Latest / The Bootleg Kev Podcast / #363 - Fridayy

Transcript

#363 - Fridayy · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Hey man, it's your boy Friday. Check me out on
• 0:02
  Speaker 1: the Bootleg cav podcast.
• 0:07
  Speaker 2: Bootleg Caps show Man Special guests here Friday. Welcome Sir.
• 0:12
  Speaker 2: Debut album coming coming soon, man, I mean obviously, man,
• 0:17
  Speaker 2: this album is you guys. A lot of people are
• 0:20
  Speaker 2: looking at you right now.
• 0:21
  Speaker 1: Bro.
• 0:22
  Speaker 2: We talked to BT. I said, you're kind of like
• 0:23
  Speaker 2: the new you need the new go to. I need
• 0:26
  Speaker 2: to hook up my rap album guy right now. Yeah,
• 0:28
  Speaker 2: that's what it is.
• 0:29
  Speaker 1: Man.
• 0:30
  Speaker 2: Do you feel the anticipation? Do you feel any pressure?
• 0:33
  Speaker 1: Nah? No pressure, just good music, bro. Yeah, that's all
• 0:37
  Speaker 1: I'm used to doing, giving out good music.
• 0:39
  Speaker 2: How would you describe the album?
• 0:41
  Speaker 1: Uh?
• 0:42
  Speaker 2: Life music, bro, like shoot to live to Yeah, ain't
• 0:46
  Speaker 2: nothing in there.
• 0:47
  Speaker 1: That's there's something there for everybody. That's what I'm saying. Like,
• 0:51
  Speaker 1: that's why I encourage everybody listen to the whole projects.
• 0:54
  Speaker 1: R and B songs, pain songs, inspirational, afrobeat. You know
• 0:59
  Speaker 1: what I'm saying, It's something for everybody.
• 1:02
  Speaker 2: How old were you when you discovered this beautiful voice
• 1:06
  Speaker 2: of yours?
• 1:06
  Speaker 1: Man?
• 1:07
  Speaker 2: Like, when you really knew you had you had like
• 1:08
  Speaker 2: a unique tone and voice that was very special.
• 1:13
  Speaker 1: I was like I was singing when I was a
• 1:16
  Speaker 1: young and early at church, but like I ain't know,
• 1:20
  Speaker 1: like I had a unique voice to probably like high school, Okay,
• 1:26
  Speaker 1: my voice is getting deeper. Shit, So yeah, once you
• 1:29
  Speaker 1: start growing up your voice, yeah, and it was like
• 1:32
  Speaker 1: niggas be like then you got like a deeper voice.
• 1:34
  Speaker 1: It was like different, you know what I'm saying. Like
• 1:36
  Speaker 1: that's when I found out I had a unique voice.
• 1:38
  Speaker 1: And then starting to make music every day while I
• 1:41
  Speaker 1: was in high school, That's when I felt my sound.
• 1:44
  Speaker 1: That's how I realized how to use my voice in
• 1:47
  Speaker 1: a different way and not sound like everybody else.
• 1:50
  Speaker 2: For you, like, uh, you've done a great job and
• 1:53
  Speaker 2: pretty cool. Like I feel like a lot of artists
• 1:56
  Speaker 2: kind of start off as like writers and they let
• 1:59
  Speaker 2: that rock for like some years and then they go
• 2:02
  Speaker 2: the artist route. I feel like you've done that in
• 2:04
  Speaker 2: a quicker, quicker way, right, Because was it Chris Brown
• 2:08
  Speaker 2: that initially kind of gave you a shot on was
• 2:10
  Speaker 2: it Breezy Breezy?
• 2:11
  Speaker 1: I wrote Will's fall Off News right here. That was
• 2:14
  Speaker 1: like the first I've been writing for like a year
• 2:18
  Speaker 1: or two. That was like the first big placement I
• 2:21
  Speaker 1: got Chris Brown.
• 2:22
  Speaker 2: Wow, that's a fucking that's Chris Breezy.
• 2:27
  Speaker 1: And like that was June last year, right a month
• 2:31
  Speaker 1: after that guy did came out. So like before niggas
• 2:35
  Speaker 1: knew out, like I was a known writer. I feel
• 2:37
  Speaker 1: like I was seeing your name though you was seeing
• 2:40
  Speaker 1: my name. I was seeing your name. I was putting
• 2:41
  Speaker 1: some work in, but it was like it wasn't like,
• 2:45
  Speaker 1: oh he he a go to writer, Like this was up.
• 2:47
  Speaker 2: On your ship before God did. Like I remember, he
• 2:50
  Speaker 2: was really into your ship. Like, yo, that Friday Due
• 2:52
  Speaker 2: is hard because he's an engineer and a singer. Yeah,
• 2:54
  Speaker 2: because he's probably because he an engineer. Niggas in the
• 2:57
  Speaker 2: industry knew me, but the world didn't know like here
• 3:00
  Speaker 2: a writer, you know what I'm saying. So I got
• 3:02
  Speaker 2: introduced to the world as an artist. The only people
• 3:05
  Speaker 2: that really knew me as a writer was you know,
• 3:07
  Speaker 2: the engineers, like if you know you know type you know.
• 3:10
  Speaker 1: But I ain't never want to be no writer, bro,
• 3:12
  Speaker 1: I just I knew that was the way that was
• 3:14
  Speaker 1: kind of your way to get you in the door.
• 3:16
  Speaker 2: Yeah.
• 3:16
  Speaker 1: Like my manager to me, like when I met him,
• 3:20
  Speaker 1: he like being a songwriter might be an easier way
• 3:23
  Speaker 1: to get in.
• 3:24
  Speaker 2: I feel like it is the easiest way.
• 3:26
  Speaker 1: It is the easiest way because because you're.
• 3:27
  Speaker 2: Kind of there to help the artist. You're an artist,
• 3:30
  Speaker 2: you're there to kind.
• 3:30
  Speaker 1: Of because look, bro, like when you meet and urs
• 3:33
  Speaker 1: and executive label niggas, you telling them your artists don't
• 3:39
  Speaker 1: really mean ship to them unless you got some.
• 3:41
  Speaker 2: Motion, because they hear it.
• 3:42
  Speaker 1: They hear it every day, especially if they go on
• 3:44
  Speaker 1: your Instagram. You know you don't got no motion. They
• 3:48
  Speaker 1: don't give a fun going to check Spotify. Yeah, they're
• 3:51
  Speaker 1: gonna check everything, and they really don't give a fuck.
• 3:54
  Speaker 1: Even if you're nice and ship, it doesn't matter. It
• 3:57
  Speaker 1: don't matter.
