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Ripening With Age According To DARREN CROWE From FAKE NEWS · HEAVY Music Interviews

• 0:09
  Speaker 1: How did I get here around my right.
• 0:13
  Speaker 2: To everything out? I am down for fake news.
• 0:18
  Speaker 3: I am twenty percent of the band, and we just
• 0:21
  Speaker 3: released a new album called dead Set.
• 0:23
  Speaker 2: It's our second album. It's our fifth release in five years.
• 0:26
  Speaker 3: We've done three EPs and two albums, and this one
• 0:30
  Speaker 3: kind of ties off the fake news legacy as to
• 0:31
  Speaker 3: who we.
• 0:32
  Speaker 2: Are, what we do, where we stand, and where we
• 0:34
  Speaker 2: come from.
• 0:35
  Speaker 4: Fantastic Darren, thanks for joining us today.
• 0:37
  Speaker 2: Brother Blody oh Man, thanks having me, Chris my pleasure.
• 0:41
  Speaker 4: Those you say fake News dropped your latest album, dead Set,
• 0:43
  Speaker 4: on May seven, So I know it hasn't been that long, Brave,
• 0:46
  Speaker 4: but what's the early reception been.
• 0:48
  Speaker 2: Like, Yeah, look, it's been good.
• 0:50
  Speaker 3: It's moving at a steady pace in the streamage, and yeah,
• 0:56
  Speaker 3: it seems to be doing all the right things and
• 0:58
  Speaker 3: moving in the right direction. And then nah, it's doing
• 1:02
  Speaker 3: everything that it's men too, which is great, which is
• 1:04
  Speaker 3: a great thing.
• 1:05
  Speaker 2: And there's a few different songs in there which.
• 1:08
  Speaker 3: Might have lost a few listeners, but there's a few
• 1:10
  Speaker 3: different songs in there that might have gained if you
• 1:11
  Speaker 3: listened as well. So yeah, we've pushed the envelope. We've
• 1:16
  Speaker 3: stayed true to who we are and we've evolved and
• 1:19
  Speaker 3: we feel like we've got a very now sound with
• 1:22
  Speaker 3: what we've done on this album. So a lot of
• 1:24
  Speaker 3: these songs were written seven years ago when the band started,
• 1:28
  Speaker 3: and we just knew that we wanted to get them right.
• 1:29
  Speaker 3: We didn't have the right people for the job, so
• 1:31
  Speaker 3: we kind of went back and redid them and then
• 1:33
  Speaker 3: we're like, nah, now we know where one hundred percent
• 1:35
  Speaker 3: with them and some of the other riffs in there,
• 1:37
  Speaker 3: riffs I've had line around for like fifteen plus years,
• 1:39
  Speaker 3: you know, So it's nice to finally get them released,
• 1:42
  Speaker 3: put them behind us, and yeah, people kind of understand
• 1:45
  Speaker 3: how much work goes into a riff and a song sometimes,
• 1:47
  Speaker 3: you know, like when you hear it on release day,
• 1:50
  Speaker 3: it was probably recorded two or three years prior, you know,
• 1:53
  Speaker 3: and then by the time it comes out and stuff,
• 1:54
  Speaker 3: there's just a lot of work goes on behind the scene.
• 1:56
  Speaker 2: So nice to have it out and yeah, we're chuffed.
• 1:58
  Speaker 4: Nice now dive into the album deeper musically for us,
• 2:01
  Speaker 4: fro and tell us what you're going for the song around.
• 2:04
  Speaker 3: So there's a little bit of backing track action, you know.
• 2:07
  Speaker 3: A couple of guys said to me, yoh, you can't
• 2:09
  Speaker 3: have backing tracks in punk, you know. But when people
• 2:13
  Speaker 3: start setting rules, I just like fucking breaking them, you know.
• 2:15
  Speaker 2: So I was like.
• 2:17
  Speaker 3: I'll find a way to get these backing tracks in there,
• 2:20
  Speaker 3: and I did on a couple of songs.
• 2:22
  Speaker 2: Started out with a few sub drops here and.
