Latest / truthunedited / Joe Rogan Experience #2362 - Ralph Barbosa

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Joe Rogan Experience #2362 - Ralph Barbosa · truthunedited

• 0:01
  Speaker 1: Joe podcast. Check it out The Joe Logan Experience Train
• 0:06
  by Day, Joe Rogan Podcast by Nay all Day. So
• 0:14
  let's go. What are you doing? Are you playing with
• 0:16
  the magnets? Yeah? Man, I'm checking out all your toys.
• 0:19
  Would you say? This guy's name is Travis.
• 0:20
  Speaker 2: That's Travis Walton and he's he's a guy that got
• 0:25
  abducted allegedly by some sort of a UFO in the
• 0:29
  nineteen seventies and the story was so crazy that it
• 0:33
  became a movie.
• 0:34
  Speaker 1: It's called Fire in the Sky.
• 0:36
  Speaker 2: And I don't know, Like I said, I don't know
• 0:37
  if he's telling the truth, but it's very compelling. He
• 0:41
  doesn't seem like a liar, and he's been telling the
• 0:42
  exact same story for forty plus years.
• 0:46
  Speaker 1: I think he's dead in the truth, you think, so, yeah, Yeah, yeah,
• 0:49
  I don't know. I don't know anybody. I mean, personally,
• 0:52
  I don't know anybody who's kept up a lie for
• 0:54
  that long.
• 0:55
  Speaker 2: There's gotta be someone, you gotta be someone that's like
• 0:58
  I think people can make a story and then only
• 1:01
  keep that lie. Usually generally, when people lie about stuff,
• 1:05
  they'll lie about a bunch of stuff, especially something that crazy.
• 1:08
  They took me aboard a UFO and they fixed me.
• 1:11
  Speaker 1: So this is the story.
• 1:12
  Speaker 2: The story was these guys were all loggers in Arizona,
• 1:16
  and so they're driving down this logging road and they
• 1:18
  see some crazy light in the sky and it goes
• 1:21
  into this area. They pull off to the side of
• 1:24
  the road. They walk towards it and there's this disc
• 1:28
  that's like hovering, this glowing disc. He walks towards it
• 1:32
  and he got really close to it and he got
• 1:34
  hit with a beam of light and he falls back.
• 1:38
  Like that's supposedly what it looked like. That's the art,
• 1:41
  the art depiction of it, what these guys saw. He
• 1:45
  gets hit with this beam of light and they take off.
• 1:48
  They're like fuck, and they did jump back in the
• 1:50
  truck and take off. He's lying on the ground and
• 1:53
  they get like five minutes away and they're yelling at
• 1:56
  each other, we gotta go back, we gotta go get them.
• 1:58
  They were scared and say like fuck it, go back.
• 2:00
  So they go back to go get their friend and
• 2:02
  he's gone. So five days later there's you know, there's
• 2:07
  a man hunt for him. Nobody can find him. Five
• 2:09
  days later, he shows up, walks into town. He's fully
• 2:15
  It doesn't look like he's starving to death. He's not
• 2:17
  out of water, doesn't love, he's been living in the woods.
• 2:20
  It just looks like he just like a normal day.
• 2:26
  And he tells this crazy story. He tells his story
• 2:28
  that he got abducted. They took him aboard this craft
• 2:31
  and fixed his body because the beam of light that
• 2:33
  came out of the ship from whatever whatever it was,
• 2:36
  whatever energy source it was, fucked his body up. They
• 2:39
  repaired it and they communicated with him telepathically while they
• 2:43
  were on the ship. I forget all the details of it,
• 2:46
  but yeah, but this is the film of it. But
• 2:52
  this is supposedly what he said. The experience was, like
• 2:56
  I said, it was terrifying. And he described The thing
• 2:58
  that's crazy is that they all describe the same exact creatures.
• 3:02
  They describe these hood They people that get abducted, people
• 3:07
  that have had UFO experiences, anybody that's had direct contact.
• 3:11
  Do you ever see that movie Close Encounters of the
• 3:12
  Third Kind?
• 3:14
  Speaker 1: I saw that movie The Fourth Kind when I was
• 3:16
  in middle school. What's that one? Is that an induction one?
• 3:19
  I think they come get you. Yeah, it's like, man,
• 3:22
  I only watched it once. It scared the shit out
• 3:24
  of me. I think people go on there like hypnosis
• 3:27
  and they remember what their abduction was like or something
• 3:30
  like that.
• 3:30
  Speaker 2: Mm yeah, yeah, don't quote me on that.
• 3:33
  Speaker 1: Well.
• 3:33
  Speaker 2: The third kind I think is contact. I think the
• 3:36
  closing kind of the first kind is like you see it.
• 3:39
  I don't know what the second kind is. There's like
• 3:41
  a list of the kinds. The fourth kind, derived explains
• 3:45
  Jay Allen heinez classification of close encounters with aliens, The
• 3:48
  fourth kind denotes alien abductions.
• 3:51
  Speaker 1: Don don don Yeah that one. I like how we
• 3:55
  talk about aliens, like it's like feeling on the girl,
• 3:57
  like second base, you get your look, get the warthpace,
• 4:02
  she takes you home. Yeah. But his friends, they they're
• 4:09
  like his friends that left them, that left him.
• 4:11
  Speaker 2: Yeah, I mean they saw it.
• 4:13
  Speaker 1: Yeah, they all have the same story. That has to
• 4:16
  be real. I don't think you're gonna convince these.
• 4:18
  Speaker 2: Guys, Probably not, but maybe you could. It's like, it's
• 4:22
  not impossible. It's not like it's like breathing underwater, that's impossible, right, Okay,
• 4:27
  flapping your wings at the top of a cliff you
• 4:29
  fly away, that's impossible. Keeping a lie is possible, it's
• 4:34
  not likely. It doesn't make sense, doesn't make sense why.
• 4:38
  One of the reasons why it doesn't make sense is
• 4:39
  Travis and one of the guys in the truck had
• 4:41
  gotten into a fistfight that same day. Like they didn't
• 4:45
  like each other, they hate each other. Workers, they're just coworkers.
• 4:47
  Speaker 1: You know.
• 4:48
  Speaker 2: Logging is hard fucking work, man. You're you're cutting trees
• 4:52
  and carrying trees, and it's backbreaking, brutal labor, and you
• 4:57
  get hard men. Loggers are a bad motherfuckers man. My
• 5:01
  friend Evan, his whole family is from loggers, and they're
• 5:05
  just He's like, they're the hardest fucking people you've ever
• 5:08
  met in your life.
• 5:09
  Speaker 1: Just hard men, like doing.
• 5:12
  Speaker 2: This shit deep into their sixties and seventies, carrying logs.
• 5:16
  Just a different breed of human being. So they fucking
• 5:21
  didn't get along and they got in a fistfight that day.
• 5:24
  So why why would you lie for him? Exactly?
• 5:26
  Speaker 1: Why would you lie for him? Yeah, there's a hard
• 5:28
  working Mendel Rogan. They don't need to lie. They're savages. Yeah, Hey,
• 5:32
  did his friends get any money from that movie?
• 5:34
  Speaker 2: With friends?
• 5:35
  Speaker 1: His friends?
• 5:36
  Speaker 2: That his friends? Yeah, that's a good question. That's a
• 5:38
  good question, right, because then it would be a.
• 5:41
  Speaker 1: Reason to lie.
• 5:42
  Speaker 2: Yeah, but the movie was a long time after the
• 5:44
  actual event. What year was the movie Jamie ninety three
• 5:48
  and this happened when in the seventies, the seventies.
• 5:50
  Speaker 1: Yeah, there's no way like bro any day. Now you're
• 5:52
  getting paid. I got dB Cooper light. Who's the guy
• 5:57
  that was the actor? D B. Sweeney. That's right, d B.
• 6:04
  Speaker 2: Cooper is the guy that stole the money and jumped
• 6:06
  up the plane.
• 6:07
  Speaker 1: Cooper confused. Yeah, you ever heard that story? Was he
• 6:10
  the guy wanted by the FBI? Yes, yeah, like a
• 6:13
  top ten wanted or something like that. Yeah.
• 6:14
  Speaker 2: Yeah, he stole a bunch of money and then hijacked
• 6:17
  an airplane and then jumped out of the airplane with
• 6:19
  the money, and.
• 6:20
  Speaker 1: He died like they found the body obably. Was it
• 6:24
  like a mysterious it's a mysterious yeah, yeah, oh shit,
• 6:27
  you never heard that story. Nah, it's an interesting story.
• 6:30
  Speaker 2: But the area of the guy sky dived into was
• 6:33
  heavily wooded. And the problem with that is if you're
• 6:36
  a skydiver and you're in a parachute and you you're
• 6:39
  going to a heavily wooded place. You're gonna land in
• 6:41
  the trees.
• 6:42
  Speaker 1: Yeah, and then you risk like yeah, getting.
• 6:46
  Speaker 2: Just cutting yourself loose, also cutting yourself loose out of
• 6:49
  the trees. What if you're thirty feet up? How are
• 6:52
  you getting down? Yeah?
• 6:54
  Speaker 1: What if you fall? Getting down?
• 6:56
  Speaker 2: People go missing in the woods all the time and
• 7:00
  no one finds them. Ever, you don't find nothing.
• 7:02
  Speaker 1: What? Yeah?
• 7:03
  Speaker 2: Why don't we hear about this more often?
• 7:05
  Speaker 1: Well, you do if you pay attention. But I'll pay attention.
• 7:08
  Speaker 2: It's you know, there's only so many things you can
• 7:11
  think about.
• 7:12
  Speaker 3: Recent update on the Cooper story. But this is just
• 7:14
  the brief for those who never have heard of it.
• 7:17
  Speaker 1: Okay. D. B.
• 7:18
  Speaker 2: Cooper is the moniker given to the Skyjacker, a dapper,
• 7:20
  dark haired man apparently in his mid forties who called
• 7:23
  himself Dan Cooper. The mystery man passed a flight attendant
• 7:26
  a note while on a Northwest orient Airflight Airlines flight
• 7:30
  in Portland, Oregon, bound for Seattle, November twenty fourth, nineteen
• 7:34
  seventy one. The note contained claimed rather that he had
• 7:37
  a bomb in his briefcase, which he opened to show
• 7:39
  a large tangle of wires and red sticks. When the
• 7:43
  Boeing aircraft landed in the Seattle. The man became known
• 7:46
  as D. B. Cooper, freed thirty six pastures in exchange
• 7:49
  for a mountain of cash and four parachutes. The plane
• 7:53
  took off with several crew members aboard, bound from Mexico
• 7:56
  City on his orders. Wow, so he just made them
• 7:59
  fly him somewhere with a briefcase with.
• 8:01
  Speaker 1: A bomb in it and they were listening to him.
• 8:04
  Speaker 2: So at an altitude of ten thousand feet above Seattle
• 8:06
  and Reno, he jumped from the back of the jetliner
• 8:08
  with a parachute and the ransom money vanishing into history.
• 8:12
  The case remains unsolved, despite the man hunt. A man
• 8:15
  hunt the FBI to National See interviewing hundreds of people
• 8:18
  in a cottage industry of true crime.
• 8:20
  Speaker 1: Bruffs, buffs pouring through the evans. Nah I do got away.
• 8:24
  There's no there's no way that. Like he thought all
• 8:27
  of this out and then was like, ah, once I
• 8:30
  get into the air, I'll just wing it. Like the
• 8:32
  man knew he was gonna jump over those woods. He
• 8:36
  knew that the minute he landed in Mexico they'd have
• 8:39
  some sort of like dog day afternoon, right. But he
• 8:41
  wasn't in Mexico.
• 8:42
  Speaker 2: He jumped outside of Portland, right, it was in the
• 8:45
  Pacific Northwest.
• 8:46
  Speaker 1: He jumped right, yeah, Like they just took off and
• 8:49
  like twenty minutes in he's like, all right, I'm out. Yeah,
• 8:51
  that's the biggest curve bottle to throw them because they're
• 8:54
  gonna their plan is to go to Mexico. Go to Mexico,
• 8:57
  right right. He thinks he's gonna land safely and then
• 8:59
  the food out of wait.
• 9:01
  Speaker 2: Yeah, But the thing is, have you ever been in
• 9:03
  the Pacific Northwest? You ever been in the woods up there?
• 9:06
  Speaker 1: Not in the woods, but I've been. I've seen them
• 9:08
  from the highway.
• 9:10
  Speaker 2: Okay, Yeah, tallest trees and real dense like this, like
• 9:15
  like like a box of Q tips. That's how always
• 9:17
  described the trees up there, Like they're really close to
• 9:19
  each other. There's not a lot of open space up
• 9:21
  there at all. It's all just trees. So if you're
• 9:23
  landing into that mess, you're not gonna find a spot
• 9:26
  to land. And then here's the other problem. If you
• 9:29
  do find a spot to land, where are you? Do
• 9:32
  you know where you are? Do you know how to
• 9:33
  get out of there?
• 9:34
  Speaker 1: I think that dud You could walk.
• 9:36
  Speaker 2: For days in any direction and not find ship.
• 9:38
  Speaker 1: No, I think he planned that part. I don't think
• 9:40
  he did. I bet he was on meth for real.
• 9:43
  Probably that sounds I bet he was.
• 9:45
  Speaker 2: That's a meth move. The whole thing is a myth.
• 9:47
  I'm gonna get a fucking bomb. I'm like him, plan on,
• 9:49
  tell him, I got a fucking bomb. I want some money,
• 9:51
  and I want some fucking parachutes, and I'm gonna get
• 9:53
  the money and I'm choking on parachute safety. It sounds
• 9:55
  like a terrible idea.
• 9:56
  Speaker 1: You think so, I mean, I think it for for
• 10:00
  a second there. It can like if the guy was sober.
• 10:03
  I think it's genius. I think he's a sober genius.
• 10:08
  You think he's just a method Yeah, I think it's
• 10:10
  about I think he studied the woods for like months.
• 10:14
  Speaker 2: No way, Because how you're gonna know you're going ten
• 10:17
  thousand feet above the earth, You're going five hundred miles
• 10:20
  an hour, and you're gonna jump. So I want you
• 10:23
  to imagine that. So here is this sh You're going
• 10:26
  five hundred miles an hour, and then you jump where
• 10:29
  you're gonna land. You're going five hundred miles an hour,
• 10:32
  you have to fall ten thousand feet. Where the fuck
• 10:35
  are you gonna land? You have no idea where you're
• 10:37
  gonna land?
• 10:38
  Speaker 1: You should you should make tests, like you should be
• 10:41
  in charge of creating the SATs. It's like question them, Rie,
• 10:44
  where the fuck are you gonna land?
• 10:45
  Speaker 2: Well, here's the thing. Back then there was no GPS. Okay,
• 10:50
  so back then all you had is a compass. So
• 10:53
  even if you have a map, like how big is
• 10:55
  your map? Like, people were smarter back then, though now
• 10:58
  they weren't.
• 10:58
  Speaker 1: Trust me I used to live. I feel like people
• 11:01
  had to. Like I feel like the further back you
• 11:05
  go in time, Maybe not too far back, right, but
• 11:08
  I feel like seventies, sixties, fifties, forties, like people were
• 11:13
  forced to like learn maps, learn their directions, how to
• 11:19
  utilize Accomplishedly, people were better on their feet, you know
• 11:23
  what I mean? That's true.
• 11:24
  Speaker 2: They definitely knew more phone numbers, They definite knew how
• 11:26
  to get around more without any sort of GPS. I'm
• 11:30
  addicted to GPS. That shit runs my life. Whenever I
• 11:33
  want to go somewhere, I always put it in my phone.
• 11:35
  Never give you like traffic updates that too. Yeah, that's huge.
• 11:38
  Oh detour fucking people. Yeah, and you feel happy.
• 11:42
  Speaker 1: Look I got to run that traffic back in the day.
• 11:44
  You just had to like memorize routes, memorize which routes
• 11:48
  were busy at which times, and.
• 11:49
  Speaker 2: You had to listen to AM radio for the traffic update,
• 11:52
  the traffic update brought to you by costco.
• 11:55
  Speaker 1: Hey, who's that one guy that comes on? I don't
• 11:57
  know if he still does he? Like, what's this story
• 12:00
  with him? He got like really rich and he gives
• 12:03
  people financial advice? Is it Ramsey? Ramsey? Yeah? Do you
• 12:08
  know him? No? I thought you knew him. Back to
• 12:14
  d V Cooper. I think that dude was on meth.
• 12:16
  I think that's a total meth head plan. Alright, maybe
• 12:20
  I got a fucking bomb. He's got a bunch of
• 12:23
  red sticks with wires. Blow it up, bitch.
• 12:26
  Speaker 2: You don't know how to what is that? What's in
• 12:27
  that bag? I think I think he's a pure myth
• 12:32
  That's what I think, crazy wild dude.
• 12:35
  Speaker 1: They say Hitler was on myth too.
• 12:38
  Speaker 2: Yes, yeah, most likely he was definitely on oxy codone
• 12:42
  and the the actual Nazis were definitely on.
• 12:45
  Speaker 1: Myth for sure. They gave Nazis myth.
• 12:47
  Speaker 2: Oh yeah, man, there's a great book, is it out there?
• 12:51
  Speaker 1: It's in the other room. It's called Blitzed by how
• 12:56
  do you pronounce his name? Norman Older? Right?
• 13:04
  Speaker 2: Older, Norman Oler. Great guest too, he was amazing. But
• 13:08
  he wrote this book about all the myth they took
• 13:11
  during World War Two. It's all about like the most myth.
• 13:16
  Speaker 1: So he was a Nazi that wrote a book. No,
• 13:19
  he's a researcher. I want to read a book by
• 13:21
  a Nazi, Well, you'd.
• 13:23
  Speaker 2: Have to read like mind comp and you have to
• 13:24
  read it with like a book cover on, so people
• 13:25
  don't think you're a psycho.
• 13:27
  Speaker 1: Well, I mean we got to know what they were thinking, right,
• 13:29
  I mean people should read it. That's the book. That
• 13:32
  book is great blitz So they were all, that's Hitler
• 13:36
  just all fucked up off myth.
• 13:38
  Speaker 2: Well, Hitler was definitely on oxy cod and he was
• 13:41
  on a bunch of other ship and he had a doctor.
• 13:42
  It's a it's a really good book. You should read it.
• 13:44
  It's very interesting because it lets you it gives you
• 13:47
  a totally different insight into why they were behaving the
• 13:49
  way they behaved. Like the Kamakazis for instance. You know
• 13:52
  they flew their planes right into the ships. They were
• 13:55
  on myth, what yeah, that's why they did it, but
• 13:58
  like what kind of myth?
• 14:00
  Speaker 1: Like we're still math, but like okay, but like how
• 14:02
  were they taking it in where they just like smoking
• 14:05
  the pipe and then hopping in the.
• 14:06
  Speaker 2: Question that you can eat it? First of all, there
• 14:09
  was pills, and there were actually prescription pills that the
• 14:12
  government would give out in Germany. What's it called prevatin, pervotin, pervotin.
• 14:18
  So this pervotent stuff was essentially an over the crownter
• 14:22
  meth amphetamine that you could buy. That's how many people
• 14:25
  are on MATH.
• 14:27
  Speaker 1: Although I feel like a lot of the most popular
• 14:29
  drugs at one point or another are like over the
• 14:34
  counter medication or like right, oh yeah, like cop syrup,
• 14:39
  like everybody's doing promit dizine. I mean they still are, right,
• 14:42
  but then they had to like ban.
• 14:43
  Speaker 2: It yep, yeah, syrup for every war. An abused drug?
• 14:48
  Speaker 1: What is this?
• 14:49
  Speaker 3: Jermins starts off with, I don't know isis uses an
• 14:52
  ADHD drug?
• 14:56
  Speaker 1: Captagon capta gone sounds like a fake drug that sounds
• 14:59
  like a drug in a movie. The kids want captive gone.
• 15:02
  It sounds like it was made by like the guy
• 15:04
  who made adamantium metal right.
• 15:06
  Speaker 2: Right, right, So it was an early EIGHTYHD, a failed
• 15:10
  ADHD drug. It was banned almost globally in the nineteen eighties,
• 15:14
  but a few Middle Eastern nations are still producing it.
• 15:17
  Speaker 1: What does it do?
• 15:18
  Speaker 2: A stimulant gives some sort of euphorian a sense of purpose.
• 15:21
  Let's bring that shit back for you in trying to
• 15:24
  give me some fucking vaccines that I don't need, and
• 15:27
  how about hooking me up.
• 15:28
  Speaker 1: With a little euphoria and a little sense of purpose.
• 15:32
  Speaker 2: Little yellow tablets seem to be fueling much of the
• 15:34
  Mayhem and Syria. But illicit drug uses on the battle
• 15:38
  on the battlefield isn't new. Yeah, So the methamphetamine pervitin
• 15:43
  was distributed to soldiers in preparation for the war. And
• 15:46
  what's interesting about that is they had different doses for
• 15:48
  different people. Like the dudes in the tank at the
• 15:51
  very front they got the most meth Damn of course.
• 15:56
  Speaker 1: It's just like because they would have to stick their
• 15:59
  heads out the top of the tank, wouldn't they And
• 16:01
  then like so there right an shut shut up a
• 16:07
  game boom, boom boom. I mean you imagine what it
• 16:10
  sounds like, what a fucking tank cannon goes off. She says.
• 16:14
  Speaker 2: The US military distributed and estimated two hundred million amphetamine
• 16:17
  pills to its soldiers during World War Two, and Japanese
• 16:20
  Kamakazi pilots in the Pacific used it in their final
• 16:23
  fateful missions.
• 16:24
  Speaker 1: Oh, US military our guys on myth too. Oh yeah,
• 16:29
  oh yeah world War myth.
• 16:31
  Speaker 2: US military distributed and estimated two hundred million amphetamine pills
• 16:37
  to its soldiers during World War Two. Yeah, well this
• 16:40
  is Look, if you have soldiers and they're in combat,
• 16:44
  you want them to live and succeed. You don't give
• 16:48
  a ship if they're oh they're taking steroids, good, give
• 16:51
  them all the steroids. Give them every fucking thing you
• 16:54
  can give them. Give them EPO if it helps their endurance,
• 16:57
  give them steroids. Give them ship to make some more aggressive,
• 17:00
  given things that make it more confident. Give them everything,
• 17:03
  give them beta blockers, give them whatever the fuck works.
• 17:05
  They're in combat, like it's that's important. So if you
• 17:09
  got amphetamine, give that ship up.
• 17:11
  Speaker 1: Dog. Do you think anybody was like they stayed addicted
• 17:14
  or anything?
• 17:15
  Speaker 2: Oh for sure, Yeah, yeah, for sure. YEA, one hundred percent.
• 17:17
  Speaker 1: Would it be cruel if I went up to like
• 17:19
  a World War two veteran with like a pipe like
• 17:21
  torturing at the.
• 17:22
  Speaker 2: I don't think they do it that way. I think
• 17:23
  they were taking the pills.
• 17:25
  Speaker 1: You know, you do like the party, old man. Just
• 17:28
  crush some of them pills up, put it on the table.
• 17:30
  Maybe they'll start it. I learned a lot when I'm here.
• 17:33
  I feel like a lot of your guests, like they
• 17:36
  have so much to like share with the world, But
• 17:38
  I just come here just ingest.
• 17:40
  Speaker 2: Wow, I'm ingested too, dog Uh. Child soldiers in Africa.
• 17:44
  Speaker 1: Why couldn't I say that word? Right?
• 17:46
  Speaker 2: Child soldiers in Africa are commonly given a mixture called
• 17:49
  brown Brown, which is cocaine and gunpowder.
• 17:52
  Speaker 1: Holy shit, whoa.
• 17:54
  Speaker 2: This is ingested by inhaling it into the nostrils, a
• 17:58
  method that rapidly affects the user, and it is conduct
• 18:03
  conducive to addiction. What what about the gunpowder makes it better?
• 18:07
  Speaker 3: Also here, where as you were saying that to back
• 18:10
  to the Civil War, they were used in alcohol and.
• 18:12
  Speaker 2: Then yeah, American Civil War soldiers were often given alcohol
• 18:15
  prior to battle as a form of liquid courage and
• 18:18
  as a means of steadying their nerves.
• 18:20
  Speaker 1: Huh world wow.
• 18:23
  Speaker 2: Nile Ferguson concluded that World War One could not have
• 18:26
  been fought without alcohol. During World War Two andmphetamines were used, Yeah,
• 18:31
  and fetamines are better, like if you like, if you
• 18:33
  you've got a choice to change alcohol and andm fhetamines.
• 18:35
  Speaker 1: Like, bro, I was watching this dude man I forgot
• 18:38
  his name, He like gives these lectures on history David.
• 18:44
  I don't know that Carlin. Nah no, wait, I put
• 18:49
  on my phone. Yeah, sure, I don't know. I feel
• 18:51
  like he's like school. What was he doing lectures about.
• 18:54
  I don't know. I was only watching him because I
• 18:56
  was like, I better brief up on something to talk about,
• 18:59
  because that's time I was here. I was, do you know.
• 19:02
  I read the comments on the last time I was here,
• 19:04
  and people were like, as episode, this dude's not so cool,
• 19:07
  like he's not interested. The last guy was was better.
• 19:10
  That was a great episode, the last guy. So I'm like,
• 19:12
  all right, well who's here? You know? And that dude
• 19:15
  was like out here. I think he was like a
• 19:16
  fighter pilot talking about aliens like speeling, and I was
• 19:19
  like why why did y'ell put me after that fucking
• 19:21
  guy like you're on the way, he is on the
• 19:26
  way here. The driver was like, yeah, man, the other
• 19:29
  day we drove the Irish comedy writer ended up getting
• 19:34
  canceled and this and this happened, and fucking they took
• 19:37
  his shows off. But there's all this controversy and I'm like,
• 19:40
  now I gotta go up against this guy like that
• 19:43
  guy can't think about it that way, man, that's out.
• 19:46
  We're having fun. People like these shows as much as
• 19:48
  they like all the other shows.
• 19:49
  Speaker 2: Sometimes this is part of the show where I talk
• 19:51
  about AG one, which I've done for years, and usually
• 19:54
  I like to talk about routine. And don't get me wrong,
• 19:56
  because routine is super important, and AG one is exactly
• 20:00
  the kind of daily, easy routine that can help you
• 20:02
  feel healthy and help you get the nutrients that your
• 20:05
  body needs. But even if you love a routine, isn't
• 20:08
  it nice to switch.
• 20:08
  Speaker 1: It up a little? Well, here we go.
• 20:11
  Speaker 2: After fifteen years of the original AG one has introduced
• 20:14
  three new flavors, tropical, berry and citrus. It's still daily,
• 20:18
  it's still a routine, but it's no longer one flavor
• 20:21
  fits all and Honestly, the best part is that's the
• 20:23
  only thing that's changed. Besides new flavors, we're talking about
• 20:27
  the same science, the same seventy five plus ingredients, and
• 20:30
  the same exact benefits. I partnered with AG one for
• 20:33
  so long because they're committed to constantly improving, and now
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  that includes offering three new flavors. Subscribe today and choose
• 20:40
  tropical citrus Berry or the classic original variety. If you
• 20:45
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  ag D three K two and AG one Welcome Kit
• 20:52
  and five AG one travel packs with your first subscription.
• 20:55
  Just go to drinkag one dot com slash Joe Rogan
• 20:59
  or head to the link in the description to get
• 21:02
  started with AG one and try the new flavors yourself.
• 21:05
  That's drink ag one dot com slash Joe Rogan.
• 21:09
  Speaker 1: Look, this guy's name is doctor roy Yo Casa Grande.
• 21:14
  Speaker 2: Okay, and what is this deal?
• 21:16
  Speaker 1: So I was watching this video where he explains like
• 21:18
  what led to.
• 21:19
  Speaker 2: World War two?
• 21:20
  Speaker 1: Oh interesting, but he spends like forty five minutes talking
• 21:24
  about the hundreds of years before World War one even
• 21:28
  and how that kind of came to play. So first
• 21:31
  he like, first he explains how World War One came
• 21:33
  to play because to understand why World War II happened,
• 21:36
  you got to understand, right why what caused World War One?
