgiving's where we
• 1:04:58
  Speaker 16: celebrate America. So if we say, fuck you Thanksgiving, we're
• 1:05:02
  Speaker 16: saying fuck you America for the war.
• 1:05:05
  Speaker 2: Yeah.
• 1:05:05
  Speaker 1: Yeah. You're probably pretty accurate on this, by the way.
• 1:05:09
  Speaker 1: Pretty close.
• 1:05:10
  Speaker 4: That's pretty good.
• 1:05:12
  Speaker 1: We want to see that movie.
• 1:05:14
  Speaker 5: I'm pretty sure the eyes were ping pong balls.
• 1:05:18
  Speaker 1: I guess now we might as well start picking apart
• 1:05:20
  Speaker 1: the head.
• 1:05:21
  Speaker 11: Big bird head with a Hawaiian lei around the base.
• 1:05:26
  Speaker 1: I almost thought it was like a belt strapped around,
• 1:05:29
  Speaker 1: almost like he was wearing a collar to hold the
• 1:05:31
  Speaker 1: head on so when he bent over it wouldn't just
• 1:05:33
  Speaker 1: fall off.
• 1:05:33
  Speaker 5: Was he still wearing that jacket? I can't remember.
• 1:05:37
  Speaker 8: The one that was too short and he kept pulling
• 1:05:39
  Speaker 8: it down all the time because he was uncomfortable in it?
• 1:05:42
  Speaker 5: That one.
• 1:05:42
  Speaker 1: That's because he's beefy. He's beefy. Husky is the word.
• 1:05:45
  Speaker 4: He was beefy.
• 1:05:47
  Speaker 5: Beefy and meat-headed. He played Tarzan?
• 1:05:51
  Speaker 1: Yeah.
• 1:05:52
  Speaker 2: He actually went on to act in something else?
• 1:05:54
  Speaker 4: This was before.
• 1:05:55
  Speaker 1: Yeah, this was beforehand.
• 1:05:56
  Speaker 11: Well, I thought it was, but I think it was during.
• 1:05:59
  Speaker 5: It was in between. Tarzan sequel. Yeah. He was burned.
• 1:06:02
  Speaker 5: He came back to do another Tarzan movie, which in
• 1:06:06
  Speaker 5: this country, they completely omitted the fact that.
• 1:06:08
  Speaker 1: He was Tarzan. They wouldn't refer to him as Tarzan
• 1:06:11
  Speaker 1: when they released him here. The beak had teeth, but
• 1:06:14
  Speaker 1: what's the point of the teeth if you can't open
• 1:06:16
  Speaker 1: up your beak?
• 1:06:17
  Speaker 5: Yeah.
• 1:06:18
  Speaker 2: Right.
• 1:06:18
  Speaker 5: I don't know. It does say on IMDb that the
• 1:06:21
  Speaker 5: mask was made of papier-mâché, which it very clearly is.
• 1:06:24
  Speaker 5: It looked like papier-mâché.
• 1:06:26
  Speaker 2: It didn't resemble a turkey at all.
• 1:06:28
  Speaker 1: No, not so much.
• 1:06:30
  Speaker 5: I mean, it was kind of like a turkey, but
• 1:06:31
  Speaker 5: it was like, if you'd never really seen a turkey,
• 1:06:35
  Speaker 5: if it was like a mile or two away.
• 1:06:37
  Speaker 2: Maybe like an extinct species of turkey that used to
• 1:06:39
  Speaker 2: roam America.
• 1:06:40
  Speaker 5: You'd only see experience turkeys through like cartoons or something
• 1:06:43
  Speaker 5: yeah if they'd remade this like in the mid 80s
• 1:06:46
  Speaker 5: back when there was this huge boom and prosthetic makeup
• 1:06:51
  Speaker 5: and practical effects that could actually have been very disgusting
• 1:06:53
  Speaker 5: and terrifying to make like a half man half turkey
• 1:06:57
  Speaker 5: turkeys are pretty they're disgusting anyway just looking at them
• 1:07:01
  Speaker 5: at the beginning there It's the waddle.
• 1:07:04
  Speaker 2: Yeah.
• 1:07:04
  Speaker 1: You could make almost like an Alfred Hitchcockian.
• 1:07:07
  Speaker 5: I mean, Alfred Hitchcock isn't too far off. Just exaggerate
• 1:07:10
  Speaker 5: the features.
• 1:07:12
  Speaker 11: His wiki says that he was tied down in a
• 1:07:16
  Speaker 11: scene and a fire got out of control and he
• 1:07:21
  Speaker 11: was burned and the lion, the trained.
• 1:07:23
  Speaker 5: Lion, saved him.
• 1:07:25
  Speaker 1: Wow.
• 1:07:26
  Speaker 11: Because it had been trained to remove his bonds for
• 1:07:30
  Speaker 11: the scene and And he got him loose. That's why
• 1:07:36
  Speaker 11: he started his animal sanctuary. He vowed he would pay
• 1:07:39
  Speaker 11: the lion back.
• 1:07:40
  Speaker 5: That's pretty awesome. By looking after big cats. And they
• 1:07:44
  Speaker 5: took it all away.
• 1:07:45
  Speaker 11: In a turkey mask.
• 1:07:46
  Speaker 5: Because it's the man.
• 1:07:47
  Speaker 1: The government that he tried to take down with this movie.
• 1:07:52
  Speaker 1: It's all coming around now. The man holding him down.
• 1:07:56
  Speaker 11: His animal sanctuary attracted attention when a Bengal tiger escaped
• 1:08:01
  Speaker 11: and was killed. in a robbery gone wrong in a
• 1:08:07
  Speaker 11: liquor store.
• 1:08:08
  Speaker 5: No.
• 1:08:10
  Speaker 1: The tiger had reefer met.
• 1:08:12
  Speaker 5: Yeah.
• 1:08:13
  Speaker 11: But he was arrested at his Florida home and his
• 1:08:17
  Speaker 11: animals confiscated on February 27, 2012 for non-regulatory compliance in
• 1:08:26
  Speaker 11: regards to animal purpose.
• 1:08:28
  Speaker 1: It's a long span because he got out of movies
• 1:08:31
  Speaker 1: in like 75. Yeah. So that's a lot of animal
• 1:08:35
  Speaker 1: taken care of.
• 1:08:35
  Speaker 7: Yeah.
• 1:08:36
  Speaker 11: I know a friend of mine like down the street
• 1:08:39
  Speaker 11: this way is zoned so he could have a zoo.
• 1:08:43
  Speaker 11: He told me that when he bought the house he
• 1:08:45
  Speaker 11: could have a cemetery, a zoo, and maybe an airport.
• 1:08:50
  Speaker 2: Hmm.
• 1:08:51
  Speaker 5: He wasn't sure on that.
• 1:08:53
  Speaker 1: A zoo, maybe. It's harder to get yourself an airport.
• 1:08:57
  Speaker 3: Yeah. Well.
• 1:08:59
  Speaker 11: my feeling from knowing him for years was that if
• 1:09:02
  Speaker 11: he could have it eventually, he would have every fucking
• 1:09:04
  Speaker 11: one of them. He was going to have a zoo cemetery.
• 1:09:08
  Speaker 1: Well, yeah. Well, yeah, just have, I mean, what do
• 1:09:11
  Speaker 1: they do with the animals over at the little zoo
• 1:09:12
  Speaker 1: when they die?
• 1:09:13
  Speaker 2: Yeah.
