Latest / HEAVY Music Interviews / NOIR ADDICTION: Pretty Things Don’t Last And Finding Comfort In The Dark

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NOIR ADDICTION: Pretty Things Don’t Last And Finding Comfort In The Dark · HEAVY Music Interviews

0:00
Speaker 1: Let's talk a little bit about your new single Money
0:03
Speaker 1: for the Honey, which I watched the video clip and
0:06
Speaker 1: it really for me as a fan of like the
0:08
Speaker 1: pesche Mode and those sort of eighties and the synths.
0:11
Speaker 1: I just loved it. But tell us a bit more
0:14
Speaker 1: from your perspective about the song.
0:17
Speaker 2: The song, I mean, it was a pretty easy one
0:20
Speaker 2: to be honest with you, me, like regarding the shaping
0:24
Speaker 2: of the song, like the arrangements and everything else.
0:26
Speaker 3: It came out really quick.
0:28
Speaker 2: Yeah, the lyrics were kind of like, you know, I
0:31
Speaker 2: just didn't know where I wanted to go. Although I
0:33
Speaker 2: already said these in other interviews. It's just I like
0:36
Speaker 2: to write lyrics that kind of gives you an open
0:40
Speaker 2: space where you can be just like, you know, a
0:43
Speaker 2: different interpretation. Like it's not one easy there there You're like, okay,
0:46
Speaker 2: sure he's talking.
0:47
Speaker 3: About this example.
0:49
Speaker 2: You know, there's a line when I say love me
0:51
Speaker 2: for the money, test me for the honey could be
0:54
Speaker 2: pretty obvious. It is about the fact that you know,
0:58
Speaker 2: you can look at it under the active of a relationship,
1:01
Speaker 2: for example, and it's just like, you know, when one
1:05
Speaker 2: of the two actually understands better than the other one,
1:08
Speaker 2: what that's gonna be in the relationship. It's like, you know,
1:11
Speaker 2: it's gonna be fun. I'm gonna enjoy the ride. I
1:13
Speaker 2: know why you love me, so let's just enjoy. Let's say,
1:18
Speaker 2: well we can live in in this perspective.
1:20
Speaker 3: It's kind of like how to set things.
1:23
Speaker 2: You can still find some kind of fun if you
1:26
Speaker 2: want to, like yeah, you know, And it's been like
1:30
Speaker 2: a really fun song to do. I I I love
1:32
Speaker 2: to do the vocals on that, and it is really
1:35
Speaker 2: the patch mode it gets Yeah, definitely, And when we
1:41
Speaker 2: recorded it, what added a lot to the song was
1:44
Speaker 2: the doubling that the drummer did on top of the song,
1:50
Speaker 2: so percussion that gave us.
1:52
Speaker 3: That gave me even more reasons of dancing around, which
1:56
Speaker 3: I really love, you know. It was it's a it's
1:59
Speaker 3: a really good song. Yeah, I'm glad to enjoy it.
2:02
Speaker 3: It is.
2:02
Speaker 1: It's absolutely fantastic and it made me nostalgic. But also
2:07
Speaker 1: I like that you have your own spin on it.
2:09
Speaker 1: It's not like a direct copy of old they're just
2:12
Speaker 1: trying to copy the peche Mode no way. It's got
2:14
Speaker 1: all different influences in it as well. It's wonderful.
2:19
Speaker 3: Sorry, sorry, go ahead, you go.
2:23
Speaker 2: Oh, it's just you know, I grew up listening to
2:26
Speaker 2: that music. So for me, when I write a song,
2:32
Speaker 2: like I said, like you said, it's not a copy,
2:35
Speaker 2: but I still want to find something that is familiar
2:38
Speaker 2: with me, you know, the sound familiar or something. Well,
2:40
Speaker 2: every time I write a song, my question is will I.
2:44
Speaker 3: Buy this album?
2:45
Speaker 1: M that's it? No good?
2:48
Speaker 3: That's where I met when I write the song.
2:50
Speaker 2: Every time I arrive at the end, I'm always at
2:52
Speaker 2: the same point, will I buy this Why?