• 2:23
  Speaker 3: There, a few reverse symbols, and shit, we're just kind
• 2:26
  Speaker 3: of get the ambience and the epicness of the thing
• 2:27
  Speaker 3: pumping up. And then I decided to go balls to
• 2:30
  Speaker 3: the wall on the first song by having this backing
• 2:33
  Speaker 3: track at the start of the song, because you know,
• 2:36
  Speaker 3: you probably see me with Parkway recently.
• 2:37
  Speaker 2: That's that's kind of where it was inspired from.
• 2:39
  Speaker 3: You know, the recent show they did where they were
• 2:41
  Speaker 3: playing to a click track the whole way through, and
• 2:43
  Speaker 3: these pirate techniques that go with the show and the
• 2:45
  Speaker 3: music and the songs and the sub drops and all
• 2:47
  Speaker 3: these things, And yeah, we don't essentially play to a
• 2:50
  Speaker 3: click track, but we can kind of play to a
• 2:52
  Speaker 3: backing track for a little bit to enhance an intro
• 2:54
  Speaker 3: or give a bridge a bit more anthemic epicness to it.
• 2:59
  Speaker 3: And yeah, we've kind of done that with this music,
• 3:02
  Speaker 3: and I feel like it's transcribed really well.
• 3:04
  Speaker 2: It's worked.
• 3:06
  Speaker 3: We've pushed the envelope with a lot of the rifts,
• 3:07
  Speaker 3: a lot of the riffs are a bit more heavier,
• 3:10
  Speaker 3: but the thing that keeps them punk is Tim's vocals,
• 3:13
  Speaker 3: and it keeps the fake news sound is Tim's vocals.
• 3:15
  Speaker 2: Kind of keeps us in the lane. We don't use
• 3:18
  Speaker 2: double kick. It's all single kick, and Natt does.
• 3:21
  Speaker 3: A real good job at like heal and towing the
• 3:23
  Speaker 3: shit out of his single pedal, and a lot of
• 3:25
  Speaker 3: the time he can tickle his times and it'll sound
• 3:27
  Speaker 3: like a double kick a lot of the time anyway.
• 3:29
  Speaker 3: So yeah, that's a bit of a weapon in that sense.
• 3:32
  Speaker 3: But there's no blast beats or anything like that, so
• 3:34
  Speaker 3: it doesn't go too metal. It stays in the lane
• 3:36
  Speaker 3: of punk, and it's got those few little fundamental things
• 3:39
  Speaker 3: that we do to stay in the lane of punk
• 3:41
  Speaker 3: but still evolve at the same time.
• 3:43
  Speaker 4: Yeah, you release the singles Southbound and hit the Ground,
• 3:47
  Speaker 4: So just say that's all someone's heard of the album.
• 3:49
  Speaker 4: Is that a good idea of what you expect overall?
• 3:51
  Speaker 2: Or is that just scratching us Olf.
• 3:54
  Speaker 3: It's one of those things when you think you've got
• 3:55
  Speaker 3: a pigeon holed, you know, you don't, you know, like
• 3:57
  Speaker 3: every song, like some of the songs, this is so
• 4:00
  Speaker 3: random and weird, you know, like when you think about
• 4:02
  Speaker 3: beer coming in at number eight, you're like, oh, that's
• 4:04
  Speaker 3: a bit of a weird, bit of a weird one
• 4:06
  Speaker 3: where it comes in where it does come in. But
• 4:08
  Speaker 3: at the same time, it's got a nice variety as
• 4:12
  Speaker 3: the album progresses and it goes through, you know, like
• 4:16
  Speaker 3: I was funny thay, I was watched listening to some Panterea,
• 4:18
  Speaker 3: Cowboys from Hell and Volga Display of Power. You look
• 4:22
  Speaker 3: at the first six songs on those on those albums,
• 4:26
  Speaker 3: they are just fucking heavy as hell, you know, like
• 4:29
  Speaker 3: and just they're like, they're best songs. And we've always
• 4:33
  Speaker 3: had how you know, some people can put the best
• 4:35
  Speaker 3: songs at the start, but we wanted to have this
• 4:37
  Speaker 3: album to have depth. So we went in and we
• 4:39
  Speaker 3: put all the songs for the fake News filter, and
• 4:42
  Speaker 3: it's all killer, no filler. But if you get to
• 4:45
  Speaker 3: the first three songs, it's a bit of a whirlwind,
• 4:49
  Speaker 3: you know, and then you get to Therapy. A lot
• 4:50
  Speaker 3: of people are going back and replaying Therapy. They really
• 4:52
  Speaker 3: love it. But then you get the track five, which
• 4:54
  Speaker 3: is complicated, which is a.
