Latest / The Bald Brothers Podcast / Vision Quest Breakdown, Kanye West's Influence & Giving Flowers to En Vogue | Bald Brothers

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Vision Quest Breakdown, Kanye West's Influence & Giving Flowers to En Vogue | Bald Brothers · The Bald Brothers Podcast

• 0:00
  Speaker 1: All right. You're going to have to do the heavy
• 0:01
  Speaker 1: lifting on Vision Quest because I don't know if I
• 0:03
  Speaker 1: fully understand everything that's going on. Me neither. Okay.
• 0:08
  Speaker 2: I think I got a good grip.
• 0:09
  Speaker 3: I got something.
• 0:11
  Speaker 2: I feel like I had some homework to do.
• 0:13
  Speaker 1: Yeah, because I was just like, that'd be the problem
• 0:16
  Speaker 1: with this. Yeah, the exposition early, I was like, all right,
• 0:21
  Speaker 1: hold on. What happened now?
• 0:23
  Speaker 2: Let's just talk about it.
• 0:24
  Speaker 1: And it didn't help that we didn't watch it. Agatha
• 0:28
  Speaker 1: all along. Somebody had listed, you need to watch all these.
• 0:32
  Speaker 1: And I'd watched everything but Agatha all along. And that's okay.
• 0:35
  Speaker 1: Marvel shouldn't make you have to watch everything. That's your
• 0:38
  Speaker 1: job as a company. It's got to be a standalone project.
• 0:40
  Speaker 1: You got to catch me up. Y'all was doing too
• 0:43
  Speaker 1: much stuff, man. It was a lot going on. It
• 0:45
  Speaker 1: was too much.
• 0:45
  Speaker 3: It was too much to keep up with. Too many multiverses.
• 0:48
  Speaker 3: Too many units.
• 0:48
  Speaker 1: It was too much. I was tapped out, man. Man,
• 0:51
  Speaker 1: come on, man. Yeah. We missed part two. I'm sorry.
• 1:01
  Speaker 3: That's math, man.
• 1:02
  Speaker 1: I didn't do good in math. I might go back
• 1:04
  Speaker 1: and watch Agatha all along because I like Catherine Holmes.
• 1:07
  Speaker 2: I love her, actually. I've heard good things about Agatha.
• 1:10
  Speaker 1: I've heard good things.
• 1:11
  Speaker 3: I liked her in Scarlet Witch.
• 1:12
  Speaker 4: And I might watch it. I might watch it, okay?
• 1:17
  Speaker 4: But I'm going to have to go back. It's too
• 1:18
  Speaker 4: much TV. Tony wanted me to watch all these programs.
• 1:21
  Speaker 4: Watch Carrie.
• 1:22
  Speaker 1: You know I'm scared. It's not scary. It is. It's not.
• 1:26
  Speaker 2: Carrie got telekinesis. She got full of blood.
• 1:28
  Speaker 3: You be watching that with Jean Grey in them.
• 1:31
  Speaker 1: Jean Grey ain't got no blood. Jean Grey ain't killing
• 1:35
  Speaker 1: for real.
• 1:35
  Speaker 3: They didn't show it on camera.
• 1:36
  Speaker 1: She ain't killing for real.
• 1:37
  Speaker 3: Carrie is not scary, though.
• 1:39
  Speaker 1: Carrie got scary in it.
• 1:41
  Speaker 2: It's just missing the S.
• 1:42
  Speaker 1: It's not scary.
• 1:43
  Speaker 2: Is it like Stranger Things?
• 1:44
  Speaker 5: Yeah.
• 1:45
  Speaker 3: It's less scary than Stranger Things.
• 1:48
  Speaker 1: Oh, really? I mean, she's going to do some damage,
• 1:51
  Speaker 1: but I feel like Stranger Things was scary.
• 1:53
  Speaker 3: Because he looked like a monster.
• 1:55
  Speaker 2: Yeah, Beckham, he was doing a lot.
• 1:56
  Speaker 1: Yeah.
• 1:57
  Speaker 2: I ain't finished Stranger Things, but not because it was scary.
• 1:59
  Speaker 1: The kids were just 25. Carrie is not scared. All right,
• 2:01
  Speaker 1: I'm going to check it out. They want you to
• 2:04
  Speaker 1: watch it. I'm going to check it out.
• 2:05
  Speaker 3: I know you saw them blacks talking to me.
• 2:06
  Speaker 1: I seen it. I was scrolling past them. I set
• 2:08
  Speaker 1: it up on purpose. I was scrolling past them. I
• 2:10
  Speaker 1: was like, keep coming, y'all.
• 2:13
  Speaker 4: Also, man, it's going to be hard to do shows
• 2:15
  Speaker 4: that are binging for the podcast.
• 2:20
  Speaker 3: Well, the thing about Carrie, I finished it in.
• 2:24
  Speaker 1: Two nights.
• 2:25
  Speaker 2: Is it eight episodes?
• 2:26
  Speaker 1: Yeah.
• 2:28
  Speaker 3: I cut it on one night, finished it the next night.
• 2:31
  Speaker 2: And you wasn't scared?
• 2:33
  Speaker 3: It's not scary.
• 2:34
  Speaker 1: But your level of scary.
• 2:35
  Speaker 2: In mind is different.
• 2:36
  Speaker 1: I live alone. I be scared. I don't watch scary movies.
• 2:39
  Speaker 1: I don't like to.
• 2:40
  Speaker 3: I got to see it at home.
• 2:41
  Speaker 1: Yes. Yes. Oh, man. I like to go to the
• 2:45
  Speaker 1: movie theater and watch something scary early in the day.
• 2:47
  Speaker 2: Yeah, when the sun is shining and the birds are chirping.
• 2:50
  Speaker 1: I don't watch scary movies at night at my house.
• 2:53
  Speaker 1: It's got to be early. Got to be a better way.
• 2:56
  Speaker 3: But Gary ain't scary at all.
• 2:57
  Speaker 1: I'm on it. All right. What up, y'all?
• 2:59
  Speaker 2: Greg, keep it all in.
• 3:01
  Speaker 1: What up, y'all?
• 3:01
  Speaker 2: It's your boy, Kev, on stage.
• 3:03
  Speaker 1: Tony Baker. Welcome to the Bald Brothers Podcast, where me
• 3:06
  Speaker 1: and Tony talk about whatever the hell we want to
• 3:08
  Speaker 1: talk about. Sometimes it's movies, sometimes it's TV, sometimes it's
• 3:13
  Speaker 1: En Vogue. Is it En Vogue today? Yes.
• 3:15
  Speaker 4: And sometimes we're giving flowers to En Vogue. Stick around
• 3:18
  Speaker 4: for the end of the episode. Tony had a great
• 3:19
  Speaker 4: idea about giving flowers to people we love, and we're
• 3:22
  Speaker 4: going to start with En Vogue.
• 3:23
  Speaker 1: Yeah.
• 3:23
  Speaker 4: We're switching it up today. We started on Vision Quest.
• 3:26
  Speaker 4: I don't know even why. Why did we start Vision?
• 3:29
  Speaker 1: Why did we start it? Yeah. Was it your idea
• 3:32
  Speaker 1: or mine? You. It was mine? Yeah. Okay. Because I
• 3:37
  Speaker 1: wasn't sure if you was going to watch it because
• 3:38
  Speaker 1: I know you ain't been rocking with the- I ain't
• 3:40
  Speaker 1: been rocking with Marvel. But I turned on Vision and
• 3:43
  Speaker 1: I was like, all right, Tone, I watched two episodes
• 3:46
  Speaker 1: and I was like, Tone, we should talk about this. Yeah.
• 3:49
  Speaker 1: We're dropping Mobland publicly. We're not, I'm going to still
• 3:52
  Speaker 1: be watching it. All right.
• 3:53
  Speaker 4: Niggas was not watching Mobland like that. It was just
• 3:55
  Speaker 4: me and Tony talking about it. But we might come
• 3:57
  Speaker 4: back to it when the drop is over. Oh, Mobland's done.
• 3:59
  Speaker 4: We're not doing Mobland anymore. It's just too many things
• 4:01
  Speaker 4: to talk about one day. We might touch on it,
• 4:05
  Speaker 4: but it's too many things. We got to do the
• 4:06
  Speaker 4: other episode.
• 4:07
  Speaker 1: Yeah.
• 4:08
  Speaker 2: What's the other episode today?
• 4:10
  Speaker 3: I thought it was, we got the drop.
• 4:13
  Speaker 2: Jay-Z.
• 4:14
  Speaker 1: No, was it music? It was music, wasn't it? Were
• 4:16
  Speaker 1: we talking about Jay-Z?
• 4:18
  Speaker 2: Wasn't it we want to do a deep dive into Jay-Z?
• 4:19
  Speaker 1: Yeah. Oh, that's perfect, because Jay-Z just did the Super
• 4:24
  Speaker 1: Bowl announcement. Okay, let's do a deep dive on Jay-Z.
• 4:26
  Speaker 1: Deep dive on Jay-Z. Yeah.
• 4:28
  Speaker 2: First, we got to talk about Angel Reese.
• 4:30
  Speaker 1: Shout out to her. Yeah. She had an amazing game.
• 4:32
  Speaker 1: 30 points, 16 rebounds.
• 4:34
  Speaker 2: Watch, you just caught up on the stats.
• 4:35
  Speaker 3: I just caught up on that.
• 4:36
  Speaker 1: I never know when the games are going to come on.
• 4:39
  Speaker 1: Go on ESPN. You over there finding box office numbers.
• 4:41
  Speaker 1: Go on ESPN and find out.
• 4:42
  Speaker 3: I didn't know, man.
• 4:43
  Speaker 1: Game three tomorrow night, Wednesday. You didn't watch the whole game.
• 4:46
  Speaker 2: I watched the whole game.
• 4:47
  Speaker 1: You watched the whole game.
• 4:48
  Speaker 2: I watched the whole game.
• 4:50
  Speaker 1: Game one. I knew you watched the whole game. Yeah.
• 4:52
  Speaker 1: Game three tomorrow, 5 Eastern. Game four. It's Saturday at
• 4:59
  Speaker 1: 10 a.m.
• 5:00
  Speaker 3: See, that's where they started fumbling.
• 5:01
  Speaker 1: Yeah, 10 a.m. They're skipping. They're adding the extra day.
• 5:05
  Speaker 1: And now 10 a.m.? Come on. 10 a.m. what? What
• 5:08
  Speaker 1: time zone? Pacific.
• 5:10
  Speaker 2: Pacific.
• 5:11
  Speaker 3: So now I got to set the clock.
• 5:12
  Speaker 2: You got to set the clock.
• 5:13
  Speaker 1: Because they were supposed to be playing in their current arena,
• 5:17
  Speaker 1: only seats 3,500. So they moved it over to State Farm,
• 5:20
  Speaker 1: but the Hawks got their.
• 5:22
  Speaker 2: Season opener that day. Oh, okay.
• 5:24
  Speaker 4: So they're making them play at 1 p.m., Eastern, 10 Pacific,
• 5:28
  Speaker 4: 7 in Honolulu, where I'll be.
• 5:30
  Speaker 3: They should play the games at the same time.
• 5:33
  Speaker 1: What you mean?
• 5:33
  Speaker 3: Had the Hawks out there in their game.
• 5:36
  Speaker 1: How they do the wide, make the two courts go
• 5:39
  Speaker 1: that way.
• 5:39
  Speaker 3: Come on, man. Oh, my goodness. Make it half court.
• 5:42
  Speaker 1: Man, move the Hawks. Move the Hawks right now.
• 5:47
  Speaker 3: I'm going to say this.
• 5:49
  Speaker 1: Okay. If you're from Atlanta, don't be offended. I feel
• 5:54
  Speaker 1: like y'all don't care about the Hawks like that. DC
• 5:57
  Speaker 1: Young Fly does. He's the only one. DC Young Fly,
• 6:01
  Speaker 1: when the Hawks finally win, DC Young Fly will earn
• 6:04
  Speaker 1: every bit.
• 6:05
  Speaker 3: He is the only Atlanta Hawks fan I know.
• 6:10
  Speaker 1: Legit.
• 6:12
  Speaker 3: I can't name one person besides DC Young.
• 6:15
  Speaker 1: Fly where I'd be like, they a Hawks fan. B.
• 6:18
  Speaker 1: Lou from out there, he don't ever be passionate about
• 6:21
  Speaker 1: the Hawks. I heard B. Lou talk about the Hawks
• 6:23
  Speaker 1: in my life. He talk about the Falcons. Barely.
• 6:26
  Speaker 2: But he's talked about her.
• 6:28
  Speaker 1: Yeah.
• 6:28
  Speaker 2: But he ain't said Atlanta Hawks.
• 6:30
  Speaker 1: He'd be like, LeBron, LeBron. I know one person that's
• 6:37
  Speaker 1: a diehard Hawks fan. That's DC Youngblood. The Atlanta Hawks
• 6:41
  Speaker 1: congratulated the Atlanta dream and put some Hawks flares on
• 6:45
  Speaker 1: the flyer talking about, we're going to the finals. People
• 6:48
  Speaker 1: were like, get these Hawks. Who are these? Get these
• 6:50
  Speaker 1: niggas off the flyer.
• 6:52
  Speaker 4: The man was in here laying it up. Get these
• 6:54
  Speaker 4: niggas off. Who are these people? Angel Reese, Ryan Howard,
• 7:00
  Speaker 4: this nigga and that nigga. And I don't know them.
• 7:02
  Speaker 2: Like, no disrespect.
• 7:03
  Speaker 1: Yeah. Trey Young, I didn't recognize. Trey Young gone. Me gone.
• 7:08
  Speaker 1: I couldn't tell you a starting Hawks player right now
• 7:11
  Speaker 1: if you gave me $ 1, 000.
• 7:11
  Speaker 2: I don't know who over there right now.
• 7:13
  Speaker 4: I couldn't tell. I could name you 12 African-American names.
• 7:16
  Speaker 4: You wouldn't know if they were Hawks players or hockey players.
• 7:19
  Speaker 4: I'd be like, yeah, that's Jamal. Let me give you
• 7:21
  Speaker 4: Atlanta Hawks who's starting roster right now. NBA kickoff is tonight.
• 7:28
  Speaker 1: Let me see if you recognize any current Hawks player.
• 7:30
  Speaker 1: So this is starting lineup right here.
• 7:32
  Speaker 2: This is the just, I don't even know if this
• 7:33
  Speaker 2: is starting. I'm going to just give you the whole list.
• 7:34
  Speaker 1: This is the current roster.
• 7:35
  Speaker 2: Actually, I'm going to do this because I'm going to go.
• 7:37
  Speaker 1: Let's see.
• 7:38
  Speaker 4: Box score will probably, ESPN box score will probably have
• 7:41
  Speaker 4: whoever's supposed to be starting.
• 7:42
  Speaker 1: Okay. So, sorry, Hawks. But I'm very curious about this.
• 7:48
  Speaker 2: All right, Hawks. They play tomorrow.
• 7:54
  Speaker 1: Preseason? No, no.
• 7:55
  Speaker 2: That's their real game tomorrow.
• 7:56
  Speaker 1: Oh, snap.
• 7:57
  Speaker 3: Okay.
• 7:58
  Speaker 1: The NBA ain't starting tomorrow?
• 7:59
  Speaker 2: It starts today.
• 8:00
  Speaker 1: Oh, snap. Okay.
• 8:02
  Speaker 2: Oh, well, hold on.
• 8:03
  Speaker 1: They don't have the starting lineup yet. Okay. I'm going
• 8:06
  Speaker 1: to just name... Okay, I'm going to name these people
• 8:08
  Speaker 1: until we've even heard of them. All right. I don't
• 8:10
  Speaker 1: know who's starting, though. This is the current roster. Nikael
• 8:14
  Speaker 1: Alexander Walker. No. Never heard of him?
• 8:18
  Speaker 2: I believe I've heard that name.
• 8:19
  Speaker 1: Devin Carter. No.
• 8:21
  Speaker 2: Dyson Daniels.
• 8:24
  Speaker 1: Ray J.
• 8:24
  Speaker 2: Dennis.
• 8:26
  Speaker 1: Lou Dort.
• 8:29
  Speaker 4: I know Lou Dort, he used to play for OKC.
• 8:31
  Speaker 4: Long braids, they'd say he's a dirty player. His name
• 8:34
  Speaker 4: is Lou Gintz Dort. I recognize that name.
• 8:38
  Speaker 1: Zuby Ejiofor. You don't know Zuby Ejiofor. Kingston Flemings. Now what?
• 8:49
  Speaker 1: Kingston Flemings sounds like you created an NBA team. You
• 8:54
  Speaker 1: should be on the Kingsman. Kingston Flemings. Is it what?
• 8:58
  Speaker 1: I don't know. There ain't no pictures. Kingston Flemings do
• 9:02
  Speaker 1: sound like. Throw some names in there. Kingston. For the Hogs.
• 9:07
  Speaker 4: I didn't know Ray J was playing for them. Kingston Flemings.
• 9:10
  Speaker 4: Keyshawn Gilbert. Muhammad Guay.
• 9:14
  Speaker 1: No. Buddy Heald. Yes. I know Buddy Heald. Buddy Heald,
• 9:19
  Speaker 1: I know. He got them teeth. I know Buddy Heald.
• 9:23
  Speaker 1: Buddy Heald, I do know. Jalen Johnson.
• 9:26
  Speaker 3: That sounds familiar.
• 9:29
  Speaker 2: They do sound familiar.
• 9:30
  Speaker 3: My eyes are squinting, so I can't.
• 9:33
  Speaker 1: Okay. Jock Landale. Sounds like somebody from the Minneapolis Lakers.
• 9:42
  Speaker 1: CJ McCollum.
• 9:43
  Speaker 5: Yes.
• 9:43
  Speaker 2: Okay, I know CJ. Asa Newell.
• 9:48
  Speaker 1: Onyeka Okongwu. Henry Visar. Aaron Wiggins. No. And Jalen Wilson.
• 10:01
  Speaker 1: I knew two people for sure in the possible. This
• 10:05
  Speaker 1: is Spade's hand. I know two in the possible. I'm
• 10:10
  Speaker 1: getting sad. Kingston Flemings, ladies and gentlemen.
• 10:13
  Speaker 4: Kingston Flemings is tough, dog. CJ McCollum and Buddy Hilton.
• 10:16
  Speaker 4: I only didn't even know they were playing.
• 10:18
  Speaker 1: For the Hawks.
• 10:19
  Speaker 3: I didn't either.
• 10:19
  Speaker 4: Actually, CJ McCollum was cooking. I want to say the
• 10:23
  Speaker 4: Hawks might have made the playoffs last year.
• 10:24
  Speaker 1: Yeah, they played the Knicks. So they made the play-in. No,
• 10:29
  Speaker 1: the playoffs.
• 10:30
  Speaker 3: No, but the play-in. I'm sure they had to do
• 10:32
  Speaker 3: the play-in to get to the playoffs.
• 10:33
  Speaker 1: Oh, to get to the playoffs. Well, that I don't know.
• 10:34
  Speaker 1: And I think they might have won a game, if
• 10:36
  Speaker 1: I'm not mistaken. Because I was in Atlanta and I couldn't,
• 10:40
  Speaker 1: the Hawks was, I mean, the Knicks was staying at
• 10:42
  Speaker 1: the Four Seasons.
• 10:43
  Speaker 2: I couldn't get in because the Knicks were in town.
• 10:45
  Speaker 1: I'm telling you, man, the Hawks, they just don't. And
• 10:47
  Speaker 1: then the people from Atlanta that just go to the game,
• 10:49
  Speaker 1: they're just going for.
• 10:50
  Speaker 3: Photo ops just to do something that night.
• 10:52
  Speaker 2: Who's your favorite Atlanta Hawk of all time?
• 10:54
  Speaker 3: Dominique Wilkins.
• 10:55
  Speaker 1: I don't even think it's, it's not even close. It's
• 10:57
  Speaker 1: not even close.
• 10:57
  Speaker 2: Spud Webb is next, but after that.
• 10:59
  Speaker 3: You got Trey, Trey Young.
• 11:02
  Speaker 1: And then- I wouldn't even say he's my favorite.
• 11:04
  Speaker 3: I mean, he's good. He was somebody I paid attention to.
• 11:06
  Speaker 2: I paid attention to Trey.
• 11:07
  Speaker 1: Especially when he ended up that one playoff a few
• 11:09
  Speaker 1: years ago. Yeah, he was cooking. I was paying attention
• 11:11
  Speaker 1: to him.
• 11:11
  Speaker 2: When he sent the Knicks home.
• 11:13
  Speaker 3: And the Bulls-Hawks games are usually good. So that's what
• 11:17
  Speaker 3: I like.
• 11:17
  Speaker 1: Mookie Blaylock, I remember him.
• 11:18
  Speaker 5: Who?
• 11:18
  Speaker 2: Mookie Blaylock?
• 11:19
  Speaker 1: Yes. I couldn't tell you I like five Hawks players.
• 11:28
  Speaker 1: Dominique Williams. Dang.
• 11:28
  Speaker 2: Spud Webb.
• 11:30
  Speaker 1: Trey Young. Mookie Blaylock.
• 11:32
  Speaker 2: Joe Johnson played for the Hawks.
• 11:33
  Speaker 1: Kingston Fleming. Kingston Fleming.
• 11:36
  Speaker 3: This is top five.
• 11:37
  Speaker 1: Kingston. Hawks playing.
• 11:38
  Speaker 2: Hold on, let me look.
• 11:39
  Speaker 1: There's got to be more than that, Tone. Let me
• 11:41
  Speaker 1: look up.
• 11:41
  Speaker 3: Players be Joe Johnson.
• 11:43
  Speaker 2: Joe Johnson.
• 11:44
  Speaker 1: Yeah, yeah, for sure. I'm going to do top 10
• 11:46
  Speaker 1: Atlanta Hawks of all time. Dikembe. He played for them too?
• 11:51
  Speaker 2: Dikembe.
• 11:52
  Speaker 3: Now we have to do this too now.
• 11:54
  Speaker 2: Now I know what you're about to say.
• 11:56
  Speaker 3: Where did the player become a legend?
• 11:58
  Speaker 4: Yeah, because Dikembe was with the... Because people were moving
• 12:00
  Speaker 4: around all over the shop.
• 12:01
  Speaker 2: He was with the Nuggets.
• 12:02
  Speaker 1: He was a Celtic. Yeah. But nobody remember that shit.
• 12:04
  Speaker 1: You're absolutely right.
• 12:05
  Speaker 3: So it's like, where did you make your name?
