Latest / Large Nerdron Collider / Morph-Morb-Mob ius
Transcript
- 0:07Speaker 1: The Large nerd Drunk Collider Podcast is a production of
- 0:10Speaker 1: My Heart Radio. Hey everybody, welcome to the Large ner
- 0:21Speaker 1: Drunk Collider Podcast, the podcast that's all about the geeky
- 0:24Speaker 1: stuff happening in the world around us and how very
- 0:26Speaker 1: excited we are about it. I'm Ariel casting and with
- 0:30Speaker 1: me as always is we don't talk about Jonathan Strickland.
- 0:36Speaker 1: I'm super thanks for asking. Oh man, Actually I like
- 0:41Speaker 1: talking about you. You're my friend and I'm very proud
- 0:43Speaker 1: of your accomplishments. Before we started recording, we were in
- 0:47Speaker 1: a deep discussion about the Oscar broadcast version of We
- 0:52Speaker 1: Don't Talk About Bruno, which uh, fittingly we will not
- 0:56Speaker 1: be talking about in this podcast. But before we starts
- 0:59Speaker 1: say and not talking about things, I have a question
- 1:03Speaker 1: for you, Ariel. Okay, this week's question is a multiverse
- 1:12Speaker 1: portal opens up. Who do you hope comes through the portal?
- 1:19Speaker 1: So if I think about this too hard, I'm going
- 1:20Speaker 1: to change my answers too many times. So I'm just
- 1:22Speaker 1: gonna say doctor who like the ninth doctor doctor who
- 1:26Speaker 1: like the Christopher doctor who, but not Christopher Eccleston, The
- 1:32Speaker 1: Christopher Eccleston doctor who number nine that's who I want
- 1:36Speaker 1: to come through. Um. Still one of my favorite two
- 1:40Speaker 1: parters of Doctor Whoever, which is uh the Empty Child
- 1:43Speaker 1: and the Doctor Dances. There's tons of like real people
- 1:47Speaker 1: are fictional people I would love to meet, you know,
- 1:49Speaker 1: but um, I think that's like, that's the that's the one.
- 1:53Speaker 1: It appeals to my whisked away by an impish character
- 1:59Speaker 1: Peter pay and complex thing which Aerial has had ever
- 2:03Speaker 1: since I met her, which was it's true, It's true,
- 2:07Speaker 1: which is more than twenty years ago at this point. Yeah. Yeah, Um,
- 2:12Speaker 1: you know I thought about like maybe saying like Madeline Con,
- 2:15Speaker 1: but she's passed away and I'm worried that, like you know,
- 2:19Speaker 1: along Genie rules, if you're not very specific, I'd get
- 2:21Speaker 1: like a zombie Madeling Con and that would be a
- 2:23Speaker 1: lot less fun. I mean, it is multi verse, so
- 2:26Speaker 1: multi multiverse could include could include a zombie verse, because
- 2:31Speaker 1: I wouldn't seen that with the m c U anyhow.
- 2:33Speaker 1: Who is your favorite character, Jonathan? Oh No, The person
- 2:36Speaker 1: I would want to come through that multi multi verse
- 2:39Speaker 1: portal that that there would be Kepta in America because
- 2:43Speaker 1: I think we could really use like a a hero
- 2:47Speaker 1: with a strong sort of moral center, and it would
- 2:50Speaker 1: be nice to have America's asked me something that I
- 2:53Speaker 1: don't mind looking at. I like it. That's clever. That's no,
- 2:59Speaker 1: that's clever. And I can't argue. Um, I can't argue,
- 3:04Speaker 1: but like, okay, So like the comic version or the
- 3:07Speaker 1: Chris Evan version, or really just any version. I mean,
- 3:09Speaker 1: it would have to be. It would have to be
- 3:11Speaker 1: one of the versions, one of the versions where Captain
- 3:14Speaker 1: America comes across as having like that super firm moral
- 3:20Speaker 1: center where he's determined to do the right thing that
- 3:22Speaker 1: he listens like. It has to be that one. It
- 3:25Speaker 1: cannot be like like a new Center. No, um, but
- 3:31Speaker 1: it has to be that one. It can't be like
- 3:33Speaker 1: the Captain America in the more like one of the
- 3:35Speaker 1: more recent runs where he appears to be a servant
- 3:40Speaker 1: of Hydra like I don't want Like I get that
- 3:43Speaker 1: that became a long con type thing, but I don't
- 3:45Speaker 1: want that Captain America. You see, I just thought you
- 3:47Speaker 1: were like saying, like a super firm, but is what
- 3:51Speaker 1: I thought you were going to say. Chris Evans definitely
- 3:53Speaker 1: falls into that category from what I understand. So let's
- 3:56Speaker 1: just say it's the Chris Evans one. Okay, I mean
- 3:59Speaker 1: I don't. I don't honestly don't know. I've not seen
- 4:01Speaker 1: the dudes, but I've only seen a costume. Okay, moving on,
- 4:06Speaker 1: we are going to talk about some fun news. We
- 4:09Speaker 1: decided we weren't going to talk about the Oscars this week,
- 4:12Speaker 1: but then there was kind of a tangential story that
- 4:16Speaker 1: we couldn't resist. Yeah. So obviously all y'all out there
- 4:20Speaker 1: know all about the slap because that became news as
- 4:23Speaker 1: soon as it happened, and we we knew that this
- 4:26Speaker 1: would not be the right place for us to chat
- 4:28Speaker 1: about it. For one thing, we record on Tuesdays and
- 4:31Speaker 1: we publish on Thursdays, which means that there can be
- 4:34Speaker 1: other things that developed between when we record and when
- 4:37Speaker 1: it publishes that make our takes, which are already not necessary,
- 4:41Speaker 1: even more out of date. However, the tangential news is
- 4:45Speaker 1: really cool, which is that we found out that Troy
- 4:48Speaker 1: Coat served, the actor, the deaf actor who won an
- 4:53Speaker 1: Academy Award first performance in Coda, also played a role
- 4:58Speaker 1: in the Star Wars univer first that we weren't aware
- 5:01Speaker 1: of until this week. Yeah, he played a Tuscan raider
- 5:05Speaker 1: on the Mandalorian and he helped develop their sign language. So, um,
- 5:12Speaker 1: when when you get to the point in like the
- 5:14Speaker 1: Book of Boba Fett where Boba Fett is learning the
- 5:17Speaker 1: sign language of the sand people, that's a language that
- 5:20Speaker 1: was in part created by Troy Kutzer, And I'm like,
- 5:26Speaker 1: that's that's fantastic. It gives like some legitimacy to the language.
- 5:32Speaker 1: One of the things I always wonder about science fiction
- 5:36Speaker 1: in general, and the Star Wars universe in particular, is
- 5:40Speaker 1: how much actual structure is there to the fictional languages,
- 5:45Speaker 1: Like are there actual rules and grammar and vocabulary in
- 5:50Speaker 1: place or is it just you know, babbling for most
- 5:55Speaker 1: of the the alien races, I honestly don't know the
- 5:57Speaker 1: answer to that, But for this we know that there's
- 5:59Speaker 1: some legit like language behind it. Yeah, I mean it
- 6:03Speaker 1: seems like a lot of the languages that have really
- 6:06Speaker 1: picked up do you have some rules? If you look
- 6:08Speaker 1: at Klingon or I guess High Valerian is the one
- 6:11Speaker 1: from Game of Thrones. I mean you can do those
- 6:14Speaker 1: courses onto a lingo, so they obviously have some sort
- 6:17Speaker 1: of grammatical rules. Um. Yeah, I don't know so much
- 6:20Speaker 1: about the Jaws, though, like, I know who ten that's
- 6:23Speaker 1: about it. Uh, people will say that there's grammatical rules
- 6:28Speaker 1: for that or iwakis um you know, I I know
- 6:32Speaker 1: that you you're a huge ring of the fan of
- 6:34Speaker 1: You're a huge ring of the Lord of the Rings.