• 4:55
  Speaker 2: Bit more of an emo.
• 4:58
  Speaker 3: Heartfelt, you know, an extion style song, and then Face
• 5:02
  Speaker 3: of Death and running out of Time I just could
• 5:05
  Speaker 3: possibly be the best two songs on the album.
• 5:07
  Speaker 2: So there's high energy throughout the whole thing.
• 5:11
  Speaker 3: You don't know what to expect at certain times, and
• 5:15
  Speaker 3: it's one of those albums you might get halfway through
• 5:17
  Speaker 3: it and you go back and revisit it, and you
• 5:19
  Speaker 3: got to absorb what you first hear and go back
• 5:21
  Speaker 3: and revisit it again, you know, because there is there
• 5:23
  Speaker 3: is some weird shit in this that's a little bit
• 5:25
  Speaker 3: left field, and you're like, you didn't see it coming as.
• 5:27
  Speaker 2: Much as what you thought you would have, you know,
• 5:31
  Speaker 2: just a little bit before.
• 5:32
  Speaker 4: But you're the opening track Destination like it's a pearlm
• 5:35
  Speaker 4: I like, it starts off with a bit of a
• 5:37
  Speaker 4: monologue before a nice ambient piece comes in. Like it
• 5:39
  Speaker 4: sounds like there's a bit of string instruments there here.
• 5:41
  Speaker 4: I might be wrong, but yeah, yeah, it's a misleading
• 5:46
  Speaker 4: way to start the album. B I was listening and
• 5:48
  Speaker 4: I was going, what the fuck are these guys doing
• 5:50
  Speaker 4: on this? Right and then bang you kick in with
• 5:52
  Speaker 4: your sound.
• 5:53
  Speaker 2: But I liked it.
• 5:53
  Speaker 4: It was a good little different way to start it.
• 5:56
  Speaker 3: Yeah, So we jumped down a time machine and we
• 5:58
  Speaker 3: revisited Beethoven and we went back. He said, look what
• 6:01
  Speaker 3: do we do here? He said, he gave us a
• 6:03
  Speaker 3: few tips on the synth and stuff what to do.
• 6:04
  Speaker 3: So jump back in the time of shot and come
• 6:06
  Speaker 3: back to the present. And we went and seeing the
• 6:08
  Speaker 3: guys at Prisone Symphony Orchestry, and they kind of orchestrated
• 6:10
  Speaker 3: the whole thing for us.
• 6:11
  Speaker 2: No, they didn't.
• 6:12
  Speaker 3: I've got to mate that does a lot of synth
• 6:16
  Speaker 3: stuff and does a lot of backing track in previous
• 6:17
  Speaker 3: bands that I that I played in, and he's always
• 6:21
  Speaker 3: got a sick idea for some backing track things. And
• 6:24
  Speaker 3: you know, there's a band called Escape the Day which
• 6:27
  Speaker 3: plays a lot of metal riffs with like uh trancy,
• 6:33
  Speaker 3: you know, like sandstorm stuff with like heavy metal riffs,
• 6:38
  Speaker 3: and it's something i've kind of you know, and Sakari
• 6:41
  Speaker 3: does it well in Not You're the Winner that that
• 6:45
  Speaker 3: song and a lot of other things that they do
• 6:46
  Speaker 3: and bring Me to the Horizon does a lot of
• 6:47
  Speaker 3: awesome backing track stuff.
• 6:49
  Speaker 2: And look, this is the future.
• 6:51
  Speaker 3: It's there to be used and it's just it's nice
• 6:55
  Speaker 3: when you got the high pitch of the synth with
• 6:56
  Speaker 3: a low tuning in D standard, they kind of and
• 7:00
  Speaker 3: blend together really well and live the frequencies, the frequencies
• 7:04
  Speaker 3: that get crushed when you upload on Spotify and iTunes,
• 7:07
  Speaker 3: all those frequencies are still there when you play the
• 7:10
  Speaker 3: songs live and you play them through a massive pa like.