• 12:08
  Speaker 2: Okay, here we go.
• 12:09
  Speaker 1: This is the top 10 Atlanta Hawks of all time.
• 12:11
  Speaker 1: Dominique Wilkins, Bob Pettit, Who?
• 12:15
  Speaker 2: He's 1958.
• 12:15
  Speaker 1: Oh, okay. Lou Hudson. Sweet Lou Hudson. Lou Hudson owned
• 12:20
  Speaker 1: a bricklaying company over on Camden Road. Sounds like some
• 12:23
  Speaker 1: barbecue sauce.
• 12:24
  Speaker 3: They put some of that Lou Hudson on there.
• 12:29
  Speaker 1: Let's get the Lou Hudson going. Lou Hudson sold me
• 12:31
  Speaker 1: a cutlass with a bad carburetor. Lou Hudson dead when
• 12:35
  Speaker 1: I see him. I'm shooting him in his big toe.
• 12:38
  Speaker 1: Joe Johnson. I sold Joe. He was good. Yeah.
• 12:41
  Speaker 2: He was a great hawk.
• 12:42
  Speaker 1: Yeah.
• 12:42
  Speaker 2: Dikembe.
• 12:43
  Speaker 1: Mm-hmm. He was a four-time NBA defensive player of the year.
• 12:47
  Speaker 1: He defined the Hawks defense, so I'll give you the Kimbae. Okay, yeah, yeah, yeah.
• 12:50
  Speaker 4: Cliff Hagan, 58. Cliff Hagan called the police on the
• 12:54
  Speaker 4: black man. Lenny Wilkins.
• 12:56
  Speaker 1: Yes. I know Lenny. He was a great coach. Yep.
• 12:59
  Speaker 1: Trey Young. Trey Young. Al Horford. Okay. I know Al. Yeah.
• 13:03
  Speaker 1: And Pete Maravich. Pete Maravich. Pistol Pete. I don't think
• 13:08
  Speaker 1: I knew him from the Hawks. I didn't know. I
• 13:09
  Speaker 1: didn't know he was a Hawk, though.
• 13:11
  Speaker 2: I thought Pistol Pete.
• 13:12
  Speaker 1: What was he from?
• 13:13
  Speaker 2: We all over the place, Tony. This is our podcast.
• 13:15
  Speaker 2: We can talk about the Hawks.
• 13:16
  Speaker 1: This is the beauty of the podcast.
• 13:17
  Speaker 2: The Jazz is where I know Pistol Pete from.
• 13:19
  Speaker 1: Yeah, I didn't know he was a Hawk like that. Sorry, Atlanta.
• 13:22
  Speaker 4: I agree with Tony. I think that's probably the least...
• 13:26
  Speaker 4: That might be the least cared about NBA franchise of
• 13:28
  Speaker 4: all time.
• 13:29
  Speaker 1: They don't have a strong fan-based culture for the Atlanta Hawks. No.
• 13:32
  Speaker 3: It's just not there.
• 13:34
  Speaker 1: For me to just know all these people from Atlanta
• 13:36
  Speaker 1: that are from there, that live there, and I only, D.C.
• 13:39
  Speaker 3: Young Fly, I only want to really hold it down.
• 13:41
  Speaker 1: He be up in there. Yeah. He be up. You right.
• 13:44
  Speaker 1: You right.
• 13:45
  Speaker 4: All right, let's kick it off. We talking Vision Quest. Now,
• 13:48
  Speaker 4: we need to give y'all sort of a disclaimer. Before
• 13:51
  Speaker 4: we went live, Tony was like.
• 13:57
  Speaker 1: I ain't gonna make no phone calls, cause I'm right here.
• 14:00
  Speaker 1: I don't know, bro. I just be calling my brothers,
• 14:04
  Speaker 1: saying hello. Just done a shot. She gonna go in
• 14:07
  Speaker 1: the car and call them from the parking lot. Watch.
• 14:09
  Speaker 1: Ball brothers, ball brothers. It's crazy.
• 14:12
  Speaker 3: Ball brothers, ball brothers.
• 14:13
  Speaker 1: That's all this have.
• 14:17
  Speaker 3: What if she came in with a ball cap?
• 14:18
  Speaker 1: Ball brothers, ball brothers.
• 14:20
  Speaker 2: Brothers, balls.
• 14:23
  Speaker 1: Cause balls is brothers.
• 14:25
  Speaker 3: For me.
• 14:27
  Speaker 1: That's all I'm saying.
• 14:28
  Speaker 2: If you in the car and caught Kevin, then let
• 14:30
  Speaker 2: me tell you what.
• 14:30
  Speaker 1: She gon' do it. Why?
• 14:32
  Speaker 3: She gon' go right in that car and call.
• 14:35
  Speaker 1: I didn't even tell you this, Tone. In my show
• 14:38
  Speaker 1: in Tampa this past weekend, Grief Sucks, Full Tears.
• 14:43
  Speaker 2: FaceTime, JoJo, I broke my car. I was like, what?
• 14:50
  Speaker 1: Full Tears, what?
• 14:51
  Speaker 2: I think I broke my car.
• 14:53
  Speaker 1: What are you talking about? Joe, I'm on stage.
• 14:57
  Speaker 4: Because my phone rang because he's on my favorites. So
• 15:00
  Speaker 4: even though my stuff is off, Melissa, Zay, Joe, my
• 15:03
  Speaker 4: mom and dad call, it'll ring. So he calls Melissa
• 15:07
  Speaker 4: and I get off stage. I'm like, listen, what did
• 15:09
  Speaker 4: Joe just say? She said, this boy, you know when
• 15:12
  Speaker 4: you hit the lever and knocks your steering wheel down
• 15:14
  Speaker 4: to readjust it? He did that, he was like, ah,
• 15:18
  Speaker 4: my car's.
• 15:19
  Speaker 2: Steering wheel's down.
• 15:20
  Speaker 1: So Melissa's like, Joe, the button you hit, hit it again,
• 15:30
  Speaker 1: pick the steering wheel up. He was like. Oh, God,
• 15:33
  Speaker 1: thank you. Listen, it was like kids be thinking they grown.
• 15:37
  Speaker 1: They don't know nothing about nothing. Don't know nothing about life.
• 15:41
  Speaker 1: He said, I broke the car.
• 15:42
  Speaker 4: I broke my car. Because he was so nervous. I'm
• 15:57
  Speaker 4: thinking he got in a car, but I could tell
• 15:58
  Speaker 4: from his face, like, he wasn't hurt.
• 16:00
  Speaker 1: Yeah. So I'm like, what could you have possibly done?
• 16:02
  Speaker 1: That baby said, I don't, I just, it broke off.
• 16:06
  Speaker 1: I don't know. It was on my lap. Yeah.
• 16:09
  Speaker 2: That's funny. It was very funny.
• 16:11
  Speaker 1: All right. Bye, Melissa. Bye, babe. She gonna call from
• 16:14
  Speaker 1: the car.
• 16:14
  Speaker 4: So before we went live, Tony was like, all right, Kev,
• 16:18
  Speaker 4: I gotta tell you, I don't really understand everything that
• 16:22
  Speaker 4: happened in So, and I was like, me neither.
• 16:25
  Speaker 2: So we go figure it out. Where's Jay Freedian? Get
• 16:28
  Speaker 2: in the comments.
• 16:30
  Speaker 1: From what I can gather, now, I did miss Agatha
• 16:33
  Speaker 1: all along. I watched WandaVision. I didn't watch that either.
• 16:36
  Speaker 4: I love WandaVision. I liked Katherine Hahn. I was kind
• 16:39
  Speaker 4: of always going to get to Agatha all along.
• 16:41
  Speaker 1: Yeah. But just, man, there's too many shows on television.
• 16:45
  Speaker 2: I'm always trying to catch up.
• 16:47
  Speaker 1: The line is.
• 16:48
  Speaker 2: Sam Jackson got a new.
• 16:50
  Speaker 1: He do. Samuel L. He got something coming out.
• 16:54
  Speaker 3: He got to spin off from the Tulsa King.
• 16:55
  Speaker 1: I got to check Sam out.
• 16:59
  Speaker 4: Different world came out. Got to support the blacks. Can't
• 17:01
  Speaker 4: leave a different word out there by themselves.
• 17:02
  Speaker 3: Let me ask you this. Is that a drama or
• 17:04
  Speaker 3: a comedy?
• 17:06
  Speaker 2: A different world?
• 17:07
  Speaker 1: I would classify it as a dramedy. I think it's closest...
• 17:11
  Speaker 1: Comparison is kind of like Insecure. And it leans maybe
• 17:14
  Speaker 1: a little more comedic. Okay.
• 17:18
  Speaker 2: But I feel like it's a dramedy.
• 17:19
  Speaker 1: I saw a clip with Joe Morton and the theme artist. Yeah.
• 17:24
  Speaker 1: It looked like a drama. And then at the end
• 17:27
  Speaker 1: when he gave him that callback, that shit was genius. Yeah.
• 17:31
  Speaker 1: It's a dramedy. Okay.
• 17:32
  Speaker 4: It's really close to Insecure because they got some serious
• 17:34
  Speaker 4: stuff that they're dealing with.
• 17:36
  Speaker 1: You ain't supported the blacks? On different words? Yeah. I
• 17:39
  Speaker 1: didn't pull up. Pull up. I didn't even see Fresh Prince,
• 17:43
  Speaker 1: the Bel-Air joint either. You ain't doing no remakes. It
• 17:47
  Speaker 1: ain't really like a remake in that instance.
• 17:50
  Speaker 3: I'll do remakes sometimes.
• 17:51
  Speaker 1: Like if it's a movie that they made into a series,
• 17:55
  Speaker 1: I would like to pull up like Carrie, for example. No.
• 17:59
  Speaker 1: That was a movie.
• 18:01
  Speaker 3: But if it was just a series of a series.
• 18:04
  Speaker 1: Carrie been remade a billion times. You don't complain about that.
• 18:07
  Speaker 3: I didn't watch the remakes.
• 18:09
  Speaker 2: But you don't complain.
• 18:11
  Speaker 1: Y'all complain about remakes all the time. You didn't complain
• 18:13
  Speaker 1: about Carrie being remade. Because it's a series.
• 18:16
  Speaker 2: But didn't they remake the movie like a few years ago?
• 18:20
  Speaker 1: Probably so.
• 18:21
  Speaker 3: I think they remade that movie and tried to sequel
• 18:23
  Speaker 3: it up a few times.
• 18:24
  Speaker 1: They ran Carrie.
• 18:24
  Speaker 3: I'd be like, leave her alone, man. Get Carrie out
• 18:27
  Speaker 3: of here.
• 18:27
  Speaker 1: Hey, God dog. But with Carrie, if you're going to
• 18:30
  Speaker 1: make a series, now I know that you have more
• 18:33
  Speaker 1: to play with on the writing tip. For sure. That's why,
• 18:36
  Speaker 1: you know what I'm saying? Like, if you're going to
• 18:37
  Speaker 1: make it a series, then I'm more likely to be like,
• 18:40
  Speaker 1: all right. No, no, I feel you.
• 18:41
  Speaker 2: I feel you. So I pull up to Vision Quest,
• 18:45
  Speaker 2: and I ain't going to hold you.
• 18:46
  Speaker 1: The last Marvel show that I even pulled up to
• 18:50
  Speaker 1: was Nigga Bird and Bucky.
• 18:54
  Speaker 4: Why do you call him Nigga Bird? Man, he's Nigga Bird, man.
• 18:58
  Speaker 4: I watched three episodes of that, and I was like.
• 19:00
  Speaker 4: You didn't finish it? All right, y'all. I just was like, man,
• 19:04
  Speaker 4: I don't care about this.
• 19:06
  Speaker 3: You didn't see that fight with the Dora Milaje in
• 19:08
  Speaker 3: the apartment?
• 19:09
  Speaker 2: What episode was it? Feels like after episode three.
• 19:12
  Speaker 1: I can't remember.
• 19:12
  Speaker 3: But that was a good, just watch that clip.
• 19:16
  Speaker 1: I can watch the clip. But I mean, no disrespect, She-Hulk. Oh,
• 19:21
  Speaker 1: that was terrible. Agatha all along. Arrow's white girl. Oh,
• 19:27
  Speaker 1: that too.
• 19:27
  Speaker 2: I watched episode one of that. I was like, all right.
• 19:29
  Speaker 1: You didn't watch Moon Knight? Moon Knight. Hawkeye.
• 19:32
  Speaker 2: And I like Oscar Isaac.
• 19:34
  Speaker 1: Yeah.
• 19:35
  Speaker 2: I just was like, I don't want to.
• 19:38
  Speaker 1: They be losing me in the storylines. That's what it is.
• 19:41
  Speaker 1: Moon Knight lost me in the storylines. Secret Invasion lost
• 19:44
  Speaker 1: me in the storylines.
• 19:45
  Speaker 2: I didn't even pull that up at all.
• 19:47
  Speaker 1: Ms. Marvel was corny. I didn't watch that. Also, those things, man,
• 19:54
  Speaker 1: when I saw the trailer, I was just like, bro,
• 19:57
  Speaker 1: I'm not.
• 19:58
  Speaker 4: And they was not making good movies either. Like, at
• 20:01
  Speaker 4: that time, I was watching Marvel movies. I was disappointed.
• 20:04
  Speaker 4: The TV shows had not been good to me anyway.
• 20:07
  Speaker 4: So not only did I not pull up, I didn't
• 20:08
  Speaker 4: even think twice about it.
• 20:10
  Speaker 1: And then nobody online was like, nah, Kev. You've got
• 20:13
  Speaker 1: to see.
• 20:14
  Speaker 2: Sometimes people pull me back.
• 20:16
  Speaker 1: Like, on the drop. I watched the first one, but
• 20:17
  Speaker 1: I was like, it's cool, but I probably won't finish it.
• 20:19
  Speaker 1: And you were like, nah, Kev. No, man, hang in there, man.
• 20:21
  Speaker 4: But nobody on the Marvel tip was being like, get
• 20:24
  Speaker 4: through episode four and it's good. People were just like, nah,
• 20:27
  Speaker 4: I understand. You know what I'm saying? So Vision, I
• 20:30
  Speaker 4: didn't have no high hopes.
• 20:32
  Speaker 1: I was like, I'm going to check it out just
• 20:33
  Speaker 1: because I knew we just finished Lanterns and the drop
• 20:38
  Speaker 1: is coming to an end. You only got, shoot, two
• 20:41
  Speaker 1: more episodes after this. So at Mobland, our audience wasn't
• 20:44
  Speaker 1: watching like that. So I'm always like, okay, what are
• 20:47
  Speaker 1: people talking about? And I've seen people talking about Vision Quest.
• 20:49
  Speaker 1: So from what I gather... And Jay Friesian, I don't
• 20:52
  Speaker 1: see him in here. Vision at the end of... No,
• 21:00
  Speaker 1: it was at the... When did he get remade? Was
• 21:03
  Speaker 1: it at the end of... In the Watchmen.
• 21:06
  Speaker 2: The movie, Doctor Strange.
• 21:10
  Speaker 3: No, at the end of.
• 21:11
  Speaker 1: WandaVision. WandaVision. Okay.
• 21:13
  Speaker 2: So she makes white Vision.
• 21:15
  Speaker 1: Yes. And this is not Vision that died. And this
• 21:19
  Speaker 1: is also not Westview Vision. Yeah. This is a new creation.
• 21:25
  Speaker 1: And from what I gather, this vision is like, I
• 21:29
  Speaker 1: ain't old boy. And I've got Jarvis's AI. I got
• 21:34
  Speaker 1: kind of like my head of ops. Yeah.
• 21:38
  Speaker 2: I got the girl from Schitt's Creek.
• 21:40
  Speaker 1: Is that Edie? Yep. She's weapons systems and recreation. Okay.
• 21:45
  Speaker 2: I've got Edie.
• 21:45
  Speaker 1: Oh, no. Friday.
• 21:48
  Speaker 3: Edith is the one that came crashing through the ceiling.
• 21:51
  Speaker 2: Okay, that's Schitt's Creek Girl. Okay. Friday, I'm forgetting.
• 21:56
  Speaker 1: Friday, they kind of say that this could represent the ego,
• 22:00
  Speaker 1: the id, and the super ego. Oh, okay. In his mind. Okay.
• 22:04
  Speaker 3: Super ego, whichever one.
• 22:07
  Speaker 1: The id is Edith. Yeah. Yeah. The middle man, I
• 22:13
  Speaker 1: forget whether ego or super ego is your middle man
• 22:18
  Speaker 1: or woman.
• 22:20
  Speaker 2: I think ego.
• 22:21
  Speaker 3: Whoever the middle man is, is more along the lines
• 22:24
  Speaker 3: of Friday.
• 22:25
  Speaker 2: Okay.
• 22:25
  Speaker 1: And Jarvis is the one that's trying to keep everything together.
• 22:29
  Speaker 2: More grounded.
• 22:30
  Speaker 1: Super ego.
• 22:31
  Speaker 2: So wouldn't Ultron be super ego?
• 22:33
  Speaker 3: So it's the id, ego, super ego.
• 22:37
  Speaker 1: So the super ego is the one that's trying to
• 22:40
  Speaker 1: keep everything... together.
• 22:43
  Speaker 2: So that's Jarvis.
• 22:44
  Speaker 1: Yes. Okay. Yeah. So you got him going and then
• 22:48
  Speaker 1: you got, and oh, Jay Friesen says sword created white
• 22:51
  Speaker 1: vision with his body. I do remember that. Okay. And
• 22:53
  Speaker 1: it was like, we need that weapon. I don't care
• 22:55
  Speaker 1: what y'all talking about. We ain't got no mind stone.
• 22:57
  Speaker 1: And then we have Ultron. Now I am an Ultron defender. Yeah.
• 23:02
  Speaker 1: Age of Ultron, the movie. A lot of people do
• 23:04
  Speaker 1: not like Age of Ultron. I liked it. I love
• 23:08
  Speaker 1: Age of Ultron. I'm also a James Spader fan.
• 23:11
  Speaker 3: I love James Spader.
• 23:12
  Speaker 1: Since the 80s. I mean, James Spader's just... What's his
• 23:18
  Speaker 1: TV show where he's the criminal?
• 23:20
  Speaker 3: Oh, Blacklist.
• 23:21
  Speaker 2: Blacklist, he's great. Boston Legal, he was great. Boston Legal.
• 23:25
  Speaker 1: On The Office, Robert California, he's great as that, which
• 23:29
  Speaker 1: is a funny... I like when people don't change their
• 23:31
  Speaker 1: character at all, but it's now funny.
• 23:35
  Speaker 4: But as Ultron, he's great. So Vision requires them in
• 23:40
  Speaker 4: his mind space to don human avatars.
• 23:44
  Speaker 1: So... Vision is existing in the world as Sherwood Ellis. Right.
• 23:48
  Speaker 2: He's just working a regular job.
• 23:49
  Speaker 3: Regular job.
• 23:50
  Speaker 2: Trying to figure out how to be a human.
• 23:51
  Speaker 1: Yeah.
• 23:51
  Speaker 4: He goes to charge. He's got his USB-C plugged in.
• 23:54
  Speaker 4: Taking notes. Goes to bed in the closet.
• 23:57
  Speaker 1: Yeah. He's like, good night, y'all.
• 23:59
  Speaker 3: Good night, y'all.
• 24:00
  Speaker 1: He's sleeping. It's in his mind.
• 24:04
  Speaker 3: I'm home, y'all. Give me notes on how I presented today.
• 24:08
  Speaker 1: He's basically in Westview again, but of his own mind. Yeah.
• 24:12
  Speaker 1: So he's created these friends. And Ultron's in jail. Yes.
• 24:18
  Speaker 1: In the thing.
• 24:19
  Speaker 2: In the attic or whatever.
• 24:20
  Speaker 1: In the attic. Yeah.
• 24:21
  Speaker 2: And I love this, like.
• 24:23
  Speaker 1: Ultron is doing stuff when it's really just Vision. Yeah.
• 24:29
  Speaker 2: Like, he makes it seem like, like, he going up
• 24:31
  Speaker 2: there yelling at Vision.
• 24:32
  Speaker 1: Vision like, nigga, this is you. This is all you, yo. Me.
• 24:38
  Speaker 1: You don't need me. You really didn't want me. But Vision,
• 24:42
  Speaker 1: Ultron is playing along. Yeah.
• 24:44
  Speaker 4: You know, I leaked the address. You know what I'm saying? Yeah.
• 24:49
  Speaker 2: But it's like, come on, man.
• 24:52
  Speaker 1: You know?
• 24:53
  Speaker 4: So they're all like one big AI family. And Vision
• 24:57
  Speaker 4: is basically the PC. He's the iPhone.
• 24:59
  Speaker 2: Right. And these are the apps that are helping him work.
• 25:02
  Speaker 1: So....
• 25:06
  Speaker 4: So now where they kind of lost me a little
• 25:09
  Speaker 4: bit and where I was like, all right, now what's
• 25:11
  Speaker 4: going on?
• 25:12
  Speaker 1: Right. We cut to this white boy. Yes. Tommy. Now,
• 25:17
  Speaker 1: from my simple mind, the children that Wanda created are
• 25:21
  Speaker 1: not real. Right.
• 25:23
  Speaker 4: And neither was Vision. So in her chaos magic, she
• 25:26
  Speaker 4: created Vision and in sword game, the actual body. And
• 25:30
  Speaker 4: she kind of imparted. The chaos magic. It's a little murky,
• 25:34
  Speaker 4: but she imparted the chaos magic. Sword had the body.
• 25:38
  Speaker 4: Vision is born anew. He don't know who he is
• 25:41
  Speaker 4: all over again. He over here soul searching.
• 25:44
  Speaker 1: From what I gather, and they kind of said this
• 25:46
  Speaker 1: in the show, Tommy has... He was like a random.
• 25:52
  Speaker 4: Kid in London that I guess Wanda somehow imprinted her
• 25:59
  Speaker 4: Westview child's mind into an actual child who was just
• 26:04
  Speaker 4: in the orphanage.
• 26:05
  Speaker 1: Yeah. And you can't just put stuff in the orphanage, kid, man.
• 26:09
  Speaker 1: The witch is a menace, though. She's just, she's morally corrupt, man.
• 26:17
  Speaker 1: You can't just be doing, and the other one, Billy,
• 26:22
  Speaker 1: was he put into a dead kid?
• 26:25
  Speaker 2: Hold on, they're yelling at us.
• 26:26
  Speaker 3: He was put into a dead kid.