• 21:39
  You know, and I forgot where I was going with
• 21:42
  this history history of war. Oh yeah, yeah no, So
• 21:46
  everything I listened to it I had to listen to
• 21:49
  like three times because you know, I just I kept
• 21:52
  getting distracted and stuff. But it sounds so like sophisticated,
• 21:57
  and it makes sense if you listen to it all.
• 21:59
  I'm like, Okay, I get why World War one happened now,
• 22:03
  But then finding out that everybody was just like drunken
• 22:06
  on myth the whole time, it just sounds like it
• 22:09
  sounds like this was such a broi idea to go
• 22:11
  to war, Like it's all the sophistication behind it. But
• 22:14
  then at the end they were just like, fuck, let's
• 22:16
  just get fucked up while we're out there. Though. But
• 22:18
  all those old time English gentlemen, they all wanted to
• 22:21
  go to war. It was like you wanted to prove
• 22:24
  your courage in battle. You know. It was a it
• 22:27
  was a it was a broie thing. It was almost
• 22:30
  like a frat boy thing. Why everybody wanted to conquer
• 22:33
  land back then, right, and just rule empires and shit,
• 22:37
  I feel like we should go back to that. What
• 22:39
  are you talking about now? I feel like stuff is
• 22:42
  too leisurely now, it's too comfortable.
• 22:44
  Speaker 2: That's true, but we need to teach people that leisurely
• 22:47
  is not good for you. You don't need artificial you know,
• 22:51
  you don't need the kind of conflict that's going to
• 22:53
  ruin cities and kill people.
• 22:55
  Speaker 1: And don't go back to that. That's stupid.
• 22:57
  Speaker 2: We didn't just need to understand how to manage the
• 22:59
  huge human body. What do you mean, manage the body,
• 23:03
  manage your brain and your body.
• 23:05
  Speaker 1: That's what you're saying. Everybody should work out to eat healthy.
• 23:09
  Speaker 2: The most minor interpretation of it. But we need to
• 23:13
  figure out way to keep people from being aggressive, and
• 23:17
  keep people from being greedy, and keep people from stealing resources,
• 23:21
  and we.
• 23:22
  Speaker 1: Need to curb some of the worst aspects of human nature.
• 23:26
  And I think the only way to do that is mushrooms.
• 23:29
  Everybody has like mandatory mandatory mushrooms, Mandatory mush if I
• 23:35
  become president, mandatory mushrooms, well, mushroom day, and afterwards, everybody's
• 23:39
  just gonna hug it out go I don't know what
• 23:41
  I was thinking. Man, I'm sorry. It's like an adult vaccine.
• 23:45
  Speaker 2: Yeah, a vaccine for human stupidity. But I mean, that's
• 23:49
  our problem, is that we're managing human behavior, right, we're
• 23:53
  managing We want to steal resources from this country because
• 23:56
  they got all the natural gas and this country's got
• 23:58
  all the minerals. We're trying to make some sort of
• 24:00
  a sideal with the rebels to overthrow the government. That's
• 24:03
  what's the most of the problems in the world. It's
• 24:06
  people being cunts.
• 24:07
  Speaker 1: The hold on, hold on, before I forget this, what
• 24:10
  do you you said two things? Ah earlier that was
• 24:17
  the most minor interpretation, yes, and then right now you said, uh,
• 24:23
  you said, cure the stupidity, human stupidity, the cure for
• 24:29
  human stupidity. Yeah, cure for human stupidity. Yeah, minor interpretation,
• 24:35
  the most minor interpretation. That should be the title of
• 24:37
  my next special. And the cure for human stupidity should
• 24:41
  be the title for your next special. There's no cure,
• 24:44
  but we need to we need to guide a larger
• 24:47
  percentage of people in the right direction, and that like worldwide,
• 24:53
  would that would be the only way we save this
• 24:56
  this experiment of the human race.
• 24:59
  Speaker 2: The only other way is AI. AI is a way
• 25:01
  that might save us or make us obsolete. Yo AI.
• 25:07
  Speaker 1: That's some scary shit because I I don't know if
• 25:11
  it's real. I saw this video. I don't know how
• 25:14
  when when it was shot, or like how recent or
• 25:17
  not recent it is, because I just I mean, all
• 25:19
  I'm watching is just Instagram reels. Right, it's a minute
• 25:23
  at the longest, it's like a minute long. So this
• 25:26
  could be a minute from some movie from two thousand
• 25:29
  and two, or it could have been recorded. But there's
• 25:31
  a video. Supposedly they said the Godfather of AI warns
• 25:35
  people about the dangers of AI. But I'm like, why,
• 25:38
  Like if that's real, if whoever it was like behind AI,
• 25:42
  whatever team it was, is like hey, but be careful
• 25:46
  with this. It's like why'd you make it? Then? Like
• 25:49
  I feel like they just did it to jerk themselves off,
• 25:51
  like like a real Oppenheimer thing where he's like, now
• 25:53
  I become death destroyer of world. It's like, why'd you
• 25:57
  do it? Then?
• 25:57
  Speaker 2: You know what I mean, Well, it's the same kind
• 26:00
  of thing and that you have to do it because
• 26:01
  if you don't do what your enemy is going to
• 26:03
  do it.
• 26:03
  Speaker 1: If your enemy is get a hold of it, the
• 26:04
  whole world is very different.
• 26:06
  Speaker 2: The idea is that if America does it, America, we
• 26:10
  kind of suck in some ways. We suck with some
• 26:12
  of the things that we do with other countries. We
• 26:14
  suck with some of the ways we spend our taxes.
• 26:16
  But we're the best out there. We're the best option
• 26:20
  right now. It's the best way to run the world.
• 26:22
  It's the best way to behave in terms of like
• 26:24
  your freedom's having as much freedom as possible. No countries
• 26:31
  have this combination of freedom, speech, First Amendment, second Amendment.
• 26:35
  There's a lot of rights that we have in this
• 26:37
  country that are just different than the whole rest of
• 26:40
  the world.
• 26:40
  Speaker 1: I think it's the best way to do it.
• 26:41
  Speaker 2: And we like to think of ourselves as being the
• 26:44
  most benevolent of all the superpowers. We're the best ones.
• 26:47
  The other ones are evil, they're communists, they're run by dictators.
• 26:50
  We're trying like that's why everybody's afraid of Trump being
• 26:53
  a dictator. We don't want any dictators in this country.
• 26:56
  So if we develop AI first, we want that's good.
• 27:00
  Just like we developed the nuclear bomb, we dropped a
• 27:03
  couple of them and said, now, back the fuck off,
• 27:06
  We're done here, we don't want to do this anymore.
• 27:08
  Speaker 1: And then we never did it again. So that's good. Now.
• 27:11
  Speaker 2: If Germany had developed the atomic bomb first and nuke
• 27:15
  Britain and nuked America and just went on a nuking
• 27:19
  spree before we could ever develop one, you imagine how
• 27:23
  different the world would be.
• 27:24
  Speaker 1: Yeah, you're watched those videos, the AI videos of like
• 27:28
  two celebrities making out. It'll be like Elon Musk kissing
• 27:31
  like Brad Pitt or Trump. You know. I feel like
• 27:34
  we had to make a couple of those and then
• 27:36
  to the world like, all right, now, back the fook off.
• 27:39
  We did that. Yeah.
• 27:41
  Speaker 2: Do you know how many times they blew up atomic
• 27:43
  bombs for tests?
• 27:44
  Speaker 1: Though? After that?
• 27:45
  Speaker 2: I'm learning more and more about that.
• 27:47
  Speaker 1: Recently.
• 27:47
  Speaker 2: I'm reading this new book right now by this guy,
• 27:50
  Richard Dolan's the UFO researcher, and he's talking about one
• 27:53
  of the things that they were doing was they were
• 27:56
  doing altitude detonations. So they were detonating these nuclear bombs
• 28:02
  one hundred and fifty miles above earth. They did a
• 28:05
  bunch of them. They did it like a bunch of times.
• 28:08
  Speaker 1: And it wasn't just stay in the air. They didn't
• 28:12
  even know.
• 28:13
  Speaker 2: They were just experimenting and testing. There's a bunch of
• 28:16
  shit they did that is so wild. Do you know,
• 28:18
  Like John Wayne did a movie in the Nevada Desert
• 28:23
  near where the test sites were, where they they blew
• 28:25
  up like I don't know how many hundreds of fucking
• 28:27
  nuclear bombs out there. They blew up tons of nuclear bombs.
• 28:30
  Speaker 1: And then John Wayne just went out there and the whole.
• 28:33
  Speaker 2: Cast got cancer. The whole cast, The whole cast got cancer.
• 28:36
  John Wayne gotted cancer. Like a giant percentage of the
• 28:39
  people that works on the show, on that movie got cancer.
• 28:42
  Speaker 1: Imagine you find that the results of Imagine being on
• 28:44
  the team who like sending the nukes into the air,
• 28:48
  and you just kind of see like the clouds stay
• 28:50
  in the air, Like I wonder, who's the first guy
• 28:52
  to be like, ah, shit.
• 28:53
  Speaker 2: They didn't even understand that no one had been no
• 28:57
  one had been subject to large scale radiation before. It
• 29:01
  was a new thing, especially from a detonation. It had
• 29:04
  never happened before.
• 29:05
  Speaker 1: There was no.
• 29:05
  Speaker 2: Meltdowns yet, there was no three mile island or Fukushima.
• 29:08
  Yet nineteen eighty article and People magazine reported that out
• 29:12
  of the two hundred and twenty cast and crew members,
• 29:15
  ninety one had contacted cancer contracted cancer with forty six deaths,
• 29:21
  led to the film being dubbed an RKO radioactive picture.
• 29:26
  The controversy surrounding the film location and subsequent health issues
• 29:29
  has been a point of discussion and debate amongst historians
• 29:32
  and scientists. But yeah, like the amount of bombs that
• 29:37
  they detonated.
• 29:38
  Speaker 1: Was it a good movie? At least? I don't think
• 29:41
  it was. It might have been that ginghist con movie.
• 29:43
  Was it the ginghis Con movie? Oh? It was a
• 29:45
  piece of shit. What is that movie? Rat? It has
• 29:48
  to be a zero. It's so bad.
• 29:50
  Speaker 2: It's John Wayne playing a Mongolian, which is the craziest
• 29:54
  thing of all time.
• 29:55
  Speaker 1: It was the ultimate whitewashing. He's doing Mongolian face and
• 29:59
  he talks like this rhymes veados. This is what you
• 30:05
  got cancer for, John Wayne.
• 30:06
  Speaker 2: I know you got cancer for the worst dug conquer.
• 30:09
  And look how hot she is. She's like completely European looking.
• 30:12
  His girlfriend, Like, play some of this because it's so stupid.
• 30:15
  Speaker 1: Yeah, fall off a horse? Look how hot she is,
• 30:20
  she's all impressed by her. He just took her clothes
• 30:22
  off under his heel, the cowering nation conquered. He took
• 30:32
  what he wanted when he wanted it. Four time beats
• 30:36
  his flare with ice, matches his fury with flame. Your hatred,
• 30:41
  little kindling alone before that day dawns on the virtues
• 30:47
  little feasted on your heart, sh Bro.
• 30:54
  Speaker 2: I mean, this is the dumbest movie ever to gain
• 30:57
  John Wayne cancer.
• 30:58
  Speaker 1: Bro. It's so bad, Like, how bad is that movie?
• 31:01
  Women always talk about how like like like I was
• 31:05
  reading this article where they were trying to trash F
• 31:08
  one movie. Yeah, and they were like, oh, another movie
• 31:13
  where the only woman working, because like the girl in
• 31:17
  the movie she is she's like the first what is
• 31:21
  she like the team director or something for an F
• 31:23
  one team? Like the first woman. It's like and she
• 31:26
  doesn't you know, like she doesn't level up until Brad
• 31:30
  Pitt unlocks her potential. Like oh, like we need a
• 31:33
  man for that. But it's like, bro, women have the
• 31:36
  best roles in movies. Not in that movie. I mean, yeah,
• 31:39
  she got it, she got hit pretty hard. But if
• 31:42
  you think about it, this is a movie about like, oh,
• 31:44
  gang is conquering so much, but the best thing he
• 31:47
  conquered was the woman. Like really, you know what I mean,
• 31:50
  Like the woman's always like the main prize of the movie.
• 31:54
  Speaker 2: Well, throughout history, that's one of the things that people
• 31:57
  did go to war for women. Yeah, for sure, nobody
• 32:01
  went to war for some dudes, but.
• 32:04
  Speaker 1: A lot of I feel like a lot of war
• 32:07
  could have been prevented then if like porn had just
• 32:10
  came around way sooner.
• 32:11
  Speaker 2: No, because porn's out now and there's still plenty of.
• 32:13
  Speaker 1: War, that's true, So why are they going to war
• 32:16
  war now?
• 32:17
  Speaker 2: Resources said, all it is is like tricking people, tricking
• 32:20
  people into doing something for you.
• 32:22
  Speaker 1: Women in resources, man, Women in resources, When are we
• 32:25
  going to learn it's just money? Man? There's enough women
• 32:28
  in resources for everybody. There's not though not there's at
• 32:33
  least enough women.
• 32:35
  Speaker 2: Yeah, but they're not the same. Here's the thing for women.
• 32:38
  I think the number is women are only attracted to
• 32:42
  twenty percent of the men. So like one hundred percent
• 32:46
  of the women out there are only attracted to twenty
• 32:48
  percent of the men.
• 32:50
  Speaker 1: That kind of makes it fun, you know, you gotta
• 32:51
  hope you're into twenty percent.
• 32:53
  Speaker 2: Yeah, but if you're not, you're fucked.
• 32:54
  Speaker 1: If you're not, just going to war.
• 32:55
  Speaker 2: And there's more of those dudes that are in the
• 32:57
  eighty percent now than ever in history that we can
• 33:01
  that we know of, right Like, isn't there like when
• 33:04
  they do the studies of the amount of people right
• 33:07
  now currently that are celibate that are not having any
• 33:10
  sex at all, and not by their own decision, not
• 33:14
  by their choice. I think they're higher now than they've
• 33:17
  been in a long time.
• 33:19
  Speaker 1: People are going to celibate on accident.
• 33:23
  Speaker 2: And just know what, they're unfuckable. Nobody wants to That's real, man,
• 33:28
  that's like a real problem. A bunch of people just
• 33:30
  sitting at home and watching TV all day and ordering
• 33:33
  door Dash.
• 33:35
  Speaker 1: I think you gotta like split your time up, you
• 33:38
  know what I mean. I think selibacy could be good
• 33:40
  for like like a week or two, and then you
• 33:42
  gotta be like, all right, no more door dash. Let's
• 33:45
  get out there. You just get out there. It's not
• 33:48
  being a pussy. Get married or you know, get into relationships,
• 33:52
  having affair.
• 33:53
  Speaker 2: Well, don't be just jerking off all day. That's crazy.
• 33:56
  Speaker 1: I actually want to write a self help book, but
• 33:59
  not like a real one like maybe like a joke
• 34:01
  one yeah, yeah, but something that I don't think my
• 34:03
  stand up comedy would ever give me cancels. But I
• 34:05
  think maybe like a book, but I want to call
• 34:08
  it something like like like you're not autistic, you're just
• 34:11
  twenty five and like an asshole or something like that,
• 34:14
  and then it's a whole book. Just tell people like
• 34:16
  get off your ass man, like stop making excuses. What
• 34:19
  do you do for actual autistic people that read that
• 34:20
  book though, like he says, I'm not autistic, Like you're
• 34:25
  not autistic, then believe what you want.
• 34:27
  Speaker 2: How many people do you think are autistic? What percentage?
• 34:31
  I don't know.
• 34:31
  Speaker 1: I feel like probably a lot. But I think there's
• 34:34
  like there's like people are saying they're autistic so that
• 34:37
  they get like extra credit. Yeah. I think it's like
• 34:40
  I think it's like being like like what do you
• 34:42
  call it, like apache or whatever like Cherokee where you're
• 34:45
  just like, oh, yeah.
• 34:46
  Speaker 2: I'm like one eighth, Yeah.
• 34:50
  Speaker 1: I'm one autistic. Yeah, I'm kind of psychic. Like so
• 34:54
  I think if you come up on the spectrum, it
• 34:56
  doesn't mean you're like eating up blown. Yeah, like you
• 34:59
  you I've seen people with like full blown autism and
• 35:02
  the struggles they have to go through in life, Like
• 35:03
  somebody has to be in their life, you know what
• 35:06
  I mean, like to yeah for nonverbal people, yeah yeah,
• 35:09
  or like just whatever. But you can't like be a
• 35:14
  a You can't just like wake up, you know, play
• 35:17
  video games, go do stuff on your own, and then
• 35:21
  like use autism as an excuse for other stuff you
• 35:23
  don't want to do, Like I didn't want to shake
• 35:25
  that guy's hand because I'm like autistic, Like yeah, like
• 35:28
  just look at the person in the face, don't look
• 35:30
  them in the eyes, just look them in the face
• 35:32
  or something. Just don't be rude. Like I feel like
• 35:34
  a lot. I feel like a lot of Maybe it's
• 35:36
  because the way I grew up. But like if I
• 35:38
  try to use autism as an excuse to get out
• 35:40
  of doing stuff, I think I just would have got
• 35:41
  smacked in the back of the head. I think they
• 35:43
  would have smacked the autism matter me the one eighth
• 35:46
  at least. I don't think I have any autism in me. No, unfortunately,
• 35:51
  why say unfortunately?
• 35:52
  Speaker 2: It helped with math, help with numbers.
• 35:56
  Speaker 1: Like rain Man, I think Jamie's autistic? Does he? How
• 36:00
  does he maybe not a tisday. Maybe just knows how
• 36:03
  your brain works. How does he know to highlight the
• 36:05
  exact sentences you should read. What's the difference between.
• 36:09
  Speaker 2: Because he's smart, what's the difference between and he's been
• 36:11
  doing this forever? What's the difference between aspergers and autism?
• 36:14
  Like the technical difference, because like they're kind of interchangeable.
• 36:19
  Speaker 1: Right are they both? Like communication type?
• 36:23
  Speaker 2: A lot of times people say the spectrum, they call
• 36:26
  it the spectrum, like, oh, it's on the spectrum.
• 36:28
  Speaker 1: Oh okay, okay, where like.
• 36:30
  Speaker 2: The spectrum could be anywhere, Like you could be like
• 36:33
  you get a touch, just a touch of the tism,
• 36:36
  you know, or you could be like full blown.
• 36:38
  Speaker 3: If this is official, But here's the next place.
• 36:40
  Speaker 1: Characters all right?
• 36:43
  Speaker 2: And autism significant delays in language, maybe nonverbal or of
• 36:47
  limited speech. Asperger is typically no language delay, advanced vocabulary
• 36:52
  for age interesting autism varies widely from intellectual disability to
• 36:57
  above average intelligence, and then asperger is usually average to
• 37:02
  above average intelligence. Autism social interaction difficulties may show less
• 37:08
  interest and engagement, and then Aspergers desire social interaction but
• 37:13
  struggles with social cues and nonverbal communication. So it seems
• 37:17
  like Aspergers is like the upgraded autism. It's like autism
• 37:23
  is too risky. You could, you know, you get a
• 37:26
  kid who's nonverbal, but go with Aspergers you might get
• 37:29
  a genius. Everybody wants autism, though, well I think they
• 37:32
  really would want Aspergers if he showed it to them.
• 37:34
  Speaker 1: It's like if they knew, if they knew, Yeah, if
• 37:37
  they knew. I think people will use autism as like
• 37:40
  a oh look, I'm not average. I'm actually high functioning autism.
• 37:46
  Like I'm actually a genius in this class, right.
• 37:50
  Speaker 2: People definitely use They love to be a victim of something.
• 37:53
  They love to have some sort of an ailment that
• 37:55
  you don't know about. You know, people love.
• 37:58
  Speaker 1: That I'm not like that. You know, I'm diabetic. I
• 38:01
  never tell people. Are you full blown diabetics? Blown type one?
• 38:05
  Not like not like with the food stuff. Yeah, type one?
• 38:09
  So you're born with it?
• 38:10
  Speaker 2: No, I'm not when I was like six? Really yeah,
• 38:14
  type one when you're six, that's crazy. Yeah, you know
• 38:17
  they just cured type one diabetes and a woman with
• 38:20
  stem cells what Yeah, it was the first of its kind.
• 38:24
  Was it China that did this? See if you can
• 38:27
  find it, Jamie. But yeah, you know. They're they're using
• 38:31
  stem cells to try to treat all sorts of different things.
• 38:33
  And one of the things that they were really successful
• 38:35
  was with this lady, they cured for the first time
• 38:38
  ever type one diabetes.
• 38:40
  Speaker 1: How do they give you the stem cells? A good
• 38:42
  question of pipe. No, I think they injected into you.
• 38:46
  Speaker 2: But it's not too bad. But if this mean you
• 38:48
  might not have to take insulin? Do you take insulin
• 38:51
  right now? Yeah, you might not have to take insulin.
• 38:54
  They might be able to fix you.
• 38:55
  Speaker 1: How do I get these stem seals? Let's see what
• 38:57
  it says?
• 38:57
  Speaker 2: What is the the He says, we're cad fort stem
• 39:00
  cell therapy reversus diabetes. So where was it from? Where
• 39:06
  did it happen? Groundbreaking title and Peaking University. They took
• 39:12
  cells from three people with type one diabetes and reverted
• 39:15
  them to pluripotent state, meaning they could develop into any
• 39:19
  type of cell. This technique, originally developed by Shinya Yamanaka
• 39:24
  at Kyoto University nearly twenty years ago, was modified by
• 39:27
  Dang's team to use small molecules instead of proteins, allowing
• 39:31
  for better control. They used these chemically reprogrammed stem cells
• 39:35
  to create three D clusters of insulin producing isolates, which
• 39:40
  were tested for safety and animals. In June of twenty
• 39:43
  twenty three, the team transplanted about one point five million
• 39:46
  isolates into a woman's abdominal muscles, a new approach, as
• 39:49
  most isolate transplants are done in the liver. By placing
• 39:52
  the cells in the abdomen, they could monitor them with
• 39:55
  an MRI and remove them if necessary. The operation took
• 39:58
  less than thirty minutes. Two and a half months after
• 40:01
  a transplant, the woman with type one diabetes started producing
• 40:04
  enough insulin on her own, and she has continued to
• 40:08
  do so for over a year. How about that her
• 40:11
  blood sugar levels are stable ninety eight percent of the time,
• 40:14
  eliminating dangerous spikes and drops.
• 40:17
  Speaker 1: That's crazy what this was? This was in China, I
• 40:20
  believe so. Yeah, I'm badass. Yeah. What if? What if
• 40:23
  I met this doctor and he was like, all right,
• 40:24
  I'll do the operation on you, but you have to
• 40:26
  say my name correctly. The first time it was Yama.
• 40:31
  Not good. Oh yeah, practice it. I would say, practice
• 40:34
  it if you want to not have diabetes.
• 40:36
  Speaker 2: Fut of questions.
• 40:39
  Speaker 1: Yeah, they might be able to hook you up, all right,
• 40:42
  what do you think. I don't know. How do I like,
• 40:45
  how do you even start that process? You just go
• 40:47
  to China?
• 40:47
  Speaker 2: Yeah, you gotta go to China right now, get out,
• 40:49
  get out of here. I get on a plane.
• 40:52
  Speaker 1: I gotta finish this pressure to it. I'll hear diabetes after.
• 40:56
  Speaker 2: I bet it's gonna be mainstream within a few years
• 41:00
  if that worked and that's reproducible.
• 41:03
  Speaker 1: Dude, I want to go to China now for real,
• 41:05
  and like.
• 41:06
  Speaker 2: It'll probably be in America too now because what they're saying,
• 41:09
  the way they're laying it out, it sounds like there's
• 41:11
  a paper on it and that that thing that that
• 41:14
  was That was that a published paper?
• 41:15
  Speaker 3: Yeah, it's called VX eight eight.
• 41:19
  Speaker 1: Oh zeus. I can't say that. I guess I should
• 41:23
  probably wait until they do like a few more patients, right.
• 41:26
  It's like PS fives, Like you want to let the
• 41:28
  first round go out first, with the ones with the
• 41:30
  bugs and stuff. Nah, fuck it.
• 41:31
  Speaker 2: I would go right in there, let's go, let's see,
• 41:34
  let's see if you can fix me. Yeah.
• 41:36
  Speaker 1: Yeah, you don't shooting insulin all the time. That's annoying.
• 41:39
  How often do you have to do it?
• 41:40
  Speaker 2: Ah?
• 41:41
  Speaker 1: Before a meal and I usually eat about three times
• 41:43
  a day. Oh, so you have to give yourself three
• 41:45
  injections a day.
• 41:46
  Speaker 2: That's annoying.
• 41:47
  Speaker 1: Yeah, and since you were six you've been doing that. Yeah. Wow, Yeah,
• 41:52
  I'm a little tired of it. Does it? Yeah?
• 41:54
  Speaker 2: This might be it, man, this might be able to
• 41:56
  fix you.
• 41:57
  Speaker 1: What if I missed the shots though?
• 41:58
  Speaker 3: Like, there's a trial I think they've done in the
• 42:01
  US with twelve people.
• 42:03
  Speaker 1: Oh, they did a trial with twelve people.
• 42:06
  Speaker 2: Participants demonstrated in graftment with glucose responsive endo genus endogenose
• 42:14
  genos ENDOGENA and Dodge indigenous. Why can't I say dodgen's Like,
• 42:19
  how did I not read that correctly? And dodges ce
• 42:21
  pepti production, which is durable through one year of follow up? Wow,
• 42:27
  what does that mean? That means a year of follow
• 42:29
  up it was still working. Had a reduction in exogenous
• 42:33
  insulin use, meaning reduction and daily incident insulin use by
• 42:37
  ninety two percent, So they still had to take a
• 42:39
  little bit of insulin sometimes. So I bet this is
• 42:42
  something that you could probably do more than one time dose.
• 42:48
  Speaker 1: They got one. Yeah, confusion.
• 42:50
  Speaker 2: So if a full dose and then you have a
• 42:53
  complete reduction in insulin reduced reduction. So it says eighty
• 42:58
  three percent of them no longer require fired insulin at
• 43:01
  month twelve.
• 43:01
  Speaker 1: That's nuts.
• 43:03
  Speaker 2: Eighty three percent of all the people they tested didn't
• 43:06
  require insulin a year later. That's amazing. You got to
• 43:10
  get in on that dog. Yeah, but like, I don't
• 43:12
  even know who to talk to. We'll find out, we'll
• 43:15
  ask afterwards, all right, for real, you should probably find out,
• 43:18
  like maybe there's another trial they're doing, get too, Yeah,
• 43:22
  I would get involved in that trial. That seems like
• 43:24
  totally reasonable. Yeah, unless I would.
• 43:27
  Speaker 1: Well, I'll talk to a scientist first. I don't like
• 43:29
  to talk to some people that are concerned about things. Yeah,
• 43:33
  you always talk to the person who's like against the plan.
• 43:36
  Speaker 2: Yeah, there's always some side effect that you don't take
• 43:38
  into consideration, Like, oh, well, if you do that, here's
• 43:41
  the problem.
• 43:42
  Speaker 1: It also does this.
• 43:43
  Speaker 2: You're like, oh, no, I don't know, Yeah, I don't know.
• 43:45
  Speaker 1: But what if I don't even Like, what if I
• 43:47
  suck after I'm cured? What you're talking about? Right? What
• 43:50
  if what he's saying? What are you saying? What if
• 43:52
  I just don't know how to act afterwards? You know, honestly,
• 43:57
  living without diabetes, that would go to my head so
• 43:59
  fast you get cocky. Yeah, I dropped people out of
• 44:02
  my life the fun I need you for. I'm healthy,
• 44:07
  you'd be fine.
• 44:07
  Speaker 2: I've heard people say things like that before, like if
• 44:10
  if I fix this, maybe I won't be funny anymore.
• 44:13
  Or if I fix this, maybe my life won't be
• 44:15
  good anymore.
