Latest / Presented by Speaking Human / With Further Ado Episode #20: Trial by Hot Dog in the Provisional Parking Lot

Transcript

With Further Ado Episode #20: Trial by Hot Dog in the Provisional Parking Lot · Presented by Speaking Human

• 0:00
  Speaker 1: Tell me if this sounds familiar.
• 0:01
  Speaker 2: You're listening to a podcast, attending a presentation, or watching
• 0:07
  Speaker 2: a live stream, and after a whole bunch of chatter,
• 0:10
  Speaker 2: the hosts finally get around to the reason for the
• 0:13
  Speaker 2: whole shebang, saying, without further ado, it happens all the time,
• 0:20
  Speaker 2: at almost every event, going back to the beginning of
• 0:23
  Speaker 2: recorded history. But what happens if the hosts never actually
• 0:28
  Speaker 2: get to the main attractions, What if the whole thing
• 0:31
  Speaker 2: were just the ado? This is that show.
• 0:50
  Speaker 1: Patrick.
• 0:51
  Speaker 3: Yeah.
• 0:52
  Speaker 1: Welcome.
• 0:53
  Speaker 2: Welcome.
• 0:53
  Speaker 1: Great to see you.
• 0:55
  Speaker 4: It's great to see you, Chad.
• 0:56
  Speaker 1: It's been so long.
• 0:58
  Speaker 4: It's been a while.
• 0:59
  Speaker 1: Did you know? Do you need to get out your... Stained?
• 1:02
  Speaker 2: Stained?
• 1:03
  Speaker 4: Yeah.
• 1:04
  Speaker 1: Okay, I thought that was stained.
• 1:05
  Speaker 4: It's a great song. I hadn't heard that song in
• 1:07
  Speaker 4: a long time, and then it just came on the
• 1:09
  Speaker 4: radio the other day. It's been a while.
• 1:11
  Speaker 1: It's been a while since I've heard this.
• 1:14
  Speaker 4: So, you were getting to a trivia question, it sounded like.
• 1:17
  Speaker 1: Perhaps.
• 1:18
  Speaker 4: Okay.
• 1:19
  Speaker 1: Perhaps. Could just be a statement. I'll start with a
• 1:22
  Speaker 1: did you know, and I'll move into a trivia question.
• 1:24
  Speaker 1: How about that?
• 1:24
  Speaker 4: All right.
• 1:26
  Speaker 1: So, a hundred years ago, on this very day... Not
• 1:30
  Speaker 1: the day that people are listening to it, but the
• 1:32
  Speaker 1: day that, for me and you, this very day, for
• 1:35
  Speaker 1: us here, a century ago, President Theodore Roosevelt proclaimed Devil's Tower, which,
• 1:43
  Speaker 1: if you don't know, it's this big rock formation in Wyoming,
• 1:47
  Speaker 1: the country's first national monument.
• 1:50
  Speaker 4: This is the one from Close Encounters of the Third Kind?
• 1:53
  Speaker 1: This is.
• 1:54
  Speaker 4: Okay.
• 1:54
  Speaker 1: Exactly it, which was going to be... One of my
• 1:58
  Speaker 1: trivia questions was going to be, which movie is this
• 2:01
  Speaker 1: prominently featured in? Clearly, you know that.
• 2:04
  Speaker 2: Yeah.
• 2:04
  Speaker 4: So do I win?
• 2:05
  Speaker 1: Well, I don't know. I bet you don't know, though,
• 2:09
  Speaker 1: why it's called Devil's Tower.
• 2:11
  Speaker 4: I thought it was because the devil lives in it.
• 2:14
  Speaker 1: The devil doesn't live in it. He's just using it.
• 2:17
  Speaker 4: Well, I mean, it's his tower. It's kind of like
• 2:20
  Speaker 4: the Eye of Sauron from.
• 2:22
  Speaker 1: It's like his workplace.
• 2:25
  Speaker 4: Yeah.
• 2:25
  Speaker 1: He has a nice house.
• 2:27
  Speaker 2: Yeah.
• 2:27
  Speaker 4: I mean, everybody knows that it's because it doesn't have
• 2:31
  Speaker 4: windows and the devil doesn't have windows in his place,
• 2:34
  Speaker 4: you know, where he works. Very dark inside the tower.
• 2:39
  Speaker 1: Do you think that you don't think he wants to
• 2:41
  Speaker 1: see like a hot Wyoming afternoon?
• 2:44
  Speaker 4: I don't think so.
• 2:46
  Speaker 1: So I thought I was like, Devil's Tower, pretty interesting name.
• 2:49
  Speaker 1: It's got to have some, you know, sort of really
• 2:53
  Speaker 1: interesting origin story. No, not really. No, not really. They
• 2:58
  Speaker 1: say it's probably coming from a bad translation from this guy.
• 3:03
  Speaker 1: Colonel Richard Irving Dodge, you know, did an exposition. Sorry,
• 3:09
  Speaker 1: an exposition expedition. And he said the Indians called it
• 3:15
  Speaker 1: bad God's tower. But there's no real evidence other than
• 3:18
  Speaker 1: him saying that, that that's true. On most of the maps,
• 3:21
  Speaker 1: it was just called Bear Lodge. So even after he
• 3:25
  Speaker 1: started calling it Devil's Tower and said people called it that,
• 3:28
  Speaker 1: they were still had referred to it as Bear Lodge.
• 3:31
  Speaker 1: So it seems kind of bogus, but it's just kind
• 3:33
  Speaker 1: of one of those things that just kind of stuck.
• 3:35
  Speaker 2: Yeah.
• 3:35
  Speaker 1: You know how somebody gets like a nickname and they're like, yeah,
• 3:39
  Speaker 1: you're tiny now.
• 3:40
  Speaker 4: Well, I'm not tiny.
• 3:42
  Speaker 1: You are.
• 3:42
  Speaker 4: I don't like that nickname. Doesn't suit me. But you're
• 3:47
  Speaker 4: still going to call me that, right?
• 3:49
  Speaker 2: Yes. Yes.
• 3:50
  Speaker 1: It's stuck now and nobody can explain why.
• 3:53
  Speaker 4: I like the fact that I knew that it was
• 3:56
  Speaker 4: in Close Encounters of the Third Kind without you ever
• 3:58
  Speaker 4: even saying anything about it. I know.
• 4:00
  Speaker 1: I was impressed. You just kind of were like immediately
• 4:03
  Speaker 1: Devil's Tower Close Encounters of the Third Kind.
• 4:05
  Speaker 2: Yeah.