• 3:58
  Speaker 2: Show me, show me the.
• 3:59
  Speaker 1: Audience, Show me the audience. So if you go up
• 4:01
  Speaker 1: to the niggas and be like, bro, I could get
• 4:04
  Speaker 1: artists ten hooks. That's what they want to hear, bro Like, y'
• 4:08
  Speaker 1: y'all need hooks, y'all need beats. I could do your
• 4:10
  Speaker 1: whole album. Yeah, you go up to an end or
• 4:12
  Speaker 1: like that, I promise you the studio tonight. Yeah, I'm
• 4:17
  Speaker 1: playing some ship. So that's really the easiest way. I
• 4:20
  Speaker 1: encourage every artist at if you're good, start there. Yeah,
• 4:27
  Speaker 1: still do your artist, ship, don't lose yourself, but like
• 4:30
  Speaker 1: try to get in by writing.
• 4:31
  Speaker 2: I mean so many grades have done that, like shout
• 4:33
  Speaker 2: to Eric, shout to Neo, I mean ship, Yeah, on
• 4:37
  Speaker 2: and on and on, tons of folks like that. So
• 4:41
  Speaker 2: obviously Chris Brown album comes out and then out of
• 4:45
  Speaker 2: nowhere this God Did record, which is one of the
• 4:48
  Speaker 2: We talked about this a bit on at the BT
• 4:51
  Speaker 2: radio room, but like, obviously, man, this God Did Ship
• 4:54
  Speaker 2: is like one of the craziest jay Z verses we've
• 4:57
  Speaker 2: ever gotten. I mean from performing he Hunt the BET Awards, uh,
• 5:04
  Speaker 2: I mean just just the Grammy Ship he said, get
• 5:07
  Speaker 2: it right. It was the gram such an insane moment
• 5:13
  Speaker 2: in hip hop. I mean, got calid. I feel like
• 5:15
  Speaker 2: that record really kind of really set call it up
• 5:19
  Speaker 2: to you know, be looked at it in a different
• 5:21
  Speaker 2: way in terms of like putting records together. But give
• 5:24
  Speaker 2: me the backstory of like, I guess the whole process
• 5:29
  Speaker 2: of that song, because we've seen the video of you
• 5:31
  Speaker 2: singing it was that in your bedroom? And that was that?
• 5:35
  Speaker 2: Did you did you record that prior? Like like while
• 5:39
  Speaker 2: you're actually cutting that hook? I made it. That's just crazy.
• 5:43
  Speaker 2: I knew it was going to be special. I will
• 5:46
  Speaker 2: tell you a story like I told you I was
• 5:48
  Speaker 2: writing for a little bit. So I was in this
• 5:51
  Speaker 2: pub deal in the A and R left and it
• 5:54
  Speaker 2: was on some ship like I ain't have nobody else,
• 5:57
  Speaker 2: like I'm broken ship, I ain't had no connection. And
• 6:00
  Speaker 2: then too the building besides that A and R. So
• 6:03
  Speaker 2: me and my team was looking for like a buyout.
• 6:05
  Speaker 1: Somebody else would buy out my manager, Edgar, buy me
• 6:09
  Speaker 1: out my pub deal. So my manager, Edgar, he connected
• 6:12
  Speaker 1: the Eddie Mary J. Blise manager he worked at another
• 6:16
  Speaker 1: pub company, Prescription. He telling him like, bro, we need
• 6:19
  Speaker 1: to looking for a buyout. We needed this buyout like
• 6:21
  Speaker 1: hed one. I'm telling you like he was just pushing that.
• 6:25
  Speaker 1: And then Moneys go by. They finally buy me out
• 6:29
  Speaker 1: with my pub deal. M hm. So we fresh into
• 6:32
  Speaker 1: this pub deal. Chris Brown come out, and then I'm
• 6:37
  Speaker 1: watching cal It on Instagram say God did every day
• 6:41
  Speaker 1: like every time I wake up. I think he said
• 6:42
  Speaker 1: God did like every day for like three months, I've
• 6:46
  Speaker 1: been had like a guy did simple. And then I
• 6:50
  Speaker 1: called my manager. I'm like, bro, let's send it, let's
• 6:52
  Speaker 1: send it up, call it simple. He's like, nah, I
• 6:55
  Speaker 1: make a hook, like a real hook, like just you
• 6:57
  Speaker 1: type shit. I made the hook, Brock. As soon as
• 7:00
  Speaker 1: I started like the idea, I called my cameraman, bro
• 7:03
  Speaker 1: I said, come to the crib. This is special. Like
• 7:07
  Speaker 1: I already had the melody, like before I recorded it,
• 7:10
  Speaker 1: I already had like the melody, not even the words.
• 7:13
  Speaker 1: I just knew where I was gonna take it. As
• 7:15
  Speaker 1: soon as I made it, Broh, I knew this she
• 7:17
  Speaker 1: was the one.
• 7:18
  Speaker 2: Now did you get pretty immediate feedback from Cali that like,
• 7:23
  Speaker 2: oh this is something like this is but I know
• 7:25
  Speaker 2: you didn't know who didn't make You didn't know who
• 7:27
  Speaker 2: actually made it on the record for a while right now.
• 7:30
  Speaker 1: So look after I made it, right, we called Eddie.
• 7:34
  Speaker 1: We played it for Eddie that Nigga went crazy. He
• 7:38
  Speaker 1: had Cali number texted to cal Cali takes it back
• 7:41
  Speaker 1: like the next day, I need this on my album,
• 7:45
  Speaker 1: you know what I'm saying. Like a week go by,
• 7:47
  Speaker 1: we already starting the paperwork. It's at first it was
• 7:49
  Speaker 1: supposed to be like a like a just me with
• 7:54
  Speaker 1: the keys. How you hear my hook? A couple of
• 7:56
  Speaker 1: days go by, he like I just put three artists
• 7:59
  Speaker 1: on here and a singer said this shit gonna live forever.
• 8:03
  Speaker 1: As soon as he said that, Bro, I'm already thinking
• 8:05
  Speaker 1: like Nahs, Kanye jay Z, I'm thinking all high level
• 8:09
  Speaker 1: names based off the like the record. Yeah, for sure.
• 8:14
  Speaker 1: So I heard rumors of who was on the track,
• 8:18
  Speaker 1: but I ain't here the track till it came out, Bro,
• 8:20
  Speaker 1: like everybody else.