• 44:16
  Speaker 1: Nah, Honestly I could use something life changing. I got
• 44:19
  like writer's block, real bad right now. Yeah, I'm like
• 44:22
  un I'm like unmotivated with new stand up. I was
• 44:26
  reading that book you got out there. I never wore
• 44:28
  of art no, no, no, no.
• 44:30
  Speaker 2: Oh the Hunters Thompson book.
• 44:31
  Speaker 1: Yeah, yeah, Hunters Thompson was.
• 44:33
  Speaker 2: A dude or that was a chick.
• 44:36
  Speaker 1: You don't know who Hunters Thompson is. Nah, but I
• 44:38
  kind of have heard of Thompson's work through I read
• 44:42
  in the like before the book actually starts. It's like
• 44:46
  other books by hunter Is Thompson and uh Fear and
• 44:49
  Loathing in Las Vegas. Yeah, and what is it rum
• 44:51
  Diary or something? So that's the dude. Yeah, yeah, yeah,
• 44:55
  it's good. What did you take before he came here?
• 45:02
  Like something you're on sleeping pills or something. What the
• 45:05
  fuck is going on? No, man, I'm sober. I just
• 45:07
  woke up and came here. Yeah.
• 45:09
  Speaker 2: Hunter Thompson is a very famous writer from the counterculture movement.
• 45:13
  Speaker 1: He wrote this paragraph in that book man.
• 45:15
  Speaker 2: And that's Johnny Jack who played him in that movie.
• 45:19
  Speaker 1: Yeah, good old Johnny Depp. Man.
• 45:21
  Speaker 2: That's a fun fucking movie. I know if you've ever
• 45:23
  seen it, I've seen most of both in Las Vegas.
• 45:25
  It's fucking great. It's a great movie and the book
• 45:27
  is really great too. He was a fascinating guy, like
• 45:30
  probably one of my not probably one of my favorite
• 45:33
  authors ever.
• 45:34
  Speaker 1: He he that book that's out there. You said it's
• 45:37
  a first edition. Yeah, it's like diaries of his right,
• 45:40
  Like he just kind of wrote his thoughts and like
• 45:43
  what he did throughout that day. Charles Bukowski has a
• 45:46
  book like that.
• 45:48
  Speaker 2: What is it?
• 45:48
  Speaker 1: What is it called? Like the Captain is out to
• 45:50
  Lunch something like that, right, Yeah. Felipe Spars have put
• 45:54
  me out to that book. I read and I did
• 45:56
  his podcast. Uh. He he has a couple of Charles
• 46:00
  Kowski books in his Little Librarian.
• 46:02
  Speaker 2: Oh no shit, Yeah, shout out to Fleepe.
• 46:04
  Speaker 1: I love that dude. Yeah, dude, so talented, friends with
• 46:06
  him forever.
• 46:07
  Speaker 2: The captain is out to lunch and the sailors have
• 46:09
  taken over the ship Charles, because.
• 46:11
  Speaker 1: Yeah, so it's it's kind of like that Hunter Is
• 46:13
  Thompson book and uh, in both in both of those
• 46:16
  I like. I like both of those books a lot.
• 46:17
  I've read like half of that one. I'm gonna buy
• 46:20
  that one. The but I like what hundred and something
• 46:23
  he said, uh, because he talked about being in this
• 46:26
  hotel room h and he says, living on pills, phone calls,
• 46:31
  unmade people, unseen pages, unwritten, money, unmade, pressure piling up
• 46:36
  all around. To make some kind of breakthrough and get
• 46:39
  moving again, get the gun off the rails, finish something,
• 46:43
  croak this awful habit of not ever getting to the
• 46:46
  end of anything, Yeah, dude, that's man. Yeah, I feel
• 46:50
  like I'm there right now. Yeah, But I don't know
• 46:53
  if I care as much as he did, because he
• 46:54
  at least wrote about it, and I've just kind of
• 46:56
  been like, I'll get to it.
• 46:58
  Speaker 2: Well, you're a lot younger, first of all, and second
• 47:01
  of all, like he was already successful writer that was
• 47:04
  trying to like get the fire stoked.
• 47:07
  Speaker 1: You know. That's the thing. This is a great book.
• 47:11
  You can keep this I have. Oh that's not it. Sorry,
• 47:16
  I thought that was the War of Art.
• 47:17
  Speaker 2: We have piles of Oh yeah, we have. Stephen Pressfield
• 47:21
  gave me a whole box of them. I'll give you
• 47:22
  a copy when we leave. That's a book that will
• 47:25
  help you a lot, because it's basically just about that.
• 47:28
  The book is just about overcoming this resistance that people
• 47:32
  have to work. It's hard. It's hard to make yourself work,
• 47:37
  you know.
• 47:37
  Speaker 1: Well, like I have this thing where like I can't
• 47:42
  help but to like obsess on a subject and lose
• 47:47
  a lot of interest in another subject or other subjects.
• 47:51
  But like I I mean, yeah, I choose what I
• 47:54
  like or whatever, you know what I mean, I like
• 47:55
  to a degree that makes sense. So like it's like
• 47:58
  chasing butterflies. Like sometimes it's like that yellow butterfly, Like
• 48:03
  I just gotta keep fucking fucking with this butterfly right here,
• 48:06
  and there's so many other butterflies around, but then sometimes
• 48:08
  it's the blue one. So like comedy is like the
• 48:11
  blue butterfly. And then like other shit is like other butterflies.
• 48:14
  I started in an automotive YouTube channel with my buddy.
• 48:16
  Oh okay, yeah, it's not super big, but it's so
• 48:18
  fun and it's just like little challenges that I find
• 48:22
  in it, you know, like learn this, learn how to
• 48:25
  do that, learn how to do this.
• 48:26
  Speaker 2: In the automotive in terms of like repairing stuff, like yeah,
• 48:29
  we put we got a nineteen eighty nine two forty SX.
• 48:32
  Speaker 1: It's my buddy's car. He bought it for like six
• 48:34
  hundred bucks, and he wants to put in less in it.
• 48:38
  But before putting the LS in it, he wanted to
• 48:40
  blow up the original motor. So we put nitrous and
• 48:43
  turbo on it, well without tuning it, so there's no
• 48:46
  computer telling it like how to do it safely or
• 48:50
  or like efficiently. So it's just like God, And we
• 48:54
  didn't blow up the motor. We blew up the coupler
• 48:56
  for the turbo though.
• 48:57
  Speaker 2: So like and the motor sucks now, like it won't
• 48:59
  stay on.
• 49:00
  Speaker 1: So this is a Nissan, Yeah, an eighty nine Nissan
• 49:03
  two forty Oh wow, yeah, it's it's a horrible Why
• 49:06
  did you choose that year? That's my friend's car. It's
• 49:09
  just oh yeah, everything we find is pretty much Facebook marketplace.
• 49:14
  Speaker 2: Okay, and so then you're gonna drop an LS into that.
• 49:17
  Speaker 1: Yeah, yeah we might, but maybe Look that's the on
• 49:20
  me Leban Oh nice. Yeah. We chose that name because,
• 49:23
  like I feel like Formula one is like, like you know,
• 49:26
  it's like Pinnacle of racing, and they have all these
• 49:29
  such intelligent engineers working on these cars and they make
• 49:32
  these great motors and stuff, and I feel like this
• 49:33
  is the exact opposite. Oh dude, you're doing some real cars.
• 49:36
  U LS swapped an R thirty four GTR. That's more
• 49:40
  like clickbait. It's just sitting in the car. We didn't
• 49:42
  like hook it up. Oh we had to take that
• 49:44
  car to get aligned. Click on that, Click on that.
• 49:47
  Speaker 2: Those Skylines are legendary cars.
• 49:50
  Speaker 1: Those are legendary. Oh yeah, he got that. He got
• 49:52
  a deal on that car. They're hard to get. Man.
• 49:55
  They couldn't I port him into the United.
• 49:56
  Speaker 2: States until like it's a few years twenty five years
• 50:00
  after the production, right, so there were the people have
• 50:03
  done shit like that before.
• 50:04
  Speaker 1: I've got I went down a rabbit hole the.
• 50:06
  Speaker 2: Other day of Skyline like mods and all the different
• 50:10
  things that people have done the Skylines. This is one dude,
• 50:13
  he has this insane metallic deep purple, like a dark purple.
• 50:19
  Speaker 1: Midnight purple. Three probably bro it is so beautiful, it's
• 50:25
  like a it's like a big it's like a cardinal sin.
• 50:27
  Though to put an less in a skyline, Oh right,
• 50:30
  you want to use a Japanese engine. Yeah, yeah, the
• 50:32
  RB it's the original Skyline motor. So that's a that's
• 50:35
  an R thirty four GTT so that comes with the
• 50:38
  RB twenty five. The GTR, which is like the super famous,
• 50:41
  super expensive one, comes with the RB twenty six. But
• 50:45
  so you really know your shit, man, I'm learning.
• 50:47
  Speaker 2: I have an R thirty five. I have a Nismo.
• 50:49
  Speaker 1: Oh yeah, you told me one time. I think I
• 50:52
  love it. One guy tried to sell me one of those,
• 50:54
  but I couldn't do it. It was too it was out
• 50:55
  of my price range. I have an R thirty five two,
• 50:58
  but not a Nismo.
• 50:59
  Speaker 2: Well you get the think about R thirty five is
• 51:01
  you could turn it into exactly what anismo is. Yeah,
• 51:04
  I mean everything is modible. I mean these cars have
• 51:07
  been around for so long in the community of matters
• 51:11
  for both them and a lot of JDM vehicles like Supras,
• 51:17
  like the two forty z's the old ones. There's a
• 51:22
  whole company now that is in the UK that takes
• 51:26
  two Nissan with dots and it was back when it
• 51:29
  was dots and dots in two forties and turns them
• 51:31
  into these fucking six streamlined sports cars with like wider tires,
• 51:37
  much more horsepower, super lightweight.
• 51:40
  Speaker 1: Just like to do that.
• 51:41
  Speaker 2: Oh, it's so exciting. I'd love Japanese sports cars because
• 51:45
  you get the best of both worlds. You get performance
• 51:49
  and reliability. Like if you get like a GTR, those
• 51:53
  are like one of the most reliable cars you can buy,
• 51:57
  and it's ridiculously fast. That's my right there, son, I uh,
• 52:02
  that's what I have.
• 52:03
  Speaker 1: You ever take it to a track?
• 52:05
  Speaker 2: I have not taken the GTR to a track.
• 52:07
  Speaker 1: You got a nismoel, you got to take it to
• 52:09
  a track.
• 52:09
  Speaker 2: I know, but I've only been to a track a
• 52:11
  few times and the last time I went it was
• 52:14
  a Corvette thing. I went with them. We're actually gonna
• 52:17
  build a track rather a studio on the track. That's
• 52:22
  our next move. Yeah, We're gonna build a studio at Coda,
• 52:26
  so we're gonna have two studios. We're gonna have a
• 52:28
  regular studio here, and then we're gonna have a studio
• 52:30
  at the Circuit of the Americas, so we're gonna be
• 52:32
  able to take people around the track and then do
• 52:36
  a podcast right afterwards.
• 52:38
  Speaker 1: Hey, hire me as a driver. Can you drive? He good?
• 52:41
  I do? Okay, I got the fastest lap time at
• 52:43
  Speed Vegas. You ever been there? Did you really the fastest? Yeah?
• 52:47
  For like a few hours, and then some dude beat me.
• 52:49
  Will be driving uh poors g T three r S okay.
• 52:53
  I was competing against my co host on the channel there.
• 52:56
  Buddy Luis is a user name underscore to AF. Horrible
• 53:00
  user name. But anyway, we both got the same car
• 53:04
  of the Porsche to like compare lap times. I had
• 53:07
  them beat by like eight seconds or something like that.
• 53:09
  Speaker 2: Well, he probably does not drive it. Also, those cars
• 53:12
  get a little scary the rear engine.
• 53:15
  Speaker 1: I mean, you have an instructor just telling you what
• 53:16
  to do. But I didn't you hit the gas harder? Yeah,
• 53:20
  I broke a little later. I's a harder. I almost
• 53:23
  spun out, but I wanted to find like the limit
• 53:25
  to the car. But yeah, I want my second lap.
• 53:29
  I almost spun the car out, but I was able
• 53:31
  to keep it.
• 53:33
  Speaker 2: Yeah, those cars are just designed entirely for racing. That's
• 53:36
  a crazy car that you can get a race car
• 53:38
  for the street. When we went the last time we
• 53:41
  went to Coda, we went for Corvette. So Corvette has
• 53:44
  the new z R one and.
• 53:47
  Speaker 1: It holds the record right at what track it.
• 53:51
  Speaker 2: Hurts the record and basically every single track that it's
• 53:54
  ever entered into. Yeah, they're just just it's a thousand
• 53:57
  horsepower from the factory. And then the record at nerber
• 54:01
  Ring that they did, which is the record only for
• 54:03
  American cars. It's uh for the ZR one X. I
• 54:08
  believe it's I believe the time is six minutes forty
• 54:11
  nine seconds, which is insanely fast. And it wasn't driven
• 54:16
  by a professional driver.
• 54:17
  Speaker 1: It has been by the engineer.
• 54:18
  Speaker 2: Yes, right, the engineer broke the American lap time record.
• 54:22
  So everyone else is using Formula one drivers, the using
• 54:25
  the sickest drivers on earth to get the most amount
• 54:27
  of time. So a professional driver that I follow, this guy, uh,
• 54:32
  I forget his last name, Misha something or another on YouTube,
• 54:35
  he analyzed the footage and he said, you could shave
• 54:38
  ten seconds off this, Yeah, which is crazy.
• 54:42
  Speaker 1: Oh here it goes.
• 54:43
  Speaker 2: Pro driver says, Corvette zero one could have gone ten
• 54:45
  seconds faster at nerber Ring.
• 54:46
  Speaker 1: Who is it? Said that? Is it?
• 54:48
  Speaker 2: More than one pro driver said that. No, Misha, this guy,
• 54:51
  this guy's great. I follow his I follow him. Yes,
• 54:54
  what is his channel called? Let's give him a shout out,
• 54:56
  young Jamie.
• 54:58
  Speaker 1: Ten seconds in the world of racing. That's like a lot.
• 55:00
  That's that's that's a lot.
• 55:02
  Speaker 2: Uh.
• 55:03
  Speaker 1: So it's Misha, m I s h A. And the
• 55:06
  last name I don't know how to pronounce it is
• 55:08
  c h R O U d I N shower shower din.
• 55:13
  How would you say that? Uh? Showered in showerdan.
• 55:17
  Speaker 4: Uh.
• 55:18
  Speaker 2: Anyway, cool guy, great channel, It's dope. So he analyzed it,
• 55:22
  and he drives that track all the time like his
• 55:26
  at that track, and he's a nasty driver.
• 55:29
  Speaker 1: He drives wicked. It's he looks so calm too. He's
• 55:32
  just hollering at us, but.
• 55:33
  Speaker 2: He knows that track like the back of his hand.
• 55:35
  He's always at the Nerbourg Ring like those track days
• 55:38
  on there all the time. So he drives a whole
• 55:40
  bunch of crazy cars, including GTRs, all kinds of crazy shit,
• 55:45
  different things that people have put together and modded, and
• 55:49
  so it says, with someone more comfortable with the car,
• 55:52
  he's like a sub six minute and forty second time,
• 55:56
  which is what they achieved is relatively easy and possible,
• 55:58
  he would say. He said, maybe they've already done a
• 56:01
  lap with a pro driver and were released later when
• 56:03
  they find it necessary.
• 56:05
  Speaker 1: So what Corvette likes to do though, They like to
• 56:09
  do their lap times with the people built the car,
• 56:12
  because they feel like the people built the car like
• 56:14
  intimately connected, instead of farming it off to some Formula
• 56:17
  one psychopath. Get the actual guys who designed and engineered
• 56:21
  the car. And if these guys are breaking records, they're
• 56:25
  great drivers. Still get me wrong.
• 56:26
  Speaker 2: I drove with one of them and when we were
• 56:28
  at Coda, Oh yeah, and I drove the car. I
• 56:31
  drove that zero one. It's the best car I've ever
• 56:33
  driven in my life. Yeah, I've driven a lot of cars.
• 56:35
  Speaker 1: Thanks Corners. Badass.
• 56:36
  Speaker 2: It's insane, it's insane. It's got the power like an
• 56:41
  electric car. The acceleration is bananas. It's nuts. It's zero
• 56:45
  to sixteen hundred two seconds. It fucking flies, and it
• 56:50
  has massive downforce, huge wheels, sticky tires and you're going
• 56:55
  around these corners like you can't believe the amount of
• 56:58
  grip it has and the stability of it, the balance
• 57:01
  of it.
• 57:01
  Speaker 1: What kind of tires do they put on those? They're
• 57:03
  cup tires.
• 57:04
  Speaker 2: I don't know what the exactly I believe they're I
• 57:07
  don't want to say, but I think they're Michelin cups.
• 57:10
  Speaker 1: I wish I knew how to like fabricate my own
• 57:13
  suspension for cars. Really you'd want to do all that? Yeah,
• 57:16
  I want to learn. I don't mean I don't want
• 57:17
  to make my own suspension, I kind of. I mean
• 57:20
  maybe one day, I don't know. I do want to
• 57:22
  learn how to fabricate other parts, easier parts. But I
• 57:25
  feel like all the cars I buy, that's like the
• 57:30
  most important thing to me is like handling. Oh yeah,
• 57:33
  I bought a shout out to this dude. I'm gonna
• 57:36
  shout out his page. He's got some cool stuff on YouTube.
• 57:39
  Krusty Uh what is it? Krusty Classics garage. Let me
• 57:43
  make sure I'm getting that right.
• 57:45
  Speaker 2: He uh.
• 57:46
  Speaker 1: He sold me a nineteen seventy three Plymouth Barracuda, but
• 57:51
  it has a front end from a seventy one Barracuda.
• 57:53
  Oh the nice front end. Yeah, four headlights. Yeah, that's
• 57:56
  the front end that was bad. That's the one one. Yeah,
• 57:59
  that's the one. I have a seventy He had Less
• 58:02
  swopped it. Look, that's the one. That's the one I bought.
• 58:05
  I love that car.
• 58:06
  Speaker 2: But that looks like a seventy Oh that's the original
• 58:08
  front end. That's the original front end before they swapped it.
• 58:11
  Speaker 1: No, no, no, that's the seventy three, seventy one front end.
• 58:14
  Speaker 2: But it looks like no, that's not because it only
• 58:17
  has one headline of each other. O.
• 58:18
  Speaker 1: No, no, yeah, you know you're right. That's seventy three. Yeah,
• 58:21
  they wrecked into him. He had to swap it. Oh
• 58:23
  I say, I say, yeah, my mom had a seventy
• 58:26
  one when I was a kid. What yeah, your mom
• 58:28
  was kicking ass. Yeah. It was pretty dope, dope car.
• 58:32
  I learned how to drive on it. That car. He
• 58:34
  had Less swopped it, and the suspension is pretty tight.
• 58:37
  But when I got to it has no speedometer. So
• 58:40
  when I got it to like what I assume is
• 58:42
  somewhere over one hundred. Yeah, the steering moroeve became a
• 58:46
  little scary. Oh there came a little too. The front
• 58:49
  end is so like light.
• 58:51
  Speaker 2: Well it's also the steering sucks. Their steering was so well.
• 58:55
  Speaker 1: Yeah, hey, he has like aftermarket on it. Like I
• 58:57
  just I don't know what he did to I got it,
• 59:00
  take a deeper look into it.
• 59:01
  Speaker 2: I bought it and then just hauled as back to Dallas.
• 59:04
  Speaker 1: Yeah, and once I got on a once I got
• 59:06
  on the highway closer to my house, Camry was getting cocky.
• 59:09
  So I was just like, nah, I got to show cam.
• 59:12
  Speaker 2: Yeah, Camri was getting cocky. Oh that looks great with
• 59:16
  that seventy one front end. That's seventy one front end.
• 59:18
  Speaker 1: His gorgeous. Yeah, look that's I think that's when we
• 59:20
  bought it, my friend Brigham as a seventy one.
• 59:22
  Speaker 2: It's badass. It's so nice.
• 59:25
  Speaker 1: This dude has everything less swapped. He has people sending
• 59:28
  him work from like other states even really, Yeah, this
• 59:31
  dude does good. Wall the ls swapped into a Barracuda.
• 59:34
  Oh yeah, no, that's like more blastphom me, like like
• 59:38
  the thing we did with the Skyline.
• 59:39
  Speaker 2: Like you want to see the dopest barracouta you've ever seen? Yeah,
• 59:43
  hell yeah, Jamie, pull up mine. I had one made
• 59:46
  by Roadster Shop. This is the craziest Barracuda.
• 59:48
  Speaker 1: Ever road They make the frames and ship they make everything.
• 59:51
  Damn they did everything.
• 59:52
  Speaker 2: And they put a they put a racing engine in it,
• 59:55
  a Mercury racing engine in it, so it's like a
• 59:58
  nine thousand rpm racing engine.
• 1:00:01
  Speaker 1: Holy shit. Oh it's nasty. It's so crazy. This is fine.
• 1:00:05
  Speaker 2: Yeah, that's my car. This thing is bonkers and it's
• 1:00:12
  got a rollcat in it. It's all like. The interior
• 1:00:15
  is gorgeous, but it's six speed manual transmission, but it
• 1:00:24
  sounds like an exotic car.
• 1:00:28
  Speaker 1: Oh yeah, America cup fuck. Yeah hey you got one
• 1:00:41
  cup holder? Yeah me too. Yeah, everybody else My interior
• 1:00:45
  doesn't look as nice as that one. But that's one thing.
• 1:00:50
  Is the couple.
• 1:00:51
  Speaker 2: Yeah, well that's all. The interior is totally different.
• 1:00:54
  Speaker 1: Things. Sick bro. You have that. You got a news mode?
• 1:00:56
  You have good taste? Yeah, like stuff. What's your gaze car?
• 1:01:00
  The gay ass car? Yeah? What's your what's your car?
• 1:01:02
  They like? Tesla? Yeah, that one takes the cake. I mean,
• 1:01:06
  if you want to ask the average person. But I
• 1:01:08
  love it. I drove that today. That thing's awesome. Yeah,
• 1:01:11
  it's your daily driver.
• 1:01:13
  Speaker 2: I drive it all the time. It's it's a model
• 1:01:15
  asque plaid and it's also uh, it's customized. So this
• 1:01:19
  company called Unplugged Performance. They take a models and then
• 1:01:23
  they put carbon fiber fenders on it, wider track, wider tires,
• 1:01:27
  upgraded suspension, change the interior.
• 1:01:30
  Speaker 1: Hey you have tinted windows. Yeah. Yeah. Nobody ever recognizes
• 1:01:34
  you and recognize me. Yeah what Usually they say, Hi, Yeah,
• 1:01:38
  what's up? You don't get weirdos? I feel like you'd
• 1:01:40
  get the most weirdos at anybody.
• 1:01:42
  Speaker 2: Get some weirdos. But most people are nice. Yeah, most people,
• 1:01:45
  the most people in the world. The reason why you
• 1:01:47
  can get on the highway and no one's just slamming
• 1:01:49
  into each other, And the reason why you go to
• 1:01:51
  the mall and everyone's not stamping, trampeding, stampeding over people,
• 1:01:55
  it's because most people are nice. Yeah, most people are cool.
• 1:01:58
  Speaker 1: Most people are cool until they start, you know, running
• 1:02:00
  out of women and resources in cells, insels, they get
• 1:02:04
  dangerous to get on the meth inceels, they get radicalized online. Yeah,
• 1:02:09
  don't do drugs. Take care of your bodies. What are
• 1:02:11
  the tires on the Corvette Jamie?
• 1:02:13
  Speaker 2: Do look, do we find out what they are. They're
• 1:02:15
  super sticky. You drive it, you'll you'll go insane. It's
• 1:02:19
  the greatest car ever.
• 1:02:20
  Speaker 1: Tires make a big difference, man.
• 1:02:21
  Speaker 2: Huge difference. But it's also the mid engine. When they
• 1:02:24
  switch the Corvette architecture from that front engine design from
• 1:02:28
  the C seven.
• 1:02:29
  Speaker 1: To the C eight.
• 1:02:31
  Speaker 2: Michelin, Yeah, there's pilot sport for us. And I think
• 1:02:34
  you could use cup tires too.
• 1:02:36
  Speaker 1: I think I think it's an option mid engine cars.
• 1:02:40
  They seem to be dominating on tracks.
• 1:02:42
  Speaker 2: Huh, Well, the balance is so good when you have
• 1:02:45
  that balance of the engine in front of the rear wheels.
• 1:02:48
  First of all, you have massive amounts of traction because
• 1:02:50
  all that weight is back there. There's always a problem
• 1:02:53
  with that front engine.
• 1:02:54
  Speaker 1: The only time I think the front engine can be
• 1:02:57
  like a mid engine thing I think is if like
• 1:02:58
  the track has different elevations, like like what is it
• 1:03:03
  like Laguna Seca I think has like a huge downhill
• 1:03:06
  uphill thing.
• 1:03:07
  Speaker 2: Oh, where it helps you to have the front engine Buyers.
• 1:03:09
  Speaker 1: Yeah, I think. I mean, I'd imagine that's the only
• 1:03:11
  place that probably can make a difference because like when
• 1:03:14
  you're coming, what is it like man. I think I
• 1:03:17
  saw a video on it one time, and I didn't
• 1:03:19
  have the volume up because my kid was asleep, but
• 1:03:22
  I'm pretty sure that's what they were talking about. Like
• 1:03:24
  what you know, on the side of the track, they
• 1:03:26
  have the like the like the stripes, the red and white,
• 1:03:29
  and sometimes it go over there, you know. Sometimes. Yeah,
• 1:03:32
  So if you're going off of one of those and
• 1:03:35
  you're also going downhill, i'd imagine you'd want like a
• 1:03:39
  front engine. I think you'd get the grip faster as
• 1:03:44
  you're coming down, whereas if the motor was in the back,
• 1:03:47
  I think you'd have to kind of catch your balance
• 1:03:49
  a little more than a front engine.
• 1:03:51
  Speaker 2: What could be wrong, though, I don't the motors in
• 1:03:52
  the middle. So that's the thing, the motor in the
• 1:03:54
  back With the Porsche, you have to learn how to
• 1:03:56
  use that pendulum effect as you're driving, you know. But
• 1:03:59
  but the guys who are really good at it, though,
• 1:04:00
  they use it to their effect, Like they steer with
• 1:04:03
  the throttle, so as they're turning, they're hitting the gas,
• 1:04:06
  the asset is kicking out, and then they're they're modulating
• 1:04:09
  it and then they're going straight. So the guys that
• 1:04:11
  are really good at driving Porsches. It's pretty beautiful to
• 1:04:14
  watch because they just know how to use that rear
• 1:04:16
  engine bias. But the thing about the Corvette and also
• 1:04:20
  the Cayman, the Cayman GT for it's another amazing mid
• 1:04:24
  engine car, is that engine in front of the real,
• 1:04:28
  real wheel in the center of the car makes the
• 1:04:30
  car perfectly balanced. You just feel so confident even when
• 1:04:34
  the tires break, You feel really confident that this car
• 1:04:37
  is under control. And the Corvette has so much downforce.
• 1:04:41
  It's so well engineered. I mean, these guys gave us
• 1:04:44
  before they let us drive. Me and Hinchcliffe went down
• 1:04:47
  there and before they let us drive, they gave us
• 1:04:50
  like this full tour to force explanation of the engineering
• 1:04:53
  involved in this car and what the goal was. It's
• 1:04:55
  the most ridiculous production car that any American companies ever
• 1:04:59
  put out.
• 1:04:59
  Speaker 1: By the more you get into cars, the more you
• 1:05:02
  get into like physics and balance. Yeah, it starts off
• 1:05:05
  as like all shit, like three hundred and forty horse power,
• 1:05:08
  four hundred pounds feet to toy, and then later on
• 1:05:09
  you're just like, dude, I think you're so balanced.
• 1:05:12
  Speaker 2: Yes, balance is everything and really for thrills, if you
• 1:05:16
  really want to enjoy a car.
• 1:05:18
  Speaker 1: Enjoy a car.