• 26:29
  Speaker 2: Okay, hold on. Look at the chat. Okay, let me
• 26:31
  Speaker 2: back up.
• 26:32
  Speaker 1: Regent!
• 26:37
  Speaker 2: Okay.
• 26:37
  Speaker 1: It wasn't Wanda. It was her son, Billy. Okay.
• 26:40
  Speaker 2: You got to watch Agatha.
• 26:44
  Speaker 3: Okay, you should have watched Agatha.
• 26:48
  Speaker 1: Girl!
• 26:52
  Speaker 2: No, Isaiah's.
• 26:54
  Speaker 1: No, no, he's not.
• 26:55
  Speaker 2: He's Isaiah's. Isaiah's probably 28.
• 26:58
  Speaker 1: So Billy did it.
• 26:59
  Speaker 2: 28-32 or 30-32?
• 27:01
  Speaker 1: 30-32.
• 27:02
  Speaker 3: So how was Billy able to do it?
• 27:03
  Speaker 2: 30-32, Joe's 33-32.
• 27:06
  Speaker 1: My vision is purely sword.
• 27:08
  Speaker 2: It was Billy.
• 27:09
  Speaker 1: Jay Phrygian, I'm going to call you on Instagram phone.
• 27:13
  Speaker 1: Stop talking about Vision Quest until you watch Agatha. No!
• 27:17
  Speaker 1: That's what they want us to do. No!
• 27:20
  Speaker 4: You stop talking about Vision Quest until you watch Agatha.
• 27:24
  Speaker 1: We jumping in. I ain't watching it. And I'm going
• 27:27
  Speaker 1: to talk about it blind. They say it's not optional.
• 27:31
  Speaker 1: It is. So if Billy has that magic, too, how
• 27:34
  Speaker 1: is Billy still alive?
• 27:36
  Speaker 2: I'm calling Jay Phrygian.
• 27:38
  Speaker 1: Jay Phrygian, get your Instagram Phrygian. P8.
• 27:44
  Speaker 3: You say you calling for real?
• 27:45
  Speaker 1: Yeah, I'm calling right now, nigga. Give us the downloads.
• 27:50
  Speaker 1: What's your Instagram name is, J. Free Gin? Both sons'
• 27:53
  Speaker 1: minds were both roaming around the atmosphere. Billy got placed
• 27:56
  Speaker 1: into a boy that just died. Then Billy used his
• 27:59
  Speaker 1: powers to put Tommy into this guy. Okay. Free Gin,
• 28:03
  Speaker 1: what's your Instagram name? It ain't coming up. Stupid meta is.
• 28:08
  Speaker 3: Billy got the same powers as Wanda.
• 28:11
  Speaker 1: What's your name is?
• 28:14
  Speaker 3: So where's Billy at now?
• 28:16
  Speaker 2: Billy dead.
• 28:17
  Speaker 1: It is J.
• 28:18
  Speaker 2: Free Gin.
• 28:18
  Speaker 1: Okay. Okay.
• 28:19
  Speaker 3: They say you don't have to watch Agatha to understand Tommy.
• 28:31
  Speaker 1: Okay.
• 28:32
  Speaker 2: It's saying you got no profile.
• 28:34
  Speaker 1: Billy used his magic to put himself into another kid's body,
• 28:37
  Speaker 1: and then during the course of Agatha all along, he
• 28:39
  Speaker 1: put his brother Thomas in another body as well.
• 28:42
  Speaker 2: Here we go. Oh, I'm not following you, my bad.
• 28:46
  Speaker 1: Billy Powell. Okay. Okay. He had real powers. They were
• 28:51
  Speaker 1: fake in that universe, but exist in other universes. The
• 28:54
  Speaker 1: powers work everywhere. So... I got Jay Friedan.
• 28:58
  Speaker 3: So will Tommy have powers?
• 29:00
  Speaker 1: We gonna get the nerds on the horn, Tommy. Nerd
• 29:03
  Speaker 1: us up! Box office nerd here. Jay Friedan, welcome to
• 29:07
  Speaker 1: the show. Hello, hello. All right, Jay Friedan, me and
• 29:11
  Speaker 1: Tony ain't watching no damn actors all along. Catch us up.
• 29:15
  Speaker 1: Catch us up. We not watching it. All right, so essentially.
• 29:20
  Speaker 2: because I can do it right.
• 29:21
  Speaker 4: Yeah, we need a 90 second why this white boy
• 29:24
  Speaker 4: got that powers.
• 29:26
  Speaker 5: Agatha all along shows you that when Wanda's hex went down,
• 29:30
  Speaker 5: essentially Billy's soul, because he also has chaos magic, inhabited
• 29:37
  Speaker 5: a kid who died, who is also an Billy, I think.
• 29:42
  Speaker 5: Then he has his own adventure in Agatha all.
• 29:44
  Speaker 2: Along because he's looking for his brother because he's like,
• 29:46
  Speaker 2: if it happened to me, it should have happened to
• 29:48
  Speaker 2: my brother.
• 29:48
  Speaker 5: He got the same reality bending stuff as Wanda. So
• 29:53
  Speaker 5: then he ends up doing the same thing helping.
• 29:58
  Speaker 1: His brother's soul find.
• 29:59
  Speaker 2: Somewhere to go.
• 30:00
  Speaker 5: And that's why the white boy was saying, hey, I
• 30:02
  Speaker 5: almost drowned.
• 30:03
  Speaker 1: And then now I have memories that I don't remember. Oh,
• 30:06
  Speaker 1: so when he was breaking out of the jail bus,
• 30:10
  Speaker 1: was he using realities? Or was that... No, so Billy's reality,
• 30:16
  Speaker 1: Tommy was....
• 30:19
  Speaker 2: Tommy was who?
• 30:20
  Speaker 1: You know how flash can vibrate to do stuff? Oh, okay, yeah,
• 30:24
  Speaker 1: I remember that. So he was just moving fast and
• 30:27
  Speaker 1: he shook.
• 30:27
  Speaker 2: The bolts loose.
• 30:29
  Speaker 3: Wait, Tommy just has speed.
• 30:31
  Speaker 2: He has super speed, but it's super speed.
• 30:33
  Speaker 1: He's like Quicksilver. Oh, okay. Billy is dead.
• 30:42
  Speaker 5: Billy came back in Agatha all along. That's why the
• 30:45
  Speaker 5: child was young. She was like, y'all should watch Agatha.
• 30:46
  Speaker 5: You need to hit your emergency awesome for the overview.
• 30:50
  Speaker 1: You know what?
• 30:50
  Speaker 2: I could do that. So wait, where's Billy at right now?
• 30:55
  Speaker 1: Billy.
• 30:56
  Speaker 5: probably searching for wherever Tommy at. So where that ended
• 31:00
  Speaker 5: was Billy, you know, reveals he got powers, he remembered
• 31:03
  Speaker 5: who he is, and then he's like, I gotta go, like,
• 31:06
  Speaker 5: find my brother.
• 31:07
  Speaker 1: Oh, that just hasn't happened. Okay, so now we're basically,
• 31:11
  Speaker 1: we know where his brother is, he don't know where
• 31:13
  Speaker 1: his brother is.
• 31:15
  Speaker 5: Yes, yeah, we've, the way they describe this is Vision
• 31:18
  Speaker 5: Quest is three in a trilogy.
• 31:20
  Speaker 1: WandaVision, Agatha all along, and then now Vision Quest. Wait,
• 31:24
  Speaker 1: when did they tell us that? Did you know that?
• 31:26
  Speaker 1: I mean, I knew All Along was next, but I
• 31:28
  Speaker 1: didn't know it was about to be a trilogy. What
• 31:29
  Speaker 1: did they tell us? That it was a trilogy.
• 31:32
  Speaker 3: I was watching like a YouTube video.
• 31:38
  Speaker 2: Okay.
• 31:38
  Speaker 1: Okay. But also, so Tommy, since he got put into
• 31:43
  Speaker 1: a person that was living, he's at war with himself
• 31:49
  Speaker 1: and this other voice in his mind?
• 31:53
  Speaker 5: He was living, but remember what he said to the police?
• 31:55
  Speaker 5: He was like, we were playing in the.
• 31:57
  Speaker 1: Pool, and I was drowning. So remember, when you drown,
• 32:00
  Speaker 1: you kind of die a little bit. Yeah.
• 32:02
  Speaker 2: I didn't know why he was saying that.
• 32:04
  Speaker 3: But did he ever fully die?
• 32:08
  Speaker 1: He said he.
• 32:09
  Speaker 5: Felt like lightning hit him, and now he remembers lightning
• 32:11
  Speaker 5: not hit him.
• 32:11
  Speaker 2: So I think the problem is that he didn't.
• 32:13
  Speaker 1: Fully die yet.
• 32:14
  Speaker 5: It's like, Wanda Kid Tommy came in his mind while
• 32:19
  Speaker 5: he's drowning, but then he came back from drownings, but
• 32:24
  Speaker 5: now he, like, you know, schizophrenia, but you know what
• 32:28
  Speaker 5: I'm saying.
• 32:29
  Speaker 1: Wow. Got it. Okay.
• 32:31
  Speaker 2: Probably should watch that all along.
• 32:33
  Speaker 1: Yeah.
• 32:33
  Speaker 3: We should watch it all along. We should watch it
• 32:36
  Speaker 3: all along.
• 32:36
  Speaker 4: Well, Jay Friedgen, if you watch this podcast and we
• 32:38
  Speaker 4: need a nerd out, keep your Instagram handy.
• 32:42
  Speaker 1: Yes, sir. I will be your go-to. We need black
• 32:45
  Speaker 1: nerds on the horn because Marvel didn't, they didn't pull
• 32:48
  Speaker 1: me in and I like Catherine Hahn.
• 32:50
  Speaker 2: I might, I might pull up on that all along.
• 32:51
  Speaker 2: This is all be talking about all the time.
• 32:54
  Speaker 1: You need to be on the horn because I got
• 32:56
  Speaker 1: to finish One Piece.
• 32:57
  Speaker 2: I'm so close.
• 32:58
  Speaker 1: I'm laser focused. That's crazy. I still never started it.
• 33:02
  Speaker 1: All right, Jay Friesian, we'll call you back later if
• 33:03
  Speaker 1: we get confused. You can watch 8,000 episodes of One Piece. 1,100. Tony,
• 33:10
  Speaker 1: I'm about to watch episodes in Japanese with English subtitles
• 33:14
  Speaker 1: just so I can catch up. I'm so close. I'm
• 33:17
  Speaker 1: at like 11, 13. They're on hiatus right now, so
• 33:20
  Speaker 1: there's no new episodes coming out. Once I catch up
• 33:23
  Speaker 1: to 1180, I'm going to tell people, don't mention this
• 33:26
  Speaker 1: show to me no more. This is crazy. I am
• 33:28
  Speaker 1: caught up. It's good.
• 33:31
  Speaker 2: It's good.
• 33:33
  Speaker 1: The problem is, it's good. Like, the bad part about
• 33:37
  Speaker 1: it is, it takes so long. But the things you
• 33:42
  Speaker 1: don't think matter, they end up mattering. And when they
• 33:46
  Speaker 1: get into their storytelling bag, you forget you were watching animation.
• 33:51
  Speaker 1: I cried harder on one piece than any piece of
• 33:54
  Speaker 1: media has ever made me feel.
• 33:56
  Speaker 2: That brother, they got a brother storyline.
• 34:00
  Speaker 1: Tone.
• 34:02
  Speaker 3: Tone.
• 34:03
  Speaker 2: It was embarrassing. I cried.
• 34:08
  Speaker 1: Isn't that 30 minutes a piece? It's not even 30.
• 34:10
  Speaker 1: It's like 23 minutes and like two to five minutes
• 34:16
  Speaker 1: of that is the theme song and recap.
• 34:20
  Speaker 2: And credits. So it's really about.
• 34:22
  Speaker 1: 15 minutes of actual new stuff.
• 34:30
  Speaker 4: Like 15 minutes. But when it's good, man, it has
• 34:35
  Speaker 4: no rival. But see, it ain't even like that.
• 34:37
  Speaker 1: It's like, okay, this is how it works.
• 34:41
  Speaker 2: Say you, Tony Baker, want to be the best comedian
• 34:44
  Speaker 2: in the world.
• 34:45
  Speaker 1: In the world.
• 34:45
  Speaker 2: That is your goal.
• 34:47
  Speaker 1: Yeah.
• 34:47
  Speaker 4: But along this journey, you got to pick up a crew.
• 34:49
  Speaker 4: And you start by yourself. It is just Tony Baker.
• 34:52
  Speaker 4: We fall in love with you. And then you're like,
• 34:54
  Speaker 4: I need a navigator for my ship. So you pick
• 34:56
  Speaker 4: up me.
• 34:57
  Speaker 1: Yeah. All right? You're going to find my story.
• 35:00
  Speaker 4: So one arc is going to be the story of Kev,
• 35:02
  Speaker 4: how I become a navigator, what's my backstory, how I
• 35:05
  Speaker 4: became where I am. And more than likely, you're going
• 35:07
  Speaker 4: to beat up somebody to be able to get me
• 35:09
  Speaker 4: on your team. We on the road. We need a doctor.
• 35:13
  Speaker 4: We meet to hear. This nigga finna be our doctor.
• 35:17
  Speaker 4: What the hell going on with him?
• 35:18
  Speaker 2: His backstory.
• 35:19
  Speaker 1: Yeah.
• 35:20
  Speaker 2: All to hear stuff. Beat up that nigga person.
• 35:22
  Speaker 1: He's on with us. Now we on the ship. Right.
• 35:25
  Speaker 1: All right. Now we need a chef. Angel.
• 35:28
  Speaker 2: Hey, I'll be your chef. Gotta kill this nigga first.
• 35:30
  Speaker 1: Yeah.
• 35:31
  Speaker 4: While we fighting this nigga, we gonna find out about Angel.
• 35:34
  Speaker 4: Next thing you know, you're in 150 episodes.
• 35:36
  Speaker 2: Yeah.
• 35:37
  Speaker 1: Right?
• 35:38
  Speaker 2: But we gotta keep going.
• 35:40
  Speaker 4: Now we gotta pick up A list, her story, this,
• 35:45
  Speaker 4: I mean, and now you got 12 people. So sometimes
• 35:48
  Speaker 4: like the person you pick up, you might just learn
• 35:50
  Speaker 4: why he's a chef right now. Then later on, episode 800.
• 35:56
  Speaker 1: Now we go into your backstory when you was a child. Dang,
• 36:00
  Speaker 1: 116 episodes of your child. And then you mix in
• 36:03
  Speaker 1: the villains. What that nigga backstory is. I was actually
• 36:07
  Speaker 1: a child soldier in Ghana.
• 36:09
  Speaker 4: And next thing you know, Tone, you don't realize you
• 36:13
  Speaker 4: were a thousand episodes in because it's all new information.
• 36:18
  Speaker 4: And then they're going to call back and you're like, oh,
• 36:20
  Speaker 4: that nigga was never a child.
• 36:22
  Speaker 1: I'm actually a man disguised as a child. And I'm
• 36:26
  Speaker 1: super powerful.
• 36:27
  Speaker 4: And then also in order to be this villain, you
• 36:29
  Speaker 4: got to get these powers. They're going to show you training. Like,
• 36:31
  Speaker 4: Luffy needs to be the villain. You got to learn
• 36:33
  Speaker 4: this power. And then go 40 episodes of him.
• 36:37
  Speaker 1: I can't figure it out.
• 36:39
  Speaker 4: So once he does it, it feels earned. Ain't no
• 36:43
  Speaker 4: quick way to it. When he learns how to control
• 36:45
  Speaker 4: his power, you have watched him. So that's when it
• 36:50
  Speaker 4: sometimes drags. You've watched him do it, but once he
• 36:54
  Speaker 4: uses it, you're like, okay.
• 36:56
  Speaker 1: So I describe it as like, of all the Chicago teams,
• 37:00
  Speaker 1: what are you the most of a fan of? Bears.
• 37:03
  Speaker 1: The Bears, okay. One piece is like, If you love
• 37:07
  Speaker 1: the Bears and you die hard and you're watching the
• 37:10
  Speaker 1: draft and you're learning about who they drafted and you're
• 37:13
  Speaker 1: watching the offseason, you're kind of paying attention to the injuries,
• 37:16
  Speaker 1: how the starting quarterback thing is working, like who's who.
• 37:19
  Speaker 2: Okay, Caleb doing good, the backup doing good. Who's our
• 37:22
  Speaker 2: free agent?
• 37:22
  Speaker 1: Let me research this linebacker we signed. Oh, we got
• 37:24
  Speaker 1: this new coach. Okay, I'm watching the preseason games. That's
• 37:28
  Speaker 1: what one piece is. Guys, you really like it and
• 37:30
  Speaker 1: you just– you will, they gonna. Who was this new
• 37:33
  Speaker 1: running back we did? That's what it is.
• 37:35
  Speaker 3: He went to this college, he went to this high school.
• 37:37
  Speaker 2: That's what one piece.
• 37:38
  Speaker 4: And then you might pay attention when you lose, who
• 37:41
  Speaker 4: was the, DJ Moore was a good receiver.
• 37:44
  Speaker 1: You might pay attention to DJ Moore. He's on the
• 37:46
  Speaker 1: bills now.
• 37:46
  Speaker 2: Yeah.
• 37:47
  Speaker 1: You might pay.
• 37:47
  Speaker 2: Attention to DJ Moore.
• 37:48
  Speaker 1: And then DJ Moore comes back in the playoffs and
• 37:51
  Speaker 1: he's in the press conference and Caleb Williams actually stole
• 37:54
  Speaker 1: my girlfriend and I'm gonna die. And then you're like, oh, oh, oh, oh.
• 37:59
  Speaker 1: And now they gotta play each other and it's overtime.
• 38:03
  Speaker 1: And then Caleb's throwing that touchdown pass from the playoffs last,
• 38:06
  Speaker 1: when you thought you were down and out. Cause that's
• 38:07
  Speaker 1: the one piece, them niggas be looking dead. Like it's
• 38:10
  Speaker 1: over for you. And just how Caleb scrambles and just
• 38:13
  Speaker 1: tosses it up and nigga catches it. That's one piece,
• 38:16
  Speaker 1: them niggas that scored the touchdown and you like, and
• 38:19
  Speaker 1: because you done watched Caleb Williams in college, in draft
• 38:22
  Speaker 1: day and he was hurt, the hamstring, they made fun
• 38:24
  Speaker 1: of him and he's back and the Bears are good
• 38:26
  Speaker 1: and Ben Johnson. you all in. But if you can't
• 38:30
  Speaker 1: get all in, I understand. Because they ask it a lot,
• 38:33
  Speaker 1: but I be on them planes, Tone. What you be
• 38:36
  Speaker 1: watching it on? I got my little iPad on Crunchyroll.
• 38:39
  Speaker 1: I watched a lot on Netflix.
• 38:40
  Speaker 2: It was really good.
• 38:41
  Speaker 1: What's on Netflix?
• 38:42
  Speaker 2: A whole bunch is on Netflix. Large pieces. Then you
• 38:46
  Speaker 2: got to get the Crunchyroll. You had a good time with.
• 38:48
  Speaker 1: The 600 episodes, didn't you? You got to come over here,
• 38:54
  Speaker 1: but it remains 500. You got to come over to Crunchyroll.
• 38:57
  Speaker 1: You all.
• 38:58
  Speaker 3: Crunchyroll is going to get that money.
• 39:00
  Speaker 1: All rolls lead back to Crunchyroll.
• 39:01
  Speaker 2: You having a good time? See you back at the role, huh?
• 39:06
  Speaker 1: You enjoyed the little 450-episode sampler. Netflix is what I
• 39:10
  Speaker 1: wanted you to do. But it all come back to Crunchyroll, baby.
• 39:13
  Speaker 1: Right back to me. It's Thanos. All right.
• 39:18
  Speaker 4: So let's go back to Vision Quest. We're definitely not
• 39:21
  Speaker 4: watching it now. Jay Friesen gave us all we need
• 39:24
  Speaker 4: to know.
• 39:24
  Speaker 1: Yeah.
• 39:25
  Speaker 4: So let me tell you what I like about Vision Quest.
• 39:28
  Speaker 4: Because this nigga is not Vision. he is not Vision.
• 39:32
  Speaker 1: Yeah.
• 39:32
  Speaker 2: When he killed somebody, I.
• 39:34
  Speaker 1: Sat up straight. Because you looking like Vision. Yeah. And
• 39:38
  Speaker 1: Vision was all virtuous and stuff. Sure. He's picking up doors, hammers.
• 39:42
  Speaker 3: He like, I'm worthy. He's a good guy.
• 39:46
  Speaker 4: This dude is like, stop calling me him. And because
• 39:50
  Speaker 4: I'm not him, let me.
• 39:51
  Speaker 2: Prove to you.
• 39:52
  Speaker 1: Y'all shot me? Blood. Yeah. I realize I'm not even
• 39:56
  Speaker 1: used to seeing blood in Marvel stuff. Yeah, because they tame.
• 39:59
  Speaker 2: They tame.
• 40:01
  Speaker 1: And I didn't expect no R.
• 40:02
  Speaker 2: I mean, I wouldn't even say Vision Quest is R-rated.
• 40:04
  Speaker 1: Right. But I didn't expect no blood. They was like, no,
• 40:07
  Speaker 1: he killing people.
• 40:09
  Speaker 4: When they shot the shop owner and Vision went to
• 40:12
  Speaker 4: work and they had the rate of the guys, like,
• 40:14
  Speaker 4: why did you send.
• 40:14
  Speaker 1: Us in here? That's you. Yeah.
• 40:18
  Speaker 3: That's what be blowing my mind, dog.
• 40:21
  Speaker 1: Like, the soldiers that go in, I'm like, nobody was like,
• 40:27
  Speaker 1: fuck this shit.
• 40:29
  Speaker 3: I'm fuck this shit, McGee.
• 40:31
  Speaker 1: Sure. If I see five of y'all go in and
• 40:34
  Speaker 1: get worked over, I'm not going to be like, nah,
• 40:38
  Speaker 1: six times a charm. No, I'm coming back out.
• 40:43
  Speaker 3: I'm like, why you send us in there on that bullshit?
• 40:47
  Speaker 1: And don't try to pull your little gun out and
• 40:49
  Speaker 1: kill me because, nah, I got guns too, nigga. He
• 40:52
  Speaker 1: done killed 20 people, man. Get us out of here.
• 40:55
  Speaker 3: And he gonna kill that dude that shot this lady.