• 7:14
  Speaker 2: That song Rewind remixed.
• 7:16
  Speaker 3: That's a remix that my mate did with the same
• 7:20
  Speaker 3: sort of synth plugins and stuff that he's got and.
• 7:24
  Speaker 2: Re emulated Rewind.
• 7:26
  Speaker 3: But we played that as like a little guitar interlude
• 7:29
  Speaker 3: in Melbourne at picker Pick, a venue which is fits
• 7:34
  Speaker 3: five thousand people. It's got this old corrugated roof shed
• 7:39
  Speaker 3: and that just fucking blew the roof off the joint,
• 7:42
  Speaker 3: you know. And the frequencies that are in all those
• 7:44
  Speaker 3: sounds and all those and all those big synths and stuff,
• 7:48
  Speaker 3: they're frequencies that you don't get when you listen to
• 7:50
  Speaker 3: on Spotify.
• 7:51
  Speaker 2: You don't get that when you listen to iTunes and stuff.
• 7:53
  Speaker 3: So if you want to see frequency, if you want
• 7:55
  Speaker 3: to see the fake newsic experience.
• 7:57
  Speaker 2: You have to come to a live show.
• 7:59
  Speaker 4: It's it. You've also thrown in the cover of John
• 8:03
  Speaker 4: Boggety's Fortunate Son there bro like, why she's that particular
• 8:06
  Speaker 4: song to give the fake news treatment.
• 8:08
  Speaker 3: Well, there's no there's no sort of real premise behind it.
• 8:12
  Speaker 3: That's just kind of we just we just pump out songs.
• 8:16
  Speaker 3: I just keep pumping them out. We throw a shit
• 8:18
  Speaker 3: on the wall and see what sticks, you know. And
• 8:20
  Speaker 3: that's a song that we did a while ago. We
• 8:21
  Speaker 3: were going to release it as a single and same
• 8:24
  Speaker 3: as rewind Remix, We're going to release it as a single.
• 8:26
  Speaker 3: But the song just kept coming, just kept coming, and
• 8:28
  Speaker 3: I was like, well, this can go on the album.
• 8:30
  Speaker 3: That can go on the album, and this will work
• 8:33
  Speaker 3: on the album. We've got to have a cover. Yeah,
• 8:35
  Speaker 3: Fortunate Sons just a cover. We've had line around for
• 8:38
  Speaker 3: maybe three or four years, and we're like, well, sounds.
• 8:41
  Speaker 2: Good, you know.
• 8:41
  Speaker 3: We were just like, I reckon it's got a place
• 8:43
  Speaker 3: on the album somewhere.
• 8:44
  Speaker 2: So we so we slapped it on there and there's
• 8:46
  Speaker 2: no sign of there's.
• 8:47
  Speaker 3: No real meaning behind it with it being about Vietnam
• 8:51
  Speaker 3: or anything like that or America or whatever. It's just
• 8:54
  Speaker 3: it's just a fun song to play and it's a
• 8:56
  Speaker 3: fun song to sing along to, and same as Eve Destruction,
• 8:59
  Speaker 3: but like even Distructing kind of came in this really
• 9:03
  Speaker 3: weird thing, you know, with what it's about and what
• 9:05
  Speaker 3: was going on in the world at the time and
• 9:07
  Speaker 3: stuff as well, and it just suited.
• 9:08
  Speaker 2: And it wasn't even meant to be that way.
• 9:10
  Speaker 3: It was just something that we just did. It sounded
• 9:12
  Speaker 3: awesome and we're like, fuck it, let's let's let's just
• 9:15
  Speaker 3: use this.
• 9:15
  Speaker 2: So we did well.
• 9:18
  Speaker 4: People like myself ro like, what's the process, Like when
• 9:21
  Speaker 4: you break down a song like that, Like you've got
• 9:23
  Speaker 4: their version of the song, and then you're trying to
• 9:24
  Speaker 4: make it your own, Like what, what's what's the process.
• 9:27
  Speaker 2: To get it from A to B?
• 9:29
  Speaker 3: Well, I feel like the secret lies within the drums.
• 9:34
  Speaker 2: I feel like you need to make the vocals to match.