- 6:36Speaker 1: You're a huge fan of the Lord of the Rings,
- 6:37Speaker 1: and um, Like, I'm pretty sure there's a bunch of
- 6:42Speaker 1: Tolkien was very, very detailed in everything, so I'm sure
- 6:48Speaker 1: that his languages are legit. Well, he actually was a linguist,
- 6:51Speaker 1: so he came to writing from the perspective of someone
- 6:55Speaker 1: who studied and loves languages. So all his languages do
- 6:59Speaker 1: have their own own rules and vocabulary. So yeah, that's
- 7:02Speaker 1: that's definitely the case there. Yeah, but I love this,
- 7:05Speaker 1: and especially because Mr Katzer said he did not want
- 7:08Speaker 1: it to be a s L so he created a
- 7:10Speaker 1: completely new sign language. And I just have been really
- 7:13Speaker 1: loving the prevalence of deaf characters and signing in television
- 7:18Speaker 1: shows and movies lately. Um, it's always something that's been
- 7:22Speaker 1: interesting to me. It's never something that I've I've learned
- 7:25Speaker 1: as fluently as I wanted, but it thrilled me when
- 7:29Speaker 1: the Tuscan Raiders signed to each other to communicate. That's
- 7:33Speaker 1: just amazing. Yeah, No, it's great to see more representation
- 7:39Speaker 1: of these sorts of of cultures, even when they're the
- 7:44Speaker 1: fictional versions of them. And like you say, we've seen
- 7:47Speaker 1: more depictions with with deaf characters, often with deaf or
- 7:54Speaker 1: hard of hearing actors placed in the roles. And obviously
- 7:57Speaker 1: the more we see of that of people who come
- 8:00Speaker 1: from that actual kind of experience representing it on screen,
- 8:04Speaker 1: the better so that you have, you know, a legitimate,
- 8:07Speaker 1: authentic representation and not just someone who's trying to copy it. Yeah,
- 8:13Speaker 1: Like I'm super excited for Echo to come out that
- 8:15Speaker 1: actress is actually deaf, she teaches children sign language, and
- 8:20Speaker 1: she's also an ampute So like, just so much coolness there. Yeah,
- 8:29Speaker 1: something something that I don't know. It was less cool
- 8:32Speaker 1: to me, but maybe it wasn't to you. Jonathan. Is
- 8:34Speaker 1: this deleted scene that's been released of the Joker from
- 8:39Speaker 1: The Batman? Yes, now I still have not seen The Batman,
- 8:43Speaker 1: but I've had something spoiled for me, like the fact
- 8:46Speaker 1: that the Joker shows up in it um briefly at
- 8:49Speaker 1: the end, But the Joker originally was going to have
- 8:52Speaker 1: a longer sequence. It's like a five minute scene that
- 8:55Speaker 1: was cut, and the the context is that the Batman
- 9:00Speaker 1: had previously encountered the Joker or a man who is
- 9:05Speaker 1: becoming the Joker. He's in the process of becoming that character,
- 9:08Speaker 1: but isn't fully the Joker yet, and that man is
- 9:12Speaker 1: incarcerated at Arkham. The Batman goes to visit him in
- 9:17Speaker 1: an effort to get his perspective on the Riddler case.
- 9:21Speaker 1: And the reason why I wanted to talk about this
- 9:24Speaker 1: wasn't so much the idea of this version of the
- 9:27Speaker 1: Joker appearing up in the Batman. I thought it was
- 9:29Speaker 1: an interesting version, very disturbing, but that I thought this
- 9:37Speaker 1: was yet another example of the Batman wearing its inspiration
- 9:43Speaker 1: on its sleeve, because I think anyone who's seen the
- 9:48Speaker 1: movies can tell you that Matt Reeves must have drawn
- 9:52Speaker 1: a lot of inspiration from Zodiac, because the Riddler looks
- 9:57Speaker 1: and behaves a lot like Zodiac. Uh. He must have
- 10:01Speaker 1: drawn a lot of inspiration from Seven, and he must
- 10:05Speaker 1: have drawn a lot of inspiration from Silence of the Lambs,
- 10:08Speaker 1: because the sequence where the Batman goes to interview the
- 10:11Speaker 1: Joker feels an awful lot like Jodie Foster's character going
- 10:16Speaker 1: to talk to Hannibal Lecter. Yeah. So so I did
- 10:21Speaker 1: see The Batman. Um uh and in the movie, since
- 10:28Speaker 1: we've talked about the Joker does show up, it's it
- 10:30Speaker 1: feels very inconsequential to me when he does in the movie,
- 10:35Speaker 1: um and like, which is fine. The problem is, I
- 10:40Speaker 1: love Silence of the Lambs. I think it's a fantastic movie.
- 10:43Speaker 1: It's not it's it's a psychological thriller. Like it's scary,
- 10:47Speaker 1: but it's not gory. It's not so and it has
- 10:49Speaker 1: the potential to be. Um but I really like that movie. Seven.
- 10:54Speaker 1: I haven't watched all the way through because of course
- 10:56Speaker 1: it's very scary to me, and so do you act
- 10:57Speaker 1: the same? Those movies are all very frightening and gripping,
- 11:02Speaker 1: and I just found The Batman very very slow. Like
- 11:06Speaker 1: it had good concepts, but everything was executed so slowly
- 11:09Speaker 1: that even the salt like moments that they show in
- 11:11Speaker 1: the trailers, by the time anything actually happened, I was
- 11:15Speaker 1: so resigned to it happening that it didn't give me
- 11:19Speaker 1: any sort of adrenaline rush whatsoever, which I think it
- 11:23Speaker 1: didn't give me any sort of like feeling I guess, well,
- 11:29Speaker 1: and and since I haven't seen it, obviously I don't
- 11:31Speaker 1: have a reaction to it. It was more about me
- 11:35Speaker 1: looking at the materials that I have seen and saying,
- 11:39Speaker 1: I don't think I've seen a movie like this where
- 11:42Speaker 1: I was so able to recognize the influences like this,
- 11:48Speaker 1: like it doesn't hide it right, Like you watch this
- 11:51Speaker 1: and you think, well, anyone who seen Zodiac is going
- 11:54Speaker 1: to recognize that influence on The Riddler, anyone who's seen
- 11:58Speaker 1: Silence of the Lambs is going to recognize the influence
- 12:01Speaker 1: on that deleted Joker sequence, Like it's it's you know,
- 12:06Speaker 1: you don't have to have gone to film school in
- 12:08Speaker 1: order to recognize that, which is often the case. Like
- 12:11Speaker 1: I'll watch videos where people are are deconstructing a scene
- 12:15Speaker 1: in a movie and they start listing out the influences,
- 12:18Speaker 1: and most of the time I'm like, uh, I never
- 12:20Speaker 1: knew that this one. I'm like, huh, anyone would know that? Yeah? Yeah, um,