• 4:06
  Speaker 4: With Dustin Hoffman? No. Dennis Hopper?
• 4:09
  Speaker 2: No.
• 4:09
  Speaker 4: God, man, I can't think of his name.
• 4:11
  Speaker 1: Can't get there, though.
• 4:12
  Speaker 4: Yeah, I can't get there. From Jaws. What's his name?
• 4:15
  Speaker 1: Do you want me to tell you? Or are you
• 4:17
  Speaker 1: going to pull it out?
• 4:19
  Speaker 4: It starts with a D.
• 4:20
  Speaker 1: It does not. His last name starts with a D.
• 4:23
  Speaker 4: His last name starts with a D. That's why I'm
• 4:24
  Speaker 4: getting it messed up. And it's eluding me. So you
• 4:27
  Speaker 4: go ahead and give it to me. Yeah.
• 4:29
  Speaker 1: Richard Dreyfuss.
• 4:31
  Speaker 4: Dreyfuss.
• 4:32
  Speaker 1: You're right there. You're circling it.
• 4:35
  Speaker 4: Richard. That's a great movie. Have you watched that lately?
• 4:39
  Speaker 1: I did. I watched it over the summer, actually. I
• 4:42
  Speaker 1: got it on 4K and I hadn't seen it in
• 4:44
  Speaker 1: a really long time. And it was like, it's funny how,
• 4:47
  Speaker 1: you know, it's one of those things where I super
• 4:49
  Speaker 1: remembered parts of it from when I was a little kid.
• 4:51
  Speaker 1: And then there were other parts of it that I
• 4:54
  Speaker 1: was like, I don't remember this at all. There's also
• 4:56
  Speaker 1: like three different versions of it.
• 4:58
  Speaker 4: There is?
• 4:59
  Speaker 2: Yeah.
• 4:59
  Speaker 1: There's like the original theater version. There's like two other
• 5:04
  Speaker 1: director's cuts. There's another director's cut that was released in
• 5:07
  Speaker 1: theater where they show more of the aliens on the
• 5:11
  Speaker 1: spaceship and stuff.
• 5:12
  Speaker 4: Really?
• 5:13
  Speaker 1: Over the years, I don't even know which versions I
• 5:16
  Speaker 1: had seen.
• 5:18
  Speaker 4: Those are all on the 4K, though?
• 5:20
  Speaker 1: Yeah, you get all three versions, which is kind of cool. Nice.
• 5:24
  Speaker 1: I haven't watched all three of them. Not yet.
• 5:26
  Speaker 4: Which one did you watch? The theater one?
• 5:28
  Speaker 1: I either watched the original theatrical or the director's cut
• 5:34
  Speaker 1: that Spielberg did later that he says like the official
• 5:37
  Speaker 1: one so they did one that they re-released in theaters
• 5:40
  Speaker 1: like a few years after it came out and supposedly
• 5:43
  Speaker 1: the studio was like we want to show more with
• 5:46
  Speaker 1: the spaceship inside the spaceship with the aliens which they
• 5:49
  Speaker 1: don't show in the original like Richard Dreyfuss spoiler alert
• 5:53
  Speaker 1: it's on the spaceship and it's kind of like the
• 5:54
  Speaker 1: end of the movie yeah so they came they added
• 5:57
  Speaker 1: these like new scenes they went and filmed new scenes
• 6:00
  Speaker 1: and added them and A few years later, where it's
• 6:03
  Speaker 1: like showing inside the spaceship and stuff. And Spielberg has
• 6:06
  Speaker 1: since been like, I shouldn't have done that. I don't
• 6:10
  Speaker 1: really like that version. You know, that's not the official version,
• 6:13
  Speaker 1: but it's interesting it exists. And some people like it.
• 6:17
  Speaker 4: You know, that's always such a crazy thing when they
• 6:20
  Speaker 4: make something that's an alternate version. And then so much
• 6:24
  Speaker 4: time has passed where you don't even remember. You don't
• 6:27
  Speaker 4: even know which version you saw originally.
• 6:30
  Speaker 1: Mm hmm.
• 6:31
  Speaker 4: I don't even know. Now that you're describing that, I'm like,
• 6:34
  Speaker 4: which version did I see?
• 6:35
  Speaker 1: It's interesting when directors keep tinkering or studios keep changing.
• 6:40
  Speaker 1: Usually I don't like the director. Usually I'm kind of
• 6:42
  Speaker 1: like an original. What was released in theaters, that's kind
• 6:45
  Speaker 1: of the movie, but every once in a while there's
• 6:47
  Speaker 1: one that you're like, oh, that's actually kind of better
• 6:50
  Speaker 1: with more stuff in it.
• 6:52
  Speaker 4: Yeah. So Devil's Tower, that's probably not even the whole
• 6:57
  Speaker 4: story that you wanted to tell, but I.
• 6:59
  Speaker 1: Like No, I think I got as much of Devil's
• 7:03
  Speaker 1: Tower as I wanted to. You know, really, it's all
• 7:06
  Speaker 1: about Richard Dreyfuss.
• 7:09
  Speaker 4: Is it all about Richard Dreyfuss? He was great in
• 7:11
  Speaker 4: that movie.
• 7:12
  Speaker 2: Yeah.
• 7:12
  Speaker 1: He had some good parts at that time, you know?
• 7:15
  Speaker 4: Yeah. I don't know what I saw recently that he's in,
• 7:18
  Speaker 4: but he's in something new. And I was surprised to
• 7:22
  Speaker 4: see his name in his face. And I was like,
• 7:24
  Speaker 4: Richard Dreyfuss? I haven't heard from him in forever. He
• 7:27
  Speaker 4: never calls me anymore.
• 7:29
  Speaker 1: Was it the new John Wick movie?
• 7:35
  Speaker 4: John!
• 7:36
  Speaker 1: Wikipedia!
• 7:38
  Speaker 4: Trivia! So, this is a great segment. We are revisiting
• 7:47
  Speaker 4: it because we've been here before. Yeah.
• 7:51
  Speaker 1: Is this the third time?
• 7:52
  Speaker 4: I think so. You know, I lose count. We have
• 7:56
  Speaker 4: so many podcasts. We have so many episodes out there.
• 8:00
  Speaker 1: So many segments.
• 8:02
  Speaker 4: So many segments. But this is trivia centered around characters
• 8:05
  Speaker 4: with the first name John, not necessarily connected to Keanu Reeves,
• 8:10
  Speaker 4: who has played many Johns, including John Wick, Johnny Utah.