• 40:57
  Speaker 1: And now you gonna kill that dude. Shot him in
• 41:00
  Speaker 1: the head. Why you kill him? We doing what you said.
• 41:02
  Speaker 1: So you just sacrificed 30 soldiers in black for research?
• 41:07
  Speaker 4: These people got families. You done killed them this close
• 41:10
  Speaker 4: to Halloween. They can't go to horror nights.
• 41:12
  Speaker 1: They wanted to go see what Cedars was talking about
• 41:14
  Speaker 1: down at Universal Studios? They kept going until they doomed.
• 41:18
  Speaker 1: You see everybody getting worked over.
• 41:21
  Speaker 3: Let me go in as well. Maybe something will be
• 41:24
  Speaker 3: different for me.
• 41:26
  Speaker 1: Even though we all get the same training. Maybe I'm
• 41:29
  Speaker 1: the one.
• 41:29
  Speaker 3: Maybe the eighth soldier in is going to really make
• 41:33
  Speaker 3: a difference.
• 41:35
  Speaker 1: And don't be pulling that. I'm not built for that
• 41:39
  Speaker 1: type of domain villain leadership.
• 41:42
  Speaker 3: I'm not the henchman that's just going to let.
• 41:44
  Speaker 1: You get over on me. I can't imagine you being
• 41:46
  Speaker 1: a henchman. They would kill you quick. You'd be like,
• 41:49
  Speaker 1: you failed me. I did fail. But you ain't about
• 41:52
  Speaker 1: to shoot me right here, right now. I got a
• 41:53
  Speaker 1: gun too, bitch. Nigga, what? I failed.
• 41:57
  Speaker 3: You sent me on a suicide mission.
• 41:59
  Speaker 1: We all got our asses kicked while you sat back
• 42:01
  Speaker 1: in the Jeep and watched. You was in the Jeep
• 42:03
  Speaker 1: with the lady who didn't even know where the white
• 42:05
  Speaker 1: lady is. Whoever's on comms. Yeah, not so fast. You
• 42:10
  Speaker 1: didn't expect that, Paladin.
• 42:12
  Speaker 3: Fire me or shut the hell up. But you ain't
• 42:15
  Speaker 3: gonna kill me.
• 42:18
  Speaker 1: I'm not about to sit here and let you just
• 42:20
  Speaker 1: fuck me because I failed.
• 42:21
  Speaker 3: I got shows, man. Ten of us went in there.
• 42:25
  Speaker 1: Obviously, we are human, regular people. Right. You don't even
• 42:29
  Speaker 1: got powers. You don't have the little EMG, EMP taste thing.
• 42:34
  Speaker 1: All you got is a smart mouth and a weird voice.
• 42:38
  Speaker 1: That's all you got back here. And you sat there
• 42:41
  Speaker 1: and watched us go to our doom. We getting mowed
• 42:43
  Speaker 1: down over here. You know what, man? What do? Episode two.
• 42:49
  Speaker 2: This whole thing is over.
• 42:51
  Speaker 1: Done. You dead. I'm paladin now. This is just a
• 42:54
  Speaker 1: moniker anybody can be. I'm the paladin. We're going to
• 42:57
  Speaker 1: figure out a way to get this dude without soldiers
• 43:00
  Speaker 1: going in. Vision killed 40 people and flew out the top.
• 43:08
  Speaker 1: And he was like, okay, now we know what's going on.
• 43:12
  Speaker 1: White lady died for nothing. She died for nothing. She
• 43:15
  Speaker 1: didn't even taste the Sunday roast. She's still right there
• 43:18
  Speaker 1: in front of the death. What you need to do.
• 43:21
  Speaker 3: Back.
• 43:24
  Speaker 2: I knew she was gone too.
• 43:25
  Speaker 1: Oh, for sure, dog. He just was too nice. I said, oh,
• 43:28
  Speaker 1: you invited him over to Sunday dinner and stuff. He said, oh,
• 43:31
  Speaker 1: we got leftovers. I said, man, who was killing her?
• 43:34
  Speaker 1: Never connect with the main character. Y'all got to realize
• 43:39
  Speaker 1: this main character's out here in the real world. Y'all
• 43:43
  Speaker 1: better quit connecting to main characters.
• 43:47
  Speaker 3: Don't be having no tender moments with nobody in your life.
• 43:50
  Speaker 1: Oh, my God. Don't connect with nobody.
• 43:54
  Speaker 4: You're just a casualty and the man who killed you
• 43:57
  Speaker 4: is also dead.
• 43:58
  Speaker 1: Dead. He thinks he did something good. Now he's dead.
• 44:02
  Speaker 1: He's like, man, what did I do?
• 44:05
  Speaker 4: What did the sniper do wrong? You wanted to get
• 44:10
  Speaker 4: vision attention. The only person you can do is kill her.
• 44:13
  Speaker 1: Yeah. He thought he did a great job. He was like,
• 44:18
  Speaker 1: he polished off his little sniper set. He was like,
• 44:23
  Speaker 1: He went back in there. So you see what I did? Dammit.
• 44:31
  Speaker 1: And he killed that man and just kept, don't kill
• 44:34
  Speaker 1: me and just keep it moving.
• 44:35
  Speaker 3: Oh, you're not going to kill me and just keep
• 44:37
  Speaker 3: it moving.
• 44:38
  Speaker 2: So anyway, what time is the quarter?
• 44:40
  Speaker 1: You ain't just going to walk off after you shot
• 44:43
  Speaker 1: me in the head. You better say some stuff.
• 44:48
  Speaker 3: Remember how Manboy died in Snowfall?
• 44:51
  Speaker 1: Oh, the best. Manboy had the greatest death ever. It
• 44:55
  Speaker 1: was like, see, your punk ass could never measure up. Pow, pow, pow, pow.
• 45:02
  Speaker 1: And that's what it was all about, wasn't it? You
• 45:05
  Speaker 1: wanted to run. Pow, pow, pow, pow. Yeah. You motherfucker.
• 45:12
  Speaker 1: You wasn't hard enough for this. You wasn't built for it. Pow, pow.
• 45:18
  Speaker 3: You told me to snipe, I sniped. You gonna let
• 45:21
  Speaker 3: me get my shit on.
• 45:22
  Speaker 2: Bro, Man Boy was like, I got all kind.
• 45:25
  Speaker 1: Of things to say.
• 45:27
  Speaker 3: He died for 15 minutes, man.
• 45:31
  Speaker 1: Bad boy. That's how I'm going out. Nice and slow. Oh,
• 45:36
  Speaker 1: for sure.
• 45:36
  Speaker 2: That's what I thought you'd do.
• 45:38
  Speaker 1: Shoot me. Guess what? They closing in on you. They
• 45:41
  Speaker 1: closing in on you. They closing in. You can kill me.
• 45:45
  Speaker 2: I ain't going to be dead.
• 45:46
  Speaker 1: I said, dang. You still going to fail.
• 45:52
  Speaker 2: That's all you got?
• 45:53
  Speaker 1: Bullets? You just going to destroy my internal organs like that?
• 45:57
  Speaker 1: So I'm just going to bleed out. I'm going to
• 46:02
  Speaker 1: be struggling to get some shit. No, I ain't dead yet.
• 46:04
  Speaker 1: Hold on.
• 46:06
  Speaker 3: Got blood coming up, so it's hard for me to
• 46:08
  Speaker 3: talk at the same.
• 46:10
  Speaker 1: Time. Turn me over so I can spit out. Ah, thanks.
• 46:17
  Speaker 1: Your mystical fail. Thanks. Thanks is crazy. Do you remember
• 46:25
  Speaker 1: in Game of Thrones when Rhaenyra had to kill the
• 46:28
  Speaker 1: dude and she missed? She tried to cut his head
• 46:31
  Speaker 1: off and she hit the shoulder. I don't remember that.
• 46:33
  Speaker 1: You don't remember?
• 46:34
  Speaker 2: It was like, you got to be queen. You got
• 46:36
  Speaker 2: to cut his head off.
• 46:37
  Speaker 1: He was like, come on.
• 46:37
  Speaker 4: The dude was about to die. Like, man, just do
• 46:39
  Speaker 4: it for me, man. She didn't really have a sword, man.
• 46:42
  Speaker 4: She's going to hack me up. And they was like, nah, man.
• 46:45
  Speaker 4: Rainier got to do it. She was snotting out her nose.
• 46:48
  Speaker 4: You don't remember that?
• 46:50
  Speaker 1: That's on this latest season? Yes. Before she took the throne,
• 46:53
  Speaker 1: she had to kill that man. And she was like
• 46:55
  Speaker 1: throwing up and stuff.
• 46:56
  Speaker 2: She was nervous. And she missed his head.
• 46:58
  Speaker 1: And Tom... It was Otto. Oh, my God. Hold on.
• 47:06
  Speaker 1: She killed Otto and she wasn't ready.
• 47:08
  Speaker 2: I got to finish this season.
• 47:11
  Speaker 1: Oh, man. I'm not in my right thing. Commercials, man. Premium, man.
• 47:15
  Speaker 1: Let me get to my writing. Get the good background going.
• 47:18
  Speaker 1: All right. Shoot. In here.
• 47:23
  Speaker 2: Killed Otto.
• 47:28
  Speaker 1: Yeah.
• 47:29
  Speaker 2: She wasn't ready, Tom.
• 47:41
  Speaker 1: He's like, oh man, come on. Just get it over with. Man,
• 47:56
  Speaker 1: hurry the hell up. That's what I would be like.
• 47:59
  Speaker 1: If I know I'm dying, man, just hurry the hell up.
• 48:03
  Speaker 1: Shoot me and me first. She told him she's not ready. Like,
• 48:13
  Speaker 1: just shut the hell up, dog. You know? You weird.
• 48:17
  Speaker 1: You do this all the time. And you can't stab him.
• 48:20
  Speaker 1: You got to cut his head off. Really?
• 48:22
  Speaker 3: It's got to be hard cutting.
• 48:24
  Speaker 1: Somebody's head off. Spare me from being hacked to death.
• 48:32
  Speaker 1: Spare me. Spare me.
• 48:34
  Speaker 3: I respect that. Don't hack me up, man.
• 48:38
  Speaker 1: One. She like, damn it. She ain't never killed nobody.
• 48:49
  Speaker 3: Yeah, that's tough, man.
• 48:50
  Speaker 1: I mean, I'm familiar with a sword, but come on, man.
• 48:53
  Speaker 3: Yeah, man, I seen one on TV.
• 48:55
  Speaker 1: You know, Kingsguard.
• 48:58
  Speaker 2: Kingswood and all.
• 49:00
  Speaker 1: You didn't see this? I don't remember this. What episode
• 49:04
  Speaker 1: is this? I'm only like maybe... You ain't caught up?
• 49:08
  Speaker 3: No, I'm not caught up. I started this season. I
• 49:11
  Speaker 3: think I'm only like.
• 49:12
  Speaker 2: Two or three episodes in. All right, we'll get to it.
• 49:22
  Speaker 2: He's trying to help her.
• 49:27
  Speaker 1: No, they didn't. Oh, shit.
• 49:36
  Speaker 3: So he had to get hacked up. It took us several,
• 49:40
  Speaker 3: several chops.
• 49:41
  Speaker 1: Several chops. Oh, that's the worst. He hit him in
• 49:44
  Speaker 1: the shoulder blades, man.
• 49:46
  Speaker 3: That's the worst, dog.
• 49:47
  Speaker 1: Was he crying? He's like, ah! If you're going to
• 49:51
  Speaker 1: execute me, man, you got to have a winning record, man.
• 49:55
  Speaker 1: You can't be new. If I'm going to be executed, well, wait,
• 49:58
  Speaker 1: how long you been on the job?
• 49:59
  Speaker 3: It's my first day.
• 50:00
  Speaker 1: Nah, man. Nah. You're Krista Pike now. Y'all done put
• 50:04
  Speaker 1: the lethal injection in me. She really.
• 50:07
  Speaker 3: It was like, is that all you got?
• 50:11
  Speaker 1: She was bad boy.
• 50:13
  Speaker 3: She's still alive.
• 50:15
  Speaker 1: She's in jail regular now. They tried her twice. Put
• 50:19
  Speaker 1: the injection back in there. She woke up in the hospital.
• 50:23
  Speaker 3: What happened? Where am I? What year is it? You
• 50:31
  Speaker 3: on death row.
• 50:32
  Speaker 1: We tried to execute you. I should have got a
• 50:35
  Speaker 1: last meal after all. That's crazy.
• 50:39
  Speaker 4: Y'all can't just put me back in regular jail now.
• 50:43
  Speaker 4: I deserve something.
• 50:45
  Speaker 1: You had the last meal, they executed you, and you
• 50:49
  Speaker 1: wake up, coma. What is this? Imagine that, Dan. No,
• 50:56
  Speaker 1: we don't.
• 50:56
  Speaker 2: Actually, you got some paperwork to sign. It didn't go.
• 51:00
  Speaker 1: I can't even fathom. going through this.
• 51:04
  Speaker 2: You've already accepted death.
• 51:05
  Speaker 1: You was like, yo, I'm dying tomorrow at 2 p.m.
• 51:09
  Speaker 1: Pacific Standard Time. That's in your mind.
• 51:13
  Speaker 2: Wednesday at 2 p.m.
• 51:14
  Speaker 1: She declined her final meal. She didn't even eat? No,
• 51:18
  Speaker 1: she was just like, and then, that's one thing I'm
• 51:21
  Speaker 1: not going to do. I'm getting that final meal. I
• 51:25
  Speaker 1: want waffles, pancakes, crispy edges, split, french toast, maximum, a
• 51:30
  Speaker 1: jar of peanut butter, crunchy, And a nice water.
• 51:35
  Speaker 3: And I'm finishing all of it.
• 51:36
  Speaker 2: You ain't even been having a soda for your last meal?
• 51:39
  Speaker 1: No, I don't love soda. I never did. Juice? Your
• 51:45
  Speaker 1: last meal, you drinking water? Yeah.
• 51:48
  Speaker 2: Oh, my God.
• 51:49
  Speaker 1: I'm not passionate about any drink except for water. It's
• 51:55
  Speaker 1: your last meal. You don't want a milkshake.
• 51:57
  Speaker 3: We had them milkshakes.
• 51:58
  Speaker 1: Now, that shake, that's a different conversation. It's your last thing.
• 52:01
  Speaker 1: You're drinking your drink. You can't have water for your
• 52:03
  Speaker 1: last meal, Tom. That's crazy. I'm getting it because I
• 52:06
  Speaker 1: got to wash down the peanut butter and the fresh
• 52:08
  Speaker 1: toast and the waffles. I can't wash it down with
• 52:11
  Speaker 1: a shake. That's going to be my execution right there.
• 52:15
  Speaker 1: He died before we could execute him. He tried to
• 52:18
  Speaker 1: wash his waffles and pancakes down with a shake.
• 52:22
  Speaker 3: He dead, y'all. That's a way to go out, though.
• 52:26
  Speaker 3: That's a great death.
• 52:27
  Speaker 1: Popeye's biscuit did it to me. Just some Popeye's biscuits
• 52:31
  Speaker 1: with the milkshake wash now. He gone, y'all. He gone.
• 52:36
  Speaker 1: He gone, Tony. He gone. Cause of death, biscuit and shake.
• 52:43
  Speaker 3: I might do pizza as well. There you go. From Chicago.
• 52:46
  Speaker 1: Bean crust?
• 52:47
  Speaker 2: Bean crust, for sure. Yeah, tavern style. You know how
• 52:50
  Speaker 2: we do.
• 52:50
  Speaker 3: Here's the thing about Chicago, man. We was never calling
• 52:53
  Speaker 3: it that.
• 52:54
  Speaker 2: Tavern style?
• 52:55
  Speaker 1: We never said that. It was just pizza to us.
• 52:59
  Speaker 1: It was either pizza or it was deep dish.
• 53:01
  Speaker 4: So wait, do the Chicago people don't like the assumption
• 53:05
  Speaker 4: that they eat deep dish pizza?
• 53:07
  Speaker 1: I've noticed in a lot of conversations. Yeah, because they
• 53:09
  Speaker 1: act like that's all we ate living in Chicago. They
• 53:12
  Speaker 1: act like deep dish. No, deep dish was a luxury.
• 53:16
  Speaker 2: Because we come as tourists.
• 53:17
  Speaker 1: We're graduating tonight. We're going to Lou Malnati. Woo, deep dish.
• 53:23
  Speaker 1: D-Dish was a moment. You can't just be eating that
• 53:26
  Speaker 1: all the time.
• 53:27
  Speaker 2: It's too much. It's too much. It's way, way too much.
• 53:31
  Speaker 1: 90% of the time, we're getting regular pizza.
• 53:36
  Speaker 3: I'd say even 95.
• 53:37
  Speaker 1: 95. I remember the first time I had D-Dish, I
• 53:40
  Speaker 1: was just like, what the hell is this shit?
• 53:43
  Speaker 3: Why the sauce on the top?
• 53:44
  Speaker 1: I was confused.
• 53:45
  Speaker 3: Why the sauce on the top? I was looking around.
• 53:49
  Speaker 3: What is this? That sauce on the top blew my
• 53:54
  Speaker 3: ass off.
• 53:54
  Speaker 1: No, that is crazy, though. When I first went to D'Ordano's,
• 53:57
  Speaker 1: I was like, what the hell is that? What's up?
• 54:00
  Speaker 1: All right. Where's the rest of the pizza?
• 54:02
  Speaker 3: I'm used to pizza, cutting squares, cheese melted.
• 54:06
  Speaker 1: Sauce underneath the cheese. Yeah.
• 54:09
  Speaker 2: The sauce on top.
• 54:09
  Speaker 1: I saw the sauce on top. I was like, what's this?
• 54:12
  Speaker 3: What's this?
• 54:12
  Speaker 1: Spaghetti? This pizza's naked, man. I was confused.
• 54:17
  Speaker 2: Yeah, it's a lot, too.
• 54:19
  Speaker 1: But then when I had it with the mixture of
• 54:20
  Speaker 1: that crust, I was like, they own something.
• 54:24
  Speaker 2: It's a heavy thing.
• 54:25
  Speaker 4: But if you ask me, no funny Chicago stuff, I
• 54:29
  Speaker 4: don't have to have deep dish ever again.
• 54:31
  Speaker 1: Okay.
• 54:31
  Speaker 2: Because the regular.
• 54:32
  Speaker 4: I don't dislike it, but it's like having Thanksgiving dinner.
• 54:36
  Speaker 1: Yeah. Like... I don't really need that much. That's like
• 54:41
  Speaker 1: handheld lasagna, like the level of depth to it.
• 54:44
  Speaker 4: And I'm like, man, that's like one slice. And I'm like,
• 54:47
  Speaker 4: all right, I can't. Like, I like thin pizza. I
• 54:50
  Speaker 4: could just go.
• 54:52
  Speaker 3: To town on the thin. One large just for me.
• 54:55
  Speaker 2: Tony, I ordered two weeks ago on the road.
• 54:58
  Speaker 1: I thought Greg and Josh were in their rooms.
• 55:01
  Speaker 2: I ordered a whole pizza.
• 55:02
  Speaker 1: Did you finish? No.
• 55:05
  Speaker 2: I ordered wings. Ordered potato skins. Yeah. I had a
• 55:08
  Speaker 2: can of Dr. Pepper and a bottle of Sprite.
• 55:11
  Speaker 1: You went in. I was naked. And then Josh and
• 55:15
  Speaker 1: Greg were at the thing. I was like, who are
• 55:16
  Speaker 1: you eating with? I was like, it's just me, y'all.
• 55:20
  Speaker 3: So wait, you had pizza, potato wedges, wings, Dr.
• 55:24
  Speaker 1: Pepper, and Sprite.
• 55:25
  Speaker 2: Did you eat both sodas?
• 55:31
  Speaker 1: I was Kevin McAllister, man. I don't even know why
• 55:35
  Speaker 1: I did that.
• 55:36
  Speaker 3: It was like you woke up rich.
• 55:38
  Speaker 1: And out of your parents' house, and you was just like,
• 55:41
  Speaker 1: I'm getting everything. I can do what I want.
• 55:44
  Speaker 4: I was like, Kevin, you don't even be drinking soda
• 55:47
  Speaker 4: like that. I got used to, but now I'm like,
• 55:50
  Speaker 4: them calories are too easily wasted.
• 55:52
  Speaker 1: For sure. But once I'm off the bandwagon, I got
• 55:54
  Speaker 1: a heroin needle in here. I'm sniffing coke. Smoking weed.
• 55:57
  Speaker 1: What's up, Tony? No. I had a great show, man.
• 56:02
  Speaker 1: What's wrong, Kev? Nothing, man. Woo! Yes!
• 56:06
  Speaker 2: What you catching? Pizza sauce on.
• 56:09
  Speaker 1: Woo! Yeah, grief sucks, man. Sauce on your collarbone. You
• 56:16
  Speaker 1: know those movies with the coked out guys always in
• 56:18
  Speaker 1: the robe and drawers? That's you that used coked out
• 56:21
  Speaker 1: on the pizza. You got sauce right here on your nipples.
• 56:24
  Speaker 1: That's what y'all need to do to create the next
• 56:27
  Speaker 1: best screenplay. Woo! Y'all want some of this?
• 56:32
  Speaker 3: Nah, nah.
• 56:33
  Speaker 1: We good, Kev. We good. I was killing that pizza.
• 56:37
  Speaker 1: I ate a good amount, though.
• 56:39
  Speaker 2: I didn't even bother.
• 56:40
  Speaker 1: What was the toppings?
• 56:41
  Speaker 2: Supreme. I love I got onions going, peppers, little black olives.
• 56:47
  Speaker 1: I only eat olives. I love black olives on pizza.
• 56:51
  Speaker 1: Olives on pizza, they know their role. Any other time
• 56:55
  Speaker 1: olives want to be David Ruffin, when you get in
• 56:57
  Speaker 1: with the Supreme, you as always.
• 56:59
  Speaker 4: You blue, you not doing too much. The flavor is muted.
• 57:03
  Speaker 4: The green olives, the olive bar, too much olive. It's
• 57:07
  Speaker 4: the flavor too forward.
• 57:09
  Speaker 2: It is sour.
• 57:10
  Speaker 1: Black olives, like, hey man, I'm just here to support
• 57:13
  Speaker 1: the other peppers and vegetables. I know I'm just a
• 57:16
  Speaker 1: little flavor hint. You got the sauce. Yeah, I'm the
• 57:21
  Speaker 1: base at most, man.