• 8:21
  Speaker 2: So when you heard jay Z had like a fucking
• 8:24
  Speaker 2: I don't know how many minutes long was it? Five
• 8:25
  Speaker 2: minutes longer? Five minutes longer made it impossible to play
• 8:28
  Speaker 2: at radio. I'll tell you that they were trying to
• 8:31
  Speaker 2: make all kind of random versions of that song when
• 8:33
  Speaker 2: they were working at the radio. I'm like, guys, this
• 8:35
  Speaker 2: is too long. Guys, this is not seven minute song
• 8:37
  Speaker 2: is not working at radio.
• 8:38
  Speaker 1: God bless it. It's a great record.
• 8:40
  Speaker 2: But what was your reaction here in hope?
• 8:43
  Speaker 1: Go off? Nah?
• 8:44
  Speaker 2: It was crazy, bro, quite possibly the best guest jay
• 8:47
  Speaker 2: Z for Top three. Guess jay Z vers ever.
• 8:50
  Speaker 1: Gonna live forever, Bro, just normal part of that. It's
• 8:53
  Speaker 1: a blessing. Bro.
• 8:53
  Speaker 2: Were you nervous doing the Grammy performance outside with everybody?
• 8:57
  Speaker 1: Like? Yeah, I was nervous as shit, like, so they
• 8:59
  Speaker 1: told me I was performing I was. I was bitching, bro,
• 9:02
  Speaker 1: like the whole It's like a month before they told
• 9:05
  Speaker 1: me I was I was performing. I'm like, fuck, Bro, Like,
• 9:10
  Speaker 1: I didn't expect this this early.
• 9:11
  Speaker 2: Bro, Like, do you like, do you like really like
• 9:14
  Speaker 2: train like a fighter trains training your voice, making sure
• 9:17
  Speaker 2: you fucking yeah.
• 9:18
  Speaker 1: You know what I mean? Like the week of the Grammys, Bro,
• 9:20
  Speaker 1: every day I was singing Guy did like all day
• 9:24
  Speaker 1: just so it's like by the time the Grammys come,
• 9:26
  Speaker 1: I can't mess up because I've been singing it all week.
• 9:28
  Speaker 1: When I woke up shower singing that shit. I remember,
• 9:31
  Speaker 1: like right before he was about to perform, Calik came
• 9:35
  Speaker 1: to my where I was getting dressed that type shit
• 9:38
  Speaker 1: it's on my TikTok and he played the instrumental in
• 9:41
  Speaker 1: my ear. His whole team, everybody else, jay Z, everybody else.
• 9:45
  Speaker 1: Had he put the gin in my ear. I don't
• 9:48
  Speaker 1: even know he thought I was gonna sing. That was
• 9:50
  Speaker 1: before the performance, and I just start singing it everybody
• 9:53
  Speaker 1: like he ready and I just once that happened, Bro,
• 9:56
  Speaker 1: I just went on stage that same energy. Bro knocked
• 9:58
  Speaker 1: it out the park.
• 10:01
  Speaker 2: Talk about like some of your influences growing up obviously
• 10:04
  Speaker 2: being out of Philly Man. Philly is obviously a legendary
• 10:06
  Speaker 2: hip hop city. There's so many different artists. We can
• 10:09
  Speaker 2: go back to the roots obviously all the way to
• 10:12
  Speaker 2: meet Mill and you know, Free Way, all that good ship.
• 10:16
  Speaker 2: But like, who were you influenced by growing up?
• 10:19
  Speaker 1: I grew up in a church, so it was just
• 10:21
  Speaker 1: like soul for music when I was a kid. And
• 10:24
  Speaker 1: then like when I outside of that, I'll start going
• 10:27
  Speaker 1: to like Boys to Men. You know what I'm saying, Like,
• 10:29
  Speaker 1: what was.
• 10:30
  Speaker 2: That dude with that deep voice on Boys to Men?
• 10:32
  Speaker 2: Deepest ship? I know you're talking about he was talking shit.
• 10:39
  Speaker 2: I forgot his name though, but that was like, I
• 10:41
  Speaker 2: hope he's on cameo. That'd be the cameo to get
• 10:44
  Speaker 2: like to have him lay down your voice, like your voicemail, like,
• 10:46
  Speaker 2: hey what up, ladies, you call Friday, leave a voicemail
• 10:50
  Speaker 2: and yes, this is me from Boys to Man. Yeah,
• 10:53
  Speaker 2: that was like my like first and obviously Philly legends.
• 10:57
  Speaker 1: Yeah, so it's like and then it was like right
• 11:01
  Speaker 1: after they was just like all R and B like
• 11:03
  Speaker 1: Jamie Fox, Brian Knight. Then I started like living my
• 11:07
  Speaker 1: life and like Meek Mill, Kanye West and Drake shouts
• 11:11
  Speaker 1: of I mean Jamie Fox alien level talent. Yeah, different
• 11:14
  Speaker 1: niggas don't know, like they sleep on his music.
• 11:17
  Speaker 2: That first album that Unpredictable. Yeah, what was that song
• 11:21
  Speaker 2: called One Night?
• 11:22
  Speaker 1: Was it one Night Occasion? That ship? That ship man?
• 11:26
  Speaker 2: I was, I'm so glad he's all right.
• 11:27
  Speaker 1: Yeah for sure.
• 11:28
  Speaker 2: He one of the ones, top tier actor, top tier comedian,
• 11:32
  Speaker 2: top tier singers, singers, just everything.
• 11:35
  Speaker 1: He's a beast man.
• 11:37
  Speaker 2: Yeah, and shot to a shot to his new movie
• 11:40
  Speaker 2: The Clone Tyrone going right now, Yeah, it's going crazy.
• 11:44
  Speaker 2: So obviously you you end up for you the catalyst
• 11:49
  Speaker 2: to start writing. And like, I guess everyone kind of
• 11:52
  Speaker 2: you said you had a pub deal that you had
• 11:53
  Speaker 2: to get bought out of, right, So what was like
• 11:55
  Speaker 2: your first initial like real step into being in the
• 12:00
  Speaker 2: quote unquote music industry? Like how did you get that
• 12:02
  Speaker 2: initial pub deal? Like before we really knew who you were,
• 12:04
  Speaker 2: you know what I'm saying?
• 12:05
  Speaker 1: Uh shit around? Like he was like twenty nineteen, twenty twenty,
• 12:14
  Speaker 1: that's when I met my manager. Remember he was like,
• 12:18
  Speaker 1: bro start writing, Yes, So when I met him, I
• 12:21
  Speaker 1: was like making like ten.