• 8:16
  Speaker 4: They can be trivia around those characters, but they don't
• 8:19
  Speaker 4: have to be. They just have to be related to
• 8:22
  Speaker 4: first name John.
• 8:23
  Speaker 1: Johns. All right. Well, you want to go first? You
• 8:26
  Speaker 1: want me to go first?
• 8:27
  Speaker 3: Yeah.
• 8:27
  Speaker 4: Why don't you go first this time?
• 8:29
  Speaker 1: Okay.
• 8:30
  Speaker 2: Yeah.
• 8:30
  Speaker 1: We got two, so we can alternate here. So we
• 8:33
  Speaker 1: were just talking about Steven Spielberg a little bit. What
• 8:37
  Speaker 1: about another Steven? Not to throw another name in the
• 8:41
  Speaker 1: mix here, but Stephen King. We got a movie in
• 8:46
  Speaker 1: 1999 based on one of his books with a character
• 8:50
  Speaker 1: named John Coffey.
• 8:52
  Speaker 4: Hmm.
• 8:52
  Speaker 1: 1999, do you know what movie that was?
• 8:56
  Speaker 4: God, I know this movie, John Coffey. Oh, man.
• 9:05
  Speaker 1: 1999, John Coffey. Movie based on a Stephen King book.
• 9:10
  Speaker 4: I know this, but I am drawing a complete blank
• 9:13
  Speaker 4: tonight on names.
• 9:15
  Speaker 1: Do you want a hint?
• 9:16
  Speaker 4: Yeah, give me a hint if you got a hint.
• 9:19
  Speaker 1: All right. I'll give you a hint. Tom Hanks is
• 9:21
  Speaker 1: in this movie, but he does not play John Coffey.
• 9:24
  Speaker 1: It's a 1999 movie based on a Stephen King book.
• 9:28
  Speaker 1: Tom Hanks is in it. It has a character named
• 9:31
  Speaker 1: John Coffey.
• 9:32
  Speaker 4: Like there's so much in my soul, right? I know
• 9:35
  Speaker 4: this movie. I do know this movie.
• 9:38
  Speaker 1: I think you do. Yeah.
• 9:39
  Speaker 4: Yeah, just hit me with it. What is it?
• 9:41
  Speaker 2: All right.
• 9:41
  Speaker 1: The answer is The Green Mile.
• 9:43
  Speaker 4: The Green Mile. Son of a gun. Tom Hanks is
• 9:48
  Speaker 4: the prison guard.
• 9:50
  Speaker 1: Yeah. And John Coffey was.
• 9:52
  Speaker 2: Yeah.
• 9:53
  Speaker 1: Not the guy I always think is.
• 9:55
  Speaker 4: He's from the whole nine yards.
• 9:57
  Speaker 1: Yeah. He was Michael Clark Dunbar. Sometimes I get them
• 10:02
  Speaker 1: confused with the guy from Mission Impossible, Ving Rhames.
• 10:05
  Speaker 2: Oh, yeah.
• 10:06
  Speaker 4: They do kind of have like a similar look to them.
• 10:09
  Speaker 1: Another kind of giant bald guy, you know.
• 10:13
  Speaker 4: They were big dudes.
• 10:14
  Speaker 1: I think Michael Clark Duncan was bigger, like taller.
• 10:17
  Speaker 4: Yeah, he was. He was gigantic.
• 10:20
  Speaker 1: Yeah, died in 2012. Yeah, I'm sorry to hear that.
• 10:24
  Speaker 4: I liked him. I thought he always played good characters.
• 10:26
  Speaker 1: Yeah, he was good. He was in Armageddon, too.
• 10:28
  Speaker 4: Oh, yeah. They're drilling on an asteroid. Him and Bruce Willis,
• 10:34
  Speaker 4: Ben Affleck. Anyway, yeah, that's a good one.
• 10:38
  Speaker 1: John Coffey.
• 10:39
  Speaker 4: Of course, that's the Stephen King one. I don't know
• 10:41
  Speaker 4: why I couldn't put all that together.
• 10:43
  Speaker 3: It's tricky.
• 10:44
  Speaker 1: It's tricky.
• 10:45
  Speaker 4: All right, so here's a good one. Okay. Comic book
• 10:49
  Speaker 4: occult detective John Constantine, who we do know was played
• 10:55
  Speaker 4: by Keanu Reeves.
• 10:56
  Speaker 1: Yeah.
• 10:56
  Speaker 4: His appearance was originally modeled on which musician? I'm going
• 11:01
  Speaker 4: to give you multiple choice.
• 11:03
  Speaker 1: Okay, good.
• 11:04
  Speaker 4: Was it A, David Bowie, B, Billy Idol, C, Elvis Costello,
• 11:11
  Speaker 4: or D, Sting?
• 11:13
  Speaker 1: I'm going to say I think it's David Bowie.
• 11:18
  Speaker 4: It was a very, very good guess, but it's incorrect.
• 11:22
  Speaker 4: It was actually modeled on Sting.
• 11:25
  Speaker 1: Sting?
• 11:25
  Speaker 3: Mm-hmm.
• 11:27
  Speaker 1: Not what I would have guessed, because he doesn't look
• 11:29
  Speaker 1: like Sting in the movie. No. Maybe he looks like
• 11:32
  Speaker 1: Sting in a certain period, or is this more just
• 11:34
  Speaker 1: the comic book character looks?
• 11:37
  Speaker 4: Well, the artists Stephen R. Bessette and John Tottlebin, they
• 11:42
  Speaker 4: wanted a character who looked like Sting. I don't know
• 11:46
  Speaker 4: if they got that with Keanu Reeves and Constantine, but no,
• 11:50
  Speaker 4: because if you are, if you ever look at like
• 11:52
  Speaker 4: other versions of John Constantine, like in the show, I
• 11:55
  Speaker 4: think in supernatural maybe, or there's some other versions of him.
• 12:00
  Speaker 4: He's got blonde hair. He does kind of look a
• 12:02
  Speaker 4: little bit like sting in some ways.
• 12:05
  Speaker 1: So, okay.
• 12:05
  Speaker 2: Yeah.
• 12:06
  Speaker 1: The comic book. Yeah. I'm looking at like some Constantine.
• 12:09
  Speaker 1: I see the sting. Keanu Reeves, nothing, nothing like that.
• 12:14
  Speaker 2: Yeah.
• 12:14
  Speaker 4: He didn't want to dye his hair. They were like,
• 12:16
  Speaker 4: you're not going to look great as a blonde, as
• 12:18
  Speaker 4: a platinum blonde.