- 12:26Speaker 1: it is interesting that, you know, they say that this
- 12:28Speaker 1: is Batman's early days, which is obvious in the movie,
- 12:31Speaker 1: and that it's it's kind of like an origin tale
- 12:33Speaker 1: for the Rogues Gallery, except for when my husband and
- 12:36Speaker 1: I watched this deleted scene. Having seen the movie. It
- 12:39Speaker 1: feels like that's an origin story we'd want to see,
- 12:41Speaker 1: And this scene makes it feel like they've skipped it
- 12:43Speaker 1: a little bit, like they've skipped the interesting bits leading
- 12:47Speaker 1: up to this point. Yeah, the commentary I've seen is
- 12:50Speaker 1: that he's not the Joker yet. He has fallen into
- 12:53Speaker 1: the acid, which explains his appearance and his deformities, but
- 12:58Speaker 1: he hasn't adopted the Joe per persona yet. But yeah,
- 13:02Speaker 1: I agree, like you're you're missing out on I mean,
- 13:05Speaker 1: they're the That's a double edged sword, right, because on
- 13:08Speaker 1: the one hand, we've seen a lot of origin stories
- 13:10Speaker 1: for characters. Where do we need to see yet another
- 13:14Speaker 1: one for that same character? But when it comes to
- 13:16Speaker 1: the Joker, I think the only origin story we have
- 13:19Speaker 1: is the the Tim Burton Batman film, um and all
- 13:23Speaker 1: the others. Joker just shows up already a fully formed character. Yeah, well,
- 13:28Speaker 1: I mean in in the heath Ledger version, so Batman
- 13:31Speaker 1: begins said it. Anyhow, the Joker that heath Ledger played,
- 13:35Speaker 1: he talks about his origin story, but much like Joker
- 13:38Speaker 1: in the comics, it always changes. So I feel like
- 13:43Speaker 1: I feel like unlike any other character. Albeit he's a
- 13:46Speaker 1: very dementic character, and I often don't like his origin stories,
- 13:49Speaker 1: like there is so much material to go with that. Uh,
- 13:55Speaker 1: it's not like watching Uncle Ben die in Spider Man
- 13:58Speaker 1: for the tenth time. Can always have a new Joker
- 14:02Speaker 1: origin story. Yeah, I should also add that I I
- 14:04Speaker 1: clearly left out Joker, which is another movie that gives
- 14:07Speaker 1: us a Joker origin story that I forgot about. I
- 14:11Speaker 1: heard a theory that that was not the actual Joker,
- 14:13Speaker 1: but someone who is inspired by the Joker, but I
- 14:16Speaker 1: haven't watched it. I heard it was No, it's no,
- 14:19Speaker 1: it's a it's a movie. To me, that's just it's
- 14:22Speaker 1: just another separate like it's it's like an offshoot kind
- 14:26Speaker 1: of tale about a character who appears in in DC
- 14:29Speaker 1: films but not meant to be part of the overall universe. Well,
- 14:33Speaker 1: we've got a lot more stories to cover, so we're
- 14:36Speaker 1: gonna have a double news segment in this episode. Before
- 14:38Speaker 1: we get to that, let's take our a quick break. Okay,
- 14:53Speaker 1: we're back, and we have one more piece of superhero
- 14:56Speaker 1: news before we go onto some other interesting sort of stuff. Uh,
- 15:00Speaker 1: and that's that Sharon Stone is going to be in
- 15:04Speaker 1: Blue the Blue Beetle movie that's coming out, so one
- 15:06Speaker 1: of the DC movies I'm actually really excited about. She's
- 15:10Speaker 1: going to be a bad guy. We don't know which
- 15:12Speaker 1: bad guy, but she's going to be apparently the primary villain,
- 15:16Speaker 1: Victoria Cord, Who's I think she's a new villain. I
- 15:22Speaker 1: somehow missed that when I read through that the news item.
- 15:25Speaker 1: I looked through the whole thing and like, I guess
- 15:26Speaker 1: we just don't know yet, but I stand corrected. Yeah,
- 15:31Speaker 1: from the Hollywood reporter, Stone, who's character of Victoria Cord
- 15:34Speaker 1: is a new creation for the film, previously journeyed into
- 15:37Speaker 1: the realm of d C with the role in the
- 15:38Speaker 1: ill fated two thousand forward Halle Berry film Catwoman. See
- 15:42Speaker 1: that's why, That's why I don't remember reading it, because
- 15:44Speaker 1: my my brain rejected everything once I saw Hallie Berry Gatwoman. Yeah,
- 15:50Speaker 1: so we haven't heard a whole lot about Blue Beetle.
- 15:52Speaker 1: That's far far other than Zolo May and Duanna um
- 15:58Speaker 1: enya Um. Didn't look up how to pronounce his last
- 16:01Speaker 1: name before we came on the show. I'm so so sorry.
- 16:05Speaker 1: That's about on my part. He was he was He's
- 16:07Speaker 1: the main character in Copra Kai. One of the main
- 16:08Speaker 1: characters is playing Blue Beetle, but it's just Blue Beetle
- 16:14Speaker 1: is a fun character. The the aesthetic that had gone
- 16:19Speaker 1: for it is kind of like Neon Blade runnery and
- 16:23Speaker 1: I'm I like that change from the from like the
- 16:28Speaker 1: Justice League dark dark, dark, dark, shades of gray and brown.
- 16:33Speaker 1: Yeah see the CPL League. Um, yeah, yeah, yeah, I
- 16:41Speaker 1: I am a Blue Beetle fan. From the Justice League
- 16:44Speaker 1: International days where the stories were really kind of zany.
- 16:48Speaker 1: He and Booster Gold would get up to all sorts
- 16:51Speaker 1: of shenanigans. Um. I don't know if the movie will
- 16:54Speaker 1: go quite that silly as the comics, but if it does,
- 16:58Speaker 1: I'm totally on board. I would love to get a
- 17:01Speaker 1: Booster Gold in there. That would be great. I'm really
- 17:04Speaker 1: hoping that the bat Girl series in this that they
- 17:08Speaker 1: all kind of take a new and the Supergirl that
- 17:10Speaker 1: they all take kind of like a new more young, younger, hipper, upbeat,
- 17:14Speaker 1: sort of a take from what we've gotten thus far. Um. Also,
- 17:18Speaker 1: I've got like a new appreciation for Sharon Stone. I
- 17:21Speaker 1: recently finished Murderville on Netflix and she is hilarious. Oh
- 17:26Speaker 1: past her denying phase. That's on my list of things
- 17:31Speaker 1: I have to watch. But I've been stuck on our
- 17:34Speaker 1: Flag Means Death and I haven't haven't finished that yet.
- 17:37Speaker 1: So are you enjoying that? Because I know the first
- 17:40Speaker 1: episode left you wanting a little bit. I'll say that
- 17:43Speaker 1: the first two episodes, I was like, I'm not sure
- 17:47Speaker 1: about this. Like I I enjoy the humor, but I
- 17:50Speaker 1: feel like it's not going far enough. It's not hitting me.