• 57:23
  Speaker 2: I'm just driving the van.
• 57:24
  Speaker 1: I'm cool.
• 57:24
  Speaker 2: I'm helping with the merch.
• 57:26
  Speaker 1: Lead singer?
• 57:27
  Speaker 2: I could never be me. I'm Black Olive.
• 57:29
  Speaker 1: I'm selling t-shirts in the back. I'm selling t-shirts.
• 57:31
  Speaker 4: I'm just cool, man. I make sure the green room's safe, man.
• 57:33
  Speaker 4: I don't even want no women. That's all I like
• 57:37
  Speaker 4: about olives. Alyssa can do the pitted, the bar.
• 57:41
  Speaker 2: I'd be like, man, these are disgusting.
• 57:44
  Speaker 1: Olives are a lot.
• 57:45
  Speaker 2: Olives are disgusting.
• 57:47
  Speaker 1: Disgusting unless they know they roll on the Supreme Court.
• 57:50
  Speaker 3: I'll throw them in the pizza in a minute.
• 57:52
  Speaker 1: Yeah. I'm getting pizza this weekend because I got to
• 57:54
  Speaker 1: go to Chicago for my father's celebration of life. So
• 57:58
  Speaker 1: I'm going to go out there. I'll get that Thursday.
• 58:01
  Speaker 1: I'm going to get pizza.
• 58:03
  Speaker 2: Get pizza, Tom.
• 58:03
  Speaker 1: I'm going to get pizza.
• 58:04
  Speaker 3: I'll probably have it Friday. I don't know if I'm
• 58:06
  Speaker 3: going to have it.
• 58:06
  Speaker 1: Probably Thursday because we're watching the Bears Thursday. This is
• 58:09
  Speaker 1: what I like about me and you. This trip, you've
• 58:13
  Speaker 1: been thinking about that pizza for 12 business days.
• 58:15
  Speaker 3: I've already mapped it out.
• 58:16
  Speaker 1: You can see yourself in front of the TV watching
• 58:20
  Speaker 1: the Bears. The pizza is in hand. It's 12 business
• 58:23
  Speaker 1: days away. I'll be like, okay, where am I going? Hawaii?
• 58:27
  Speaker 1: Next Saturday, I'll probably go by that one place that
• 58:30
  Speaker 1: got the cheeseburger. It's called Cheeseburger. They got a pulled
• 58:32
  Speaker 1: pork thing. That's probably going to be my Saturday. When
• 58:35
  Speaker 1: I get in Wednesday, there's the soul food restaurant I've
• 58:37
  Speaker 1: been checking in.
• 58:38
  Speaker 3: Food is my main plan.
• 58:41
  Speaker 1: I'm in the restaurant in my mind. Every time. When
• 58:45
  Speaker 1: I go to.
• 58:46
  Speaker 2: Chicago, I'm like, okay, boom. I want a hot dog.
• 58:51
  Speaker 1: I'ma get that, I'll probably get some tavern-style, just sausage
• 58:54
  Speaker 1: and cheese. Okay, I'm going maple and ash, that's Friday.
• 58:57
  Speaker 4: Matter of fact, I'm skipping lunch for that, because.
• 58:59
  Speaker 1: I- You gotta know. They got this pasta sauce, they got, oh, that's.
• 59:05
  Speaker 2: Gonna be great.
• 59:06
  Speaker 1: That's why I hate going to cities where my food
• 59:09
  Speaker 1: situation is, not solid. Yeah, for sure. I don't know
• 59:13
  Speaker 1: what they got. I hate that feeling. There's nothing better
• 59:16
  Speaker 1: to me than going to a city that I know
• 59:19
  Speaker 1: has good food.
• 59:20
  Speaker 4: The restaurants that I love are open. I know they're open.
• 59:24
  Speaker 4: I've got my reservation.
• 59:26
  Speaker 1: I'm just like, I can't wait. I'm getting everything. I'm
• 59:30
  Speaker 1: going to Flower Child at 2 p.m. on Saturday.
• 59:34
  Speaker 4: This reminds me, one of my favorite Tony Baker stories,
• 59:37
  Speaker 4: we was in New York doing the Ball Brothers. Tony
• 59:39
  Speaker 4: was going to this place, vegan place that had this.
• 59:42
  Speaker 1: He's food. He's food. Me and Josh and Tahir and B. Lou, Greg, like, oh, yeah,
• 59:48
  Speaker 1: we'll come with you. All right, listen, y'all. No way.
• 59:52
  Speaker 4: We all walking together, laughing, talking. Yeah, man, we going here.
• 59:57
  Speaker 4: He has some 15 minutes.
• 59:58
  Speaker 1: Tony just turns around. Hey, man, y'all got to come.
• 1:00:02
  Speaker 1: Because I don't want to hear it if y'all don't
• 1:00:03
  Speaker 1: like the vegan food. He's not joking or smiling. Hey,
• 1:00:07
  Speaker 1: y'all got to come. We're like, what, Tony? We coming.
• 1:00:10
  Speaker 4: Nah, man, because I've been looking forward to these biscuits
• 1:00:12
  Speaker 4: over at Peace Food. If y'all not going to like it, man,
• 1:00:15
  Speaker 4: then just leave me alone. Leave it to me by myself.
• 1:00:19
  Speaker 4: We've been to this restaurant with you. We like it.
• 1:00:22
  Speaker 1: All right, then, because as soon as somebody says something about.
• 1:00:25
  Speaker 2: It, man, I don't want to hear it, man.
• 1:00:27
  Speaker 1: And B.
• 1:00:27
  Speaker 4: Lou, you always be ordering something you be wasting, man.
• 1:00:31
  Speaker 4: If you ain't going to eat it, man, just shut
• 1:00:33
  Speaker 4: up about it. Y'all don't got to come over here
• 1:00:34
  Speaker 4: and eat it with me. Y'all don't have to come
• 1:00:36
  Speaker 4: over here and eat it with me because I ain't
• 1:00:38
  Speaker 4: asked y'all to do all that. So just eat it
• 1:00:41
  Speaker 4: in hush or just don't come.
• 1:00:46
  Speaker 3: I was dead serious, though.
• 1:00:48
  Speaker 1: I don't want to hear shit from y'all. Y'all ain't
• 1:00:51
  Speaker 1: feeling this. I don't even want to hear it. You
• 1:00:53
  Speaker 1: didn't have to come. Go get your chicken wings and
• 1:00:56
  Speaker 1: shut the hell up. You sound like Black Dynamite. I
• 1:01:02
  Speaker 1: ain't even got to look. Shut the hell up, Euphoria.
• 1:01:06
  Speaker 1: I know that. I ain't even got to look.
• 1:01:12
  Speaker 3: She curled back. She was like, So when you walk.
• 1:01:16
  Speaker 2: In there, you're just like, man, these niggas say something
• 1:01:19
  Speaker 2: about these.
• 1:01:20
  Speaker 3: Because, man.
• 1:01:21
  Speaker 1: Why are you talking about it? People just be annoying
• 1:01:27
  Speaker 1: about vegan food. Man, it tastes like, what's in it? Man,
• 1:01:30
  Speaker 1: I don't want to hear shit about shit.
• 1:01:35
  Speaker 3: You don't have to go. Go to your greasy spoon.
• 1:01:39
  Speaker 1: Leave me the hell alone.
• 1:01:40
  Speaker 3: I know what I'm going for and I enjoy it.
• 1:01:42
  Speaker 1: Oh, God. I didn't even want to hear it. And
• 1:01:48
  Speaker 1: we went. It was good. We had a great time.
• 1:01:50
  Speaker 1: We've been there like three times. I could see it
• 1:01:55
  Speaker 1: was the first time. We was out talking, what's the place?
• 1:01:59
  Speaker 1: We'll go with you. Hey, man, if y'all don't eat it,
• 1:02:02
  Speaker 1: then just don't come. We asked you. Oh, man. It
• 1:02:11
  Speaker 1: was funny, bro. It was funny. All right, let's finish
• 1:02:15
  Speaker 1: up with Vision Quest. Vision was kind of... So Vision
• 1:02:21
  Speaker 1: goes in there. They set the trap for him to
• 1:02:23
  Speaker 1: save that boy. They leave the door cracked.
• 1:02:26
  Speaker 2: Yeah.
• 1:02:27
  Speaker 1: He did it on... I mean, he... I think Vision
• 1:02:29
  Speaker 1: was just bored. I was just like, that was a trap.
• 1:02:32
  Speaker 1: Ultron basically said, man, come on, bro. You ain't doing
• 1:02:35
  Speaker 1: nothing over here. Yeah. They gonna come find you. Let's
• 1:02:38
  Speaker 1: just speed it forward. And I get that.
• 1:02:40
  Speaker 2: You got the lady killed.
• 1:02:42
  Speaker 1: It ain't your son. Let's just do something, man. It's boring.
• 1:02:45
  Speaker 1: It's boring. That's all Ultron was like. Man, we ain't
• 1:02:48
  Speaker 1: cause no chaos. I've been in this attic with all
• 1:02:51
  Speaker 1: this random stuff in here. Man, let's get it cracking. Yeah.
• 1:02:54
  Speaker 4: And I think Vision secretly wanted it. Like, you want
• 1:02:57
  Speaker 4: to give in to your... You don't have to have Ultron.
• 1:03:00
  Speaker 1: Yeah. If you don't have Ultron, you're not doing that.
• 1:03:04
  Speaker 1: So Vision really wants to experience that part, which is
• 1:03:08
  Speaker 1: an interesting thing about the human psyche. Yeah.
• 1:03:11
  Speaker 2: Sometimes we do want to give in to our darkest desire.
• 1:03:13
  Speaker 1: Yeah.
• 1:03:14
  Speaker 2: Sometimes we know it's pleasure. We shouldn't do it.
• 1:03:16
  Speaker 1: Right.
• 1:03:16
  Speaker 4: Sometimes we're unlocking and allowing the Ultron to lead us,
• 1:03:20
  Speaker 4: and we know Ultron is wrong.
• 1:03:21
  Speaker 2: We're like, what you mean? No, I shouldn't be doing that.
• 1:03:24
  Speaker 1: Yeah. Okay.
• 1:03:25
  Speaker 2: I guess I got to go.
• 1:03:28
  Speaker 1: Shouldn't be doing that. Yeah. I'm going to do it,
• 1:03:30
  Speaker 1: I guess. We shouldn't be doing this. That's some of
• 1:03:36
  Speaker 1: the best sex of all time. We shouldn't be doing
• 1:03:41
  Speaker 1: this sex is, let me tell you something. People can
• 1:03:50
  Speaker 1: act holier than thou and high horse. We shouldn't be
• 1:03:55
  Speaker 1: doing this sex is some of the best sex of rap.
• 1:03:58
  Speaker 1: Once you get the panties off, like, man, we shouldn't
• 1:04:00
  Speaker 1: be doing this. With the lift up. We shouldn't be
• 1:04:03
  Speaker 1: doing this. We shouldn't be doing this. It'd be the best. Oh, stop, stop.
• 1:04:12
  Speaker 1: What are we doing? What are we doing? I go
• 1:04:20
  Speaker 1: to work. I go to work. We shouldn't be doing this.
• 1:04:26
  Speaker 1: We shouldn't be.
• 1:04:27
  Speaker 3: Doing this sex.
• 1:04:28
  Speaker 1: It's crazy. It's the best, man. Are we really doing this?
• 1:04:32
  Speaker 1: What you mean? This is crazy. It is. Thrust.
• 1:04:40
  Speaker 3: Thrust.
• 1:04:42
  Speaker 1: Thrust. And y'all know I ain't lying, either. Oh, yeah, man.
• 1:04:47
  Speaker 1: We should be doing this. We should be doing this here. Right.
• 1:04:51
  Speaker 2: You know, we.
• 1:04:52
  Speaker 1: The kids, they awake. They might come in here for
• 1:04:56
  Speaker 1: a kiss. I don't slid in.
• 1:04:58
  Speaker 3: My parents are in there.
• 1:04:59
  Speaker 1: Oh, damn.
• 1:05:01
  Speaker 3: Fuck your parents. Somebody might see us in the car.
• 1:05:06
  Speaker 1: Oh, dear. Damn, man. Let a truck driver drive past.
• 1:05:14
  Speaker 1: We at work.
• 1:05:15
  Speaker 3: We in the freezer.
• 1:05:16
  Speaker 1: I know where we at. Yeah, Dairy Queen in the
• 1:05:19
  Speaker 1: deep freezer. I feel a blizzard on the way. Oh,
• 1:05:29
  Speaker 1: that is the best, man. Oh, God, dog. We should
• 1:05:33
  Speaker 1: be doing this. You know, a little threat of danger, visibility. Yes.
• 1:05:38
  Speaker 1: What if somebody comes? What if they come? It is.
• 1:05:41
  Speaker 1: What if I come? I remember I tried to use
• 1:05:48
  Speaker 1: that because I busted off quick one time.
• 1:05:53
  Speaker 3: She got on top of me, man. I exploded too quick.
• 1:05:56
  Speaker 1: I was like, we don't need to be doing this.
• 1:06:01
  Speaker 3: I had no reason to say it, dog.
• 1:06:03
  Speaker 1: We absolutely could have been doing this.
• 1:06:09
  Speaker 3: She told me off too quick, dog. I was like, man,
• 1:06:11
  Speaker 3: we don't need to be doing this. I was depleted.
• 1:06:17
  Speaker 1: Yeah.
• 1:06:20
  Speaker 3: She was just like, all right.
• 1:06:24
  Speaker 1: We should be doing this. Also, I can't do this. 35,
• 1:06:29
  Speaker 1: 45 minutes.
• 1:06:30
  Speaker 3: She was bouncing on me tough.
• 1:06:36
  Speaker 1: We'll need to be doing this. We could have absolutely
• 1:06:40
  Speaker 1: been doing that. She didn't give me any chance to
• 1:06:43
  Speaker 1: get my feet together. She was bouncing. It's crazy. Oh,
• 1:06:50
  Speaker 1: she was bouncing. Sometimes you can't even calibrate. Oh, sorry, sorry. Sorry, sorry. Sorry, sorry.
• 1:07:01
  Speaker 1: I wasn't ready. My shoes are still on. Because you
• 1:07:05
  Speaker 1: know how sometimes women just get up there and they
• 1:07:08
  Speaker 1: just kind of grind. Yeah, yeah. She will need to
• 1:07:16
  Speaker 1: be doing this. She smashed me. I didn't do nothing.
• 1:07:29
  Speaker 3: She smashed me, dog. She smashed me up tough.
• 1:07:37
  Speaker 1: The whole process, I'm just laying there. She put the
• 1:07:40
  Speaker 1: condom on me. She tried to be cute and put
• 1:07:42
  Speaker 1: it on with her mouth. She did something with it.
• 1:07:48
  Speaker 3: I'm still trying to hang in there. She got it
• 1:07:51
  Speaker 3: on there. I'll ride on.
• 1:07:55
  Speaker 1: We'll need to be doing this. She had to know.
• 1:07:59
  Speaker 1: She had to. She had to know, man. You go
• 1:08:02
  Speaker 1: soft immediately.
• 1:08:04
  Speaker 2: Once you're done, you're like, I'm nothing.
• 1:08:05
  Speaker 1: I said, we'll need to be doing this.
• 1:08:16
  Speaker 3: If you're still watching me, I'm sorry. I never got revenge.
• 1:08:24
  Speaker 1: You can't always get revenge. Some L's are yours to take, man.
• 1:08:28
  Speaker 1: That's what I love about marriage. You can get your revenge.
• 1:08:31
  Speaker 3: You can get your revenge in marriage.
• 1:08:33
  Speaker 1: That's my bad. Yeah. I got you. I got you
• 1:08:36
  Speaker 1: on Thursday, baby girl. Just give me a day in
• 1:08:39
  Speaker 1: the afternoon. You know me. You know me. I'm good.
• 1:08:42
  Speaker 1: I'm good for it. But right now, I think I
• 1:08:46
  Speaker 1: got nothing. We had seven wonderful seasons. This game just
• 1:08:51
  Speaker 1: wasn't it. I caused the safety. I threw three interceptions
• 1:08:56
  Speaker 1: and fumbled twice. Come on, you know I'm better than this.
• 1:08:59
  Speaker 1: We got Super Bowl rings. I did not have my
• 1:09:02
  Speaker 1: best stuff tonight. You know, we're going to go in
• 1:09:05
  Speaker 1: and look at the film, you know, see what I
• 1:09:07
  Speaker 1: can improve on.
• 1:09:08
  Speaker 3: That's why I messed up.
• 1:09:10
  Speaker 2: When you pulled the condom, I was- I should have
• 1:09:13
  Speaker 2: pulled back.
• 1:09:13
  Speaker 1: I kept going. And then, you know, but hey, hey.
• 1:09:16
  Speaker 1: So Tony, when you said we should be doing this-
• 1:09:21
  Speaker 1: What did you really mean? I mean, I expired my
• 1:09:26
  Speaker 1: whole clip. I had nothing left in the chamber. She
• 1:09:31
  Speaker 1: broke me off. She bounced hard. And then I fired off.
• 1:09:40
  Speaker 2: Next question.
• 1:09:43
  Speaker 3: Did you ever get revenge? I got cut from the team.
• 1:09:47
  Speaker 3: I got cut from the team.
• 1:09:49
  Speaker 1: That was my one and only game, y'all. I look
• 1:09:55
  Speaker 1: forward to greener pastures with different teams going forward. What
• 1:10:01
  Speaker 1: did Bill Belichick say? The Patriots got smashed. He kept saying,
• 1:10:06
  Speaker 1: we're on to Cleveland. Whatever the team was, he just
• 1:10:08
  Speaker 1: kept answering that question. What do you think about we're
• 1:10:10
  Speaker 1: on to Cleveland? Your quarterback threw me and we're on
• 1:10:14
  Speaker 1: to Cleveland, man.
• 1:10:15
  Speaker 3: The girl was who we thought she was.
• 1:10:19
  Speaker 1: And I let her off the hook. Playoffs? Playoffs? Playoffs?
• 1:10:25
  Speaker 1: I busted off. She threw three bounces on me. Playoffs?
• 1:10:31
  Speaker 1: We talking about practice, man. Not the game. She did
• 1:10:36
  Speaker 1: three bounces and I busted off, man. Man, I was
• 1:10:38
  Speaker 1: out of here, dog. Oh, God. Okay. Okay.
• 1:10:43
  Speaker 2: Man, forget Vision.
• 1:10:44
  Speaker 1: We done with that.
• 1:10:46
  Speaker 2: I'm sorry.
• 1:10:47
  Speaker 1: We ain't.
• 1:10:48
  Speaker 4: Go to Emergency Awesome if you want the true breakdown.
• 1:10:51
  Speaker 4: This is much funnier than anything Vision could have done.
• 1:10:53
  Speaker 4: We'll be back next week to talk about this. Now,
• 1:10:57
  Speaker 4: the drop, let's just touch on that quickly.
• 1:10:59
  Speaker 1: Okay.
• 1:11:02
  Speaker 2: Episode six.
• 1:11:04
  Speaker 1: Is it six or seven?
• 1:11:06
  Speaker 2: It's six. Because I went to download a new episode.
• 1:11:09
  Speaker 3: Oh, yeah, because they only got eight episodes.
• 1:11:10
  Speaker 2: They only got eight episodes.
• 1:11:12
  Speaker 1: So episode six. Episode six. We coming off with a
• 1:11:16
  Speaker 1: family reveal of the family drama. Yeah. So we got
• 1:11:20
  Speaker 1: that bullshit out the way. And now we back on
• 1:11:24
  Speaker 1: the streets and the record company. Yes. The white lady,
• 1:11:30
  Speaker 1: her name is escaping me. I forget her name.
• 1:11:32
  Speaker 2: She got her, Jim?
• 1:11:33
  Speaker 3: The white label head.
• 1:11:35
  Speaker 4: She got her job back, whatever her name is. These
• 1:11:38
  Speaker 4: two songs, Ambitions of a Writer and Da-da-da-da-da-da-da-da-da. Ain't nobody.
• 1:11:48
  Speaker 2: She got her job back. Now they got an album.
• 1:11:51
  Speaker 1: Lamar believes he is the sole producer of this album.
• 1:11:56
  Speaker 1: These people are like, what the hell are you talking about, man?
• 1:11:59
  Speaker 1: We getting multiple producers in here. You ain't got no
• 1:12:03
  Speaker 1: track record. You got nothing going.
• 1:12:06
  Speaker 3: Which, I will say this though, since this is set
• 1:12:09
  Speaker 3: in like, what, 91?
• 1:12:09
  Speaker 1: Yeah, yeah, yeah. Hip hop. Early on in hip hop,
• 1:12:15
  Speaker 1: a lot of albums weren't doing multiple producers. No.
• 1:12:20
  Speaker 3: They were sticking with one producer.
• 1:12:21
  Speaker 1: No. And then, so, of course, Lamar's going to be thinking, yo,
• 1:12:26
  Speaker 1: I'll do the whole album. Yep. Because that's how it
• 1:12:28
  Speaker 1: was back then. Now, eventually, after Illmatic on up, that's
• 1:12:32
  Speaker 1: when people started pulling their mad producers. So he's just like, yeah, nah.
• 1:12:38
  Speaker 1: And they were like, man, hell nah.
• 1:12:41
  Speaker 3: You know what you mean?
• 1:12:42
  Speaker 1: Hey!
• 1:12:43
  Speaker 2: At this point in time, Lamar, he's in a creative drought.
• 1:12:47
  Speaker 1: Yeah. So he can't make no beats. Artillery gave him
• 1:12:49
  Speaker 1: the real. Yeah.
• 1:12:51
  Speaker 2: He was like, man.
• 1:12:52
  Speaker 1: Well, he went in there and played them beats for
• 1:12:55
  Speaker 1: them people. They was like, oh, brother, this guy stinks.
• 1:13:01
  Speaker 1: They was just sitting in that studio like, they was like, man,
• 1:13:05
  Speaker 1: watch out, bro.
• 1:13:07
  Speaker 4: I'm not trying to hear none of that. He was like,
• 1:13:10
  Speaker 4: can we get the girls out of here? Artelli was like,
• 1:13:12
  Speaker 4: get the girls out of here. This is the whole point.
• 1:13:15
  Speaker 4: The police trying to kill me every episode, man.
• 1:13:18
  Speaker 1: No. Get the girls out of here. Are you crazy?
• 1:13:21
  Speaker 1: He was like, bro, nah. They wasn't feeling nothing. He
• 1:13:25
  Speaker 1: gave his vector presentation on why he should do the album.