• 12:20
  Speaker 1: You're not Sting. You're never going to be Sting.
• 12:22
  Speaker 4: Yeah. Every breath you take. All right.
• 12:27
  Speaker 1: Couldn't hit it even with multiple choice. So 0 for
• 12:30
  Speaker 1: 2 collectively so far. Keeping it dark. Yeah. I'm going
• 12:33
  Speaker 1: to stick with something dark here. But your boy, Patrick,
• 12:38
  Speaker 1: Christopher Walken, only played one character named John. He played
• 12:43
  Speaker 1: Johnny Smith. In this 1983 movie, what is the movie?
• 12:49
  Speaker 4: The Dead Zone.
• 12:51
  Speaker 1: Oh, you got it. How'd you know?
• 12:53
  Speaker 4: I love that movie. Also Stephen King, is it not?
• 12:59
  Speaker 1: Also Stephen King. That was the connection. That was going
• 13:02
  Speaker 1: to be my hint. I'm just incredibly impressed.
• 13:06
  Speaker 4: I love that movie. I also loved the television series,
• 13:10
  Speaker 4: The Dead Zone with.
• 13:12
  Speaker 1: Anthony Michael Hall.
• 13:13
  Speaker 2: Yeah.
• 13:14
  Speaker 4: Mm hmm. Yeah, that's I love that. I actually love
• 13:19
  Speaker 4: that story. I think that's like one of my favorite
• 13:21
  Speaker 4: of Stephen King.
• 13:23
  Speaker 1: Do you like that Saturday Night Live skit where it's
• 13:25
  Speaker 1: like walk in and he can see people's future? He
• 13:29
  Speaker 1: like touches their hands and.
• 13:31
  Speaker 2: Oh, yeah.
• 13:32
  Speaker 4: What is that one? I do kind of remember that.
• 13:35
  Speaker 1: It was like the psychic something.
• 13:38
  Speaker 4: Yeah, I do remember that.
• 13:40
  Speaker 1: Trivial psychic. That's what it was. He would. Like shake
• 13:44
  Speaker 1: somebody's hands and be like, your keys. You're going to
• 13:47
  Speaker 1: leave them on the table.
• 13:49
  Speaker 3: You know?
• 13:49
  Speaker 1: And he'd be like, so what?
• 13:55
  Speaker 4: That's pretty good. I do like that. All right. In
• 13:59
  Speaker 4: Demolition Man, John Spartan, played by Sylvester Stallone, as we
• 14:04
  Speaker 4: all know.
• 14:05
  Speaker 1: Of course.
• 14:06
  Speaker 4: Emerges from a cryogenic prison with which unexpected skill implanted
• 14:12
  Speaker 4: through rehabilitation? That's what they called it, like they implanted
• 14:16
  Speaker 4: skills in the prisoners. Do you remember that?
• 14:19
  Speaker 1: Mm-hmm.
• 14:20
  Speaker 4: Was it A, knitting, B, cake decorating, C, piano tuning,
• 14:28
  Speaker 4: or D, flower arranging?
• 14:31
  Speaker 1: I thought it was knitting, but now I'm like, was
• 14:32
  Speaker 1: it flower arranging? I'm pretty sure it's knitting. So I'm
• 14:35
  Speaker 1: going to go with A, knitting.
• 14:37
  Speaker 4: It was A, knitting. His rehabilitation gives him a considerably
• 14:42
  Speaker 4: gentler skill than apprehending violent criminals. That was sort of
• 14:47
  Speaker 4: the idea.
• 14:47
  Speaker 1: They didn't, though. They gave him the knitting skill. They
• 14:52
  Speaker 1: did not implant him with the skill to use the
• 14:55
  Speaker 1: seashells in the bathroom.
• 14:57
  Speaker 4: Yeah, which everyone should have that skill.
• 15:00
  Speaker 1: You would think that would be automatic. You get that one.
• 15:02
  Speaker 4: Yeah. That's a great movie if you haven't seen it.
• 15:05
  Speaker 1: Oh, yeah. That's a good one. Demolition Man.
• 15:08
  Speaker 4: John Spartan. So many good Johns.
• 15:12
  Speaker 1: That's why this segment can go on forever, because there's
• 15:15
  Speaker 1: endless Johns out there.
• 15:17
  Speaker 4: You know what's really funny is in one of my choices,
• 15:21
  Speaker 4: one of my backup choices, I had something that was
• 15:24
  Speaker 4: related to the Green Mile, and I did not make
• 15:27
  Speaker 4: the connection.
• 15:28
  Speaker 1: Oh, really?
• 15:30
  Speaker 4: Sadly.
• 15:31
  Speaker 1: Well- There's always the risk, too. You're going to research
• 15:35
  Speaker 1: your Johns and you're going to, you know, come across
• 15:38
  Speaker 1: the answer to somebody else's John question.
• 15:40
  Speaker 2: Yeah.
• 15:41
  Speaker 1: But again, there's so many Johns. I had to actually
• 15:44
  Speaker 1: listen to our last one to be like, what did
• 15:47
  Speaker 1: we talk about last? I didn't want to like.
• 15:50
  Speaker 4: It's tough because there's going to probably be a lot
• 15:53
  Speaker 4: of those, especially when you're talking about celebrities. We might
• 15:56
  Speaker 4: get into a little bit of a kerfuffle.
• 15:59
  Speaker 3: Kurt Russell.
• 16:10
  Speaker 4: We really do have a good celebrity matchup today. The segments.
• 16:16
  Speaker 1: Yeah. John Wick and now Kurt Russell. It's a lot
• 16:19
  Speaker 1: of action. We got John Wick. You know, you think
• 16:22
  Speaker 1: of him beating the hell out of people and now
• 16:24
  Speaker 1: we're Kurt Fuffling with Kurt Russell.
• 16:26
  Speaker 4: Yeah. I love the word Kurt Fuffle.
• 16:28
  Speaker 1: These are guys you don't want to mess with. So
• 16:31
  Speaker 1: this segment, what happens here is we each choose a
• 16:35
  Speaker 1: role another actor had that Kurt Russell could effectively steal.
• 16:40
  Speaker 1: But here's the twist. Kurt Russell takes their role. Kurt
• 16:45
  Speaker 1: Russell then has to give that actor one of his roles.
• 16:49
  Speaker 1: Which role is he giving up? And then which actor
• 16:52
  Speaker 1: comes out on top? You know, who gets more juice
• 16:55
  Speaker 1: from the new part?
• 16:56
  Speaker 4: Hmm.
• 16:57
  Speaker 1: These are all things we have to determine here.