• 1:05:20
  Speaker 2: It's not about how fast you go, like this whole
• 1:05:23
  lap time thing. It's cool because if you like going
• 1:05:26
  on a track, and I do like going on a track,
• 1:05:27
  it's fun and it's fun to have a car that's
• 1:05:29
  really good at moving around the track and driving fast.
• 1:05:32
  But in the real world, what you want is sensory experiences.
• 1:05:37
  Speaker 1: That's what you want out of a car. We mean sensory.
• 1:05:40
  You want to hear the sound. You want to feel
• 1:05:43
  the gears as you're shifting. You want to push the
• 1:05:46
  clutch in and pop that sucker in a third and
• 1:05:49
  let off the clutch as you hit the gas. You
• 1:05:51
  want to smell it. You want to feel it. You
• 1:05:54
  want to really you want a manual transmission and a
• 1:05:59
  manual steer. You don't even want power assistance deering. So
• 1:06:02
  you want a light car, like an early nine to
• 1:06:04
  eleven if you really want to feel, like, what's the
• 1:06:07
  ultimate thrill of driving? It's a really well sorted out
• 1:06:13
  air cooled nine to eleven, air cooled ninety eleven. Oh,
• 1:06:17
  those old Porsches are so light.
• 1:06:19
  Speaker 2: You can get them like two thousand pounds and they
• 1:06:21
  strip things out of them.
• 1:06:23
  Speaker 1: Oh, those are like stupid expenses now right.
• 1:06:25
  Speaker 2: Yeah they are now, but it depends on which model
• 1:06:27
  you could still get. Some models, like the G body models,
• 1:06:30
  they're pretty reasonable until people start realizing that.
• 1:06:34
  Speaker 1: I start scooping them up too. But there's some that
• 1:06:36
  don't look quite as good.
• 1:06:38
  Speaker 2: But fuck what it looks like? Get that out of
• 1:06:40
  your head. Which you want to just experience the car,
• 1:06:44
  like when you drive like a you can get like
• 1:06:47
  a nineteen Let's find out what a how much is
• 1:06:49
  a nineteen eighty two nine eleven cost? Let's see if
• 1:06:54
  we can find one.
• 1:06:55
  Speaker 1: I hate that. I just recently started getting into Porsches,
• 1:06:58
  and I hate that.
• 1:06:59
  Speaker 2: I like them now.
• 1:07:00
  Speaker 1: They're great. They are, they're really but they're so but
• 1:07:03
  they're so expensive. So also good investments.
• 1:07:06
  Speaker 2: Yeah, they're worth more money after you buy them than
• 1:07:08
  they are when you buy them. This is one of
• 1:07:09
  the rare cars that will continue. Okay, there's a beautiful one.
• 1:07:13
  That one's sick, That one's seventy grand, that seems like
• 1:07:17
  somebody has put some they'll probably put some work into
• 1:07:21
  that one. What does it say in terms of what's
• 1:07:24
  been done to it?
• 1:07:25
  Speaker 1: Oh? My god, it only has one hundred miles on it.
• 1:07:28
  That's crazy.
• 1:07:29
  Speaker 2: You know.
• 1:07:29
  Speaker 1: When I first started making money, I felt like I
• 1:07:32
  was buying cars like that that were more like collected type.
• 1:07:36
  But now my garage is so different because I don't
• 1:07:39
  like that, Jimmy, don't go back to that. I like
• 1:07:41
  to fucking put miles on them.
• 1:07:43
  Speaker 2: Yeah, no, I hear you, but this is nuts. To
• 1:07:45
  find an eighty two portion with that that low amount
• 1:07:48
  of miles.
• 1:07:49
  Speaker 1: That's crazy. One hundred miles. I'll buy it an ls
• 1:07:56
  uh eleot. I got one of those, but not that year.
• 1:08:00
  Go back up, yeah, skyline right there. Oh yeah, I
• 1:08:03
  got a different one though, I got a what one
• 1:08:05
  do you have? I having the nineteen seventy one. Yeah,
• 1:08:09
  it's an original. But that that car, that's one of
• 1:08:11
  those cars that I'm like, I don't know if I
• 1:08:13
  should keep it or not, because it's it's so valuable
• 1:08:15
  as long as I don't fuck with it too much. Oh,
• 1:08:17
  it's an investment.
• 1:08:18
  Speaker 2: If I if I had that car, if I was you,
• 1:08:20
  I just keep that sucker well maintained, don't drive it anywhere,
• 1:08:23
  hold on to it, enjoy it. That'd be worth a
• 1:08:25
  million dollars someday.
• 1:08:27
  Speaker 1: I don't know.
• 1:08:27
  Speaker 2: I think i'ma biless it.
• 1:08:31
  Speaker 1: That way. But does it have the original engine?
• 1:08:34
  Speaker 2: Original engine?
• 1:08:35
  Speaker 1: Yet?
• 1:08:36
  Speaker 2: Oh man, I went and fuck with it.
• 1:08:37
  Speaker 1: It still smells like the Japanese dude who used to
• 1:08:39
  drive it to work.
• 1:08:40
  Speaker 2: This is crazy that this car only has one hundred
• 1:08:42
  miles on it. So that car is not going to
• 1:08:45
  be fast in comparison to a modern car. But boy,
• 1:08:47
  will you enjoy driving it. That is an enjoyable car.
• 1:08:51
  You drive that car, you feel everything. It's like you're
• 1:08:55
  in a ride.
• 1:08:56
  Speaker 1: I don't know, I don't know what year they started
• 1:08:57
  doing this, but they have a eight thousand miles on it?
• 1:09:02
  What one hundred miles on the.
• 1:09:05
  Speaker 2: Eight four hundred and seventy five m.
• 1:09:10
  Speaker 1: Right?
• 1:09:11
  Speaker 2: Is that is that the last one? Is that up
• 1:09:13
  to the next mile? When that goes over to zero,
• 1:09:16
  does that make a six?
• 1:09:17
  Speaker 3: It's a different number or a different color or something.
• 1:09:20
  Oh Tho's cars tracked up to one hundred thousand, right
• 1:09:23
  or maybe not?
• 1:09:24
  Speaker 1: Maybe it's nine thousand. Is it go six, seven, eight,
• 1:09:28
  nine sixty? Does it do that? I don't know, I
• 1:09:31
  don't know. That's bad use it eighty two?
• 1:09:34
  Speaker 2: So either way, yeah, if it's an eighty two. But
• 1:09:36
  that doesn't make any sense.
• 1:09:37
  Speaker 1: Why.
• 1:09:37
  Speaker 2: Oh, I think they're saying it has one hundred miles
• 1:09:39
  on a rebuilt engine. Ye see what it says, fully restored,
• 1:09:43
  that's it, okay, original engine trends, fully restored, no miles. Okay,
• 1:09:49
  so it only has one hundred miles on the original
• 1:09:52
  the engine that's been fully restored. Okay, that makes more sense.
• 1:09:55
  So it's got they're lying that. You can't say it
• 1:09:57
  is one hundred miles because then all the trends, all
• 1:09:59
  the other shit, like the suspension, everything else has got
• 1:10:03
  all those miles on it. The lesser swapped out every
• 1:10:05
  fucking component in the car.
• 1:10:07
  Speaker 1: They have a weird uh the transmission. I don't know
• 1:10:12
  what year they started doing this. Oh the dog leg
• 1:10:14
  went down to one. No. Well, I think it just
• 1:10:16
  feels different, like I forgot. I forgot what it was
• 1:10:20
  my buddy bought when the guy run the channel with
• 1:10:22
  Luis so this is like the cheapest Porsche ever, but
• 1:10:27
  it looks so good. He made a whole YouTube thing
• 1:10:29
  about it, like he made videos on it. He got
• 1:10:31
  this Porsche for like I think it was like thirty
• 1:10:34
  two hundred bucks, thirty six hundred Bucks or something on Facebook.
• 1:10:36
  Speaker 2: The dude was like, yeah, it's a O seven Porsche.
• 1:10:38
  Speaker 1: He's like, the motors could puts. It's no good. So
• 1:10:42
  my buddy goes to check it out and it has
• 1:10:44
  a knocking in it and the paint is just real ugly,
• 1:10:48
  and uh, he buys it. He's like, fuck it, I'm
• 1:10:51
  gonna just take the chance. Maybe maybe it's simple fix
• 1:10:54
  and uh he takes it to our buddy Brian back
• 1:10:58
  in Forward to get it painted. So now the paint
• 1:11:01
  is just brand new, but the motor still knocks. And
• 1:11:04
  my dad pulls up to that same shop that same
• 1:11:07
  day to get a truck painted and he's like, oh,
• 1:11:09
  it's up, Luis, and they decide to raise the trucks
• 1:11:11
  and Opia's versus the porch and Louise floors it and
• 1:11:15
  after he floors it, the knock and goes away just
• 1:11:17
  never came back and the motor just runs fine. So
• 1:11:22
  he just came up on like the cheapest Porsche. Do
• 1:11:25
  you have a video of this? Yeah? Yeah, bro, it's
• 1:11:27
  all over Like can you pull it up on the
• 1:11:29
  formula being YouTube again? It has to be on there,
• 1:11:33
  like it's crazy, yeah, And uh, the only thing other
• 1:11:36
  than that. I think was like the wheel alignment or
• 1:11:38
  like it was like shaky whatever. But I think the
• 1:11:40
  I think what he said what it was was the
• 1:11:41
  tires had been sitting for so long that they kind
• 1:11:43
  of like scar.
• 1:11:45
  Speaker 2: Yeah, you should just drive on old tires.
• 1:11:47
  Speaker 1: He just switched them out. It's like fucking no problem. Look,
• 1:11:52
  and that is race the car. Oh, it's after the race.
• 1:11:56
  Speaker 4: It stopped making the noises.
• 1:11:58
  Speaker 1: That changed the oil. And see what we find.
• 1:12:00
  Speaker 4: Well, there's really two.
• 1:12:01
  Speaker 1: That's after the paint jobs, some.
• 1:12:03
  Speaker 4: Fresh gasoline in the car and the race. I mean,
• 1:12:05
  if I was going to replace the engine, why not
• 1:12:08
  just race it. If it blows up, it blows up.
• 1:12:10
  But ironically the opposite happened. The old owner warned me
• 1:12:14
  that the engine needed to be replaced. And I think
• 1:12:17
  you can get a pretty good idea on the health
• 1:12:18
  of the engine.
• 1:12:19
  Speaker 1: By doing an oil change. One.
• 1:12:21
  Speaker 4: It looks disgusting, but let's see if we see any
• 1:12:24
  metal shavings in there. Taking apart the old filter, I
• 1:12:27
  noticed a lot of sludge, but using a magnet, I
• 1:12:30
  don't find any metal shavings. All right, let's go magnet fishing.
• 1:12:34
  Next up, let's check the oil.
• 1:12:36
  Speaker 1: This dude's really smart. He was an engineer for Lockheed Martin.
• 1:12:39
  I convinced him to put his job really Yeah, so
• 1:12:43
  maybe not that smart if you let me convince them
• 1:12:45
  to quit, But this sounds more fun. Yeah. So what
• 1:12:48
  was that noise?
• 1:12:49
  Speaker 4: Because of the condition of the oil, I'm thinking some
• 1:12:52
  sludge got stuck where it wasn't supposed to. Maybe it
• 1:12:55
  was a lifter tick and when I finally drove it hard,
• 1:12:58
  it blew out the sludge or maybe something in the clutch.
• 1:13:01
  Speaker 1: All right, guys, let's see how it runs. How much
• 1:13:05
  do you do for this, like thirty six hundred bucks? Oh,
• 1:13:08
  that's insane, that's crazy. What a great deal. And that's
• 1:13:12
  a great balance car.
• 1:13:13
  Speaker 2: The Caymans. These are super super well balanced.
• 1:13:16
  Speaker 1: It drives really good. That's his daily driver. Now, that
• 1:13:19
  dude only buys cars if they like suck like. He
• 1:13:22
  wouldn't like you won't catch them buying something from a dealership.
• 1:13:25
  He's never bought something from a dealership. Yeah, like the cars.
• 1:13:29
  Speaker 2: Yeah.
• 1:13:29
  Speaker 1: The dude's fucking crazy smart. So I met him through
• 1:13:32
  our other content creator friend. This is a dude named Papika.
• 1:13:37
  Fucking hilarious dude. Even funnier in real life, we have
• 1:13:43
  the same media manager. So anytime Popyico wants to come
• 1:13:46
  to my shows, you know, my manager would just get
• 1:13:48
  them tickets. And I'm performing in Dallas one day and
• 1:13:52
  Poppycoa shows up with our other buddy Ivan and with
• 1:13:55
  this dude, and he's like, hey, these are my buddies.
• 1:13:57
  Are also content creators. You know. They met like at
• 1:13:59
  a TikTok convention or something, I don't know where content
• 1:14:02
  creators hang out. And the first thing he tells me,
• 1:14:06
  he's like, hey, man, let's let's swap your skyline. I
• 1:14:07
  heard you got a skyline and those are like his
• 1:14:09
  favorite cars, my favorite cars. I was like, fuck no,
• 1:14:12
  I would never do that. And he's like, well, if
• 1:14:13
  you ever wanted to do anything, just let me know.
• 1:14:15
  So I told him I had bought an R thirty
• 1:14:18
  two GTR and I wanted to do work to it.
• 1:14:21
  But I was like, I want to do it. I
• 1:14:22
  want to I want to learn how to fuck with it,
• 1:14:24
  you know what I mean. I was like, can you
• 1:14:26
  teach me whatever? And I was like, I'll pay you
• 1:14:28
  whatever you want to teach me. He's like, all right,
• 1:14:30
  we'll go over like on such a day because it
• 1:14:32
  was a coincidence that we both live in DFW. So
• 1:14:35
  he comes over the house one day and we started,
• 1:14:38
  like I think the first thing we did was maybe
• 1:14:40
  changed the exhaust on my skyline, or maybe it was
• 1:14:43
  a suspension of my impolla. I remember one of those things,
• 1:14:46
  and I was like, well, what are you going to
• 1:14:47
  charge me? He's like, nah, man, I don't care. He's like,
• 1:14:49
  it's just fun, you know, make some content from it. Like,
• 1:14:52
  never charged. We just kept hanging out, and now we've
• 1:14:54
  done I don't know how many fucking projects together. We
• 1:14:57
  went ahead and just started the channel together.
• 1:14:59
  Speaker 2: How far in did you get him quit his job?
• 1:15:02
  Speaker 1: I think like a year into knowing him. I tried
• 1:15:05
  after like a week of knowing him, though, but he's like,
• 1:15:08
  I don't know, man. He's like he grew up very
• 1:15:13
  like you know, you get it, you get a job,
• 1:15:16
  you keep your job security, like he grew up under
• 1:15:18
  that most people. Well yeah, and so you're a comedian,
• 1:15:22
  you're like, fuck it. I'm like, bro burn it down,
• 1:15:24
  chase your fucking dreams. Fucking job. There's so many jobs
• 1:15:27
  out there, like they're always going to be there. But
• 1:15:29
  he he said, even before being a content creator. He
• 1:15:32
  thought that was like impossible. He's like, nah, like that
• 1:15:35
  don't never work. And then you know, just went for
• 1:15:39
  it and saw other of his friends. I think, like
• 1:15:41
  I even our barber buddy go for it, and it
• 1:15:45
  like just started working. I think he made a video.
• 1:15:47
  I think during COVID was when he started getting a
• 1:15:48
  lot of following he made. I don't know what he
• 1:15:51
  made a video of, and so he just kept at it.
• 1:15:53
  But to actually quit his job was like the next step.
• 1:15:56
  Speaker 2: That's great, man. Look those things are super popular and
• 1:16:01
  there's a real market for him. I know because I
• 1:16:03
  watched him all the time. I watched shows all the
• 1:16:06
  time online. Do you know about stance Elements.
• 1:16:09
  Speaker 1: I don't think so much.
• 1:16:10
  Speaker 2: Okay, there's a great channel you should follow called stance Elements.
• 1:16:13
  This dude is building a Ferrari F forty.
• 1:16:17
  Speaker 1: Building shit.
• 1:16:18
  Speaker 2: So what he did was he bought all the parts
• 1:16:21
  that you could buy online for a Ferrari F forty.
• 1:16:24
  Speaker 1: He bought quarter.
• 1:16:25
  Speaker 2: Panels, he bought roof panels, he bought front fenders, hood
• 1:16:31
  all that.
• 1:16:31
  Speaker 1: Jazz doesn't like that shit though, they hate it. Fuck them.
• 1:16:35
  Speaker 2: He's he fabricated the entire frame. He built the frame,
• 1:16:39
  he built, the interior rollcage. He made it dope as fuck, man,
• 1:16:44
  he made it, like and he's in the middle of
• 1:16:46
  this project. This project is probably gonna that's not an
• 1:16:49
  F forty, that's a three to eight. That's a very
• 1:16:52
  cool car too, though. So he got an engine from
• 1:16:55
  an even more powerful Ferrari. So we got a crate
• 1:16:58
  engine that he installed into the thing. See even Scooter,
• 1:17:02
  this is like he's just talking about different projects he did.
• 1:17:04
  That was his original M five, which is another great car.
• 1:17:07
  So look, fabricated this entire frame. They did all this
• 1:17:11
  and they you know, like he meticulously measured and matched
• 1:17:15
  and then tig welded all this stuff together. And this
• 1:17:18
  is what he's putting together. He's making this car. So
• 1:17:21
  it's going to be like his version of a Ferrari
• 1:17:25
  F forty. But it's pretty sick. It's gonna cost him
• 1:17:29
  fucking shitloads of money.
• 1:17:30
  Speaker 1: Man, that's so sick though.
• 1:17:32
  Speaker 2: Yeah, like he's pretty far ahead past this now. That's
• 1:17:35
  what it's gonna look like. Ultimately at the end is
• 1:17:37
  gonna be nuts.
• 1:17:39
  Speaker 1: Gas Mounky did that too, and I think I think
• 1:17:41
  the story with that was, like Ferrari did everything they
• 1:17:44
  could to try to stop them from getting parts.
• 1:17:46
  Speaker 2: Oh something like that. I think he got all the
• 1:17:48
  parts before they knew what was going on.
• 1:17:50
  Speaker 1: Now, now for the next guy who wants to do
• 1:17:52
  one of these, Ferrari's going to be like, oh yeah,
• 1:17:54
  if anybody's ordering a bunch of parts, it's like crazy,
• 1:17:56
  They're probably gonna be like, hold on, this is suspicious.
• 1:17:58
  Speaker 2: If Ferrari catches you reap painting your car like a
• 1:18:01
  crazy color, you're fucked. They'll sue you. Yeah, yeah, they
• 1:18:04
  go crazy.
• 1:18:05
  Speaker 1: Didn't They go after that designer? What is his name?
• 1:18:08
  Philip Plean? Is that his name?
• 1:18:10
  Speaker 2: He had like a a like a green Ferrari, like
• 1:18:15
  a like a crazy metallic green that he must have
• 1:18:19
  either put a rap on it or changed the paint.
• 1:18:21
  But he was doing all this promo stuff with his
• 1:18:24
  Ferrari and they sued him. Whoa, yeah, that's the car.
• 1:18:29
  Ferrari wins legal case against designer Philip Plean use of supercars,
• 1:18:34
  but he says it's not over like look the color
• 1:18:37
  on that.
• 1:18:37
  Speaker 1: That means So that means like he bought it from Ferrari, Yeah,
• 1:18:40
  and must have signed something. Right.
• 1:18:42
  Speaker 2: It's like I guess to look at this, It said,
• 1:18:45
  He's been ordered to pay Ferrari three hundred and fifty
• 1:18:48
  two thousand dollars in compensation to the Italian car manufacturer.
• 1:18:53
  The case relates to a Spring twenty eighteen runway show
• 1:18:56
  that Plean held in Milan in June of twenty seventeen.
• 1:18:58
  During this event, Plean fe featured a host of exotics,
• 1:19:01
  including Ferrari's, Lamborghinis and McLaren's, and Ferrari was none too
• 1:19:06
  pleased with this. They took issue with Pleen's social media posts,
• 1:19:10
  claiming that by posting photos of his fashion collection with
• 1:19:14
  Ferrari's plan, was unlawfully appropriating the goodwill attached to its
• 1:19:19
  trademarks to promote his own brand and products. It added
• 1:19:23
  that Plane's post tarnished the reputation of Ferrari. What reputation?
• 1:19:29
  Coked up dudes in Miami, what do you talk? What
• 1:19:32
  the fuck are you talking about? What reputation? That's crazy.
• 1:19:36
  That's a lot of money. He has to pay them
• 1:19:38
  three hundred and fifty two thousand dollars in compensation and
• 1:19:41
  reimburse attorney's fees to the tune of over twenty nine
• 1:19:44
  thousand dollars.
• 1:19:46
  Speaker 1: He has to pay them the attorney fees.
• 1:19:47
  Speaker 2: Yeah, in order to remove any images from his website
• 1:19:51
  and social media platforms that show any Ferrari model. Moreover,
• 1:19:55
  the court satitive plan am I saying his name right?
• 1:19:58
  Plin plean refuse to delete a post depicting a Ferrari
• 1:20:02
  or shares a new one, he will have to pay
• 1:20:04
  a fee of ten thousand pounds.
• 1:20:06
  Speaker 1: Is that pounds or.
• 1:20:07
  Speaker 2: Is that euros? What's that euros? For each image or video?
• 1:20:12
  That's crazy, dude, that sucks.
• 1:20:14
  Speaker 1: Oh. Shortly after this.
• 1:20:16
  Speaker 2: Season was made, he went to Instagram and promptly shared
• 1:20:19
  an image of his bright green eight twelve super Fast,
• 1:20:22
  claiming that he will appeal to ruling. That seems crazy
• 1:20:27
  that all he did was show his stuff with Ferraris.
• 1:20:30
  Like what about rappers? Can they not use a Ferrari
• 1:20:33
  if they're doing a music video? Like if you got
• 1:20:35
  to if you're a rapper and you bought a dope
• 1:20:37
  car and you want to have your dope car and
• 1:20:39
  your music video, does Ferrari fucking sue you?
• 1:20:43
  Speaker 1: Yeah? I'm trying to think back. Now, have I even
• 1:20:46
  seen like how many Friris have I seen in music videos?
• 1:20:49
  Speaker 2: I mean you always see like cool cars lambeaudors, especially
• 1:20:54
  old ones you go back to, like old rap videos, but.
• 1:20:56
  Speaker 1: Like an actual Ferrari. That's a good question. Dead mouse.
• 1:21:01
  Speaker 2: Oh he got in trouble too, right because he had
• 1:21:03
  a rap on his They sued him as well.
• 1:21:05
  Speaker 1: Right, I gotta find me a Ferrari, but not from Ferrari,
• 1:21:11
  like I gotta find it on Facebook marketplace, like my
• 1:21:13
  friend with the Porsche. See that's what the back of
• 1:21:16
  his car look at. That color. Isn't that a dope color?
• 1:21:18
  It is? I love that color.
• 1:21:21
  Speaker 2: That is the same color. It's a similar color, rather
• 1:21:23
  to what Corvette has. Corvette has a new one called
• 1:21:26
  Roswell Green for their ZR one.
• 1:21:29
  Speaker 1: Looks sick, he says.
• 1:21:31
  Speaker 2: Ferrari says he was using the vehicle to add value
• 1:21:34
  to his products and elevate his status as a designer. Okay,
• 1:21:39
  on the surface, it seems petty. But it dig a
• 1:21:41
  little closer and you'll find you agree with Ferrari.
• 1:21:44
  Speaker 1: No, I won't what I agree with bitch.
• 1:21:47
  Speaker 2: German fashion designer was not only taking pictures with scantily
• 1:21:50
  clad women washing the Ferrari. He had also been known
• 1:21:54
  to employ the likes of Chris Brown and Takeshi six'
• 1:21:58
  nine in his fashion show was two men with a
• 1:22:00
  history perpetrating sexual assault and other unsavory.
• 1:22:04
  Speaker 1: Acts, okay that's not one hundred percent fair, though because
• 1:22:08
  Did Chris brown commit sexual? ASSAULT i thought it was
• 1:22:10
  just you, know domestic. Violence domestic. Violence, yeah he didn't rate.
• 1:22:14
  NOBODY i don't think.
• 1:22:16
  Speaker 2: SO i think they're JUST i don't know what happened
• 1:22:19
  With Ta keshi six'. NINE either i don't know that story.
• 1:22:21
  Speaker 1: AT all i know he's. A rap so what About
• 1:22:26
  The miami vice that'd be hilarious of the article, was,
• 1:22:29
  like yeah and he associated he associated with. The snitch
• 1:22:32
  you know what's crazy is like those are?
• 1:22:34
  Speaker 2: Really expensive oh look at That The miami vice Want
• 1:22:38
  a Corvette based daytona kit was Used once farra.
• 1:22:41
  Speaker 1: Got win it.
• 1:22:41
  Speaker 2: Took action, oh interesting but It says ferrari was so
• 1:22:47
  much more fun in the, nineteen eighties and instead of
• 1:22:49
  just asking the producers of the show to take badges
• 1:22:51
  off or stop using, the vehicle they asked For the
• 1:22:53
  daytona to be blown up. On screen the moment end
• 1:22:57
  to be one of the most pivotal moments of the
• 1:22:58
  series and the great spectacle the brand was even a
• 1:23:01
  good sport about the, whole thing and offered the show
• 1:23:03
  A Real, ferrari testarosa the brand's flagship at, the time
• 1:23:07
  to be used for the remainder of. The series, So
• 1:23:09
  Yeah miami vice was known For, that testosa that White
• 1:23:11
  test Rosa That don johnson used to drive. Around, it
• 1:23:14
  Yeah says ferrari was cool.
• 1:23:15
  Speaker 1: Back then they said she just a. Real. CAR bro
• 1:23:17
  i only know About that ferrari because it Was the
• 1:23:19
  Wolf Of. Wall street it was at. The intro, he's, like,
• 1:23:22
  no No my ferrari was White Like don Johnson's On. Miami.
• 1:23:25
  Speaker 2: VICE yeah i don't Like. THE testurosis i have a
• 1:23:28
  friend with My Friend dana white FROM, the ufc he Has.
• 1:23:31
  Speaker 1: A testosa i think they look.
• 1:23:32
  Speaker 4: Like.
• 1:23:32
  Speaker 2: TRASH yeah i just think it's a crappy. Looking car
• 1:23:36
  it's that's not interested. IN it, I mean i'm sure
• 1:23:39
  it's fine, to drive but for some people that was
• 1:23:42
  their car when they were.
• 1:23:44
  Speaker 1: A kid that was the car that. They wanted, for me.
• 1:23:46
  Speaker 2: It Was, Always porscha's porschas and. Muscle cars those are
• 1:23:49
  the CARS that i WANTED when i was. A Kid,
• 1:23:51
  those porschas Like the turbo with the fat ass like
• 1:23:55
  Go like google nineteen, eighty five Nine. Eleven turbo this
• 1:24:01
  WAS when i was a senior in.
• 1:24:02
  Speaker 1: High school that was the FIRST thing i liked About
• 1:24:04
  the porscha's the, fat asses because you stayed. At THEM
• 1:24:07
  like i, was, saying like you get. Into BATTLINGS when
• 1:24:09
  i look, At that, i'm like look at. THAT thing
• 1:24:10
  i think would never.
• 1:24:11
  Speaker 2: Flip over but then you can go WITH the bbl version,
• 1:24:14
  of it which is that Dude in japan Who.
• 1:24:17
  Speaker 1: Makes yeah everybody was flaming him when he was look
• 1:24:22
  at that bluing the.
• 1:24:23
  Speaker 2: Parts on look at that sexy nineteen, eighty five Nine.
• 1:24:26
  Speaker 1: Eleven turble look how sexy. That IS when i was,
• 1:24:29
  a kid that was.
• 1:24:30
  Speaker 3: The.
• 1:24:30
  Speaker 1: CAR man i.
• 1:24:30
  Speaker 2: Saw that there was a dude at a gas STATION
• 1:24:32
  that i. Worked at he pulled in With. A porsche
• 1:24:35
  it was the FIRST time i ever saw one. UP
• 1:24:36
  close i, was like, holy shit look at.