2:54
Speaker 3: Yeah? Does it connect with the idea of Nora addiction?
3:00
Speaker 3: Is it real?
3:01
Speaker 2: If it's authentic for this band, you know, and obviously
3:04
Speaker 2: you're going.
3:04
Speaker 3: To have the influences inside.
3:06
Speaker 2: I mean again, we all grow up listening to certain music,
3:09
Speaker 2: and I think there's no one song on the planet
3:11
Speaker 2: where you can be just like. This reminds me of
3:13
Speaker 2: unless we're talking about the theories, but you know it's
3:17
Speaker 2: ye like so it's true what she said. But at
3:21
Speaker 2: the same time, I think no, addiction got to a
3:24
Speaker 2: point where we do have our own.
3:27
Speaker 1: So yeah, yeah, exactly exactly, and more addiction balances have
3:33
Speaker 1: your guitars with dark waves, so naturally when you're writing.
3:37
Speaker 1: Does a song usually begin with a guitar iff, an
3:40
Speaker 1: electronic text, suow, or something.
3:42
Speaker 3: Else entirely depends.
3:44
Speaker 2: For example, Money for the Honey definitely started from a
3:47
Speaker 2: bad Yes, that was the drive force that got me
3:53
Speaker 2: through the whole song. I mean that really gave me
3:55
Speaker 2: the idea for everything that they came after that. Sometimes
3:59
Speaker 2: it's a reef like toxic tweens from our newip that
4:03
Speaker 2: was from a guitariff.
4:05
Speaker 3: Yeah, you know, it really depends.
4:07
Speaker 2: Sometimes I get stuck on some beat or some synthesizer
4:11
Speaker 2: and you're just like, you know, this is so good,
4:13
Speaker 2: but where am I gonna go?
4:14
Speaker 1: Yeah?
4:15
Speaker 2: You know, it's it's not always easy, but sometimes it
4:18
Speaker 2: really I don't have just one.
4:20
Speaker 3: Formula that I music.
4:22
Speaker 2: You know, it never starts from a melody, for example,
4:26
Speaker 2: a vocal melody that doesn't really happen.
4:29
Speaker 3: To me, to be honest.
4:31
Speaker 2: It's usually like a beat through a guitar If that yeah.
4:35
Speaker 1: Wow, So that's your main inspiration? Would you say, do
4:39
Speaker 1: you get inspiration outside of music as well? I do.
4:45
Speaker 2: There are like, for example, you know, sometimes you talk
4:48
Speaker 2: with a friend or you know something that you're gonna watch.
4:53
Speaker 3: I don't really watch news.
4:54
Speaker 2: But sometimes you know through socials of course, get rich
4:58
Speaker 2: and whatever happens and stops you and you're like, okay,
5:02
Speaker 2: so I can get the idea.
5:05
Speaker 3: I don't know the vibe. I get the I vibe
5:07
Speaker 3: of that topic.
5:08
Speaker 2: It was formed into a vibe and then I sit
5:11
Speaker 2: down and write it did happen to me, Not for
5:13
Speaker 2: the zipedio, but it did happen to me. So it's
5:16
Speaker 2: not all about sitting down and trying to write some music.
5:20
Speaker 2: Sometimes you really feel like I have to, Like you
5:23
Speaker 2: have that thing in your mind, like ismam on my iPhone.
5:27
Speaker 2: It's crazy. If you will listen to that, you will
5:29
Speaker 2: love you. Yes, Like sometimes I drive and I have
5:33
Speaker 2: like a reef and then I'm like.
5:36
Speaker 3: Yes, yes, I remember that. You know, I don't know
5:39
Speaker 3: what you know. It's it's just it really depends.
5:43
Speaker 1: Yeah, yeah, that's do you find sometimes even as you're
5:46
Speaker 1: falling asleep or you wake up from sleep and you
5:48
Speaker 1: get your phone out and you start talking.
5:50
Speaker 3: I do that. That definitely happened. And one thing.
5:56
Speaker 2: Like for example, for d ZP, we were run out
6:00
Speaker 2: of time and I had to write lyrics for it.