• 9:37
  Speaker 3: The drums and then that becomes your foundation and then
• 9:40
  Speaker 3: you build from there. So it's all about which sections
• 9:44
  Speaker 3: you want to have half time and which sections you
• 9:46
  Speaker 3: want to have full time.
• 9:47
  Speaker 2: Balls to the wall and.
• 9:48
  Speaker 3: That's that's really good with stuff like that, And I
• 9:51
  Speaker 3: know the things that he likes to do, and I
• 9:52
  Speaker 3: kind of know his style and mean him kind of
• 9:54
  Speaker 3: working with each other, and I like, I was thinking
• 9:57
  Speaker 3: halftime snare drop here he might be yeah, yeah, no,
• 9:59
  Speaker 3: I'm feeling it, you know, and then we'll go from
• 10:01
  Speaker 3: there and we'll build that foundation and then you're just
• 10:04
  Speaker 3: kind of dressing it up from there. But for example, yeah, yeah,
• 10:10
  Speaker 3: it's like that, Well, Fortunate Son's been a song I've
• 10:13
  Speaker 3: been playing for a long time, especially that like version.
• 10:15
  Speaker 2: Everyone's done a version of it, you know, so whatever,
• 10:18
  Speaker 2: all good.
• 10:19
  Speaker 3: But in terms of the one with like Eve of Destruction,
• 10:23
  Speaker 3: just to give another example, he the guy that sings
• 10:27
  Speaker 3: that song, he adds a line onto every verse one, two,
• 10:30
  Speaker 3: three is like four verses. So the first one goes
• 10:33
  Speaker 3: for like four lines, and next one's five lines, next
• 10:36
  Speaker 3: versus six lines, next one's like seven lines. So there's
• 10:39
  Speaker 3: this drum, this drum extension bar thing that you have
• 10:41
  Speaker 3: to add on. It's all done in like the drums
• 10:43
  Speaker 3: and the bars and stuff. So yeah, drums kind of
• 10:47
  Speaker 3: sets up for the kill. Lucky We've got a balltair
• 10:50
  Speaker 3: and drummer in that. And when he fucking smacks the weds,
• 10:53
  Speaker 3: he lets him know. He hits them like a redited stepchild.
• 10:56
  Speaker 3: So yeah, he's on.
• 10:59
  Speaker 4: I know this be the same for every song, bro,
• 11:01
  Speaker 4: but probam musicians point of view, it is it easier
• 11:03
  Speaker 4: to rewrite someone else's song or to come up with
• 11:06
  Speaker 4: your own original.
• 11:09
  Speaker 3: It's probably easy to come up with your own original. Man,
• 11:11
  Speaker 3: I wish stuck or play covers. Maybe then maybe i'd
• 11:13
  Speaker 3: have some money. But like covers is, covers is the
• 11:17
  Speaker 3: fun thing to do to get your head around recording
• 11:21
  Speaker 3: at home and shit sometimes you know, like, yeah, writing's great.
• 11:24
  Speaker 3: You can make it up yourself and you can no
• 11:26
  Speaker 3: one can tell you that you played it wrong because
• 11:28
  Speaker 3: you made it up, So I.
• 11:30
  Speaker 2: Think that's all good. Yeah, it's kind of it's a
• 11:33
  Speaker 2: double edged stort. Either way.
• 11:34
  Speaker 3: You still want to You can still provide your own
• 11:37
  Speaker 3: fake new sound to like a cover or something. There's
• 11:40
  Speaker 3: just this filter that goes through you and it just
• 11:42
  Speaker 3: kind of you spit it out the other end, and yeah,
• 11:45
  Speaker 3: it's easy enough.
• 11:45
  Speaker 2: You the covers. The covers are great to have, man,
• 11:47
  Speaker 2: you kind of got to have them.
• 11:48
  Speaker 3: And even when we played with Millon Colin Pennywise, they
• 11:52
  Speaker 3: both had to cover each that they would play you know. Yeah,
• 11:55
  Speaker 3: every every band's got to got to covers now.
• 11:58
  Speaker 4: Earlier this year Fake News sided with international label Thousand
• 12:01
  Speaker 4: Island Records, Mate, so what sorts of things that opened
• 12:04
  Speaker 4: up four years of band.
• 12:07
  Speaker 2: It's opened up the prospect of going overseas.