- 17:54Speaker 1: It's not hitting my funny bone the way what we
- 17:56Speaker 1: do in the Shadows does. Then the third episode hit
- 18:00Speaker 1: and it turned around for me. And the fourth episode
- 18:04Speaker 1: I was a huge fan. Like the fourth episode that
- 18:09Speaker 1: was where I was like, okay, okay, they were just
- 18:12Speaker 1: doing kind of a slow build, Like it was still funny,
- 18:14Speaker 1: there are plenty of jokes, it was kind of a
- 18:16Speaker 1: slow build into the story, and by episode four I thought,
- 18:20Speaker 1: all right, I'm on to use upon. I'm on board
- 18:23Speaker 1: the rest of the way. That's good to know. Um,
- 18:27Speaker 1: I was waiting to hear your thoughts on it before
- 18:29Speaker 1: I tried it. But I'm definitely going to add that
- 18:31Speaker 1: to my short list of things to try. I enjoyed Murderville. Um,
- 18:36Speaker 1: they definitely go to some like blue based humor here
- 18:39Speaker 1: and there, but overall it was quite enjoyable and fun
- 18:43Speaker 1: um especially having come from an improv background and seeing
- 18:48Speaker 1: seeing the things that they do, so um, yeah, I
- 18:51Speaker 1: look forward to it. Something else I look forward to
- 18:54Speaker 1: is getting a Dolly Parton vehicle, whether it's a a
- 19:00Speaker 1: stage musical or a movie musical, because she's expressed interest
- 19:04Speaker 1: in having that become a thing, and in fact was
- 19:06Speaker 1: actively working on creating a stage musical before COVID. But
- 19:12Speaker 1: she she fully admits that, you know, she's it's a
- 19:15Speaker 1: difficult thing to do and she had not um completed
- 19:20Speaker 1: it to her satisfaction, and I was thinking it might
- 19:22Speaker 1: be better as a movie. And she even has someone
- 19:25Speaker 1: in mind to play herself, which is Christian Chenowith, which
- 19:31Speaker 1: I understand, but at the same time, Christian Channwith is
- 19:35Speaker 1: usually when people cast other actors as themselves in a movie,
- 19:39Speaker 1: which apparently Nick Cage wanted to do for the Unbearable
- 19:42Speaker 1: Wait of Immense Challenge or whatever it is as well,
- 19:44Speaker 1: but they didn't go for it. You usually cast a
- 19:47Speaker 1: younger actor so they can portray young you, and then
- 19:49Speaker 1: you age them up to portray older you. Christian Channwith
- 19:52Speaker 1: is a gorgeous, talented lady, but she is definitely older,
- 19:56Speaker 1: so I don't know she could play young Dolly Parton. Well,
- 20:01Speaker 1: I mean, but I don't like. I don't think she
- 20:03Speaker 1: could play Ryan Stone era Dolly Parton could do amazing things.
- 20:09Speaker 1: Have you seen more? Bis? I mean, come on, I know,
- 20:13Speaker 1: and I don't plan on it. Hold on, So Dolly
- 20:15Speaker 1: Parton seventy six and Christi Kristen, this is happening. Yes,
- 20:25Speaker 1: you guys, oh this is this is gripping, gripping audio.
- 20:29Speaker 1: She's fifty three, so she is, you know, almost twenty
- 20:32Speaker 1: years younger. But again, maybe Dolly's just starting with her
- 20:36Speaker 1: her more adult years. I really like the woman I
- 20:39Speaker 1: am Dolly Parton. I also would be looking forward to this.
- 20:43Speaker 1: I would love to see who they had cast, assuming
- 20:45Speaker 1: that they do the era where she was doing lots
- 20:48Speaker 1: of collaborations. I'd love to see who they had cast
- 20:51Speaker 1: as Linda Ronstadt because they were very close and were
- 20:56Speaker 1: did did several albums together, and I think that could
- 21:01Speaker 1: be a really interesting part. Although I mean her her
- 21:04Speaker 1: life has had so much in it that it's kind
- 21:08Speaker 1: of hard to pick and choose which bits you want
- 21:11Speaker 1: to highlight in a biopic, So honestly, it's it's interesting
- 21:18Speaker 1: to think about. I'm very curious what she views as
- 21:20Speaker 1: being the pivotal moments of her life because she's famously
- 21:26Speaker 1: self deprecating, very humble, um makes lots of jokes at
- 21:31Speaker 1: her own expense, and she does so much community outreach
- 21:37Speaker 1: work that I wonder like, like, how does someone who's
- 21:41Speaker 1: like that, who you know from from at least everything
- 21:45Speaker 1: I've heard, is not the kind of person to put
- 21:47Speaker 1: herself out there in that way? What story does she tell?
- 21:52Speaker 1: And that really is what fascinates me. Yeah. Yeah, if
- 21:55Speaker 1: they were to cast Linda run Stat, I would think
- 21:57Speaker 1: that it would either be Mila Kunitz if they're going
- 21:59Speaker 1: to cast from actors I know as opposed to somebody
- 22:02Speaker 1: knew Meli Kunitz, Valerie Curry, who was Dot in the
- 22:05Speaker 1: latest version of The Tick for Amazon Prime, or the
- 22:08Speaker 1: girl who um who's kind of young but she was
- 22:11Speaker 1: in Koda and she was also the main daughter in
- 22:15Speaker 1: um Lock and Key because she kind of looks like her,
- 22:19Speaker 1: but she's a little young to be playing against Christian chenwith.
- 22:23Speaker 1: It's it's a tough call because she's such a powerhouse
- 22:27Speaker 1: singer to Lenda Ronstadt or she was um once she
- 22:32Speaker 1: she got ild, that kind of part of her life
- 22:35Speaker 1: was over. But a phenomenal singer. Um. Yeah, I am
- 22:40Speaker 1: very curious about this, and of course I love I
- 22:42Speaker 1: love Dolly Parton. So that's why we had to include
- 22:45Speaker 1: this one in our Gee podcast. Yes. Uh, she's does
- 22:49Speaker 1: so much good work. I love her too. Something else
- 22:52Speaker 1: we both loved, I think is the good Omens TV
- 22:54Speaker 1: show that Amazon Prime also did, Sure did. Yeah, and
- 23:00Speaker 1: we know they're getting a season two, which I think
- 23:02Speaker 1: at first was not the plan. And now Neil Gaiman
- 23:06Speaker 1: is maybe teasing a season three as well, which what
- 23:11Speaker 1: we don't even have season two yet, right, They've shot
- 23:15Speaker 1: season two, but they haven't released it and there is
- 23:17Speaker 1: no release date as of yet when that will come out.
- 23:21Speaker 1: As as you say, Aerial, it was a surprise that
- 23:23Speaker 1: we even got a season two because season one, uh,
- 23:27Speaker 1: we just thought was just going to be a mini series,
- 23:29Speaker 1: not a season that it was literally an adaptation of
- 23:32Speaker 1: the book, which has an ending, and that's where the
- 23:37Speaker 1: mini series ended. And so there's and in fact, you
- 23:40Speaker 1: we got a little extra material in the mini series.
- 23:42Speaker 1: There was some stuff that was added in that was
- 23:44Speaker 1: not in the book. That was adorable, um, but there
- 23:49Speaker 1: was no expectation for continuation of the story, and then,
- 23:53Speaker 1: to our surprise and delight, we found out we were
- 23:55Speaker 1: getting it. And now someone has essentially seen a message
- 23:59Speaker 1: on Twitter to Neil Gaiman saying what are the chances
- 24:03Speaker 1: that you have enough material to do a season three?
- 24:05Speaker 1: And he says the chances are very very good. And uh,
- 24:08Speaker 1: I don't know how many people out there are familiar
- 24:10Speaker 1: with the way Neil Gaiman communicates, but he's the kind
- 24:14Speaker 1: of guy who if you asked him will there be
- 24:17Speaker 1: another season and there was no chance he would straight
- 24:20Speaker 1: up tell you that, you think, oh, yeah, No, Neil
- 24:25Speaker 1: Gaiman is the kind of person who would say, like,
- 24:27Speaker 1: we've told the story we wanted to tell, and it's
- 24:30Speaker 1: time to turn to other things. He's not the kind
- 24:32Speaker 1: of person to push for sequels if he doesn't think
- 24:36Speaker 1: there's more story to tell, and in fact he is.