• 12:22
  Speaker 2: Hooks a week, bro, Like were you still in Philly. Yeah,
• 12:24
  Speaker 2: I was in the same room at the crib. At
• 12:27
  Speaker 2: the crib, you're like cutting the hooks, sending him to him,
• 12:30
  Speaker 2: and then he's doing his.
• 12:32
  Speaker 1: Job getting he's sending it out. So it's like I
• 12:34
  Speaker 1: was made like ten ten songs a week. Yeah. At
• 12:38
  Speaker 1: that time, I was close to my man produced, my producer,
• 12:41
  Speaker 1: the Newso, and I started making a lot of beats
• 12:44
  Speaker 1: on his a lot of hooks on a lot of
• 12:46
  Speaker 1: hooks on his beat, and he was about to get signed.
• 12:50
  Speaker 1: But the person he was about to sign to, they're like,
• 12:52
  Speaker 1: who that on the hooks? Like, you know what I'm saying.
• 12:54
  Speaker 1: He hard. So that's how like, that's how that happened
• 12:58
  Speaker 1: with my first pub deal tape. Shit.
• 13:00
  Speaker 2: And now when they ask who's that on the hook?
• 13:02
  Speaker 2: They keep you on the hook. Yeah, they keep they
• 13:05
  Speaker 2: keep me. Now now they're like, oh, that's the Friday, Sure,
• 13:08
  Speaker 2: we're gonna need that come over here. How in demand
• 13:12
  Speaker 2: are you in terms of just like artists trying to
• 13:14
  Speaker 2: get you on their ship, and how selective are you
• 13:16
  Speaker 2: being with that because a lot of people burn out
• 13:18
  Speaker 2: pretty quick.
• 13:18
  Speaker 1: When it comes to oversaturating. Yeah, it's like I look
• 13:23
  Speaker 1: at every situation like do it what do it do
• 13:26
  Speaker 1: for both who us? They like do it benefit me?
• 13:31
  Speaker 1: Or sometimes about the music for like the song's amazed,
• 13:34
  Speaker 1: so amazed, and I'm fucking with you, but it's like
• 13:36
  Speaker 1: I'm down to work with whoever. Bro Like it's just
• 13:39
  Speaker 1: gotta makes sense for the both of us, you know
• 13:41
  Speaker 1: what I'm saying. Like at the same time, I'm giving
• 13:43
  Speaker 1: my own my own, my own music. Yeah, you know
• 13:47
  Speaker 1: what I'm saying. So it's not like I'm building the
• 13:50
  Speaker 1: already built a fanbase.
• 13:51
  Speaker 2: Probably harder for you to give away hooks at this
• 13:52
  Speaker 2: point because you're like, I mean that could that could
• 13:54
  Speaker 2: be my ship?
• 13:55
  Speaker 1: Yeah, but I make so much music. There's more where
• 13:59
  Speaker 1: that came from.
• 13:59
  Speaker 2: It's like I got like five hundred that I'm not using.
• 14:03
  Speaker 2: I just wanted to say with the great ones, the
• 14:04
  Speaker 2: great ones aren't greedy because it's just more where that is.
• 14:07
  Speaker 2: I'm gonna just write another one tomorrow, so go ahead
• 14:08
  Speaker 2: take it, like help us out, like it's gonna help
• 14:10
  Speaker 2: my picture the program.
• 14:12
  Speaker 1: Like in like my music, like I say, and the
• 14:16
  Speaker 1: music I dropped like on my projects lost the melody
• 14:19
  Speaker 1: and ship. It's a very distinctive sound like so like
• 14:24
  Speaker 1: a lot of the ship I make, I'm like, damn,
• 14:26
  Speaker 1: that's not for me. I just give it to somebody else.
• 14:28
  Speaker 1: You kind of you know what I'm saying. Yeah, you
• 14:30
  Speaker 1: don't fit in my album. So everything I make for
• 14:33
  Speaker 1: me is like one hundred percent for me. Yeah. So
• 14:37
  Speaker 1: like say I'm working on an album, I'll make fourteen songs,
• 14:41
  Speaker 1: and all fourteen songs going album. You know what I'm saying, Like,
• 14:44
  Speaker 1: I'm not making I'm not even finishing the song right
• 14:48
  Speaker 1: for me, And it's not you know what I'm saying.
• 14:50
  Speaker 1: So I got like five hundred like that I wouldn't drop,
• 14:55
  Speaker 1: but I could get somebody. Sure, it's a nice problem
• 14:57
  Speaker 1: to have, No, for sure, we.
• 14:59
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• 17:03
  Speaker 2: Let's get back to the interview. We know Chris Brown's
• 17:07
  Speaker 2: on the album. Anybody else on the album? I'm sure
• 17:09
  Speaker 2: there's tons of features. Let's be honest. Can you share
• 17:11
  Speaker 2: any When do you want us to drop it where
• 17:14
  Speaker 2: you can talk about the features. We could drop it whenever.
• 17:20
  Speaker 2: When you when you dropping the track?
• 17:21
  Speaker 1: I'm like a week before, so good, I got I
• 17:27
  Speaker 1: got the veto on the track list, Shout out to him. Yeah,
• 17:30
  Speaker 1: I mean Fireboys.
• 17:31
  Speaker 2: And by the way, David Oh, is how you say
• 17:33
  Speaker 2: his name? Yeah? I say, I thought I thought Listen.
• 17:37
  Speaker 2: I interviewed him, and I watched a bunch of interviews
• 17:40
  Speaker 2: with him from Africa and they were saying David Oh.
• 17:44
  Speaker 2: So when I said David Oh, he was like, you
• 17:46
  Speaker 2: said my name right, And I was.
• 17:47
  Speaker 1: Like, man, I was like yes, because I thought it
• 17:51
  Speaker 1: was the veto the Vito David Oh say Fireboy, Yeah, Fireboy,
• 17:57
  Speaker 1: Chris Brown, I got Byron Massaliah chat Man.
• 18:00
  Speaker 2: You got that fucking afrobeat gods right now? That that
• 18:02
  Speaker 2: Taliban's is going crazy right now.
• 18:05
  Speaker 1: I got the boys on there? Who else on there?
• 18:07
  Speaker 1: And Maverick City. I don't know.
• 18:09
  Speaker 2: I'm not familiar with the gospel group. It's like a choir.
• 18:11
  Speaker 2: Oh fire I let them on the intro the It's
• 18:14
  Speaker 2: Crazy album. Any rappers Nah? No rappers? Wow?
• 18:19
  Speaker 1: I might. I might throw some like remix I had.
• 18:22
  Speaker 1: I had some rappers I wanted on there. But you
• 18:24
  Speaker 1: know what I'm saying is timing mm hmm, well hopefully
• 18:29
  Speaker 1: on like some remixes.