• 16:58
  Speaker 4: Yeah.
• 16:59
  Speaker 1: So what do you got? What's your kerfuffle? All right.
• 17:02
  Speaker 4: So mine is Kurt Russell is going to steal the
• 17:06
  Speaker 4: dude in The Big Lebowski.
• 17:09
  Speaker 1: Oh, okay. Yeah, that's interesting.
• 17:12
  Speaker 4: He's going to steal that from Jeff Bridges. Then Jeff Bridges,
• 17:16
  Speaker 4: in exchange, is going to steal the role of Captain
• 17:19
  Speaker 4: Ron from Kurt Russell. Here's the thing. Kurt Russell works
• 17:24
  Speaker 4: as the dude, I think. So he's going to take
• 17:26
  Speaker 4: that Jack Burton absolute confidence, Jack Burton from, as we
• 17:31
  Speaker 4: all know, Big Trouble in Little China.
• 17:33
  Speaker 1: Of course.
• 17:35
  Speaker 4: But he's going to basically remove his ambition and put
• 17:38
  Speaker 4: it in, he's going to be in a bathrobe, essentially.
• 17:41
  Speaker 4: So I think Kurt Russell could make the dude a
• 17:44
  Speaker 4: little more irritable, but he's able to handle the situation.
• 17:49
  Speaker 4: But he's also resenting everybody while he's doing it. And
• 17:52
  Speaker 4: then Bridges, I think, works as Captain Ron because I
• 17:55
  Speaker 4: think here's the crazy part is I think he would
• 17:58
  Speaker 4: sell nautical wisdom almost better than Kurt Russell does. Because,
• 18:04
  Speaker 4: you know, in Captain Ron, he feels like an imposter
• 18:08
  Speaker 4: in a lot of ways. I think Jeff Bridges as
• 18:11
  Speaker 4: Captain Ron is going to be more believable almost.
• 18:13
  Speaker 1: Yeah.
• 18:14
  Speaker 4: So I don't know. Kurt Russell as the dude is,
• 18:18
  Speaker 4: I think there's some juice there.
• 18:20
  Speaker 1: That's a pretty interesting one, because you're taking from Jeff
• 18:23
  Speaker 1: Bridges his maybe most iconic role.
• 18:26
  Speaker 4: Right.
• 18:27
  Speaker 1: It is hard to picture somebody else in it, but
• 18:30
  Speaker 1: Kurt Russell, I think, could do it. I have a
• 18:32
  Speaker 1: harder time picturing him in the more clueless parts. His annoyance,
• 18:38
  Speaker 1: and I could see him being shaggy and just kind
• 18:41
  Speaker 1: of hanging around in a bathrobe. I could see Kurt
• 18:45
  Speaker 1: Russell doing some of that stuff. I'd like to see
• 18:47
  Speaker 1: him do something like that. You know, I think it'd
• 18:49
  Speaker 1: be kind of fun, but I'm like, you know, could
• 18:52
  Speaker 1: he stone it up enough where he's just kind of,
• 18:55
  Speaker 1: you know, clueless Kurt Russell. Have we seen that? I
• 18:58
  Speaker 1: don't know. You're right. Probably big trouble in little China's
• 19:00
  Speaker 1: like the closest, or maybe even a captain Ron.
• 19:03
  Speaker 4: I would pay to see that. If we could see
• 19:05
  Speaker 4: that alternate version, kind of like the, uh, close encounters
• 19:09
  Speaker 4: of the third guy. Not really the same thing clearly,
• 19:12
  Speaker 4: but it's.
• 19:12
  Speaker 1: Like a totally different movie.
• 19:14
  Speaker 2: Yeah.
• 19:15
  Speaker 4: There's something that would be really rewarding about knowing, could
• 19:19
  Speaker 4: that work?
• 19:20
  Speaker 1: Yeah, just seeing how it plays out. I do think
• 19:24
  Speaker 1: Jeff Bridges could play Captain Ron basically doing the same
• 19:29
  Speaker 1: thing he does in The Big Lebowski.
• 19:31
  Speaker 4: He could.
• 19:32
  Speaker 1: You know what I mean? He doesn't have to change
• 19:34
  Speaker 1: a whole lot. He could kind of just play it
• 19:36
  Speaker 1: the same way. Captain Ron, as played by Russell, is
• 19:38
  Speaker 1: a little more of a rascal. Yeah.
• 19:41
  Speaker 4: And you know, the funny thing is, is like, Bridges
• 19:43
  Speaker 4: could play Captain Ron then and now.
• 19:47
  Speaker 3: Yeah.
• 19:47
  Speaker 4: Even maybe more so now. He's almost like the Pirates
• 19:49
  Speaker 4: of the Galaxy. the Caribbean version, you know, like a
• 19:53
  Speaker 4: big beard. Yeah.
• 19:55
  Speaker 1: Interesting. Last time we did this, I had Kurt Russell
• 19:58
  Speaker 1: flip with Harrison Ford and Harrison Ford was taking Captain Ron.
• 20:03
  Speaker 3: Yeah.
• 20:04
  Speaker 4: Yeah, I do remember that now. Maybe a little bit
• 20:06
  Speaker 4: of a cheat using Captain Ron again, but.
• 20:08
  Speaker 1: No, I think you could use it as many times.
• 20:10
  Speaker 1: You know, a different person's taking it, so it's interesting
• 20:13
  Speaker 1: to look at.
• 20:14
  Speaker 4: Jeff Bridges, though. Good swap, I think, in that case.
• 20:17
  Speaker 2: Yeah.
• 20:18
  Speaker 1: The two are definitely, you know, comparable in a lot
• 20:20
  Speaker 1: of ways.
• 20:21
  Speaker 4: Who do you think works better? You think it's Kurt, then?
• 20:23
  Speaker 4: Or do you think it's... I think.
• 20:25
  Speaker 1: I actually think Bridges might win that one. I think
• 20:28
  Speaker 1: he might fit better. You know what I mean?
• 20:31
  Speaker 2: Yeah. Though.
• 20:33
  Speaker 1: Kurt's getting probably a better part in a better movie.
• 20:36
  Speaker 1: Bridges might just, it might just be easier for him
• 20:39
  Speaker 1: to be Captain Ron. Yeah.
• 20:41
  Speaker 4: What's more entertaining though? Watching Kurt Russell be the dude, right?
• 20:45
  Speaker 1: Yeah.
• 20:46
  Speaker 2: Yeah.
• 20:47
  Speaker 1: Yeah. That's more interesting is to try to see what
• 20:49
  Speaker 1: that's like.