- 24:40Speaker 1: He has expressly done the opposite where he said, no,
- 24:44Speaker 1: that story is told and anything beyond that is best
- 24:47Speaker 1: left up to each individual person, rather than, you know,
- 24:51Speaker 1: forcing another sequel, which I do appreciate because initially I
- 24:55Speaker 1: thought not being as familiar with Neil Gaiman. I initially
- 24:59Speaker 1: thought that maybe he just didn't want to detract from
- 25:01Speaker 1: the excitement of season two. Um, but the article on
- 25:05Speaker 1: screen Rant seems to think that they might pull from
- 25:07Speaker 1: ideas that Terry Pratchett and Neil Gaiman had for another
- 25:10Speaker 1: book that never got published, which is very exciting. Yeah.
- 25:15Speaker 1: That's always odd to me where authors take work that
- 25:18Speaker 1: it may be completely unconnected originally two uh to a work,
- 25:24Speaker 1: and then adapted so that it becomes a sequel. Uh.
- 25:27Speaker 1: I imagine that's got to be very challenging to do
- 25:30Speaker 1: in a way where it feels like a natural fit. Yeah,
- 25:34Speaker 1: I would agree, but I guess we'll just have to
- 25:36Speaker 1: wait and see. I do look forward to watching season
- 25:38Speaker 1: two and season three if it actually ever comes out. Um. Yeah,
- 25:43Speaker 1: and also Sandman, which is being worked on. So yes,
- 25:46Speaker 1: I'll be a Netflix series that I'm excited to see.
- 25:49Speaker 1: One last thing I want to talk about with you, Ariel,
- 25:52Speaker 1: that's the trailer for a duel. Do you l because
- 25:58Speaker 1: I watched this trailer, Jonathan, did you Uh? That's exciting
- 26:04Speaker 1: because it looks like like it looks like my cup
- 26:06Speaker 1: of tea. I don't know how you feel. About it.
- 26:08Speaker 1: It is a science fiction dark comedy concept and it's
- 26:15Speaker 1: it's a strange one. Uh. It's set in a world
- 26:19Speaker 1: where it's like a near future where human cloning has
- 26:24Speaker 1: become a thing, and apparently there is now kind of
- 26:28Speaker 1: a cultural acceptance at the thought of buying yourself a clone.
- 26:35Speaker 1: Let's say that you get um diagnosed with a terminal illness.
- 26:39Speaker 1: You can purchase a clone of yourself to take your
- 26:43Speaker 1: place after you pass away, presumably to ease everybody else,
- 26:48Speaker 1: like to two, so that there's like an unbroken experience
- 26:53Speaker 1: for all the loved ones in your life. Even though
- 26:55Speaker 1: you yourself will be dead. This is not a case
- 26:57Speaker 1: of you having your brain scooped out and put into
- 27:01Speaker 1: a clone body. You will still be gone. Yeah. And
- 27:04Speaker 1: in the trailer, the woman Karen Gillen, who finds out
- 27:07Speaker 1: she's going to die and buys a clone, then finds
- 27:09Speaker 1: out that she isn't going to die. And this is
- 27:12Speaker 1: why I said, are you sure it's d u a L.
- 27:14Speaker 1: Because then the rule is, apparently by the people who
- 27:18Speaker 1: make the rules in this world, that you can't have
- 27:21Speaker 1: the person and the clone alive, and so there has
- 27:23Speaker 1: to be a battle to the death a d U
- 27:25Speaker 1: E L. Yes, and uh, it looks so good. It
- 27:31Speaker 1: looks really dark, like dark comedic. Like it's not dark
- 27:37Speaker 1: as in like dark and gritty, but like, I mean,
- 27:39Speaker 1: that's a pretty heavy concept, right, this idea of you
- 27:42Speaker 1: have to fight yourself to the death because society says
- 27:47Speaker 1: there can't be two of you because and I quote
- 27:49Speaker 1: the trailer here, that would be weird. Yeah, yeah, it
- 27:55Speaker 1: does look dark. It also looks funny. It gives me
- 27:57Speaker 1: vibes of like Asthma or Heinlin or any of the
- 28:01Speaker 1: the science fiction writers I grew up on, just because
- 28:04Speaker 1: they did have like really dark premises and really engaging stories. Um, yeah,
- 28:11Speaker 1: I get serious hind line vibes off this. M hmmm.
- 28:17Speaker 1: And not just because we're both in All Use Zombies,
- 28:19Speaker 1: which is a woman who herself and has her own baby. Yeah. Well,
- 28:27Speaker 1: spoiler alert, every character and All Use Zombies is the
- 28:30Speaker 1: same person, every single character. Yeah, it's just the same
- 28:33Speaker 1: person in different parts of the timeline that I'll get
- 28:35Speaker 1: mixed up into a paradox Um, what if this movie
- 28:39Speaker 1: is actually All Use Zombies and they just didn't want
- 28:42Speaker 1: to rut route the story with the time. It seems
- 28:47Speaker 1: pretty different to me, but yeah, we'll have to check
- 28:49Speaker 1: it out. I am looking forward to that. Something else
- 28:52Speaker 1: I'm looking forward to in the very near future is
- 28:55Speaker 1: our mash ups. When we come back, we'll explain what
- 28:58Speaker 1: we picked and why. But first let's take a quick break, okay,
- 29:18Speaker 1: ariel Uh. One of the two things we picked to
- 29:23Speaker 1: to mash up today is More Bious because we're starting
- 29:28Speaker 1: to hear early reports of of reviews of More Bious
- 29:34Speaker 1: that are, let us say, a bit critical. Um. And
- 29:37Speaker 1: by the time this episode comes out, the movie will
- 29:40Speaker 1: be out the following day. It's it's released date is
- 29:43Speaker 1: April one, um. And yeah, early word has not been positive. No,
- 29:49Speaker 1: it's it's been like it's not even like so so
- 29:52Speaker 1: like eternals. It's just the movie has been hanned. This
- 29:56Speaker 1: is one of those times where not being able to
- 29:58Speaker 1: see the Tomato rating ahead of time is probably I
- 30:01Speaker 1: don't even know if it would help on Rotten Tomatoes
- 30:04Speaker 1: because of how much this movie has It's gone around
- 30:07Speaker 1: that this movie isn't good. It's just apparently has suffered
- 30:10Speaker 1: from bad edits bad writing, bad times, bad c G.
- 30:16Speaker 1: I I've talked about this before. Jared Letto might be
- 30:20Speaker 1: perfectly fine, but I don't care for his version of
- 30:22Speaker 1: method acting. Um. Yeah, let's let's say that he's controversial
- 30:26Speaker 1: and leave it at that. Yeah. Also, I mean it's
- 30:28Speaker 1: it's the first time I've seen people specifically call out
- 30:32Speaker 1: mid credits and post credits scenes as being equally bad
- 30:38Speaker 1: or in some cases verse. Yeah, that's like ten seconds
- 30:42Speaker 1: you need to make good. It's that's That's the astounding
- 30:46Speaker 1: bit to me, because I do like the other the
- 30:49Speaker 1: other bits that have been in the Sony universe. I'm
- 30:53Speaker 1: really surprised that the credits are not liked um and
- 30:57Speaker 1: I'm saddened by it. But the other um item we picked,
- 31:04Speaker 1: we picked specifically because of a character who has a
- 31:08Speaker 1: name that sounds like Morbus. And then Ariel remembered that
- 31:11Speaker 1: we also could have added Loki in here and had
- 31:13Speaker 1: Mobius in the mix, but we were talking about the
- 31:15Speaker 1: matrix with Morpheus. H But we also have another news
- 31:19Speaker 1: item that plays into this, because one of the news
- 31:22Speaker 1: items that we considered covering in the beginning was that
- 31:26Speaker 1: there's word that Marvel is developing a project about the
- 31:31Speaker 1: the comic book character Nova. Whether it's a mini series
- 31:35Speaker 1: or a movie, we don't know. And Ariel, what did
- 31:38Speaker 1: you say? I said, I was sure that we knew
- 31:41Speaker 1: that they were working on a Nova story, Like I
- 31:42Speaker 1: thought we got that news after Guardians of the Galaxy
- 31:45Speaker 1: to maybe when Disney did their giant pre d Plus
- 31:50Speaker 1: event on Everything, Marvel, Everything, Star Wars, Everything will Owe, Everything,
- 31:54Speaker 1: everything else that we are getting on Disney Plus, like
- 31:57Speaker 1: I thought for sure Nova was in the mix, like
- 32:00Speaker 1: I thought it was Echo and Nova and then there
- 32:03Speaker 1: was one other who I can't remember at the moment.