• 18:30
  Speaker 2: That's crazy, Like so is the afrobeat tongue. Is everybody
• 18:34
  Speaker 2: on the on the same song or do you have
• 18:36
  Speaker 2: multiple I got multiple fire. Yeah, that's like that's like
• 18:39
  Speaker 2: my second home. Like music wise, I ain't because I'm Haitian.
• 18:43
  Speaker 2: So that like afro beat feeling is in me. It's
• 18:48
  Speaker 2: the funnest genre. It's like, finally there's music that people
• 18:50
  Speaker 2: can dance to happening like on the mainstream level, you
• 18:53
  Speaker 2: know for sure. It's like the best part of the
• 18:55
  Speaker 2: club night is when like DJ because people are having fun.
• 19:00
  Speaker 2: It's like, shout out to marsh Madness. I love it,
• 19:02
  Speaker 2: but I've been hearing it for like ten years. It's
• 19:03
  Speaker 2: like it's like, yeah, I could pop bottles to that,
• 19:05
  Speaker 2: but I'm not gonna. Yeah, So for you, like, uh,
• 19:13
  Speaker 2: let's break that because because you're one of the hook guys. Now,
• 19:15
  Speaker 2: who would you say, is like Mount Rushmore of the
• 19:19
  Speaker 2: best hook men of all time? Who's the hook gods?
• 19:23
  Speaker 1: My hook gods?
• 19:25
  Speaker 2: Nate dog Nate Dogges. I feel like undisputed top number
• 19:28
  Speaker 2: one slot, right, yeah, Nate.
• 19:32
  Speaker 1: Then I'm gonna go to go to Chris Brown. Of course,
• 19:36
  Speaker 1: I'm gonna go to Tire Dollar shout out to Tie,
• 19:41
  Speaker 1: and then I'm gonna go to at the Tie. I'm
• 19:45
  Speaker 1: gonna go to sanfa Oh yeah, like not even though
• 19:50
  Speaker 1: he did a lot of hooks, but but the ones
• 19:52
  Speaker 1: he did d fuck Everybody album look tip on right now.
• 19:57
  Speaker 2: Like I think back to the video of like when
• 20:00
  Speaker 2: Man and like Artists, and I just remember being like, damn,
• 20:06
  Speaker 2: I really need to dive into this guy's catalog.
• 20:08
  Speaker 1: If he's making grown Man cry out here, you're making
• 20:10
  Speaker 1: real music, bro. Like a lot of bullshit be overshadowed,
• 20:14
  Speaker 1: but the music, the real music will be put in
• 20:17
  Speaker 1: the back a lot nowadays. But when you're telling like
• 20:20
  Speaker 1: a nigga like Sanfah Special, Bro.
• 20:22
  Speaker 2: I donna say, like, uh, what what was it like
• 20:26
  Speaker 2: growing up in Philly for you? Because we kind of
• 20:28
  Speaker 2: hear so much. You know, my co host DJ Damages
• 20:30
  Speaker 2: from Philly, and he would always tell me like about
• 20:34
  Speaker 2: North Philly and places like Chester, Pennsylvania, and just like
• 20:38
  Speaker 2: like Philly is like that just that area in general,
• 20:41
  Speaker 2: wild place. And there's a lot of videos that have
• 20:43
  Speaker 2: been going viral recently of like because Fatana shit's really bad.
• 20:48
  Speaker 2: You've probably seen the videos of people like slumped out,
• 20:50
  Speaker 2: like looking like zombies all over the streets ship out there.
• 20:52
  Speaker 1: That's right, that's like near where I'm from, a.
• 20:54
  Speaker 2: Little bit by the way, also happening here in LA.
• 20:56
  Speaker 2: But you know, but what was it like for you
• 21:00
  Speaker 2: up in Philly? I mean, obviously you were going to church,
• 21:02
  Speaker 2: and you know, I'm sure you were. You had a
• 21:04
  Speaker 2: great childhood, but like, was it was it easier or
• 21:07
  Speaker 2: hard for you to deal with like kind of staying
• 21:10
  Speaker 2: out of that ship.
• 21:11
  Speaker 1: You know, church was in the trenches. Yeah, like my
• 21:15
  Speaker 1: pop church was in the trenches, bro. So it was like,
• 21:17
  Speaker 1: it's not like I had an easy childhood. Like as
• 21:20
  Speaker 1: soon as you step out of church, it might be
• 21:22
  Speaker 1: a shootout, you know.
• 21:23
  Speaker 2: What I mean, but you were able to kind of
• 21:24
  Speaker 2: keep It's kind of like you gotta like.
• 21:29
  Speaker 1: It's a rough neighborhood, bro. It's easy to like fall
• 21:33
  Speaker 1: into in that lifestyle, right, and it's like you really
• 21:37
  Speaker 1: just got to stay out the way, Like just stay
• 21:40
  Speaker 1: out the way, bro, like because it would be like
• 21:43
  Speaker 1: you be in the way, not even on some dumb shit,
• 21:46
  Speaker 1: you just be in the way some crazy way, just
• 21:49
  Speaker 1: like you're at the wrong place at the right time.
• 21:51
  Speaker 1: So what I will say, like I was always focused
• 21:54
  Speaker 1: on music, like everybody knew me, Like that's fried like
• 21:57
  Speaker 1: on some music ship, like you know what I'm saying.
• 21:59
  Speaker 1: Like I used to gineer niggas in Philly, produce for
• 22:02
  Speaker 1: niggas like on some studio ship, you know what I'm saying.
• 22:04
  Speaker 1: So it was just like I was always on some
• 22:07
  Speaker 1: music shipping out the way for her. So it's definitely
• 22:10
  Speaker 1: like a rough city though. But you really gotta like
• 22:13
  Speaker 1: just s you gotta be.
• 22:14
  Speaker 2: Focused so you don't get fall into you know, yeah,
• 22:18
  Speaker 2: what do you how do you feel about the other
• 22:20
  Speaker 2: trend that's happened in Philly right now? If you think
• 22:21
  Speaker 2: you guys are too rare and just like the dance
• 22:23
  Speaker 2: ship is going crazy.
• 22:25
  Speaker 1: They have bro, they're having a way. Yeah, they having
• 22:28
  Speaker 1: like it's beautiful bro to see.
• 22:30
  Speaker 2: Who's the group kids? You guys just signed? Yeah yeah yeah,
• 22:40
  Speaker 2: the sturdy ship is going crazy. I mean, I'm just
• 22:42
  Speaker 2: like it's like everybody's kind of doing their own version
• 22:46
  Speaker 2: Philly thing.