• 1:09:14
  Speaker 5: They need a proper area to bury them in a
• 1:09:17
  Speaker 5: zoo cemetery.
• 1:09:18
  Speaker 1: They feed them to other animals.
• 1:09:21
  Speaker 11: It's a circle of life.
• 1:09:23
  Speaker 5: There we go.
• 1:09:24
  Speaker 1: I knew it.
• 1:09:25
  Speaker 5: Circle of life.
• 1:09:27
  Speaker 1: If a zebra died, you'd think they could just use
• 1:09:29
  Speaker 1: that for the lines.
• 1:09:30
  Speaker 14: See, you start singing that, and now I'm thinking of
• 1:09:32
  Speaker 14: that whole thing that blew up at school on Friday.
• 1:09:35
  Speaker 19: Oh, yeah.
• 1:09:36
  Speaker 5: How weird.
• 1:09:37
  Speaker 2: What thing happened?
• 1:09:38
  Speaker 5: It was.
• 1:09:39
  Speaker 11: You should show the prison video.
• 1:09:41
  Speaker 5: Yeah, I should. That might be.
• 1:09:43
  Speaker 1: It was... I had some students. They were working in class,
• 1:09:47
  Speaker 1: and they said, well, can you... one of the students said, Mr. Cannon,
• 1:09:51
  Speaker 1: do you have any Pink Floyd? And I said, yeah,
• 1:09:54
  Speaker 1: I've got some.
• 1:09:54
  Speaker 5: On my computer because I always play music in class.
• 1:09:58
  Speaker 1: And the kid's like, well, good, because so-and-so just hates
• 1:10:04
  Speaker 1: Pink Floyd.
• 1:10:04
  Speaker 14: And the student says, no, I don't. And I was like, well,
• 1:10:08
  Speaker 14: why do you hate Pink Floyd? And the student was like,
• 1:10:11
  Speaker 14: I don't hate Pink Floyd. I just hate the wall.
• 1:10:13
  Speaker 5: And I was like, well, do you mean the album.
• 1:10:14
  Speaker 14: Or do you mean like the individual song like Brick
• 1:10:18
  Speaker 14: in the Wall? And The reply came, well, brick in
• 1:10:20
  Speaker 14: the wall. I said, well, is it all versions? And
• 1:10:24
  Speaker 14: students are like, well, no, I just find the one creepy.
• 1:10:27
  Speaker 14: Are there other versions? I said, well, there's this really
• 1:10:29
  Speaker 14: funny video online where somebody took the song from Saturday
• 1:10:32
  Speaker 14: Night Fever.
• 1:10:33
  Speaker 5: Stayin' Alive, and they interlaced it with brick in the wall.
• 1:10:37
  Speaker 5: So I said, well, how about I show you this?
• 1:10:39
  Speaker 5: Lucy's getting scared now.
• 1:10:41
  Speaker 14: And so I start up the video, and like eight
• 1:10:43
  Speaker 14: seconds in, the student just bursts into tears.
• 1:10:45
  Speaker 5: I ran out of the room, and I was like,
• 1:10:49
  Speaker 5: What just happened?
• 1:10:50
  Speaker 1: And I went out there and.
• 1:10:51
  Speaker 5: It's the Gibb brothers, man, are pretty frightening.
• 1:10:54
  Speaker 1: See, that's the whole thing.
• 1:10:56
  Speaker 14: I thought, what if there's some weird, dark family history
• 1:10:59
  Speaker 14: behind this song that I was absolutely clueless about? And
• 1:11:02
  Speaker 14: it turns out that apparently it reminded the student of
• 1:11:07
  Speaker 14: a dream.
• 1:11:09
  Speaker 5: It's a great dream. From when she was 10 to where.
• 1:11:13
  Speaker 1: She was out in the field.
• 1:11:15
  Speaker 14: And the hyenas from The Lion King chased her down
• 1:11:19
  Speaker 14: and started tearing apart and eating her alive, and they
• 1:11:21
  Speaker 14: were singing that song while they did it.
• 1:11:24
  Speaker 2: Okay.
• 1:11:24
  Speaker 5: This is horrible.
• 1:11:26
  Speaker 1: I know.
• 1:11:26
  Speaker 5: Mostly because if I was dying, the last thing I
• 1:11:29
  Speaker 5: would want is that. I'm so tired of that song
• 1:11:33
  Speaker 5: from the first time.
• 1:11:33
  Speaker 1: And apparently I reminded the student of that dream, and
• 1:11:37
  Speaker 1: I said, well, there aren't any hyenas from The Lion
• 1:11:40
  Speaker 1: King in my classroom, so why don't you just come
• 1:11:42
  Speaker 1: back in? And as soon as we walk into the doorway,
• 1:11:46
  Speaker 1: the kids in my class turned around and just said,
• 1:11:48
  Speaker 1: we don't need no education.
• 1:11:50
  Speaker 5: And she starts crying again. It was just the craziest thing.
• 1:11:55
  Speaker 1: And I started to go out after the student and
• 1:11:57
  Speaker 1: some other.
• 1:11:57
  Speaker 5: Kid goes, Hey, Kalen, leave that kid alone.
• 1:11:59
  Speaker 1: I was like, stop it.
• 1:12:02
  Speaker 5: The problem is they picked up on my sense of humor.
• 1:12:05
  Speaker 1: Kids are jackasses.
• 1:12:07
  Speaker 2: I mean, when I was 11, my cousin Tiffany and
• 1:12:11
  Speaker 2: I watched The Wall. And then we went camping. She
• 1:12:14
  Speaker 2: lived in Bowling Green. And the whole weekend, her neighbors
• 1:12:21
  Speaker 2: had been trying to convince us that there was mountain
• 1:12:24
  Speaker 2: lions everywhere. So one of them had a tape of, like,
• 1:12:28
  Speaker 2: wild cats playing while we were asleep. They, like, snuck
• 1:12:32
  Speaker 2: up and hid that in the trees by us and
• 1:12:34
  Speaker 2: played this, like, wild cat noises. And then, like, attacked
• 1:12:39
  Speaker 2: our tent with sticks. And, like, I mean, I can
• 1:12:41
  Speaker 2: hear the wall, and I'm totally fine with that.
• 1:12:45
  Speaker 1: That was where you went with that story.
• 1:12:47
  Speaker 5: But I can hear the wall, I mean.
• 1:12:48
  Speaker 1: I can watch The Lion King. Yeah, it's cool.
• 1:12:50
  Speaker 5: I mean, when I think of the wall.
• 1:12:52
  Speaker 14: what rube goldberg series of events led us to this
• 1:12:55
  Speaker 14: point it's.
• 1:12:58
  Speaker 1: So much more interesting than the movie it's like we're
• 1:13:01
  Speaker 1: so desperate not to talk about it it says something about.
• 1:13:05
  Speaker 11: There's really only so much you can say you quote
• 1:13:08
  Speaker 11: the couple of crazy lines yeah and you talk about
• 1:13:11
  Speaker 11: just how yeah how bad the turkey head was and
• 1:13:14
  Speaker 11: just how ridiculous killings are and it's just after that
• 1:13:17
  Speaker 11: it's just It's a death march at times.
• 1:13:20
  Speaker 5: On the movie.
• 1:13:20
  Speaker 1: It really is. I like cheesy bad movies.
• 1:13:24
  Speaker 5: I like cheesy 70s movies. And this one is just.