6:03
Speaker 3: It depends.
6:04
Speaker 2: It goes from time to time. Sometimes I do write
6:06
Speaker 2: to write lyrics. Sometimes I kind of to force myself,
6:10
Speaker 2: you know, while the music is really natural lyrics, sometimes
6:13
Speaker 2: it is different when I have to write lyrics. I
6:17
Speaker 2: do have nights where automatically I wake up like a
6:19
Speaker 2: three or four a m. And I'm like, you know,
6:23
Speaker 2: I gotta do this, even though it's not on my mind,
6:25
Speaker 2: it's just like it's like biology, like I have to
6:29
Speaker 2: do it.
6:29
Speaker 1: Yes, yeah, true love it and Noir addictions songs fills
6:38
Speaker 1: in America times as well. And you've actually had music
6:41
Speaker 1: featured on American television, Is that right?
6:44
Speaker 3: Yeah? I did.
6:45
Speaker 2: Yeah.
6:45
Speaker 1: Ah. As composing for visual media change the way you
6:49
Speaker 1: think about dynamics, atmosphere and storytelling in your own music.
6:57
Speaker 3: It kind of did.
6:57
Speaker 2: I mean actually when I started like write music for
7:01
Speaker 2: I did like movies or TV series or some commercial Yeah.
7:05
Speaker 3: First of all, I always said.
7:07
Speaker 2: From the beginning, I'm not good at all the genres.
7:11
Speaker 2: So I'm like, I'm good more of dark electronic.
7:16
Speaker 3: Industrial. That's what what I care the most.
7:18
Speaker 2: It did change, like for no addiction, definitely, these experience
7:22
Speaker 2: that I had in the past because I did write
7:23
Speaker 2: a lot of instrumental tracks, so they're very cinematic, and
7:27
Speaker 2: so I brought that into addiction, which I think is
7:30
Speaker 2: really really cool. We do have songs like, for example,
7:35
Speaker 2: how She's Got It, which was actually an instrumental track
7:38
Speaker 2: to start with. I had like a mint long of
7:41
Speaker 2: this song and it was very cinematic, very small. Yeah,
7:46
Speaker 2: so it's some elements and then I work it out
7:50
Speaker 2: in order for it to work for addiction.
7:52
Speaker 3: But you know, definitely, it's I think that our music will.
7:56
Speaker 2: Work really well also with some tvc yeah, yes, yeah.
8:03
Speaker 1: Definitely, Like I love how Usually some of my favorite
8:09
Speaker 1: movies have really great soundtracks and they've got all the
8:12
Speaker 1: good artists. Depeche Mode, also Placebo. I don't know, do
8:15
Speaker 1: you know who Placebo are? Oh? Yeah, yeah, yes, I
8:19
Speaker 1: was gonna say, I hope you do because I love them.
8:21
Speaker 1: But they did a soundtrack I think for there was
8:25
Speaker 1: a nineties movie. But yeah, I think you're right if
8:28
Speaker 1: your music paired with cinema goes really really well.
8:33
Speaker 2: And you know what, I've been watching like some Netflix
8:37
Speaker 2: seriously they are I don't know, like whoever is behind
8:42
Speaker 2: that they're choosing that.
8:43
Speaker 4: Great song, good songs, yes, and it's all the nineties,
8:47
Speaker 4: you know. Yeah, nineties, because you know, sometimes people are
8:51
Speaker 4: like people think I'm forty five years old, so I
8:55
Speaker 4: could be considered a boomer.
8:58
Speaker 1: Please, No, it's.
9:01
Speaker 3: Just like you know what bothers me.
9:04
Speaker 2: It's that there's some people out there that they keep saying,
9:08
Speaker 2: you shually listening to like new music because all the
9:11
Speaker 2: music that's coming out, there's always something interesting. I don't
9:14
Speaker 2: think so. I think the nine and the nine is
9:17
Speaker 2: especially we got like almost the.
9:19
Speaker 3: Best out of it. I agree.