- 32:05Speaker 1: So apparently I am just I'm in the Matrix and
- 32:08Speaker 1: I'm glitching. Um yeah, the Little Black Cats is crossing
- 32:13Speaker 1: our path over and over again. Um yeah, maybe you
- 32:16Speaker 1: were thinking of Warlock because he was in well he's
- 32:20Speaker 1: referenced and Guardens the Galaxy too, like I was thinking
- 32:25Speaker 1: of like the helmet like with the red half star
- 32:28Speaker 1: on it. Yeah. Well, uh, we're not going to talk
- 32:32Speaker 1: about Nova, but we are going to talk about the
- 32:34Speaker 1: Matrix and mash those up. And um, who would you
- 32:38Speaker 1: like to go first? Ariall? I will go first because
- 32:42Speaker 1: mine's shorter, real quick. If you aren't familiar with more Bus,
- 32:46Speaker 1: he gets a blood disease. And then if you haven't
- 32:48Speaker 1: watched your trailers. He injects himself with that something and
- 32:52Speaker 1: then he becomes a vampire. We talked about a living vampire,
- 32:57Speaker 1: and we talked about um. We've talked about Matrix enough
- 33:00Speaker 1: that you can just go back and watch one of
- 33:01Speaker 1: our other episodes if you want. I'm sorry if you're
- 33:05Speaker 1: just open your eyes because that those cultural references are everywhere. Yes, yes,
- 33:12Speaker 1: the title has nothing to do with my mashup, but
- 33:14Speaker 1: it's called All Aboard the Morphebious Strip like Mobius strip,
- 33:21Speaker 1: mainly because I almost wrote Mobius asaid Morpheus at the beginning. Okay,
- 33:25Speaker 1: so one day Morpheus was in the Matrix trying to
- 33:29Speaker 1: find the One and fighting machines and all of that
- 33:32Speaker 1: stuff that he normally did when he encountered a glitch
- 33:35Speaker 1: that he never had before, and by that I mean
- 33:37Speaker 1: Agent Smith bit him. Morpheus was confused by this seemingly
- 33:41Speaker 1: non legal attack, but seemed no worse for wear after
- 33:44Speaker 1: escaping the agent and went about his task of finding
- 33:46Speaker 1: the One. As he searched, he started feeling sick, but
- 33:49Speaker 1: he didn't let it deter him. Surely it was just
- 33:51Speaker 1: nerves from the oddity of being bitten by an agent.
- 33:54Speaker 1: Once his target was acquired, he pulled out the normal
- 33:57Speaker 1: red and blue pill to offer the potential save here.
- 33:59Speaker 1: But this time there was a third pill pill that
- 34:01Speaker 1: appeared in his hand, and this one was pale with
- 34:03Speaker 1: a dark liquid inside. Between feeling sick and this new
- 34:07Speaker 1: pill variant, Morpheus couldn't take it anymore. He quickly had
- 34:10Speaker 1: Tank pull him out of the matrix, but when he
- 34:12Speaker 1: came to aboard the Nebuchanezar, he realized he still had
- 34:15Speaker 1: three pills in his hand. Tank said, Uh, you don't
- 34:18Speaker 1: look so good, are you okay? And Morphys said, yeah,
- 34:20Speaker 1: of course, and he quickly pocketed the pills and dashed
- 34:22Speaker 1: to his bunk. That night, when the rest of the
- 34:24Speaker 1: crew was asleep and the ship was docked in Zion,
- 34:26Speaker 1: Morpheus sat awake in his bunk, eyes hurting from the
- 34:28Speaker 1: fluorescent light of the room, staring at this new pill,
- 34:31Speaker 1: wondering if maybe this third option was better than reality
- 34:34Speaker 1: your life in the matrix. It would have to be,
- 34:36Speaker 1: wouldn't it. Maybe it was just the feverishness talking. Morpheus
- 34:40Speaker 1: pocketed the pill again, and in the morning, when he
- 34:42Speaker 1: wasn't looking or feeling better, he was taken to a
- 34:44Speaker 1: doctor in Zion who was able to determine that Morpheus
- 34:47Speaker 1: had acquired a nannite blood disease from Agent Smith's bite,
- 34:51Speaker 1: and sadly, there was no cure and Morpheus was sent
- 34:54Speaker 1: back to his bunk to rest. However, when he got there,
- 34:57Speaker 1: that's not what he did. Instead, now with nothing to lose,
- 35:01Speaker 1: Morpheus pulled out the third sickly looking pill and downed it.
- 35:04Speaker 1: He instantly felt better, and not just like not sick,
- 35:07Speaker 1: but fully better, better than he had ever been before.
- 35:10Speaker 1: His hearing was better, he had quicker than normal reflexes,
- 35:13Speaker 1: which was his reflexes were already pretty good. I mean,
- 35:15Speaker 1: it was Morpheus, and that's as far as he got
- 35:18Speaker 1: before he passed out. When he came to, he wasn't
- 35:21Speaker 1: in Zion, and he wasn't on the Nebucannezzar. He thought
- 35:24Speaker 1: maybe he was in the matrix, but something seemed different.
- 35:29Speaker 1: He was in New York City, and with each person
- 35:32Speaker 1: he passed, he got hungrier and hungrier, until he realized
- 35:35Speaker 1: he was thirsting for their blood. He saw a bad
- 35:37Speaker 1: guy breaking into a bank and thought it was a
- 35:39Speaker 1: good opportunity, so he dragged the bad guy into an
- 35:41Speaker 1: alley and quenched his thirst It's then that Morpheus realized
- 35:45Speaker 1: the morbidity that he was a vampire. He changed his
- 35:48Speaker 1: name to Morbus and started a new life and mostly
- 35:51Speaker 1: only killed bad guys. What he never found out and
- 35:53Speaker 1: never knew, was that he was still in the Matrix,
- 35:55Speaker 1: and he was v one, and he was infected with
- 35:58Speaker 1: nannites to thirst after the life course of everything the
- 36:00Speaker 1: machines held dear, and that he would one day single
- 36:03Speaker 1: handedly liberate Zion once and for all. C end do
- 36:09Speaker 1: not have time to super research, Morbius. Okay, well you wait,
- 36:14Speaker 1: wait till you hear mine, because my lack of research
- 36:17Speaker 1: is part of my story. Um No, I liked it.
- 36:20Speaker 1: I like the fact that there was also the crossover
- 36:22Speaker 1: into like a different uh New York, because I also
- 36:27Speaker 1: have a multiverse element in mine. Up. Mine is titled
- 36:32Speaker 1: Going Back in the Matrix. Dr Michael Morbius has a problem,
- 36:39Speaker 1: and it's that his movie is apparently not very good.