• 12:10
  Speaker 3: It's opened up the prospect of doing vinyl because we
• 12:12
  Speaker 3: wanted to do vinyl earlier.
• 12:14
  Speaker 2: But it's just a big hit in the hip pocket.
• 12:17
  Speaker 3: You know, you've got to come up with four grand
• 12:19
  Speaker 3: to get two hundred copies made, whereas we kind of
• 12:23
  Speaker 3: got a bit of help from them in order to
• 12:25
  Speaker 3: do that.
• 12:25
  Speaker 2: So yeah, they're.
• 12:28
  Speaker 3: Doing the American North American distribution and Double Helicks are
• 12:32
  Speaker 3: doing the UK distribution, and we're taking care of the
• 12:35
  Speaker 3: Australian stuff. So but yeah, we've been in chats with
• 12:38
  Speaker 3: one thousand All Records for the last two or three releases,
• 12:41
  Speaker 3: and we knew they were very interested. And Bruno's a
• 12:45
  Speaker 3: legend and Vince.
• 12:47
  Speaker 2: Who used to play who now plays in these days.
• 12:51
  Speaker 2: But yeah, there are awesome lads man, and they're our
• 12:53
  Speaker 2: sick label.
• 12:54
  Speaker 3: They've got so many awesome bands Bring me the Storm.
• 12:59
  Speaker 3: They've got so many sick bands that we listened to often.
• 13:02
  Speaker 2: The bridge of Gap. They're kind of in cahoots with
• 13:05
  Speaker 2: Pete with Pete from Pea Records. Ye. So yeah, they'll
• 13:09
  Speaker 2: just give us like this overseas.
• 13:11
  Speaker 3: Reach and yeah, we're so tough to be a part
• 13:14
  Speaker 3: of their their crew because.
• 13:17
  Speaker 2: They are the best we could have gotten with out
• 13:22
  Speaker 2: going past our limits kind of thing, if that makes sense. Yeah.
• 13:25
  Speaker 4: Now you've got a launch show coming up at Sobar
• 13:27
  Speaker 4: on May the thirty first as well with Judo Chop,
• 13:30
  Speaker 4: Get Heat and Okay thirty six.
• 13:31
  Speaker 2: So what cotton store for us? Said mate, Well, it's
• 13:36
  Speaker 2: just the fake news experience. Man.
• 13:38
  Speaker 3: You gotta you just got to see this ship live
• 13:40
  Speaker 3: to really to really understand it.
• 13:43
  Speaker 2: Yeah, so Bar is going to be one hell of
• 13:45
  Speaker 2: a show.
• 13:47
  Speaker 3: As far as this back half of the year ages,
• 13:48
  Speaker 3: I can't really say too much just yet.
• 13:50
  Speaker 2: We've got a few things in the works that we're
• 13:53
  Speaker 2: working on.
• 13:54
  Speaker 3: We're looking at maybe doing a tour exchange program with
• 13:58
  Speaker 3: the band overseas. We'll kind of bring them over here
• 14:01
  Speaker 3: and then we'll probably maybe go over there and we'll
• 14:05
  Speaker 3: kind of do a little exchange in that way. But
• 14:07
  Speaker 3: we've got things we're working on. We're just kind of
• 14:09
  Speaker 3: leaving ourselves open. Getting this album out into the world
• 14:13
  Speaker 3: has been our main concern, and now that that's done,
• 14:17
  Speaker 3: we'll just kind of batten down the hatches, won't spread
• 14:20
  Speaker 3: ourselves too thin and won't burn ourselves out.
• 14:22
  Speaker 2: And we'll just kind of understand that.
• 14:24
  Speaker 3: You know, life is family, and life is living, and
• 14:26
  Speaker 3: life is being healthy, music is and everything. So we'll
• 14:29
  Speaker 3: kind of won and take your foot off the gas.
• 14:31
  Speaker 3: We'll still be burning away with things. We're just kind
• 14:33
  Speaker 3: of waiting for the right thing to come. But our
• 14:36
  Speaker 3: main focus now would possibly be another restrained tour with
• 14:40
  Speaker 3: a big band if we can, and possibly get overseas
• 14:45
  Speaker 3: somewhere like either to America or Europe UK next year.