9:21
Speaker 2: And you know, it's just like if it's so good
9:25
Speaker 2: with certain images and you can hear like a certain vibe,
9:28
Speaker 2: And I don't think that's just because I grew up
9:30
Speaker 2: with that.
9:30
Speaker 3: I think that under the point of.
9:32
Speaker 2: View of a musician, not only the audience, but a
9:35
Speaker 2: musician too, the technical the technical point of view, I
9:39
Speaker 2: knew it.
9:40
Speaker 3: I think that that era was just like the fucking best.
9:43
Speaker 2: Yes, people used to be I don't follow them. Let's
9:49
Speaker 2: say anymore without you and nothing came out, or you
9:54
Speaker 2: know that there's so many songs and you know that
9:58
Speaker 2: those were great, talking that you still listen to it today.
10:01
Speaker 2: I want to see whoever is going to listen to
10:03
Speaker 2: music that comes out to the thirty years from now.
10:05
Speaker 3: I don't believe that.
10:06
Speaker 1: Yeah, yeah, yeah, no, I totally agree. I do like
10:09
Speaker 1: some new music, but in my catalog all my favorites,
10:14
Speaker 1: a good chunk of it is from the nineties the eighties,
10:16
Speaker 1: and that's that's pretty much where I stand.
10:19
Speaker 2: See, I'm not saying like you shouldn't listen to any
10:22
Speaker 2: new music, but it's just funny when people are like, well,
10:24
Speaker 2: you know, that's based on the nineties or whatever.
10:27
Speaker 3: I'm like, that was a great talent and music was great,
10:30
Speaker 3: and I would love.
10:30
Speaker 2: To do it on the radio and hear something that
10:32
Speaker 2: reminds me like, yeah.
10:35
Speaker 1: It's just I just good. Yeah, yeah, yeah no. I
10:40
Speaker 1: definitely agree as well. And the upcoming album is titled
10:44
Speaker 1: Pretty Things Don't Last. Without giving too much away, what
10:47
Speaker 1: connects all of the songs and what journey do you
10:49
Speaker 1: hope listeners experience from beginning to end?
10:53
Speaker 2: Okay, So DP came out on the sixteenth, Yes, d
10:59
Speaker 2: it is. It is focused on love, obsessions, addiction which
11:06
Speaker 2: pretty much the same, and a certain point of view
11:09
Speaker 2: and desire to escape I guess a regular life In
11:15
Speaker 2: most of the song that's mainly the point. Each song
11:18
Speaker 2: is different, but if you listened to the entire It
11:21
Speaker 2: is really well connected. I mean, you understand what I
11:24
Speaker 2: just said. And we are really really happy about what
11:28
Speaker 2: turned out because last year what happened it was what
11:32
Speaker 2: Addiction came out on May twenty twenty five. Basically, we
11:36
Speaker 2: as an singer, so I wrote the music for the
11:39
Speaker 2: first album, which was for specifically for his voice, which.
11:43
Speaker 3: Is very different.
11:45
Speaker 2: Okay, okay, it didn't last long, so we found we
11:49
Speaker 2: found each other in the band being just like okay,
11:52
Speaker 2: so it didn't work out with him, so we were
11:53
Speaker 2: just like, Okay, we're going to get another singer, or
11:56
Speaker 2: they were just like, dude, you have to sing because
11:58
Speaker 2: I was used to singing another band anyway, or the
12:00
Speaker 2: projects with that exactly I want to do at the beginning,
12:04
Speaker 2: so it was just like it just puts in a
12:06
Speaker 2: spot in the band, which is so much responsibility.
12:09
Speaker 3: I know, all that is.
12:10
Speaker 2: Ye, it's kind of like, you know, I'm like, that's
12:13
Speaker 2: gonna be more weight on my shoulders. So I wasn't sure,
12:16
Speaker 2: but then you know, we were like, Okay, let's go
12:18
Speaker 2: for it, and we have to go like so quick
12:21
Speaker 2: that at the beginning, I'm like, is he gonna come out?
12:23
Speaker 3: Something good.