• 1:24:38
  Speaker 1: This thing it was just. Like that it was a.
• 1:24:40
  WHITE one i like to have one of those. One,
• 1:24:43
  day yeah.
• 1:24:45
  Speaker 2: They're cool and again that car you'll. Feel everything you, feel,
• 1:24:51
  everything man it's like they're, so mechanical you just it's
• 1:24:55
  just a. Sensory overload so it's more fun even if you're. Not, driving,
• 1:25:00
  asked like my tesla. Is fun but one of the
• 1:25:03
  reasons why it's fun because. It's preposterous it goes zero
• 1:25:06
  to sixty and one point. Nine seconds it's. Just silent it's.
• 1:25:11
  Just gone the light, turns green. It's gone it's just.
• 1:25:17
  Speaker 1: It just.
• 1:25:17
  Speaker 2: Takes off but you have more fun in a light
• 1:25:21
  car like that. Going slower you don't even have to
• 1:25:24
  speed like you just it just it's the feeling, of
• 1:25:27
  driving the running through. The gears ferrari has not sued
• 1:25:32
  owners solely for changing the pink color or applying. A,
• 1:25:35
  Rap however ferrari has taken legal action against owners who
• 1:25:39
  have significantly altered the, car's appearance especially when it involves
• 1:25:42
  modifying or Replacing the ferrari logo or when the car
• 1:25:46
  is used in ways of damage to. Brand's reputation so
• 1:25:48
  That's what ferrari.
• 1:25:50
  Speaker 1: WAS saying i don't know how. MANY times, i mean
• 1:25:52
  it's only been a couple. Of TIMES and i won't
• 1:25:54
  say WHO because I don't i don't want to get
• 1:25:56
  the image Over what i've Seen cars ferrari's that have
• 1:26:00
  been modified, and uh the logo is the horse but
• 1:26:04
  with like the giant boner where have you? SEEN that
• 1:26:09
  i can't tell, you now want to? Get, sued man,
• 1:26:12
  all right don't.
• 1:26:13
  Speaker 2: Tell me, but yeah it's kind of, stupid though that
• 1:26:16
  a car company could think that it could stop you from,
• 1:26:19
  altering things because like think about like the GTRs that
• 1:26:22
  we were, Talking about like a big part of the
• 1:26:24
  whole community and the culture is the altering of.
• 1:26:26
  Speaker 1: Those cars the big part is.
• 1:26:28
  Speaker 5: The.
• 1:26:28
  Speaker 1: MODIFYING yeah i think that's that's part of what got him,
• 1:26:31
  so popular is that they were so easily tunable and and, you.
• 1:26:34
  Speaker 2: Know modify it's a big part. Of it and the
• 1:26:37
  same thing. WITH porsches i mean there's so Many outlaw
• 1:26:39
  porsches out there where People take porsches and change all
• 1:26:43
  kinds of things, on them and like that gentleman what
• 1:26:46
  is his name again that does The Raw, WELT porsches.
• 1:26:51
  Speaker 1: I don't know his name cigarettes all.
• 1:26:54
  Speaker 2: The, time yeah that guy is fascinating because he does everything. By,
• 1:26:57
  hand yeah he makes all those Wide body porsches, by
• 1:27:01
  hand and like those.
• 1:27:02
  Speaker 1: Like a weightless right to get him to fuck With,
• 1:27:05
  your porsche.
• 1:27:05
  Speaker 2: Yeah, yeah yeah he just comes to. Your shop he'll
• 1:27:08
  travel fucking cartons. OF cigarettes i think He drinks, coca
• 1:27:12
  cola just fucking carves, it up and, you know like.
• 1:27:17
  Speaker 1: His style, they're dope but very like, grandma Style just
• 1:27:20
  coca cola, and, SEE yeah i feel like that's ship
• 1:27:22
  that my grandma would send me to the store for.
• 1:27:24
  Flip flops he's just out there smoking cigarettes and working on.
• 1:27:27
  Speaker 2: The car but that style, of car that wide, body
• 1:27:31
  style is like. Very controversial some people think, It's, gross
• 1:27:34
  like what have you done To. A porsche you've cut
• 1:27:36
  up one of the great pieces of engineering and designed
• 1:27:40
  and you've turned it into this.
• 1:27:42
  Speaker 1: Fat hooker that's SOMETHING that, i like. They didn't that's
• 1:27:46
  one thing that kept me From liking porschas for so long,
• 1:27:48
  was That like porsche owners were very anal stuff.
• 1:27:51
  Speaker 2: Like, that Yeah well porsche Less less Porsche.
• 1:27:55
  Speaker 1: Than ferrari Like, for ferrari, it's like, you know it's
• 1:27:59
  a socrilege to.
• 1:28:00
  Speaker 2: Do that but that does look Pretty fucking that, looks
• 1:28:03
  sick looks pretty. Goddamned dope and there's giant ass wheels
• 1:28:06
  and tires they have on. Those things the grip must.
• 1:28:09
  BE sensational i love.
• 1:28:11
  Speaker 1: THAT thing I wish I would i would. Do THAT
• 1:28:14
  if i owned, THE porch i would call. That dude i'd, be,
• 1:28:16
  like hey do, this? Stuff man look.
• 1:28:17
  Speaker 2: At that look at he Did, to uh that's the
• 1:28:21
  first or the last of the air.
• 1:28:22
  Speaker 1: COOL cars, i, Think, hey louise we gotta. Call that
• 1:28:26
  actually might be a nine.
• 1:28:26
  Speaker 2: NINETY seven i think that is a nine, Ninety seven
• 1:28:29
  so that's a.
• 1:28:30
  Speaker 1: That's a water. Cool car look at the wide body on.
• 1:28:33
  That motherfucker oh that. Looks good that. Looks good what
• 1:28:39
  is his, Name? Again jamie? That's, Right yeah look you're like. The,
• 1:28:44
  movie yeah so that guy's got a whole. Cult following.
• 1:28:48
  Speaker 2: And they do a LOT of ls swaps in those.
• 1:28:50
  CARS too I think colledgewood had one.
• 1:28:53
  Speaker 1: Of those hit one THERE was. Ls swapped they they
• 1:28:58
  they put those motors into.
• 1:28:59
  Speaker 2: Like That the beatles, sometimes, too Right, the volkswagons the.
• 1:29:02
  Speaker 1: Old ones. Yeah sick you can PUT an ls. Into anything.
• 1:29:05
  Their bulletproof such a. Good, Engine well i'll talk about the.
• 1:29:08
  PORCH engines i don't think.
• 1:29:09
  Speaker 2: They fid they definitely. Do, that, yeah, yeah yeah a
• 1:29:11
  lot of people have. Done, that yeah they put THEM in.
• 1:29:14
  VW buses i wonder.
• 1:29:15
  Speaker 1: If that, makes, PEOPLE man I Think.
• 1:29:18
  Speaker 2: The porsche people are just a little more chill about.
• 1:29:20
  That stuff they're not gonna. Sue You the ferrari thing
• 1:29:22
  is WEIRD because i think that's the only company that.
• 1:29:25
  Does that it goes after people for doing stuff to.
• 1:29:28
  Speaker 1: Their vehicles that'd be hilarious If like Ford or chevy
• 1:29:31
  Started doing, that's like you can't change your fourth fiest stuff.
• 1:29:34
  Speaker 2: Like, that bro you talk, About lawsuits how many fucking
• 1:29:37
  lawsuits that?
• 1:29:38
  Speaker 1: THEY have, i mean how many people Have? Altered mustangs?
• 1:29:42
  You know? COME on i Like. THE mustangs i feel
• 1:29:45
  kind of bad that they got that reputation for always
• 1:29:47
  hitting people at car meets and stuff and sliding out.
• 1:29:50
  OF control i think it's a fourth, thing though what do?
• 1:29:52
  You mean like so like on memes, and Stuff the
• 1:29:56
  mustangs are infamous for like when they do little burnouts
• 1:29:59
  or when they just do a, little fishtail they end
• 1:30:02
  up going out of control and like hitting people. On
• 1:30:04
  curves so that's, the. Driver bro they get made fun of.
• 1:30:08
  A lot, they're like it's always In, A MUSTANG but
• 1:30:10
  i THINK it's i think it's a. FOURTH thing I
• 1:30:12
  think ford a lot of their cars. Have delays, no, yeah, no,
• 1:30:17
  no that's not what. That's ABOUT but, I think, i
• 1:30:19
  mean for sure it's a. Driver THING but i think
• 1:30:21
  it's it's partly because they're not used to.
• 1:30:25
  Speaker 2: THE delay, i.
• 1:30:27
  Speaker 1: Think LIKE and i might. Be wrong maybe MAYBE it's
• 1:30:29
  i Have.
• 1:30:29
  Speaker 2: A mustang i should JUST say i have A, new
• 1:30:32
  MUSTANG but i have A. Super, Snake OKAY so i
• 1:30:34
  don't know?
• 1:30:35
  Speaker 1: How new?
• 1:30:36
  Speaker 2: Is it like?
• 1:30:36
  Speaker 1: Brand new?
• 1:30:37
  Speaker 2: All RIGHT so i don't know about?
• 1:30:38
  Speaker 1: Brand new but maybe still get In your mustang and
• 1:30:43
  floor it and count how long it takes before it
• 1:30:47
  like takes off or straight. Of time it might be
• 1:30:50
  like half, a sey might be. A second and count
• 1:30:52
  how long it takes for the like when you let off,
• 1:30:55
  the throttle how long like try to. Feel it how
• 1:30:58
  long it takes for it to actually the motors to
• 1:31:01
  stop receiving the gas like it's it's a it's like
• 1:31:05
  about a half a second or second longer than. Most
• 1:31:07
  CARS what i Swear to god find out if that's.
• 1:31:10
  The thing it's.
• 1:31:10
  Speaker 2: A delay i've.
• 1:31:11
  Speaker 1: Never heard of. That, before yeah especially even in. THE
• 1:31:14
  truck i was DRIVING a f. One fifty it has
• 1:31:18
  a five.
• 1:31:18
  Speaker 2: To zero it's a.
• 1:31:19
  Speaker 1: Single cap. Those things those things are fucking sick they're
• 1:31:21
  like the best trucks out there.
• 1:31:23
  Speaker 2: Right now delay. After flowing this IS an f one fifty.
• 1:31:27
  Five LITER when i, punch it there seems to be
• 1:31:29
  about a two second or less delay on the. Initial
• 1:31:32
  pickup that's something wrong.
• 1:31:34
  Speaker 1: With THIS so i don't know if it's only. The truck,
• 1:31:38
  Try it try. It out i'm a. Gathering man has, No,
• 1:31:41
  delay no it has. No. DELAY no i, was thinking
• 1:31:44
  maybe that's why some people slide out of control those
• 1:31:46
  because they're not used to. The delay because again, MY
• 1:31:48
  truck i don't have that. Truck anymore but i'd have
• 1:31:51
  to kind of count, for like, All right i'm going
• 1:31:53
  to floor it and then, and then but ALSO when
• 1:31:56
  i take my, foot OFF like i need to take
• 1:31:57
  it off a little EARLIER than i normally will it
• 1:32:00
  depending On what.
• 1:32:01
  Speaker 2: I'M doing i feel like that your car was not tuned.
• 1:32:03
  IN correctly i feel like, your.
• 1:32:04
  Speaker 1: Car you could probably fix it with. A tune but
• 1:32:06
  that's how they come out, the factory.
• 1:32:08
  Speaker 5: Not.
• 1:32:08
  Speaker 2: MINE man i have a let's put it TO the
• 1:32:11
  i Have a raptor AND and i also Have, a
• 1:32:14
  mustang and neither one of them has any problems. Like
• 1:32:16
  that their immediate response.
• 1:32:18
  Speaker 1: Try it compared them to your. Other cars pull OUT,
• 1:32:20
  the gtr, pull Out, the tesla pull Out.
• 1:32:23
  Speaker 2: The the tesla's very different than all of them because.
• 1:32:27
  It's instantaneous it's, no gears it's, one gear and it's fucking.
• 1:32:31
  Preposterously fast But the mustangs don't. HAVE that i think
• 1:32:35
  it's a. Bad, driver, yeah Yeah the mustangs.
• 1:32:38
  Speaker 1: Are just, you know, it's like you gotta, try, it
• 1:32:40
  man it's not even It's turbo charge's a. Different.
• 1:32:44
  Speaker 2: Thing Okay the mustangs are, five leaders so IT'S a.
• 1:32:47
  V eight it's the.
• 1:32:47
  Speaker 1: Coyote engine every car reacts a little different, to it
• 1:32:50
  like when you, floor, it, like yeah the reaction time.
• 1:32:52
  Is different maybe for it's is just you're just hanging
• 1:32:55
  under this. REACTION time i, don't, KNOW man i. DON'T
• 1:32:57
  know i think in there about delay in the throats
• 1:33:01
  problem With the mustang that they personally bought. One Person
• 1:33:04
  but i'm not, SEEING like i don't think that's. The
• 1:33:06
  thing i'm. Collecting data i'm not trying to. Hit on
• 1:33:09
  i'm trying to. COLLECT that i don't think you're.
• 1:33:11
  Speaker 2: COLLECTING data i think you're talking about anecdotal experiences from
• 1:33:15
  cars that weren't tuned.
• 1:33:15
  Speaker 1: IN correct i want you to Floor. That mustang you're,
• 1:33:18
  super snake and then tell me what the what the
• 1:33:20
  time was that thing all.
• 1:33:22
  Speaker 2: The time it's but mine's a normal not a. Normal One,
• 1:33:25
  it's Shelby, So Shelby. North america they take.
• 1:33:28
  Speaker 1: A regular i STILL want i still want, The. DATA
• 1:33:30
  joe i want You to florida and give me. The,
• 1:33:32
  data yeah give me the give me the. Get that what?
• 1:33:35
  Is it what do they? Call them? The trackies where
• 1:33:37
  they they they track everything. For you it's like. An,
• 1:33:40
  app okay and you put this little thing in your
• 1:33:43
  cup holder and you. Floor it two thousand and five.
• 1:33:46
  Speaker 3: To nine pull on a on? A? Thread HERE do
• 1:33:50
  i have? Throttle lag and some? People do m? Some
• 1:33:54
  lag you know these Are. Older, mustangs yeah but these are.
• 1:34:00
  Older ones they're probably out. Of tune they're probably a bad.
• 1:34:03
  Fuel injection something's wrong coming.
• 1:34:06
  Speaker 1: Up with like, A yeah i'm just trying to collect that,
• 1:34:09
  all right just like. You do you have all these
• 1:34:13
  experts come on, you say, they're like you're. A scientist.
• 1:34:17
  Speaker 2: I'm not.
• 1:34:17
  Speaker 1: A scientist i love that you're doing that car. Channel
• 1:34:20
  though that's that's.
• 1:34:21
  Speaker 2: PRETTY cool i, love, CARS man I just i love
• 1:34:24
  watching people fix them and work on them and modify.
• 1:34:27
  SO fun i mean it might be like twenty percent
• 1:34:30
  of the CONTENT that i watch it is like.
• 1:34:32
  Speaker 1: CAR stuff i just.
• 1:34:34
  Speaker 2: LOVE it i love when people are really passionate, about something,
• 1:34:37
  you know when they work.
• 1:34:39
  Speaker 1: On THINGS whenever i get interested, IN something i like
• 1:34:41
  to really dig into it and learn. About it it's
• 1:34:44
  just so RARE when i find Something that i'm genuinely. Interested,
• 1:34:46
  in yeah but that's that's THE problem i was, telling you,
• 1:34:49
  is that Like now i'm just hyper focused on THIS
• 1:34:53
  and i haven't written a, new joke, AND like i
• 1:34:55
  don't know how long.
• 1:34:56
  Speaker 2: Do you sit down write or do you try to
• 1:34:58
  like let ideas come?
• 1:34:59
  Speaker 1: To you how? DO you i mean. LIKE both i
• 1:35:03
  try to let ideas come to ME so i don't.
• 1:35:04
  Force something BUT once i have, the IDEA then i
• 1:35:06
  try to like write it out or like. Mm HMM
• 1:35:09
  and i wrote last night and the night before Just
• 1:35:13
  because I'M like i have to write something down just
• 1:35:16
  to see if i can like squeeze. Something out, but
• 1:35:19
  lately like The shows i've, been doing uh and it's
• 1:35:23
  and it's worked for the. Most, PART lately i just
• 1:35:25
  kind of go up there with half ideas and then
• 1:35:27
  like sketch them out, On stage.
• 1:35:29
  Speaker 2: So you're trying to work on new material. That, way
• 1:35:31
  yeah that's a great way to work on new material
• 1:35:33
  because you put yourself.
• 1:35:34
  Speaker 1: Under. Pressure, Yeah yeah and it feels more like a
• 1:35:37
  conversation with the, crowds sometimes Because sometimes i'll just straight
• 1:35:40
  up to, the, Crowd, like yo what do you guys
• 1:35:42
  want to? Talk About because i'm out, of ideas LIKE
• 1:35:44
  and i might it might turn into a lot of,
• 1:35:46
  crowd work which is also, fun too at least. FOR
• 1:35:48
  me i know some people don't, like IT but i.
• 1:35:51
  Don't know i'm in a weird place creatively. WITH comedy
• 1:35:56
  i feel LIKE anything i try to think of it's
• 1:35:58
  just not going to. Be funny have you been working?
• 1:36:00
  Too much maybe that? Might be are?
• 1:36:03
  Speaker 2: You NonStop or do you take weeks off every now?
• 1:36:05
  Speaker 1: And then it's been pretty NonStop up. UNTIL now i.
• 1:36:10
  Speaker 2: Was NonStop for a, long time and then ONE time
• 1:36:13
  i decided to take a few, weeks OFF and I
• 1:36:15
  think i wound up taking a month OFF or i
• 1:36:17
  didn't do any sets for, a month and it. Was
• 1:36:18
  weird i'd never done. That before the only OTHER time
• 1:36:21
  i did THAT was i had surgery on. MY knee
• 1:36:23
  i took two weeks off AND then i went on
• 1:36:25
  stage with crutches, after that and THEN.
• 1:36:27
  Speaker 1: During COVID, DURING covid i did new stand up for a.
• 1:36:30
  Speaker 2: Long TIME but i found out THAT when i took a,
• 1:36:33
  month OFF like i had a chance to actually think
• 1:36:36
  about what's interesting to me instead of just doing JOKES
• 1:36:40
  that i. Thought worked, you KNOW so i had no
• 1:36:42
  pressure to do. A show i didn't have any, shows
• 1:36:45
  SCHEDULED so, i said let me just like think. About
• 1:36:48
  life let me think about what's interesting, to me let
• 1:36:51
  me think about what's. Bothering me let me think about
• 1:36:53
  what's exciting. To me and when we think about, what's
• 1:36:55
  possible think About things i'm interested in and just start
• 1:36:58
  writing Down sub so for a, FULL month i didn't do.
• 1:37:02
  ANY performing i just, collected IDEAS and i didn't think
• 1:37:06
  of it in, terms Of like i'm under, THE gune
• 1:37:09
  i have to get x amount. OF ideas i just
• 1:37:12
  thought about it like Every day i'm gonna spend just
• 1:37:14
  a certain amount of time either in front of the
• 1:37:16
  computer or looking at, my phone just working, on ideas
• 1:37:20
  just finding shit. That's interesting AND then i had a
• 1:37:23
  Folder that i'd put all these, ideas in And then
• 1:37:25
  i'd sit down and look at these folds, like no,
• 1:37:28
  no huh, maybe that And then i'll write something, about
• 1:37:33
  it just a, little bit just, write down like what's weird?
• 1:37:35
  About it what bothers me? About it and then go
• 1:37:39
  back to it the next day and expand on it
• 1:37:41
  and maybe smele gun a weed and fucking think about
• 1:37:44
  it and go what is what would life be.
• 1:37:47
  Speaker 1: Like if no one figured out? The wheel what would?
• 1:37:49
  Speaker 2: Life be, you know what would life be like if
• 1:37:52
  no one ever invested any time into figure?
• 1:37:54
  Speaker 1: It?
• 1:37:54
  Speaker 2: Out antibiotics, you, know like and then you just go on,
• 1:37:58
  a rent, go on write, things now and then. WRITE
• 1:38:01
  it i write an, essay FORM so i don't try
• 1:38:04
  to write like in. JOKE form i write about a
• 1:38:06
  subject like what is what is about? The subject it's interesting?
• 1:38:09
  TO me i look at it a bunch of. Different
• 1:38:10
  angles and then USUALLY when i, do that there's like
• 1:38:15
  a thing in there, that's funny, one THING and i
• 1:38:17
  can just pull that thing out and then figure out
• 1:38:19
  HOW do.
• 1:38:19
  Speaker 1: I deliver that? One, THING oh i.
• 1:38:21
  Speaker 2: Get, You yeah so instead of just like always thinking
• 1:38:24
  about like WHAT can i talk about, on stage what
• 1:38:26
  are the jokes? Think about like what? Interests you and
• 1:38:30
  if you feel like you're? Burnt out if, you do
• 1:38:32
  you have show scheduled NonStop from.
• 1:38:34
  Speaker 1: Now. On nah so next my next tour Starts, in
• 1:38:38
  september and some people were kind of upset with me
• 1:38:41
  cause it's like a seven to eight showld tour over like.
• 1:38:45
  Four months why they upset because, they're, like hey it's not.
• 1:38:48
  A tour it is like a.
• 1:38:49
  Speaker 2: Pit stop oh the thing and.
• 1:38:50
  Speaker 1: You're, Lazy yeah and then like people are like why
• 1:38:53
  did you come to? This? City why why is it
• 1:38:54
  like these? Seven Cities but, I'M like i, don't know
• 1:38:57
  it just worked out. That. WAY man i want to
• 1:38:58
  fucking time off. To you you got to not listen.
• 1:39:01
  To people do what you want. To do don't listen.
• 1:39:03
  TO anybody i FEEL like i Feel like i'm barely
• 1:39:07
  getting to that POINT where I like i can finally
• 1:39:11
  Not that, i'm, like Okay finally. I'm here at, THIS
• 1:39:13
  point i feel like it's like one step out. Of time,
• 1:39:18
  we're like, ALL right i can care a little bit
• 1:39:19
  less now, about this and like, WITH time i can care.
• 1:39:23
  Speaker 2: A little bit less about that. Or whatever it's.
• 1:39:25
  Speaker 1: STILL tough i. ALSO don't i think one of the
• 1:39:30
  toxic things that it could be like a double, edged
• 1:39:33
  sword is like how much people let you do and
• 1:39:37
  help you, Do things LIKE if i told my manager
• 1:39:39
  right NOW that i wanted to write, A play like
• 1:39:41
  the man is going to help me write, a PLAY
• 1:39:44
  but i don't know how to write, a PLAY like
• 1:39:46
  i shouldn't be, writing PLACE and i feel like. That's
• 1:39:48
  bad it's how much people let me. DO things i
• 1:39:51
  think sometime this week and maybe, next week as part
• 1:39:55
  of the, Press tour i'm going On some. Spanish Shows
• 1:39:58
  my spanish is not, that GREAT like i should not
• 1:40:00
  be allowed to Be ON. Spanish tv how bad?
• 1:40:03
  Speaker 2: Is it it's.
• 1:40:04
  Speaker 1: Like if you're if if your first Language is spanish
• 1:40:08
  and you hear mine you just like that guy learned this,
• 1:40:11
  later on like he learned it as. A, kid maybe
• 1:40:14
  but it's, not. Great right IT'S like i can have,
• 1:40:16
  A conversation i can communicate, with whoever but it's not
• 1:40:19
  good enough to BE on. Tv RIGHT and i think
• 1:40:21
  it's crazy that there's not even like, a check like there's,
• 1:40:24
  No TEST like i thought at some point they'd interview
• 1:40:27
  me and just, be like do you know what this
• 1:40:29
  means united to say this, Say, that, like no they're
• 1:40:32
  just like they're. Trusting you you say you Can. Speak
• 1:40:34
  spanish that's crazy the trust they put in m because
• 1:40:38
  they did. ONLY backfire i, MEAN yeah i could backfire on,
• 1:40:41
  my agent, my manager whatever, it, be, like hey you've
• 1:40:43
  out for, this, guy sure but it's gonna backfire on
• 1:40:45
  me more. Than, anybody well you can always have someone
• 1:40:48
  come on that's fluent that could. Help you.
• 1:40:49
  Speaker 2: That's true LIKE when I Had joel romero on, The
• 1:40:52
  Podcast joey diaz Translated. For yoel Yoel's. From cuba Joey's,
• 1:40:56
  from Cuba so joey would just you Listen to yoel,
• 1:41:00
  and translate and Then occasionally yoel would say Things in
• 1:41:03
  english Because his english.
• 1:41:04
  Speaker 1: Is. Okay yeah my game plan is just to like
• 1:41:07
  be straightforward, with, it yeah and just, be, like look
• 1:41:10
  before we go deeper, into this, JUST no i might
• 1:41:12
  fuck up.
• 1:41:13
  Speaker 2: Here there, yeah, yeah, yeah yeah just. Say, that yeah
• 1:41:16
  but that that does happen In the mexican, community. Though
• 1:41:19
  right they get a little mad if you Can't. Speak spanish,
• 1:41:20
  oh bro they.
• 1:41:22
  Speaker 1: Hate you. It's crazy for. FUCK it i JUST think
• 1:41:27
  i just think it's that's just the funny kind of
• 1:41:30
  double sword about like the. Entertainment. Industry though it's like
• 1:41:34
  people will give you the tools to like try whatever
• 1:41:39
  you want to.
• 1:41:39
  Speaker 2: Do next but why do you think?
• 1:41:40
  Speaker 1: That's bad BECAUSE sometimes i think it's bad because you
• 1:41:47
  can set yourself up, for failure humiliation like or success. Or,
• 1:41:53
  success true but that's why it's a double. Ward sword
• 1:41:56
  do you? Do you did you ever watch That movie?
• 1:41:57
  Top Five chris Rock's movie? Top. FIVE no i saw
• 1:42:00
  that movie in the THEATERS when i was, like eighteen.
• 1:42:03
  Maybe Seventeen uh so he's basically like. Playing himself it's
• 1:42:08
  it's about a stand up COMEDIAN who i think HE'S
• 1:42:11
  if i, REMEMBER correctly i think he's getting upset because
• 1:42:13
  people don't take him seriously as he directed a movie
• 1:42:16
  and acted in, a movie and people are kind of trashing,
• 1:42:18
  the movie and he's, just like what? The fuck why
• 1:42:20
  don't people see how more than just, a comedian? You
• 1:42:22
  KNOW and i think towards the end of, the movie
• 1:42:25
  he ends up getting arrested and he's in he's in
• 1:42:29
  like the, city jail and across from HIM, Is dmx
• 1:42:34
  LIKE as dmx he's doing a CAMEO and dmx, is,
• 1:42:37
  LIKE yeah i know what, You mean like, Nobody UNDERSTANDS
• 1:42:40
  like i don't always want.
• 1:42:41
  Speaker 2: TO rap i want to.
• 1:42:41
  Speaker 1: Sing TOO when dmx starts singing, some song but it
• 1:42:44
  sounds horrible to the, DMX's voice and so the lesson
• 1:42:48
  there is like kind of like know, your space you
• 1:42:50
  KNOW what? I, mean no you're, Laying yeah SO so
• 1:42:53
  i think that's the dangerous part is sometimes you might
• 1:42:57
  lose sight of what you're laying is and you can
• 1:42:59
  go to what you, venture out which, is cool, it's fun, you,
• 1:43:02
  know creatively but then, it's, like hey you might fucking
• 1:43:07
  imagine if somebody GAVE the mx like a tour where
• 1:43:10
  he was just singing fucking country songs or. Something like it'd,
• 1:43:13
  be entertaining but it wouldn't, be great you KNOW what, i,
• 1:43:16
  Mean right but if you.
• 1:43:17
  Speaker 2: Could, do it you gotta give him a chance to
• 1:43:19
  possibly pull. It off that's a lot of people have,
• 1:43:21
  Done That Like post malone's got a whole. Country tour,
• 1:43:24
  that's TRUE and i went to.