• 1:13:28
  Speaker 1: They let him do his whole talk. They was like, Hey, man,
• 1:13:31
  Speaker 1: multiple producers. What the hell you talking about? See, the
• 1:13:35
  Speaker 1: thing is, it's about my mom. They're like, your mom?
• 1:13:40
  Speaker 1: R2 is like, nigga, what about my mom? I ain't
• 1:13:42
  Speaker 1: got no pictures either. Lamar was just like, well, that
• 1:13:45
  Speaker 1: was my trauma. I'm sick of Lamar, man. You think
• 1:13:49
  Speaker 1: it's all about him? Go make a beat tape. Leave
• 1:13:53
  Speaker 1: us the fuck alone. He pissing off the entire audience.
• 1:13:58
  Speaker 1: He is.
• 1:13:58
  Speaker 2: Which is great writing and great acting.
• 1:14:00
  Speaker 5: For sure.
• 1:14:01
  Speaker 1: But it is hard to, people be like, man, nah, man,
• 1:14:04
  Speaker 1: kill him. Just shoot him. I just want him to
• 1:14:10
  Speaker 1: stop being so full of himself. Bro, James said it
• 1:14:13
  Speaker 1: in the beginning. He said, yo, y'all, he is arrogant. Yeah.
• 1:14:16
  Speaker 1: Y'all just think because he's weird and all that stuff,
• 1:14:18
  Speaker 1: then that dude is arrogant.
• 1:14:20
  Speaker 2: Yeah.
• 1:14:20
  Speaker 1: And it's the truth, man. It is.
• 1:14:22
  Speaker 2: If you have autism or whatever, Asperger's, you are arrogant.
• 1:14:28
  Speaker 1: All about him. All about him with wack beats. Andy
• 1:14:32
  Speaker 1: was like, man. That was so funny to me. Oh, man.
• 1:14:35
  Speaker 1: They put them beats on. It was track after track.
• 1:14:39
  Speaker 1: They had 40 ounces.
• 1:14:41
  Speaker 3: It was like, man. It's bullshit, cut.
• 1:14:49
  Speaker 1: Cut, man.
• 1:14:50
  Speaker 3: Cut this shit off, man.
• 1:14:51
  Speaker 1: Cut it off, man.
• 1:14:53
  Speaker 3: Damn, he had to sit there.
• 1:14:54
  Speaker 1: Imagine.
• 1:14:57
  Speaker 3: It's like a comedian bombing on stage.
• 1:14:59
  Speaker 1: Man, man, dating in L.A., right?
• 1:15:05
  Speaker 3: Give it up for these ladies, man.
• 1:15:07
  Speaker 2: Man, what's up with tonight?
• 1:15:11
  Speaker 1: He bombed. Yeah.
• 1:15:13
  Speaker 4: What it feels like is like early Game of Thrones,
• 1:15:16
  Speaker 4: if you hated Joffrey, but Joffrey is on that screen.
• 1:15:21
  Speaker 4: Like you hated Joffrey, but Joffrey wasn't on TV like that.
• 1:15:24
  Speaker 1: Yeah. I don't hate him like that. No, no, no, no.
• 1:15:27
  Speaker 2: I'm just saying like.
• 1:15:29
  Speaker 4: A character you are supposed to dislike, but he is
• 1:15:32
  Speaker 4: on the show. He probably the second main character after Gale,
• 1:15:38
  Speaker 4: after Wanda's character.
• 1:15:38
  Speaker 3: He got third billing.
• 1:15:40
  Speaker 1: Does he?
• 1:15:40
  Speaker 3: Yeah, it's Wanda, Lee, and then him.
• 1:15:44
  Speaker 2: I didn't think about Lee.
• 1:15:45
  Speaker 3: He got third billing.
• 1:15:45
  Speaker 1: I feel like he'd be getting more screen time than Lee.
• 1:15:47
  Speaker 3: He got more screen time than.
• 1:15:48
  Speaker 1: Lee, for sure. But Lee, Isaiah is a bigger actor.
• 1:15:51
  Speaker 1: For sure. But it'd be like the Wanda and Lamar show,
• 1:15:54
  Speaker 1: and people would be in the comments like, bro, I
• 1:15:56
  Speaker 1: hate him. Yeah. I hate him. It's tough. I feel
• 1:16:00
  Speaker 1: bad for the actor. But he's like, bro, that's the character.
• 1:16:02
  Speaker 3: He's playing the character.
• 1:16:03
  Speaker 1: He's playing the character. I got nothing bad to say
• 1:16:05
  Speaker 1: about the actor playing him. He's playing his role well.
• 1:16:08
  Speaker 3: It's just the character we ain't fucking with.
• 1:16:10
  Speaker 1: No, no. And I get it.
• 1:16:11
  Speaker 4: Because if you had any sort of spectrum learning disability
• 1:16:17
  Speaker 4: in 91, there's not even language for that.
• 1:16:20
  Speaker 1: No. You just annoying.
• 1:16:21
  Speaker 2: You just don't.
• 1:16:24
  Speaker 1: Understand your surrounding right there's not like oh he got
• 1:16:26
  Speaker 1: he's a you know on the spectrum he don't know
• 1:16:31
  Speaker 1: hey man your brother annoying man that's why he got
• 1:16:34
  Speaker 1: sucked out by trig the only the only time i
• 1:16:38
  Speaker 1: knew anything about the word spectrum was dr spectrum in
• 1:16:42
  Speaker 1: the comic books other than that spectrum what I feel
• 1:16:46
  Speaker 1: like I've learned a lot about this all in the
• 1:16:49
  Speaker 1: last 10 years. Yeah.
• 1:16:51
  Speaker 2: Because of the internet.
• 1:16:52
  Speaker 1: But 91? Oh, my God. Man, you weird. Weird. That's it. Slow. Special.
• 1:16:58
  Speaker 2: The R word we don't say.
• 1:17:00
  Speaker 1: Oh, yeah.
• 1:17:01
  Speaker 2: You special ed.
• 1:17:03
  Speaker 1: That was it.
• 1:17:04
  Speaker 4: Something wrong with you or crazy or nervous. It was all,
• 1:17:08
  Speaker 4: there's no diagnosis. It's just like, man, he's moody.
• 1:17:12
  Speaker 1: You moody. But there ain't no diagnosis. Moody?
• 1:17:16
  Speaker 3: Oh, hell yeah. Moody people, man.
• 1:17:19
  Speaker 1: Watch out, y'all. Yeah.
• 1:17:22
  Speaker 3: If your mood different every time I see you.
• 1:17:26
  Speaker 1: I'll be writing people off. I get you.
• 1:17:29
  Speaker 3: Like sometimes I see you and you don't want to
• 1:17:31
  Speaker 3: dap it up.
• 1:17:32
  Speaker 1: It's over with. You were mad at your own friends
• 1:17:35
  Speaker 1: for going to a restaurant with you, and we didn't
• 1:17:37
  Speaker 1: even say nothing yet.
• 1:17:39
  Speaker 2: And these are people you call friends. We travel with you.
• 1:17:43
  Speaker 1: Going to a restaurant we had already been to, laughing
• 1:17:46
  Speaker 1: and joking.
• 1:17:47
  Speaker 2: You were like, you the moody.
• 1:17:49
  Speaker 1: The whole time, I'm the mood. I just wish I
• 1:17:55
  Speaker 1: was in your brain. Just like, yeah, y'all.
• 1:17:58
  Speaker 4: See, man, they probably not going to like the biscuits.
• 1:18:00
  Speaker 4: As soon as somebody says something, I'm about to lose it, man.
• 1:18:02
  Speaker 4: Because I'm not going to enjoy my vegan stuff. I've
• 1:18:04
  Speaker 4: been looking forward to this.
• 1:18:05
  Speaker 1: It might have been more B. Lou then. Had to be. Because... Josh,
• 1:18:12
  Speaker 1: me and Josh usually go eat together. Greg is always
• 1:18:15
  Speaker 1: trying to be on the healthiest side of life. For sure.
• 1:18:17
  Speaker 1: You be good. I don't complain. You don't complain. You
• 1:18:20
  Speaker 1: be like, oh, okay. And then you're keeping everything positive,
• 1:18:23
  Speaker 1: even if you don't like it.
• 1:18:24
  Speaker 4: If I don't like it, I'm going to my room
• 1:18:26
  Speaker 4: and ordering pizza. I already done tasted a cat. I
• 1:18:28
  Speaker 4: just want to spend time with my friends. I ain't
• 1:18:30
  Speaker 4: got to eat this. I'm going to eat a couple bites.
• 1:18:32
  Speaker 4: But in my mind, I got a turkey sub and
• 1:18:34
  Speaker 4: a large pizza on the way. Y'all don't even know
• 1:18:37
  Speaker 4: what I be eating. You ordered the food as you
• 1:18:39
  Speaker 4: did the table. Oh, yeah, this is great, man. Give
• 1:18:42
  Speaker 4: me the celery water thing.
• 1:18:44
  Speaker 1: Yeah, yeah. Give me the quinoa quinoa master bowl. Yeah, oh,
• 1:18:48
  Speaker 1: my God. Give me the avocado split legumes. Give me
• 1:18:53
  Speaker 1: the felt soup and the lentil bean pie. This is
• 1:18:57
  Speaker 1: going to be delicious, man. Give me the gluten-free, gluten-free, tasteless-free,
• 1:19:01
  Speaker 1: hard rock biscuit and hard tack gruel.
• 1:19:05
  Speaker 2: Man, I love this, Pato. You my friend, y'all.
• 1:19:08
  Speaker 1: Yeah.
• 1:19:08
  Speaker 2: Let me get up.
• 1:19:10
  Speaker 1: Riblet platter with a side of brisket hog. Let me
• 1:19:15
  Speaker 1: get the pig platter cornbread express. Bring it directly to
• 1:19:20
  Speaker 1: my room. Put it under an alias. Go ahead and
• 1:19:25
  Speaker 1: put it in my room for me. Have it sitting
• 1:19:28
  Speaker 1: in there already.
• 1:19:30
  Speaker 3: And put my robe on top of the food.
• 1:19:33
  Speaker 1: Thank you. I'll be out of this vegan place in
• 1:19:37
  Speaker 1: no time. Man, one time even, listen, with the boys,
• 1:19:40
  Speaker 1: we had went somewhere. We were staying at the Four Seasons.
• 1:19:42
  Speaker 1: This is what I do like about it. I know
• 1:19:44
  Speaker 1: you ain't going to go there. I'm not even telling you.
• 1:19:47
  Speaker 1: But what is beneficial? Our flight was delayed. On the app,
• 1:19:52
  Speaker 1: I said, hey, we were going to have dinner, but
• 1:19:54
  Speaker 1: our flight's been delayed. Is there a way you guys
• 1:19:57
  Speaker 1: could have some food ready for us? We want to
• 1:20:00
  Speaker 1: place an order. They said, would you like it in
• 1:20:02
  Speaker 1: your room prepared? Yes. We get in the room, sliders, cakes, cookies,
• 1:20:08
  Speaker 1: all the stuff already in my room. I said, this
• 1:20:12
  Speaker 1: is what I pay for, man. Have it in there.
• 1:20:15
  Speaker 1: I ain't got to wait. It was timed perfectly. Open
• 1:20:19
  Speaker 1: the door. Tink, tink, tink. Food in there. Food.
• 1:20:24
  Speaker 2: I was like, man, God bless America.
• 1:20:27
  Speaker 1: And here you are at the Doubletree Inn like, hey, man,
• 1:20:30
  Speaker 1: can I get a protein bar?
• 1:20:32
  Speaker 2: Yeah, my hotel's under the freeway, y'all.
• 1:20:34
  Speaker 1: Ha, ha. Move, Tom. I'm peeing over here. Hey, man,
• 1:20:39
  Speaker 1: the club set this hotel up for $ 62.
• 1:20:41
  Speaker 3: The motel's out there. It be girls out there. Hey, honey,
• 1:20:45
  Speaker 3: you looking for a good time? Like, what the hell?
• 1:20:48
  Speaker 3: You from the 80s.
• 1:20:49
  Speaker 1: Are you a cop, Jack? I'm just going to my room, man.
• 1:20:54
  Speaker 1: I'm just going to my room.
• 1:20:56
  Speaker 3: Hey, is that Anton Chigurh looking for somebody?
• 1:20:59
  Speaker 1: That's the kind of hotels I be staying at, man.
• 1:21:03
  Speaker 1: There'd be drug cartels pulling up to the room next door.
• 1:21:07
  Speaker 2: You're paying by the hour.
• 1:21:09
  Speaker 1: Oh, man, though.
• 1:21:10
  Speaker 4: All right, this is going to be a long episode,
• 1:21:11
  Speaker 4: but we got to do this. Tony had this idea.
• 1:21:16
  Speaker 4: Go ahead and give it to him, Tone.
• 1:21:19
  Speaker 1: Oh, oh.
• 1:21:19
  Speaker 2: The flowers.
• 1:21:20
  Speaker 1: The flowers, man. I want to incorporate a new idea
• 1:21:23
  Speaker 1: on the show called The Flower Shop, where we give
• 1:21:26
  Speaker 1: flowers to people... actors, musicians, whatever, that I feel are underappreciated,
• 1:21:33
  Speaker 1: don't get talked about enough, all right? I'm like, man,
• 1:21:37
  Speaker 1: they're fly. Because what inspired it was, well, one.
• 1:21:41
  Speaker 3: I was just thinking about this particular group, and I
• 1:21:43
  Speaker 3: was just like, man, they was dope as hell.
• 1:21:46
  Speaker 1: I was just thinking to myself.
• 1:21:48
  Speaker 3: Jason Weaver's interview on Cam Newton's show.
• 1:21:51
  Speaker 2: On Funky Friday.
• 1:21:52
  Speaker 3: Funky Friday.
• 1:21:54
  Speaker 1: And the outpouring of love and flowers he received from
• 1:21:57
  Speaker 1: his episode, it was just like, this is what I'm
• 1:21:59
  Speaker 1: talking about, and this is what I like to see.
• 1:22:01
  Speaker 1: And he's alive and well and healthy.
• 1:22:03
  Speaker 3: He's alive and well to get it.
• 1:22:05
  Speaker 4: It was so good to see Jason Weaver, who is
• 1:22:07
  Speaker 4: a good dude.
• 1:22:08
  Speaker 3: Oh, yeah, for sure. And he gives great interviews.
• 1:22:10
  Speaker 1: He gives great interviews. Ain't heard a bad story about him.
• 1:22:14
  Speaker 2: Child star.
• 1:22:15
  Speaker 1: Child star. His mom helped him back.
• 1:22:17
  Speaker 3: Gave him a great deal.
• 1:22:18
  Speaker 1: With the Lion King. I can hear that story 30 times.
• 1:22:20
  Speaker 1: I love that story.
• 1:22:21
  Speaker 2: It's the greatest story ever.
• 1:22:23
  Speaker 1: I love that story. He's just a good dude. Yeah.
• 1:22:26
  Speaker 1: And he's 47, 48, something like that. So he's of
• 1:22:31
  Speaker 1: clear mind.
• 1:22:32
  Speaker 4: He was like, the funniest thing about Jason Weaver, black
• 1:22:35
  Speaker 4: folks was like, hey, nigga, who the hell you talking about?
• 1:22:37
  Speaker 1: He was like, me. Man, nah. He's like, man, I
• 1:22:41
  Speaker 1: might not be the biggest star.
• 1:22:42
  Speaker 3: What the hell are you talking about?
• 1:22:44
  Speaker 1: You Jason Weaver. Nah, you Jason Weaver, man. Nah, I'm
• 1:22:48
  Speaker 1: just saying, I feel like Nah, man. Nah, man.
• 1:22:51
  Speaker 4: You was young Simba and Michael Jackson, man. You ain't
• 1:22:55
  Speaker 4: gotta do nothing else. He did all kind of stuff. Hey,
• 1:22:58
  Speaker 4: stop talking about Jason Weaver like that, Jason Weaver. You
• 1:23:01
  Speaker 4: better put some respect on your name as yourself.
• 1:23:03
  Speaker 3: You've been in our lives for a long time.
• 1:23:05
  Speaker 1: My whole life. There is no time that I was
• 1:23:09
  Speaker 1: watching TV and I don't remember Jason Weaver.
• 1:23:12
  Speaker 2: Lion King, Jackson 5 American Dream was.
• 1:23:14
  Speaker 1: What, 90?
• 1:23:15
  Speaker 3: Yeah, it was like 91, 92.
• 1:23:17
  Speaker 1: So I was eight or nine, you know? Thea.
• 1:23:22
  Speaker 3: Smart guy.
• 1:23:23
  Speaker 1: Smart guy. ATL, The Shot, Chingy Video. He was there.
• 1:23:29
  Speaker 1: I'm only one call away. One call away, man. I'm
• 1:23:37
  Speaker 1: only one call away. We cussed Jason Weaver out on
• 1:23:41
  Speaker 1: his behalf for him for a calendar week. He was humble, though, man.
• 1:23:44
  Speaker 3: That's that Chicago shit.
• 1:23:46
  Speaker 2: Yeah, because Chicago people don't like that.
• 1:23:48
  Speaker 1: The only Chicago person that was just full of themselves
• 1:23:51
  Speaker 1: at all times was Kanye West. Usually, Chicago people just
• 1:23:55
  Speaker 1: be like, we confident, but we just be like, hey, man.
• 1:23:58
  Speaker 1: Can I offer something, though? Yes.
• 1:24:00
  Speaker 4: On this Kanye West thing, because I agree with you.
• 1:24:04
  Speaker 4: Kanye's delusion at that time.
• 1:24:06
  Speaker 1: Mm-hmm. was necessary. A thousand percent.
• 1:24:10
  Speaker 2: They would have never let him be anything more than
• 1:24:12
  Speaker 2: a producer.
• 1:24:13
  Speaker 3: A thousand percent.
• 1:24:14
  Speaker 1: If he wasn't like, I'm... He had to do that.
• 1:24:18
  Speaker 1: Had to. In order to excel.
• 1:24:20
  Speaker 2: And then once he became a rapper producer, and he
• 1:24:22
  Speaker 2: was trying to get into fashion, they were like.
• 1:24:24
  Speaker 1: Bro, you already make beats in rap. Bro, you not
• 1:24:27
  Speaker 1: finna sell no clothes. Shoes! Watch out!
• 1:24:32
  Speaker 3: He's just like, shoes! Nah, shut up, Kanye.
• 1:24:35
  Speaker 1: Just make... Just make the music and hush. We already
• 1:24:38
  Speaker 1: let you introduce a new genre of rap. Kanye is credited,
• 1:24:43
  Speaker 1: if not as the pioneer, one of the pioneers of
• 1:24:47
  Speaker 1: backpack rap.
• 1:24:48
  Speaker 2: Yeah.
• 1:24:48
  Speaker 1: Right?
• 1:24:48
  Speaker 2: Kanye was not a street dude.
• 1:24:50
  Speaker 1: No.
• 1:24:51
  Speaker 2: You know, he was just like, bro, I like fashion.
• 1:24:53
  Speaker 2: I like clothes.
• 1:24:55
  Speaker 1: He changed the guard. He changed the guard. When he
• 1:24:58
  Speaker 1: came out and it was hidden, because at that time
• 1:25:01
  Speaker 1: it was all that street shit. Yeah. It was like super,
• 1:25:03
  Speaker 1: you know what I'm saying? It was the 50 Cent era.
• 1:25:05
  Speaker 1: And he was like, man, I'm a regular dude.
• 1:25:07
  Speaker 2: I'm regular.
• 1:25:08
  Speaker 1: And the regular dudes outnumber the street cats.
• 1:25:12
  Speaker 3: Way more. Yeah, we've been waiting for this.
• 1:25:15
  Speaker 1: I said, oh, my God. Yeah.
• 1:25:17
  Speaker 4: And you can see the proliferation of so many different
• 1:25:21
  Speaker 4: types of rappers who are, like, from the Kanye West school.
• 1:25:27
  Speaker 1: Of, I'm not a street dude. And me as a
• 1:25:30
  Speaker 1: church kid. Like, you can see the chance to Kanye...
• 1:25:36
  Speaker 1: You can see the adjacentness, especially if they're both from Chicago.
• 1:25:39
  Speaker 3: I will say this.
• 1:25:40
  Speaker 1: Okay. I think Kanye West is the most influential.
• 1:25:48
  Speaker 3: Rapper of all time.
• 1:25:50
  Speaker 2: Wow.
• 1:25:51
  Speaker 1: When you do the totality of what he brought, as
• 1:25:54
  Speaker 1: a rapper, the stuff he was rapping about, his image.
• 1:25:58
  Speaker 3: As a producer.
• 1:25:59
  Speaker 1: Okay.
• 1:26:00
  Speaker 3: Changing of the sound. Shoot, even his 808 and Heartbreak switch.
• 1:26:04
  Speaker 1: Mm-hmm. It's so many artists under the 808 and Heartbreak umbrella.
• 1:26:08
  Speaker 1: This is two different versions of Kanye that are influencing
• 1:26:12
  Speaker 1: so many different artists. To this day, you can tell
• 1:26:15
  Speaker 1: they're influenced by Kanye West.
• 1:26:16
  Speaker 2: For sure.
• 1:26:18
  Speaker 1: Fashion, shoes, imagery, visuals. Love Kanye or hate him. His
• 1:26:25
  Speaker 1: influence is crazy. Like, you know what I'm saying? Like,
• 1:26:29
  Speaker 1: if you look at, of course, Rakim inspired, like, so many.
• 1:26:32
  Speaker 2: For sure.
• 1:26:33
  Speaker 3: Rakim is up there.
• 1:26:35
  Speaker 1: Tupac, but I feel like his influence only went so
• 1:26:39
  Speaker 1: far in terms of... Mm-hmm. image.
• 1:26:43
  Speaker 3: Once you shave your head.
• 1:26:44
  Speaker 1: You're trying to be Pac. That wasn't even the case.
• 1:26:47
  Speaker 1: People always compare DMX and Tupac. They're not even the same.
• 1:26:50
  Speaker 1: They're black and bald.
• 1:26:51
  Speaker 3: They're black and bald and their shirts is off.
• 1:26:53
  Speaker 2: That's enough.
• 1:26:54
  Speaker 4: Meanwhile, Tupac was a whole poet and dancer. Tupac was
• 1:27:00
  Speaker 4: probably pigeonholed because at that time you weren't allowed to
• 1:27:03
  Speaker 4: be more than a thing.