12:24
Speaker 2: Is it going to come out like we had to
12:26
Speaker 2: speed up. I don't want people to think like, you know,
12:30
Speaker 2: the songs are like whatever. So I'm really happy with
12:35
Speaker 2: what it turned out. Because towards the fourth fifth songs
12:38
Speaker 2: of the ep while I was working on the production,
12:41
Speaker 2: I realized that actually everything made sense in the EPA
12:45
Speaker 2: and that's pretty good that we had that change, that
12:48
Speaker 2: we were.
12:48
Speaker 3: Going towards another journey.
12:50
Speaker 2: Yeah, and uh it is. I don't know, it's pretty good.
12:54
Speaker 2: I love to listen to it, which it doesn't happen often.
12:58
Speaker 2: Sometimes by the time the new it comes out, I'm
13:01
Speaker 2: so done because I listened to it.
13:03
Speaker 1: So yeah, yes, that's it. And as you said, it
13:07
Speaker 1: sounds like it was forged through a bit of anxiety
13:11
Speaker 1: of not knowing how it would go. But as you've said,
13:14
Speaker 1: you've created something that works.
13:17
Speaker 2: There was anxiety because it's like you know, I usually
13:20
Speaker 2: work on the songs and then I give them the song,
13:25
Speaker 2: which is basically done, but the space for Nasty to
13:29
Speaker 2: work on the synthesizers, on extra synthesizers, and Coberta to
13:33
Speaker 2: work on the drums.
13:35
Speaker 3: So you know, the majority is of me. And so
13:39
Speaker 3: when I talk to them.
13:40
Speaker 2: Sometimes I'm kind of afraid to send them songs because
13:42
Speaker 2: I'm like, I really hope they're gonna tell me they
13:44
Speaker 2: like it, because I fucking love this song.
13:48
Speaker 3: Maybe we're not going to do this song, you know.
13:51
Speaker 3: So there was like a.
13:52
Speaker 2: Little bit of anxiety because you're like, I have to write,
13:54
Speaker 2: I have to walk that everyone likes it.
13:56
Speaker 3: I have to walk that it's gonna fit the previous song.
13:59
Speaker 2: Yeah, it is stressful, you know, unless you at another position,
14:03
Speaker 2: if you are a very known band, a very well
14:06
Speaker 2: known band, then you can be just like I'm gonna
14:08
Speaker 2: take my time, who cares, I'll do whatever I want
14:11
Speaker 2: and everyone love it.
14:12
Speaker 3: Yeah, you know.
14:14
Speaker 2: It's it's different where you are in a position like
14:16
Speaker 2: from Addiction right now, because we have to really bust
14:19
Speaker 2: ass for everything we have going on. I mean, the
14:24
Speaker 2: lay is given support, but at the same time you
14:27
Speaker 2: do work like really hard on it. Yeah, so you
14:31
Speaker 2: don't really have sometimes too much time to focus on
14:35
Speaker 2: the artistic point of view of the band.
14:38
Speaker 1: Yeah, yeah, just j Yeah it sounds like a struggle.
14:44
Speaker 1: But so have you guys played your songs, these songs live?
14:48
Speaker 2: Yeah, we have a response. We did like three shows
14:54
Speaker 2: in uh it was in May. We did two shows
14:56
Speaker 2: in Prague and one in Milan.
14:58
Speaker 3: Response was great.
14:59
Speaker 2: Obvious people except for the first two singles, didn't know
15:03
Speaker 2: the piece or it was something new, you know.
15:05
Speaker 3: For all of that, we.
15:07
Speaker 2: Were just like really pumped because we've been playing this
15:11
Speaker 2: song for a while in our rehearsal room.
15:13
Speaker 3: And the action was great. I mean, I love seeing people.
15:16
Speaker 2: They were all dancing around, like really, the good thing
15:20
Speaker 2: about More Addiction is we do want you to have
15:24
Speaker 2: fun first of all. I mean I love dancing and
15:27
Speaker 2: just moving around the expressing, so I love to see
15:30
Speaker 2: people reacting the same way. But you know, there's a
15:35
Speaker 2: deeper meaning behind the band that is not just I'm
15:38
Speaker 2: going to see more Addiction.