• 20:50
  Speaker 2: Yeah.
• 20:51
  Speaker 1: Russell just has that little, it'll come into play with
• 20:53
  Speaker 1: my pick too, which is why I want to see it.
• 20:56
  Speaker 1: He just has that like little bit of like steeliness
• 20:58
  Speaker 1: and control. You know, a desire for control that I'm like,
• 21:02
  Speaker 1: can he like abandon that altogether? And did we ever
• 21:05
  Speaker 1: see that, you know? So a little bit along the
• 21:08
  Speaker 1: same lines or in a similar vein, I'll say. My
• 21:12
  Speaker 1: kerfuffle comes from the year 1994. So I have Russell
• 21:18
  Speaker 1: switching places with Jeff Daniels in Dumb and Dumber. So
• 21:23
  Speaker 1: this is what I mean. That's similar to the Bigelow Baskets.
• 21:25
  Speaker 1: Like Kurt Russell never got this like straight up. I'm
• 21:27
  Speaker 1: going like full broad comedy type thing. And it's like,
• 21:32
  Speaker 1: can he turn that off enough to do that? I
• 21:34
  Speaker 1: would like to see him get the shot. I think
• 21:36
  Speaker 1: it would be pretty funny to see, you know, shaggy haired.
• 21:40
  Speaker 1: Kurt Russell is hairy partnering up with Jim Carrey. You know,
• 21:43
  Speaker 1: the two are hitting the road for Aspen where the
• 21:46
  Speaker 1: beer flows like wine. Can he just go, you know,
• 21:49
  Speaker 1: I'm an idiot comedy thing. on the toilet with explosive diarrhea.
• 21:54
  Speaker 1: Can he pull that off? It would be something we
• 21:58
  Speaker 1: just never really got to see him do. And I
• 22:00
  Speaker 1: really liked seeing him do it, especially in his nineties
• 22:02
  Speaker 1: period when he was just playing a lot of tough guys,
• 22:04
  Speaker 1: you know, and that's basically the role he'd be swapping,
• 22:08
  Speaker 1: which is the movie Stargate.
• 22:10
  Speaker 4: Oh, Stargate.
• 22:11
  Speaker 1: Where he was buzz cut Colonel Jonathan Jack O'Neill.
• 22:15
  Speaker 4: Yeah.
• 22:16
  Speaker 1: In this movie, if you remember it, where it was
• 22:18
  Speaker 1: like a military team in a, scientists are using a
• 22:24
  Speaker 1: portal in Egypt to travel to a planet that's kind
• 22:27
  Speaker 1: of like Egypt.
• 22:29
  Speaker 2: Yeah.
• 22:29
  Speaker 1: I don't know what else to say about the plot
• 22:31
  Speaker 1: of that, but that was also a decent hit at
• 22:33
  Speaker 1: the time. Made, I checked it out, made like over
• 22:35
  Speaker 1: $ 70 million. So Daniel's getting something decent. It's taking away
• 22:40
  Speaker 1: one of his kind of like key roles, but he's,
• 22:43
  Speaker 1: you know, kind of getting to play more of a
• 22:45
  Speaker 1: hard ass. You know, he did speed a couple of
• 22:47
  Speaker 1: years before, so he's going kind of a different route.
• 22:50
  Speaker 1: We're giving him Russell a chance to like take Captain
• 22:54
  Speaker 1: Ron a little farther into the total goof comedy role.
• 22:58
  Speaker 4: Do you think he could pull it off? I, I
• 23:01
  Speaker 4: don't know. I, I feel like I don't see him
• 23:04
  Speaker 4: in that role. I don't know. He, maybe he could
• 23:08
  Speaker 4: do it. Something about Jeff Daniels works in that role
• 23:12
  Speaker 4: that I don't see Kurt Russell being able to do it.
• 23:17
  Speaker 4: I don't know why.
• 23:17
  Speaker 1: I think before that movie happened, uh, Nobody would say
• 23:22
  Speaker 1: Jeff Daniels would be the right fit for that.
• 23:25
  Speaker 4: That's true.
• 23:26
  Speaker 1: Here's what I question. I'm like, I don't know if
• 23:28
  Speaker 1: Kurt Russell and Jim Carrey would necessarily be the right pair,
• 23:32
  Speaker 1: but you kind of need Jim Carrey in there.
• 23:34
  Speaker 3: Yeah.
• 23:35
  Speaker 4: Like I'm thinking about all the scenes that are very vivid,
• 23:38
  Speaker 4: like recollections of maybe the iconic scenes in that movie.
• 23:42
  Speaker 4: Like you mentioned, you know, the toilet humor, right? Being
• 23:47
  Speaker 4: on the back of the scooter with bugs in their teeth.
• 23:50
  Speaker 4: You know what I mean? Like, I'm trying to picture
• 23:53
  Speaker 4: it because to your point, I agree. Like Jeff Daniels
• 23:55
  Speaker 4: in that role. Is that even somebody I would think
• 23:58
  Speaker 4: of before that? So Jeff Daniels then becomes the Stargate Colonel,
• 24:04
  Speaker 4: which I guess I could see. I could see that
• 24:06
  Speaker 4: better than I could see.
• 24:07
  Speaker 1: Yeah, he's kind of done some of those things.
• 24:10
  Speaker 2: Yeah.
• 24:11
  Speaker 1: But Kurt Russell's got that, you know, he can do
• 24:14
  Speaker 1: sometimes that. And he does a little bit in Big
• 24:16
  Speaker 1: Trouble in Little China, that kind of like blank look
• 24:19
  Speaker 1: on his face.
• 24:20
  Speaker 4: Yeah.
• 24:20
  Speaker 1: You know, can he totally get there and go full on?
• 24:23
  Speaker 4: Yeah. The stupid humor. I don't know. I mean, I
• 24:27
  Speaker 4: think it would be worth it to see if it
• 24:30
  Speaker 4: could happen, but I'll be honest, like I really can't
• 24:34
  Speaker 4: envision it. I don't know why.
• 24:36
  Speaker 1: Fun fact, the original person they wanted for, you know,
• 24:41
  Speaker 1: Harry before Jeff Daniels, Nick Cage turned down the part.
• 24:47
  Speaker 4: Ironically, I can see Nick Cage in that role. You know,
• 24:50
  Speaker 4: like I can see Raising Arizona, Nick Cage in that role.
• 24:55
  Speaker 1: Because he goes full crazy.