• 1:13:29
  Speaker 1: It's horrible, but I'm kind of fascinated by it. I'm
• 1:13:33
  Speaker 1: watching the other... Again, I thought.
• 1:13:35
  Speaker 5: Fred would have a field day with just the visuals
• 1:13:39
  Speaker 5: going on in the apartment.
• 1:13:40
  Speaker 11: It was just such an overload of the 70s.
• 1:13:44
  Speaker 2: It is.
• 1:13:46
  Speaker 5: All those dead dreams. But that's just looking at the
• 1:13:50
  Speaker 5: way everybody was and looked in general.
• 1:13:54
  Speaker 11: And they were all dressed as crazy clowns. There was
• 1:13:58
  Speaker 11: a period of our history when everybody went around dressed
• 1:14:02
  Speaker 11: as crazy clowns. And I lived through it.
• 1:14:07
  Speaker 1: I was there.
• 1:14:08
  Speaker 11: My parents, people we knew, professors of academic subjects. would
• 1:14:15
  Speaker 11: walk into their class wearing this thing like it was,
• 1:14:20
  Speaker 11: I don't know.
• 1:14:22
  Speaker 1: I can't get enough paisley in my wardrobe.
• 1:14:25
  Speaker 2: My fourth grade teacher, she wore hideous polyester 70s suits,
• 1:14:32
  Speaker 2: and she had a blue beehive, and she'd always blow
• 1:14:35
  Speaker 2: her nose and then shove the dirty Kleenex down her pants. Yeah.
• 1:14:40
  Speaker 1: That's not creepy at all.
• 1:14:43
  Speaker 5: I don't know.
• 1:14:43
  Speaker 1: I think it's like, it's like as horrible as this is,
• 1:14:48
  Speaker 1: I almost, again, I'm still just kind of fascinated by
• 1:14:51
  Speaker 1: what it like. I think we need to preserve these.
• 1:14:54
  Speaker 5: Maybe as a thing to watch to know what not
• 1:14:57
  Speaker 5: to do when making movies.
• 1:14:59
  Speaker 1: I don't know. Hire actual actors.
• 1:15:01
  Speaker 5: Yeah, like there's so many things wrong with it that
• 1:15:03
  Speaker 5: I'm like, there's a little bit of it you've got
• 1:15:06
  Speaker 5: to see. Maybe not the entire run, but you've got
• 1:15:08
  Speaker 5: to experience some of it.
• 1:15:09
  Speaker 14: I think the problem for me is the conditions in
• 1:15:11
  Speaker 14: which I watched it. Watching it in segments on YouTube,
• 1:15:13
  Speaker 14: I think I would appreciate it a whole lot more
• 1:15:16
  Speaker 14: if I was just at a relative's house and just
• 1:15:19
  Speaker 14: bored out of my mind while my parents visited said
• 1:15:22
  Speaker 14: obscure relative.
• 1:15:23
  Speaker 5: And so I rummage through a.
• 1:15:25
  Speaker 14: Box and find a VHS tape that says the word
• 1:15:29
  Speaker 14: blood freak scrawled across it.
• 1:15:30
  Speaker 1: So I'd just pop it in and watch it.
• 1:15:32
  Speaker 14: Then I would just be utterly fascinated because it almost
• 1:15:34
  Speaker 14: feels like a snuff film of Hollywood or something, even
• 1:15:37
  Speaker 14: though people buy it.
• 1:15:37
  Speaker 11: Although it's actually a snuff film of a turkey.
• 1:15:41
  Speaker 5: Yeah, it is a snuff film.
• 1:15:42
  Speaker 4: Those are oddly specific conditions.
• 1:15:45
  Speaker 1: They are specific conditions in which I would enjoy it, yeah.
• 1:15:47
  Speaker 5: The only narrow window I will ever enjoy this movie.
• 1:15:52
  Speaker 18: You know, it was.
• 1:15:54
  Speaker 8: I think it was not until the fourth segment, it
• 1:15:58
  Speaker 8: broke into six segments, that you finally got someone being killed.
• 1:16:06
  Speaker 1: And for something that should be a horror or a
• 1:16:09
  Speaker 1: slasher or something like that, it really didn't. took a
• 1:16:13
  Speaker 1: long time. You should have given me something in the
• 1:16:15
  Speaker 1: first five scenes.
• 1:16:16
  Speaker 14: It did almost take an hour to get to both
• 1:16:18
  Speaker 14: him being a turkey and the killing.
• 1:16:20
  Speaker 3: Right.
• 1:16:21
  Speaker 1: And that's an awful lot of exposition. Which they don't
• 1:16:24
  Speaker 1: do very well.
• 1:16:25
  Speaker 5: And narration.
• 1:16:26
  Speaker 11: But I liked the narrator. He was trying so hard
• 1:16:30
  Speaker 11: to appeal to our sense of like stuff. You know,
• 1:16:35
  Speaker 11: some people are catalysts.
• 1:16:40
  Speaker 1: You never know.
• 1:16:40
  Speaker 11: When you're going to meet somebody who's a catalyst. And
• 1:16:45
  Speaker 11: then he does that little expression like, I knew you were.
• 1:16:48
  Speaker 1: Going to ask that.
• 1:16:49
  Speaker 5: I knew you were going to ask that.
• 1:16:50
  Speaker 11: Well, in this case, a catalyst is someone who leads
• 1:16:55
  Speaker 11: us to a change. Or it could be somebody who
• 1:16:57
  Speaker 11: leads us to change. A person who leads us to
• 1:17:01
  Speaker 11: a catalyst.
• 1:17:02
  Speaker 1: Could be.
• 1:17:02
  Speaker 11: Join somebody who's a catalyst.
• 1:17:05
  Speaker 1: Let me get a chalkboard. Lead you to a catalyst.
• 1:17:09
  Speaker 5: Let me light another cigarette. This is serious shit, people.
• 1:17:13
  Speaker 11: Because the world we live in is constantly changing.
• 1:17:20
  Speaker 1: Think about it.
• 1:17:24
  Speaker 11: It's just such a blatant appeal trying to Prime us
• 1:17:30
  Speaker 11: to get into our sense of, like, something's going to happen.
• 1:17:35
  Speaker 1: A story is going to unfold. See, that's what I
• 1:17:40
  Speaker 1: love about it. Like, there's not much.
• 1:17:42
  Speaker 2: The story was based on fact and also probability.
• 1:17:46
  Speaker 1: But just watching that, I mean, like, it's another one
• 1:17:50
  Speaker 1: of those. I watch it and I'm just like, I
• 1:17:51
  Speaker 1: can't believe this exists. Like, I can't believe... This got
• 1:17:55
  Speaker 1: made and they showed it to people. Not many, I'm sure.
• 1:17:58
  Speaker 5: But they showed it somewhere in a drive-in in 1973.
• 1:18:00
  Speaker 14: That's what I was going for. I think I would
• 1:18:02
  Speaker 14: just appreciate it if I just stumbled upon it more
• 1:18:05
  Speaker 14: than even... I mean, I knew Blood Freak about it
• 1:18:07
  Speaker 14: years prior because I always had friends tell me about it.
• 1:18:10
  Speaker 14: It's just I never got around to watching it. But
• 1:18:11
  Speaker 14: I just knew it was bad. I just think If
• 1:18:14
  Speaker 14: I had stumbled upon it in an old yard sale
• 1:18:16
  Speaker 14: box or something.
• 1:18:17
  Speaker 5: What's his name when he made Trash Humpers?