• 14:49
  Speaker 2: Fantastic.
• 14:50
  Speaker 4: Now, before that you go, bro, I've got a new
• 14:51
  Speaker 4: segment I've started toward photo bomb. So basically, before I
• 14:55
  Speaker 4: speak with you, I've tried through your social media and
• 14:57
  Speaker 4: I've come up with a few photos I want to
• 14:58
  Speaker 4: know a bit.
• 14:58
  Speaker 2: More about, right. I found this one, mate, Like, I've
• 15:03
  Speaker 2: passed out.
• 15:04
  Speaker 4: In some pretty strange places, baby, but I've never passed
• 15:06
  Speaker 4: out under a table with my sock sup before.
• 15:09
  Speaker 2: Okay, So that one there, that's Tim at.
• 15:13
  Speaker 3: Fortitude Music Hall, that's the night we played with penny
• 15:18
  Speaker 3: Wise and Melancholin and Tim was having a little nap time.
• 15:21
  Speaker 2: Uh.
• 15:22
  Speaker 3: Tim was partial to a bit of naptime that night
• 15:24
  Speaker 3: because we kind of you know, the first two nights
• 15:27
  Speaker 3: we were just we just sent it and we had
• 15:29
  Speaker 3: a crack and Tim they needed to save his energy
• 15:32
  Speaker 3: before he got on stage.
• 15:34
  Speaker 2: So that's Tim sleeping under a table down. This next
• 15:39
  Speaker 2: one made, I've got no words for it. I'm hoping
• 15:41
  Speaker 2: you can shed some light fu.
• 15:45
  Speaker 3: Oh yeah, that's me. That's me and my influence todays.
• 15:47
  Speaker 3: So that's me and BALI just looking for a bit
• 15:52
  Speaker 3: of internet clout if you like. Yeah, I kind of
• 15:55
  Speaker 3: knew that that one had come back to halt me eventually.
• 15:57
  Speaker 3: But just is a fucking good ass, isn't it.
• 15:59
  Speaker 4: But you've have some fucking some kisses on there too,
• 16:01
  Speaker 4: You like, is that one of the local local baronies
• 16:04
  Speaker 4: women gets.
• 16:05
  Speaker 2: Into your mail?
• 16:06
  Speaker 3: It's actually I got in New York because when I
• 16:10
  Speaker 3: was in Brooklyn, I didn't want to get another kid,
• 16:12
  Speaker 3: don't want to get a T shirt that just said
• 16:14
  Speaker 3: you know, I love New York.
• 16:15
  Speaker 2: I was like, what can I get to him in
• 16:16
  Speaker 2: New York? Walk past that issue here so and lips
• 16:20
  Speaker 2: on my ass. You know it might tell her all
• 16:26
  Speaker 2: that takes time.
• 16:27
  Speaker 4: The album gets settings out now it is a fucking crack.
• 16:30
  Speaker 4: As you've seen these guys live, the album is even better.
• 16:33
  Speaker 4: Check him out, check coming up with so far, check
• 16:35
  Speaker 4: o out on all the socialst brother and we'll touch
• 16:37
  Speaker 4: you very soon.
• 16:38
  Speaker 3: Love you wor Chris cheers, mate, appreciate it.
• 16:50
  Speaker 5: How did I get here?
• 16:51
  Speaker 1: Around my arm?
• 16:54
  Speaker 2: How do everything out?
• 17:00
  Speaker 1: A time? I became full my life? I'm moving, lasting
• 17:08
  Speaker 1: every day, shot Silk about the seven Away, I'm fill
• 17:18
  Speaker 1: up by the way. I'm face to set the slave.
• 17:25
  Speaker 1: I'm trying to do that.
• 17:27
  Speaker 5: I'm done try today, haven't able to break shot last
• 17:42
  Speaker 5: not before the ways the work.
• 17:46
  Speaker 1: Roddy and I'm thinking, oh my bad. I'm moved, Lasting
• 17:55
  Speaker 1: every day show A sipe came with the Seventh Way.
• 18:04
  Speaker 1: Until I'm bin away, I'll make the sea side. I'm
• 18:12
  Speaker 1: trying to the way.
• 18:14
  Speaker 5: I'm not a charge.
• 18:22
  Speaker 1: I've got a charge.