• 1:43:26
  Speaker 1: See it, was great but that's that is a very,
• 1:43:28
  talented man very. Talented man so it's like you have
• 1:43:32
  to know how seriously to take yourself too.
• 1:43:34
  Speaker 2: Well, sort of or you have to not think. About
• 1:43:37
  it like he's like, a guy he kind, of stays,
• 1:43:41
  stays toasty. KEEPS rolling i don't think he ponders it.
• 1:43:45
  TOO much i think he does what he wants.
• 1:43:46
  Speaker 1: To, Do yeah but, LIKE me i know myself well enough,
• 1:43:49
  to Know like i'm No. Post malone i'm not starting
• 1:43:53
  a car channel out Of like i'm gonna be the
• 1:43:55
  next Fucking. Top gear but you're starting it because you're interested,
• 1:43:58
  in cars which is a good reason. To, Start YEAH
• 1:44:00
  but i also know myself enough to, know, that, Like
• 1:44:02
  yeah i'm just kind Of like i'm keeping, It goofy
• 1:44:05
  i'm keeping. It, Light yeah. I'm not i'm not necessarily,
• 1:44:09
  LIKE yeah i don't know how to explain it. Too
• 1:44:13
  well i'm just trying to make SURE that i don't
• 1:44:15
  end UP being dmx in that.
• 1:44:16
  Speaker 2: Jail cell do you worry?
• 1:44:18
  Speaker 1: About that is that something that you you worry about
• 1:44:23
  sometimes to, A degree I think i know myself well
• 1:44:27
  enough to know like Like like i'm trying. To act
• 1:44:29
  i've been doing auditions, and STUFF and i, think THAT
• 1:44:32
  like i have a pretty good gauge of like IF
• 1:44:35
  if i landed a ROLE and, i heard like the feedback,
• 1:44:41
  ON it, I think, i know like, all right that's
• 1:44:45
  like when it when it's valid and when, it's not
• 1:44:47
  you KNOW what. I mean but my biggest fear, is
• 1:44:49
  that like what if WHAT if i did get like
• 1:44:53
  such a huge Ego that, I'm, like oh these idiots
• 1:44:55
  don't know what they're, talking About like i'm, So talented
• 1:44:57
  LIKE that's i feel like. That's scary that's. That's scary
• 1:45:00
  part of the entertainment industry is like when when you
• 1:45:03
  believe the wrong STUFF or i feel like you shouldn't
• 1:45:06
  believe any any, of, It right like they say the
• 1:45:09
  good comments and the bad comments are none of them.
• 1:45:13
  Speaker 2: Are, true well none of them are going to. Help
• 1:45:15
  you you should figure out who. You, Are yeah but
• 1:45:18
  the thing about what you're saying that that rings really
• 1:45:21
  true is that a lot of people grossly overestimate what
• 1:45:24
  they're capable of doing or how good they're. Doing something
• 1:45:27
  and a lot of that is if you, get famous
• 1:45:29
  then you have a bunch of s men, around you
• 1:45:31
  a bunch of people kissing, your ass and the stuff
• 1:45:33
  that you're putting out is it's not, the best it's
• 1:45:37
  not what you're.
• 1:45:38
  Speaker 1: Capable of you have to know, how, to, like yeah
• 1:45:40
  tell the line between like confidence and just.
• 1:45:43
  Speaker 2: Like cockiness most great PEOPLE that i know kind of
• 1:45:46
  hate what, they do not hate what, they do and
• 1:45:48
  that they don't, love it but they they're very. SELF
• 1:45:51
  critical i think it's one of the ways that allows
• 1:45:54
  you to objectively analyze what. You're doing and you have
• 1:45:57
  to like make. This battle but you don't want to
• 1:45:59
  kill your, own confidence but you don't want to. Be
• 1:46:01
  overconfident and you kind of have to be hyper critical
• 1:46:04
  about your own work because if, you don't you're never
• 1:46:07
  going to get it to where it needs. To be
• 1:46:09
  but then you also have to realize at one point,
• 1:46:11
  in time you're too close to it to see it
• 1:46:14
  the way other people are going to. See It if
• 1:46:16
  i'm working on a bit for like three or, four
• 1:46:17
  months right and it's, like Frustrating and i'm twisting, It
• 1:46:20
  around i'm adding to it, and Subtracting and i'm trying
• 1:46:23
  to make. It right like sometimes you're so close to
• 1:46:26
  it that you don't even know that it's. Funny anymore
• 1:46:30
  and you don't want to lose that enthusiasm for the.
• 1:46:33
  Bit either so there's this balancing act for like paying
• 1:46:38
  so much attention to it that you, hate it but
• 1:46:41
  then falling in love with the idea again before you
• 1:46:43
  do it, on stage treating as if it.
• 1:46:46
  Speaker 1: Was, new yeah.
• 1:46:50
  Speaker 2: That's hard for people's that's the dance because the worst
• 1:46:55
  thing is seeing a comic on stage is board with
• 1:46:58
  doing stand, up yeah oh oh, my god, you know
• 1:47:01
  or people seeing people complain before they. GO up i
• 1:47:04
  can't believe you have to do a second, Show, tonight
• 1:47:06
  like what the fuck are you. Talking about you could
• 1:47:09
  be working in a bakery somewhere in front of a fucking,
• 1:47:12
  hot oven sweating your. Dick off you could be. A,
• 1:47:15
  logger yeah you could be a logger getting abducted. By
• 1:47:18
  aliens you could be doing some terrible fucking job. That,
• 1:47:21
  sucks instead you have literally the greatest job in, the
• 1:47:23
  world and you're complaining you have to do. It again
• 1:47:25
  got to reset, your brain reset, your approach and treat
• 1:47:29
  it like you love.
• 1:47:29
  Speaker 1: It again for anybody who's been to my shows and
• 1:47:32
  has not liked the, Crowd work i'm sorry. For That
• 1:47:36
  but i'm having fun, with IT and i think the
• 1:47:39
  majority of the audience is having fun, with it especially
• 1:47:41
  the Ones that i'm fucking with that are like talking to,
• 1:47:43
  you know why do people complain that you're doing? Crowd.
• 1:47:46
  Work what i've had a couple of messages over the
• 1:47:48
  summer where they're, just like, hey man you did a
• 1:47:50
  few jokes and then you just were talking to the
• 1:47:52
  crowd the. Whole time, he's like but the thing is that.
• 1:47:54
  It's FUN and i don't want to complain about my
• 1:47:58
  job because to either that or you watch me open
• 1:48:02
  miket or do. Rehearse jokes and, it's true you can
• 1:48:06
  tell when a comedian is not enjoying, their job and
• 1:48:09
  you hear comedians talk, about it, they're, like, OH man
• 1:48:11
  i was doing that joke and then one day it just.
• 1:48:13
  Stopped working and, it's, like yeah because people probably can
• 1:48:17
  tell where you're you're just not feeling. It anymore you're
• 1:48:20
  not forcing you're forcing, the joke. Maybe RIGHT and i
• 1:48:22
  don't want to go up there and. Force JOKES and
• 1:48:25
  i don't want to complain about my job because my job.
• 1:48:27
  Is Fun like i'm beyond blessed to have this, Fucking
• 1:48:30
  job but. It's, fun IF like i feel like comedy
• 1:48:34
  works when you're present in. The, moment yeah you KNOW what.
• 1:48:38
  I MEAN if i go up THERE and i try to
• 1:48:39
  force Something and i'm just, like Nah like i'm the
• 1:48:42
  Same old ralph from six. Years ago let me do
• 1:48:44
  the same, old jokes, you know like people are gonna
• 1:48:47
  tell you KNOW what. I mean so like Right now
• 1:48:50
  i'm having a lot of Not that i'm gonna keep
• 1:48:52
  just only doing, crowd WORK but i would do very minimal,
• 1:48:55
  CrowdWork Before like i'd go on stage and i might
• 1:48:58
  do it like fucking five, minutes tops WHEREAS now i
• 1:49:01
  might do like twenty thirty minutes. Of it but if,
• 1:49:05
  it's fun. It's fun like it's like with the portion
• 1:49:08
  and the dude who Was a japanese dude who's like shaping,
• 1:49:11
  them up like people might, get mad but like if,
• 1:49:13
  it's cool. IT'S cool i feel like comedies like, That
• 1:49:16
  too like people.
• 1:49:16
  Speaker 2: You're, having fun that's. What's important as long as the audience.
• 1:49:20
  Is laughing if some people aren't, enjoying it well they
• 1:49:22
  won't go to see.
• 1:49:23
  Speaker 1: You again. That too and it's Not like i'm going
• 1:49:25
  up there and like Fucking like i'm, having fun but
• 1:49:29
  ninety percent of the audience is like this, Is horrible,
• 1:49:31
  like Nah like i'm pretty they're, they're laughing, you KNOW what.
• 1:49:35
  I mean i just do feel a little bit, of.
• 1:49:36
  Speaker 2: Like damn some people don't. Like CrowdWork some people, don't,
• 1:49:39
  yeah yeah some people just want to.
• 1:49:41
  Speaker 1: Hear JOKES if i have one hundred people at my
• 1:49:43
  show and like three of them don't, like, it though
• 1:49:45
  that does fuck. With me i'm, just, like fuck those
• 1:49:47
  are the ones that are gonna. Comment, too yeah the
• 1:49:49
  ones that don't, like, people man are more likely. TO
• 1:49:52
  comment i let.
• 1:49:53
  Speaker 2: Them, down well you can't. Really listen you, gotta, know
• 1:49:58
  right everyone has. To know the worst thing is when you,
• 1:50:00
  Don't know like if you have a bad show and
• 1:50:02
  you think it. Was good we've all known guys, like
• 1:50:04
  that especially in, the beginning they thought they. Did well,
• 1:50:06
  you're like broad. KILL myself I had.
• 1:50:08
  Speaker 1: That's that. That's, ridiculous yeah like you think that, was good.
• 1:50:10
  Speaker 2: It's terrible it's just people, get delusional that's. A fact but,
• 1:50:15
  you know you just got to be able to, self,
• 1:50:17
  assess yea, you know and if you're, self assessing you
• 1:50:21
  can't read the comments because it's just going to get
• 1:50:24
  in your head and it's going to distract you from
• 1:50:25
  thinking about. New things the amount of attention that you
• 1:50:28
  spend paying attention to other people's opinions is attention that
• 1:50:32
  you could be spending and proving what you're doing as
• 1:50:35
  long as you're aware of what's good and what's. Not
• 1:50:37
  good but sometimes you do get too close. To it
• 1:50:40
  sometimes you need friends to help, you out, you know
• 1:50:42
  sometimes You need that's one of the great things about
• 1:50:45
  having a club Like the mothership Or The comedy store
• 1:50:48
  was a bunch of. Comics around you, COULD say i got, this.
• 1:50:50
  Speaker 1: Bit It's fucking.
• 1:50:51
  Speaker 2: I'm stuck i'm stuck with this and then someone will
• 1:50:54
  say do you still do it when you, say this and, you,
• 1:50:56
  GO no i don't do. That anymore that was a
• 1:50:58
  big part, of.
• 1:50:58
  Speaker 1: It man you got to. Say that, i'm like YOU
• 1:51:00
  think I thought i could edit, That out, like.
• 1:51:02
  Speaker 2: No, No no that makes it better because it sets it
• 1:51:04
  up for later, like oh and then you go out
• 1:51:06
  and try it that way and, you're like, oh shit he. Was,
• 1:51:07
  Right yeah like sometimes you need your friends around you
• 1:51:10
  to tell, you, like oh, you know maybe you're doing,
• 1:51:14
  that bit you're doing it a different way than you
• 1:51:16
  used to, do it or what if you, added this
• 1:51:18
  or have you ever thought about it from? This perspective
• 1:51:20
  like imagine the person that's, saying that what are? They
• 1:51:23
  thinking they're saying? Something crazy what are? They, Thinking like,
• 1:51:25
  OH yeah i never thought of, That way and.
• 1:51:27
  Speaker 1: Then you have a whole new element of. THE bit
• 1:51:29
  i was turning with My Buddy. Rene vodka he's, very
• 1:51:31
  funny he's big, into CrowdWork but i feel like toning
• 1:51:35
  with him helped me work out a. Few bits, oh,
• 1:51:36
  yeah YEAH because i, was, LIKE man i was Worried
• 1:51:40
  that i'd go out there and like not be able to.
• 1:51:43
  Keep up, you know you want to be as funny
• 1:51:44
  as the funniest person on. The SHOW so i, was
• 1:51:46
  like WHAT if i go out there and like this
• 1:51:48
  fucking crowd hates me and they like. Did WHATEVER but i,
• 1:51:50
  Was like i'm gonna just DO what, i do and
• 1:51:53
  people like him or like on his team who don't
• 1:51:56
  see me perform, every weekend are gonna talk about the
• 1:52:01
  parts of my set that stood out, the most like
• 1:52:03
  the best and. The worst they will they'll have to
• 1:52:06
  like you walk, off stage are gonna, be, like hey
• 1:52:08
  why'd you? Say that like they're gonna make fun. Of
• 1:52:09
  ME if i fucking bomb OR if i kill they're gonna, be,
• 1:52:12
  like hey that. Was funny like you KNOW what. I
• 1:52:13
  MEAN so i, Was like i'm gonna just do the
• 1:52:14
  fucking set and they'll give me notes like without, Me
• 1:52:17
  Asking like i'm sure. They WILL and i felt like.
• 1:52:19
  It worked STUFF that i was in my head like is?
• 1:52:22
  This working is? This FORCE like i. Don't know i'd
• 1:52:25
  walk off stage and they would, be like why fuck you?
• 1:52:27
  Say that that was, fucking Weird and i'd, be, like nah,
• 1:52:30
  he's right. He's right and then it like helped shape
• 1:52:32
  the bit.
• 1:52:32
  Speaker 2: Over months, You, know yeah, for sure you having people
• 1:52:35
  that can bounce, ideas off.
• 1:52:37
  Speaker 1: It's huge.
• 1:52:38
  Speaker 2: It's huge and having comics that pay attention to your
• 1:52:40
  set and give. YOU notes, I Mean chris rock used
• 1:52:42
  to hire guys just to watch. His set he'd hire
• 1:52:45
  a team of comics to sit in the back and
• 1:52:48
  he would do a set at the comedy store and
• 1:52:50
  then they would meet up and go over. The, material
• 1:52:53
  yeah so they would. Have notes they'd, all say, YOU
• 1:52:55
  know i liked how you. DID this i like to
• 1:52:57
  tell you. DID that i felt like this one was
• 1:53:00
  like you're a little less animated, this time and the
• 1:53:03
  last set you're like a little more aggravated. About IT
• 1:53:05
  and i think it made the bit. Better, That, NO
• 1:53:08
  no i haven't. DONE it I mean i've got definitely
• 1:53:10
  gotten notes from, friends before, you know and which. Is
• 1:53:13
  great like when someone will sit back and give you
• 1:53:15
  some tag lines, and shit that's. PRETTY dope i love
• 1:53:17
  when people. Do that But what chris did was, pretty intelligent.
• 1:53:22
  Very intelligent but he got a lot of shit for
• 1:53:24
  it because people, were, like oh he, hires writers, AND
• 1:53:27
  like i don't think that's what. He's doing it's not
• 1:53:31
  like they're writing. His set he's he's writing his set
• 1:53:34
  and then he's bouncing it off some of the best writers. In,
• 1:53:37
  comedy yeah, you KNOW which, I think i think is
• 1:53:41
  a really. Good way he used to do It With
• 1:53:42
  richard jenny when some of his best stuff if you
• 1:53:44
  go back to like HIS what I what i believe
• 1:53:46
  is his, Best specials his early specials are, fucking incredible
• 1:53:50
  and you know a lot of that was him Working
• 1:53:52
  With richard jenny in, that capacity and like.
• 1:53:54
  Speaker 1: When he did, THAT bit i think he's like a
• 1:53:56
  Legendary bit chris. Rock bullets bullets should cost. Five grand,
• 1:54:02
  He's like i'd be no more. Innocent bystanders.
• 1:54:05
  Speaker 2: That's hilarious he's got a lot of, great ones, you.
• 1:54:08
  Speaker 1: Know you know what ONE of theo, you're here one
• 1:54:10
  of those bids where, YOU'RE like I wish i would
• 1:54:11
  have thought. Of that one of those bids is one
• 1:54:14
  of my favorite all. Time jokes You're here LOUIS c
• 1:54:17
  k when he talks about like he's afraid of, new
• 1:54:19
  places like that's that's his biggest Fear of hell is
• 1:54:21
  that he just won't know how things work. Down there,
• 1:54:23
  no ever, that bit it's like something about like, he's
• 1:54:27
  like what if you're walking through hell and then like
• 1:54:29
  some demon comes out of a hallway and it's like
• 1:54:31
  it's like makes you Suck his dick's like it'suck. My
• 1:54:33
  dick and then, he's like how do you even know
• 1:54:35
  when the? Demon comes like it's like then he comes
• 1:54:39
  like fire and t all, over you and then, he leaves,
• 1:54:41
  you know and then like some other demon comes and,
• 1:54:43
  he's like, hey man, he's like you didn't have to
• 1:54:44
  suck that, guy's dick like like this. Is hell he's
• 1:54:47
  like it's just. Some demon, he's like you better. Pace
• 1:54:49
  yourself you're here, for eternity, You know like fucking. That's joke, i'm,
• 1:54:53
  LIKE bro I wish i would have thought, Of that
• 1:54:54
  like it's just, Right there like that sounds Like a.
• 1:54:57
  Louis joke fucking genius do they do? Fucking, genius yeah.
• 1:55:02
  Speaker 2: He's great the fucking he gave me a bunch of
• 1:55:04
  great tag lines once at. The, improv yeah sat and
• 1:55:07
  watched my set and they had a bunch of. Fun
• 1:55:09
  lines it's fun.
• 1:55:10
  Speaker 1: TO do. I, Like well louis did that a Lot
• 1:55:12
  with chris. As well he did That With. Chris rock
• 1:55:14
  they were like in the same class.
• 1:55:15
  Speaker 2: Or, whatever well, you know they all were doing it
• 1:55:19
  Together In new york at the.
• 1:55:20
  Speaker 1: Same, Time, yeah hey do you ever act like? Not, Anymore,
• 1:55:24
  NO no i stopped doing that a. WHILE ago i
• 1:55:26
  don't like. Doing it Like it i'm.
• 1:55:28
  Speaker 2: Too busy i'm, Too busy and it's NOT what. I
• 1:55:31
  mean i didn't mind, doing it but.
• 1:55:33
  Speaker 1: It's not the butterfly you want.
• 1:55:34
  Speaker 2: To, chase no you can't chase. All, butterflies no it's
• 1:55:38
  like it's too. Time consuming, you know if, you're acting
• 1:55:41
  you're on set all. Day long you might work six days,
• 1:55:44
  a week fifteen hours. A day it's, a lot especially
• 1:55:47
  if you're doing.
• 1:55:47
  Speaker 1: A film i didn't think. ABOUT that i did a
• 1:55:50
  Commercial for Verizon. In spanish, oh yeah big. Thing again
• 1:55:54
  they should have Checked my. Spanish first that's. On that
• 1:55:58
  but did, people, complain dude you have. No idea they
• 1:56:03
  made me talk to a dialect coach because they didn't
• 1:56:07
  have a problem with like like it wasn't it wasn't
• 1:56:11
  an issue, of, like oh he doesn't know how to
• 1:56:12
  say this word or. That, word no it, was like.
• 1:56:14
  It's fine it was. My accent, THEY said i spoke A,
• 1:56:19
  northern spanish WHICH is, i, mean yeah my family is
• 1:56:21
  from like the northern Part. Of mexico BUT apparently i,
• 1:56:24
  didn't KNOW like i, don't Know my spanish isn't well
• 1:56:28
  enough to like depict accents from different Parts. Of MEXICO
• 1:56:32
  but i guess It's the mexican version of, Like country,
• 1:56:36
  oh yeah but or there. It's northern and they don't.
• 1:56:42
  Speaker 2: Like that they they said they wanted it.
• 1:56:44
  Speaker 1: To be a More, neutral spanish that they want me
• 1:56:45
  to Sound like i'm from like, a city like a
• 1:56:47
  Big like mexico city. Or something SO like i had.
• 1:56:50
  To read we filmed like, all, day right the commercial
• 1:56:54
  and there's no talking because the dialogue is all like in,
• 1:56:58
  my mind and so at the end of, the day
• 1:57:00
  they had me like record the lines into, a Microphone
• 1:57:02
  and i'm, just like, all right. Easy money so.
• 1:57:04
  Speaker 2: What was the difference in the way you had to pronounce?
• 1:57:07
  The words so can you give me?
• 1:57:08
  Speaker 1: An, Example yeah like apparently THE way, I talk I
• 1:57:14
  like i had to say the words with NO like
• 1:57:18
  i had, to, say like HOW do i explain like?
• 1:57:20
  Just STRAIGHTER like i, don't, Know man it's, like example
• 1:57:25
  the WORDS like, I like i had TO like i
• 1:57:28
  had to say like Out on, verizon OUT but. I
• 1:57:34
  can't like it's like if you took a dude from
• 1:57:37
  like the fucking Country, like alabama and you were like
• 1:57:40
  you have to talk like if you were just FROM
• 1:57:43
  fucking i, don't Know, northern california like or where?
• 1:57:47
  Speaker 4: Is?
• 1:57:47
  Speaker 1: It What, What's Yeah northern, california's, good right they don't
• 1:57:49
  have like a, new, Accent right it's, like, Yeah yeah
• 1:57:53
  so it's like it's kind.
• 1:57:54
  Speaker 2: Of, tough well it's not tough for People in america
• 1:57:58
  because you hear all.
• 1:57:59
  Speaker 1: Those accents, for me it was, tough BECAUSE like i
• 1:58:01
  don't Live, In Mexico so, i'm like you want me
• 1:58:03
  to talk LIKE people i didn't grow, Up Around like
• 1:58:05
  i'm talking like all THE people i grew, up around
• 1:58:07
  so it's like it was a little foreign, to me
• 1:58:09
  you KNOW what. I, MEAN yeah i had to re
• 1:58:12
  record my lines back Home, in dallas which wasn't a.
• 1:58:15
  BIG deal i just remember talking to the dialect coach and,
• 1:58:19
  IT'S like i, don't know say it like, this Though
• 1:58:21
  and i'm JUST like i FEEL like I had, i
• 1:58:25
  know PEOPLE say i talk, very monotone like very, laid
• 1:58:27
  BACK but i FEEL like i had to do that More,
• 1:58:29
  in spanish like instead of just, saying, Like hey i'll
• 1:58:33
  like bed to, plan, ON riseon i have to be
• 1:58:36
  like to come in to the planks AND like i
• 1:58:38
  had to talk like the fucking dude at the end
• 1:58:39
  of a commercial who's like someject may very, to change
• 1:58:42
  like oh a. Fast, guy YEAH so i could do
• 1:58:45
  it like fast and like, no ACCENT so. I couldn't
• 1:58:47
  i FEEL like i FEEL like i couldn't move my mouth,
• 1:58:49
  a LOT like i had to just like whisper. It
• 1:58:51
  out and then that's when they finally, liked IT which,
• 1:58:54
  i mean they paid me, very well like shout Out.
• 1:58:56
  Speaker 2: To verizon i'm.
• 1:58:57
  Speaker 1: NOT complaining i just think it's funny that they were
• 1:58:59
  just like and they didn't know at first because it's
• 1:59:02
  like different types, of Uh like latinos working on. That
• 1:59:06
  commercial it was Like A puerto rican Dude and, venezuelan
• 1:59:08
  dude you KNOW what. I mean so it Took the
• 1:59:10
  mexicans to recognize. The. Difference yeah the girl who was
• 1:59:14
  like the costume designer, or whatever she was, just, like
• 1:59:16
  hey this dude talks country. As hell everybody's like what.
• 1:59:21
  Speaker 2: She, WAS like i.
• 1:59:21
  Speaker 1: Better not she was cool. AS hell i, loved her
• 1:59:25
  but in MY mind i, was, like motherfucker like. That's
• 1:59:27
  funny they probably would have released that people would have got,
• 1:59:29
  MAD then i don't. THINK so I think i feel
• 1:59:32
  like maybe people from my Part of mexico would have been, like, hell,
• 1:59:35
  yeah right. That's us we, feel, Represented.
• 1:59:37
  Speaker 2: Right like if you had Something in america and you
• 1:59:39
  had someone Talking to, texas accident no one.
• 1:59:41
  Speaker 1: Would care yeah. It, wouldn't yeah you just be like.
• 1:59:44
  Speaker 2: All right maybe they just Know the mexican market.
• 1:59:47
  Speaker 1: Different. THOUGH yeah i guess because they want to make
• 1:59:49
  sure they appeal to like all Sorts of latinos AND
• 1:59:52
  may i, don't know maybe Maybe A puerto rican dude
• 1:59:55
  to hear that and be like this goofy as, dude
• 1:59:57
  saying have you ever thought about doing shows And? All?
• 2:00:00
  SPANISH yeah, I would i would like to break. Into
• 2:00:03
  That But tom segur has done a bunch. Of. THOSE
• 2:00:05
  bro i saw Him. In spanish it. Was hilarious i've
• 2:00:08
  Never seen tom Perform. In english i've only, seen like,
• 2:00:10
  you know like his specials are like. On YouTube BUT
• 2:00:12
  when i saw Him in, SPANISH live i, was, like
• 2:00:14
  well he's.
• 2:00:16
  Speaker 2: Got fluent spanish and most people don't, know that which
• 2:00:18
  is funny because he've had he's had people talk Shit
• 2:00:20
  in spanish around him because he looks like a regular.
• 2:00:23
  Speaker 1: White guy yeah. He's not he spent his summers Like
• 2:00:25
  in peru or something, like, THAT right i mean.
• 2:00:28
  Speaker 2: He's, FLUENT well i mean he could do Shows.
• 2:00:31
  Speaker 4: In.
• 2:00:31
  Speaker 1: Spanish. Yeah yeah he told a story about like a
• 2:00:33
  Like a german prostitute or something.
• 2:00:35
  Speaker 2: LIKE that i can't remember.
• 2:00:36
  Speaker 1: The BITS all i remember, was, thinking, like man this
• 2:00:39
  dude's like fucking doing Master kunk fu. Up there it
• 2:00:42
  is Master.
• 2:00:42
  Speaker 2: Kunk fou if you can kill in two, different languages that's. Pretty,
• 2:00:45
  wild yeah there's not a lot of humans.
• 2:00:47
  Speaker 1: Like tiger style versus fucking crane, or whatever like.
• 2:00:50
  Speaker 2: Like what percentage of comics can kill in, two languages
• 2:00:54
  it's got to be the. SMALLEST percent, i mean it's
• 2:00:57
  probably a handful in the.
• 2:00:58
  Speaker 1: WHOLE world i want to film a want to film
• 2:01:00
  with special Like, in JAPAN but i want to do
• 2:01:03
  it like like just to fucking like troll comics like In,
• 2:01:07
  the states OR like i don't want people to know
• 2:01:10
  that it wasn't a, real SPECIAL like i want it
• 2:01:13
  maybe just to promo for, a special and it's just Me,
• 2:01:17
  in japan but killing it in front Of a. Japanese
• 2:01:21
  Audience but i'm Not speaking japanese, at All like i'm
• 2:01:23
  just doing The same, english JOKES and i want to
• 2:01:27
  promote it AS if i recorded it over Like a
• 2:01:29
  japanese tour and just, everybody wondered like what, the fuck
• 2:01:34
  like Was it English speaking, Japanese people and well he
• 2:01:37
  just gave it, up already so it's not. Gonna, Work
• 2:01:39
  now i'll still fuck with the people who don't listen to.
• 2:01:42
  Speaker 2: Your podcast they'll, find this they'll find, this recording they'll
• 2:01:47
  go back and.
• 2:01:48
  Speaker 1: Find it he was planning.
• 2:01:49
  Speaker 2: Controlling, Us way why is that even interesting?
• 2:01:52
  Speaker 1: To you why do you want to? DO that i
• 2:01:53
  just think it's funnier to fuck. With PEOPLE and i
• 2:01:56
  just THINK that i just think it'd make me laugh
• 2:01:58
  to watch like a trailer for a Special or i'm
• 2:02:01
  just like Killing. In, japan yeah it's like to people
• 2:02:03
  who have no Idea what, i'm saying BUT like i
• 2:02:06
  want people, to wonder like did they know was there? A,
• 2:02:08
  translators well a.