• 1:18:20
  Speaker 4: Harmony Currents.
• 1:18:21
  Speaker 11: Yeah, originally just wanted to leave a tape sitting out
• 1:18:24
  Speaker 11: on the sidewalk somewhere. So somebody labeled masking tape, Trash Humpers.
• 1:18:32
  Speaker 1: So somebody would go.
• 1:18:34
  Speaker 11: What the hell is that?
• 1:18:37
  Speaker 14: Damon Packard kind of did something similar with Reflections of Evil.
• 1:18:40
  Speaker 14: He just sent out a bunch of VHS tapes to
• 1:18:43
  Speaker 14: rental stores like Wild and Wooly all around the U.S.,
• 1:18:46
  Speaker 14: just local rental stores. Just send it to them. and
• 1:18:50
  Speaker 14: that's at least how it got here locally.
• 1:18:51
  Speaker 11: Well what if you saw it in an unopened vhs
• 1:18:55
  Speaker 11: tape on a rack at nearly new consignment what then
• 1:19:02
  Speaker 11: Could that work?
• 1:19:05
  Speaker 1: Under what conditions? Let's make a list.
• 1:19:09
  Speaker 11: Because there's a video there, unopened. I've had to show
• 1:19:13
  Speaker 11: it to people a few times. And it's called the
• 1:19:18
  Speaker 11: deer lounge advantage. And there's a picture of it of
• 1:19:23
  Speaker 11: a deer hunter. in a deer stand, but it's not
• 1:19:26
  Speaker 11: just a deer stand. It's like a lounge. It's like
• 1:19:29
  Speaker 11: kicking back up in a tree in this fabric seat.
• 1:19:34
  Speaker 1: I kind of actually want to buy that now. I
• 1:19:37
  Speaker 1: want to see it.
• 1:19:38
  Speaker 11: Because how are they going to make a video that's
• 1:19:42
  Speaker 11: about a deer hunter being more comfortable?
• 1:19:46
  Speaker 1: While he waits. Well, if anything, it would be just
• 1:19:48
  Speaker 1: something funny to buy for a prop for whatever. I mean,
• 1:19:51
  Speaker 1: one that I've bought that I've got at home that
• 1:19:53
  Speaker 1: I've never found the excuse to bust out yet, but
• 1:19:55
  Speaker 1: I will in the future, is I found it at
• 1:19:57
  Speaker 1: the Peddler's Mall on Dixie Highway.
• 1:20:00
  Speaker 2: Oh, good.
• 1:20:01
  Speaker 14: And it's a VHS tape that it's like, I can't
• 1:20:05
  Speaker 14: remember what it's called. It's like Monster Ridders or something.
• 1:20:07
  Speaker 14: And it's sponsored by Rosie O'Donnell. And it's just this
• 1:20:11
  Speaker 14: VHS tape that also comes with this special flashlight and
• 1:20:14
  Speaker 14: a spray to where if you've.
• 1:20:16
  Speaker 1: Got a kid that's afraid to go to bed. There's
• 1:20:18
  Speaker 1: a nightlight.
• 1:20:19
  Speaker 4: I have the nightlight.
• 1:20:20
  Speaker 14: And if they're afraid to go to bed because there's
• 1:20:22
  Speaker 14: monsters or something in the closet, you use the spray
• 1:20:25
  Speaker 14: to get rid of them and you put the nightlight
• 1:20:27
  Speaker 14: in and you have.
• 1:20:28
  Speaker 1: Them watch the video.
• 1:20:29
  Speaker 2: Isn't Rosie O'Donnell what children should be?
• 1:20:30
  Speaker 5: That's what they're afraid of.
• 1:20:32
  Speaker 1: That's why I was afraid to never watch the video.
• 1:20:34
  Speaker 1: But the nightlight's awesome. I never watched the video. I've
• 1:20:36
  Speaker 1: still got it sealed. I bought it for three bucks.
• 1:20:39
  Speaker 1: That's the type of stuff I just like sitting around.
• 1:20:42
  Speaker 1: You never know.
• 1:20:43
  Speaker 11: I have and have watched twice The Adventures of Young
• 1:20:47
  Speaker 11: Moby Dick. It's a musical.
• 1:20:53
  Speaker 5: Of course it is.
• 1:20:54
  Speaker 1: Young Moby Dick.
• 1:20:55
  Speaker 5: It's from the point of.
• 1:20:56
  Speaker 11: View of Young Moby Dick. And there's a starfish who
• 1:21:01
  Speaker 11: for some reason sounds a lot like Mae West. And
• 1:21:06
  Speaker 11: it's just a video that one of my daughter's friends said, oh,
• 1:21:09
  Speaker 11: I've got this video of you.
• 1:21:11
  Speaker 5: That's like Young Moby Dick.
• 1:21:15
  Speaker 1: What's Young Moby Dick?
• 1:21:16
  Speaker 11: They just took Moby Dick and they talk about when
• 1:21:20
  Speaker 11: he was a kid, growing up in the ocean and stuff.
• 1:21:25
  Speaker 8: It's kind of like the Star Wars prequels. You want
• 1:21:27
  Speaker 8: to know how he became Moby Dick. What caused him to?
• 1:21:31
  Speaker 8: That was the dramatic question.
• 1:21:32
  Speaker 14: Actually, there in the way of just VHS tapes, just
• 1:21:35
  Speaker 14: the Star Wars Christmas special, there's another one to warn
• 1:21:38
  Speaker 14: us how people like him.
• 1:21:39
  Speaker 1: What the hell is this? Has anyone here made it
• 1:21:44
  Speaker 1: to the end of that? I watched it entirely.
• 1:21:47
  Speaker 5: I'm impressed.
• 1:21:48
  Speaker 1: I watched it in its entirety.
• 1:21:50
  Speaker 8: I remember it being on.
• 1:21:53
  Speaker 5: It's so painful. Yeah, I remember it being on and
• 1:21:56
  Speaker 5: just remembering little bits and pieces. And then when I
• 1:21:59
  Speaker 5: got the VHS and went back and watched.
• 1:22:01
  Speaker 1: It years later, I was like, oh, my God. Should
• 1:22:02
  Speaker 1: we challenge ourselves to make that a Christmas special? I
• 1:22:06
  Speaker 1: can do that, but I don't know if anybody else
• 1:22:08
  Speaker 1: will make it through. It would give me an excuse
• 1:22:10
  Speaker 1: to make it to the end on that.
• 1:22:12
  Speaker 5: I'm all for it. That should be our special Christmas episode.
• 1:22:15
  Speaker 21: So why did you take him out and dump him?
• 1:22:18
  Speaker 11: Don't we have enough trouble in these experiments without taking
• 1:22:21
  Speaker 11: a chance on a murder charge?
• 1:22:23
  Speaker 6: All we did was give this guy some turkey.
• 1:22:26
  Speaker 10: But, Mr.
• 1:22:27
  Speaker 4: Nolan, you didn't see him, sir. Who was scared?
• 1:22:30
  Speaker 5: I don't care.
• 1:22:32
  Speaker 1: He's still a man. The drug could be worn off
• 1:22:35
  Speaker 1: by now. That is possible, isn't it?
• 1:22:38
  Speaker 5: Yeah, it could, Mr.
• 1:22:39
  Speaker 10: Nolan.
• 1:22:41
  Speaker 11: Honest, sir, I didn't think it could have any effect at.
• 1:22:43
  Speaker 5: All on a human. You didn't think?