• 24:57
  Speaker 4: That's what I picture, though, is Raising Arizona. You know
• 25:00
  Speaker 4: what I mean? Like, just like a real wacky dude.
• 25:04
  Speaker 1: See, my argument is I think Kurt Russell needs this.
• 25:08
  Speaker 1: He's in a lane for most of his career.
• 25:11
  Speaker 4: Yeah.
• 25:12
  Speaker 1: He needs something further outside that lane. Big Lebowski kind
• 25:15
  Speaker 1: of fits that. I would say this fits that. This
• 25:18
  Speaker 1: fits that more. This is like farther outside.
• 25:21
  Speaker 4: Hmm.
• 25:23
  Speaker 3: Yeah.
• 25:23
  Speaker 1: You're doubting him. Kurt Russell is going to kill you.
• 25:26
  Speaker 4: I mean, I just feel like he's getting kerfuffled in
• 25:29
  Speaker 4: that one. In that segment, I think he's getting kerfuffled
• 25:33
  Speaker 4: by the Daniels.
• 25:35
  Speaker 1: You feel like Kurt Russell is just falling on his
• 25:37
  Speaker 1: face in Dumb and Dumber.
• 25:38
  Speaker 4: Yeah, I don't think it works. You know, because I
• 25:40
  Speaker 4: think it's also some of the chemistry of the characters.
• 25:43
  Speaker 4: You know, what you were saying about you need Jim
• 25:45
  Speaker 4: Carrey in that role. Do I see Kurt Russell and
• 25:48
  Speaker 4: Jim Carrey together? I don't know.
• 25:51
  Speaker 1: I feel like they're almost like brothers at that point.
• 25:54
  Speaker 1: Whereas like, you know, Jeff Daniels and Jim Carrey have
• 25:56
  Speaker 1: a contrast in terms of how they look.
• 25:59
  Speaker 2: Yeah.
• 25:59
  Speaker 1: Kurt Russell and Jim Carrey almost look, I don't want
• 26:02
  Speaker 1: to say they look similar, you know, cause they're like
• 26:05
  Speaker 1: much different, but probably like close, same heights, you know,
• 26:09
  Speaker 1: darkish hair, stuff like that. So they're, they're a little closer.
• 26:12
  Speaker 4: Can Kurt Russell play the part with the eye patch from,
• 26:17
  Speaker 4: Escape from New York.
• 26:18
  Speaker 1: Escape from New York.
• 26:18
  Speaker 4: Or Captain Ron.
• 26:21
  Speaker 1: That's true.
• 26:22
  Speaker 2: Weird.
• 26:23
  Speaker 4: He likes eye patches.
• 26:24
  Speaker 1: He likes to have one eye.
• 26:26
  Speaker 4: If he can wear the eye patch, I think it works.
• 26:28
  Speaker 4: I think I could see him in that role.
• 26:30
  Speaker 1: That's better.
• 26:31
  Speaker 4: Does that not work better for you when you think
• 26:33
  Speaker 4: of it?
• 26:35
  Speaker 1: I don't know. I don't know if that character needs
• 26:37
  Speaker 1: an eye patch. Maybe some kind of funny glasses.
• 26:40
  Speaker 4: Or funny glasses. Give him funny glasses and the bob cut.
• 26:45
  Speaker 4: or whatever it was that Jeff Daniels had.
• 26:48
  Speaker 1: I mean, you give him a bad haircut, maybe a
• 26:49
  Speaker 1: mustache and some thick glasses, he could be somebody different.
• 26:55
  Speaker 4: You're starting to talk me into it a little bit.
• 26:57
  Speaker 4: You have to disguise him.
• 26:59
  Speaker 1: You need to have a little imagination. You might need
• 27:02
  Speaker 1: something like that. Maybe he gained some weight. He might
• 27:04
  Speaker 1: need something to kind of transform himself so you're like,
• 27:07
  Speaker 1: this is a different Kurt Russell. But I believe in him.
• 27:10
  Speaker 1: I believe he's got the comic chops.
• 27:12
  Speaker 4: If he could be like Stallone in... Copland and gain
• 27:17
  Speaker 4: 200 pounds?
• 27:18
  Speaker 1: Well, he can't have all his muscle. You know what
• 27:20
  Speaker 1: I mean?
• 27:20
  Speaker 2: Right.
• 27:21
  Speaker 1: He can't be like Muscle Russell. Could this be a segment?
• 27:26
  Speaker 4: All right. So we like to end each episode by
• 27:29
  Speaker 4: pitching an idea for a new segment on the show.
• 27:32
  Speaker 4: This is what keeps the show going, essentially. Just keeps
• 27:36
  Speaker 4: going and going. So new segment. What do you got
• 27:40
  Speaker 4: for an idea? Brainstorm me a segment, Chad.
• 27:45
  Speaker 1: Um, I had another name for this, but what I'm calling,
• 27:48
  Speaker 1: I forget what it was now. So what I'm calling
• 27:50
  Speaker 1: it right now is revutia.
• 27:54
  Speaker 4: Okay.
• 27:54
  Speaker 1: Like minutia and review mixed together.
• 27:58
  Speaker 4: I like the word minutia.
• 28:00
  Speaker 1: So the basic premise is we review the mundane, the ordinary, um,
• 28:06
  Speaker 1: and the completely unavoidable one star at a time. So,
• 28:11
  Speaker 1: What we'll do is we'll review things like tissues, salt, water.
• 28:16
  Speaker 1: These are just examples. Shoelaces, forks, doors, receipts, parking lots.
• 28:23
  Speaker 1: But we'll do so in the language of Yelp reviewers.
• 28:27
  Speaker 4: Okay.
• 28:28
  Speaker 1: So let me give you an example. That might be
• 28:30
  Speaker 1: the best way. Table salt, one star. Absolutely terrible. First
• 28:35
  Speaker 1: of all, it's salty. I understand that's technically its purpose,
• 28:39
  Speaker 1: but there is such a thing as too much commitment
• 28:42
  Speaker 1: to the bit. Also, the container is impossible to operate.
• 28:46
  Speaker 1: You either get nothing or suddenly you're staring at the
• 28:49
  Speaker 1: aftermath of the great salt flood of 2026. Would not recommend.
• 28:54
  Speaker 4: Would not recommend.
• 28:55
  Speaker 1: Here's another example.
• 28:57
  Speaker 4: Tissues.
• 28:58
  Speaker 1: Three stars. Pretty good when you need one. However, I
• 29:01
  Speaker 1: have now purchased 400 of you because apparently you only
• 29:05
  Speaker 1: exist in groups of 400. Then when I actually need one,
• 29:09
  Speaker 1: I pull out six. Where are the tissues I paid for?