• 1:27:04
  Speaker 2: You gangsta rap. thug life tattoo the poems.
• 1:27:08
  Speaker 1: Is out but he wasn't even always that I know
• 1:27:10
  Speaker 1: but I'm saying like once he became that version of
• 1:27:12
  Speaker 1: Tupac they tried to freeze him right there.
• 1:27:15
  Speaker 4: Imagine if he could be like oh no I'm just
• 1:27:17
  Speaker 4: like I'm gonna make my 808s and heartbreak or my
• 1:27:20
  Speaker 4: what's top of the crate of the flower thing or
• 1:27:22
  Speaker 4: Igor also imagine Tupac didn't die And he was allowed
• 1:27:27
  Speaker 4: to live and express himself, even as he's acting.
• 1:27:30
  Speaker 2: He was funny. He's a great actor. He was an artist.
• 1:27:33
  Speaker 2: He was an artist.
• 1:27:34
  Speaker 1: If you look at Tupac's evolution, he come out, he
• 1:27:38
  Speaker 1: was super militant with Tupacalypse now. And then, strictly for
• 1:27:42
  Speaker 1: my niggas, he still had that political, social, political aim,
• 1:27:46
  Speaker 1: but he was having fun too. I get around. I
• 1:27:48
  Speaker 1: get around.
• 1:27:48
  Speaker 3: I'm just smashing these girls.
• 1:27:49
  Speaker 1: I'm out here. I'm out here all the time. And
• 1:27:51
  Speaker 1: then when Me Against the World came out, that's when
• 1:27:53
  Speaker 1: he got introspective. That was his most introspective album.
• 1:27:57
  Speaker 3: For sure.
• 1:27:57
  Speaker 1: I'm scared they're going to try to kill me. You know,
• 1:28:00
  Speaker 1: so many tears. I want to dedicate this to my mom.
• 1:28:03
  Speaker 1: You see all the, it's just Me Against the World.
• 1:28:05
  Speaker 1: I'm against the media, the press, the ops. I'm getting shot.
• 1:28:10
  Speaker 2: You have the crimes.
• 1:28:12
  Speaker 1: The case. The case is against him.
• 1:28:15
  Speaker 3: It's a lot going on.
• 1:28:16
  Speaker 2: His hair grew out.
• 1:28:17
  Speaker 1: And then he one of them type of people that
• 1:28:19
  Speaker 1: jump out the window for people that look out for him.
• 1:28:21
  Speaker 1: For sure.
• 1:28:21
  Speaker 3: So when Suge Knight's like, man, I'll give you $ 1.
• 1:28:24
  Speaker 1: 5 million.
• 1:28:25
  Speaker 3: Come to death row.
• 1:28:25
  Speaker 1: There's death row for everybody, y'all.
• 1:28:27
  Speaker 3: Just jumping out the window.
• 1:28:29
  Speaker 1: If you ain't rocking with us at all levels, fuck you, Snoop.
• 1:28:32
  Speaker 1: How you out here second guessing? It was extreme. He
• 1:28:36
  Speaker 1: was just doing.
• 1:28:37
  Speaker 2: Nah, he was.
• 1:28:38
  Speaker 1: He went overboard.
• 1:28:39
  Speaker 2: For sure.
• 1:28:41
  Speaker 1: For sure. I really feel like that's what led to
• 1:28:42
  Speaker 1: his death is that he went overboard for the team
• 1:28:46
  Speaker 1: and they ended up stomping out a real street.
• 1:28:48
  Speaker 2: And then, and then Kiffy D.
• 1:28:51
  Speaker 1: Yeah. And so. I love this Kanye take. But Kanye, man,
• 1:28:56
  Speaker 1: Kanye comes out. He's like, oh, he's just a producer. Oh,
• 1:28:59
  Speaker 1: he's a producer rapper. Oh, okay. You know what I'm saying? Oh,
• 1:29:02
  Speaker 1: he's got the polo shirt and the jeans and the
• 1:29:04
  Speaker 1: backpack on.
• 1:29:05
  Speaker 3: Oh, okay.
• 1:29:06
  Speaker 1: You know what I'm saying? He's doing this. And every
• 1:29:09
  Speaker 1: album that Kanye did was vastly different than the one
• 1:29:12
  Speaker 1: before it. Even the ones that people don't like.
• 1:29:15
  Speaker 3: Jesus.
• 1:29:17
  Speaker 1: As a fan. I hate Jesus, but I respect it.
• 1:29:20
  Speaker 1: That's exactly what I was going to say. He's like
• 1:29:22
  Speaker 1: Spike Lee to me in this way. Spike Lee takes risks,
• 1:29:26
  Speaker 1: and some of those risks I abhor. But as an artist,
• 1:29:30
  Speaker 1: I would rather you be like, I'm about to try
• 1:29:32
  Speaker 1: this thing. Sink or swim.
• 1:29:35
  Speaker 4: And I could always, like, you know Spike Lee could
• 1:29:37
  Speaker 4: always go back to New York, black things. He could
• 1:29:40
  Speaker 4: make that same movie a million different ways. But I
• 1:29:43
  Speaker 4: appreciate the missteps. Kanye from.
• 1:29:48
  Speaker 1: College Dropout, Late Registration, Graduation, even those three are very different.
• 1:29:53
  Speaker 2: But you could even say I see similarities.
• 1:29:57
  Speaker 1: But then the 808 and Heartbreak is a hard departure.
• 1:30:01
  Speaker 5: Hard!
• 1:30:02
  Speaker 1: Because me, I was like, what the fuck is this?
• 1:30:05
  Speaker 1: But then I was listening to it, I was like, yo,
• 1:30:06
  Speaker 1: this is kind of dope. There's some good tracks on here.
• 1:30:10
  Speaker 3: And then Dark Twisted Fantasy.
• 1:30:12
  Speaker 1: That was a crazy experience. Sonically, that album was crazy.
• 1:30:18
  Speaker 2: One of my favorite albums.
• 1:30:19
  Speaker 1: It was great. And I can't even say it's underrated.
• 1:30:22
  Speaker 1: I think people properly rated it. I think people probably
• 1:30:24
  Speaker 1: rated it. He just had.
• 1:30:25
  Speaker 2: So that.
• 1:30:26
  Speaker 1: And people... Everybody don't love 808s and Heartbreak. It's kind
• 1:30:31
  Speaker 1: of polarizing, but I think people respect... The influence is undeniable.
• 1:30:34
  Speaker 2: And when it came... Yeah. The offshoot.
• 1:30:37
  Speaker 4: It's like a coaching tree of a football team. That offshoot,
• 1:30:41
  Speaker 4: you can point to that album and.
• 1:30:43
  Speaker 1: Yeah.
• 1:30:45
  Speaker 2: And then he goes back.
• 1:30:46
  Speaker 1: And then he has.
• 1:30:47
  Speaker 2: Was Yeezus sixth?
• 1:30:49
  Speaker 1: Yeah, Yeezus was after My Dark Twisted.
• 1:30:52
  Speaker 2: So that's sixth.
• 1:30:52
  Speaker 1: And then what's Life of Pablo? Life of Pablo. Which,
• 1:30:55
  Speaker 1: you know... I like Life of Pablo.
• 1:30:57
  Speaker 2: I like the first half.
• 1:31:00
  Speaker 1: He was... At that time, he was like... He was
• 1:31:02
  Speaker 1: messing up some of the great... Father Stretched My Hands
• 1:31:04
  Speaker 1: and Bleached Buttholes. I was just like... You could tell
• 1:31:07
  Speaker 1: with Life of Pablo, he was mentally jumbled. I feel
• 1:31:11
  Speaker 1: like he didn't have a singular vision on Life of Pablo.
• 1:31:14
  Speaker 1: That album... is his most chaotic, sonically. Because like, what's
• 1:31:19
  Speaker 1: the aim here? Like, where are you going with all this?
• 1:31:23
  Speaker 2: I agree.
• 1:31:24
  Speaker 3: It feels like one project, but he was all over
• 1:31:27
  Speaker 3: the place.
• 1:31:28
  Speaker 2: For sure.
• 1:31:28
  Speaker 1: I was just like, yo, he everywhere with this. 1,000%.
• 1:31:30
  Speaker 1: It's like watching, if that was a movie, he would
• 1:31:33
  Speaker 1: have a martial arts scene in the beginning. Then there's
• 1:31:36
  Speaker 1: a hardcore.
• 1:31:37
  Speaker 3: Introspective drama.
• 1:31:39
  Speaker 2: Then a sex scene.
• 1:31:40
  Speaker 3: Then there's a sex scene.
• 1:31:41
  Speaker 1: Yeah.
• 1:31:41
  Speaker 3: Then hard sex.
• 1:31:42
  Speaker 1: Yeah.
• 1:31:43
  Speaker 3: Then he in the church. And then it's like, you know, motivational.
• 1:31:48
  Speaker 3: It's like, what the.
• 1:31:49
  Speaker 1: Hell is happening? There's some zombies come out the back. Like,
• 1:31:53
  Speaker 1: what the fuck? And then at that time was right
• 1:31:56
  Speaker 1: around the time celebrity was a choice.
• 1:31:59
  Speaker 4: And then people was like, all right. It was around
• 1:32:01
  Speaker 4: the two or three. It might not have been right then,
• 1:32:03
  Speaker 4: but it was around the two or three year period.
• 1:32:05
  Speaker 4: And then the music, we stopped checking for it. But
• 1:32:08
  Speaker 4: then when he came back with the gospel, he made
• 1:32:11
  Speaker 4: some good gospel songs. He won some awards and stuff
• 1:32:13
  Speaker 4: like that.
• 1:32:13
  Speaker 1: I mean, they're fine. world-renowned yeah but he did some
• 1:32:17
  Speaker 1: then he was just like after the last couple albums
• 1:32:20
  Speaker 1: i've been i've been off it and i think i
• 1:32:22
  Speaker 1: honestly think that's the key to artistic longevity is how
• 1:32:26
  Speaker 1: much you can change per album good or bad if
• 1:32:29
  Speaker 1: you look at if you look at outcast every album
• 1:32:32
  Speaker 1: was different yep you look at tupac every album is
• 1:32:35
  Speaker 1: different you look at uh biggie only had two with
• 1:32:38
  Speaker 1: those two albums they were kind of in the same
• 1:32:40
  Speaker 1: vein but it Jay-Z didn't start to really evolve until
• 1:32:44
  Speaker 1: later in his career. I would say like the blueprint.
• 1:32:47
  Speaker 1: That's when he started making a little shift. 444 was
• 1:32:51
  Speaker 1: a complete... You don't even think you would get that
• 1:32:56
  Speaker 1: album from Jay-Z. From the way rap was, you don't
• 1:33:00
  Speaker 1: think an artist like Jay-Z can even make I'm Married,
• 1:33:07
  Speaker 1: Disappointed My Wife... miscarriages are my responsibility, property raps.
• 1:33:12
  Speaker 2: A reflective rap.
• 1:33:13
  Speaker 1: Album, no drugs.
• 1:33:14
  Speaker 3: I didn't see that coming, man.
• 1:33:16
  Speaker 1: And as a married man, I said, man, now this
• 1:33:18
  Speaker 1: is what I call rap. Yeah. I've been a bad
• 1:33:22
  Speaker 1: husband and a father, and maybe I caused a miscarriage.
• 1:33:25
  Speaker 1: But with Jay-Z's rap ability?
• 1:33:27
  Speaker 3: Because a lot of rappers ain't talking about marriage.
• 1:33:30
  Speaker 1: Hell no. They don't even mention it. If they are married,
• 1:33:33
  Speaker 1: they don't even mention it. Yeah, my wife anyway.
• 1:33:35
  Speaker 3: Streets.
• 1:33:36
  Speaker 1: Bars. Similes. Seriously. Metaphors.
• 1:33:42
  Speaker 3: Like, take us through your.
• 1:33:44
  Speaker 1: Marriage, man. For sure.
• 1:33:46
  Speaker 2: For sure.
• 1:33:46
  Speaker 3: All the married rappers, they just be like, they just
• 1:33:49
  Speaker 3: be rapping.
• 1:33:49
  Speaker 1: Yeah, like that's, I mean, no disrespect, but this might
• 1:33:52
  Speaker 1: sound disrespectful.
• 1:33:54
  Speaker 4: When Rev Run was on the BET Cypher and he
• 1:33:56
  Speaker 4: was still rapping like it was 83, I was like,
• 1:33:58
  Speaker 4: all right, y'all.
• 1:33:59
  Speaker 1: All right.
• 1:34:03
  Speaker 4: Niggas is rapping like it is and he come in
• 1:34:06
  Speaker 4: one to the three and the four to the five.
• 1:34:08
  Speaker 1: I'm on the run. I'm in the tub. Watch out, bro.
• 1:34:13
  Speaker 2: No disrespect. Hell no, bro.
• 1:34:17
  Speaker 1: With the hat? Joey, Joey, he is on, nah, nah. Yeah,
• 1:34:23
  Speaker 1: you gotta have that evolution, man. I'm not trying to,
• 1:34:27
  Speaker 1: and rap is one of those genres, we kill our elders,
• 1:34:31
  Speaker 1: legend killers.
• 1:34:31
  Speaker 3: Elders get thrown on the grill.
• 1:34:34
  Speaker 1: Now I feel like we get into a place where
• 1:34:36
  Speaker 1: we can appreciate, because if you look at 50 Cent,
• 1:34:39
  Speaker 1: for example, he didn't evolve. No. You know what I'm saying?
• 1:34:43
  Speaker 1: He didn't evolve. He had a monster moment.
• 1:34:46
  Speaker 3: He had a monster two-album window.
• 1:34:49
  Speaker 1: Everybody was like, oh. And then at the time where
• 1:34:54
  Speaker 1: Kanye was that dude. Remember 50 Versus Kanye? Bloodbath.
• 1:34:59
  Speaker 3: I've been talking about that on my socials.
• 1:35:02
  Speaker 2: Bloodbath.
• 1:35:04
  Speaker 1: Man, it was like I was arguing that 50 Cent,
• 1:35:09
  Speaker 1: the Curtis album, did what it did first week. Because
• 1:35:13
  Speaker 1: of that competition and wager. Had he not been like,
• 1:35:17
  Speaker 1: I'm going at Kanye West. Had he just slid that
• 1:35:20
  Speaker 1: album out, it probably would have did maybe 100,000 to
• 1:35:22
  Speaker 1: 200,000 less.
• 1:35:23
  Speaker 2: What did he do, like 400?
• 1:35:25
  Speaker 1: It did like 690. What did Kanye do?
• 1:35:27
  Speaker 3: Nine something.
• 1:35:29
  Speaker 1: Hey, man. He almost did a million in a week.
• 1:35:32
  Speaker 2: Hey, y'all. It's over with.
• 1:35:35
  Speaker 1: But I feel like that wager added probably 200,000 to
• 1:35:39
  Speaker 1: 50 cents tally. 50 Cent, if you ask me, was
• 1:35:46
  Speaker 1: a better marker than he was at anything else.
• 1:35:48
  Speaker 5: Oh, yeah.
• 1:35:48
  Speaker 4: The narrative of the getting shot nine times for a
• 1:35:51
  Speaker 4: gangster rapper out of New York.
• 1:35:52
  Speaker 2: He had the rapping ability. I'm not taking that away.
• 1:35:54
  Speaker 2: But what he had.
• 1:35:56
  Speaker 4: was a narrative that was impossible to ignore. Pre-internet, like,
• 1:36:01
  Speaker 4: Soulja Boy, I can put you on. You hear this stuff.
• 1:36:04
  Speaker 1: And then he got just like a certain voice and
• 1:36:06
  Speaker 1: cadence and he's muscular. He got nine times, man. Nine
• 1:36:11
  Speaker 1: times he lived. He got beef.
• 1:36:13
  Speaker 2: He was like a legend.
• 1:36:14
  Speaker 4: It was like a, oh my God, this guy, you
• 1:36:17
  Speaker 4: know what I'm saying? He had a great story.
• 1:36:20
  Speaker 1: And he hit the scene and it was like, get
• 1:36:22
  Speaker 1: Richard Dye trying, like, it was like an asteroid. Because
• 1:36:26
  Speaker 1: it was like, his whole air was like, all right,
• 1:36:29
  Speaker 1: I'm going to create some conversation with How to Rob.
• 1:36:32
  Speaker 1: So he got all those rappers that he mentioned. Fired up.
• 1:36:35
  Speaker 2: Genius marketing.
• 1:36:36
  Speaker 3: Great, great marketing move.
• 1:36:38
  Speaker 1: And then... They shelved his album. He gets shot nine times.
• 1:36:41
  Speaker 1: He's going mixtape crazy. He got beef with one of
• 1:36:44
  Speaker 1: the hottest rappers out, with Ja Rule in them. And
• 1:36:47
  Speaker 1: he won that.
• 1:36:48
  Speaker 3: So they already beefing on the mixtape.
• 1:36:50
  Speaker 1: So people talking.
• 1:36:52
  Speaker 3: And then you get the co-sign from Eminem and Dr.
• 1:36:55
  Speaker 1: Dre. And they like the hottest things. At this point
• 1:36:58
  Speaker 1: in time, Eminem had the highest selling debut album rap ever. Absolutely.
• 1:37:03
  Speaker 3: So it was the perfect storm, just like everything working together.
• 1:37:05
  Speaker 2: And then he delivered.
• 1:37:07
  Speaker 1: And then he delivered. Debut album. Get Rich or Die
• 1:37:09
  Speaker 1: Trying was undeniable.
• 1:37:11
  Speaker 2: That's his miseducation.
• 1:37:14
  Speaker 1: Yeah.
• 1:37:14
  Speaker 4: Like, most people won't even argue that 50 even has
• 1:37:19
  Speaker 4: a discography worth talking about.
• 1:37:21
  Speaker 1: Yeah.
• 1:37:21
  Speaker 2: But what they will not argue.
• 1:37:23
  Speaker 1: Get Rich or Die Trying.
• 1:37:24
  Speaker 2: Bruh.
• 1:37:25
  Speaker 3: You can't deny it. You cannot deny it.
• 1:37:28
  Speaker 2: It was seismic.
• 1:37:29
  Speaker 1: Yeah, it was.
• 1:37:30
  Speaker 3: Everybody had it.
• 1:37:32
  Speaker 1: It reminds you of the movie when people are driving by,
• 1:37:35
  Speaker 1: listening to the song, the music video. He got the
• 1:37:38
  Speaker 1: upside down thing. He was undeniable.
• 1:37:41
  Speaker 2: He was here.
• 1:37:42
  Speaker 1: In the club. He talked about Ja Rule singing, then
• 1:37:48
  Speaker 1: he came singing. He came and did the same. He
• 1:37:50
  Speaker 1: came in riding on the underneath.
• 1:37:52
  Speaker 3: Once he did Candy Shop, I was like, you're.
• 1:37:54
  Speaker 1: Doing the same? Ja Rule had to be like. I'm
• 1:37:55
  Speaker 1: doing what Ja Rule was doing.
• 1:37:57
  Speaker 2: Come on, man.
• 1:37:59
  Speaker 1: Come on.
• 1:38:00
  Speaker 3: Candy Shop pissed me off so bad.
• 1:38:02
  Speaker 1: I'm like, hey, man. He's doing what Ja Rule was doing.
• 1:38:05
  Speaker 1: And he just kept going. Yeah.
• 1:38:08
  Speaker 2: He just kept going.
• 1:38:09
  Speaker 1: All right. Hey, man.
• 1:38:11
  Speaker 3: How did we get here?
• 1:38:12
  Speaker 1: Tony, I don't know. If y'all are still listening to
• 1:38:15
  Speaker 1: this episode, I understand, but at the same time, the amount.
• 1:38:21
  Speaker 3: Of things- This episode is the life of Pablo.
• 1:38:24
  Speaker 2: That's what.
• 1:38:26
  Speaker 3: This episode is.
• 1:38:27
  Speaker 2: You have to listen to the whole thing to even
• 1:38:29
  Speaker 2: connect it.
• 1:38:30
  Speaker 1: Dots. Yeah.
• 1:38:31
  Speaker 4: The thing about dots, dipping dots is an ice cream
• 1:38:34
  Speaker 4: that I don't like. Dipping dots only needs to be
• 1:38:36
  Speaker 4: at six flat.
• 1:38:38
  Speaker 1: The drop.
• 1:38:38
  Speaker 2: Yeah, the drop. We over there.
• 1:38:40
  Speaker 1: We done? Flowers involved. Oh, yeah.
• 1:38:43
  Speaker 3: That's what... Yeah, the flowers.
• 1:38:45
  Speaker 1: Yes. So... That's how I got here. So I wanted
• 1:38:48
  Speaker 1: to give flowers to En Vogue, man. So here's what
• 1:38:51
  Speaker 1: I want to say about En Vogue and what makes
• 1:38:53
  Speaker 1: them stand out as a group. Usually when you get
• 1:38:57
  Speaker 1: an R & B group, they tend to focus on
• 1:38:59
  Speaker 1: the lead singers and they focus on maybe one or
• 1:39:02
  Speaker 1: two lead singers per R & B group. En Vogue
• 1:39:07
  Speaker 1: is a group where all four members got solo shines.
• 1:39:11
  Speaker 1: They all got their time to shine. The first time
• 1:39:15
  Speaker 1: I ever seen it in vogue, it was the Hold
• 1:39:17
  Speaker 1: On video. Hold on to your love. It opens up
• 1:39:22
  Speaker 1: with a cover from Terry Ellis singing the Jackson 5.
• 1:39:30
  Speaker 1: When I had you, I treat you bad. She did that.
• 1:39:34
  Speaker 3: I'm like, oh, shit.
• 1:39:37
  Speaker 1: Yes.
• 1:39:38
  Speaker 3: When they cut into the song, Cindy's the lead on it.
• 1:39:41
  Speaker 1: Hold on. They sing and they look phenomenal. Legs, vocal
• 1:39:45
  Speaker 1: talent is going down.
• 1:39:47
  Speaker 2: Yes.
• 1:39:47
  Speaker 1: And so then they do more singles. They do Don't Go.
• 1:39:52
  Speaker 1: Terry's the lead on that. Yep. You know what I'm saying?
• 1:39:55
  Speaker 1: And so they were passing that ball around to where
• 1:40:00
  Speaker 1: you got... giving them something he can feel. Dawn's the
• 1:40:04
  Speaker 1: lead on that. You got, you're never going to get it.
• 1:40:08
  Speaker 1: Maxine's the lead on that. You got Free Your Mind.