- 36:42Speaker 1: I mean, when people complain about the mid and post
- 36:45Speaker 1: credit sequences, you know you're in trouble. So here's our protagonist,
- 36:50Speaker 1: a living vampire, trying to keep his spirits up while
- 36:52Speaker 1: reading lots of negative early reviews, and one day while
- 36:56Speaker 1: doing his best to you know, do vampire and stuff.
- 36:59Speaker 1: While not thinking about a score of his film on
- 37:02Speaker 1: Rotten Tomatoes, he notices weird things in the world around
- 37:05Speaker 1: in Sometimes he sees bats but they're flying backward, or
- 37:09Speaker 1: the same black cat just keeps on going past him
- 37:11Speaker 1: over and over and over again. It's almost like almost
- 37:14Speaker 1: like he's seeing little glitches. And it's on one of
- 37:17Speaker 1: those days when a bunch of goons sent by doctor
- 37:20Speaker 1: who are after him. Uh, because Matt Smith is in
- 37:25Speaker 1: more obous, a bunch of hoogoons are after him. So
- 37:29Speaker 1: he ducks into a cave and he comes across something
- 37:31Speaker 1: unusual in the cave because it's like a phone, you know,
- 37:34Speaker 1: like an old fashioned telephone, complete with a wire that
- 37:38Speaker 1: goes into the cave wall. And the phone's ringing, so,
- 37:41Speaker 1: you know, he picks it up, because that's what you
- 37:43Speaker 1: do with these old phones. He picked them up, and
- 37:45Speaker 1: on the other end he hears a voice. Listen carefully,
- 37:49Speaker 1: says the voice. You have a choice to make. You
- 37:51Speaker 1: can either run out of that cave right now, dash
- 37:54Speaker 1: into the woods, follow the path that leads to a
- 37:57Speaker 1: cliff's edge and leap off, or you could be caught.
- 38:02Speaker 1: That doesn't sound like much of a choice, says morbious.
- 38:06Speaker 1: But he can hear that the hoogoons are closing in
- 38:08Speaker 1: on him, so, resisting the urge to ask who the
- 38:11Speaker 1: heck is on the phone, or how the heck the
- 38:13Speaker 1: phone got into a cave, he just hangs up and
- 38:15Speaker 1: runs out of the cave, and he does so just
- 38:18Speaker 1: as the coons happened to be looking the other way,
- 38:20Speaker 1: so his escape is unnoticed at first, and he plunges
- 38:23Speaker 1: into the woods, immediately spotting a path with his heightened
- 38:25Speaker 1: vampire senses, which I assume he has, but I don't
- 38:28Speaker 1: know because I haven't seen the movie. And he runs
- 38:31Speaker 1: down the path, and in the distance he can hear
- 38:33Speaker 1: that the goons have figured out he's not in the cave.
- 38:37Speaker 1: The path leads him to a cliff's edge, just as
- 38:39Speaker 1: the voice on the phone had said, and he runs
- 38:41Speaker 1: right up to the edge, and then he stops himself teetering,
- 38:44Speaker 1: debating about this, and the bottom of the cliff is
- 38:47Speaker 1: nothing but jagged rocks and brush, But he can hear
- 38:50Speaker 1: the goons organizing in the distance, so he backs up
- 38:53Speaker 1: a few paces, takes a moment to steady himself maybe
- 38:56Speaker 1: he takes a breath, but I don't know, because he's
- 38:59Speaker 1: a vampire. Maybe he doesn't breathe, but he's a living vampire,
- 39:02Speaker 1: so maybe he does. Anyway, he takes a running leap
- 39:05Speaker 1: off the edge, and he leaps out pretty far, and
- 39:07Speaker 1: we see this happen in slow motion, probably blurry slow
- 39:11Speaker 1: motion based on the reviews I've read, and I bet
- 39:13Speaker 1: there's some really bad c g I mixed in there too.
- 39:16Speaker 1: And then there's this weird shimmering effect as the arc
- 39:18Speaker 1: of his jump leads to him falling, and he vanishes
- 39:21Speaker 1: in midair with a weird digital flash effect. Morbus finds
- 39:25Speaker 1: himself falling a short distance to a perfectly white floor,
- 39:29Speaker 1: which knocks the breath out of him, unless he doesn't breathe,
- 39:32Speaker 1: in which case it doesn't. Anyway, he gets up and
- 39:34Speaker 1: he looks around and he's in this featureless white void
- 39:37Speaker 1: of a room. But part of the white void splits open.
- 39:40Speaker 1: It's it's actually a door that's opening up, and into
- 39:43Speaker 1: this white expanse steps a man dressed all in black
- 39:47Speaker 1: with black sunglasses and a cool haircut. Hello, Morbous, says
- 39:51Speaker 1: the man. My name is Mio Neo. Sorry got confused,
- 39:56Speaker 1: and he pauses if this is supposed to mean something
- 39:59Speaker 1: to more be As, but Morbus is clearly not in
- 40:01Speaker 1: the loop here. Okay, never mind the Neo stuff. Long
- 40:05Speaker 1: winded philosophical monologues were never my bag. We need you, Morbius,
- 40:09Speaker 1: says Neo. We says Morbius, Well, the Earth humans, like
- 40:16Speaker 1: everyone whoa, we need you. We've had, let's call it,
- 40:20Speaker 1: a recent opening in our ranks, and we could use
- 40:23Speaker 1: someone of your particular abilities on our side, says Neo.
- 40:26Speaker 1: I'm still not following, says Morbius. Well, of course you're not.
- 40:30Speaker 1: I'll try to explain. There are numerous realities, all existing
- 40:33Speaker 1: very close to one another but not quite touching. Yours
- 40:37Speaker 1: is the one that recently folded onto another reality, says Neo.
- 40:42Speaker 1: All right, says Morbus. I bet that's why at least
- 40:45Speaker 1: one of my credit sequences covers. But I'm not about
- 40:48Speaker 1: to give spoilers here, so I can't say for certain,
- 40:50Speaker 1: but it seems like a pretty good bat our reality.
- 40:54Speaker 1: This reality is another one, says Neo, one that doesn't
- 40:58Speaker 1: quite intersect with you words. But here in this reality
- 41:02Speaker 1: things are complicated. Well, things are pretty complicated back home too,
- 41:07Speaker 1: says Morbious, who doesn't quite seem to believe the spiel easiering. Indeed,
- 41:12Speaker 1: says Neo. Here most of humanity is cut in a
- 41:15Speaker 1: virtual simulation of reality created by a network of machines
- 41:19Speaker 1: that use human bodies as a source of energy. Well, see,
- 41:24Speaker 1: that just doesn't make sense, says Morbous. I mean, when
- 41:26Speaker 1: you factor into how much energy you need in order
- 41:29Speaker 1: to keep a human alive, the net output that you're
- 41:31Speaker 1: bound to get is going it is going to be
- 41:34Speaker 1: less than what you're putting in there just to you know,
- 41:37Speaker 1: support the person. So you're actually operating at a net
- 41:39Speaker 1: loss from an energy standpoint. And even if you could
- 41:43Speaker 1: get a net positive, humans would be a really bad
- 41:47Speaker 1: choice because they'd be likely to resist this. It would
- 41:49Speaker 1: literally make more sense to just wipe out humanity and
- 41:53Speaker 1: you know, use your energy source with I don't know, cows,
- 41:58Speaker 1: because you could just create like a virtue, the reality
- 42:00Speaker 1: of a field for cows and you'd be fine. Yeah, Okay, sure,
- 42:05Speaker 1: there's enough room to criticize both of our worlds in
- 42:07Speaker 1: this mash up, says Neo. But what I'm really getting
- 42:10Speaker 1: at is that a small group of humans have broken
- 42:12Speaker 1: free of the simulation the matrix, if you will. And
- 42:16Speaker 1: we are attempting to either free everybody else all of humanity,
- 42:20Speaker 1: or just strike up a ceasefire with the machine so
- 42:23Speaker 1: that a few of us can live in peace. It
- 42:25Speaker 1: really depends upon which movie in the series you're pulling from. Gotcha,
- 42:29Speaker 1: says Morbious, And you're hoping I can help. Well, that
- 42:33Speaker 1: suited a nutshell, So you've got a choice. And then
- 42:35Speaker 1: Neo turns and there's a table with two speakers of
- 42:38Speaker 1: liquid in it. Drink the blue blood and you go
- 42:41Speaker 1: back to your world where you're hated and hunted. Drink
- 42:45Speaker 1: the red blood and you'll see how deep the rabbit
- 42:47Speaker 1: hole goes. And Morbious looks at the beakers, both of
- 42:51Speaker 1: which are filled with red blood. Um blue blood. Yeah,
- 42:56Speaker 1: says Neo. One of these is filled with aristocratic blood.