• 1:22:46
  Speaker 6: You dumb bastards, how could you let something like this happen?
• 1:22:50
  Speaker 5: I think there's a level to this movie that's like
• 1:22:52
  Speaker 5: that for me.
• 1:22:54
  Speaker 1: What the hell have I stumbled upon?
• 1:22:56
  Speaker 5: It's horrible, but it's that part of it that's horrible
• 1:23:00
  Speaker 5: is what makes me think that. The fact that when
• 1:23:03
  Speaker 5: they cut from one scene to the other, it's daytime,
• 1:23:07
  Speaker 5: it's night outside, and he's stumbling around. Why did we
• 1:23:09
  Speaker 5: just jump ahead in time? Did we not jump ahead
• 1:23:12
  Speaker 5: in time? There's just no continuity? The multiple times they
• 1:23:16
  Speaker 5: will jump back and forth during the edits... between one
• 1:23:19
  Speaker 5: take to the other where it does not match up,
• 1:23:22
  Speaker 5: and you're just like, what did we just miss there?
• 1:23:24
  Speaker 1: I think that was an artistic style.
• 1:23:29
  Speaker 11: No, it wasn't.
• 1:23:29
  Speaker 8: Because he was dreaming, and, you know, in my dreams,
• 1:23:32
  Speaker 8: it jumps from day to night all the time.
• 1:23:34
  Speaker 5: Well, nice try.
• 1:23:37
  Speaker 1: I seriously remember thinking that when he wakes up, and
• 1:23:39
  Speaker 1: it was like, it was all a dream, and I thought,
• 1:23:42
  Speaker 1: that's actually kind of clever, because now anything that didn't
• 1:23:45
  Speaker 1: make sense.
• 1:23:46
  Speaker 11: Be it.
• 1:23:47
  Speaker 14: production-wise or story-wise, it now makes sense.
• 1:23:51
  Speaker 4: And that's why I was so upset about it.
• 1:23:54
  Speaker 5: And what about all the horrible stuff going on before
• 1:23:56
  Speaker 5: he eats that turkey and starts.
• 1:23:59
  Speaker 1: Twitching on the ground? Doesn't make up for any of that. Well,
• 1:24:03
  Speaker 1: I don't know. Post-traumatic stress disorder. That we had? Yeah.
• 1:24:10
  Speaker 1: I think we have it now.
• 1:24:12
  Speaker 11: That just made me think. I was trying to find.
• 1:24:16
  Speaker 11: Walton's bloopers because there's one from well I was at
• 1:24:22
  Speaker 11: the Kentucky book fair and one of the I think
• 1:24:27
  Speaker 11: it was Mary Ellen was there with a book for
• 1:24:30
  Speaker 11: some reason but so we were talking about it and
• 1:24:33
  Speaker 11: there's a Thanksgiving scene on the Walton's where for some
• 1:24:38
  Speaker 11: reason they have a giant silver soup tureen these poor
• 1:24:42
  Speaker 11: mountain folk have this elaborate but all the kids are
• 1:24:45
  Speaker 11: at I think it was a Thanksgiving. They're all sitting
• 1:24:49
  Speaker 11: at the table, and they're like, we don't have any
• 1:24:52
  Speaker 11: of this.
• 1:24:53
  Speaker 5: We don't have any dessert or something.
• 1:24:55
  Speaker 11: And the old granny comes in with this giant tureen
• 1:24:58
  Speaker 11: and says, you should be thankful you have anything. And
• 1:25:02
  Speaker 11: she trips and spills it.
• 1:25:06
  Speaker 1: Happy Thanksgiving.
• 1:25:08
  Speaker 5: So, yeah, I was going to try to find that
• 1:25:10
  Speaker 5: for my mom. She's like, oh, I'd love to see
• 1:25:13
  Speaker 5: that again.
• 1:25:16
  Speaker 1: I don't know.
• 1:25:17
  Speaker 5: I think that's the only thing to take from this movie. Like, again,
• 1:25:20
  Speaker 5: if you're watching it for story, you're sad and mistaken.
• 1:25:25
  Speaker 11: I think they make an effort to make something coherent,
• 1:25:28
  Speaker 11: and then they go, oh, that didn't work.
• 1:25:31
  Speaker 1: Fuck it. It was a dream.
• 1:25:33
  Speaker 11: So now what do we do?
• 1:25:35
  Speaker 1: Again, there's nothing else to it. Like, the horror is terrible.
• 1:25:38
  Speaker 1: The acting is terrible. There's no writing to speak of
• 1:25:41
  Speaker 1: except that wonderful narrator.
• 1:25:43
  Speaker 5: So other than that, it's like the only thing you
• 1:25:44
  Speaker 5: can take from it is the sheer absurdity that it exists.
• 1:25:47
  Speaker 1: Actually, I don't know. Now that I look back at it.
• 1:25:49
  Speaker 11: That exists and deep fried bourbon balls don't.
• 1:25:52
  Speaker 1: See, figure that out. Make sense of that.
• 1:25:54
  Speaker 5: Figure it out. I think I now know how to
• 1:25:56
  Speaker 5: look at it. And this is not a joke or anything.
• 1:25:58
  Speaker 14: It's like, what if, I mean, you always hear like,
• 1:26:01
  Speaker 14: you know, if you really tie one on at a
• 1:26:03
  Speaker 14: party and somebody tells you what you did or what
• 1:26:06
  Speaker 14: happened and you're trying to remember back and you remember
• 1:26:08
  Speaker 14: it in fragments, you're like, yeah, that sort of makes sense.
• 1:26:10
  Speaker 14: I sort of remember that. It almost makes sense if
• 1:26:14
  Speaker 14: you look at it as if the entire film is
• 1:26:16
  Speaker 14: a social commentary on, we were on drugs.
• 1:26:20
  Speaker 5: Look at what happened. This is why you shouldn't do drugs.
• 1:26:23
  Speaker 11: Think about it.
• 1:26:26
  Speaker 1: It almost works in that sort of meta way.
• 1:26:28
  Speaker 5: Whether or not it was meant to be a commentary,
• 1:26:30
  Speaker 5: it certainly works that way.
• 1:26:32
  Speaker 1: Because I feel like maybe they're at the premiere and
• 1:26:35
  Speaker 1: it's like, oh shit, I kind of remember this.
• 1:26:41
  Speaker 5: We did this?
• 1:26:44
  Speaker 1: You guys were. Yes, we did.
• 1:26:45
  Speaker 5: You weren't filming that.
• 1:26:46
  Speaker 1: Oh, God.
• 1:26:47
  Speaker 5: Look at that. There it is. I'll be damned.
• 1:26:50
  Speaker 1: Dude, I was just fucking around in that mask. You
• 1:26:52
  Speaker 1: weren't supposed to tape it.
• 1:26:53
  Speaker 5: Jesus.
• 1:26:54
  Speaker 1: That wasn't really part of the story. It's a dream
• 1:26:58
  Speaker 1: or something? Oh, it's a dream.
• 1:26:59
  Speaker 10: All right.
• 1:26:59
  Speaker 1: It's a dream.
• 1:27:00
  Speaker 5: That's cool.
• 1:27:00
  Speaker 14: Like, every single sequence, it cuts right before they just
• 1:27:03
  Speaker 14: all start laughing.
• 1:27:04
  Speaker 5: Inanely, you know, for about 10 minutes.
• 1:27:06
  Speaker 1: Yeah.