• 22:47
  Speaker 1: Everybody having fun bro, Like they brought it like a fun.
• 22:50
  Speaker 2: Vibe, fun energy that was missing.
• 22:52
  Speaker 1: And that's why I like Afro beat doing what they're doing,
• 22:55
  Speaker 1: Like you being the club. All these somethings about killing
• 22:59
  Speaker 1: and ship, all this Afro shit, Come on, niggas, want
• 23:01
  Speaker 1: to have funny dance, bro, Like I feel that why
• 23:04
  Speaker 1: Afro doing so good? And even the niggas from Philly,
• 23:08
  Speaker 1: like they bring in like good vibes back.
• 23:09
  Speaker 2: I mean I'm thinking like even like obviously Uzzi's from Philly, right,
• 23:12
  Speaker 2: so Uzzi like doing just want to rock. It's like
• 23:15
  Speaker 2: the biggest song in the club for like a year.
• 23:17
  Speaker 2: It's like just this fun song, like fun music.
• 23:20
  Speaker 1: Bro. And them regular niggas too from the trenches too,
• 23:23
  Speaker 1: so like don't get it, like you know what I'm saying.
• 23:25
  Speaker 1: Like them they just decide, Yeah, they focus on the
• 23:29
  Speaker 1: right ship, like we don't gotta be on those streets
• 23:30
  Speaker 1: ship making songs about violence and all that. They just
• 23:34
  Speaker 1: having fun.
• 23:34
  Speaker 2: Bro, did you ever like tap in with like like
• 23:37
  Speaker 2: obviously prior to your generation, but did you ever dive
• 23:40
  Speaker 2: into any of the roots music back from back in
• 23:42
  Speaker 2: the day, Uh, A little bit like Black Cloud's is
• 23:46
  Speaker 2: one of the greatest rappers that walk on the planet.
• 23:48
  Speaker 2: You know, I wasn't really on that, but I wasn't
• 23:51
  Speaker 2: on that though, but I'm familiar, Like I know they legends.
• 23:53
  Speaker 2: You gotta quest love having played drums on a song
• 23:56
  Speaker 2: or something. I know, clench love U shitting the drums
• 23:58
  Speaker 2: just like yo being on man, come and play drums
• 24:01
  Speaker 2: on this just for Philly.
• 24:03
  Speaker 1: Yeah for sure. But I wasn't really on them early,
• 24:07
  Speaker 1: like I.
• 24:07
  Speaker 2: Mean, you weren't on them early because you also weren't
• 24:09
  Speaker 2: alive exactly, because being on them early would have been
• 24:12
  Speaker 2: you were listening to them m because I think their
• 24:15
  Speaker 2: first album was like ninety two.
• 24:19
  Speaker 1: Yeah, I was knowing them a lot.
• 24:21
  Speaker 2: And that album isn't even on Spotify. You gotta buy
• 24:23
  Speaker 2: it like on a real Yeah, it's like yeah. And
• 24:28
  Speaker 2: then you know Scott Storch, Yeah, he was in the
• 24:31
  Speaker 2: roots for that's crazy.
• 24:34
  Speaker 1: I knew that. Somebody told me that started in the roots. Legend.
• 24:38
  Speaker 1: You gotta get with Storch man.
• 24:39
  Speaker 2: Have you got in with him yet?
• 24:40
  Speaker 1: No? No yet? The legend though.
• 24:42
  Speaker 2: Let him tell you some stories. I know he got
• 24:44
  Speaker 2: some crazy, the craziest ever. Any girl that you think of.
• 24:48
  Speaker 2: When I say this to you right now, that pops
• 24:50
  Speaker 2: in your head.
• 24:51
  Speaker 1: He is true.
• 24:52
  Speaker 2: He fucked everybody first, So whatever girls just popped up
• 24:55
  Speaker 2: in your head.
• 24:56
  Speaker 1: Yep.
• 24:57
  Speaker 2: Then everybody, everybody, we gotta sit down with skorts. You
• 25:02
  Speaker 2: gotta go out to Miami.
• 25:04
  Speaker 1: I heard he went stupid when he was up and
• 25:06
  Speaker 1: then he went down. But he's back up. You back
• 25:08
  Speaker 1: up right now.
• 25:09
  Speaker 2: He got through it.
• 25:10
  Speaker 1: I heard that story he used to snack.
• 25:12
  Speaker 2: The amount of money Scott Storts was spending on just
• 25:14
  Speaker 2: like everything was just I mean, Jesus Christ, God blessed
• 25:18
  Speaker 2: that guy.
• 25:18
  Speaker 1: I'm just a legend. Cousin Mark Sor. We'll be having
• 25:21
  Speaker 1: an argument like who better Timbo or Scortch. I'll be
• 25:25
  Speaker 1: going with Timbo. Yeah, you know, some say stop Scott Storch.
• 25:31
  Speaker 2: I think I think it's like Timberland's like top three. Ever,
• 25:34
  Speaker 2: so his range is insane. Jay Z he can do
• 25:38
  Speaker 2: Bubba Sparks. He could do it, and he could do
• 25:40
  Speaker 2: it Nellie.
• 25:41
  Speaker 1: Fortado Like that's why he's my favorite.
• 25:44
  Speaker 2: The range of him is insane. How you have you
• 25:47
  Speaker 2: heard anybody try to make an AI version of yourself yet? No,
• 25:50
  Speaker 2: I'm waiting it's gonna happen, and I want to hear
• 25:53
  Speaker 2: it though, like crazy like can AI now your your tone?
• 25:58
  Speaker 2: You know?
• 25:59
  Speaker 1: I mean now?
• 26:00
  Speaker 2: And some others Crazy Ship they are Rihanna Kanye the
• 26:04
  Speaker 2: Rihanna Tims remixed.
• 26:06
  Speaker 1: That ship crazy Fire. Yeah, I've seen some other ship.
• 26:10
  Speaker 1: It was a I think it was Kanye and Frank.
• 26:13
  Speaker 1: Kanye is sung a Frank Ocean joint. No, Kanye's under
• 26:16
  Speaker 1: Justin Biever Junk. And that ship was crazy though.
• 26:20
  Speaker 2: Yeah, it's kind of crazy that a I think is
• 26:22
  Speaker 2: getting a little it's getting little sketch.
• 26:25
  Speaker 1: They I hope they shut that ship down.
• 26:26
  Speaker 2: They're not going to the labels are going to start sucking.
• 26:29
  Speaker 2: They're doing the same ship the actors are doing.
• 26:31
  Speaker 1: The actor You.