15:40
Speaker 3: I'm going to have fun because I'm just gonna dance
15:42
Speaker 3: all night.
15:44
Speaker 2: And I saw that kind of look in people's face
15:47
Speaker 2: in front of us, and that's what I really enjoyed.
15:49
Speaker 2: I saw people paying attention when we were playing. When
15:52
Speaker 2: there was a different kind of song. You didn't see
15:54
Speaker 2: people be just like okay, whatever, you know, I'm just
15:56
Speaker 2: gonna grab a drink there. I think they got the
16:01
Speaker 2: point of the band. So, I mean, it was just
16:03
Speaker 2: three shows to start with but the reacting was really
16:06
Speaker 2: good and.
16:07
Speaker 1: So it was amazing. So people really connected with the songs.
16:11
Speaker 4: That's that's wonderful, I think.
16:14
Speaker 1: So.
16:14
Speaker 2: I mean we've talked to people at the end of
16:16
Speaker 2: the show. They were happy. But for what I could
16:18
Speaker 2: see see the connected it was really good.
16:21
Speaker 1: Yeah. Oh that's absolutely fantastic to hear. And also soul
16:26
Speaker 1: Punks seems to have a big emphasis on visual storytelling
16:29
Speaker 1: alongside the music. How important is the visual identity of
16:32
Speaker 1: noir addiction and what role does it play in bringing
16:35
Speaker 1: your songs to life?
16:39
Speaker 3: You mean, Luke Wise, like from our side, that's what
16:41
Speaker 3: you meant.
16:43
Speaker 1: Yeah, the soul punk's aspect. I guess the impact they've
16:46
Speaker 1: had is that your record, that's the record label.
16:49
Speaker 3: Is yeah, yeah, yeah, it's the record.
16:52
Speaker 2: So you mean the impact they had on us, right,
16:55
Speaker 2: like how they help out, that's that's what you mean?
16:57
Speaker 1: Yeah, yeah, had they had a big influence on you guys?
17:01
Speaker 3: Okay, okay, I wasn't sure. I understand that.
17:03
Speaker 1: It's a bit of a silly question.
17:05
Speaker 3: No, no, no, it's not. It was really good.
17:08
Speaker 2: Actually, Constantine is the head of the label. Uh, he
17:14
Speaker 2: is really into the band and he's really it was
17:17
Speaker 2: really willing to help the band. He did, and he's
17:19
Speaker 2: actually doing it. There's gonna be actually vinyls that are
17:24
Speaker 2: gonna come out for Disippe took care of It's gonna
17:28
Speaker 2: be limited edition too, which is really cool. And he
17:33
Speaker 2: told us that we could do whatever we want to do,
17:35
Speaker 2: which is something you never listened from a label.
17:37
Speaker 3: I think in the experience, you know, there's always like
17:40
Speaker 3: you can't do this, you can't.
17:42
Speaker 2: Can yeah, yeah, you know, I mean we were reasonable,
17:45
Speaker 2: but it was like, Okay, what would you like to do,
17:48
Speaker 2: Just let me know, and we try to make it
17:50
Speaker 2: happen and we did. It did give us like a
17:54
Speaker 2: lot of sport for the release, the promotion behind it.
17:58
Speaker 2: We shot, We did a live beet recording in Berlin
18:04
Speaker 2: for four of our songs from the EP.
18:06
Speaker 3: He took care of that. You organized everything.
18:08
Speaker 2: So it's been great, like working with them, minded they
18:12
Speaker 2: are an independent label.
18:14
Speaker 3: Yeah, in spite.
18:16
Speaker 2: Of that, the support from the label is quite amazing.
18:22
Speaker 2: So that was, you know, that was really really good
18:25
Speaker 2: and they're super nice. So you know, nothing really that
18:28
Speaker 2: we can say about that. There are like cats really
18:30
Speaker 2: lots of surprising coming out, but I don't want to
18:32
Speaker 2: say everything otherwise the.
18:33
Speaker 3: Kid me yes, yes, part from the vinyls.