• 29:13
  Speaker 1: Why are you coming out like a magician's handkerchief?
• 29:18
  Speaker 3: Okay.
• 29:19
  Speaker 4: So reviewing.
• 29:21
  Speaker 1: The dumbest things in life, you know, everyday things that
• 29:25
  Speaker 1: no one would ever actually care to review. But in
• 29:28
  Speaker 1: that Yelp style, you know, where somebody's panning it like
• 29:31
  Speaker 1: it's the most meaningful thing in the world.
• 29:34
  Speaker 4: They really do, don't they?
• 29:35
  Speaker 1: Yeah, yeah.
• 29:37
  Speaker 4: Like it's dire consequence. and circumstances.
• 29:42
  Speaker 1: Mm-hmm, yeah. I must spread the word about table salt.
• 29:47
  Speaker 1: So that's revutia.
• 29:49
  Speaker 4: How do you spell revutia?
• 29:51
  Speaker 1: It's like review, R-E-V-I-E-W-T-A. I-A-E.
• 30:02
  Speaker 4: Okay.
• 30:03
  Speaker 1: You got that?
• 30:04
  Speaker 3: I-A-E.
• 30:06
  Speaker 4: Revusha. That's not how I would have spelled Revusha. That
• 30:13
  Speaker 4: alone wins it a spot as another segment. Revusha.
• 30:19
  Speaker 1: Revusha.
• 30:20
  Speaker 4: Reviewing the minutia.
• 30:22
  Speaker 1: Minutia.
• 30:24
  Speaker 4: I like it. I like it. I think anytime we
• 30:26
  Speaker 4: can turn... The norm upside down on its head.
• 30:31
  Speaker 1: Who doesn't like giving, you know, one star reviews to Mondays?
• 30:36
  Speaker 4: I would give it to every day if I could.
• 30:42
  Speaker 1: Days. One star. There's so many of them.
• 30:46
  Speaker 4: Why are there so many?
• 30:47
  Speaker 1: They just don't stop.
• 30:48
  Speaker 4: They just keep going. All right. So mine is called
• 30:53
  Speaker 4: The Apology Draft.
• 30:55
  Speaker 1: Sha.
• 30:56
  Speaker 4: Draft Sha. I think I'm just calling it draft because of,
• 31:04
  Speaker 4: you know, we do summer movie drafts and I was still,
• 31:07
  Speaker 4: I was yearning for a draft.
• 31:09
  Speaker 1: But we do have that other one.
• 31:11
  Speaker 4: We do have a lot of draft things. So this
• 31:14
  Speaker 4: one is where we write the public apology for a
• 31:18
  Speaker 4: fictional character from a movie. So, you know, the, the
• 31:21
  Speaker 4: public apology is a fictional character from a movie, but
• 31:25
  Speaker 4: they would issue it out. Right.
• 31:26
  Speaker 1: Yeah.
• 31:27
  Speaker 4: And then basically, you know, we would judge whether or
• 31:30
  Speaker 4: not that they would, you know, save their reputation or
• 31:33
  Speaker 4: whatever by through this apology. So I'll give you an example.
• 31:38
  Speaker 4: Let's take Batman from the Dark Knight trilogy. Gotham deserves transparency.
• 31:44
  Speaker 4: That is why I'm confirming that an incident involving my
• 31:47
  Speaker 4: vehicle caused damage to several vehicles that were not mine.
• 31:51
  Speaker 4: Their owners may submit claims to the Wayne Foundation. Its
• 31:55
  Speaker 4: generous decision to cover these costs should not invite further speculation.
• 32:00
  Speaker 4: I have heard your concerns about accountability and will discuss
• 32:03
  Speaker 4: them with the commissioner alone on a roof.
• 32:09
  Speaker 1: I like that last part.
• 32:11
  Speaker 4: Yeah.
• 32:11
  Speaker 1: That's pretty good. That's pretty good because there's a lot of,
• 32:14
  Speaker 1: it's kind of like dead in movies in the sense
• 32:16
  Speaker 1: there's just so many places you can go with it.
• 32:19
  Speaker 1: It could be a small character. It could be a
• 32:20
  Speaker 1: main character.
• 32:21
  Speaker 4: Yeah.
• 32:22
  Speaker 1: You know, there's a lot of people who probably need
• 32:24
  Speaker 1: to apologize for some things.
• 32:25
  Speaker 2: Yeah.
• 32:26
  Speaker 4: And, you know, I think it's going to be the
• 32:28
  Speaker 4: more obscure fun ones that we've never thought of before. But, like,
• 32:32
  Speaker 4: you could be just watching something that week whenever we're
• 32:36
  Speaker 4: doing that segment and just be like, that guy needs
• 32:38
  Speaker 4: to apologize. That person needs to apologize in that movie
• 32:43
  Speaker 4: or whatever.
• 32:44
  Speaker 3: Yeah.
• 32:45
  Speaker 1: Apply today's. accountability, cultural rules to a slasher movie from
• 32:51
  Speaker 1: the 1970s. There'd be a lot of apologizing.
• 32:54
  Speaker 4: I bet you in that movie you just watched, Resident Evil,
• 32:58
  Speaker 4: I bet you there's somebody that needs to apologize in
• 33:00
  Speaker 4: that movie.
• 33:01
  Speaker 1: I'm sure there is. Probably several people.
• 33:03
  Speaker 4: Maybe even in Close Encounters of the Third Kind. There's
• 33:06
  Speaker 4: got to be somebody in there who needs to apologize.
• 33:08
  Speaker 1: I think Richard Dreyfuss could probably apologize to his family.
• 33:13
  Speaker 4: He probably could when he's making... devil's tower out of
• 33:18
  Speaker 4: mashed potatoes yeah i mean come.
• 33:21
  Speaker 1: On dirt he like starts to bring dirt into their
• 33:24
  Speaker 1: mounds of dirt into their.
• 33:25
  Speaker 4: Kitchen yeah i man i remember that that's crazy yeah
• 33:29
  Speaker 4: it's kind.
• 33:30
  Speaker 1: Of crazy to watch it now and you're like oh
• 33:33
  Speaker 1: man this guy is like pretty terrible um drives his
• 33:37
  Speaker 1: whole family away and then he just disappeared well.
• 33:39
  Speaker 4: And you know it's not his fault I mean, he's
• 33:42
  Speaker 4: sort of like consumed. It's almost like.
• 33:44
  Speaker 1: Yeah, he's obsessed with the business side of it.