• 26:32
  Speaker 2: See a why the actors are on strike. They're trying
• 26:34
  Speaker 2: to slide in a little artificial intelligence into the movies. Yeah,
• 26:38
  Speaker 2: so like extras, Like they want the extras to be
• 26:42
  Speaker 2: like AI, Like they want to be able to scan
• 26:44
  Speaker 2: like an actor and then use their artificial likeliness. It's coming, bro.
• 26:49
  Speaker 1: Ship they got that one joint where the boy made
• 26:53
  Speaker 1: a uh I think some boy made a song like
• 26:56
  Speaker 1: Drake Future in the weekend, that ship hit like a
• 26:59
  Speaker 1: million the.
• 26:59
  Speaker 2: First Oh yeah, yeah, this was like yeah, this was
• 27:02
  Speaker 2: like what maybe like six months ago, seven months and
• 27:04
  Speaker 2: that ship went.
• 27:07
  Speaker 1: This ship hard because.
• 27:08
  Speaker 2: It's like also not a bad idea if you're a writer.
• 27:12
  Speaker 2: I wonder if it's a terrible idea to like.
• 27:13
  Speaker 1: Writers on there right now, writers doing all AI ship.
• 27:17
  Speaker 2: Because like this is what this is like, let me
• 27:19
  Speaker 2: send this out. So, like my thing is is, if
• 27:21
  Speaker 2: you're a writer and you write a song for Drake,
• 27:23
  Speaker 2: do you send the AI Drake version to his team?
• 27:25
  Speaker 2: So look, this is how he would sound. I've seen
• 27:27
  Speaker 2: some ship, Like I don't like, what's some writer? They
• 27:29
  Speaker 2: got some ship I can imagine, man, Like they're not
• 27:32
  Speaker 2: even writing more. Hey, we got to stop the interview
• 27:35
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  Speaker 2: to the interview. Are you your your process? You're are
• 30:02
  Speaker 2: you straight melody than punching.
• 30:04
  Speaker 1: Or yeah, yeah, I'm melody punching in yeah or melody
• 30:08
  Speaker 1: and just thinking.
• 30:09
  Speaker 2: Pro tools guy, When you're recording yourself.
• 30:11
  Speaker 1: Logic.
• 30:12
  Speaker 2: Wow, we just this guy just switched over to logic
• 30:15
  Speaker 2: right here. He loves like, Oh, I'm a logic Yeah.
• 30:22
  Speaker 2: Logic is the ship, though, the ship.
• 30:24
  Speaker 1: I've been on there for like ten years.
• 30:25
  Speaker 2: And you don't need a license, you don't need a
• 30:27
  Speaker 2: fucking little USB thing. Yeah, logic much logic, much easier
• 30:32
  Speaker 2: to get cracked.
• 30:34
  Speaker 1: Yeah for you. Yeah, I got a nigga here, Craig.
• 30:37
  Speaker 2: If you're interested in this, in stealing software, Logic much
• 30:40
  Speaker 2: easier to.
• 30:40
  Speaker 1: Steal in proteins, for sure. One hundred man.
• 30:43
  Speaker 2: All right, So the album's coming out.
• 30:44
  Speaker 1: Win August twenty fifth.
• 30:47
  Speaker 2: That's very soon. Yeah, that's two weeks away. Three weeks away.
• 30:50
  Speaker 2: Ship with Day the seventh, Like three weeks What is today?
• 30:54
  Speaker 2: Bro the eleventh? I don't even know. Today's the fourth?
• 30:58
  Speaker 2: Holy shit, dogs like my whole life. I have no
• 31:02
  Speaker 2: idea what's going on anywhere?
• 31:03
  Speaker 1: Today's the fourth? All right?
• 31:04
  Speaker 2: Three weeks away the debut album. I'm very excited for it.
• 31:09
  Speaker 2: Debut album, man, Yeah, a lot of people looking forward
• 31:13
  Speaker 2: to this.
• 31:13
  Speaker 1: Man, it's gonna touch a lot of people too.
• 31:16
  Speaker 2: Have you picked the next single yet?
• 31:17
  Speaker 1: Obviously?
• 31:17
  Speaker 2: The Chris Brown Songs going crazy. But have you guys
• 31:19
  Speaker 2: picked the next singer? You're gonna let the fans. We
• 31:21
  Speaker 2: dropped another one. We dropped a single two weeks ago
• 31:23
  Speaker 2: that when it comes to you.
• 31:25
  Speaker 1: Who's on that? Wasn't that one? That was just you? Okay,
• 31:28
  Speaker 1: I didn't hear that, So Chris Brown Jump, we dropped
• 31:30
  Speaker 1: when it comes to you, it's going crazy right now,
• 31:34
  Speaker 1: the video going crazy.
• 31:35
  Speaker 2: And you know what's gonna happen when the album comes out.
• 31:37
  Speaker 2: You guys are gonna see them streams go up and
• 31:39
  Speaker 2: whatever record. And that's usually I feel like that's kind
• 31:42
  Speaker 2: of the new way to you throw out the singles
• 31:45
  Speaker 2: and then you put the album and then let the
• 31:46
  Speaker 2: fans kind of gravitate towards especially with these bigger artists. Now,
• 31:50
  Speaker 2: the labels will hit me and they'll be like, Hey,
• 31:52
  Speaker 2: which song do you like on the album that just
• 31:53
  Speaker 2: came out with no note like Utopia right, like no
• 31:57
  Speaker 2: one likes k pop.
• 31:58
  Speaker 1: Probably the worst song on the album, Nigga Crazy.
• 32:02
  Speaker 2: It is the worst song on the album. It's not
• 32:04
  Speaker 2: a terrible song. I love Utopia each on, but it's like,
• 32:09
  Speaker 2: if you're gonna go with a record, you gotta go
• 32:11
  Speaker 2: with the meltdown right to each is on what's your
• 32:14
  Speaker 2: favorite do you like?
• 32:15
  Speaker 1: Well?
• 32:15
  Speaker 2: First of all, what are your thoughts on Utopia? It's
• 32:17
  Speaker 2: a great album, great production. Yeah, I liked it, Yeah,
• 32:22
  Speaker 2: I like it. Yeah, what's your what's your album of
• 32:25
  Speaker 2: the year so far?
• 32:25
  Speaker 1: This year?
• 32:26
  Speaker 2: Besides you can't say a.
• 32:27
  Speaker 1: Great question, don't yourself album of the year? And on
• 32:31
  Speaker 1: my phone.
• 32:33
  Speaker 2: Because the narrative is it's been a pretty rough year
• 32:36
  Speaker 2: for music.