• 1:27:09
  Speaker 8: One thing i i've got a chuckle at is when
• 1:27:11
  Speaker 8: he she um the drug dealer brings over um since
• 1:27:16
  Speaker 8: he's hooked um they're so worried about being hooked in
• 1:27:20
  Speaker 8: this movie and uh right before he you know gets
• 1:27:23
  Speaker 8: mad at him for supply and needing to be his
• 1:27:26
  Speaker 8: supplier she's trying to light the joint he's like trying
• 1:27:30
  Speaker 8: to drag off of it and trying and trying and
• 1:27:31
  Speaker 8: trying and she can't get it lit and it's like
• 1:27:34
  Speaker 8: I swear it's like five minutes that she just can't
• 1:27:36
  Speaker 8: get that thing lit.
• 1:27:37
  Speaker 1: And he keeps twitching around. She's like, hold still. God.
• 1:27:41
  Speaker 8: And, you know, she almost breaks character, you know, there
• 1:27:44
  Speaker 8: for a second. Like, quit it. I can't get this
• 1:27:47
  Speaker 8: thing lit.
• 1:27:48
  Speaker 1: Look, really, stop. I don't care if you're the director
• 1:27:50
  Speaker 1: or not.
• 1:27:51
  Speaker 14: I mean, my favorite long take is near the end.
• 1:27:53
  Speaker 14: The fellow who's the amputee when he first shows up
• 1:27:56
  Speaker 14: to do the drug exchange.
• 1:27:57
  Speaker 1: He just sits down on the couch. The other fellow
• 1:27:59
  Speaker 1: goes into the kitchen. And the camera's just lingering on him,
• 1:28:03
  Speaker 1: and it's not even in focus. It starts to zoom out,
• 1:28:05
  Speaker 1: and it starts to go back in. And I feel
• 1:28:07
  Speaker 1: like at that point they're.
• 1:28:08
  Speaker 5: Like, should we cut?
• 1:28:10
  Speaker 1: Should we keep going?
• 1:28:13
  Speaker 14: And it just sits there while the fellow in the
• 1:28:14
  Speaker 14: kitchen's talking, and the guy's just sitting there just looking around.
• 1:28:17
  Speaker 14: Like when you go over to a friend's house, like
• 1:28:19
  Speaker 14: you're getting ready to go out or something.
• 1:28:21
  Speaker 5: And it's like, oh, I've got to get ready. Just
• 1:28:23
  Speaker 5: hang here for a minute.
• 1:28:24
  Speaker 7: It's like, okay, it's that.
• 1:28:25
  Speaker 5: It's that awkward sitting.
• 1:28:26
  Speaker 1: It's uncomfortable.
• 1:28:27
  Speaker 2: It's like.
• 1:28:29
  Speaker 5: I like the scene before that with him when you
• 1:28:31
  Speaker 5: see him at his place, and it's like he's making
• 1:28:33
  Speaker 5: his brown bag lunch for the.
• 1:28:35
  Speaker 11: Day of drugs.
• 1:28:36
  Speaker 5: He's like, I need a little to go cup of
• 1:28:38
  Speaker 5: coke and a couple of these joints and a juice
• 1:28:41
  Speaker 5: box alright I'm all set he's just brown bagging up
• 1:28:45
  Speaker 5: some sort of drugs I don't know if this is
• 1:28:46
  Speaker 5: his operation I.
• 1:28:47
  Speaker 4: Like that it all operates out of brown bags All
• 1:28:49
  Speaker 4: I could think, though, is as he's just throwing those
• 1:28:50
  Speaker 4: joints out, I was thinking, those are going to get decimated.
• 1:28:53
  Speaker 4: It's like, that's a waste.
• 1:28:54
  Speaker 5: You speak from experience. You never put the juice box
• 1:28:57
  Speaker 5: in last.
• 1:28:57
  Speaker 4: No, you don't want to smash the joints.
• 1:28:59
  Speaker 11: And you don't carry a bag under your white t-shirt,
• 1:29:03
  Speaker 11: so it looks like you have a big colostomy.
• 1:29:05
  Speaker 1: Bag or something.
• 1:29:08
  Speaker 5: That's why you wore... The big bell bottoms.
• 1:29:11
  Speaker 1: You stuff it down in your sock and nobody can tell. Again,
• 1:29:15
  Speaker 1: speaks from experience. I did have a memory, though, because
• 1:29:18
  Speaker 1: when she was opening up the.
• 1:29:20
  Speaker 5: Oh, here it is.
• 1:29:21
  Speaker 1: I'm sorry.
• 1:29:22
  Speaker 7: Go on.
• 1:29:24
  Speaker 8: When she was opening up her band-aid box, the little
• 1:29:28
  Speaker 8: tin band-aid box of joints.
• 1:29:30
  Speaker 1: I used to keep, like, you know, stormtroopers and stuff inside. Yeah, like,
• 1:29:34
  Speaker 1: let it rip with the gun so they don't get lost. Perfect,
• 1:29:37
  Speaker 1: you know.
• 1:29:38
  Speaker 8: And or I used to keep my dice from my
• 1:29:40
  Speaker 8: Dungeons and Dragons set in the little metal.
• 1:29:43
  Speaker 5: This is the alternate version. There were like the cool
• 1:29:47
  Speaker 5: kids who kept their drugs there. And then you were
• 1:29:49
  Speaker 5: keeping dice in there. I was keeping Stark.
• 1:29:50
  Speaker 14: I thought you were working up to a story to
• 1:29:52
  Speaker 14: where like, you know, you had an older brother or something.
• 1:29:54
  Speaker 14: And then when he walks in, you've like put the
• 1:29:56
  Speaker 14: joints in the hands of the stormtroopers.
• 1:30:01
  Speaker 1: They actually slid out of the lightsaber slot. There we go.
• 1:30:05
  Speaker 10: Yeah.
• 1:30:05
  Speaker 5: Yeah.
• 1:30:07
  Speaker 1: No, I was never that cool. But it gave me
• 1:30:10
  Speaker 1: that memory of, oh yeah, they did used to come
• 1:30:12
  Speaker 1: in those little tin boxes like that. Now it's a
• 1:30:15
  Speaker 1: cheesy little cardboard box.
• 1:30:17
  Speaker 5: You can't keep drugs in there.
• 1:30:18
  Speaker 14: Because there's a war, and we've got to help defeat
• 1:30:21
  Speaker 14: the Nazis by saving all that metal.
• 1:30:23
  Speaker 1: Conserve the metal.
• 1:30:25
  Speaker 19: Oh, Lord.
• 1:30:26
  Speaker 1: I don't know. Is there anything else?
• 1:30:29
  Speaker 5: Again, it's the absurdity of the thing is the only
• 1:30:32
  Speaker 5: thing that carried me through that.
• 1:30:33
  Speaker 1: It's pretty.
• 1:30:35
  Speaker 14: Yeah, because had it not been, I mean, imagine if
• 1:30:37
  Speaker 14: it had not been for the turkey head drinking the blood,
• 1:30:40
  Speaker 14: how slow and intolerant this would be.
• 1:30:43
  Speaker 5: If it was just the message movie about drugs, if
• 1:30:45
  Speaker 5: it was just Reefer Madness and they didn't have the
• 1:30:48
  Speaker 5: turkey head, yeah, I mean, if it wasn't the narrator
• 1:30:51
  Speaker 5: and the turkey head, it wouldn't get you through because
• 1:30:54
  Speaker 5: those two things are, you know, you just sit there
• 1:30:56
  Speaker 5: the whole time entertained by the fact that they're on screen.