• 2:02:09
  Speaker 2: Lot of people in your Parents. Speak english you probably
• 2:02:12
  could do shows. Over there and there's a lot of
• 2:02:13
  ex pats. Over there like if you wanted to do
• 2:02:15
  a Show, in japan you probably have a lot of
• 2:02:18
  ex Pats and, british PEOPLE, pets x people That left America.
• 2:02:23
  In japan there's a lot. Of those it's really cheap
• 2:02:25
  to Move. To japan they're actually encouraging people to Move.
• 2:02:28
  Speaker 1: TO japan i saw a YouTube video. On that, THIS
• 2:02:31
  dude i think he moved From like la or Somewhere,
• 2:02:33
  in california and for like one hundred and ten grand
• 2:02:36
  he got like an eight gra and a half or
• 2:02:38
  something like that.
• 2:02:38
  Speaker 4: Or.
• 2:02:38
  Speaker 1: More, Maybe well japan has experienced seing.
• 2:02:41
  Speaker 2: Population Collapse, what yeah they're not having kids at a.
• 2:02:46
  Replacement rate so replacement rate means like if there's, two
• 2:02:51
  parents you should have like three or more kids like.
• 2:02:55
  You have if you're trying to replace the people that.
• 2:02:58
  Are here when you think about how many people are
• 2:03:00
  gonna die of, old age how many people are, gonna
• 2:03:02
  die how many people are, gonna live how's the population
• 2:03:05
  sustain itself over the course of the next x amount, Of,
• 2:03:07
  generations well you have to have a high, replacement rate
• 2:03:10
  and Right now japan is a very low, Replacement rate
• 2:03:13
  like it's. Spooky low where the point where they're they're
• 2:03:16
  in a panic and they're trying to figure out how
• 2:03:18
  to encourage people to Move, to japan how to get
• 2:03:21
  People in japan to.
• 2:03:22
  Speaker 1: Have, kids oh because there's like a lot, of insults
• 2:03:29
  that's what. It is, but No but i'm saying is
• 2:03:31
  LIKE they're, i mean that's that's gotta be kind of
• 2:03:33
  scary because if they're not, replacing people that, means uh
• 2:03:36
  like fucking jobs won't get not, Just jobs they're gonna
• 2:03:40
  the country is gonna go and there won't be any.
• 2:03:42
  People left what do? YOU mean, i mean there would
• 2:03:46
  just be way. Less people but it's not like they're gonna,
• 2:03:48
  appear well they'll all.
• 2:03:49
  Speaker 2: Die off and if they don't, have kids.
• 2:03:51
  Speaker 1: About like who's gonna fucking, you know farm and take
• 2:03:54
  care of the animals.
• 2:03:55
  Speaker 2: And, ship yeah well there's gonna be less of, that
• 2:03:57
  too but. They're there probably probably the people that will
• 2:03:59
  have kids is the farmers and the. Rural people but
• 2:04:02
  What is japan's? Replacement rate it's.
• 2:04:04
  Speaker 1: Very, Low RIGHT. Joe i? Replacement rate, All, right right
• 2:04:07
  we're knocking.
• 2:04:09
  Speaker 2: Crazy a little, Weird, too, yeah yeah we're we're in
• 2:04:12
  a weird.
• 2:04:13
  Speaker 1: SITUATION too i feel like there's a lot of.
• 2:04:14
  Speaker 2: People here, that's good. That's nice there's a lot of,
• 2:04:19
  people here and there's a lot more people aren't having
• 2:04:21
  kids than have. Ever before it's. It's different we're not,
• 2:04:26
  in danger But Like south korea is. In Danger Like,
• 2:04:29
  south korea the replacement rate is. Really, BAD yeah i
• 2:04:32
  think it's something crazy like how many people that are
• 2:04:36
  alive today will? Have grandchildren and it's? Very small.
• 2:04:40
  Speaker 1: Fuck, man yeah but you don't think about it that
• 2:04:43
  way because you just look at all the people that
• 2:04:45
  are there.
• 2:04:45
  Speaker 2: Right now right if You're, in japan you see all, this, traffic,
• 2:04:48
  like oh their. Population's fine if you Go, to korea
• 2:04:50
  look at all. The people but the, reality is these
• 2:04:52
  are people that are alive now because the, baby boomers then,
• 2:04:57
  generation next and then people were still. Having kids but
• 2:05:00
  the amount of people that are having kids right now
• 2:05:02
  is lower than it's.
• 2:05:03
  Speaker 1: Ever been so how do we.
• 2:05:04
  Speaker 2: Fix that it's hard because you're going to have to
• 2:05:07
  make people attracted to, each other and some people just.
• 2:05:10
  Aren't attractive some people put no effort. Into that some
• 2:05:12
  people are social outcasts and they've lived their life. That
• 2:05:15
  Way so japan's population. Is shrinking here's what it means
• 2:05:19
  and what some are doing.
• 2:05:21
  Speaker 1: About It.
• 2:05:23
  Speaker 2: So japan may have the longest national life expectancy in
• 2:05:25
  about eighty, five years and the world's, Largest, city tokyo
• 2:05:28
  but the nation's population has been in decline for. Fifteen years,
• 2:05:32
  last year more than two people died for every, baby
• 2:05:35
  born a net loss of almost a, million people and
• 2:05:38
  now the island nation is on pace to shrink in
• 2:05:41
  half by this. Century's end diminishing Population is japan's most,
• 2:05:45
  urgent Problem Says, taro kono longtime high ranking Minister of. Japan's,
• 2:05:49
  parliament kono Nearly elected prime minister in twenty, twenty one
• 2:05:53
  said he intends to seek the highest office again and
• 2:05:56
  believes the country should prioritize combating the. Population decline it's a.
• 2:06:01
  Giant issue there are a less and less number of.
• 2:06:03
  Younger generation all the burdens are on the, young generation
• 2:06:07
  and they won't be able, To sustain so our society
• 2:06:09
  is going to be. Breaking up economy is just going.
• 2:06:12
  To stagnate, pretty.
• 2:06:13
  Speaker 1: Nuts man.
• 2:06:15
  Speaker 2: Japan's military recruited only half the people. It needed there's
• 2:06:20
  a labor shortage in, every industry including.
• 2:06:22
  Speaker 1: The government, that's true, bless you.
• 2:06:26
  Speaker 2: Thank, you, crazy right.
• 2:06:28
  Speaker 1: It's crazy that the cure to this is just like don't, Pull, out,
• 2:06:34
  like well not just don't, pull out but actually raise.
• 2:06:36
  Your children yeah, that too, you know and have. A,
• 2:06:38
  Bunch yeah like That's why elon has like. Nineteen kids,
• 2:06:42
  he does he's got a ton.
• 2:06:43
  Speaker 2: Of THEM but i think you're supposed to take care of,
• 2:06:45
  the kids supposed to be around him all. The time
• 2:06:47
  how you can do that if you Have, nineteen yeah
• 2:06:50
  it's like a.
• 2:06:50
  Speaker 1: Little, village yeah that's a lot.
• 2:06:52
  Speaker 2: Of people condo says he's one Of thousands japanese in
• 2:06:56
  monogamous romantic relationships with. Fictional characters what. Those cities that's
• 2:07:01
  the guy, Who's that oh that's, this guy. That guy,
• 2:07:06
  oh yeah he looks like he needs to be in
• 2:07:07
  A romantic he married an anime character in a formal
• 2:07:12
  ceremony in. Twenty Eighteen oh.
• 2:07:15
  Speaker 1: Christ animes was fucking. It up look, at, this, dude man.
• 2:07:19
  Speaker 2: We're in a monogamous relationship with. Fictional characters almost Half
• 2:07:23
  of Japan's millennial signal singles age eighteen thirty four self report.
• 2:07:29
  As virgins what? The fuck compared to barely twenty percent IN.
• 2:07:34
  The us that's a lot IN. The us there's twenty
• 2:07:36
  percent thirty four year. Old virgins, That's crazy oh? Self,
• 2:07:41
  reported right they might, Be Lying, ryan host how many?
• 2:07:45
  Speaker 1: Of ladies how many? Of ladies the? Body count but
• 2:07:49
  here's the thing, is, like, fuck man why this sounds
• 2:07:53
  like the plot of like a. Funny movie, it's like
• 2:07:57
  we gotta we gotta make these guys, get laid, you,
• 2:07:59
  Know right but they're here fucking getting in relationships with.
• 2:08:02
  Anime characters, it's like do we want that guy to have?
• 2:08:04
  More kids you KNOW what? I mean that's a. Good
• 2:08:05
  point that's a.
• 2:08:06
  Speaker 2: Good point and what girls gonna want to be burdened?
• 2:08:08
  Down with that guy is, your provider and also you're
• 2:08:11
  gonna have to have sex, with him like you're not gonna.
• 2:08:13
  Speaker 1: Be attracted the should do is they.
• 2:08:15
  Speaker 2: Should outsource they are doing.
• 2:08:17
  Speaker 1: That.
• 2:08:17
  Speaker 2: Too, yeah yeah they're bringing in a lot of people from.
• 2:08:20
  Speaker 1: Other countries they got to bring in people to train. These,
• 2:08:23
  guys oh to. Train, Them YEAH like i gotta dushy
• 2:08:27
  friends who were like on dating abs and ship and
• 2:08:29
  they're fucking they're, just sleazy you KNOW what. I mean
• 2:08:31
  they're trying to go out and dates like every fucking night.
• 2:08:33
  With girls send these guys, Over there we pay them a,
• 2:08:36
  handsome price and we get them to make their like
• 2:08:39
  hinge profiles for them and just. Fucking lying what, Is?
• 2:08:42
  Speaker 2: This jamie what are you showing me.
• 2:08:43
  Speaker 3: A Village in japan that has a bunch of? Puppets
• 2:08:46
  around what.
• 2:08:49
  Speaker 1: Because the?
• 2:08:49
  Speaker 2: Population, decline yeah like THEY'RE around i, Don't know oh.
• 2:08:55
  Speaker 1: My god to.
• 2:08:56
  Speaker 2: Come back, it's loneliness creating color, for annequins resembling their.
• 2:09:02
  Loved ones what, that's depressing mimicing the. Vibrant life so
• 2:09:09
  they have, dolls everywhere mimicking the people because they're in such.
• 2:09:13
  Speaker 1: Population decline there's fucking People in japan who hate. Like,
• 2:09:17
  tourism motherfucker you need me?
• 2:09:19
  Speaker 2: Out, There, yeah well there's people that were the grandchildren
• 2:09:25
  the people that survived. The BOMBS oh i. WAS me
• 2:09:28
  I was oppenheimer and a bunch of old.
• 2:09:30
  Speaker 1: White dudes. You, KNOW yeah i. Wasn't, there ye, come
• 2:09:32
  on my grandpa Was in mexico doing you, know what
• 2:09:36
  creating two families so that we don't have your problems there,
• 2:09:39
  you go. WE have i have an uncle that my
• 2:09:42
  mom Found on FACEBOOK when i was like in. High school,
• 2:09:45
  it's like, you know one Of MY grandpa's, i know
• 2:09:49
  there's like a bad way to. Put IT and i love,
• 2:09:50
  my uncle but he's like one of his, bastard children,
• 2:09:52
  YOU know i, mean YEAH and i just. THOUGHT it i.
• 2:09:55
  Don't know it was always hilarious to me that like
• 2:09:58
  my mom just found his and like brought him over
• 2:10:03
  and my grandpa was just, like hey like how, you
• 2:10:05
  been because my grandpa apparently used to go check up
• 2:10:07
  on him from time. To time but it was just
• 2:10:10
  so funny to me that my grandpa like nothing, Ever,
• 2:10:12
  happened like, OH yeah i didn't tell, you guys like
• 2:10:15
  those are, his vibes you KNOW what. I mean we
• 2:10:18
  all went to a. Baseball, game wow where?
• 2:10:22
  Speaker 2: WAS that i didn't think you feel sad.
• 2:10:24
  Speaker 1: For, HIM nah i thought it. WAS cool. I don't
• 2:10:28
  i don't think he like needed. My GRANDPA like i
• 2:10:32
  think he grew up with like a, father figure stepdad,
• 2:10:35
  or SOMETHING so i don't think it was, like like oh,
• 2:10:38
  my dad. YOU know i think he was kind of.
• 2:10:41
  HE probably, I mean i don't know what all his.
• 2:10:42
  EMOTIONS were i imagine, that's hell, you. Know beneath but
• 2:10:46
  like on, the outside he was just very nice, to
• 2:10:48
  me and like he's cool with. My mom he's cool
• 2:10:51
  with my COOL and I think i think, for HIM
• 2:10:53
  he i would say this. For me he was the
• 2:10:57
  first RELATIVE that i on my mom's SIDE that i
• 2:11:01
  FELT like i really. Related to he's the only one
• 2:11:05
  on my mom's side that looks like. Me. Too wow
• 2:11:09
  and my, my mom, my uncle, my cousins they're all,
• 2:11:14
  like Tough like i've seen the mob been questioned by
• 2:11:18
  police and handcuffs and they don't break and like even.
• 2:11:21
  My Mom and i'm sitting there like whispering to, my
• 2:11:24
  mom like, just, snitch snitch like say something like, my
• 2:11:27
  Mom like i've, seen that. You know and LIKE then
• 2:11:32
  i meet. My uncle he has like this kind of,
• 2:11:34
  like hey let's look at the glass, have full like more,
• 2:11:38
  sensitive Type and, i'm like that's. My guy like me
• 2:11:42
  and this, dude click he's, a teacher he's such. COOL
• 2:11:46
  people i just thought it was hilarious that my grandpa
• 2:11:50
  NEVER like i don't know if he apologize, to him
• 2:11:54
  but like to, my grandpa it was, just, like hey
• 2:11:57
  look look what ended. Up happening the whole, family's together
• 2:11:59
  and it's like you hit a kid from your other
• 2:12:02
  kids for, like years like these are all grown adults
• 2:12:04
  in their. Thirties, Now wow and my GRANDPA even i
• 2:12:09
  remember my grandpa tad her, my uncle, he's, like yeah don't.
• 2:12:12
  You remember, he's like you were. In karate HE'S like
• 2:12:16
  i used to go down there and stay with you
• 2:12:19
  every now and then, he's like and you were showing
• 2:12:21
  me what you learned. In karate you were like twelve.
• 2:12:23
  Or something and he's, just, LIKE no i don't. Remember
• 2:12:27
  that but like my uncle and my other uncle and
• 2:12:29
  my mom are listening to, this STORY and i imagined in,
• 2:12:32
  their minds they're just like what? The, fuck like so
• 2:12:35
  that weekend that you were gone for, like work like
• 2:12:37
  that's what you, were doing like going to see your other? Kids,
• 2:12:39
  karate yah my grandpa like he never really talked like
• 2:12:43
  if he did, anything WRONG which i thought it. Was
• 2:12:45
  hilarious it has to be traumatizing for my, you know
• 2:12:48
  my mom and my uncle. And stuff but like people
• 2:12:50
  were different back in. Those, days yeah. For sure when life,
• 2:12:54
  is harder people are. Less sensitive oh yeah. For.
• 2:12:58
  Speaker 2: Sure, yeah yeah you know you go back to your
• 2:13:02
  grandpa's days or my. Grandpa's days. Different, world plus, you
• 2:13:06
  know you got to realize those people were dealing with
• 2:13:09
  that was like like what year, was this.
• 2:13:13
  Speaker 1: But doing my grandpa's having these kids, like, eighties yeah.
• 2:13:17
  Different world yeah. For sure he told me STORIES like
• 2:13:21
  i think they put my grandpa to work when he was,
• 2:13:23
  like seven both, my grandparents like on. Both sides but
• 2:13:27
  harder people man. Like, loggers yeah.
• 2:13:31
  Speaker 2: Like, laggers yeah, it's allright it's.
• 2:13:34
  Speaker 1: Not good THAT'S why i think we need to go
• 2:13:37
  back to maybe not like, you know trying to conquer empires,
• 2:13:42
  and shit but we need to dial it back a.
• 2:13:44
  Little bit people need. More pain life is gotten. Too.
• 2:13:48
  Leisurely yeah when people when life gets too leisure you, start,
• 2:13:53
  TO uh i think you start to look for like
• 2:13:56
  the next. Little, issue sure issues get smaller.
• 2:13:59
  Speaker 2: And exactly you KNOW what, I, mean well we're finding
• 2:14:02
  that in this society. For, sure yeah people concentrate on
• 2:14:05
  a lot of things that aren't really important because life's a.
• 2:14:09
  Speaker 1: Little.
• 2:14:09
  Speaker 2: Easy, yeah yeah nothing wakes people up like a. Nice
• 2:14:13
  attack Like after. September eleventh let me tell, You, something
• 2:14:16
  man this country you were too young to probably, remember
• 2:14:18
  it But during, september eleventh the country was. So united
• 2:14:23
  it was. So crazy EVERYBODY in La had american flags
• 2:14:26
  on their Cars. In La, IN la, I mean i'm
• 2:14:29
  talking about like eighty percent of the cars you drive
• 2:14:31
  down the street for the first couple, of weeks eighty
• 2:14:33
  percent of the Cars had american flags.
• 2:14:35
  Speaker 1: On them it. Was nuts everybody was. United that that's
• 2:14:39
  always kind of crazy to ME when i hear people, talk,
• 2:14:42
  about LIKE because i don't Go to la, too OFTEN
• 2:14:45
  but i hear to TALK about i hear people talk
• 2:14:47
  about Like how la was like Like the. South part
• 2:14:51
  guys that thinking an interview that, were saying like to
• 2:14:52
  be to be like punk Rock, in la you had
• 2:14:56
  to say you Were LIKE republican a troops me, OUT
• 2:15:01
  though i. DON'T know, i mean there's stuff that fascinates
• 2:15:05
  me about liberals And like republicans Maybe because i'm not
• 2:15:08
  like too far on either side. Or whatever but it
• 2:15:11
  just triops me out that there's like Not that i'm
• 2:15:14
  like a, huge patriot but it does trip me out that,
• 2:15:18
  LIKE people i guess they're not happy here or like
• 2:15:22
  not proud. OF it i used to spend my Summers.
• 2:15:25
  In mexico, it's like you'll appreciate a Lot of american shit,
• 2:15:29
  like that you KNOW what. I, mean Yeah but i'm
• 2:15:31
  not going to go too far.
• 2:15:32
  Speaker 2: Into, this well it's what you're talking about before is
• 2:15:34
  if your life is, too easy you find things to,
• 2:15:36
  complain About like america is.
• 2:15:38
  Speaker 1: The, worst, like no it's not, the worst it's.
• 2:15:41
  Speaker 2: The best it's just people are fucked and people in
• 2:15:43
  other parts of, the world and you give them more
• 2:15:45
  power and you have less control of your own life
• 2:15:48
  and you have, less freedom less ability to. Express yourself
• 2:15:51
  it's a Lot fucking i'm.
• 2:15:52
  Speaker 1: Just happy we got all this, Food too like we got.
• 2:15:54
  Good food you're you're here about like a menu like
• 2:15:57
  In some, european country OR like i saw a menu
• 2:16:01
  for a restaurant like in fucking prog or something like that.
• 2:16:04
  One time i'm not saying that all the food is
• 2:16:05
  like that really looks, fucking horrible like. Bland FOOD and
• 2:16:09
  i know our food is bad and it's making, us
• 2:16:11
  fat but at least, it's good, You, know like at
• 2:16:13
  least we have the fucking option to, get fat.
• 2:16:16
  Speaker 2: The option the options.
• 2:16:18
  Speaker 1: Are, good, yeah yeah.
• 2:16:20
  Speaker 2: Uh yeah but if you live in a place where people,
• 2:16:23
  are poor you're gonna eat, Bland.
• 2:16:24
  Speaker 1: Food, it's true unless they have good spices that. Aren't
• 2:16:27
  expensive You like, INDIAN food I love. Indian, FOOD yeah
• 2:16:30
  i can't. Do it you can't?
• 2:16:31
  Speaker 2: EAT spicy i. Like spicy you Like? Spicy, mexican Yeah?
• 2:16:35
  Speaker 1: Spicy, mexican yeah what's wrong With?
• 2:16:37
  Speaker 2: Spicy indian what don't?
• 2:16:38
  Speaker 1: YOU like i mean it. Tasted good i've only had it,
• 2:16:41
  like twice but both times just gave me. The runs
• 2:16:43
  my stomach's not built, for it not built. For curry,
• 2:16:46
  Uh huh I'm not, AND like i. Don't know, then
• 2:16:50
  again maybe it was just the people who. Made it
• 2:16:52
  both times it. Was homemade Oh so i'm not gonna.
• 2:16:55
  Speaker 2: Say, that yeah go to A good.
• 2:16:56
  Speaker 1: Indian restaurant. You're, GRAY still i like sushi. A lot that's, my. Ship,
• 2:17:00
  man well you want to get, the runs that's a
• 2:17:02
  good way to do, it too sushi because it's like
• 2:17:05
  raw fish.
• 2:17:05
  Speaker 2: And well you can get parasites. AND stuff i like,
• 2:17:08
  sushi too but there's a reality of beating. Raw things
• 2:17:13
  that's why pregnant women aren't supposed to.
• 2:17:15
  Speaker 1: EAT sushi I fucking, i tried uh what do you call?
• 2:17:19
  The snails what do they? Call? Ites? CARGO bro i
• 2:17:21
  tried that for the. First time that's. Just delicious it's, pretty, Good.
• 2:17:24
  Speaker 2: RIGHT yeah i would imagine the snails taste.
• 2:17:26
  Speaker 1: So good whoever whoever had the boss to try that
• 2:17:29
  first snail like they were, onto.
• 2:17:31
  Speaker 2: Something bro they were poor. And starving they probably cooked everything.
• 2:17:34
  They could they probably. Tried everything they saw people, eat
• 2:17:38
  crickets that's, you know people. Are starving they never.
• 2:17:40
  Speaker 1: Tried crickets.
• 2:17:41
  Speaker 2: They're, good, yeah.
• 2:17:42
  Speaker 1: Yeah had Them.
• 2:17:43
  Speaker 2: In mexico, yeah yeah The, fu yeah they fried them
• 2:17:48
  up and. Served it i've heard, about that but they're
• 2:17:51
  like had a bowl of them sitting in. The hotel
• 2:17:54
  when we got, IN there i, was like what?
• 2:17:55
  Speaker 1: Is this what? The fuck what Part of mexico did you?
• 2:17:57
  Go TO h i think this. ONE was i think
• 2:18:03
  It was porto, on there but OUT there i think
• 2:18:06
  that's where. WE were i think We Were. Punta mita.
• 2:18:10
  Speaker 2: But there's a lot of people that, eat, bugs man
• 2:18:13
  a lot of people eat. Fried bugs it was nuts bre.
• 2:18:18
  Not bad they're kind, of, crunchy, yeah yeah.
• 2:18:21
  Speaker 1: Not.
• 2:18:21
  Speaker 2: Bad cicadas you know when those, cicadas hatch people eat
• 2:18:24
  cicadas of.
• 2:18:26
  Speaker 1: Those, BAKED yeah i might try it kind. Of, recipe
• 2:18:32
  yeah get, those fuckers fry.
• 2:18:35
  Speaker 2: THEM up i, Don't know i'm. Not kidding like My, Friend,
• 2:18:37
  ryan yeah he was just on the. Podcast recently, he
• 2:18:40
  uh well he had a, big hatch, you know because
• 2:18:42
  every x amount of years they have a bunch of
• 2:18:44
  them emerge and it's, like crazy and they, were everywhere
• 2:18:47
  and uh he baked them in. THE oven i Think
• 2:18:50
  With Terry aki sauce said they.
• 2:18:52
  Speaker 1: Were delicious do you do you ever take advantage of
• 2:18:54
  the fact that these crickets not couldn't eat those those?
• 2:19:00
  Speaker 2: Cadas too are those cicadas and crickets are? Just cicadas
• 2:19:04
  so they're on. A stick they're on, a stick, like
• 2:19:07
  shit kabab. That, Dude yeah i'll get.
• 2:19:10
  Speaker 1: In there do you do you realize like and do
• 2:19:12
  you ever take advantage of the fact that you hold
• 2:19:15
  so much power over so, many people Like You're. Joe
• 2:19:19
  rogan if you told somebody, right now like if you
• 2:19:22
  eat fucking gum off, the floor it's twice as nutritious
• 2:19:25
  as like. A steak like people at once people will. Believe,
• 2:19:28
  you no they only believe you if you lie to.
• 2:19:31
  Them once they believe you, that time and then every
• 2:19:34
  time after that they'll never. Believe you have you ever
• 2:19:36
  tried to fuck? With anybody.
• 2:19:39
  Speaker 2: With great power comes, Great Responsibility, ralph barbosa that, Follows
• 2:19:42
  you i'd be lying with people all The flo.
• 2:19:44
  Speaker 1: You, Probably, would yeah you. Probably, Would yeah I'd be
• 2:19:47
  like STDs are a myth that people would just stop,
• 2:19:50
  using condoms like AND then I fix japan's. Population problem,
• 2:19:53
  you know well.
• 2:19:55
  Speaker 2: You just need to send some horny dudes over there
• 2:19:57
  get get. Things going they're gonna have to do. Something
• 2:19:59
  though they're. Importing humans they're asking people to. MOVE there
• 2:20:03
  i might.
• 2:20:04
  Speaker 1: Move there very, beautiful, place, beautiful. Safe peaceful if they
• 2:20:09
  say people are, real, quiet though that kind of scares me,
• 2:20:11
  Because like, i'm Quiet but i'm afraid to be the. Loud,
• 2:20:13
  guy now.
• 2:20:14
  Speaker 2: You will definitely be the loud Guy. In, japan yeah
• 2:20:17
  they're real quiet and they're. Super orderly when.
• 2:20:20
  Speaker 1: They walk down, the street they don't bump into, each
• 2:20:21
  other they move around. Each other everyone's.
• 2:20:23
  Speaker 2: Really polite everything's, super clean like you Go, through tokyo big.
• 2:20:27
  Beautiful city. Everything's clean no garbage on. The, GROUND no
• 2:20:30
  i mean pollution, for SURE but, i mean, you know,
• 2:20:32
  just refuge, just. Garbage trash but.
• 2:20:36
  Speaker 1: They live, pretty compact don't they in, the city in. The,
• 2:20:39
  city well they Do In New york, city too. You,
• 2:20:41
  know YEAH dude's i. Don't KNOW if i Stayed In
• 2:20:44
  new york for like two, three months it's not. MY
• 2:20:47
  jam i, like IT but i was, after that like like,
• 2:20:52
  two MONTHS maybe i, was like, ALL right i need
• 2:20:54
  to go back to where there's like. Fucking.
• 2:20:55
  Speaker 2: Space yeah EVEN when i Lived In, NEW york i
• 2:20:59
  didn't Live In New. YORK city i couldn't. AFFORD it
• 2:21:01
  i had. TO park i had to have a car
• 2:21:04
  back THEN because i was doing, road GIGS so I
• 2:21:07
  would i would have had to got a parking spot
• 2:21:10
  at a Garage In New. York city so you have,
• 2:21:12
  to pay and they could be hundreds of dollars back then,
• 2:21:17
  a month probably now thousands of dollars a MONTH that
• 2:21:19
  i just. Didn't have so in order for me to
• 2:21:21
  and also the Apartments In new york were so much
• 2:21:24
  more expensive THAN where. I was i Lived In, new rochelle,
• 2:21:27
  which is, you know a half hour plus Outside Of New.
• 2:21:30
  York city it's just a regular. Suburban neighborhood but it.
• 2:21:34
  WAS great i had a, little driveway could park my car.
• 2:21:37
  My driveway it, was golden it.
• 2:21:38
  Speaker 1: Was perfect my favorite wings Are In new york On
• 2:21:41
  The Upper. East side there's a Place Called International, wing
• 2:21:45
  FACTORY which i think is a. Crazy Name International. Wing
• 2:21:49
  factory there's only two tables. In there you could fit
• 2:21:52
  four people in. That restaurant But, the Wings The Nashville,
• 2:21:55
  hot wings they're so. Fucking, Good Well.