• 1:40:12
  Speaker 1: They all, they all, they all passing the mic. They
• 1:40:15
  Speaker 1: was rappers.
• 1:40:16
  Speaker 3: In Vogue is like a R & B rap group.
• 1:40:18
  Speaker 2: Super group.
• 1:40:19
  Speaker 1: Everybody's rapping. 1000%. Wu-Tang.
• 1:40:23
  Speaker 2: We could just, anybody.
• 1:40:24
  Speaker 1: He passing the mic. Ain't nobody in the background. Ain't
• 1:40:28
  Speaker 1: nobody on the keyboards. She just do the beats. Ain't
• 1:40:31
  Speaker 1: no Devontae. I knew you was going to say that.
• 1:40:35
  Speaker 1: As soon as you said that, I said, oh, Devontae.
• 1:40:38
  Speaker 1: Devontae finna catch a direct hit. Devontae and Galvin.
• 1:40:42
  Speaker 3: He was a songwriter. He was vital.
• 1:40:45
  Speaker 2: But when it came to singing.
• 1:40:47
  Speaker 1: He was just like, what's up, y'all? What's up with tonight?
• 1:40:50
  Speaker 1: What's up with tonight?
• 1:40:52
  Speaker 3: In Vogue, everybody could have had their own little solo missions.
• 1:40:56
  Speaker 1: Yes. And that group and their imagery was crazy. Like
• 1:41:00
  Speaker 1: if you look at the giving them something he can
• 1:41:02
  Speaker 1: feel video and they in them red dresses.
• 1:41:04
  Speaker 2: Let me tell you something. I told Melissa this.
• 1:41:09
  Speaker 4: I think I can trace my love for brown skinned
• 1:41:12
  Speaker 4: women to In Vogue.
• 1:41:14
  Speaker 2: When they came out, I was like.
• 1:41:17
  Speaker 1: You got over Molly Ringwald, didn't you?
• 1:41:19
  Speaker 2: Molly Ringwald, get the hell off the TV, man.
• 1:41:23
  Speaker 1: Watch out.
• 1:41:24
  Speaker 4: Cindy Crawford, man, shut the hell up. We got four
• 1:41:28
  Speaker 4: brown-skinned women.
• 1:41:29
  Speaker 1: We got the real Cindy over here. Hey, the real
• 1:41:32
  Speaker 1: Cindy is here. The real Cindy is involved. I used
• 1:41:34
  Speaker 1: to be watching those videos like, man, man, look at that.
• 1:41:40
  Speaker 1: I mean.
• 1:41:41
  Speaker 3: They was all fine.
• 1:41:43
  Speaker 1: Oh, I was like.
• 1:41:44
  Speaker 3: They was all fine, dog.
• 1:41:45
  Speaker 1: They used to be in black leather. I used to
• 1:41:48
  Speaker 1: be like, what's in Vogue mean? The concepts, the styles
• 1:41:53
  Speaker 1: they were doing with their videos, the don't go, they
• 1:41:55
  Speaker 1: had the flowy desert stuff with the joints going. And
• 1:41:59
  Speaker 1: then I remember Give It Up, Turn It Loose was
• 1:42:02
  Speaker 1: a period piece. It was in black and white. It
• 1:42:04
  Speaker 1: was like we in the 30s and 40s. They in
• 1:42:07
  Speaker 1: there looking like they belong in that era. It was
• 1:42:09
  Speaker 1: Jack Beauty of the Week. Four months in a row.
• 1:42:13
  Speaker 3: It was crazy.
• 1:42:14
  Speaker 1: Dawn likes Cindy. Cindy likes Maxine. Maxine likes singing. I
• 1:42:18
  Speaker 1: was crushing on a different one every video. Man. Dawn
• 1:42:22
  Speaker 1: is the one. Actually, it's Cindy. Actually, it's Maxine. Actually,
• 1:42:25
  Speaker 1: it's Terry.
• 1:42:26
  Speaker 3: I was just all over the place as a teen.
• 1:42:30
  Speaker 3: And then the song from Set It Off.
• 1:42:32
  Speaker 1: Come on, man. What's it gonna be? Come on. I
• 1:42:38
  Speaker 1: can't pretend. That Set It Off....
• 1:42:50
  Speaker 2: That song is inseparable from Set It Off.
• 1:42:52
  Speaker 1: Yeah. That song is... It's big, man. Man. That song
• 1:43:01
  Speaker 1: is big. It's huge. In terms of just like, it
• 1:43:04
  Speaker 1: feels cinematic when you listen to it. It's got some
• 1:43:07
  Speaker 1: dramatic chops on the song. I mean, they got stomachs out.
• 1:43:12
  Speaker 1: And I love back in the day when the song
• 1:43:13
  Speaker 1: was part of the movie, they would cut in between
• 1:43:16
  Speaker 1: the movie. They cut to Blair Underwood. I mean, they
• 1:43:19
  Speaker 1: got the dark lipstick on. Man, watch out. And the
• 1:43:22
  Speaker 1: beauty of En Vogue, the way they set this video up,
• 1:43:25
  Speaker 1: they're standing on stage and they're singing to an audience.
• 1:43:27
  Speaker 1: They did that same thing and giving them something he
• 1:43:30
  Speaker 1: can feel. That's just like, yo, man, we sing. We
• 1:43:34
  Speaker 1: stand on stage and we sing it.
• 1:43:36
  Speaker 2: Let me tell you what. Me and Angel just talked
• 1:43:38
  Speaker 2: about this on Here's the Thing.
• 1:43:40
  Speaker 1: En Vogue was in that garage practicing. Yeah. Before we
• 1:43:44
  Speaker 1: see you. You sing. Now you sing. Whoever was managing
• 1:43:49
  Speaker 1: them was like, I don't even want nobody to be
• 1:43:51
  Speaker 1: able to say it's you or you. It's all four
• 1:43:54
  Speaker 1: of us. Which is partly, this is Flowers, we don't
• 1:43:58
  Speaker 1: want to talk about negativity stuff, but part of the
• 1:44:01
  Speaker 1: reason they struggle at this time is because Don don't
• 1:44:04
  Speaker 1: be a part of it.
• 1:44:05
  Speaker 2: We be like, once Don left.
• 1:44:07
  Speaker 3: The group, I was like, watch out. No disrespect.
• 1:44:11
  Speaker 1: Disrespect.
• 1:44:12
  Speaker 3: But En Vogue, to me, was a unit, man.
• 1:44:15
  Speaker 2: It was all.
• 1:44:16
  Speaker 3: Four of them or nothing.
• 1:44:17
  Speaker 1: Even though, you know, Don had success with Lucy Pearl
• 1:44:20
  Speaker 1: and they had EV3 and stuff.
• 1:44:22
  Speaker 3: But watch out, man.
• 1:44:23
  Speaker 1: Hey, man.
• 1:44:24
  Speaker 2: You packaged us as y'all.
• 1:44:27
  Speaker 1: We not taking no variations. And here's the thing, you
• 1:44:33
  Speaker 1: ever see a group, NSYNC, for example, or just Jackson 5,
• 1:44:37
  Speaker 1: you'd be like, man, I kinda want them to go solo.
• 1:44:40
  Speaker 1: I never looked at them in vogue like that. That's
• 1:44:42
  Speaker 1: a great point.
• 1:44:44
  Speaker 3: I never wanted anybody to be solo.
• 1:44:46
  Speaker 1: Exactly.
• 1:44:49
  Speaker 3: Cisco, I was like, Cisco was.
• 1:44:50
  Speaker 1: I mean, bro.
• 1:44:51
  Speaker 3: Cisco was undeniable.
• 1:44:53
  Speaker 1: You know that solo album was coming. And they could
• 1:44:55
  Speaker 1: also all sing.
• 1:44:57
  Speaker 3: For sure.
• 1:44:57
  Speaker 1: But Cisco was always a step or two in front
• 1:44:59
  Speaker 1: of the group. He was a showman through and through.
• 1:45:02
  Speaker 2: He was like, man.
• 1:45:02
  Speaker 1: He's doing the one-handed flip thing. Get out of here, dog.
• 1:45:05
  Speaker 1: You're not. Nokia ain't doing it. Cisco had the open vest. Yeah.
• 1:45:11
  Speaker 1: Come on.
• 1:45:11
  Speaker 3: He just had it, man.
• 1:45:12
  Speaker 1: He's spinning. Everybody else is like cool and squinty ass.
• 1:45:17
  Speaker 1: Cisco was spinning, twirling, handstand spin. Yay!
• 1:45:23
  Speaker 2: Solo album.
• 1:45:25
  Speaker 4: Soon as Cisco did that, the record executive was like,
• 1:45:28
  Speaker 4: all right, y'all.
• 1:45:30
  Speaker 1: Let me line up the producers for the Cisco solo album.
• 1:45:34
  Speaker 1: Nokia has one of my favorite openings of... I think
• 1:45:39
  Speaker 1: it's Five Steps.
• 1:45:40
  Speaker 2: I think it's Nokia.
• 1:45:40
  Speaker 1: I always get confused. I don't know how much longer
• 1:45:44
  Speaker 1: we're gonna be here. Oh, he was singing solo? I
• 1:45:47
  Speaker 1: didn't know he was singing solo.
• 1:45:48
  Speaker 2: Yeah, Sisqo was like, man, keep going, man.
• 1:45:50
  Speaker 1: Yeah. Sisqo, we were Five Steps. Watch out. From eternity,
• 1:45:58
  Speaker 1: we were. He gave him the opening, and Sisqo still
• 1:46:01
  Speaker 1: was like, all right.
• 1:46:03
  Speaker 2: Great job, man.
• 1:46:04
  Speaker 1: Four steps, four steps, pedal up. It's my show, man.
• 1:46:11
  Speaker 1: I'm Mr. Dragon, nigga. Even the album covers, it's like,
• 1:46:14
  Speaker 1: Cisco like this dead center.
• 1:46:18
  Speaker 3: Dead center.
• 1:46:19
  Speaker 1: You look at the En Vogue album covers, it's the
• 1:46:21
  Speaker 1: four of them just sitting in the desert.
• 1:46:23
  Speaker 3: They all just sitting.
• 1:46:24
  Speaker 1: They are situated to where I don't know who the
• 1:46:28
  Speaker 1: leader of this group is. Funky Divas, they all walking
• 1:46:31
  Speaker 1: side by side together.
• 1:46:33
  Speaker 3: Nobody in the front. Nobody positioned to stand out.
• 1:46:36
  Speaker 1: It's all four of them.
• 1:46:37
  Speaker 2: I think that was great.
• 1:46:39
  Speaker 1: A & Ring.
• 1:46:41
  Speaker 4: It was a great presentation of En Vogue and that's
• 1:46:43
  Speaker 4: why we accepted them like that.
• 1:46:46
  Speaker 1: And they always delivered like that. Their 90s run, dare
• 1:46:53
  Speaker 1: I say, they were at minimum, I.
• 1:46:56
  Speaker 4: Know TLC outsold everybody. Those numbers was crazy. I think
• 1:47:02
  Speaker 4: they was competing with the Supremes. I think they might
• 1:47:05
  Speaker 4: still be the greatest selling group.
• 1:47:07
  Speaker 3: They still hold that title.
• 1:47:08
  Speaker 1: Okay.
• 1:47:09
  Speaker 3: Destiny's Child right on the heels though.
• 1:47:10
  Speaker 2: Destiny's Child, stole some numbers.
• 1:47:13
  Speaker 4: But you got, I mean, also, Can we just say,
• 1:47:16
  Speaker 4: as people in that decade, the choices we had, TLC,
• 1:47:20
  Speaker 4: Destiny's Child, En Vogue, SWV, Escape, and then you have
• 1:47:26
  Speaker 4: people who didn't even have that level of success, Total, Brownstone.
• 1:47:30
  Speaker 1: Allure, Brownstone, Jade.
• 1:47:34
  Speaker 3: It was so many, though.
• 1:47:35
  Speaker 1: 702.
• 1:47:36
  Speaker 4: I'm about to say 808, but it's boom, like in 808.
• 1:47:40
  Speaker 3: You got like- Black, that was the name of that group.
• 1:47:42
  Speaker 1: Black? That's 10 groups of just women in one decade.
• 1:47:47
  Speaker 3: It's mad groups.
• 1:47:48
  Speaker 2: And En Vogue sits closer to the top of that.
• 1:47:52
  Speaker 1: Yeah. I think they're probably right under.
• 1:47:54
  Speaker 4: And Destiny's Child, I feel like, was more the.
• 1:47:57
  Speaker 1: 96 through the early 2000s.
• 1:47:59
  Speaker 3: They debuted 98, 97, 98.
• 1:48:01
  Speaker 1: Yeah.
• 1:48:02
  Speaker 3: En Vogue came out 90.
• 1:48:04
  Speaker 1: Yeah. So I feel like Destiny's Child bled into the
• 1:48:06
  Speaker 1: early 2000s. Yeah, for sure. En Vogue was.
• 1:48:09
  Speaker 2: And Vogue's prime was squarely in the 90s.
• 1:48:12
  Speaker 4: So they're more of like, because i think destiny child
• 1:48:16
  Speaker 4: i was more middle school to high school yeah you
• 1:48:19
  Speaker 4: right but in vogue was like.
• 1:48:21
  Speaker 1: In vogue held it down from 90 and then they
• 1:48:23
  Speaker 1: said it all song 96 yeah 90 to 96 is
• 1:48:25
  Speaker 1: when it was all four of them doing it and
• 1:48:30
  Speaker 1: year in year out 710 hit songs that are like
• 1:48:34
  Speaker 1: smashes we can run the numbers box office nerd saying
• 1:48:40
  Speaker 1: we can run the numbers we giving flowers we giving
• 1:48:43
  Speaker 1: numbers to show them hell yeah dog all right so
• 1:48:49
  Speaker 1: info single discography let's talk about it bring it up
• 1:48:55
  Speaker 1: So their first single, their debut single, Hold On, number
• 1:48:57
  Speaker 1: one on the R & B charts, number two on
• 1:49:00
  Speaker 1: the Hot 100. Debut? Debut.
• 1:49:04
  Speaker 3: That's their first single.
• 1:49:05
  Speaker 1: Dang. First single, number one on R & B, number
• 1:49:08
  Speaker 1: two on the main chart with everything all together.
• 1:49:10
  Speaker 2: What song was it?
• 1:49:11
  Speaker 1: Hold On. Okay, Hold On. Lies comes out, number one
• 1:49:14
  Speaker 1: on the R & B chart, number 38 on the
• 1:49:16
  Speaker 1: main chart.
• 1:49:17
  Speaker 3: You Don't Have to Worry.
• 1:49:18
  Speaker 1: Number one on the R & B chart. Dang.
• 1:49:20
  Speaker 3: Don't Go, number three on the R & B chart. Then.
• 1:49:25
  Speaker 1: My loving, you're never gonna get it. Number one on
• 1:49:27
  Speaker 1: the R & B chart, number two on the main chart.
• 1:49:30
  Speaker 1: Giving him something he can feel, number one on the
• 1:49:32
  Speaker 1: R & B chart, number six on the main chart.
• 1:49:36
  Speaker 1: Free Your Mind, number 23 on the R & B chart,
• 1:49:39
  Speaker 1: number eight.
• 1:49:40
  Speaker 3: On the main chart. That means that crossover.
• 1:49:42
  Speaker 2: That's a big crossover.
• 1:49:43
  Speaker 1: That's a big crossover right there. The whites love that one.
• 1:49:46
  Speaker 1: It's got that rock element in it. And the video
• 1:49:49
  Speaker 1: is mad rock and roll. And the rest will follow.
• 1:49:53
  Speaker 3: And the way they were singing.
• 1:49:55
  Speaker 1: Give it up turn it loose 16 on the r &
• 1:49:57
  Speaker 1: b chart 15 on the main chart um.
• 1:50:01
  Speaker 3: Love don't love.
• 1:50:02
  Speaker 1: You 31 on r & b 36 on the main
• 1:50:05
  Speaker 1: runaway love 15 on r & b 51 on the
• 1:50:08
  Speaker 1: main then they did the hook On What a Man
• 1:50:12
  Speaker 1: with Salt-N-Pepa.
• 1:50:13
  Speaker 2: They sure did.
• 1:50:15
  Speaker 1: Number three on the R & B chart, number three
• 1:50:16
  Speaker 1: on the main chart. Also, Salt-N-Pepa had the best-selling rap
• 1:50:21
  Speaker 1: album of 1993. I want to say that. I did
• 1:50:24
  Speaker 1: not know that. Yeah, very necessary. It went crazy. Don't
• 1:50:28
  Speaker 1: Let Go, number one on the R & B chart,
• 1:50:31
  Speaker 1: number two on the main chart. Hey, man. Those is numbers.
• 1:50:36
  Speaker 1: That is a run. Yeah, for sure. And then that's
• 1:50:40
  Speaker 1: just like, you.
• 1:50:41
  Speaker 4: Know, in the 90s, we weren't even about sales as
• 1:50:46
  Speaker 4: much as we are now.
• 1:50:47
  Speaker 2: Right. Because the average person didn't have access to the data.
• 1:50:50
  Speaker 1: We didn't know the number. We just knew where you
• 1:50:52
  Speaker 1: were on the charts. Right.
• 1:50:54
  Speaker 2: But the cultural impact.
• 1:50:56
  Speaker 1: Yeah. Like, you were not black in the 90s and
• 1:50:59
  Speaker 1: unaware of Envogue.
• 1:51:01
  Speaker 2: Yeah.
• 1:51:02
  Speaker 4: They were everywhere. Movies, hooks, their own stuff. It was
• 1:51:12
  Speaker 4: years that they were there.
• 1:51:13
  Speaker 3: And they sound like no other group, man.
• 1:51:16
  Speaker 1: When they would do the harmonies together, like the harmonies
• 1:51:19
  Speaker 1: they would hit in Free Your Mind, yeah. They would harmonize.
• 1:51:23
  Speaker 3: Four-part harmonies.
• 1:51:24
  Speaker 2: You know what I'm saying?
• 1:51:27
  Speaker 1: Tone!
• 1:51:28
  Speaker 4: I'm about to run the greatest hits on the way home,
• 1:51:32
  Speaker 4: and I hope I'm stuck in traffic. Because I ain't
• 1:51:34
  Speaker 4: never heard an In Vogue song and I've been like,
• 1:51:36
  Speaker 4: I ain't really trying to hear it.
• 1:51:37
  Speaker 2: Because it takes you back to where you were in
• 1:51:40
  Speaker 2: that time.
• 1:51:41
  Speaker 1: And they just....
• 1:51:45
  Speaker 3: Flowers, man.
• 1:51:46
  Speaker 2: Flowers is a good thing.
• 1:51:48
  Speaker 3: If you're watching, if you're listening, all for you.
• 1:51:51
  Speaker 1: Flowers, y'all.
• 1:51:52
  Speaker 2: We could do a whole podcast called Flowers.
• 1:51:54
  Speaker 1: Flowers, y'all. Rahman Dunbar, you next. That's a good dude, man.
• 1:51:59
  Speaker 1: He's a good dude. Good dude, man. He was in
• 1:52:01
  Speaker 1: that episode of The Soprano where Tony Soprano set him
• 1:52:04
  Speaker 1: up to get fired and he had to get the
• 1:52:06
  Speaker 1: job at the little Home Depot. I remember that.
• 1:52:07
  Speaker 3: He felt bad for him.
• 1:52:09
  Speaker 4: And he still didn't take the bread. He still didn't
• 1:52:12
  Speaker 4: take the bread, man. He stood on business. That's why
• 1:52:15
  Speaker 4: you like him because he stood on business and principle.
• 1:52:17
  Speaker 4: I don't care who you are, man. License and registration.
• 1:52:20
  Speaker 1: You got to stand on that business. I'm Tony Soprano.
• 1:52:24
  Speaker 1: I can't give out no information. Where does he work?
• 1:52:26
  Speaker 3: I can't give out no information. Where does he work?
• 1:52:29
  Speaker 1: Did you not hear me? I can't give out no information.
• 1:52:34
  Speaker 1: I don't care if you're killing people with a cow thing.
• 1:52:36
  Speaker 1: You're going to have to kill me.
• 1:52:37
  Speaker 3: You're going to have to kill me.
• 1:52:39
  Speaker 1: I'm not giving it out. She never even stood up.
• 1:52:41
  Speaker 1: The way she leaned into it, when he tried to
• 1:52:45
  Speaker 1: look back one more time, she was like... Just like
• 1:52:51
  Speaker 1: the white lady from Life. Yeah. Y'all can read so good.
• 1:52:55
  Speaker 1: Why didn't you see that song? These women is standing
• 1:52:58
  Speaker 1: no business. Serial killer.
• 1:53:00
  Speaker 3: We talking about no country for old men. You don't
• 1:53:02
  Speaker 3: know what we talking about.
• 1:53:03
  Speaker 2: Yeah.
• 1:53:03
  Speaker 3: He punked that man at the gas station.
• 1:53:05
  Speaker 2: For sure.
• 1:53:06
  Speaker 1: But her, she was like.
• 1:53:08
  Speaker 2: She wasn't going.
• 1:53:09
  Speaker 1: If he would have tried to flip a coin, she'd
• 1:53:11
  Speaker 1: be like, you can take that coin and shove it
• 1:53:14
  Speaker 1: up your ass and get out of my office.
• 1:53:17
  Speaker 3: He would have had to kill her. She's not even
• 1:53:19
  Speaker 3: waiting for the coin.
• 1:53:20
  Speaker 2: I think he would have respected her too much to
• 1:53:21
  Speaker 2: kill her.
• 1:53:22
  Speaker 1: I feel like that. He's like, all right, man, hey,
• 1:53:24
  Speaker 1: I don't.
• 1:53:25
  Speaker 4: Got to tell you. He was respecting people. He wanted
• 1:53:28
  Speaker 4: to kill the gas station guy because he didn't respect him.
• 1:53:30
  Speaker 5: Yeah.
• 1:53:31
  Speaker 1: He was like, you mean you over here living off
• 1:53:32
  Speaker 1: your wife's stuff in the back of her parents' evening?
• 1:53:34
  Speaker 3: He read his whole life right there.
• 1:53:36
  Speaker 1: The dude's just like, man, she got a good thing
• 1:53:38
  Speaker 1: going on, man. Yeah, you know, just always making small talks.
• 1:53:43
  Speaker 1: That's your problem. You're always making small talk. Flip a coin.
• 1:53:46
  Speaker 1: They call it. I don't even know what the wager is.
• 1:53:51
  Speaker 1: All right, man. We're done with that. Yeah, man. Watch out.