• 32:38
  Speaker 1: It's been a crazy year, not the best year. I'm
• 32:43
  Speaker 1: gonna have to go on some afro beat shit probably okay, Yeah,
• 32:47
  Speaker 1: I'll be on the asro shiit. Hip hop is like,
• 32:50
  Speaker 1: like you said, it's been I don't feel like niggas.
• 32:53
  Speaker 1: Nigga's not focused no more how they used to be.
• 32:56
  Speaker 2: Like That's why, in my opinion, the best album of
• 32:58
  Speaker 2: the year so far as Killer Mike's album.
• 33:00
  Speaker 1: I heard that shit was crazy and somebody played me
• 33:03
  Speaker 1: that John too. It's a joint Andre three thousand on
• 33:06
  Speaker 1: there My Future hard yep. Andre three thousand Future.
• 33:10
  Speaker 2: Also worked on that album for like four years, so
• 33:12
  Speaker 2: that's I mean, listen.
• 33:13
  Speaker 1: Based off that sound song alone, bro production, cadence, real music, bro,
• 33:21
  Speaker 1: and that's what I'm saying like that music is not
• 33:25
  Speaker 1: being pushed in front of the bullshit like he dropped
• 33:29
  Speaker 1: the album of the year. I would get on some
• 33:31
  Speaker 1: rap shit how when I listen, But it's like so
• 33:35
  Speaker 1: much bullshit be put in the front of our face.
• 33:37
  Speaker 1: The real music is pushing it back, bro, Like you
• 33:40
  Speaker 1: know what I'm saying. So I feel like niggas gotta
• 33:43
  Speaker 1: start back. I feel like back then, bro, all the
• 33:47
  Speaker 1: all the the ship that was put in the front
• 33:50
  Speaker 1: of our face, it had some like some structure to us,
• 33:53
  Speaker 1: you know what I'm saying, Like fifty these niggas was
• 33:56
  Speaker 1: making hooks that everybody could sing.
• 33:59
  Speaker 2: Bro, Like, listen, I'm to get your take because you're
• 34:00
  Speaker 2: a songwriter, right. I feel, for whatever reason right now,
• 34:05
  Speaker 2: like the women in hip hop are like the only
• 34:08
  Speaker 2: people who are really kind of applying themselves and trying
• 34:11
  Speaker 2: to make real records. And I don't know if that's
• 34:12
  Speaker 2: because you know, they're in with more writers or they
• 34:16
  Speaker 2: they're they're they're try I just feel like women are
• 34:18
  Speaker 2: making the most palatable, palatable records with structure, with hooks,
• 34:23
  Speaker 2: with like melodies like it just I feel like they're
• 34:26
  Speaker 2: really running circles around uh. Male artists right now in
• 34:29
  Speaker 2: terms of just like when you turn the radio on, like.
• 34:31
  Speaker 1: They having any way. Yeah, cat, like the.
• 34:34
  Speaker 2: Chicks are killing it, like shout out the sexy red dog.
• 34:37
  Speaker 1: She having a way.
• 34:38
  Speaker 2: Like I think they killing it more because they being
• 34:41
  Speaker 2: themself type shit. They're not trying too hard.
• 34:45
  Speaker 1: Just being them and just you know what I'm saying,
• 34:47
  Speaker 1: even they they were origin of themself.
• 34:49
  Speaker 2: And I also think women are very like, uh, for
• 34:52
  Speaker 2: whatever reason, a lot of women artists are like extremely
• 34:54
  Speaker 2: open to like bringing in help for melodies, for hooks.
• 34:57
  Speaker 2: I'm not saying for verses, but you know, no men
• 35:00
  Speaker 2: and niggas is too. Yeah, I mean, but you can't.
• 35:03
  Speaker 2: You just can't hear it in the songs. Yeah, motherfucker
• 35:08
  Speaker 2: is just rapping like three minutes. You're like, wait, where's
• 35:10
  Speaker 2: the Oh, that's the hook?
• 35:13
  Speaker 1: Like, oh, bro, these niggas just making These niggas will
• 35:16
  Speaker 1: wrap the whole song and just make the song title
• 35:20
  Speaker 1: or something they said in the song they got no hook.
• 35:22
  Speaker 2: And then the hook is just like it sounds like
• 35:24
  Speaker 2: an extension.
• 35:25
  Speaker 1: Of a verse.
• 35:25
  Speaker 2: And then when you hear it back again the verse, Yes,
• 35:28
  Speaker 2: and it's the laziest.
• 35:30
  Speaker 1: Ship said in the verse. They will name the title
• 35:33
  Speaker 1: of the song. Oh the fucking bro. We need a
• 35:36
  Speaker 1: new we need a new age. Fifty cent bro, we
• 35:38
  Speaker 1: need something this nigga fifty cent made hooks. Sure that
• 35:42
  Speaker 1: joh Nelly hooks bro Like, so when you're in the club,
• 35:48
  Speaker 1: everybody's singing that hook bro like that ship. That's why
• 35:51
  Speaker 1: I think hip hop not where it needs to be
• 35:53
  Speaker 1: right now. Bro, I agree with you, man, people gotta
• 35:56
  Speaker 1: start making records again. Shout out to uh so everybody.
• 36:00
  Speaker 1: They're trying though, you know what I mean.
• 36:01
  Speaker 2: Look, Friday, the album comes out on August twenty fifth,
• 36:04
  Speaker 2: which is also a Friday. It'd only be right your
• 36:08
  Speaker 2: album comes out on a Friday. Well, all albums come
• 36:09
  Speaker 2: out on a Friday. But we're going to act like
• 36:11
  Speaker 2: this is on purpose. You know, back in the day
• 36:15
  Speaker 2: on a Friday, if it came out on today, was
• 36:17
  Speaker 2: still to jump And look at us filming this interview
• 36:19
  Speaker 2: on a Friday, sure Jesus, you know, like we're super
• 36:24
  Speaker 2: woke and all that shit's lining up and there's some
• 36:25
  Speaker 2: sort of hidden meaning in that, and we're will decipher
• 36:28
  Speaker 2: and let the fans kind of figure out how Illuminati
• 36:31
  Speaker 2: is involved in this interview. Friday, dropping an album on Friday
• 36:34
  Speaker 2: while being interviewed on a Friday. All right, there it is, man,
• 36:37
  Speaker 2: I appreciate you.
• 36:37
  Speaker 1: Brother Boom. Hey, what up? Man?
• 36:40
  Speaker 2: You just watched another episode of the Blue Ley Cap Podcast,
• 36:43
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