18:38
Speaker 2: But you know, I to come out this week, so
18:40
Speaker 2: I don't know when this interview will be out.
18:42
Speaker 1: But yes, well yeah they might be out. But that's
18:46
Speaker 1: so exciting. That's awesome. And as you said, from record labels,
18:50
Speaker 1: especially independent ones, you're getting a lot, it seems a
18:54
Speaker 1: lot of support.
18:54
Speaker 3: So you're getting a lot of support. Do you mind
18:57
Speaker 3: if I smoke?
18:58
Speaker 1: No, No, I don't care, go for a place. Sorry?
19:04
Speaker 1: Where was I am? Industrial and alternative rock have both
19:09
Speaker 1: evolved dramatically over the years. Where do you think nour
19:12
Speaker 1: Addiction fits within today's scene? And where do you see
19:15
Speaker 1: the genre heading.
19:19
Speaker 3: Today's scene?
19:20
Speaker 2: Today's I mean, here's the thing, like labeling a band
19:23
Speaker 2: is always like really hard and I don't even think
19:25
Speaker 2: it's correct. Yeah, no, it's it's kind of like I
19:29
Speaker 2: think we do have like industrial influences, Yeah, you wear
19:33
Speaker 2: those like the first like nineties industrial influences, lots of alternative,
19:38
Speaker 2: but also many of our songs they do have that
19:43
Speaker 2: pop touch.
19:44
Speaker 3: I would say, so I.
19:47
Speaker 2: Can see us being like, I don't know, I would know.
19:54
Speaker 2: I'll to answer to this where maybe where we're moving
19:57
Speaker 2: like where we're going now, we're going in a direction
19:59
Speaker 2: that is even more.
20:00
Speaker 3: Pop interesting with a new song. But it's not the
20:06
Speaker 3: stupid no, I don't know, you know, it's just got
20:10
Speaker 3: it's really hooky, like we got, you know, like this.
20:13
Speaker 3: I just wrote like four new songs for.
20:15
Speaker 2: You know, the future, and they have like these pop
20:19
Speaker 2: elements that we love always mixed with like rock guitars
20:22
Speaker 2: and these electronic elements going on. It's just hard for
20:27
Speaker 2: me to answer to that question because I sucker labeling bands,
20:30
Speaker 2: and even we like to move between fashion and music. Yeah,
20:39
Speaker 2: just goes along, you know.
20:41
Speaker 3: And I don't know, I.
20:43
Speaker 2: Think, you know, addiction is pretty fresh, but brings with
20:48
Speaker 2: with with the band like lots of those nineties influences,
20:51
Speaker 2: which I don't see many bands like that around.
20:54
Speaker 3: You know. That's just my point of view.
20:56
Speaker 2: I don't want to sound cocky, but it's just like
20:58
Speaker 2: I just don't see the ands like that, and it's
21:01
Speaker 2: hardful to.
21:04
Speaker 3: Say where we fit or where we could be.
21:06
Speaker 1: To honest with you, yes it is. I don't think
21:09
Speaker 1: there's one label that fits you guys. And I feel
21:12
Speaker 1: like you move between genres and you know, you take
21:16
Speaker 1: some from every sort of genre in a way.
21:20
Speaker 2: We do we you know, and mix it up sometimes
21:23
Speaker 2: in certain countries because for example, we got promoters writing cats.
21:27
Speaker 2: We just like, hey, we really like the band, but
21:29
Speaker 2: before the EP came out, they were just like, I
21:32
Speaker 2: listened to this song and then the second single, ye,
21:35
Speaker 2: where are you more? It's more towards the first or
21:38
Speaker 2: the second one. And we're like, it's fucking hard to
21:41
Speaker 2: answer to that because just like we don't have that
21:44
Speaker 2: Like if you have to see Manson, for example, you
21:47
Speaker 2: have that kind of crowd. They always stay there. Yeah,
21:51
Speaker 2: you go to see Rob Zombie, you have that kind
21:53
Speaker 2: of crowd with us. It's kind of like you might
21:57
Speaker 2: have people like the past mode you have people like
21:59
Speaker 2: nineteen Senates, might have people like Lea.