• 1:30:59
  Speaker 5: But the acting leaves.
• 1:31:02
  Speaker 1: A lot to be desired.
• 1:31:04
  Speaker 5: It was pretty amazing.
• 1:31:06
  Speaker 14: I did like the Bunsen and Beaker two lab men.
• 1:31:10
  Speaker 14: Any scene they're in, I love them. Well, that or
• 1:31:13
  Speaker 14: the old man.
• 1:31:14
  Speaker 5: The dad, that first scene he's in where he calls
• 1:31:17
  Speaker 5: him Husky, he also totally forgets a line. He gets
• 1:31:20
  Speaker 5: midway in and stops and is like, Danny! And just
• 1:31:25
  Speaker 5: rambles off in some other direction. Again, no take two there.
• 1:31:29
  Speaker 5: Just keep rolling.
• 1:31:30
  Speaker 11: They bring him out the big turkey in the the
• 1:31:34
  Speaker 11: foil wrap thing and the sound quality is so bad
• 1:31:38
  Speaker 11: but you can hear him sort of with this this
• 1:31:42
  Speaker 11: hum going on you you hear uh him say i
• 1:31:46
  Speaker 11: hope you have a good appetite i have to split
• 1:31:49
  Speaker 11: now i've got some work to do in the lab
• 1:31:54
  Speaker 11: and then he sits down to this whole turkey With
• 1:31:59
  Speaker 11: turkeys clucking around.
• 1:32:01
  Speaker 5: I like that they feed him in the middle of turkeys,
• 1:32:03
  Speaker 5: and they feed him outside like an animal, which he
• 1:32:05
  Speaker 5: kind of seems like an animal.
• 1:32:07
  Speaker 14: In the way of hearing odd stuff, I remember hearing
• 1:32:10
  Speaker 14: when he's threatening the drug dealer, and it wasn't until
• 1:32:13
  Speaker 14: later I looked on IMDB, I realized what I'd heard
• 1:32:15
  Speaker 14: was apparently a director's command, because after he is choking
• 1:32:20
  Speaker 14: the drug dealer, and he lets go of him, you
• 1:32:22
  Speaker 14: hear something, and I was like, what did they say?
• 1:32:25
  Speaker 1: And apparently it was the director saying, Just like whispering
• 1:32:29
  Speaker 1: at him and it's still on. Oh yeah.
• 1:32:32
  Speaker 11: Early on when he's just sort of like meeting up
• 1:32:34
  Speaker 11: with the druggie sister, you hear the chair squeak like
• 1:32:38
  Speaker 11: it does in the porn sequences in Boogie Nights when
• 1:32:42
  Speaker 11: they're filming the porn and you hear the chairs and
• 1:32:46
  Speaker 11: everything is just awkward and done as poorly as a
• 1:32:50
  Speaker 11: film could be done.
• 1:32:52
  Speaker 5: And this is all real is the sad part.
• 1:32:54
  Speaker 11: Yeah, like when he gets up out of the leather
• 1:32:56
  Speaker 11: chair he kind of sticks to it. Like, Separate with
• 1:33:00
  Speaker 11: a thwack.
• 1:33:01
  Speaker 1: Once again, everything in the 70s was sticky. Yeah.
• 1:33:05
  Speaker 6: And as he plays his game of wits and ego,
• 1:33:10
  Speaker 6: his comments could be what caused the chain of events
• 1:33:14
  Speaker 6: and the moments of horror and agony that were far
• 1:33:21
  Speaker 6: greater than his experiences in the hell of Vietnam.
• 1:33:24
  Speaker 1: Anything else to do with this thing?
• 1:33:26
  Speaker 5: Well, I don't know. I don't know, Brian.
• 1:33:27
  Speaker 1: I think we should escape. Well, okay. Probably that's for
• 1:33:31
  Speaker 1: the best.
• 1:33:32
  Speaker 4: It's best for God.
• 1:33:32
  Speaker 5: Because it did remind me of a friend of mine.
• 1:33:38
  Speaker 11: Said she regretted clicking on this link to vaginal plastic surgery.
• 1:33:47
  Speaker 11: And she said, this exists? This exists. Are there people
• 1:33:52
  Speaker 11: who are like, Oh, that's not pretty enough. So they've
• 1:33:57
  Speaker 11: got to go. And immediately I thought, holy fuck, I
• 1:34:02
  Speaker 11: do know of one case where, yeah, a guy dumped
• 1:34:09
  Speaker 11: a woman because he didn't like the junk. He put
• 1:34:15
  Speaker 11: him off.
• 1:34:16
  Speaker 24: And it was because it had this little, like, extra
• 1:34:20
  Speaker 24: bit kind of like what we named it a waddle
• 1:34:24
  Speaker 24: there was this like little extra stuff and it bothered
• 1:34:28
  Speaker 24: him because he was familiar with it from.
• 1:34:30
  Speaker 11: Porn as we all are and so he thought it
• 1:34:35
  Speaker 11: was a result of porn like activity and he just
• 1:34:39
  Speaker 11: thought the woman was a little too wild for.
• 1:34:42
  Speaker 1: Him these are things to be concerned about i.
• 1:34:44
  Speaker 11: Suppose because of the waddle thing and so It's just
• 1:34:49
  Speaker 11: odd to me because we're talking about this exists and
• 1:34:52
  Speaker 11: how bizarre it is that this exists. And it reminded
• 1:34:55
  Speaker 11: me that, oh, my friend said, there's plastic surgery for vaginas.
• 1:35:00
  Speaker 11: There's labial reconstruction. And then she said, why? Are there
• 1:35:05
  Speaker 11: people who are going, that's not pretty enough? And I thought, yes.
• 1:35:10
  Speaker 11: In fact, there is one case where I do know
• 1:35:14
  Speaker 11: somebody had an objection.
• 1:35:16
  Speaker 5: So there is a need for everything, is what you're saying.
• 1:35:19
  Speaker 5: This movie needs to exist for some reason.
• 1:35:21
  Speaker 14: See, I'm glad I brought the camera so I could
• 1:35:23
  Speaker 14: document Lucy's expressions during all of that.
• 1:35:25
  Speaker 11: Do you ever think about this fantastic order of things?
• 1:35:29
  Speaker 7: No.
• 1:35:29
  Speaker 5: How far does it go?
• 1:35:32
  Speaker 11: How far does it go?
• 1:35:33
  Speaker 14: It's almost like you're getting ready to start off with
• 1:35:35
  Speaker 14: the Jeff Goldblum from Jurassic Park thing.
• 1:35:37
  Speaker 5: It's like, you know.
• 1:35:38
  Speaker 14: God creates man, man destroys God, man creates blood freak.
• 1:35:42
  Speaker 11: I'm just saying nature finds a way to create.
• 1:35:47
  Speaker 14: Well, if we're also going to quote that movie, I'll
• 1:35:50
  Speaker 14: quote the line, just because you could doesn't mean that
• 1:35:54
  Speaker 14: you should.
• 1:35:56
  Speaker 1: You might be on to something there.
• 1:35:58
  Speaker 5: All right, I think we should get the hell out
• 1:36:01
  Speaker 5: and go have seconds on some turkey here.
• 1:36:04
  Speaker 2: Okay.