- 43:00Speaker 1: It I actually don't know which is which, but we
- 43:04Speaker 1: have to eat the rich, and Morbius says, so, so
- 43:07Speaker 1: this is like a coin flips situation here, huh, And yeah,
- 43:12Speaker 1: I hadn't really thought this out. I should have at
- 43:15Speaker 1: least put a label on it or something. So then Morbius,
- 43:18Speaker 1: just wanting to get out of this conversation, picks up
- 43:20Speaker 1: a beaker and guzzles it down and his eyes go
- 43:23Speaker 1: all glowy and we see c G I smoke effects
- 43:25Speaker 1: and stuff, and then he's still there's ah, must have
- 43:29Speaker 1: been the Red Blood, says Morbius and Neo size and relief.
- 43:33Speaker 1: And then we get a crazy montage of Morbius getting
- 43:36Speaker 1: kitted out in cool matrix gear like a leather vampire
- 43:39Speaker 1: outfit and branded sunglasses which will totally sell his merchandise
- 43:44Speaker 1: once this movie launches, and we see Morbius getting an
- 43:47Speaker 1: upload of all the different fighting styles and stuff that
- 43:50Speaker 1: makes them way more effective. And then we get the
- 43:53Speaker 1: super cool movie where Morbius does all these crazy effects
- 43:57Speaker 1: heavy action sequences one after another, and in the end
- 44:00Speaker 1: it looks like the humans have won at least a battle,
- 44:03Speaker 1: if not the war, because we can't actually end the
- 44:06Speaker 1: story here, so it's just like they look like they
- 44:09Speaker 1: made a little bit of incremental progress. And then we
- 44:12Speaker 1: get it. Morbous looks to Neo and says, hey, hang on,
- 44:16Speaker 1: if I'm not from this reality, then this body I'm
- 44:21Speaker 1: in is actually my physical form. It's not a virtual
- 44:23Speaker 1: representation of me, because I don't have a computer connection
- 44:26Speaker 1: in my spine that you can use to upload me
- 44:29Speaker 1: to the matrix. So there was actually no way for
- 44:31Speaker 1: me to learn all that stuff or even access the
- 44:34Speaker 1: matrix in the first place. What gives and Neo says,
- 44:39Speaker 1: uh credits post credit scene, it's me as director saying,
- 44:45Speaker 1: I am here to apologize for what you just saw.
- 44:49Speaker 1: I know it wasn't good. You know it wasn't good,
- 44:52Speaker 1: but hey, chances are it's still better than more obvious
- 44:56Speaker 1: the end heard. No, that was hilarious. I that's the
- 45:05Speaker 1: movie I want to watch. I mean, you know me,
- 45:11Speaker 1: at this point, mash ups are really just an excuse
- 45:14Speaker 1: for me to rant about movies for like ten minutes. Yeah, okay,
- 45:21Speaker 1: so complete Honestly, I'm probably complete complete honesty. I'm probably
- 45:25Speaker 1: going to actually watch more bous, but I'm gonna wait
- 45:28Speaker 1: till it's free on some streaming service I already own.
- 45:32Speaker 1: And I've got nothing else to do unless one of
- 45:34Speaker 1: you all reach out and make us watch it. Yeah,
- 45:38Speaker 1: I don't don't do that, don't make us watch it.
- 45:41Speaker 1: I look, I still haven't seen either of the Venom movies.
- 45:46Speaker 1: I have no interest in the Sony part of the
- 45:51Speaker 1: the m c U multiverse apart from the Spider Man films.
- 45:56Speaker 1: I don't know. It's just I think I think I
- 45:59Speaker 1: just kicked get past the idea of the character Venom
- 46:04Speaker 1: not having a connection to Spider Man like that still
- 46:09Speaker 1: just drives me nuts. He looks like Spider Man, but
- 46:12Speaker 1: there's no connection to Spider Man, and there's no explanation
- 46:14Speaker 1: as to why he looks kind of like Spider Man.
- 46:17Speaker 1: So I know it's that's my that's my burden. I
- 46:22Speaker 1: get it, it's on me. I thought I was going
- 46:25Speaker 1: to have that issue as well, but I didn't. I
- 46:27Speaker 1: liked I liked the first one. I thought it was
- 46:29Speaker 1: a solid, fun, entertaining movie. I haven't seen the second one.
- 46:32Speaker 1: I didn't hear as many good reviews about the second
- 46:34Speaker 1: one and the one I heard about the first one.
- 46:36Speaker 1: We're mixed, so I'm not going to like pressure you
- 46:38Speaker 1: to watch it. But I thought the first Venom was
- 46:41Speaker 1: a fun use of my lazy afternoon. Uh. If I
- 46:45Speaker 1: ever find myself with nothing left on my list, then
- 46:49Speaker 1: I'll definitely consider checking it out before I play some
- 46:52Speaker 1: computer games or something. But yeah, I uh, I, based
- 46:57Speaker 1: upon what I've read about more bus, I just feel
- 46:59Speaker 1: like I feel like I don't want to give that
- 47:03Speaker 1: movie any money because I don't want to invite more
- 47:06Speaker 1: of it. I understand that. Um, And I'm not super
- 47:11Speaker 1: excited about craven Um, although I am excited about some
- 47:16Speaker 1: of the other characters that might pull over. Um. Yeah.
- 47:20Speaker 1: But if you're excited about more Bus or have a
- 47:23Speaker 1: way that you'd want to work Movius into our Morbius
- 47:26Speaker 1: Morpheus uh mash up, you should write us and tell us. Yes,
- 47:31Speaker 1: you can send us an email. The email address for
- 47:33Speaker 1: the show is l n C at I heart media
- 47:38Speaker 1: dot com. Yes. You can also reach out to us
- 47:41Speaker 1: on social media. On Instagram and Facebook, we are Large
- 47:46Speaker 1: End drunkle Later, and on Twitter we are ell n
- 47:48Speaker 1: C Underscore Podcast. I'm sorry, I can't talk today, everybody.
- 47:53Speaker 1: Until next time. I have been Jonathan Strickland and I
- 48:00Speaker 1: have been Ariel. I'm at mat casting. M M m
- 48:20Speaker 1: m m. The Large New Drunk Collider is a production
- 48:28Speaker 1: of I Heart Radio and was created by Ariel cast In.
- 48:32Speaker 1: Jonathan Strickland is the executive producer. This show is produced, edited,
- 48:35Speaker 1: and published by Torry Harrison. For more podcast on my
- 48:39Speaker 1: Heart Radio, visit the I Heart Radio app Apple podcasts,
- 48:42Speaker 1: or wherever you listen to your favorite shows.