22:02
Speaker 1: Yes, yes, so true.
22:05
Speaker 3: It's hard to find at least, I don't know what
22:07
Speaker 3: to answer to that.
22:08
Speaker 1: I'm sorry, yes, no, no, no, that is a good
22:10
Speaker 1: answer in itself. I'm sorry, my baby is thinking a
22:14
Speaker 1: lot of noise. And finally, if someone had never heard
22:19
Speaker 1: more addiction before and money for the Honey was their introduction,
22:23
Speaker 1: what do you hope is the first thing they understand
22:26
Speaker 1: about who you are as a band?
22:30
Speaker 2: A serious band that is really focus, that have a vision,
22:36
Speaker 2: an idea, and I don't know. I just told the
22:40
Speaker 2: people either for the vibe, the sound, the lyrics or whatever,
22:44
Speaker 2: they find themselves running with the song like I used
22:49
Speaker 2: to do when I used to listen to certain.
22:51
Speaker 3: Bands, which I still does.
22:53
Speaker 2: That makes sense absolutely, It's it's like, you know, I
22:57
Speaker 2: still feel like that with certain bands, for example nine
23:00
Speaker 2: Inch and eighths, I still feel like when I was fifteen.
23:03
Speaker 3: Yes, it's like you know, the drive.
23:06
Speaker 2: I just feel like I'm drawn to them, like in
23:09
Speaker 2: a way where i feel really connected with the song.
23:11
Speaker 2: And sometimes again it's the lyrics, sometimes it's the music,
23:14
Speaker 2: but you just feel part of the bubble.
23:17
Speaker 3: The world, which I don't know.
23:20
Speaker 2: It's kind of a comfort zone that everyone seems to
23:22
Speaker 2: be like against. I fucking love to have a comfort
23:25
Speaker 2: zone because I think that sometimes in life, life is
23:27
Speaker 2: already really complicated, and it's sometimes ten minutes of piece
23:31
Speaker 2: or kind of like you know, you feel that you
23:35
Speaker 2: belong somewhere, you know, if it's good. So that would
23:40
Speaker 2: be like my hope for the people who are going
23:43
Speaker 2: to be introduced to you our addiction in this case
23:47
Speaker 2: Money Foltian, it would be a really good song too,
23:50
Speaker 2: and it.
23:50
Speaker 1: Has already exploded on YouTube. You guys have like forty
23:54
Speaker 1: seven thousand views on that one song.
23:58
Speaker 3: Actually that it worked out really well.
24:00
Speaker 2: But the song that I think even right now represents
24:04
Speaker 2: us the best that was Service and Crime.
24:07
Speaker 3: I'm the first single that was just like.
24:09
Speaker 2: We we saw the reaction from people right away that
24:13
Speaker 2: it was just like wow, you know that was the
24:15
Speaker 2: first thing.
24:17
Speaker 3: Both go, they both go and send the reaction.
24:20
Speaker 2: Yeah, but I think the money for the onie is
24:24
Speaker 2: even more appealing to a lot of people, a.
24:28
Speaker 1: Lot, yeah, broader audience. I agree. Yeah, Oh that's crazy. Look,
24:31
Speaker 1: I wish we had more time, and it's been fantastic
24:34
Speaker 1: speaking with you. I want to keep up with you
24:36
Speaker 1: guys because your music is the type of music that
24:39
Speaker 1: I've always loved, like those bands Nine Inch Nails, Placebo,
24:42
Speaker 1: depeche Mode since I was young. So yes, I would
24:48
Speaker 1: love to absolutely see hear more from you and see
24:51
Speaker 1: where you guys go. And I hope you can make
24:53
Speaker 1: it over here sometimes.
24:55
Speaker 2: I really hope. So, I mean, we would love to
24:57
Speaker 2: do Australia. It's just you know, the lotistics, Like I said,
24:59
Speaker 2: so all three.
25:00
Speaker 1: Time, absolutely Yeah, wonderful. Thank you so much again for
25:04
Speaker 1: your time, Thank you for having me