• 2:21:58
  Speaker 2: New york has its saying number of. Great restaurants that's
• 2:22:02
  one good thing about Living In New. York city if
• 2:22:04
  you're a person who likes to go out to dinner
• 2:22:06
  and you Live In New, york city you can go
• 2:22:08
  to a different place every night of the week, for
• 2:22:10
  years and you have some of the best restaurants.
• 2:22:13
  Speaker 1: ON earth i don't know what like the math is,
• 2:22:15
  on this but if you have so many good. It,
• 2:22:17
  is yeah that's. The spot two tables and they play techno.
• 2:22:19
  Speaker 2: A lot, Ah, yeah no it's a great place. TO
• 2:22:23
  eat i just don't think it's good for your brain
• 2:22:25
  to be surrounded by that many people all. The time
• 2:22:29
  one thing they, have though that's nice is. The Park
• 2:22:31
  central park, Is incredible like if you live in, the
• 2:22:34
  city you can actually be.
• 2:22:35
  Speaker 1: In nature, we say you don't think it's good for
• 2:22:38
  there to be a lot of people.
• 2:22:40
  Speaker 2: AROUND you i don't think stacked up like that on
• 2:22:42
  top of each other as normal. FOR people i don't
• 2:22:45
  think your brain is designed to operate. Like that just
• 2:22:48
  be constantly surrounded by people you don't even know all.
• 2:22:51
  The time that's very unusual in, Human history like most
• 2:22:55
  people knew everyone around them up until, YOU know x
• 2:22:58
  amount of thousands of. Years ago we're kind of designed
• 2:23:00
  to be in tribal environments where we understand what our
• 2:23:03
  environment is and who's, around us and what's. Our community.
• 2:23:07
  YOU know i have like My Friend, jim norton who
• 2:23:09
  Lives In New, york city who was, Telling me, HE'S
• 2:23:11
  like i live in this. GIANT apartment i don't know anybody.
• 2:23:14
  In it, He GOES i've i don't know who my.
• 2:23:16
  NEIGHBOR is i don't know anybody, he goes which is
• 2:23:19
  kind of crazy because you think, About it you're in,
• 2:23:21
  a building you share a building with hundreds.
• 2:23:24
  Speaker 1: Of people they're in every direction, of you all. Around
• 2:23:27
  you you don't know any. OF them i just.
• 2:23:29
  Speaker 2: Think it it takes away a sense, of community which
• 2:23:34
  is weird because you would think the, more people the.
• 2:23:36
  More community but it doesn't work. Like that when when
• 2:23:39
  you have too, MANY people i think oftentimes you you
• 2:23:42
  don't value them because there's too many.
• 2:23:44
  Speaker 1: Of them they become. As, importance yeah. They don't they
• 2:23:46
  don't mean anything. To you, there's hey that would be
• 2:23:49
  why they let people JUST like i saw this dude
• 2:23:51
  one time at the subway laying, laying down face down on,
• 2:23:55
  the ground and everybody just kept walking. Around, them yeah
• 2:23:58
  they don't give.
• 2:23:58
  Speaker 2: A fuck i, was, LIKE well i could.
• 2:23:59
  Speaker 1: Be dead. Nobody know it's just another fucking date.
• 2:24:02
  Speaker 3: To.
• 2:24:02
  Speaker 2: Them right if it was a small town in the
• 2:24:04
  Middle of oklahoma and the guy like was laying down,
• 2:24:07
  like that it was a, Regular guy, you're like oh,
• 2:24:09
  my god, you, okay sir people like check in.
• 2:24:11
  Speaker 1: On you they call.
• 2:24:12
  Speaker 2: The, police yeah in, the subway that could be dead
• 2:24:15
  for a day before anybody. SAYS anything i also have
• 2:24:19
  to deal with schizophrenics and fucking. Psychotic people so when
• 2:24:22
  you're going down to, the subway you can't stand close
• 2:24:25
  to the edge because people literally push people in front.
• 2:24:27
  Speaker 1: Of, trains, hey well on that. BRINGS me i wanted
• 2:24:30
  to ask, You, something uh have you ever BEEN because
• 2:24:34
  i saw you have like the books. ON psilocybin i
• 2:24:36
  don't know you've done a lot of research. On mushrooms
• 2:24:39
  have you ever read anything about like mushrooms or other
• 2:24:44
  other kinds of drugs being able to like like trigger,
• 2:24:50
  schizophrenian people like if it's in.
• 2:24:52
  Speaker 2: Their genetics they think that's the case, with marijuana especially high.
• 2:24:56
  Dose pot maybe Maybe edible i'm not sure if they
• 2:25:01
  think it's more from edibles or more from just. Smoking it,
• 2:25:04
  but yeah there's a certain amount of people that it
• 2:25:07
  seems like it triggers some kind of, Schizophrenic break like
• 2:25:10
  maybe they might have a tendency towards schizophrenia, and something,
• 2:25:14
  you know like the real crazy paranoid that you can
• 2:25:16
  get if you get. Really, high yeah for, some people
• 2:25:19
  that crazy paranoia hits the switch and they don't.
• 2:25:22
  Speaker 1: Come back i've had my last few, mushroom trips not with,
• 2:25:28
  weed Though but i'm trying to THINK if i was
• 2:25:31
  smoking and. On shrooms my last few, MUSHROOM trips i started.
• 2:25:38
  Hearing VOICES but i also think it might have BEEN
• 2:25:41
  like i, was exhausted like my brain was just Like
• 2:25:44
  because i'd be awake all day And then i'd do
• 2:25:46
  the mushrooms like, at midnight And then i'd be awake
• 2:25:49
  until like the next, day basically but at some point
• 2:25:53
  or another in, the trip usually towards the end of,
• 2:25:54
  the trip like. Hear voices so it scared me off.
• 2:25:57
  OF mushrooms i haven't, done them AND like i don't know,
• 2:25:59
  how LONG but i WAS just I read i heard
• 2:26:03
  more the voice of.
• 2:26:04
  Speaker 2: Saying uh one.
• 2:26:06
  Speaker 1: OF them i remember arguing with like other versions. OF
• 2:26:09
  myself i was talking, like loud like one of them
• 2:26:12
  was a really bad TRIP though i ate like somewhere
• 2:26:16
  north of like seven or, eight grams and that one.
• 2:26:19
  WAS bad i kept blacking OUT. M m but on
• 2:26:23
  THAT trip i argued with like two, other Voices which
• 2:26:27
  i'm pretty sure were like other versions, of myself and
• 2:26:29
  which Was? Me me was, me me like the, balanced
• 2:26:33
  one more, balanced one AND then i had like this
• 2:26:35
  other one that was like a very like angry version
• 2:26:38
  of myself very much like a like like like shut the,
• 2:26:43
  fuck up stop, Complaining type AND then i had like
• 2:26:46
  a very like sensitive little bitch version, of MYSELF and
• 2:26:49
  i felt like they were all, three ARGUING and i
• 2:26:51
  was just like arguing back, out loud. Out loud was
• 2:26:57
  there anybody? Around, you no. IT'S good i was in
• 2:27:00
  a hotel room. By, myself, GEEZ yeah i fucked that.
• 2:27:04
  Hotel room you Took.
• 2:27:05
  Speaker 2: You you took seven grams in a. Hotel room.
• 2:27:07
  Speaker 1: Mm hmm like ninety of my trips have been. In,
• 2:27:10
  HOTELS why i. DON'T know i. Have fun could you
• 2:27:14
  go out into? THE nature i. NEVER tried i. Never,
• 2:27:18
  tried better it's. Way, BETTER yeah i. DON'T know i
• 2:27:21
  don't want to be like high.
• 2:27:22
  Speaker 2: In public, oh well that's a. Good point i've got
• 2:27:26
  to go Somewhere. In vegas go somewhere, That's unpopulated like
• 2:27:30
  go to some national. Forest place do it out in
• 2:27:33
  the Place Where travis walton. Got abducted go down that.
• 2:27:37
  Logging road take seven DRAMs right at. THE spot i
• 2:27:40
  wonder if you could find the spot where he.
• 2:27:41
  Speaker 1: GOT abducted i wonder if there's, a pin Like a.
• 2:27:43
  Speaker 2: Google, Pin yeah i'd go to that sniff.
• 2:27:47
  Speaker 1: THE ground I hope i never get abdlicted. By, ALIENS
• 2:27:49
  why i. Don't know they always bring.
• 2:27:51
  Speaker 2: It back everybody seems to. Come back they don't. Steal
• 2:27:54
  people no one's gonna. BELIEVE me i know a lady
• 2:27:57
  who's uh grandfather was a, Famous, subductee.
• 2:28:01
  Speaker 1: Like yeah people. Believe, them, WELL yeah i.
• 2:28:04
  Speaker 2: BELIEVE him i don't know because he was an abductee
• 2:28:07
  in the. NINETEEN fifties i think it was. The fifties
• 2:28:11
  Betty And, BARNEY hill i believe it was. The Fifties
• 2:28:14
  So angela hill IS a ufc fighter and she she
• 2:28:19
  didn't even tell me this until after The podcast Betty and, Barney, hilltones, no,
• 2:28:25
  no no.
• 2:28:25
  Speaker 1: That's, rubble no this is a very.
• 2:28:33
  Speaker 2: Famous case so what year, Was this jamie? Sixty One
• 2:28:38
  so Betty And barney hill.
• 2:28:40
  Speaker 1: They run a. Racial, couple yeah that must have been
• 2:28:43
  crazy for.
• 2:28:43
  Speaker 2: The times huh, oh yeah crazy for. The times and
• 2:28:45
  then on top of that they get abducted.
• 2:28:47
  Speaker 1: By a can they catch.
• 2:28:49
  Speaker 2: Up fucking break so her their Granddaughter, Is Angela so
• 2:28:56
  angela who fights IN. THE ufc OK and i didn't know.
• 2:28:59
  About it what we did whole. PODCAST together i just
• 2:29:01
  want to talk to her about her career. Fighting career
• 2:29:03
  at the end of, the podcast, She's, like oh MY
• 2:29:05
  grandfather i forgot to tell You Was. BARNEY hill i, was,
• 2:29:09
  like WHAT because i know. THAT case i know that
• 2:29:12
  case inside. And out it's a. Crazy case so they both.
• 2:29:16
  Came back they went on a trip and then they
• 2:29:20
  saw something in the sky and then they blacked out
• 2:29:24
  lost time and they don't know, what happened and they
• 2:29:26
  woke up on the side of the road in the
• 2:29:27
  car and drove but they were missing time like more
• 2:29:30
  than AN hour i think, It was and then they
• 2:29:33
  started having these. Crazy nightmares so they both go to
• 2:29:36
  psychiatrists and the psychiatrist or the psychologist does a hypnotic regression,
• 2:29:42
  thing like let's try to find out what happened, To
• 2:29:44
  you and they both independently have this crazy story of
• 2:29:49
  being taken ABOARD a ufo and examined by. These beings
• 2:29:54
  and this is in nineteen, sixty one when this was
• 2:29:58
  not something that people.
• 2:29:59
  Speaker 1: Talked about this is, like.
• 2:30:00
  Speaker 2: Now the problem is THAT whole ufo abduction close encounters
• 2:30:04
  to the fourth con that's become a thing that everybody.
• 2:30:07
  Speaker 1: Knows about everybody knows UFOs. Abduct people but when nineteen,
• 2:30:11
  sixty one when these people told, that story that was
• 2:30:13
  a completely. Novel thing nobody had ever heard, that before
• 2:30:17
  and so it was a really. Crazy story and then
• 2:30:21
  other people with. Similar stories what Are the it's a.
• 2:30:25
  Speaker 2: Good question, you know you, don't know because hypnotic regression.
• 2:30:28
  Is weird so someone could hypnotize you and put thoughts in.
• 2:30:32
  Your head if they, were manipulative they could put thoughts
• 2:30:35
  in your head and memories in your head that. Didn't
• 2:30:36
  exist so you could someone could, hypnotize you and if
• 2:30:41
  they were, very skilled they could figure out a way
• 2:30:44
  to get you to believe that something happened, to you
• 2:30:48
  especially something minor that didn't. REALLY happen i.
• 2:30:51
  Speaker 1: Could hire, a hypnotist hypnotist to put the memory in
• 2:30:58
  my HEAD that i hooked Up with marvel in a
• 2:31:01
  fucking Threesome With. Scarlet Johansson, uh no that's too outside of.
• 2:31:05
  Speaker 2: Science fiction that's. Too ridiculous nobody would. Believe that but
• 2:31:09
  you would didn't, believe that and then you'd be, dming
• 2:31:12
  them and then they have restraining orders.
• 2:31:13
  Speaker 1: On, you, hey girls let's see. That again that shit. Was, Fire.
• 2:31:19
  Speaker 2: No but like, you know you could maybe maybe someone
• 2:31:24
  could put a memory in your head that you got
• 2:31:27
  lost at the park when you were a child and
• 2:31:30
  you were terrified and then the police found you and
• 2:31:31
  they brought you back to. Your parents do you? Remember that, you're,
• 2:31:33
  LIKE no. I don't you probably blacked. It out let's
• 2:31:36
  try to, Remember that and they could put a fucking.
• 2:31:39
  Speaker 1: Fake, memory well there's already LIKE a i, don't know
• 2:31:43
  there's just like SOME shit i saw on Another fucking.
• 2:31:46
  Instagram reel but don't, they say like a lot of,
• 2:31:48
  our memories like we change them each time we.
• 2:31:50
  Speaker 2: Remember, them yes and then your memories become a memory
• 2:31:55
  of your recollection of. The memory so it's like one
• 2:32:00
  thing that happens to your friends when they want to
• 2:32:01
  tell some crazy story about high school or something. Like
• 2:32:03
  that over, the years that fucking story morphs and changes
• 2:32:08
  and shit gets added. To it and then she's got
• 2:32:10
  a fucking frying pan and she's running down the street
• 2:32:14
  screaming her tits are, hanging out and your, friends like
• 2:32:17
  what tits are? Hanging, out, no, no no you never
• 2:32:19
  told it like. This before it's like overtime, stories change,
• 2:32:23
  you know because the human memory IS like i have
• 2:32:25
  a very, good memory but it's also not, Exact RIGHT
• 2:32:29
  like i don't see it in my head like like,
• 2:32:32
  a film, You KNOW like i could see the most
• 2:32:34
  AMAZING movie i could, go see like a, crazy movie
• 2:32:38
  science fiction MOVIE that, i love, it's incredible and.
• 2:32:41
  Speaker 1: THEN afterwards i don't remember.
• 2:32:43
  Speaker 2: EVERYTHING exactly i can't replay that movie in my head like.
• 2:32:46
  Pressing play so memory is, like scattered, it's abstract it's
• 2:32:51
  it's a bunch of like weird flashbacks. Of things, oh
• 2:32:55
  yeah then there was. That thing, oh yeah then there was.
• 2:32:57
  That thing but they've shown that you can entry memories
• 2:33:00
  into people's heads that.
• 2:33:01
  Speaker 1: Aren't real so this is the problem with.
• 2:33:05
  Speaker 2: Hypnotic regression you have to wonder the people that are
• 2:33:10
  involved in, like writing there was a Book called abduction
• 2:33:13
  by this Guy Named john mack who was a Psychologist,
• 2:33:16
  AT harvard, i believe and he did a series of
• 2:33:19
  these hypnotic regression things with people that have had abductions.
• 2:33:23
  With aliens but he's also writing a book, About that
• 2:33:25
  like so it makes you want to, go like but
• 2:33:27
  did he want to achieve?
• 2:33:28
  Speaker 1: Those results like how did he talk to? These people
• 2:33:30
  like what was?
• 2:33:31
  Speaker 2: The questions did he guide them in. That way, you
• 2:33:34
  know it's like where they're. Independent people did they speak
• 2:33:38
  to different hypnotic regression therapists that had different results? With
• 2:33:43
  them is it dependent upon how the person's talking, To
• 2:33:46
  you because someone's talking to.
• 2:33:47
  Speaker 1: You while you're.
• 2:33:48
  Speaker 2: In hypnosis it's not as simple as like you take
• 2:33:50
  a pill and then you remember. Your past now someone's talking.
• 2:33:53
  To you they're asking you specific kinds of questions with a,
• 2:33:57
  specific tone, you know and it's maybe it's a man's
• 2:34:01
  voice that maybe he's like you feel like he's, judging
• 2:34:04
  you or it's a woman's voice and it's.
• 2:34:06
  Speaker 1: More, comforting yeah that's got to, be scary, you know
• 2:34:10
  to get hypnotized and then what if they make me
• 2:34:14
  talk about a MEMORY that i didn't want to bring?
• 2:34:18
  Speaker 2: Up right or what if they put something in your
• 2:34:21
  head Like a manchurian. Candidate thing you know that that
• 2:34:24
  The concept mantorian candidate is like you hypnotize someone into
• 2:34:30
  you can bring them into action with like a phone call.
• 2:34:34
  Speaker 1: You called you have been activated to like click and
• 2:34:37
  say like a phrase and then you go and then.
• 2:34:40
  Speaker 2: You go and assassinate the president or whatever.
• 2:34:41
  Speaker 1: It is.
• 2:34:43
  Speaker 2: That's scary SHIT because i don't know how much they can.
• 2:34:47
  ACTUALLY do i know they've definitely done a bunch of
• 2:34:50
  experiments to see how much they could talk people into doing,
• 2:34:53
  certain things how much they can hypnotize people into, certain
• 2:34:56
  behaviors whether or nothing can get someone to be an
• 2:34:58
  assassin and with a.
• 2:34:59
  Speaker 1: PHONE call i know this, sounds CRAZY but I believe
• 2:35:02
  i mean NOT that i, believe IT but. I guess
• 2:35:04
  i like play with theories in. My head but what
• 2:35:07
  if all the music that gets allowed to be on
• 2:35:12
  the radios and all the shows that get allowed to
• 2:35:15
  BE on tv are like it's like certain patterns in
• 2:35:20
  the music or like to the words that they say
• 2:35:23
  in the shows like that like brainwashes you to like
• 2:35:27
  do stuff that. We do like maybe that's what makes
• 2:35:31
  us like go to work and do our forty hours
• 2:35:34
  a week and like respect a thirty minute lunch or
• 2:35:38
  something like The Rowdy roddy, piper movie like they live.
• 2:35:41
  That kind, it's like that's a. Bad idea.
• 2:35:46
  Speaker 2: The idea there's too, many variables with too many people
• 2:35:49
  that have to be working. In coordination everybody is in
• 2:35:52
  on this except. For you all the people making the
• 2:35:55
  music are in.
• 2:35:55
  Speaker 1: On, this no but out of all all the music that.
• 2:36:01
  Gets made there's a lot of similarities, within, music.
• 2:36:04
  Speaker 2: Right because there's only a certain amount, of, chords right
• 2:36:06
  and there's a lot, of genres and there was repetitive
• 2:36:10
  topics that people choose because.
• 2:36:12
  Speaker 1: They're POPULAR so i don't think every hit is. A
• 2:36:14
  hit like like sometimes you hear a song on the
• 2:36:19
  radio and, you're like how is get on? The radio it, sucks,
• 2:36:21
  Ass right but maybe it hit within those chords, that
• 2:36:26
  like like when you hear a certain chord and it
• 2:36:30
  makes your mind going to like a, different state like
• 2:36:32
  more relaxed and more. Of. This, right well they need
• 2:36:35
  maybe they need our minds to stay in a, certain
• 2:36:37
  state so they only allow certain music with certain chords
• 2:36:41
  or patterns to play on the radio to keep our
• 2:36:43
  minds going.
• 2:36:44
  Speaker 2: This, direction, nothing, No, no see you would have to
• 2:36:47
  have a grand mastermind who's in charge of manipulating everybody all.
• 2:36:51
  Speaker 1: The time maybe it's you able to come up with
• 2:36:52
  you don't, Like that i'm want you TO tell i, don't,
• 2:36:57
  KNOW man I think i'm onto. SOMETHING here i think
• 2:36:59
  you're definite not and, you know waste your time.
• 2:37:01
  Speaker 2: PURSUING this i know a lot, of musicians none of
• 2:37:04
  them are being contracted to make certain frequencies.
• 2:37:06
  Speaker 1: That alter the way you behave, You, Think, So jamie
• 2:37:12
  i'll be honest, with you because there's a vide. Going
• 2:37:14
  around i'll don't play for you. RIGHT now i might
• 2:37:18
  be The Next. Tenrence howard IT'S not i mean.
• 2:37:22
  Speaker 3: It's similar so This Is. Charlie pooth he's describing what
• 2:37:26
  happens after songs are like this is in the.
• 2:37:28
  Speaker 1: Mixing, process okay tired.
• 2:37:31
  Speaker 5: And emotional it's because the song is pitched up with a.
• 2:37:34
  Tape machine back in, the day they call this sweetening.
• 2:37:37
  The audio here's what it originally. Sounded like the same
• 2:37:46
  thing with this song that is, sped up and this
• 2:37:51
  is what it originally.
• 2:37:52
  Speaker 1: Sounds like.
• 2:37:59
  Speaker 5: You might be thinking to yourself, Right, now charlie why
• 2:38:01
  do people? DO this i will tell. You viewer when
• 2:38:03
  you speed music or tones up, and down it's scientifically
• 2:38:07
  proven to make you feel. Different emotionally this is the
• 2:38:09
  tone all music is basically, tuned to but when you pitch,
• 2:38:13
  it higher it brings you to the love frequency known
• 2:38:16
  as five hundred and twenty. Eight hurts so when people
• 2:38:18
  pitch their, music up it brings the listener closer to.
• 2:38:21
  THAT feeling i think music science is. Really cool listen to.
• 2:38:25
  Speaker 2: This song, oh okay well, that's interesting but that's a little.
• 2:38:28
  Bit different that's just like making, it exact.
• 2:38:30
  Speaker 1: Trying, to, say, oh yeah that just makes you.
• 2:38:34
  Speaker 2: Feel, good yeah there's. Definitely. That man music is like.
• 2:38:37
  A drug it's a pretty. Dope, drug look you're proving
• 2:38:41
  my point. Even, now NO but i mean it's.
• 2:38:43
  Speaker 1: An, inspiration yeah but it does different things. To you.
• 2:38:46
  Speaker 2: You know that's one of the REASONS why i like
• 2:38:48
  to mix my drugs when it comes. TO music i
• 2:38:51
  Like my, spotify playlist it's all it's. All scattered it's
• 2:38:55
  a bunch of. Different stuff like you might get like
• 2:38:58
  nas and they're right after N Is. Leonard skinnered i'm the.
• 2:39:02
  Speaker 1: Same WAY but i feel like it's IMPORTANT to uh
• 2:39:06
  to listen to different types, of music not only because
• 2:39:08
  it's cool to like see different, people's talent like from
• 2:39:11
  DIFFERENT like I THINK i i can appreciate talent from like.
• 2:39:15
  Any genre, so like if you hear like a Like
• 2:39:18
  A leonard, skinner song, you're like, holy shit that guy
• 2:39:22
  sang the shit out of. That NOTE maybe i don't
• 2:39:23
  relate to what, he's saying but like that was. Fucking
• 2:39:25
  DOPE but i also think it helps you communicate and
• 2:39:29
  like connect with people from like, different cultures. Different, backgrounds
• 2:39:32
  yeah UNDERSTANDING because i listened to a lot of like
• 2:39:36
  a lot, of rap a Lot of. Spanish music BUT
• 2:39:38
  then i listen to a lot of country, as well
• 2:39:40
  but like, old country. NEW country i FEEL sometimes i
• 2:39:42
  feel like a lot of what, comes up MAYBE because
• 2:39:45
  i don't dig into it, too much but like a
• 2:39:47
  lot of what comes up on my algorithm is very
• 2:39:48
  like modern, like pop like, more poppy, like.
• 2:39:51
  Speaker 2: Right you KNOW what, I mean i know what. You,
• 2:39:53
  mean yeah manufactured feels, like. Yeah YEAH but i.
• 2:39:57
  Speaker 1: Do like to listen to like different types of shit
• 2:39:59
  because IT'S like i want. TO know I think i
• 2:40:03
  said want, to know but it helps me know and
• 2:40:05
  understand what like somebody from a totally different part of
• 2:40:10
  the country might like experience or like enjoy or oh yeah.
• 2:40:14
  Speaker 2: For sure well that's a cool thing, about, Traveling right
• 2:40:16
  that's one thing that comics have THAT really i think
• 2:40:19
  helps us get a better understanding of the. Whole country
• 2:40:22
  is you.
• 2:40:22
  Speaker 1: You're on the road.
• 2:40:23
  Speaker 2: A lot so you Travel into ohio one weekend and
• 2:40:26
  then You're. In florida then You're, in michigan and when you,
• 2:40:29
  do that you get a better, sense, like oh this
• 2:40:31
  country varies. A lot there's a lot of different kinds
• 2:40:35
  of ways to live.
• 2:40:35
  Speaker 1: Out there, so also one thing that was crazy to
• 2:40:39
  ME when i started traveling is how similar a lot
• 2:40:42
  of people. Also. Are yeah sometimes you run into people
• 2:40:46
  that are like very proud of like the city they're
• 2:40:48
  from and like. Their, neighborhood yeah and, you know.
• 2:40:51
  Speaker 2: Fight for it'll fucking die.
• 2:40:52
  Speaker 1: For it, oh yeah and then you go to another
• 2:40:54
  city and it's like the, same person just a. Different.
• 2:40:56
  Speaker 2: Title. Yep, yeah yeah people get real try the real
• 2:41:00
  tribal for their stupid. Ass town, All Right, ralph barbosa
• 2:41:06
  tell everybody where you're. Gonna be you got a website
• 2:41:09
  they can go do to find you with your seven
• 2:41:11
  tours seven.
• 2:41:12
  Speaker 1: Date, Tour, yes sarah catch me in one of the seven. SE's.
• 2:41:16
  At oh my website Is Called barboso Comedy. Dot com
• 2:41:19
  you can see ANY shows i got coming Up My
• 2:41:22
  Instagram ralph barbosa, Zero Three, Automotive Channel formula bean if
• 2:41:25
  you want To.
• 2:41:26
  Speaker 2: See Yeah definitely i'm gonna check. THAT out i must
• 2:41:28
  subscribe to that.
• 2:41:29
  Speaker 1: FOR sure a couple, of beans just. Street racings how
• 2:41:31
  many videos you have? Up there we got quite. A
• 2:41:34
  few so it was my buddy's YouTube channel before we
• 2:41:37
  converted it to like. Our channel so it's just like
• 2:41:39
  tons of car footage. On there as far as since
• 2:41:42
  we became, a channel it might be like ten. Fifteen,
• 2:41:46
  videos nice what are you? Doing tonight take it Out To?
• 2:41:50
  New york what time? You leave like they're dropping me
• 2:41:53
  off at?
• 2:41:54
  Speaker 2: The, AIRPORT right i was gonna invite you to come
• 2:41:56
  do the show At. The mothership There Is ralph Barbosa, It, bosa.
• 2:42:01
  Speaker 1: Yeah hilarious stand.
• 2:42:03
  Speaker 2: UP coming i Liked that hulu's. Doing this hulu did
• 2:42:06
  a lot of a lot of specials.
• 2:42:07
  Speaker 1: This, year right. IT'S awesome, I was. I was i
• 2:42:11
  was a little nervous about like switching OVER because i
• 2:42:14
  did my last Week with netflix and this one was
• 2:42:16
  a Little. BIT hulu i have Everybody. ELSE hulu i
• 2:42:19
  figured why not? Try it?
• 2:42:20
  Speaker 2: Why not i'm very happy they're doing that. Is nice
• 2:42:23
  it's nice that there's more options for Comics.
• 2:42:26
  Speaker 1: And, hulu also thank you for the money.
• 2:42:29
  Speaker 2: They gave they came with. The cash, yeah, nice nice,
• 2:42:33
  All Right. RALPH barbosa i appreciate, you brother thank you for.
• 2:42:36
  Speaker 1: Coming in thanks much fun to have you. All right,
• 2:42:38
  bye everybody