• 1:36:05
  Speaker 5: Or Turkzilla. Bride of Turkzilla. So thank you to everyone
• 1:36:09
  Speaker 5: who made food here. Bride of Turkzilla. Is this one
• 1:36:14
  Speaker 5: a bride, too, or is it just the first generation?
• 1:36:16
  Speaker 12: It's like a compassionate aunt.
• 1:36:19
  Speaker 1: The compassionate aunt of Turkzilla. Of Turkzilla? Or of the
• 1:36:23
  Speaker 1: bride of Turkzilla. She always has a fashionable handbag.
• 1:36:26
  Speaker 5: I thought maybe she was just like a sidekick, kind
• 1:36:28
  Speaker 5: of a friend to the Turkzilla bride.
• 1:36:31
  Speaker 11: She has 270 hats in her barn, and she wears
• 1:36:35
  Speaker 11: a different.
• 1:36:35
  Speaker 1: One every day. Maybe she's like... The maid of honor.
• 1:36:40
  Speaker 1: I think they live together.
• 1:36:42
  Speaker 8: They live together, but we never mention that they may
• 1:36:44
  Speaker 8: be a couple.
• 1:36:46
  Speaker 14: Her favorite show is Newhart, but she hates the Bob
• 1:36:49
  Speaker 14: Newhart show with a passion.
• 1:36:52
  Speaker 5: She doesn't understand why. Interesting.
• 1:36:56
  Speaker 1: One more reason to get the.
• 1:36:57
  Speaker 2: Hell out of here.
• 1:36:58
  Speaker 11: Which one of those turned out to.
• 1:36:59
  Speaker 4: Be a dream?
• 1:37:02
  Speaker 1: Actually, the second Newhart show when he had the golf
• 1:37:05
  Speaker 1: course or whatever it was. He had the hotel or
• 1:37:10
  Speaker 1: the Larry, Daryl, and Daryl Newhart show. That was Newhart.
• 1:37:14
  Speaker 11: That was Newhart.
• 1:37:15
  Speaker 1: Yeah, it was by the, that's right. Never mind, I'm
• 1:37:18
  Speaker 1: thinking of the final episode where they move the golf
• 1:37:20
  Speaker 1: course in next to it and that's what.
• 1:37:21
  Speaker 4: That's right.
• 1:37:22
  Speaker 2: Why don't they really, they don't do that so much anymore.
• 1:37:25
  Speaker 2: You know, like the Lucy, you know, there was I
• 1:37:28
  Speaker 2: Love Lucy and then They kept giving her a different
• 1:37:31
  Speaker 2: show after that show would expire.
• 1:37:33
  Speaker 1: They don't really do that.
• 1:37:34
  Speaker 5: They do that. I mean, look at how many times
• 1:37:36
  Speaker 5: George Costanza's had a show. Yeah, and same with Julia Louis-Dreyfus. Yeah,
• 1:37:40
  Speaker 5: I guess so.
• 1:37:41
  Speaker 1: Everybody, they kept giving them shows.
• 1:37:43
  Speaker 14: You just got me thinking, how many series ended with
• 1:37:45
  Speaker 14: a dream because Full House ended with a dream?
• 1:37:48
  Speaker 2: Did it?
• 1:37:49
  Speaker 5: I think the New Harbor's the first.
• 1:37:50
  Speaker 1: Roseanne was like, it was not a dream. She was
• 1:37:53
  Speaker 1: writing it all. It was like a book.
• 1:37:55
  Speaker 10: Yeah.
• 1:37:56
  Speaker 8: Dallas was like season 5 Dallas was first Dallas was
• 1:38:02
  Speaker 8: the one that I think Newhart was then making.
• 1:38:04
  Speaker 5: Fun of yeah I don't know how any of this
• 1:38:08
  Speaker 5: has to do with turkeys I.
• 1:38:09
  Speaker 2: Don't think I ever watched the last episode of.
• 1:38:11
  Speaker 1: Full House I just want to see this Walton scene
• 1:38:13
  Speaker 1: oh no never mind I take that back no Full
• 1:38:16
  Speaker 1: House that's right Michelle, she got amnesia.
• 1:38:19
  Speaker 5: And they had flashbacks to all the previous episodes to
• 1:38:22
  Speaker 5: remind her of who she was. That's just a flashback episode.
• 1:38:28
  Speaker 1: Like the final episode of Seinfeld, yeah. that's a cop-out too.
• 1:38:31
  Speaker 8: Which is still one of the best episodes. If you're
• 1:38:34
  Speaker 8: going to do a clip show, Seinfeld is a good one. Alright,
• 1:38:37
  Speaker 8: are we done with this mess? Yeah, we're getting ready
• 1:38:39
  Speaker 8: to get distracted. Go start the leftovers action here.
• 1:38:43
  Speaker 1: We'll send some leftovers to any viewer who makes it
• 1:38:45
  Speaker 1: through Bloodthirsty. Or freak. That's for another episode.
• 1:38:51
  Speaker 5: We do have Blood Freak here from Monster Dog. That's
• 1:38:56
  Speaker 5: the closest thing I could come up with. I want
• 1:38:58
  Speaker 5: a Blood Freak action figure.
• 1:39:00
  Speaker 1: Where you can put the mask on and off.
• 1:39:03
  Speaker 2: I would follow that.
• 1:39:04
  Speaker 5: What's funny is the head, the bad paper mache head,
• 1:39:07
  Speaker 5: kind of looks like the Alec Baldwin head in Beetlejuice.
• 1:39:12
  Speaker 5: Think about it.
• 1:39:13
  Speaker 1: It's pretty close.
• 1:39:15
  Speaker 5: It's kind of a mix of both of them, maybe.
• 1:39:18
  Speaker 5: It really looks a little more like an emu, doesn't it?
• 1:39:22
  Speaker 11: Except if it had his actual haircut on top, then
• 1:39:25
  Speaker 11: it would really look like an emu.
• 1:39:27
  Speaker 5: Yeah.
• 1:39:27
  Speaker 11: Because he kind of had an emu hairdo.
• 1:39:31
  Speaker 5: Emus are terrifying. On that note.
• 1:39:35
  Speaker 1: Otherwise, that about does it. We will return next week.
• 1:39:37
  Speaker 1: Same geek time, same geek feed.
• 1:39:39
  Speaker 4: Thanks for listening.
• 1:39:40
  Speaker 15: Tonight won't be Feel the.
• 1:39:44
  Speaker 17: Hunger I need media Yeah, give us love.
• 1:40:12
  Speaker 5: And give us each hell.
• 1:40:13
  Speaker 15: Back from my coffin, I'm on the prowl. I'm lost,
• 1:40:22
  Speaker 15: I'm lost in the witching hour. Tonight we come on
• 1:40:30
  Speaker 15: the green for Halloween. Fear Feel the hunger.
• 1:41:26
  Speaker 1: Pull that ride, baby. Come on, yeah. All right.
• 1:41:56
  Speaker 11: I'm saddened that we're not eating turkey to the sounds.
• 1:42:05
  Speaker 5: Of fucking turkeys.
• 1:42:07
  Speaker 4: Kind of turn back on the movie.
• 1:42:13
  Speaker 7: This episode is a production of Movie Meltdown, produced and
• 1:42:16
  Speaker 7: edited by The Oddity Studios, with opening music performed by
• 1:42:19
  Speaker 7: The Empires. For more on how to sponsor or support
• 1:42:22
  Speaker 7: the show, email producer at moviemeltdown.com.
• 1:42:25
  Speaker 2: Talk hard!